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Britain was once a difficult country to cross - | 0:00:02 | 0:00:06 | |
roads were few and paths obscure. | 0:00:06 | 0:00:09 | |
And yet, our ancestors travelled - | 0:00:11 | 0:00:14 | |
for work and for pleasure, | 0:00:14 | 0:00:16 | |
for faith and for fortune. | 0:00:16 | 0:00:19 | |
But the routes that they followed are lost. | 0:00:21 | 0:00:24 | |
I'm going to rediscover them and the people who took them, | 0:00:26 | 0:00:30 | |
what they saw and why they travelled, | 0:00:30 | 0:00:33 | |
who they met and where they went. | 0:00:33 | 0:00:35 | |
I'm following the forgotten routes that made this country great. | 0:00:35 | 0:00:42 | |
100 years ago, there were 300,000 horses | 0:00:49 | 0:00:52 | |
living and working in central London. | 0:00:52 | 0:00:55 | |
All those horses pulled or carried everything that London needed | 0:00:57 | 0:01:02 | |
to keep going. | 0:01:02 | 0:01:04 | |
In fact, all those horses produced over a million tonnes | 0:01:04 | 0:01:07 | |
of dung a year. | 0:01:07 | 0:01:08 | |
They were the engines of the capital. | 0:01:09 | 0:01:12 | |
But how were those engines fuelled? | 0:01:12 | 0:01:15 | |
I'm going to find out. | 0:01:15 | 0:01:17 | |
And I'm going to do this by following the amazing journey that | 0:01:17 | 0:01:22 | |
massive amounts of hay and straw took through the Thames Estuary. | 0:01:22 | 0:01:28 | |
I'm off to the secret waters of the Essex coast - | 0:01:28 | 0:01:30 | |
to marshes, to creeks | 0:01:30 | 0:01:33 | |
and to lonely farms. | 0:01:33 | 0:01:35 | |
These were the haunts of the sailing barge men who carried | 0:01:35 | 0:01:38 | |
all the heavy goods that the capital needed. | 0:01:38 | 0:01:42 | |
-What are they taking? -Swedes, carrots, beets... | 0:01:42 | 0:01:44 | |
Straw, barley... | 0:01:44 | 0:01:46 | |
'And bricks!' Pah! | 0:01:46 | 0:01:48 | |
I want to find out what these in-shore sailors left in their wake... | 0:01:48 | 0:01:52 | |
..how they shaped our grand maritime traditions, | 0:01:54 | 0:01:58 | |
-how they moulded our defences... -Three, two, one... | 0:01:58 | 0:02:00 | |
Blast! | 0:02:00 | 0:02:02 | |
..and I want to experience their way of life as they worked | 0:02:02 | 0:02:06 | |
these shallow waters. | 0:02:06 | 0:02:09 | |
'I'm ready for stirring stuff...' | 0:02:11 | 0:02:13 | |
I'm getting emotional. Emotional feeling. | 0:02:14 | 0:02:17 | |
'..on a journey into the heart of Britain's capital.' | 0:02:18 | 0:02:21 | |
This is Landmere Quay in the Walton backwaters. | 0:02:24 | 0:02:28 | |
It's an obscure but very, | 0:02:28 | 0:02:32 | |
very beautiful corner of north-east Essex. | 0:02:32 | 0:02:36 | |
I'm hoping to take what is a sort of lost motorway | 0:02:37 | 0:02:43 | |
into London, | 0:02:43 | 0:02:45 | |
going on Dawn - | 0:02:45 | 0:02:47 | |
a sprit-sail barge - which used to come here often | 0:02:47 | 0:02:52 | |
to pick up goods and carry them into the great metropolis. | 0:02:52 | 0:02:57 | |
And here she comes - Dawn. She's a stackie. | 0:02:59 | 0:03:03 | |
She was built in 1897 | 0:03:03 | 0:03:05 | |
specifically to transport huge haystacks from East Anglian farms. | 0:03:05 | 0:03:10 | |
In 1900, when we're imagining our trip, there were over 2,000 | 0:03:11 | 0:03:14 | |
Thames sailing barges loading at little quays like this. | 0:03:14 | 0:03:19 | |
Very difficult to imagine these soggy creeks, miles from anywhere, | 0:03:23 | 0:03:28 | |
were ever part of a massive commercial network, but they were. | 0:03:28 | 0:03:33 | |
We've got a bit of a problem here, | 0:03:33 | 0:03:35 | |
because we've really got to move as quickly as we can - | 0:03:35 | 0:03:38 | |
here comes the dinghy - because unfortunately, | 0:03:38 | 0:03:42 | |
we get about ten minutes | 0:03:42 | 0:03:44 | |
before the water all runs out into the North Sea. | 0:03:44 | 0:03:48 | |
Today, Dawn is run by a very small crew, who, | 0:03:55 | 0:03:59 | |
like their predecessors, understand the rules of these shallow waters. | 0:03:59 | 0:04:04 | |
-Can I throw you that? -Sure. | 0:04:05 | 0:04:07 | |
-Up you come. -I'm Griff. -I'm Gerald, how do you do? -Nice to meet you. | 0:04:08 | 0:04:13 | |
-Let's go and meet Gerard. -Gerard? Gerald and Gerard. | 0:04:13 | 0:04:18 | |
-Welcome aboard, Chris. Welcome aboard Dawn. -Nice to be here. -Good. | 0:04:18 | 0:04:21 | |
We really must get going, so do you want to go and set the topsail, | 0:04:21 | 0:04:24 | |
cos we're running out of water. | 0:04:24 | 0:04:25 | |
-Anything I can do? -Yes, go and give Gerald a hand. -Gerald, I'm coming! | 0:04:25 | 0:04:28 | |
Righto! | 0:04:28 | 0:04:30 | |
'Following skipper Gerard's swift orders, | 0:04:30 | 0:04:33 | |
'we get the boat under sail, just as we would have done in 1900, | 0:04:33 | 0:04:37 | |
'so that we can follow the narrow creek out towards the sea.' | 0:04:37 | 0:04:41 | |
So this is a topsail. | 0:04:42 | 0:04:44 | |
You can set this without the mainsail. | 0:04:46 | 0:04:48 | |
'It will catch the wind blowing above the dykes.' | 0:04:48 | 0:04:51 | |
-And how much goods could you carry? -About 120 tonnes, this one. -Right. | 0:04:51 | 0:04:55 | |
-80-foot long, 120... And how many people looked after it? -Two. | 0:04:55 | 0:04:58 | |
-Two? So we're overmanned? -Exactly, yes. | 0:05:00 | 0:05:04 | |
Overburdened! | 0:05:04 | 0:05:06 | |
-So we're going to set the foresail. -A man and a boy, as they say. | 0:05:06 | 0:05:09 | |
A few small sails are enough | 0:05:11 | 0:05:13 | |
to pull Dawn out past the half-submerged islands | 0:05:13 | 0:05:17 | |
of the Walton backwaters. | 0:05:17 | 0:05:19 | |
And I have time to explore the accommodation. | 0:05:20 | 0:05:23 | |
This is the cabin. | 0:05:24 | 0:05:26 | |
You've got a rather capacious double bunk sort of hidden away over there. | 0:05:26 | 0:05:30 | |
It's actually quite a lot of space. | 0:05:30 | 0:05:33 | |
A cabin boy like me would come aboard with what was known as | 0:05:34 | 0:05:37 | |
a shirt bag, which had... Well, a shirt in it, | 0:05:37 | 0:05:42 | |
which was probably all they needed - one change of shirt, | 0:05:42 | 0:05:45 | |
then a few things to eat - a bit of bacon and some cheese... | 0:05:45 | 0:05:50 | |
And some bread and just a few tins, and the tins were there | 0:05:52 | 0:05:58 | |
because from time to time, the barge would get wind-bound. | 0:05:58 | 0:06:01 | |
She couldn't leave. | 0:06:02 | 0:06:03 | |
If the wind was blowing in the wrong direction, | 0:06:03 | 0:06:06 | |
she was completely stuck, because these boats had no engines. | 0:06:06 | 0:06:11 | |
They were entirely dependent on the weather and the tides. | 0:06:11 | 0:06:16 | |
'As we reached the deeper inlet of Hamford Water, | 0:06:17 | 0:06:21 | |
'we can put up the mainsail. | 0:06:21 | 0:06:23 | |
'Or rather, pull it down. | 0:06:23 | 0:06:25 | |
'What makes a sprit-sail barge like Dawn so versatile | 0:06:27 | 0:06:30 | |
'is in fact her sprit - it's that big pole, | 0:06:30 | 0:06:34 | |
'sticking up diagonally from the foot of the mast. | 0:06:34 | 0:06:38 | |
'The sail hangs from it like a giant Roman blind - | 0:06:38 | 0:06:41 | |
'some 3,000 feet of red cloth is dropped, or furled up, | 0:06:41 | 0:06:45 | |
'depending on the strength of the wind.' | 0:06:45 | 0:06:47 | |
They were white when they were made, but they were dressed with | 0:06:47 | 0:06:50 | |
a mixture of brick dust, fish oil, red ochre - that sort of stuff. | 0:06:50 | 0:06:54 | |
Kept the weather out. | 0:06:54 | 0:06:55 | |
The Thames sprit-sailed barge seems to have jumped into being | 0:06:56 | 0:07:00 | |
fully formed somewhere in the early 1800s. | 0:07:00 | 0:07:04 | |
These shallow tidal creeks needed flat-bottomed boats | 0:07:04 | 0:07:07 | |
which could float in just five foot of water | 0:07:07 | 0:07:10 | |
and could ride the tide | 0:07:10 | 0:07:11 | |
as it sluiced in and out of the gaping mouth | 0:07:11 | 0:07:14 | |
of Britain's greatest river - the Thames. | 0:07:14 | 0:07:17 | |
This whole estuary is made by a colossal slew of water... | 0:07:20 | 0:07:26 | |
-Oh, yes, sure. -Going out and coming in... | 0:07:26 | 0:07:29 | |
You've got to work the tides, | 0:07:29 | 0:07:31 | |
otherwise you make it darn hard work for yourself and in the days | 0:07:31 | 0:07:34 | |
when they just were sailing, they had to be on top of their game | 0:07:34 | 0:07:37 | |
and use the tides to the best of their advantage, really. | 0:07:37 | 0:07:40 | |
And now, we're using that same falling evening tide | 0:07:41 | 0:07:45 | |
to sail into overnight shelter by Harwich. | 0:07:45 | 0:07:48 | |
We'll start to make our way south on the next rising tide tomorrow. | 0:07:48 | 0:07:52 | |
We need to get ballast to allow us to load our hay. | 0:07:52 | 0:07:56 | |
After that, we'll hitch a lift on another tide | 0:07:56 | 0:07:59 | |
to take us past Southend and upriver to Gravesend. | 0:07:59 | 0:08:03 | |
There, we'll wait for our final tidal lift up the Thames | 0:08:03 | 0:08:07 | |
to the heart of London - | 0:08:07 | 0:08:08 | |
just as barges did in 1900. | 0:08:08 | 0:08:11 | |
We cannot rush this. The pace is the pace of the phases of the moon. | 0:08:12 | 0:08:18 | |
And that's good, because it gives me time to consult with a farmer | 0:08:18 | 0:08:21 | |
who knows a lot about the old trading route into London. | 0:08:21 | 0:08:25 | |
Facing the modern super-port of Felixstowe | 0:08:25 | 0:08:28 | |
is the coastal farm of William Wrinch. | 0:08:28 | 0:08:31 | |
We've got a view of the biggest dock... | 0:08:32 | 0:08:36 | |
-Longest continuous dock in the world. -Is it? -Yes. | 0:08:36 | 0:08:39 | |
-A mile and three quarters. -And one of the smallest continuous docks...?! | 0:08:39 | 0:08:43 | |
Well, it's not continuing much now, is it? | 0:08:43 | 0:08:46 | |
This now derelict dock was where the sailing barges loaded | 0:08:47 | 0:08:50 | |
from the Wrinchs' farm, which was one of many | 0:08:50 | 0:08:53 | |
that grew into considerable enterprises supplying the capital. | 0:08:53 | 0:08:58 | |
What fascinates me is that they still hold the old ledgers | 0:08:58 | 0:09:02 | |
and farm books. | 0:09:02 | 0:09:03 | |
-What's this? -This is one of our great-grandfather's ledgers. | 0:09:03 | 0:09:08 | |
My great-grandfather had been farming 400 acres | 0:09:08 | 0:09:12 | |
and by the time he died, he was farming 3,500 acres. | 0:09:12 | 0:09:14 | |
3,500 acres? | 0:09:14 | 0:09:17 | |
During the First World War, yes. And he built this series of quays. | 0:09:17 | 0:09:20 | |
Feedstuffs were sent up to London. | 0:09:20 | 0:09:22 | |
When the business really got going, | 0:09:22 | 0:09:23 | |
-he had his own wharf up at Vauxhall in London. -He had his own wharf? | 0:09:23 | 0:09:27 | |
-Up in London, yes. -As a farmer? -Yes. | 0:09:27 | 0:09:30 | |
And so what are they taking? | 0:09:30 | 0:09:32 | |
-Well, swedes, carrots, beets... -Straw, barley... -Oats, barley. | 0:09:32 | 0:09:37 | |
-Can I have a look at the photographs, as well? -Yes. Right... | 0:09:37 | 0:09:40 | |
-This is the Snowdrop. -And this is hay or straw. | 0:09:40 | 0:09:45 | |
-For either bedding or for feeding horses. -Yes. | 0:09:45 | 0:09:48 | |
What we're looking at here is what seems to my eyes | 0:09:48 | 0:09:53 | |
almost totally unsafe! | 0:09:53 | 0:09:56 | |
The boat is piled up to such a degree that you wonder how | 0:09:56 | 0:10:01 | |
they actually managed to sail it. | 0:10:01 | 0:10:03 | |
The chap on the tiller couldn't see, | 0:10:03 | 0:10:05 | |
-so they had the chap on the top. -There's a bloke standing on the top. | 0:10:05 | 0:10:09 | |
He has to be on the top the whole time. | 0:10:09 | 0:10:11 | |
-And this is in the Port of London, isn't it? -Yeah. | 0:10:11 | 0:10:13 | |
There's something absolutely magnificent about these boats. | 0:10:13 | 0:10:16 | |
That's the main quay | 0:10:16 | 0:10:17 | |
and that's one of the last freights going off to London - that was 1938. | 0:10:17 | 0:10:21 | |
Is that about the last time that this was done? | 0:10:21 | 0:10:24 | |
One of the last times, yeah. | 0:10:24 | 0:10:26 | |
'Clearly, this unwieldy load will need steadying. | 0:10:28 | 0:10:33 | |
'We're going to have to get some ballast before we can put all that hay and straw on deck. | 0:10:33 | 0:10:38 | |
'And to find this, we begin our journey south. | 0:10:38 | 0:10:42 | |
'Leaving Harwich, I'm going up the mast to set the topsail - | 0:10:46 | 0:10:50 | |
'to unwrap it from its night storage.' | 0:10:50 | 0:10:53 | |
'We haul out the huge mainsail | 0:11:01 | 0:11:03 | |
'and quickly, the power of these great barges becomes apparent.' | 0:11:03 | 0:11:08 | |
Ready about. | 0:11:10 | 0:11:11 | |
Lee haul. | 0:11:12 | 0:11:13 | |
'Empty, this boat wins races. | 0:11:18 | 0:11:20 | |
'Gerald claims 12 knots - that's 15 miles an hour - | 0:11:20 | 0:11:25 | |
'a lot for 100 tonnes on water. | 0:11:25 | 0:11:28 | |
'As Dawn begins to pick up speed, we lower one of our leeboards. | 0:11:37 | 0:11:43 | |
'These massive wooden fins are a distinctive feature | 0:11:43 | 0:11:47 | |
'of sailing barges and steady them in the water.' | 0:11:47 | 0:11:50 | |
So if the wind is blowing on the side of the sail, | 0:11:50 | 0:11:53 | |
if you don't have something down to stop the boat, what happens | 0:11:53 | 0:11:57 | |
is the boat skids sideways... | 0:11:57 | 0:12:00 | |
That's it, yes. | 0:12:00 | 0:12:02 | |
And you need something to get into the water to transfer | 0:12:02 | 0:12:05 | |
-the power of the sail... -Into forward motion. | 0:12:05 | 0:12:07 | |
You can vary the depth of them, so it depends where you are. | 0:12:07 | 0:12:10 | |
If you're in a shallow creek, you can have a half-board down, | 0:12:10 | 0:12:13 | |
and you've only got about five foot below the bottom. | 0:12:13 | 0:12:15 | |
But if you're at sea and you want full power, | 0:12:15 | 0:12:18 | |
you'd get the board right down, about ten feet. | 0:12:18 | 0:12:20 | |
We're charging. We must be doing about... | 0:12:25 | 0:12:28 | |
..five or six knots, I should think. Probably more. | 0:12:30 | 0:12:34 | |
MUSIC: Theme from "The Onedin Line" | 0:12:34 | 0:12:38 | |
These Walton cliffs | 0:12:49 | 0:12:50 | |
are about the most mountainous that Essex ever gets. | 0:12:50 | 0:12:54 | |
They're topped by the Naze Tower, built in 1720. | 0:12:54 | 0:12:58 | |
It's a beacon for Harwich and a reminder of how much traffic | 0:12:58 | 0:13:02 | |
used to pass through the sandbanks of this coastal road. | 0:13:02 | 0:13:07 | |
And here are the seaside resorts of Walton, Frinton and Clacton. | 0:13:09 | 0:13:14 | |
Playgrounds for Londoners | 0:13:15 | 0:13:17 | |
once brought here by paddle steamer to their famous piers. | 0:13:17 | 0:13:21 | |
The resorts were built by boat as well - | 0:13:21 | 0:13:24 | |
their bricks came by Thames barges very like Dawn. | 0:13:24 | 0:13:28 | |
Some brickies were called 42s, | 0:13:29 | 0:13:32 | |
because they could carry 42,000 bricks. | 0:13:32 | 0:13:36 | |
They used to unload their cargo onto horse-drawn carts, | 0:13:36 | 0:13:39 | |
waiting on the shallow sands. | 0:13:39 | 0:13:42 | |
The barges built London too and the bricks were made not far from here. | 0:13:44 | 0:13:49 | |
Peter Minter's business, near the village of Bulmer in Suffolk | 0:13:49 | 0:13:52 | |
still makes them in the traditional manner - each one by hand. | 0:13:52 | 0:13:57 | |
How long have you and your company been in these brickfields? | 0:13:57 | 0:14:00 | |
We've been here since 1936, so 75 years. | 0:14:00 | 0:14:03 | |
-But the brickfields were here long before that, were they? -Yeah, 1450 being the earliest. | 0:14:03 | 0:14:08 | |
Before that, the Romans discovered the quality of London clay. | 0:14:08 | 0:14:11 | |
Yes, it's a nice, sandy clay | 0:14:11 | 0:14:13 | |
and loam which allows you to make a brick with the minimum of problems. | 0:14:13 | 0:14:16 | |
When we look at these levels here, what does that tell us? | 0:14:16 | 0:14:19 | |
We're looking at the estuary of the Thames 40 million years ago. | 0:14:19 | 0:14:23 | |
The basic clay was the deposits in the Thames estuary | 0:14:23 | 0:14:25 | |
and as it dried out, volcanic material was overlaid | 0:14:25 | 0:14:28 | |
on top of that - that's why it's so level. | 0:14:28 | 0:14:31 | |
OK, so volcanoes - we're talking a fair time ago? | 0:14:31 | 0:14:34 | |
There haven't been many active volcanoes around here for a while. | 0:14:34 | 0:14:37 | |
'Today, the 40 million-year-old clay, dug from this pit, | 0:14:37 | 0:14:41 | |
'is piled up, sometimes for over a year, | 0:14:41 | 0:14:44 | |
'before being mixed with water and moulded into bricks. | 0:14:44 | 0:14:47 | |
'John Affendale can produce up to 1,000 a day, | 0:14:48 | 0:14:52 | |
'so he's the perfect man to teach me how to do it.' | 0:14:52 | 0:14:54 | |
Hiya. Don't make it look too easy, cos that'll make me look bad! | 0:14:54 | 0:14:59 | |
Don't worry about that! | 0:14:59 | 0:15:01 | |
I'm hardly likely. | 0:15:01 | 0:15:02 | |
Pah! | 0:15:04 | 0:15:05 | |
Ugh! | 0:15:07 | 0:15:08 | |
That's it. | 0:15:08 | 0:15:10 | |
You've got a bit of hazel twig | 0:15:10 | 0:15:11 | |
bent over and a bit of wire. | 0:15:11 | 0:15:13 | |
So then we scrape over here... | 0:15:13 | 0:15:16 | |
-And...we end up with a big lump. -That's it. | 0:15:16 | 0:15:19 | |
You want to put some sand back down... | 0:15:19 | 0:15:21 | |
-Like that. -That's it. | 0:15:23 | 0:15:25 | |
-Now put the board behind it... -Let's turn it ups... | 0:15:25 | 0:15:28 | |
-I'll be all right! -That's it. Now lift the frame off. | 0:15:28 | 0:15:32 | |
Lift the frame off, carefully, | 0:15:32 | 0:15:33 | |
because you don't want to spoil your brick. | 0:15:33 | 0:15:35 | |
I want to show you now | 0:15:35 | 0:15:37 | |
just what sort of handmade brick you'd be buying here. | 0:15:37 | 0:15:39 | |
I think London would never have been built if it'd been down to me, because I'd still be here, | 0:15:39 | 0:15:43 | |
trying to manufacture the next batch of bricks. | 0:15:43 | 0:15:46 | |
The barges that took bricks into London often brought the capital's | 0:15:48 | 0:15:51 | |
rubbish out, which was then burned as fuel in the brick furnaces. | 0:15:51 | 0:15:55 | |
It was all efficient recycling. | 0:15:58 | 0:16:01 | |
The bricks that built London were trundled down the hill, | 0:16:08 | 0:16:13 | |
put into barges and then pulled by horses about 20 miles | 0:16:13 | 0:16:16 | |
to the mouth of the estuary, where they were loaded into sailing barges | 0:16:16 | 0:16:20 | |
and extraordinarily, they remained competitive - that route remained | 0:16:20 | 0:16:26 | |
competitive - for 100 years after the railways were invented. | 0:16:26 | 0:16:31 | |
I can't do it now, because it's no longer navigable for barges. | 0:16:32 | 0:16:37 | |
We can't use bricks as ballast, so what can we use? | 0:16:42 | 0:16:46 | |
Sometimes barges would bulk-load vegetables or root crops | 0:16:46 | 0:16:50 | |
like swedes to give them their stability. | 0:16:50 | 0:16:53 | |
But Essex is a source of another weighty commodity. | 0:16:53 | 0:16:57 | |
We're heading into the River Colne, up towards Colchester, | 0:16:57 | 0:17:00 | |
to the village of Fingringhoe, to get hold of some of that. | 0:17:00 | 0:17:04 | |
-Fingringhoe is a traditional barge stop, isn't it? -Very much so, yes. | 0:17:04 | 0:17:08 | |
They've been taking sand out of here for... | 0:17:08 | 0:17:11 | |
For all living memory, really, to London, for the building trade. | 0:17:11 | 0:17:14 | |
Good sand, I think it is. Essex sand. | 0:17:14 | 0:17:16 | |
It's nice to know that Essex produces something | 0:17:16 | 0:17:18 | |
which is valued across the world. | 0:17:18 | 0:17:20 | |
'We're taking on 25 tonnes of best Essex sand.' | 0:17:25 | 0:17:30 | |
-On top? -Yeah. | 0:17:33 | 0:17:34 | |
'This may feel like hard work, | 0:17:43 | 0:17:44 | |
'but it's nothing compared to the way it used to be done. | 0:17:44 | 0:17:47 | |
'Skippers would beach their barge on a bank at low tide | 0:17:47 | 0:17:51 | |
'and they and their cabin boy would shovel 100 tonnes of sand | 0:17:51 | 0:17:54 | |
'or shingle directly into the hold by hand.' | 0:17:54 | 0:17:58 | |
Here comes more. | 0:17:58 | 0:18:00 | |
I hope you notice we're doing it with 19th-century | 0:18:00 | 0:18:03 | |
health and safety standards. | 0:18:03 | 0:18:06 | |
-Which is... "Look the -BLEEP -out!" | 0:18:07 | 0:18:10 | |
Our ballast safely loaded, we slowly sail further south, | 0:18:21 | 0:18:24 | |
closer to our awaiting hay and straw. | 0:18:24 | 0:18:28 | |
We're used to speed, but these trips that today would just | 0:18:28 | 0:18:33 | |
take hours by lorry, could take days, | 0:18:33 | 0:18:37 | |
even a week. It was something our grandfathers took for granted. | 0:18:37 | 0:18:42 | |
It's said that a barge once took 30 days in high summer | 0:18:42 | 0:18:45 | |
to travel 20 miles. | 0:18:45 | 0:18:47 | |
This is the Hay And Straw Measurer And Ready Reckoner from 1870 - | 0:18:47 | 0:18:54 | |
tells you how to make a haystack. | 0:18:54 | 0:18:56 | |
Shows the solid feet or cubicle content of stacks of a square | 0:18:56 | 0:19:01 | |
or oblong form, measuring from one to 50 feet in length, | 0:19:01 | 0:19:04 | |
from 11 to 25 feet in breadth | 0:19:04 | 0:19:06 | |
and three inches to 18 feet...! | 0:19:06 | 0:19:10 | |
Not much of a haystack, is it?! | 0:19:11 | 0:19:13 | |
Three inches high. | 0:19:13 | 0:19:15 | |
There we are. | 0:19:15 | 0:19:16 | |
Pretty much covers everything, doesn't it? | 0:19:17 | 0:19:20 | |
And tomorrow... | 0:19:20 | 0:19:23 | |
we intend to make a haystack. | 0:19:23 | 0:19:26 | |
To reach our haystack, we must pass by the south of Mersea Island | 0:19:31 | 0:19:36 | |
and sail into the River Blackwater. | 0:19:36 | 0:19:39 | |
We're just coming into West Mersea | 0:19:41 | 0:19:44 | |
and this is where my father had a boat when I was a boy. | 0:19:44 | 0:19:47 | |
Not been here for years. | 0:19:47 | 0:19:49 | |
When my father wasn't steering the boat, | 0:19:54 | 0:19:56 | |
he was behind his Super 8 camera, and I was allowed to do it. | 0:19:56 | 0:20:01 | |
The yellow jumper has thankfully passed into oblivion, | 0:20:20 | 0:20:25 | |
but the place still looks much the same. | 0:20:25 | 0:20:28 | |
It's great deal of mixed emotions about coming in here. | 0:20:28 | 0:20:34 | |
It's absolutely typical that the day should become like this - | 0:20:34 | 0:20:37 | |
a sort of watery sun, | 0:20:37 | 0:20:40 | |
a putty-coloured sea, full of sort of yellow mud... | 0:20:40 | 0:20:43 | |
Just the same as when I was a boy. | 0:20:45 | 0:20:48 | |
HE INHALES | 0:20:48 | 0:20:49 | |
Smells like home, as well. | 0:20:49 | 0:20:51 | |
Leaving the Blackwater, we head up Salcott Creek. | 0:20:54 | 0:20:58 | |
Our next challenge is to navigate Dawn | 0:20:58 | 0:21:00 | |
up this dangerously shallow channel. | 0:21:00 | 0:21:03 | |
The mud beneath the waters is not always safe. | 0:21:03 | 0:21:06 | |
If our barge sits in it at low tide, | 0:21:06 | 0:21:09 | |
the flat bottom could be sucked down as the water rises. | 0:21:09 | 0:21:13 | |
We need to be here - at the top of the tide. | 0:21:13 | 0:21:15 | |
Just about enough room to get between the moored boats | 0:21:15 | 0:21:20 | |
and the withies over here - these poles - which mark the edge of the channel. | 0:21:20 | 0:21:25 | |
Here we are, in the middle of nothing, there's a little jetty. | 0:21:36 | 0:21:41 | |
That's our destination. | 0:21:41 | 0:21:43 | |
'The tiny jetty belongs to Abbotts Hall Farm at Great Wigborough. | 0:21:45 | 0:21:49 | |
'It's one of the few farms left in Essex with a working jetty, | 0:21:49 | 0:21:53 | |
'which has been recently restored.' | 0:21:53 | 0:21:55 | |
OK, drop ahead, then get the sheet down, guys. | 0:21:59 | 0:22:02 | |
'We're coming in at quite a speed, | 0:22:02 | 0:22:04 | |
'a few hours before high tide in what is still very shallow water.' | 0:22:04 | 0:22:10 | |
Use the leeboards to slow her up, Griff. We'll drop them in the mud. | 0:22:10 | 0:22:13 | |
She's got the wind up her pants, so she's got a bit of weight on... | 0:22:13 | 0:22:16 | |
-So you need to slow her down. -That one down a bit more, Gerald. | 0:22:16 | 0:22:19 | |
-She's slowing up nicely. -Yeah. | 0:22:20 | 0:22:23 | |
Coming alongside. | 0:22:24 | 0:22:25 | |
'She's grounded on the mud. | 0:22:25 | 0:22:27 | |
-'Now we need to pull ourselves alongside the jetty.' -Lovely. | 0:22:27 | 0:22:30 | |
We get the boat round, we can get a rope ashore. | 0:22:30 | 0:22:33 | |
'Waiting for me is David Smart, who runs the farm, | 0:22:34 | 0:22:37 | |
'and has got a load of hay and straw ready for us... | 0:22:37 | 0:22:40 | |
'somewhere.' | 0:22:40 | 0:22:42 | |
-David, hello. -Welcome, Griff. | 0:22:44 | 0:22:45 | |
Welcome to Essex Wildlife Trust and Abbotts Hall Farm. Good to see you. | 0:22:45 | 0:22:48 | |
Perhaps we should go and have a look | 0:22:48 | 0:22:50 | |
-and see what we're going to load up, shall we? -Yeah. | 0:22:50 | 0:22:53 | |
Hey, look at this - fantastic! Horses. | 0:22:56 | 0:23:00 | |
What sort of horses are we looking at here? | 0:23:00 | 0:23:03 | |
We've got Suffolk Punches here, which is the traditional | 0:23:03 | 0:23:05 | |
East Anglian heavy horse. | 0:23:05 | 0:23:07 | |
We've got 30 bales of straw on here, | 0:23:08 | 0:23:11 | |
sitting quite nicely on top of this old 1920s harvest wagon. | 0:23:11 | 0:23:16 | |
-Yeah. -Which traditionally have been used to transport hay and straw. | 0:23:16 | 0:23:20 | |
A working farm in about 1900 would have had a number of wagons. | 0:23:20 | 0:23:25 | |
A number of wagons and of course a number of people, | 0:23:25 | 0:23:28 | |
probably 20 or 30 people working on the farm as labourers. | 0:23:28 | 0:23:32 | |
They'd have needed those, the muscle power to put that stuff on the boat. | 0:23:32 | 0:23:36 | |
-Have we got any muscle power today? -We've got a bit lined up! -Have we? | 0:23:36 | 0:23:40 | |
I love it - the straw, just wafting in the breeze around us... | 0:23:47 | 0:23:52 | |
'This will be the first time almost in living memory | 0:23:52 | 0:23:55 | |
'that straw and hay have been loaded from this quay | 0:23:55 | 0:23:58 | |
'onto a barge bound for London.' | 0:23:58 | 0:24:01 | |
Whoops! | 0:24:02 | 0:24:03 | |
'They've certainly done us proud, and we'll need all the help | 0:24:06 | 0:24:09 | |
'we can get at we have just over 1,000 bales to load before the tide drops. | 0:24:09 | 0:24:14 | |
'To speed things up, we turn to horsepower of a different kind. | 0:24:14 | 0:24:19 | |
'But even with all this assistance and modern machinery, | 0:24:19 | 0:24:21 | |
'we're not going to get the full load on board in just one day.' | 0:24:21 | 0:24:26 | |
The tide has already gone down about a foot, | 0:24:26 | 0:24:30 | |
so we're running out of time already. | 0:24:30 | 0:24:32 | |
We've got...less than an hour to get as much as we can aboard. | 0:24:32 | 0:24:37 | |
'We have to work quickly, but also very carefully - | 0:24:39 | 0:24:42 | |
'an incorrectly-built stack could topple over once we're at sea. | 0:24:42 | 0:24:47 | |
'Stackies did lose their loads fairly often. | 0:24:47 | 0:24:50 | |
'But Dawn, exceptionally, never did - | 0:24:50 | 0:24:53 | |
'so we don't want to spoil her record!' | 0:24:53 | 0:24:55 | |
You've never stacked a barge before, have you? | 0:24:55 | 0:24:57 | |
No, but a haystack is the same. | 0:24:57 | 0:24:59 | |
So it's the same principle? | 0:24:59 | 0:25:01 | |
-You're stacking bales. -You're assuming it is, anyway? -Well, yes. | 0:25:01 | 0:25:05 | |
Yes! | 0:25:05 | 0:25:06 | |
-How long have you got now before the tide goes out? -Ten minutes. | 0:25:11 | 0:25:15 | |
-Ten minutes? So we're racing against time now? -Yes. | 0:25:15 | 0:25:19 | |
Chop chop, boys. | 0:25:21 | 0:25:23 | |
'Just as we think we've made it, the wind catches Dawn's bow | 0:25:23 | 0:25:28 | |
'and she wedges against the mud. | 0:25:28 | 0:25:30 | |
That's it, that's it! | 0:25:30 | 0:25:32 | |
'If we don't get her back into deep water, | 0:25:34 | 0:25:36 | |
'she could be left high and dry by the rapidly falling tide. | 0:25:36 | 0:25:40 | |
'And with her two ends straddling an empty channel, | 0:25:40 | 0:25:43 | |
'the hull would fall into the gap and break her back. | 0:25:43 | 0:25:47 | |
'This is a real emergency. | 0:25:47 | 0:25:49 | |
'We need that rope ashore.' | 0:25:49 | 0:25:52 | |
Pull, pull! Pull, pull! | 0:25:52 | 0:25:54 | |
Go on, pull! | 0:25:54 | 0:25:56 | |
That's it! Tug-of-war. There we go, that's it. Good, good, good. | 0:25:56 | 0:25:59 | |
Keep pulling. | 0:26:00 | 0:26:02 | |
'We get her nose off the mud | 0:26:09 | 0:26:12 | |
'and even the paintwork escapes unblemished.' | 0:26:12 | 0:26:16 | |
CHEERING | 0:26:16 | 0:26:18 | |
With half our load on board, | 0:26:26 | 0:26:29 | |
we retreat and wait for the water to come back. | 0:26:29 | 0:26:32 | |
Later that evening, | 0:26:34 | 0:26:35 | |
Gerard tells me the story of how his father saved Dawn. | 0:26:35 | 0:26:40 | |
He just got a bit romantic and decided he wanted a sailing barge | 0:26:40 | 0:26:44 | |
and bought it knowing nothing about it and learned the hard way, really. | 0:26:44 | 0:26:48 | |
I was about five then, I think. | 0:26:49 | 0:26:51 | |
I can't hardly remember a time without Dawn. | 0:26:51 | 0:26:53 | |
Dawn has always been in it, in some shape or form. | 0:26:53 | 0:26:57 | |
Eventually, I became skipper and went and skippered other barges, | 0:26:58 | 0:27:01 | |
but kept coming back to Dawn, really. | 0:27:01 | 0:27:04 | |
-And here I still am! -And Dawn then went for a massive restoration? | 0:27:04 | 0:27:08 | |
Yes, Dawn ended up in a state of disrepair in Kent. | 0:27:08 | 0:27:11 | |
Dad had sold her and retired and the people who owned her decided | 0:27:11 | 0:27:14 | |
they were going to break her up. | 0:27:14 | 0:27:17 | |
Father decided he wasn't going to let her die, basically. | 0:27:17 | 0:27:20 | |
Eventually, he formed a trust with the help of a lot of other people | 0:27:20 | 0:27:23 | |
and 20 years later, here she is. | 0:27:23 | 0:27:26 | |
Secured her future really, now. | 0:27:26 | 0:27:29 | |
Dawn may be safe, but what about her world, of marsh and shallow creek? | 0:27:35 | 0:27:40 | |
I want to explore this area and have time the following morning. | 0:27:41 | 0:27:46 | |
The water's edge of Abbotts Hall Farm | 0:27:46 | 0:27:49 | |
is the scene of a continuing battle between land and sea. | 0:27:49 | 0:27:53 | |
In the past, coastal farmers built dykes to make fields | 0:27:53 | 0:27:56 | |
out of the mudflats. | 0:27:56 | 0:27:59 | |
Some of them may date back thousands of years, | 0:27:59 | 0:28:02 | |
but now rising sea levels are threatening to overwhelm them. | 0:28:02 | 0:28:06 | |
It's a huge job to rebuild, | 0:28:06 | 0:28:08 | |
so they've decided here on extraordinary measures. | 0:28:08 | 0:28:12 | |
Now over here, we have what are known as saltings - | 0:28:12 | 0:28:18 | |
they're natural saltings created as it were by nature - half land, | 0:28:18 | 0:28:22 | |
half water, every day, they're inundated by the sea | 0:28:22 | 0:28:26 | |
and so they're salty and they're saltings. | 0:28:26 | 0:28:29 | |
But over here, are some that were made recently. | 0:28:29 | 0:28:33 | |
Here, at Abbotts Hall Farm, they have cut holes in the dykes | 0:28:37 | 0:28:42 | |
and deliberately flooded the land | 0:28:42 | 0:28:44 | |
and these breaches fulfil an environmental need. | 0:28:44 | 0:28:48 | |
Rising sea levels have meant that 80% of the East Coast mudflats | 0:28:49 | 0:28:53 | |
on the creek side of the wall has vanished over the last century. | 0:28:53 | 0:28:57 | |
Since these are vital wildlife habitats, | 0:28:58 | 0:29:01 | |
this farm has controversially re-flooded land | 0:29:01 | 0:29:04 | |
to make more saltings for the benefit of the wildfowl. | 0:29:04 | 0:29:09 | |
This is their preferred habitat, obviously. | 0:29:09 | 0:29:12 | |
I mean, if you've got short bird legs, then you need somewhere | 0:29:12 | 0:29:16 | |
to wade, but the point about the saltings is it allows them to nest | 0:29:16 | 0:29:22 | |
and keep away from humankind | 0:29:22 | 0:29:26 | |
in a sort of marshy, muddy paradise. | 0:29:26 | 0:29:28 | |
Shelduck I can see, over there - beautiful. | 0:29:30 | 0:29:33 | |
But it's not just the birds. Fish like to, um... | 0:29:33 | 0:29:36 | |
They like to breed there. | 0:29:38 | 0:29:41 | |
Seabass in particular. | 0:29:41 | 0:29:43 | |
So we all like a seabass - we need to provide places for them to breed. | 0:29:43 | 0:29:47 | |
It's great for a wading bird, but not so great | 0:29:48 | 0:29:51 | |
if you're an arable farmer whose income is reliant on that land. | 0:29:51 | 0:29:55 | |
Now, the question is, as the sea levels rise, | 0:29:56 | 0:29:59 | |
do we spend a fortune repairing these ancient buttresses? | 0:29:59 | 0:30:05 | |
Do we take up the Dutch option? | 0:30:05 | 0:30:08 | |
Or do we let the water come in? | 0:30:08 | 0:30:11 | |
It's quite an issue here on the east coast. | 0:30:12 | 0:30:15 | |
Well, that tide is coming in now and it's time to continue our loading. | 0:30:17 | 0:30:22 | |
Rather wonderfully, Gerard's parents, Gordon and Madeline Swift, | 0:30:22 | 0:30:27 | |
have come to witness their old friend Dawn returning to work. | 0:30:27 | 0:30:31 | |
Took a long while getting it, you know, from the wreck it had become | 0:30:32 | 0:30:36 | |
to, you know... It was hard going, wasn't it at times? | 0:30:36 | 0:30:41 | |
It was a little bit. A bit worrying. | 0:30:41 | 0:30:44 | |
And what about this now, getting the hay aboard? | 0:30:44 | 0:30:46 | |
Well, this is absolutely marvellous, you know. | 0:30:46 | 0:30:48 | |
I want to really see her under full sail, you know, going to London. | 0:30:48 | 0:30:53 | |
Such a thrill to be able to see it again, you know. | 0:30:53 | 0:30:56 | |
It was what she was built for, wasn't it? | 0:30:56 | 0:30:58 | |
Bye-bye! | 0:31:09 | 0:31:11 | |
-Bye! -Bye! | 0:31:11 | 0:31:15 | |
Our stack is neatly made. | 0:31:20 | 0:31:22 | |
We're a floating piece of bygone agriculture. | 0:31:22 | 0:31:25 | |
Finally, we drop anchor and I head off for a drink | 0:31:38 | 0:31:41 | |
in the small village of Rowhedge back on the River Colne. | 0:31:41 | 0:31:44 | |
Rowhedge is a community that likes to boast of its past associations | 0:31:47 | 0:31:51 | |
with smuggling and even piracy, | 0:31:51 | 0:31:54 | |
but what astonishes me is that I can sit and drink with Jim Lawrence, | 0:31:54 | 0:31:58 | |
who once worked on a barge that traded by sail alone. | 0:31:58 | 0:32:02 | |
-How old were you when you started on the barge? -I was 15. | 0:32:02 | 0:32:05 | |
I'd just left school and the terms of the contract was | 0:32:05 | 0:32:08 | |
£1 pound a week and me grub. | 0:32:08 | 0:32:10 | |
-I didn't get much grub and I hardly ever got the pound. -When was this? | 0:32:10 | 0:32:13 | |
1948. | 0:32:13 | 0:32:15 | |
But was it already at that stage, | 0:32:15 | 0:32:17 | |
just after the Second World War, beginning to decline a bit? | 0:32:17 | 0:32:20 | |
Yup, very much so. | 0:32:20 | 0:32:22 | |
I was ever so much advised by my parents, who didn't like the idea, | 0:32:22 | 0:32:26 | |
school tried to talk me out of it - | 0:32:26 | 0:32:29 | |
that made me all the more determined that I should go, | 0:32:29 | 0:32:31 | |
because I wanted to go while I could and do something under sail. | 0:32:31 | 0:32:36 | |
Why did sail get you going? | 0:32:36 | 0:32:38 | |
I don't know why that was so attractive to me, | 0:32:38 | 0:32:40 | |
because my old skipper used to say, | 0:32:40 | 0:32:42 | |
"Don't you mind them old motor barges, boy, they don't last. | 0:32:42 | 0:32:46 | |
"They're all against nature." | 0:32:46 | 0:32:47 | |
-I said... -What, the motor barge was, gradually people would realise, too expensive? | 0:32:47 | 0:32:51 | |
-Wouldn't work! -Too fiddly? | 0:32:51 | 0:32:52 | |
-Yeah. -Bound to go wrong, | 0:32:52 | 0:32:54 | |
-but a sailing barge would always get you there in the end. -That's right. | 0:32:54 | 0:32:57 | |
We're going to sing some songs. | 0:32:57 | 0:33:00 | |
I used to go around with a couple of old boys from Faversham way, | 0:33:00 | 0:33:04 | |
and they used to sing, "A is for the anchor that hangs from the bow." | 0:33:04 | 0:33:08 | |
-That was a song. -The Bargeman's Alphabet. -Is it? -Yeah. | 0:33:08 | 0:33:11 | |
I thought I'd sing you a song, sir, before I... | 0:33:25 | 0:33:28 | |
CHEERING | 0:33:28 | 0:33:29 | |
Do you know The Bargeman's Alphabet? | 0:33:29 | 0:33:31 | |
CHEERING | 0:33:31 | 0:33:33 | |
-I've been through... -Sing it to us, Griff! -Thank you! | 0:33:33 | 0:33:37 | |
# A is for the anchor that hangs from the bow | 0:33:37 | 0:33:41 | |
# B is for the bowsprit that we lower down | 0:33:41 | 0:33:46 | |
# C is for the cat's head where the anchor is stowed | 0:33:46 | 0:33:52 | |
# D is for the davits where our boat is holed | 0:33:52 | 0:33:57 | |
# So merrily, so merrily, so merrily are we | 0:33:57 | 0:34:04 | |
# There's none so blithe as a bargeman at sea | 0:34:04 | 0:34:09 | |
# Sing high, sing low As we sail along | 0:34:09 | 0:34:13 | |
# Give an old barge a breeze and we'll never sail wrong. # | 0:34:13 | 0:34:19 | |
CHEERING AND APPLAUSE | 0:34:19 | 0:34:21 | |
Yes! | 0:34:23 | 0:34:24 | |
-Encore! -Was that what you were expecting, sir? -Er, no. | 0:34:25 | 0:34:30 | |
OK, all right. | 0:34:30 | 0:34:31 | |
It's our fifth day under sail and ahead of us, | 0:34:39 | 0:34:42 | |
we have one of our greatest challenges yet. | 0:34:42 | 0:34:46 | |
Well, the next bit of this journey | 0:34:53 | 0:34:56 | |
is going to take us out... | 0:34:56 | 0:34:59 | |
..beyond Bradwell | 0:35:00 | 0:35:04 | |
and through the Maplin Sands. | 0:35:04 | 0:35:07 | |
'These perilous flats stretch some 20 miles out to sea. | 0:35:08 | 0:35:13 | |
'Heavily-laden coastal traffic would have to sail through tiny channels | 0:35:13 | 0:35:17 | |
'and if the weather deteriorated, barges faced the danger | 0:35:17 | 0:35:21 | |
'of huge waves building up in these dangerous shallows.' | 0:35:21 | 0:35:26 | |
They weren't designed to be seagoing boats, were they? | 0:35:26 | 0:35:29 | |
They were coastal trading boats. | 0:35:29 | 0:35:31 | |
They went low in the water, didn't they? | 0:35:31 | 0:35:33 | |
Yeah, I mean now, she's loaded to her marks, about 120 tonnes, | 0:35:33 | 0:35:35 | |
so the water would be aboard and if it was really rough, | 0:35:35 | 0:35:38 | |
the seas would, you know, potentially wash... | 0:35:38 | 0:35:40 | |
-Straight over the top? -Straight over the top, yeah. | 0:35:40 | 0:35:43 | |
And if a barge did take on water in bad weather, | 0:35:47 | 0:35:50 | |
it could find itself running aground. | 0:35:50 | 0:35:52 | |
-These yellow marks on our chart... -Drying sand, yeah. | 0:35:55 | 0:36:00 | |
They literally show above water as land when the tide goes out? | 0:36:00 | 0:36:03 | |
-Yep, treacherous really. -The worst thing for a boat was to go aground. | 0:36:03 | 0:36:07 | |
-Absolutely. -Waves come up... -..swamped them. | 0:36:07 | 0:36:10 | |
They used to scour out a hole | 0:36:10 | 0:36:11 | |
and the ship would sort of get sucked into the sand | 0:36:11 | 0:36:14 | |
and then get overwhelmed and that was it, it was curtains, they were gone. | 0:36:14 | 0:36:17 | |
So, many boats foundered in these difficult approaches to the Thames | 0:36:24 | 0:36:27 | |
that nearby Southend became one of the earliest outposts | 0:36:27 | 0:36:31 | |
for the Lifeboat Service. | 0:36:31 | 0:36:33 | |
In 1879, the resort's famously long pier was adapted | 0:36:35 | 0:36:39 | |
so that lifeboats could be lowered quickly. | 0:36:39 | 0:36:43 | |
Today, the rescue team have a rather different way of tackling | 0:36:49 | 0:36:52 | |
the shallow water and mud. | 0:36:52 | 0:36:54 | |
Southend is famous for having the longest pleasure pier in the world. | 0:36:55 | 0:37:00 | |
This one, one and a third miles. | 0:37:00 | 0:37:02 | |
The reason for that is because | 0:37:02 | 0:37:04 | |
it's so shallow at the mouth of the Thames, it's so flat | 0:37:04 | 0:37:09 | |
and the only way to get around, for the lifeboat anyway, | 0:37:09 | 0:37:13 | |
is by hovercraft. | 0:37:13 | 0:37:14 | |
They're taking me out to look at the treacherous sands at close quarters. | 0:37:22 | 0:37:28 | |
In Edwardian times, this place was branded | 0:37:28 | 0:37:31 | |
"the most perilous byway in England." | 0:37:31 | 0:37:33 | |
This is the hidden East Coast - | 0:37:56 | 0:37:59 | |
hundreds of thousands of acres | 0:37:59 | 0:38:02 | |
of mud and sand and gloop, | 0:38:02 | 0:38:07 | |
stretching four miles off the coast and then there are runnels, | 0:38:07 | 0:38:12 | |
but then there are another miles and miles of sand banks. | 0:38:12 | 0:38:16 | |
What the hovercraft does, of course, | 0:38:16 | 0:38:18 | |
is come out to rescue people who've gone out for a walk | 0:38:18 | 0:38:20 | |
or chased their dog then got caught by the tide. | 0:38:20 | 0:38:23 | |
Oh... | 0:38:24 | 0:38:25 | |
Yeah, now I've been told what to do in these circumstances | 0:38:25 | 0:38:28 | |
and instinctively, I'm doing the wrong thing. | 0:38:28 | 0:38:31 | |
You mustn't lift up your feet | 0:38:31 | 0:38:33 | |
because you put more pressure on the other foot | 0:38:33 | 0:38:35 | |
and the other foot starts to sink in. | 0:38:35 | 0:38:38 | |
What you have to do is get down and lean on your side. | 0:38:38 | 0:38:40 | |
That way, you simply drown instead of being sucked into the mud! | 0:38:40 | 0:38:45 | |
Hup! | 0:38:45 | 0:38:46 | |
The flat sand does finally merge into flat land | 0:38:50 | 0:38:55 | |
and though very close to London, it remains remote and inaccessible. | 0:38:55 | 0:39:00 | |
A bridge to the mainland was only built in 1922. | 0:39:01 | 0:39:06 | |
Before that, a difficult semi-submerged causeway | 0:39:06 | 0:39:09 | |
across the Maplin Sands was the only way to walk to Foulness Island. | 0:39:09 | 0:39:14 | |
So it was our flat-bottomed sailing barges creeping up the creeks | 0:39:14 | 0:39:18 | |
that provided the means to pursue its rather specialised work. | 0:39:18 | 0:39:24 | |
There's a sort of eerie magnificence to this place. | 0:39:27 | 0:39:32 | |
Over there, that tower is a place where they tested ejector seats. | 0:39:32 | 0:39:37 | |
Over there, the forts that guard the entrance to the Thames. | 0:39:37 | 0:39:41 | |
Down there, that's not Southend Pier, that's an anti-submarine boom. | 0:39:41 | 0:39:48 | |
It is forbidden England. | 0:39:48 | 0:39:52 | |
You still need a pass to visit any part | 0:39:53 | 0:39:57 | |
of what is the fourth largest island off the coast of England. | 0:39:57 | 0:40:00 | |
The Ministry of Defence commandeered this place | 0:40:02 | 0:40:05 | |
as a weapons testing site almost a century ago. | 0:40:05 | 0:40:09 | |
Thames sailing barges brought shells | 0:40:09 | 0:40:11 | |
and gunpowder from the Woolwich arsenal further up the Thames. | 0:40:11 | 0:40:15 | |
After all, sail was a safe form of propulsion | 0:40:16 | 0:40:19 | |
if you happened to be carrying huge loads of high explosives. | 0:40:19 | 0:40:25 | |
Foulness became a perfect trial ground. It still is today. | 0:40:25 | 0:40:29 | |
A defence technology company | 0:40:29 | 0:40:32 | |
is currently testing shells bound for Afghanistan. | 0:40:32 | 0:40:36 | |
-So this is the gun we're going to fire today, is it? -Absolutely, yes. | 0:40:36 | 0:40:40 | |
And you shove the round in from this end? | 0:40:40 | 0:40:42 | |
It doesn't have a sort of magazine, these things? | 0:40:42 | 0:40:45 | |
No, the round itself will be loaded manually, | 0:40:45 | 0:40:47 | |
placed in the back end and rammed by hand | 0:40:47 | 0:40:50 | |
with a wooden rammer as it's always traditionally been done. | 0:40:50 | 0:40:53 | |
So these shells that you're firing today, they're going to explode? | 0:40:54 | 0:40:58 | |
These today will explode, yeah. Absolutely. | 0:40:58 | 0:41:01 | |
-Can I fire one? -'Go ahead, load.' | 0:41:03 | 0:41:05 | |
'All in good time, Griff.' | 0:41:05 | 0:41:07 | |
For obvious reasons, health and safety is a bit of a priority here. | 0:41:07 | 0:41:13 | |
Gun TCO, round warmer one, circuit resistance, 150 right at the gun. | 0:41:13 | 0:41:18 | |
-All personnel under. -'Roger. | 0:41:18 | 0:41:19 | |
'Confirm you're ready. | 0:41:19 | 0:41:21 | |
'10 figure countdown. Nine... | 0:41:21 | 0:41:24 | |
'Eight... Seven... Six... | 0:41:24 | 0:41:27 | |
'Four... Three... Two... One. Fire.' | 0:41:27 | 0:41:30 | |
BOOM | 0:41:30 | 0:41:32 | |
Like a really big bass woofer in a hip-hop car. | 0:41:32 | 0:41:36 | |
The whole "boom" like that, the stomach sort of goes. | 0:41:36 | 0:41:39 | |
The shell travels five miles across the barren island in 20 seconds, | 0:41:40 | 0:41:46 | |
before the preset fuse detonates it in mid-air. | 0:41:46 | 0:41:49 | |
And now, it's my turn. | 0:41:53 | 0:41:55 | |
'Nine... Eight... Seven... Six... | 0:41:55 | 0:42:00 | |
'Four... Three... Two... One. Fire.' | 0:42:00 | 0:42:04 | |
BOOM | 0:42:04 | 0:42:05 | |
-'Clear the gun. Who did that one?' -That would be Griff. | 0:42:05 | 0:42:09 | |
'Roger. clear. Break cover.' | 0:42:09 | 0:42:11 | |
Comments? That question was a little bit pointed, I thought! | 0:42:11 | 0:42:16 | |
"Who did that one?" | 0:42:16 | 0:42:18 | |
Firing the gun is only half the story. | 0:42:19 | 0:42:22 | |
The trajectory of each round is monitored in minute detail - | 0:42:22 | 0:42:26 | |
especially mine, by the sound of it. | 0:42:26 | 0:42:28 | |
Were you the ones who asked, "Who shot that one then?" | 0:42:28 | 0:42:31 | |
There was a little bit of a delay. | 0:42:31 | 0:42:32 | |
-Was there? I was just being safe, I was told... -Noticeable delay. | 0:42:32 | 0:42:36 | |
..whatever I do, I must not fire the thing | 0:42:36 | 0:42:38 | |
until I hear the word "fire!" | 0:42:38 | 0:42:40 | |
What a great day for it as well. | 0:42:41 | 0:42:42 | |
One of the finest pictures I should think you've ever had of anybody | 0:42:42 | 0:42:46 | |
firing one of those things. | 0:42:46 | 0:42:48 | |
You want the sun out, yeah. | 0:42:48 | 0:42:49 | |
Quite often you find yourself adding your own sound effects. | 0:42:49 | 0:42:52 | |
There's no sound on this one, but, you know, | 0:42:52 | 0:42:54 | |
you just find yourself sitting there going "pchoo." | 0:42:54 | 0:42:57 | |
Whoomp! Pchoo! | 0:42:58 | 0:43:00 | |
'It's difficult to believe that | 0:43:00 | 0:43:02 | |
'we're less than 45 miles from London. | 0:43:02 | 0:43:04 | |
'I could lob a shell from here into Westminster if I felt so inclined.' | 0:43:04 | 0:43:09 | |
And London is where we continue to sail. | 0:43:16 | 0:43:19 | |
Now we're at the mouth of the Thames and the first barge in over 70 years | 0:43:19 | 0:43:23 | |
to be laden with cargo of hay and straw. | 0:43:23 | 0:43:26 | |
Just making history here again, you know. | 0:43:29 | 0:43:31 | |
I always dreamt about doing it but now we're actually doing it, | 0:43:31 | 0:43:34 | |
it's just an amazing feeling, amazing. | 0:43:34 | 0:43:37 | |
Today's tides will get us as far as Gravesend, | 0:43:41 | 0:43:45 | |
before we make our final push up the river itself. | 0:43:45 | 0:43:48 | |
As cabin boy, | 0:43:50 | 0:43:51 | |
I want to cook a traditional bargeman's meal for the crew - | 0:43:51 | 0:43:54 | |
a pudding, which is supposed to be a treat. Sailors long for it. | 0:43:54 | 0:43:58 | |
It was apparently also the favourite | 0:43:58 | 0:44:00 | |
of Rear Admiral Sir John Jack Aubrey, | 0:44:00 | 0:44:03 | |
the fictional character in the famous novels of Patrick O'Brien. | 0:44:03 | 0:44:07 | |
This is Griff's cooking with lard, because I'm going to make plum duff. | 0:44:08 | 0:44:12 | |
The origins of plum duff can be traced back to the medieval period. | 0:44:12 | 0:44:17 | |
It's similar to Christmas or plum pudding, but with rather less fruit. | 0:44:17 | 0:44:21 | |
And to this, I add my melted lard. | 0:44:23 | 0:44:27 | |
Plum duff was but a dream for a lowly cabin boy. | 0:44:27 | 0:44:31 | |
You often had to rely on handouts from passing fishing boats. | 0:44:31 | 0:44:34 | |
According to one old skipper, | 0:44:34 | 0:44:36 | |
he got the odd bucket of whelks if he was lucky. | 0:44:36 | 0:44:39 | |
Now comes the funny bit. Take your muslin... | 0:44:39 | 0:44:42 | |
There we go. | 0:44:42 | 0:44:43 | |
And then you fix it all together... | 0:44:45 | 0:44:48 | |
There we go. | 0:44:49 | 0:44:50 | |
Plum duff was the traditional treat of the working man. | 0:44:50 | 0:44:54 | |
So, after six hours of steaming, | 0:44:54 | 0:44:56 | |
what do today's working men think of it? | 0:44:56 | 0:45:00 | |
-What? -I haven't said a word! | 0:45:00 | 0:45:03 | |
I don't know! You're sitting here with the expression of somebody | 0:45:03 | 0:45:06 | |
about to meet their doom on your face. | 0:45:06 | 0:45:09 | |
-That's about it. -Just a minute, OK... | 0:45:09 | 0:45:11 | |
It's like something out of a Hammer horror film. | 0:45:11 | 0:45:14 | |
-The brain... -Oh, no! | 0:45:14 | 0:45:15 | |
LAUGHTER | 0:45:15 | 0:45:18 | |
Big slice or small slice? | 0:45:21 | 0:45:22 | |
-I'll try a small slice. -A small slice to start. | 0:45:22 | 0:45:25 | |
-It smells all right. -It's good. | 0:45:25 | 0:45:26 | |
-Looks all right, doesn't it? -You want a bit of jam on that, boy! | 0:45:26 | 0:45:30 | |
-All right. -You do. | 0:45:30 | 0:45:32 | |
I have to tell you, for seafarers of old, | 0:45:32 | 0:45:35 | |
they sat all week anticipating their plum duff. | 0:45:35 | 0:45:39 | |
It was the only treat they had in the entire week, the plum duff. | 0:45:39 | 0:45:42 | |
The old bargemen were always on about it. | 0:45:42 | 0:45:44 | |
-Were they? -Yeah, they were, yeah. | 0:45:44 | 0:45:46 | |
-Lovely, thank you. -There we are. | 0:45:46 | 0:45:49 | |
You can't call yourself a proper barge man | 0:45:49 | 0:45:50 | |
until you can get on the other side of a piece of plum duff. | 0:45:50 | 0:45:53 | |
-Nick, you're not game? -No, thank you, Griff. | 0:45:53 | 0:45:56 | |
SNIGGERING | 0:46:04 | 0:46:06 | |
Well, the jam's good, isn't it? | 0:46:08 | 0:46:12 | |
You haven't swallowed it yet! | 0:46:12 | 0:46:14 | |
-A little bit of duff goes a long way, if you ask me. -It should do! | 0:46:14 | 0:46:17 | |
LAUGHTER | 0:46:17 | 0:46:19 | |
It's the last day of our trip, | 0:46:21 | 0:46:22 | |
but we still have to wait till noon | 0:46:22 | 0:46:26 | |
for five knots of incoming tide to rush us up to London. | 0:46:26 | 0:46:30 | |
I'm jumping ship in search of a present, | 0:46:30 | 0:46:32 | |
heading back downriver a few miles, along the south side of the Thames, | 0:46:32 | 0:46:37 | |
to Chatham dockyard. | 0:46:37 | 0:46:39 | |
This river was not only a place of barges. | 0:46:39 | 0:46:42 | |
There was another part of our maritime tradition | 0:46:42 | 0:46:45 | |
that once employed thousands and yet we seem scarcely aware of it. | 0:46:45 | 0:46:49 | |
You see, I think I associate the south coast with the Royal Navy - | 0:46:51 | 0:46:57 | |
Portsmouth and Dartmouth and Plymouth - | 0:46:57 | 0:47:00 | |
but in fact, even at the very beginning, | 0:47:00 | 0:47:03 | |
it was only 14 ships that came from Plymouth to defeat the Armada. | 0:47:03 | 0:47:08 | |
The rest came from the Medway | 0:47:08 | 0:47:10 | |
and the Thames Estuary is rife with the senior service. | 0:47:10 | 0:47:16 | |
Here we made the ships that defended Britain and built its empire. | 0:47:16 | 0:47:21 | |
In the 18th century, Chatham built 125 ships | 0:47:21 | 0:47:24 | |
and employed nearly 2,000 men. | 0:47:24 | 0:47:27 | |
In the 1700s, this was the largest industrial complex in the world. | 0:47:29 | 0:47:34 | |
I've come here to buy a present... | 0:47:34 | 0:47:37 | |
on the rope walk. | 0:47:37 | 0:47:40 | |
When it was constructed in 1790, | 0:47:44 | 0:47:47 | |
the ropewalk, where lengths of rope were spun, | 0:47:47 | 0:47:50 | |
was the longest brick building in Europe. | 0:47:50 | 0:47:53 | |
At a quarter of a mile long, | 0:47:53 | 0:47:55 | |
it supplied grand sailing ships and barges alike. | 0:47:55 | 0:47:59 | |
And today, it's still making rope in the traditional manner | 0:47:59 | 0:48:03 | |
and at the heart of the process is master rope maker, Fred Cordier. | 0:48:03 | 0:48:08 | |
And the principle of the technology | 0:48:08 | 0:48:12 | |
is simply to wind the things together by opposing twists, | 0:48:12 | 0:48:15 | |
effectively holds it all together. | 0:48:15 | 0:48:17 | |
-That's right, yeah. -And you're knotting onto another bobbin there. | 0:48:17 | 0:48:22 | |
Does it matter that it's got a knot in the middle of it? | 0:48:22 | 0:48:24 | |
No, because it goes in the centre of the strand, so it's gone. | 0:48:24 | 0:48:27 | |
And you don't want them all to come to an end at the same time, | 0:48:27 | 0:48:30 | |
so you have different sizes of bobbins. | 0:48:30 | 0:48:32 | |
What's happening? There's a bell going off. | 0:48:32 | 0:48:34 | |
That's the warning bell telling me they're nearly there. | 0:48:34 | 0:48:37 | |
Nearly there. What's nearly there? | 0:48:37 | 0:48:38 | |
The machine at the other end. | 0:48:38 | 0:48:40 | |
We'll have to go and look at that happen. | 0:48:40 | 0:48:42 | |
The rope making machinery here is the oldest surviving in Britain. | 0:48:44 | 0:48:48 | |
Parts of it date from 1811. | 0:48:48 | 0:48:50 | |
Whoa! | 0:48:50 | 0:48:52 | |
I'm riding the iron horse here. | 0:48:53 | 0:48:56 | |
Fred, what is making us move that way? | 0:48:56 | 0:49:00 | |
It's the twist of the rope against the nose at the top. | 0:49:00 | 0:49:03 | |
So it's just the twisting that's making us go? | 0:49:04 | 0:49:07 | |
'The technique of twisting and then countertwisting into ever larger strands | 0:49:07 | 0:49:12 | |
'remains the same as it was then.' | 0:49:12 | 0:49:14 | |
And here it is. Beautiful! Beautiful rope. | 0:49:14 | 0:49:19 | |
-What circumference is this then? -It is a four inch circumference. | 0:49:19 | 0:49:22 | |
-Right. And that's how you measure old ropes? -It is. | 0:49:22 | 0:49:25 | |
And you've made ropes for... some famous boats, famous ships. | 0:49:25 | 0:49:31 | |
-Certainly have. -Victory? | 0:49:31 | 0:49:32 | |
-The Endeavour. The Victory. -Yeah. -Cutty Sark. | 0:49:32 | 0:49:35 | |
-Yeah. -You name it, all of them. | 0:49:35 | 0:49:37 | |
This is where people who need a traditional-looking rope. | 0:49:37 | 0:49:40 | |
-Quite right. -And I can tell you that's what The Dawn wants as well. -OK. | 0:49:40 | 0:49:44 | |
So I'm going to have to take some away with me, I think. | 0:49:44 | 0:49:47 | |
I've got to get this coiled up. Coil away. | 0:49:49 | 0:49:52 | |
'And it is heavy stuff. | 0:49:56 | 0:49:58 | |
'Money for new rope.' | 0:49:58 | 0:50:02 | |
-Gentleman, I went to Chatham and I thought of you. -Wow. | 0:50:02 | 0:50:05 | |
-Blimey, the real thing. -That's what you use, isn't it? -It is, yeah. Lovely. | 0:50:06 | 0:50:10 | |
-Have you been there and seen it done? -We have. I have, yes. -Great. | 0:50:10 | 0:50:15 | |
-You've never ridden on the machine, have you? -No. | 0:50:15 | 0:50:17 | |
As long as I've done something that you two haven't, | 0:50:17 | 0:50:20 | |
-that's all I'm concerned about. -You've done loads that we haven't. | 0:50:20 | 0:50:22 | |
We now have just 30 miles to go. | 0:50:25 | 0:50:28 | |
Up the Thames to St Katherine's Dock. | 0:50:28 | 0:50:31 | |
Port of London Authority's told me that in the old days | 0:50:31 | 0:50:34 | |
50 million tonnes used to go up and down the Thames. | 0:50:34 | 0:50:37 | |
And today? | 0:50:37 | 0:50:39 | |
50 million tonnes goes up and down the Thames, | 0:50:39 | 0:50:41 | |
but they all go further down the river, they don't head up to the Pool of London. | 0:50:41 | 0:50:46 | |
So where we're going now looks utterly peaceful. | 0:50:46 | 0:50:51 | |
The dockside warehouses fronting the whole length of the river | 0:51:05 | 0:51:08 | |
have lost their purpose. | 0:51:08 | 0:51:10 | |
Casualties of containerisation. | 0:51:10 | 0:51:12 | |
Nowhere is this more apparent than at the Royal docks. | 0:51:15 | 0:51:18 | |
Only 50 years ago this area employed more than 100,000 people, | 0:51:20 | 0:51:24 | |
unloading cargo from across the world. | 0:51:24 | 0:51:26 | |
But sailing barges were in decline earlier than that. | 0:51:26 | 0:51:29 | |
After the First World War, engines began to take over. | 0:51:29 | 0:51:33 | |
In the Great Depression of the 1930s, | 0:51:35 | 0:51:38 | |
nearby Woolwich Reach became home to a solid mass of idle boats | 0:51:38 | 0:51:43 | |
which their hungry crews named the "starvation buoys". | 0:51:43 | 0:51:47 | |
It was a hastening of a slow death for the working barge. | 0:51:47 | 0:51:52 | |
-So the barges would hang around waiting for work? -Yeah. | 0:51:52 | 0:51:55 | |
It must have been a misery for our boys. | 0:51:56 | 0:52:00 | |
As we passed through the Thames Barrier, | 0:52:01 | 0:52:04 | |
the emptiness seems to give way to overcrowded incident - | 0:52:04 | 0:52:07 | |
Greenwich, the Dome, Canary Wharf | 0:52:07 | 0:52:10 | |
and the glass towers of the city rise above the river banks. | 0:52:10 | 0:52:14 | |
There she blows. There's the City of London coming into sight. | 0:52:14 | 0:52:18 | |
I'm getting emotional! | 0:52:18 | 0:52:19 | |
Emotional feeling as you come up here. | 0:52:19 | 0:52:21 | |
It's a tremendous feeling to come up into London like this. | 0:52:21 | 0:52:24 | |
There's no doubt that the modern metropolis of London owes | 0:52:28 | 0:52:32 | |
a part of its greatness to the humble Thames sailing barge. | 0:52:32 | 0:52:36 | |
These wind-powered HGVs made London's great Victorian expansion possible. | 0:52:36 | 0:52:41 | |
They brought the bricks and sand for building, | 0:52:41 | 0:52:44 | |
the barley for the beer, | 0:52:44 | 0:52:45 | |
and of course the fodder for all those working horses. | 0:52:45 | 0:52:49 | |
At the time when this barge was working, | 0:52:50 | 0:52:53 | |
as it made its way further up the river, | 0:52:53 | 0:52:55 | |
so it would become busier and busier. | 0:52:55 | 0:52:58 | |
People would come down in the evening to see what was going on. | 0:52:58 | 0:53:01 | |
Dickens liked to walk down there and stand on London Bridge, | 0:53:01 | 0:53:04 | |
not Tower Bridge because Tower Bridge was built towards the end of the century. | 0:53:04 | 0:53:08 | |
But London Bridge, to see the Pool of London | 0:53:08 | 0:53:10 | |
and to see all the ships that arrived, | 0:53:10 | 0:53:12 | |
the packets that had come from France bringing the news, | 0:53:12 | 0:53:16 | |
and the place thronged with activity. | 0:53:16 | 0:53:18 | |
And here, just beneath Tower Bridge, | 0:53:23 | 0:53:25 | |
the modern gateway to the western river, | 0:53:25 | 0:53:28 | |
lies our final destination - | 0:53:28 | 0:53:30 | |
St Katherine's Dock - and our final challenge. | 0:53:30 | 0:53:34 | |
Now we have to manoeuvre 120 tonnes of barge out of a rushing river | 0:53:38 | 0:53:43 | |
and into her berth. | 0:53:43 | 0:53:44 | |
The narrow entrance and the great press of water | 0:53:50 | 0:53:53 | |
make this a matter of careful leverage and a fine judgment. | 0:53:53 | 0:53:57 | |
A bit of way. | 0:53:57 | 0:53:58 | |
Ooh! | 0:53:58 | 0:54:00 | |
That's the leeboard, isn't it? Sorry. | 0:54:01 | 0:54:05 | |
But apart from that momentary bounce on our leeboard, | 0:54:08 | 0:54:12 | |
amazingly, we passed through the eye of St Katherine's Needle. | 0:54:12 | 0:54:16 | |
Ship and her precious cargo safe in port. | 0:54:17 | 0:54:21 | |
Right, here we come. If you lift it round you. | 0:54:23 | 0:54:28 | |
There we are. Thank you very much. Whoa! | 0:54:28 | 0:54:30 | |
We're going to transport it much as it would have been transported, | 0:54:34 | 0:54:39 | |
to some hungry horses near Hyde Park. | 0:54:39 | 0:54:42 | |
So how many do you take? | 0:54:46 | 0:54:48 | |
Well I think about 20 on there would be a nice load for a single horse. | 0:54:48 | 0:54:51 | |
OK. Well, we've got about 1,000 here. So plenty to choose from. | 0:54:51 | 0:54:54 | |
We've got a long day then. | 0:54:54 | 0:54:56 | |
That's it. We're all loaded up. We're off now, Gerard. | 0:55:09 | 0:55:12 | |
Thank you for having me. | 0:55:12 | 0:55:15 | |
-I'll just leave you with the other thousand to unload. -We'll enjoy that(!) -Thank you. | 0:55:15 | 0:55:19 | |
Thank you for a great trip. | 0:55:19 | 0:55:21 | |
Thank you, guys. See you again. | 0:55:21 | 0:55:24 | |
Just over 100 years ago, a sight such as this would have been commonplace. | 0:55:32 | 0:55:38 | |
Now Londoners stare as the product of a great working route | 0:55:38 | 0:55:44 | |
that once fed London and its sources passes by. | 0:55:44 | 0:55:48 | |
But that route created so much more. | 0:55:51 | 0:55:54 | |
It shaped our capital. | 0:55:54 | 0:55:56 | |
It contributed to our defences. | 0:55:56 | 0:55:58 | |
It kick-started our coastal rescue service. | 0:55:58 | 0:56:02 | |
It even brought the raw material for the roads that ironically | 0:56:06 | 0:56:10 | |
contributed to its downfall. | 0:56:10 | 0:56:12 | |
OK, I think what we'll do is we'll stop here. | 0:56:12 | 0:56:16 | |
There we go, great. | 0:56:16 | 0:56:17 | |
What I need to get... There we are. | 0:56:19 | 0:56:22 | |
All right. OK. Lovely. Thank you very much. | 0:56:25 | 0:56:27 | |
'But the point about the Thames barge route was that it wasn't just one way. | 0:56:35 | 0:56:40 | |
'Barges rarely left London empty.' | 0:56:40 | 0:56:43 | |
Where do you want the hay? | 0:56:45 | 0:56:47 | |
-Just stick it on the floor in the corner. -All right, lovely. | 0:56:47 | 0:56:50 | |
It's a bit dispiriting, isn't it? | 0:56:58 | 0:57:00 | |
We have brought it all this way and Sovereign doesn't want it. | 0:57:00 | 0:57:04 | |
Still, it's not an entirely wasted journey, | 0:57:04 | 0:57:06 | |
because in fact this was a two-way trip. | 0:57:06 | 0:57:09 | |
The hay came in and another cargo altogether went back out. | 0:57:10 | 0:57:15 | |
It was called "London mixture" and it made its way | 0:57:17 | 0:57:22 | |
to Essex by the barge load to fertilise those fields. | 0:57:22 | 0:57:27 | |
In the full circle of life, at the end of the day, | 0:57:29 | 0:57:32 | |
what goes in must come out. | 0:57:32 | 0:57:36 | |
Subtitles by Red Bee Media Ltd | 0:57:57 | 0:58:00 |