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Ladies and gentlemen, this is the captain speaking. | 0:00:03 | 0:00:06 | |
Welcome on board your Pan American Clipper. | 0:00:06 | 0:00:09 | |
We're ready for takeoff so please sit back, relax and enjoy your flight. | 0:00:09 | 0:00:14 | |
# Come fly with me Let's fly, let's fly away... # | 0:00:16 | 0:00:22 | |
Once upon a time, | 0:00:22 | 0:00:24 | |
travelling on an aircraft was like floating on cloud nine. | 0:00:24 | 0:00:28 | |
You were always greeted with a smile, | 0:00:28 | 0:00:30 | |
offered your favourite cocktail | 0:00:30 | 0:00:32 | |
and served a delicious gourmet meal, | 0:00:32 | 0:00:35 | |
and you never knew who you might be sitting next to. | 0:00:35 | 0:00:38 | |
# Come fly with me, let's float... # | 0:00:38 | 0:00:41 | |
For more than half a century, | 0:00:41 | 0:00:43 | |
Pan American Airways was the symbol of airline superiority worldwide. | 0:00:43 | 0:00:49 | |
It took us into the jet age, | 0:00:49 | 0:00:51 | |
shrank the globe and made glitz, glamour | 0:00:51 | 0:00:53 | |
and exotic travel available to the masses. | 0:00:53 | 0:00:56 | |
From its beginnings in 1927 to its final days in the early 1990s, | 0:01:00 | 0:01:05 | |
Pan Am led the way in nearly every aspect of commercial flight, | 0:01:05 | 0:01:09 | |
and changed for ever our dreams, aspirations | 0:01:09 | 0:01:13 | |
and perception of the world. | 0:01:13 | 0:01:16 | |
'In an era that was glamorous,' | 0:01:16 | 0:01:17 | |
it was that much more glamorous than any other airline. | 0:01:17 | 0:01:23 | |
It symbolised all the good things of airline travel. | 0:01:23 | 0:01:28 | |
You felt the most privileged to be able to get on board a Pan Am plane. | 0:01:28 | 0:01:33 | |
Pan Am was THE airline to get on. | 0:01:35 | 0:01:38 | |
It was the most glamorous thing possible. | 0:01:38 | 0:01:41 | |
Everybody looked up to what Pan Am did worldwide. | 0:01:41 | 0:01:46 | |
Well, I just remember the girls. They couldn't do enough for you. | 0:01:47 | 0:01:51 | |
Another town, another man! | 0:01:51 | 0:01:53 | |
# Pack up, let's fly away! # | 0:01:55 | 0:01:58 | |
1927, Prohibition was in, silent pictures were out. | 0:02:10 | 0:02:15 | |
Everyone was doing the Charleston | 0:02:15 | 0:02:17 | |
and a small airline called Pan American began service | 0:02:17 | 0:02:21 | |
carrying mail between Key West, Florida, and Havana, Cuba. | 0:02:21 | 0:02:25 | |
By 1928, passengers were climbing on board. | 0:02:25 | 0:02:29 | |
At the time, air travel for the masses seemed little more | 0:02:29 | 0:02:32 | |
than a pipe dream. | 0:02:32 | 0:02:34 | |
But for Pan American's president, Juan Trippe, it was the future. | 0:02:34 | 0:02:38 | |
'Dad was a visionary.' | 0:02:38 | 0:02:40 | |
You think back in the beginning of early aviation, | 0:02:40 | 0:02:43 | |
there really wasn't a commercial aspect and anybody that thought | 0:02:43 | 0:02:47 | |
they'd make a livelihood from aviation was nuts. | 0:02:47 | 0:02:49 | |
Looking to escape prohibition, | 0:02:49 | 0:02:52 | |
Americans were keen to get to Havana for a drink and a good time. | 0:02:52 | 0:02:57 | |
And Pan American was perfectly positioned to take them there. | 0:02:57 | 0:03:01 | |
But Trippe had bigger plans for the airline. | 0:03:03 | 0:03:05 | |
To help him achieve his goal, he enlisted the most | 0:03:06 | 0:03:09 | |
famous pilot in the world, Charles Lindbergh, | 0:03:09 | 0:03:13 | |
who'd only recently become the first man to fly non-stop across the Atlantic. | 0:03:13 | 0:03:17 | |
'In one night, Lindbergh becomes | 0:03:17 | 0:03:19 | |
'the idol of America. A shy world hero.' | 0:03:19 | 0:03:21 | |
Together, Lindbergh and Trippe secured access to exotic | 0:03:22 | 0:03:26 | |
new destinations across Central and South America | 0:03:26 | 0:03:30 | |
and acquired a series of larger seaplanes that could land | 0:03:30 | 0:03:33 | |
in cities with no airports and carry passengers in comfort and style. | 0:03:33 | 0:03:38 | |
In the beginning there were only male flight attendants. | 0:03:38 | 0:03:43 | |
The job of the steward was to row people out to the seaplanes, | 0:03:43 | 0:03:46 | |
load baggage, buy food in the middle of nowhere. | 0:03:46 | 0:03:49 | |
Trippe called his new planes Clippers, after the fast | 0:03:51 | 0:03:54 | |
and manoeuvrable ships of the 19th century. | 0:03:54 | 0:03:58 | |
It was a name that would last as long as the airline. | 0:03:58 | 0:04:01 | |
By the early 1930s, | 0:04:01 | 0:04:03 | |
Pan Am's Clippers where the symbol of modernity. | 0:04:03 | 0:04:06 | |
And they had a flashy new terminal in Miami called Dinner Key. | 0:04:06 | 0:04:10 | |
Dinner Key was an attraction in and of itself. | 0:04:10 | 0:04:14 | |
People actually paid money to go and watch the planes arrive. | 0:04:14 | 0:04:18 | |
Often times there would be a celebrity so you would be | 0:04:18 | 0:04:21 | |
seeing a countess or a movie star getting off this air flight. | 0:04:21 | 0:04:25 | |
Pan American had become a byword for glamour and sophistication. | 0:04:28 | 0:04:32 | |
But for Juan Trippe that wasn't enough. | 0:04:32 | 0:04:34 | |
He had been secretly planning a project no other | 0:04:34 | 0:04:38 | |
commercial airline would have dared attempt - | 0:04:38 | 0:04:41 | |
the crossing of the Pacific Ocean. | 0:04:41 | 0:04:45 | |
That was extremely difficult. | 0:04:46 | 0:04:48 | |
I think young people today think airplanes were always here. | 0:04:48 | 0:04:54 | |
And they don't realise how hard it was to get across that 10,000 miles. | 0:04:54 | 0:05:00 | |
Overcoming all obstacles on November 22, 1935, | 0:05:02 | 0:05:06 | |
Pan Am's China Clipper began the world's first transpacific service, | 0:05:06 | 0:05:11 | |
departing from San Francisco, California, | 0:05:11 | 0:05:14 | |
and island hopping its way to Manila in the Philippines. | 0:05:14 | 0:05:17 | |
A journey that took over three weeks by ship now took 6 days. | 0:05:17 | 0:05:22 | |
Crossing the Pacific was an adventure. | 0:05:25 | 0:05:28 | |
Crossing the Atlantic was a money-spinner, | 0:05:28 | 0:05:31 | |
and to make it really pay, Pan American needed a bigger plane. | 0:05:31 | 0:05:36 | |
'Mrs Roosevelt is to christen the world's largest airplane.' | 0:05:36 | 0:05:39 | |
On the 20th of May 1939, | 0:05:41 | 0:05:44 | |
the Yankee Clipper began service from New York to Europe | 0:05:44 | 0:05:47 | |
introducing new levels of comfort, speed and sophistication to the sky. | 0:05:47 | 0:05:53 | |
Offering fine dining, sleeping compartments | 0:05:53 | 0:05:56 | |
and even a bridal suite, | 0:05:56 | 0:05:59 | |
the new Clippers made the | 0:05:59 | 0:06:00 | |
26-hour journey across the pond feel like a night at the Ritz. | 0:06:00 | 0:06:05 | |
The future looked cushy. | 0:06:05 | 0:06:07 | |
All Pan Am's clouds seemed to have a silver lining. | 0:06:08 | 0:06:11 | |
But World War II changed everything. | 0:06:11 | 0:06:13 | |
# I'm doing my bit down here for Uncle Sam... # | 0:06:13 | 0:06:17 | |
Pan Am Clippers were stripped, camouflaged | 0:06:17 | 0:06:20 | |
and pressed into service as thousands of young aviators | 0:06:20 | 0:06:24 | |
underwent training at Pan Am's facilities in Miami. | 0:06:24 | 0:06:26 | |
We had been in the business of flying across the oceans for 17 years | 0:06:26 | 0:06:32 | |
by the time air force or navy began it. | 0:06:32 | 0:06:37 | |
Consequently, we were able to teach them. | 0:06:37 | 0:06:39 | |
Pan American flew supplies, troops and mail across the world | 0:06:42 | 0:06:45 | |
and performed secret missions, including | 0:06:45 | 0:06:48 | |
the transport of world leaders such as Roosevelt and Winston Churchill | 0:06:48 | 0:06:53 | |
whose covert flight from the US to Britain became quite an adventure. | 0:06:53 | 0:06:56 | |
'The man with the cigar is no novice when it comes to piloting a machine. | 0:06:56 | 0:07:01 | |
'He remarked casually that the aircraft was | 0:07:01 | 0:07:03 | |
'very different from a plane that he had flown in 1913.' | 0:07:03 | 0:07:06 | |
The Nazis thought he was on BOAC and they bombed | 0:07:06 | 0:07:09 | |
the BOAC flight but we had sent him on another one with a decoy. | 0:07:09 | 0:07:15 | |
They almost overflew the French coast and approached England from | 0:07:15 | 0:07:18 | |
a direction which they would have been intercepted and shot down. | 0:07:18 | 0:07:21 | |
Somehow, he got in safely. He dodged a bullet that day. | 0:07:21 | 0:07:24 | |
By the end of the war, aviation had made incredible advances. | 0:07:24 | 0:07:30 | |
A Pan Am seaplane had been the first commercial aircraft | 0:07:30 | 0:07:33 | |
to circumnavigate the globe and runways had been built worldwide. | 0:07:33 | 0:07:37 | |
But the age of the great flying boats was over. | 0:07:37 | 0:07:41 | |
A new era in air travel was about to take off. | 0:07:41 | 0:07:44 | |
No-one understood this better than Juan Trippe. | 0:07:44 | 0:07:48 | |
Air power can enslave the common man or it can free him. | 0:07:48 | 0:07:52 | |
He said in a speech one time that the tourist plane, filled with | 0:07:52 | 0:07:58 | |
enthusiastic tourists going around the world, would have | 0:07:58 | 0:08:04 | |
much more effect on destiny than the atom bomb. | 0:08:04 | 0:08:08 | |
# S'wonderful. | 0:08:12 | 0:08:15 | |
# S'marvellous. | 0:08:15 | 0:08:19 | |
# You should care for me. # | 0:08:19 | 0:08:24 | |
Pan American was entering its golden age. | 0:08:24 | 0:08:28 | |
Embracing the new technology of land planes, Trippe enlisted | 0:08:28 | 0:08:32 | |
the aircraft manufacturers, Boeing and Douglas, | 0:08:32 | 0:08:35 | |
to come up with a series of large luxury carriers. | 0:08:35 | 0:08:39 | |
The crowning achievement being the spectacular Boeing Stratocruiser. | 0:08:39 | 0:08:44 | |
# My life's so glamorous... # | 0:08:44 | 0:08:48 | |
The Stratocruiser was probably | 0:08:50 | 0:08:52 | |
the most luxuriously accommodated airliner, maybe of all time. | 0:08:52 | 0:08:56 | |
It's a big double-decker derivation of the B-29 bomber. | 0:08:56 | 0:09:01 | |
'While the Clipper thrives in the stratosphere's clean, | 0:09:01 | 0:09:04 | |
'cold upper air, her cabin's kept at a steady comfortable temperature. | 0:09:04 | 0:09:10 | |
'Radiant heating and air conditioning combine to maintain a constant | 0:09:10 | 0:09:14 | |
'flow of fresh air with no draughts and no chills.' | 0:09:14 | 0:09:17 | |
And of course, it's pressurised. | 0:09:20 | 0:09:22 | |
It had supercharged engines that could fly above the weather in most cases. | 0:09:22 | 0:09:25 | |
Which made an 18-hour oceanic flight suddenly not so bad. | 0:09:25 | 0:09:31 | |
It was an incredible aircraft. Downstairs lounge, berths. | 0:09:34 | 0:09:38 | |
You were served a beautiful dinner. Champagne, caviar, steak, ice cream. | 0:09:43 | 0:09:47 | |
The whole works. | 0:09:47 | 0:09:49 | |
# You made my life so glamorous. # | 0:09:49 | 0:09:54 | |
'Your dinner may be turned out with production line efficiency, | 0:09:54 | 0:09:57 | |
'but it's a meal that any housewife would be proud to serve | 0:09:57 | 0:10:02 | |
'and you couldn't be more comfortable | 0:10:02 | 0:10:04 | |
'in your own dining room.' | 0:10:04 | 0:10:06 | |
I flew on one of the first flights I can really remember. | 0:10:06 | 0:10:10 | |
I can remember sleeping in the bunks and running up and down | 0:10:10 | 0:10:13 | |
the lounge and up to the bathroom. | 0:10:13 | 0:10:15 | |
The size of the plane seemed at the time incredible. | 0:10:15 | 0:10:17 | |
The luxurious accommodations on board made it a special plane. | 0:10:17 | 0:10:23 | |
Cashing in on the glamour of international travel, | 0:10:29 | 0:10:31 | |
Pan American changed its name to Pan American World Airways | 0:10:31 | 0:10:36 | |
and welcomed with open arms some of Hollywood's finest. | 0:10:36 | 0:10:40 | |
# S'elegant... # | 0:10:43 | 0:10:47 | |
But the Stratocruiser was just a stepping stone for Juan Trippe. | 0:10:47 | 0:10:51 | |
He wanted to have the most advanced aircraft in the world. | 0:10:51 | 0:10:54 | |
And his rush to get them would turn commercial air travel on its head. | 0:10:54 | 0:10:59 | |
I think it was in Juan Trippe's nature to peer into the future. | 0:10:59 | 0:11:04 | |
And he saw this, I think, instantly, | 0:11:04 | 0:11:06 | |
when he smelled kerosene from the first jet engine. | 0:11:06 | 0:11:10 | |
But Pan Am would not be the first airline to employ jets. | 0:11:13 | 0:11:16 | |
The British had already introduced their jet, the Comet, | 0:11:16 | 0:11:20 | |
on some of BOAC's international routes. | 0:11:20 | 0:11:23 | |
Even a fiercely American corporation | 0:11:28 | 0:11:30 | |
like Pan Am recognised that if | 0:11:30 | 0:11:33 | |
they were to remain competitive then they would have to look overseas. | 0:11:33 | 0:11:38 | |
They'd have to buy what the British had to offer, | 0:11:38 | 0:11:41 | |
namely the Comet II and Comet III. | 0:11:41 | 0:11:43 | |
# He said, your story's so touching but it sounds just like a lie. # | 0:11:43 | 0:11:46 | |
It looked like the British were on course for a spectacular success, | 0:11:46 | 0:11:50 | |
but then, just at the moment of maximum triumph, tragedy struck. | 0:11:50 | 0:11:56 | |
Yoke Peter took off from Rome airport on schedule. | 0:11:59 | 0:12:02 | |
A few minutes later, the plane exploded. | 0:12:02 | 0:12:05 | |
The ships of the Royal Navy hastened to the spot. | 0:12:05 | 0:12:08 | |
There were no survivors. | 0:12:08 | 0:12:09 | |
After a series of terrible accidents, the Comet was grounded. | 0:12:09 | 0:12:14 | |
With the British now out of the picture, Trippe turned | 0:12:14 | 0:12:17 | |
to his domestic suppliers and coerced them into building his jets. | 0:12:17 | 0:12:22 | |
The result would establish Pan Am as the world's leading airline. | 0:12:22 | 0:12:27 | |
'This is it. The first American | 0:12:29 | 0:12:31 | |
'commercial jet capable of economical transatlantic service. | 0:12:31 | 0:12:35 | |
'The Boeing 707 Jet Clipper.' | 0:12:35 | 0:12:38 | |
# Come fly with me Let's fly, let's fly away. # | 0:12:38 | 0:12:42 | |
In October 1958, | 0:12:42 | 0:12:44 | |
Pan Am inaugurated its 707 jet service from New York to Paris. | 0:12:44 | 0:12:50 | |
Another first, it cut transatlantic travel times in half. | 0:12:50 | 0:12:54 | |
The jet age had truly arrived and, along with it, the jet set. | 0:12:54 | 0:12:59 | |
# Come fly with me Let's float down to Peru... # | 0:12:59 | 0:13:05 | |
You wanted to be a jet setter because that meant | 0:13:05 | 0:13:07 | |
you were on a fast airplane going to exotic places. | 0:13:07 | 0:13:10 | |
Nothing was far away any more. | 0:13:13 | 0:13:15 | |
Remote places you wouldn't have dreamed of going | 0:13:15 | 0:13:18 | |
without having six months off, you could go visit in a weekend. | 0:13:18 | 0:13:20 | |
It was not just the introduction of the jet and the speed and the range, | 0:13:20 | 0:13:26 | |
the capacity, it was also the introduction of the tourist fare. | 0:13:26 | 0:13:30 | |
Mass tourism became a reality. | 0:13:30 | 0:13:32 | |
# Hey, everybody | 0:13:32 | 0:13:36 | |
# Come along if you can... # | 0:13:36 | 0:13:40 | |
As Pan Am entered the 1960s, it was at the top of its game | 0:13:40 | 0:13:46 | |
with a catchy new logo and headquarters in central Manhattan, | 0:13:46 | 0:13:50 | |
it extended its roots and chain of international hotels. | 0:13:50 | 0:13:54 | |
# Come on and dance... # | 0:13:54 | 0:13:56 | |
Well, it was a very recognisable brand, | 0:13:57 | 0:14:00 | |
even to people like me from little towns. | 0:14:00 | 0:14:04 | |
It was supposedly next to Coca-Cola in recognition. | 0:14:04 | 0:14:09 | |
And they sold Pan Am stuff. | 0:14:09 | 0:14:12 | |
People would buy the carrier bags and the little pins | 0:14:12 | 0:14:16 | |
and all that kind of stuff. | 0:14:16 | 0:14:18 | |
Product placement and merchandising well in advance | 0:14:18 | 0:14:21 | |
of many other industries. | 0:14:21 | 0:14:23 | |
If you notice on Mad Men, | 0:14:24 | 0:14:26 | |
Sterling Cooper wants to get the Pan Am advertising account, | 0:14:26 | 0:14:31 | |
it's like, wow! | 0:14:31 | 0:14:32 | |
Everybody who was anybody flew on Pan Am. | 0:14:36 | 0:14:39 | |
I know James always did, when I wasn't flying him, of course! | 0:14:39 | 0:14:45 | |
The first two James Bond films, Dr No and From Russia With Love, | 0:14:45 | 0:14:48 | |
what does James Bond fly? | 0:14:48 | 0:14:50 | |
Pan Am. | 0:14:50 | 0:14:51 | |
When the Beatles arrived in the US and did | 0:14:51 | 0:14:53 | |
a press conference at the airport in New York, what's the plane logo | 0:14:53 | 0:14:56 | |
right behind them in huge letters? It's Pan Am. | 0:14:56 | 0:14:59 | |
The publicity machine was absolutely incredible. | 0:14:59 | 0:15:03 | |
The Beatles, their first flight to New York, | 0:15:03 | 0:15:06 | |
mobbed with all the youngsters and others at the bottom of the steps | 0:15:06 | 0:15:09 | |
when they boarded the aeroplane. | 0:15:09 | 0:15:11 | |
Beatles were on board, all of them, | 0:15:14 | 0:15:16 | |
in first class, and they were just lovely, | 0:15:16 | 0:15:19 | |
and funny. | 0:15:19 | 0:15:21 | |
Some of the famous people we had were Ava Gardner, | 0:15:21 | 0:15:24 | |
Maureen O'Hara, Ingrid Bergman. | 0:15:24 | 0:15:27 | |
David Frost was never off the damn thing! He always was! | 0:15:27 | 0:15:31 | |
On the other hand, we had Elizabeth Taylor, with Richard Burton. | 0:15:31 | 0:15:34 | |
Richard was very nice to us, which I don't think | 0:15:34 | 0:15:37 | |
Elizabeth particularly liked, so she could be a difficult passenger. | 0:15:37 | 0:15:41 | |
Sean Connery, and he was very funny. | 0:15:43 | 0:15:46 | |
He had nice, twinkly eyes. I liked that. | 0:15:46 | 0:15:49 | |
You're telling me?! | 0:15:49 | 0:15:51 | |
The Rat Pack. Frank Sinatra in particular, | 0:15:51 | 0:15:54 | |
who was a very difficult passenger. Very difficult. | 0:15:54 | 0:15:57 | |
Ladies and gentlemen, this is your captain speaking. | 0:16:05 | 0:16:08 | |
We're now at cruising altitude, 35,000 feet. | 0:16:08 | 0:16:10 | |
Our flying speed is 575 miles per hour... | 0:16:10 | 0:16:15 | |
Every passenger, famous or not, knew the minute | 0:16:15 | 0:16:18 | |
they stepped onto a Pan Am jet | 0:16:18 | 0:16:21 | |
they would experience something most could only dream of. | 0:16:21 | 0:16:24 | |
When you went on a Pan Am flight, you were in heaven, | 0:16:24 | 0:16:26 | |
the way they took care of you, with the comforts you needed, | 0:16:26 | 0:16:29 | |
and just the way they treated passengers. | 0:16:29 | 0:16:32 | |
Passengers were happy and excited to be on a plane. | 0:16:32 | 0:16:36 | |
"Hey, I'm on a Pan Am, I'm going to Paris!" | 0:16:36 | 0:16:38 | |
You dressed up to get on an aeroplane. | 0:16:38 | 0:16:41 | |
It was glamorous, it was wonderful. | 0:16:41 | 0:16:44 | |
The arrival of the 707 was really something. | 0:16:47 | 0:16:51 | |
The interiors, the cabins, the flight instruments, | 0:16:51 | 0:16:57 | |
the whole thing was quite different, | 0:16:57 | 0:16:59 | |
and you didn't get the vibration, compared to the piston engine. | 0:16:59 | 0:17:02 | |
It was lovely. | 0:17:06 | 0:17:07 | |
It had a lounge in the front when you got on, a first-class lounge, | 0:17:07 | 0:17:11 | |
with seating like this, | 0:17:11 | 0:17:13 | |
which was lovely, | 0:17:13 | 0:17:14 | |
because people could come from their seats and sit there. | 0:17:14 | 0:17:18 | |
These seats weren't sold. | 0:17:18 | 0:17:19 | |
We always used to serve caviar, | 0:17:21 | 0:17:23 | |
big tins of it, beluga caviar, and we didn't just give | 0:17:23 | 0:17:29 | |
one little portion, we used to go through and offer a second as well. | 0:17:29 | 0:17:34 | |
We were very generous with it. | 0:17:34 | 0:17:35 | |
The food was sensational. | 0:17:35 | 0:17:38 | |
They had whole cheeses and hams sliced for you. | 0:17:38 | 0:17:41 | |
It was Maxim's of Paris, our catering at the time. | 0:17:43 | 0:17:46 | |
We were always quite proud of that, as well. | 0:17:48 | 0:17:51 | |
It wasn't just a catering unit, it was Maxim's of Paris. | 0:17:51 | 0:17:54 | |
I always ate too much, because in the picture business, | 0:17:54 | 0:17:57 | |
they always had you on a diet, | 0:17:57 | 0:17:59 | |
but when I got on a Pan Am flight, | 0:17:59 | 0:18:02 | |
I'd overeat everything. | 0:18:02 | 0:18:06 | |
It was always absolutely delicious. | 0:18:06 | 0:18:09 | |
There was a famous item on the menu, which was called Sole Albert. | 0:18:09 | 0:18:13 | |
To this day, I wish I could get the recipe, but it seems to be a secret. | 0:18:13 | 0:18:18 | |
When you look at what passed for gourmet food | 0:18:20 | 0:18:22 | |
in the United States in the early '60s... | 0:18:22 | 0:18:26 | |
..we were far, far ahead of the curve. | 0:18:27 | 0:18:30 | |
It was very French, and we served it properly. | 0:18:30 | 0:18:33 | |
We'd get this fabulous fillet of beef or something, | 0:18:33 | 0:18:36 | |
six or seven-pound thing, and that comes in first class. | 0:18:36 | 0:18:41 | |
It was raw. It was all made from scratch. | 0:18:41 | 0:18:43 | |
The wines that were served were obviously very high quality. | 0:18:45 | 0:18:48 | |
I think in those days they also had to know if the wine would travel. | 0:18:48 | 0:18:51 | |
It was second to none. I don't think you'd even see it | 0:18:53 | 0:18:56 | |
in some of the finest restaurants today. | 0:18:56 | 0:18:59 | |
# Here come the girls | 0:18:59 | 0:19:00 | |
# Girls, girls, girls, girls... # | 0:19:00 | 0:19:03 | |
Perhaps the most important element for an airline's image was | 0:19:03 | 0:19:07 | |
its cabin crew. They were the public face of the airline, and Pan Am put | 0:19:07 | 0:19:11 | |
a lot of thought into the kind of person | 0:19:11 | 0:19:14 | |
they wanted to represent them. | 0:19:14 | 0:19:16 | |
By 1960, they were almost exclusively female, | 0:19:16 | 0:19:20 | |
and many a young woman was lining up to get on board. | 0:19:20 | 0:19:24 | |
# They must have kept it up above | 0:19:24 | 0:19:26 | |
# Here come the girls... # | 0:19:26 | 0:19:28 | |
I was tired of my job in the police force at that time, | 0:19:28 | 0:19:31 | |
and a friend I'd worked with earlier, she'd gone to Pan American, | 0:19:31 | 0:19:35 | |
and used to write to me and say, | 0:19:35 | 0:19:36 | |
"This is really what you should be doing." | 0:19:36 | 0:19:38 | |
So one day, I thought, "Yes, I'll apply." | 0:19:38 | 0:19:41 | |
There was a recruiting team that came over to Europe. | 0:19:43 | 0:19:48 | |
They took in London, Germany, Scandinavia, France. | 0:19:48 | 0:19:51 | |
Our flight attendants were very carefully chosen. | 0:19:51 | 0:19:56 | |
They had to have perfection. | 0:19:57 | 0:19:59 | |
They were not looking for little, "Hi, I'm Sandy!," that kind of thing. | 0:19:59 | 0:20:05 | |
They were looking for people who were sophisticated, or could become so. | 0:20:05 | 0:20:08 | |
We had to be of a certain weight, height. | 0:20:11 | 0:20:14 | |
I think the blondes appealed in Scandinavia. | 0:20:14 | 0:20:17 | |
They had to speak languages, the girls did. | 0:20:17 | 0:20:20 | |
They were an international airline, | 0:20:20 | 0:20:22 | |
and they wanted to put this over to the public. | 0:20:22 | 0:20:24 | |
We had our choice of the cream of the crop, and we took it. | 0:20:27 | 0:20:30 | |
Part of the recruitment process was | 0:20:35 | 0:20:37 | |
also having to do a little catwalk, | 0:20:37 | 0:20:40 | |
whereby the interviewer would make you | 0:20:40 | 0:20:42 | |
walk both ways, do a turn. | 0:20:42 | 0:20:45 | |
They said, "Could you take that chair?" | 0:20:48 | 0:20:51 | |
So I had to get up, obviously wanted to see me | 0:20:51 | 0:20:53 | |
walk over to the other chair. | 0:20:53 | 0:20:55 | |
I remember being asked to stand in front of the interviewers | 0:20:55 | 0:20:59 | |
and turn around, walk away, | 0:20:59 | 0:21:02 | |
turn around and walk back towards them. | 0:21:02 | 0:21:08 | |
I think they were looking at my figure, my legs, | 0:21:08 | 0:21:10 | |
my overall ambience, I don't know! | 0:21:10 | 0:21:14 | |
A week later, they said, "We'd like you to be in New York in two weeks." | 0:21:14 | 0:21:18 | |
'Passengers clearing immigration should file through customs | 0:21:18 | 0:21:22 | |
'to exits one and three.' | 0:21:22 | 0:21:23 | |
I felt as though I was achieving something in life, | 0:21:24 | 0:21:28 | |
going to New York and then flying down to Miami the following day. | 0:21:28 | 0:21:32 | |
I was 20, I was going to be 21 when I got there. | 0:21:36 | 0:21:39 | |
It was all so new that it was bewildering. | 0:21:40 | 0:21:44 | |
Some of our training, we found, coming from Europe, | 0:21:45 | 0:21:48 | |
was quite hilarious. | 0:21:48 | 0:21:49 | |
One of the things that came up was to deliver a baby. | 0:21:49 | 0:21:53 | |
Well, we didn't actually do anything particularly - we used a chair. | 0:21:53 | 0:21:57 | |
She also told us, "Be very careful when abroad, | 0:21:58 | 0:22:01 | |
"don't drink the water, clean your teeth in Coca-Cola." | 0:22:01 | 0:22:05 | |
We were given this book to read, How To Win Friends And Influence People. | 0:22:06 | 0:22:11 | |
And I guess I can admit to it now, I just didn't read it. | 0:22:12 | 0:22:18 | |
# Oh, I love the colourful clothes she wears | 0:22:18 | 0:22:24 | |
# And the way the sunlight plays upon her hair... # | 0:22:24 | 0:22:28 | |
Vital to the image was the uniform. | 0:22:28 | 0:22:30 | |
Using top Hollywood designers like Don Loper and Edith Head, | 0:22:30 | 0:22:34 | |
Pan Am turned out some of the most memorable looks in the business. | 0:22:34 | 0:22:38 | |
First day that I actually had to put the uniform on, | 0:22:40 | 0:22:45 | |
my shift was starting at 6:00 in the morning, | 0:22:45 | 0:22:47 | |
and from two I couldn't sleep. I was dying to get into that uniform! | 0:22:47 | 0:22:53 | |
Uniforms in the '60s, was very definitely a uniform. | 0:22:53 | 0:22:57 | |
That changed later. We all had exactly the same. | 0:22:57 | 0:23:00 | |
In fact, when you see photographs of us on our graduation, | 0:23:00 | 0:23:03 | |
it's difficult to pick yourself out, we all look like clones. | 0:23:03 | 0:23:06 | |
The jackets had little buttons on them, and our hats, the pillbox hat. | 0:23:09 | 0:23:14 | |
And the iconic white gloves, had to wear white gloves. | 0:23:15 | 0:23:19 | |
They were very smart, but they were stiff, it was all very stiff. | 0:23:21 | 0:23:26 | |
It was not exactly sexy. It was frighteningly smart! | 0:23:26 | 0:23:31 | |
We had to wear panty girdles, and these panty girdles went down | 0:23:35 | 0:23:38 | |
our legs, and they kept our legs straight | 0:23:38 | 0:23:41 | |
and the line of the skirt straight. | 0:23:41 | 0:23:44 | |
And we had girdle check. | 0:23:44 | 0:23:46 | |
This could also be not just a female supervisor, | 0:23:46 | 0:23:49 | |
it could be a male supervisor, | 0:23:49 | 0:23:50 | |
and they would come along and just check to see you had a girdle on. | 0:23:50 | 0:23:53 | |
There's only one way to do that, | 0:23:53 | 0:23:55 | |
and that's to flick the waist to test it. | 0:23:55 | 0:23:58 | |
That damn girdle business. | 0:23:58 | 0:24:00 | |
You had to wear that, because they would come behind you and pinch. | 0:24:00 | 0:24:04 | |
I think the story about the girdle is unbelievable, | 0:24:04 | 0:24:07 | |
that they actually checked they were wearing a girdle! | 0:24:07 | 0:24:11 | |
Anyway, they looked terrific, so perhaps they were right. | 0:24:11 | 0:24:14 | |
We in New York had a grooming supervisor called Lona Lovaly. | 0:24:17 | 0:24:22 | |
And Lona, we used to call her Lona Lovely. | 0:24:24 | 0:24:28 | |
Because Lona Lovely used to inspect us, and not a thing went by. | 0:24:28 | 0:24:33 | |
Everything was checked. | 0:24:33 | 0:24:35 | |
You never left the briefing office without being immaculate. | 0:24:35 | 0:24:39 | |
The preferred nail polish and lipstick was Revlon's Persian Melon. | 0:24:40 | 0:24:47 | |
Make-up, they had a certain make-up you had to wear. | 0:24:47 | 0:24:50 | |
You couldn't have highlights in your hair. | 0:24:50 | 0:24:53 | |
It turned out that Persian Melon made me look like a cadaver! | 0:24:53 | 0:24:58 | |
And you had to get written permission to wear a different kind of lipstick | 0:24:58 | 0:25:02 | |
other than Persian Melon. | 0:25:02 | 0:25:03 | |
Pan Am did in fact have the most glamorous flight attendants - | 0:25:08 | 0:25:11 | |
stewardesses we call them - in the world. | 0:25:11 | 0:25:14 | |
A very nice bunch of young ladies, I have to say. | 0:25:17 | 0:25:20 | |
As a young man, they were a very nice bunch of young ladies! | 0:25:20 | 0:25:23 | |
Pan Am stewardesses were to me the most elegant, sophisticated, | 0:25:26 | 0:25:29 | |
most beautiful women that I've ever come across in my life. | 0:25:29 | 0:25:32 | |
The Pan Am stewardesses were sex symbols | 0:25:35 | 0:25:38 | |
like all the other airline stewardesses. | 0:25:38 | 0:25:41 | |
But they were a cut above. | 0:25:41 | 0:25:42 | |
They were not the plateau in terms of sex symbolism, | 0:25:42 | 0:25:45 | |
if there's such a thing. | 0:25:45 | 0:25:47 | |
They were on the same plane, from a male perspective, | 0:25:47 | 0:25:50 | |
as actresses and models. | 0:25:50 | 0:25:52 | |
They were immaculately dressed, | 0:25:54 | 0:25:56 | |
beautiful, young, hourglass figures, very interesting looking, | 0:25:56 | 0:26:01 | |
and well worth a date. | 0:26:01 | 0:26:05 | |
They were trim and fit and very attractive. | 0:26:05 | 0:26:07 | |
They had curves as nice as the airplanes. | 0:26:07 | 0:26:10 | |
You could have picked out one to marry | 0:26:10 | 0:26:11 | |
on every flight. Gorgeous women. | 0:26:11 | 0:26:13 | |
I've been told since that people used to watch us walking through | 0:26:16 | 0:26:19 | |
the terminals of the airport and think, "Ah, don't they look smart! | 0:26:19 | 0:26:22 | |
"Where are they going? I'd love to be going with them!" | 0:26:22 | 0:26:25 | |
I don't know how to explain glamour, but you could do anything you wanted, | 0:26:27 | 0:26:31 | |
there were so many people asking you out. | 0:26:31 | 0:26:34 | |
Yeah, we got a lot of attention from men. | 0:26:34 | 0:26:37 | |
I don't think we considered ourselves sex symbols in the way | 0:26:37 | 0:26:40 | |
some of the other airlines advertised their stewardesses, like, | 0:26:40 | 0:26:44 | |
"I'm Nancy, fly me," that kind of thing. | 0:26:44 | 0:26:46 | |
I'm Diane. I've got 747s to Miami. Fly me. | 0:26:46 | 0:26:50 | |
I'm Terri. I've got great connections in Miami, | 0:26:50 | 0:26:53 | |
all over the sunshine states of America. Fly me. | 0:26:53 | 0:26:56 | |
I'm Marissa. I've got non-stop flights to Miami every day. Fly me. | 0:26:56 | 0:27:01 | |
You got a certain aloofness from the Pan Am stewardesses. | 0:27:01 | 0:27:05 | |
They knew they were special, and they were somewhat aloof. | 0:27:05 | 0:27:09 | |
You didn't mess with them, | 0:27:09 | 0:27:11 | |
you didn't come on with some stupid line. | 0:27:11 | 0:27:14 | |
# Who's that lady? | 0:27:14 | 0:27:15 | |
# Who's that lady? | 0:27:15 | 0:27:17 | |
# Beautiful lady... # | 0:27:17 | 0:27:18 | |
The phone would ring, and it would be some local guy who had paid | 0:27:18 | 0:27:22 | |
the desk clerk for the crew list. And the guy would say, | 0:27:22 | 0:27:26 | |
"Hello, Miss Sweeney, | 0:27:26 | 0:27:27 | |
"I see you in the lobby and you are very beautiful. | 0:27:27 | 0:27:30 | |
"Will you have dinner with me tonight?" "No!" | 0:27:30 | 0:27:32 | |
And then the phone would ring again and it would be for the other girl. | 0:27:32 | 0:27:36 | |
"Hello, Miss Jones, I see you in the lobby, you are very beautiful. | 0:27:36 | 0:27:39 | |
"Will you have dinner with me tonight?" | 0:27:39 | 0:27:41 | |
I remember a guy used to get on a plane, every time he went, | 0:27:42 | 0:27:45 | |
he would take off his wedding ring | 0:27:45 | 0:27:46 | |
and use man tan to get rid of the little white ring on his finger, | 0:27:46 | 0:27:49 | |
so the stewardesses didn't know he was married. | 0:27:49 | 0:27:52 | |
There was a whole world of men. I called them stewbums. | 0:27:52 | 0:27:55 | |
They just wanted to hang around with stewardesses. | 0:27:57 | 0:27:59 | |
A stewbum would be considered somebody who was a little bit | 0:28:01 | 0:28:04 | |
creepy and obsessive, only wanted to date stewardesses, | 0:28:04 | 0:28:09 | |
probably thinking, as many of them did, | 0:28:09 | 0:28:12 | |
that the airlines had already gone through the screening process, | 0:28:12 | 0:28:16 | |
so if they wanted to get a girlfriend or a wife, | 0:28:16 | 0:28:18 | |
this was the most efficient way! | 0:28:18 | 0:28:20 | |
A lot of male passengers were out to find a wife, | 0:28:23 | 0:28:26 | |
and if not a wife, certainly someone to date. | 0:28:26 | 0:28:30 | |
We had a lot of that, and we enjoyed it, of course. | 0:28:30 | 0:28:35 | |
# I'm all right tonight | 0:28:37 | 0:28:38 | |
# And I do just what I want... # | 0:28:38 | 0:28:42 | |
Young, free and single, the Pan Am stewardesses of the 1960s were | 0:28:42 | 0:28:46 | |
given opportunities most women of the time could only dream of. | 0:28:46 | 0:28:50 | |
Not surprisingly, many couldn't wait to take the plunge. | 0:28:50 | 0:28:55 | |
The world was our oyster. | 0:28:58 | 0:29:01 | |
In the '60s, when we flew, it was quite... | 0:29:01 | 0:29:05 | |
It was quite general, I suppose, for us | 0:29:05 | 0:29:09 | |
to have many friends around the world. | 0:29:09 | 0:29:11 | |
If there was a very interesting, good looking, | 0:29:14 | 0:29:18 | |
intelligent person, I was fussy, then, you know... | 0:29:18 | 0:29:22 | |
Obviously I would go with him! | 0:29:22 | 0:29:25 | |
Why would somebody in Paris stop me | 0:29:25 | 0:29:27 | |
from going out with somebody in Rome? | 0:29:27 | 0:29:29 | |
We used to be taken out for wonderful dinners. Maybe given lovely presents. | 0:29:29 | 0:29:36 | |
I did not have to be, you know, one person. Everybody knew that... | 0:29:36 | 0:29:42 | |
You know... | 0:29:42 | 0:29:43 | |
Maybe not everybody! But I did. | 0:29:43 | 0:29:47 | |
I think we were respected as being a good date, | 0:29:47 | 0:29:52 | |
somebody to have on your arm and who dressed well, | 0:29:52 | 0:29:55 | |
looked good, and lived their lives the next day as well. | 0:29:55 | 0:30:00 | |
You'd pack a suitcase, and all of your troubles would be... | 0:30:02 | 0:30:05 | |
You're in another place. | 0:30:05 | 0:30:07 | |
Another town, another man! | 0:30:09 | 0:30:11 | |
In their own way, | 0:30:20 | 0:30:22 | |
Pan Am pilots were just as glamorous as the stewardesses. | 0:30:22 | 0:30:25 | |
Many had trained during the war, | 0:30:25 | 0:30:27 | |
and brought a strong sense of professionalism to the job. | 0:30:27 | 0:30:30 | |
But they also enjoyed the benefits of a jet-setting lifestyle, | 0:30:30 | 0:30:33 | |
and were the envy of many a young man. | 0:30:33 | 0:30:37 | |
Pan Am pilots, they were the best trained in the business. | 0:30:40 | 0:30:44 | |
They knew how to change an engine. | 0:30:44 | 0:30:46 | |
That's how thorough their training was. | 0:30:46 | 0:30:48 | |
The pilots of Pan American were first and foremost highly professional. | 0:30:48 | 0:30:54 | |
They also looked good in their uniform. | 0:30:54 | 0:30:58 | |
The senior captains on the 707s probably flew mail, | 0:30:59 | 0:31:02 | |
flying biplanes, and they came up through the flying boat era. | 0:31:02 | 0:31:06 | |
They flew the China Clipper. | 0:31:06 | 0:31:09 | |
They'd flown through the war on the flying boats. | 0:31:09 | 0:31:11 | |
They'd been through the long-range land planes. | 0:31:11 | 0:31:14 | |
And here they were flying jets in our cockpit! | 0:31:14 | 0:31:18 | |
There were some captains who were... | 0:31:18 | 0:31:21 | |
I would like to use the word characters, | 0:31:21 | 0:31:23 | |
but they really sometimes went way overboard with their... | 0:31:23 | 0:31:27 | |
..pernickety ideas, and they were very difficult to work with, | 0:31:29 | 0:31:34 | |
very demanding, and treated us very poorly. | 0:31:34 | 0:31:37 | |
I felt the pilots were very nice, but not that sophisticated. | 0:31:37 | 0:31:42 | |
They felt everything was incredibly expensive. | 0:31:42 | 0:31:45 | |
They'd go to the embassy for a hamburger. | 0:31:45 | 0:31:48 | |
Pilots are generally known to be cheap. | 0:31:48 | 0:31:50 | |
We would go out for dinner, and in those days, | 0:31:50 | 0:31:52 | |
the girls were usually on a diet. | 0:31:52 | 0:31:54 | |
We were always being weight checked. | 0:31:54 | 0:31:58 | |
And we ate fairly sparsely, I would say. | 0:31:58 | 0:32:00 | |
The pilots went through the whole menu, | 0:32:00 | 0:32:02 | |
plus the Martinis to start, and so on and so forth, | 0:32:02 | 0:32:06 | |
and at the end, they would say, "Let's share the bill, shall we? | 0:32:06 | 0:32:09 | |
"Let's divide by 10..." Whatever it was! | 0:32:09 | 0:32:11 | |
I can recall one check pilot in particular, by the name | 0:32:15 | 0:32:20 | |
of Charlie Blair, and he was dating Maureen O'Hara at the time. | 0:32:20 | 0:32:27 | |
She would travel with us from New York over to London, | 0:32:27 | 0:32:32 | |
and Charlie Blair would be the captain. And it was just magical. | 0:32:32 | 0:32:35 | |
That was part of his job, to make the public, | 0:32:35 | 0:32:40 | |
or the customers on the flight, feel comfortable. | 0:32:40 | 0:32:44 | |
And he had the great ability to do that, | 0:32:44 | 0:32:46 | |
besides being a very handsome man, so all the ladies enjoyed it! | 0:32:46 | 0:32:51 | |
Captain Blair? That Maureen O'Hara married? | 0:32:51 | 0:32:55 | |
For me, I didn't see anyone else I would want. | 0:32:55 | 0:32:58 | |
He used to say that I was Queen of the Earth, and thank God I was! | 0:32:58 | 0:33:04 | |
I know that sounds very jealous and cocky and full of yourself, | 0:33:06 | 0:33:11 | |
but if Charlie Blair was in love with you, and you were in love with him, | 0:33:11 | 0:33:14 | |
of course you have a right to be cocky and self-centred. | 0:33:14 | 0:33:19 | |
And I am! | 0:33:20 | 0:33:21 | |
There were often romances between flight attendants and pilots, | 0:33:28 | 0:33:32 | |
and we did have a lot of young pilots, navigators, | 0:33:32 | 0:33:39 | |
we used to call them baby-gators. | 0:33:39 | 0:33:42 | |
Most of us had come from an institutional background, | 0:33:42 | 0:33:45 | |
from family to college to the military, | 0:33:45 | 0:33:48 | |
and we had never really seen the real world, and all of a sudden, | 0:33:48 | 0:33:52 | |
we meet these gorgeous, sexy, very smart and charismatic women. | 0:33:52 | 0:33:59 | |
It was... | 0:33:59 | 0:34:01 | |
a life-changing experience for many of us! | 0:34:01 | 0:34:04 | |
In the 1960s, Pan Am crews were so glamorous and successful, | 0:34:10 | 0:34:14 | |
it's no wonder they caught the eye of 16-year-old confidence trickster, Frank Abagnale. | 0:34:14 | 0:34:19 | |
For over two years, he successfully impersonated a Pan Am pilot, | 0:34:23 | 0:34:27 | |
and his story became the subject of the Steven Spielberg film, | 0:34:27 | 0:34:31 | |
Catch Me If You Can. | 0:34:31 | 0:34:33 | |
One afternoon, I was walking up 42nd Street in New York, | 0:34:35 | 0:34:39 | |
and all of a sudden, coming out of what was then | 0:34:39 | 0:34:41 | |
the Commodore Hotel, was a Pan American flight crew. | 0:34:41 | 0:34:46 | |
And I was so impressed with the pilots and the flight attendants, | 0:34:46 | 0:34:50 | |
and all the respect and heads they turned as they were coming down the steps, | 0:34:50 | 0:34:54 | |
getting ready to board a van to take them to the airport. | 0:34:54 | 0:34:58 | |
And I thought to myself, "Boy, if I could get one of these uniforms, | 0:34:58 | 0:35:02 | |
"then I could pose as a Pan Am pilot." | 0:35:02 | 0:35:04 | |
Using a little ingenuity, | 0:35:06 | 0:35:08 | |
Frank did manage to get hold of a uniform, and suddenly, doors opened. | 0:35:08 | 0:35:13 | |
In particular, bank doors! | 0:35:13 | 0:35:16 | |
Had I walked into a bank and had that Pan Am cheque that I had made up, | 0:35:16 | 0:35:19 | |
and handed it to someone, | 0:35:19 | 0:35:21 | |
they would have laughed me out of the bank, the way it looks. | 0:35:21 | 0:35:25 | |
But because I walked in with the uniform on of the Pan Am pilot, | 0:35:25 | 0:35:28 | |
they didn't think anything about it. They weren't paying attention to the cheque. | 0:35:28 | 0:35:32 | |
They were only paying attention to me. | 0:35:32 | 0:35:36 | |
He was able to cash cheques, because back in those days, | 0:35:36 | 0:35:39 | |
Pan Am pilots had that kind of status. | 0:35:39 | 0:35:41 | |
Taking advantage of an airline practice called deadheading, | 0:35:41 | 0:35:45 | |
where off-duty crew members could hitch a lift on any airline for free, | 0:35:45 | 0:35:49 | |
Frank travelled the world without ever having to fly a plane. | 0:35:49 | 0:35:53 | |
I remember someone saying that there was an impostor pilot. | 0:35:55 | 0:35:59 | |
So if you get a funny feeling about somebody... | 0:36:00 | 0:36:05 | |
But, you know...I never did. I don't know how he got away with it. | 0:36:05 | 0:36:09 | |
Frank got away with it by deadheading on any airline but Pan Am. | 0:36:09 | 0:36:15 | |
That way, no-one would ask him awkward questions. | 0:36:15 | 0:36:18 | |
It worked, for a while. | 0:36:18 | 0:36:21 | |
I can see how he could have pulled that off outside Pan Am, I think. | 0:36:21 | 0:36:28 | |
If they are charming enough, like Frank obviously was, | 0:36:28 | 0:36:32 | |
people probably give them the benefit of the doubt. | 0:36:32 | 0:36:35 | |
The only close call I had was when I was on a BOAC from New York to London, | 0:36:40 | 0:36:44 | |
and at about 35-38,000 feet going across the water, | 0:36:44 | 0:36:47 | |
the captain got up and said he was going to go back for a cup of coffee, | 0:36:47 | 0:36:51 | |
and he turned to me in the jump seat, and he said, | 0:36:51 | 0:36:54 | |
"Go ahead and take my seat!" | 0:36:54 | 0:36:55 | |
So I looked at him, and said, "OK!" | 0:36:55 | 0:36:58 | |
And I slid into the captain's seat and buckled the belt, | 0:36:58 | 0:37:01 | |
but I had the co-pilot and I had the flight engineer. | 0:37:01 | 0:37:04 | |
But I was very prepared, had the co-pilot said at that point, | 0:37:04 | 0:37:08 | |
"You know what? I have got to go back and use the restroom too." | 0:37:08 | 0:37:11 | |
I would have said, "Whoa, whoa. Stop. | 0:37:11 | 0:37:13 | |
"I have to tell you a story about the 16-year-old kid who got a uniform." | 0:37:13 | 0:37:17 | |
I would have never carried it that far! | 0:37:17 | 0:37:19 | |
In Catch Me If You Can, there is a priceless scene of him | 0:37:22 | 0:37:25 | |
arriving at the airport with this bevy of beautiful stewardesses | 0:37:25 | 0:37:29 | |
hanging on his arm. | 0:37:29 | 0:37:31 | |
I guess that was an ultimate male fantasy of the '60s. | 0:37:31 | 0:37:35 | |
I got to fly all over the world doing this, for two years. | 0:37:36 | 0:37:39 | |
But it was all just by chance, seeing that Pan Am crew come out of that hotel in New York. | 0:37:39 | 0:37:46 | |
By the late 1960s, Pan Am had revolutionised the airline industry, | 0:37:49 | 0:37:52 | |
introducing some of the first computer systems, | 0:37:52 | 0:37:57 | |
automated pilot programmes and in-flight messaging via satellite. | 0:37:57 | 0:38:02 | |
It seemed there was nothing Pan Am couldn't accomplish. | 0:38:02 | 0:38:06 | |
So it was no surprise when the film director Stanley Kubrick | 0:38:10 | 0:38:14 | |
depicted a Pan Am spacecraft carrying passengers to the moon | 0:38:14 | 0:38:18 | |
in his film 2001: A Space Odyssey. | 0:38:18 | 0:38:21 | |
In one of the early scenes is this spacecraft flying out into lunar orbit, | 0:38:23 | 0:38:28 | |
and plainly, emblazoned on the tail, is this big Pan Am blue ball. | 0:38:28 | 0:38:33 | |
With a Pan Am stewardess in a very, sort of... | 0:38:33 | 0:38:36 | |
I don't know, the 1960s idea of what the well-dressed stewardess | 0:38:36 | 0:38:41 | |
would be wearing in 2001. | 0:38:41 | 0:38:43 | |
The thing everyone remembers is that she had the weird little helmet. | 0:38:43 | 0:38:48 | |
This was science fiction. | 0:38:50 | 0:38:51 | |
But in 1968, there was no doubt that if somebody did fly into space, | 0:38:51 | 0:38:56 | |
it would be, of course, Pan-American. | 0:38:56 | 0:38:57 | |
In December of that year, | 0:39:00 | 0:39:03 | |
the Apollo 8 manned mission to orbit the moon departed. | 0:39:03 | 0:39:08 | |
As moon fever gripped the world, the guys at Pan Am were presented with a unique opportunity. | 0:39:08 | 0:39:13 | |
'It was Christmas Eve,' | 0:39:15 | 0:39:17 | |
so the question came up, who was going to man personnel? | 0:39:17 | 0:39:21 | |
Well, the two bachelors had to do it. | 0:39:21 | 0:39:24 | |
So there they were, and they were watching these newscasts. | 0:39:24 | 0:39:27 | |
So one of them said to the other, | 0:39:27 | 0:39:30 | |
"Why don't we tell them that Pan Am is taking reservations for the moon?" | 0:39:30 | 0:39:36 | |
Well, they had a cabinet in the office with some booze in it, | 0:39:38 | 0:39:42 | |
and I think they treated themselves a little bit, | 0:39:42 | 0:39:44 | |
because it was Christmas and they had to work. | 0:39:44 | 0:39:47 | |
So, they called up the channel, so the guy announced it on TV. | 0:39:48 | 0:39:54 | |
The switchboard lit up like a Christmas tree! | 0:39:54 | 0:39:58 | |
I have here a reservation for a flight to the moon. | 0:39:58 | 0:40:01 | |
They thought they might as well capitalise on this a little bit, | 0:40:01 | 0:40:05 | |
and decided to issue a little wallet-sized card, like this, | 0:40:05 | 0:40:11 | |
First Moon Flights Club. | 0:40:11 | 0:40:16 | |
And it confirms they made their reservation. | 0:40:16 | 0:40:20 | |
This one is number 42,673. | 0:40:20 | 0:40:23 | |
The switchboard was jammed for days, which wasn't too good, you know! | 0:40:26 | 0:40:31 | |
My name is on the list there somewhere. | 0:40:31 | 0:40:34 | |
Ronald Reagan's name was on the list. | 0:40:34 | 0:40:36 | |
One man who was on the list, he wanted to ask | 0:40:36 | 0:40:39 | |
if it was possible, when we began service, if we could | 0:40:39 | 0:40:43 | |
fly his ex-wife up there, but leave her there on a one-way trip! | 0:40:43 | 0:40:47 | |
If Pan Am had not gone bankrupt, | 0:40:49 | 0:40:52 | |
they positively would have gone to the moon. | 0:40:52 | 0:40:55 | |
Positively. | 0:40:55 | 0:40:57 | |
Before Pan Am could seriously contemplate space travel, | 0:40:59 | 0:41:02 | |
Juan Trippe had much more earthly goals to accomplish. | 0:41:02 | 0:41:07 | |
Though successful, the Pan Am of the 1960s was not exactly | 0:41:07 | 0:41:11 | |
the carrier for the common man that Trippe had envisaged. | 0:41:11 | 0:41:15 | |
Before his retirement in 1968, | 0:41:17 | 0:41:20 | |
he laid the blueprint for one of the most extraordinary aircraft ever to get off the ground. | 0:41:20 | 0:41:25 | |
The colossal Boeing 747. | 0:41:27 | 0:41:28 | |
The 747 was the next logical step after the 707. | 0:41:32 | 0:41:36 | |
It was the culmination in stretching the envelope to allow... | 0:41:36 | 0:41:40 | |
..the aircraft to fly more people at lower fares. | 0:41:41 | 0:41:45 | |
Trippe wanted something bigger that could carry more people, | 0:41:46 | 0:41:51 | |
and with longer range, | 0:41:51 | 0:41:54 | |
and so we started talking to them, | 0:41:54 | 0:41:58 | |
and they all said no, it's impossible. | 0:41:58 | 0:42:00 | |
Mind you this was a Pan Am idea, a Pan Am concept. | 0:42:00 | 0:42:05 | |
Originated in Juan Trippe's head. | 0:42:05 | 0:42:07 | |
This is what he wanted, and this, by God, was what Pan Am was going to have. | 0:42:08 | 0:42:14 | |
Trippe was asking for something impossible. Bill Allen listened. | 0:42:21 | 0:42:25 | |
And Dad had, after the 707, | 0:42:25 | 0:42:27 | |
this very close relationship with Bill Allen, who was the chairman of Boeing. | 0:42:27 | 0:42:34 | |
They were standing just outside the door of Mr Trippe's office, | 0:42:34 | 0:42:39 | |
and Bill Allen said, "If you buy it, I'll build it." | 0:42:39 | 0:42:44 | |
And Trippe said, "If you build it, I'll buy it." And they shook hands. | 0:42:44 | 0:42:48 | |
And that handshake was better than a written contract. | 0:42:48 | 0:42:52 | |
So they went ahead and did it. | 0:42:52 | 0:42:54 | |
More than twice the size of the 707, with room for over 400 passengers, | 0:43:05 | 0:43:10 | |
the 747 began service in January 1970, | 0:43:10 | 0:43:14 | |
changing the nature of air travel for ever. | 0:43:14 | 0:43:18 | |
The 747, until Airbus built the A380, | 0:43:20 | 0:43:23 | |
was the biggest aircraft ever built. | 0:43:23 | 0:43:25 | |
And if you think it was designed in the '60s, it was really ahead of its time. | 0:43:25 | 0:43:29 | |
It was a very jumbo jet. | 0:43:29 | 0:43:31 | |
I can remember landing on a 707, | 0:43:34 | 0:43:37 | |
and seeing out of the window this 747 in front of the hangar. | 0:43:37 | 0:43:42 | |
Just the one thought I had | 0:43:43 | 0:43:45 | |
was how was this aircraft ever going to get off the ground?! | 0:43:45 | 0:43:49 | |
I couldn't believe that it would fly. It was so vast. | 0:43:51 | 0:43:54 | |
When I first walked on that airplane I said, "Wow, this is big!" | 0:43:54 | 0:44:00 | |
Nobody could really understand the size of this aeroplane. | 0:44:00 | 0:44:05 | |
The 747's debut was accompanied by a series of promotional tours | 0:44:06 | 0:44:11 | |
to allow a curious public to check out the aircraft for themselves. | 0:44:11 | 0:44:16 | |
This aeroplane always got large crowds of people. | 0:44:16 | 0:44:20 | |
Didn't matter any country you went into. | 0:44:20 | 0:44:23 | |
Everybody from miles around, suddenly, | 0:44:23 | 0:44:25 | |
"Hey, here's something we can see, we can go and see inside this magnificent aeroplane." | 0:44:25 | 0:44:31 | |
There's swarms, hundreds of people coming towards the aeroplane. | 0:44:31 | 0:44:35 | |
There was a guy with a broken leg hobbling up the stairs, | 0:44:35 | 0:44:39 | |
just walked to the aeroplane with a broken leg on crutches. | 0:44:39 | 0:44:43 | |
Oh. | 0:44:43 | 0:44:44 | |
# Riding along on this big old jet plane | 0:44:44 | 0:44:47 | |
# I've been thinking about my home. # | 0:44:47 | 0:44:50 | |
The 747 may have been a hit with the public | 0:44:50 | 0:44:53 | |
but for crews it took some getting used to. | 0:44:53 | 0:44:56 | |
We used to say it was like flying a building, | 0:44:58 | 0:45:01 | |
at least when we first started flying the 747. | 0:45:01 | 0:45:04 | |
You sat way up high, so far off the ground you had no depth perception. | 0:45:04 | 0:45:08 | |
I mean, it was really a bigger plane but, you know, | 0:45:13 | 0:45:15 | |
you put the power on that airplane, you took off like a scalded dog. | 0:45:15 | 0:45:19 | |
It was such a huge difference. | 0:45:22 | 0:45:25 | |
Here we have this massive aeroplane. We just didn't know where to start. | 0:45:25 | 0:45:28 | |
It was absolutely chaotic. | 0:45:32 | 0:45:35 | |
It was a nightmare. It was just a nightmare. | 0:45:35 | 0:45:40 | |
We had all these cards and flow charts that didn't make any sense. | 0:45:40 | 0:45:44 | |
I had been used to working on one aisle on the 707 | 0:45:44 | 0:45:50 | |
with maximum 20-odd passengers in first class. | 0:45:50 | 0:45:55 | |
I can't believe I bid to fly this thing for a whole month. | 0:45:55 | 0:45:59 | |
I would have killed to get out of it. | 0:45:59 | 0:46:00 | |
And there were passengers to the back, passengers to each side | 0:46:00 | 0:46:05 | |
and then passengers in front of me, | 0:46:05 | 0:46:08 | |
and we had two galleys to work out of. | 0:46:08 | 0:46:10 | |
We had to cook everything and I decided at one point | 0:46:14 | 0:46:17 | |
I can never have another dinner party unless we have 300 people. | 0:46:17 | 0:46:20 | |
That's the only way I knew how to cook. | 0:46:20 | 0:46:22 | |
It was just a matter of masses of people | 0:46:22 | 0:46:26 | |
and totally different procedures that we weren't used to. | 0:46:26 | 0:46:30 | |
With the amount of passengers that we were carrying, | 0:46:30 | 0:46:34 | |
we could not continue with the same mindset | 0:46:34 | 0:46:41 | |
as we had in the past to deliver service. | 0:46:41 | 0:46:45 | |
If you're catering for more people, you can't afford to give them | 0:46:46 | 0:46:50 | |
a level of service that makes the ticket too expensive | 0:46:50 | 0:46:54 | |
because fewer of them are willing to pay for it. | 0:46:54 | 0:46:57 | |
Trippe had this idea of an everyman airplane. | 0:46:57 | 0:47:00 | |
The everyman airplane ultimately turned out to be the 747. | 0:47:00 | 0:47:04 | |
All of a sudden, instead of people in coats and ties | 0:47:04 | 0:47:07 | |
and dressed as if they're going to dinner in Park Avenue, | 0:47:07 | 0:47:10 | |
they show up in backpacks and flip-flops and pay very low fares. | 0:47:10 | 0:47:15 | |
This was a revolution in the airline business. Not all for the good in some people's opinion. | 0:47:15 | 0:47:20 | |
In the year the 747 was introduced, | 0:47:24 | 0:47:27 | |
Pan Am carried 11 million passengers some 20 billion miles worldwide | 0:47:27 | 0:47:33 | |
and employed more than 19,000 people in 62 countries. | 0:47:33 | 0:47:38 | |
Pan American was really an extension of the United States. | 0:47:40 | 0:47:44 | |
Pan Am actually had a campaign where they said, | 0:47:44 | 0:47:47 | |
"If you fly with Pan Am, it's like Uncle Sam is your pilot." | 0:47:47 | 0:47:51 | |
Passengers or people generally, | 0:47:51 | 0:47:53 | |
rather than going to the American embassy or consulate, | 0:47:53 | 0:47:55 | |
would go to the Pan American office. | 0:47:55 | 0:47:57 | |
We were always taught, | 0:47:57 | 0:47:59 | |
"You are the face of America and you are in the front line." | 0:47:59 | 0:48:02 | |
Coming from Cuba, when it came time for my family to leave in 1960, | 0:48:02 | 0:48:09 | |
my parents booked us on Pan American | 0:48:09 | 0:48:12 | |
because once you set foot aboard that airplane, | 0:48:12 | 0:48:15 | |
you were on US territory. | 0:48:15 | 0:48:17 | |
I am sitting here speaking to you in fluent English | 0:48:17 | 0:48:21 | |
because on November 9th, 1960, | 0:48:21 | 0:48:23 | |
my family got aboard a Pan Am plane and they didn't take us off. | 0:48:23 | 0:48:28 | |
So... | 0:48:28 | 0:48:30 | |
it's... | 0:48:30 | 0:48:32 | |
I'm sorry. | 0:48:34 | 0:48:36 | |
Throughout the 1960s and '70s, | 0:48:40 | 0:48:43 | |
Pan Am regularly acted on behalf of the US Government. | 0:48:43 | 0:48:47 | |
It operated and maintained a missile range for the US Air Force, | 0:48:47 | 0:48:51 | |
was rumoured to have cooperated with the CIA, | 0:48:51 | 0:48:53 | |
and flew numerous missions to West Berlin during the Cold War, | 0:48:53 | 0:48:58 | |
transporting passengers and supplies | 0:48:58 | 0:49:01 | |
when the city was surrounded by soviet-controlled East Germany. | 0:49:01 | 0:49:05 | |
For Berliners, this was their only avenue, their only connection | 0:49:07 | 0:49:12 | |
with the Western world, so what we did was vitally important. | 0:49:12 | 0:49:17 | |
Everybody had the sense of fulfilling a mission. | 0:49:17 | 0:49:20 | |
Pan Am also played an important role in the Vietnam War, conducting | 0:49:26 | 0:49:30 | |
more flights to the war-torn country than any other commercial airline. | 0:49:30 | 0:49:34 | |
Most of what we did was haul the troops back and forth. | 0:49:39 | 0:49:43 | |
For a lot of us, it was an emotional thing because | 0:49:43 | 0:49:47 | |
we knew a lot of them weren't coming back, at least as passengers. | 0:49:47 | 0:49:50 | |
We actually flew over Vietnam, where the bombers were just underneath us. | 0:49:53 | 0:49:57 | |
So they would light up a village | 0:49:57 | 0:50:00 | |
and you could see that from the aircraft in the cockpit, | 0:50:00 | 0:50:03 | |
and then bomb the village. | 0:50:03 | 0:50:06 | |
Not a good feeling in the cockpit. I remember how the engineer got really quite, you know. | 0:50:06 | 0:50:10 | |
Perhaps Pan Am's most significant mission during the Vietnam conflict | 0:50:10 | 0:50:14 | |
involved the evacuation of hundreds of orphaned children | 0:50:14 | 0:50:18 | |
at the end of the war. | 0:50:18 | 0:50:21 | |
These planes were just packed with kids. | 0:50:21 | 0:50:23 | |
Babies, toddlers. | 0:50:23 | 0:50:27 | |
There were babies strapped to the seats. | 0:50:27 | 0:50:29 | |
There were babies in boxes under the seats. | 0:50:29 | 0:50:32 | |
There were babies in the bathroom. | 0:50:32 | 0:50:35 | |
You landed at the airport and they would just run on board | 0:50:35 | 0:50:37 | |
and you'd fill it up to the gills. | 0:50:37 | 0:50:39 | |
Pan Am was big in the 1970s. Too big, in fact. | 0:50:44 | 0:50:49 | |
The world was changing fast and the airline's size was slowing it down. | 0:50:49 | 0:50:54 | |
REPORTER: The American airlines are in serious financial trouble, | 0:50:57 | 0:51:01 | |
and Pan Am is the worst. | 0:51:01 | 0:51:02 | |
In 1966, Pan Am made a record profit of 86 million. | 0:51:02 | 0:51:07 | |
In the first six months of this year, they've lost nearly 33 million. | 0:51:07 | 0:51:12 | |
Even its crowning achievement - the revolutionary 747 - | 0:51:12 | 0:51:16 | |
was turning into a Frankenstein's monster. | 0:51:16 | 0:51:19 | |
Unfortunately, we had a recession, a spike in oil prices, | 0:51:19 | 0:51:25 | |
and those huge planes carried 400 people - | 0:51:25 | 0:51:28 | |
they went out practically empty. | 0:51:28 | 0:51:31 | |
Of course, this was losing money. | 0:51:31 | 0:51:34 | |
Unless you fill the plane to about 70% capacity, | 0:51:34 | 0:51:38 | |
you go bust, you have a problem. | 0:51:38 | 0:51:40 | |
Especially if the plane is as big as a 747. | 0:51:40 | 0:51:43 | |
So, it appears that they over-expanded at the wrong time. | 0:51:43 | 0:51:46 | |
Pan Am was like a big, beautiful, flying dinosaur. | 0:51:46 | 0:51:51 | |
And as the environment changed, the dinosaur didn't adapt. | 0:51:51 | 0:51:54 | |
It really happened after Mr Trippe retired, | 0:51:56 | 0:52:00 | |
there's no argument about that. | 0:52:00 | 0:52:04 | |
Other people took over, CEOs, we had various ones. | 0:52:04 | 0:52:07 | |
None of them could ever reach his stature. | 0:52:07 | 0:52:10 | |
Throughout the '70s and into the '80s, | 0:52:10 | 0:52:13 | |
Pan Am continued to expand its international service. | 0:52:13 | 0:52:17 | |
But there was one country that had always been out of their reach. | 0:52:17 | 0:52:21 | |
Government regulations had prevented Pan Am from operating routes within the US. | 0:52:21 | 0:52:26 | |
When those regulations were lifted, Pan Am, in an effort to access the domestic market, | 0:52:26 | 0:52:31 | |
bought up National Airlines at the cost of 400 million. | 0:52:31 | 0:52:36 | |
It was a move that would cripple the company. | 0:52:36 | 0:52:39 | |
They paid too much for it, the integration to Pan Am was mismanaged, | 0:52:39 | 0:52:43 | |
there were a lot of reasons why it didn't work, | 0:52:43 | 0:52:45 | |
but the bottom line was it plunged Pan Am close to bankruptcy. | 0:52:45 | 0:52:49 | |
They just kept losing money and losing money | 0:52:49 | 0:52:53 | |
and selling off like the hotel company and the Pacific routes. | 0:52:53 | 0:52:57 | |
An airline can fly without a building in New York | 0:52:57 | 0:53:00 | |
or the missile range or hotel chain, | 0:53:00 | 0:53:03 | |
but to give up the ocean that they pioneered - | 0:53:03 | 0:53:06 | |
Pan Am's legacy - we knew that was the beginning of the end. | 0:53:06 | 0:53:12 | |
Pressures outside the US were also taking their toll. | 0:53:14 | 0:53:18 | |
Pan Am's reputation as the flagship US carrier was turning it into a target. | 0:53:18 | 0:53:23 | |
REPORTER: Good evening. The hijacking of an American jumbo jet... | 0:53:23 | 0:53:27 | |
VOICES OF NEW REPORTERS | 0:53:27 | 0:53:29 | |
The gunmen began firing indiscriminately inside the plane... | 0:53:29 | 0:53:33 | |
A series of terrorist attacks in the 1970s and '80s | 0:53:33 | 0:53:38 | |
further damaged Pan Am's reputation. | 0:53:38 | 0:53:41 | |
But the final blow came in December 1988, | 0:53:41 | 0:53:44 | |
when Pan Am flight 103 from London to New York | 0:53:44 | 0:53:49 | |
exploded midair over the Scottish town of Lockerbie. | 0:53:49 | 0:53:53 | |
The effect of that was so calamitous | 0:53:53 | 0:53:56 | |
that the airline could never recover from it. | 0:53:56 | 0:53:59 | |
Every night the news would start with the same image | 0:53:59 | 0:54:03 | |
of the nose of this Clipper, Maid Of The Seas, blue and white, | 0:54:03 | 0:54:06 | |
very clearly Pan Am, destroyed airplane. | 0:54:06 | 0:54:10 | |
Passengers didn't fly on Pan Am because of all the publicity, | 0:54:10 | 0:54:15 | |
and then it just became impossible for them to operate, I guess. | 0:54:15 | 0:54:18 | |
Pan Am with its big American flag on the tail, | 0:54:18 | 0:54:22 | |
now is dangerous to your health. | 0:54:22 | 0:54:25 | |
In January 1991, | 0:54:27 | 0:54:29 | |
the airline that had once ruled the skies declared bankruptcy. | 0:54:29 | 0:54:34 | |
Unfortunately, we simply did not have the financial strength | 0:54:34 | 0:54:39 | |
to absorb the enormously adverse impact of these external events. | 0:54:39 | 0:54:44 | |
I was down in the courthouse at the bankruptcy hearings | 0:54:44 | 0:54:48 | |
when United was bidding for the routes and all - | 0:54:48 | 0:54:52 | |
oh, it was so painful. | 0:54:52 | 0:54:54 | |
And I'm really glad that Mr Trippe didn't live to see that - | 0:54:56 | 0:55:00 | |
he died in '81, and Pan Am closed its doors December 4, '91. | 0:55:00 | 0:55:07 | |
MUSIC: "Leavin' On A Jet Plane" by Peter, Paul and Mary | 0:55:08 | 0:55:13 | |
The last flight, huge emotion. | 0:55:14 | 0:55:18 | |
Desperate time for us all, and it was the end of an era. | 0:55:21 | 0:55:27 | |
Everybody was watching to wave the aeroplane off. | 0:55:32 | 0:55:35 | |
Every single employee from Pan Am was on the ground in London | 0:55:37 | 0:55:40 | |
to see that aircraft take off... | 0:55:40 | 0:55:43 | |
The fire brigade did the arcs | 0:55:43 | 0:55:45 | |
so the aeroplane went through the water jets... | 0:55:45 | 0:55:48 | |
..and the aircraft took off, went around | 0:55:50 | 0:55:54 | |
and did a flyover Heathrow Airport, dipping its wings, | 0:55:54 | 0:56:00 | |
and then disappeared into the air. | 0:56:00 | 0:56:02 | |
# I'm leavin' on a jet plane | 0:56:02 | 0:56:06 | |
# I don't know when I'll be back again... # | 0:56:06 | 0:56:10 | |
And then at that moment it was the final goodbye, | 0:56:10 | 0:56:15 | |
so I still get quite touched about it, because it was very, very emotional. | 0:56:15 | 0:56:20 | |
It was very sad for all of us. | 0:56:20 | 0:56:22 | |
I can remember just bursting into tears. | 0:56:24 | 0:56:28 | |
Bursting into tears - it was a loss of one's life. | 0:56:28 | 0:56:32 | |
Just cried my eyes out. | 0:56:34 | 0:56:36 | |
And I think a lot of other people did, too, you know. | 0:56:36 | 0:56:40 | |
It was a funeral, you know. | 0:56:40 | 0:56:44 | |
It was very emotional. | 0:56:44 | 0:56:46 | |
# So kiss me and smile for me | 0:56:46 | 0:56:50 | |
# Tell me that you'll wait for me | 0:56:50 | 0:56:52 | |
# Hold me like you'll never let me go... # | 0:56:52 | 0:56:57 | |
For over half a century, Pan Am led the world in commercial air travel. | 0:56:57 | 0:57:03 | |
Thanks to the vision of its founder, Juan Trippe, | 0:57:03 | 0:57:06 | |
the airline brought glamour, luxury and innovation to the skyways | 0:57:06 | 0:57:10 | |
and inspired generations to travel and explore new worlds. | 0:57:10 | 0:57:14 | |
It shrank the globe and shaped our dreams and aspirations, | 0:57:14 | 0:57:19 | |
leaving behind an unforgettable legacy. | 0:57:19 | 0:57:23 | |
Pan American was much more than a job - Pan American was a family. | 0:57:23 | 0:57:28 | |
MUSIC: "Mr Blue Sky" by ELO | 0:57:28 | 0:57:31 | |
Just to say that you worked for Pan Am was an honour, | 0:57:31 | 0:57:34 | |
because wherever you went in the world you would see the Pan Am blue ball. | 0:57:34 | 0:57:38 | |
Pan Am was there first, Pan Am was the innovator, and should be remembered as that. | 0:57:41 | 0:57:46 | |
In every aspect of commercial aviation, they were considered the best. | 0:57:49 | 0:57:54 | |
It was an airline like no other. | 0:57:56 | 0:58:00 | |
And there never will be any other airline like Pan Am. | 0:58:00 | 0:58:04 | |
A lot of people, you can go around the world now | 0:58:06 | 0:58:09 | |
on a two-week vacation. | 0:58:09 | 0:58:12 | |
And it's affordable. | 0:58:12 | 0:58:14 | |
And a lot of people do. | 0:58:14 | 0:58:17 | |
So, it was worth it. | 0:58:20 | 0:58:23 | |
Ladies and gentlemen, this is your captain again. | 0:58:39 | 0:58:43 | |
It was a pleasure to have you aboard our jet Clipper. | 0:58:43 | 0:58:45 | |
We hope to have you with us again soon. Thank you. | 0:58:45 | 0:58:48 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:52 | |
E-mail [email protected] | 0:58:52 | 0:58:55 |