Browse content similar to Myanmar. Check below for episodes and series from the same categories and more!
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'Southeast Asia. | 0:00:03 | 0:00:04 | |
'Where ancient religions jostle for space with superhighways. | 0:00:05 | 0:00:11 | |
'One of the most rapidly changing places on earth. | 0:00:11 | 0:00:14 | |
That was genuinely amazing. | 0:00:17 | 0:00:21 | |
'My fellow comedian Ed Byrne and I...' | 0:00:21 | 0:00:23 | |
I don't understand anything that the board says. | 0:00:23 | 0:00:26 | |
'..are on an epic adventure...' | 0:00:26 | 0:00:27 | |
Difficult to get the rhythm right. | 0:00:27 | 0:00:29 | |
'..to three of the most vibrant countries in the region.' | 0:00:29 | 0:00:32 | |
This is an astonishingly beautiful sunset. | 0:00:32 | 0:00:35 | |
'From the economic powerhouse of Malaysia, | 0:00:35 | 0:00:38 | |
'the holiday paradise of Thailand, to Myanmar, | 0:00:38 | 0:00:42 | |
'a fledgling democracy unlocking its doors to the world. | 0:00:42 | 0:00:46 | |
-There's a lot of people. -There are lots of people here. | 0:00:46 | 0:00:50 | |
'It's a journey that takes us over 3,000 miles | 0:00:50 | 0:00:53 | |
'from Kuala Lumpur across the Malaysian peninsular | 0:00:53 | 0:00:57 | |
'to the historic city of Mandalay.' | 0:00:57 | 0:00:58 | |
-This is a taste of real Malaysia now. -Ladies. | 0:01:00 | 0:01:03 | |
That's a nice feeling, isn't it? | 0:01:03 | 0:01:06 | |
This could prove to be a very long night. | 0:01:06 | 0:01:09 | |
'We want to explore how Thailand is sinking under the worst excesses of tourism.' | 0:01:09 | 0:01:13 | |
To me, Phuket is now like the Titanic. | 0:01:13 | 0:01:16 | |
We're moving to the huge iceberg ahead. | 0:01:16 | 0:01:19 | |
'Meet the indigenous tribes of Malaysia struggling to survive.' | 0:01:19 | 0:01:23 | |
They're really shy of new people. | 0:01:23 | 0:01:25 | |
We're going to be just as shy. | 0:01:25 | 0:01:27 | |
'And discover how Myanmar is grappling with its new-found freedom.' | 0:01:27 | 0:01:31 | |
The perception was that I was watched | 0:01:31 | 0:01:33 | |
and I could be thrown into jail at any minute. | 0:01:33 | 0:01:36 | |
'We want to understand how the clash between East and West, | 0:01:36 | 0:01:40 | |
'the traditional and the modern, | 0:01:40 | 0:01:42 | |
'is transforming these countries forever.' | 0:01:42 | 0:01:45 | |
It does seem odd. It felt like I'd stepped into a time machine. | 0:01:45 | 0:01:49 | |
Do you know what this trip needs? | 0:01:49 | 0:01:51 | |
A giant golden Buddha. | 0:01:51 | 0:01:52 | |
Would there be one of them nearby, by any chance? | 0:01:52 | 0:01:54 | |
'We've now reached Yangon in Myanmar. | 0:02:05 | 0:02:08 | |
'The former capital is still the largest | 0:02:09 | 0:02:11 | |
'and most populated city in Myanmar, with over five million residents. | 0:02:11 | 0:02:15 | |
'We're eager to explore, once we've learned the basic from our guides.' | 0:02:18 | 0:02:22 | |
What was hello again? | 0:02:22 | 0:02:24 | |
-Mingalaba. -Oh, mingalaba! -Mingalaba. | 0:02:24 | 0:02:27 | |
-Mingalaba. -Mingalaba. -Mingalaba. -Mingalaba. | 0:02:27 | 0:02:31 | |
-What's thank you? -Thank you is... | 0:02:31 | 0:02:33 | |
-Kyayzuba. -Kyayzuba. -Kyayzuba. | 0:02:33 | 0:02:36 | |
'Myanmar was known as Burma until the military junta changed its name in 1989. | 0:02:38 | 0:02:43 | |
'Until recently, it was shut off from the world. | 0:02:45 | 0:02:48 | |
'Ruled by the infamous generals who, for 50 years, | 0:02:48 | 0:02:51 | |
'ran a brutal regime of house arrests, | 0:02:51 | 0:02:53 | |
'censorship and imprisonment. | 0:02:53 | 0:02:55 | |
And we're likely to get killed at any moment. | 0:03:00 | 0:03:03 | |
'In 2015, after a long campaign for democracy led by Aung San Suu Kyi, | 0:03:05 | 0:03:11 | |
'the first civilian government was elected.' | 0:03:11 | 0:03:13 | |
The only thing I come here with is the excitement of seeing somewhere | 0:03:14 | 0:03:18 | |
which is at a really interesting stage of its development. | 0:03:18 | 0:03:20 | |
I mean, it's one of those journeys which is like a holiday in living history, | 0:03:20 | 0:03:24 | |
so you get to see where the news stories occurred, | 0:03:24 | 0:03:26 | |
and also we are a number of months past their first ever democratic elections. | 0:03:26 | 0:03:30 | |
This is very much a country which is undergoing enormous change. | 0:03:32 | 0:03:36 | |
At the same time we know that we're in the middle of one of those timelines | 0:03:36 | 0:03:40 | |
that will be written about in history books. | 0:03:40 | 0:03:43 | |
'I have my own more personal reasons for being here. | 0:03:43 | 0:03:47 | |
From the mid-'90s, I got quite involved doing stuff for Amnesty International | 0:03:47 | 0:03:51 | |
at the Edinburgh Fringe Festival. | 0:03:51 | 0:03:53 | |
Then we started campaigning particularly for these guys in Burma, | 0:03:53 | 0:03:58 | |
these comedians, U Lu Zaw and Par Par Lay, The Moustache Brothers, | 0:03:58 | 0:04:02 | |
who got arrested for doing anti-government satire. | 0:04:02 | 0:04:06 | |
And that's when I really started to take an interest. | 0:04:06 | 0:04:09 | |
I would MC the gigs every year, | 0:04:09 | 0:04:11 | |
and even when I wasn't going to Edinburgh to do a gig, | 0:04:11 | 0:04:13 | |
I'd go specifically to do the Amnesty gig. | 0:04:13 | 0:04:15 | |
'I'd love to find out what The Moustache Brothers are up to now, | 0:04:15 | 0:04:18 | |
'and I've heard they're in Mandalay. | 0:04:18 | 0:04:19 | |
I'm also looking forward to being able to hit the ground running | 0:04:21 | 0:04:24 | |
as regards to seeing the real Myanmar. | 0:04:24 | 0:04:27 | |
-Are they cockroaches? -No, they're grasshoppers. Yeah. | 0:04:28 | 0:04:30 | |
-Oh, there's flies on them! -I know, it's weird that you should care | 0:04:30 | 0:04:34 | |
that there are flies buzzing around the grasshoppers. | 0:04:34 | 0:04:37 | |
'It's a fascinating time to be here. | 0:04:37 | 0:04:39 | |
'Not only because of the recent elections, | 0:04:41 | 0:04:43 | |
'but we've arrived in the middle of a Buddhist Light Festival. | 0:04:43 | 0:04:47 | |
'This marks the end of Buddhist Lent, | 0:04:49 | 0:04:51 | |
'and it's hugely important in Myanmar | 0:04:51 | 0:04:53 | |
'to remember when Lord Buddha returned to earth | 0:04:53 | 0:04:55 | |
'to teach the people about enlightenment.' | 0:04:55 | 0:04:59 | |
-That's a lot of people. -There are lots of people here. | 0:04:59 | 0:05:02 | |
'The Shwedagon Pagoda, | 0:05:04 | 0:05:06 | |
'Myanmar's greatest temple, glows with thousands of candle offerings.' | 0:05:06 | 0:05:10 | |
I can't help thinking of the Glastonbury Festival. | 0:05:13 | 0:05:16 | |
-Just people just walking. -Yeah, yeah. Towards the Pyramid Stage. | 0:05:16 | 0:05:20 | |
It's a hell of a sight, though, you know. | 0:05:20 | 0:05:22 | |
'Next morning, | 0:05:29 | 0:05:31 | |
'we're heading to an iconic political landmark in this emerging democracy. | 0:05:31 | 0:05:34 | |
'This is the place where Aung San Suu Kyi, | 0:05:35 | 0:05:38 | |
'the country's leading pro-democracy activist, | 0:05:38 | 0:05:40 | |
'was once imprisoned.' | 0:05:40 | 0:05:42 | |
It's an interesting notion to go on a tourist trip | 0:05:44 | 0:05:47 | |
-of modern political history. -Yes. | 0:05:47 | 0:05:49 | |
-It just seems a little weird. -Oh, there we go! That's it. | 0:05:49 | 0:05:52 | |
There, right there. | 0:05:52 | 0:05:54 | |
So those are the gates to the house that Aung San Suu Kyi | 0:05:54 | 0:05:57 | |
was in under house arrest. OK, let's go and have a look. | 0:05:57 | 0:06:00 | |
Don't get killed! | 0:06:00 | 0:06:02 | |
Jesus. | 0:06:02 | 0:06:04 | |
'Aung San Suu Kyi spoke out against the regime | 0:06:06 | 0:06:08 | |
'and was placed under house arrest for 15 years. | 0:06:08 | 0:06:14 | |
'She continued her non-violent campaign from behind these gates.' | 0:06:14 | 0:06:18 | |
There's her dad, who liberated Burma from the British in 1948. | 0:06:19 | 0:06:23 | |
There is something about seeing an artefact, | 0:06:24 | 0:06:28 | |
something that you've seen in the news for years and years and years. | 0:06:28 | 0:06:31 | |
However, they never had, "This is John Simpson for the BBC. | 0:06:31 | 0:06:34 | |
"Jesus, six lanes of traffic!" | 0:06:34 | 0:06:36 | |
I would imagine there were plenty of times when ordinary people with vans | 0:06:36 | 0:06:41 | |
trying to do deliveries are going, "Bloody democracy. | 0:06:41 | 0:06:44 | |
"Bloody freedom." | 0:06:44 | 0:06:46 | |
People are always holding up Abbey Road, walking across. | 0:06:46 | 0:06:50 | |
-They're the worst. They're the worst. -Walking over the pedestrian crossing. | 0:06:50 | 0:06:52 | |
People trying to recreate Aung San Suu Kyi's famous walk to freedom. | 0:06:52 | 0:06:55 | |
'Myanmar recently held its first free general election. | 0:07:02 | 0:07:06 | |
'Aung San Suu Kyi's NLD party won a landslide victory, | 0:07:06 | 0:07:10 | |
'ushering in a new era of democratic government. | 0:07:10 | 0:07:13 | |
'A few of the 23 million people who voted have agreed to meet us | 0:07:14 | 0:07:18 | |
'to discuss what's changed | 0:07:18 | 0:07:19 | |
'and the novelty of talking politics in public.' | 0:07:19 | 0:07:22 | |
The perception then was that I was watched. | 0:07:24 | 0:07:27 | |
Anything I said could be heard | 0:07:27 | 0:07:29 | |
and I could be thrown into jail at any minute. | 0:07:29 | 0:07:31 | |
I was basically very uninformed and ignorant about things. | 0:07:31 | 0:07:35 | |
And this was not an accident, | 0:07:35 | 0:07:37 | |
this was the design of the ruling regime, | 0:07:37 | 0:07:40 | |
that the population should know nothing. | 0:07:40 | 0:07:42 | |
-Yeah. -In the past, I was like so isolated. | 0:07:42 | 0:07:45 | |
I didn't know anything about the world and also didn't care | 0:07:45 | 0:07:48 | |
because I didn't know. | 0:07:48 | 0:07:50 | |
But then in 2009, | 0:07:50 | 0:07:53 | |
I got out of the country then went to Thailand to study | 0:07:53 | 0:07:55 | |
and then it opened up my mind. | 0:07:55 | 0:07:58 | |
And the problem is now we're sort of another extreme of openness. | 0:07:58 | 0:08:05 | |
For example, social media. | 0:08:05 | 0:08:07 | |
Nowadays we have more noises than voices. | 0:08:07 | 0:08:12 | |
Are people now realising that change is actually going to take a long time | 0:08:15 | 0:08:19 | |
and that politics moves very slowly? | 0:08:19 | 0:08:24 | |
People have high expectations. | 0:08:24 | 0:08:26 | |
People thought that everything would change with the new government, | 0:08:26 | 0:08:29 | |
new regime, but not yet. | 0:08:29 | 0:08:31 | |
It is the problem. The government is still not walking the dog. | 0:08:31 | 0:08:36 | |
Welcome to democracy. | 0:08:36 | 0:08:38 | |
Get used to more disappointment. | 0:08:38 | 0:08:40 | |
Get used to a feeling of impotence that will continue. | 0:08:40 | 0:08:45 | |
That is the way democracy just tends to let you down a lot, so... | 0:08:45 | 0:08:48 | |
But that is the joy of it. | 0:08:48 | 0:08:49 | |
LAUGHTER | 0:08:49 | 0:08:51 | |
'It's still just 190 days since Myanmar's new administration took over, | 0:08:59 | 0:09:04 | |
'but already the young people of Yangon | 0:09:04 | 0:09:06 | |
'are finding creative ways to express what change means to them. | 0:09:06 | 0:09:11 | |
'And I've come to see some permanent evidence.' | 0:09:11 | 0:09:15 | |
Oh, that is incredible. That is beautiful. | 0:09:15 | 0:09:19 | |
So this is a portrait of Aung San Suu Kyi over the map of Myanmar. | 0:09:19 | 0:09:23 | |
Why? Why have you gone for this tattoo? | 0:09:23 | 0:09:25 | |
So they're heroes of yours? | 0:09:28 | 0:09:30 | |
Because, I presume, a few years ago you couldn't do this, could you? | 0:09:32 | 0:09:36 | |
And what are the words that you've written on the tattoo? | 0:09:43 | 0:09:45 | |
And is that how people in Myanmar are now? | 0:09:47 | 0:09:49 | |
I mean, that is lovely. You're doing great work. | 0:09:52 | 0:09:54 | |
But I'm just thinking, you have an area here. | 0:09:54 | 0:09:57 | |
Do you know Arsenal Football Club? They play in London. | 0:09:57 | 0:10:01 | |
Yeah, well, just a big logo there for my football team. | 0:10:01 | 0:10:06 | |
-Yeah. -Can you put that on there? Is that all right? | 0:10:06 | 0:10:08 | |
No. Because this team is not... | 0:10:08 | 0:10:12 | |
-Your team? -I don't like this team. | 0:10:12 | 0:10:15 | |
My team is Manchester United. | 0:10:15 | 0:10:17 | |
Don't do that. Don't get a tattoo of Manchester United. | 0:10:17 | 0:10:20 | |
I think it's lovely with that. | 0:10:20 | 0:10:21 | |
-It works better without it. -Yes. | 0:10:21 | 0:10:25 | |
HE WHISPERS: Do it anyway. Do a big Arsenal. | 0:10:25 | 0:10:27 | |
Tell him you're doing Man United and do a big Arsenal. | 0:10:27 | 0:10:29 | |
He'll never know, he'll never know. | 0:10:29 | 0:10:31 | |
'And now Dara is in with the cool kids, we've been invited to | 0:10:40 | 0:10:43 | |
'a local tea shop where all the serious tattoo junkies hang out.' | 0:10:43 | 0:10:46 | |
-How are you? How are you? -I'm Ed. Dara. | 0:10:46 | 0:10:50 | |
-How are you? -Nice to meet you. -Nice to meet you. How are you? | 0:10:50 | 0:10:54 | |
We are not mucking around with the ink at this table. | 0:10:54 | 0:10:56 | |
Yeah. You've got... | 0:10:56 | 0:10:58 | |
So that is General Aung San. | 0:10:58 | 0:11:02 | |
Oh, look at that. That's fantastic. | 0:11:02 | 0:11:04 | |
-How long did that take? -That is beautiful. | 0:11:04 | 0:11:07 | |
Five hours. | 0:11:07 | 0:11:09 | |
-Five hours? -Yes. | 0:11:09 | 0:11:10 | |
Hero of Burma. | 0:11:10 | 0:11:13 | |
-This guy. That's the General... -As a much younger man. | 0:11:13 | 0:11:17 | |
Do you have to be careful not to work out too hard | 0:11:17 | 0:11:19 | |
or the faces will get stretched? | 0:11:19 | 0:11:20 | |
That's a good excuse not to exercise. | 0:11:20 | 0:11:22 | |
And where...? | 0:11:22 | 0:11:24 | |
-He's got it here. -Oh, lovely! -That's really good... | 0:11:24 | 0:11:29 | |
I like that. That's very beautiful, yeah. | 0:11:29 | 0:11:30 | |
There's only a handful of political figures | 0:11:30 | 0:11:33 | |
that people would have that level of iconography over. | 0:11:33 | 0:11:36 | |
Your Che Guevara, Gandhi, Mandela, I suppose. | 0:11:36 | 0:11:39 | |
I don't know, maybe would British people have Churchill tattooed on them? | 0:11:39 | 0:11:43 | |
I can't imagine. He's the only person, of all the British leaders, | 0:11:43 | 0:11:47 | |
Jeremy Corbyn maybe. | 0:11:47 | 0:11:49 | |
I think we may well see Corbyn tattoos before the year is out. | 0:11:49 | 0:11:52 | |
Hello, here is my friend. How are you? | 0:11:52 | 0:11:55 | |
Let's see. Show them all. | 0:11:55 | 0:11:57 | |
-This is good. -It's a floor show. -Yeah. | 0:11:57 | 0:11:59 | |
Look at that. | 0:12:01 | 0:12:03 | |
'When the regime was in charge, for 50 years they controlled the media, | 0:12:06 | 0:12:08 | |
'they controlled the amount of information that was coming in, | 0:12:08 | 0:12:11 | |
'there was no right to free assembly,' | 0:12:11 | 0:12:13 | |
people used to meet in tearooms exactly like that | 0:12:13 | 0:12:16 | |
to quietly discuss what was happening | 0:12:16 | 0:12:17 | |
and to hand out illegally printed pamphlets, | 0:12:17 | 0:12:20 | |
to essentially ferment some rebellion to the regime. | 0:12:20 | 0:12:24 | |
But now, you can sit in there with a tattoo of Aung San Suu Kyi | 0:12:24 | 0:12:28 | |
and you can celebrate. | 0:12:28 | 0:12:30 | |
-That has earned you a seat at this table at which we do not belong. -No. | 0:12:30 | 0:12:34 | |
Hey, put your shirt back on, you're a bit ripped. | 0:12:34 | 0:12:36 | |
'Myanmar remains one of the poorest countries in the world, | 0:12:42 | 0:12:45 | |
'having been closed off for more than 50 years. | 0:12:45 | 0:12:49 | |
'Life in Yangon is still pretty unchanged, | 0:12:49 | 0:12:52 | |
'with most people earning around 3 a day. | 0:12:52 | 0:12:55 | |
'Nevertheless, the people here seem unfazed by a couple of Irish men | 0:12:55 | 0:12:59 | |
'walking through their city.' | 0:12:59 | 0:13:01 | |
-Hello. How are you? -Hello. Where you come from? | 0:13:01 | 0:13:03 | |
Ireland, originally. | 0:13:03 | 0:13:05 | |
-Via England. -The UK. -Ah. -Yeah. | 0:13:05 | 0:13:08 | |
-It's beautiful. -It's very lovely. -Lovely. | 0:13:10 | 0:13:13 | |
-Oh, we do a Paris dance, looking out at the world? -Of course. | 0:13:19 | 0:13:23 | |
'It's been an amazing day tapping into life in Yangon, | 0:13:23 | 0:13:26 | |
'so now we're heading to the pub, or beer station as they call it.' | 0:13:26 | 0:13:30 | |
Now, that's what I call service. | 0:13:30 | 0:13:31 | |
-Hello. Hello. -How are you doing? You all right? -Where are you from? | 0:13:35 | 0:13:39 | |
From Ireland, originally. | 0:13:39 | 0:13:42 | |
We live in England. | 0:13:42 | 0:13:44 | |
-In London. -Do you know Cliff Richard? | 0:13:44 | 0:13:48 | |
-Pardon me? -Cliff Richard? | 0:13:48 | 0:13:49 | |
Do we know Cliff Richard? Yes! | 0:13:49 | 0:13:51 | |
We're familiar with his work. | 0:13:51 | 0:13:52 | |
I don't claim to be friends... | 0:13:52 | 0:13:54 | |
-I didn't claim to be friends... -Are you a big fan of Cliff Richard? | 0:13:54 | 0:13:58 | |
-Yes. -Really? -Do you know The Young Ones? | 0:13:58 | 0:14:01 | |
We were more fans of the sitcom than the Cliff Richard song. | 0:14:01 | 0:14:06 | |
1968, Cliff Richard, The Young Ones show at the cinema. | 0:14:06 | 0:14:11 | |
So I like him. | 0:14:11 | 0:14:15 | |
You saw Young Ones here? | 0:14:15 | 0:14:17 | |
It was on in the cinema here? Was it a big hit? | 0:14:17 | 0:14:20 | |
The movie, movie. | 0:14:20 | 0:14:22 | |
Two movies came here. Summer Holiday and The Young Ones. | 0:14:22 | 0:14:25 | |
And you saw that and you said, "That's it." | 0:14:25 | 0:14:28 | |
# Got myself a crying, talking, sleeping, walking | 0:14:28 | 0:14:32 | |
# Living doll | 0:14:32 | 0:14:33 | |
# Got to do my best to please her, just cos she's a living doll | 0:14:33 | 0:14:38 | |
# Got a roving eye | 0:14:38 | 0:14:40 | |
# And that is why she satisfies my soul | 0:14:40 | 0:14:43 | |
-# 'Fies my soul... # -Where's my soul? | 0:14:43 | 0:14:45 | |
# Got the one and only walking talking | 0:14:45 | 0:14:48 | |
# Living doll. # | 0:14:48 | 0:14:49 | |
-Yeah, that's it. -What's your name? -Robert O'Hara. -Robert O'Hara. | 0:14:49 | 0:14:54 | |
Yeah, my father from the UK. | 0:14:54 | 0:14:55 | |
-Really? -Yeah, he came in second war. | 0:14:55 | 0:14:58 | |
British Army. | 0:14:58 | 0:15:00 | |
-Your father was stationed here in the Second World War? -Yeah. | 0:15:00 | 0:15:04 | |
Robert. Ed. | 0:15:04 | 0:15:05 | |
-Dara. -Lovely to meet you, Robert O'Hara. | 0:15:05 | 0:15:09 | |
-I've got to admit, you don't look like a Robert O'Hara. -You don't. | 0:15:09 | 0:15:13 | |
-Do you know Summer Holiday? -Yes! | 0:15:13 | 0:15:15 | |
-Beautiful film. -We'll sing together. -We'll sing together, my friend. -OK. | 0:15:15 | 0:15:19 | |
# We're all going on a summer holiday | 0:15:19 | 0:15:23 | |
# No more working for a week or two | 0:15:23 | 0:15:26 | |
# Fun and laughter on our summer holiday | 0:15:26 | 0:15:30 | |
# No more worries for me or you | 0:15:30 | 0:15:33 | |
# For me and you | 0:15:33 | 0:15:36 | |
ORIGINAL SONG PLAYS: # We're going where the sun shines brightly | 0:15:36 | 0:15:40 | |
# We're going where the sea is blue | 0:15:40 | 0:15:44 | |
# We've seen it on the movies | 0:15:44 | 0:15:47 | |
# Now let's see if it's true | 0:15:47 | 0:15:51 | |
# So we're going on a summer holiday | 0:15:51 | 0:15:55 | |
# To make our dreams come true. # | 0:15:55 | 0:15:59 | |
'It's time to leave Yangon | 0:16:04 | 0:16:05 | |
'and continue our journey towards Mandalay. | 0:16:05 | 0:16:08 | |
'Railways were introduced here in 1877 by the British | 0:16:11 | 0:16:16 | |
'and we're told they haven't changed much since then. | 0:16:16 | 0:16:18 | |
'We'll be heading into the rural heartland of the country. | 0:16:21 | 0:16:24 | |
'Providing we can find the right platform.' | 0:16:26 | 0:16:29 | |
I don't understand anything that the board says. | 0:16:30 | 0:16:33 | |
There are ticks. | 0:16:33 | 0:16:34 | |
Everything seems to be OK. | 0:16:34 | 0:16:36 | |
-Yeah. -Everything is on time. | 0:16:36 | 0:16:38 | |
-There's no Xs or skull and crossbones, it is all... -Yes. | 0:16:40 | 0:16:44 | |
English script. | 0:16:46 | 0:16:48 | |
Right. Tick. | 0:16:48 | 0:16:50 | |
Here, here, here. | 0:16:50 | 0:16:53 | |
We're in carriage two and that's J. | 0:17:00 | 0:17:04 | |
Oh, good, OK. | 0:17:04 | 0:17:06 | |
That one is carriage backwards C. | 0:17:06 | 0:17:09 | |
Yeah, I think we may have a problem here. | 0:17:09 | 0:17:12 | |
OK. OK, cool, thank you. | 0:17:12 | 0:17:14 | |
Oh, it's the other carriage J. | 0:17:17 | 0:17:19 | |
It's nice that we get to sit together anyway. | 0:17:23 | 0:17:25 | |
It's good. Well, you know, it's a nine-hour train journey, Ed. | 0:17:25 | 0:17:29 | |
Are you going to kick the back of my seat for nine hours? | 0:17:29 | 0:17:31 | |
Repeatedly. | 0:17:31 | 0:17:34 | |
This is going to be great. | 0:17:34 | 0:17:35 | |
For about half an hour. | 0:17:37 | 0:17:38 | |
Farewell, then, Yangon. Farewell. You'll always be in our hearts. | 0:17:51 | 0:17:55 | |
I liked Yangon a lot, but I think I mainly liked the Yangonese, | 0:17:55 | 0:17:59 | |
the Yangonians. | 0:17:59 | 0:18:01 | |
The people of Yangon. I'm a Yang-aholic. | 0:18:01 | 0:18:06 | |
'From Yangon we'll travel through the countryside north towards Inle Lake, | 0:18:08 | 0:18:13 | |
'stopping in at a Pa'O village on the way to the ancient city of Bagan | 0:18:13 | 0:18:17 | |
'before we hit the historic road to Mandalay.' | 0:18:17 | 0:18:20 | |
People just on the tracks. | 0:18:26 | 0:18:27 | |
People just wandering across the tracks. | 0:18:27 | 0:18:30 | |
Well, trains are one an hour, | 0:18:30 | 0:18:31 | |
I'd imagine there's enough time for them to... | 0:18:31 | 0:18:33 | |
Still just looks weird, doesn't it? | 0:18:33 | 0:18:34 | |
..to formulate a plan to get out of the way. | 0:18:34 | 0:18:36 | |
"Oh, there'll be a train in ten minutes. Maybe we should move." | 0:18:36 | 0:18:39 | |
'We're so used to very rigid rules back home where the train doors shut | 0:18:49 | 0:18:54 | |
'60 seconds before the train even starts moving. | 0:18:54 | 0:18:57 | |
'Nobody can be on the platform when it is moving, | 0:18:57 | 0:18:59 | |
'whereas this, the train starts | 0:18:59 | 0:19:01 | |
'and you can jump on it or jump off it | 0:19:01 | 0:19:04 | |
'and you get these guys selling stuff | 0:19:04 | 0:19:06 | |
'and walking through the carriages with it | 0:19:06 | 0:19:08 | |
'or selling beer out of coolers.' | 0:19:08 | 0:19:10 | |
I'm expecting someone to bring livestock through at some stage. | 0:19:11 | 0:19:14 | |
-It's a great alternative to a buffet car or even a trolley service. -Yeah. | 0:19:14 | 0:19:18 | |
'It's important when you're in somewhere like Yangon to talk about Aung San Suu Kyi, | 0:19:26 | 0:19:31 | |
'it's important to talk to people with first flowerings of freedom. | 0:19:31 | 0:19:34 | |
'When you move obviously into a more agricultural society, | 0:19:34 | 0:19:37 | |
'day-to-day, that won't have affected their lives as much.' | 0:19:37 | 0:19:40 | |
It's utterly charming. Stunning, stunning, | 0:19:42 | 0:19:45 | |
beautiful tropical landscape just spooling past you at a sedate rate. | 0:19:45 | 0:19:49 | |
'After nine hours, we've only covered just over 220 miles, | 0:19:53 | 0:19:58 | |
'and we've reached the final stop on the line.' | 0:19:58 | 0:20:00 | |
Come on, let's hop off. | 0:20:01 | 0:20:03 | |
'To go any further we'll have to continue over the mountains by road.' | 0:20:08 | 0:20:11 | |
'We're heading east into the remote rural areas | 0:20:16 | 0:20:18 | |
'where 70% of the country live. | 0:20:18 | 0:20:21 | |
'There are 135 tribes in Myanmar, each governed in their own way. | 0:20:23 | 0:20:28 | |
'Most people here have had little contact with Westerners | 0:20:34 | 0:20:37 | |
'and still live very traditional lives. | 0:20:37 | 0:20:40 | |
'We're coming into the Kayan village of Panpet. | 0:20:44 | 0:20:47 | |
'One of the smallest tribes in the country, | 0:20:47 | 0:20:49 | |
'the Kayan here take advice on crops, | 0:20:49 | 0:20:52 | |
'health and relationships from their famous local fortune-teller | 0:20:52 | 0:20:56 | |
'and his chickens. | 0:20:56 | 0:20:58 | |
'We've got an appointment with Grandpa Yu, | 0:21:00 | 0:21:03 | |
'who comes from a long line of soothsayers.' | 0:21:03 | 0:21:05 | |
Dara. Ed. | 0:21:08 | 0:21:10 | |
-Sandra. -Sandra. -Sandra, how are you? | 0:21:10 | 0:21:14 | |
'Our translator explains how a dead chicken will give us a look into our own future.' | 0:21:14 | 0:21:19 | |
First, you have to ask the question like health, love, | 0:21:19 | 0:21:23 | |
business or something like that. | 0:21:23 | 0:21:24 | |
-Yes. -And he will kill the chicken. | 0:21:24 | 0:21:27 | |
-I'm sorry, what? -Kill. | 0:21:27 | 0:21:29 | |
-He'll kill the chicken. -He kills the chicken. | 0:21:29 | 0:21:31 | |
That's a detail that is, I think, important to know here. | 0:21:31 | 0:21:34 | |
-Right. -Are we going to eat it, then? | 0:21:34 | 0:21:37 | |
-Yes. -OK. -It's not just dying for a couple of yes or no questions. | 0:21:37 | 0:21:40 | |
After killing the chicken, | 0:21:40 | 0:21:42 | |
he looks at the fortune and he tells yes or no | 0:21:42 | 0:21:45 | |
-and it will be or it is possible. -Fine. | 0:21:45 | 0:21:47 | |
Right, well, let's bring out the chickens. | 0:21:47 | 0:21:49 | |
-Here we go. -Here we go. This is our oracle. | 0:21:49 | 0:21:53 | |
This is what I want to ask. Ed and I have done two long journeys. | 0:21:55 | 0:22:02 | |
-Will we make another... -Another? -..long journey? -Yeah. OK. | 0:22:02 | 0:22:07 | |
SHE SPEAKS OWN LANGUAGE | 0:22:07 | 0:22:08 | |
'On the one hand, an animal is about to die,' | 0:22:08 | 0:22:10 | |
so you don't just want to make like a cheap joke. | 0:22:10 | 0:22:13 | |
But on the other hand, you also don't want to ask a genuine question | 0:22:13 | 0:22:16 | |
about you or your loved ones or your family or the actual future, | 0:22:16 | 0:22:20 | |
so you've got to pick something which is a little silly, | 0:22:20 | 0:22:24 | |
but also has, I was going to say, has some meat on the bones, | 0:22:24 | 0:22:26 | |
but that's a bad phrase to use. | 0:22:26 | 0:22:29 | |
That's the bad bit. | 0:22:38 | 0:22:40 | |
-OK, so the chicken is now dead. -Dead. | 0:22:43 | 0:22:45 | |
'We all do this.' | 0:22:48 | 0:22:50 | |
Like, there's a version of this everywhere whether you're rolling dice | 0:22:50 | 0:22:53 | |
or whether you're opening the back of the paper and going, | 0:22:53 | 0:22:56 | |
"When I was born under the sign of Pisces..." | 0:22:56 | 0:22:58 | |
So, yeah, a long journey ahead... | 0:22:58 | 0:23:01 | |
And this one comes at lunch. | 0:23:01 | 0:23:03 | |
It's important, by the way, to stress that the chickens were going to be used for food anyway. | 0:23:04 | 0:23:09 | |
The chickens were going to die anyway. | 0:23:09 | 0:23:11 | |
-Have you butchered a bird, Ed? -I've done a squirrel. | 0:23:13 | 0:23:16 | |
I've made a squirrel stew. | 0:23:16 | 0:23:18 | |
Were you trapped in the wilderness trying to survive? | 0:23:18 | 0:23:21 | |
No, there was a squirrel on me bird feeder and I shot it with an air rifle | 0:23:21 | 0:23:24 | |
and then I skinned it and then ate it. That is a true story. | 0:23:24 | 0:23:27 | |
That's the most horrible thing I've ever heard. | 0:23:27 | 0:23:29 | |
-Did you not know that about me? -I did not know you did that. | 0:23:29 | 0:23:32 | |
After removing the thigh bone, | 0:23:35 | 0:23:37 | |
Grandpa Yu inserts sticks to read the bones, | 0:23:37 | 0:23:41 | |
a bit like reading tea leaves. | 0:23:41 | 0:23:43 | |
HE SPEAKS OWN LANGUAGE | 0:23:47 | 0:23:51 | |
He doesn't know exactly where, but you have to go another journey. | 0:23:54 | 0:23:58 | |
There will be a third journey? | 0:23:58 | 0:24:00 | |
Wow, I frankly think that's up for debate. | 0:24:00 | 0:24:02 | |
-Take me to there. -Yeah! -You want to come too, do you? -Yeah. | 0:24:02 | 0:24:05 | |
We've been to some great places in the world. | 0:24:05 | 0:24:07 | |
We've seen some fantastic things. | 0:24:07 | 0:24:09 | |
That's an interesting answer, that. | 0:24:09 | 0:24:11 | |
Are we going again, do you think? | 0:24:11 | 0:24:13 | |
Well, it was a difficult conversation I had to have. | 0:24:13 | 0:24:16 | |
The BBC are very happy with the work you've done, | 0:24:16 | 0:24:19 | |
but there's a whole new generation of younger comics coming through | 0:24:19 | 0:24:23 | |
and it just, you know, might be their time, | 0:24:23 | 0:24:25 | |
might be their time. I sort of wanted to see that in the chicken, | 0:24:25 | 0:24:28 | |
but I didn't. It calls into question | 0:24:28 | 0:24:30 | |
the whole veracity of the chicken thing, really. | 0:24:30 | 0:24:33 | |
It better taste nice at least. | 0:24:33 | 0:24:35 | |
It does seem odd. | 0:24:57 | 0:24:59 | |
It felt like I'd stepped into a time machine, | 0:24:59 | 0:25:01 | |
to come back to this era, | 0:25:01 | 0:25:03 | |
and then ask a fortune-teller to tell me the future. | 0:25:03 | 0:25:06 | |
I enjoy the sensation of feeling like I'm going back in time. | 0:25:09 | 0:25:12 | |
If you think about it too much it can depress you ever so slightly | 0:25:12 | 0:25:16 | |
because you start thinking about the reasons why certain parts of | 0:25:16 | 0:25:20 | |
the country are preserved in aspic. | 0:25:20 | 0:25:22 | |
In a way it's because the country has been held back from development | 0:25:22 | 0:25:26 | |
because there's been a desire to keep the rest of the world out. | 0:25:26 | 0:25:30 | |
'Consulting chicken bones is part of Grandpa Yu's Kan Khwan religion, | 0:25:32 | 0:25:37 | |
'which the Kayan people have practised | 0:25:37 | 0:25:39 | |
'since they migrated from Mongolia in the Bronze Age.' | 0:25:39 | 0:25:42 | |
Traditional awkward sitting position. | 0:25:48 | 0:25:50 | |
-Oh, there's our friend, the chicken. -The chicken of knowledge. -Yes. | 0:25:52 | 0:25:56 | |
What else could the chicken have told us if we'd simply let it live? | 0:25:56 | 0:25:59 | |
This feels like the kind of lifestyle that has been ongoing for centuries | 0:26:01 | 0:26:05 | |
and remains relatively unchanged. | 0:26:05 | 0:26:09 | |
'The people of Panpet and the surrounding villages live a communal life, | 0:26:09 | 0:26:13 | |
'still sharing responsibilities for farm work and family.' | 0:26:13 | 0:26:18 | |
You hope it doesn't reduce down to them shrugging as another busload of | 0:26:18 | 0:26:24 | |
tourists arrive in with chickens in their hands | 0:26:24 | 0:26:26 | |
waiting for the chickens to be slaughtered. But then again, | 0:26:26 | 0:26:29 | |
am I just doing what every backpacker does where you go, "It's all changed." | 0:26:29 | 0:26:33 | |
We saw it back in '16 when it was very new. | 0:26:33 | 0:26:38 | |
It's not the real Myanmar any more. | 0:26:38 | 0:26:41 | |
We were the ones who ruined Myanmar. | 0:26:41 | 0:26:43 | |
That's how history will recall | 0:26:43 | 0:26:45 | |
because I made you all want to come here. | 0:26:45 | 0:26:48 | |
'An hour's drive northwest of Panpet is Inle Lake, | 0:26:54 | 0:26:58 | |
'the next port of call on our journey to Mandalay.' | 0:26:58 | 0:27:00 | |
'The fishermen here have used this delicate leg-rowing technique | 0:27:08 | 0:27:11 | |
'for over 900 years. | 0:27:11 | 0:27:14 | |
'It leaves their hands free to set and check their nets. | 0:27:16 | 0:27:19 | |
'There are still hundreds of families making their living like this today.' | 0:27:25 | 0:27:29 | |
You look like a man on his holiday. | 0:27:51 | 0:27:53 | |
I look like a man on an adventure. | 0:27:53 | 0:27:55 | |
I can't even see you you're wearing so much camouflage. | 0:27:55 | 0:27:58 | |
Just a floating head. | 0:27:58 | 0:27:59 | |
'We're now taking to the water to explore the lake, | 0:28:02 | 0:28:05 | |
'which is the second largest in the country | 0:28:05 | 0:28:08 | |
'and sits 3,000 feet above sea level in the Shan Hills.' | 0:28:08 | 0:28:12 | |
Just the places that people live always wrecks my head. | 0:28:12 | 0:28:16 | |
Just that people will create towns high up Everest | 0:28:16 | 0:28:20 | |
or on the edge of a cliff, or there. | 0:28:20 | 0:28:24 | |
It's insane. | 0:28:24 | 0:28:25 | |
'Some 70,000 people, called the Intha, live along these shores | 0:28:29 | 0:28:33 | |
'and even on the lake itself, | 0:28:33 | 0:28:35 | |
'mostly living off fishing and floating gardens. | 0:28:35 | 0:28:38 | |
'But the fishermen leg rowers of Inle have another passion - | 0:28:42 | 0:28:46 | |
'boat racing between rival villages. | 0:28:46 | 0:28:50 | |
'And today, we have the honour of being among the first Westerners | 0:28:50 | 0:28:53 | |
'to be invited to take part in one of these fierce rowing competitions.' | 0:28:53 | 0:28:59 | |
"Did you find parking all right?" | 0:28:59 | 0:29:01 | |
"Oh, it was grand." | 0:29:01 | 0:29:03 | |
'But as we're not natural oarsmen, | 0:29:03 | 0:29:05 | |
'one of the lead rowers has offered to give us a lesson | 0:29:05 | 0:29:08 | |
'with only four hours to go to the race.' | 0:29:08 | 0:29:11 | |
Sorry, children. Hope you don't mind. | 0:29:12 | 0:29:14 | |
'Kalari comes from generations of leg rowers.' | 0:29:16 | 0:29:20 | |
Can you ask Kalari how difficult is it to learn? | 0:29:20 | 0:29:24 | |
THEY SPEAK OWN LANGUAGE | 0:29:24 | 0:29:30 | |
He said, a bit difficult. | 0:29:31 | 0:29:34 | |
Is it easier if you're a very big person | 0:29:34 | 0:29:38 | |
or if you're a skinny, smaller person? | 0:29:38 | 0:29:42 | |
THEY SPEAK OWN LANGUAGE | 0:29:42 | 0:29:48 | |
The fat person, also they can learn, but it takes more time. | 0:29:52 | 0:29:57 | |
When you stand on the canoe, it's more difficult to balance. | 0:29:57 | 0:30:02 | |
I never said the word fat. | 0:30:02 | 0:30:04 | |
I never brought up the word fat. | 0:30:04 | 0:30:06 | |
He's definitely repeatedly said fat. | 0:30:06 | 0:30:10 | |
I think the man meant tall or just generally... | 0:30:10 | 0:30:14 | |
-Of great stature. -Yes, exactly. | 0:30:14 | 0:30:16 | |
'Whatever size you are, mastering leg rowing looks far from simple.' | 0:30:18 | 0:30:24 | |
-OK, that's... -Hardly a doddle. -Yeah. | 0:30:26 | 0:30:29 | |
There's a lot going on. | 0:30:29 | 0:30:31 | |
-Yes, he is twisting that oar. -The blade goes like that | 0:30:31 | 0:30:35 | |
and then goes forward like that and has turned back like that. | 0:30:35 | 0:30:38 | |
-Otherwise... -Trying to do the robot. -Yeah. That will be easier to do now. | 0:30:38 | 0:30:42 | |
'My time has come and, close up, the boat looks even more flimsy.' | 0:30:47 | 0:30:51 | |
Oh, Jesus! | 0:30:53 | 0:30:54 | |
OK. | 0:30:57 | 0:30:59 | |
That's not a confident noise you're making. | 0:30:59 | 0:31:01 | |
Look at that. | 0:31:05 | 0:31:07 | |
Yeah, there you go. See, that's how it's done. | 0:31:07 | 0:31:10 | |
-Oh, show me the little girl doing it. -There you go. | 0:31:10 | 0:31:13 | |
'If small children can do it, surely I can.' | 0:31:15 | 0:31:19 | |
Go on. Go for a standing on one leg. | 0:31:19 | 0:31:21 | |
No! | 0:31:23 | 0:31:24 | |
-You're not helping. -There we go. | 0:31:24 | 0:31:26 | |
Look at that. That was a stroke, that was technically a stroke. | 0:31:26 | 0:31:29 | |
If you can get the forward bit now. | 0:31:29 | 0:31:31 | |
Jesus. | 0:31:32 | 0:31:34 | |
'But after a couple of attempts, I use a more familiar method | 0:31:34 | 0:31:37 | |
'to get back to dry land.' | 0:31:37 | 0:31:39 | |
This has worked for thousands of years. | 0:31:39 | 0:31:42 | |
What is wrong with you people that you don't want to do that? | 0:31:42 | 0:31:47 | |
-Right. -That... | 0:31:50 | 0:31:52 | |
-You know. -It's the most exhausting thing. | 0:31:52 | 0:31:55 | |
-You stayed dry. -I am. -I'm impressed. | 0:31:55 | 0:31:58 | |
The most important thing to remember is it's not as easy as I made it look. | 0:31:58 | 0:32:01 | |
No, well, you were very graceful, it has to be said. | 0:32:01 | 0:32:04 | |
-Will you take these for me, please? -Of course. | 0:32:04 | 0:32:07 | |
Now where is this boat? | 0:32:07 | 0:32:09 | |
There you go. There you don't go. | 0:32:13 | 0:32:16 | |
Now! Take some time to find your bearings. I took about an hour. | 0:32:18 | 0:32:22 | |
'It's looking like I'm more the natural leg rower than Dara.' | 0:32:27 | 0:32:31 | |
Mum, I'm doing it, I'm doing it! | 0:32:31 | 0:32:33 | |
Are you feeling you're getting any power into it? | 0:32:33 | 0:32:35 | |
Not especially. | 0:32:35 | 0:32:37 | |
Oh! | 0:32:38 | 0:32:39 | |
-That had an air of the inevitable about it, didn't it? -It did. | 0:32:46 | 0:32:51 | |
'After that display, | 0:32:51 | 0:32:52 | |
'I don't think the leg rowers will be fighting to have us on their team.' | 0:32:52 | 0:32:55 | |
-I think we're ready for a race now. -Oh, I am competition ready. | 0:32:55 | 0:32:59 | |
'And with the race due to start, | 0:33:02 | 0:33:04 | |
'it's time to head to the middle of the lake. | 0:33:04 | 0:33:07 | |
'For 100 years, leg rowing teams from the villages have raced for | 0:33:09 | 0:33:13 | |
'the honour of being the fastest on the water. | 0:33:13 | 0:33:16 | |
'Races start from Government House, | 0:33:19 | 0:33:21 | |
'a wooden building on stilts in the middle of the lake.' | 0:33:21 | 0:33:23 | |
'What we hadn't been told is that leg rowing races | 0:33:37 | 0:33:41 | |
'are like something out of Ben Hur.' | 0:33:41 | 0:33:43 | |
CHEERING AND DRUMMING | 0:33:47 | 0:33:50 | |
DARA LAUGHS | 0:33:50 | 0:33:51 | |
We're doing that next. | 0:33:52 | 0:33:55 | |
Oh, we're not ready for that. | 0:33:55 | 0:33:58 | |
No. We're going to be disappointing some of our team-mates. | 0:33:58 | 0:34:01 | |
'It's time for the teams to find out who their new star player is.' | 0:34:07 | 0:34:11 | |
And then falling into the water. | 0:34:14 | 0:34:16 | |
Falling into the water. | 0:34:16 | 0:34:18 | |
You take the first one, I'll take the second one. | 0:34:18 | 0:34:20 | |
-Good luck, by the way. Good luck. -And to you. May the best men win. | 0:34:20 | 0:34:25 | |
CHEERING | 0:34:25 | 0:34:27 | |
Come on, the boys in green. Come on, you boys in green. | 0:34:27 | 0:34:30 | |
Come on, you boys. | 0:34:30 | 0:34:31 | |
'This is our chance to write ourselves into the leg rowing history books.' | 0:34:35 | 0:34:39 | |
Are we going? Is that going? OK, come on! | 0:34:42 | 0:34:46 | |
Come on! Come on, the greens. | 0:34:46 | 0:34:48 | |
'There are 60 people on each team.' | 0:34:50 | 0:34:52 | |
That's too many for a team. | 0:34:52 | 0:34:53 | |
It's so huge a team that when the race started, | 0:34:53 | 0:34:56 | |
the back of the boat didn't know it had happened | 0:34:56 | 0:34:59 | |
until word got passed along from the top of the boat. | 0:34:59 | 0:35:02 | |
That seems slightly unwieldy as a sport. | 0:35:02 | 0:35:05 | |
It's difficult to get the rhythm right. | 0:35:05 | 0:35:07 | |
'Our technique lacks finesse, but nobody seems to have noticed.' | 0:35:10 | 0:35:14 | |
'We're definitely running before we can walk with this whole leg rowing business. | 0:35:16 | 0:35:19 | |
'There was a point where I realised the best thing I could do for | 0:35:19 | 0:35:22 | |
'my team would be to take my paddle out of the water' | 0:35:22 | 0:35:25 | |
and not put it back in for again the rest of the race. | 0:35:25 | 0:35:28 | |
Screw this. Screw the leg part of this. | 0:35:28 | 0:35:31 | |
Come on, the green team. | 0:35:36 | 0:35:37 | |
We're going to do it. Come on the greens. | 0:35:40 | 0:35:43 | |
'Heading for the line, it's neck and neck.' | 0:35:43 | 0:35:45 | |
Yes! | 0:35:50 | 0:35:51 | |
We were the winners. | 0:35:53 | 0:35:55 | |
'Eventually my superior technique made all the difference.' | 0:35:55 | 0:35:59 | |
Eat our boat. | 0:35:59 | 0:36:02 | |
This is what a traditional Myanmar boat man looks like. | 0:36:02 | 0:36:06 | |
There's a lot going on here. | 0:36:12 | 0:36:15 | |
An entire community built around being on the water. | 0:36:15 | 0:36:20 | |
Everything being about the water. | 0:36:20 | 0:36:22 | |
I mean, I'd like to see what they're like on land. | 0:36:22 | 0:36:24 | |
I mean, they're probably like manatees - | 0:36:24 | 0:36:26 | |
sleek and graceful in the water, and on land they're blobbing about. | 0:36:26 | 0:36:30 | |
I'm sure they'd all be knocking head on terra firma. | 0:36:30 | 0:36:34 | |
Yeah, this is their whole life. | 0:36:35 | 0:36:38 | |
They're just brought up in this aquatic environment, | 0:36:38 | 0:36:41 | |
just this weird amphibious people. | 0:36:41 | 0:36:43 | |
Even amidst all the buzz and noise of all the people who live on this lake, | 0:36:45 | 0:36:48 | |
the thing I think I would miss more, and will miss when we leave, | 0:36:48 | 0:36:51 | |
is the sheer size of the sky. It's huge. | 0:36:51 | 0:36:54 | |
You can see full panoply above you. | 0:36:54 | 0:36:56 | |
In fact, this storm that I'm currently sitting in, | 0:36:56 | 0:36:59 | |
I've been watching that approach for about 40 minutes now, | 0:36:59 | 0:37:01 | |
and now it's finally here. | 0:37:01 | 0:37:03 | |
I think I'm going to get out of the road. | 0:37:03 | 0:37:05 | |
'Before we head north on the final leg of our journey, | 0:37:17 | 0:37:20 | |
'there's one more local event we've heard is not to be missed. | 0:37:20 | 0:37:24 | |
'The Pa'O tribe are farmers, specialising in corn and leaf crops. | 0:37:27 | 0:37:31 | |
'It looks like not much has changed round here for the past few centuries, | 0:37:33 | 0:37:37 | |
'except this tribe are now more famous for making massive rockets.' | 0:37:37 | 0:37:42 | |
This, I've been looking forward to. | 0:37:42 | 0:37:44 | |
-The Rocket Festival? -The Rocket Festival. | 0:37:44 | 0:37:47 | |
Even the words Rocket Festival make my little nerdy heart leap with joy. | 0:37:47 | 0:37:51 | |
A sentence that has either of those words in it has some excitement. | 0:37:51 | 0:37:55 | |
Put the two together, though... | 0:37:55 | 0:37:57 | |
Who doesn't like the ballistics of it, you know? | 0:37:57 | 0:37:59 | |
Just the sheer equations of motion coupled with explosive power | 0:37:59 | 0:38:04 | |
-of gunpowder. It's going to be great. -I'd say you're a barrel of laughs | 0:38:04 | 0:38:08 | |
to go to a fireworks display with. | 0:38:08 | 0:38:10 | |
'Traditionally, the rockets were fired at the clouds to encourage the rains, | 0:38:15 | 0:38:19 | |
'but making rockets has become so popular, the Pa'O now stage regular rocket festivals | 0:38:19 | 0:38:24 | |
'and have put this one on especially for us.' | 0:38:24 | 0:38:27 | |
This is the rocket maker. | 0:38:27 | 0:38:28 | |
You're the rocket man. | 0:38:28 | 0:38:31 | |
Yeah, rocket man, yeah. | 0:38:31 | 0:38:32 | |
And the making of rockets, | 0:38:32 | 0:38:34 | |
is that something that you've always done and who taught you how to do it? | 0:38:34 | 0:38:38 | |
THEY SPEAK OWN LANGUAGE | 0:38:38 | 0:38:44 | |
Actually, they got it from their father, their teacher. | 0:38:44 | 0:38:47 | |
-A family thing? -Passed through the generation. | 0:38:47 | 0:38:49 | |
-Right, OK. -So what are they made of? What's inside those rockets? | 0:38:49 | 0:38:53 | |
-Actually, inside is gunpowder. -Gunpowder. -Gunpowder and charcoal. | 0:38:53 | 0:38:57 | |
-Charcoal as well? -Yeah, that's right. | 0:38:57 | 0:38:59 | |
This is not just some fun little hobby. | 0:38:59 | 0:39:01 | |
This is a big deal that brings in people from all over, doesn't it? | 0:39:01 | 0:39:04 | |
-Yes, that's right. -So how many people are we expecting? | 0:39:04 | 0:39:07 | |
Probably I hope there will be over 400-500 people will come | 0:39:07 | 0:39:13 | |
-as part of this festival. -400 or 500? -Yes. | 0:39:13 | 0:39:16 | |
'Four entire villages have turned up simply to join in | 0:39:20 | 0:39:23 | |
'the spectacle of setting off their home-made rockets. | 0:39:23 | 0:39:27 | |
'Before blast-off, the villagers parade around the monastery | 0:39:29 | 0:39:32 | |
'to give thanks for the festival and to bless their rockets.' | 0:39:32 | 0:39:35 | |
'Before things kick off, we're checking out the spot where the sparks fly.' | 0:39:48 | 0:39:52 | |
-This will be the launch pad, then. -I absolutely love it. -Yeah. | 0:39:54 | 0:39:57 | |
A bamboo launch pad. | 0:39:57 | 0:39:58 | |
I have to say, as low-tech methods of keeping somebody from climbing | 0:39:58 | 0:40:03 | |
some steps go, just putting a dead branch in the way... | 0:40:03 | 0:40:08 | |
That's your, "This way's barred. Do not climb these steps." | 0:40:08 | 0:40:12 | |
And it's clearly respected. | 0:40:12 | 0:40:13 | |
It's the velvet rope of the Myanmar countryside. | 0:40:13 | 0:40:16 | |
I've been to one launch, one, let's say, proper launch in NASA, | 0:40:16 | 0:40:19 | |
and there are some things which are different | 0:40:19 | 0:40:21 | |
and some things which are the same. Bamboo, different. | 0:40:21 | 0:40:23 | |
-They don't use bamboo that much. -Really? -They don't. | 0:40:23 | 0:40:26 | |
They tried to, but it used to burn up when the shuttle went off. | 0:40:26 | 0:40:28 | |
Would you feel comfortable at the top of those steps? | 0:40:28 | 0:40:30 | |
I wouldn't feel comfortable if I knew there was a fuse going off behind me, | 0:40:30 | 0:40:34 | |
but other than that I think this is fantastic. | 0:40:34 | 0:40:36 | |
I wouldn't have kept that bit of tree there either, to be honest. | 0:40:36 | 0:40:39 | |
-That seems to be slightly.... -I'd give that a bit of a trim. | 0:40:39 | 0:40:42 | |
I think the rains are going to be excellent today. | 0:40:42 | 0:40:44 | |
'With all this gunpowder around, | 0:40:51 | 0:40:53 | |
'I don't know whether to feel excited or terrified.' | 0:40:53 | 0:40:56 | |
Here we go. | 0:40:59 | 0:41:00 | |
I'm not getting how this works. | 0:41:02 | 0:41:04 | |
They just seemed to wander down and... | 0:41:04 | 0:41:06 | |
There doesn't seem to be anything, like, any announcement or... | 0:41:06 | 0:41:10 | |
No, well, I'm not waiting for, "T minus ten, nine..." | 0:41:10 | 0:41:14 | |
I still want something like, | 0:41:14 | 0:41:16 | |
"And now the representatives of Pa'O village." | 0:41:16 | 0:41:19 | |
Rather than just some people wandering down with a bamboo rocket. | 0:41:19 | 0:41:22 | |
Oh, here we go. | 0:41:25 | 0:41:27 | |
We have ignition. | 0:41:27 | 0:41:30 | |
Only a matter of seconds till the main engine burn. | 0:41:30 | 0:41:32 | |
We have wispy smoke, | 0:41:33 | 0:41:35 | |
indicating both that the thing is lit | 0:41:35 | 0:41:37 | |
and that there's some small wind. | 0:41:37 | 0:41:39 | |
-Very good. -A nice little spiral at the end there. | 0:41:45 | 0:41:48 | |
I like the little corkscrew they did. | 0:41:48 | 0:41:51 | |
-Clearly applauding is something only we're doing. -Not a thing people do. | 0:41:51 | 0:41:54 | |
OK. Sorry, I thought it deserved it. | 0:41:54 | 0:41:56 | |
-Very sorry. -They're all laughing at us. | 0:41:56 | 0:41:59 | |
They're smiling and laughing | 0:41:59 | 0:42:00 | |
and they're lovely, but we look like fools. | 0:42:00 | 0:42:03 | |
'But it looks like that was just the warm up... | 0:42:04 | 0:42:07 | |
'..as the big boys make their presence known.' | 0:42:09 | 0:42:11 | |
-Look at that. -Oh, yes! | 0:42:15 | 0:42:17 | |
Stylin'. Rolling into the joint with a rocket on your shoulder. | 0:42:17 | 0:42:21 | |
-So this is our first big rocket. -First proper big one, yeah. | 0:42:25 | 0:42:29 | |
And you can feel the atmosphere and the hype has gotten ramped right up. | 0:42:29 | 0:42:34 | |
So now things have become a little bit more serious. | 0:42:41 | 0:42:44 | |
-And a bit more exciting. -Isn't it? Have a look at this. | 0:42:44 | 0:42:48 | |
Did we ask, "Do people ever get killed doing this?" | 0:42:50 | 0:42:52 | |
I did ask and he said no. | 0:42:52 | 0:42:55 | |
He said, "In 300 years no-one has ever been killed doing this." | 0:42:55 | 0:42:58 | |
There we go. | 0:42:59 | 0:43:01 | |
The fuse is lit on our first big rocket. | 0:43:02 | 0:43:05 | |
That was genuinely amazing. | 0:43:23 | 0:43:25 | |
-It's still going. -That was fantastic. | 0:43:27 | 0:43:30 | |
That was very, very impressive. | 0:43:30 | 0:43:33 | |
This is a very proud village. They've nailed that one. | 0:43:36 | 0:43:38 | |
The first step, we were wondering why they didn't seem very excited by the earlier rockets, | 0:43:40 | 0:43:44 | |
but they're just fireworks. | 0:43:44 | 0:43:45 | |
That was a bit like wondering why people don't get excited about junior Wimbledon | 0:43:45 | 0:43:48 | |
because then the seniors came on - and that was a proper rocket. | 0:43:48 | 0:43:52 | |
That was the kind of thing you'd see at NASA. | 0:43:52 | 0:43:54 | |
Slowly, powerfully pushing its way up against gravity | 0:43:54 | 0:43:57 | |
and it kept going. That's brilliant. | 0:43:57 | 0:43:59 | |
That's why they laughed at us when we clapped the small rockets. | 0:43:59 | 0:44:02 | |
-Yeah. -Now I see. "You thought THAT was impressive?" | 0:44:02 | 0:44:06 | |
What is it again? What is it? This? | 0:44:14 | 0:44:17 | |
'I've not seen Dara so happy since the last Star Wars film came out.' | 0:44:19 | 0:44:22 | |
No laughing! | 0:44:24 | 0:44:26 | |
Why is that funny? | 0:44:26 | 0:44:27 | |
Stop doing another dance. | 0:44:29 | 0:44:30 | |
You're doing the wrong dance. | 0:44:30 | 0:44:32 | |
That's an unlucky rocket dance. | 0:44:32 | 0:44:33 | |
It's so nice to watch something where people are incredibly into it. | 0:44:46 | 0:44:50 | |
You know, the enthusiasm for something as... | 0:44:50 | 0:44:53 | |
And I think the weirder and sillier and quirkier the thing is, | 0:44:53 | 0:44:57 | |
the more endearing the enthusiasm for it is. | 0:44:57 | 0:44:59 | |
These people are just giving it their all. | 0:44:59 | 0:45:02 | |
This was fantastic. | 0:45:09 | 0:45:11 | |
This was villages in Myanmar building world-class rockets, | 0:45:11 | 0:45:17 | |
just because they've been doing it now for 300 years | 0:45:17 | 0:45:19 | |
and then firing them off into the sky just for their own amusement. | 0:45:19 | 0:45:24 | |
And this genuinely stunning piece of kinetic work, | 0:45:26 | 0:45:32 | |
where this thing just took off. | 0:45:32 | 0:45:34 | |
Boom. Gone. And you can feel the shake of it. | 0:45:34 | 0:45:37 | |
It was a glorious thing. | 0:45:37 | 0:45:39 | |
I mean, we all came expecting it to be some tiny village with a | 0:45:39 | 0:45:43 | |
Catherine Wheel and it was actually at a level that was world-class. | 0:45:43 | 0:45:48 | |
They're just firing them for the hell of it now. | 0:45:56 | 0:45:59 | |
'We're now just over 200 miles away from the city of Mandalay, | 0:45:59 | 0:46:03 | |
'our final destination. | 0:46:03 | 0:46:05 | |
'We're travelling northwest to the ancient city of Bagan.' | 0:46:05 | 0:46:08 | |
'For the last few miles, we're off-road, on scooters, | 0:46:18 | 0:46:23 | |
'to reach one of Bagan's famous temples.' | 0:46:23 | 0:46:25 | |
That was fun. I think at one point you got up to... | 0:46:27 | 0:46:31 | |
The same speed you did, smart guy. The same speed you did. | 0:46:31 | 0:46:33 | |
-I was waiting for you. -You were not waiting for me. | 0:46:33 | 0:46:36 | |
'1,000 years ago, the kings of Bagan built over 4,000 of these | 0:46:41 | 0:46:45 | |
'amazing temples as a way of proving their dedication to Buddhism.' | 0:46:45 | 0:46:50 | |
'It's shoes off before climbing up to see | 0:46:55 | 0:46:58 | |
'one of Asia's most spectacular views.' | 0:46:58 | 0:47:00 | |
-Wow! -That is incredible. -Yeah. | 0:47:02 | 0:47:06 | |
'With half of them still standing, | 0:47:06 | 0:47:08 | |
'it's the largest concentration of Buddhist ruins in the world.' | 0:47:08 | 0:47:12 | |
-How breathtakingly beautiful is this? -Yeah. | 0:47:12 | 0:47:16 | |
This is just too much food for the soul. | 0:47:17 | 0:47:20 | |
Go over there and knock on their door and tell them, | 0:47:20 | 0:47:22 | |
"We couldn't help notice, but some of that needs a bit of re-pointing." | 0:47:22 | 0:47:26 | |
Just any one of those temples would be a tourist attraction on its own | 0:47:28 | 0:47:32 | |
and there are hundreds of them. | 0:47:32 | 0:47:36 | |
I think there's more than 1,000, I think. | 0:47:36 | 0:47:38 | |
'Myanmar was cut off from the world for so long, | 0:47:38 | 0:47:41 | |
'it's an honour to be among the first Westerners to experience | 0:47:41 | 0:47:44 | |
'these breathtaking sights.' | 0:47:44 | 0:47:46 | |
I think this... | 0:47:46 | 0:47:48 | |
sums up Myanmar in that it looks like it would have looked. | 0:47:48 | 0:47:53 | |
I feel like we're really lucky to catch this place while it's still like this. | 0:47:53 | 0:47:56 | |
And yet, more people should see it, all right. | 0:47:56 | 0:47:58 | |
-Let's not be... -Absolutely. | 0:47:58 | 0:48:00 | |
-But we saw it first. -So we win. | 0:48:00 | 0:48:02 | |
We win. We are the winners. | 0:48:02 | 0:48:04 | |
We are the Bagan winners, my friend. | 0:48:04 | 0:48:06 | |
I think this would be a lovely palate cleanser | 0:48:08 | 0:48:11 | |
as you go from the genuine madness of rural Myanmar | 0:48:11 | 0:48:16 | |
into the historic city of Mandalay and towards the end of our journey. | 0:48:16 | 0:48:19 | |
What's been your favourite bit? | 0:48:23 | 0:48:25 | |
HE WHISPERS: Stop ruining it. | 0:48:25 | 0:48:27 | |
'After the awe-inspiring beauty of Bagan, | 0:48:37 | 0:48:40 | |
'this is now the last leg on our journey on | 0:48:40 | 0:48:43 | |
'the historic road to Mandalay.' | 0:48:43 | 0:48:46 | |
That's it, then. Almost. | 0:48:48 | 0:48:50 | |
I mean, only Mandalay to see. | 0:48:52 | 0:48:54 | |
This is the way to arrive in every city. | 0:48:56 | 0:48:59 | |
The road to London should be this. | 0:48:59 | 0:49:01 | |
Should be a massively wide waterway. | 0:49:01 | 0:49:03 | |
Everywhere you should be arriving by boat. | 0:49:03 | 0:49:05 | |
And I didn't realise that this is the road to Mandalay. | 0:49:05 | 0:49:08 | |
This river is the road to Mandalay. | 0:49:08 | 0:49:10 | |
A big wet road is what people meant by the road to Mandalay. | 0:49:10 | 0:49:14 | |
It's a wonder that they have any infrastructure at all | 0:49:14 | 0:49:17 | |
-if they think this is a road. -I know, I know. | 0:49:17 | 0:49:19 | |
'Floating down the fabled waterway, I feel inspired to poetry.' | 0:49:26 | 0:49:30 | |
"By the old Moulmein Pagoda, lookin' eastwards to the sea, | 0:49:31 | 0:49:34 | |
"There's a Burma girl a-sitting, and I know she thinks o' me. | 0:49:34 | 0:49:38 | |
"For the wind is in the palm-trees and the temple-bells they say: | 0:49:38 | 0:49:41 | |
""Come you back, you British soldier; come you back to Mandalay." | 0:49:41 | 0:49:45 | |
"Come you back to Mandalay where the old Flotilla lay, | 0:49:45 | 0:49:49 | |
"Can't you 'ear their paddles chunkin' from Rangoon to Mandalay? | 0:49:49 | 0:49:53 | |
"On the road to Mandalay where the flyin'-fishes play, | 0:49:53 | 0:49:57 | |
"and the dawn comes up like thunder | 0:49:57 | 0:49:59 | |
-"outer China 'crost the Bay." -Am I dreaming | 0:49:59 | 0:50:02 | |
or are you reading Rudyard Kipling to me aloud on a boat? | 0:50:02 | 0:50:08 | |
-Yeah, I am, on the road to Mandalay. -OK, fine. -Just lose yourself in it. | 0:50:08 | 0:50:12 | |
"'Er petticoat was yaller an' 'er little cap was green | 0:50:13 | 0:50:16 | |
"And her name was Supi-yaw-lat, jes' the same as Theebaw's Queen..." | 0:50:16 | 0:50:19 | |
'After 800 miles, we've reached the end of our road to Mandalay.' | 0:50:23 | 0:50:27 | |
'Although our first sight of this famous city are the golden pagodas | 0:50:30 | 0:50:34 | |
'of ancient Burma, | 0:50:34 | 0:50:35 | |
'Mandalay is now a sprawling industrial place | 0:50:35 | 0:50:38 | |
'on the brink of change.' | 0:50:38 | 0:50:39 | |
'But for me, getting here has always been about | 0:50:44 | 0:50:47 | |
'drawing a line under a time in my past, | 0:50:47 | 0:50:50 | |
'and before we leave I'm determined to fulfil a personal ambition | 0:50:50 | 0:50:53 | |
'to find The Moustache Brothers.' | 0:50:53 | 0:50:56 | |
Having been involved in some way in trying to publicise the plight of | 0:50:58 | 0:51:03 | |
people in Burma, | 0:51:03 | 0:51:04 | |
I'm hoping to connect with some of the people | 0:51:04 | 0:51:06 | |
that we were working for with Amnesty. | 0:51:06 | 0:51:09 | |
Par Par Lay and Lu Zaw were imprisoned in the '90s for | 0:51:09 | 0:51:12 | |
performing anti-government satire outsides Aung San Suu Kyi's gates. | 0:51:12 | 0:51:17 | |
Par Par Lay died of prostate cancer a few years ago, | 0:51:19 | 0:51:23 | |
but I'm hoping to catch up with the other Moustache Brothers, | 0:51:23 | 0:51:26 | |
so that would be quite cool. | 0:51:26 | 0:51:27 | |
I think that would be quite a thing. | 0:51:27 | 0:51:31 | |
'For the last 15 years, the surviving members of The Moustache Brothers | 0:51:39 | 0:51:43 | |
'have performed the same routine that ridiculed the dictatorship | 0:51:43 | 0:51:46 | |
'and helped bring international attention | 0:51:46 | 0:51:48 | |
'to Myanmar's struggle for freedom.' | 0:51:48 | 0:51:50 | |
I'm worried I'm not going to find them funny. | 0:51:50 | 0:51:54 | |
But I don't think that's really as important. | 0:51:54 | 0:51:56 | |
It's more important than going to see somebody that maybe was a huge influence on you as a comedian. | 0:51:56 | 0:52:00 | |
To go and see someone who actually got put in prison for something that we think nothing of doing. | 0:52:00 | 0:52:04 | |
It's going to be very interesting. | 0:52:04 | 0:52:06 | |
Moustache Brothers. This will be the... | 0:52:09 | 0:52:11 | |
This will be the place, all right. | 0:52:11 | 0:52:14 | |
-This feels like a bit of a pilgrimage. -Yeah. | 0:52:14 | 0:52:17 | |
Hello. Please to meet you. My name is Lu Maw. | 0:52:17 | 0:52:20 | |
My brother, number one moustache. | 0:52:20 | 0:52:22 | |
I'm number two moustache. Par Par Lay, Lu Maw, brother. | 0:52:22 | 0:52:25 | |
Lu Zaw, cousin, brother. My father called me Lu. | 0:52:25 | 0:52:28 | |
My grandfather called me Lu. | 0:52:28 | 0:52:29 | |
Brother called me Lu. | 0:52:29 | 0:52:31 | |
Called me Lu, three generation. | 0:52:31 | 0:52:33 | |
We are chip off the old block. | 0:52:33 | 0:52:34 | |
Let's go in. | 0:52:34 | 0:52:37 | |
My teeth. My teeth gave me trouble. I had toothache. | 0:52:37 | 0:52:40 | |
I went outside Thailand, I see the dentist. | 0:52:40 | 0:52:43 | |
And he asked me, "Where do you come from?" | 0:52:45 | 0:52:49 | |
"I come from Burma." "You come from Burma?" | 0:52:49 | 0:52:51 | |
"Yes." | 0:52:51 | 0:52:52 | |
"Why do you come to Thailand, outside Burma?" | 0:52:52 | 0:52:55 | |
"Don't you have dentist in your country?" | 0:52:55 | 0:52:57 | |
"Yes, we have. But we're not allowed to open our mouths." | 0:52:57 | 0:53:00 | |
LAUGHTER | 0:53:00 | 0:53:02 | |
'Having witnessed a Myanmar on the edge of change, | 0:53:02 | 0:53:05 | |
'I'm going to finally meet a true comedy hero.' | 0:53:05 | 0:53:08 | |
-Hello. -Hello. -Pleased to meet you. I'm Lu Maw. | 0:53:08 | 0:53:10 | |
-Ed. -And Dara. Lovely to meet you. | 0:53:10 | 0:53:13 | |
Me Lu Maw, moustache Lu Maw. | 0:53:13 | 0:53:15 | |
-Moustache Lu Maw. -Comedian. Comedian. | 0:53:15 | 0:53:17 | |
-We're all comedians. -Top banana, top banana. | 0:53:17 | 0:53:21 | |
-Top banana. -Top banana. | 0:53:21 | 0:53:23 | |
And your father was a comedian and your grandfather was a comedian? | 0:53:23 | 0:53:27 | |
Fantastic. Great. | 0:53:34 | 0:53:36 | |
Proper old school. | 0:53:38 | 0:53:39 | |
-Were the regimes scared of comedy? -Yeah. | 0:53:44 | 0:53:46 | |
Were they scared of being made a joke of? | 0:53:46 | 0:53:48 | |
-The first time was six months. -Yeah. -And yet he did it again. -Yeah. | 0:54:21 | 0:54:25 | |
'At 65 years old, Lu Maw still performs his show every day out of | 0:54:33 | 0:54:37 | |
'the front of his house, acting like a watchdog on the future, | 0:54:37 | 0:54:41 | |
'on the country's dark past.' | 0:54:41 | 0:54:44 | |
So you still don't trust? | 0:54:44 | 0:54:45 | |
Yes. So you're still ready to watch | 0:54:53 | 0:54:56 | |
-and make jokes just in case this ever happens again? -Yes. | 0:54:56 | 0:55:00 | |
But to be serious for a moment, if we could, | 0:55:00 | 0:55:04 | |
are you optimistic about the future of Myanmar? | 0:55:04 | 0:55:08 | |
So as long as Aung San Suu Kyi is alive? | 0:55:15 | 0:55:17 | |
Will the country be able to move on? | 0:55:23 | 0:55:25 | |
Will they be able to put the past into the past? | 0:55:25 | 0:55:29 | |
'Listening to Lu Maw is a reminder of how far Myanmar has come in | 0:55:35 | 0:55:39 | |
'the last few years | 0:55:39 | 0:55:40 | |
'and of the sacrifices made along the way.' | 0:55:40 | 0:55:44 | |
They were willing to go to jail three times to do this show | 0:55:44 | 0:55:47 | |
during a brutal and repressive regime so, | 0:55:47 | 0:55:50 | |
-frankly, that they're just doing it is enough. -Fair play. | 0:55:50 | 0:55:54 | |
One, two, three. | 0:55:54 | 0:55:55 | |
SCREAMING | 0:55:55 | 0:55:58 | |
'Finishing here feels like a fitting end | 0:56:01 | 0:56:04 | |
'to our 3,000-mile journey | 0:56:04 | 0:56:07 | |
'through three very different but spectacular countries.' | 0:56:07 | 0:56:10 | |
In some ways it's exactly as I'd hoped it would be | 0:56:10 | 0:56:13 | |
in that it started off in a bustling metropolis | 0:56:13 | 0:56:16 | |
and it's gotten more and more strange. | 0:56:16 | 0:56:20 | |
Of course we learn from travel. | 0:56:20 | 0:56:22 | |
You feel like you're learning something about yourself | 0:56:22 | 0:56:25 | |
cos you're doing something different. | 0:56:25 | 0:56:26 | |
But actually, I don't think it makes any profound difference to you | 0:56:26 | 0:56:29 | |
when you return back to your normal schedule. | 0:56:29 | 0:56:32 | |
So the only lesson from that basically isn't don't travel, | 0:56:32 | 0:56:34 | |
because travelling is a joy, | 0:56:34 | 0:56:36 | |
but don't put this huge weight on journeys to create a new you. | 0:56:36 | 0:56:40 | |
Journeying is like reading a book or a particularly enjoyable box set | 0:56:40 | 0:56:44 | |
or maybe an enjoyable travel documentary that you're watching on television. | 0:56:44 | 0:56:47 | |
It was lovely for the time it occurred, | 0:56:47 | 0:56:49 | |
it owes you no more than that. | 0:56:49 | 0:56:51 | |
So if you have happy memories of how you felt on that trip, | 0:56:51 | 0:56:54 | |
that is sufficient. | 0:56:54 | 0:56:55 | |
Very good, well done. Thank you very much. | 0:56:55 | 0:56:59 | |
Malaysia was difficult to pin down | 0:56:59 | 0:57:01 | |
because it was a patchwork of different cultures. | 0:57:01 | 0:57:04 | |
Trunks up, who wants a sunflower seed? | 0:57:05 | 0:57:07 | |
Thailand was its own thing, but it still held back | 0:57:07 | 0:57:11 | |
and presented you this wonderfully polished tourism experience. | 0:57:11 | 0:57:15 | |
Do you know what I think this trip needs? | 0:57:15 | 0:57:17 | |
A giant golden Buddha. | 0:57:17 | 0:57:19 | |
Would there be one of them nearby, by any chance? | 0:57:19 | 0:57:21 | |
Then we arrived in Myanmar, | 0:57:24 | 0:57:26 | |
which is the one that we all fell in love with, | 0:57:26 | 0:57:29 | |
where it's new and novel | 0:57:29 | 0:57:32 | |
and people are genuinely excited to see you, and smiling. | 0:57:32 | 0:57:35 | |
And also you're seeing a country emerge into the light | 0:57:37 | 0:57:39 | |
after 50 years of repressive government. | 0:57:39 | 0:57:41 | |
They now have many visitors from abroad | 0:57:41 | 0:57:42 | |
and they're emerging into something and it is undiscovered. | 0:57:42 | 0:57:46 | |
The Myanmarese were the ones who smiled their way into our hearts the most. | 0:57:50 | 0:57:54 | |
Well, the sign says if you've not seen our dancing, | 0:58:01 | 0:58:03 | |
you cannot say you've been to Mandalay. | 0:58:03 | 0:58:06 | |
-And WE have been to Mandalay. -We certainly have. | 0:58:06 | 0:58:08 | |
Do you know what I was particularly impressed by? | 0:58:08 | 0:58:11 | |
The moustache work. | 0:58:11 | 0:58:12 | |
That's Groucho Marx level of moustache work. | 0:58:12 | 0:58:14 | |
Do you think we should incorporate moustaches? | 0:58:14 | 0:58:16 | |
Do you know, I was just saying, no-one is doing it. | 0:58:16 | 0:58:18 | |
No-one is doing it where we're from. | 0:58:18 | 0:58:20 | |
I think moustaches are the way to go. | 0:58:20 | 0:58:22 |