
Browse content similar to Kolkata with Sue Perkins. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
HORNS BLARE | 0:00:03 | 0:00:04 | |
You're driving into people! There must be some law! | 0:00:06 | 0:00:10 | |
There's actual human people! | 0:00:10 | 0:00:12 | |
You're a very brave man. | 0:00:14 | 0:00:15 | |
I've never been to India before and I thought, | 0:00:18 | 0:00:20 | |
rather than dip my toe in the water and slowly acclimatise, | 0:00:20 | 0:00:24 | |
I thought I'd just dive in and this is Kolkata. | 0:00:24 | 0:00:28 | |
All I know about it is there's a Black Hole and Mother Teresa, | 0:00:28 | 0:00:31 | |
neither of whom are here. | 0:00:31 | 0:00:32 | |
Neither are any of the traditional Indian stereotypes | 0:00:32 | 0:00:36 | |
of chicken tikka masala, dysentery, call centres - | 0:00:36 | 0:00:39 | |
it's like an exploding grenade of colour and sound | 0:00:39 | 0:00:42 | |
and quite a lot of smell, if I'm honest. | 0:00:42 | 0:00:44 | |
-HE SPEAKS IN HIS OWN LANGUAGE -Absolutely! | 0:00:44 | 0:00:46 | |
14 million people live here | 0:00:46 | 0:00:48 | |
in what was once the absolute jewel in the crown of the British Empire | 0:00:48 | 0:00:52 | |
so welcome to the City of Joy. | 0:00:52 | 0:00:54 | |
I'm so sorry, I think I just punched you in the face! | 0:00:54 | 0:00:57 | |
He's not very joyful. | 0:00:57 | 0:00:59 | |
Kolkata - known to the locals as the City of Joy, although, for me, | 0:00:59 | 0:01:04 | |
it'll always be the city of a billion car horns. | 0:01:04 | 0:01:06 | |
-CAR HORNS BLARE -It's India's most chaotic, | 0:01:06 | 0:01:10 | |
overcrowded and exhilarating city, | 0:01:10 | 0:01:12 | |
where people from every corner of the Earth | 0:01:12 | 0:01:15 | |
have come to make their fortune. | 0:01:15 | 0:01:17 | |
-SHE LAUGHS -That's wrong. I know that's wrong. | 0:01:17 | 0:01:19 | |
These teeming streets tell the story of India's past, present | 0:01:19 | 0:01:23 | |
and shiny new future. | 0:01:23 | 0:01:26 | |
I bring good news. You have won India's Moustache of the Year. Mwah! | 0:01:26 | 0:01:31 | |
It was once the grandest city in the Orient, | 0:01:31 | 0:01:34 | |
it's been a byword for Third World poverty | 0:01:34 | 0:01:37 | |
and now it's one of the fastest-growing megacities | 0:01:37 | 0:01:40 | |
in the world, riding a property boom to rival London's. | 0:01:40 | 0:01:44 | |
You don't see Judith Chalmers going into an open poo pit! Bleurgh! | 0:01:44 | 0:01:49 | |
SHE LAUGHS | 0:01:49 | 0:01:51 | |
Its citizens are unique - eccentric, joyful and ever so slightly bonkers. | 0:01:51 | 0:01:57 | |
THEY LAUGH | 0:01:57 | 0:02:00 | |
I want to discover the secrets of this extraordinary place - | 0:02:00 | 0:02:03 | |
to get under its skin | 0:02:03 | 0:02:05 | |
and to understand how Kolkata transformed itself | 0:02:05 | 0:02:08 | |
from Black Hole into one of the most exciting cities on Earth. | 0:02:08 | 0:02:13 | |
Welcome to THE CITY OF JOY! | 0:02:13 | 0:02:17 | |
I think they got that. | 0:02:17 | 0:02:18 | |
Once upon a time, | 0:02:28 | 0:02:30 | |
Kolkata was a sleepy little village minding its own business, | 0:02:30 | 0:02:33 | |
until the British turned up | 0:02:33 | 0:02:34 | |
and decided it was the perfect place to start an empire. | 0:02:34 | 0:02:38 | |
Its location on the Bay of Bengal | 0:02:48 | 0:02:50 | |
meant it was ideal for shipping good British types in | 0:02:50 | 0:02:54 | |
and vast wealth back to where it really belonged - in Blighty. | 0:02:54 | 0:03:00 | |
It became the seat of British imperial power | 0:03:00 | 0:03:04 | |
and the home of the mighty East India Company. | 0:03:04 | 0:03:08 | |
'In return, we brought tea so that's all right then.' | 0:03:08 | 0:03:11 | |
-Cheers! -Cheers! | 0:03:11 | 0:03:13 | |
'Hang on, didn't we nick that from the Chinese?' | 0:03:13 | 0:03:16 | |
-How's that? -Well, it's got everything going on, hasn't it? | 0:03:16 | 0:03:20 | |
-It's bitter and then really sweet at the same time. -Strong and sweet. | 0:03:20 | 0:03:24 | |
Strong and sweet! Bless you. | 0:03:24 | 0:03:27 | |
'This is Abhra, fellow tea fanatic | 0:03:27 | 0:03:29 | |
'and authority on all things Kolkatan. | 0:03:29 | 0:03:31 | |
'He's going to show me the ropes, but, before we start, | 0:03:32 | 0:03:35 | |
'we need to get one thing straight. | 0:03:35 | 0:03:37 | |
'What is this place called?' | 0:03:37 | 0:03:40 | |
Calcutta - Kolkata. Which one? | 0:03:40 | 0:03:42 | |
Well, speaking in English, we'd say "Calcutta". | 0:03:42 | 0:03:46 | |
-In Bengali? -"Kolkata". | 0:03:46 | 0:03:48 | |
-And in Hindi, "Kalkahta". -"Kalkahta"? -Yeah. | 0:03:48 | 0:03:51 | |
-So, basically, the English mispronounced Kolkata. -Yeah. | 0:03:52 | 0:03:56 | |
You can get your own back, though. | 0:03:56 | 0:03:57 | |
You can come to the UK and say the Queen lives in Wandsor. | 0:03:57 | 0:04:00 | |
Just start randomly switching around vowels. | 0:04:00 | 0:04:03 | |
It's your turn now, we've done enough of that. | 0:04:03 | 0:04:05 | |
'The name was changed back in 2001, | 0:04:07 | 0:04:09 | |
'along with the names of other Indian cities, | 0:04:09 | 0:04:12 | |
'as a way of reclaiming it from the old colonial masters.' | 0:04:12 | 0:04:15 | |
I come here as an English person | 0:04:15 | 0:04:17 | |
sort of embarrassed and ashamed by appalling colonial aggression, | 0:04:17 | 0:04:22 | |
but it seems to me that you're done with that. | 0:04:22 | 0:04:24 | |
Yeah, I mean why are you embarrassed? What's so embarrassing for you? | 0:04:24 | 0:04:29 | |
What's so embarrassing? | 0:04:29 | 0:04:30 | |
Because we sort of rode in | 0:04:30 | 0:04:32 | |
and we completely ripped the natural resources from the ground | 0:04:32 | 0:04:36 | |
and we subjugated the people | 0:04:36 | 0:04:38 | |
and we tried to carve out a sort of little Victorian England | 0:04:38 | 0:04:41 | |
in a foreign land and I think that's very uncomfortable. | 0:04:41 | 0:04:43 | |
We don't have the Empire anymore, we've just got guilt. | 0:04:43 | 0:04:46 | |
-But you're saying we should just get over it? -Yeah, of course. | 0:04:46 | 0:04:48 | |
I mean, it's passed, you know. | 0:04:48 | 0:04:50 | |
Whatever is left of the Empire | 0:04:50 | 0:04:51 | |
are the old buildings, the tram, the train. | 0:04:51 | 0:04:55 | |
-The tea. -The tea. It's all ours now. | 0:04:55 | 0:04:59 | |
Now, that's just showing off. | 0:05:00 | 0:05:02 | |
Tea - or chai - is a Kolkatan obsession, | 0:05:06 | 0:05:09 | |
drunk hot and sweet throughout the day in these little clay cups. | 0:05:09 | 0:05:12 | |
They are the last word in recyclable sustainability. | 0:05:12 | 0:05:15 | |
Once you've finished, you simply chuck them in the gutter, | 0:05:15 | 0:05:18 | |
where they're washed away by the rains back to the Hooghly River, | 0:05:18 | 0:05:21 | |
from where the clay was originally collected. | 0:05:21 | 0:05:23 | |
It certainly saves on washing up. | 0:05:26 | 0:05:28 | |
Every day, more clay is dug | 0:05:30 | 0:05:31 | |
and delivered to Kolkata's army of teacup makers | 0:05:31 | 0:05:34 | |
and the whole process begins again. | 0:05:34 | 0:05:36 | |
Namaste! | 0:05:37 | 0:05:39 | |
You've been busy already. Look at this! | 0:05:39 | 0:05:42 | |
I'm Sue. Nice to see you. | 0:05:42 | 0:05:44 | |
So these are all the pots you made yesterday? | 0:05:46 | 0:05:48 | |
How many do you make on average every night? | 0:05:48 | 0:05:51 | |
3,000! And YOU make 3,000? | 0:05:52 | 0:05:56 | |
-With your own hands, every day? -Every day. | 0:05:56 | 0:05:58 | |
They all live and work together in this tiny compound. | 0:06:01 | 0:06:04 | |
The people here have come from villages in the country | 0:06:05 | 0:06:08 | |
in order to make money to send back to their families. | 0:06:08 | 0:06:10 | |
So, what does this bit do? | 0:06:10 | 0:06:13 | |
'Guddu's aunt Vimla is letting me help out | 0:06:16 | 0:06:18 | |
'with the first job of the day.' | 0:06:18 | 0:06:20 | |
Already I can hear sniggering! | 0:06:20 | 0:06:22 | |
There, you see? That is Play-Doh smooth! | 0:06:24 | 0:06:29 | |
I'm going to get me some of that! Mmm! | 0:06:29 | 0:06:33 | |
That's GOOD! | 0:06:33 | 0:06:34 | |
That's got Laurel and Hardy written all over it | 0:06:41 | 0:06:44 | |
if I get anywhere near it. | 0:06:44 | 0:06:45 | |
OK, I'm sort of making a light sausage. I think this is excellent. | 0:06:47 | 0:06:52 | |
This is the beginning of my apprenticeship! | 0:06:54 | 0:06:57 | |
So, how long have you been rolling clay for? | 0:06:57 | 0:07:00 | |
Do you want your daughter... How old is your daughter? | 0:07:03 | 0:07:05 | |
11 years. Do you want her to grow up and do this for a living? | 0:07:07 | 0:07:09 | |
What would you like her to be? | 0:07:09 | 0:07:11 | |
Vimla has the face of an angel and the strength of Geoff Capes | 0:07:21 | 0:07:25 | |
and that is a devastating combination to be up close | 0:07:25 | 0:07:27 | |
and personal with, I have to say. | 0:07:27 | 0:07:29 | |
There's such an intensity about what she's doing | 0:07:29 | 0:07:32 | |
and a love of what she's doing and a commitment to it | 0:07:32 | 0:07:36 | |
that if I take my eyes off her too long, | 0:07:36 | 0:07:38 | |
she gets really annoyed and I get a lump of clay thrown on me. | 0:07:38 | 0:07:41 | |
They work an 18-hour day for 15 days at a stretch | 0:07:43 | 0:07:46 | |
to put their kids through school | 0:07:46 | 0:07:48 | |
and give them a chance for a better life. | 0:07:48 | 0:07:50 | |
And if this day wasn't hard enough for these guys, | 0:07:56 | 0:07:59 | |
it's now started raining, | 0:07:59 | 0:08:01 | |
which has turned the whole of this alley into a mud slide. | 0:08:01 | 0:08:03 | |
They've got to quickly work hard | 0:08:03 | 0:08:05 | |
to get tarpaulin on all the clay before it just washes away. | 0:08:05 | 0:08:07 | |
I want you to enjoy this moment because this is the moment | 0:08:11 | 0:08:15 | |
Kolkata got a brand-new shape for its teacup. | 0:08:15 | 0:08:17 | |
He's Patrick Swayze to my Demi Moore. | 0:08:22 | 0:08:24 | |
SHE LAUGHS | 0:08:24 | 0:08:25 | |
Now, that's wrong. I know that that's wrong. | 0:08:25 | 0:08:27 | |
I don't know if that's a drinking vessel that India's ready for. | 0:08:27 | 0:08:30 | |
Ahhhh, no! There's a lot of pressure now. | 0:08:30 | 0:08:33 | |
This is his livelihood, it's not just The Generation Game, you know. | 0:08:33 | 0:08:37 | |
Why is it doing that? Aaaaargh! | 0:08:37 | 0:08:40 | |
I got him square in the nuts! | 0:08:44 | 0:08:46 | |
Yeah, that went right up the old man-skirt. | 0:08:46 | 0:08:49 | |
Yep. Aaargh! | 0:08:52 | 0:08:53 | |
What's that? | 0:08:56 | 0:08:58 | |
I know, I'm angry as well! We're all angry! | 0:09:04 | 0:09:07 | |
There's a storm outside. | 0:09:07 | 0:09:09 | |
SHE SPEAKS IN HER OWN LANGUAGE | 0:09:09 | 0:09:12 | |
'At this point, I think the translator has decided | 0:09:12 | 0:09:14 | |
'to spare my blushes and is no longer telling me what's going on.' | 0:09:14 | 0:09:19 | |
It's over? It's gone? You're leaving? | 0:09:19 | 0:09:21 | |
No, don't give up! You're giving up on me. | 0:09:22 | 0:09:25 | |
You can't! | 0:09:26 | 0:09:27 | |
In my head, I thought it would be sexy time, a bit like Ghost, | 0:09:29 | 0:09:32 | |
we'd make a couple of phalluses together, we'd laugh | 0:09:32 | 0:09:35 | |
and then suddenly I would just, with a tiny move of my hand, | 0:09:35 | 0:09:38 | |
just be able to make an extraordinary pot, | 0:09:38 | 0:09:41 | |
a sort of career-defining teacup | 0:09:41 | 0:09:43 | |
that would change the face of Kolkata | 0:09:43 | 0:09:45 | |
and, as you can tell from the fact that everyone's just left me | 0:09:45 | 0:09:49 | |
and they've cleared away everything, that hasn't really gone to plan! | 0:09:49 | 0:09:53 | |
'Their daughter Protima has been waiting for me | 0:09:56 | 0:09:59 | |
'to help her with her English homework.' | 0:09:59 | 0:10:02 | |
Now, out of all these words, when I am tired, I like to go to... | 0:10:02 | 0:10:07 | |
-SHE SNORES Place. -No. | 0:10:07 | 0:10:11 | |
SHE SNORES | 0:10:14 | 0:10:17 | |
-Sleep. -Boom, perfect! Right, that is excellent. You are... -Clever. | 0:10:17 | 0:10:24 | |
You are clever. You are never... | 0:10:24 | 0:10:28 | |
-Bad. -You are very... -Good. | 0:10:28 | 0:10:31 | |
-I am very... -Old. | 0:10:31 | 0:10:33 | |
How dare you! | 0:10:33 | 0:10:35 | |
How DARE you! | 0:10:35 | 0:10:36 | |
I'm trying to teach her, I'm furious. Furious! | 0:10:37 | 0:10:40 | |
Fired to perfection overnight, | 0:10:47 | 0:10:49 | |
Guddu's 3,000 cups need to be delivered across the city | 0:10:49 | 0:10:52 | |
to the tea shops of Kolkata. | 0:10:52 | 0:10:54 | |
Is it heavy? Heavy? | 0:10:58 | 0:11:01 | |
-No. -It looks heavy. | 0:11:01 | 0:11:03 | |
Heavy! Really heavy! | 0:11:06 | 0:11:08 | |
I felt like Atlas there! | 0:11:08 | 0:11:11 | |
He's being really macho there, saying that's not heavy. | 0:11:11 | 0:11:14 | |
That's REALLY heavy. | 0:11:14 | 0:11:16 | |
'Thankfully, I'm not Guddu's only hired help. | 0:11:16 | 0:11:19 | |
'This is where Kolkata's famous rickshaw men come in.' | 0:11:19 | 0:11:23 | |
-Namaste! -Namaste! | 0:11:23 | 0:11:26 | |
I bring good news. You have won India's Moustache of the Year. Mwah! | 0:11:26 | 0:11:32 | |
'The hand-pulled rickshaw is a controversial icon of Kolkata. | 0:11:32 | 0:11:36 | |
'Banned in other Indian cities, there are still 6,000 of them here | 0:11:36 | 0:11:40 | |
'plying their trade around these chaotic streets.' | 0:11:40 | 0:11:43 | |
Whilst I absolutely would never get in one of those as a passenger, | 0:11:43 | 0:11:47 | |
these rickshaws are vital, | 0:11:47 | 0:11:49 | |
particularly in the streets of Kolkata, | 0:11:49 | 0:11:51 | |
which are so narrow that they can't accommodate a normal vehicle | 0:11:51 | 0:11:54 | |
so this guy with this rickshaw | 0:11:54 | 0:11:56 | |
can provide all the essential services | 0:11:56 | 0:11:58 | |
for the millions of businesses that line these streets. | 0:11:58 | 0:12:02 | |
'These rickshaw wallahs are the delivery boys, | 0:12:03 | 0:12:06 | |
'the taxi services and the school buses | 0:12:06 | 0:12:08 | |
'for millions of everyday Kolkatans as they go about their business. | 0:12:08 | 0:12:12 | |
'They earn about £1.50 a day, just enough to survive on. | 0:12:15 | 0:12:18 | |
'They're joined on these insane streets | 0:12:23 | 0:12:25 | |
by every other form of transport known to man, | 0:12:25 | 0:12:27 | |
'all of them honking horns and ringing bells | 0:12:27 | 0:12:30 | |
'as if their lives depended on it.' | 0:12:30 | 0:12:32 | |
You'd think with this volume of people and traffic | 0:12:34 | 0:12:36 | |
that there'd be fights breaking out all over the shop, | 0:12:36 | 0:12:39 | |
there'd be road rage. There's none of that | 0:12:39 | 0:12:41 | |
and the only thing I can deduce from that is this chaos, | 0:12:41 | 0:12:43 | |
which may appear like chaos to us, is actually a system. | 0:12:43 | 0:12:46 | |
It's a system that works, people tolerate this | 0:12:46 | 0:12:50 | |
because these rickshaws and bikes are the lifeblood of the city. | 0:12:50 | 0:12:54 | |
They work through these tiny little capillaries | 0:12:54 | 0:12:57 | |
and provide the necessary tools for existence. | 0:12:57 | 0:12:59 | |
While it looks random, it's actually a pretty effective system. | 0:12:59 | 0:13:03 | |
But imagine what a congestion charge could do for this place! | 0:13:17 | 0:13:22 | |
-..which is situated near the river. -Yeah. | 0:13:31 | 0:13:34 | |
HORN BLARES | 0:13:34 | 0:13:38 | |
Also near the river... | 0:13:38 | 0:13:40 | |
'As you wander the streets of this extraordinary city, | 0:13:40 | 0:13:43 | |
'you see the legacy of empire on every corner.' | 0:13:43 | 0:13:46 | |
And what a grand legacy it is. | 0:13:48 | 0:13:51 | |
The Victoria Memorial, built by George Curzon | 0:13:51 | 0:13:54 | |
to honour his beloved Queen, is like St Paul's...on steroids. | 0:13:54 | 0:14:00 | |
This place was sumptuous - wide boulevards | 0:14:00 | 0:14:03 | |
and ornate buildings, assuming, of course, you were the right sort. | 0:14:03 | 0:14:07 | |
Back when the Brits ruled the world, Kolkata was a thriving port | 0:14:09 | 0:14:13 | |
where fortunes could be made. | 0:14:13 | 0:14:15 | |
Immigrants flocked here from all over the world | 0:14:15 | 0:14:18 | |
so, to avoid any unpleasantness, | 0:14:18 | 0:14:20 | |
the British divided it up according to colour. | 0:14:20 | 0:14:23 | |
There was the White Town where the British lived | 0:14:24 | 0:14:27 | |
and it looked a bit like Kensington on a very hot day. | 0:14:27 | 0:14:30 | |
There was the Black Town, where the Indians lived | 0:14:31 | 0:14:35 | |
and then there was this place, called the Grey Area, | 0:14:35 | 0:14:38 | |
where everyone else lived. | 0:14:38 | 0:14:40 | |
It's now called Bowbazar | 0:14:42 | 0:14:43 | |
and it's still full of Armenians, Chinese, Jews and Arabs, | 0:14:43 | 0:14:47 | |
all rubbing along together nicely. | 0:14:47 | 0:14:49 | |
That's the best thing - they all happily co-exist. | 0:14:52 | 0:14:56 | |
Because, you see, the main thing is they live next door to each other. | 0:14:56 | 0:15:00 | |
They go to the market together, they go to the tea shop together | 0:15:00 | 0:15:03 | |
so what I feel is, they stopped hating each other | 0:15:03 | 0:15:08 | |
so they love each other and they're happy! | 0:15:08 | 0:15:11 | |
ALARM CLOCK RINGS | 0:15:11 | 0:15:13 | |
We're all awake now, we're all awake. | 0:15:13 | 0:15:15 | |
You can put the alarm down any time. | 0:15:15 | 0:15:19 | |
HE SINGS IN HIS OWN LANGUAGE | 0:15:19 | 0:15:22 | |
Suddenly it's Chinatown. | 0:15:28 | 0:15:31 | |
Yeah, it's a Chinese temple-cum-club | 0:15:31 | 0:15:34 | |
so all the Chinese friends of mine hang around here. | 0:15:34 | 0:15:39 | |
'The Chinese community has been here for 200 years, | 0:15:39 | 0:15:43 | |
making a fortune in the leather goods business. | 0:15:43 | 0:15:47 | |
'There were once 20,000 Chinese here. | 0:15:47 | 0:15:50 | |
'Now, the population is down to around 2,000 or so, | 0:15:50 | 0:15:52 | |
'but the temple is still going strong.' | 0:15:52 | 0:15:54 | |
I'm Sue, by the way, it's nice to see you. | 0:15:55 | 0:15:58 | |
-My name is Ah Ta. -Ah Ta. -My full name is Ho Yen Ta. | 0:15:58 | 0:16:03 | |
'Ah Ta offers to tell my fortune.' | 0:16:03 | 0:16:06 | |
What do I have to do, I have to shake three times? | 0:16:06 | 0:16:09 | |
You have to bow three times and shake one. | 0:16:09 | 0:16:11 | |
-You have to say your name, your age. -Say your name, what you want. | 0:16:11 | 0:16:14 | |
I have to say my AGE? This is very difficult for me! | 0:16:14 | 0:16:18 | |
-Silently, just to the god. -OK. -Telepathically. | 0:16:18 | 0:16:22 | |
-Only God does know my real age. -For your luck, just for anything. -OK. | 0:16:22 | 0:16:26 | |
-So I'm going to say my name and my age. -Say your name, what you want. | 0:16:26 | 0:16:30 | |
(My name is Sue and I'm 45 and now I'm going to...) | 0:16:34 | 0:16:39 | |
Not a lot coming out! | 0:16:42 | 0:16:45 | |
-Oh, we have a winner! -What did you ask? -Oh, I didn't ask for anything! | 0:16:45 | 0:16:50 | |
-You have to ask! -I'll do it again, | 0:16:50 | 0:16:52 | |
I'm really sorry. Let me do it again. | 0:16:52 | 0:16:54 | |
It's your name, your age | 0:16:54 | 0:16:56 | |
and then you have to say why you are looking for the fortune. | 0:16:56 | 0:16:59 | |
I was so traumatised by having to say my age to the lady goddess | 0:16:59 | 0:17:02 | |
that actually I forgot. Right, I'm going to do it again. | 0:17:02 | 0:17:05 | |
All right, here we go. | 0:17:05 | 0:17:06 | |
-Got it! -Which one was the first? OK. | 0:17:08 | 0:17:11 | |
So, lot 68 - "A lucky day will bring great celebration. | 0:17:13 | 0:17:16 | |
"A family so generous, prosperity forever glows. | 0:17:16 | 0:17:20 | |
"A fruitful year for farming and marriage." | 0:17:20 | 0:17:23 | |
I'm all over farming and marriage. | 0:17:23 | 0:17:24 | |
"And for the sick, cure comes at last. | 0:17:24 | 0:17:26 | |
"Spring - the family is prosperous, safe. | 0:17:26 | 0:17:29 | |
"Lawsuits will go in your favour, missing things will be found..." | 0:17:29 | 0:17:34 | |
-It's all good, isn't it? I'm delighted with that. -You're lucky. | 0:17:34 | 0:17:38 | |
CALL TO PRAYER | 0:17:40 | 0:17:42 | |
It's Friday afternoon and a few blocks away, past the church | 0:17:42 | 0:17:46 | |
and the synagogue, the imam calls the faithful to prayer. | 0:17:46 | 0:17:50 | |
10,000 men work a minor miracle and stop the traffic. | 0:17:50 | 0:17:54 | |
When the British finally left in 1947 | 0:17:59 | 0:18:01 | |
and India became independent, | 0:18:01 | 0:18:03 | |
the state of Bengal was divided along religious lines - | 0:18:03 | 0:18:06 | |
Hindus remained in West Bengal | 0:18:06 | 0:18:08 | |
and most Muslims were packed off to the newly created East Pakistan, | 0:18:08 | 0:18:12 | |
now known as Bangladesh. | 0:18:12 | 0:18:14 | |
Despite this brutal divide, | 0:18:18 | 0:18:19 | |
Kolkata still has the largest Muslim population of any Indian city. | 0:18:19 | 0:18:24 | |
Abhra, what's the quintessential personality | 0:18:33 | 0:18:36 | |
-of your classic Kolkata resident? -Well, they are inquisitive. -Yeah. | 0:18:36 | 0:18:41 | |
-They are curious about everything. -Does that mean nosy? | 0:18:41 | 0:18:44 | |
Yeah, to a point, yeah. | 0:18:46 | 0:18:48 | |
I mean, if we are having lunch or dinner in a restaurant | 0:18:48 | 0:18:52 | |
and we are having a conversation, anyone from the table beside us | 0:18:52 | 0:18:57 | |
can break into our conversation. That's perfectly all right. | 0:18:57 | 0:19:01 | |
Can they eat our food? Is that acceptable? | 0:19:01 | 0:19:03 | |
Sometimes they can try it! | 0:19:03 | 0:19:06 | |
I'm forewarned, then, I'm going to be eating like this | 0:19:06 | 0:19:08 | |
while I'm here. "Get off!" | 0:19:08 | 0:19:09 | |
In the midst of the multicultural melting pot that is Bowbazar, | 0:19:16 | 0:19:19 | |
there is a corner of the city that is for ever England. | 0:19:19 | 0:19:23 | |
Bow Barracks was once a garrison for the British Army | 0:19:25 | 0:19:28 | |
before the First World War | 0:19:28 | 0:19:29 | |
and is now home to one of Kolkata's most intriguing communities - | 0:19:29 | 0:19:33 | |
the Anglo-Indians. | 0:19:33 | 0:19:35 | |
-Morning, nice to see you. I'm Sue. -I'm Marion. | 0:19:36 | 0:19:39 | |
-Really good to meet you, Marion. Hi, there! -John. -Nice to see you, John. | 0:19:39 | 0:19:42 | |
-How's things? What are the names of your dogs? -One is Kerry. | 0:19:42 | 0:19:47 | |
I thought you said "scary", I was about to back off. | 0:19:47 | 0:19:49 | |
And she's Brooke Shields. | 0:19:49 | 0:19:51 | |
'Yes, he really does have a dog called Brooke Shields. | 0:19:51 | 0:19:55 | |
'The Anglo-Indians - or Eurasians - | 0:19:55 | 0:19:57 | |
'are the offspring of marriages between British men and Asian women. | 0:19:57 | 0:20:00 | |
'They occupied a strange niche in colonial society, | 0:20:00 | 0:20:04 | |
'neither Asian nor European. | 0:20:04 | 0:20:06 | |
'They are, however, still fiercely proud of their Britishness.' | 0:20:06 | 0:20:10 | |
My grandfather is British, captain of the ship. | 0:20:10 | 0:20:13 | |
-I've never seen anyone look more British than this man. -That is true. | 0:20:13 | 0:20:18 | |
And they were both torpedoed off Sri Lanka in World War II. | 0:20:18 | 0:20:22 | |
And did he lose his life in World War II? | 0:20:22 | 0:20:24 | |
Yeah, and my father was the only survivor. | 0:20:24 | 0:20:26 | |
-Of the whole ship? -Of the whole ship. | 0:20:26 | 0:20:29 | |
-This is... -Oh, hello. Nice to see you, I'm Sue. | 0:20:29 | 0:20:33 | |
-Really good to meet you. -John. -Hi, John. -This is... | 0:20:33 | 0:20:36 | |
We come from Elvidge, descendants of archbishops. | 0:20:36 | 0:20:40 | |
-So you've traced yourself way back? -Way, way back. | 0:20:40 | 0:20:43 | |
Way back and we may be even royalty because, you know, | 0:20:43 | 0:20:47 | |
the kings had so many women. | 0:20:47 | 0:20:48 | |
Henry VIII had Anne Boleyn and Catherine of Aragon and so far... | 0:20:50 | 0:20:54 | |
You think there were more? | 0:20:54 | 0:20:55 | |
And more even and to make them happy, | 0:20:55 | 0:20:58 | |
they made their sons bishops and archbishops. | 0:20:58 | 0:21:00 | |
-Well, I never! -Thank you. | 0:21:00 | 0:21:03 | |
-Oh, look, the three lions! -Yeah! -Amazing! | 0:21:04 | 0:21:08 | |
I can only apologise for how bad we were in the World Cup, | 0:21:08 | 0:21:11 | |
I'm very sorry. | 0:21:11 | 0:21:12 | |
'Their good English often meant | 0:21:12 | 0:21:14 | |
'they got favoured jobs in the colonial government. | 0:21:14 | 0:21:17 | |
'But when the British left, many Anglo-Indians felt abandoned | 0:21:17 | 0:21:21 | |
'and now long for their return.' | 0:21:21 | 0:21:23 | |
So, what would it be like if you got your way and the English came back? | 0:21:23 | 0:21:26 | |
-What would change? -Oh, many things. | 0:21:26 | 0:21:28 | |
We'd be delighted, we'd be really happy. | 0:21:28 | 0:21:31 | |
Do you observe all the English festivals? | 0:21:31 | 0:21:33 | |
Yes, yes, we do - Christmas, Easter... | 0:21:33 | 0:21:36 | |
-And what do you eat for Christmas dinner? -We have a roast. | 0:21:36 | 0:21:39 | |
-You have roast turkey? -Yes, yes. We have Christmas cake. | 0:21:39 | 0:21:43 | |
Right now, I have one cake which I made. | 0:21:43 | 0:21:46 | |
Oh, my word, this looks amazing! | 0:21:46 | 0:21:49 | |
That is a delicious Christmas cake in the height of... | 0:21:53 | 0:21:56 | |
-Merry Christmas to you! -Thank you, darling. | 0:21:56 | 0:21:59 | |
In the height of summer in Kolkata, who would have thought? | 0:21:59 | 0:22:02 | |
Merry Christmas! | 0:22:02 | 0:22:05 | |
'What a strange place Kolkata is!' | 0:22:06 | 0:22:10 | |
The British left behind them a complicated mess of religions, | 0:22:10 | 0:22:14 | |
cultures and politics, but somehow, with goodwill and tolerance, | 0:22:14 | 0:22:18 | |
the people of this city are making it work. | 0:22:18 | 0:22:20 | |
Nobody's 100% anything. | 0:22:23 | 0:22:26 | |
People have just cherrypicked what they like from other communities, | 0:22:26 | 0:22:29 | |
other belief systems, from the past | 0:22:29 | 0:22:32 | |
and made it fit what sort of best suits them so... | 0:22:32 | 0:22:34 | |
And there's also such a culture of celebration, thinking, | 0:22:34 | 0:22:38 | |
"Well, why limit yourself?" | 0:22:38 | 0:22:39 | |
Why limit yourself to one thing when you can have Christmas | 0:22:39 | 0:22:42 | |
and Easter and Diwali and you can celebrate a sort of lady goddess? | 0:22:42 | 0:22:45 | |
You can have everything. | 0:22:45 | 0:22:46 | |
You can feast your way witless 365 days of the year | 0:22:46 | 0:22:50 | |
and have fun while you're doing it. | 0:22:50 | 0:22:52 | |
Surely that's the whole spirit of multiculturalism in a nutshell - | 0:22:52 | 0:22:56 | |
every festival, all the time. | 0:22:56 | 0:22:58 | |
Kolkata, like the rest of India, is changing fast. | 0:23:09 | 0:23:13 | |
Its population is exploding with new arrivals | 0:23:13 | 0:23:16 | |
and the city needs infrastructure to cope. | 0:23:16 | 0:23:19 | |
There's building work going on everywhere | 0:23:20 | 0:23:23 | |
and the old icons of empire are crumbling and falling. | 0:23:23 | 0:23:27 | |
But there is one place deep underground | 0:23:27 | 0:23:30 | |
that makes you truly proud to be British. | 0:23:30 | 0:23:33 | |
There is a reason that I am dressed like an extra | 0:23:38 | 0:23:41 | |
from The LEGO Movie, other than the fact I like it. | 0:23:41 | 0:23:45 | |
I'm about to go into the Kolkatan sewers. | 0:23:45 | 0:23:50 | |
Some may say that I've finally reached my level. | 0:23:50 | 0:23:52 | |
It's my own personal Black Hole. Excuse me. | 0:23:52 | 0:23:55 | |
Believe it or not, Kolkata's sewers were once the envy of the world. | 0:23:55 | 0:24:00 | |
Built in the city's Victorian heyday, | 0:24:00 | 0:24:02 | |
they stretch for 90km beneath the city's streets. | 0:24:02 | 0:24:05 | |
They are now 130 years old and in need of some vigorous sluicing. | 0:24:06 | 0:24:11 | |
My nostrils, in one inhalation, have been blasted. | 0:24:12 | 0:24:16 | |
I will never breathe the same way again. | 0:24:16 | 0:24:19 | |
In charge of this epic project is the splendidly named | 0:24:19 | 0:24:22 | |
Mr Nilangshu Bhusan Basu from the Kolkata Municipal Corporation. | 0:24:22 | 0:24:27 | |
He doesn't look entirely comfortable on that ladder. | 0:24:28 | 0:24:31 | |
I'm going to show him how it's done. | 0:24:31 | 0:24:34 | |
Oh, God! It's scary, horrid, smelly and evil! | 0:24:34 | 0:24:39 | |
Bleurgh! | 0:24:39 | 0:24:40 | |
They don't show this on the holiday programme. | 0:24:42 | 0:24:45 | |
You don't see Judith Chalmers going into an open poo pit. Bleurgh! | 0:24:45 | 0:24:49 | |
-One more step. -Are you the welcoming committee? This is lovely! | 0:24:51 | 0:24:57 | |
Step over here because otherwise we will lose you. | 0:24:57 | 0:25:01 | |
I don't want to be lost, not in this. | 0:25:01 | 0:25:03 | |
'Restoring the sewers to a smooth flow is, dare I say it, a big job. | 0:25:05 | 0:25:09 | |
'Each night, legions of men armed with poo buckets | 0:25:10 | 0:25:13 | |
'are sent deep into the bowels of the city to literally shovel silt.' | 0:25:13 | 0:25:17 | |
How long will these guys work for? | 0:25:20 | 0:25:22 | |
At night, what are their shifts? | 0:25:22 | 0:25:24 | |
They normally work from 11 o'clock at night | 0:25:24 | 0:25:27 | |
to five o'clock in the morning | 0:25:27 | 0:25:30 | |
because, immediately after five o'clock, | 0:25:30 | 0:25:33 | |
people start using their toilets and other things, | 0:25:33 | 0:25:36 | |
it is very difficult to overcome the water that is coming into the sewer. | 0:25:36 | 0:25:41 | |
So as soon as people wake up and have their first coffee, | 0:25:41 | 0:25:44 | |
you need to run for cover. | 0:25:44 | 0:25:45 | |
-Basically, all hell breaks loose. -Yes. | 0:25:45 | 0:25:47 | |
This sewage system was built in 1875 for a city of just a million people. | 0:25:48 | 0:25:54 | |
There are now more than 14 million people in Kolkata | 0:25:54 | 0:25:57 | |
and a traffic system that its designers could never have imagined. | 0:25:57 | 0:26:01 | |
The demands of a thriving megacity | 0:26:01 | 0:26:03 | |
are taking their toll on this marvel of Victorian engineering. | 0:26:03 | 0:26:06 | |
As you can see, there are cracks there. | 0:26:09 | 0:26:12 | |
-What, you mean the crack above my head? -Yes. | 0:26:12 | 0:26:15 | |
I mean, the mortar has gone out of that | 0:26:15 | 0:26:17 | |
because these are here more than 130 years. That you must understand. | 0:26:17 | 0:26:21 | |
We could have stood just over there! | 0:26:21 | 0:26:24 | |
No, no, no, don't worry, it has got four layers. It will not fall. | 0:26:24 | 0:26:28 | |
'And then I made him move. | 0:26:28 | 0:26:30 | |
'Ironically, not all of Kolkata's 14 million daily movements end up here. | 0:26:30 | 0:26:35 | |
'Many toilets are simply not connected. | 0:26:35 | 0:26:38 | |
'But all that is changing as this city modernises | 0:26:38 | 0:26:40 | |
'and rebuilds itself for the modern age.' | 0:26:40 | 0:26:43 | |
-Are you SURE this is the right way? -Yes! | 0:26:43 | 0:26:47 | |
The success of the Raj was built on the close relationship | 0:26:56 | 0:26:59 | |
between the British Empire and powerful Indian dynasties. | 0:26:59 | 0:27:02 | |
These noble families became rich beyond the dreams of avarice, | 0:27:04 | 0:27:08 | |
and Calcutta was home to some of the most fabulous palaces on Earth. | 0:27:08 | 0:27:12 | |
But when India became independent, Kolkata began to change, | 0:27:14 | 0:27:18 | |
and these great houses began to fall. | 0:27:18 | 0:27:20 | |
This is the Tagore Palace, once the swankiest postcode in town. | 0:27:22 | 0:27:27 | |
-Hello. -Nomoshkar. | 0:27:31 | 0:27:33 | |
-Nomoshkar. Welcome. -Thank you so much. -Pleasure. | 0:27:33 | 0:27:37 | |
'Saroja Tagore is a professional dancer and teacher. | 0:27:37 | 0:27:41 | |
'She's lived in the palace since she was a young girl.' | 0:27:41 | 0:27:44 | |
So what was this place like when you were a child? | 0:27:44 | 0:27:46 | |
Well, it was very different from what you see now, | 0:27:46 | 0:27:49 | |
the reason being that it was... | 0:27:49 | 0:27:50 | |
'As we enter the palace, we are transported into the past, | 0:27:50 | 0:27:53 | |
'a world of culture, wealth and power.' | 0:27:53 | 0:27:56 | |
It's just so elegant. | 0:27:58 | 0:28:00 | |
'This house was once exquisite. | 0:28:02 | 0:28:04 | |
'There was a priceless art collection | 0:28:04 | 0:28:06 | |
'and the family entertained | 0:28:06 | 0:28:08 | |
'the world's greatest artists and intellectuals.' | 0:28:08 | 0:28:11 | |
Now I'm going to take you to the space where we had music concerts. | 0:28:12 | 0:28:18 | |
-Like an entertainment... -This was basically... Yes, for entertainment. | 0:28:18 | 0:28:22 | |
Ah! It's impossibly grand, though, isn't it? | 0:28:22 | 0:28:27 | |
These are all my ancestors. | 0:28:27 | 0:28:30 | |
These are all, you know, one after the other. | 0:28:30 | 0:28:32 | |
Saroja is the great-niece of Rabindranath Tagore, | 0:28:32 | 0:28:36 | |
winner of the Nobel Prize for Literature | 0:28:36 | 0:28:38 | |
and one of the most important figures in Indian culture. | 0:28:38 | 0:28:41 | |
The house has kind of lived through its ages, | 0:28:43 | 0:28:48 | |
it has contributed a lot to the development of not only | 0:28:48 | 0:28:53 | |
Bengali culture and Bengali art but Indian art and culture. | 0:28:53 | 0:28:57 | |
Following the partition of India, | 0:28:59 | 0:29:01 | |
great families like the Tagores fell on hard times. | 0:29:01 | 0:29:04 | |
The division of Bengal hit them hard - | 0:29:04 | 0:29:07 | |
they lost half of their estates. | 0:29:07 | 0:29:09 | |
Kolkata was flooded with refugees and the grand palaces of old | 0:29:10 | 0:29:15 | |
Kolkata were swamped by the new urban sprawl. | 0:29:15 | 0:29:18 | |
You can see a very strong contrast | 0:29:20 | 0:29:26 | |
inside and out. | 0:29:26 | 0:29:28 | |
It's sort of mind-blowing for a visitor. | 0:29:28 | 0:29:32 | |
This tiny strip here is this incredible dividing line, | 0:29:32 | 0:29:37 | |
for me, between tranquillity and chaos, between have and have-not, | 0:29:37 | 0:29:41 | |
between, you know, modern, busy, bustling India | 0:29:41 | 0:29:43 | |
and that sense of the past, and its... | 0:29:43 | 0:29:46 | |
-And there, just poking out, a castle! -Yes. | 0:29:46 | 0:29:49 | |
Do you love this Kolkata, or do you love this Kolkata, or do you | 0:29:51 | 0:29:54 | |
understand that there is now a total fusion between the two? | 0:29:54 | 0:29:57 | |
-I understand that there is... -And you love the two? -Absolutely. | 0:29:57 | 0:30:01 | |
Absolutely. Absolutely. I work. I'm a professional woman, I'm an artist, | 0:30:01 | 0:30:07 | |
so I cannot just remain inside, shut down everything and say... | 0:30:07 | 0:30:12 | |
Like Miss Havisham. | 0:30:12 | 0:30:14 | |
I would be Miss Havisham, yes, | 0:30:14 | 0:30:16 | |
and you would find me one day with my white gown and... | 0:30:16 | 0:30:20 | |
-Cobwebs. -..my frizzled hair, | 0:30:20 | 0:30:21 | |
and I'm dying, you know, with my dead body near the fireplace. No, I... | 0:30:21 | 0:30:25 | |
I want this to have its vibration. I want this place living. | 0:30:25 | 0:30:31 | |
I want people coming here, I want people to gain something from here. | 0:30:31 | 0:30:35 | |
I want artists to be born in my house. | 0:30:35 | 0:30:37 | |
Can you see the other side of the coin, which is | 0:30:39 | 0:30:42 | |
people who are struggling, people who are in poverty, | 0:30:42 | 0:30:45 | |
people who lack housing, looking, going, "Well, there's just | 0:30:45 | 0:30:48 | |
"all this beauty for just a few people - | 0:30:48 | 0:30:51 | |
"let's knock it down and build a high-rise and we can house..." | 0:30:51 | 0:30:54 | |
-Absolutely. -I don't know - "1,000 people"? | 0:30:54 | 0:30:56 | |
See, there are two ways of looking at it. | 0:30:56 | 0:30:58 | |
Sometimes I feel that this is something which is very grand | 0:30:58 | 0:31:02 | |
and people want to feel that when there is so much poverty and | 0:31:02 | 0:31:06 | |
when there's so much dearth of living spaces, | 0:31:06 | 0:31:09 | |
how is it that one family has taken up such a huge space? | 0:31:09 | 0:31:12 | |
But you have to understand that life is not about just having | 0:31:12 | 0:31:16 | |
a space to live. | 0:31:16 | 0:31:17 | |
Give them...give them culture. | 0:31:17 | 0:31:20 | |
I'm extremely mentally bewildered right now. | 0:31:26 | 0:31:29 | |
This family want to preserve this building because it reminds them of | 0:31:29 | 0:31:32 | |
better times. Many of the people on the streets there would like to | 0:31:32 | 0:31:35 | |
see this building torn down because it represents for them a kind of | 0:31:35 | 0:31:38 | |
shameful history that they don't want to be part of. | 0:31:38 | 0:31:40 | |
It's an India they're embarrassed about, because it conflicts with the | 0:31:40 | 0:31:44 | |
new idea of progress and development that's so integral to this place. | 0:31:44 | 0:31:47 | |
The sentence that really stuck with me was, | 0:31:49 | 0:31:51 | |
"Living is just not about housing," | 0:31:51 | 0:31:54 | |
to which I wanted to reply, "It is if you don't have a house." | 0:31:54 | 0:31:57 | |
That evening, Saroja dances | 0:32:00 | 0:32:02 | |
for an invited audience of Calcutta's great and good... | 0:32:02 | 0:32:05 | |
..and Tagore Palace comes alive once more. | 0:32:06 | 0:32:09 | |
What is the plan for tonight? | 0:32:57 | 0:32:59 | |
We are going first to one area where people live on the street. | 0:32:59 | 0:33:03 | |
-There are families that have spent generations living on the street? -Yes, yes. | 0:33:03 | 0:33:07 | |
Kolkata has long been synonymous with desperate poverty. | 0:33:14 | 0:33:17 | |
The city became notorious in the '70s | 0:33:19 | 0:33:21 | |
when Mother Teresa was working with the city's poor and homeless people. | 0:33:21 | 0:33:25 | |
While much has been done to alleviate the worst of it, | 0:33:25 | 0:33:29 | |
sadly, there is plenty left to do. | 0:33:29 | 0:33:31 | |
That work falls largely to charities like the Hope Foundation. | 0:33:33 | 0:33:37 | |
Each night, Gita and her team run patrols, checking on children | 0:33:37 | 0:33:41 | |
and vulnerable families living in the most desperate conditions. | 0:33:41 | 0:33:45 | |
First, they are survivors. | 0:33:47 | 0:33:49 | |
They are domestic workers in different houses, | 0:33:49 | 0:33:52 | |
and at night, they sleep on the street. | 0:33:52 | 0:33:54 | |
So they work in other people's houses by day | 0:33:54 | 0:33:56 | |
-but they don't have a house of their own? -No. | 0:33:56 | 0:33:59 | |
This is the Hastings Underpass, a ten-kilometre stretch of road | 0:34:04 | 0:34:08 | |
and wasteland that provides shelter for up to 10,000 people. | 0:34:08 | 0:34:12 | |
Because they live under the flyover, there are big rats moving around. | 0:34:18 | 0:34:22 | |
You see the garbage and that. They don't have a proper floor. | 0:34:22 | 0:34:25 | |
There are just rags on top of the rags. So under the rags, what are | 0:34:25 | 0:34:28 | |
-there? It can be anything. -So it's just an open sewer, basically? | 0:34:28 | 0:34:31 | |
Open sewage. On that, they put a plastic sheet and sleep. | 0:34:31 | 0:34:33 | |
-Oh, God. -We really get children who are really in a very bad shape. | 0:34:33 | 0:34:38 | |
There are a lot of children who actually with malnourishment | 0:34:38 | 0:34:41 | |
have died. We could not save them. | 0:34:41 | 0:34:43 | |
We have also got mentally ill mothers delivering babies. | 0:34:43 | 0:34:46 | |
-So can we speak to this young woman here? -Yes. -Hi, namaste. | 0:34:50 | 0:34:53 | |
-Namaste. -How long have you lived here? | 0:34:53 | 0:34:55 | |
She is born here. | 0:34:58 | 0:35:00 | |
What is it like as a woman here? | 0:35:00 | 0:35:02 | |
All the men pee... | 0:35:22 | 0:35:23 | |
They tell me that two years ago, | 0:35:28 | 0:35:30 | |
a young girl was abducted from here and murdered. | 0:35:30 | 0:35:33 | |
She slept at 2:30 at night, protecting her children... | 0:35:44 | 0:35:47 | |
So you're constantly very fearful, very anxious? All the time? | 0:35:47 | 0:35:52 | |
For them, it is like they have nobody to talk...their problems. | 0:36:03 | 0:36:09 | |
They have nobody to say, so it's...the night-time is that | 0:36:09 | 0:36:12 | |
it helps them. They share their problems, | 0:36:12 | 0:36:15 | |
and then they at least try to see how we can work with them | 0:36:15 | 0:36:20 | |
and place them in various places. | 0:36:20 | 0:36:22 | |
Oh! Grr! | 0:36:26 | 0:36:28 | |
CHILDREN CHATTER | 0:36:28 | 0:36:30 | |
'At the next location, the mood is very different.' | 0:36:30 | 0:36:34 | |
-Show me where you sleep. Show me where you sleep. -CHILDREN SHRIEK | 0:36:34 | 0:36:37 | |
Argh! | 0:36:37 | 0:36:38 | |
That's the most exercise I've had all day! | 0:36:43 | 0:36:47 | |
That is their prayer room. | 0:36:47 | 0:36:49 | |
That is their kitchen. | 0:36:49 | 0:36:51 | |
That is their room. | 0:36:51 | 0:36:53 | |
That's their bedroom. | 0:36:53 | 0:36:54 | |
# Twinkle, twinkle, little star... # | 0:36:56 | 0:37:00 | |
CHILDREN CONTINUE IN SAME TUNE | 0:37:00 | 0:37:03 | |
-CHILDREN: -# No, Papa... | 0:37:03 | 0:37:06 | |
# No, Papa | 0:37:06 | 0:37:08 | |
# Open your mouth | 0:37:08 | 0:37:09 | |
# A-ha-ha! # | 0:37:09 | 0:37:11 | |
That was a new one on me. I like what you've done with it. | 0:37:11 | 0:37:14 | |
-Is today a happy day? -Yeah. -Yeah. | 0:37:14 | 0:37:17 | |
Yeah? | 0:37:17 | 0:37:19 | |
He's happy because you have come. | 0:37:19 | 0:37:20 | |
Just change and a little bit fun. | 0:37:20 | 0:37:23 | |
Are you happy today with what you've seen? | 0:37:25 | 0:37:27 | |
We know we cannot give everybody a home, house, but we can | 0:37:27 | 0:37:31 | |
give them education and give them fun, | 0:37:31 | 0:37:33 | |
loving and help them to dream. | 0:37:33 | 0:37:35 | |
-So how many of these kids are in school? -All of them are in school. | 0:37:35 | 0:37:40 | |
Very good. All right. Be safe. Be safe. | 0:37:40 | 0:37:45 | |
No, darling, I can't take that. That's yours. | 0:37:45 | 0:37:50 | |
'Just as we're about to leave, Gita spots a little girl | 0:37:50 | 0:37:53 | |
'that she's been keen to check up on.' | 0:37:53 | 0:37:55 | |
Where is your friend? | 0:37:55 | 0:37:56 | |
Where are your girlfriends, where are your boyfriends? | 0:37:56 | 0:37:59 | |
-Puja... -Ah, Puja - where is she? | 0:37:59 | 0:38:02 | |
-Where's Puja? -They're all sleeping. | 0:38:02 | 0:38:06 | |
How old are you? | 0:38:06 | 0:38:07 | |
SHE TRANSLATES | 0:38:07 | 0:38:08 | |
-She's ten years. -Do you like school? | 0:38:08 | 0:38:11 | |
Yes? | 0:38:13 | 0:38:14 | |
SHE SPEAKS OWN LANGUAGE | 0:38:14 | 0:38:16 | |
If she becomes absent, she doesn't like. | 0:38:16 | 0:38:19 | |
No, you have to go every day. | 0:38:19 | 0:38:20 | |
When you finish school, what would you like to be | 0:38:20 | 0:38:23 | |
when you are grown-up? | 0:38:23 | 0:38:24 | |
SHE TRANSLATES | 0:38:24 | 0:38:26 | |
What a way... What a way to make somebody proud. | 0:38:29 | 0:38:34 | |
Will you be a brilliant doctor? Yes? | 0:38:34 | 0:38:38 | |
Will you be the best doctor in all of India? | 0:38:38 | 0:38:41 | |
Everybody will know. Yeah? | 0:38:41 | 0:38:44 | |
I will come back to see you and I will say, "Where has she gone?" | 0:38:47 | 0:38:50 | |
And you will say, "I don't have time to see Auntie Sue | 0:38:50 | 0:38:52 | |
"because I'm too busy being a great doctor." | 0:38:52 | 0:38:55 | |
-No, no... -She will give time. | 0:38:55 | 0:38:57 | |
She's going to sleep. Sleep is boring. | 0:39:03 | 0:39:06 | |
So there has been plenty of times tonight where I've just | 0:39:24 | 0:39:27 | |
wanted to cry my eyes out at the things I have seen | 0:39:27 | 0:39:29 | |
and the things I have heard, which have sometimes been too unbearable | 0:39:29 | 0:39:32 | |
and probably too difficult to broadcast, but at the end of it, | 0:39:32 | 0:39:36 | |
we have someone like Rakhi, who is, through the Hope Foundation, | 0:39:36 | 0:39:40 | |
getting an education, speaking English and wants to be a doctor. | 0:39:40 | 0:39:43 | |
And it is now past midnight and you are going to bed, young lady. | 0:39:43 | 0:39:48 | |
Off you go. This way. It's bedtime! Sleep time. Sleep time. It's very... | 0:39:48 | 0:39:56 | |
It's very late. Come on, I'm taking you to see Puja. Where is she? | 0:39:56 | 0:40:00 | |
There is, thankfully, another Kolkata, | 0:40:07 | 0:40:09 | |
away from the dreadful cliches of poverty and homelessness. | 0:40:09 | 0:40:12 | |
Over the past few decades, India has changed beyond recognition. | 0:40:14 | 0:40:18 | |
Life expectancy has doubled, literacy rates have quadrupled. | 0:40:19 | 0:40:23 | |
And ten million people each year move from the country to the | 0:40:23 | 0:40:26 | |
city in search of work. | 0:40:26 | 0:40:28 | |
India will soon have the biggest | 0:40:28 | 0:40:30 | |
and the youngest workforce the world has ever seen. | 0:40:30 | 0:40:34 | |
As you drive away from the city centre, you see | 0:40:37 | 0:40:40 | |
the transformation that India's economic miracle is delivering. | 0:40:40 | 0:40:44 | |
And when you think of Kolkata, you think perhaps more of | 0:40:44 | 0:40:47 | |
poverty than excess, but that is starting to change. | 0:40:47 | 0:40:49 | |
Recently, voted to have the third highest | 0:40:49 | 0:40:52 | |
concentration of the super-rich in India after Mumbai and Delhi. | 0:40:52 | 0:40:55 | |
You can see the landscape transitioning from those | 0:40:55 | 0:40:57 | |
sort of low-rise buildings, shantytowns, | 0:40:57 | 0:41:00 | |
into this brave new world here of high-rises. | 0:41:00 | 0:41:04 | |
All the money now is in real estate, | 0:41:04 | 0:41:06 | |
so I guess they wouldn't call them high-rises. | 0:41:06 | 0:41:08 | |
They would say "opposing buildings with far-reaching city views." | 0:41:08 | 0:41:11 | |
And some people are doing very nicely out of it, thank you. | 0:41:11 | 0:41:15 | |
Hi, I'm Sue. Really nice to see you. Anish, very nice to see you. | 0:41:21 | 0:41:25 | |
Nice to see you. | 0:41:25 | 0:41:28 | |
This is the Supercar Club, a group of wealthy young men who meet every | 0:41:28 | 0:41:32 | |
Sunday morning to take their fancy new cars | 0:41:32 | 0:41:35 | |
out for a spin on the fancy new roads of the new town. | 0:41:35 | 0:41:39 | |
Why these cars? What do these cars say about you? | 0:41:43 | 0:41:46 | |
Passion, driving pleasure, kind of stress reliever for us. | 0:41:46 | 0:41:51 | |
Driving in Kolkata is stress relieving? | 0:41:51 | 0:41:54 | |
Go to the highway, the roads... | 0:41:54 | 0:41:57 | |
What speed can you get up to here? 30, 30, 40? | 0:41:57 | 0:42:01 | |
I guess, for the camera, 30, 40 is good enough! | 0:42:01 | 0:42:03 | |
Anish is the son of a wealthy family, | 0:42:05 | 0:42:07 | |
now making his own way in property. | 0:42:07 | 0:42:10 | |
When you come home, how many women are just on your bonnet? | 0:42:10 | 0:42:13 | |
-How many women are throwing themselves... -I just make sure | 0:42:13 | 0:42:15 | |
no-one is there, I like it clean. | 0:42:15 | 0:42:17 | |
-Oh, I see, they're not allowed. -They're not allowed. | 0:42:17 | 0:42:19 | |
Get off, ladies. There's only one girl for you. She's bright red. | 0:42:19 | 0:42:23 | |
You think this particular car has been really important, don't you? | 0:42:23 | 0:42:26 | |
-Yeah. -So why is that? | 0:42:26 | 0:42:28 | |
This car is so beautiful, it should inspire other people to work hard, | 0:42:28 | 0:42:33 | |
to be honest, and to be successful in life. | 0:42:33 | 0:42:36 | |
That should be the message. | 0:42:36 | 0:42:38 | |
So this car is a sort of symbol of the changing face of Kolkata? | 0:42:38 | 0:42:41 | |
Absolutely, absolutely. | 0:42:41 | 0:42:43 | |
Praveen is a 32-year-old entrepreneur | 0:42:43 | 0:42:46 | |
and already has a fleet of supercars. | 0:42:46 | 0:42:48 | |
He's made his fortune by expanding his father's small plastering | 0:42:49 | 0:42:53 | |
business into one of Kolkata's top real estate developers. | 0:42:53 | 0:42:56 | |
-I bet your dad is a very grateful man. -Yeah. -He's very happy with you. | 0:42:56 | 0:43:00 | |
-I just lost my dad a few months back. -Oh, I'm so sorry. | 0:43:00 | 0:43:03 | |
-I'm so sorry. -A few months back I lost him, so... | 0:43:03 | 0:43:06 | |
Well, he would be very proud. | 0:43:06 | 0:43:08 | |
Yeah, because he thought, and probably he's watching me from... | 0:43:08 | 0:43:12 | |
Because you took a family business and you developed it, | 0:43:12 | 0:43:15 | |
and that's all a parent wants. | 0:43:15 | 0:43:18 | |
Oh, I'm sorry, I'm so truly sorry! | 0:43:18 | 0:43:21 | |
-I didn't mean to bring it up but he would be very proud. -Yeah. | 0:43:21 | 0:43:24 | |
-To see you driving around in this amazing car. -Yeah. | 0:43:24 | 0:43:27 | |
And, you know, being so brilliant. | 0:43:27 | 0:43:29 | |
OK, let's give it a rev. Let's feel it, let's feel... | 0:43:33 | 0:43:36 | |
ENGINE REVS | 0:43:36 | 0:43:38 | |
I could grow a beard just from the amount of testosterone | 0:43:44 | 0:43:47 | |
that's in this vehicle just now. | 0:43:47 | 0:43:49 | |
Oh! I feel you! | 0:43:49 | 0:43:52 | |
Oh... | 0:43:59 | 0:44:00 | |
-This is a beautiful car. -Thank you. | 0:44:00 | 0:44:03 | |
What I love is you can really feel it being driven. It is so low. | 0:44:03 | 0:44:07 | |
-Everything is just hard and... -It's so raw, isn't it, and rough? | 0:44:07 | 0:44:11 | |
Oh, it's just great. | 0:44:11 | 0:44:12 | |
HORN TOOTS | 0:44:15 | 0:44:17 | |
Come on, let's open this thing up! | 0:44:20 | 0:44:22 | |
Sorry, my clutch has gone. | 0:44:22 | 0:44:24 | |
SHE LAUGHS | 0:44:24 | 0:44:25 | |
-Have you blown the clutch? -Yeah. | 0:44:25 | 0:44:27 | |
-I guess we'll take the other one. -All expectation, no delivery. | 0:44:29 | 0:44:34 | |
-Has it literally gone? -Yeah. Yeah, my clutch has gone. | 0:44:34 | 0:44:36 | |
Well, that was that, then. | 0:44:36 | 0:44:38 | |
Clutch has gone. | 0:44:39 | 0:44:41 | |
Don't laugh! | 0:44:41 | 0:44:42 | |
Oh, but we did. | 0:44:42 | 0:44:44 | |
I can't help but feel that | 0:44:44 | 0:44:45 | |
this scene would be very different at home. | 0:44:45 | 0:44:47 | |
We'd think they were too flash by half with | 0:44:47 | 0:44:50 | |
their bright orange Lamborghinis. | 0:44:50 | 0:44:52 | |
But here, they do seem to be an inspiration. | 0:44:52 | 0:44:55 | |
Get a good education, work hard, make your parents proud, | 0:44:56 | 0:45:00 | |
buy a supercar. | 0:45:00 | 0:45:02 | |
People like these - young, educated, fiercely ambitious - | 0:45:02 | 0:45:06 | |
are transforming Kolkata. | 0:45:06 | 0:45:07 | |
This is the new town. | 0:45:12 | 0:45:13 | |
Mile after mile of shopping malls, | 0:45:13 | 0:45:16 | |
smooth new highways, apartment blocks and hotels, | 0:45:16 | 0:45:20 | |
spreading in a vast ring around the city. | 0:45:20 | 0:45:22 | |
The investment and the ambition here is staggering. | 0:45:25 | 0:45:29 | |
This is a property boom on a superhuman scale. | 0:45:29 | 0:45:32 | |
So this is one of how many projects? | 0:45:34 | 0:45:36 | |
-One out of 17. -17? -Yeah. | 0:45:36 | 0:45:39 | |
Do you know how much that totals | 0:45:39 | 0:45:41 | |
in terms of accumulated wealth from all those sites? | 0:45:41 | 0:45:44 | |
£120 million. | 0:45:44 | 0:45:46 | |
-£120 million? -Yeah. | 0:45:48 | 0:45:50 | |
It has just started. If this stops, my life stops. | 0:45:50 | 0:45:55 | |
-Really? So that's how closely connected you are to it? -Yeah. | 0:45:55 | 0:45:59 | |
It's about passion, it's not just about money, it's passion. | 0:45:59 | 0:46:03 | |
If the passion stays, you're living. If the passion dies, you're dead. | 0:46:03 | 0:46:07 | |
Oh, there's literally no windows there! I was about to lean forward. | 0:46:12 | 0:46:17 | |
This is great, isn't it? | 0:46:17 | 0:46:19 | |
See, I look out at that and I think that is stunning, | 0:46:19 | 0:46:22 | |
and you look out on that and think, "Mmm! 500 million!" £500 million! | 0:46:22 | 0:46:26 | |
Save a little bit, Praveen. | 0:46:26 | 0:46:28 | |
-Save a little bit of green just for me. -Surely. Yeah! | 0:46:28 | 0:46:31 | |
You lead the way. | 0:46:31 | 0:46:34 | |
'These apartments cost 60 grand, | 0:46:34 | 0:46:36 | |
'but for Praveen it is just the beginning.' | 0:46:36 | 0:46:38 | |
OK, this is how the project is going to look like. | 0:46:38 | 0:46:41 | |
-Gosh, it's got a home theatre! -Yeah, it has got a big home theatre | 0:46:41 | 0:46:44 | |
and it'll be getting a library, a community hall, a gymnasium. | 0:46:44 | 0:46:48 | |
There will be a place to park all your Lamborghinis, | 0:46:48 | 0:46:51 | |
by the looks of it! | 0:46:51 | 0:46:53 | |
Well, they are delighted. | 0:46:53 | 0:46:55 | |
They are very happy with it. | 0:46:55 | 0:46:56 | |
Your father was obviously a massive influence on you, wasn't he? | 0:46:59 | 0:47:02 | |
-Yeah. -So much is placed on the son, that he must succeed, make money, | 0:47:02 | 0:47:06 | |
be in business. Do you feel that pressure? | 0:47:06 | 0:47:09 | |
I do feel that pressure because | 0:47:09 | 0:47:12 | |
my father has created a name, and... | 0:47:12 | 0:47:15 | |
I have joined hand, and after him, I have to make his name even bigger, | 0:47:16 | 0:47:21 | |
even 10 times, 20 times, 100 times bigger, and that is a big pressure. | 0:47:21 | 0:47:25 | |
So I'm now starting to really see the scale of development in Kolkata, | 0:47:29 | 0:47:33 | |
the way that this place is just exploding, | 0:47:33 | 0:47:36 | |
that the frontiers are being expanded, this city is just, | 0:47:36 | 0:47:39 | |
you know, it's growing almost in front of your very eyes, | 0:47:39 | 0:47:44 | |
and this place is symbolic of exactly that, this new frontier, | 0:47:44 | 0:47:49 | |
and the fact that people will spend money on this project, | 0:47:49 | 0:47:52 | |
these beautiful homes, when there isn't even a road, | 0:47:52 | 0:47:55 | |
a bypass or any of the infrastructure you'd expect, | 0:47:55 | 0:47:57 | |
just shows you how much people are | 0:47:57 | 0:47:59 | |
banking on the fact that tomorrow is going to be better than today. | 0:47:59 | 0:48:02 | |
This is the Kolkata of tomorrow, | 0:48:07 | 0:48:09 | |
a brave new world of middle-class affluence. | 0:48:09 | 0:48:12 | |
The old Kolkata is being buried beneath a landslide of progress. | 0:48:12 | 0:48:16 | |
The heritage buildings are falling and a new city is being born. | 0:48:16 | 0:48:21 | |
But in this rush to modernise, some people are making sure | 0:48:27 | 0:48:30 | |
that Kolkata retains its unique eccentricity. | 0:48:30 | 0:48:33 | |
LAUGHTER | 0:48:36 | 0:48:38 | |
Out in the city's sprawling suburbs, something strange is stirring. | 0:48:38 | 0:48:43 | |
So it's seven o'clock in the morning | 0:48:45 | 0:48:47 | |
and it's fair to say the only time I've ever laughed before it's 7am | 0:48:47 | 0:48:50 | |
was when the person who woke me up tripped over. | 0:48:50 | 0:48:53 | |
But to laugh is why I'm here in this sort of Surbiton of Kolkata. | 0:48:53 | 0:48:57 | |
Ready? | 0:48:57 | 0:48:58 | |
HAAA-ha-ha-ha-ha! | 0:48:58 | 0:49:00 | |
THEY LAUGH | 0:49:00 | 0:49:02 | |
Rest. | 0:49:11 | 0:49:13 | |
(Quite strict.) | 0:49:15 | 0:49:16 | |
Ready? | 0:49:16 | 0:49:18 | |
ALL: Ho-ho, ha-ha! | 0:49:18 | 0:49:21 | |
Ho-ho... | 0:49:21 | 0:49:22 | |
'Concerned that life was becoming too serious, | 0:49:22 | 0:49:25 | |
'people began to set up laughing clubs all over Kolkata.' | 0:49:25 | 0:49:29 | |
ALL: Ho... | 0:49:29 | 0:49:36 | |
Oof! | 0:49:38 | 0:49:40 | |
Ho-ho, ha-ha-ha! Ho-ho... | 0:49:40 | 0:49:43 | |
'If laughter is indeed the best medicine, | 0:49:43 | 0:49:46 | |
'then these ladies are pure Prozac.' | 0:49:46 | 0:49:48 | |
Ha-ha-ha-ha-ha-ha-ha! | 0:49:48 | 0:49:50 | |
'They think that laughter cures all sorts of elements, from anxiety | 0:49:50 | 0:49:54 | |
'to arthritis, and strengthens the immune system to boot. | 0:49:54 | 0:49:58 | |
'Personally, I'm here for the biscuits.' | 0:49:58 | 0:50:00 | |
This is ridiculous! | 0:50:02 | 0:50:03 | |
'So how long have you all been going to the laughing club? How long?' | 0:50:08 | 0:50:11 | |
-12 years. -14, 14. -14 years. -14 years? | 0:50:11 | 0:50:15 | |
And you've all been going that long? | 0:50:15 | 0:50:18 | |
Together? And why do you like it? What's good about it? | 0:50:18 | 0:50:21 | |
-Cheers. -Cheers. | 0:50:34 | 0:50:36 | |
Good health. | 0:50:36 | 0:50:38 | |
THEY LAUGH | 0:50:38 | 0:50:40 | |
So have you noticed that Kolkata has changed a lot | 0:50:40 | 0:50:44 | |
in the last few years? | 0:50:44 | 0:50:46 | |
Right, that confused me, then, | 0:50:49 | 0:50:51 | |
because you were doing the international sign for "no". | 0:50:51 | 0:50:54 | |
There was a lot of "no" action there. Yeah. | 0:50:54 | 0:50:56 | |
'Since being in Kolkata, I've heard the term "adda" being used | 0:51:29 | 0:51:33 | |
'to describe a uniquely Kolkata phenomenon.' | 0:51:33 | 0:51:37 | |
I don't know what adda is. | 0:51:37 | 0:51:38 | |
Can you explain to me? I keep hearing about it but what is adda? | 0:51:38 | 0:51:42 | |
ALL TALK AT ONCE | 0:51:42 | 0:51:43 | |
Oh, now, OK! Oh, it's good? | 0:51:43 | 0:51:46 | |
-Adda, adda. -Is this it? This is adda? | 0:51:46 | 0:51:48 | |
-This is adda. -This is adda. | 0:51:48 | 0:51:50 | |
-This is adda? -This is adda. | 0:51:50 | 0:51:52 | |
I'm in the middle of adda right now? | 0:51:52 | 0:51:54 | |
THEY LAUGH | 0:51:54 | 0:51:56 | |
-This is adda. -So what is... What is it? Is it just a feeling? | 0:51:56 | 0:51:59 | |
Is it a... What is it? | 0:51:59 | 0:52:01 | |
Story, story. Variety, story. | 0:52:05 | 0:52:08 | |
What, so what does adda - one word, what does adda mean to you? | 0:52:08 | 0:52:10 | |
Freshness. | 0:52:10 | 0:52:12 | |
Freshness? I like that. How about you? | 0:52:12 | 0:52:14 | |
Fresh air? I'll allow you that as one word cos we'll hyphenate it. | 0:52:16 | 0:52:19 | |
Energy? | 0:52:20 | 0:52:21 | |
I like! | 0:52:23 | 0:52:24 | |
Just one word! | 0:52:27 | 0:52:28 | |
-Happiness. -Happiness. -Happiness. | 0:52:30 | 0:52:33 | |
-Happy. -Happy. | 0:52:33 | 0:52:35 | |
I've just spilt a lot of tea on me | 0:52:35 | 0:52:36 | |
but it doesn't matter, I'm in an adda frame of mind. | 0:52:36 | 0:52:39 | |
No, it's good! It doesn't matter! | 0:52:39 | 0:52:41 | |
That's OK. | 0:52:41 | 0:52:42 | |
Where I come from, we're not very bright. | 0:52:42 | 0:52:44 | |
We think you drink like this. | 0:52:44 | 0:52:45 | |
What's wrong with that? | 0:52:47 | 0:52:49 | |
This is adda, this is adda! | 0:52:49 | 0:52:51 | |
THEY LAUGH | 0:52:54 | 0:52:56 | |
We're doing a remake of Michael Jackson's Thriller. | 0:53:04 | 0:53:07 | |
WOMEN ULULATE | 0:53:20 | 0:53:21 | |
In this city of change, | 0:53:23 | 0:53:25 | |
the past, present and future of India co-exist. | 0:53:25 | 0:53:29 | |
But there is one thing that is constant - | 0:53:29 | 0:53:32 | |
God. Or, rather, gods. There are hundreds of them everywhere. | 0:53:32 | 0:53:36 | |
The Hooghly River is a branch of the mighty Ganges | 0:53:38 | 0:53:41 | |
and Hindus consider its waters to be just as holy. | 0:53:41 | 0:53:44 | |
Religion flows through every part of the city's life | 0:53:49 | 0:53:52 | |
and is the reason that Kolkata exists at all. | 0:53:52 | 0:53:55 | |
Before anything, before the British Empire, before partition, | 0:53:59 | 0:54:03 | |
before Lamborghinis and high-rises | 0:54:03 | 0:54:05 | |
and the accursed invention of the car horn, | 0:54:05 | 0:54:07 | |
there was this place - Kalighat Temple. | 0:54:07 | 0:54:09 | |
Kalighat Temple is one of the most important spiritual sites in India. | 0:54:12 | 0:54:16 | |
A million pilgrims from all over the subcontinent flock here every year | 0:54:16 | 0:54:21 | |
to make offerings to the great goddess Kali. | 0:54:21 | 0:54:24 | |
I actually think most of them are here today. | 0:54:24 | 0:54:26 | |
So Kali is a domestic goddess, | 0:54:27 | 0:54:29 | |
a little bit like a Hindi spiritual version of Nigella Lawson, | 0:54:29 | 0:54:32 | |
and people come here for very practical things, | 0:54:32 | 0:54:34 | |
like, you know, they want a new fridge-freezer or, in my case, | 0:54:34 | 0:54:38 | |
a new system of traffic management. | 0:54:38 | 0:54:40 | |
Before I leave, I'm going to brave the crowds | 0:54:41 | 0:54:44 | |
to try to make an offering to the great goddess herself. | 0:54:44 | 0:54:48 | |
No-one's ever filmed in the inner temple before. | 0:54:48 | 0:54:50 | |
We've got billions of permission slips | 0:54:50 | 0:54:52 | |
but I have absolutely no idea if any of them are going to be valid. | 0:54:52 | 0:54:55 | |
I mean, what idiotic country gifted India their bureaucratic system? | 0:54:55 | 0:54:58 | |
I'm here to meet Vutha, a priest and temple guide. | 0:55:01 | 0:55:04 | |
This is offering to goddess Kali, | 0:55:04 | 0:55:07 | |
and holy tree, for your family person's name, peace and happiness. | 0:55:07 | 0:55:11 | |
-So when I see Kali, three eyes. -Three eyes. -Black tongue. | 0:55:11 | 0:55:15 | |
-One long tongue. -I give the flowers, and I light the incense. | 0:55:15 | 0:55:19 | |
SHOUTING | 0:55:21 | 0:55:23 | |
Single, single, single, single! | 0:55:23 | 0:55:27 | |
'Once inside, it's mayhem. | 0:55:27 | 0:55:28 | |
'A heaving, pushing, pulling mass of bodies trying to | 0:55:28 | 0:55:32 | |
'crush into the inner temple to make an offering to the Kali idol.' | 0:55:32 | 0:55:35 | |
-Come. -Absolute chaos. | 0:55:40 | 0:55:42 | |
'Apparently, Kali's in there somewhere | 0:55:45 | 0:55:47 | |
'but it's so packed we can't get through the door | 0:55:47 | 0:55:50 | |
'and the sheer volume of people sweeps us past.' | 0:55:50 | 0:55:52 | |
SHOUTING | 0:55:54 | 0:55:56 | |
I'm not sure if Kali got my... my prayer, but she did get my money. | 0:55:58 | 0:56:02 | |
'In the relative calm of the second altar chamber, | 0:56:07 | 0:56:10 | |
'beneath a holy tree, we make another offering.' | 0:56:10 | 0:56:12 | |
-Namaste Kali. -Namaste Kali. | 0:56:14 | 0:56:17 | |
-Namaste Shiva. -Namaste Shiva. | 0:56:17 | 0:56:20 | |
-I come to you. -I come to you. | 0:56:20 | 0:56:22 | |
-Pray to you. -Pray to you. | 0:56:22 | 0:56:24 | |
-For my family. -For my family. | 0:56:24 | 0:56:26 | |
-In our world. -In our world. | 0:56:26 | 0:56:28 | |
-Peace and happiness. -Peace and happiness. | 0:56:28 | 0:56:30 | |
-Om shanti. -Om shanti. -Om shanti. -Om shanti. | 0:56:30 | 0:56:33 | |
-Shanti shanti. -Shanti shanti. | 0:56:33 | 0:56:35 | |
Shanti means peace and happiness. | 0:56:35 | 0:56:38 | |
Om shanti. | 0:56:38 | 0:56:39 | |
-OK? -I feel very blessed. | 0:56:39 | 0:56:41 | |
It's a quintessentially Kolkatan experience - | 0:56:45 | 0:56:48 | |
chaotic, bewildering and extraordinary all at once. | 0:56:48 | 0:56:52 | |
So in the West we're used to religious experiences being quiet | 0:56:55 | 0:56:58 | |
and contemplative things, in locked and cool churches, | 0:56:58 | 0:57:01 | |
but here it's a cross between a market, a rally | 0:57:01 | 0:57:04 | |
and just a plain old-fashioned bunfight. It's... | 0:57:04 | 0:57:07 | |
All your senses are simultaneously bombarded, which is ironic, | 0:57:07 | 0:57:11 | |
I suppose, since Kali is the goddess who purifies your senses, | 0:57:11 | 0:57:15 | |
so I'm in need of huge purification right now. | 0:57:15 | 0:57:18 | |
It's the perfect end to my adventures | 0:57:19 | 0:57:21 | |
in this most beguiling of cities. | 0:57:21 | 0:57:23 | |
You know, I'd be lying if I said that I'd enjoyed all my time here. | 0:57:30 | 0:57:34 | |
I found some of it extremely difficult, challenging | 0:57:34 | 0:57:37 | |
and painful to be a part of, | 0:57:37 | 0:57:38 | |
but the feeling I'm left with | 0:57:38 | 0:57:40 | |
is of this volume of people living in a small space and coexisting | 0:57:40 | 0:57:44 | |
no matter what their race, creed, what their social status is, | 0:57:44 | 0:57:48 | |
and you know, Kolkata may not be able to teach us | 0:57:48 | 0:57:51 | |
anything about peace, | 0:57:51 | 0:57:52 | |
but I do believe we've got a lot to learn from it about tolerance. | 0:57:52 | 0:57:56 | |
Kolkata is changing at an astonishing pace, | 0:57:56 | 0:57:59 | |
emerging from its colonial past into a prosperous new future. | 0:57:59 | 0:58:03 | |
It is a dazzling place, truly a City of Joy. | 0:58:06 | 0:58:10 | |
I just hope that as it develops and grows, it can hang on to | 0:58:12 | 0:58:15 | |
the beautiful, crazy eccentricity that makes it so unique. | 0:58:15 | 0:58:19 | |
I haven't met one person, whatever their social circumstance, | 0:58:21 | 0:58:24 | |
not one person that hasn't had a smile on their face | 0:58:24 | 0:58:27 | |
or had something good to say about the world, and for that reason... | 0:58:27 | 0:58:31 | |
I think the future of India is radiant. | 0:58:31 | 0:58:34 |