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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:01 | 0:00:06 | |
Eastender Mason McQueen drives one of London's 22,000 black taxis. | 0:00:06 | 0:00:09 | |
The London cab driver is naturally a nosy bastard. | 0:00:10 | 0:00:14 | |
We're the eyes and ears of this city. | 0:00:15 | 0:00:17 | |
Last year, he left London to live | 0:00:17 | 0:00:20 | |
and work as a cabbie in Mumbai for a BBC documentary. | 0:00:20 | 0:00:23 | |
Whoa, whoa, whoa. | 0:00:23 | 0:00:25 | |
It's chaos. It's like Mad Max meets The Kumars or something. | 0:00:25 | 0:00:28 | |
Big bus, big bus, big bus. | 0:00:28 | 0:00:30 | |
What have I got myself into here, eh? | 0:00:30 | 0:00:33 | |
Now, Mason has accepted the challenge to drive | 0:00:33 | 0:00:36 | |
a taxi in three very different cities around the world. | 0:00:36 | 0:00:40 | |
Can it get worse than Mumbai? I don't think so. | 0:00:40 | 0:00:43 | |
In the far north of Canada, | 0:00:46 | 0:00:48 | |
he'll be battling some of the worst conditions on the planet. | 0:00:48 | 0:00:51 | |
Oh, whoa, whoa. | 0:00:53 | 0:00:55 | |
Just losing control of this vehicle! | 0:00:55 | 0:00:57 | |
And meeting a lost people. | 0:01:01 | 0:01:03 | |
Would you rather have today's life or would you like to go back? | 0:01:03 | 0:01:07 | |
I rather go back. | 0:01:07 | 0:01:08 | |
He'll be setting off for the paradise islands of Fiji. | 0:01:12 | 0:01:16 | |
-Bula! -Bula! | 0:01:16 | 0:01:17 | |
London? Where's that? | 0:01:19 | 0:01:20 | |
And an unusual local cuisine. | 0:01:20 | 0:01:22 | |
200 years ago, be an Oxo cube up the bum and that'd be me in the pot. | 0:01:26 | 0:01:31 | |
-Where am I going? -Straight. -Straight? | 0:01:31 | 0:01:34 | |
And in the capital city of Cambodia... | 0:01:34 | 0:01:36 | |
CAR HORNS BLARE | 0:01:37 | 0:01:39 | |
Mason will be getting to grips with a very different kind of taxi. | 0:01:40 | 0:01:44 | |
You have got to keep your eyes open here, | 0:01:44 | 0:01:48 | |
otherwise you ain't going to make it! | 0:01:48 | 0:01:50 | |
My God. | 0:01:50 | 0:01:51 | |
It's one London cabbie's journey to find out how people | 0:01:55 | 0:01:58 | |
live in some of the most extreme and exotic parts of the planet. | 0:01:58 | 0:02:02 | |
It's the same the world over. | 0:02:03 | 0:02:05 | |
If you want a lowdown on a place, speak to the cab driver. | 0:02:05 | 0:02:08 | |
Phnom Penh is the capital city of Cambodia, | 0:02:16 | 0:02:19 | |
a country of 15 million people between Thailand and Vietnam. | 0:02:19 | 0:02:24 | |
Once known as the Pearl of Asia, | 0:02:28 | 0:02:30 | |
it's now a popular tourist destination for backpackers | 0:02:30 | 0:02:34 | |
intrigued by the vibrant markets, famous temples and exotic culture. | 0:02:34 | 0:02:39 | |
But this is a country still coming to terms with a dark past | 0:02:42 | 0:02:46 | |
of tyranny and genocide under Pol Pot and his infamous Khmer Rouge. | 0:02:46 | 0:02:51 | |
Now, decades on, there is widespread unrest | 0:02:53 | 0:02:56 | |
and protest over inequality and low wages. | 0:02:56 | 0:02:59 | |
And the poverty here means that, instead of cars, the streets | 0:03:01 | 0:03:05 | |
are choked with hundreds of thousands of scooters, | 0:03:05 | 0:03:08 | |
creating a chaotic nightmare for any driver. | 0:03:08 | 0:03:10 | |
London cabbie Mason McQueen has travelled more | 0:03:12 | 0:03:16 | |
than 6,000 miles for the ultimate test of his driving skills. | 0:03:16 | 0:03:20 | |
Here we are. All the life is here, right? | 0:03:23 | 0:03:26 | |
Passing this bridge here. This is Cambodia. Oh, my God. | 0:03:26 | 0:03:31 | |
This is bonkers. You're just seeing everything on bikes. | 0:03:31 | 0:03:34 | |
You're seeing families of four or five. | 0:03:34 | 0:03:36 | |
God knows what they do when they go and do a big shop. | 0:03:36 | 0:03:39 | |
I don't know where they put it all. | 0:03:39 | 0:03:41 | |
It took me ten minutes to cross the road. | 0:03:41 | 0:03:44 | |
I was clean shaven! | 0:03:44 | 0:03:46 | |
HE LAUGHS | 0:03:46 | 0:03:47 | |
Mason's heading into the heart of Phnom Penh | 0:03:51 | 0:03:54 | |
and the banks of the Black River. | 0:03:54 | 0:03:56 | |
Poverty's jumping out at you, right in your face here, you know? | 0:03:59 | 0:04:04 | |
It's really... It's clear to see. | 0:04:04 | 0:04:07 | |
It's a bit of a mess. | 0:04:10 | 0:04:12 | |
Well, it is a mess, but that river, God, ugh. | 0:04:12 | 0:04:17 | |
He's come to meet his Cambodian host... | 0:04:17 | 0:04:20 | |
This looks like his street, Waterside Apartments. | 0:04:20 | 0:04:23 | |
46-year-old taxi driver, Polo Doot. | 0:04:23 | 0:04:27 | |
-Hey! -Hello, mate. -Nice to meet you. | 0:04:27 | 0:04:30 | |
-Yeah, how are you doing? -All right, fella? -Yeah, yeah. | 0:04:30 | 0:04:33 | |
-You OK? -Good. -Very good, yeah! Yeah! | 0:04:33 | 0:04:34 | |
THEY LAUGH | 0:04:34 | 0:04:36 | |
Please come inside, meet my family. Yeah, OK. | 0:04:36 | 0:04:39 | |
Polo lives in one of the poorest parts of the city with his wife, | 0:04:39 | 0:04:42 | |
Bea, and their son, Sok Leang. | 0:04:42 | 0:04:45 | |
-Bea. -Yes. -Hello, Bea, nice to meet you. | 0:04:45 | 0:04:48 | |
This is my son. Yes. His name is Sok Leang, yeah. | 0:04:48 | 0:04:52 | |
-You OK? -I am fine. -Oh, good! -I am OK. | 0:04:52 | 0:04:56 | |
MASON LAUGHS | 0:04:56 | 0:04:57 | |
-How old are you? -I am eight years old. | 0:04:57 | 0:05:01 | |
-Eight years old? -Yeah. -Whoa. | 0:05:01 | 0:05:02 | |
With just two rooms, home comforts are basic, to say the least. | 0:05:04 | 0:05:09 | |
This is my bathroom and toilet. OK. Yeah. | 0:05:11 | 0:05:15 | |
So, it's the toilet and the shower in there, Polo? | 0:05:15 | 0:05:18 | |
Yeah, the toilet and also the shower, yeah. | 0:05:18 | 0:05:20 | |
I hope you'll enjoy. | 0:05:20 | 0:05:22 | |
THEY LAUGH | 0:05:22 | 0:05:23 | |
Yeah. | 0:05:23 | 0:05:24 | |
My kitchen. | 0:05:24 | 0:05:26 | |
Right, this is the kitchen. | 0:05:26 | 0:05:27 | |
And the food are here. | 0:05:27 | 0:05:29 | |
The downstairs area serves as living room, kitchen, bathroom | 0:05:29 | 0:05:34 | |
and study for Sok Leang. | 0:05:34 | 0:05:35 | |
For a few nights, it's going to be Mason's bedroom, too. | 0:05:36 | 0:05:40 | |
-I'm staying here, yeah? -Yeah, you stay here, yeah. | 0:05:41 | 0:05:43 | |
-Right here. Lovely. -It's cool, huh? | 0:05:43 | 0:05:46 | |
-You're going to be OK with me staying here? -Yes. | 0:05:46 | 0:05:49 | |
Thank you, Sok Leang. | 0:05:49 | 0:05:51 | |
They may be from different ends of the world, | 0:05:54 | 0:05:56 | |
but all cabbies love to talk business. | 0:05:56 | 0:05:59 | |
-You're working in the taxi long hours? -Long hours, yes. | 0:05:59 | 0:06:03 | |
-Long hours. -Yeah. | 0:06:03 | 0:06:05 | |
Well, how many hours do you do in your shift? | 0:06:05 | 0:06:07 | |
Every day, depend on my customer. | 0:06:07 | 0:06:09 | |
Sometime I wake up six o'clock and then I come back, no customer, | 0:06:09 | 0:06:15 | |
I come back here about 10pm, something like that, yeah. | 0:06:15 | 0:06:19 | |
-Wow. -Yeah. A lot of taxi now. | 0:06:19 | 0:06:21 | |
-It's more competitive? -Yeah, more competitive. | 0:06:21 | 0:06:24 | |
This is similar to London. | 0:06:24 | 0:06:26 | |
The only thing, we are the best, though. | 0:06:26 | 0:06:29 | |
-Black taxis are the best. -Ah! You're the best? | 0:06:29 | 0:06:32 | |
-We're the best. -Oh, me too! | 0:06:32 | 0:06:34 | |
Yeah, you too as well, you're the best. | 0:06:34 | 0:06:35 | |
Yeah, the best, yeah. | 0:06:35 | 0:06:37 | |
-Do you want to see my taxi? -Yeah, sure. -Yeah, come. | 0:06:37 | 0:06:40 | |
-Let's go, have a look. -Come with me. -Let's go. -OK, yeah. Please. | 0:06:40 | 0:06:43 | |
If Mason thinks he'll be driving anything like his black taxi | 0:06:44 | 0:06:48 | |
here, he's in for a surprise. | 0:06:48 | 0:06:50 | |
-This is your cab? -No, no. | 0:06:51 | 0:06:54 | |
-No? -It is mine. -Oh, no! | 0:06:54 | 0:06:57 | |
This is yours! I thought it was this one! | 0:06:57 | 0:07:00 | |
-No, it is not mine. This is mine. -This is Polo's taxi. -Yeah. | 0:07:00 | 0:07:04 | |
Oh, this one, this one. I thought it was this one! | 0:07:04 | 0:07:08 | |
It's not mine. Yeah, this is my taxi. Yes, there's mine. | 0:07:08 | 0:07:11 | |
You look, look. | 0:07:11 | 0:07:12 | |
THEY LAUGH | 0:07:12 | 0:07:13 | |
Look, yeah. | 0:07:13 | 0:07:15 | |
I wanted air conditioning! I wanted air conditioning! | 0:07:15 | 0:07:19 | |
The fresh air. You're a sod. You're a sod. You got me. | 0:07:22 | 0:07:25 | |
-You got me, didn't you? -Yeah, so! | 0:07:25 | 0:07:27 | |
THEY LAUGH | 0:07:27 | 0:07:28 | |
Polo drives a tuk-tuk, and Mason's got just ten days to master it. | 0:07:28 | 0:07:33 | |
# Tuk-tuk took me to a party! # | 0:07:35 | 0:07:37 | |
Every bit as iconic as the black cab in London, | 0:07:38 | 0:07:41 | |
the tuk-tuk is the low-cost cab of choice around Asia. | 0:07:41 | 0:07:44 | |
Carrying up to four people or more, the Cambodian design | 0:07:48 | 0:07:52 | |
is as simple as they come, a scooter trailing a makeshift carriage. | 0:07:52 | 0:07:57 | |
6,000 tuk-tuks ferry passengers across Phnom Penh every day. | 0:07:57 | 0:08:02 | |
Their tinny engine noise is the soundtrack to the city streets. | 0:08:02 | 0:08:05 | |
It's rush hour in Phnom Penh. | 0:08:08 | 0:08:11 | |
The perfect time for Mason to experience | 0:08:13 | 0:08:15 | |
the joys of the city traffic. | 0:08:15 | 0:08:17 | |
Are you... Bikes coming from everywhere! | 0:08:19 | 0:08:22 | |
No, you ain't going to get down there, are you? | 0:08:22 | 0:08:25 | |
-Yeah. -Is it? I know, right here, but for you, difficult. | 0:08:25 | 0:08:29 | |
T junction. It's chaos. | 0:08:30 | 0:08:32 | |
Yeah, yeah, like this. | 0:08:32 | 0:08:34 | |
Got the right of way! People just go like that. | 0:08:34 | 0:08:36 | |
It's like a free-for-all! | 0:08:36 | 0:08:38 | |
It's like a jumble sale with a cashmere sweater, everyone's just... | 0:08:38 | 0:08:41 | |
-Here, go this way. -Oh, what a brute! | 0:08:41 | 0:08:44 | |
-Mind out, that's a truck. That's a truck. -It's all right. | 0:08:44 | 0:08:47 | |
Yeah. | 0:08:47 | 0:08:48 | |
With few buses or trains, and with cars an expensive luxury, | 0:08:48 | 0:08:52 | |
Phnom Penh is a swarm of scooters. | 0:08:52 | 0:08:54 | |
Cambodians buy a quarter of a million each year. | 0:08:54 | 0:08:57 | |
-Yeah. Oh, my God. -Oh! | 0:08:57 | 0:09:00 | |
Mind the baby. Mind the baby. | 0:09:01 | 0:09:03 | |
THUD | 0:09:03 | 0:09:04 | |
In London, I'm surrounded, I got the music on, everything's good, | 0:09:04 | 0:09:08 | |
I'm relaxed. | 0:09:08 | 0:09:09 | |
Here, it's just in your face. There's so much going on here. | 0:09:09 | 0:09:13 | |
He's not stopping, he's not stopping, Polo. | 0:09:13 | 0:09:16 | |
It's every man for himself back there. It's really... | 0:09:18 | 0:09:21 | |
It's scary, it is, and I'm only sitting in the back. | 0:09:21 | 0:09:25 | |
Wait till I'm in the front and I've got make the decisions for myself, | 0:09:25 | 0:09:28 | |
cos it's my decisions that is going to, you know, consequences | 0:09:28 | 0:09:32 | |
are going to come from that and that's what I'm worried about. | 0:09:32 | 0:09:35 | |
Slightly concerned that I might be over my head here. I really am. | 0:09:35 | 0:09:38 | |
The noise of the city keeps going through the night, | 0:09:45 | 0:09:48 | |
and Mason is left to contemplate the scale of the challenge ahead. | 0:09:48 | 0:09:52 | |
Just frazzles you. Really does, the traffic. | 0:09:53 | 0:09:57 | |
Unbelievable. And these scooters are moving at really high speeds. | 0:09:57 | 0:10:02 | |
I dread even thinking about having an accident | 0:10:02 | 0:10:04 | |
and knocking someone off their bike, I really do. | 0:10:04 | 0:10:08 | |
On that note, I shall get my head down, or try to, | 0:10:08 | 0:10:13 | |
and get over this jet lag. | 0:10:13 | 0:10:14 | |
SCOOTER HORN BEEPS | 0:10:20 | 0:10:21 | |
ROOSTER CROWS | 0:10:24 | 0:10:25 | |
It's an early start for Polo's family and their new house guest. | 0:10:28 | 0:10:32 | |
-Feel good now, Bea. -Yeah. -Feel good. -Yeah. | 0:10:41 | 0:10:44 | |
BEA GIGGLES | 0:10:44 | 0:10:45 | |
So another day begins. Lovely shower, I feel fresh. | 0:10:47 | 0:10:51 | |
Yeah, seven o'clock in the morning and... | 0:10:54 | 0:10:56 | |
life's begun here straightaway. | 0:10:56 | 0:10:58 | |
Everyone's hit the road running, you know? | 0:10:58 | 0:11:00 | |
Scooters coming out of places that I didn't even know | 0:11:00 | 0:11:03 | |
existed in this street, and if they're not coming out of there, | 0:11:03 | 0:11:06 | |
people are pushing them out of their houses. | 0:11:06 | 0:11:08 | |
The wheel's a fantastic creation, I tell you. | 0:11:10 | 0:11:13 | |
Everyone's got wheels. | 0:11:13 | 0:11:14 | |
Door to door butchers, eh? | 0:11:16 | 0:11:18 | |
Is this just your business, a family business? | 0:11:21 | 0:11:24 | |
That's a tough gig. | 0:11:30 | 0:11:32 | |
Madam, I hope you have a busy day and you sell all your meat today. | 0:11:32 | 0:11:35 | |
In Polo's house, it's Sok Leang who's first out the door. | 0:11:39 | 0:11:42 | |
Polo hopes that education will give his son a better life than him, | 0:11:42 | 0:11:47 | |
even though it comes at a cost. | 0:11:47 | 0:11:49 | |
Teacher. This your breakfast. | 0:11:50 | 0:11:52 | |
-Breakfast. -You buy something to eat. | 0:11:52 | 0:11:55 | |
-You have to pay the teacher, Polo? -Yeah, yeah. | 0:11:55 | 0:11:58 | |
-Every day? -Every day, yeah. | 0:11:58 | 0:12:00 | |
It'll be worth it in the long run, huh, for the education. | 0:12:01 | 0:12:05 | |
He'll have a good job. | 0:12:05 | 0:12:07 | |
-Bye. -See you, Sok Leang. | 0:12:09 | 0:12:11 | |
In just over a week, | 0:12:13 | 0:12:14 | |
Mason will also be heading off to work the city streets. | 0:12:14 | 0:12:18 | |
Today is his first day learning the ropes as a Cambodian tuk-tuk driver. | 0:12:18 | 0:12:23 | |
The first lesson is that, unlike London, | 0:12:24 | 0:12:26 | |
there are no official taxi ranks. | 0:12:26 | 0:12:29 | |
Each driver jealously guards his own pitch or stand-by. | 0:12:29 | 0:12:33 | |
This is my stand-by. | 0:12:34 | 0:12:36 | |
This is your cab rank, this? | 0:12:37 | 0:12:38 | |
-Yeah, yeah, I stand-by here. -Stand-by here. -Yeah. | 0:12:38 | 0:12:42 | |
Polo has a plum spot outside this backpacker's hotel. | 0:12:42 | 0:12:45 | |
As an English speaker, | 0:12:45 | 0:12:47 | |
he's well positioned to tap into the tourist market. | 0:12:47 | 0:12:50 | |
Polo, what kind of places do you take them in town? | 0:12:52 | 0:12:55 | |
This Royal Palace. | 0:12:55 | 0:12:57 | |
-The Royal Palace. -Yeah, and National Museum. | 0:12:57 | 0:12:59 | |
-National Museum. -And Night Market is this one. | 0:12:59 | 0:13:02 | |
-Night Market. -Yeah, and Russian Market. | 0:13:02 | 0:13:04 | |
-Another market, Russian market. -Yeah. -A lot of markets. | 0:13:04 | 0:13:07 | |
-Yeah, a lot of market. -Markets, tourists, crowds, dollars. | 0:13:07 | 0:13:11 | |
-Yeah, tourist dollars. -Yeah. You like the dollar, yeah. | 0:13:11 | 0:13:13 | |
I like dollar! | 0:13:13 | 0:13:14 | |
THEY LAUGH | 0:13:14 | 0:13:15 | |
There's no meter in the tuk-tuk and no fixed fares. | 0:13:15 | 0:13:18 | |
Drivers negotiate a rate for each journey. | 0:13:18 | 0:13:21 | |
Polo needs to take about 20 US dollars a day to cover | 0:13:22 | 0:13:26 | |
the costs of fuel and keep his family afloat. | 0:13:26 | 0:13:28 | |
Do you get 20 every day? | 0:13:31 | 0:13:33 | |
With so many tuk-tuk drivers in the city, | 0:13:45 | 0:13:48 | |
there's fierce competition for fares. | 0:13:48 | 0:13:50 | |
How long you waited for a job? | 0:13:50 | 0:13:52 | |
-18 years. -Yeah. | 0:13:56 | 0:13:58 | |
How long today you been waiting? | 0:13:58 | 0:14:00 | |
Oh, today... | 0:14:00 | 0:14:01 | |
-Really? -Yeah. | 0:14:02 | 0:14:03 | |
You haven't done no jobs? | 0:14:03 | 0:14:04 | |
So how many jobs you done today? | 0:14:06 | 0:14:09 | |
-Only one. -One job? -OK, yeah. -One trip. | 0:14:09 | 0:14:12 | |
-One trip. -One trip only. -From here? -From here to the... | 0:14:12 | 0:14:16 | |
-Central Market. -Central Market. | 0:14:16 | 0:14:17 | |
-How much did you get for that? -Maybe only three dollar. | 0:14:17 | 0:14:21 | |
-Three dollar? -Yeah. | 0:14:21 | 0:14:22 | |
Back on the road, | 0:14:22 | 0:14:24 | |
Polo's showing Mason some of the most well-known tourist hot spots. | 0:14:24 | 0:14:28 | |
Whoa. | 0:14:29 | 0:14:30 | |
So along this road, a lot of restaurant, a lot of guest house. | 0:14:34 | 0:14:40 | |
Every night-time, a lot of tourists go. | 0:14:40 | 0:14:43 | |
They will like to come to see the river. | 0:14:43 | 0:14:46 | |
This is a public garden. | 0:14:46 | 0:14:47 | |
-Independence, yeah? -Yeah. | 0:14:55 | 0:14:56 | |
Phnom Penh is steeped in history, but in recent years, | 0:15:05 | 0:15:08 | |
the city skyline has begun to change dramatically. | 0:15:08 | 0:15:12 | |
Billions of dollars of foreign investment has led to | 0:15:12 | 0:15:15 | |
a property boom in Cambodia, and signs of new wealth have | 0:15:15 | 0:15:19 | |
suddenly become visible on the roads. | 0:15:19 | 0:15:22 | |
Nice car, Polo, huh? | 0:15:22 | 0:15:24 | |
Yeah. Oh. | 0:15:24 | 0:15:26 | |
A new, wealthy elite is beginning to make its mark on the country. | 0:15:27 | 0:15:31 | |
Luxury developments are springing up across Phnom Penh. | 0:15:31 | 0:15:35 | |
Polo is taking Mason to see one of them | 0:15:35 | 0:15:37 | |
on an island in the middle of the Mekong River. | 0:15:37 | 0:15:40 | |
So, Polo, where are we? What is this place? | 0:15:42 | 0:15:45 | |
Now we are at the Diamond Island. | 0:15:45 | 0:15:47 | |
-Diamond Island? -Yes. | 0:15:47 | 0:15:49 | |
Diamond Island is an exclusive playground for rich Cambodians. | 0:15:56 | 0:16:01 | |
It's a complex of apartments, shops and leisure facilities. | 0:16:01 | 0:16:06 | |
It's like a theme park without any theme. It's tacky. | 0:16:07 | 0:16:12 | |
It's a bit tacky, don't you think? | 0:16:12 | 0:16:13 | |
Some of the statues and that, they're like... | 0:16:13 | 0:16:16 | |
-Yeah. -Very corny, very fake, you know? It's weird. | 0:16:16 | 0:16:19 | |
It's a strange place. | 0:16:19 | 0:16:21 | |
Apartments here cost anything from 200,000 to 1 million, out of reach | 0:16:22 | 0:16:27 | |
for most people in a country where the average wage is less | 0:16:27 | 0:16:31 | |
than 90 a month. | 0:16:31 | 0:16:33 | |
No place for me, you know? This is too expensive! | 0:16:34 | 0:16:38 | |
For the poor people? No, say no. | 0:16:38 | 0:16:42 | |
This area for only rich people. | 0:16:42 | 0:16:45 | |
More than a quarter of Cambodians live in extreme poverty, | 0:16:45 | 0:16:48 | |
and there's little evidence that they're | 0:16:48 | 0:16:51 | |
benefitting from Phnom Penh's boom. | 0:16:51 | 0:16:55 | |
This building here, well, it's telling you, isn't it, really, | 0:16:55 | 0:16:58 | |
the future of Phnom Penh, whether you like it or not, on the wall. | 0:16:58 | 0:17:02 | |
For people like Polo, | 0:17:08 | 0:17:10 | |
earning enough for even the bare essentials of life is a struggle. | 0:17:10 | 0:17:14 | |
-Fried fish? -Yeah. | 0:17:22 | 0:17:23 | |
Oh, my God. | 0:17:26 | 0:17:27 | |
That's quite chewy. | 0:17:27 | 0:17:29 | |
So, Polo, is this a regular meal, the fish and the rice all the time? | 0:17:29 | 0:17:35 | |
-Some people are getting it and some people ain't. -Yeah. | 0:17:54 | 0:17:58 | |
Yeah. | 0:17:58 | 0:17:59 | |
COCKEREL CROWS | 0:18:10 | 0:18:11 | |
Today, Mason is going to take his first step to becoming | 0:18:13 | 0:18:16 | |
a fully fledged Cambodian tuk-tuk driver. | 0:18:16 | 0:18:19 | |
Polo, you ready? Shall we go? | 0:18:26 | 0:18:28 | |
Polo is taking him | 0:18:31 | 0:18:33 | |
somewhere a little quieter to learn to drive the tuk-tuk. | 0:18:33 | 0:18:36 | |
The route takes them | 0:18:36 | 0:18:38 | |
past another recent addition to Phnom Penh's skyline. | 0:18:38 | 0:18:42 | |
What's that? Look at that. | 0:18:42 | 0:18:43 | |
-The Prime Minister building. -Oh... | 0:18:43 | 0:18:46 | |
These are the new multi-million dollar | 0:18:48 | 0:18:50 | |
offices of Cambodia's Prime Minister. | 0:18:50 | 0:18:53 | |
Hun Sen is leader of the Cambodian People's Party | 0:18:55 | 0:18:58 | |
and has ruled this country for the last 30 years. | 0:18:58 | 0:19:02 | |
Political opposition and freedom of speech are routinely suppressed. | 0:19:02 | 0:19:07 | |
OTT, eh? Over the top. | 0:19:09 | 0:19:11 | |
On a deserted road behind Hun Sen's swanky new building, | 0:19:15 | 0:19:19 | |
it's time for Mason to get to grips with his new cab. | 0:19:19 | 0:19:23 | |
I haven't rode a bike for seven years, since I did the Knowledge, | 0:19:23 | 0:19:26 | |
but it's a bit different now, see, and I'm pulling a caravan. | 0:19:26 | 0:19:29 | |
ENGINE REVS | 0:19:31 | 0:19:32 | |
OK, good luck Mason! Yeah, good luck. | 0:19:34 | 0:19:36 | |
Seems...easy enough. | 0:19:42 | 0:19:44 | |
Mason! | 0:19:49 | 0:19:51 | |
You be flying, yeah! You are good! | 0:19:51 | 0:19:54 | |
-It was fun. -Yeah. | 0:19:54 | 0:19:56 | |
It was a great road to practise in. | 0:19:56 | 0:19:57 | |
It's nice and quiet but, you know, I'm in the middle of town, | 0:19:57 | 0:20:01 | |
there's the Prime Minister's house here. | 0:20:01 | 0:20:04 | |
We're right in the centre of Phnom Penh. | 0:20:04 | 0:20:06 | |
Why is it so quiet? | 0:20:06 | 0:20:08 | |
Mason, look. There's many construction in Cambodia. | 0:20:08 | 0:20:11 | |
So this is valuable land, huh? | 0:20:11 | 0:20:13 | |
Yeah. A lot of construction. | 0:20:13 | 0:20:16 | |
Mason is standing on the edge of Prime Minister Hun Sen's | 0:20:16 | 0:20:19 | |
latest pet project. | 0:20:19 | 0:20:21 | |
This vast area, the size of 200 football pitches, was once a lake. | 0:20:22 | 0:20:27 | |
Until recently, it was an oasis in the centre of the city | 0:20:28 | 0:20:32 | |
where local people farmed vegetables and fish. | 0:20:32 | 0:20:36 | |
It was also a tourist attraction which supported a thriving | 0:20:36 | 0:20:40 | |
community of guest houses and small businesses. | 0:20:40 | 0:20:44 | |
But a few years ago, the developers moved in. | 0:20:44 | 0:20:47 | |
The entire lake was drained in preparation for a vast new complex. | 0:20:50 | 0:20:55 | |
SHE SOBS | 0:20:57 | 0:20:58 | |
20,000 local people were evicted and their homes destroyed. | 0:20:59 | 0:21:04 | |
Mason is driving through some of the last remaining streets. | 0:21:09 | 0:21:12 | |
This is...very quiet. | 0:21:14 | 0:21:17 | |
There's no-one here now, Polo, huh? | 0:21:17 | 0:21:19 | |
Funny atmosphere here, you know? | 0:21:28 | 0:21:30 | |
On the edge of the construction site, some of the locals | 0:21:34 | 0:21:37 | |
are determined to save what remains of their community. | 0:21:37 | 0:21:41 | |
These ladies are part of a group standing up to the authorities. | 0:22:10 | 0:22:14 | |
While their husbands try to find new ways of earning a living, the women | 0:22:14 | 0:22:18 | |
have taken to the streets, demanding rights to their land | 0:22:18 | 0:22:22 | |
and a fair deal for those who have lost their homes. | 0:22:22 | 0:22:25 | |
But their protests have been violently suppressed by the state. | 0:22:26 | 0:22:30 | |
Hundreds have suffered beatings | 0:22:30 | 0:22:32 | |
and 13 activists have been thrown in jail. | 0:22:32 | 0:22:35 | |
Ladies, how do you feel about the government and the company, | 0:22:36 | 0:22:40 | |
the building company, that's doing this? | 0:22:40 | 0:22:43 | |
This community is under constant surveillance by the authorities. | 0:23:24 | 0:23:28 | |
ANXIOUS CHATTERING | 0:23:31 | 0:23:32 | |
Who are they? Police? | 0:23:33 | 0:23:34 | |
Police. | 0:23:36 | 0:23:38 | |
PEOPLE SPEAK OWN LANGUAGE | 0:23:38 | 0:23:39 | |
Bit hairy, really, isn't it, you know, | 0:23:41 | 0:23:43 | |
I'm being told to not film here and what we doing? | 0:23:43 | 0:23:47 | |
We're only talking to someone, | 0:23:47 | 0:23:48 | |
listening to their plight which is, you know, bad enough, | 0:23:48 | 0:23:51 | |
and then you got the police telling you stop filming here. | 0:23:51 | 0:23:53 | |
The government want to silence the voices of the protestors | 0:23:53 | 0:23:57 | |
at the lake because they are highlighting an issue that | 0:23:57 | 0:24:00 | |
affects the whole country. | 0:24:00 | 0:24:01 | |
Human rights organisations like Global Witness | 0:24:01 | 0:24:04 | |
and Amnesty International claim that Cambodia's political | 0:24:04 | 0:24:09 | |
and business leaders are making vast fortunes from developments | 0:24:09 | 0:24:12 | |
that have seen more than 400,000 people evicted from their homes. | 0:24:12 | 0:24:17 | |
MONK RECITES PRAYER IN OWN LANGUAGE | 0:24:28 | 0:24:31 | |
A monk's in this street doing his house calls. | 0:24:40 | 0:24:42 | |
You give him a donation and then he will pray with you and for you. | 0:24:42 | 0:24:47 | |
He's like a little bee, I suppose, pollinating everyone's life. | 0:24:47 | 0:24:51 | |
It's lovely. | 0:24:51 | 0:24:52 | |
It's the first time I've ever met a monk. | 0:24:52 | 0:24:54 | |
HE RECITES PRAYER IN OWN LANGUAGE | 0:24:55 | 0:24:57 | |
Could you tell me what prayers you said for me and Polo today? | 0:25:04 | 0:25:08 | |
Ah. | 0:25:15 | 0:25:16 | |
Mason is going to need all the help he can get. | 0:25:20 | 0:25:23 | |
Today, he's going to brave the Phnom Penh traffic, in charge of | 0:25:23 | 0:25:26 | |
the tuk-tuk for the first time. | 0:25:26 | 0:25:29 | |
-Here we go. -Yeah. -This is it. | 0:25:29 | 0:25:31 | |
Yeah. | 0:25:31 | 0:25:32 | |
To get to grips with the rules of the road, he's enlisted the | 0:25:32 | 0:25:36 | |
help of a local driving instructor. | 0:25:36 | 0:25:37 | |
This your teacher. | 0:25:37 | 0:25:40 | |
Hello, sir. Nice to meet you. | 0:25:40 | 0:25:43 | |
First, he'll need to brush up on the Cambodian highway code. | 0:25:43 | 0:25:46 | |
What about this one here? | 0:25:47 | 0:25:49 | |
-Explosion. -Explosion. | 0:26:00 | 0:26:02 | |
OK. Something else to worry about. | 0:26:02 | 0:26:05 | |
And what does that mean? Is that... | 0:26:05 | 0:26:07 | |
Millimetres, not metres, obviously, what I've seen of the driving here. | 0:26:07 | 0:26:12 | |
Metre?! You're kidding me! | 0:26:13 | 0:26:14 | |
-Everyone drives like that, next to each other. -No. | 0:26:14 | 0:26:18 | |
Theory over, it's time to hit the streets. | 0:26:18 | 0:26:21 | |
Well, he looks pretty cool now, | 0:26:21 | 0:26:23 | |
but I don't know how he's going to feel in about 20 minutes. | 0:26:23 | 0:26:27 | |
Mason. Next turn is straight, right. | 0:26:27 | 0:26:30 | |
-Go straight. -What, straight? -No, no. No, not too straight. | 0:26:30 | 0:26:33 | |
I can't hear you properly with the crash helmet on! | 0:26:33 | 0:26:37 | |
Whoa! | 0:26:39 | 0:26:41 | |
How close do you want to be to me? | 0:26:41 | 0:26:43 | |
-Where am I going? -Straight. -Straight? | 0:26:43 | 0:26:45 | |
HORNS SOUND | 0:26:45 | 0:26:46 | |
Jesus. | 0:26:46 | 0:26:48 | |
On the streets for the first time, it's dog eat dog. | 0:26:51 | 0:26:54 | |
Oh, I've got the right of way, mate. | 0:26:54 | 0:26:56 | |
I'm in front of you now. | 0:26:56 | 0:26:58 | |
In Cambodia's urban jungle, it's survival of the fittest. | 0:26:58 | 0:27:02 | |
You have got to keep your eyes open here, | 0:27:04 | 0:27:07 | |
otherwise you ain't going to make it! | 0:27:07 | 0:27:10 | |
My God. | 0:27:10 | 0:27:11 | |
CRASH | 0:27:11 | 0:27:13 | |
You all right? OK? You OK? | 0:27:16 | 0:27:19 | |
Just lost it. It just swung out at me on that dirt and... | 0:27:19 | 0:27:21 | |
There was a lump in the road, we hit that and I just... | 0:27:21 | 0:27:24 | |
I couldn't control the back of it. | 0:27:24 | 0:27:26 | |
And the weight, where we... I only got one guy in there. | 0:27:27 | 0:27:32 | |
To have four people in there, it's going to be... | 0:27:32 | 0:27:34 | |
You've really got to take it easy. | 0:27:34 | 0:27:36 | |
Yeah. | 0:27:36 | 0:27:38 | |
Yeah, it's really scary, that was, cos that come out my hands. | 0:27:38 | 0:27:41 | |
I couldn't control it. That's livened me right up, that has. | 0:27:41 | 0:27:45 | |
Be careful. | 0:27:45 | 0:27:46 | |
How did it go, Mason? | 0:27:55 | 0:27:56 | |
I had a slight prang. Slight prang, but nothing to worry about. | 0:27:56 | 0:28:00 | |
Your tuk-tuk is fine, honestly. | 0:28:00 | 0:28:03 | |
Yeah, good. | 0:28:03 | 0:28:04 | |
The examiner, I think he might be on pills for the rest of his life, | 0:28:04 | 0:28:07 | |
but that is the most scared I've been, I think, | 0:28:07 | 0:28:10 | |
driving in a foreign country. | 0:28:10 | 0:28:12 | |
But if Mason's going to hack it, he'll have to climb straight | 0:28:12 | 0:28:16 | |
back in the saddle. | 0:28:16 | 0:28:17 | |
I'd rather be in your seat, I know that. | 0:28:17 | 0:28:20 | |
With confidence at an all-time low... | 0:28:20 | 0:28:24 | |
Oh, leave off. No left turn. | 0:28:24 | 0:28:26 | |
..and Cockney charm in tatters... | 0:28:27 | 0:28:30 | |
TUK-TUK HORN BEEPS | 0:28:30 | 0:28:31 | |
Come on, out of my way, love. Getting on my nerves now. | 0:28:31 | 0:28:34 | |
Polo's showing no mercy putting Mason through his paces. | 0:28:34 | 0:28:37 | |
-Yeah, I can do it. -Right. Thank you. | 0:28:42 | 0:28:44 | |
Here we go, left here, yeah? | 0:28:44 | 0:28:47 | |
-Keep going. -Straight on. -Keep going. | 0:28:47 | 0:28:49 | |
Mason has to master the routes between the tourist destinations. | 0:28:49 | 0:28:53 | |
I've got a reputation to keep here, you know. | 0:28:56 | 0:28:58 | |
If I don't get this right... I'll never hear the last of it. | 0:28:58 | 0:29:02 | |
Before long, the old cabbie instincts start to kick in. | 0:29:03 | 0:29:08 | |
-Whoo-hoo! -You're smiling. | 0:29:08 | 0:29:11 | |
-You like the ride? -Yeah! -You having a good time? | 0:29:11 | 0:29:14 | |
It's comfortable in tuk-tuk, man! | 0:29:14 | 0:29:17 | |
Got a hunch. | 0:29:19 | 0:29:20 | |
I think I want to be heading east, and then I want to take a right | 0:29:20 | 0:29:24 | |
and be heading south. | 0:29:24 | 0:29:26 | |
Royal Palace, sir. | 0:29:27 | 0:29:28 | |
Beautiful! | 0:29:33 | 0:29:34 | |
Phnom Penh's most famous landmarks are the palaces, the temples | 0:29:37 | 0:29:41 | |
and the markets. | 0:29:41 | 0:29:42 | |
But during a break in the training, Polo wants to show Mason | 0:29:42 | 0:29:47 | |
a very different type of tourist attraction. | 0:29:47 | 0:29:49 | |
The S21 Genocide Museum is a memorial to one of the darkest | 0:29:58 | 0:30:03 | |
chapters of the 20th century. | 0:30:03 | 0:30:05 | |
In 1975, after the war in neighbouring Vietnam, Cambodia | 0:30:07 | 0:30:12 | |
fell to the brutal regime of Pol Pot and his infamous Khmer Rouge. | 0:30:12 | 0:30:17 | |
Pol Pot wanted to build a rural communist paradise. | 0:30:17 | 0:30:21 | |
His army emptied the cities and drove the entire population | 0:30:21 | 0:30:25 | |
to work in the fields. | 0:30:25 | 0:30:27 | |
In the brutality and chaos, families like Polo's were split up. | 0:30:31 | 0:30:35 | |
-So you worked in the fields? -Yeah, a little rice field. | 0:30:50 | 0:30:54 | |
Hundreds of thousands died of overwork and malnutrition, | 0:31:02 | 0:31:06 | |
but this was just the beginning of the horror. | 0:31:06 | 0:31:09 | |
Pol Pot unleashed a genocide, executing anyone suspected of | 0:31:09 | 0:31:13 | |
opposing the regime and burying them in mass graves. | 0:31:13 | 0:31:17 | |
These were the killing fields of Cambodia. | 0:31:17 | 0:31:20 | |
-Oh, my God, that's barbaric. -Yeah. -That's dreadful. | 0:31:27 | 0:31:30 | |
This building, known as S21, was to play a dark part | 0:31:31 | 0:31:36 | |
in this terrible story. | 0:31:36 | 0:31:38 | |
-Just a high school? -Yeah. | 0:31:40 | 0:31:42 | |
You know, a high school is normally a place that you look back at | 0:31:48 | 0:31:53 | |
and you think of happy memories, not putting it together with | 0:31:53 | 0:31:57 | |
genocide at all and a place of death and torture, you know? | 0:31:57 | 0:32:02 | |
Suspected opponents of the regime were brought here and tortured. | 0:32:02 | 0:32:06 | |
They were forced to confess and betray their friends | 0:32:06 | 0:32:09 | |
and families, then they were murdered. | 0:32:09 | 0:32:12 | |
In total, 14,000 innocent Cambodians came through these rooms. | 0:32:12 | 0:32:18 | |
Only seven people survived. | 0:32:18 | 0:32:20 | |
-Interrogation here? -Yeah. | 0:32:27 | 0:32:29 | |
-And punishment and torture if you're not giving them information. -Yeah. | 0:32:29 | 0:32:33 | |
Come, come, let's get out of here. | 0:32:46 | 0:32:48 | |
He was a nine-year-old boy when all this was happening. | 0:32:51 | 0:32:55 | |
It's like everybody, you know, two million people, | 0:32:55 | 0:32:58 | |
it's got to affect most people in Cambodia. | 0:32:58 | 0:33:01 | |
I was seven when it started. | 0:33:03 | 0:33:05 | |
I was having the best time of my life in London, you know? | 0:33:05 | 0:33:08 | |
Summers used to last for ever, riding my bike every day, you know? | 0:33:08 | 0:33:12 | |
On the other side of the world, this was happening. | 0:33:12 | 0:33:15 | |
Polo's uncle, aunt and grandmother died of starvation during the | 0:33:19 | 0:33:23 | |
regime and, as a small boy working in the fields, Polo was a | 0:33:23 | 0:33:28 | |
witness to the horror. | 0:33:28 | 0:33:29 | |
They caught him. | 0:33:43 | 0:33:44 | |
-Oh. You saw this? -Yeah, yeah, yeah. | 0:33:52 | 0:33:54 | |
-Brutal. -Yeah. | 0:34:08 | 0:34:10 | |
Absolutely brutal. | 0:34:10 | 0:34:11 | |
It must have been a living hell for you, Polo, like living in hell. | 0:34:12 | 0:34:17 | |
Come. Let's go. | 0:34:30 | 0:34:31 | |
Polo, what's he got to do? | 0:34:40 | 0:34:43 | |
Wake up every day with that story engraved in his head | 0:34:43 | 0:34:46 | |
that happened to him that's with him for the rest of his days. | 0:34:46 | 0:34:50 | |
ENGINE REVS | 0:34:50 | 0:34:52 | |
When atrocities like that happen... | 0:34:53 | 0:34:55 | |
You know, and the people that survive have got to live with it, | 0:34:56 | 0:34:59 | |
it's just unbearable, thinking about that, and it's not only him. | 0:34:59 | 0:35:04 | |
You know, you come to Cambodia and something like that, you know, | 0:35:04 | 0:35:08 | |
everyone knows someone who's affected by the war | 0:35:08 | 0:35:11 | |
or by the genocide and, boy, did they do some damage. | 0:35:11 | 0:35:15 | |
And the stories you hear, it's just... | 0:35:17 | 0:35:19 | |
Oh, it's dreadful. | 0:35:20 | 0:35:22 | |
Sunday morning in Phnom Penh is a rare chance to relax. | 0:35:32 | 0:35:36 | |
I see all the pictures. | 0:35:39 | 0:35:40 | |
Up there. | 0:35:41 | 0:35:43 | |
And who's this? | 0:35:43 | 0:35:45 | |
-You have a daughter? -Yeah. | 0:35:48 | 0:35:51 | |
So where's your daughter now? She doesn't live with you? | 0:35:51 | 0:35:53 | |
How old is your daughter? | 0:35:56 | 0:35:58 | |
Polo's daughter lives in the countryside, and Mason is | 0:36:01 | 0:36:04 | |
joining the family on one of their regular visits. | 0:36:04 | 0:36:07 | |
A nice gentle Sunday away from the traffic, hopefully. | 0:36:09 | 0:36:13 | |
I can't see there being loads of traffic out there | 0:36:15 | 0:36:17 | |
and just bikes going like that, so that's going to be nice. | 0:36:17 | 0:36:21 | |
HORNS BLARE | 0:36:21 | 0:36:24 | |
It's a 25-mile journey south along the busy Highway 3 | 0:36:25 | 0:36:28 | |
to Kandal Province. | 0:36:28 | 0:36:30 | |
# Going up the country | 0:36:31 | 0:36:32 | |
# Baby, don't you want to go? | 0:36:32 | 0:36:34 | |
# I'm going up the country | 0:36:37 | 0:36:38 | |
# Baby, don't you want to go? | 0:36:38 | 0:36:40 | |
# I'm going to some place where I've never been before. # | 0:36:42 | 0:36:46 | |
Hello. Back in your village! | 0:36:51 | 0:36:53 | |
This is different from Phnom Penh. | 0:36:55 | 0:36:58 | |
There's my home town. | 0:37:01 | 0:37:02 | |
# I'm going to leave the city | 0:37:06 | 0:37:08 | |
# Got to get away... # | 0:37:08 | 0:37:10 | |
MASON CHUCKLES | 0:37:11 | 0:37:12 | |
-Hour and a half in there. -OK. | 0:37:13 | 0:37:15 | |
Oh, that's a jolly. | 0:37:15 | 0:37:17 | |
Mason, this is my brother-in-law. My sister. | 0:37:17 | 0:37:19 | |
OK, nice to meet you both. Nice to meet you both. | 0:37:19 | 0:37:22 | |
Thank you. Thanks for having me. | 0:37:26 | 0:37:28 | |
Polo grew up on this small farm. | 0:37:28 | 0:37:30 | |
Polo left the farm more than 20 years ago to live in the city. | 0:37:45 | 0:37:48 | |
CHICKS CHIRP | 0:37:50 | 0:37:52 | |
You love it so much here, you know? | 0:37:53 | 0:37:56 | |
It comes across that you love your farm and being on the farm. | 0:37:56 | 0:37:59 | |
Why do you live in Phnom Penh? | 0:37:59 | 0:38:02 | |
And then when he's older, you'll move back here? | 0:38:21 | 0:38:24 | |
No. God's country, living off the land. | 0:38:32 | 0:38:34 | |
You don't have to pay for anything, Polo, do you, here? | 0:38:34 | 0:38:37 | |
The farm provides just enough food for the family to survive. | 0:38:38 | 0:38:42 | |
Hello. | 0:38:44 | 0:38:45 | |
HE SPEAKS LANGUAGE OF FAMILY | 0:38:45 | 0:38:47 | |
SHE SPEAKS OWN LANGUAGE | 0:38:47 | 0:38:48 | |
But Polo's mother is bedridden and needs constant care, as well | 0:38:50 | 0:38:53 | |
as expensive medication. | 0:38:53 | 0:38:55 | |
The reason Polo's nine-year-old daughter Susu lives here | 0:39:11 | 0:39:14 | |
is to work as a full-time carer for her grandmother. | 0:39:14 | 0:39:17 | |
Polo's a good man and it's very important to have family | 0:39:25 | 0:39:28 | |
support to help you. | 0:39:28 | 0:39:30 | |
I couldn't understand why Polo's daughter lived with you, | 0:39:30 | 0:39:36 | |
but now I understand. | 0:39:36 | 0:39:38 | |
It's been so different, meeting his family | 0:39:41 | 0:39:44 | |
and coming away from the street, you know? | 0:39:44 | 0:39:46 | |
You're in this little village. It's a real eye opening, meeting Susu. | 0:39:46 | 0:39:50 | |
She's in the deep end, really, isn't she? | 0:39:50 | 0:39:52 | |
You know, nine-year-old girl and cooking and chores. | 0:39:52 | 0:39:55 | |
SHE SPEAKS IN OWN LANGUAGE | 0:39:58 | 0:40:01 | |
You know, she's been sacrificed, really, for the situation. | 0:40:01 | 0:40:04 | |
This is where I feel for him, | 0:40:07 | 0:40:09 | |
cos the alternative... There isn't any alternative. | 0:40:09 | 0:40:12 | |
It's a difficult one for them all - his sister | 0:40:12 | 0:40:15 | |
and his brother-in-law and his daughter. | 0:40:15 | 0:40:17 | |
Life in the fields is hard, | 0:40:24 | 0:40:26 | |
but the Cambodian people have survived far worse. | 0:40:26 | 0:40:31 | |
During Pol Pot's famine, people had to resort to | 0:40:31 | 0:40:34 | |
desperate measures to stay alive. | 0:40:34 | 0:40:37 | |
They would eat anything to combat starvation and some of that | 0:40:37 | 0:40:41 | |
food remains on the menu today. | 0:40:41 | 0:40:43 | |
This is what you did, yeah? | 0:40:43 | 0:40:45 | |
This is how you caught yours? | 0:40:45 | 0:40:46 | |
When I kid, I hunt like this, you know? Hunt like this. | 0:40:46 | 0:40:51 | |
It's your friend. | 0:40:51 | 0:40:53 | |
Aaargh! | 0:40:53 | 0:40:54 | |
-TRANSLATION: -I ate the spider. | 0:40:57 | 0:41:00 | |
-IN ENGLISH: -If I don't eat like this, maybe I die, you know? | 0:41:01 | 0:41:04 | |
The Pol Pot regime is finished now, so we don't need to eat spiders. | 0:41:04 | 0:41:09 | |
MUSIC: JAZZ VERSION OF SPIDER-MAN THEME SONG | 0:41:09 | 0:41:12 | |
But washed and seasoned with garlic and chilli, | 0:41:12 | 0:41:15 | |
then lightly fried, | 0:41:15 | 0:41:17 | |
spiders are now considered to be a tasty snack. | 0:41:17 | 0:41:20 | |
I don't want... You know, I want to experience Cambodia | 0:41:22 | 0:41:25 | |
and this is experiencing Cambodia. | 0:41:25 | 0:41:28 | |
I actually thought it was going to shrivel up to a little ball | 0:41:28 | 0:41:32 | |
and it's actually expanded in full tarantula flight, giving it... | 0:41:32 | 0:41:37 | |
"Eat me if you want... but I'm here." | 0:41:37 | 0:41:40 | |
Ah, it's just... | 0:41:42 | 0:41:43 | |
I don't know, I just can't. | 0:41:43 | 0:41:45 | |
No, I just can't. | 0:41:45 | 0:41:47 | |
-I don't think I can do this now. -Please. | 0:41:47 | 0:41:49 | |
I don't think I can do it. | 0:41:49 | 0:41:50 | |
I've got to it, I've got to it. | 0:41:50 | 0:41:53 | |
Oh, they're really hot, aren't they? | 0:41:53 | 0:41:56 | |
I just got all itchy. | 0:41:56 | 0:41:58 | |
Oh, look at the body on it. Oh, mate. | 0:41:58 | 0:42:00 | |
Mmm! | 0:42:01 | 0:42:03 | |
They're looking at me like I'm a lunatic. | 0:42:06 | 0:42:09 | |
HE SHOUTS WITH MUFFLED SPEECH | 0:42:09 | 0:42:11 | |
Good? | 0:42:19 | 0:42:21 | |
Weren't too bad. | 0:42:21 | 0:42:22 | |
I've actually eaten a tarantula. | 0:42:24 | 0:42:26 | |
Welcome to Cambodia. | 0:42:28 | 0:42:30 | |
Mason's back in Phnom Penh and back on the tuk-tuk. | 0:42:37 | 0:42:40 | |
Tomorrow, he'll be going solo, so he's brushing up on his | 0:42:43 | 0:42:47 | |
navigation skills one last time. | 0:42:47 | 0:42:50 | |
Right, yeah? | 0:42:50 | 0:42:51 | |
Polo, right? | 0:42:51 | 0:42:52 | |
A-ha! | 0:42:53 | 0:42:55 | |
I got to get to the National Museum | 0:42:55 | 0:42:57 | |
and the National Museum is next door to the Royal Palace | 0:42:57 | 0:43:01 | |
and the Silver Pagoda. | 0:43:01 | 0:43:03 | |
Yeah, so if I get there, I can do three... | 0:43:03 | 0:43:06 | |
locations in one. | 0:43:06 | 0:43:08 | |
But getting there is the tricky bit. | 0:43:08 | 0:43:11 | |
It's doing to be trickier than Mason thought. | 0:43:11 | 0:43:14 | |
What's going on here? | 0:43:14 | 0:43:16 | |
Where is this? What's this here? | 0:43:16 | 0:43:19 | |
-Freedom Park. -Freedom Park? -Yeah. | 0:43:19 | 0:43:22 | |
It's all blocked off here, look, Polo. Can't get through. | 0:43:22 | 0:43:26 | |
Police everywhere. | 0:43:26 | 0:43:28 | |
-Protest? -Yeah. | 0:43:32 | 0:43:33 | |
Wow, a lot of people. | 0:43:33 | 0:43:35 | |
What they protesting about, Polo? | 0:43:37 | 0:43:39 | |
The Cambodian garment industry is worth 5 billion a year. | 0:43:44 | 0:43:48 | |
Many of the clothes we wear in Britain are now made here. | 0:43:48 | 0:43:52 | |
But working conditions are poor and the wages are very low. | 0:43:52 | 0:43:57 | |
Mason has stumbled across one of the many demonstrations | 0:43:57 | 0:44:00 | |
by garment workers fighting for improvements. | 0:44:00 | 0:44:03 | |
But the authorities are determined to crush the protests. | 0:44:03 | 0:44:06 | |
During strikes in January, security forces opened fire on | 0:44:06 | 0:44:11 | |
protestors with live ammunition. | 0:44:11 | 0:44:13 | |
-How many people were killed? -Five people. -Five people? | 0:44:21 | 0:44:24 | |
Yeah. | 0:44:24 | 0:44:26 | |
Jesus. | 0:44:26 | 0:44:28 | |
The political situation in Cambodia is getting more and more tense. | 0:44:29 | 0:44:34 | |
Victims of land grabs and protesting workers are now joining forces. | 0:44:34 | 0:44:39 | |
Violent clashes with police are becoming a regular feature | 0:44:40 | 0:44:43 | |
on the streets of Phnom Penh. | 0:44:43 | 0:44:46 | |
It's murder, isn't it, really? | 0:44:46 | 0:44:48 | |
It's like blatantly killing someone on the street | 0:44:48 | 0:44:50 | |
cos they're protesting about something. | 0:44:50 | 0:44:53 | |
Everyone's got the right to protest in a peaceful way. | 0:44:53 | 0:44:56 | |
Don't mean you should get shot for it. | 0:44:56 | 0:44:58 | |
It's scary. | 0:44:58 | 0:44:59 | |
It is a bit scary, especially when you can see 'em | 0:44:59 | 0:45:02 | |
all in force with their guns. | 0:45:02 | 0:45:03 | |
-Yeah. -OK, let's go. | 0:45:03 | 0:45:05 | |
Shall we go, yeah? Come on then. | 0:45:05 | 0:45:07 | |
That was getting a bit edgy there. | 0:45:10 | 0:45:12 | |
Cut the atmosphere with a knife. | 0:45:12 | 0:45:15 | |
Prime Minister Hun Sen himself once fought with the Khmer Rouge. | 0:45:16 | 0:45:20 | |
Under his regime, the economy has grown, but many people are | 0:45:20 | 0:45:26 | |
frustrated by 30 years of autocratic rule. | 0:45:26 | 0:45:29 | |
A younger generation, less haunted by the Pol Pot regime, | 0:45:29 | 0:45:34 | |
are taking to the streets. | 0:45:34 | 0:45:35 | |
Hun Sen has threatened to beat them and cage them. | 0:45:35 | 0:45:40 | |
Going be dangerous here to protest, Polo, isn't it? | 0:45:40 | 0:45:44 | |
Polo's wife Bea was once one of more than half a million | 0:46:00 | 0:46:04 | |
young women working in the garment factories. | 0:46:04 | 0:46:07 | |
Knowing the conditions, she is sympathetic to the protestors. | 0:46:07 | 0:46:11 | |
SHE SPEAKS IN HER OWN LANGUAGE | 0:46:11 | 0:46:13 | |
'It's ridiculous. | 0:46:43 | 0:46:44 | |
'You know, everyone's got a right to protest in a peaceful way | 0:46:44 | 0:46:47 | |
'regarding their situation.' | 0:46:47 | 0:46:49 | |
And is that right, for a government to...put fear into people? | 0:46:52 | 0:46:57 | |
Supposed to be there to | 0:46:57 | 0:46:59 | |
make your life better, the government, isn't it? | 0:46:59 | 0:47:01 | |
And listen to what you've got to say. | 0:47:01 | 0:47:03 | |
Morning, butch. | 0:47:20 | 0:47:21 | |
Have a good day, my love. Be lucky. | 0:47:21 | 0:47:23 | |
It's the day of reckoning for rookie tuk-tuk driver Mason McQueen. | 0:47:25 | 0:47:30 | |
Can I have some prayers to keep me safe in tuk-tuk | 0:47:32 | 0:47:35 | |
and have a profitable day? | 0:47:35 | 0:47:37 | |
You look, I make for you. | 0:47:40 | 0:47:42 | |
Mason McQueen and his mean machine. | 0:47:42 | 0:47:46 | |
MASON LAUGHS | 0:47:46 | 0:47:47 | |
-Mason... -Yeah? | 0:47:52 | 0:47:55 | |
I look like Larry Grayson on safari. | 0:47:55 | 0:47:58 | |
-Monkey. -Monkey?! Monkey?! | 0:47:58 | 0:48:03 | |
Have a good business! OK, bye-bye. | 0:48:03 | 0:48:05 | |
Finally, after ten days of training, | 0:48:05 | 0:48:08 | |
London cabbie Mason McQueen is a Cambodian tuk-tuk driver | 0:48:08 | 0:48:12 | |
riding for hire. | 0:48:12 | 0:48:13 | |
That is, if he can make it out of Polo's street. | 0:48:17 | 0:48:21 | |
Whoa, whoa! | 0:48:21 | 0:48:23 | |
Polo! | 0:48:23 | 0:48:25 | |
Down in the... | 0:48:25 | 0:48:28 | |
-Do you reckon you can help me get it out? -Yeah, OK. | 0:48:28 | 0:48:31 | |
Right. | 0:48:35 | 0:48:36 | |
See you! Here we go! | 0:48:36 | 0:48:40 | |
Phnom Penh, the pearl of Asia, here I come. | 0:48:40 | 0:48:44 | |
For the first time, Mason will be | 0:48:44 | 0:48:46 | |
taking passengers out on to the city streets. | 0:48:46 | 0:48:48 | |
He'll have to negotiate Phnom Penh's chaotic traffic. | 0:48:48 | 0:48:52 | |
People constantly pulling out on you here. It's ridiculous. | 0:48:52 | 0:48:57 | |
Dangerous and ridiculous. | 0:48:57 | 0:48:59 | |
He'll have to navigate his way around the city | 0:48:59 | 0:49:01 | |
and try and make some money. | 0:49:01 | 0:49:03 | |
But first, he'll need to find Polo's cab rank. | 0:49:03 | 0:49:07 | |
I think that might be it down here. | 0:49:09 | 0:49:11 | |
Maybe not. | 0:49:12 | 0:49:14 | |
Oh, I think I'm in the wrong road. | 0:49:16 | 0:49:18 | |
Golden Gate Hotel. Way-hey! | 0:49:21 | 0:49:24 | |
The plan is to get some tourists on board. That's my plan. | 0:49:24 | 0:49:28 | |
Get them in there, take them for a tour. | 0:49:28 | 0:49:31 | |
That's the plan. It's simple. | 0:49:31 | 0:49:33 | |
You on holiday? | 0:49:33 | 0:49:34 | |
-No. -Oh, no? You live here? -Sort of. | 0:49:34 | 0:49:36 | |
Oh, so you don't want to ride in my tuk-tuk, then, no? | 0:49:36 | 0:49:39 | |
OK, thank you. Have a good day. | 0:49:39 | 0:49:41 | |
Tuk-tuk ride? | 0:49:41 | 0:49:43 | |
-No thanks. No? -We're in a rush. | 0:49:43 | 0:49:45 | |
This is going to be harder than I thought. | 0:49:45 | 0:49:47 | |
Miss, tuk-tuk? | 0:49:49 | 0:49:51 | |
Tuk-tuk? Tuk-tuk? | 0:49:53 | 0:49:55 | |
This is a total different ball game than what I'm used to. | 0:49:55 | 0:49:59 | |
This is a battle before I've even gone anywhere. | 0:49:59 | 0:50:02 | |
-Tuk-tuk for you? Tuk-tuk ride? -Yeah. | 0:50:02 | 0:50:05 | |
I've actually got a job. | 0:50:05 | 0:50:07 | |
Hey-hey, I've got a job. | 0:50:07 | 0:50:09 | |
-How long going for Russian Market? -Russian Market, ten minutes, sir. | 0:50:09 | 0:50:12 | |
-Ten minute? -Ten minutes, yeah. -OK. Let's drive. | 0:50:12 | 0:50:15 | |
Russian Market, here I come. | 0:50:19 | 0:50:21 | |
I can do this. | 0:50:21 | 0:50:24 | |
I can do this. Hold on. | 0:50:24 | 0:50:26 | |
Hold on for dear life. | 0:50:26 | 0:50:28 | |
You see this monument? | 0:50:31 | 0:50:33 | |
Yeah, what is it? | 0:50:33 | 0:50:35 | |
This is the independence from... where you from? | 0:50:35 | 0:50:38 | |
-France. -France. That's the place! | 0:50:38 | 0:50:41 | |
OK. | 0:50:41 | 0:50:42 | |
So you are tuk-tuk driver and guide also. | 0:50:43 | 0:50:46 | |
Oh, also, sir, yeah. | 0:50:46 | 0:50:47 | |
-Yeah, good. -Yeah! | 0:50:47 | 0:50:49 | |
All part of the service! | 0:50:49 | 0:50:51 | |
I've also got to concentrate on where I'm going... | 0:50:51 | 0:50:54 | |
And not have any crashes. | 0:50:54 | 0:50:56 | |
They're smiling in the back, the punters are happy. | 0:50:56 | 0:50:59 | |
Everyone's happy. | 0:50:59 | 0:51:00 | |
This is it. | 0:51:00 | 0:51:02 | |
This is it. I meant to stumble on it like that. | 0:51:03 | 0:51:06 | |
OK. | 0:51:06 | 0:51:08 | |
Hey, you're a local driver, I can see it now. | 0:51:08 | 0:51:10 | |
Merci, monsieur. | 0:51:10 | 0:51:12 | |
You're welcome. Bye. See you. | 0:51:12 | 0:51:13 | |
He's 2 up, but once he's back on the cab rank... | 0:51:13 | 0:51:17 | |
Tuk-tuk, ladies? Tuk-tuk? | 0:51:17 | 0:51:19 | |
..business is still slow. | 0:51:19 | 0:51:20 | |
Just want to be going. | 0:51:20 | 0:51:22 | |
Just want to be working, earning a few dollars for Polo. | 0:51:22 | 0:51:25 | |
One job, three hours. | 0:51:25 | 0:51:26 | |
It's not great. | 0:51:26 | 0:51:28 | |
It's looking like a long, long shift. | 0:51:28 | 0:51:30 | |
Need a tuk-tuk? | 0:51:30 | 0:51:31 | |
-Are you selling one? -No, I'll take you for a ride. | 0:51:31 | 0:51:33 | |
-Afternoon, guys. Tuk-tuk ride? -No, we're all right. | 0:51:33 | 0:51:36 | |
Yeah, you're OK? | 0:51:36 | 0:51:37 | |
Ladies, afternoon. | 0:51:37 | 0:51:39 | |
Eventually, persistence pays off. | 0:51:39 | 0:51:41 | |
Mind your head, mind your head, yeah. | 0:51:41 | 0:51:43 | |
Two more French tourists need a ride to the riverside. | 0:51:43 | 0:51:45 | |
-Allez-vous? -Allons-y. | 0:51:45 | 0:51:47 | |
OK, ladies. | 0:51:47 | 0:51:49 | |
-Careful, huh? -OK. | 0:51:49 | 0:51:51 | |
So are you enjoying Cambodia, ladies, Phnom Penh? | 0:51:52 | 0:51:55 | |
Are you OK? Are you OK? | 0:51:55 | 0:51:56 | |
Yeah, I'm fine. | 0:51:56 | 0:51:58 | |
Is it your first day here? | 0:52:04 | 0:52:07 | |
It's my first day driving. | 0:52:07 | 0:52:09 | |
Ah, your first day driving. | 0:52:09 | 0:52:11 | |
Yeah, driving on my own, yes. | 0:52:11 | 0:52:13 | |
-Ohhhh! -Don't panic! Ha-ha! | 0:52:13 | 0:52:15 | |
Here we go, ladies. | 0:52:20 | 0:52:22 | |
Thank you very much. It's terrible to drive in Cambodia! | 0:52:22 | 0:52:25 | |
Can't go back to that hotel, it's doing my crust in. | 0:52:28 | 0:52:31 | |
As the evening rush hour begins, with only two fares to show | 0:52:31 | 0:52:35 | |
for the day, Mason's becoming desperate. | 0:52:35 | 0:52:38 | |
Get your hands up. | 0:52:39 | 0:52:41 | |
Tuk-tuk? | 0:52:43 | 0:52:44 | |
Tuk-tuk? | 0:52:47 | 0:52:48 | |
Have to pick one with a helmet on. He's the only one with a helmet. | 0:52:50 | 0:52:53 | |
-Hiya. -Russian Market, please. -Where are you from? | 0:52:53 | 0:52:57 | |
-Scotland. -Scotland, bonnie Scotland! Russian Market, sir, certainly. | 0:52:57 | 0:53:01 | |
-Do you know, that's quite a ride, you know? -Is it? -Yeah. -Never been. | 0:53:01 | 0:53:05 | |
-About -5. We're not in London! | 0:53:05 | 0:53:08 | |
I'll do it for four. | 0:53:08 | 0:53:09 | |
Fucking hell, what's he doing? | 0:53:11 | 0:53:14 | |
Oh, come on, mate! | 0:53:14 | 0:53:15 | |
Fucking bike locked up and everything. | 0:53:16 | 0:53:19 | |
Not nervous, not nervous! | 0:53:19 | 0:53:21 | |
There you go. | 0:53:23 | 0:53:25 | |
Mason's been on the road for eight hours now | 0:53:25 | 0:53:27 | |
and he's starting to feel at home. | 0:53:27 | 0:53:30 | |
HORNS BLAST | 0:53:30 | 0:53:33 | |
Oh! Nearly lost it, fella, didn't you? | 0:53:33 | 0:53:36 | |
BLOWS WHISTLE | 0:53:36 | 0:53:38 | |
Bonkers. The place is nuts. | 0:53:38 | 0:53:40 | |
He gets one last job before nightfall. | 0:53:40 | 0:53:43 | |
Ladies, where you from? | 0:53:43 | 0:53:45 | |
Germany. | 0:53:45 | 0:53:46 | |
-Ah, lovely. -Thank you very much. -Danke schon. -Bitte schon. | 0:53:49 | 0:53:53 | |
-Auf wiedersehen. -You're welcome. | 0:53:53 | 0:53:55 | |
Hey, I'm speaking all lingos today, I tell you! | 0:53:55 | 0:53:57 | |
One London cabbie has conquered the streets of Phnom Penh | 0:54:00 | 0:54:04 | |
and earned his crust as a Cambodian tuk-tuk driver. | 0:54:04 | 0:54:07 | |
It's definitely been one of the hardest drives I've ever done. | 0:54:09 | 0:54:12 | |
I'm hanging, I've gotta tell you. It's been a really long day. | 0:54:12 | 0:54:17 | |
I don't know how the guy does it. | 0:54:19 | 0:54:20 | |
Really tiring, you know? | 0:54:23 | 0:54:25 | |
I've just had a little taste of it. These streets are... | 0:54:26 | 0:54:31 | |
some of the most... HORN BEEPS | 0:54:31 | 0:54:33 | |
..dangerous, chaotic, mental streets | 0:54:33 | 0:54:36 | |
I've ever drove on in my life. | 0:54:36 | 0:54:39 | |
Polo! | 0:54:46 | 0:54:47 | |
Hi, Mason, how did you do? | 0:54:47 | 0:54:50 | |
Now, don't be upset. I tried my best... | 0:54:51 | 0:54:54 | |
and we've got five, six, seven, eight, nine, ten dollars. | 0:54:54 | 0:54:59 | |
-Oh, ten dollar. -For you on your day off... | 0:54:59 | 0:55:02 | |
-Oh, yeah, yeah. -Which you deserve, to have a day off. | 0:55:02 | 0:55:05 | |
I think it's good. | 0:55:05 | 0:55:07 | |
-It's a very tough job you do, Polo, and hats off - chapeau! - to you. -Yeah. | 0:55:07 | 0:55:14 | |
Hats off to you, my friend, honestly. | 0:55:14 | 0:55:16 | |
While Mason's been at work, the women of the street have been | 0:55:16 | 0:55:20 | |
preparing a farewell treat for their new friend. | 0:55:20 | 0:55:23 | |
Mason, come on. Hey! I got a surprise for you, right, Mason? | 0:55:26 | 0:55:30 | |
-Girls! Girls, thank you. -Yeah, enjoy. | 0:55:30 | 0:55:34 | |
Spread, street party! | 0:55:35 | 0:55:37 | |
Thank you so much. | 0:55:39 | 0:55:41 | |
Driving a tuk-tuk. | 0:55:49 | 0:55:50 | |
THEY LAUGH | 0:55:50 | 0:55:51 | |
Very hard, very difficult. | 0:55:53 | 0:55:55 | |
Polo helped me so much and this is a pleasure, | 0:55:55 | 0:55:59 | |
to be with you lovely people. Very nice. | 0:55:59 | 0:56:02 | |
When I first came into this street and when I first see the river | 0:56:03 | 0:56:07 | |
and the smell and I thought, "Oh, my God, Armageddon," you know? | 0:56:07 | 0:56:11 | |
But how wrong you can be. | 0:56:11 | 0:56:14 | |
People have been so fantastic here. | 0:56:14 | 0:56:17 | |
Spirit of Cambodian people, it's immense, it really is, | 0:56:17 | 0:56:21 | |
even though they're going through a lot of shit in their life | 0:56:21 | 0:56:24 | |
and I've had a great time here, I really have. | 0:56:24 | 0:56:27 | |
I don't know this one. | 0:56:27 | 0:56:28 | |
UPBEAT MUSIC PLAYS | 0:56:28 | 0:56:30 | |
It's time for Mason to say goodbye, but not without one parting gift. | 0:56:38 | 0:56:43 | |
I've just got Bea a sewing machine. | 0:56:45 | 0:56:47 | |
I think it'd help her out, some extra income which they both need and... | 0:56:49 | 0:56:54 | |
..this neighbourhood, I'm sure she can do all the repairs, | 0:56:56 | 0:56:59 | |
alterations and... | 0:56:59 | 0:57:02 | |
..maybe even design and make some clothes, who knows? | 0:57:04 | 0:57:07 | |
Hi. | 0:57:07 | 0:57:08 | |
-Bea, got you a little present. -What is this? | 0:57:08 | 0:57:11 | |
Sewing machine. | 0:57:13 | 0:57:15 | |
HE TRANSLATES | 0:57:15 | 0:57:16 | |
Yeah, a sewing machine for you. | 0:57:16 | 0:57:18 | |
-For me? -Yeah. -Yes, thank you. -You're welcome. | 0:57:18 | 0:57:22 | |
I help you. | 0:57:22 | 0:57:23 | |
-Oh! -There you go. | 0:57:23 | 0:57:24 | |
It's been a real, real treat, honestly, meeting them | 0:57:24 | 0:57:27 | |
and being in their life for a couple of weeks. | 0:57:27 | 0:57:30 | |
It's an extremely hard existence they've got, living like they do. | 0:57:31 | 0:57:36 | |
Every penny counts, you know? | 0:57:36 | 0:57:38 | |
To keep working, working, working | 0:57:38 | 0:57:40 | |
and not getting anywhere, I find that frustrating. | 0:57:40 | 0:57:43 | |
I find it wrong, and they deserve a better government, they really do. | 0:57:43 | 0:57:47 | |
If things get better for this country, | 0:57:49 | 0:57:51 | |
things will get better for Polo and his neighbours | 0:57:51 | 0:57:53 | |
and this community, and I hope it comes soon, I really do. | 0:57:53 | 0:57:57 | |
-See you, mate. -OK, goodbye. -Look after yourself, yeah? -Yeah, yeah. | 0:57:57 | 0:58:02 | |
Thanks for everything. | 0:58:02 | 0:58:04 | |
Thanks, Bea. I'll see you. Look after yourself. | 0:58:04 | 0:58:07 | |
-I'll contact you anyway, yeah? -Yeah, yeah, yeah. | 0:58:07 | 0:58:10 | |
I'll write to you. See you now. | 0:58:10 | 0:58:12 | |
-Bye, Mason. -Bye. | 0:58:12 | 0:58:14 | |
-Take care. -Take care, yeah? -Yeah. | 0:58:14 | 0:58:17 | |
Next time... | 0:58:21 | 0:58:22 | |
..Mason is heading to the Arctic Circle. | 0:58:23 | 0:58:26 | |
He'll be working in some of the toughest driving conditions | 0:58:26 | 0:58:29 | |
on the planet. | 0:58:29 | 0:58:31 | |
Whoa, whoa, whoa. Losing control of this vehicle! | 0:58:32 | 0:58:36 | |
OK, sir? | 0:58:36 | 0:58:37 | |
And he'll meet a people struggling to adapt to the modern world. | 0:58:37 | 0:58:41 |