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South-east Asia. | 0:00:02 | 0:00:04 | |
Where ancient religions jostle for space with superhighways. | 0:00:06 | 0:00:11 | |
One of the most rapidly-changing places on earth. | 0:00:11 | 0:00:13 | |
That was genuinely amazing! | 0:00:18 | 0:00:21 | |
'My fellow comedian Ed Byrne and I...' | 0:00:21 | 0:00:24 | |
I don't understand anything that the board says. | 0:00:24 | 0:00:26 | |
'..are on an epic adventure...' | 0:00:26 | 0:00:28 | |
It's difficult to get the rhythm right! | 0:00:28 | 0:00:30 | |
'..to three of the most vibrant countries in the region.' | 0:00:30 | 0:00:33 | |
This is an astonishingly beautiful sunset. | 0:00:33 | 0:00:36 | |
'From the economic powerhouse of Malaysia, | 0:00:36 | 0:00:39 | |
'the holiday paradise of Thailand, to Myanmar, | 0:00:39 | 0:00:42 | |
'a fledgling democracy unlocking its doors to the world.' | 0:00:42 | 0:00:46 | |
-That's a lot of people. -There are lots of people here. | 0:00:46 | 0:00:50 | |
'It's a journey that takes us over 3,000 miles, | 0:00:50 | 0:00:53 | |
'from Kuala Lumpur across the Malaysian Peninsula to the historic | 0:00:53 | 0:00:58 | |
'city of Mandalay.' | 0:00:58 | 0:01:00 | |
This is a taste of real Malaysia now. | 0:01:00 | 0:01:03 | |
-Ladies. -It's a nice feeling, isn't it? | 0:01:03 | 0:01:05 | |
This could prove to be a very long night. | 0:01:07 | 0:01:09 | |
'We want to explore how Thailand is | 0:01:09 | 0:01:11 | |
'sinking under the worst excesses of tourism...' | 0:01:11 | 0:01:14 | |
To me, Phuket is now like the Titanic. | 0:01:14 | 0:01:16 | |
We are moving to a huge iceberg ahead. | 0:01:16 | 0:01:19 | |
'..meet the indigenous tribes of Malaysia, struggling to survive.' | 0:01:19 | 0:01:23 | |
They are really shy of new people. | 0:01:23 | 0:01:25 | |
We're going to be just as shy. | 0:01:25 | 0:01:27 | |
'And discover how Myanmar is | 0:01:27 | 0:01:29 | |
'grappling with its new-found freedom.' | 0:01:29 | 0:01:32 | |
The perception was that I was watched, | 0:01:32 | 0:01:34 | |
and I could be thrown into jail any minute. | 0:01:34 | 0:01:37 | |
'We want to understand how the clash between East and West, | 0:01:37 | 0:01:40 | |
'the traditional and the modern, is | 0:01:40 | 0:01:43 | |
'transforming these countries forever.' | 0:01:43 | 0:01:46 | |
It does seem odd. It felt like I'd stepped into a time machine. | 0:01:46 | 0:01:49 | |
Do you know what this trip needs? | 0:01:49 | 0:01:51 | |
A giant golden Buddha. | 0:01:51 | 0:01:52 | |
Would there be one of them nearby by any chance? | 0:01:52 | 0:01:55 | |
'We begin our journey in Kuala Lumpur, | 0:02:04 | 0:02:07 | |
'capital city of Malaysia. | 0:02:07 | 0:02:10 | |
'I've always joked about the fact | 0:02:10 | 0:02:12 | |
'that I like to be in different places, | 0:02:12 | 0:02:14 | |
'but I don't like getting to them. | 0:02:14 | 0:02:15 | |
'But with something like this, | 0:02:15 | 0:02:17 | |
'it's all about seeing as much of the country as we can. | 0:02:17 | 0:02:20 | |
'We're at this very start of the journey, | 0:02:20 | 0:02:22 | |
'because you're arriving somewhere which is completely different to | 0:02:22 | 0:02:25 | |
'your everyday life, and that's very exciting, but also slightly scary.' | 0:02:25 | 0:02:28 | |
Ah, there they are. Look over there. | 0:02:28 | 0:02:30 | |
That's the Petronas Towers there. | 0:02:30 | 0:02:33 | |
'This is a city of fast cars and high finance. | 0:02:33 | 0:02:37 | |
'But on this journey we're going to go far beyond that. | 0:02:37 | 0:02:40 | |
'And I, for one, have come prepared.' | 0:02:42 | 0:02:44 | |
There's about five guidebooks here. | 0:02:44 | 0:02:46 | |
Between your standard, kind of like, you know, tourist guidebooks, | 0:02:46 | 0:02:49 | |
there's some cultural ones there, | 0:02:49 | 0:02:51 | |
a few phrase books. There's another one in Thai. | 0:02:51 | 0:02:53 | |
So I want to learn something so that I can say, you know, | 0:02:53 | 0:02:55 | |
"Oh, I know about this. I read about this. Oh, Ed..." | 0:02:55 | 0:02:59 | |
And there's nothing I enjoy more than telling Ed things. | 0:02:59 | 0:03:01 | |
And there's nothing Ed enjoys more than learning from me. | 0:03:01 | 0:03:05 | |
'My head is already bursting with facts. | 0:03:05 | 0:03:07 | |
'The Petronas Towers, for example, | 0:03:07 | 0:03:09 | |
'are still the tallest twin buildings in the world.' | 0:03:09 | 0:03:13 | |
I hope interesting and exciting things are going to happen. | 0:03:13 | 0:03:16 | |
And I hope me and Dara aren't going to fall out. | 0:03:16 | 0:03:19 | |
'Central KL is mainly a business district, | 0:03:23 | 0:03:26 | |
'but there's over 1.5 million people living in the city. | 0:03:26 | 0:03:29 | |
'So we're heading downtown. | 0:03:31 | 0:03:33 | |
'This food market has been trading for generations. | 0:03:35 | 0:03:39 | |
'But we're not here to do the weekly shop.' | 0:03:41 | 0:03:43 | |
We are here for chicken. | 0:03:44 | 0:03:46 | |
OK. Well, you know... | 0:03:46 | 0:03:48 | |
We're here for a slightly luckier chicken than this. | 0:03:48 | 0:03:50 | |
OK. I would like to have a lucky chicken. | 0:03:50 | 0:03:53 | |
'Hidden away behind the meat stalls is the usual crowd, | 0:03:54 | 0:03:58 | |
'doing what Malaysian blokes do on a Saturday afternoon. | 0:03:58 | 0:04:01 | |
'Hanging out, admiring the birds.' | 0:04:01 | 0:04:04 | |
What have you brought me to, Ed? | 0:04:06 | 0:04:08 | |
A beauty pageant. | 0:04:08 | 0:04:10 | |
-OK. -Essentially. | 0:04:10 | 0:04:12 | |
Ed, that's a bit sexist, if you don't mind me saying, | 0:04:12 | 0:04:14 | |
-in this day and age. -Hey, how are you doing? Ed. This is Dara. | 0:04:14 | 0:04:18 | |
'Lee is the Andy Warhol of the chicken world.' | 0:04:18 | 0:04:21 | |
This is a serama competition in Malaysia, | 0:04:21 | 0:04:24 | |
which we hold it regularly, every week. | 0:04:24 | 0:04:28 | |
'A brief encounter between a | 0:04:28 | 0:04:30 | |
'Malaysian wild fowl and a miniature Japanese chicken | 0:04:30 | 0:04:33 | |
'resulted in these tiny but muscular seramas back in the '70s. | 0:04:33 | 0:04:39 | |
'Coached by their owners, | 0:04:39 | 0:04:41 | |
'the most pumped up chickens can be worth thousands of pounds each, | 0:04:41 | 0:04:44 | |
'and can earn big prize money.' | 0:04:44 | 0:04:46 | |
Do you have to train them or is it just all breeding? | 0:04:46 | 0:04:50 | |
They're natural. | 0:04:50 | 0:04:51 | |
They just naturally stick out their chest? | 0:04:51 | 0:04:54 | |
If they have it, they have it. | 0:04:54 | 0:04:56 | |
Otherwise, zero. | 0:04:56 | 0:04:57 | |
-OK? -At what age do you know whether a chicken's got it, | 0:04:57 | 0:05:01 | |
you know... | 0:05:01 | 0:05:02 | |
"You ain't got it, kid." | 0:05:02 | 0:05:04 | |
Some as young as two weeks. | 0:05:04 | 0:05:06 | |
You can see the way they stand. | 0:05:06 | 0:05:08 | |
-You can just tell? -Yeah. | 0:05:08 | 0:05:10 | |
'And Lee knows exactly what to look | 0:05:10 | 0:05:11 | |
'for in these miniature body-builders.' | 0:05:11 | 0:05:14 | |
-Longer legs. -Longer legs. | 0:05:14 | 0:05:16 | |
And a little bit more of the body. | 0:05:16 | 0:05:18 | |
And then look very slim and tall. | 0:05:18 | 0:05:21 | |
Make sure when they stand they push their chest out. | 0:05:21 | 0:05:24 | |
-Ah, OK. -Look like a warrior. | 0:05:24 | 0:05:26 | |
-To look like a warrior, as much as a chicken possibly can. -Yes. | 0:05:26 | 0:05:29 | |
There's a lot that's weird about this, | 0:05:31 | 0:05:33 | |
but, you know, one of the weirdest things about it is | 0:05:33 | 0:05:35 | |
that surrounded by all these chickens, | 0:05:35 | 0:05:37 | |
that man there is eating chicken. | 0:05:37 | 0:05:41 | |
The equivalent back home, I think, would be racing pigeons, | 0:05:41 | 0:05:44 | |
homing pigeons. I think that seems like the sort of... | 0:05:44 | 0:05:47 | |
Because there isn't an agricultural element. You don't eat them. | 0:05:47 | 0:05:51 | |
'Seramas are bred purely for show. | 0:05:51 | 0:05:53 | |
'And it's competition time. | 0:05:53 | 0:05:56 | |
'They'll be judged on their presentation and poise, | 0:05:56 | 0:05:58 | |
'but must remain on their table for a full two minutes.' | 0:05:58 | 0:06:02 | |
OK, best of the best. | 0:06:04 | 0:06:05 | |
Come on, make it count. Make these two minutes count. | 0:06:05 | 0:06:08 | |
Does it have a name, this chicken? | 0:06:10 | 0:06:12 | |
No. Oh, lovely, lovely work. This one is flaring. | 0:06:12 | 0:06:15 | |
'But as tension mounts, two of them | 0:06:15 | 0:06:17 | |
'take a dive and get shown the red card.' | 0:06:17 | 0:06:20 | |
That boy's doing great. That's it. | 0:06:20 | 0:06:22 | |
Oh, don't go off the table. Don't go off the table. | 0:06:22 | 0:06:25 | |
Oh, no, don't, don't, don't! Turn around, turn around. | 0:06:27 | 0:06:31 | |
'It's amazing how enthusiastic you | 0:06:31 | 0:06:33 | |
'can get about a small chicken on a table.' | 0:06:33 | 0:06:36 | |
-By the power of Grayskull! -He's doing it on one leg! | 0:06:36 | 0:06:39 | |
This is a chicken that can win on one leg. | 0:06:39 | 0:06:42 | |
It's almost over. Almost over. | 0:06:42 | 0:06:45 | |
'After a lot of encouragement, time's up, | 0:06:45 | 0:06:47 | |
'and one little serama is crowned king of the coop.' | 0:06:47 | 0:06:50 | |
Congratulations. Well done. You came up against a good chicken. | 0:06:50 | 0:06:52 | |
-Serama B! -There we go. | 0:06:52 | 0:06:56 | |
Would you like to be part of this success? | 0:06:56 | 0:06:58 | |
It's been great. Don't block the trophy. | 0:06:58 | 0:07:00 | |
Don't block the trophy. Thank you. | 0:07:00 | 0:07:01 | |
'It's hard to get around the gridlocked roads of KL, | 0:07:05 | 0:07:08 | |
'where 93% of the country own a car. | 0:07:08 | 0:07:12 | |
'So we're swapping four wheels for two.' | 0:07:12 | 0:07:15 | |
Morning, how are you? How are you. | 0:07:17 | 0:07:19 | |
-Nice to meet you. -Show us our steeds. | 0:07:19 | 0:07:21 | |
'We're meeting up with cycling activist Jeffrey Lim...' | 0:07:21 | 0:07:24 | |
Right, you change gears here. | 0:07:24 | 0:07:26 | |
'..who in the last two years has been campaigning to get KL's | 0:07:26 | 0:07:29 | |
'residents to ditch their cars for bikes.' | 0:07:29 | 0:07:33 | |
-I don't have a bell? -You're going to risk your life. | 0:07:33 | 0:07:35 | |
-Do I just have to yell? -You've got to yell! "Get out of the way!" | 0:07:35 | 0:07:38 | |
"Get out of my way, I'm going cycling!" | 0:07:38 | 0:07:40 | |
BELL DINGS | 0:07:40 | 0:07:43 | |
Get out of the way! There we go, that works, yeah. | 0:07:43 | 0:07:46 | |
That's better than a bell. | 0:07:46 | 0:07:48 | |
-Cycling! -ALL: Yeah! | 0:07:48 | 0:07:49 | |
Cycling! ALL: Yeah! | 0:07:49 | 0:07:51 | |
Cycling! ALL: Yeah! | 0:07:51 | 0:07:52 | |
Ring your bells, guys. | 0:07:52 | 0:07:54 | |
BELLS DING Let's go! | 0:07:54 | 0:07:57 | |
You'd better lead the way. I don't know where I'm going. | 0:07:58 | 0:08:00 | |
We're not from KL, we don't know. | 0:08:00 | 0:08:02 | |
'These mass cycle rides take place almost every Sunday. | 0:08:02 | 0:08:06 | |
'Jeffrey's plotted a route for us that shows off what a diverse city | 0:08:08 | 0:08:11 | |
'KL has become.' | 0:08:11 | 0:08:13 | |
Just keep on my left, I'll protect you. | 0:08:13 | 0:08:15 | |
The cars will bounce off you before they get to us, will they? | 0:08:15 | 0:08:18 | |
Yeah, I'm going to yell at them. | 0:08:18 | 0:08:20 | |
'60% of Malaysians now follow Islam. | 0:08:20 | 0:08:23 | |
'But within just a short cycle ride | 0:08:23 | 0:08:26 | |
'there's a line of Buddhist monks to welcome us too.' | 0:08:26 | 0:08:30 | |
Hello. | 0:08:30 | 0:08:32 | |
'Buddhism is now the second most popular religion in Malaysia.' | 0:08:32 | 0:08:36 | |
All of these temples are right beside each other? | 0:08:36 | 0:08:39 | |
-Thank you very much. -Nice of them to turn out like that for us. | 0:08:39 | 0:08:42 | |
This is very, very pleasant. | 0:08:42 | 0:08:44 | |
-That was the head priest. -That was the head priest, was it? | 0:08:44 | 0:08:47 | |
The area that we are cycling in is kind of the gateway to the city | 0:08:47 | 0:08:50 | |
for generations of different immigrants. | 0:08:50 | 0:08:52 | |
So therefore there are temples | 0:08:52 | 0:08:54 | |
sitting right here for all the different communities | 0:08:54 | 0:08:56 | |
that have arrived into Malaysia. | 0:08:56 | 0:08:58 | |
'And nestled beneath the skyscrapers, | 0:08:58 | 0:09:00 | |
'an elaborate Hindu temple, | 0:09:00 | 0:09:02 | |
'thanks to the thousands of Indians who migrated here over the | 0:09:02 | 0:09:05 | |
'centuries across the Indian Ocean.' | 0:09:05 | 0:09:08 | |
TRADITIONAL MUSIC PLAYS | 0:09:08 | 0:09:12 | |
Definitely, the Hindus have got the edge. | 0:09:15 | 0:09:18 | |
There was music, there were smiles. | 0:09:18 | 0:09:20 | |
-They put on a show. -There was people with their tops off. | 0:09:20 | 0:09:23 | |
It's great! | 0:09:24 | 0:09:25 | |
'Malaysia's real cultural mix, | 0:09:27 | 0:09:29 | |
'reflecting its long history of | 0:09:29 | 0:09:31 | |
'trading with exotic places all over the world.' | 0:09:31 | 0:09:35 | |
That was like the opening scene to a TV show about Malaysia. | 0:09:35 | 0:09:39 | |
It was like a primer. It was like, "Coming up, we've got... | 0:09:39 | 0:09:43 | |
"We've got Hindus. We've got Muslims. | 0:09:43 | 0:09:46 | |
"We've got Chinese people. | 0:09:46 | 0:09:47 | |
"We've got Indian people." | 0:09:47 | 0:09:49 | |
We just saw them all in one whistle-stop tour. | 0:09:49 | 0:09:52 | |
We almost don't need to do the trip now. | 0:09:52 | 0:09:54 | |
I feel like we've already seen Malaysia. | 0:09:54 | 0:09:56 | |
I've sort of booked in other things. | 0:09:56 | 0:09:57 | |
Yeah. Now that we're taking the time away from home, | 0:09:57 | 0:10:00 | |
we may as well do it. | 0:10:00 | 0:10:02 | |
OK, we might as well do the trip. | 0:10:02 | 0:10:04 | |
-It would seem churlish not to. -That seems like a mission statement. | 0:10:04 | 0:10:07 | |
We might as well do the trip. | 0:10:07 | 0:10:08 | |
There's a reason they get comedians to do these kind of journeys. | 0:10:11 | 0:10:14 | |
It's because we're actually quite curious anyway. | 0:10:14 | 0:10:16 | |
You don't become a comedian without wanting to find strange, | 0:10:16 | 0:10:19 | |
quirky things in the cultures you visit. | 0:10:19 | 0:10:21 | |
So we tend to be looking for little | 0:10:21 | 0:10:22 | |
things that we can make a joke out of, fun, and latch onto, | 0:10:22 | 0:10:25 | |
little cultural differences. | 0:10:25 | 0:10:27 | |
Every guy on a motorbike has their jacket on backwards. | 0:10:27 | 0:10:29 | |
That's a very curious thing. | 0:10:29 | 0:10:32 | |
That is, apparently, to keep bugs of themselves. | 0:10:32 | 0:10:36 | |
'Before we leave KL, there's one thing Ed and I can't resist. | 0:10:37 | 0:10:41 | |
'So we're heading for an evening at | 0:10:41 | 0:10:43 | |
'Malaysia's first ever dedicated comedy club.' | 0:10:43 | 0:10:47 | |
It's a great way to get under the skin of a city, | 0:10:47 | 0:10:50 | |
and to find out about its people | 0:10:50 | 0:10:52 | |
is talk to the people who make them laugh. | 0:10:52 | 0:10:54 | |
We're quite good company. | 0:10:54 | 0:10:56 | |
Comedians enjoy each other's company rather a lot. | 0:10:56 | 0:10:58 | |
And so we have a tendency to hang out together. | 0:10:58 | 0:11:00 | |
And then, when we're away from other comedians, then we're kind of | 0:11:00 | 0:11:03 | |
a bit depressed because, you know, other people are less fun. | 0:11:03 | 0:11:06 | |
What you want me to say? Other people are less fun. | 0:11:06 | 0:11:08 | |
Comedians are the most fun in the world. Sorry. | 0:11:08 | 0:11:11 | |
'With censorship laws tight, stand-up has never really existed | 0:11:11 | 0:11:15 | |
'here and has struggled to find an audience. | 0:11:15 | 0:11:18 | |
'But recently, a few comics have | 0:11:20 | 0:11:22 | |
'found a place to make their voices heard. | 0:11:22 | 0:11:24 | |
'Hidden next to a pound shop at the wrong end of town is The Crackhouse. | 0:11:26 | 0:11:31 | |
'And we've been invited down on one condition. | 0:11:32 | 0:11:35 | |
'That we both get up on stage.' | 0:11:35 | 0:11:37 | |
They did say to us, "Do you want to go on?" | 0:11:37 | 0:11:39 | |
And like we were ever... | 0:11:39 | 0:11:41 | |
Did we not say, "Can we go on?" | 0:11:41 | 0:11:43 | |
They came to me and said... | 0:11:43 | 0:11:45 | |
I'm pretty sure I said, "Is it all right if we get up and do..." | 0:11:45 | 0:11:50 | |
I just presumed we want to go on and do a gig here. | 0:11:50 | 0:11:53 | |
I think I'll probably just do my, you know, | 0:11:53 | 0:11:56 | |
lost luggage routine. | 0:11:56 | 0:11:59 | |
Hey, how are you? Good to see you. | 0:11:59 | 0:12:02 | |
The resident stand ups now play | 0:12:02 | 0:12:04 | |
three nights a week to a new generation of Malays, | 0:12:04 | 0:12:07 | |
eager to share a few laughs. | 0:12:07 | 0:12:09 | |
You have a particularly interesting mix of races here. | 0:12:09 | 0:12:12 | |
I mean, can you tell a joke that starts, | 0:12:12 | 0:12:14 | |
"A Malay... a China, a Chinese man and an Indian walk into a bar..." | 0:12:14 | 0:12:20 | |
Yes, Singapore and Malaysia, it's | 0:12:20 | 0:12:22 | |
kind of like the India and Pakistan, | 0:12:22 | 0:12:24 | |
or the Australia and New Zealand. | 0:12:24 | 0:12:26 | |
Or the England and France, and England and everyone else... | 0:12:26 | 0:12:30 | |
Yeah. Do the different races mix very, very happily in Malaysia? | 0:12:30 | 0:12:35 | |
You know, I've got friends who are Malay, Chinese and Indian. | 0:12:35 | 0:12:37 | |
It doesn't matter. Everybody laughs at everybody else. | 0:12:37 | 0:12:40 | |
When I do Muslim jokes there are | 0:12:40 | 0:12:42 | |
ladies in headscarves, laughing away. | 0:12:42 | 0:12:44 | |
And the Chinese and the Indians are going, like... | 0:12:44 | 0:12:47 | |
-Offended on their behalf! -What are you doing? | 0:12:47 | 0:12:49 | |
Yeah, offended on their behalf. | 0:12:49 | 0:12:50 | |
On issues of morality and religion, | 0:12:54 | 0:12:56 | |
it's a strongly religious country. | 0:12:56 | 0:12:57 | |
It's going to be different. The attitudes are going to be different. | 0:12:57 | 0:13:00 | |
But it's just an issue of degree, really, | 0:13:00 | 0:13:02 | |
in comparison to what we have at home. | 0:13:02 | 0:13:04 | |
I think Tamil is such a sexy language. | 0:13:04 | 0:13:06 | |
It's got so much character, right? | 0:13:06 | 0:13:07 | |
See, Ramu, when I just greeted him just now, I said... | 0:13:07 | 0:13:09 | |
HE SPEAKS TAMIL | 0:13:09 | 0:13:11 | |
That long sentence just means hello. | 0:13:11 | 0:13:15 | |
HE SPEAKS TAMIL | 0:13:15 | 0:13:18 | |
# Is it me you're looking for? # | 0:13:18 | 0:13:21 | |
Two years ago, they had a riot in Singapore. | 0:13:21 | 0:13:24 | |
They had a riot in Singapore. | 0:13:24 | 0:13:25 | |
And basically what happened was 27 Indians overturned a car. | 0:13:25 | 0:13:28 | |
LAUGHTER | 0:13:28 | 0:13:30 | |
They called that a riot? | 0:13:30 | 0:13:32 | |
How cute! | 0:13:33 | 0:13:35 | |
In Malaysia we call that Tuesday, you know! | 0:13:36 | 0:13:38 | |
In India they call that a wedding. | 0:13:39 | 0:13:43 | |
A country, kind of, doesn't exist until you've told jokes in it. | 0:13:43 | 0:13:46 | |
And you've got some laughs off the local audience. | 0:13:46 | 0:13:48 | |
You don't know what it's going to be like. | 0:13:48 | 0:13:50 | |
You've no idea how they're going to be. | 0:13:50 | 0:13:52 | |
Sometimes, the kind of stuff that would be considered sophisticated | 0:13:52 | 0:13:55 | |
back home might not play at all and the stuff that might be considered | 0:13:55 | 0:13:58 | |
very broad and crowd-pleasing will probably be what will work best. | 0:13:58 | 0:14:03 | |
The problem with me is that I will spend | 0:14:03 | 0:14:05 | |
probably the rest of our time in Malaysia going, | 0:14:05 | 0:14:07 | |
"Oh, I should have done a joke about that." | 0:14:07 | 0:14:10 | |
Yeah, you know, that whole thing of you remember the great line on the | 0:14:10 | 0:14:12 | |
stairs as you leave. That's... | 0:14:12 | 0:14:14 | |
That'll be the rest of the trip now, spent doing that. | 0:14:14 | 0:14:16 | |
He's one of the world's best, and definitely one of Ireland's | 0:14:16 | 0:14:19 | |
favourite comics, ladies and gentlemen, so | 0:14:19 | 0:14:21 | |
put your hands together for a very | 0:14:21 | 0:14:22 | |
special guest appearance from the one and only Ed Byrne. | 0:14:22 | 0:14:25 | |
CHEERING | 0:14:25 | 0:14:27 | |
'It's a brave comedian who attempts | 0:14:27 | 0:14:28 | |
'brand-new material in foreign lands.' | 0:14:28 | 0:14:31 | |
I've only actually been in Kuala Lumpur for 24 hours, | 0:14:31 | 0:14:34 | |
but I feel I'm blending in already. | 0:14:34 | 0:14:36 | |
It's strange, I actually came on the bus. | 0:14:38 | 0:14:40 | |
Honestly. Who was the first guy who | 0:14:42 | 0:14:45 | |
decided to wear his jacket backwards on a bike? | 0:14:45 | 0:14:47 | |
I want to know, was he hailed as a genius? | 0:14:47 | 0:14:51 | |
Or did everybody think he was a mad prick? | 0:14:51 | 0:14:54 | |
I want to know. | 0:14:54 | 0:14:55 | |
Joy, beyond joy to be messing around with you on the stage, | 0:14:56 | 0:15:00 | |
because just to see the vibrancy of the cultures here, lads. | 0:15:00 | 0:15:03 | |
And to see the way all you mix. | 0:15:03 | 0:15:05 | |
It's fantastic. We've had mixed marriages as well. | 0:15:05 | 0:15:08 | |
I know you're excited to hear the excitement of two cultures, | 0:15:08 | 0:15:10 | |
two distant cultures coming together. | 0:15:10 | 0:15:13 | |
We were told that you couldn't mix Protestants and Catholics. | 0:15:13 | 0:15:16 | |
They'd never breed. You'd get some sort of sterile mule child of some | 0:15:16 | 0:15:19 | |
description. Just good for carrying cases and little else. | 0:15:19 | 0:15:23 | |
But, no, mixed marriages, one half of the room in burkhas, | 0:15:23 | 0:15:25 | |
and the other with sombreros, | 0:15:25 | 0:15:27 | |
that, my friend, is a mixed marriage, right? | 0:15:27 | 0:15:30 | |
If you attend a wedding in which half the room have a giant | 0:15:30 | 0:15:33 | |
dragon that they're running from one side of the room to the back, | 0:15:33 | 0:15:37 | |
and the other half are leaping, | 0:15:37 | 0:15:38 | |
leaping up and down to attract a mate, | 0:15:38 | 0:15:40 | |
that, my friend, is a mixed marriage. | 0:15:40 | 0:15:43 | |
Those Kenyan-Sino relationships | 0:15:43 | 0:15:45 | |
are notoriously difficult to keep going after the honeymoon period, | 0:15:45 | 0:15:49 | |
you know. You can take the boy out of the Masai Mara, | 0:15:49 | 0:15:52 | |
but he's going to want to kill a lion eventually. | 0:15:52 | 0:15:54 | |
CHEERING | 0:15:54 | 0:15:59 | |
Truly a masterclass, gentlemen. | 0:16:00 | 0:16:02 | |
Thank you for the education. | 0:16:02 | 0:16:04 | |
'I'm quite proud of how we negotiated our way seamlessly | 0:16:04 | 0:16:07 | |
'through a night of Malaysian laughter. | 0:16:07 | 0:16:09 | |
'And it's great to see there are people here who see the funny side.' | 0:16:09 | 0:16:12 | |
'So with some new jokes in our back pockets it's time to leave | 0:16:15 | 0:16:19 | |
'Kuala Lumpur and head for the hills. | 0:16:19 | 0:16:22 | |
'Our road will take us over the Highlands, | 0:16:23 | 0:16:26 | |
'through the Taman Negara rainforest at the heart of the peninsula and | 0:16:26 | 0:16:29 | |
'onto the rarely visited East Coast and the city of Kota Bharu, | 0:16:29 | 0:16:34 | |
'before circling back to the former British colony of Penang. | 0:16:34 | 0:16:37 | |
'And I'm already getting excited | 0:16:40 | 0:16:42 | |
'about what we'll see along the next 3,000 miles. | 0:16:42 | 0:16:46 | |
Will it be like that, people just chatting and waving at us in the | 0:16:46 | 0:16:49 | |
streets? I hope there's that. | 0:16:49 | 0:16:50 | |
-You hope there's some good waving? -I do. I hope there's, like, | 0:16:50 | 0:16:53 | |
people stepping up from their agricultural work to wave at us. | 0:16:53 | 0:16:56 | |
You'd put your audio-visual tablet down for that, would you? | 0:16:56 | 0:16:59 | |
I would. I would remove myself from this cosseted world I live in. | 0:16:59 | 0:17:02 | |
'Our next stop is 40 miles away in the Genting Highlands, | 0:17:02 | 0:17:06 | |
'a hilltop escape from city life. | 0:17:06 | 0:17:09 | |
'But it's 6,000 feet above the jungle.' | 0:17:10 | 0:17:14 | |
We've done plane, we've done car, we've done van, we've done bicycle. | 0:17:15 | 0:17:20 | |
Next up, cable car. | 0:17:20 | 0:17:22 | |
Oh, I hate them. They're really scary. | 0:17:22 | 0:17:24 | |
You take the fun out of everything. | 0:17:26 | 0:17:27 | |
Why do you always bring me on things that are really scary? | 0:17:27 | 0:17:30 | |
Like this. | 0:17:30 | 0:17:32 | |
-Oy! -That's a nice feeling, isn't it? | 0:17:32 | 0:17:35 | |
No, it's not. | 0:17:35 | 0:17:37 | |
'Only when there's no turning back do I find out | 0:17:37 | 0:17:41 | |
'I'm on here for the next two miles.' | 0:17:41 | 0:17:43 | |
People ask, "What's unpleasant about being in a cable car?" | 0:17:43 | 0:17:46 | |
The danger of falling. | 0:17:46 | 0:17:48 | |
Falling to your death. | 0:17:48 | 0:17:49 | |
The danger of it just coming off the wire, you know? | 0:17:49 | 0:17:52 | |
It's only on a thin rope. | 0:17:52 | 0:17:55 | |
And then... And the drop. | 0:17:55 | 0:17:57 | |
People say, you know, "It's... | 0:17:57 | 0:17:59 | |
GRINDING | 0:17:59 | 0:18:01 | |
Oh, my God! It's not the heights that are bad, | 0:18:01 | 0:18:03 | |
but it's the drops that'll kill you. | 0:18:03 | 0:18:05 | |
You know, this is not how I want to see the jungle, plunging through it. | 0:18:05 | 0:18:08 | |
Plunging through it in a metal box, | 0:18:09 | 0:18:12 | |
while the monkeys shrug. | 0:18:12 | 0:18:15 | |
Oh, this is horrible. | 0:18:16 | 0:18:17 | |
I hate cable cars. | 0:18:17 | 0:18:19 | |
I like a cable car. It's exciting. | 0:18:19 | 0:18:22 | |
I like the fact that we're heading towards a city in the clouds. | 0:18:22 | 0:18:25 | |
-That's pretty impressive. -Look at that! | 0:18:25 | 0:18:28 | |
'In fact, this huge complex on top of the mountain | 0:18:28 | 0:18:30 | |
'hosts the world lion dancing championships, and tomorrow, | 0:18:30 | 0:18:34 | |
'we've got front row seats.' | 0:18:34 | 0:18:36 | |
GROWLING | 0:18:37 | 0:18:40 | |
'We're just in time for the final rehearsal of the current defending | 0:18:40 | 0:18:44 | |
'champions, Malaysian team, Kun Seng Keng.' | 0:18:44 | 0:18:47 | |
PERCUSSION | 0:18:47 | 0:18:49 | |
'Hugely popular, this death-defying acrobatics on stilts was originally | 0:18:57 | 0:19:01 | |
'brought here by the Chinese. | 0:19:01 | 0:19:03 | |
'These dancers are the star acrobats who make up the lion, | 0:19:06 | 0:19:10 | |
'and have been training since they were ten.' | 0:19:10 | 0:19:13 | |
This is Malaysia team. | 0:19:16 | 0:19:18 | |
Kun Seng Keng lion dance troupe. | 0:19:18 | 0:19:20 | |
Welcome today to see our rehearsals. | 0:19:20 | 0:19:22 | |
Thank you very, very much. | 0:19:22 | 0:19:24 | |
Do different teams have to do the same things? | 0:19:24 | 0:19:27 | |
No. Every team will not the same movement and jump. | 0:19:27 | 0:19:31 | |
-All different? -OK. -But there are certain movements | 0:19:31 | 0:19:34 | |
-that have to be done. -Have their own storyline. | 0:19:34 | 0:19:37 | |
-They have their own storyline. -Oh, really. | 0:19:37 | 0:19:39 | |
How long... I mean, is it a routine you describe it as | 0:19:39 | 0:19:42 | |
or a performance? | 0:19:42 | 0:19:43 | |
Time is about 12 minutes... | 0:19:43 | 0:19:45 | |
-Wow, a 12 minute long routine. -Yeah. | 0:19:45 | 0:19:49 | |
He's standing there, lifting the other guy up. | 0:19:58 | 0:20:00 | |
They're doing that at speed, and that isn't even the full costume. | 0:20:00 | 0:20:03 | |
And also, presumably, with his hands, | 0:20:03 | 0:20:05 | |
he is moving the mouth of the Dragon and the eyes of the Dragon? | 0:20:05 | 0:20:08 | |
-Yeah. -The lion. -Sorry, lion, excuse me. | 0:20:08 | 0:20:10 | |
So he's a puppeteer and a gymnast at the same time. | 0:20:10 | 0:20:14 | |
-Yeah. -Can we see what it's like? Can we stand on the podiums? | 0:20:14 | 0:20:16 | |
-You can try. -I can try. | 0:20:16 | 0:20:19 | |
-OK, I can do that pole. -Be very careful. | 0:20:19 | 0:20:22 | |
Oh, they're very sturdy though. | 0:20:22 | 0:20:24 | |
And there's a mat on them. | 0:20:24 | 0:20:26 | |
It's like a gym mat on the top, | 0:20:26 | 0:20:28 | |
so the grip will be quite good. | 0:20:28 | 0:20:31 | |
Do you want me to push you up, Ed? Do you want me to push you up? | 0:20:31 | 0:20:33 | |
-See, that's already... -Careful. | 0:20:33 | 0:20:35 | |
..not pleasant. | 0:20:35 | 0:20:37 | |
-Really? -Support yourself. -Hang on. Hang on. | 0:20:37 | 0:20:40 | |
And now I'm going to throw you to there, Ed. | 0:20:42 | 0:20:47 | |
-That's not going to happen. -OK. I'm really... | 0:20:47 | 0:20:49 | |
Well done. Well done. | 0:20:51 | 0:20:53 | |
I don't think either of us is cut out to be even half a lion. | 0:20:54 | 0:20:58 | |
To the left. | 0:20:58 | 0:20:59 | |
To the right. To the left. | 0:20:59 | 0:21:02 | |
Looking around, looking around. Where are you? | 0:21:02 | 0:21:04 | |
-Oh, you're already... -I'm right behind you. | 0:21:04 | 0:21:07 | |
-To the right. -All we're saying is, it's our first time. | 0:21:07 | 0:21:11 | |
Do you have any cash? | 0:21:11 | 0:21:12 | |
No, he's beyond... | 0:21:12 | 0:21:14 | |
Really? This, this is what we're getting for that? | 0:21:14 | 0:21:18 | |
What? You're tough. | 0:21:20 | 0:21:22 | |
You're inscrutable, I like you. | 0:21:22 | 0:21:24 | |
Apart from hosting international lion dancing competitions, | 0:21:28 | 0:21:31 | |
the First World Hotel has its own claim to fame - | 0:21:31 | 0:21:34 | |
it's the largest hotel in the world. | 0:21:34 | 0:21:36 | |
And to get into it, it has its own underground street. | 0:21:36 | 0:21:39 | |
This is more like it. This is... | 0:21:39 | 0:21:41 | |
You know, it could be any time of day. | 0:21:41 | 0:21:44 | |
That impression that it's night-time. | 0:21:44 | 0:21:47 | |
No idea if it's sunlight outside, no view of the outside, | 0:21:47 | 0:21:50 | |
that's what we want. | 0:21:50 | 0:21:51 | |
But next morning we find ourselves above the clouds. | 0:21:56 | 0:21:59 | |
We are peering down onto the Petronas Towers. | 0:22:02 | 0:22:06 | |
And, as usual, Dara's checking the guidebook. | 0:22:07 | 0:22:11 | |
This is the largest hotel in the world! | 0:22:11 | 0:22:14 | |
7,351 beds. | 0:22:15 | 0:22:18 | |
You get out of breath very easily at this height. | 0:22:19 | 0:22:21 | |
That would be unexpected, if you trained at sea level | 0:22:21 | 0:22:23 | |
and then you come up here, | 0:22:23 | 0:22:24 | |
and 11 minutes into your 12 minute routine... | 0:22:24 | 0:22:27 | |
-You suddenly run out of breath! -Yeah! -I didn't factor that in! | 0:22:27 | 0:22:30 | |
It's like, towards the end of the storyline, | 0:22:30 | 0:22:32 | |
the lion became quite exhausted and heaving for breath a lot. | 0:22:32 | 0:22:35 | |
Lion dancing has a huge following amongst | 0:22:40 | 0:22:42 | |
the seven million Chinese who now live here. | 0:22:42 | 0:22:44 | |
But it was the Malaysians who turned it into a sport in 1983, | 0:22:44 | 0:22:48 | |
as they introduced the idea of the lions leaping from pole to pole. | 0:22:48 | 0:22:52 | |
The best teams in the world are competing today in the grand final. | 0:22:54 | 0:22:58 | |
They've all got one thing in mind - | 0:23:16 | 0:23:18 | |
trying to knock our Malaysians off the top spot. | 0:23:18 | 0:23:21 | |
-BOTH: -Oh! | 0:23:23 | 0:23:24 | |
Now that we've seen people fall, there's genuine peril. | 0:23:33 | 0:23:36 | |
This can go wrong. | 0:23:36 | 0:23:38 | |
So instead of it just being like watching acrobats at the circus | 0:23:38 | 0:23:41 | |
where you're going, "Oh, we know they'll do this." | 0:23:41 | 0:23:43 | |
They might not do this. | 0:23:43 | 0:23:45 | |
One of the chief rivals is the White Lion of Taipei. | 0:23:47 | 0:23:50 | |
Yeah, nailed it. | 0:24:09 | 0:24:10 | |
That is, without doubt, the best lion dance I have ever seen. | 0:24:10 | 0:24:14 | |
-Yeah, me too. Representing Taipei. -Yeah. | 0:24:14 | 0:24:16 | |
Malaysia are about to start, and have been set a challenge, I feel. | 0:24:16 | 0:24:19 | |
I'm sending my children to the University of Taipei, I've decided, | 0:24:19 | 0:24:23 | |
because they really know their stuff. | 0:24:23 | 0:24:24 | |
They'd get an excellent lion dancing course there. | 0:24:24 | 0:24:27 | |
-The faculty of lion dancing is great. -Wahey! | 0:24:27 | 0:24:29 | |
Finally, we're on. | 0:24:29 | 0:24:31 | |
But Malaysia have got a lot to live up to. | 0:24:31 | 0:24:34 | |
Come on. | 0:24:34 | 0:24:36 | |
I'm a bit nervous. | 0:24:36 | 0:24:38 | |
We will hope no accident happens later. | 0:24:38 | 0:24:42 | |
Nice work. | 0:24:51 | 0:24:53 | |
There you go. Yes, yes. | 0:24:53 | 0:24:55 | |
Nice! | 0:25:08 | 0:25:09 | |
First on the tightrope. No-one else has used the tightrope. | 0:25:14 | 0:25:17 | |
Come on! | 0:25:19 | 0:25:21 | |
How is he going to get out of there? | 0:25:21 | 0:25:22 | |
Oh, look at that. | 0:25:26 | 0:25:27 | |
Very good. | 0:25:33 | 0:25:35 | |
LION GARGLES | 0:25:35 | 0:25:37 | |
DARA LAUGHS | 0:25:37 | 0:25:38 | |
Our guys have just been head and shoulders above everybody else. | 0:25:47 | 0:25:52 | |
Little touches and flashes of crowd-pleasing carry on | 0:25:52 | 0:25:55 | |
that nobody else has employed. | 0:25:55 | 0:25:58 | |
MAN SPEAKS OWN LANGUAGE | 0:25:58 | 0:26:02 | |
CHEERING AND APPLAUSE | 0:26:02 | 0:26:04 | |
Yes! | 0:26:04 | 0:26:06 | |
Well done! | 0:26:06 | 0:26:08 | |
They are the winners. | 0:26:08 | 0:26:09 | |
Yes! This is great. | 0:26:11 | 0:26:14 | |
-Our team won. -Our lion won. | 0:26:14 | 0:26:15 | |
But there's still one unfulfilled ambition. | 0:26:15 | 0:26:18 | |
One of us has to wear the hat. | 0:26:20 | 0:26:21 | |
Well done, all of you, that was very, very good. | 0:26:21 | 0:26:24 | |
Well done. I've always said if I ever get to be a pantomime horse, | 0:26:24 | 0:26:28 | |
Ed gets the rear end. | 0:26:28 | 0:26:30 | |
There we go. How's that? | 0:26:30 | 0:26:32 | |
-Am I looking bashful? -I don't think I can lift you. | 0:26:32 | 0:26:35 | |
From the tranquil Genting Highlands, | 0:26:45 | 0:26:48 | |
we're now heading 150 miles north into | 0:26:48 | 0:26:50 | |
the remote heart of the Malay Peninsula | 0:26:50 | 0:26:53 | |
towards a tiny village of Gua Musang. | 0:26:53 | 0:26:55 | |
We're on our way to the Taman Negara jungle, | 0:27:00 | 0:27:02 | |
one of the oldest rainforests in the world. | 0:27:02 | 0:27:06 | |
This is home to some of the 18 indigenous tribes of Malaysia. | 0:27:06 | 0:27:10 | |
We're hoping to meet members of the Batek tribe, | 0:27:11 | 0:27:14 | |
to see how life is changing for them, | 0:27:14 | 0:27:16 | |
and we can't go empty-handed. | 0:27:16 | 0:27:18 | |
Hello, sir, hello, how are you? | 0:27:18 | 0:27:20 | |
-Can I just have...? Can I have a whirl? -You try. | 0:27:20 | 0:27:23 | |
This is durian fruit, an Asian delicacy. | 0:27:23 | 0:27:26 | |
Do you know, weirdly, I think I have eaten it. | 0:27:26 | 0:27:29 | |
I think I'd remember if I'd eaten it. | 0:27:29 | 0:27:31 | |
It's a very interesting texture, the flesh. | 0:27:31 | 0:27:33 | |
Oh, hello. There's large stones and everything. | 0:27:33 | 0:27:36 | |
'And be warned, it's an acquired taste.' | 0:27:36 | 0:27:39 | |
Oh, that's strong! When is a polite time to dispose of a tasted durian, | 0:27:39 | 0:27:45 | |
when you've really not eaten that much of it? | 0:27:45 | 0:27:48 | |
I was going to go for the throw over the shoulder thing. | 0:27:48 | 0:27:51 | |
-I'm just going to put it back in the box. -OK. | 0:27:51 | 0:27:54 | |
There we go. Now my fingers are all durian-y. | 0:27:55 | 0:27:59 | |
I guess, 12? | 0:27:59 | 0:28:01 | |
Oh, you're giving them in a plastic bag. | 0:28:01 | 0:28:04 | |
That seems risky with that particular fruit. | 0:28:04 | 0:28:07 | |
You bag away. | 0:28:07 | 0:28:08 | |
If this is the way you do this, that's fine. | 0:28:08 | 0:28:11 | |
I wouldn't... There's times I'm in Marks & Spencer | 0:28:11 | 0:28:13 | |
and I wouldn't put a pineapple into a plastic bag. | 0:28:13 | 0:28:16 | |
It does seem odd to me that we are taking fruit to the jungle. | 0:28:16 | 0:28:19 | |
I think they at the moment don't have any durian | 0:28:19 | 0:28:22 | |
and we're bringing them a gift. | 0:28:22 | 0:28:23 | |
It would have been, in many ways, | 0:28:23 | 0:28:25 | |
better had we arrived with strawberries. | 0:28:25 | 0:28:27 | |
And we'd gone, "We have brought you some Cox Pippins." | 0:28:27 | 0:28:30 | |
Please... | 0:28:30 | 0:28:32 | |
Six Pink Lady I picked up in an M&S in Chiswick before I left. | 0:28:32 | 0:28:36 | |
OK, grand. Thank you very much, sir. | 0:28:36 | 0:28:38 | |
That's great. Don't put them anywhere where they can puncture me. | 0:28:38 | 0:28:41 | |
Because they will puncture you. | 0:28:42 | 0:28:44 | |
Ow! Don't do that! | 0:28:46 | 0:28:48 | |
That's going to be a fun game to play. | 0:28:48 | 0:28:50 | |
Three hours later we arrive in Gua Musang, | 0:28:53 | 0:28:57 | |
a Malay village on the edge of the jungle. | 0:28:57 | 0:28:59 | |
The Batek tribe lived a nomadic existence in this rainforest | 0:29:00 | 0:29:04 | |
for hundreds of years | 0:29:04 | 0:29:05 | |
until deforestation took away their way of life | 0:29:05 | 0:29:09 | |
and they were forced to live in settlements. | 0:29:09 | 0:29:11 | |
The tribe have become very mistrustful of the outside world, | 0:29:13 | 0:29:16 | |
even of Azi, a community worker who is trying to help them. | 0:29:16 | 0:29:20 | |
-Hello. Hi. -Hi, Azi. How are you? -I'm good. | 0:29:20 | 0:29:22 | |
-Hi, Azi. -Ed. -How are you? -Hi. | 0:29:22 | 0:29:25 | |
What is life like for the Batek people? | 0:29:25 | 0:29:27 | |
Right now they are in a transition between the modern | 0:29:27 | 0:29:31 | |
and how they used to be because, like, | 0:29:31 | 0:29:33 | |
a few years ago they used to live in the forests. | 0:29:33 | 0:29:36 | |
But because of the deforestation and people want | 0:29:36 | 0:29:40 | |
to develop their land and so forth, | 0:29:40 | 0:29:42 | |
so the government placed them in one village where they can settle from | 0:29:42 | 0:29:46 | |
the previous generation to the current generation, | 0:29:46 | 0:29:49 | |
they lost a bit of their culture and history there. | 0:29:49 | 0:29:52 | |
Most of the adults, they are actually quite happier in the forest | 0:29:52 | 0:29:56 | |
because they didn't have to deal with money, | 0:29:56 | 0:29:59 | |
they didn't have to deal with outsiders and so forth. | 0:29:59 | 0:30:01 | |
But they kind of have to move there | 0:30:01 | 0:30:03 | |
because the government told them to. | 0:30:03 | 0:30:06 | |
The Batek have agreed to meet us, | 0:30:06 | 0:30:08 | |
but only in the forest, where still feel more at home. | 0:30:08 | 0:30:11 | |
Are you disappointed that nowhere | 0:30:17 | 0:30:19 | |
isn't as far from somewhere as you'd like it to be? | 0:30:19 | 0:30:21 | |
Yeah, but I feel like we're getting further away from somewhere now. | 0:30:21 | 0:30:24 | |
I am approaching a satisfactory level of isolation now. | 0:30:24 | 0:30:30 | |
This is a taste of real Malaysia now. | 0:30:30 | 0:30:32 | |
Finally off the beaten path. | 0:30:32 | 0:30:34 | |
Why is this rainforest so wet? | 0:30:34 | 0:30:36 | |
Jesus! I thought that was something jumping out. | 0:30:38 | 0:30:42 | |
After several miles of track | 0:30:42 | 0:30:44 | |
and the onset of a monsoon deluge, we arrive. | 0:30:44 | 0:30:48 | |
And there's not a Batek in sight. | 0:30:48 | 0:30:50 | |
I can't imagine it's too rainy for the people who live in the forest. | 0:30:52 | 0:30:56 | |
So the gist is that we don't know | 0:30:56 | 0:30:57 | |
if they're going to be able to meet us. | 0:30:57 | 0:30:59 | |
-No. -It's been rained off. | 0:30:59 | 0:31:02 | |
The meeting with people who live in the forest. | 0:31:02 | 0:31:03 | |
Well, apparently they are genuinely a very shy people | 0:31:03 | 0:31:07 | |
and not that trusting of outsiders. | 0:31:07 | 0:31:10 | |
Then, suddenly, led by Azi, | 0:31:19 | 0:31:22 | |
four of the women from the tribe appear. | 0:31:22 | 0:31:25 | |
We have... We have contact. | 0:31:25 | 0:31:27 | |
We have contact with the Batek people. | 0:31:27 | 0:31:29 | |
-Repeat, we have contact with the Batek. -Fabulous. They're here. | 0:31:29 | 0:31:33 | |
"Let's get them good and wet," they said. | 0:31:33 | 0:31:35 | |
"Let's..." | 0:31:35 | 0:31:37 | |
"Let's see how badly they want to meet us." | 0:31:37 | 0:31:39 | |
-Yes. -"Let's see if they'll take a soaking." | 0:31:39 | 0:31:43 | |
But even though they've turned up, they don't seem to notice us. | 0:31:43 | 0:31:47 | |
-Job's a good one. -We'll let you go on and then we'll come down. | 0:31:48 | 0:31:51 | |
Yeah, OK. | 0:31:51 | 0:31:53 | |
AZI SPEAKS OWN LANGUAGE | 0:31:53 | 0:31:55 | |
OK, they are here. | 0:31:59 | 0:32:01 | |
We're going to follow them to their campsite, yeah? | 0:32:01 | 0:32:03 | |
It's just a short walk. | 0:32:03 | 0:32:05 | |
-OK. -The campsite is this way? -Yeah. | 0:32:05 | 0:32:08 | |
They are really shy of new people. | 0:32:08 | 0:32:11 | |
-So... -Well, so are we. | 0:32:11 | 0:32:13 | |
We are going to be just as shy. | 0:32:13 | 0:32:15 | |
In our own small way, through you, have we gained their trust? | 0:32:15 | 0:32:18 | |
Yeah. This they understand is | 0:32:18 | 0:32:21 | |
exposure for the Batek because not many people know about them, | 0:32:21 | 0:32:24 | |
so they would like to share it with other people, outsiders. | 0:32:24 | 0:32:28 | |
Originally nomadic hunter-gatherers, | 0:32:28 | 0:32:32 | |
there are only about 1,500 Batek left. | 0:32:32 | 0:32:35 | |
Many of the adults still disappear into the jungle for weeks. | 0:32:35 | 0:32:38 | |
And today, they want to show us | 0:32:38 | 0:32:40 | |
some of their traditional survival skills. | 0:32:40 | 0:32:43 | |
The one thing that we've always been told about the Batek | 0:32:43 | 0:32:45 | |
is that they're a shy people. | 0:32:45 | 0:32:46 | |
And certainly in the greeting there was no, | 0:32:46 | 0:32:49 | |
"Hey, welcome to the forest!" | 0:32:49 | 0:32:51 | |
It was, you know, "You're here, | 0:32:51 | 0:32:53 | |
"so we're going to carry on walking, so you can follow us." | 0:32:53 | 0:32:55 | |
"I'll be your Batek guide for today. | 0:32:55 | 0:32:58 | |
"Let me show you to our humble abode." | 0:32:58 | 0:33:00 | |
Yeah. But, no, there's been hardly any communication at all, really. | 0:33:00 | 0:33:04 | |
"We're going this... And you... You can tag along if you want?" | 0:33:04 | 0:33:08 | |
Do you know, these boots are slightly more waterproof | 0:33:08 | 0:33:10 | |
than I thought they were. | 0:33:10 | 0:33:11 | |
Oh, don't say that. I'm quite pleased with this as a purchase now. | 0:33:11 | 0:33:14 | |
Do you want me to come back and carry you over on my back? | 0:33:14 | 0:33:16 | |
Yeah, would you, please? There we go. | 0:33:16 | 0:33:18 | |
-And now... -Would one of you ladies like to carry him on your back? | 0:33:18 | 0:33:22 | |
Great, the last bit of me that wasn't wet is now wet. | 0:33:22 | 0:33:25 | |
So they cook, like, chicken, fish, rice, inside the bamboo. | 0:33:27 | 0:33:31 | |
They just stuff it in, put some salt, | 0:33:31 | 0:33:33 | |
and then you put it in the fire. | 0:33:33 | 0:33:35 | |
-The whole tube is just used as a... -A cooking vessel? -Yeah. | 0:33:35 | 0:33:39 | |
But whilst they are happy for us to watch, | 0:33:39 | 0:33:41 | |
the Batek keep us at a distance. | 0:33:41 | 0:33:43 | |
If I offered to help with the chopping of the bamboo, | 0:33:45 | 0:33:47 | |
would that go in any way toward scoring brownie points with them? | 0:33:47 | 0:33:51 | |
-They would just laugh at you. -They will? | 0:33:51 | 0:33:53 | |
Laughter is good, laughter is fine because we'll be very bad. | 0:33:53 | 0:33:57 | |
OK. | 0:33:57 | 0:33:59 | |
After a night in Gua Musang, | 0:34:00 | 0:34:02 | |
Dara and I are wracking our brains | 0:34:02 | 0:34:05 | |
to find a way of connecting with the tribe. | 0:34:05 | 0:34:07 | |
With the adults being so reserved, | 0:34:07 | 0:34:10 | |
perhaps we can get the children onside | 0:34:10 | 0:34:11 | |
with a few retro village games. | 0:34:11 | 0:34:13 | |
-Eggs. -Straightaway, there we go. | 0:34:15 | 0:34:17 | |
Did you bring a spoon to test them? | 0:34:17 | 0:34:19 | |
-Of course I've brought a spoon to test them. -Nice work. | 0:34:19 | 0:34:21 | |
They are various sizes. They don't grade the eggs by size. | 0:34:23 | 0:34:26 | |
Well, we're not in the EU here, are we? | 0:34:26 | 0:34:28 | |
Where everything is all standardised. | 0:34:28 | 0:34:30 | |
I feel slight misgivings about stepping into | 0:34:30 | 0:34:32 | |
and telling them to do, | 0:34:32 | 0:34:34 | |
to basically play Western kindergarten games, | 0:34:34 | 0:34:37 | |
which is what we may do. | 0:34:37 | 0:34:39 | |
That's the only kind of misgiving I have, | 0:34:39 | 0:34:41 | |
that we might misjudge this. | 0:34:41 | 0:34:44 | |
Thank you. | 0:34:44 | 0:34:45 | |
Ow! | 0:34:48 | 0:34:50 | |
-Mind yourself on that! -Yeah, small people's country. | 0:34:50 | 0:34:53 | |
The tribe have struggled to adapt to their new way of life | 0:34:59 | 0:35:02 | |
and have withdrawn from the outside world. | 0:35:02 | 0:35:05 | |
There we go. That's nice. | 0:35:08 | 0:35:09 | |
-Best sports day ever! -What did you get? | 0:35:09 | 0:35:12 | |
So to start off we're setting ourselves up on a field | 0:35:12 | 0:35:15 | |
half a mile down the track. | 0:35:15 | 0:35:17 | |
I really didn't need to bring spoons. | 0:35:17 | 0:35:20 | |
AZI SPEAKS OWN LANGUAGE | 0:35:20 | 0:35:23 | |
Whilst Azi is spreading the word in the village school. | 0:35:23 | 0:35:26 | |
AZI SPEAKS OWN LANGUAGE | 0:35:26 | 0:35:30 | |
And it seems like the children, at least, are keen. | 0:35:33 | 0:35:38 | |
God, this feels like one of those Apprentice things. | 0:35:38 | 0:35:41 | |
ALAN SUGAR IMPRESSION: I want you to run a kid's entertainment company in the Malaysian jungle. | 0:35:41 | 0:35:46 | |
-ALAN SUGAR IMPRESSION: -Who makes the least amount of fun for Batek children will be fired. | 0:35:46 | 0:35:50 | |
Kids will let you know if they're not having a good time. | 0:35:50 | 0:35:52 | |
Oh, my God! Kids make the worst hecklers in the world. | 0:35:52 | 0:35:54 | |
Hello. Hi, there. Nama saya "Dara". | 0:35:54 | 0:35:57 | |
That's a funny name. Dara. | 0:35:58 | 0:36:00 | |
Nama saya "Ed". | 0:36:00 | 0:36:03 | |
Hi. Hello. So who would like to play a game? | 0:36:03 | 0:36:06 | |
Oh, hey! | 0:36:06 | 0:36:07 | |
I need six young men who want to have a race. | 0:36:08 | 0:36:13 | |
Three, two, one, go! | 0:36:13 | 0:36:15 | |
This is working very well. | 0:36:15 | 0:36:17 | |
Ba-doing! Ba-doing! | 0:36:21 | 0:36:23 | |
Ba-doing! Ba-doing! | 0:36:23 | 0:36:25 | |
And you're over! | 0:36:25 | 0:36:27 | |
This is fantastic. A sack race is a great leveller. | 0:36:27 | 0:36:29 | |
I mean, a certain amount of aerobic fitness is required but, really, | 0:36:29 | 0:36:32 | |
it's just the will to win | 0:36:32 | 0:36:34 | |
is the most important thing in any kind of sack race. | 0:36:34 | 0:36:37 | |
So they're getting into it straightaway. | 0:36:37 | 0:36:39 | |
The next race, put the egg on the spoon like so... | 0:36:39 | 0:36:45 | |
and then run. | 0:36:45 | 0:36:46 | |
Mine is not hard-boiled. Look at that. | 0:36:49 | 0:36:51 | |
Thank you. Champion of the Batek village. | 0:36:54 | 0:36:56 | |
Ah! | 0:36:56 | 0:36:58 | |
-Oh! -OK. | 0:36:58 | 0:37:00 | |
That is good work. | 0:37:00 | 0:37:01 | |
You can't put your finger on your egg. | 0:37:01 | 0:37:03 | |
-Look at this! -Champion! | 0:37:03 | 0:37:06 | |
-OK. -You can do it! | 0:37:09 | 0:37:11 | |
You can do it. | 0:37:11 | 0:37:13 | |
The wheelbarrow concept didn't really seem to work. | 0:37:13 | 0:37:15 | |
And once they'd gone down, they didn't get back up again. | 0:37:15 | 0:37:19 | |
-Only one of them crossed the line for that. -That's all we need. | 0:37:19 | 0:37:22 | |
We may not have explained that one well. | 0:37:22 | 0:37:24 | |
I will leave with very fond memories of the Batek. | 0:37:24 | 0:37:26 | |
I would love to know in ten years' time | 0:37:26 | 0:37:28 | |
what memories of the five-year-old boys | 0:37:28 | 0:37:30 | |
have of the day we spent here. | 0:37:30 | 0:37:33 | |
I wonder how they will tell this tale to the others. | 0:37:33 | 0:37:36 | |
They'll be like, "Well, there was one point in our transitional | 0:37:36 | 0:37:40 | |
"generation as we moved from nomadic forest people into village | 0:37:40 | 0:37:43 | |
"dwelling folk where two very odd-looking pale men | 0:37:43 | 0:37:47 | |
"came and just made us run around." | 0:37:47 | 0:37:50 | |
"They made us use our arms as legs. What is wrong with these people?!" | 0:37:50 | 0:37:54 | |
But whilst the children here seem to be opening up to the wider world, | 0:37:55 | 0:37:59 | |
the adults remember how things used to be. | 0:37:59 | 0:38:02 | |
The leap from being a tribal people into a modern life | 0:38:03 | 0:38:06 | |
may be just too big for some of them to take. | 0:38:06 | 0:38:09 | |
The future of the Batek will depend on these kids. | 0:38:10 | 0:38:14 | |
They may not have known quite what to make of us, | 0:38:15 | 0:38:17 | |
but the durian is going down well. | 0:38:17 | 0:38:19 | |
Who is dropping bombs over there? Who was that? | 0:38:21 | 0:38:23 | |
LAUGHTER | 0:38:23 | 0:38:27 | |
When in doubt, make a fart. | 0:38:27 | 0:38:29 | |
Farts are universally hilarious. | 0:38:29 | 0:38:30 | |
They are in every culture. | 0:38:30 | 0:38:32 | |
Oh, wow! That is a handsome view for a train station to have. | 0:38:35 | 0:38:39 | |
It is. I was going to say, I fell asleep on the Bakerloo once | 0:38:39 | 0:38:42 | |
and it gets a lot like this towards the end. | 0:38:42 | 0:38:45 | |
We are halfway through our journey across Malaysia | 0:38:45 | 0:38:48 | |
and we are heading to Kota Bharu. | 0:38:48 | 0:38:51 | |
Look at that. | 0:38:51 | 0:38:53 | |
See in the underground, that would be a rat. | 0:38:53 | 0:38:55 | |
That's a cat who just doesn't care. | 0:38:55 | 0:38:57 | |
Yeah, it's a cat who breaks the rules. | 0:38:57 | 0:38:59 | |
It's a maverick cat. Hello! | 0:38:59 | 0:39:01 | |
There we go. | 0:39:01 | 0:39:03 | |
The jungle train is a vital link to the other side of the peninsula. | 0:39:03 | 0:39:08 | |
It will take us four hours to cross the interior to | 0:39:08 | 0:39:10 | |
the north-eastern state of Kelantan. | 0:39:10 | 0:39:13 | |
Bloody bag! | 0:39:13 | 0:39:15 | |
What did I pack? Too many lead weights. | 0:39:15 | 0:39:17 | |
Hiya! | 0:39:22 | 0:39:24 | |
So now it's your turn to be startled by a butterfly. | 0:39:24 | 0:39:27 | |
Hopefully we're going to see a lot more jungle now as we pass through it. | 0:39:30 | 0:39:33 | |
We will, we'll go through the jungle, all right. | 0:39:33 | 0:39:35 | |
That's our last stop in the jungle. | 0:39:35 | 0:39:36 | |
Now we go...here. | 0:39:36 | 0:39:40 | |
So we are off to Kota Bharu? | 0:39:40 | 0:39:41 | |
Kota Bharu. A very Muslim part of the world. | 0:39:41 | 0:39:44 | |
-Hi, can I get a nasi goreng, please? -Yes. | 0:39:45 | 0:39:49 | |
One, please. | 0:39:49 | 0:39:51 | |
It's the same as the sandwiches on every train in the world, my friend. | 0:39:51 | 0:39:54 | |
Sorry. | 0:39:54 | 0:39:55 | |
-I'm saying... -Yeah. -I think I've seen those exact sandwiches before | 0:39:55 | 0:39:59 | |
on a train between Manchester and London. | 0:39:59 | 0:40:02 | |
Train beats car every time because you travel among the people. | 0:40:02 | 0:40:06 | |
So we have a hint of what we are going to go to because | 0:40:06 | 0:40:09 | |
we are going to a place called Kota Bharu | 0:40:09 | 0:40:12 | |
and Kota Bharu is a strongly Muslim area. | 0:40:12 | 0:40:15 | |
So even the carriage we are in, there are more burqas and hijabs | 0:40:15 | 0:40:19 | |
and the traditional Muslim dress is much more evident. | 0:40:19 | 0:40:23 | |
We are among the Malaysians now. | 0:40:23 | 0:40:25 | |
Whereas in your car and your van you are in your little bubble | 0:40:25 | 0:40:28 | |
and you don't really get to see the people. | 0:40:28 | 0:40:30 | |
Although Malaysia is a Muslim country, | 0:40:36 | 0:40:38 | |
Kelantan is the only Islamically governed state. | 0:40:38 | 0:40:42 | |
Kota Bharu, the capital, | 0:40:42 | 0:40:44 | |
immediately feels a million miles away from the multicultural cities | 0:40:44 | 0:40:48 | |
of the west coast. | 0:40:48 | 0:40:50 | |
Strict religious laws here have had a huge impact on the way of life | 0:40:50 | 0:40:55 | |
and traditions. | 0:40:55 | 0:40:57 | |
Wayang kulit, the art of shadow puppetry | 0:40:59 | 0:41:02 | |
based on famous Hindu epics, | 0:41:02 | 0:41:04 | |
has been renowned in Kelantan for over 200 years. | 0:41:04 | 0:41:09 | |
But in 1990, | 0:41:09 | 0:41:10 | |
the Islamic party introduced laws against Hinduism | 0:41:10 | 0:41:13 | |
and traditional animist beliefs. | 0:41:13 | 0:41:16 | |
Performance of shadow puppetry was banned. | 0:41:16 | 0:41:19 | |
The restrictions have since been relaxed | 0:41:21 | 0:41:24 | |
and master puppeteer Pak Dain | 0:41:24 | 0:41:27 | |
has been searching for ways to make wayang kulit popular again. | 0:41:27 | 0:41:31 | |
-Hello. -I am Ed, this is Dara. | 0:41:31 | 0:41:34 | |
Hello. How are you? It's lovely to meet you. How are you? | 0:41:34 | 0:41:37 | |
'We have heard that Pak has come up with some novel ideas | 0:41:37 | 0:41:39 | |
'to give his puppets a new lease of life.' | 0:41:39 | 0:41:42 | |
I am a qualified master puppeteer, we teamed up | 0:41:42 | 0:41:47 | |
to try to find a way how to revive wayang kulit. | 0:41:47 | 0:41:50 | |
What we are trying to do is try to put in... | 0:41:50 | 0:41:54 | |
some pop culture, some sci-fi stuff into this. | 0:41:54 | 0:41:58 | |
So what did you put in? What did you choose to include? | 0:41:58 | 0:42:02 | |
The first one was a Star Wars inspired wayang kulit. | 0:42:02 | 0:42:05 | |
I'm interested why you would choose Star Wars. | 0:42:05 | 0:42:07 | |
Obviously, it's very popular. | 0:42:07 | 0:42:09 | |
What we are trying to do is just bring another way | 0:42:09 | 0:42:12 | |
of trying to revive this art. Nobody has done it before, | 0:42:12 | 0:42:14 | |
taking something so traditional | 0:42:14 | 0:42:16 | |
and obviously something so future and sci-fi. | 0:42:16 | 0:42:18 | |
Do you yourselves have quite a sort of master and apprentice, | 0:42:18 | 0:42:24 | |
Jedi and Padawan sort of relationship? | 0:42:24 | 0:42:27 | |
Is he the Obi-Wan to your Luke Skywalker? | 0:42:27 | 0:42:29 | |
I'm always on the light side! | 0:42:29 | 0:42:31 | |
Pak has been granted a special licence | 0:42:34 | 0:42:37 | |
to stage a wayang kulit show in town tomorrow, | 0:42:37 | 0:42:39 | |
and we've got a five-minute slot. | 0:42:39 | 0:42:42 | |
Right, I'm going to show you the puppet | 0:42:42 | 0:42:44 | |
that you guys are going to be using for tomorrow. | 0:42:44 | 0:42:47 | |
OK, great. | 0:42:47 | 0:42:48 | |
It's something of the future and a little bit different. | 0:42:48 | 0:42:51 | |
OK. | 0:42:51 | 0:42:52 | |
Oh, my God! | 0:42:54 | 0:42:57 | |
Hi, guys, what do you think of the puppets? | 0:42:57 | 0:43:00 | |
I like Ed's a little bit more than I like mine. | 0:43:00 | 0:43:02 | |
That is beautiful. | 0:43:03 | 0:43:05 | |
To compare it with Punch and Judy, | 0:43:05 | 0:43:07 | |
-I have got quite the Mr Punch face. -Oh, my God! | 0:43:07 | 0:43:10 | |
And with our puppetry experience so far | 0:43:10 | 0:43:11 | |
only amounting to the odd run-in with Sooty and Sweep, | 0:43:11 | 0:43:14 | |
we'll need all the help we can get. | 0:43:14 | 0:43:17 | |
So is this sort of arrival quite important | 0:43:17 | 0:43:20 | |
that it has to sweep in like that? | 0:43:20 | 0:43:22 | |
The character must stand up like this. | 0:43:22 | 0:43:24 | |
Oh, I see, don't press too hard against the curtain. | 0:43:24 | 0:43:27 | |
Try not to make it look like it's got a broken arm. | 0:43:27 | 0:43:29 | |
It's a lot more difficult than it looks. | 0:43:30 | 0:43:32 | |
It seems like it's just one moving part, | 0:43:32 | 0:43:34 | |
it's just the arm, but it's not. | 0:43:34 | 0:43:36 | |
It's actually the way you sort of curve it | 0:43:36 | 0:43:39 | |
against the screen is vital. | 0:43:39 | 0:43:42 | |
So our transformation to puppet masters begins very slowly. | 0:43:42 | 0:43:48 | |
I think we would at least, like, not to disgrace ourselves | 0:43:49 | 0:43:52 | |
and not, like, to have the entire audience go, | 0:43:52 | 0:43:55 | |
"What was that in the middle?" | 0:43:55 | 0:43:57 | |
The minute we went into the rehearsal room I spotted the problem | 0:43:57 | 0:44:00 | |
that Pak just coiled his feet underneath himself | 0:44:00 | 0:44:03 | |
and he is apparently content to sit like that for three hours. | 0:44:03 | 0:44:07 | |
I don't do that regularly, | 0:44:07 | 0:44:08 | |
I come from a chair-based culture where we like to have | 0:44:08 | 0:44:11 | |
some support and we like our long legs spread out, | 0:44:11 | 0:44:14 | |
and the notion of doing this | 0:44:14 | 0:44:16 | |
is actually literally impossible for me. | 0:44:16 | 0:44:19 | |
That is a kind of a child catcher kind of a face, isn't it? | 0:44:19 | 0:44:23 | |
It's pointed. | 0:44:23 | 0:44:25 | |
Lollipops! | 0:44:25 | 0:44:27 | |
All free today. | 0:44:27 | 0:44:30 | |
Shadow puppetry was traditionally performed outside, | 0:44:32 | 0:44:35 | |
but due to the religious conditions | 0:44:35 | 0:44:38 | |
it can only now take place inside a licensed theatre | 0:44:38 | 0:44:41 | |
and must be over by dusk. | 0:44:41 | 0:44:43 | |
PAK SPEAKS OWN LANGUAGE | 0:44:48 | 0:44:53 | |
And when we arrived, | 0:44:57 | 0:44:58 | |
the stormtroopers certainly seem to have pulled in a big crowd. | 0:44:58 | 0:45:01 | |
It turns out that the fight against the dark side fits seamlessly | 0:45:18 | 0:45:22 | |
alongside the good versus evil in Pak's beloved Hindu epics. | 0:45:22 | 0:45:28 | |
Ah! | 0:45:30 | 0:45:31 | |
Ah! | 0:45:33 | 0:45:34 | |
APPLAUSE | 0:45:45 | 0:45:47 | |
But even with the help of the Galactic Empire, | 0:45:47 | 0:45:50 | |
Pak is worried about the future | 0:45:50 | 0:45:51 | |
and what effect the religious rulings might have. | 0:45:51 | 0:45:54 | |
People, they want to spend a lot of time to learn something | 0:45:54 | 0:45:58 | |
which is very difficult, a skill, to qualify, | 0:45:58 | 0:46:03 | |
but yet when they qualify they don't have a place to perform | 0:46:03 | 0:46:07 | |
and they can earn money on it. | 0:46:07 | 0:46:09 | |
I hope you are not the last generation of master puppeteers. | 0:46:09 | 0:46:12 | |
So I'm scared, | 0:46:12 | 0:46:14 | |
I'm scared very much. | 0:46:14 | 0:46:16 | |
I don't want... I am... I will be the last. | 0:46:16 | 0:46:20 | |
Are you ready? | 0:46:21 | 0:46:22 | |
As ready as I'll ever be. | 0:46:23 | 0:46:25 | |
So what we are going to do now is we are going to show you something | 0:46:25 | 0:46:28 | |
special, and there is Mr Dara. And Mr Ed. | 0:46:28 | 0:46:31 | |
Hello. Dara, how are you? | 0:46:34 | 0:46:38 | |
Hello, Ed. Do you enjoy travelling, Ed Byrne? | 0:46:38 | 0:46:41 | |
I do not enjoy travelling, I enjoy being in different places, | 0:46:41 | 0:46:45 | |
I do not enjoy the travel part. | 0:46:45 | 0:46:48 | |
But they say getting there is half the fun. | 0:46:48 | 0:46:51 | |
If getting there is half the fun, you are having a bad holiday. | 0:46:51 | 0:46:56 | |
If getting there is half the fun, | 0:46:56 | 0:46:58 | |
surely getting home again would be the other half of the fun? | 0:46:58 | 0:47:01 | |
You are having no fun where you are going. | 0:47:01 | 0:47:04 | |
Go somewhere else next year. | 0:47:04 | 0:47:05 | |
The one time we got a good laugh was when I smacked you in the face. | 0:47:09 | 0:47:12 | |
-Yeah, yeah. -We should have done more of that. | 0:47:12 | 0:47:14 | |
It has been an absolute pleasure to play a beginner's role in this most | 0:47:14 | 0:47:19 | |
beautiful and ancient of arts. | 0:47:19 | 0:47:21 | |
And now you have been part of our continued Asian adventure. | 0:47:21 | 0:47:25 | |
Onward and above! | 0:47:25 | 0:47:27 | |
APPLAUSE | 0:47:27 | 0:47:30 | |
-Oh, my God! -Is there a back way out? | 0:47:31 | 0:47:34 | |
Let's never ever show our faces again here! | 0:47:34 | 0:47:37 | |
We hope we haven't, you know, killed off the art form. | 0:47:38 | 0:47:41 | |
No, I would say enjoy. | 0:47:41 | 0:47:43 | |
-I would be intrigued... -And they understand! | 0:47:43 | 0:47:45 | |
That's the important thing. OK, I'm not sure if they did. | 0:47:45 | 0:47:48 | |
You sure you're not now yearning for the days when this was banned? | 0:47:48 | 0:47:52 | |
Generally, when amateurs try out stand-up, | 0:47:55 | 0:47:59 | |
they go better than we just did there. | 0:47:59 | 0:48:02 | |
I have to say! | 0:48:02 | 0:48:04 | |
We... Our have-a-go attitude crumbled very early on. | 0:48:04 | 0:48:09 | |
We are approaching the end of the Malaysian leg of our journey. | 0:48:12 | 0:48:16 | |
Processed cheese cracker sandwich? | 0:48:16 | 0:48:18 | |
Are you making canapes? | 0:48:18 | 0:48:20 | |
It's very refined here. | 0:48:20 | 0:48:22 | |
If you are going to throw a wine and cheese party | 0:48:24 | 0:48:26 | |
in the back of a minibus, Ed, put some effort in. | 0:48:26 | 0:48:28 | |
-Well, some wine would be good. -Yeah. | 0:48:28 | 0:48:31 | |
From Kota Bharu, it's three hours to Penang, our final stop. | 0:48:31 | 0:48:35 | |
In huge contrast to Kelantan, | 0:48:38 | 0:48:40 | |
Penang is a melting pot of people | 0:48:40 | 0:48:42 | |
and was known as the Pearl of the Orient by the British. | 0:48:42 | 0:48:45 | |
Penang's fortunes were founded on trade | 0:48:48 | 0:48:50 | |
from China, India and Britain. | 0:48:50 | 0:48:53 | |
It was once a crucial seaport, only second to Singapore. | 0:48:53 | 0:48:56 | |
George Town, the capital, | 0:48:59 | 0:49:00 | |
has inherited much from those colonial days. | 0:49:00 | 0:49:03 | |
Our journey through this patchwork nation | 0:49:04 | 0:49:06 | |
has already been filled with so many ethnicities, | 0:49:06 | 0:49:09 | |
but we've come here to meet one of the oldest cultures | 0:49:09 | 0:49:12 | |
unique to the Malay Peninsula. | 0:49:12 | 0:49:14 | |
Michael Chia's family is one of the original Peranakans, | 0:49:16 | 0:49:20 | |
or Baba-Nyonyas. | 0:49:20 | 0:49:21 | |
Descendants of Chinese immigrants | 0:49:21 | 0:49:23 | |
and the British and Portuguese settlers, | 0:49:23 | 0:49:25 | |
they are fiercely proud of their history. | 0:49:25 | 0:49:27 | |
I'm Baba Michael. | 0:49:30 | 0:49:32 | |
Ed. Dara. | 0:49:32 | 0:49:33 | |
-Baba Michael, how are you? -Yes, I'm Baba Michael. | 0:49:33 | 0:49:35 | |
-Come in with us. -OK, sure. | 0:49:35 | 0:49:36 | |
What does the actual word Baba-Nyonya mean? | 0:49:36 | 0:49:38 | |
The Baba-Nyonya is actually an Anglo-Indian word. | 0:49:38 | 0:49:41 | |
Baba is the Indian word for father, lord or master. And Nyonya, | 0:49:41 | 0:49:44 | |
the word actually came from Portuguese Eurasian, | 0:49:44 | 0:49:47 | |
you know Malacca and the Portuguese? | 0:49:47 | 0:49:49 | |
-Yes. -So Nyonya means young maiden, a highborn maiden. | 0:49:49 | 0:49:52 | |
So it's a mixture of Portuguese... | 0:49:52 | 0:49:53 | |
Portuguese, Indian, colonial Britain and Chinese. | 0:49:53 | 0:49:58 | |
All the races are in my family, | 0:49:58 | 0:50:00 | |
because Baba-Nyonya is like the multicultural Malaysian. | 0:50:00 | 0:50:03 | |
We are the true one Malaysia, as they say. | 0:50:03 | 0:50:05 | |
-Right. You are the most typical Malaysian? -Yes. -You are... | 0:50:05 | 0:50:08 | |
We have been looking for the most typical Malaysian | 0:50:08 | 0:50:11 | |
for the entire trip here. | 0:50:11 | 0:50:13 | |
The Baba-Nyonyas borrowed elements from their diverse heritage | 0:50:15 | 0:50:18 | |
to come up with their own Peranakan look. | 0:50:18 | 0:50:22 | |
In terms of this fusion, this building here, | 0:50:22 | 0:50:24 | |
which at first glance looks very Chinese, | 0:50:24 | 0:50:27 | |
but the floor tiles are the same tiles that | 0:50:27 | 0:50:30 | |
I have in my house in London, | 0:50:30 | 0:50:32 | |
I couldn't help noticing on the way in. | 0:50:32 | 0:50:34 | |
And the stained glass, you've drawn everything, | 0:50:34 | 0:50:37 | |
is that true of all types of Baba-Nyonya culture? | 0:50:37 | 0:50:40 | |
So we have the best of the best. | 0:50:40 | 0:50:41 | |
The best type of furniture from China, the building is Chinese. | 0:50:41 | 0:50:44 | |
But here, the tiles, the cast iron from Edinburgh. | 0:50:44 | 0:50:50 | |
So we have the best of the best. | 0:50:50 | 0:50:51 | |
And the stained glass from Nancy in France. | 0:50:51 | 0:50:54 | |
And we wear the British tuxedos and others for functions, | 0:50:54 | 0:50:57 | |
with the top hat. There is one photograph here, my grandfather. | 0:50:57 | 0:51:01 | |
And what is he wearing? | 0:51:01 | 0:51:03 | |
He is wearing a mixture of the Baba jacket, like what I'm wearing, | 0:51:03 | 0:51:06 | |
and a Malay sarong. | 0:51:06 | 0:51:07 | |
You see, a chequered sarong. | 0:51:07 | 0:51:09 | |
Yet another thing to add to the confusing mix | 0:51:09 | 0:51:11 | |
of trying to find out the people of Malaysia. | 0:51:11 | 0:51:14 | |
Just when you think you've got a handle on Malaysia, | 0:51:14 | 0:51:16 | |
another curveball comes along. | 0:51:16 | 0:51:18 | |
-Thank you very much. -OK, thank you, thank you. | 0:51:18 | 0:51:21 | |
Michael is hosting a special Peranakan feast | 0:51:21 | 0:51:23 | |
for us later on today, but for now, we've got a few hours to kill. | 0:51:23 | 0:51:27 | |
This trishaw driver's going to be delighted | 0:51:27 | 0:51:29 | |
when he gets a look at you. | 0:51:29 | 0:51:30 | |
-Get on, just get in. -The size of him. | 0:51:30 | 0:51:32 | |
Has he just made your day, huh? | 0:51:32 | 0:51:34 | |
He doesn't get paid any more. | 0:51:34 | 0:51:36 | |
-He doesn't get paid by the kilo. -No, I was being sarcastic. | 0:51:36 | 0:51:39 | |
Right. | 0:51:39 | 0:51:42 | |
You are not a fun person to share a trishaw with. | 0:51:42 | 0:51:44 | |
We're there. That's where we are now. | 0:51:44 | 0:51:47 | |
Can you at least cool it with the manspreading? | 0:51:47 | 0:51:49 | |
Oh, for God's sake! It's not the tube we're on. | 0:51:49 | 0:51:52 | |
And my trusty guidebook has come up trumps again. | 0:51:52 | 0:51:55 | |
It turns out, that in 2008, parts of George Town were awarded | 0:51:55 | 0:51:59 | |
UNESCO World Heritage status, and to celebrate, | 0:51:59 | 0:52:02 | |
several young street artists were commissioned to create murals | 0:52:02 | 0:52:05 | |
in the colonial centre. | 0:52:05 | 0:52:07 | |
Their interactive graffiti has now become world-famous. | 0:52:10 | 0:52:13 | |
That's one there, that's one there, over there. | 0:52:13 | 0:52:15 | |
-Oh, yes, I see. -Hang on, we'll get a photograph of it. | 0:52:15 | 0:52:19 | |
-Shall we just...? -We'll move in there, yeah. | 0:52:19 | 0:52:21 | |
This is what you're supposed to do, you see. OK. | 0:52:21 | 0:52:24 | |
Thank you. | 0:52:24 | 0:52:25 | |
Lovely. Come on, we haven't got all day. | 0:52:26 | 0:52:29 | |
I can't see it, you're blocking the art. | 0:52:31 | 0:52:33 | |
-Well, I'm the money shot anyway. -Move across. | 0:52:33 | 0:52:35 | |
Lovely, you're in, grand. Come on, next one. Next one, please! | 0:52:37 | 0:52:42 | |
-Move over! -And we accelerate off. | 0:52:42 | 0:52:44 | |
Feeling increasingly guilty for this man pushing this bicycle. | 0:52:44 | 0:52:48 | |
"This is no eight-year-old I'm pushing here!" | 0:52:48 | 0:52:50 | |
Ladies! | 0:52:52 | 0:52:54 | |
-How do you do? -Welcome to Penang. | 0:52:55 | 0:52:59 | |
Stop here for a second, thank you! | 0:52:59 | 0:53:01 | |
Right, good work. | 0:53:01 | 0:53:03 | |
Nice. Oh, that's really, really good. | 0:53:05 | 0:53:06 | |
-You're interacting with it. -Where can I get some action in this town? | 0:53:06 | 0:53:10 | |
Lovely, and again. | 0:53:10 | 0:53:12 | |
-Perfect, very good. -Thank you very much. | 0:53:12 | 0:53:14 | |
Oh, I feel bad about this. | 0:53:14 | 0:53:16 | |
-I just... -How are you coping? | 0:53:16 | 0:53:18 | |
How are you bearing up? He looks... | 0:53:18 | 0:53:20 | |
-He doesn't look happy. -Yeah. | 0:53:20 | 0:53:21 | |
Yeah. Do you know what, I have an idea. | 0:53:21 | 0:53:23 | |
And this will be the famous street art of George Town. | 0:53:25 | 0:53:28 | |
Perhaps you two would like to take a souvenir photograph at this point? | 0:53:30 | 0:53:33 | |
-Here you go, champ. -OK. | 0:53:33 | 0:53:37 | |
-Ha-ha. -There, beautiful. | 0:53:37 | 0:53:39 | |
Lovely. Back in you get. | 0:53:41 | 0:53:43 | |
Right, let's find some more street art. | 0:53:43 | 0:53:45 | |
George Town was originally built in the 1880s... | 0:53:46 | 0:53:50 | |
Less of that, more of that, please. | 0:53:50 | 0:53:51 | |
OK, sir. | 0:53:51 | 0:53:53 | |
Being a trishaw rider is the toughest game in the world. | 0:53:53 | 0:53:56 | |
You know, I've been doing it man and boy now, for all of... | 0:53:56 | 0:53:59 | |
-10 minutes? -12 minutes, I would have said, | 0:53:59 | 0:54:00 | |
and that's including the time I'm taking off here. | 0:54:00 | 0:54:03 | |
But it felt like you'd been doing it man and boy because my life flashed | 0:54:03 | 0:54:05 | |
before my eyes and I saw myself as both a man and a boy at some point. | 0:54:05 | 0:54:08 | |
Oops, sorry, pet. My first day, pet, don't be judging me. | 0:54:08 | 0:54:11 | |
Oh, dear. Hang on, I'm feeling nervous. | 0:54:11 | 0:54:13 | |
I call this piece "red pipe, blue pipe." | 0:54:13 | 0:54:16 | |
It's one of my more industrial works. | 0:54:16 | 0:54:18 | |
Our last night in Malaysia, | 0:54:21 | 0:54:23 | |
and Baba Michael has promised us a true Penang farewell. | 0:54:23 | 0:54:27 | |
But he's asked that we dress up for this evening's celebration. | 0:54:27 | 0:54:31 | |
I can't get over thinking this looks on me like a dressing down. | 0:54:31 | 0:54:35 | |
But you, you are the belle of the ball. | 0:54:35 | 0:54:37 | |
You don't think it makes you look fat? | 0:54:37 | 0:54:39 | |
No, I would be proud to have you as my date. | 0:54:39 | 0:54:43 | |
I would be proud to attend any... | 0:54:43 | 0:54:45 | |
international karate tournament that you hosted on your evil island. | 0:54:45 | 0:54:49 | |
Oh, it's definitely more kung fu. | 0:54:49 | 0:54:51 | |
-Really? -Yes, I'm hoping, I'm hoping a ruck breaks out, | 0:54:51 | 0:54:53 | |
so I can bust out some of my white tiger moves. | 0:54:53 | 0:54:57 | |
This would be amazing, if it ends, | 0:54:57 | 0:54:59 | |
and I'll sit just smoking a cigar in a long ebony holder. | 0:54:59 | 0:55:03 | |
I look like, yeah, I could be your bodyguard. | 0:55:03 | 0:55:06 | |
Michael and the Baba-Nyonyas | 0:55:15 | 0:55:17 | |
have organised a traditional Peranakan long table feast | 0:55:17 | 0:55:20 | |
at their cultural centre. | 0:55:20 | 0:55:23 | |
An honour reserved for very special occasions, | 0:55:23 | 0:55:26 | |
which will send us on our way with prosperity, | 0:55:26 | 0:55:28 | |
long life and safe travels. | 0:55:28 | 0:55:31 | |
Ah, the Baba-Nyonya to me is everything. | 0:55:31 | 0:55:34 | |
The best of the East, the best of the West, we have English things, | 0:55:34 | 0:55:37 | |
we have Chinese things, | 0:55:37 | 0:55:38 | |
we have Malay, we have Thai, we have Myanmar, | 0:55:38 | 0:55:40 | |
we have Burmese, all different cultures amalgamated into one. | 0:55:40 | 0:55:44 | |
The colours of Malaysia. | 0:55:44 | 0:55:46 | |
The flowers of Malaysia and the spices of life. | 0:55:46 | 0:55:49 | |
So to me, I'm so, so excited! | 0:55:49 | 0:55:51 | |
VIOLIN PLAYS | 0:55:53 | 0:55:57 | |
Amongst the great and the good from the Baba-Nyonya community, | 0:55:59 | 0:56:02 | |
our outfits are starting to feel a lot more in keeping. | 0:56:02 | 0:56:06 | |
Malaysia is an interesting place to visit. | 0:56:18 | 0:56:20 | |
It's a very difficult country to get a hold of. | 0:56:20 | 0:56:23 | |
It's quite a grab bag. | 0:56:23 | 0:56:25 | |
People came here down the Malacca Strait | 0:56:26 | 0:56:28 | |
in order to bring their spices from China | 0:56:28 | 0:56:30 | |
and all those places, so they created this distinct community. | 0:56:30 | 0:56:34 | |
Bravo, very good, well done. | 0:56:38 | 0:56:40 | |
Thank you very much. | 0:56:40 | 0:56:42 | |
Even eating here is done Peranakan style. | 0:56:42 | 0:56:44 | |
And so, shall we feast? | 0:56:44 | 0:56:46 | |
I'm not seeing any chopsticks at all here. | 0:56:46 | 0:56:48 | |
No, no, chopsticks, they're Chinese. | 0:56:48 | 0:56:51 | |
No, no. So Baba-Nyonya, we're very British. These are the cupcakes. | 0:56:51 | 0:56:54 | |
Pink cupcakes. Your daughter will love it, it's pink, it's pink. | 0:56:54 | 0:56:58 | |
Like little pink fairies. | 0:56:58 | 0:56:59 | |
Yes, it's a cupcake. | 0:56:59 | 0:57:00 | |
In many ways, | 0:57:00 | 0:57:02 | |
the perfect way to finish a trip around Malaysia is with a feast, | 0:57:02 | 0:57:05 | |
and a feast of varied foods, of different influences | 0:57:05 | 0:57:08 | |
because that's what this country is, essentially. | 0:57:08 | 0:57:10 | |
On your plate, there are no borders on a plate. Rice has no passport. | 0:57:10 | 0:57:13 | |
What is this made of? | 0:57:13 | 0:57:15 | |
This is made of mung beans covered in a paste of rice flour. | 0:57:15 | 0:57:17 | |
-Delicious? -Mmm! Mmm, yeah! | 0:57:17 | 0:57:21 | |
-This tastes Asian. -Yes, this is Asian, is Asian. | 0:57:21 | 0:57:25 | |
And long may the celebration of cultures last here. | 0:57:25 | 0:57:28 | |
If you want to see all of Asia, come to Malaysia, because it's like, | 0:57:29 | 0:57:34 | |
it's like a buffet of all the different... | 0:57:34 | 0:57:36 | |
A pick and mix, if you will. | 0:57:36 | 0:57:38 | |
Yes, all the races and all the different cultures in one country. | 0:57:38 | 0:57:41 | |
And that's, I mean, you can see that on the plate. | 0:57:41 | 0:57:43 | |
Of course now we're going to Thailand | 0:57:43 | 0:57:45 | |
and they just have Thai food. | 0:57:45 | 0:57:46 | |
This is the "may your wish come true bun," | 0:57:46 | 0:57:49 | |
so may all your wishes come true, | 0:57:49 | 0:57:51 | |
may you come back to Penang again and have a safe, pleasant journey. | 0:57:51 | 0:57:55 | |
Thank you. | 0:57:55 | 0:57:57 | |
Next time, we are in Thailand, | 0:57:59 | 0:58:01 | |
a tropical paradise where mass tourism | 0:58:01 | 0:58:03 | |
is pushing life to the brink. | 0:58:03 | 0:58:05 | |
This is one of those places which is a kind of once-in-a-lifetime | 0:58:05 | 0:58:08 | |
experience, and we've done it once. | 0:58:08 | 0:58:11 | |
And a battle is being waged to save its oldest residents. | 0:58:11 | 0:58:15 | |
The turtles are at their most vulnerable at | 0:58:15 | 0:58:17 | |
the bits where they intersect with our life. | 0:58:17 | 0:58:19 | |
Frankly, this is exactly what we should be doing. | 0:58:19 | 0:58:21 | |
-Here comes a wave. -Godspeed. | 0:58:21 | 0:58:23 | |
It's an emotional thing. I've have sunscreen in my eyes. | 0:58:23 | 0:58:26 |