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My name is Tom Fort and all my life, I've had a passion for rivers. | 0:00:05 | 0:00:10 | |
I want to tell the story of one in particular, the River Trent. | 0:00:12 | 0:00:17 | |
From its source above Stoke... | 0:00:21 | 0:00:23 | |
Can you feel it? | 0:00:23 | 0:00:25 | |
..to the Humber Estuary, where it finally meets the sea, | 0:00:25 | 0:00:29 | |
I want to row down as much of it as I can. | 0:00:29 | 0:00:34 | |
I'm on my very own punt, the Trent Otter. Yay! | 0:00:34 | 0:00:39 | |
Together, we're visiting some of the places, great and small, | 0:00:39 | 0:00:44 | |
that make up the history of this unsung river. | 0:00:44 | 0:00:48 | |
The Trent's story has, for thousands of years, been part of our story. | 0:00:49 | 0:00:54 | |
He, of course, was a Bronze Age river man. | 0:00:54 | 0:00:58 | |
The river has entertained us and sustained us. | 0:01:00 | 0:01:03 | |
-200 years ago, this would have been absolutely thriving. -Heaving. | 0:01:03 | 0:01:08 | |
Kings have fought for it and we have fought against it. | 0:01:08 | 0:01:11 | |
Sooner or later, a larger flood will come along. | 0:01:13 | 0:01:16 | |
We've used the river to make our fortunes, | 0:01:16 | 0:01:18 | |
we've built bridges across it... | 0:01:18 | 0:01:20 | |
Peaches! | 0:01:20 | 0:01:21 | |
..and used it to help power the nation. | 0:01:21 | 0:01:24 | |
Oh, I'm incompetent! | 0:01:27 | 0:01:28 | |
Watch out! | 0:01:28 | 0:01:30 | |
Any chance of a lift? | 0:01:32 | 0:01:33 | |
The Trent is not just a river. | 0:01:33 | 0:01:36 | |
God Almighty, look at how quickly the river is coloured. | 0:01:36 | 0:01:40 | |
Oh, wow! | 0:01:40 | 0:01:41 | |
It's a 170-mile journey through history. | 0:01:42 | 0:01:47 | |
I would not want to hit that. | 0:01:47 | 0:01:49 | |
From the start, rivers have been central to the human story. | 0:02:07 | 0:02:13 | |
In the book of Revelation, the Bible tells us | 0:02:13 | 0:02:16 | |
that their spiritual potency is purist at the point of birth. | 0:02:16 | 0:02:20 | |
The river, it says, emerges from the very throne of God. | 0:02:22 | 0:02:27 | |
This is Biddulph Moor, | 0:02:30 | 0:02:33 | |
almost 1,000 feet above sea level, in the heart of the Staffordshire Hills. | 0:02:33 | 0:02:37 | |
Every river journey needs to begin at the beginning. | 0:03:05 | 0:03:10 | |
This is the beginning of the Trent, or officially, | 0:03:10 | 0:03:14 | |
this is the beginning of the Trent. | 0:03:14 | 0:03:16 | |
In fact there are several other contenders for the source of the Trent | 0:03:16 | 0:03:20 | |
in these fields around here, springs of one kind or another, | 0:03:20 | 0:03:24 | |
but somebody has decided that this is where it begins. | 0:03:24 | 0:03:27 | |
Water is emerging from a dark little hole | 0:03:29 | 0:03:33 | |
and setting off in a pathetic little trickle down along this ditch and on. | 0:03:33 | 0:03:40 | |
A couple of miles downstream, it's already gathering force. | 0:03:56 | 0:04:00 | |
Not quite ready for one man and a boat. | 0:04:04 | 0:04:08 | |
So, for now, I'm on foot. | 0:04:08 | 0:04:11 | |
What a fantastic spot! | 0:04:16 | 0:04:18 | |
This is the river at its most natural, its most innocent. | 0:04:18 | 0:04:22 | |
It's like a child - it was an infant up there and now, | 0:04:25 | 0:04:28 | |
a boisterous toddler, just playing and you can hear the music of it as it goes by. | 0:04:28 | 0:04:34 | |
Innocence, though, doesn't last. | 0:04:37 | 0:04:39 | |
Two more miles and the Trent is in for a shock. | 0:04:46 | 0:04:49 | |
Knypersley Reservoir holds a million cubic metres of water. | 0:04:53 | 0:04:57 | |
Trent water. | 0:04:57 | 0:04:59 | |
The Trent flows into the top of the reservoir full of vigour, | 0:05:00 | 0:05:05 | |
but here at the bottom end, it comes out as little more than a meagre dribble. | 0:05:05 | 0:05:11 | |
But they didn't trap Trent water here for drinking purposes. | 0:05:12 | 0:05:17 | |
250 years ago, England's dawning Industrial Revolution | 0:05:17 | 0:05:21 | |
was being held back by the abysmal condition of the roads. | 0:05:21 | 0:05:25 | |
One answer was to use rivers | 0:05:27 | 0:05:29 | |
where they were big enough to move goods and products but up here, | 0:05:29 | 0:05:33 | |
the Trent was too small, too shallow for that purpose. | 0:05:33 | 0:05:37 | |
They needed another kind of transport link. | 0:05:37 | 0:05:39 | |
A few miles from Knypersley, the factories of Stoke-on-Trent | 0:05:44 | 0:05:47 | |
were producing some of the world's finest pottery and ceramics. | 0:05:47 | 0:05:53 | |
But moving goods by wagon and packhorse was laborious and costly. | 0:05:54 | 0:05:59 | |
To solve the problem, Trent water from the reservoirs above Stoke | 0:06:02 | 0:06:07 | |
was redirected into one of the engineering triumphs of the age. | 0:06:07 | 0:06:11 | |
A Trent and Mersey canal. | 0:06:13 | 0:06:16 | |
The genius behind the Trent and Mersey was James Brindley, | 0:06:23 | 0:06:27 | |
the canal visionary known as The Schemer. | 0:06:27 | 0:06:31 | |
He planned an epic link between two of our greatest ports, | 0:06:31 | 0:06:35 | |
Liverpool in the West, and Hull in the East. | 0:06:35 | 0:06:38 | |
Building it took Brindley 11 years, starting in 1776, | 0:06:40 | 0:06:46 | |
when the first sod was dug, not by him, | 0:06:46 | 0:06:50 | |
but this man, Josiah Wedgwood. | 0:06:50 | 0:06:53 | |
Wedgwood, the most famous potter of them all, | 0:06:53 | 0:06:56 | |
had persuaded Brindley to dig the canal | 0:06:56 | 0:06:59 | |
right beside his grand new factory in the heart of Stoke. | 0:06:59 | 0:07:03 | |
Wedgwood's fine Georgian house was paid for from the profits | 0:07:07 | 0:07:12 | |
made possible by the new canal. | 0:07:12 | 0:07:14 | |
But that was all a long time ago. | 0:07:25 | 0:07:28 | |
As late as the 1970s, there were 200 ceramics factories in Stoke. | 0:07:29 | 0:07:35 | |
Now, there are fewer than 30. | 0:07:35 | 0:07:38 | |
The canal is still busy, | 0:07:40 | 0:07:42 | |
but today it's with holiday boats rather than barges loaded with freight. | 0:07:42 | 0:07:47 | |
And Wedgwood's factory, like so many others, has long since gone. | 0:07:50 | 0:07:54 | |
This small outbuilding, the only relic of its glorious past. | 0:07:56 | 0:08:00 | |
Then, as now, all the attention was on the canal. | 0:08:02 | 0:08:06 | |
So what about the poor old River Trent? | 0:08:06 | 0:08:08 | |
Robbed of most of its water, the Trent arrives at Stoke, | 0:08:14 | 0:08:19 | |
largely left to its own devices. | 0:08:19 | 0:08:22 | |
In some places though, the city has corralled and enclosed it. | 0:08:33 | 0:08:37 | |
But the worst is, the life has been taken out of the river. | 0:08:47 | 0:08:53 | |
No-one is showing it any kind of respect for its well-being. | 0:08:55 | 0:09:00 | |
It has been brutalised and then just left to fend for itself. | 0:09:00 | 0:09:09 | |
But it's not all bad news. | 0:09:11 | 0:09:13 | |
The Trent may be going through a rough patch in Stoke, | 0:09:13 | 0:09:19 | |
but it hasn't forgotten that it was born out of the throne of God. | 0:09:19 | 0:09:22 | |
At Trentham Gardens to the south of Stoke, the river finds its feet again. | 0:09:27 | 0:09:33 | |
Now, for the first time, it is deep enough for my boat. | 0:09:33 | 0:09:38 | |
I'm making a bit of a mess of your beautiful grass, I'm afraid. | 0:09:38 | 0:09:43 | |
All right, I'm going in. | 0:09:48 | 0:09:50 | |
Ah! | 0:09:52 | 0:09:53 | |
-That's great. That's it. I can do it there. -Yeah? | 0:09:59 | 0:10:02 | |
This boat is a punt. It's called a Trent Otter. | 0:10:02 | 0:10:05 | |
I can't imagine a more elegant piece of work, myself. | 0:10:07 | 0:10:11 | |
Oh, I've forgotten the oars! | 0:10:12 | 0:10:14 | |
And a rather nifty home-made anchor. | 0:10:14 | 0:10:17 | |
And there we are, we're ready to start this great adventure. | 0:10:19 | 0:10:25 | |
Thanks very much indeed, that was a great effort. | 0:10:25 | 0:10:28 | |
Right... | 0:10:33 | 0:10:34 | |
I feel that here it's... | 0:10:55 | 0:10:57 | |
It's beginning to behave like a proper river, | 0:10:59 | 0:11:01 | |
with a proper idea of itself. | 0:11:01 | 0:11:04 | |
And also it's irresistible, isn't it, | 0:11:05 | 0:11:08 | |
when the trees are hanging down like this? | 0:11:08 | 0:11:12 | |
It's not the easiest thing to steer, this boat, from one end. | 0:11:17 | 0:11:24 | |
Getting past this old mill will be tricky in a punt. | 0:11:41 | 0:11:44 | |
Wahey! | 0:11:55 | 0:11:57 | |
For the next 20 miles, | 0:12:05 | 0:12:07 | |
the Trent gently meanders south through Staffordshire. | 0:12:07 | 0:12:10 | |
DOG BARKS | 0:12:18 | 0:12:19 | |
At Little Heyford, an old packhorse crossing, Essex Bridge, | 0:12:24 | 0:12:28 | |
has been here for 450 years. | 0:12:28 | 0:12:31 | |
Its walls were built low | 0:12:36 | 0:12:38 | |
so as not to interfere with panniers and saddlebags. | 0:12:38 | 0:12:41 | |
Historically, bridges on the Trent were few and far between | 0:12:45 | 0:12:50 | |
so they were important symbols of progress and prosperity, | 0:12:50 | 0:12:55 | |
as I'm about to discover. | 0:12:55 | 0:12:57 | |
So, I'm coming into Burton-on-Trent | 0:12:59 | 0:13:04 | |
and I'm approaching Burton's celebrated Ferry Bridge, | 0:13:04 | 0:13:11 | |
built in 1889. | 0:13:11 | 0:13:14 | |
240 feet of Victorian engineering | 0:13:14 | 0:13:20 | |
at its absolute finest. | 0:13:20 | 0:13:23 | |
It's called the Ferry Bridge | 0:13:25 | 0:13:27 | |
because it replaced a boat service | 0:13:27 | 0:13:28 | |
which had for centuries plied its trade here between Burton | 0:13:28 | 0:13:32 | |
and the village of Stapenhill, to the south. | 0:13:32 | 0:13:35 | |
Local historian Richard Stone is campaigning to have it restored. | 0:13:39 | 0:13:44 | |
And what a fine bridge this is! | 0:13:44 | 0:13:47 | |
You would not believe the amount of people coming over on the ferry. | 0:13:47 | 0:13:50 | |
I think at its height in the 1880s, | 0:13:50 | 0:13:52 | |
-there would be something like 2,000 people a day using it. -2,000 a day? | 0:13:52 | 0:13:57 | |
And the ferry, it was just two punts. | 0:13:57 | 0:13:59 | |
So they're bringing maybe 1,000 people over every morning | 0:13:59 | 0:14:02 | |
coming into work, 1,000 people again at night... | 0:14:02 | 0:14:04 | |
Starting at the crack of dawn and going at it | 0:14:04 | 0:14:06 | |
absolutely all day long, back and forth. | 0:14:06 | 0:14:08 | |
This is busy and the route is still busy today, of course. | 0:14:08 | 0:14:12 | |
It's not surprising the ferry men were overworked. | 0:14:14 | 0:14:17 | |
Burton's population had exploded from 10,000 in 1851 | 0:14:17 | 0:14:22 | |
to well over 40,000 in the 1880s. | 0:14:22 | 0:14:25 | |
The reason was the business that made Burton famous - beer. | 0:14:26 | 0:14:31 | |
In the late 19th century, the town boasted 30 breweries. | 0:14:31 | 0:14:37 | |
More than half the adult population worked on making beer. | 0:14:37 | 0:14:40 | |
Where does the money come from to build this bridge? | 0:14:43 | 0:14:45 | |
It comes from the Bass family, the great benefactors of the town. | 0:14:45 | 0:14:49 | |
Bass has been built into the greatest brewery in the world | 0:14:49 | 0:14:53 | |
and it's the great-grandson of the founder, Michael Arthur Bass, | 0:14:53 | 0:14:56 | |
he's the guy who puts his hand in his pocket and says to the town council, | 0:14:56 | 0:15:00 | |
"Look, you buy the ferry rights, I'll pay for the bridge." | 0:15:00 | 0:15:04 | |
Michael Arthur Bass was chairman of the board | 0:15:06 | 0:15:09 | |
at a time when Burton supplied a quarter of Britain's beer. | 0:15:09 | 0:15:13 | |
The brand was also popular abroad. | 0:15:14 | 0:15:16 | |
Bass's red triangle even found its way into Manet's famous painting, | 0:15:17 | 0:15:22 | |
A Bar At The Folies-Bergere. | 0:15:22 | 0:15:24 | |
The Bass family liked to look after their workers. | 0:15:26 | 0:15:30 | |
Some of the houses they built still stand today, | 0:15:30 | 0:15:33 | |
long after the company sold out to the Americans. | 0:15:33 | 0:15:36 | |
The Ferry Bridge was just one more way | 0:15:37 | 0:15:40 | |
of giving something back to the locals. | 0:15:40 | 0:15:43 | |
It's a great day for the town, presumably, | 0:15:43 | 0:15:45 | |
-the opening of the bridge. -A big celebration, the mayor, | 0:15:45 | 0:15:47 | |
Michael Arthur Bass is here himself, his wife, his daughter... | 0:15:47 | 0:15:51 | |
-A big crowd? -Big crowds gathered. -Speeches! | 0:15:51 | 0:15:55 | |
Absolutely, and they made a last ceremonial ferry crossing, | 0:15:55 | 0:15:59 | |
then the bridge was declared open | 0:15:59 | 0:16:01 | |
and they all went off to the town hall | 0:16:01 | 0:16:04 | |
and had a grand lunch with oysters and lamb. | 0:16:04 | 0:16:06 | |
Burton's beer wasn't just popular at home. | 0:16:09 | 0:16:12 | |
In the 18th century, a dark, sweet brew | 0:16:12 | 0:16:16 | |
was shipped down the Trent via Hull to St Petersburg. | 0:16:16 | 0:16:19 | |
A little later, Burton found an even more lucrative market... | 0:16:19 | 0:16:24 | |
..The British Empire. | 0:16:25 | 0:16:27 | |
In India especially, servicemen thirsting for a taste of home | 0:16:29 | 0:16:33 | |
fell in love with a new lighter beer called IPA or India Pale Ale. | 0:16:33 | 0:16:40 | |
'At Burton's National Brewery Museum, | 0:16:41 | 0:16:45 | |
Jo White still makes IPA the old way.' | 0:16:45 | 0:16:49 | |
Great horses! | 0:16:49 | 0:16:51 | |
I wonder how much they weigh? | 0:16:52 | 0:16:54 | |
Being in India, so warm, | 0:16:59 | 0:17:01 | |
they didn't want a real thick, dark stodgy beer as they used to have, | 0:17:01 | 0:17:05 | |
so they thought, "Right, we'll come up with a nice pale ale | 0:17:05 | 0:17:08 | |
"which would be lager colour. | 0:17:08 | 0:17:10 | |
"So it'd be nice, light and refreshing and lots of carbonation." | 0:17:10 | 0:17:14 | |
The point was that it had to survive this long journey? | 0:17:14 | 0:17:17 | |
Yes. It took six months to get there | 0:17:17 | 0:17:19 | |
from leaving the brewery to getting to India, | 0:17:19 | 0:17:22 | |
so it had to be a higher alcohol beer and a highly hopped beer, as well. | 0:17:22 | 0:17:26 | |
Because the more hops you have in a beer, it's the bitter of the beer | 0:17:26 | 0:17:30 | |
and also it's an antiseptic, so it keeps longer. | 0:17:30 | 0:17:32 | |
Then those hot, dusty British soldiers | 0:17:32 | 0:17:35 | |
fell upon it with a shout of joy | 0:17:35 | 0:17:38 | |
and felt as if they were back at home, almost, pouring their stout. | 0:17:38 | 0:17:42 | |
A lovely sparkling beer. | 0:17:42 | 0:17:43 | |
Cheers! | 0:17:47 | 0:17:49 | |
Very good. Very good. | 0:17:54 | 0:17:57 | |
Burton IPA may have been sparkling, | 0:18:01 | 0:18:04 | |
but the same could not be said of the river. | 0:18:04 | 0:18:06 | |
In the 19th century, it had become so polluted | 0:18:07 | 0:18:10 | |
with sewage and brewing waste | 0:18:10 | 0:18:12 | |
that the local newspaper launched an angry campaign. | 0:18:12 | 0:18:16 | |
In an editorial on August 20th, 1858, | 0:18:23 | 0:18:27 | |
it referred to the "noxious atmosphere" hanging over Burton. | 0:18:27 | 0:18:32 | |
"We have been compelled," it said, "to endure a nuisance, | 0:18:32 | 0:18:36 | |
"the character of which has been most injurious and offensive, | 0:18:36 | 0:18:41 | |
"not only endangering our health, but also jeopardising our lives." | 0:18:41 | 0:18:46 | |
The Trent's problem was created by the Industrial Revolution | 0:18:47 | 0:18:52 | |
and it took engineering ingenuity of a high order to tackle it. | 0:18:52 | 0:18:57 | |
In 1885, Burton proudly opened its new sewage pumping station. | 0:19:03 | 0:19:09 | |
It's been restored by Roy Barrett | 0:19:14 | 0:19:16 | |
and a team of engineers and enthusiasts. | 0:19:16 | 0:19:20 | |
I'm entirely gobsmacked by it. I'm flabbergasted. I'm struck dumb. | 0:19:20 | 0:19:24 | |
So, how come such enormous quantities of effluent were | 0:19:26 | 0:19:29 | |
being produced by the Burton brewery? | 0:19:29 | 0:19:31 | |
Yes, that's a good question. | 0:19:31 | 0:19:33 | |
You would think, all you wanted is a pint of beer. | 0:19:33 | 0:19:36 | |
So, we've got the one pint of beer, we know what happens to that - | 0:19:36 | 0:19:38 | |
it makes us very happy, we're OK. | 0:19:38 | 0:19:41 | |
But it takes ten pints of water to make one pint of beer. | 0:19:41 | 0:19:45 | |
The nine pints, which is used for washing | 0:19:45 | 0:19:48 | |
all sorts of things in the process, becomes very contaminated. | 0:19:48 | 0:19:52 | |
-I'd say it's filthy. -Absolutely. | 0:19:52 | 0:19:54 | |
It's hot, its sulphur rich, it smelt terrible, as well, | 0:19:54 | 0:19:58 | |
and it goes into the river and it kills all the fish. | 0:19:58 | 0:20:00 | |
I quite see it. | 0:20:00 | 0:20:03 | |
Combined with the town's raw sewage, | 0:20:04 | 0:20:07 | |
Burton's industrial waste was diverted away from the river | 0:20:07 | 0:20:11 | |
in huge volumes - up to four million gallons a day. | 0:20:11 | 0:20:14 | |
Each beam engine weighs 80 tonnes. | 0:20:16 | 0:20:19 | |
Getting them moving is quite an operation. | 0:20:20 | 0:20:23 | |
Now! | 0:20:26 | 0:20:27 | |
-That's it! -This one won't go. | 0:20:28 | 0:20:31 | |
HE GROANS | 0:20:31 | 0:20:33 | |
Blimey! No-one told me it was going to be this hard work! | 0:20:33 | 0:20:37 | |
Once delivered from the river, the machines pumped the waste | 0:20:43 | 0:20:47 | |
two-and-a-quarter miles uphill to a treatment plant outside the town. | 0:20:47 | 0:20:52 | |
This was steam power at its brilliant best. | 0:20:52 | 0:20:56 | |
-Do you want to have a go at that? -Yeah, I'll have a go at that. | 0:20:56 | 0:20:59 | |
Not so good... | 0:20:59 | 0:21:00 | |
Oh! | 0:21:02 | 0:21:05 | |
Disaster! | 0:21:05 | 0:21:06 | |
Sorry. Go on, you do it. I'm incompetent! | 0:21:07 | 0:21:13 | |
Coal drove the steam power of the Industrial Revolution. | 0:21:18 | 0:21:23 | |
But in the 20th century, we found new ways to harness its energy. | 0:21:26 | 0:21:31 | |
One in particular would, with the Trent's assistance, | 0:21:36 | 0:21:40 | |
transform life in this country. | 0:21:40 | 0:21:42 | |
-ARCHIVE FILM: -'In this age of designed economy, | 0:21:44 | 0:21:46 | |
'it'll surprise no-one to hear that a vast plan | 0:21:46 | 0:21:49 | |
'for five years and beyond | 0:21:49 | 0:21:50 | |
'has been laid down by the Central Electricity Board.' | 0:21:50 | 0:21:54 | |
It began in the 1930s, when the first national grid was turned on. | 0:22:01 | 0:22:06 | |
By the 1960s, demand, calculated to be doubling every ten years, | 0:22:09 | 0:22:13 | |
required more plants. | 0:22:13 | 0:22:16 | |
The Trent's proximity to the Midlands coalfields | 0:22:16 | 0:22:19 | |
made it the ideal location for the new stations. | 0:22:19 | 0:22:23 | |
13 were built along its banks. | 0:22:23 | 0:22:26 | |
They supplied a quarter of England's power. | 0:22:26 | 0:22:29 | |
The region was known as Megawatt Valley. | 0:22:29 | 0:22:32 | |
There are the towers looming on the bank ahead. | 0:22:38 | 0:22:41 | |
The closer you get, the more enormous they seem, | 0:22:43 | 0:22:46 | |
the more impressive they are. | 0:22:46 | 0:22:49 | |
The river is quickening as it approaches them. | 0:22:49 | 0:22:53 | |
This is Willington Power Station. Opened downstream from Burton | 0:23:02 | 0:23:08 | |
at the end of the 1950s, it once lit up 200,000 homes. | 0:23:08 | 0:23:12 | |
Today, it's abandoned. The plant was shut down in the '90s. | 0:23:19 | 0:23:23 | |
Ken Theakston was on the staff here for 23 years. | 0:23:31 | 0:23:35 | |
I work in the control room. | 0:23:36 | 0:23:37 | |
I controlled the plant from the control room. | 0:23:37 | 0:23:39 | |
You were in charge of it? You were the mastermind, were you? | 0:23:39 | 0:23:42 | |
You were the man with the fingers on the levers | 0:23:42 | 0:23:45 | |
-and the thumbs on the buttons? -Yeah. | 0:23:45 | 0:23:47 | |
The plant's turbines were powered by high-pressure steam. | 0:23:47 | 0:23:51 | |
Heated to 560 degrees, | 0:23:52 | 0:23:55 | |
the steam was then cooled inside large condensing units - | 0:23:55 | 0:24:00 | |
a job which required millions of gallons of Trent water. | 0:24:00 | 0:24:03 | |
It's crucial the water comes from the river | 0:24:06 | 0:24:09 | |
and then it's pumped through the condensers. | 0:24:09 | 0:24:12 | |
The condensers are thousands and thousands and thousands of tubes, | 0:24:12 | 0:24:15 | |
probably about an inch diameter. | 0:24:15 | 0:24:17 | |
The cooling water goes through there and then it's returned to the river. | 0:24:17 | 0:24:21 | |
On the other side of these tubes, you've got the steam. | 0:24:21 | 0:24:23 | |
-The steam is not Trent water, is it? That's another story. -No, no. | 0:24:23 | 0:24:26 | |
-The steam is very, very pure water. -I see. | 0:24:26 | 0:24:30 | |
Much purer than you'll get out of the tap. | 0:24:30 | 0:24:33 | |
The steam had to be pure | 0:24:33 | 0:24:34 | |
so as not to fur up the turbines like a kettle. | 0:24:34 | 0:24:37 | |
And to keep it pure, it was sealed in its own separate plumbing | 0:24:39 | 0:24:43 | |
as mucky old Trent water cooled the pipes. | 0:24:43 | 0:24:46 | |
Trent water was then sent back to the river, | 0:24:47 | 0:24:51 | |
but only after it, too, had been cooled down. | 0:24:51 | 0:24:55 | |
And then the cooling towers, where do they come in? | 0:24:55 | 0:24:58 | |
If you took it, say, 20 degrees from the Trent, | 0:24:58 | 0:25:01 | |
we could only put back up to a certain amount. | 0:25:01 | 0:25:04 | |
The cooling tower dropped it back to that amount. | 0:25:04 | 0:25:07 | |
You couldn't pump hot water, really hot water, back into the river? | 0:25:07 | 0:25:10 | |
-You could pump warm water. -Yeah, cos I mean, | 0:25:10 | 0:25:13 | |
if you heat the river up too much, you're going to do a lot... | 0:25:13 | 0:25:15 | |
-You're going to kill everything. -Yeah. | 0:25:15 | 0:25:18 | |
Today, the Trent still plays its part in the power game. | 0:25:20 | 0:25:24 | |
The latest generating stations are gas-fuelled, | 0:25:25 | 0:25:28 | |
but they still can't function without river water. | 0:25:28 | 0:25:31 | |
At Staythorpe, near Newark, Trent pipes are colour-coded green | 0:25:33 | 0:25:37 | |
as river water flows through a new kind of cooling tower. | 0:25:37 | 0:25:41 | |
Everything here looks new, but over by the river is a sculpture | 0:25:42 | 0:25:47 | |
commissioned 50 years ago to honour the pioneers of Megawatt Valley. | 0:25:47 | 0:25:52 | |
-ARCHIVE SOUND: -'..that a vast plan for five years and beyond... | 0:25:53 | 0:25:57 | |
'..powerful, obedient and clean...' | 0:25:57 | 0:26:00 | |
In 1999, Willington faced the ritual execution | 0:26:02 | 0:26:07 | |
in front of the usual eager crowds. | 0:26:07 | 0:26:11 | |
Fantastic! | 0:26:28 | 0:26:29 | |
It got old. It's like a car - | 0:26:33 | 0:26:35 | |
it comes to a point where you've got to spend too much money on it | 0:26:35 | 0:26:38 | |
to keep it on the road. It delivers efficiency, they get worn out. | 0:26:38 | 0:26:43 | |
A time comes when you've got to say, "That's enough, | 0:26:43 | 0:26:45 | |
-we're not throwing any more money at it." -Sad day for you, though? | 0:26:45 | 0:26:48 | |
Oh, yeah, yeah. Probably a few tears, you know. | 0:26:48 | 0:26:51 | |
Willington's cooling towers were spared demolition | 0:26:53 | 0:26:56 | |
when a pair of peregrine falcons nested on the side of one. | 0:26:56 | 0:26:59 | |
Even the falcons have since deserted the site. | 0:27:03 | 0:27:06 | |
Whatever happened to Megawatt Valley? | 0:27:08 | 0:27:13 | |
VOICE ECHOES | 0:27:13 | 0:27:15 | |
BIRD CRIES | 0:27:15 | 0:27:16 | |
At Willington, Staffordshire gives way to Derbyshire. | 0:27:24 | 0:27:28 | |
I'm alone on the river and it's a delightful place to be. | 0:27:29 | 0:27:34 | |
There should be a special word | 0:27:34 | 0:27:35 | |
for someone who takes a particular pleasure in rivers - | 0:27:35 | 0:27:40 | |
fluviaphile seems a little bit pretentious. | 0:27:40 | 0:27:44 | |
River lover's better, although a bit inelegant. | 0:27:44 | 0:27:48 | |
The river lover sees more than just water on the move. | 0:27:48 | 0:27:53 | |
There's an awareness of past, present and future, | 0:27:53 | 0:27:58 | |
a sense that this water was somewhere else yesterday, | 0:27:58 | 0:28:01 | |
is here now, | 0:28:01 | 0:28:03 | |
and will be somewhere different tomorrow. | 0:28:03 | 0:28:06 | |
The stone bridge at Swarkestone, six miles south of Derby, | 0:28:09 | 0:28:13 | |
was once the Midlands' main crossing point on the Trent. | 0:28:13 | 0:28:17 | |
It's witnessed centuries of conflict. | 0:28:17 | 0:28:19 | |
In 1745, Bonnie Prince Charlie's rebel Jacobite army | 0:28:21 | 0:28:26 | |
reached here before turning back for Scotland. | 0:28:26 | 0:28:29 | |
100 years earlier, | 0:28:29 | 0:28:31 | |
Cavaliers and Roundheads fought for control of the bridge. | 0:28:31 | 0:28:35 | |
And almost 800 years before that, the Vikings swept through, | 0:28:35 | 0:28:39 | |
upstream to Repton, where they spent the winter in preparation | 0:28:39 | 0:28:44 | |
for launching a strike into the heart of the Midlands. | 0:28:44 | 0:28:47 | |
The Viking invaders entered through the Humber estuary, | 0:28:48 | 0:28:52 | |
penetrating 100 miles up the Trent. | 0:28:52 | 0:28:55 | |
But they weren't the first to make use of the river here. | 0:28:55 | 0:28:58 | |
A few miles downstream at Kings Mills, near Castle Donington, | 0:28:59 | 0:29:03 | |
there was someone here long before them. | 0:29:03 | 0:29:06 | |
If I'd been here 3,500 years ago, | 0:29:07 | 0:29:12 | |
I might well have met a man paddling through. | 0:29:12 | 0:29:16 | |
And he, of course, was a Bronze Age river man. | 0:29:16 | 0:29:21 | |
His boat was a massive thing hollowed out of a single tree trunk. | 0:29:21 | 0:29:28 | |
When they found it not far from here, | 0:29:28 | 0:29:33 | |
it was still half filled with huge slabs of stone which he'd collected, | 0:29:33 | 0:29:39 | |
apparently to reinforce a causeway across the river. | 0:29:39 | 0:29:45 | |
Imagine that - piloting these vast bits of stone along this river, | 0:29:47 | 0:29:55 | |
which is pretty fierce around here. | 0:29:55 | 0:29:58 | |
And while there are many things about the modern world that he would | 0:29:59 | 0:30:03 | |
have found strange and incomprehensible, the river | 0:30:03 | 0:30:08 | |
he would have been familiar with. | 0:30:08 | 0:30:10 | |
He would have known every bit of it. | 0:30:10 | 0:30:12 | |
And so there's a sense in which to journey down this river | 0:30:13 | 0:30:19 | |
is to journey back in time. | 0:30:19 | 0:30:22 | |
'Back in the 11th century, land at Kings Mills was royal property. | 0:30:24 | 0:30:29 | |
'Since then, owners have come and gone many times, | 0:30:30 | 0:30:34 | |
'but none has been quite so colourful | 0:30:34 | 0:30:37 | |
'as one 19th century incumbent.' | 0:30:37 | 0:30:40 | |
His name was Henry Weysford Charles Plantagenet Rawdon-Hastings, | 0:30:48 | 0:30:53 | |
which is a bit of a mouthful. | 0:30:53 | 0:30:54 | |
He was the Fourth Marquess of Hastings, | 0:30:56 | 0:30:58 | |
and his chief passion in life was gambling on horses. | 0:30:58 | 0:31:02 | |
He even built his own racetrack in front of his country seat, | 0:31:02 | 0:31:06 | |
Donington Hall. | 0:31:06 | 0:31:08 | |
Occasionally, though, his eye wandered after a filly of a different kind | 0:31:08 | 0:31:13 | |
and his elopement with the delectable Lady Florence Paget | 0:31:13 | 0:31:16 | |
caused a sensation. | 0:31:16 | 0:31:19 | |
Lady Florence was herself the daughter of a Marquess | 0:31:19 | 0:31:23 | |
and was considered a pearl of the English aristocracy. | 0:31:23 | 0:31:26 | |
But there was one slight problem. | 0:31:26 | 0:31:28 | |
She was engaged to someone else. | 0:31:28 | 0:31:31 | |
Florence's fiance was Henry Chaplin, | 0:31:32 | 0:31:35 | |
a wealthy Lincolnshire landowner. | 0:31:35 | 0:31:38 | |
As his wedding day approached, he knew nothing of the affair. | 0:31:38 | 0:31:42 | |
One day, Lady Florence, without a word to anyone, | 0:31:42 | 0:31:46 | |
popped into Marshall & Snelgrove's store in Oxford Street | 0:31:46 | 0:31:49 | |
on the pretext of buying items for her wedding trousseau. | 0:31:49 | 0:31:53 | |
She sneaked out of the back, into Hastings' carriage | 0:31:53 | 0:31:56 | |
and off to church, where they got hitched. | 0:31:56 | 0:31:59 | |
No-one from the bride's family was there. | 0:31:59 | 0:32:02 | |
It was the scandal of the year. | 0:32:02 | 0:32:04 | |
Hastings and Chaplin now embarked on a bitter feud. | 0:32:08 | 0:32:12 | |
The rivalry between the two men came to a sensational head | 0:32:14 | 0:32:18 | |
on Derby Day, 1867. | 0:32:18 | 0:32:21 | |
Hastings bet £100,000 that his colt would beat Chaplin's. | 0:32:21 | 0:32:27 | |
It was an insane gamble. | 0:32:27 | 0:32:30 | |
Amid scenes of wild excitement, | 0:32:30 | 0:32:32 | |
Chaplin's horse, Hermit, | 0:32:32 | 0:32:34 | |
came home by a neck. | 0:32:34 | 0:32:36 | |
Hastings' colt was nowhere. | 0:32:36 | 0:32:39 | |
Hastings lost everything - | 0:32:40 | 0:32:43 | |
his fortune, the estate and, of course, the mill on the Trent. | 0:32:43 | 0:32:47 | |
Today, Donington has been turned into company offices. | 0:32:50 | 0:32:53 | |
The old chapel is now a canteen. | 0:32:53 | 0:32:57 | |
And as for the racecourse... | 0:32:59 | 0:33:02 | |
ENGINES ROAR | 0:33:02 | 0:33:05 | |
..it's now the Donington Park motor racing circuit | 0:33:05 | 0:33:07 | |
and instead of the pounding of horses' hooves, | 0:33:07 | 0:33:10 | |
the air is split with the snarl of racing car engines. | 0:33:10 | 0:33:15 | |
ENGINES ROAR | 0:33:15 | 0:33:17 | |
'More than 70 miles into the journey, I'm bypassing Derby, | 0:33:30 | 0:33:34 | |
'a few miles northwest of me.' | 0:33:34 | 0:33:36 | |
At this point, the Trent is beginning to slow down. | 0:33:42 | 0:33:47 | |
It has lost its sort of youthful | 0:33:47 | 0:33:50 | |
high spirits and dash and ardour. | 0:33:50 | 0:33:54 | |
I've stopped here on the edge of this rather uninteresting | 0:34:13 | 0:34:17 | |
wide expanse of water. | 0:34:17 | 0:34:20 | |
Nothing very exciting, you might say. | 0:34:20 | 0:34:24 | |
But actually, you'd be wrong, | 0:34:24 | 0:34:26 | |
cos this is one of the most important meeting places | 0:34:26 | 0:34:31 | |
in this country's transport history. | 0:34:31 | 0:34:35 | |
Behind me is the Trent and Mersey Canal. | 0:34:35 | 0:34:39 | |
It came down here and it stopped, | 0:34:41 | 0:34:45 | |
because here it met the Trent | 0:34:45 | 0:34:48 | |
coming in from under that footbridge. | 0:34:48 | 0:34:51 | |
And from here on, the Trent could do the business that the canal | 0:34:51 | 0:34:55 | |
had done hitherto. | 0:34:55 | 0:34:57 | |
And not only that, | 0:34:57 | 0:34:59 | |
from the North came the Derwent, | 0:34:59 | 0:35:02 | |
bringing with it all the riches of Derbyshire. | 0:35:02 | 0:35:07 | |
So what you have here is, | 0:35:07 | 0:35:10 | |
if I can call it that, | 0:35:10 | 0:35:12 | |
a hub of incalculable importance | 0:35:12 | 0:35:17 | |
to the industrial and commercial life | 0:35:17 | 0:35:20 | |
of this nation more than 200 years ago. | 0:35:20 | 0:35:23 | |
'These days, it's quiet enough, | 0:35:25 | 0:35:27 | |
'but this crossroads once connected an inland waterway, | 0:35:27 | 0:35:31 | |
'which stretched from one side of England to the other.' | 0:35:31 | 0:35:34 | |
-Are you heading for Shardlow, by any chance? -I am, yes. | 0:35:34 | 0:35:38 | |
Any chance of a lift? | 0:35:38 | 0:35:41 | |
'I'm making a detour up the Trent and Mersey Canal to visit | 0:35:41 | 0:35:44 | |
'Shardlow, last stop before it connects with the river.' | 0:35:44 | 0:35:48 | |
-Hi, I'm Tom. And you? Martin! -How are you doing? -I'm all right. | 0:35:48 | 0:35:53 | |
Now, if you're able to grab the rope... | 0:35:53 | 0:35:56 | |
'For me and narrow boat owner Martin Wells, | 0:35:56 | 0:36:00 | |
'it's a short hop back up from the end | 0:36:00 | 0:36:02 | |
'of James Brindley's 93 mile masterpiece.' | 0:36:02 | 0:36:06 | |
I'm lost in admiration for the simple vision | 0:36:06 | 0:36:10 | |
of people like Brindley, that they could see | 0:36:10 | 0:36:13 | |
clearly a solution to a long-standing problem, | 0:36:13 | 0:36:19 | |
which was our roads were terrible, | 0:36:19 | 0:36:21 | |
so what are we going to do about it? | 0:36:21 | 0:36:23 | |
I think it's the simplicity of all the architecture... | 0:36:23 | 0:36:25 | |
-I love the bridges. I think the bridges are fantastic. -Absolutely. | 0:36:25 | 0:36:30 | |
'After digging halfway across England, Brindley had chosen | 0:36:30 | 0:36:35 | |
'sleepy Shardlow as his meeting place with the Trent. | 0:36:35 | 0:36:38 | |
'His decision transformed the place.' | 0:36:38 | 0:36:42 | |
-This was pretty much the heart of operations, was it? -Yeah. | 0:36:42 | 0:36:46 | |
200 years ago, this would be absolutely thriving. | 0:36:46 | 0:36:49 | |
-There'd be boats coming in and out... -Heaving. | 0:36:49 | 0:36:51 | |
People yelling and shouting and cursing and singing. | 0:36:51 | 0:36:55 | |
-Fighting over the locks... -Getting drunk. But working hard. | 0:36:55 | 0:37:00 | |
Absolutely. You'd be having narrow boats coming down the | 0:37:00 | 0:37:02 | |
Trent and Mersey Canal, quite possibly some of them | 0:37:02 | 0:37:04 | |
would be going on, down onto the River Trent into Nottingham, | 0:37:04 | 0:37:07 | |
but you would have larger boats, barges, | 0:37:07 | 0:37:09 | |
coming up and shipping the products from one to the other. | 0:37:09 | 0:37:13 | |
Because that was the route through to the Humber and the world. | 0:37:13 | 0:37:17 | |
So big cranes lifting stuff on and off. | 0:37:17 | 0:37:20 | |
The big trade here was salt from Cheshire, | 0:37:23 | 0:37:26 | |
but pretty much everything came through. | 0:37:26 | 0:37:28 | |
Food, coal, iron, cheese and, of course, Wedgwood pottery from Stoke. | 0:37:28 | 0:37:34 | |
Goods arriving on the river from Hull were transferred to | 0:37:34 | 0:37:37 | |
canal boats to complete the journey. | 0:37:37 | 0:37:41 | |
The work was done in buildings like this, | 0:37:42 | 0:37:45 | |
the Navigation Clock Warehouse. | 0:37:45 | 0:37:48 | |
One old-timer recalled his apprenticeship there. | 0:37:52 | 0:37:56 | |
"All day and all night," he said, "could be heard | 0:37:56 | 0:37:59 | |
"the creaking of cranes, the rattling of chains, | 0:37:59 | 0:38:03 | |
"the falling of timbers, the shouts of the wharfmen, | 0:38:03 | 0:38:07 | |
"the sound of axe and anvil, | 0:38:07 | 0:38:09 | |
"the cries of the boat builders." | 0:38:09 | 0:38:12 | |
The heyday of this place did not last that long, did it? | 0:38:15 | 0:38:19 | |
The railways took over, basically, 1830s, '40s. | 0:38:19 | 0:38:22 | |
Long Eaton then became a very, very busy place and overtook this. | 0:38:22 | 0:38:27 | |
-Shardlow began to decay. -Slowly. | 0:38:27 | 0:38:30 | |
-And now a rather quiet and peaceful spot... -Idyllic. | 0:38:30 | 0:38:33 | |
-..for blokes like you! -Absolutely. | 0:38:33 | 0:38:37 | |
MUSIC: "Eton Boating Song" by William Johnson Cory and Captain Algernon Drummond | 0:38:41 | 0:38:45 | |
# Jolly boating weather | 0:38:47 | 0:38:51 | |
# And a hay harvest breeze | 0:38:51 | 0:38:55 | |
# Blade on the feather | 0:38:55 | 0:38:59 | |
# Shade off the trees | 0:38:59 | 0:39:03 | |
# Swing, swing together | 0:39:03 | 0:39:06 | |
# With your backs between your knees | 0:39:06 | 0:39:11 | |
# Swing, swing together | 0:39:11 | 0:39:14 | |
# With your backs between your knees... # | 0:39:14 | 0:39:18 | |
Now we're right underneath the M1, | 0:39:18 | 0:39:23 | |
hidden from view. | 0:39:23 | 0:39:26 | |
# Ruffling o'er the weeds | 0:39:26 | 0:39:30 | |
# Where the lock stream gushes | 0:39:30 | 0:39:34 | |
# Where the cygnet feeds... # | 0:39:34 | 0:39:37 | |
# La, da, da, dee, dee, dee, dee, dee | 0:39:37 | 0:39:41 | |
# Dee, dee, dee, dee, dee, dee, dee, dee | 0:39:41 | 0:39:45 | |
# La, da, da, da, ba, ba, ba | 0:39:45 | 0:39:49 | |
# Ba, ba, ba, bom, bom, ba, bom, bom. # | 0:39:49 | 0:39:53 | |
'The river's changing again. | 0:39:57 | 0:39:59 | |
'It's getting bigger and wider. | 0:39:59 | 0:40:03 | |
'As I row into Nottingham, it feels like the Trent has grown up.' | 0:40:03 | 0:40:07 | |
Well, we're just coming under | 0:40:08 | 0:40:11 | |
Nottingham's famous landmark, Trent Bridge. | 0:40:11 | 0:40:16 | |
There have been other Trent bridges, though they've | 0:40:16 | 0:40:19 | |
come and gone over the centuries. | 0:40:19 | 0:40:22 | |
And this, which actually is a very handsome bridge indeed. | 0:40:22 | 0:40:28 | |
It does the city proud. | 0:40:28 | 0:40:30 | |
In 1886, they ice skated in front of it. | 0:40:35 | 0:40:38 | |
But a few decades later, the river wasn't anything like so much fun. | 0:40:38 | 0:40:44 | |
The winter of 1947 was famously brutal. | 0:40:50 | 0:40:54 | |
55 consecutive days of snow. | 0:40:54 | 0:40:58 | |
And when it melted, the Trent turned into a monster. | 0:40:58 | 0:41:02 | |
On March 17, the river burst its banks. | 0:41:04 | 0:41:08 | |
Suddenly, 28 miles of streets became canals | 0:41:08 | 0:41:12 | |
as the river rose 12 feet above normal. | 0:41:12 | 0:41:16 | |
One of those streets was home to a young Douglas Whitworth. | 0:41:18 | 0:41:23 | |
-This was your house? -That house. | 0:41:24 | 0:41:27 | |
-This one, on the right-hand side. -Yes. | 0:41:27 | 0:41:29 | |
-And the whole ground floor was flooded. -And so what happened? | 0:41:29 | 0:41:33 | |
You'd seen it coming up and it just came up and up | 0:41:33 | 0:41:36 | |
and up and up, the flood. | 0:41:36 | 0:41:38 | |
I can remember my father having to put swimming trunks on | 0:41:38 | 0:41:41 | |
-the go down into the cellar to get coal. -To get coal? | 0:41:41 | 0:41:44 | |
And it would be wet through, wouldn't it? | 0:41:44 | 0:41:47 | |
It was pretty awful at that time. | 0:41:47 | 0:41:49 | |
So here we are, the street is flooded, the house is flooded | 0:41:49 | 0:41:52 | |
and here is you, as a young man. | 0:41:52 | 0:41:55 | |
But you have a particularly passionate hobby, | 0:41:55 | 0:41:58 | |
which was photography. This is not an opportunity to be missed. | 0:41:58 | 0:42:01 | |
That's right. | 0:42:01 | 0:42:03 | |
He didn't know it, but 19-year-old Douglas was about to | 0:42:04 | 0:42:09 | |
capture some of the most enduring images | 0:42:09 | 0:42:12 | |
of Nottingham's great flood of 1947. | 0:42:12 | 0:42:15 | |
I used my bike, I could cycle through the water. | 0:42:17 | 0:42:21 | |
-Really? -Just about. | 0:42:21 | 0:42:22 | |
So you hopped on your bike with your camera | 0:42:22 | 0:42:25 | |
slung over your shoulder and pedalled off. | 0:42:25 | 0:42:28 | |
-As long as you kept cycling... -You didn't fall over. | 0:42:28 | 0:42:32 | |
I don't think I ever did, actually. | 0:42:32 | 0:42:34 | |
TOM LAUGHS | 0:42:34 | 0:42:36 | |
Douglas' pictures often show people actually enjoying | 0:42:37 | 0:42:41 | |
themselves in Nottingham's new look streets. | 0:42:41 | 0:42:45 | |
Still, "Never again," they said. | 0:42:45 | 0:42:48 | |
'These massive sluice gates at Colwick | 0:42:51 | 0:42:54 | |
'on the outskirts of the city were completed in the 1950s. | 0:42:54 | 0:42:58 | |
'Engineer John Hindle is in charge of them | 0:42:58 | 0:43:01 | |
'and the rest of Nottingham's flood defences.' | 0:43:01 | 0:43:04 | |
How does this sort of bring the Trent to heel, as it were? | 0:43:04 | 0:43:07 | |
In a sort of typical, normal summertime flow, | 0:43:07 | 0:43:11 | |
we've just got one gate which is open, open very slightly, | 0:43:11 | 0:43:14 | |
just to allow the right amount of water through. | 0:43:14 | 0:43:16 | |
But if we get a major flood, | 0:43:16 | 0:43:17 | |
then they start lifting these gates out of the water. | 0:43:17 | 0:43:20 | |
-How many gates are there altogether? -There's five gates here. | 0:43:20 | 0:43:22 | |
And in a really major flood, | 0:43:22 | 0:43:24 | |
all of these gates would be well out of the water. | 0:43:24 | 0:43:26 | |
-Right up? So this... -Right out of the water. -Right up there? | 0:43:26 | 0:43:29 | |
Right out of the water. | 0:43:29 | 0:43:31 | |
What we're designing for here is that really major flood, | 0:43:31 | 0:43:34 | |
the 1947 and perhaps even slightly more than that. | 0:43:34 | 0:43:37 | |
Have there been a few narrow squeaks? | 0:43:37 | 0:43:40 | |
Certainly back in 2000, there was this major flood on the River Trent | 0:43:40 | 0:43:44 | |
and that got very close to the top of our flood defences at the time. | 0:43:44 | 0:43:49 | |
-Did it? -Yes. -Was that down here or was the crisis further upstream? | 0:43:49 | 0:43:54 | |
Various places. | 0:43:54 | 0:43:55 | |
I mean, I personally went out to Burton at that time, | 0:43:55 | 0:43:58 | |
where we'd just finished a flood defence scheme there, | 0:43:58 | 0:44:01 | |
went out there the early evening, in the middle of the night, | 0:44:01 | 0:44:04 | |
and saw that the floodwaters were really just a few | 0:44:04 | 0:44:06 | |
bricks from the top of the flood defences. | 0:44:06 | 0:44:09 | |
Did you have a few bad moments? | 0:44:09 | 0:44:11 | |
Or did you know then that it was reaching its peak? | 0:44:11 | 0:44:14 | |
I knew it was reaching its peak, | 0:44:14 | 0:44:16 | |
but I remember how surprised I was just to see how high it was. | 0:44:16 | 0:44:21 | |
The 2000 floods triggered the building of still more defences | 0:44:23 | 0:44:28 | |
and a bill of £45 million to boot. | 0:44:28 | 0:44:31 | |
Now John's confident he can resist all but a truly cataclysmic flood, | 0:44:31 | 0:44:37 | |
the kind that strikes only once in a hundred years. | 0:44:37 | 0:44:41 | |
One in a hundred years or, you know, 1% or whatever, suggests to me | 0:44:42 | 0:44:48 | |
that one day this is going to happen. | 0:44:48 | 0:44:51 | |
One day that flood is going to come along. | 0:44:51 | 0:44:54 | |
Sooner or later, a larger flood will come along. | 0:44:54 | 0:44:56 | |
You can never design against the ultimate flood, if you like. | 0:44:56 | 0:44:59 | |
-The ultimate catastrophe. -The ultimate catastrophe. | 0:44:59 | 0:45:01 | |
But, we can at least give Nottingham a decent standard of flood defence. | 0:45:01 | 0:45:05 | |
-Do you live near the river yourself? -No. | 0:45:05 | 0:45:07 | |
You don't?! | 0:45:07 | 0:45:08 | |
No, I live on high ground. | 0:45:08 | 0:45:10 | |
TOM LAUGHS | 0:45:10 | 0:45:12 | |
Leaving Nottingham, the Trent presses on, | 0:45:16 | 0:45:21 | |
heading north-east towards Newark. | 0:45:21 | 0:45:26 | |
The river sort of imposes a rhythm of its own on you, | 0:45:26 | 0:45:33 | |
and, really, all you can do is follow the river's rhythm | 0:45:33 | 0:45:37 | |
and its moves, | 0:45:37 | 0:45:38 | |
and fall into line with them. | 0:45:38 | 0:45:41 | |
The river here is at peace today, but it wasn't always. | 0:45:44 | 0:45:48 | |
It's 1485, the Battle of Bosworth Field, about 45 miles | 0:45:52 | 0:45:56 | |
south-west of here - Henry Tudor defeats and kills | 0:45:56 | 0:46:01 | |
Richard III. | 0:46:01 | 0:46:03 | |
It's the end of the Wars of the Roses. | 0:46:03 | 0:46:06 | |
That's what the history books say. | 0:46:06 | 0:46:09 | |
In fact, the White Rose of York had one final throw of the dice | 0:46:09 | 0:46:14 | |
and it took place here, beside the Trent. | 0:46:14 | 0:46:16 | |
Two years after Bosworth, | 0:46:19 | 0:46:21 | |
the new King's grip on power was still shaky. | 0:46:21 | 0:46:24 | |
A rebel Yorkist force marched south, | 0:46:25 | 0:46:28 | |
fording the Trent upstream from Newark. | 0:46:28 | 0:46:31 | |
The scene was set for the battle of Stoke Field. | 0:46:31 | 0:46:35 | |
The rebel force took up position on the ridge over there | 0:46:38 | 0:46:44 | |
with Henry's army below. | 0:46:44 | 0:46:45 | |
Although outnumbered, the rebels fought with desperate bravery. | 0:46:48 | 0:46:52 | |
For a time, the outcome hung in the balance. | 0:46:52 | 0:46:55 | |
Then, King Henry's general, the Earl of Oxford, | 0:46:57 | 0:46:59 | |
rallied his 15,000 men for one final push. | 0:46:59 | 0:47:04 | |
The rebel line wavered and then broke. | 0:47:05 | 0:47:09 | |
The rebels ran for their lives downhill, | 0:47:09 | 0:47:12 | |
across the fields beside the Trent, | 0:47:12 | 0:47:16 | |
harried and chased by Henry's men. | 0:47:16 | 0:47:19 | |
It's thought that 4,000 men, half the rebel force, fell that day. | 0:47:21 | 0:47:27 | |
Casualties on the King's side as few as 100. | 0:47:27 | 0:47:31 | |
There is a gully running along the foot of that wood over there, | 0:47:31 | 0:47:37 | |
known as Red Gutter. It was stained with blood. | 0:47:37 | 0:47:41 | |
That day in June, | 0:47:44 | 0:47:46 | |
the Wars of the Roses truly ended along the banks of the Trent. | 0:47:46 | 0:47:51 | |
Over five centuries later, this place still seems | 0:47:51 | 0:47:55 | |
haunted by the fighting spirit of those ancient warriors. | 0:47:55 | 0:48:01 | |
I like to think of the rebel army, the sun glinting on their swords | 0:48:01 | 0:48:05 | |
and spears and axes, and then into the river, | 0:48:05 | 0:48:09 | |
the water up to the infantrymen's waists, | 0:48:09 | 0:48:12 | |
and the horses' knees, and then across towards the ridge, | 0:48:12 | 0:48:17 | |
hope and fear churning in their breasts. | 0:48:17 | 0:48:20 | |
On the river, it's deliciously serene. | 0:48:36 | 0:48:39 | |
It feels as if this could go on for ever, | 0:48:43 | 0:48:47 | |
but there is a problem ahead. | 0:48:47 | 0:48:50 | |
I'm sad, I'm very sad. | 0:48:50 | 0:48:52 | |
It's always sad when you have been | 0:48:52 | 0:48:57 | |
peaceful and contented and happy. | 0:48:57 | 0:49:00 | |
I'm sad because the Trent Otter and I are about to part company. | 0:49:06 | 0:49:10 | |
That's it. | 0:49:15 | 0:49:16 | |
No more boating weather...for me. | 0:49:16 | 0:49:19 | |
And all because the locals have warned me | 0:49:21 | 0:49:23 | |
that my little punt can't cope with the river. | 0:49:23 | 0:49:26 | |
Here, it's fine, but a few miles north, | 0:49:29 | 0:49:31 | |
the Trent becomes a very different beast. | 0:49:31 | 0:49:35 | |
This is Cromwell Weir. | 0:49:42 | 0:49:45 | |
Not so long ago, a man out fishing died here after his boat, | 0:49:45 | 0:49:50 | |
about the same size as mine, was dragged under. | 0:49:50 | 0:49:55 | |
Back in the 1970s, ten soldiers on exercise drowned | 0:49:55 | 0:49:58 | |
when their boat went over the weir. | 0:49:58 | 0:50:01 | |
At Cromwell, the Trent is, for the first time, influenced by the sea. | 0:50:07 | 0:50:12 | |
Now it has become a tidal river, | 0:50:12 | 0:50:15 | |
prone to fiendish hidden currents and swirling eddies. | 0:50:15 | 0:50:19 | |
'Downstream at Gainsborough, I spot another good reason to retire | 0:50:25 | 0:50:30 | |
'gracefully from the river.' | 0:50:30 | 0:50:32 | |
Oh, wow! | 0:50:34 | 0:50:35 | |
'A gravel barge, and not messing about, either.' | 0:50:35 | 0:50:39 | |
These days you don't often come across working boats on this | 0:50:39 | 0:50:43 | |
part of the river, but scroll back. | 0:50:43 | 0:50:47 | |
800 years ago, they were bringing | 0:50:47 | 0:50:49 | |
wool and alabaster down here for shipment onto Hull | 0:50:49 | 0:50:52 | |
and export to Europe. | 0:50:52 | 0:50:55 | |
In the 17th century, a coal depot was established here to take | 0:50:55 | 0:50:58 | |
coal from the Nottingham coalfield. | 0:50:58 | 0:51:01 | |
By the 1830s, 50,000 tons of goods were being unshipped here | 0:51:02 | 0:51:07 | |
for distribution locally, | 0:51:07 | 0:51:09 | |
and a further 30,000 sent downstream to Hull. | 0:51:09 | 0:51:14 | |
It became such an important river port that the government even gave | 0:51:14 | 0:51:17 | |
it its own customs house. | 0:51:17 | 0:51:19 | |
The river made many fortunes at Gainsborough during those years. | 0:51:20 | 0:51:25 | |
So, where did all the trade go? | 0:51:25 | 0:51:27 | |
You don't have to look far. | 0:51:33 | 0:51:36 | |
Today the motorway is king. | 0:51:36 | 0:51:38 | |
The Trent, meanwhile, is so penned in by flood banks that no-one on the | 0:51:44 | 0:51:48 | |
river can see the land, and no-one on the land can see the river. | 0:51:48 | 0:51:52 | |
It seems we have abandoned it. | 0:51:57 | 0:51:59 | |
But at Flixborough docks, no-one told them | 0:52:10 | 0:52:12 | |
the age of river transport was over. | 0:52:12 | 0:52:15 | |
Every week, eight or ten vessels unload here. | 0:52:15 | 0:52:18 | |
This one is delivering steel from Spain. | 0:52:18 | 0:52:21 | |
For these ships, navigating the Trent requires special skill. | 0:52:21 | 0:52:26 | |
Riding the high tide in from the sea, they have only three and a half hours | 0:52:27 | 0:52:32 | |
to get here, often with only a few feet between them and the riverbed. | 0:52:32 | 0:52:37 | |
Once moored, the low tide then grounds them flat on the bottom. | 0:52:37 | 0:52:43 | |
12 hours later, when the next flood tide raises them, | 0:52:43 | 0:52:46 | |
they again have just three and a half hours to make it back to sea. | 0:52:46 | 0:52:51 | |
Much of the lower Trent is wide, featureless | 0:52:52 | 0:52:56 | |
and generally completely empty. | 0:52:56 | 0:52:59 | |
So, it is very reassuring to come to a place like this, | 0:52:59 | 0:53:03 | |
where there is noise and activity, | 0:53:03 | 0:53:06 | |
cranes going and lorries roaring. | 0:53:06 | 0:53:09 | |
Big ships, waiting to be unloaded and take on loads, | 0:53:09 | 0:53:13 | |
waiting for the tide to take them in and out. | 0:53:13 | 0:53:16 | |
Reassuring to find that the river still has its uses. | 0:53:16 | 0:53:21 | |
My journey down the Trent is almost over. | 0:53:34 | 0:53:38 | |
Swelling in size, it pushes the landscape ever wider apart. | 0:53:38 | 0:53:43 | |
Its banks are now tricky to access on foot, | 0:53:43 | 0:53:47 | |
so I need another mode of transport. | 0:53:47 | 0:53:49 | |
She is called the Spider T, | 0:53:59 | 0:54:02 | |
a 1920s Humber super sloop, | 0:54:02 | 0:54:06 | |
built to carry bricks to Hull. | 0:54:06 | 0:54:09 | |
Like so many ships which once worked the river, | 0:54:09 | 0:54:12 | |
the Spider ended up in the knacker's yard. | 0:54:12 | 0:54:16 | |
Then, enthusiast Mal Nicholson rescued her. | 0:54:16 | 0:54:20 | |
Now the Spider's back, but she has to be careful. | 0:54:20 | 0:54:23 | |
I think there are a lot of people that are frightened of this | 0:54:26 | 0:54:29 | |
end of the Trent. It is one that keeps you sharp, you never, | 0:54:29 | 0:54:33 | |
ever get complacent with it. | 0:54:33 | 0:54:36 | |
Because the nature of the river... | 0:54:36 | 0:54:38 | |
What we see is flat water, but underneath, | 0:54:38 | 0:54:42 | |
the nature of this river is not a constant thing, is it? | 0:54:42 | 0:54:46 | |
No, the Trent particularly, there are places that you can | 0:54:46 | 0:54:51 | |
walk across it, virtually, and for such a big wide river, you | 0:54:51 | 0:54:55 | |
really are having to watch exactly what you're doing, | 0:54:55 | 0:54:58 | |
so you don't run her aground. | 0:54:58 | 0:54:59 | |
And if you do run aground, you're in trouble? | 0:54:59 | 0:55:01 | |
Yes, absolutely. One of the things with coming in on a flood tide | 0:55:01 | 0:55:06 | |
is that if you run her aground on the bow you can be turned sideways | 0:55:06 | 0:55:11 | |
and, in some cases | 0:55:11 | 0:55:14 | |
heeled over, so you have to be very, very careful. | 0:55:14 | 0:55:19 | |
I'm absolutely confident in saying that nothing like this | 0:55:19 | 0:55:22 | |
has ever happened to the Spider T or to you? | 0:55:22 | 0:55:25 | |
I'm afraid it has. | 0:55:25 | 0:55:27 | |
It happened on the Trent. | 0:55:27 | 0:55:30 | |
There had been very heavy rain, lots of fresh on, | 0:55:30 | 0:55:32 | |
and it had washed the sand | 0:55:32 | 0:55:34 | |
and gravel into the middle of the river, | 0:55:34 | 0:55:35 | |
and what was a navigable part of the river suddenly became | 0:55:35 | 0:55:40 | |
absolutely unnavigable, and ran the Spider aground. | 0:55:40 | 0:55:44 | |
Every now and then, you will get caught out. | 0:55:44 | 0:55:48 | |
So she is an unpredictable mistress? | 0:55:48 | 0:55:52 | |
Absolutely. You look at it and think you can go virtually where you like, | 0:55:52 | 0:55:55 | |
-but you cannot. -You cannot. | 0:55:55 | 0:55:57 | |
The water is now so wide it is hard to make out | 0:56:10 | 0:56:13 | |
where the river ends and estuary begins. | 0:56:13 | 0:56:17 | |
On the charts, this half-sunken wall marks the dividing line. | 0:56:17 | 0:56:22 | |
Here, the Trent delivers its water and me to the Humber. | 0:56:22 | 0:56:27 | |
All my life, I have been fascinated and thrilled | 0:56:31 | 0:56:35 | |
and moved by moving water, by rivers. | 0:56:35 | 0:56:38 | |
I have spent a lot of time in rivers and beside rivers | 0:56:38 | 0:56:41 | |
looking at rivers, thinking about rivers, dreaming about rivers, | 0:56:41 | 0:56:45 | |
but I have never, until now, followed a river from the very | 0:56:45 | 0:56:49 | |
beginning to the very end, and while I'm here, with this vast, | 0:56:49 | 0:56:56 | |
great expanse of water around me, | 0:56:56 | 0:56:59 | |
I can't help thinking about the top of this river. | 0:56:59 | 0:57:03 | |
That placed on Biddulph Moor where a little trickle | 0:57:03 | 0:57:07 | |
appears from the hillside and starts finding its way down here. | 0:57:07 | 0:57:12 | |
That first trickle emerged in the centre of England, | 0:57:15 | 0:57:19 | |
1,000 feet above the sea. | 0:57:19 | 0:57:20 | |
Now, it is here, somewhere. | 0:57:22 | 0:57:24 | |
Soon it will evaporate into cloud and perhaps be blown across some | 0:57:26 | 0:57:31 | |
distant hill to fall again as rain, and once more seep into the river. | 0:57:31 | 0:57:37 | |
In one sense, you can say the journey ends here, | 0:57:41 | 0:57:45 | |
but in another sense the journey never ends. | 0:57:45 | 0:57:47 | |
Can you feel her? | 0:57:54 | 0:57:57 | |
-It's like a fish biting. -That's it. | 0:57:57 | 0:57:59 | |
-Pull on your... -Can you feel it? -Yes. | 0:57:59 | 0:58:01 | |
Every last movement. | 0:58:01 | 0:58:03 | |
# Going to see the river man | 0:58:04 | 0:58:10 | |
# Going to tell him all I can | 0:58:10 | 0:58:15 | |
# About the plan | 0:58:15 | 0:58:20 | |
# For lilac time | 0:58:20 | 0:58:23 | |
# If he tells me all he knows | 0:58:26 | 0:58:31 | |
# About the way his river flows | 0:58:31 | 0:58:37 | |
# And all night shows | 0:58:37 | 0:58:41 | |
# In summertime. # | 0:58:41 | 0:58:45 | |
It's not easy this, you know. | 0:58:49 | 0:58:51 | |
Subtitles by Red Bee Media Ltd | 0:59:03 | 0:59:07 |