Browse content similar to St Louis to Jefferson City, Missouri. Check below for episodes and series from the same categories and more!
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I have crossed the Atlantic to ride the railroads of North America with | 0:00:03 | 0:00:07 | |
my reliable Appletons' guide. | 0:00:07 | 0:00:09 | |
Published in the late 19th century, Appletons' general guide to | 0:00:12 | 0:00:17 | |
North America will direct me to all that's novel... | 0:00:17 | 0:00:20 | |
beautiful... | 0:00:20 | 0:00:22 | |
memorable... | 0:00:22 | 0:00:23 | |
and striking... | 0:00:23 | 0:00:25 | |
in the United States. | 0:00:25 | 0:00:26 | |
INDISTINCT SHOUTING | 0:00:26 | 0:00:28 | |
As I journey across this vast continent, | 0:00:28 | 0:00:30 | |
I'll discover how pioneers and cowboys conquered the West... | 0:00:30 | 0:00:36 | |
and how the railroads tied this nation together, | 0:00:36 | 0:00:39 | |
helping to create the global superstate of today. | 0:00:39 | 0:00:43 | |
Through breathtaking scenery, where I'll encounter magnificent beasts, | 0:01:03 | 0:01:08 | |
mimic fearless explorers and witness distinctive customs, | 0:01:08 | 0:01:13 | |
I'll travel 1,500 miles, | 0:01:13 | 0:01:15 | |
recapturing the excitement and promise of the American frontier. | 0:01:15 | 0:01:20 | |
I'm beginning a new American adventure, | 0:01:29 | 0:01:33 | |
striking out west into regions that would have been uncharted territory | 0:01:33 | 0:01:37 | |
for most readers of my Appletons' guide. | 0:01:37 | 0:01:40 | |
I'll be using the railroads that enabled the United States | 0:01:40 | 0:01:44 | |
in the 19th century to fulfil its so-called "manifest destiny", | 0:01:44 | 0:01:49 | |
to span the North American continent from the Atlantic to the Pacific. | 0:01:49 | 0:01:55 | |
I'll be following the tracks of intrepid men and women | 0:01:55 | 0:01:58 | |
who ventured forth, to discover the indelible mark that they left | 0:01:58 | 0:02:03 | |
on the culture and the landscape of the West. | 0:02:03 | 0:02:07 | |
My journey begins in St Louis, Missouri, | 0:02:12 | 0:02:15 | |
from where I head west, pursuing the route of the pioneers, | 0:02:15 | 0:02:18 | |
taking in Kansas City and Dodge City. | 0:02:18 | 0:02:22 | |
I'll stop at a surprising British outpost in Colorado Springs | 0:02:22 | 0:02:27 | |
before turning south to Hispanic Albuquerque in New Mexico. | 0:02:27 | 0:02:32 | |
My journey will end at Arizona's awe-inspiring Grand Canyon. | 0:02:32 | 0:02:36 | |
Today I'm exploring in and around the city of St Louis, | 0:02:39 | 0:02:42 | |
on the great Mississippi river, | 0:02:42 | 0:02:45 | |
before heading west to Washington, Missouri. | 0:02:45 | 0:02:47 | |
From there, I'll travel to the very German Hermann, | 0:02:47 | 0:02:51 | |
and finish in the state capital, Jefferson City. | 0:02:51 | 0:02:55 | |
On my travels, I marvel at America's monument to the West. | 0:02:58 | 0:03:02 | |
It is absolutely astonishing. | 0:03:04 | 0:03:06 | |
But when you get beneath it, you can't believe the scale of it. | 0:03:06 | 0:03:10 | |
I learn of the expedition which explored new lands, | 0:03:10 | 0:03:14 | |
but had devastating consequences. | 0:03:14 | 0:03:17 | |
In the decades that followed, it meant the demise of the native Americans | 0:03:17 | 0:03:20 | |
and their way of life. It soon disappeared. | 0:03:20 | 0:03:23 | |
I try my hand on a pipe production line. | 0:03:23 | 0:03:27 | |
We're on a roll now! | 0:03:27 | 0:03:29 | |
Little bit of finger in that one. | 0:03:29 | 0:03:30 | |
And enjoy the merry traditions of the Midwest's German settlers. | 0:03:31 | 0:03:36 | |
-Eins! -Eins! -Zwei! -Zwei! | 0:03:36 | 0:03:39 | |
Drei! | 0:03:39 | 0:03:40 | |
-Zicke zacke zicke zacke... -Oi! Oi! Oi! | 0:03:40 | 0:03:43 | |
PLAYS FINAL CHORDS | 0:03:43 | 0:03:45 | |
I'm in the great metropolis of St Louis, | 0:03:58 | 0:04:01 | |
named in honour of King Louis IX of France, | 0:04:01 | 0:04:04 | |
who was canonised. It was founded by French fur traders | 0:04:04 | 0:04:08 | |
in 1764 on the western side of the Mississippi river. | 0:04:08 | 0:04:13 | |
After the city became part of the United States, | 0:04:13 | 0:04:17 | |
it formed "the gateway to the west". | 0:04:17 | 0:04:19 | |
I'm now riding the MetroLink in St Louis. | 0:04:24 | 0:04:27 | |
Appletons' explains the city's key position. | 0:04:27 | 0:04:30 | |
"Situated almost in the centre of the great valley of the Mississippi, | 0:04:30 | 0:04:34 | |
"20 miles below the entrance of the Missouri." | 0:04:34 | 0:04:38 | |
The rivers were the original highways of the United States, | 0:04:38 | 0:04:42 | |
but the Mississippi presented a formidable natural barrier. | 0:04:42 | 0:04:46 | |
And St Louis was the crossing point | 0:04:46 | 0:04:49 | |
for thousands who dreamed of a new life out west. | 0:04:49 | 0:04:53 | |
As the railroad struck out across America, | 0:05:05 | 0:05:08 | |
the mighty Mississippi was a colossal moat, | 0:05:08 | 0:05:11 | |
denying access to the territory beyond. | 0:05:11 | 0:05:14 | |
I'm meeting park ranger Don Schwarzberger | 0:05:14 | 0:05:18 | |
to find out how it was overcome. | 0:05:18 | 0:05:20 | |
Don, my Appletons' is quite excited about this bridge. | 0:05:23 | 0:05:26 | |
"The great St Louis bridge across the Mississippi | 0:05:26 | 0:05:28 | |
"from Washington Avenue to a corresponding point in East St Louis | 0:05:28 | 0:05:32 | |
is regarded as one of the greatest triumphs of American engineering. | 0:05:32 | 0:05:36 | |
Designed by James B Eads, completed in 1874. | 0:05:36 | 0:05:41 | |
Is it a great triumph of American engineering? | 0:05:41 | 0:05:43 | |
We believe it is, because a bridge like this | 0:05:43 | 0:05:46 | |
would never have been made out of cast steel. | 0:05:46 | 0:05:49 | |
And plus, the design itself had never been tried before. | 0:05:49 | 0:05:53 | |
James Buchanan Eads was a civil engineer from St Louis | 0:05:55 | 0:05:59 | |
who was largely self-educated. | 0:05:59 | 0:06:01 | |
What experience did Eads have of building bridges? | 0:06:03 | 0:06:06 | |
He had no experience of building bridges. | 0:06:06 | 0:06:08 | |
He was used to building hotels and buildings, | 0:06:08 | 0:06:11 | |
and when he heard about the dilemma they had here in St Louis, | 0:06:11 | 0:06:15 | |
he decided, "I'm going to build a bridge | 0:06:15 | 0:06:17 | |
"that's going to make St Louis accessible from the east." | 0:06:17 | 0:06:21 | |
And the bridge that he built was an engineering first - | 0:06:21 | 0:06:25 | |
the longest arch bridge in the world, | 0:06:25 | 0:06:27 | |
and one of the first to carry railroad tracks. | 0:06:27 | 0:06:30 | |
To combat the Mississippi's strong currents, | 0:06:30 | 0:06:33 | |
it had to be anchored into the bedrock | 0:06:33 | 0:06:35 | |
over 100 feet beneath the river, | 0:06:35 | 0:06:38 | |
deeper than ever before attempted. | 0:06:38 | 0:06:41 | |
And the public was anxious. | 0:06:41 | 0:06:43 | |
Now, the bridge was innovative. | 0:06:44 | 0:06:46 | |
-There was literally a fear, was there, that it wouldn't work? -Yes. | 0:06:46 | 0:06:49 | |
Because of the structure and the way it was designed, | 0:06:49 | 0:06:51 | |
everybody was sceptical that it would not hold up, | 0:06:51 | 0:06:54 | |
so James Buchanan Eads, three days after the bridge was finished, | 0:06:54 | 0:06:59 | |
before it was to be opened on 4 July, | 0:06:59 | 0:07:02 | |
he took an elephant from the local circus | 0:07:02 | 0:07:05 | |
and decided to walk it across the bridge to prove to everybody | 0:07:05 | 0:07:09 | |
that it would hold, because folklore has it | 0:07:09 | 0:07:12 | |
that an elephant would not cross an unstable surface. | 0:07:12 | 0:07:17 | |
Don, do you know, I believe if I'd been asked to cross the Mississippi | 0:07:17 | 0:07:21 | |
on a bridge built by someone who'd never built a bridge before, | 0:07:21 | 0:07:24 | |
I'd be a bit sceptical too! | 0:07:24 | 0:07:25 | |
Throughout the 19th century, | 0:07:30 | 0:07:32 | |
Eads Bridge was the icon of the city. | 0:07:32 | 0:07:36 | |
But in the 20th, it would be rivalled | 0:07:36 | 0:07:38 | |
by another superb feat of engineering. | 0:07:38 | 0:07:41 | |
The Gateway Arch was completed in 1965 | 0:07:47 | 0:07:51 | |
to commemorate St Louis' role as the gateway to the west. | 0:07:51 | 0:07:57 | |
It is absolutely astonishing. I've seen it, you know, | 0:07:58 | 0:08:01 | |
around the city, but when you get beneath it, | 0:08:01 | 0:08:04 | |
you can't believe the scale of it. | 0:08:04 | 0:08:05 | |
This must be the biggest monument in the United States. | 0:08:05 | 0:08:08 | |
It is the tallest free-standing monument in the United States, | 0:08:08 | 0:08:12 | |
at 630 feet. | 0:08:12 | 0:08:13 | |
To my delight, the way to ascend the highest monument in the country | 0:08:18 | 0:08:22 | |
is by train, running inside the arch. | 0:08:22 | 0:08:25 | |
'Doors are now closing.' | 0:08:27 | 0:08:28 | |
-Are you ready for a four-minute ride to the top? -I can't wait. | 0:08:28 | 0:08:31 | |
We've accelerated. And now this is just like an elevator. | 0:08:31 | 0:08:34 | |
-Yes. -We're going up pretty much vertically. | 0:08:34 | 0:08:37 | |
What a fantastic piece of engineering this is. | 0:08:37 | 0:08:41 | |
This is really exciting. | 0:08:41 | 0:08:42 | |
I think this is the darnedest machine I've ever been in. | 0:08:44 | 0:08:48 | |
And from the top, I'm rewarded with a fabulous view. | 0:08:50 | 0:08:54 | |
Well, this is like no building I have ever been in, | 0:08:55 | 0:08:59 | |
because here, you lean right out to get the view below. | 0:08:59 | 0:09:04 | |
As you lean down, you can see the people directly below, | 0:09:04 | 0:09:08 | |
and to say that they look like ants would be an exaggeration. | 0:09:08 | 0:09:11 | |
They look much smaller. | 0:09:11 | 0:09:13 | |
Whoa! | 0:09:13 | 0:09:15 | |
St Louis became the gateway to the west because of geography. | 0:09:18 | 0:09:22 | |
To understand its critical location, I'm taking to the skies. | 0:09:22 | 0:09:27 | |
This map in my Appletons' shows why St Louis | 0:09:52 | 0:09:55 | |
is so important. Here is the city, | 0:09:55 | 0:09:57 | |
standing on the west of the Mississippi river. | 0:09:57 | 0:10:01 | |
And just to the north of the city, the great Missouri river enters. | 0:10:01 | 0:10:05 | |
And in a few moments, I'll be at the point where the waters meet. | 0:10:05 | 0:10:09 | |
The Mississippi cuts through the United States from north to south, | 0:10:11 | 0:10:15 | |
and the Missouri flows in from the west. | 0:10:15 | 0:10:18 | |
In the era before the transcontinental railroads, | 0:10:18 | 0:10:20 | |
these were the nation's transport and trade arteries. | 0:10:20 | 0:10:24 | |
When it comes to American rivers, | 0:10:25 | 0:10:27 | |
size matters. | 0:10:27 | 0:10:29 | |
The browner waters of the Missouri river have travelled 2,300 miles | 0:10:31 | 0:10:36 | |
from their source in the mountains of Montana | 0:10:36 | 0:10:39 | |
to reach here the waters of the Mississippi. | 0:10:39 | 0:10:42 | |
And yet, the Mississippi still has more than 1,000 miles to travel | 0:10:42 | 0:10:46 | |
before it reaches the sea in the Gulf of Mexico. | 0:10:46 | 0:10:49 | |
And it's on the banks of the Missouri river | 0:11:02 | 0:11:04 | |
that I'm making my next stop. | 0:11:04 | 0:11:06 | |
At the turn of the 19th century, | 0:11:07 | 0:11:09 | |
this was French territory known as Louisiana. | 0:11:09 | 0:11:12 | |
It bordered the United States, | 0:11:14 | 0:11:16 | |
whose third president was Thomas Jefferson. | 0:11:16 | 0:11:19 | |
To find out how there came to be | 0:11:21 | 0:11:23 | |
an American west for the pioneers to conquer, | 0:11:23 | 0:11:26 | |
I'm meeting Jan Donaldson. | 0:11:26 | 0:11:28 | |
Jan, my Appletons' remarks in 1803, all the territory | 0:11:32 | 0:11:36 | |
then known as Louisiana was ceded to the United States. | 0:11:36 | 0:11:39 | |
Ceded by whom, and what did the territory really consist of? | 0:11:39 | 0:11:43 | |
Well, the Louisiana territory was a large piece of... | 0:11:43 | 0:11:49 | |
Real estate of the day. It was ceded by Napoleon of France, | 0:11:49 | 0:11:53 | |
who needed money to finance his wars in Europe. | 0:11:53 | 0:11:56 | |
And, of course, Jefferson was interested in buying. | 0:11:56 | 0:12:00 | |
It consisted of Louisiana, Oklahoma, Arkansas, Missouri, | 0:12:00 | 0:12:05 | |
Kansas, Iowa, Nebraska, North Dakota, South Dakota, | 0:12:05 | 0:12:09 | |
Wyoming and Montana. | 0:12:09 | 0:12:12 | |
A simply vast amount of territory. | 0:12:12 | 0:12:14 | |
I mean, it would take up much of the map of Europe. | 0:12:14 | 0:12:17 | |
It must have doubled the size of the United States? | 0:12:17 | 0:12:19 | |
It more than doubled the size of the United States. | 0:12:19 | 0:12:21 | |
Known as the Louisiana Purchase, the territory turned out to | 0:12:22 | 0:12:26 | |
be 828,000 square miles for which the United States paid 15 million. | 0:12:26 | 0:12:34 | |
One of the best real estate deals of all time. | 0:12:34 | 0:12:37 | |
Did Napoleon understand, did Thomas Jefferson understand, | 0:12:39 | 0:12:43 | |
what was involved in the purchase? | 0:12:43 | 0:12:44 | |
They did not. | 0:12:44 | 0:12:46 | |
There was a map of that day which only showed the tributaries | 0:12:46 | 0:12:51 | |
and the Missouri River going up to about where Nebraska is now. | 0:12:51 | 0:12:54 | |
So, that Matt did not even show everything that they were | 0:12:54 | 0:12:59 | |
buying, or that Napoleon was selling. | 0:12:59 | 0:13:01 | |
To find out exactly what he had bought, | 0:13:03 | 0:13:05 | |
Thomas Jefferson decided to put together an expedition to be | 0:13:05 | 0:13:08 | |
to be led by Captain Meriwether Lewis and Lt William Clark. | 0:13:08 | 0:13:13 | |
Jan and his team re-enact this historic voyage in a magnificent | 0:13:13 | 0:13:17 | |
and exact replica of the original keelboat used by Lewis and Clark. | 0:13:17 | 0:13:22 | |
Jan, that is, I think, | 0:13:23 | 0:13:24 | |
one of the most beautiful boats that I've ever seen. | 0:13:24 | 0:13:27 | |
Tell me about that. | 0:13:27 | 0:13:29 | |
It's 55 feet long. A cedar hull on the outside. | 0:13:29 | 0:13:32 | |
Oak ribs on the inside. It's got a bridge and so forth. | 0:13:32 | 0:13:36 | |
It carries a lot of cargo. It only draughts only about 30 inches. | 0:13:36 | 0:13:40 | |
We go up the river, and we'd like you to join us. | 0:13:40 | 0:13:43 | |
And we're going to put you in a set of whites and we're going to | 0:13:43 | 0:13:45 | |
go aboard. | 0:13:45 | 0:13:47 | |
Ready for action, Sir! | 0:13:47 | 0:13:49 | |
In May 1804, | 0:14:11 | 0:14:12 | |
Lewis and Clark set out with a corps of about 50 men to explore | 0:14:12 | 0:14:17 | |
the United States' newly-acquired lands. | 0:14:17 | 0:14:20 | |
Their task was to map the continent's interior, | 0:14:34 | 0:14:38 | |
collect specimens | 0:14:38 | 0:14:40 | |
and to make contact with the tribes of Native Americans. | 0:14:40 | 0:14:43 | |
On the boat today is 80-year-old Bob Plummer, | 0:14:46 | 0:14:49 | |
who's been making parts of this epic journey for 20 years. | 0:14:49 | 0:14:52 | |
You must have a pretty good idea of how fit men can be. | 0:14:55 | 0:14:58 | |
Would you say Lewis and Clark must've been very, | 0:14:58 | 0:15:01 | |
-very special kind of guys? -Very. | 0:15:01 | 0:15:02 | |
Yeah, they were in good shape and they were in a lot better shape when | 0:15:02 | 0:15:05 | |
they started rowing up this river. | 0:15:05 | 0:15:07 | |
They actually cordelled more than they rowed. | 0:15:07 | 0:15:09 | |
They had men ashore with ropes over their shoulder | 0:15:09 | 0:15:12 | |
and pulled the boat up. | 0:15:12 | 0:15:13 | |
Problem was their feet would get so sore they'd lose their moccasins, | 0:15:13 | 0:15:16 | |
so they had to go barefoot, | 0:15:16 | 0:15:18 | |
and their feet was cut all the time. | 0:15:18 | 0:15:20 | |
It was a journey full of hardships and dangers, and the expedition | 0:15:23 | 0:15:27 | |
relied on help from the tribes that they met. | 0:15:27 | 0:15:30 | |
What contact did they have with the Native Americans? | 0:15:31 | 0:15:34 | |
Well, everywhere they visited the Native Americans, | 0:15:35 | 0:15:38 | |
they made contact on direction of President Jefferson. | 0:15:38 | 0:15:42 | |
And it was to exchange gifts and exchange information and make a pact | 0:15:42 | 0:15:48 | |
of friendship, because that's what it was, | 0:15:48 | 0:15:50 | |
it was an outreach to the Native Americans that had, | 0:15:50 | 0:15:52 | |
some of them, never seen a white man before. | 0:15:52 | 0:15:55 | |
They travelled to the source of the Missouri River before taking to | 0:15:59 | 0:16:03 | |
horseback to cross the daunting Rocky Mountains. | 0:16:03 | 0:16:06 | |
One year and 4,000 miles since they'd left St Louis, | 0:16:08 | 0:16:12 | |
the expedition reached the Pacific Ocean in November 1805. | 0:16:12 | 0:16:16 | |
Their maps and journals were indispensable | 0:16:18 | 0:16:20 | |
for settlers going west. | 0:16:20 | 0:16:22 | |
Am I right that you actually are a descendant of William Clark? | 0:16:28 | 0:16:32 | |
William Clark is my great-great-great-grandfather. | 0:16:32 | 0:16:35 | |
What do you think of the achievements of Lewis and Clark? | 0:16:35 | 0:16:38 | |
Well, certainly the most significant achievement is finding a feasible | 0:16:39 | 0:16:44 | |
route to the Pacific and opening the door to Western expansion. | 0:16:44 | 0:16:47 | |
I think for the Native Americans | 0:16:47 | 0:16:50 | |
it marks a point in time when their lives as they knew them were facing | 0:16:50 | 0:16:56 | |
the beginning of the end. | 0:16:56 | 0:16:57 | |
In the decades that followed Lewis and Clark, | 0:16:57 | 0:16:59 | |
it meant for the demise of the Native Americans | 0:16:59 | 0:17:02 | |
-and their way of life would soon disappear. -Yes. | 0:17:02 | 0:17:05 | |
After my exertions on the River, I'm keen for a comfortable bed tonight | 0:17:28 | 0:17:33 | |
and in St Louis there's one obvious place for me to stay. | 0:17:33 | 0:17:36 | |
At the time of my guidebook, this was a magnificent, | 0:17:44 | 0:17:47 | |
opulent and busy railway terminal, | 0:17:47 | 0:17:50 | |
but today Union Station is a hotel. | 0:17:50 | 0:17:52 | |
Darlene Menietti is the resident historian. | 0:18:00 | 0:18:03 | |
-Darlene. -Welcome to Union Station. | 0:18:06 | 0:18:08 | |
This is absolutely fantastic. | 0:18:08 | 0:18:10 | |
This must've been one of the great railroad stations of America. | 0:18:10 | 0:18:14 | |
Oh, exactly, and what you see today is the way it was in 1894. | 0:18:14 | 0:18:18 | |
Why did St Louis merit a station of such grandeur? | 0:18:18 | 0:18:21 | |
Oh, simply because this was the place first to the west | 0:18:21 | 0:18:24 | |
of the Mississippi. It married the east to the west. | 0:18:24 | 0:18:27 | |
Up until that time we didn't have anything that, | 0:18:27 | 0:18:30 | |
other than Chicago of course, that would tie the country together. | 0:18:30 | 0:18:33 | |
When opened it was the largest and most ornate terminal | 0:18:36 | 0:18:39 | |
in the United States. | 0:18:39 | 0:18:42 | |
The last commuter service pulled out of Union Station in 1978 | 0:18:42 | 0:18:46 | |
and, in honour of those railroads, | 0:18:46 | 0:18:48 | |
I'm trying a coffee and almond liqueur cocktail | 0:18:48 | 0:18:51 | |
known as a Union Pacific. | 0:18:51 | 0:18:53 | |
-Here you are. -Ooh, thank you. | 0:18:55 | 0:18:58 | |
You're very welcome. | 0:18:58 | 0:19:00 | |
Our Union Station signature drink. | 0:19:00 | 0:19:02 | |
Cheers. | 0:19:02 | 0:19:04 | |
Cheers! | 0:19:04 | 0:19:05 | |
Choo-choo! | 0:19:08 | 0:19:09 | |
It's a new morning in St Louis and, led by my Appleton's guide, | 0:19:32 | 0:19:36 | |
I've more exploring to do. | 0:19:36 | 0:19:38 | |
In this big city, I'm hoping to discover some tranquillity. | 0:19:45 | 0:19:48 | |
Appleton's draws my attention to Shaw's Garden, | 0:19:56 | 0:19:59 | |
"Which Henry Shaw has opened to the public | 0:19:59 | 0:20:02 | |
"and intends as a gift for the city." | 0:20:02 | 0:20:06 | |
This far west, I expected tumbleweed and cactus, not a bed of roses. | 0:20:06 | 0:20:11 | |
'The Missouri Botanical Gardens are like an oasis | 0:20:16 | 0:20:19 | |
'in the heart of the city. | 0:20:19 | 0:20:21 | |
'The gardens' president, Peter Wyse Jackson, | 0:20:21 | 0:20:24 | |
'came here in 2010 after working at the botanical gardens | 0:20:24 | 0:20:28 | |
'of Trinity College, Dublin.' | 0:20:28 | 0:20:29 | |
Peter, my Appleton's says, | 0:20:32 | 0:20:35 | |
"The herbaceous and flower garden, embracing ten acres, contains almost | 0:20:35 | 0:20:39 | |
"every flower that can be grown at this latitude. | 0:20:39 | 0:20:42 | |
"There are several greenhouses | 0:20:42 | 0:20:43 | |
"with thousands of exotic and tropical plants." | 0:20:43 | 0:20:46 | |
I was expecting the Wild West. | 0:20:46 | 0:20:48 | |
This sounds like, I don't know, Great Britain. | 0:20:48 | 0:20:51 | |
Well, Henry Shaw really created the garden | 0:20:51 | 0:20:55 | |
to be what he remembered from his childhood because, of course, | 0:20:55 | 0:20:59 | |
he was an Englishman. He was born in Sheffield in 1800. | 0:20:59 | 0:21:04 | |
And when Shaw began, what was here? | 0:21:04 | 0:21:07 | |
All that was here was prairie. | 0:21:08 | 0:21:11 | |
There wasn't a single tree on all of the land that he owned. | 0:21:11 | 0:21:15 | |
Was Shaw interested in the botany of America, | 0:21:15 | 0:21:20 | |
the samples coming back from the west? | 0:21:20 | 0:21:22 | |
Yes, indeed. He certainly grew a large number of specimens | 0:21:22 | 0:21:26 | |
in the garden from places in the US but, equally, | 0:21:26 | 0:21:29 | |
he was growing plants from all round the world. | 0:21:29 | 0:21:32 | |
Having made his money in the cutlery business, | 0:21:35 | 0:21:37 | |
Henry Shaw decided to use his fortune to cultivate | 0:21:37 | 0:21:41 | |
the prairie land and created these abundant gardens. | 0:21:41 | 0:21:44 | |
Inspired by that pioneering spirit, | 0:21:46 | 0:21:48 | |
the gardens later developed a Climatron, | 0:21:48 | 0:21:52 | |
the world's first geodesic dome greenhouse, | 0:21:52 | 0:21:55 | |
which today houses around 7,000 species. | 0:21:55 | 0:21:58 | |
Many of the plants that are grown in the Climatron are either | 0:22:02 | 0:22:05 | |
very rare or some of them are endangered. | 0:22:05 | 0:22:07 | |
Indeed, we have some species that are extinct in the wild. | 0:22:07 | 0:22:10 | |
We aim to have as complete a reference collection of the world's | 0:22:10 | 0:22:15 | |
plants, both preserved specimens and DNA for our DNA bank. | 0:22:15 | 0:22:20 | |
And maybe you could help us today. | 0:22:20 | 0:22:22 | |
-By going up there? -Yes, indeed. | 0:22:22 | 0:22:23 | |
You look like a fit man who could do that. | 0:22:23 | 0:22:27 | |
Here we go. | 0:22:27 | 0:22:28 | |
'The huge range of plant specimens in the garden | 0:22:29 | 0:22:32 | |
'acts as a reserve for the conservation of species.' | 0:22:32 | 0:22:36 | |
Lovely sample there. | 0:22:40 | 0:22:43 | |
And now a sample of leaf. | 0:22:43 | 0:22:45 | |
A couple of leaves and two beautiful fruit. | 0:22:45 | 0:22:49 | |
-Now, what will you do with that? -We will test to see whether these are | 0:22:49 | 0:22:52 | |
ripe and whether we can add these to the seed bank. The leaves | 0:22:52 | 0:22:56 | |
we'll make into a DNA sample, which will go into our DNA bank. | 0:22:56 | 0:23:00 | |
'Housed in the garden's herbarium, what began as a collection | 0:23:05 | 0:23:09 | |
'of 60,000 specimens in the 1850s, has now grown to over six million.' | 0:23:09 | 0:23:15 | |
Jim, this is an extraordinary facility that you have here. | 0:23:17 | 0:23:21 | |
When there was a great push to the West after the Louisiana Purchase | 0:23:21 | 0:23:25 | |
were lots of interesting specimens being found then | 0:23:25 | 0:23:28 | |
and were they being brought back to St Louis? | 0:23:28 | 0:23:30 | |
Yes. That is definitely true. | 0:23:30 | 0:23:33 | |
In the time of exploration, St Louis was the jumping off point | 0:23:33 | 0:23:37 | |
for all of the major military expeditions that went west. | 0:23:37 | 0:23:41 | |
Plants that they collected were sent here to St Louis. | 0:23:41 | 0:23:45 | |
Here are a couple of specimens from the 19th century. | 0:23:45 | 0:23:48 | |
These are two examples of what is called bluestem here. | 0:23:48 | 0:23:53 | |
This is one of the famous grasses, if you've ever read | 0:23:53 | 0:23:56 | |
any early descriptions of the prairies of this part of the world | 0:23:56 | 0:24:01 | |
you hear about people, men on horseback, | 0:24:01 | 0:24:04 | |
not being able to see over the tops of the grasses | 0:24:04 | 0:24:08 | |
and big bluestem is one of those that grows to 2m-2.5m tall. | 0:24:08 | 0:24:13 | |
Unfortunately, in this day, | 0:24:14 | 0:24:16 | |
most of these native grasslands have disappeared | 0:24:16 | 0:24:19 | |
because they were converted into agricultural lands. | 0:24:19 | 0:24:23 | |
-Is conservation a big part of what you do today? -Oh, most definitely. | 0:24:23 | 0:24:27 | |
As usual I am hungry | 0:24:41 | 0:24:43 | |
and I've been looking forward to sampling | 0:24:43 | 0:24:45 | |
a St Louis speciality dating back to the 1930s. | 0:24:45 | 0:24:48 | |
So, this is gooey butter cake and basically, | 0:24:55 | 0:24:57 | |
what it is...is it is a dense yellow cake crust | 0:24:57 | 0:25:02 | |
and the filling is cream cheese, butter and powdered sugar. | 0:25:02 | 0:25:05 | |
So it was actually made in error by a baker here in St Louis. | 0:25:05 | 0:25:09 | |
They were making a deep butter cake and they reversed the flour | 0:25:09 | 0:25:12 | |
and sugar ingredients. | 0:25:12 | 0:25:13 | |
And so, when they did that, the cake did not rise properly, | 0:25:13 | 0:25:17 | |
so the baker's wife tried it and said, do you know what? | 0:25:17 | 0:25:19 | |
It's awfully good. | 0:25:19 | 0:25:21 | |
It was very gooey, | 0:25:21 | 0:25:22 | |
so the deep butter cake became gooey butter cake. | 0:25:22 | 0:25:25 | |
I definitely have to try it. | 0:25:25 | 0:25:26 | |
We should start here with the traditional, since you've never had it before. | 0:25:26 | 0:25:29 | |
Can I have a cappuccino and a traditional... | 0:25:29 | 0:25:31 | |
-Gooey butter cake, please? Thank you. -Of course. | 0:25:31 | 0:25:34 | |
Thank you. | 0:25:42 | 0:25:43 | |
Oh! | 0:25:52 | 0:25:53 | |
Boy, that is good. | 0:25:53 | 0:25:55 | |
Naughty but very nice! | 0:25:55 | 0:25:57 | |
Between 1830 and 1870, the population of St Louis exploded. | 0:26:25 | 0:26:31 | |
Multiplying by 60 times. | 0:26:31 | 0:26:34 | |
Coping with such growth presented many challenges, | 0:26:34 | 0:26:37 | |
not least how to supply clean water. | 0:26:37 | 0:26:40 | |
Appleton's tells me that the city waterworks are situated 3.5 miles | 0:26:44 | 0:26:49 | |
north of the courthouse. | 0:26:49 | 0:26:51 | |
"The two pumping engines, | 0:26:51 | 0:26:53 | |
"each with a capacity of 17 million gallons a day, are worth seeing | 0:26:53 | 0:26:58 | |
"and are open to visitors at all times." | 0:26:58 | 0:27:01 | |
By the time of my guidebook, St Louis had become an enormous city. | 0:27:01 | 0:27:05 | |
With the Missouri and the Mississippi, there was water, water, | 0:27:05 | 0:27:09 | |
all around, but there might have been scarcely a drop to drink | 0:27:09 | 0:27:13 | |
but for human ingenuity. | 0:27:13 | 0:27:15 | |
In the 1840s and '50s, as the population boomed, | 0:27:23 | 0:27:27 | |
St Louis was struck by cholera. | 0:27:27 | 0:27:29 | |
Desperate to provide a safe water supply, the city board turned to | 0:27:30 | 0:27:34 | |
a talented railway engineer, James P Kirkwood, | 0:27:34 | 0:27:38 | |
to design a new city waterworks. | 0:27:38 | 0:27:40 | |
Today Pat Baldera is in charge of the 19th-century Chain of Rocks | 0:27:43 | 0:27:48 | |
water-treatment plant. He's going to show me how it used to work, | 0:27:48 | 0:27:52 | |
starting at these now disused intake towers in the middle of the river. | 0:27:52 | 0:27:57 | |
Ah! | 0:28:08 | 0:28:10 | |
One half bucket of Mississippi water. | 0:28:10 | 0:28:12 | |
Now, sir, would you care to drink that? | 0:28:13 | 0:28:15 | |
Mmm, bit brown, isn't it? | 0:28:15 | 0:28:17 | |
That's the famous sediment, is it? | 0:28:17 | 0:28:19 | |
Yes, you know, Mark Twain said you could tell the difference between | 0:28:19 | 0:28:22 | |
a St Louis man and an outsider because the outsider would try | 0:28:22 | 0:28:25 | |
to drink off the top | 0:28:25 | 0:28:27 | |
but a man from St Louis would stir up the sediment | 0:28:27 | 0:28:29 | |
and chuck the whole thing down. | 0:28:29 | 0:28:32 | |
Probably thinking that the sediment was good for you. | 0:28:32 | 0:28:35 | |
I'm going to confine the sediment to the Mississippi. | 0:28:35 | 0:28:38 | |
Here on the eastern shores of the river, | 0:28:48 | 0:28:50 | |
James Kirkwood designed a plant to rid the water of its sediment | 0:28:50 | 0:28:54 | |
and to purify it by filtering it through sand. | 0:28:54 | 0:28:58 | |
Today the plant operates on the same basic principle. | 0:29:00 | 0:29:03 | |
Now, I believe that in St Louis you pride yourselves on your water. | 0:29:13 | 0:29:17 | |
Yes, we consider ourselves to have the best water in the country | 0:29:17 | 0:29:20 | |
and I'd like to prove that to you by maybe taking a blind taste test. | 0:29:20 | 0:29:23 | |
-Yes, sure. -All right, so, if I could get you to turn around, | 0:29:23 | 0:29:25 | |
I'll prepare you one sample with traditional bottled water | 0:29:25 | 0:29:29 | |
and one sample right from the filter plant here. | 0:29:29 | 0:29:31 | |
OK. No peeping, I promise. | 0:29:31 | 0:29:33 | |
All right, Michael. | 0:29:40 | 0:29:41 | |
Thank you very much. | 0:29:43 | 0:29:44 | |
Mmm. | 0:29:50 | 0:29:52 | |
I'm going to say this one is from the Mississippi. | 0:29:52 | 0:29:55 | |
-Am I right? -You're right. | 0:29:55 | 0:29:56 | |
Do you know why? | 0:29:56 | 0:29:57 | |
-It's a little bit softer on the palate. -OK. | 0:29:57 | 0:30:00 | |
It's kind of actually more interesting as a water. | 0:30:00 | 0:30:03 | |
-Very pure. Well done. -There may be just a little bit of Mark Twain's | 0:30:04 | 0:30:07 | |
sediment still left in there. | 0:30:07 | 0:30:09 | |
MICHAEL LAUGHS I hope so! | 0:30:09 | 0:30:11 | |
'This morning, I'm leaving behind the big city buzz of St Louis, | 0:30:29 | 0:30:33 | |
'and, like so many before me, I'm heading out West.' | 0:30:33 | 0:30:38 | |
Good morning. | 0:30:38 | 0:30:39 | |
I'm going to Washington, Missouri. | 0:30:39 | 0:30:42 | |
35. | 0:30:42 | 0:30:43 | |
There you go. | 0:30:47 | 0:30:48 | |
Thank you very much indeed. | 0:30:48 | 0:30:51 | |
Platform B, at 9:15 . We start boarding at nine o'clock. | 0:30:51 | 0:30:55 | |
Thank you very much. | 0:30:55 | 0:30:57 | |
Thank you. | 0:30:57 | 0:30:58 | |
'I'm taking the Missouri River Runner service, | 0:30:59 | 0:31:02 | |
'which follows the banks of the river for over 80 miles.' | 0:31:02 | 0:31:05 | |
Morning, sir, I'll get your ticket, please. | 0:31:10 | 0:31:13 | |
I'm getting off at Washington, Missouri? | 0:31:13 | 0:31:15 | |
Washington, Missouri, all right. Got you covered, have a good trip. | 0:31:15 | 0:31:18 | |
-Thank you very much. -Thank you. | 0:31:18 | 0:31:20 | |
Today I'll visit the birthplace of a rural icon in Washington. | 0:31:30 | 0:31:34 | |
From there, I'll continue onto the German community of Hermann, | 0:31:34 | 0:31:38 | |
before arriving at the Missouri state capital, Jefferson City. | 0:31:38 | 0:31:41 | |
My first stop will be Washington, Missouri, | 0:31:49 | 0:31:52 | |
which Appleton's tells me is a "prosperous and handsome town". | 0:31:52 | 0:31:57 | |
I want to discover how the Europeans encountering an American crop | 0:31:57 | 0:32:01 | |
found a corny way of fulfilling their pipe dreams. | 0:32:01 | 0:32:05 | |
'I'm travelling on the tracks of the very first railroad to operate west | 0:32:10 | 0:32:14 | |
'of the Mississippi, the Pacific Railroad. | 0:32:14 | 0:32:17 | |
'Following the course of the Missouri River, | 0:32:17 | 0:32:19 | |
'it was built to connect early immigrant settlements and to promote | 0:32:19 | 0:32:23 | |
'further colonisation.' | 0:32:23 | 0:32:25 | |
-Thank you very much. -You're welcome. -Bye-bye now. | 0:32:25 | 0:32:27 | |
'The railroad arrived in Washington, Missouri, | 0:32:33 | 0:32:35 | |
'in 1855 and helped to make this town the world capital | 0:32:35 | 0:32:39 | |
'of a very particular product. | 0:32:39 | 0:32:41 | |
'I'm visiting the Missouri Meerschaum Company | 0:32:49 | 0:32:52 | |
'to meet Marilyn Lanning.' | 0:32:52 | 0:32:54 | |
-Hello, Marilyn. -Hello, Michael. Welcome. -Thank you very much. | 0:32:56 | 0:32:59 | |
-Wonderful historic building. -Oh, thank you. | 0:32:59 | 0:33:02 | |
This is actually the original building that we built in | 0:33:02 | 0:33:06 | |
the 1880s and it was built specifically for the corn cob pipe factory. | 0:33:06 | 0:33:11 | |
'In the 19th century, pipe smoking was widespread | 0:33:16 | 0:33:20 | |
'and in the rural Midwest, | 0:33:20 | 0:33:21 | |
'where there was an abundance of corn, | 0:33:21 | 0:33:23 | |
'farmers whittled pipes from their own crops. | 0:33:23 | 0:33:26 | |
'In 1869, Dutch immigrant woodworker Henry Tibbe started to make pipes | 0:33:28 | 0:33:34 | |
'for sale and, within a decade, went into mass production.' | 0:33:34 | 0:33:38 | |
Marilyn, how does the process of making a corncob pipe begin? | 0:33:41 | 0:33:46 | |
Well, once the cobs get to the factory, Michael, | 0:33:46 | 0:33:48 | |
they're separated into size. | 0:33:48 | 0:33:50 | |
Then they're cut on the saw into lengths for the size pipe | 0:33:50 | 0:33:54 | |
that they're making. | 0:33:54 | 0:33:55 | |
Then they come over here to Robert and he drills the tobacco holes | 0:33:55 | 0:33:59 | |
in the centre. | 0:33:59 | 0:34:01 | |
Then after that, they'll go over and they'll be shaped by Nathan. | 0:34:01 | 0:34:05 | |
There's a cutter head that shapes some of them. | 0:34:05 | 0:34:08 | |
So, some of this roughness on the outside is going to come off. | 0:34:08 | 0:34:10 | |
It will. Then the plaster is applied to the outside of the cob and this | 0:34:10 | 0:34:14 | |
was the part of the process that was patented by Henry Tibbe back in the 1870s. | 0:34:14 | 0:34:19 | |
And that's what made his pipes stand out from all the other local manufacturers. | 0:34:19 | 0:34:25 | |
Why would you want to cover the bowl in plaster of Paris? | 0:34:25 | 0:34:29 | |
Well, because it would give it a smoother appearance and maybe make | 0:34:29 | 0:34:33 | |
the pipe last a little longer and there were those people who thought | 0:34:33 | 0:34:37 | |
smoking a corncob pipe was a little bit hickish, | 0:34:37 | 0:34:40 | |
so it would kind of make them feel like they were a little more | 0:34:40 | 0:34:43 | |
aristocratic, perhaps, | 0:34:43 | 0:34:45 | |
if they were smoking something that didn't quite look as rural. | 0:34:45 | 0:34:49 | |
-Hi. -Hello. | 0:34:50 | 0:34:53 | |
Wow! You do those fast. | 0:34:53 | 0:34:55 | |
What have you got in the bowl there? | 0:34:55 | 0:34:56 | |
It's a white plaster. | 0:34:56 | 0:34:58 | |
It's almost the same type of plaster you'd use on a household wall. | 0:34:58 | 0:35:02 | |
Right. | 0:35:02 | 0:35:03 | |
Here's a cob that's natural. See how you've got all these holes? | 0:35:03 | 0:35:06 | |
-Yes. -It fills them holes in to make it smooth, | 0:35:06 | 0:35:10 | |
then you sand them down and then you put the plaster in the second time. | 0:35:10 | 0:35:16 | |
And then it gets sanded again, by the time it comes out here, | 0:35:16 | 0:35:19 | |
it's slick as glass. | 0:35:19 | 0:35:20 | |
Lovely. You keep going because I don't want your plaster to dry there. | 0:35:20 | 0:35:24 | |
Yeah, plaster will harden up on me. | 0:35:24 | 0:35:26 | |
In this factory, they produce, pack and ship about 5,000 pipes | 0:35:32 | 0:35:37 | |
a day for the home market and abroad. | 0:35:37 | 0:35:39 | |
May I ask you what you're doing? What part of the process is that? | 0:35:43 | 0:35:46 | |
This is the little black ferrule on the stem. | 0:35:46 | 0:35:51 | |
I'm putting this on the stem and then they'll put the bit into it. | 0:35:51 | 0:35:55 | |
Have you any idea how many of those you can do maybe in a day? | 0:35:55 | 0:35:58 | |
Probably a couple of thousand in an hour... | 0:35:58 | 0:36:01 | |
-In an hour? -In an hour. -Really? | 0:36:01 | 0:36:03 | |
There's couple of thousand in a tub and I can do a tub | 0:36:03 | 0:36:06 | |
-in a couple of hours. -Wow! | 0:36:06 | 0:36:09 | |
Do you mind if I have a little go at that? | 0:36:09 | 0:36:11 | |
-Show me how to do it. -This... | 0:36:11 | 0:36:14 | |
I set it in there and line it up and hit it once to get it started. | 0:36:14 | 0:36:20 | |
Then I hit it the second time to level it out. | 0:36:20 | 0:36:23 | |
-Two taps. -Yes. I always do two taps because the first one, | 0:36:23 | 0:36:28 | |
I'm afraid it's not really level, so with the second one, | 0:36:28 | 0:36:32 | |
-it levels it out more. -Well... | 0:36:32 | 0:36:34 | |
One end is thinner than the other. | 0:36:36 | 0:36:38 | |
It's narrower, yeah. | 0:36:38 | 0:36:39 | |
So I pop that over the ring... | 0:36:39 | 0:36:41 | |
One tap and another tap for luck. | 0:36:42 | 0:36:45 | |
-Yes. -That looks good. | 0:36:45 | 0:36:47 | |
We're on a roll now. A little bit of finger in that one. | 0:36:47 | 0:36:51 | |
Yeah. You'll soon be able to do 1,000. | 0:36:51 | 0:36:53 | |
Two taps and away to a pipe dream. | 0:36:57 | 0:37:01 | |
Excellent. | 0:37:01 | 0:37:02 | |
Manufactured just metres from the railroad station, | 0:37:11 | 0:37:14 | |
Henry Tibbe's pipes were exported across the country and the world. | 0:37:14 | 0:37:19 | |
Pipe connoisseurs Joe and Jim are aficionados of this icon of | 0:37:19 | 0:37:23 | |
the Midwest. | 0:37:23 | 0:37:24 | |
Jim, when is the ideal moment to enjoy a pipe? | 0:37:30 | 0:37:33 | |
You have to have time. | 0:37:33 | 0:37:34 | |
You shouldn't be disturbed by a telephone call or other people. | 0:37:35 | 0:37:40 | |
Typically for me it's after dinner, glass of wine. | 0:37:40 | 0:37:43 | |
The pipe you're holding now, is that a special pipe for you? | 0:37:43 | 0:37:46 | |
It's one that I use quite often. | 0:37:46 | 0:37:48 | |
We like to hunt and fish here in the Midwest and squirrel hunting happens | 0:37:48 | 0:37:52 | |
to be one of our hobbies. | 0:37:52 | 0:37:54 | |
-Squirrel? -Squirrel. | 0:37:54 | 0:37:56 | |
Yes, relative to the rat, yes. | 0:37:56 | 0:37:57 | |
Tree rats, actually. | 0:37:59 | 0:38:00 | |
But we consider them a food source here. | 0:38:00 | 0:38:03 | |
And my wife cooks a fantastic squirrel in gravy | 0:38:03 | 0:38:07 | |
and squirrel hunting is done where you go out into the woods | 0:38:07 | 0:38:10 | |
before sun up, sit under a tree, usually in the fall, | 0:38:10 | 0:38:14 | |
and it's kind of frosty and you light it up, it warms your hand. | 0:38:14 | 0:38:17 | |
Keeps your trigger finger warm. | 0:38:17 | 0:38:20 | |
Who have been famous pipe smokers in American history? | 0:38:20 | 0:38:23 | |
Well, General MacArthur, I would say. | 0:38:23 | 0:38:25 | |
He's right up there. | 0:38:25 | 0:38:27 | |
He had his long-stemmed pipe designed down here for him. | 0:38:28 | 0:38:33 | |
And they say he used to take it when he was giving orders and he'd | 0:38:33 | 0:38:37 | |
use it to point. But he had a long bowl where he could probably be able | 0:38:37 | 0:38:42 | |
to smoke it for a couple plus hours without refilling. | 0:38:42 | 0:38:44 | |
I guess he was a busy man. | 0:38:44 | 0:38:46 | |
-A pipe, a glass of wine. -Absolutely. | 0:38:48 | 0:38:51 | |
And squirrel with gravy. | 0:38:51 | 0:38:53 | |
Ha-ha-ha! | 0:38:53 | 0:38:55 | |
Throughout the 19th century, | 0:39:08 | 0:39:10 | |
European immigration to the United States gathered pace, | 0:39:10 | 0:39:13 | |
as groups from Europe fled troubles at home and were attracted to the | 0:39:13 | 0:39:17 | |
potential of America's new lands. | 0:39:17 | 0:39:21 | |
My next stop will be Hermann, Missouri, founded in 1836 | 0:39:21 | 0:39:25 | |
by the German settlement society to be a city that was German in every particular. | 0:39:25 | 0:39:31 | |
And you don't have to be here for long to discover that they | 0:39:31 | 0:39:34 | |
certainly achieved that. | 0:39:34 | 0:39:36 | |
In an area of hills and river valleys, the early German settlers | 0:39:39 | 0:39:44 | |
began cultivating a crop that reminded them of home. | 0:39:44 | 0:39:49 | |
I'm meeting Jon Held, whose winery was established in 1847. | 0:39:49 | 0:39:54 | |
John, you have spectacular views here down over the Missouri River | 0:39:56 | 0:40:01 | |
and I must say, they are quite reminiscent of what you might see in | 0:40:01 | 0:40:05 | |
the Rhine in Germany. Is there some connection? | 0:40:05 | 0:40:08 | |
Oh, you bet. The early settlers to Hermann selected this area because | 0:40:08 | 0:40:12 | |
it reminded them of home. | 0:40:12 | 0:40:13 | |
When did the cultivation of vines first start here? | 0:40:13 | 0:40:16 | |
Right about the time the city or the town of Hermann was founded. | 0:40:16 | 0:40:20 | |
And then it increased in production, hitting its peak around 1878, | 0:40:20 | 0:40:25 | |
but by that timeframe, there were over 60 wineries | 0:40:25 | 0:40:29 | |
in and around the town of Hermann. | 0:40:29 | 0:40:30 | |
I am afraid to say that I had not thought of Missouri as being | 0:40:30 | 0:40:33 | |
particularly a wine-producing area. | 0:40:33 | 0:40:36 | |
We tend to think of California. | 0:40:36 | 0:40:37 | |
How important was Missouri in its heyday? | 0:40:39 | 0:40:41 | |
During the peak in the 1870s, it was actually... | 0:40:41 | 0:40:45 | |
for one year, the largest producing state in the nation. | 0:40:45 | 0:40:48 | |
Is that so? Are you very aware of your Germans? | 0:40:48 | 0:40:51 | |
Absolutely. Living in Hermann, with the strong German heritage, | 0:40:51 | 0:40:55 | |
as well as the wine, the German cuisine, very strong German identity. | 0:40:55 | 0:41:00 | |
-What about the language? -Oh, the language died out with World War I. | 0:41:00 | 0:41:04 | |
An example, the town that my parents grew up in was called Potsdam. | 0:41:04 | 0:41:08 | |
But the day the US entered World War I, they changed the name | 0:41:08 | 0:41:11 | |
to Pershing, in honour of General Pershing. | 0:41:11 | 0:41:14 | |
The Feds really took a dim view of this town and they were | 0:41:14 | 0:41:18 | |
scrutinising for German sympathisers. | 0:41:18 | 0:41:22 | |
And that really killed that language out. | 0:41:22 | 0:41:25 | |
My grandparents spoke it in their home as children but then it stopped. | 0:41:25 | 0:41:29 | |
-Did that have an impact on wine growing? -It helped kill it. | 0:41:29 | 0:41:33 | |
Because they were looked so carefully at by the Feds, | 0:41:33 | 0:41:37 | |
they didn't attempt to do any sacramental wines, | 0:41:37 | 0:41:40 | |
which a lot of wineries in California were able to survive | 0:41:40 | 0:41:43 | |
prohibition by making communion wine or sacramental wine. | 0:41:43 | 0:41:47 | |
But with the German... | 0:41:47 | 0:41:48 | |
Anti-German sentiment here, they didn't attempt that. | 0:41:48 | 0:41:51 | |
-May we move on to the vineyard? -Oh, absolutely. -Thank you. | 0:41:51 | 0:41:54 | |
The railroads initially boosted the Missouri wine industry, | 0:41:58 | 0:42:02 | |
transporting its product across America, | 0:42:02 | 0:42:05 | |
but when the first transcontinental railroad reached California in 1869, | 0:42:05 | 0:42:10 | |
the West Coast wines offered formidable competition. | 0:42:10 | 0:42:13 | |
Where does this grape come from? | 0:42:16 | 0:42:18 | |
The predominant species is Vitus aestivalis, | 0:42:18 | 0:42:21 | |
which is a native American grape. | 0:42:21 | 0:42:23 | |
So very well adapted to this climate. | 0:42:23 | 0:42:26 | |
-Are you having a good year? -Oh, it's a great year. | 0:42:26 | 0:42:28 | |
It's a really warm season, adequate rainfall. | 0:42:28 | 0:42:31 | |
I think these are going to ripen into a really great vintage. | 0:42:31 | 0:42:34 | |
I think I'm going to ripen in this heat. | 0:42:34 | 0:42:36 | |
The heritage may be of the Rhine Valley, | 0:42:38 | 0:42:40 | |
but the grape varieties and the resulting wines are very different | 0:42:40 | 0:42:45 | |
from their European counterparts. | 0:42:45 | 0:42:47 | |
Not least because I've been expecting a German wine to be white. | 0:42:47 | 0:42:51 | |
So, this is a bit of a surprise, isn't it? | 0:42:51 | 0:42:54 | |
Because this wine is not in any way German, right? | 0:42:54 | 0:42:57 | |
Not at all. This is our top wine. | 0:42:57 | 0:42:59 | |
It's done in a traditional big red dry style, | 0:42:59 | 0:43:04 | |
not what you think of as a Germanic-style wine. | 0:43:04 | 0:43:07 | |
Very nice. | 0:43:07 | 0:43:09 | |
-Redcurrant? -Definitely. | 0:43:09 | 0:43:11 | |
-Spicy? -Very spicy. | 0:43:11 | 0:43:12 | |
Particularly from this vineyard site. | 0:43:12 | 0:43:14 | |
We get a lot of spicy character. | 0:43:14 | 0:43:16 | |
-How do we say around here...? -Prost. -Prost! | 0:43:16 | 0:43:19 | |
The population of Hermann today is still predominantly of German descent. | 0:43:26 | 0:43:31 | |
Traditions of the mother country are very much in evidence at the local | 0:43:31 | 0:43:35 | |
sausage shop, run by Mike Sloan. | 0:43:35 | 0:43:37 | |
So, Mike, what is this that I have here? | 0:43:41 | 0:43:43 | |
So that sausage is a bratwurst, it's the bacon, potato, cheddar bratwurst. | 0:43:43 | 0:43:48 | |
So, it's pork, seasoned spices and bacon, added cheddar, | 0:43:48 | 0:43:51 | |
added potatoes. So, what that means is it's a meal. | 0:43:51 | 0:43:55 | |
It's a meal all by itself. | 0:43:55 | 0:43:56 | |
-Oh, my goodness. -All the major food groups are represented right there | 0:43:56 | 0:43:59 | |
-in that sausage. -That is a very, very good sausage. | 0:43:59 | 0:44:02 | |
So, there must be huge demand for German sausages here. | 0:44:02 | 0:44:05 | |
We make 46 different flavours of sausage and bratwurst. | 0:44:05 | 0:44:09 | |
Are you a native of Hermann? | 0:44:10 | 0:44:12 | |
Yes, I am. I've lived here all my life. | 0:44:12 | 0:44:13 | |
-71 years. -Have you any idea, you know, what proportion of this town | 0:44:13 | 0:44:18 | |
is German today, would call itself German? | 0:44:18 | 0:44:20 | |
40, 50 years ago, it was close to 100%. | 0:44:20 | 0:44:23 | |
Now, we have some people coming out from St Louis, | 0:44:23 | 0:44:27 | |
but I'd still say 80%. | 0:44:27 | 0:44:29 | |
What are the customs that you maintain? | 0:44:29 | 0:44:31 | |
Well, we have our May Festival, our Maifest, | 0:44:32 | 0:44:34 | |
we have the sausage festival, the Wurstfest. | 0:44:34 | 0:44:37 | |
We have Oktoberfest, October Festival. | 0:44:37 | 0:44:40 | |
Excuse me, is there any month you don't have a Fest? | 0:44:40 | 0:44:43 | |
A couple of months, yes. | 0:44:43 | 0:44:45 | |
And at the heart of any self-respecting German festival is | 0:44:48 | 0:44:52 | |
beer and a singsong. | 0:44:52 | 0:44:54 | |
# Mein Vater war ein Wandersmann | 0:44:54 | 0:44:59 | |
# Und mir steckt's auch im Blut | 0:44:59 | 0:45:02 | |
# Drum wandr' ich flott, so lang ich kann | 0:45:02 | 0:45:06 | |
# Und schwenke meinen Hut... # | 0:45:06 | 0:45:09 | |
Here we go! | 0:45:09 | 0:45:11 | |
# Faleri, falera, faleri | 0:45:11 | 0:45:17 | |
# Falera ha-ha-ha-ha-ha-ha | 0:45:17 | 0:45:19 | |
# Faleri, falera | 0:45:19 | 0:45:23 | |
# Und schwenke meinen Hut. # | 0:45:23 | 0:45:26 | |
Eins, zwei, drei. | 0:45:29 | 0:45:33 | |
Zicke, zacke, zicke, zacke. Hoi, hoi, hoi! | 0:45:35 | 0:45:38 | |
-Zicke, zacke, zicke, zacke. -ALL: Hoi, hoi, hoi! | 0:45:38 | 0:45:43 | |
It's a new day and I'm continuing westwards on the | 0:46:00 | 0:46:03 | |
Amtrak River Runner Route. | 0:46:03 | 0:46:05 | |
-Guys? May I join you for a second? -Sure. | 0:46:12 | 0:46:14 | |
Thank you very much. | 0:46:15 | 0:46:16 | |
It's very nice to see a family using the train. | 0:46:18 | 0:46:20 | |
-Where are you headed for? -We're going from St Louis to Kansas City. | 0:46:20 | 0:46:24 | |
-Do you like using the train? -Absolutely. | 0:46:24 | 0:46:26 | |
It's clean, it's comfortable, you meet nice people. | 0:46:26 | 0:46:29 | |
-It's the best way to travel. -Wow! | 0:46:29 | 0:46:31 | |
You sound like an advertisement for the railroads. | 0:46:31 | 0:46:33 | |
Actually, many Americans seem to be railroad averse. | 0:46:33 | 0:46:36 | |
They just get in their car. | 0:46:36 | 0:46:38 | |
I think if you grew up in the north-east, it's a different story. | 0:46:38 | 0:46:42 | |
I think your statement is correct for other parts of the country. | 0:46:42 | 0:46:45 | |
The Midwest, particularly, but the East Coast, that's a way of life. | 0:46:45 | 0:46:48 | |
Yeah. That's true, that's true. And do you know this route? | 0:46:48 | 0:46:52 | |
Have you travelled it before? I'm just enjoying the views of the | 0:46:52 | 0:46:55 | |
-Missouri River so much, aren't you? -Very scenic, very nice. | 0:46:55 | 0:46:57 | |
My next stop is Jefferson City, | 0:47:05 | 0:47:07 | |
which Appletons' tells me is the capital of the state of Missouri. | 0:47:07 | 0:47:11 | |
Beautifully situated on high bluffs which overlook the Missouri River. | 0:47:11 | 0:47:16 | |
Named after Thomas Jefferson, author of the Declaration of Independence. | 0:47:16 | 0:47:20 | |
Third president of the United States. | 0:47:20 | 0:47:23 | |
The man who made the Louisiana Purchase from Napoleon of France | 0:47:23 | 0:47:27 | |
and who set out the grid pattern for the settlement of the American West. | 0:47:27 | 0:47:31 | |
Ladies and gentlemen, we're arriving in Jefferson City. | 0:47:34 | 0:47:37 | |
Please gather your belongings, make your way to the exit doors. | 0:47:37 | 0:47:39 | |
Jefferson City, now arriving. | 0:47:39 | 0:47:42 | |
All right, folks. Be very careful here. Watch your step. | 0:47:47 | 0:47:51 | |
Thank you very much. | 0:47:51 | 0:47:52 | |
Located on the river between St Louis and Kansas City, | 0:47:57 | 0:48:01 | |
Jefferson City began as a midway trading post. | 0:48:01 | 0:48:05 | |
It's the capital of Missouri, but by no means the state's biggest city. | 0:48:05 | 0:48:09 | |
With a population of just over 40,000, it has a quiet, small-town feel. | 0:48:12 | 0:48:18 | |
Every state in the union has a capital city and a centre of government, | 0:48:21 | 0:48:25 | |
generally known as the capital, and in nearly every case, | 0:48:25 | 0:48:29 | |
dominated by a dome. | 0:48:29 | 0:48:30 | |
This one in Jefferson City, Missouri, | 0:48:30 | 0:48:33 | |
has a sort of grey, austere elegance about it. | 0:48:33 | 0:48:37 | |
Inside, I'm hoping to find something a little earthier. | 0:48:37 | 0:48:40 | |
My Appletons' gives the reader detailed descriptions | 0:48:52 | 0:48:56 | |
of American towns and cities but in the days before guidebooks, | 0:48:56 | 0:49:00 | |
people in the east struggled to get an image of the new western lands. | 0:49:00 | 0:49:05 | |
I'm here to meet art historian Joan Stack | 0:49:05 | 0:49:08 | |
to find out about a famous frontier painter | 0:49:08 | 0:49:11 | |
and Missouri politician, George Caleb Bingham. | 0:49:11 | 0:49:15 | |
Why is George Caleb Bingham significant? | 0:49:16 | 0:49:19 | |
Well, he was an early artist who painted the West and he didn't just | 0:49:19 | 0:49:24 | |
paint Native Americans and buffalo, | 0:49:24 | 0:49:26 | |
he painted the people who worked in the West. | 0:49:26 | 0:49:30 | |
And when people saw these images in the east, | 0:49:30 | 0:49:33 | |
they began to really realise, perhaps, the potential of the West. | 0:49:33 | 0:49:37 | |
Painting primarily in the 1840s and 50s, Bingham was the first artist to | 0:49:39 | 0:49:44 | |
bring realistic images of the West into the drawing rooms of the rich | 0:49:44 | 0:49:49 | |
and influential in New York. | 0:49:49 | 0:49:51 | |
Well, not what I expected as images of the Wild West. | 0:49:53 | 0:49:57 | |
Tell me about this image. | 0:49:57 | 0:49:58 | |
This is the picture that made George Caleb Bingham famous. | 0:49:58 | 0:50:01 | |
And the picture was called The Jolly Flatboatman. | 0:50:01 | 0:50:05 | |
The interesting thing is that you see the type of person that was in | 0:50:05 | 0:50:10 | |
Missouri at that time. | 0:50:10 | 0:50:12 | |
We see a kind of a group of young immigrants, Young Americans, | 0:50:12 | 0:50:18 | |
who represent the potential of the United States. | 0:50:18 | 0:50:21 | |
And then this would be an oil painting of his, would it? | 0:50:21 | 0:50:24 | |
Yes. This is a painting called Watching The Cargo, painted in 1849, | 0:50:24 | 0:50:29 | |
that was displayed in New York. | 0:50:29 | 0:50:31 | |
It appears at first to be this beautiful landscape with this | 0:50:31 | 0:50:35 | |
beautiful evening sky, but if you look closely, | 0:50:35 | 0:50:37 | |
you'll see there is a wrecked steamboat in the painting, | 0:50:37 | 0:50:42 | |
so they're protecting the commercial goods because the river is dangerous. | 0:50:42 | 0:50:48 | |
And Bingham was a member of the Whig party, | 0:50:48 | 0:50:51 | |
which supported the idea of improving the rivers, | 0:50:51 | 0:50:54 | |
of making them more safe to navigate. | 0:50:54 | 0:50:58 | |
How different is Bingham's art from what other people are painting in the West? | 0:50:58 | 0:51:02 | |
Well, most of the artists who are painting the West are taking | 0:51:02 | 0:51:05 | |
advantage of the romanticism around the Native Americans, | 0:51:05 | 0:51:09 | |
the exotic animals like the buffalo, but to many people, | 0:51:09 | 0:51:13 | |
that is the West that is disappearing. | 0:51:13 | 0:51:17 | |
There was also a West that was growing and those are the river men, | 0:51:17 | 0:51:21 | |
those are the people that are working the rivers, | 0:51:21 | 0:51:23 | |
making America a united country, | 0:51:23 | 0:51:26 | |
uniting the East with the West, | 0:51:26 | 0:51:29 | |
creating this commercial world, this economic world, | 0:51:29 | 0:51:32 | |
that had a great deal of potential. | 0:51:32 | 0:51:34 | |
Remaining in Jefferson City, and led by my guidebook, | 0:51:43 | 0:51:47 | |
I find myself outside the imposing walls of an enormous fortified building. | 0:51:47 | 0:51:53 | |
Jefferson City's State penitentiary, says Appletons', | 0:51:55 | 0:51:59 | |
is massive and spacious. | 0:51:59 | 0:52:01 | |
Evidently, so it is. | 0:52:01 | 0:52:03 | |
I'm just asking myself why | 0:52:03 | 0:52:05 | |
such a small town would need such a huge jail. | 0:52:05 | 0:52:09 | |
This intimidating structure was opened in 1836 | 0:52:16 | 0:52:21 | |
and was operational for 168 years, until it closed in 2004. | 0:52:21 | 0:52:25 | |
I'm meeting Mike Gruce, a former warden. | 0:52:28 | 0:52:31 | |
Mike, the interior of the prison confirms its size. | 0:52:34 | 0:52:38 | |
Why so big in Jefferson City? | 0:52:38 | 0:52:41 | |
This prison should've housed around 1,000 inmates - | 0:52:41 | 0:52:43 | |
that's what a state our size would have housed. | 0:52:43 | 0:52:47 | |
But what happened is we're located at the stepping off point to the frontier. | 0:52:47 | 0:52:50 | |
We were the furthest west prison in the United States for a number of years. | 0:52:50 | 0:52:54 | |
Those people going west, they're concerned about not | 0:52:54 | 0:52:57 | |
being killed by an Indian or eaten by a bear. | 0:52:57 | 0:53:00 | |
Not building a prison. | 0:53:00 | 0:53:01 | |
And if you are a person that went west, let's say on a wagon train, | 0:53:01 | 0:53:04 | |
and you ended up in Colorado and you robbed your mining partner out there | 0:53:04 | 0:53:08 | |
or something, what did they do with you? | 0:53:08 | 0:53:10 | |
There were no prisons. | 0:53:10 | 0:53:12 | |
What they did is actually hauled you all the way back to Jefferson City, Missouri. | 0:53:12 | 0:53:16 | |
That's what caused us to have a population of over 5,000 people here at this prison. | 0:53:16 | 0:53:21 | |
As the last bastion of law, this prison served the entire | 0:53:22 | 0:53:27 | |
Wild West, and serious and violent criminals from beyond the frontier | 0:53:27 | 0:53:32 | |
were brought here by local sheriffs or bounty hunters. | 0:53:32 | 0:53:36 | |
Must have been pretty crowded. | 0:53:41 | 0:53:42 | |
It was certainly crowded and with six people per cell, | 0:53:42 | 0:53:45 | |
you have to consider in those days there was no plumbing, | 0:53:45 | 0:53:48 | |
there was no electricity, there was no heat. | 0:53:48 | 0:53:50 | |
And in this particular case as well, they didn't even give them a bed. | 0:53:50 | 0:53:53 | |
They simply gave them a straw-filled mattress and they slept on the floor. | 0:53:53 | 0:53:57 | |
What was the daily routine of the prisoner? | 0:53:57 | 0:54:01 | |
The primary job was building the prison. | 0:54:01 | 0:54:03 | |
Each of those millions of rock it took to build these buildings in | 0:54:03 | 0:54:07 | |
this wall, each of those have been cut out of the ground | 0:54:07 | 0:54:10 | |
by an inmate, and hand-shaped. | 0:54:10 | 0:54:12 | |
So this was a massive construction project to build their own prison. | 0:54:12 | 0:54:17 | |
The prison was notorious for its harsh conditions. | 0:54:20 | 0:54:23 | |
Silence at all times, | 0:54:23 | 0:54:25 | |
solitary confinement in the evening and hard labour during the day. | 0:54:25 | 0:54:28 | |
Why is the door so low? | 0:54:37 | 0:54:39 | |
The fact behind that is, the prison was so large, | 0:54:39 | 0:54:43 | |
and so they felt like demanding of respect from inmates | 0:54:43 | 0:54:47 | |
was the primary thing they needed to do to control the prison. | 0:54:47 | 0:54:51 | |
So they had a number of rules that subjugated these inmates down | 0:54:51 | 0:54:55 | |
to the lowest possible level. | 0:54:55 | 0:54:57 | |
And part of that was that they were not allowed to make eye | 0:54:57 | 0:55:00 | |
contact with the custody staff. | 0:55:00 | 0:55:02 | |
I'm imagining emerging in this incredible temperature | 0:55:08 | 0:55:13 | |
to a cell that has five other men in it and on top of that, | 0:55:13 | 0:55:15 | |
as I come out of myself, | 0:55:15 | 0:55:16 | |
I've got to stoop down and peer at the ground. | 0:55:16 | 0:55:20 | |
Because the punishment of being here is not just incarceration. | 0:55:20 | 0:55:24 | |
It's the breaking of my spirit, too. | 0:55:24 | 0:55:27 | |
During the 19th century, the Missouri State Penitentiary | 0:55:38 | 0:55:41 | |
was less interested in rehabilitation and more in | 0:55:41 | 0:55:45 | |
convict labour. | 0:55:45 | 0:55:46 | |
When the inmates weren't involved building the prison, | 0:55:48 | 0:55:51 | |
what were they put to work doing? | 0:55:51 | 0:55:52 | |
They were put to work manufacturing things that were needed | 0:55:52 | 0:55:56 | |
by the people in Missouri and the people settling in the West. | 0:55:56 | 0:55:59 | |
We supplied a large portion of the harness for horses that pulled those | 0:55:59 | 0:56:04 | |
wagons west, in Westward expansion. | 0:56:04 | 0:56:06 | |
We found the records for saddle trees, | 0:56:06 | 0:56:08 | |
which is the piece under a Western saddle. | 0:56:08 | 0:56:10 | |
We were producing 60,000 of those a year here. | 0:56:10 | 0:56:13 | |
How were the raw materials imported into the prison? | 0:56:13 | 0:56:16 | |
How was the product exported? | 0:56:16 | 0:56:19 | |
In the early years, it was brought in on a wagon behind a team of | 0:56:19 | 0:56:22 | |
horses or mules. But that wasn't sufficient. | 0:56:22 | 0:56:24 | |
With 5,000 people, you need a lot of raw materials. | 0:56:24 | 0:56:27 | |
And what happened here is eventually we had to bring it in by train and | 0:56:27 | 0:56:31 | |
they put a rail spur actually into the prison that they hauled in the | 0:56:31 | 0:56:34 | |
leather goods and the steel and the items that we needed for manufacture. | 0:56:34 | 0:56:38 | |
Whilst the inmates made goods for the Pioneers, the railroads forged | 0:56:46 | 0:56:51 | |
West, carving out routes for trade and new settlement. | 0:56:51 | 0:56:55 | |
While migrants clung to cherished customs, in these harsh new lands, | 0:56:56 | 0:57:01 | |
they had to adapt and work hard. | 0:57:01 | 0:57:03 | |
When President Thomas Jefferson bought | 0:57:09 | 0:57:11 | |
a vast amount of territory from Napoleon Bonaparte, | 0:57:11 | 0:57:15 | |
he set the United States on course to dominate the continent | 0:57:15 | 0:57:19 | |
from ocean to ocean. | 0:57:19 | 0:57:21 | |
When Lewis and Clark explored it, | 0:57:21 | 0:57:24 | |
they open the gate to speculators, cowboys and settlers. | 0:57:24 | 0:57:28 | |
It was the making of modern-day America. | 0:57:28 | 0:57:32 | |
But it spelled doom for the indigenous population of | 0:57:32 | 0:57:35 | |
Native American Indians. | 0:57:35 | 0:57:38 | |
The West was won at their expense. | 0:57:38 | 0:57:41 | |
Next time, I'll marvel at the art of the auctioneer... | 0:57:43 | 0:57:47 | |
HE REELS OFF NUMBERS RAPIDLY | 0:57:47 | 0:57:51 | |
..confront the brutal hardships faced by early pioneers... | 0:57:51 | 0:57:55 | |
400,000 people made that journey. | 0:57:55 | 0:57:58 | |
They claim at least 9% died along the way. | 0:57:58 | 0:58:02 | |
..discover freight trains, American-style... | 0:58:02 | 0:58:05 | |
You've got 100 cars. That is more than a mile. | 0:58:05 | 0:58:09 | |
We do have some long trains here, yes. | 0:58:09 | 0:58:10 | |
..and learn the truth about one of the notorious outlaws | 0:58:10 | 0:58:14 | |
of the Wild West. | 0:58:14 | 0:58:15 | |
Jesse's not bearing a gun, Jesse's back's to us, | 0:58:15 | 0:58:19 | |
so we're just going to murder him in cold blood. | 0:58:19 | 0:58:22 |