Browse content similar to Liz Smith's Summer Cruise. Check below for episodes and series from the same categories and more!
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Hello. I'm in the middle of a great dilemma. | 0:00:02 | 0:00:05 | |
Which cruise line is best for a short cruise? | 0:00:05 | 0:00:09 | |
Now, I've got here a brochure, but it looks a bit... | 0:00:09 | 0:00:12 | |
..sort of rubbishy. | 0:00:13 | 0:00:15 | |
Oh, is it? | 0:00:15 | 0:00:16 | |
P&O Cruises. | 0:00:16 | 0:00:18 | |
And they're really lovely. | 0:00:20 | 0:00:21 | |
You don't need any tickets, just go straight down | 0:00:24 | 0:00:26 | |
and join the queue to come up the gangway. Up there, OK? | 0:00:26 | 0:00:30 | |
RINGING | 0:01:05 | 0:01:07 | |
Who is that? | 0:01:08 | 0:01:09 | |
Liz, it's Daisy. | 0:01:09 | 0:01:11 | |
Oh, it's Daisy, is it?! | 0:01:11 | 0:01:13 | |
Do you want to come up? | 0:01:13 | 0:01:15 | |
I'll put some shoes on instead of slippers. Which would look... | 0:01:17 | 0:01:21 | |
I'll put my best shoes on. | 0:01:21 | 0:01:25 | |
That old mirror must have seen a few people, mustn't it? | 0:01:26 | 0:01:30 | |
It must have been in some very handsome rooms, | 0:01:31 | 0:01:34 | |
not a bit like this one! | 0:01:34 | 0:01:36 | |
I used to buy lots of things, | 0:01:36 | 0:01:38 | |
but I had to get rid of them when I came to live in a flat. | 0:01:38 | 0:01:42 | |
Come downstairs with me. | 0:01:42 | 0:01:44 | |
Why did you move to a little flat? | 0:01:44 | 0:01:47 | |
It's just lovely. It's so lonely. | 0:01:47 | 0:01:50 | |
You see, my husband left... | 0:01:50 | 0:01:52 | |
What was it? | 0:01:54 | 0:01:56 | |
About 1957 kind of time, a long time. | 0:01:57 | 0:02:02 | |
Lived in houses by myself... | 0:02:02 | 0:02:06 | |
..all those years. Been very, very lonely. | 0:02:07 | 0:02:10 | |
It's lovely when you come back and there are people here to say where you've been, | 0:02:11 | 0:02:16 | |
what you've done, advice, you know, which optician to go to and where you get your new false teeth. | 0:02:16 | 0:02:24 | |
That reminds me, I need some new false teeth. | 0:02:24 | 0:02:26 | |
I've got to get some before I go on this thing. | 0:02:26 | 0:02:29 | |
I need some more. | 0:02:29 | 0:02:31 | |
Come on, Daisy. | 0:02:33 | 0:02:35 | |
Will everyone be jealous of your cruise? | 0:02:35 | 0:02:37 | |
No, they'll just be interested. | 0:02:37 | 0:02:40 | |
Got nothing to be jealous of because they've all done things. Yeah. | 0:02:40 | 0:02:45 | |
-Ladies? -Oh, hello. | 0:02:48 | 0:02:50 | |
Ladies, I've got a question. | 0:02:50 | 0:02:52 | |
I think these are much travelled ladies. | 0:02:52 | 0:02:55 | |
-We haven't always been. -No! | 0:02:55 | 0:02:58 | |
You've lived! | 0:02:58 | 0:02:59 | |
That's true! That's right. | 0:03:00 | 0:03:03 | |
I've come for a bit of advice | 0:03:03 | 0:03:04 | |
because we don't know the different cruise lines. | 0:03:04 | 0:03:07 | |
Now, does any... | 0:03:07 | 0:03:09 | |
Fred Olsen. Fred Olsen's the best. | 0:03:09 | 0:03:11 | |
-Is it? -Yeah. | 0:03:11 | 0:03:13 | |
I've been on the Queen. | 0:03:13 | 0:03:14 | |
It was very rough going through the Bay of Biscay! | 0:03:14 | 0:03:18 | |
We were fortunate. We didn't have any rough weather at all, | 0:03:18 | 0:03:22 | |
it was just a millpond all the way there and back. It was wonderful. | 0:03:22 | 0:03:25 | |
Have you got a photograph of you with the captain? | 0:03:25 | 0:03:28 | |
I've got ever so many handsome captains. | 0:03:28 | 0:03:30 | |
-The thing is everybody has their photograph taken with the captain. -Sex mad! | 0:03:30 | 0:03:34 | |
-Goodness me! -You're in it already. | 0:03:35 | 0:03:38 | |
These prices aren't bad from what I can see. | 0:03:38 | 0:03:40 | |
Where did you go? | 0:03:40 | 0:03:41 | |
-I flew out to Barbados. -Oooh. | 0:03:41 | 0:03:43 | |
It is nice to fly and then to be able to get straight on your ship. | 0:03:43 | 0:03:47 | |
-Yeah. -Yeah. -It's great. | 0:03:47 | 0:03:49 | |
You've been on cruises, haven't you? | 0:03:49 | 0:03:51 | |
Have you ever been on Royal Caribbean? | 0:03:51 | 0:03:53 | |
-Yes. -You have? -I have. -How was it? | 0:03:53 | 0:03:56 | |
Nothing wrong with it at all, it was us. | 0:03:56 | 0:03:58 | |
We hated it. | 0:03:58 | 0:04:00 | |
THEY LAUGH | 0:04:00 | 0:04:02 | |
You don't get a moment's peace as every single square inch of the boat is wired for sound. | 0:04:02 | 0:04:08 | |
Ooooh. | 0:04:08 | 0:04:09 | |
And on the formal evenings we worse white tie and tails | 0:04:09 | 0:04:13 | |
-and the Americans were wearing jeans and t-shirts. -Ooooh! | 0:04:13 | 0:04:16 | |
And I sat there like a twit... | 0:04:16 | 0:04:18 | |
I don't think it's for us, is it? | 0:04:18 | 0:04:21 | |
-We don't want that. -No, we don't. | 0:04:21 | 0:04:23 | |
Have you got any painkillers? | 0:04:26 | 0:04:28 | |
Anybody got an Paracetamol or anything? | 0:04:28 | 0:04:31 | |
Not here. I've got some upstairs. | 0:04:31 | 0:04:33 | |
The last cruise ship I was on was a troop ship. | 0:04:33 | 0:04:38 | |
Oh, very nice. | 0:04:38 | 0:04:40 | |
About 30 girls in one cabin. | 0:04:40 | 0:04:43 | |
So this will be a very different one whatever it is. | 0:04:43 | 0:04:47 | |
I'm off now! Thanks a lot, girls. | 0:04:47 | 0:04:50 | |
-OK, see you. -And boy. Thank you. | 0:04:50 | 0:04:52 | |
Well, the world's your oyster! The world's your oyster! | 0:04:52 | 0:04:56 | |
-Hasn't helped at all, has it? -No. | 0:04:56 | 0:04:58 | |
Sounds terrible, doesn't it? | 0:04:58 | 0:05:00 | |
We'd go mad, wouldn't we? | 0:05:00 | 0:05:02 | |
Muzak. | 0:05:02 | 0:05:03 | |
No, not muzak. Not muzak, no. | 0:05:03 | 0:05:06 | |
Oh, dear. | 0:05:08 | 0:05:09 | |
Back to the little nest. | 0:05:10 | 0:05:13 | |
Better than living on your own, you know? | 0:05:13 | 0:05:16 | |
Takes a lot of the responsibility away of running a house. | 0:05:20 | 0:05:25 | |
How come you're still working at 86? | 0:05:25 | 0:05:29 | |
Don't know really. | 0:05:29 | 0:05:32 | |
Well, you need a bit of interest, don't you? | 0:05:32 | 0:05:36 | |
Otherwise you can... | 0:05:36 | 0:05:40 | |
you can retire and get... | 0:05:40 | 0:05:42 | |
soggy. You know? | 0:05:42 | 0:05:45 | |
If I'm left alone, I'm full of resolutions, | 0:05:45 | 0:05:50 | |
full of things I should be doing, | 0:05:50 | 0:05:54 | |
and I sit there and I think about it | 0:05:54 | 0:05:57 | |
and I think about it and I think about it. | 0:05:57 | 0:06:02 | |
And that's all. | 0:06:02 | 0:06:03 | |
So why a cruise, Liz? | 0:06:03 | 0:06:06 | |
Why did you want to go on a cruise? | 0:06:06 | 0:06:07 | |
I can't remember saying I did! | 0:06:07 | 0:06:09 | |
-Really? So you don't really want to go on a cruise? -Not really! | 0:06:09 | 0:06:13 | |
You're dreading it! | 0:06:13 | 0:06:15 | |
Yeah. | 0:06:15 | 0:06:17 | |
I won't have a thing to wear. | 0:06:17 | 0:06:20 | |
It's very fashionable at the moment. | 0:06:24 | 0:06:26 | |
Yeah, I like the bling, yeah. | 0:06:26 | 0:06:27 | |
-I like bling. -Snazzy cossie. | 0:06:27 | 0:06:29 | |
-Now, that would be nice.. -Yes. | 0:06:33 | 0:06:35 | |
-Oooh, look at that! -And that gorgeous... | 0:06:35 | 0:06:38 | |
I don't mind people seeing my suspenders. | 0:06:44 | 0:06:47 | |
That is the most gorgeous colour. It looks like something that would feel... | 0:06:48 | 0:06:52 | |
Relaxed fabric. | 0:06:52 | 0:06:54 | |
Well, cheers. SHE CHUCKLES | 0:06:56 | 0:06:59 | |
I'll be a vision in black and white. | 0:06:59 | 0:07:02 | |
-It is posh here, isn't it? -It is posh. It is posh. | 0:07:05 | 0:07:09 | |
It's been a posh day. | 0:07:09 | 0:07:11 | |
Loved it. | 0:07:11 | 0:07:13 | |
Do you approve, then? | 0:07:15 | 0:07:17 | |
-Very nice. -Very nice. -Very stylish. | 0:07:17 | 0:07:20 | |
Come on! Come on! | 0:07:20 | 0:07:22 | |
I lock that because there's evil around. | 0:07:29 | 0:07:32 | |
Mystery and evil is about. | 0:07:32 | 0:07:35 | |
Strange things. | 0:07:35 | 0:07:36 | |
Strange things are happening. | 0:07:38 | 0:07:41 | |
Strange things are happening! | 0:07:41 | 0:07:45 | |
Lock the door! | 0:07:45 | 0:07:48 | |
Lock the door! | 0:07:48 | 0:07:50 | |
-# Wish me luck as you wave me goodbye. # -Bye! | 0:07:50 | 0:07:53 | |
Be good! Be good! | 0:07:55 | 0:07:56 | |
Send us a postcard. | 0:07:58 | 0:08:00 | |
The whole idea of Venice is thrilling. | 0:08:06 | 0:08:10 | |
So how are your sea legs? | 0:08:12 | 0:08:14 | |
Oh, terrible. I'll probably be seasick the whole time. | 0:08:14 | 0:08:20 | |
I'll probably, for the whole voyage, won't be able to get off the bed, | 0:08:20 | 0:08:25 | |
because I'll be seasick. | 0:08:25 | 0:08:27 | |
It'll probably end up a disaster! | 0:08:30 | 0:08:34 | |
You take my hand for the last bit there. There we go. | 0:08:34 | 0:08:38 | |
-Thank you very much. -Welcome aboard. | 0:08:38 | 0:08:41 | |
Thank you! | 0:08:41 | 0:08:42 | |
Very nice. | 0:08:45 | 0:08:47 | |
Oh, we're here. | 0:08:47 | 0:08:49 | |
We're here. We're here. We're here. | 0:08:49 | 0:08:54 | |
-Thank you. -Welcome on board. | 0:08:57 | 0:09:00 | |
I'm going to put my feet up for two minutes. | 0:09:00 | 0:09:03 | |
On behalf of Captain Clive Partend, his officers and crew, | 0:09:03 | 0:09:07 | |
we extend to you a very warm welcome on board Hebridean Spirit. | 0:09:07 | 0:09:11 | |
Afternoon tea is being served in the Skylounge, which is at the after end of deck three. | 0:09:11 | 0:09:17 | |
Thank you. | 0:09:17 | 0:09:18 | |
Is that thing up there wobbling or am I wobbling? | 0:09:18 | 0:09:23 | |
It's wobbling. | 0:09:24 | 0:09:26 | |
So I'm all right, am I? | 0:09:26 | 0:09:27 | |
For a little bit longer. Oh! | 0:09:27 | 0:09:30 | |
Oh, what a relief. | 0:09:30 | 0:09:33 | |
What a relief. Aw! | 0:09:33 | 0:09:36 | |
Draw the curtains. | 0:09:39 | 0:09:41 | |
We're just about ready to sail. | 0:09:44 | 0:09:46 | |
When you hear the signal, please take your lifejacket from your cabin | 0:09:46 | 0:09:51 | |
and go to your muster station in the Skylounge. | 0:09:51 | 0:09:56 | |
The signal for the drill is seven short rings, followed by one long ring on the ship's alarm system. | 0:09:56 | 0:10:04 | |
ALARM SOUNDS | 0:10:07 | 0:10:12 | |
Floor exercise, floor exercise. | 0:10:23 | 0:10:25 | |
All guests and associated crew to muster stations. | 0:10:25 | 0:10:29 | |
Floor exercise, floor exercise. | 0:10:29 | 0:10:32 | |
All guests and associated crew to muster stations. | 0:10:32 | 0:10:36 | |
We jump out of the boat this side. | 0:10:43 | 0:10:44 | |
Look. | 0:10:44 | 0:10:47 | |
How's that? A kid would love that! | 0:10:47 | 0:10:50 | |
How can I turn it off? | 0:10:54 | 0:10:56 | |
The light will only come on once it's immersed in salt water anyway. | 0:10:56 | 0:11:00 | |
One arm across the top of the block in front of you and hold your bows, | 0:11:00 | 0:11:04 | |
and then look at the side of the ship and just step off, | 0:11:04 | 0:11:07 | |
trying to keep both feet together. | 0:11:07 | 0:11:09 | |
And then, hopefully, you'll enter the water | 0:11:09 | 0:11:11 | |
-with both feet together and then the life jacket will take over. -Oh, God. | 0:11:11 | 0:11:16 | |
If, throughout the week, you see anybody fall over the side of the ship, | 0:11:16 | 0:11:19 | |
there are lifebelts all around the ship, please pick up a lifebelt, | 0:11:19 | 0:11:23 | |
throw it into the water in their general direction, because once somebody falls into the water, | 0:11:23 | 0:11:28 | |
it's like looking for a needle in a haystack. | 0:11:28 | 0:11:30 | |
OK, Maureen Booth. | 0:11:30 | 0:11:34 | |
-Anne Broxon. -Yes. | 0:11:34 | 0:11:36 | |
-Christopher Broxon. -Here. | 0:11:36 | 0:11:38 | |
-Graham Bormley. -Here. -Douglas Scott. | 0:11:38 | 0:11:42 | |
John Shell. | 0:11:42 | 0:11:44 | |
-Liz Smith. -Yes. | 0:11:44 | 0:11:46 | |
-James Smith. -Yeah. | 0:11:46 | 0:11:49 | |
We're moving. Look. | 0:11:49 | 0:11:51 | |
The last time I was on a ship was in 1942. | 0:11:52 | 0:11:58 | |
And that was a troop ship. | 0:11:58 | 0:12:00 | |
It wasn't nearly as comfortable as this. | 0:12:00 | 0:12:04 | |
There'd be about at least 20 or more WRENS living in that space. | 0:12:04 | 0:12:11 | |
It's a distinct improvement. | 0:12:12 | 0:12:14 | |
Look forward to meeting some of you. | 0:12:18 | 0:12:20 | |
There will be a Pimm's reception at which you'll be introduced to | 0:12:20 | 0:12:24 | |
some of the people who will be looking after you on the cruise. | 0:12:24 | 0:12:27 | |
Good evening. How are you? I'm Anthony Stephens, chief purser. Would you like to have a Pimm's? | 0:12:30 | 0:12:34 | |
-I'd love one. -Excellent. There we go then. | 0:12:34 | 0:12:37 | |
-Thank you very much. -There it is. -Thank you. | 0:12:37 | 0:12:39 | |
How about this? | 0:12:41 | 0:12:43 | |
I have thought about cruises, but I've been nervous to go on them | 0:12:45 | 0:12:51 | |
because I would go as a single person, and there's always | 0:12:51 | 0:12:55 | |
that moment of, "Will you meet enough people to be friendly with you or will you be isolated?" | 0:12:55 | 0:13:02 | |
I want to be included. | 0:13:04 | 0:13:07 | |
I'm cramping your style because if I wasn't here you'd go and sit with them. | 0:13:10 | 0:13:14 | |
No, I wouldn't. | 0:13:14 | 0:13:16 | |
They wouldn't want me. | 0:13:16 | 0:13:17 | |
-Course they would. -They wouldn't, they wouldn't want me. | 0:13:17 | 0:13:22 | |
I don't believe that, they'd love to talk to you. | 0:13:22 | 0:13:24 | |
No, they wouldn't. I'm not wanted. No. | 0:13:24 | 0:13:28 | |
No. That's my big complex. | 0:13:28 | 0:13:31 | |
Good evening, ladies and gentlemen. | 0:13:35 | 0:13:38 | |
My name's Anthony Stephens. I'm chief purser on board Hebridean Spirit, | 0:13:38 | 0:13:41 | |
and the first officer I'm going to introduce you to is | 0:13:41 | 0:13:44 | |
one I hope you only have to meet socially, | 0:13:44 | 0:13:46 | |
and that is the ship's medical officer. That's Dr Black. | 0:13:46 | 0:13:49 | |
He said, "How are you feeling?" I said, "Do I look awful?" | 0:13:49 | 0:13:52 | |
When a doctor says to you, "Hw are you feeling?" you've got be a bit worried. | 0:13:52 | 0:13:56 | |
-Come on. -Next we have our purser... -Hello. Lovely to meet you. -Nice to meet you. | 0:13:56 | 0:14:02 | |
Didn't want to interfere, but lovely to have you on board. | 0:14:02 | 0:14:05 | |
-Thank you very much! -We're on our honeymoon. | 0:14:05 | 0:14:09 | |
-Oh, are you really?! -Yes! -How romantic! | 0:14:09 | 0:14:12 | |
-We got married in March. -How lovely. What a lovely ship for a honeymoon. | 0:14:12 | 0:14:16 | |
-It is, just like a hotel. -Just beautiful. | 0:14:16 | 0:14:19 | |
Really lovely. | 0:14:19 | 0:14:20 | |
Have a super time, I'm sure you will. | 0:14:20 | 0:14:22 | |
See you anyway. Lovely to see you. | 0:14:22 | 0:14:24 | |
-That's nice, isn't it? -See? | 0:14:29 | 0:14:32 | |
Everybody's longing to talk to you. | 0:14:32 | 0:14:35 | |
But that's nice, isn't it, to be on a honeymoon. | 0:14:35 | 0:14:39 | |
God, I've forgotten what it's like to be on a honeymoon. | 0:14:39 | 0:14:42 | |
I went on my honeymoon in 1945. | 0:14:42 | 0:14:47 | |
Come on! There you go, the honeymoon didn't last very long. | 0:14:48 | 0:14:53 | |
I'll take you down for dinner! | 0:14:55 | 0:14:59 | |
Oooh, look! Aren't I lucky! | 0:14:59 | 0:15:01 | |
So early in the cruise and you've got male company already. | 0:15:01 | 0:15:04 | |
Are you taking the lift? | 0:15:04 | 0:15:06 | |
-The stairs are a nuisance. -Yes, they are. After you. It's down here. | 0:15:08 | 0:15:13 | |
No, we're not. We're down here. | 0:15:13 | 0:15:16 | |
-Pressed the wrong button. -Are we on the right floor? | 0:15:16 | 0:15:21 | |
-No. Back in again. -Haberdashery. | 0:15:21 | 0:15:23 | |
-We need to go up to... -Ladieswear. -We need to be on two. | 0:15:23 | 0:15:27 | |
Getting around, aren't we? | 0:15:27 | 0:15:29 | |
Oh, lovely. | 0:15:29 | 0:15:31 | |
Table 15. | 0:15:34 | 0:15:35 | |
Do you think you'll make any friends? | 0:15:44 | 0:15:46 | |
Made some, haven't I? | 0:15:47 | 0:15:49 | |
It's nice if they give me a smile. | 0:15:51 | 0:15:53 | |
-Lovely morning. -Beautiful sight. -Very, very fresh. | 0:16:06 | 0:16:09 | |
Look at that. Just look! | 0:16:09 | 0:16:12 | |
Sunshine, fresh air, very good. | 0:16:15 | 0:16:18 | |
How lovely. Lovely, lovely. | 0:16:18 | 0:16:20 | |
'To be 86, and nearly 87, don't forget, | 0:16:21 | 0:16:24 | |
'I think when you're that age, you do wonder, | 0:16:24 | 0:16:28 | |
'"How much longer have I got?"' | 0:16:28 | 0:16:31 | |
Fresh food, croissant, cooked breakfast, yoghurt... | 0:16:31 | 0:16:37 | |
-'So, you don't want to waste it.' -This is Sergei. Professional cook. | 0:16:37 | 0:16:43 | |
-Morning, Sergei. -We have plenty kippers. | 0:16:43 | 0:16:48 | |
-Plenty kippers? -Yeah. | 0:16:48 | 0:16:50 | |
Oh, I like kippers. | 0:16:50 | 0:16:51 | |
Very, very good. Many people like this one. | 0:16:53 | 0:16:56 | |
-Oh, what a lovely kipper! -Very hot plate. | 0:16:56 | 0:16:59 | |
Five minutes ago, I ordered a kipper. | 0:16:59 | 0:17:02 | |
You caught it, he cooked it. | 0:17:02 | 0:17:05 | |
-Prepared for you. -Ooh, look at it, though. | 0:17:05 | 0:17:08 | |
It's a gorgeous kipper, look. | 0:17:08 | 0:17:10 | |
Little cafes, tea, cake... | 0:17:13 | 0:17:16 | |
Yes. There's a shopping complex. Whole shopping, bar. | 0:17:16 | 0:17:21 | |
-With a little bar, cafe. -Yes, yes. | 0:17:21 | 0:17:24 | |
-It's on this road. -Good. | 0:17:24 | 0:17:27 | |
Do you like football here? Is football big? | 0:17:29 | 0:17:32 | |
Not much. I like motorbikes. | 0:17:32 | 0:17:35 | |
-You like motorbikes? -Yes. | 0:17:35 | 0:17:37 | |
Guns and Roses is better. | 0:17:37 | 0:17:40 | |
I don't know that one. | 0:17:40 | 0:17:42 | |
I like, um... | 0:17:42 | 0:17:43 | |
Roy Orbison. | 0:17:46 | 0:17:48 | |
-He's the... -Roy Orbison. | 0:17:48 | 0:17:51 | |
Yes, it's different music. | 0:17:51 | 0:17:53 | |
Lovely. It speaks every language, doesn't it? Music. | 0:17:55 | 0:17:59 | |
# Pretty woman | 0:18:09 | 0:18:11 | |
# Walking down the street | 0:18:11 | 0:18:13 | |
# Pretty woman | 0:18:13 | 0:18:14 | |
# The kind I like to meet | 0:18:14 | 0:18:16 | |
# Pretty woman | 0:18:16 | 0:18:19 | |
# I don't believe you, you're not the truth | 0:18:19 | 0:18:23 | |
# No-one could look as good as you... # Come in, girls. | 0:18:23 | 0:18:28 | |
The fan club! | 0:18:29 | 0:18:31 | |
That's nice, isn't it? | 0:18:35 | 0:18:37 | |
I tell you... | 0:18:37 | 0:18:39 | |
that's what it's all about, isn't it? | 0:18:39 | 0:18:42 | |
That's the happiness. | 0:18:44 | 0:18:47 | |
# ..as can be | 0:18:47 | 0:18:48 | |
# Are you lonely just like me? # | 0:18:48 | 0:18:51 | |
We were guessing you were...trying to think of your name. | 0:18:55 | 0:18:59 | |
-Oh, yeah. -What are you filming? | 0:18:59 | 0:19:01 | |
Vicar Of Dibley, that's all we could think of. | 0:19:01 | 0:19:03 | |
That's nice, you know, when you're just buying half a pound of butter | 0:19:09 | 0:19:13 | |
and somebody yells at you, "I love you". It's nice. Very nice. | 0:19:13 | 0:19:19 | |
I like it. | 0:19:19 | 0:19:21 | |
It's quite strange, isn't it, though? | 0:19:21 | 0:19:23 | |
That they feel they know you. | 0:19:23 | 0:19:26 | |
Yes. They do. | 0:19:26 | 0:19:29 | |
I've been into their living room, you see. | 0:19:29 | 0:19:32 | |
There's a huge difference of being part of, | 0:19:32 | 0:19:35 | |
you know, a really huge... | 0:19:35 | 0:19:38 | |
family and yet, feeling... | 0:19:38 | 0:19:40 | |
..isolated, really. Yeah. | 0:19:42 | 0:19:44 | |
It's an odd mixture. | 0:19:46 | 0:19:48 | |
That's lovely. Thank you. | 0:19:48 | 0:19:52 | |
What were you like as a little girl? | 0:19:52 | 0:19:55 | |
I always had one knicker leg hanging right down. | 0:19:55 | 0:19:59 | |
And apparently, I used to spit. | 0:19:59 | 0:20:03 | |
A bit rough, a bit rough. | 0:20:08 | 0:20:10 | |
I lived in a house with my grandma and grandad | 0:20:10 | 0:20:15 | |
because my mother had died. | 0:20:15 | 0:20:18 | |
My father, I hardly ever saw. | 0:20:18 | 0:20:21 | |
He used to pop up sometimes. | 0:20:21 | 0:20:23 | |
But one day, he met me coming out of Sunday school and he waved to me | 0:20:23 | 0:20:31 | |
and he said, "Bye-bye, kid. | 0:20:31 | 0:20:34 | |
"Bye-bye. I'll write. | 0:20:34 | 0:20:37 | |
"I'll write," he said. | 0:20:37 | 0:20:39 | |
And he backed away against the sun. | 0:20:39 | 0:20:42 | |
And that's the last I saw of him. | 0:20:42 | 0:20:45 | |
And then, after that, my grandfather, | 0:20:45 | 0:20:48 | |
who was wonderful, and I adored, died | 0:20:48 | 0:20:51 | |
in a big flu epidemic, | 0:20:51 | 0:20:54 | |
which left me alone with my grieving grandmother now isolated and alone | 0:20:54 | 0:21:02 | |
in this... | 0:21:02 | 0:21:04 | |
Hello, kids. | 0:21:04 | 0:21:05 | |
Why did your mother die? | 0:21:09 | 0:21:11 | |
She died in childbirth. | 0:21:11 | 0:21:13 | |
And the baby died as well. Otherwise, I'd have had a sister, you see. | 0:21:13 | 0:21:18 | |
So, it left us with nobody. | 0:21:18 | 0:21:20 | |
So, my grandma sent me out to do things to be with other children. | 0:21:22 | 0:21:27 | |
And that's how I started doing little | 0:21:27 | 0:21:30 | |
plays and things at the church hall and making people... | 0:21:30 | 0:21:34 | |
I felt, "This is what I want to do." | 0:21:34 | 0:21:37 | |
I love this, laughter, and the light and everything. | 0:21:37 | 0:21:43 | |
So that's how it started. | 0:21:43 | 0:21:47 | |
From that day on and it took a long time, I might say, a long time. | 0:21:47 | 0:21:53 | |
I got rejections until I was 50. | 0:21:54 | 0:21:58 | |
I had to wait till 50 before it really started. | 0:21:58 | 0:22:02 | |
My best years have been in my 80s! | 0:22:03 | 0:22:07 | |
Will you explain to me what this says? | 0:22:10 | 0:22:13 | |
This is especially good. | 0:22:13 | 0:22:15 | |
-This a special honey. -This is like three Viagra. | 0:22:15 | 0:22:20 | |
Viagra? | 0:22:20 | 0:22:21 | |
Oh, my goodness me! | 0:22:21 | 0:22:24 | |
Oh, well, I'll be all right now then, because this is good for Viagra. | 0:22:24 | 0:22:28 | |
Yes, that's right. Perhaps before you pay... | 0:22:28 | 0:22:31 | |
Try it. Taste it. | 0:22:33 | 0:22:35 | |
Try it? A demonstration? | 0:22:35 | 0:22:37 | |
Demonstration... | 0:22:37 | 0:22:40 | |
I'll buy that. | 0:22:40 | 0:22:41 | |
Many terrorists, tourists... | 0:22:41 | 0:22:44 | |
I'm not a terrorist! SHE LAUGHS | 0:22:44 | 0:22:46 | |
I don't speak good English, sorry. | 0:22:46 | 0:22:49 | |
-Is good for orgasmismus. -Orgasmismus. | 0:22:49 | 0:22:53 | |
THEY LAUGH | 0:22:53 | 0:22:56 | |
What is this? | 0:22:56 | 0:22:58 | |
What's good for my orgasm is good. | 0:22:58 | 0:23:02 | |
Oh, a little bag. | 0:23:02 | 0:23:04 | |
Ja, it's included in the price. | 0:23:04 | 0:23:07 | |
-Is it included? -If you like, pay me. Thank you. | 0:23:07 | 0:23:11 | |
Thank you. | 0:23:11 | 0:23:12 | |
Thank you. | 0:23:12 | 0:23:14 | |
Very nice. | 0:23:14 | 0:23:16 | |
-Happy, happy. -You're welcome. | 0:23:16 | 0:23:18 | |
-Thank you very much. -Come back next year. | 0:23:18 | 0:23:20 | |
I look forward to that. | 0:23:20 | 0:23:21 | |
-And we see how is this orgasma... -And see how my orgasma is. -Yeah. | 0:23:21 | 0:23:26 | |
Thank you very much. | 0:23:26 | 0:23:28 | |
-You're welcome. -Bye-bye. | 0:23:28 | 0:23:29 | |
-Ciao, baby. -Happy days. Ciao, baby. | 0:23:29 | 0:23:31 | |
Ciao, baby. | 0:23:31 | 0:23:34 | |
"Ciao baby," he says. | 0:23:34 | 0:23:36 | |
Excuse me, I'm just going to look at a jumper now. | 0:23:40 | 0:23:43 | |
Good evening, everybody. | 0:23:52 | 0:23:54 | |
Well, we got a few murmurs. | 0:23:55 | 0:23:57 | |
I don't think it'll get much worse than this tonight. | 0:23:58 | 0:24:01 | |
We're just off the shore now. | 0:24:01 | 0:24:03 | |
Northerly winds, although a little bit chilly, | 0:24:03 | 0:24:05 | |
usually mean clear blue skies. | 0:24:05 | 0:24:07 | |
-As we had today. Cheers. -Cheers! | 0:24:07 | 0:24:10 | |
CLAPPING | 0:24:10 | 0:24:14 | |
How long have you been on your own? | 0:24:14 | 0:24:16 | |
Well, I was married in 1945. | 0:24:16 | 0:24:21 | |
He left 11 years later and I've been on my own since then. | 0:24:21 | 0:24:28 | |
-So it's a long time. -Since 1957, really. | 0:24:28 | 0:24:31 | |
You see, we got married in '56. | 0:24:31 | 0:24:33 | |
That was when I was divorcing. | 0:24:33 | 0:24:36 | |
That's a long time to be on your own. | 0:24:36 | 0:24:38 | |
It is, it is. | 0:24:38 | 0:24:40 | |
Some things, you find it very difficult to do. | 0:24:41 | 0:24:45 | |
Going on holiday is one of them. | 0:24:45 | 0:24:47 | |
-Yes. I can believe that. -No, very. | 0:24:47 | 0:24:50 | |
I've got some widowed friends and they will cruise because they're never left alone. | 0:24:50 | 0:24:54 | |
-No. -Sometimes, they're a bit too organised on some of these huge | 0:24:54 | 0:24:59 | |
-ships where they have male dance partners and all that laid on. -Well, that's what I wanted to avoid. | 0:24:59 | 0:25:07 | |
SHE GIGGLES | 0:25:07 | 0:25:10 | |
Oh, God! | 0:25:10 | 0:25:13 | |
Is it the ship or is it me? | 0:25:13 | 0:25:14 | |
It is not the ship. | 0:25:14 | 0:25:16 | |
It's not the ship. | 0:25:16 | 0:25:18 | |
-We're still in port! -THEY LAUGH | 0:25:18 | 0:25:21 | |
We're still in port. | 0:25:21 | 0:25:22 | |
-We'll take a left. -I'm glad you're there. | 0:25:22 | 0:25:25 | |
I'm glad too. You're holding me up. | 0:25:25 | 0:25:27 | |
-Do you want to take the lift or the stairs? -Ooh, no, lift, please. | 0:25:27 | 0:25:31 | |
-You're looking very nice. -Thank you. | 0:25:31 | 0:25:34 | |
It's nice to have some interest. | 0:25:34 | 0:25:36 | |
Oh, how did you get there so quickly? | 0:25:40 | 0:25:42 | |
My goodness! | 0:25:42 | 0:25:44 | |
So quick. | 0:25:44 | 0:25:46 | |
It's a wobbly ship. | 0:25:48 | 0:25:50 | |
I've had nothing but water all evening. | 0:25:52 | 0:25:55 | |
It's the ship... | 0:25:55 | 0:25:57 | |
It's wobbly. | 0:25:57 | 0:25:58 | |
'If there are more guests who would like to go ashore this morning, | 0:26:24 | 0:26:28 | |
'we have a tender just coming alongside. Thank you.' | 0:26:28 | 0:26:31 | |
Is that the tender? | 0:26:31 | 0:26:33 | |
You can be quite energetic on this cruise if you want, can't you? | 0:26:35 | 0:26:40 | |
If you want. | 0:26:40 | 0:26:42 | |
The sea looks a bit choppy to me. | 0:26:46 | 0:26:49 | |
I don't fancy bouncing up and down in a tender boat. | 0:26:53 | 0:26:57 | |
I'll go and take my blood pressure tablets, I think. | 0:26:57 | 0:27:01 | |
You know that tender, is it very...? | 0:27:04 | 0:27:07 | |
No, I don't think so. | 0:27:07 | 0:27:11 | |
It is all right to go? | 0:27:11 | 0:27:12 | |
Yeah. It's all right to go. | 0:27:12 | 0:27:15 | |
But they're going backwards and forwards all day. | 0:27:15 | 0:27:18 | |
Yeah, sure. | 0:27:18 | 0:27:20 | |
Going in about an hour. | 0:27:20 | 0:27:22 | |
Looking forward to it very much. | 0:27:22 | 0:27:24 | |
Isn't that nice? Look. | 0:27:26 | 0:27:27 | |
They've done me a butterfly. | 0:27:27 | 0:27:29 | |
This is my blood pressure tablets. | 0:27:31 | 0:27:34 | |
Loads and loads and loads. | 0:27:34 | 0:27:37 | |
How many of those a day then? | 0:27:37 | 0:27:40 | |
Just one of each. | 0:27:40 | 0:27:42 | |
Does the tender bob up and down? | 0:27:42 | 0:27:45 | |
It probably does a bit. | 0:27:45 | 0:27:46 | |
Wonderful. Nice to be on dry land again, isn't it? | 0:28:05 | 0:28:08 | |
I don't think I'm a sea-going type, really. | 0:28:10 | 0:28:14 | |
Oh! How lovely! | 0:28:17 | 0:28:20 | |
Everybody to the person, they just absolutely adore you. | 0:28:20 | 0:28:25 | |
There you are! There you are, Nursy. | 0:28:25 | 0:28:28 | |
-She doesn't believe it. -Pardon? | 0:28:28 | 0:28:32 | |
-There you go. We don't lie. -No, we don't lie. | 0:28:32 | 0:28:36 | |
Very fond, very fond of you. | 0:28:36 | 0:28:38 | |
We meet a lot of people and everyone to the very last... | 0:28:38 | 0:28:43 | |
I think we'll have to love you and leave you. | 0:28:46 | 0:28:48 | |
-And we do love you. -Thank you. Thank you. | 0:28:48 | 0:28:51 | |
-Remember us. -Thank you. | 0:28:51 | 0:28:53 | |
Thank you. I will now have a picture. | 0:28:53 | 0:28:55 | |
Oh, have you got that? SHE LAUGHS | 0:28:55 | 0:28:58 | |
Did you catch that, Daisy? | 0:29:02 | 0:29:04 | |
-Yes, I did. -Did you catch that? -We can have a re-run. | 0:29:04 | 0:29:07 | |
-We don't mind. -SHE CACKLES WITH LAUGHTER | 0:29:07 | 0:29:11 | |
Have you got that, Daisy? | 0:29:11 | 0:29:14 | |
Yes, Liz. | 0:29:14 | 0:29:17 | |
'I think they like the character, the part, I think that's what they love probably. | 0:29:17 | 0:29:24 | |
'I've been lucky to have endearing parts, | 0:29:24 | 0:29:29 | |
'like Nana who's endearing. | 0:29:29 | 0:29:31 | |
'She was an old bag, really, but they liked her.' | 0:29:31 | 0:29:35 | |
SHOUTING FROM INSIDE | 0:29:38 | 0:29:40 | |
-Mysterious. -Hello! | 0:29:40 | 0:29:43 | |
-Isn't it lovely here? -Beautiful. | 0:29:43 | 0:29:46 | |
-I love it. -If you keep going, you'll come to a big open square with lots of nice coffee shops. | 0:29:46 | 0:29:50 | |
Oh, that's what I'm looking for! | 0:29:50 | 0:29:52 | |
'I haven't had, erm, a bundle of friends. Some people do.' | 0:29:55 | 0:30:00 | |
What is this one here, that one? | 0:30:00 | 0:30:02 | |
Haselnuss. Nut. | 0:30:02 | 0:30:04 | |
'In my childhood, everybody disappeared, one reason or another. | 0:30:04 | 0:30:11 | |
'It's left me marked for my life, really. | 0:30:11 | 0:30:15 | |
'Which I think everybody is in their own way.' | 0:30:15 | 0:30:18 | |
-Good? -Delicious. Very good. | 0:30:18 | 0:30:20 | |
Thank you. | 0:30:20 | 0:30:22 | |
'People get their impression of you, but they really don't know | 0:30:22 | 0:30:27 | |
'what it is that makes you react in the way you do.' | 0:30:27 | 0:30:32 | |
That's good, look. | 0:30:36 | 0:30:38 | |
Abdominal band. | 0:30:38 | 0:30:39 | |
Hold you in a bit. | 0:30:39 | 0:30:42 | |
Do you have TCP, a small bottle? | 0:30:43 | 0:30:46 | |
-Er, T...? -TCP, gargle? | 0:30:46 | 0:30:48 | |
-Ah, gargle. -TCP. | 0:30:48 | 0:30:52 | |
-TCP, no. -Smaller. | 0:30:52 | 0:30:54 | |
Everything is... | 0:30:54 | 0:30:56 | |
-Big. It's big. -It's big. | 0:30:56 | 0:30:58 | |
Thank you. Thank you. | 0:30:58 | 0:31:00 | |
I should have bought an abdo...abdominal band. | 0:31:02 | 0:31:08 | |
'If you get anyone who realises why you react the way you do, | 0:31:08 | 0:31:14 | |
'then they are a real friend. | 0:31:14 | 0:31:17 | |
'But you would be extraordinary if you had a friend as good as all that. | 0:31:20 | 0:31:26 | |
'There are not many real friends about. | 0:31:26 | 0:31:30 | |
'Everybody's pretending.' | 0:31:30 | 0:31:34 | |
What d'you think goes on in this town, then, Liz? | 0:31:34 | 0:31:38 | |
Murder, intrigue. | 0:31:38 | 0:31:41 | |
Lust and love. | 0:31:41 | 0:31:43 | |
Don't go down the alleyways at night. | 0:31:46 | 0:31:49 | |
At least not by yourself. | 0:31:51 | 0:31:53 | |
Liz, do you want to have a look round the deck or do you want to go in the town? | 0:32:03 | 0:32:07 | |
No, I want to sit down for a little while, have a rest, and close my eyes | 0:32:07 | 0:32:13 | |
and be quiet for a while, | 0:32:13 | 0:32:16 | |
and take my blood pressure tablets. | 0:32:16 | 0:32:21 | |
Erm, and go out later, when I've had a rest. | 0:32:21 | 0:32:25 | |
I was filled with doubts about coming, right up to the last moment, and I thought, "The ship will sink," | 0:32:31 | 0:32:39 | |
or, "Oh, think about the Titanic," | 0:32:39 | 0:32:41 | |
you know. | 0:32:41 | 0:32:43 | |
All those worries disappear once you get here, you see. | 0:32:43 | 0:32:47 | |
You find that it's like a really lovely hotel to live in. | 0:32:47 | 0:32:52 | |
-There's an announcement... -'Ladies and gentlemen, as you can see, | 0:32:52 | 0:32:57 | |
'one o'clock has come and gone, and we're still here. | 0:32:57 | 0:33:00 | |
'I do apologise for this interruption to our normal schedule, | 0:33:00 | 0:33:05 | |
'but a last-minute change in the regulations at Split harbour | 0:33:05 | 0:33:09 | |
'regarding refuelling has forced this move upon us. | 0:33:09 | 0:33:13 | |
'At the moment we're making arrangements to return the guests | 0:33:13 | 0:33:17 | |
'that are ashore back to join us here for lunch. | 0:33:17 | 0:33:21 | |
'And we'll also be making alternative arrangements for your afternoon ashore. | 0:33:21 | 0:33:26 | |
'Or rather, how to get you ashore.' | 0:33:26 | 0:33:29 | |
I think you like being trapped here. | 0:33:29 | 0:33:31 | |
Well, who wouldn't like being trapped here? | 0:33:31 | 0:33:34 | |
Look at this, I'm trapped here. | 0:33:34 | 0:33:37 | |
Ooh, lovely! | 0:33:38 | 0:33:42 | |
But don't you want to see Split? | 0:33:42 | 0:33:44 | |
I do want to see...Slick? | 0:33:44 | 0:33:46 | |
-Split! -Plit?! | 0:33:46 | 0:33:48 | |
Whatever it's called, it looks lovely. | 0:33:51 | 0:33:54 | |
Do you think being a performer was in your genes? | 0:33:59 | 0:34:02 | |
I do, really. My mother was a performer, | 0:34:02 | 0:34:06 | |
in that she, erm... was a very, very good piano player. | 0:34:06 | 0:34:11 | |
But I couldn't ever see her doing a... | 0:34:11 | 0:34:14 | |
But not that I knew her, I didn't know her anyway. | 0:34:14 | 0:34:17 | |
I didn't know her. | 0:34:17 | 0:34:19 | |
Didn't know her. | 0:34:19 | 0:34:21 | |
Really. Except I do know her. | 0:34:21 | 0:34:23 | |
All the time I know her, really. | 0:34:25 | 0:34:27 | |
Couldn't have done without her, although she wasn't there, you see? | 0:34:29 | 0:34:33 | |
Particularly as I had been... | 0:34:41 | 0:34:45 | |
isolated and a lonely child, | 0:34:45 | 0:34:50 | |
I'm delighted to say, I did have two children, yes. | 0:34:50 | 0:34:55 | |
Because I needed a family, very badly. | 0:34:55 | 0:34:59 | |
The whole point of the Royle Family is that they love each other. | 0:34:59 | 0:35:04 | |
They hang together as a family, and that's the important thing. | 0:35:04 | 0:35:08 | |
And that's what | 0:35:08 | 0:35:11 | |
we don't do enough of, at the moment, I think. | 0:35:11 | 0:35:14 | |
Was it nice to be part of that family? | 0:35:14 | 0:35:17 | |
Oh, it certainly was. | 0:35:17 | 0:35:19 | |
You did...you did feel part of a family. | 0:35:21 | 0:35:27 | |
Is that an almond biscuit? | 0:35:27 | 0:35:29 | |
Ooh, I like almond biscuits. | 0:35:29 | 0:35:32 | |
It is an almond biscuit. | 0:35:39 | 0:35:41 | |
'All I want to do is just sit and do nothing, nothing, nothing. | 0:35:43 | 0:35:49 | |
'Just stare into space. | 0:35:49 | 0:35:52 | |
'Not even read a book, or anything, you know? | 0:35:52 | 0:35:57 | |
'Because I have been busy, it makes me tired to think of it, really. | 0:35:57 | 0:36:02 | |
'All the work. | 0:36:02 | 0:36:05 | |
'Oh, God, all the work!' | 0:36:05 | 0:36:07 | |
We're going to be kidnapped. | 0:36:18 | 0:36:21 | |
Taken away in that train. | 0:36:21 | 0:36:23 | |
It's really weird. | 0:36:26 | 0:36:28 | |
Menacing, menacing. | 0:36:28 | 0:36:31 | |
Very menacing. | 0:36:31 | 0:36:33 | |
Just feel that you'll never really get away from here. | 0:36:34 | 0:36:39 | |
We're in strange Kafka... we're in Kafka country now. | 0:36:41 | 0:36:45 | |
A little bit of Kafka. | 0:36:47 | 0:36:49 | |
Mm. | 0:36:51 | 0:36:52 | |
I don't know what's going to happen to us now. | 0:36:56 | 0:36:59 | |
We may turn into beetles. | 0:37:01 | 0:37:04 | |
And we're going away in that train to be...shredded. | 0:37:05 | 0:37:12 | |
You never know, do you, what's going to happen? | 0:37:15 | 0:37:18 | |
I think I'll just go and find a lavatory. | 0:37:21 | 0:37:24 | |
'Good morning, ladies and gentlemen. | 0:37:26 | 0:37:28 | |
'At half past ten this morning, the ship's company will be carrying out a practice drill. | 0:37:28 | 0:37:34 | |
'Now this does not involve you at all...' | 0:37:34 | 0:37:39 | |
What's that noise? | 0:37:41 | 0:37:42 | |
D'you think it's water rushing in? | 0:37:42 | 0:37:45 | |
Yes. | 0:37:45 | 0:37:47 | |
Should we tell somebody? | 0:37:52 | 0:37:54 | |
I can't get out. | 0:38:14 | 0:38:16 | |
I can't get out. | 0:38:16 | 0:38:18 | |
It's shut. | 0:38:22 | 0:38:23 | |
It's moments like this that makes you worry about coming on a cruise. | 0:38:23 | 0:38:27 | |
I think we're in a forbidden area. Look. | 0:38:27 | 0:38:31 | |
-Crew only. -Oh, dear. | 0:38:31 | 0:38:35 | |
ALARM SOUNDS | 0:38:35 | 0:38:39 | |
Huh! | 0:38:39 | 0:38:42 | |
-Oh! -'Floor exercise, floor exercise...' | 0:38:42 | 0:38:45 | |
Oh, I'm nervous, I'm a nervous type, you know. | 0:38:45 | 0:38:48 | |
'..emergency stations. Floor exercise, ship's company to general emergency stations.' | 0:38:49 | 0:38:56 | |
Ooh! Don't they look marvellous? | 0:38:56 | 0:39:00 | |
They're fantastic, aren't they? | 0:39:03 | 0:39:05 | |
-Hello! -How are you? | 0:39:13 | 0:39:15 | |
-Ha-ha-ha-ha! You all look very posh there in your bright orange. -Yes. | 0:39:15 | 0:39:20 | |
ALARM SOUNDS | 0:39:20 | 0:39:23 | |
I like the design of this life jacket. | 0:39:28 | 0:39:30 | |
It's far better than the ones we used to call the Mae West, | 0:39:30 | 0:39:34 | |
which was a great big draping thing, and you had to adjust lots of things. | 0:39:34 | 0:39:39 | |
There's a simplicity about that that I think is jolly good. | 0:39:39 | 0:39:45 | |
I would believe it could hold you up, but I hope to God it never has to. | 0:39:45 | 0:39:50 | |
Do people who are 86 think about how they're going to go? | 0:39:50 | 0:39:54 | |
Yes, they do. | 0:39:54 | 0:39:57 | |
All the time, every day. | 0:39:57 | 0:39:59 | |
They do. | 0:40:01 | 0:40:02 | |
And when people they know go, they think, "What was it like?" | 0:40:07 | 0:40:13 | |
-Don't set me off, you'll spoil my dinner, thinking about it. -Really? | 0:40:13 | 0:40:20 | |
No! Not really. | 0:40:20 | 0:40:22 | |
I mean, the whole thing is... | 0:40:22 | 0:40:24 | |
the whole thing... the whole silly thing is... | 0:40:24 | 0:40:28 | |
..I might live longer than you! | 0:40:29 | 0:40:31 | |
You see, you don't know. | 0:40:33 | 0:40:35 | |
That's the funny thing. | 0:40:37 | 0:40:39 | |
Hello! How are you today? | 0:41:17 | 0:41:20 | |
-Tired. -Tired? | 0:41:20 | 0:41:21 | |
-You been busy? -Yes, I have, my feet could do with a bit of loving care. | 0:41:21 | 0:41:27 | |
A bit of TLC, do you want to come through? | 0:41:27 | 0:41:31 | |
Am I allowed to go to sleep? | 0:41:31 | 0:41:33 | |
You can if you want to, you carry on. | 0:41:33 | 0:41:36 | |
Oh, my goodness! | 0:41:38 | 0:41:40 | |
Look, feet and legs don't go as old and wrinkly as your face and neck. | 0:41:51 | 0:41:57 | |
D'you feel your age, Liz? | 0:41:57 | 0:42:00 | |
My legs feel my age. | 0:42:00 | 0:42:02 | |
They don't...work as well. | 0:42:02 | 0:42:06 | |
My, er, soul... | 0:42:09 | 0:42:11 | |
and my heart, is still young. | 0:42:11 | 0:42:14 | |
But it's not bad, not bad. | 0:42:16 | 0:42:18 | |
Nothing to moan about. | 0:42:18 | 0:42:20 | |
I'm a lucky girl! | 0:42:21 | 0:42:24 | |
And perhaps you could have a day off tomorrow. | 0:42:26 | 0:42:30 | |
And not do it... | 0:42:30 | 0:42:31 | |
-Don't you think you've got, honestly, enough? -Yeah, I do. | 0:42:31 | 0:42:34 | |
-How many hours have you got? -About 18. | 0:42:34 | 0:42:37 | |
-80? -18. | 0:42:37 | 0:42:40 | |
Oh, 18... | 0:42:40 | 0:42:42 | |
Morning! | 0:42:59 | 0:43:01 | |
Look there! That's Italy! | 0:43:06 | 0:43:09 | |
That's nice, we're being brought in by pilot boat, that's good, isn't it? | 0:43:09 | 0:43:14 | |
That's very good. Anthony. | 0:43:14 | 0:43:17 | |
And do they call you Antonio? | 0:43:17 | 0:43:18 | |
-Only when she's in a bad temper. -Oh! | 0:43:21 | 0:43:23 | |
# Oh! Antonio | 0:43:23 | 0:43:27 | |
# He's gone away | 0:43:27 | 0:43:30 | |
# Left me alone-ee-o | 0:43:30 | 0:43:35 | |
# All on my own-ee-o | 0:43:35 | 0:43:39 | |
# I'd like to find him with his new sweetheart | 0:43:39 | 0:43:46 | |
# Then up will go Antonio and his ice cream cart. # | 0:43:46 | 0:43:54 | |
'It's an old song. My gran would sing it when I was a little girl. | 0:43:58 | 0:44:02 | |
# I want to meet him with his new sweetheart | 0:44:02 | 0:44:09 | |
# Then up will go Antonio and his ice cream cart. # | 0:44:09 | 0:44:17 | |
-Thank you. -You're welcome. | 0:44:17 | 0:44:19 | |
Suddenly everybody looks Italian. Suddenly! | 0:44:24 | 0:44:29 | |
They're very attractive. | 0:44:33 | 0:44:35 | |
They have a more joyful expression than further up the coast. | 0:44:35 | 0:44:39 | |
Why do you think you never met another husband? | 0:44:41 | 0:44:44 | |
I never met one free enough to be my companion. | 0:44:44 | 0:44:49 | |
Not that I would want to be a married one again, | 0:44:49 | 0:44:53 | |
but to have had the companionship, I'd have liked. | 0:44:53 | 0:44:57 | |
But I didn't. | 0:44:57 | 0:44:58 | |
Thank you very much, thank you. | 0:45:01 | 0:45:04 | |
Oh, it's a little one. | 0:45:08 | 0:45:11 | |
It's one of those...it's one of those little ones. | 0:45:11 | 0:45:15 | |
I like a big one. I should have said latte, shouldn't I? | 0:45:15 | 0:45:19 | |
Thank you very much, thank you. | 0:45:19 | 0:45:22 | |
It's all latte. It's all latte. | 0:45:23 | 0:45:28 | |
There's no coffee in it. | 0:45:28 | 0:45:30 | |
We haven't got it quite right, have we? | 0:45:33 | 0:45:36 | |
-We haven't got it right. -No. | 0:45:36 | 0:45:38 | |
This is what... | 0:45:40 | 0:45:42 | |
I've got a glass of milk! | 0:45:42 | 0:45:44 | |
Oh, dear! | 0:45:48 | 0:45:50 | |
I want a cup of coff... I know. | 0:45:50 | 0:45:52 | |
Don't you want it? | 0:45:56 | 0:45:58 | |
Very nice. | 0:46:14 | 0:46:15 | |
Coffee latte. | 0:46:15 | 0:46:18 | |
You've always played old ladies, haven't you? | 0:46:30 | 0:46:33 | |
'I have. The first play I was ever in, | 0:46:33 | 0:46:36 | |
'I would be about seven or eight years old, | 0:46:36 | 0:46:41 | |
'and, erm, I was the cook, I was about 55 years old.' | 0:46:41 | 0:46:46 | |
Little bell. | 0:46:46 | 0:46:49 | |
'And I never wanted to play anything younger, never. | 0:46:49 | 0:46:52 | |
'It is me, hiding. | 0:46:52 | 0:46:56 | |
'I want to hide, I can't... I can't bear people to see me. | 0:46:58 | 0:47:04 | |
'I can't bear to reveal myself now.' | 0:47:04 | 0:47:07 | |
-SHOP ASSISTANT TALKS FOREIGN LANGUAGE Oh, oh, oh. -Si. -Yeah. | 0:47:09 | 0:47:14 | |
-It's a good thing you're an actress. -'Yeah, it's been lovely.' | 0:47:15 | 0:47:19 | |
I'm going back to the ship now. | 0:47:19 | 0:47:21 | |
Take a rest after that. | 0:47:22 | 0:47:25 | |
'The life I was lucky enough to develop, | 0:47:26 | 0:47:30 | |
'in acting and theatre and film so on, | 0:47:30 | 0:47:35 | |
'supplied me with a lot of life and interest and happiness. | 0:47:35 | 0:47:41 | |
'It's been lovely. It's been a lovely thing to happen.' | 0:47:41 | 0:47:44 | |
I've finished the hat. | 0:47:48 | 0:47:50 | |
'If you have any mussels at the restaurant in Venice, this is probably where they come from.' | 0:47:50 | 0:47:57 | |
You can see the hat from three angles, you know. | 0:47:57 | 0:48:00 | |
Oh, lovely. | 0:48:00 | 0:48:01 | |
Lovely, it's like a milliner's thing. | 0:48:01 | 0:48:04 | |
I enjoy the wardrobe side very much. | 0:48:06 | 0:48:09 | |
I get great pleasure in wearing a really wretched outfit, | 0:48:09 | 0:48:14 | |
and an old pair of boots. | 0:48:14 | 0:48:16 | |
Then I love to go home, | 0:48:16 | 0:48:18 | |
I'm mad about clothes and I love to dress up. | 0:48:18 | 0:48:22 | |
I really would love to play an exceedingly glamorous role, | 0:48:22 | 0:48:28 | |
probably a queen or something really grand, you know? | 0:48:28 | 0:48:33 | |
Ah! | 0:48:37 | 0:48:39 | |
What is that? | 0:48:39 | 0:48:42 | |
That's charcoal. | 0:48:42 | 0:48:44 | |
The whole idea of Venice is thrilling. | 0:48:53 | 0:48:57 | |
You'll get the best view, come with me. | 0:48:58 | 0:49:00 | |
-And you'll get a bit of sunshine as well. -Oh, lovely. | 0:49:00 | 0:49:05 | |
You've even got some people to talk to there. | 0:49:06 | 0:49:08 | |
Oh! Isn't it lovely? | 0:49:08 | 0:49:12 | |
Look at these knots. | 0:50:19 | 0:50:21 | |
-You realise, if you ring the bell, you have to buy everybody on the ship a drink? -Oh! | 0:50:24 | 0:50:29 | |
-Everybody? -Everybody! | 0:50:29 | 0:50:31 | |
I'd be bankrupt, wouldn't I? | 0:50:31 | 0:50:33 | |
You going ashore? | 0:50:35 | 0:50:37 | |
-In a minute. -Oh, OK. -We can have a little... | 0:50:37 | 0:50:39 | |
-Yeah, have a little wander. -Ooh! | 0:50:39 | 0:50:51 | |
Get this on camera. Go on. | 0:50:51 | 0:50:54 | |
Get that on camera. | 0:50:54 | 0:50:55 | |
People will be talking about us again. Have you been to Venice before? | 0:50:55 | 0:51:00 | |
-No, have you? -No, first time, Barbara has been before, and she tells me | 0:51:00 | 0:51:04 | |
it's an absolute magical place. You don't want to drop down. | 0:51:04 | 0:51:08 | |
I don't want to drop down there, | 0:51:08 | 0:51:10 | |
I'm not thinking of dropping down there actually! | 0:51:10 | 0:51:13 | |
D'you want me to help you down the stairs, Liz? | 0:51:13 | 0:51:16 | |
I don't think so, because there's a rail. If there's a rail, that's fine. | 0:51:16 | 0:51:20 | |
'..which is called, in Venetian language... | 0:51:23 | 0:51:27 | |
'The canals in Venice are deep no more than five, six metres.' | 0:51:29 | 0:51:35 | |
Oh, look at the splendid facade. | 0:51:40 | 0:51:44 | |
-Thank you, no. -We'll get you over here and on to a chair, OK? | 0:51:50 | 0:51:55 | |
-Yeah. -Here's the party, so we're OK. | 0:51:55 | 0:51:57 | |
All right? Let's get you sat down. | 0:51:57 | 0:51:59 | |
Glad you came? | 0:52:09 | 0:52:12 | |
Yeah. | 0:52:12 | 0:52:14 | |
Sort of. | 0:52:16 | 0:52:18 | |
Sort of. | 0:52:18 | 0:52:20 | |
I'm so cross with myself because I can't remember the name | 0:52:27 | 0:52:30 | |
of the character you played in the Vicar of Dibley. | 0:52:30 | 0:52:33 | |
What was she called? | 0:52:33 | 0:52:34 | |
-Letitia. -It's lovely, it's lovely. | 0:52:34 | 0:52:37 | |
A marvellous name. | 0:52:37 | 0:52:39 | |
Letitia Cropley. | 0:52:39 | 0:52:41 | |
Maker of cakes. | 0:52:43 | 0:52:45 | |
I didn't like it quite so much after the girl got married. I didn't like it quite so much after that. | 0:52:45 | 0:52:50 | |
I didn't watch it after that, | 0:52:50 | 0:52:52 | |
cos I was upset because I'd been killed off. | 0:52:52 | 0:52:55 | |
-Yes, of course, yes. -I was fed up for being killed off. | 0:52:55 | 0:52:58 | |
-Ah, dear! -I died of a heart attack. | 0:52:58 | 0:53:02 | |
I'm not surprised after your cooking! | 0:53:02 | 0:53:05 | |
The last five jobs I've done, I've been killed off. | 0:53:05 | 0:53:08 | |
Does it give you a strange feeling to be killed off in a part? | 0:53:08 | 0:53:12 | |
-I'm used to it now. -But you don't ever really get used to it, do you? | 0:53:12 | 0:53:15 | |
Sometimes I'm glad to go, get off! SHE CHUCKLES | 0:53:15 | 0:53:19 | |
I can't see any canals. | 0:53:34 | 0:53:36 | |
You'll see them from the gondola. | 0:53:36 | 0:53:38 | |
Where are they? | 0:53:38 | 0:53:40 | |
I'm just deciding whether to get in a gondola or not. | 0:53:44 | 0:53:47 | |
-It's a nice experience. -Is it? -Yeah. | 0:53:47 | 0:53:51 | |
Will you put your hat on? | 0:53:56 | 0:53:58 | |
-Got his hat on. Has he got his hat on? -Yes. Looks lovely. | 0:54:04 | 0:54:11 | |
If you weren't an actress, what do you think you would have been? | 0:54:31 | 0:54:34 | |
'I'd like to have had a glorious singing voice and been a famous opera singer, really.' | 0:54:34 | 0:54:40 | |
-It's high tide! -High tide? -High tide. So it's difficult. | 0:54:49 | 0:54:53 | |
'I think to have a glorious singing voice must be one of the nicest things to have. | 0:55:05 | 0:55:11 | |
'But if you ain't got it, you ain't got it, have you?' | 0:55:11 | 0:55:16 | |
-Wait a moment... -I'm just getting the shot, I'm not... | 0:55:19 | 0:55:22 | |
-Let me get my voice ready. -Yeah. -SHE CLEARS HER THROAT | 0:55:22 | 0:55:25 | |
# O solo mio! | 0:55:27 | 0:55:32 | |
# Oh, here am I | 0:55:32 | 0:55:36 | |
# I am in Venice | 0:55:36 | 0:55:41 | |
# Near Bridge of Sigh | 0:55:41 | 0:55:44 | |
# Oh, my, oh, my, oh, my | 0:55:44 | 0:55:49 | |
# Oh, my, oh, my | 0:55:49 | 0:55:51 | |
# Oh, my, oh, my! # SHE LAUGHS | 0:55:51 | 0:55:57 | |
-Hello! I'm back. -Hello! -Here I am! -Did you enjoy it? | 0:56:19 | 0:56:23 | |
-I had a lovely time, thank you very much. -Did you? | 0:56:23 | 0:56:25 | |
-It was a jolly good cruise. -Did you swim? | 0:56:25 | 0:56:29 | |
No, it wasn't a big enough ship. A lot of water. | 0:56:29 | 0:56:34 | |
Did you find a nice fancy man, a nice sailor? | 0:56:34 | 0:56:37 | |
They were all married? | 0:56:37 | 0:56:38 | |
-Oh! -I wasn't able to bring a nice man back for anybody. -Oh! | 0:56:38 | 0:56:43 | |
So I'll have to go again, especially! | 0:56:43 | 0:56:46 | |
-Did you have lots of wonderful food? -The food was marvellous. | 0:56:46 | 0:56:50 | |
-And would you go again? -Oh, I think it makes a lovely holiday. -Yes... | 0:56:50 | 0:56:54 | |
-But for me, there was rather a lot of water. -Too much water? | 0:56:54 | 0:56:59 | |
Especially in Venice. | 0:57:01 | 0:57:03 | |
-It was water, water, everywhere. -Lots of water everywhere. | 0:57:03 | 0:57:07 | |
-It was, yeah. -It sounds wonderful. | 0:57:07 | 0:57:11 | |
It was, it was. | 0:57:11 | 0:57:12 | |
All I want to do really is just sit down! | 0:57:27 | 0:57:32 | |
Sit on the sofa. | 0:57:32 | 0:57:35 | |
Nothing is as important as it was, because, you know, like, | 0:57:36 | 0:57:42 | |
I used to worry if my stockings were laddered, throw them away. | 0:57:42 | 0:57:45 | |
Now, I don't mind going around with laddered stockings. | 0:57:45 | 0:57:49 | |
Lots of things you used to worry about when you were younger, | 0:57:49 | 0:57:53 | |
you think, "Why on earth did I worry about that?" | 0:57:53 | 0:57:56 | |
It all sorts itself out in the end. | 0:57:56 | 0:57:59 | |
-Hands up who wants fish and chips on Saturday? -Fish and chips on Saturday. | 0:58:01 | 0:58:06 | |
Fish and chips on Saturday, yes. How many? 1, 2... Helen, Jerrie... | 0:58:06 | 0:58:11 | |
One cod and chips for me, please. For Saturday, thank you. | 0:58:14 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:40 | |
E-mail [email protected] | 0:58:40 | 0:58:43 |