
Browse content similar to The Tube: An Underground History. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Five, four, three, two, one! | 0:00:02 | 0:00:04 | |
CHEERING | 0:00:04 | 0:00:06 | |
-Happy New Year! -Happy New Year! | 0:00:08 | 0:00:11 | |
It is all fun on the underground as well. | 0:00:13 | 0:00:16 | |
It is the beginning of 2013. | 0:00:16 | 0:00:19 | |
London Underground is 150 years old this year. | 0:00:19 | 0:00:22 | |
What about happy new year? Come on! | 0:00:22 | 0:00:26 | |
LAUGHTER | 0:00:26 | 0:00:28 | |
The city would be unthinkable without it. | 0:00:31 | 0:00:34 | |
London is the greatest place on the Earth. It is the place to be. | 0:00:34 | 0:00:40 | |
The Bible talks about heaven, this is heaven. | 0:00:40 | 0:00:42 | |
Come through, my bredren. | 0:00:42 | 0:00:44 | |
The Tube will be spending its anniversary year | 0:00:47 | 0:00:50 | |
celebrating its own history. | 0:00:50 | 0:00:52 | |
It is our 150th birthday, | 0:00:52 | 0:00:55 | |
we were the first subterranean railway in the world. | 0:00:55 | 0:00:58 | |
They are sending a steam train back underground... | 0:01:00 | 0:01:03 | |
..and inviting royalty to inspect the latest upgrade work. | 0:01:05 | 0:01:08 | |
150 years I've worked at Farringdon and I have never met a Royal. | 0:01:08 | 0:01:13 | |
On the Tube, history is everywhere. | 0:01:14 | 0:01:18 | |
Down every tunnel. | 0:01:18 | 0:01:20 | |
Makes you realise how much we owe to these people, I think. | 0:01:20 | 0:01:22 | |
In every sign and design. | 0:01:25 | 0:01:27 | |
And in the lives of the unsung people who built it | 0:01:28 | 0:01:31 | |
-and run it today. -Worst shift in my bloody life. | 0:01:31 | 0:01:36 | |
There are little-known stories of ambition, innovation and troubles. | 0:01:36 | 0:01:42 | |
The money in the ticket machines had actually melted into one block. | 0:01:42 | 0:01:47 | |
That is how hot it was. | 0:01:47 | 0:01:49 | |
With access to all areas of the network, | 0:01:50 | 0:01:52 | |
this is the Tube's hidden history... | 0:01:52 | 0:01:55 | |
First-time users would come through here and just think, "Wow, this is it. We are underground." | 0:01:55 | 0:02:01 | |
..revealing why the Tube was first built | 0:02:01 | 0:02:04 | |
and how it's shaped London ever since. | 0:02:04 | 0:02:07 | |
This man is more responsible than many people for modern London. | 0:02:07 | 0:02:12 | |
150 years ago, | 0:02:37 | 0:02:38 | |
the very first underground train arrived at this station. | 0:02:38 | 0:02:42 | |
Farringdon, the original terminus. | 0:02:42 | 0:02:44 | |
5am, and like his colleagues, every morning for 150 years, | 0:02:53 | 0:02:56 | |
station supervisor Iain McPherson is opening up. | 0:02:56 | 0:03:00 | |
Let's open the show! | 0:03:02 | 0:03:04 | |
You are kidding me! | 0:03:05 | 0:03:08 | |
Right. OK then. OK, mate. Right. | 0:03:12 | 0:03:20 | |
Looks like I am going to have to do points. | 0:03:22 | 0:03:24 | |
There is a track failure and it looks like I will have to go on the track. | 0:03:24 | 0:03:29 | |
The signals, our points, are failing. | 0:03:29 | 0:03:32 | |
It is probably because of the rain. | 0:03:32 | 0:03:33 | |
Oh, God, I can't believe it. | 0:03:35 | 0:03:38 | |
Today! Of all days. | 0:03:38 | 0:03:40 | |
Rain has been causing problems at Farringdon | 0:03:43 | 0:03:46 | |
since the Underground began. | 0:03:46 | 0:03:47 | |
Today, Iain suspects it has caused the electrical points to fail. | 0:03:47 | 0:03:52 | |
Just, aye, hold it there. All of the signals are at red now. | 0:03:54 | 0:04:00 | |
Nothing can move. The track is live. It is only 630 volts. | 0:04:01 | 0:04:07 | |
Iain needs to go on the track to secure the points. | 0:04:09 | 0:04:13 | |
But at 630 volts DC, putting a foot wrong could be fatal. | 0:04:13 | 0:04:18 | |
Jesus Christ! This is the worst shift I have ever had to experience | 0:04:30 | 0:04:37 | |
in my bloody life! | 0:04:37 | 0:04:39 | |
Farringdon is prone to flooding. | 0:04:43 | 0:04:46 | |
The track is built along the bed of a river. | 0:04:46 | 0:04:48 | |
We are on the bed of the River Fleet in effect. | 0:04:48 | 0:04:51 | |
It is now, in the 21st-century, it is down in sewers below but | 0:04:51 | 0:04:56 | |
when there is heavy rain it floods. | 0:04:56 | 0:04:59 | |
And hence, even today, constant signal failures | 0:05:00 | 0:05:03 | |
because of all the water egress. | 0:05:03 | 0:05:05 | |
The Victorians always, if there was a cheap answer, | 0:05:05 | 0:05:09 | |
they usually went for it. It has got to be said. | 0:05:09 | 0:05:12 | |
In the 1850s, London was facing a now familiar problem. | 0:05:15 | 0:05:18 | |
'The problem which no big town in the world has been able to | 0:05:19 | 0:05:23 | |
'beat is one of too much surface traffic. | 0:05:23 | 0:05:26 | |
'Snarl-ups and the delays | 0:05:26 | 0:05:27 | |
'they cause are unpleasant facts of modern city life. | 0:05:27 | 0:05:30 | |
'Traffic hold-ups make running to time all too much a matter of chance, | 0:05:30 | 0:05:35 | |
'causing bunching, slow running and a lot of passenger irritation.' | 0:05:35 | 0:05:38 | |
In 1800, London was 1 million people. By 1850 London was 2.5 million. | 0:05:47 | 0:05:53 | |
That's a 150 percent increase in population, it just exploded. | 0:05:53 | 0:05:59 | |
And there was no room to move. | 0:05:59 | 0:06:01 | |
The Industrial Revolution had created new factories, | 0:06:03 | 0:06:06 | |
and sucked in workers from the countryside. | 0:06:06 | 0:06:10 | |
The financial centre was flourishing, | 0:06:10 | 0:06:12 | |
and London had become the largest city in the world. | 0:06:12 | 0:06:15 | |
You had a total of around 300,000 people altogether coming into the city | 0:06:16 | 0:06:20 | |
every day on buses, carts, and walking. | 0:06:20 | 0:06:25 | |
During the boom years of the railways, a law was passed | 0:06:29 | 0:06:32 | |
stopping stations from being built in the centre of London. | 0:06:32 | 0:06:35 | |
Rail companies had been forced to build their main stations like | 0:06:37 | 0:06:41 | |
Paddington, Euston and King's Cross along the edge of the central area. | 0:06:41 | 0:06:44 | |
With no other way to reach the square mile from the stations, | 0:06:50 | 0:06:53 | |
the streets were full. London was choking on its own success. | 0:06:53 | 0:07:00 | |
Looking on at the influx of labourers into London was | 0:07:11 | 0:07:15 | |
the great, great, great-grandfather of this woman, Caroline Hutton. | 0:07:15 | 0:07:20 | |
Looking at London, it must have changed completely, | 0:07:21 | 0:07:23 | |
because there were more machines there was less | 0:07:23 | 0:07:27 | |
need for people in the country, | 0:07:27 | 0:07:28 | |
and because there was less need for people in the country they were | 0:07:28 | 0:07:31 | |
coming up to London, they were coming up to London to make more machines. | 0:07:31 | 0:07:34 | |
It is a vicious circle, isn't it? It goes on and on. | 0:07:34 | 0:07:36 | |
Charles Pearson was a wealthy lawyer who had risen up through | 0:07:36 | 0:07:39 | |
the city's ranks. | 0:07:39 | 0:07:40 | |
By 1839 he had become the solicitor for the City of London. | 0:07:40 | 0:07:45 | |
Pearson was concerned about the problem of transport | 0:07:45 | 0:07:48 | |
for London's new labourers. | 0:07:48 | 0:07:50 | |
With no way to commute in or out of the city | 0:07:53 | 0:07:55 | |
they were being crammed, 30 or 40 per house, into slum dwellings. | 0:07:55 | 0:08:00 | |
He spoke about how recent arrivals pined for the countryside. | 0:08:02 | 0:08:08 | |
"The passion for a country residence is increasing to an extent that | 0:08:08 | 0:08:12 | |
"it would be impossible to persons who do not mix much with the poor to know. | 0:08:12 | 0:08:16 | |
"You cannot find a place where they do not get a broken teapot | 0:08:17 | 0:08:21 | |
"in which to stuff, as soon as spring comes, some flower or something to give them | 0:08:21 | 0:08:26 | |
"an idea of green fields and the country." | 0:08:26 | 0:08:28 | |
Oh! Verbose! | 0:08:28 | 0:08:30 | |
It suggests that he has great sympathy with people, | 0:08:33 | 0:08:37 | |
with the poor who like the country. | 0:08:37 | 0:08:40 | |
And perhaps are even thinking about their fathers who came | 0:08:40 | 0:08:43 | |
up from the country, who knows? Who were labourers in fields | 0:08:43 | 0:08:49 | |
and actually had flowers and things around them. | 0:08:49 | 0:08:52 | |
In 1845, Pearson had a brainwave. | 0:08:53 | 0:08:55 | |
His idea was to run trains in drains under the streets of London, | 0:08:57 | 0:09:01 | |
connecting the stations ringed around the city and providing | 0:09:01 | 0:09:05 | |
a way for workers to travel from better houses further away. | 0:09:05 | 0:09:08 | |
Pearson spent eight years lobbying city authorities for permission | 0:09:11 | 0:09:15 | |
to build the railway on the grounds of social reform, with no success. | 0:09:15 | 0:09:19 | |
In 1853, he changed tack, making the case that business would | 0:09:20 | 0:09:24 | |
leave London if transport didn't improve. | 0:09:24 | 0:09:27 | |
Finally, the House of Commons approved a bill, | 0:09:27 | 0:09:31 | |
allowing Pearson's railway to go ahead. | 0:09:31 | 0:09:33 | |
Do you feel like people are generally aware of the existence of Charles Pearson? | 0:09:33 | 0:09:37 | |
No, not really. | 0:09:39 | 0:09:41 | |
He is not a name that sticks out, not like Brunel or someone like that. | 0:09:41 | 0:09:46 | |
So it is a shame. It is a shame. | 0:09:46 | 0:09:48 | |
Pearson persuaded a ragbag of investors to back the risky venture. | 0:09:50 | 0:09:54 | |
A private company called the Metropolitan Railway was formed. | 0:09:55 | 0:09:59 | |
Work would begin on the next phase, construction. | 0:09:59 | 0:10:01 | |
But building the railway brought its own problems. | 0:10:04 | 0:10:07 | |
In the 1850s, the area around Farringdon was one of the poorest in the country. | 0:10:07 | 0:10:13 | |
Not a salubrious place to be in at all. | 0:10:16 | 0:10:21 | |
So by the time of the 1840s and 1850s, | 0:10:21 | 0:10:25 | |
it was not a pleasant place to be. | 0:10:25 | 0:10:27 | |
They say Fagan's Den in Oliver Twist was actually based, | 0:10:27 | 0:10:34 | |
well, they reckon Turnmill Street or Cowcross Street. | 0:10:34 | 0:10:38 | |
If you wanted to be murdered in London | 0:10:38 | 0:10:41 | |
you came to the Clerkenwell area in the 18th and 19th century. | 0:10:41 | 0:10:47 | |
The first underground lines were built just under the surface, | 0:10:48 | 0:10:52 | |
using a technique called cut and cover. | 0:10:52 | 0:10:54 | |
They dug a trench, placed the railway inside, and put a roof on top. | 0:10:54 | 0:10:59 | |
It was impossible to do it without causing considerable disturbance on the surface. | 0:11:03 | 0:11:07 | |
A terminus at Farringdon, still half a mile from the city, was chosen. | 0:11:09 | 0:11:14 | |
Let's get it as far into the city at the lowest possible cost | 0:11:15 | 0:11:19 | |
and the furthest end it could get, Farringdon. | 0:11:19 | 0:11:23 | |
Any further would have started to cost big bucks. | 0:11:23 | 0:11:26 | |
With little by way of compensation, over 12,000 people were moved out | 0:11:27 | 0:11:32 | |
of their homes to construct the line between King's Cross and Farringdon. | 0:11:32 | 0:11:36 | |
The middle classes saw it as good | 0:11:37 | 0:11:39 | |
because it was cleaning out slums, it was getting rid of scum. | 0:11:39 | 0:11:44 | |
And cleaning up the city. | 0:11:44 | 0:11:46 | |
It was seen as socially improving because you are environmentally | 0:11:46 | 0:11:50 | |
improving the area by demolishing all of these dens of iniquity. | 0:11:50 | 0:11:56 | |
The gin dens, the brothels. And all the rest of it. So overall, | 0:11:56 | 0:12:02 | |
society, London in particular, definitely benefited. | 0:12:02 | 0:12:07 | |
But there were always casualties and, as usual, | 0:12:07 | 0:12:11 | |
it was usually the poor. | 0:12:11 | 0:12:15 | |
And it usually is the poor that suffer. That's life. | 0:12:15 | 0:12:18 | |
Progress marched on for the railway, | 0:12:22 | 0:12:25 | |
and a line was constructed from Paddington, east to Farringdon. | 0:12:25 | 0:12:28 | |
The company then turned its attention to the actual | 0:12:30 | 0:12:33 | |
trains that might run on it. | 0:12:33 | 0:12:35 | |
Various outlandish schemes had been suggested. | 0:12:35 | 0:12:38 | |
A smokeless way, running on atmospheric power. | 0:12:38 | 0:12:43 | |
Trains pulled by hydraulics and cables. | 0:12:43 | 0:12:46 | |
Instead, they chose a cheaper option. | 0:12:47 | 0:12:50 | |
Steam. | 0:12:50 | 0:12:52 | |
Special locomotives were designed, with condensing boilers meant | 0:12:56 | 0:13:00 | |
to trap the steam rather than release it into the tunnels. | 0:13:00 | 0:13:03 | |
Today, steam is returning to the Underground. | 0:13:08 | 0:13:12 | |
They will be running a steam train packed with | 0:13:13 | 0:13:15 | |
VIPs around the oldest stretch of the circle. | 0:13:15 | 0:13:18 | |
We have an older carriage which is a Jubilee carriage | 0:13:22 | 0:13:25 | |
for Queen Victoria's Jubilee, no less. | 0:13:25 | 0:13:28 | |
It was a chicken shed | 0:13:28 | 0:13:30 | |
about 20 or 30 years ago and now is a beautiful first-class carriage. | 0:13:30 | 0:13:35 | |
It is our 150th birthday, | 0:13:35 | 0:13:38 | |
we were the first subterranean railway in the world. | 0:13:38 | 0:13:42 | |
Chief operating officer Howard Collins wants to celebrate the Underground's past, | 0:13:42 | 0:13:46 | |
without making the Tube look like it is stuck there. | 0:13:46 | 0:13:49 | |
I have this reoccurring, almost nightmare, that an American tourist | 0:13:51 | 0:13:55 | |
would saunter onto the Tube and think, "Gee, haven't improved much in the UK! | 0:13:55 | 0:13:59 | |
"They still have steam down there." | 0:13:59 | 0:14:01 | |
Think about it, 1863, there was a civil war in America still going on. | 0:14:01 | 0:14:04 | |
Queen Victoria hadn't been around that long on the throne. | 0:14:04 | 0:14:07 | |
In a West London train depot, an original Metropolitan Railway locomotive | 0:14:13 | 0:14:17 | |
is being coaxed back to life. | 0:14:17 | 0:14:19 | |
Heritage operations manager Andy Barr is in charge of getting | 0:14:26 | 0:14:30 | |
her back to the track she left over 100 years ago. | 0:14:30 | 0:14:32 | |
So much of this technology has not changed. | 0:14:32 | 0:14:36 | |
The essentials are still the same. | 0:14:36 | 0:14:39 | |
Some source of combustion, heats up some sort of source, | 0:14:39 | 0:14:44 | |
usually water, always water, and that makes the thing go forward. | 0:14:44 | 0:14:48 | |
They are very, very, very simple machines. | 0:14:48 | 0:14:51 | |
Exactly 150 years ago, | 0:14:54 | 0:14:55 | |
the Metropolitan Railway was ready for its grand opening. | 0:14:55 | 0:14:58 | |
They invited 79-year-old Prime Minister Lord Palmerston | 0:15:03 | 0:15:07 | |
but he declined, saying he hoped to remain above ground a little longer. | 0:15:07 | 0:15:11 | |
Undeterred, the company held a gala banquet at Farringdon station | 0:15:12 | 0:15:15 | |
for the investors and all the politicians they could muster. | 0:15:15 | 0:15:19 | |
Morning, Leon. How are you? That is a lovely tie. | 0:15:21 | 0:15:23 | |
Hi, Nick. | 0:15:23 | 0:15:25 | |
In 150 years, not much has changed. | 0:15:26 | 0:15:29 | |
Stephen, morning, an historic day. | 0:15:29 | 0:15:33 | |
Good morning. If it all goes wrong, you just sack me, sack me! | 0:15:33 | 0:15:39 | |
Except today, the investors and politicians are one and the same. | 0:15:39 | 0:15:42 | |
There's more Lords in one compartment than in the House of Lords. | 0:15:42 | 0:15:46 | |
Thank you. That's great. | 0:15:47 | 0:15:48 | |
On 9th January 1863, | 0:15:50 | 0:15:53 | |
the first ever Underground train pulled away from Paddington station. | 0:15:53 | 0:15:57 | |
It was so popular on its first day | 0:16:18 | 0:16:21 | |
that Farringdon had to close due to overcrowding. | 0:16:21 | 0:16:24 | |
Howard is leading from the front today. | 0:16:34 | 0:16:37 | |
Money can't buy this. This is the best position to be in. | 0:16:39 | 0:16:45 | |
I suppose it's one of the perks of being the boss of the Underground. | 0:16:45 | 0:16:49 | |
I'm sure these chaps won't mind if I blow the whistle. | 0:16:49 | 0:16:52 | |
WHISTLE TOOTS | 0:16:52 | 0:16:53 | |
How was that? | 0:16:55 | 0:16:56 | |
That was great! | 0:16:56 | 0:16:58 | |
Oh, look. | 0:17:13 | 0:17:14 | |
Look at the smoke! | 0:17:24 | 0:17:25 | |
Imagine it used to be like that all the time. | 0:17:29 | 0:17:32 | |
Imagine that back and forward every few minutes, 100 odd years ago. | 0:17:33 | 0:17:37 | |
In its first year, the railway was so in demand that services were | 0:18:05 | 0:18:09 | |
increased to a train every ten minutes. | 0:18:09 | 0:18:11 | |
But with more trains, passengers began to | 0:18:13 | 0:18:16 | |
complain about the sulphurous atmosphere underground. | 0:18:16 | 0:18:19 | |
The company reacted by running a vigorous PR campaign, | 0:18:22 | 0:18:25 | |
promoting the health benefits of steam and smoke. | 0:18:25 | 0:18:28 | |
Passengers piled on | 0:18:36 | 0:18:37 | |
and the Metropolitan paid a healthy dividend to the shareholders. | 0:18:37 | 0:18:41 | |
# Take that night train to Memphis Take that night train to Memphis | 0:18:41 | 0:18:46 | |
# When you arrive at the station... # | 0:18:46 | 0:18:49 | |
In the next few years, driven by steam and profit, | 0:18:49 | 0:18:53 | |
other companies joined in. | 0:18:53 | 0:18:54 | |
The District Railway opened in 1868 | 0:18:56 | 0:18:59 | |
and a reluctant joint-venture between rival companies | 0:18:59 | 0:19:02 | |
drew a circle around the centre of London by 1884. | 0:19:02 | 0:19:06 | |
So far, all the Underground lines were shallow, | 0:19:08 | 0:19:11 | |
running only metres below ground. | 0:19:11 | 0:19:13 | |
In 1890, all that would change | 0:19:17 | 0:19:19 | |
thanks to a revolutionary piece of equipment. | 0:19:19 | 0:19:22 | |
It's still here, abandoned in disused tunnels underneath Moorgate. | 0:19:27 | 0:19:31 | |
Paul Cowell is station supervisor. | 0:19:40 | 0:19:43 | |
The echoes of history. | 0:19:44 | 0:19:45 | |
HE LAUGHS | 0:19:45 | 0:19:46 | |
This big shield here, that's what they used to build it with. | 0:19:58 | 0:20:02 | |
I think it's called the Great Head Shield. | 0:20:02 | 0:20:04 | |
Look, it says it on there - Great Head Shield. | 0:20:04 | 0:20:07 | |
Great Head, Great Head Shield. They just left it all there. | 0:20:09 | 0:20:13 | |
The Great Head Shield was the tunnelling machine | 0:20:15 | 0:20:18 | |
pioneered by the Brunel family, | 0:20:18 | 0:20:20 | |
that made it possible to dig through the clay deep under London. | 0:20:20 | 0:20:23 | |
Labourers would crouch in the compartments | 0:20:26 | 0:20:28 | |
and dig out the clay with shovels. | 0:20:28 | 0:20:30 | |
I think what they did, they worked in front of it, digging it out, | 0:20:32 | 0:20:38 | |
then the holes that they dug, | 0:20:38 | 0:20:39 | |
this was pushed while they are digging it out, | 0:20:39 | 0:20:42 | |
and then all the spoil was taken out and then they just go through | 0:20:42 | 0:20:46 | |
the whole process again and start digging a little bit at a time. | 0:20:46 | 0:20:50 | |
The shield gradually pushed forward while the labourers dug | 0:20:51 | 0:20:55 | |
and protected the earth around it from collapse. | 0:20:55 | 0:20:57 | |
It's very, very similar to what they do today. | 0:20:59 | 0:21:01 | |
It's just that men aren't used to do it, it's a bloke sitting behind it, pushing a button and off it goes. | 0:21:01 | 0:21:07 | |
BANGING | 0:21:07 | 0:21:08 | |
Oh, that's the pumps. I should have warned you about the pumps! | 0:21:08 | 0:21:11 | |
In 1890, the City and South London Railway pioneered the machine, | 0:21:14 | 0:21:19 | |
digging the first railway tunnel under the River Thames, | 0:21:19 | 0:21:22 | |
from Stockwell to the City. | 0:21:22 | 0:21:23 | |
Your body must have ached like hell at the end of the day, | 0:21:29 | 0:21:32 | |
once you've done probably a 12-hour day of digging in wet soil. | 0:21:32 | 0:21:37 | |
Makes you realise how much we owe to these people, I think. | 0:21:39 | 0:21:43 | |
It does cross my mind, though. | 0:21:43 | 0:21:44 | |
Would they be proud of us, like we are proud of them? I wonder. | 0:21:44 | 0:21:48 | |
You would like to think they would, but who knows? | 0:21:49 | 0:21:53 | |
There are now dozens of disused stations and tunnels under London, | 0:21:55 | 0:21:59 | |
abandoned as demand has changed. | 0:21:59 | 0:22:01 | |
You've still got some old wartime posters. | 0:22:08 | 0:22:11 | |
There's not much left of them now, but there's still a few there. | 0:22:11 | 0:22:14 | |
The deep Tube line was a great success. | 0:22:40 | 0:22:42 | |
With little regulation, there was a frenzy of investment | 0:22:42 | 0:22:45 | |
with more companies opening new lines, | 0:22:45 | 0:22:48 | |
like the Waterloo & City Railway in 1898 | 0:22:48 | 0:22:51 | |
and the Central London Railway in 1900. | 0:22:51 | 0:22:54 | |
But one other innovation drove this extraordinary expansion. | 0:22:56 | 0:23:00 | |
Every new deep level line had trains running not on steam, | 0:23:13 | 0:23:16 | |
but on electricity... | 0:23:16 | 0:23:18 | |
..like the one driven by modern-day Piccadilly line driver, Dylan Glenister. | 0:23:21 | 0:23:26 | |
That must have been quite an experience - | 0:23:33 | 0:23:36 | |
rather than seeing Maxim arc lamps outside, | 0:23:36 | 0:23:40 | |
to see electric lamps and electric bulbs, | 0:23:40 | 0:23:43 | |
to get into a railway carriage and have electric lighting in it. | 0:23:43 | 0:23:48 | |
For the kids, it must have been a real treat. | 0:23:48 | 0:23:50 | |
MUSIC: "Malambo No 1" by Yma Sumac | 0:23:50 | 0:23:53 | |
Probably better than their front room, do you know what I mean? | 0:24:03 | 0:24:06 | |
They probably thought, "This is great, why can't our house be like this?" | 0:24:06 | 0:24:10 | |
I love all that. It's like everything was in its infancy. | 0:24:10 | 0:24:13 | |
Dylan's particular passion is the array of unique tiling patterns | 0:24:21 | 0:24:25 | |
found in the early Underground stations. | 0:24:25 | 0:24:27 | |
At home he has a collection of over 800 discarded tiles. | 0:24:27 | 0:24:32 | |
In the early days - 1905, 1906 - a lot of Londoners... | 0:24:32 | 0:24:36 | |
Not all of them, but most of them couldn't read or write. | 0:24:36 | 0:24:40 | |
They had quite a poor education. | 0:24:40 | 0:24:41 | |
The only way, apparently, that they could identify which station they were at | 0:24:41 | 0:24:46 | |
was by recognising the colours or the patterns on the platform. | 0:24:46 | 0:24:50 | |
If they were travelling to Covent Garden, they'd think, | 0:24:50 | 0:24:53 | |
"I need to get off at the station with the orange bands over the top." | 0:24:53 | 0:24:57 | |
Or, "I'm getting off at Gloucester Road, that is the one with the green and white patterns." | 0:24:57 | 0:25:01 | |
But it's a great little legacy, to still see that. | 0:25:03 | 0:25:06 | |
It makes perfect sense. What more simpler method could you use? | 0:25:06 | 0:25:11 | |
"What station are you from?" | 0:25:11 | 0:25:13 | |
"The one with the orange bits going over the top." It's great. | 0:25:13 | 0:25:16 | |
-You can imagine it? -Yeah. "Coming out for a beer, Alf?" | 0:25:16 | 0:25:19 | |
"Yeah, I'll meet you at that station with the green things over the roof." | 0:25:19 | 0:25:22 | |
"Yeah, all right." | 0:25:22 | 0:25:24 | |
Thrusting competition between the private companies | 0:25:32 | 0:25:35 | |
created a labyrinth of tunnels underneath London. | 0:25:35 | 0:25:38 | |
The problem for the passengers was that the companies didn't work together. | 0:25:40 | 0:25:44 | |
You had to buy a separate ticket for each line. | 0:25:44 | 0:25:47 | |
At some stations like Holborn, | 0:25:48 | 0:25:50 | |
you couldn't change lines without coming up to the surface. | 0:25:50 | 0:25:54 | |
'Of course, I remember what transport in London used to be like. | 0:25:54 | 0:25:58 | |
'No proper system, cut-throat competition between rivals, | 0:25:58 | 0:26:02 | |
'stealing each other's customers. | 0:26:02 | 0:26:04 | |
'That's how it was when I was a schoolboy. | 0:26:04 | 0:26:07 | |
'In 1933, somebody did something about it | 0:26:07 | 0:26:10 | |
'and formed London Transport as we know it now.' | 0:26:10 | 0:26:13 | |
In 1933, intense public demand to make the system simpler led Parliament to create a new body, | 0:26:16 | 0:26:23 | |
bringing all the different private companies together - London Transport. | 0:26:23 | 0:26:27 | |
It was a public corporation but commercially funded. | 0:26:29 | 0:26:33 | |
'The chairman, Lord Ashfield, with his deputy, Frank Pick, | 0:26:33 | 0:26:37 | |
'felt that now the whole system, all 2,000 square miles of it, | 0:26:37 | 0:26:40 | |
'was all of a piece, it ought to look all of a piece. | 0:26:40 | 0:26:44 | |
'All the parts should have the same sort of style.' | 0:26:44 | 0:26:46 | |
For the Underground, it was to be a new era of commercial ambition | 0:26:48 | 0:26:52 | |
led by visionary design. | 0:26:52 | 0:26:54 | |
TANNOY: The next station is St James's Park. | 0:27:06 | 0:27:09 | |
Under the new regime, | 0:27:09 | 0:27:11 | |
crucial jobs would be given to people like this man. | 0:27:11 | 0:27:15 | |
Mike Ashworth is the Tube's head of design and heritage. | 0:27:15 | 0:27:18 | |
He is responsible for the look and feel of the whole system. | 0:27:18 | 0:27:21 | |
For him, the past is part of the present. | 0:27:22 | 0:27:26 | |
I love this. My home station, I do love this. | 0:27:26 | 0:27:29 | |
This was originally one of the WHSmith newsagent stores. | 0:27:30 | 0:27:34 | |
This is where you bought your paper and your magazines and your cigarettes. | 0:27:34 | 0:27:38 | |
This is actually one of the last ones that survived. | 0:27:38 | 0:27:41 | |
Some of them, you can still see the lettering on the board. | 0:27:41 | 0:27:44 | |
Mike is on the job from the moment he sets off for work. | 0:27:45 | 0:27:49 | |
The silly things that annoy me - | 0:27:52 | 0:27:54 | |
this is one of the most useful things we've ever put on our stations, | 0:27:54 | 0:27:58 | |
and unfortunately, when we come to fit them, we managed to leave... | 0:27:58 | 0:28:02 | |
One of the things I hate most, is galvanised junction boxes. | 0:28:02 | 0:28:06 | |
I don't want to sound as if I'm the conscience of the Underground. | 0:28:07 | 0:28:11 | |
Put that on my gravestone, you know? | 0:28:11 | 0:28:13 | |
"This man cared so much for London Underground, | 0:28:13 | 0:28:16 | |
"he conked out in a fit one day over a piece of galvanised cable." | 0:28:16 | 0:28:20 | |
But we are a civic monument to London, we are an international brand | 0:28:20 | 0:28:25 | |
and I want our stations to be still looking good in 40, 50, 60 years' time. | 0:28:25 | 0:28:29 | |
The secrets of the Underground in the 1930s are revealed by Mike's office, | 0:28:31 | 0:28:36 | |
the Tube's Westminster headquarters at 55 Broadway. | 0:28:36 | 0:28:39 | |
'This is our address, the headquarters of London Transport. | 0:28:41 | 0:28:45 | |
'It is from here that a goodly proportion of our day is organised. | 0:28:45 | 0:28:49 | |
'Shunting us to and fro over the torturous expanse | 0:28:49 | 0:28:52 | |
'of brick and stone which is London - the largest city in the world.' | 0:28:52 | 0:28:56 | |
Built in 1929, at the time 55 Broadway was the tallest office block in London. | 0:28:58 | 0:29:04 | |
The corridor here on the seventh floor, | 0:29:05 | 0:29:08 | |
which is one of the plushest corridors, | 0:29:08 | 0:29:11 | |
this used to be the corridor of power. | 0:29:11 | 0:29:14 | |
Originally, these were senior officers' rooms. | 0:29:17 | 0:29:20 | |
In fact, tucked away behind the copier and mail room | 0:29:20 | 0:29:23 | |
there is still the executive officer's bathroom. | 0:29:23 | 0:29:26 | |
There is still actually a bath in this building. | 0:29:26 | 0:29:28 | |
It was one man's ambition that drove the construction of 55 Broadway - | 0:29:28 | 0:29:33 | |
managing director and later chief executive, Frank Pick. | 0:29:33 | 0:29:37 | |
Pick is, in many respects, an incredibly complex character. | 0:29:37 | 0:29:42 | |
There is still an awful lot we don't know and probably never will know about Frank Pick. | 0:29:42 | 0:29:47 | |
Pick was a shy man. | 0:29:47 | 0:29:48 | |
This rare footage is one of the only moments he was ever caught on camera. | 0:29:50 | 0:29:55 | |
He's on the right, leaning on his umbrella. | 0:29:55 | 0:29:57 | |
So, yes, always wrote in green ink. | 0:30:00 | 0:30:03 | |
Occasionally, I sometimes buy a green cartridge for my fountain pen | 0:30:04 | 0:30:08 | |
and sign documents thinking that I'm Frank Pick. | 0:30:08 | 0:30:13 | |
He was very, very tenacious. | 0:30:13 | 0:30:15 | |
He famously once was on a journey on the Metropolitan line | 0:30:15 | 0:30:18 | |
and saw some men leaning against shovels on the trackside. | 0:30:18 | 0:30:21 | |
When he got off the train, the story goes that he actually wrote | 0:30:21 | 0:30:24 | |
a memo to the line manager to ask why they were leaning on the shovels. | 0:30:24 | 0:30:28 | |
Pick had been rising through the ranks since he started as an assistant in 1906. | 0:30:29 | 0:30:34 | |
He had pioneered early design, including a font | 0:30:36 | 0:30:39 | |
specially commissioned from calligrapher, Edward Johnston. | 0:30:39 | 0:30:42 | |
With the characteristic diamond over the I | 0:30:43 | 0:30:46 | |
and a perfect circle as the O, it's been in use ever since. | 0:30:46 | 0:30:49 | |
Suddenly in charge of the largest transport group in the world, | 0:30:51 | 0:30:55 | |
Pick went all-out on design. | 0:30:55 | 0:30:57 | |
'More ephemeral than most art forms, the poster can afford to be | 0:31:00 | 0:31:04 | |
'up-to-the-minute, stylish, sometimes even flippant. | 0:31:04 | 0:31:07 | |
'In a series of posters illustrating the diverse opportunities | 0:31:08 | 0:31:12 | |
'that the capital and its countryside offer the people | 0:31:12 | 0:31:15 | |
'seeking rewarding use of their leisure, modern artists have made | 0:31:15 | 0:31:18 | |
'the Underground stations a constantly changing picture gallery.' | 0:31:18 | 0:31:22 | |
This is the man who really introduced the whole idea of typeface and brand. | 0:31:22 | 0:31:28 | |
This man really is more responsible than many people for modern London. | 0:31:28 | 0:31:32 | |
Innovative posters like this one drew new passengers into the Underground. | 0:31:32 | 0:31:37 | |
You think you're lost in London and you see the Underground symbol, | 0:31:39 | 0:31:42 | |
you know that you're safe, so to speak. | 0:31:42 | 0:31:45 | |
From there, you know you can get to where you really need to get to. | 0:31:45 | 0:31:48 | |
This wasn't just some pleasant pastime, | 0:31:48 | 0:31:50 | |
this wasn't just somebody with a bit of artistic know-how | 0:31:50 | 0:31:54 | |
indulging himself and going, "I think we should have some lovely posters." | 0:31:54 | 0:31:58 | |
This is, at the end of the day, absolutely considered. | 0:31:58 | 0:32:01 | |
This was about making money for the shareholders of the company, | 0:32:01 | 0:32:05 | |
it was about making the company more effective, | 0:32:05 | 0:32:07 | |
and it was about making the brand recognisable. | 0:32:07 | 0:32:10 | |
They certainly got it right, | 0:32:10 | 0:32:11 | |
for the simple reason that we haven't changed that symbol since 1920. | 0:32:11 | 0:32:16 | |
We've occasionally played with it, | 0:32:16 | 0:32:18 | |
but that symbol still means the Underground. | 0:32:18 | 0:32:21 | |
The circle and crossbar design has been the logo for the Underground since 1908. | 0:32:28 | 0:32:33 | |
'By its easily recognised visual characteristics, | 0:32:33 | 0:32:36 | |
'London Transport signposts the traveller | 0:32:36 | 0:32:38 | |
'and speeds him through this giant sprawl - | 0:32:38 | 0:32:41 | |
'the circle and crossbar on every bus stop and station.' | 0:32:41 | 0:32:44 | |
London transport is taking credit for it here. | 0:32:44 | 0:32:47 | |
In reality, nobody knows its origin, | 0:32:48 | 0:32:50 | |
although there are rumours it was stolen from the Paris Metro. | 0:32:50 | 0:32:53 | |
It was all part of a plan to aggressively increase the number of passengers. | 0:32:57 | 0:33:02 | |
Deep level tunnelling was expensive and had to be paid for. | 0:33:02 | 0:33:05 | |
In 1935, Pick had a big idea to boost income. | 0:33:06 | 0:33:10 | |
He would build cheap overground extensions to the deep level lines, | 0:33:23 | 0:33:27 | |
drawing people in from further and further away. | 0:33:27 | 0:33:30 | |
In the north London suburb of Highgate, | 0:33:37 | 0:33:40 | |
there's a disused 1930s station once intended to form part of Pick's plan. | 0:33:40 | 0:33:44 | |
Dylan is here, on the lookout for an historic item to add to his collection. | 0:33:49 | 0:33:54 | |
Found an old milk bottle. | 0:33:56 | 0:33:58 | |
"This bottle costs 4d, please rinse and return. Contents, one pint." | 0:33:58 | 0:34:04 | |
Isn't that amazing? 4d. It's got to be pre-1971. | 0:34:04 | 0:34:07 | |
What a lovely little thing to find. | 0:34:10 | 0:34:12 | |
I wonder if it was the last pint of milk they drunk in the old stationmaster's office. | 0:34:12 | 0:34:17 | |
"There you go, Bert, that's the last cup of tea, mate, and this station will be finished." | 0:34:20 | 0:34:24 | |
Yeah. Incredible. | 0:34:26 | 0:34:28 | |
Everything tells a story. | 0:34:28 | 0:34:30 | |
Built in 1939, this station was to be the beginning of a new branch | 0:34:31 | 0:34:35 | |
of the Northern line, extending into the countryside outside London. | 0:34:35 | 0:34:39 | |
The Second World War interrupted construction | 0:34:41 | 0:34:44 | |
and the platforms here never saw a Tube train. | 0:34:44 | 0:34:47 | |
It would have been interesting, just to see | 0:34:54 | 0:34:56 | |
if they did put posters up, what they would have had there. | 0:34:56 | 0:34:59 | |
What do you think? | 0:34:59 | 0:35:00 | |
Actually, I suppose, being a fairly new station, | 0:35:00 | 0:35:03 | |
it might have had stuff like, you know, | 0:35:03 | 0:35:05 | |
"Buy a new house in Highgate and escape to the country air. | 0:35:05 | 0:35:08 | |
"New houses from £600. £40 deposit and pay by instalments" | 0:35:08 | 0:35:12 | |
or something mad like that. | 0:35:12 | 0:35:14 | |
I know a lot of the garden suburbs came about | 0:35:16 | 0:35:19 | |
as the Underground extending out into the countryside. | 0:35:19 | 0:35:22 | |
With the construction of stations | 0:35:22 | 0:35:24 | |
like Morden, Edgware and Bounds Green, a major change was occurring. | 0:35:24 | 0:35:30 | |
And the Underground system, over which it presided, | 0:35:30 | 0:35:33 | |
had grown since 1914 to look like this. | 0:35:33 | 0:35:35 | |
Instead of meeting demand for transport, | 0:35:35 | 0:35:38 | |
the Tube was now creating it. | 0:35:38 | 0:35:40 | |
Actively selling the suburban dream to an aspiring middle class. | 0:35:40 | 0:35:44 | |
New stations to the east, new stations to the west. | 0:35:44 | 0:35:47 | |
I wouldn't be surprised if estate agents at the time thought, | 0:35:49 | 0:35:52 | |
"Oh, we've got a bit of advertising space there. | 0:35:52 | 0:35:54 | |
"Let's advertise the fact we can sell-off this lovely selection | 0:35:54 | 0:35:58 | |
"of houses, starting from £400, you know, or a detached house for £600." | 0:35:58 | 0:36:02 | |
You know, all these new families coming out and thinking, | 0:36:02 | 0:36:06 | |
"Oh, this is great. We're out of London now. We've got our own house. | 0:36:06 | 0:36:10 | |
"We can afford to buy a car," and all that sort of stuff. | 0:36:10 | 0:36:13 | |
It must have been amazing. | 0:36:13 | 0:36:14 | |
I know, I can just imagine, | 0:36:21 | 0:36:23 | |
I'd like to think there was a poster from, I don't know, | 0:36:23 | 0:36:25 | |
Willard & Co estate agents. You know, just little houses. | 0:36:25 | 0:36:29 | |
Escape to the countryside. You know, that dream. | 0:36:29 | 0:36:34 | |
Yeah, we'll have some of that, you know. No mobile phones then. | 0:36:34 | 0:36:38 | |
It would have been writing the number on the back of a ticket stub. | 0:36:38 | 0:36:41 | |
Highgate 65992, or something. Lovely! Off you go. | 0:36:41 | 0:36:45 | |
Nearly 10 million people, all wanting to go somewhere. | 0:36:51 | 0:36:54 | |
Travelling to work, travelling for pleasure. | 0:36:54 | 0:36:57 | |
Moving in and out and through London. | 0:36:57 | 0:36:59 | |
10 million Londoners alone | 0:36:59 | 0:37:01 | |
and visitors on top of that, all needing transport. | 0:37:01 | 0:37:05 | |
The Tube was creating new suburbs - extending the borders of London. | 0:37:05 | 0:37:09 | |
Transport lives by people. | 0:37:20 | 0:37:22 | |
By those who travel on it, by those who run it. | 0:37:22 | 0:37:26 | |
Innumerable passengers, thousands of vehicles... | 0:37:26 | 0:37:29 | |
But the new suburban stations created their own problems | 0:37:31 | 0:37:34 | |
for the Tube. | 0:37:34 | 0:37:36 | |
The system had grown up as a tangle of different lines. | 0:37:36 | 0:37:39 | |
This is how the Underground map looked in 1932. | 0:37:41 | 0:37:45 | |
That was the year one man would change the way | 0:37:49 | 0:37:51 | |
we understand the Tube. | 0:37:51 | 0:37:53 | |
Harry Beck, the designer of its now famous map. | 0:37:53 | 0:37:57 | |
Ken Garland is a graphic designer and was Beck's friend. | 0:37:57 | 0:38:01 | |
Beck left Ken his original drawings of the map. | 0:38:03 | 0:38:07 | |
This is the first edition. | 0:38:07 | 0:38:12 | |
It's the first poster version | 0:38:12 | 0:38:16 | |
of Beck's diagram. | 0:38:16 | 0:38:19 | |
It is, to me, amazingly elegant. | 0:38:19 | 0:38:23 | |
It's a strange thing to say about a diagram | 0:38:25 | 0:38:28 | |
and very few diagrams could be called elegant | 0:38:28 | 0:38:31 | |
but I think this can. | 0:38:31 | 0:38:33 | |
It has, in its colours and its lettering, | 0:38:33 | 0:38:35 | |
and its configuration, a sort of rightness about it. | 0:38:35 | 0:38:42 | |
And I love it so much. | 0:38:42 | 0:38:44 | |
Harry Beck was a lowly electrical draughtsman, | 0:38:44 | 0:38:47 | |
who'd occasionally worked as a freelancer for the Tube in the 1920s. | 0:38:47 | 0:38:51 | |
In 1932, he was unemployed. | 0:38:51 | 0:38:54 | |
Then he had a brainwave. A new way of viewing the Underground. | 0:38:54 | 0:38:59 | |
Based on his experience of drawing electric circuits. | 0:38:59 | 0:39:03 | |
He would emphasise connections and simplify everything else. | 0:39:03 | 0:39:07 | |
He stretched and shrank distances. | 0:39:08 | 0:39:11 | |
Kept to horizontal, vertical and diagonal lines | 0:39:12 | 0:39:15 | |
and rounded every angle to 45 or 90 degrees. | 0:39:15 | 0:39:19 | |
Unsolicited, he sent the sketch to the Underground headquarters. | 0:39:20 | 0:39:24 | |
Hard to believe that the Publicity Department of the Underground, | 0:39:26 | 0:39:33 | |
or whatever it was called then, just couldn't understand | 0:39:33 | 0:39:36 | |
how this could mean anything to the general public. | 0:39:36 | 0:39:39 | |
And they just rejected it. | 0:39:40 | 0:39:42 | |
He went back with it and they said, "Oh, all right, we'll give it a go." | 0:39:42 | 0:39:47 | |
And this is the go they gave it. | 0:39:47 | 0:39:49 | |
It says on the back, "a new design for an old map. | 0:39:49 | 0:39:55 | |
"We should welcome your comments. | 0:39:55 | 0:39:57 | |
"Please write to the publicity manager." | 0:39:57 | 0:39:59 | |
It looks to me from this as thought they weren't at all sure. | 0:39:59 | 0:40:03 | |
They printed a trial quantity. | 0:40:03 | 0:40:06 | |
They put it in three or four of the most prominent Tube stations - | 0:40:06 | 0:40:09 | |
Piccadilly Circus, Tottenham Court Road. | 0:40:09 | 0:40:14 | |
And, later, the following day, | 0:40:14 | 0:40:17 | |
they went to say, "How's it going?" | 0:40:17 | 0:40:19 | |
They said, "Going? They went within an hour! The public love it!" | 0:40:19 | 0:40:23 | |
Harry Beck's life project had begun. | 0:40:26 | 0:40:29 | |
Although still a freelancer, Beck would be custodian of the map - | 0:40:29 | 0:40:33 | |
drafting by hand a new version for every alteration. | 0:40:33 | 0:40:37 | |
But, in the 1950s, disagreements emerged between Beck | 0:40:40 | 0:40:43 | |
and his employers over geography. | 0:40:43 | 0:40:47 | |
Look at this! | 0:40:47 | 0:40:48 | |
Here's a diagonal going out this way and a horizontal going that way. | 0:40:48 | 0:40:52 | |
Both of them lead to Wimbledon. | 0:40:52 | 0:40:55 | |
This is a little bit whimsical, perhaps. | 0:40:55 | 0:41:01 | |
Just a little bit. In this was the seed of future disagreements. | 0:41:01 | 0:41:05 | |
In 1960, Beck went to his local Tube station and was met by a new map, | 0:41:10 | 0:41:15 | |
with someone else's signature at the bottom. | 0:41:15 | 0:41:17 | |
Beck could not believe it. He was deeply, deeply shocked. | 0:41:19 | 0:41:24 | |
He had thought the diagram was his, to be modified at his hand | 0:41:24 | 0:41:30 | |
at the suggestions of his clients. | 0:41:30 | 0:41:33 | |
For the last 14 years of his life, Beck carried on creating maps | 0:41:33 | 0:41:37 | |
at home and sending them in as the Underground evolved. | 0:41:37 | 0:41:41 | |
They were all politely - but firmly - rejected. | 0:41:41 | 0:41:45 | |
He and his wife had no children | 0:41:45 | 0:41:48 | |
and I formulated a notion that this was, in a way, his baby. | 0:41:48 | 0:41:53 | |
Could you bring across the next one? | 0:41:53 | 0:41:56 | |
It was that close to him? | 0:41:56 | 0:41:58 | |
It was very, very close. | 0:41:58 | 0:42:01 | |
-Why do you think they let Beck go? -God knows! | 0:42:01 | 0:42:05 | |
I think, maybe they'd had enough of this guy. | 0:42:05 | 0:42:08 | |
This guy's been doing this bloody diagram ever since 1933. | 0:42:08 | 0:42:12 | |
It's time we had a go. | 0:42:12 | 0:42:14 | |
I think they probably, in view of what's happened on this diagram, | 0:42:14 | 0:42:18 | |
were upset about the separation of the Wimbledons. | 0:42:18 | 0:42:22 | |
Beck was posthumously recognised in 1997 | 0:42:24 | 0:42:28 | |
and his name now appears on every map. | 0:42:28 | 0:42:31 | |
It's a bugger to get in. These are so badly designed. | 0:42:35 | 0:42:39 | |
I've told them about this, you know. | 0:42:39 | 0:42:41 | |
The map gets an update every time the system changes - | 0:42:45 | 0:42:48 | |
roughly every six months. | 0:42:48 | 0:42:51 | |
The biggest change in this one | 0:42:51 | 0:42:54 | |
is the new Outer Circle line. | 0:42:54 | 0:42:58 | |
You can now do an outer circle without coming into the city centre. | 0:42:58 | 0:43:02 | |
Beck's design has influenced the look of Metro maps | 0:43:02 | 0:43:06 | |
all over the world. | 0:43:06 | 0:43:09 | |
It takes you north, south, east, west. | 0:43:10 | 0:43:13 | |
On top or inside, above ground or below. | 0:43:13 | 0:43:15 | |
It carries you along with 11,999,999 other people every day. | 0:43:15 | 0:43:22 | |
After the war, the Tube was nationalised. | 0:43:22 | 0:43:25 | |
But it received no subsidy. | 0:43:25 | 0:43:26 | |
Bakerloo line, madam. Platform five, that way. | 0:43:26 | 0:43:29 | |
In the age of the car, passenger numbers started dropping. | 0:43:33 | 0:43:36 | |
In the booming economy, | 0:43:37 | 0:43:39 | |
the cash-strapped Tube struggled to find people to work for it. | 0:43:39 | 0:43:43 | |
'Ours is a crowded island but, for many years now, | 0:43:44 | 0:43:47 | |
'there's been full employment. | 0:43:47 | 0:43:50 | |
'You gradually become more prosperous.' | 0:43:50 | 0:43:54 | |
In 1956, they found a creative solution. | 0:43:54 | 0:43:57 | |
Not only did they advertise for staff across the UK, | 0:43:57 | 0:44:01 | |
they set up recruitment offices in Barbados and Jamaica. | 0:44:01 | 0:44:06 | |
They even offered to put up many of the new arrivals in hostels. | 0:44:06 | 0:44:10 | |
'Now, take getting a train away. | 0:44:13 | 0:44:15 | |
'New staff had to learn how to do that | 0:44:15 | 0:44:17 | |
'because there's only one right way. | 0:44:17 | 0:44:19 | |
'But that's not all there is to working on a platform. | 0:44:19 | 0:44:23 | |
'Rules, regulations, timetables. | 0:44:23 | 0:44:26 | |
'They had to combine common sense and knowledge with a bit of psychology. | 0:44:26 | 0:44:30 | |
'And we had to teach them.' | 0:44:30 | 0:44:32 | |
Let the passengers off the car first, please. | 0:44:32 | 0:44:35 | |
Mind the closing doors. Thank you. Mind the doors, please. Stand away. | 0:44:35 | 0:44:39 | |
Rasta man, take them beautiful people away. | 0:44:43 | 0:44:45 | |
Stand clear. Mind the doors. | 0:44:45 | 0:44:48 | |
# We've got to move it, move it. We've got to move it. # | 0:44:48 | 0:44:52 | |
I'm on my way to do that now, over. | 0:44:57 | 0:44:59 | |
Sorry, ladies and gentlemen. | 0:45:01 | 0:45:04 | |
Customer service assistant Steve Parkinson, known as Parky, | 0:45:05 | 0:45:09 | |
-has been working for the Tube for 35 years. -Very, very soon. | 0:45:09 | 0:45:13 | |
He's dealing with a rush-hour crush | 0:45:13 | 0:45:16 | |
of over 21,000 passengers at Moorgate. | 0:45:16 | 0:45:19 | |
What happens - if your platform is overcrowded | 0:45:19 | 0:45:22 | |
and there's too many people going down there - it becomes dangerous. | 0:45:22 | 0:45:27 | |
-We pay you, my friend. -Yes, sir. | 0:45:27 | 0:45:30 | |
Our wages and these people and the Government. | 0:45:30 | 0:45:33 | |
That's why I'm protecting you, sir. You're not going on there. | 0:45:33 | 0:45:36 | |
-Too many people on it. Somebody will get killed. -Yeah, yeah. | 0:45:36 | 0:45:39 | |
Oh, thanks very much. | 0:45:39 | 0:45:41 | |
A couple of minutes, ladies and gentlemen. A couple of minutes. | 0:45:41 | 0:45:44 | |
Parky grew up in Jamaica. | 0:45:44 | 0:45:46 | |
I come from a village, somewhere you have never heard of. | 0:45:46 | 0:45:50 | |
And, if my wife sees this, she would laugh because she says, | 0:45:50 | 0:45:56 | |
"You come from a place where nobody knows about. | 0:45:56 | 0:46:00 | |
"They cannot pronounce it." | 0:46:00 | 0:46:04 | |
When Parky was 13, recruitment officers came to his village, | 0:46:04 | 0:46:07 | |
looking for staff to work for the Tube. | 0:46:07 | 0:46:11 | |
When somebody come around to make speeches | 0:46:11 | 0:46:13 | |
on top of a pick-up truck with a loud-hailer, it's excitement. | 0:46:13 | 0:46:19 | |
You know. Everybody gathering in the village. | 0:46:19 | 0:46:22 | |
"Your mother country needs you, come to England." | 0:46:22 | 0:46:26 | |
In those days, the average wage was 30 shillings a fortnight. | 0:46:26 | 0:46:32 | |
£1.50 - today's money. | 0:46:32 | 0:46:35 | |
And he tells us, you're going to get £8, £9, or £10 a week. | 0:46:38 | 0:46:43 | |
You're going to go to England. That's what people did. | 0:46:43 | 0:46:47 | |
Aged 17, Parky was sent to London by his parents. | 0:46:50 | 0:46:53 | |
This man was a friendly face among you. Mixing freely with the crowd. | 0:46:55 | 0:47:00 | |
But like many others, he found the reality of living in London | 0:47:00 | 0:47:03 | |
was worlds away from his expectations. | 0:47:03 | 0:47:06 | |
I've heard that you've got rooms going. | 0:47:06 | 0:47:08 | |
-I have got a room but I'm afraid I can't let you in. -I beg your pardon. | 0:47:08 | 0:47:11 | |
I've can't let you in. | 0:47:11 | 0:47:13 | |
Well, when I first started working for London Underground, | 0:47:14 | 0:47:17 | |
you couldn't get a job as a supervisor or manager | 0:47:17 | 0:47:21 | |
or anything of that sort. | 0:47:21 | 0:47:24 | |
You were just given the low grade - the menial grade. | 0:47:24 | 0:47:28 | |
And that's how it is - that's how it was. | 0:47:28 | 0:47:30 | |
It wouldn't make me angry. Just make me more determined. | 0:47:31 | 0:47:35 | |
That's why I'm still here. | 0:47:35 | 0:47:37 | |
The United Kingdom has benefited from it. | 0:47:39 | 0:47:42 | |
In many ways. Have a look around. | 0:47:44 | 0:47:47 | |
There we go, ladies and gentlemen. | 0:47:49 | 0:47:52 | |
# A distant echo... # | 0:47:54 | 0:47:56 | |
Nowadays, around a third of Londoners | 0:47:56 | 0:47:59 | |
and around a third of TfL staff are non-white. | 0:47:59 | 0:48:02 | |
# To take them home to | 0:48:02 | 0:48:04 | |
# The ones that they love... # | 0:48:04 | 0:48:06 | |
The lip's hanging off, mate. | 0:48:06 | 0:48:08 | |
It's all hanging off. I'm pissed. | 0:48:08 | 0:48:10 | |
You go and enjoy yourself. | 0:48:10 | 0:48:12 | |
Look at that! Yeah, man. Thank you, darling. Have a nice New Year. | 0:48:12 | 0:48:17 | |
Keep it real. | 0:48:17 | 0:48:19 | |
# Cold and uninviting... # | 0:48:19 | 0:48:23 | |
Starved of funds in the '70s and '80s, | 0:48:23 | 0:48:25 | |
the Tube's passenger numbers were falling. | 0:48:25 | 0:48:28 | |
By 1982, they'd dropped by 30% from their post-war peak. | 0:48:28 | 0:48:33 | |
The Tube became a beacon of dishevelled chic | 0:48:34 | 0:48:37 | |
for bands like The Jam. | 0:48:37 | 0:48:39 | |
# I said I was down in the Tube station at midnight... # | 0:48:40 | 0:48:45 | |
And a source of inspiration for photographers like Wozzy Dias. | 0:48:47 | 0:48:51 | |
# Down in the Tube station at midnight. Oh, oh, oh | 0:48:51 | 0:48:56 | |
# Don't want to go down in the Tube station at midnight... # | 0:48:56 | 0:49:01 | |
But it was still pulling in people from far and wide to work for it. | 0:49:01 | 0:49:06 | |
This was a briefcase that I bought | 0:49:07 | 0:49:12 | |
when I was the health and safety rep at King's Cross | 0:49:12 | 0:49:16 | |
many...20 years ago. | 0:49:16 | 0:49:19 | |
Aha, it works! Aha! | 0:49:19 | 0:49:22 | |
Iain grew up in the Scottish Highlands in the 1970s. | 0:49:22 | 0:49:27 | |
I didn't want to join the Underground or anything | 0:49:27 | 0:49:30 | |
but unemployment in Scotland was... | 0:49:30 | 0:49:33 | |
This made my father so proud. | 0:49:33 | 0:49:37 | |
The Evening Standard. 11th December, 1990. | 0:49:37 | 0:49:42 | |
It was just about five months before he died. | 0:49:42 | 0:49:47 | |
"This is the face behind the mystery voice, | 0:49:47 | 0:49:50 | |
"which is currently doing the impossible on London's Underground - | 0:49:50 | 0:49:54 | |
"making commuters laugh. | 0:49:54 | 0:49:56 | |
"Even the most hard-faced travellers crack when they hear | 0:49:56 | 0:49:59 | |
"the dulcet Scottish tones of King Cross platform announcer | 0:49:59 | 0:50:03 | |
"Iain Macpherson, whose wit and wisdom | 0:50:03 | 0:50:06 | |
"is causing something of a stir." | 0:50:06 | 0:50:09 | |
If there was a signal failure or anything had happened, | 0:50:09 | 0:50:12 | |
it was like, what do you do? | 0:50:12 | 0:50:14 | |
I felt really uncomfortable. | 0:50:14 | 0:50:16 | |
I was standing there in full uniform, | 0:50:16 | 0:50:19 | |
everyone was staring at me and expecting an answer. | 0:50:19 | 0:50:21 | |
I have no answer. | 0:50:21 | 0:50:24 | |
I told them what I was told. | 0:50:24 | 0:50:26 | |
I said, "You'll never guess what's happened - again! I know. | 0:50:26 | 0:50:30 | |
"The points have failed at Baker Street. Can you believe it?" | 0:50:30 | 0:50:33 | |
That bulb has blown at Great Portland Street again - | 0:50:33 | 0:50:36 | |
the one that blew last Wednesday. | 0:50:36 | 0:50:38 | |
People can see through bullshit. | 0:50:38 | 0:50:42 | |
And they can. And if you make it all up, it just doesn't work. | 0:50:42 | 0:50:47 | |
If I didn't know, I would say, | 0:50:47 | 0:50:49 | |
"Passenger, I don't know what's going on." | 0:50:49 | 0:50:52 | |
They told me they liked the honesty | 0:50:52 | 0:50:54 | |
because they felt I was being honest. | 0:50:54 | 0:50:56 | |
On 18th November, 1987, | 0:51:07 | 0:51:10 | |
the years of neglect brought King's Cross station to a tragic low. | 0:51:10 | 0:51:13 | |
At 7:25pm, an unknown smoker stubbed a cigarette out | 0:51:23 | 0:51:26 | |
on the wooden Piccadilly line escalator, starting a fire. | 0:51:26 | 0:51:29 | |
In the minutes after the fire began, staff members failed to operate | 0:51:35 | 0:51:38 | |
the water sprinkler systems that would have doused it. | 0:51:38 | 0:51:41 | |
There's smoke billowing out of the exits. | 0:51:41 | 0:51:43 | |
Firemen running all over the place - | 0:51:43 | 0:51:46 | |
trying to get in to help trapped people. | 0:51:46 | 0:51:48 | |
Customers were still coming into the station, | 0:51:50 | 0:51:53 | |
ten minutes after the fire began. | 0:51:53 | 0:51:55 | |
When I was halfway up that escalator, | 0:51:55 | 0:51:57 | |
almost immediately the fire broke through into the roof | 0:51:57 | 0:52:00 | |
and debris started falling and rolling down the escalator. | 0:52:00 | 0:52:03 | |
At 7:45pm, fanned by gusts of air from trains below, | 0:52:06 | 0:52:10 | |
the fire flashed over - gushing upstairs | 0:52:10 | 0:52:13 | |
and filling the ticket hall with heat and smoke. | 0:52:13 | 0:52:15 | |
Here, the oven-like temperatures had incinerated the ticket kiosks | 0:52:15 | 0:52:19 | |
and melted paint and plastic from the ticket machines. | 0:52:19 | 0:52:22 | |
I mean, the money in the ticket machines | 0:52:24 | 0:52:27 | |
had actually melted into one block of solid metal. | 0:52:27 | 0:52:34 | |
That's how hot it was. | 0:52:34 | 0:52:35 | |
When the fireball went up the Piccadilly line | 0:52:35 | 0:52:38 | |
and through the ticket hall. | 0:52:38 | 0:52:40 | |
Threw two firemen about 100-odd yards down the corridor | 0:52:40 | 0:52:46 | |
and slammed them against the far wall. | 0:52:46 | 0:52:49 | |
31 people died in the fire. | 0:52:51 | 0:52:54 | |
The fact of the matter is that it looks as though | 0:53:03 | 0:53:07 | |
the interests of safety are being sacrificed | 0:53:07 | 0:53:11 | |
from the point of view of trying to save money. | 0:53:11 | 0:53:14 | |
The escalator mechanism, where the fire began, | 0:53:14 | 0:53:17 | |
was discovered to be greasy. | 0:53:17 | 0:53:19 | |
The grooves filled with flammable particles | 0:53:19 | 0:53:21 | |
from years without a deep clean. | 0:53:21 | 0:53:24 | |
For all the Underground's faults, | 0:53:24 | 0:53:26 | |
it had been neglected for so many years by all political shades. | 0:53:26 | 0:53:31 | |
And it woke up, I think, governments - left and right. | 0:53:31 | 0:53:36 | |
It certainly woke up London Underground. | 0:53:36 | 0:53:38 | |
After the fire, public money began being spent on upgrading the system. | 0:53:42 | 0:53:47 | |
It now receives nearly half its income in the form of subsidy | 0:53:58 | 0:54:01 | |
from the Government. | 0:54:01 | 0:54:04 | |
You'd better work, lift. | 0:54:04 | 0:54:06 | |
-Stand clear of the doors. -Don't you say that to me. | 0:54:06 | 0:54:11 | |
Thank you. | 0:54:11 | 0:54:13 | |
The Tube is now undergoing a £10 billion upgrade. | 0:54:13 | 0:54:17 | |
The oldest station on the network, Farringdon, | 0:54:17 | 0:54:19 | |
is on the way to becoming the newest. | 0:54:19 | 0:54:23 | |
Just make sure these are OK. | 0:54:23 | 0:54:26 | |
All clear. | 0:54:26 | 0:54:29 | |
Today, the renovation work | 0:54:29 | 0:54:30 | |
is receiving a special anniversary inspection. | 0:54:30 | 0:54:33 | |
We're just waiting for Prince Charles and Camilla to arrive. | 0:54:37 | 0:54:40 | |
Hopefully they'll see our sign. | 0:54:42 | 0:54:43 | |
A bit nerve-wracking. | 0:54:43 | 0:54:46 | |
150 years I've worked at Farrington and I've never met a Royal. | 0:54:46 | 0:54:51 | |
By 2018, Farringdon will see up to 150 trains an hour, | 0:54:51 | 0:54:55 | |
making it one of the busiest stations in the country. | 0:54:55 | 0:54:59 | |
Morning! How are we doing? All right? | 0:55:02 | 0:55:05 | |
Howard Collins is praying for sunshine. | 0:55:05 | 0:55:08 | |
I hope the rain holds off. | 0:55:08 | 0:55:11 | |
Oh, God, the rain's coming on! | 0:55:11 | 0:55:13 | |
After seeing the construction work, Charles and Camilla | 0:55:15 | 0:55:17 | |
will take trip on the Tube from Farringdon | 0:55:17 | 0:55:20 | |
to a revamped King's Cross. | 0:55:20 | 0:55:22 | |
It's quite a big deal. | 0:55:25 | 0:55:27 | |
We've never had so many VIPs at Farringdon before. | 0:55:27 | 0:55:31 | |
It deserves it though, this station. All these years. | 0:55:33 | 0:55:36 | |
All the flashes and the rain comes on. Welcome to Farringdon! | 0:55:45 | 0:55:50 | |
Just to spoil it. | 0:55:50 | 0:55:53 | |
Spoil our one moment of fame. | 0:55:53 | 0:55:56 | |
Ladies and gentlemen... | 0:56:09 | 0:56:12 | |
He's really pleasant. He's very quick but pleasant. | 0:56:12 | 0:56:18 | |
He said, "How do you put up with all of this madness?" | 0:56:18 | 0:56:22 | |
I struggle through. I struggle through. | 0:56:22 | 0:56:26 | |
Struggle through. What else can you do? | 0:56:26 | 0:56:29 | |
Since the Tube began, London's population has grown | 0:56:46 | 0:56:49 | |
from 2.5 million to 8 million. | 0:56:49 | 0:56:52 | |
It's set to grow again - another million by 2030. | 0:56:52 | 0:56:58 | |
If we're going to continue expanding at the rate we've been doing, | 0:56:58 | 0:57:01 | |
the Underground has got to expand and got to continue expanding. | 0:57:01 | 0:57:06 | |
I suppose, one of the ways you could do it is just have a continuous train | 0:57:09 | 0:57:12 | |
from one end of the line to the other - similar to an escalator - | 0:57:12 | 0:57:15 | |
that just goes round in a loop and the end of the train goes under | 0:57:15 | 0:57:18 | |
a big tunnel underneath and comes back on itself | 0:57:18 | 0:57:20 | |
and pops up at the other end. | 0:57:20 | 0:57:22 | |
Or maybe just take the trains away and have a conveyor belt | 0:57:22 | 0:57:24 | |
and you just step on it. | 0:57:24 | 0:57:27 | |
The Underground can keep up if the people are behind the Underground. | 0:57:30 | 0:57:34 | |
If London's behind the Underground. | 0:57:34 | 0:57:37 | |
Or, an even better idea, just take all the tracks up | 0:57:39 | 0:57:41 | |
and have like a laminated flooring all along where the track used to be. | 0:57:41 | 0:57:46 | |
When people come into the station, instead of buying a ticket, | 0:57:46 | 0:57:49 | |
just pay £1 and get a pair of roller skates. | 0:57:49 | 0:57:52 | |
Londoners will essentially still be Londoners in 150 years' time. | 0:58:01 | 0:58:05 | |
And I'd like to think they'd still be using the Tube. | 0:58:05 | 0:58:08 | |
So, yeah, especially like this, when they celebrate Underground 300, | 0:58:08 | 0:58:13 | |
it will still be the world's oldest Metro system - | 0:58:13 | 0:58:17 | |
it will just be 150 years older than it is now. So, yeah. | 0:58:17 | 0:58:20 | |
Subtitles by Red Bee Media Ltd | 0:58:23 | 0:58:26 |