Browse content similar to The Times They Are A-Changing. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Nestled amongst the Channel Islands is picturesque Sark. | 0:00:03 | 0:00:06 | |
Part of the British Isles, but self-governing, | 0:00:10 | 0:00:13 | |
with its own parliament and laws. | 0:00:13 | 0:00:15 | |
All those in favour, raise your hand. | 0:00:15 | 0:00:18 | |
Tourism is Sark's lifeblood, and visitors flock in the summer | 0:00:19 | 0:00:23 | |
to witness the island's beauty and eccentric charm. | 0:00:23 | 0:00:27 | |
With no cars or streetlights, | 0:00:29 | 0:00:31 | |
a visit to Sark is a step back in time. | 0:00:31 | 0:00:33 | |
People that come to Sark like its uniqueness. | 0:00:36 | 0:00:38 | |
It is different, and I think as long as we can retain that, | 0:00:38 | 0:00:41 | |
people will still want to come to the island. | 0:00:41 | 0:00:44 | |
Up to now, Sark's independence has enabled it | 0:00:44 | 0:00:47 | |
to reject many of the trappings of modern life | 0:00:47 | 0:00:50 | |
and to protect its natural heritage. | 0:00:50 | 0:00:52 | |
But things are changing... | 0:00:54 | 0:00:56 | |
That's no longer there, unfortunately. | 0:00:56 | 0:00:59 | |
..and those on Sark face difficult choices, | 0:00:59 | 0:01:02 | |
all the while protecting the unique characteristics | 0:01:02 | 0:01:05 | |
that make the island so special. | 0:01:05 | 0:01:07 | |
If we ever see the day that our government officials | 0:01:07 | 0:01:10 | |
are persuaded that we need cars, that, you know, | 0:01:10 | 0:01:13 | |
we need anything more, really, than we've got now, | 0:01:13 | 0:01:15 | |
I think it would be a disaster. | 0:01:15 | 0:01:17 | |
For visitors, | 0:01:55 | 0:01:56 | |
much of the appeal of Sark comes from its lack of modern ways. | 0:01:56 | 0:02:00 | |
There is no bus service here. Instead, you're pulled by a tractor. | 0:02:02 | 0:02:05 | |
And with no cars, people get around by horse-drawn carriage... | 0:02:07 | 0:02:10 | |
..by bike... | 0:02:12 | 0:02:13 | |
..or on foot. | 0:02:15 | 0:02:17 | |
Sark's roads are resolutely old-fashioned too, | 0:02:18 | 0:02:22 | |
largely laid with stone that comes from Sark's only quarry, | 0:02:22 | 0:02:26 | |
owned by farmer and leader of the church choir Kevin Adams. | 0:02:26 | 0:02:30 | |
Well, they're dirt roads, or stone roads. | 0:02:33 | 0:02:36 | |
They're not bound together with bitumen or anything. | 0:02:36 | 0:02:39 | |
Bitumen makes the roads very hot | 0:02:40 | 0:02:42 | |
and you'd have to have different horseshoes for the horses. | 0:02:42 | 0:02:46 | |
So, Sark has always had stone roads, | 0:02:46 | 0:02:49 | |
and they do suffer from wear and tear. | 0:02:49 | 0:02:53 | |
Like the rest of the UK, we had lots of rain | 0:02:53 | 0:02:56 | |
and it erodes the roads. | 0:02:56 | 0:02:59 | |
There's still some time, before the busy summer season, | 0:03:01 | 0:03:04 | |
for a spot of maintenance on the roads, | 0:03:04 | 0:03:06 | |
and that's going to need a lot of new stone. | 0:03:06 | 0:03:10 | |
So, busy feeding the rock crusher at the quarry | 0:03:10 | 0:03:12 | |
is the double act of Zoe Adams and Jill Gill. | 0:03:12 | 0:03:15 | |
We're quite an attraction in the summer. | 0:03:17 | 0:03:20 | |
So, lots of people stop and take pictures of us. | 0:03:20 | 0:03:23 | |
There was one group of chaps that were passing, older guys, | 0:03:23 | 0:03:26 | |
and they were mouthing something to Jill | 0:03:26 | 0:03:28 | |
and she wasn't sure what they were saying. | 0:03:28 | 0:03:30 | |
Eventually she realised they were saying, "Is it community service?" | 0:03:30 | 0:03:33 | |
They thought we were doing community service! | 0:03:33 | 0:03:36 | |
No, it's our job! This is what we do. | 0:03:36 | 0:03:38 | |
-It's not an unusual job for women, not in Sark. -No. | 0:03:38 | 0:03:40 | |
The rock crusher might not seem cutting-edge | 0:03:44 | 0:03:46 | |
but, in the past, everything was done by hand, | 0:03:46 | 0:03:49 | |
from the crushing of the stone to the laying of the roads by fishermen | 0:03:49 | 0:03:54 | |
out of season in the winter to keep them in work throughout the year. | 0:03:54 | 0:03:59 | |
Now we have a machine which comes once a year from England, | 0:03:59 | 0:04:02 | |
which is called a MERI crusher, | 0:04:02 | 0:04:04 | |
and it rips up the road, and then it will relay the road for you. | 0:04:04 | 0:04:07 | |
For the last four years, | 0:04:14 | 0:04:16 | |
the road gangs have been superseded by the MERI crusher, arriving today. | 0:04:16 | 0:04:20 | |
But getting almost ten tonnes of machinery off the boat | 0:04:20 | 0:04:25 | |
tests the crane and its operator, | 0:04:25 | 0:04:27 | |
Jeremy La Trobe-Bateman, to the limit. | 0:04:27 | 0:04:29 | |
It's quite a tricky lift for the crane, really. | 0:04:31 | 0:04:33 | |
It makes me a little nervous. | 0:04:35 | 0:04:37 | |
We're pretty near crane capacity lifting the thing off. | 0:04:38 | 0:04:43 | |
A Japanese lady starts shouting when it gets into the yellow sector | 0:04:44 | 0:04:48 | |
and she gets very, very hysterical when you get towards the red! | 0:04:48 | 0:04:52 | |
The MERI crusher is a sign of changing times on Sark. | 0:04:57 | 0:05:01 | |
It'll be crisscrossing the island for the next two weeks. | 0:05:01 | 0:05:04 | |
With the lambing season now over, | 0:05:12 | 0:05:15 | |
shepherd Dave Scott has a little more time | 0:05:15 | 0:05:17 | |
to spend with those animals who've achieved a more elevated status. | 0:05:17 | 0:05:21 | |
Come on, then, Pers! We're going out! | 0:05:22 | 0:05:25 | |
SHEEP BLEATS | 0:05:25 | 0:05:26 | |
Dave's pet sheep, Persil, is now a one-year-old. | 0:05:29 | 0:05:33 | |
Bottle-fed when born, he's always been a member of the family. | 0:05:33 | 0:05:37 | |
He's off! | 0:05:37 | 0:05:38 | |
Come on, Persil. Come on, then! | 0:05:38 | 0:05:42 | |
Come on! Here he comes! | 0:05:42 | 0:05:44 | |
Look at that. | 0:05:44 | 0:05:46 | |
Almost as obedient as the dogs. | 0:05:47 | 0:05:49 | |
Ahh... | 0:05:51 | 0:05:53 | |
Ehh... | 0:05:53 | 0:05:55 | |
You're getting quite fat, Persil, aren't you? Yes! | 0:05:55 | 0:05:59 | |
Growing quite meaty. | 0:06:00 | 0:06:01 | |
-MAN: -Is he always going to be a pet? | 0:06:03 | 0:06:05 | |
I suppose he probably will be, yeah. | 0:06:07 | 0:06:09 | |
He's quite a friendly little chap. | 0:06:10 | 0:06:12 | |
And he has got celebrity status now, of course, you know. | 0:06:14 | 0:06:17 | |
People flock from miles around to come and see Persil, you know. | 0:06:17 | 0:06:20 | |
All right, Pers. | 0:06:21 | 0:06:23 | |
But Persil isn't the only animal | 0:06:25 | 0:06:26 | |
who's found a special place in Dave's heart. | 0:06:26 | 0:06:29 | |
Hello, piggy-wig. Hello, piggy. Come on, out you come. | 0:06:29 | 0:06:33 | |
There's another, called Scarlett O'Hara. | 0:06:34 | 0:06:38 | |
She's a nice big pig. Aren't you, Scars? Come on, piggo. | 0:06:38 | 0:06:41 | |
Come on. Out you come. | 0:06:44 | 0:06:45 | |
Come and see the sunshine! Eh? Come on, old girl. | 0:06:46 | 0:06:51 | |
She's due to farrow in about a month's time. She's not that old. | 0:06:52 | 0:06:58 | |
She's only just over a year old. | 0:06:58 | 0:06:59 | |
Shall we go and inspect your patch? | 0:07:02 | 0:07:04 | |
Come on, then, Scarls. | 0:07:04 | 0:07:06 | |
It's a bit muddy. | 0:07:06 | 0:07:08 | |
Off you trot, then. | 0:07:10 | 0:07:11 | |
Come on, then. You all right? | 0:07:14 | 0:07:18 | |
How are you doing? | 0:07:18 | 0:07:20 | |
Come on, then, piggy-wig. Come on, Scarly. | 0:07:20 | 0:07:23 | |
'I swapped Scarlett for a sheep, actually.' | 0:07:23 | 0:07:25 | |
We had three piggies | 0:07:26 | 0:07:28 | |
and Scarlett just sort of touched a nerve, really. | 0:07:28 | 0:07:33 | |
Come on, porker. Come on, piggus. | 0:07:33 | 0:07:35 | |
She got out a couple of weeks ago and... | 0:07:37 | 0:07:40 | |
I found her in the middle of a vineyard. | 0:07:40 | 0:07:42 | |
But, luckily, she wasn't there very long. | 0:07:43 | 0:07:46 | |
Hopefully, yeah, we'll see some piglets in a month's time. | 0:07:47 | 0:07:50 | |
BICYCLE BELL DINGS | 0:07:50 | 0:07:51 | |
Dave's wife, Estelle, | 0:07:53 | 0:07:55 | |
and their daughter, Robyn, have had to learn to share him. | 0:07:55 | 0:07:58 | |
-MAN: -He does love that pig. -He does, he does. | 0:07:59 | 0:08:01 | |
He was home for about five minutes yesterday, we got off the boat, | 0:08:01 | 0:08:04 | |
he went home, picked up the dogs, | 0:08:04 | 0:08:06 | |
and he said, "I'm just off to do the pig!" | 0:08:06 | 0:08:09 | |
I mean, she's lovely, Scarlett. Aren't you, Scarls? Aren't you? | 0:08:10 | 0:08:13 | |
She loves him. Most other men go to the pub, they do whatever. | 0:08:14 | 0:08:17 | |
Dave just hangs out in the pig pen, yeah. | 0:08:17 | 0:08:20 | |
Come on, then. | 0:08:20 | 0:08:21 | |
Sark's rich natural heritage | 0:08:28 | 0:08:30 | |
provides much inspiration to the island's artists, | 0:08:30 | 0:08:33 | |
who have a healthy tourist trade to support them. | 0:08:33 | 0:08:36 | |
Artist Rosie Guille is a Sark native | 0:08:38 | 0:08:41 | |
whose family line goes all the way back to the original settlers. | 0:08:41 | 0:08:45 | |
We go right back to 1565, so it's nice to be able to say that. | 0:08:45 | 0:08:50 | |
Yeah, I've got strong roots in Sark. | 0:08:50 | 0:08:52 | |
Rosie sells paintings from her own gallery, | 0:08:54 | 0:08:57 | |
with most of her work showing Sark's most iconic views. | 0:08:57 | 0:09:00 | |
I just love painting, especially in watercolour. | 0:09:00 | 0:09:04 | |
I think it's the environment that I grew up in. | 0:09:04 | 0:09:06 | |
Just idyllic, idyllic way of life, | 0:09:06 | 0:09:08 | |
you know, up and down from the beaches, | 0:09:08 | 0:09:10 | |
off on our own quite a lot of the time. | 0:09:10 | 0:09:14 | |
My sister and I, we were always down the rocks, fishing. | 0:09:14 | 0:09:17 | |
I just think it's so perfect for an artist. | 0:09:17 | 0:09:20 | |
For the last few years, | 0:09:22 | 0:09:23 | |
Rosie has worked with an organisation | 0:09:23 | 0:09:25 | |
called Artists for Nature, | 0:09:25 | 0:09:27 | |
who use art as a way of highlighting conservation issues. | 0:09:27 | 0:09:31 | |
Artists like Bruce Pearson are invited to the island. | 0:09:33 | 0:09:37 | |
Well, the project started in 2009, when I had this bright idea | 0:09:37 | 0:09:43 | |
of bringing a group of world-renowned artists to Sark | 0:09:43 | 0:09:47 | |
to highlight the nature and our way of life over here, which is unique. | 0:09:47 | 0:09:51 | |
I've found Sark particularly exciting. | 0:09:54 | 0:09:57 | |
There's a wonderful sense of timelessness in the landscape. | 0:09:57 | 0:10:03 | |
It's an absolutely extraordinary place, fantastic. | 0:10:03 | 0:10:07 | |
For one previous artists' weekend, | 0:10:07 | 0:10:10 | |
Rosie organised for over 50 of them to visit the island, | 0:10:10 | 0:10:13 | |
and it resulted in the publication of a book. | 0:10:13 | 0:10:17 | |
It's a big coffee table-type book | 0:10:17 | 0:10:18 | |
and it's full of paintings by the artists, like Bruce. | 0:10:18 | 0:10:25 | |
That's no longer there, unfortunately. That's a field now. | 0:10:25 | 0:10:30 | |
-There we are. -There we are. That doesn't look like that any more. | 0:10:30 | 0:10:33 | |
So, Sark's landscape is not immune to change. | 0:10:34 | 0:10:38 | |
But Rosie's project attempts to stop it changing too much. | 0:10:38 | 0:10:42 | |
Sark has a responsibility to look after its natural beauty, | 0:10:42 | 0:10:46 | |
maintain what we have, maintain our roads, | 0:10:46 | 0:10:49 | |
you know, maintain our dark skies, | 0:10:49 | 0:10:50 | |
hang onto everything that everybody else is losing. | 0:10:50 | 0:10:54 | |
The whole point of this | 0:10:56 | 0:10:58 | |
is really to make people think about how special Sark is | 0:10:58 | 0:11:03 | |
and, hopefully, to protect it for the future. | 0:11:03 | 0:11:07 | |
One of Sark's unique natural characteristics | 0:11:14 | 0:11:17 | |
that has so far been protected comes alive as night falls. | 0:11:17 | 0:11:20 | |
A result of Sark's lack of streetlights | 0:11:22 | 0:11:25 | |
and, hence, lack of light pollution. | 0:11:25 | 0:11:27 | |
The night sky on Sark is as vivid now as it's always been... | 0:11:31 | 0:11:35 | |
..and makes keen amateur astronomers out of many on the island. | 0:11:38 | 0:11:42 | |
Sark is brilliant for looking at stars just with your naked eyes. | 0:11:43 | 0:11:48 | |
You can lie on a lawn, look upwards, let your eyes adjust to the dark. | 0:11:48 | 0:11:53 | |
You gradually see more and more stars. | 0:11:53 | 0:11:55 | |
It's like a whole carpet of diamonds. | 0:11:57 | 0:11:59 | |
Members of Sark Astronomy Society gather whenever the skies are clear. | 0:12:01 | 0:12:06 | |
It really is lovely to see the stars in Sark, cos they're always... | 0:12:06 | 0:12:09 | |
They're right there, you know, you just go outside your back door. | 0:12:09 | 0:12:12 | |
-MAN: -That's Mars, is it? | 0:12:12 | 0:12:13 | |
Three years ago, Sark became the first island in the world | 0:12:17 | 0:12:21 | |
to get official dark sky status | 0:12:21 | 0:12:23 | |
and, in so doing, became well-known to professional astronomers too, | 0:12:23 | 0:12:27 | |
like Dr Marek Kukula, | 0:12:27 | 0:12:29 | |
Public Astronomer at the Royal Observatory, Greenwich. | 0:12:29 | 0:12:32 | |
I think the residents here have done a really amazing job | 0:12:32 | 0:12:35 | |
in protecting this part of their natural environment, | 0:12:35 | 0:12:38 | |
which, in many other parts of the world, | 0:12:38 | 0:12:41 | |
we've kind of lost without really realising it, | 0:12:41 | 0:12:44 | |
and I hope that it will bring more people to the island | 0:12:44 | 0:12:46 | |
to appreciate the dark skies that they have here. | 0:12:46 | 0:12:49 | |
I think just anybody walking the lanes of Sark at night, | 0:12:50 | 0:12:53 | |
looking up, it's a really beautiful, romantic sight, it's gorgeous. | 0:12:53 | 0:12:57 | |
I think Sark's been so fortunate. | 0:13:00 | 0:13:01 | |
Because we have no streetlights, | 0:13:01 | 0:13:03 | |
we've managed to preserve these dark skies, | 0:13:03 | 0:13:05 | |
hence we've got this status of the first dark sky island in the world. | 0:13:05 | 0:13:09 | |
We're all here tonight looking up at the stars, | 0:13:09 | 0:13:11 | |
and it's great to think that generations to come | 0:13:11 | 0:13:14 | |
will be able to do the same thing. | 0:13:14 | 0:13:16 | |
Sark has two churches, | 0:13:21 | 0:13:23 | |
both very much at the centre of the island's community. | 0:13:23 | 0:13:27 | |
There's the Methodist Chapel and the Anglican St Peter's Church. | 0:13:27 | 0:13:31 | |
For over six months now, St Peter's has been using locum vicars, | 0:13:33 | 0:13:37 | |
usually covering a month or so at a time, | 0:13:37 | 0:13:39 | |
as they continue to search for someone permanent. | 0:13:39 | 0:13:42 | |
The only full-time resident minister on Sark at the moment | 0:13:46 | 0:13:49 | |
is Methodist lay preacher Karen Le Mouton. | 0:13:49 | 0:13:52 | |
Hello, Sheila. | 0:13:52 | 0:13:55 | |
Hello, Persil! | 0:13:55 | 0:13:57 | |
For the last three years, | 0:13:57 | 0:13:58 | |
Karen has spent most of her time | 0:13:58 | 0:14:00 | |
away from her home on neighbouring Jersey | 0:14:00 | 0:14:03 | |
amongst the parishioners of Sark. | 0:14:03 | 0:14:05 | |
She's worked hard to bring the church to the people, | 0:14:07 | 0:14:10 | |
and the people to the church. | 0:14:10 | 0:14:12 | |
She's now a well-respected member of Sark's community. | 0:14:12 | 0:14:15 | |
But recently, | 0:14:18 | 0:14:19 | |
Karen has been accepted for pre-ordination training, | 0:14:19 | 0:14:22 | |
and that throws her future on Sark into question. | 0:14:22 | 0:14:25 | |
It could either be a two-year full-time course | 0:14:27 | 0:14:31 | |
at Queen's Foundation in Birmingham | 0:14:31 | 0:14:33 | |
or a three-year part-time pathway | 0:14:33 | 0:14:35 | |
which would allow me to continue to do the job here, I hope. | 0:14:35 | 0:14:40 | |
I've put my preferred options in, | 0:14:40 | 0:14:42 | |
so I have to wait to hear what will be offered to me | 0:14:42 | 0:14:45 | |
and what they feel would be right for me. | 0:14:45 | 0:14:47 | |
For members of Karen's congregation, | 0:14:50 | 0:14:51 | |
the idea that she might be leaving is causing great concern. | 0:14:51 | 0:14:56 | |
We should be so sad. | 0:14:56 | 0:14:58 | |
You know, we'd be really very, very sorry if she had to go | 0:14:58 | 0:15:02 | |
and we'd miss her greatly as a person, as well as our pastor. | 0:15:02 | 0:15:07 | |
You have made each one of us unique. | 0:15:07 | 0:15:09 | |
She's a friend to the wider community, | 0:15:09 | 0:15:12 | |
so she would be missed, the whole of Sark would miss her. | 0:15:12 | 0:15:16 | |
If I was moved at the moment, I'd feel... | 0:15:16 | 0:15:19 | |
I'd find it quite difficult, because this is my third year here | 0:15:19 | 0:15:23 | |
and it takes a long time to build up trust and relationships, | 0:15:23 | 0:15:26 | |
and I feel I've just got to that point now | 0:15:26 | 0:15:29 | |
and feel that my ministry's just sort of taking off, really, | 0:15:29 | 0:15:33 | |
and to move at this point, I think, would be quite hard for Sark. | 0:15:33 | 0:15:37 | |
I'm just trusting God and trusting the people involved | 0:15:38 | 0:15:41 | |
that it's all done very prayerfully | 0:15:41 | 0:15:43 | |
and that the right decision will be made. | 0:15:43 | 0:15:44 | |
About to get started on a programme of road maintenance | 0:15:46 | 0:15:50 | |
is the MERI crusher. | 0:15:50 | 0:15:51 | |
The entire project is overseen by Paul Williams. | 0:15:51 | 0:15:55 | |
OK. As usual, I've put the list on a fag packet. | 0:15:55 | 0:15:59 | |
-Well, it's a Christmas card. -A Christmas card. -Yeah, yeah. | 0:15:59 | 0:16:02 | |
This is Owen Cronk. He's been over... | 0:16:02 | 0:16:05 | |
Call him Cronky, naturally. | 0:16:05 | 0:16:07 | |
He's been over a couple of times with this monster that's behind us. | 0:16:07 | 0:16:11 | |
It's... | 0:16:11 | 0:16:13 | |
We need a big tractor like that to handle this machine, | 0:16:13 | 0:16:19 | |
which is the MERI crusher. | 0:16:19 | 0:16:21 | |
This machine will rip up the road | 0:16:21 | 0:16:25 | |
and then Owen will take this machine off | 0:16:25 | 0:16:27 | |
and he will put on this machine, which is the grader, | 0:16:27 | 0:16:32 | |
and then when that's finished, | 0:16:32 | 0:16:34 | |
we will come along with our own roller | 0:16:34 | 0:16:37 | |
and they will end up as we would like them. | 0:16:37 | 0:16:39 | |
In two weeks, the MERI crusher will cover more of Sark | 0:16:46 | 0:16:50 | |
than a road gang of men could have done in an entire winter. | 0:16:50 | 0:16:53 | |
But its presence throws up difficult questions for Sark. | 0:16:54 | 0:16:57 | |
Importing machines like the MERI crusher, | 0:16:59 | 0:17:02 | |
meaning that it's taking away from local work, | 0:17:02 | 0:17:05 | |
inevitably lowers that sense of community | 0:17:05 | 0:17:08 | |
because there's less collective work to do, | 0:17:08 | 0:17:12 | |
and what are those people going to do | 0:17:12 | 0:17:14 | |
who used to work in the winter? | 0:17:14 | 0:17:16 | |
They'll find other work, but it's not working as a gang together. | 0:17:16 | 0:17:20 | |
I think, for Sark, it's that tension between allowing change to happen | 0:17:25 | 0:17:30 | |
to benefit the community and to benefit the economy, | 0:17:30 | 0:17:34 | |
but also retaining the uniqueness that is Sark. | 0:17:34 | 0:17:37 | |
Modern technology faces a stern test today. | 0:17:40 | 0:17:43 | |
The Coupee, French for "gangway", | 0:17:43 | 0:17:46 | |
links Sark to the peninsula of Little Sark. | 0:17:46 | 0:17:49 | |
The roads there are in a poor state, | 0:17:49 | 0:17:51 | |
so the MERI crusher will attempt to become | 0:17:51 | 0:17:54 | |
the biggest and heaviest vehicle ever to get across. | 0:17:54 | 0:17:57 | |
-Good luck! -I'm going to need it! | 0:18:02 | 0:18:05 | |
ENGINE STARTS | 0:18:07 | 0:18:09 | |
It's a huge machine. It's 200 horsepower of tractor. | 0:18:12 | 0:18:15 | |
Potentially, the problem with that big machine | 0:18:15 | 0:18:18 | |
is that our roads aren't very big. | 0:18:18 | 0:18:20 | |
It has to breathe in, let's put it that way! | 0:18:22 | 0:18:24 | |
-With minuscule clearance either side... -Good Lord above. | 0:18:26 | 0:18:30 | |
..and an almost sheer 300-foot drop to the left and right, | 0:18:30 | 0:18:34 | |
the MERI crusher enters the Coupee. | 0:18:34 | 0:18:36 | |
Under pressure is driver Owen Cronk. | 0:18:36 | 0:18:40 | |
OWEN LAUGHS Oh! | 0:18:40 | 0:18:42 | |
How did I get myself into this? | 0:18:44 | 0:18:45 | |
This is the bit I've been dreading. | 0:18:50 | 0:18:52 | |
Oh, dear! | 0:18:55 | 0:18:56 | |
Certainly the last part, looking down over, is petrifying. | 0:18:58 | 0:19:02 | |
Phew! Hallelujah! Thank you. | 0:19:04 | 0:19:07 | |
And there we are. The Coupee still stands. | 0:19:10 | 0:19:12 | |
-You've got to get back yet! -Yes, thank you! | 0:19:12 | 0:19:14 | |
There's another member of the Artists for Nature organisation | 0:19:23 | 0:19:26 | |
on Sark this week. | 0:19:26 | 0:19:28 | |
Sculptor Harriet Mead | 0:19:28 | 0:19:30 | |
specialises in transforming old and discarded items. | 0:19:30 | 0:19:34 | |
It's made entirely of found objects. I collected them all from Sark. | 0:19:34 | 0:19:37 | |
It's rather fun looking at the objects. | 0:19:37 | 0:19:40 | |
I mean, here's a bottle opener here. | 0:19:40 | 0:19:42 | |
There's a bicycle, because on Sark, everyone goes around with bicycles, | 0:19:42 | 0:19:46 | |
so I end up with quite a few bits of bicycle. | 0:19:46 | 0:19:47 | |
Alfie Adams is my absolute hero. | 0:19:51 | 0:19:53 | |
I've been to his sheds on a number of occasions | 0:19:53 | 0:19:56 | |
and he always comes up with some absolute gems. | 0:19:56 | 0:19:59 | |
Hello, Alfie. | 0:19:59 | 0:20:01 | |
Hi! | 0:20:01 | 0:20:03 | |
On Sark, the undisputed king of old and discarded items is Alfie Adams. | 0:20:03 | 0:20:09 | |
Born and raised on the island, | 0:20:09 | 0:20:11 | |
he's a descendant of the original settlers | 0:20:11 | 0:20:13 | |
and a hoarder par excellence. | 0:20:13 | 0:20:15 | |
Ah! | 0:20:15 | 0:20:17 | |
Look at that, then! | 0:20:18 | 0:20:20 | |
-Oh, it's a candle snuffer! -Correct. I thought you could do a witch's hat. | 0:20:20 | 0:20:24 | |
SHE LAUGHS You want to put these in, then? | 0:20:24 | 0:20:26 | |
-Yeah, I'd love them. -Yeah. -Oh! Those are lovely. | 0:20:26 | 0:20:30 | |
You know, already, I'm looking at that | 0:20:30 | 0:20:32 | |
and you can imagine this is the head and the neck of the bird | 0:20:32 | 0:20:35 | |
and this is the wing feathers coming back at the back. | 0:20:35 | 0:20:38 | |
I thought it would make a perfect catapult! | 0:20:38 | 0:20:40 | |
Alfie lived through the German occupation of the Channel Islands | 0:20:42 | 0:20:45 | |
during World War II, | 0:20:45 | 0:20:47 | |
but some of his trinkets date back further than that. | 0:20:47 | 0:20:51 | |
-Periscope. -Correct. I presume it was used in trenches. | 0:20:51 | 0:20:55 | |
Yeah, because you can look round the corner. | 0:20:55 | 0:20:57 | |
You look through, up there. | 0:20:57 | 0:20:59 | |
-There you are. -Look at that! | 0:21:02 | 0:21:04 | |
1914-1918. | 0:21:04 | 0:21:07 | |
Remind me the story behind that, Alfie. | 0:21:07 | 0:21:09 | |
It was a fisherman... | 0:21:09 | 0:21:11 | |
..shooting, he shot his foot, I think. | 0:21:12 | 0:21:15 | |
But then the British Legion got him another one made of aluminium, | 0:21:15 | 0:21:19 | |
and it took him months to get used to it, | 0:21:19 | 0:21:21 | |
-because he couldn't get the swing. -Because this was so heavy. | 0:21:21 | 0:21:24 | |
Because this one was so heavy and he could swing it with the other one. | 0:21:24 | 0:21:27 | |
-Thanks, Alfie! -OK! -Bye! | 0:21:30 | 0:21:34 | |
Armed with a fresh collection of Sark's most treasured clutter, | 0:21:36 | 0:21:40 | |
Harriet meets up with painter Bruce at Sark school | 0:21:40 | 0:21:43 | |
for a workshop with Class 1's children, | 0:21:43 | 0:21:46 | |
connecting art to the natural world around them. | 0:21:46 | 0:21:49 | |
These are all the goodies! | 0:21:49 | 0:21:50 | |
Look at what Keana's found. | 0:21:53 | 0:21:54 | |
Quack, quack, quack! | 0:21:55 | 0:21:57 | |
-It's a duck's head. -With an eye. -With an eye and a beak. | 0:21:57 | 0:22:00 | |
That's perfect. | 0:22:00 | 0:22:01 | |
Let's put him along the back, as part of the duck's back. | 0:22:01 | 0:22:05 | |
What could we use that for? | 0:22:05 | 0:22:07 | |
So, this is his head. Can everyone see what's going on here? | 0:22:07 | 0:22:10 | |
Who wants to help me make a horse? What does this look like on a horse? | 0:22:10 | 0:22:14 | |
Can anyone think what that looks like? | 0:22:14 | 0:22:16 | |
Class 1's teacher is Alison Mills. | 0:22:16 | 0:22:19 | |
That's too big. | 0:22:19 | 0:22:21 | |
As you can see, they're just so motivated now and enthusiastic | 0:22:21 | 0:22:25 | |
and the imaginations are really starting to come out now. | 0:22:25 | 0:22:29 | |
It just fits in so well with Sark, | 0:22:32 | 0:22:34 | |
because it's getting them to notice the environment around them, | 0:22:34 | 0:22:39 | |
the animals and everything that's on Sark. | 0:22:39 | 0:22:42 | |
It's making them a lot more aware, I think. | 0:22:42 | 0:22:45 | |
Does this look like a rabbit's back paw? I think it does. | 0:22:45 | 0:22:47 | |
-What do you reckon? -Yeah. | 0:22:47 | 0:22:49 | |
Over at Dave's shed, one pig has become 11. | 0:22:51 | 0:22:55 | |
Come on out, piggies. | 0:22:55 | 0:22:56 | |
Hello, little piggies. | 0:22:58 | 0:23:00 | |
Scarlett O'Hara's piglets are now a few weeks old. | 0:23:00 | 0:23:03 | |
Hello, piggy-wigs. Why aren't you all going out? | 0:23:03 | 0:23:06 | |
They like it when the sun's shining, they come out, | 0:23:06 | 0:23:09 | |
but they're not too keen when it's as cold as it is. | 0:23:09 | 0:23:13 | |
They're getting quite tame now, anyway. 'Ey up, piggos! | 0:23:16 | 0:23:20 | |
We'll bring up most of them, | 0:23:21 | 0:23:23 | |
but we've got friends, they like to have a couple of pigs. | 0:23:23 | 0:23:26 | |
They have the pigs for the summer | 0:23:26 | 0:23:28 | |
and then they get to eat them in the autumn. | 0:23:28 | 0:23:30 | |
Are you getting up, Scarlett? | 0:23:33 | 0:23:35 | |
Come on, up you get. Go on! | 0:23:35 | 0:23:37 | |
Go on, pig! Up, piggy! | 0:23:37 | 0:23:40 | |
Up, piggo! | 0:23:40 | 0:23:41 | |
While Karen waits to hear whether her pre-ordination training | 0:23:51 | 0:23:54 | |
will take her away from her beloved Sark, | 0:23:54 | 0:23:57 | |
over at the Anglican St Peter's, | 0:23:57 | 0:24:00 | |
the mission to find a new permanent vicar has stalled. | 0:24:00 | 0:24:03 | |
It's an unpaid role, though it does come with the vicarage | 0:24:04 | 0:24:07 | |
as a so-called House for Duty. | 0:24:07 | 0:24:10 | |
For the last six months now, | 0:24:10 | 0:24:11 | |
they've only been able to find locums to provide temporary cover, | 0:24:11 | 0:24:15 | |
a frustration to committed members of St Peter's congregation | 0:24:15 | 0:24:19 | |
like Puffin Taylour. | 0:24:19 | 0:24:21 | |
I'm not sure what it is. | 0:24:21 | 0:24:23 | |
I think there's a shortness of supply generally for vicars, | 0:24:23 | 0:24:26 | |
We're open up to anything, really. | 0:24:27 | 0:24:30 | |
We don't mind who we get, so long as they've got a Christian faith | 0:24:30 | 0:24:33 | |
and they want to bring the mission to Sark. | 0:24:33 | 0:24:36 | |
Visiting the island is the man responsible for finding a new vicar. | 0:24:37 | 0:24:41 | |
The Dean of Guernsey, Paul Mellor. | 0:24:41 | 0:24:43 | |
There isn't a plan to go on with locum ministry here. | 0:24:46 | 0:24:51 | |
It is fulfilling a need at the moment. | 0:24:51 | 0:24:55 | |
Our aim is to find that elusive person | 0:24:56 | 0:24:59 | |
who would come and fit in here | 0:24:59 | 0:25:03 | |
and also be able to serve the parish into the future. | 0:25:03 | 0:25:06 | |
Whoever comes, that special person, or that special family, man, woman, | 0:25:09 | 0:25:14 | |
will find Sark a treasure, and I'm hopeful that they will come, | 0:25:14 | 0:25:19 | |
so anybody out there, come and have a look at us. | 0:25:19 | 0:25:22 | |
Things change slowly on Sark... | 0:25:27 | 0:25:29 | |
..and some things hardly change at all. | 0:25:31 | 0:25:33 | |
Fishing for lobsters and crabs here | 0:25:33 | 0:25:35 | |
has been done pretty much the same way for hundreds of years. | 0:25:35 | 0:25:39 | |
Bas Adams, another descendant of Sark's original settlers, | 0:25:41 | 0:25:44 | |
has fished almost all his whole life. | 0:25:44 | 0:25:47 | |
My grandfather and my uncle, that's how I started. | 0:25:49 | 0:25:52 | |
I was only about six and I used to go with them. | 0:25:53 | 0:25:57 | |
If they didn't want to take me, | 0:25:57 | 0:25:59 | |
I used to cry, cos I wanted to go so much, you know. | 0:25:59 | 0:26:01 | |
It means everything, because it's my hobby as well. | 0:26:01 | 0:26:04 | |
It's a trade that defies modernisation, | 0:26:07 | 0:26:09 | |
using methods that could never be industrialised. | 0:26:09 | 0:26:13 | |
Any changes that HAVE happened have been small. | 0:26:13 | 0:26:16 | |
Some of them have changed. | 0:26:18 | 0:26:20 | |
You buy little red bands now | 0:26:20 | 0:26:21 | |
and you put them on with like a pair of tweezers. | 0:26:21 | 0:26:24 | |
I do it in the old-fashioned way. | 0:26:25 | 0:26:28 | |
I don't know why. | 0:26:28 | 0:26:29 | |
Old habits die hard, I think. | 0:26:29 | 0:26:31 | |
See, that's a nice one. | 0:26:32 | 0:26:34 | |
Come on, you! Stop it! | 0:26:36 | 0:26:38 | |
The 21st century has arrived in some ways on Sark, | 0:26:43 | 0:26:46 | |
but for an island founded and marketed to tourists | 0:26:46 | 0:26:50 | |
as being resolutely old-fashioned, many believe Sark needs protecting. | 0:26:50 | 0:26:55 | |
If we were to lose that natural beauty | 0:26:56 | 0:26:58 | |
and our unique way of life, we would become like everywhere else, | 0:26:58 | 0:27:01 | |
and who would want to come to Sark then if we lost all that uniqueness? | 0:27:01 | 0:27:06 | |
Sark does embrace the modern world, very much. We have to, | 0:27:10 | 0:27:14 | |
but I think we do it at our own pace | 0:27:14 | 0:27:16 | |
and we will take what we want from the modern world | 0:27:16 | 0:27:20 | |
if it's appropriate for Sark, and reject the rest. | 0:27:20 | 0:27:23 | |
Hopefully, we're all working for the same kind of thing, | 0:27:25 | 0:27:28 | |
which is to preserve Sark, keep the dark skies, | 0:27:28 | 0:27:31 | |
you know, we don't need 24-hour supermarkets. | 0:27:31 | 0:27:35 | |
If we ever see the day | 0:27:35 | 0:27:36 | |
our government officials are persuaded that we need cars, | 0:27:36 | 0:27:39 | |
that, you know, we need anything more, really, than we've got now, | 0:27:39 | 0:27:42 | |
I think it would be a disaster. | 0:27:42 | 0:27:44 | |
Over at the Methodist Chapel, | 0:27:50 | 0:27:52 | |
Karen has finally had word on whether she's staying on Sark. | 0:27:52 | 0:27:56 | |
It's really good news. | 0:27:58 | 0:28:00 | |
I've been offered the part-time pathway | 0:28:00 | 0:28:02 | |
and that means that I can stay here and continue this role | 0:28:02 | 0:28:06 | |
while I'm studying at the same time. | 0:28:06 | 0:28:09 | |
Let us pray. | 0:28:09 | 0:28:10 | |
Heavenly father... | 0:28:11 | 0:28:13 | |
Karen's future on Sark is assured for at least the next three years, | 0:28:14 | 0:28:18 | |
amongst her island parish. | 0:28:18 | 0:28:20 | |
When you move to any community, you become part of it, | 0:28:20 | 0:28:24 | |
you build up relationships and trust and become part of that | 0:28:24 | 0:28:28 | |
and, you know, that's very much my love for the people of Sark | 0:28:28 | 0:28:31 | |
and my love for Sark. | 0:28:31 | 0:28:32 |