Browse content similar to Sedalia to Kansas City, Missouri. Check below for episodes and series from the same categories and more!
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I have crossed the Atlantic | 0:00:02 | 0:00:04 | |
to ride the railroads of North America | 0:00:04 | 0:00:07 | |
with my reliable Appletons' Guide. | 0:00:07 | 0:00:09 | |
Published in the late-19th century, | 0:00:12 | 0:00:14 | |
Appletons' General Guide To North America | 0:00:14 | 0:00:17 | |
will direct me to all that's novel, beautiful, memorable | 0:00:17 | 0:00:23 | |
and striking in the United States. | 0:00:23 | 0:00:25 | |
INDISTINCT SHOUTING | 0:00:25 | 0:00:27 | |
As I journey across this vast continent, | 0:00:27 | 0:00:30 | |
I'll discover how pioneers and cowboys conquered the West... | 0:00:30 | 0:00:34 | |
GUNFIRE | 0:00:34 | 0:00:35 | |
..and how the railroads tied this nation together, | 0:00:35 | 0:00:39 | |
helping to create the global superstate of today. | 0:00:39 | 0:00:43 | |
In the boom decades immediately before my guidebook was published, | 0:01:04 | 0:01:08 | |
intrepid pioneers piled into the American West, | 0:01:08 | 0:01:12 | |
determined to build new lives in territory | 0:01:12 | 0:01:16 | |
that they regarded as vacant but was, in fact, home | 0:01:16 | 0:01:19 | |
to hundreds of thousands of Native American Indians. | 0:01:19 | 0:01:22 | |
As I continue to roll westwards across the United States, | 0:01:26 | 0:01:30 | |
travelling through Missouri, | 0:01:30 | 0:01:32 | |
it strikes me that these tracks follow the trails | 0:01:32 | 0:01:35 | |
that were first blazed with boot leather and wagon wheels. | 0:01:35 | 0:01:39 | |
I want to see what traces remain of the pioneer spirit | 0:01:39 | 0:01:43 | |
that drove people to cross the Great Plains | 0:01:43 | 0:01:46 | |
and to understand how the arrival of the iron horse | 0:01:46 | 0:01:49 | |
changed their lives for better or worse. | 0:01:49 | 0:01:53 | |
I began in St Louis, Missouri, | 0:01:56 | 0:01:59 | |
gateway to the West across the Mississippi. | 0:01:59 | 0:02:02 | |
Continuing westward, I'll take in Kansas City and Dodge city. | 0:02:02 | 0:02:06 | |
I'll discover a surprising British outpost in Colorado Springs | 0:02:07 | 0:02:12 | |
before turning south to Hispanic Albuquerque in New Mexico. | 0:02:12 | 0:02:18 | |
My journey will end at Arizona's extraordinary natural wonder... | 0:02:18 | 0:02:22 | |
the Grand Canyon. | 0:02:22 | 0:02:23 | |
On this leg, I begin in the railroad town of Sedalia | 0:02:26 | 0:02:30 | |
and find myself at the old trailhead | 0:02:30 | 0:02:33 | |
for those heading west in Independence. | 0:02:33 | 0:02:36 | |
I'll end this part of my journey | 0:02:36 | 0:02:38 | |
on the outskirts of Kansas City, Missouri. | 0:02:38 | 0:02:42 | |
Today, I'll discover the hidden pleasures | 0:02:43 | 0:02:46 | |
of 19th-century railroad workers... | 0:02:46 | 0:02:48 | |
One of the St Louis newspapers referred to Sedalia as | 0:02:48 | 0:02:50 | |
"the Sodom and Gomorrah of the Midwest". | 0:02:50 | 0:02:53 | |
..confront the brutal hardships faced by early pioneers... | 0:02:53 | 0:02:58 | |
400,000 people made that journey. | 0:02:58 | 0:03:01 | |
They claim at least 9% died along the way. | 0:03:01 | 0:03:05 | |
..and find out that, when it comes to American freight trains, | 0:03:05 | 0:03:09 | |
it's all about size. | 0:03:09 | 0:03:11 | |
So let's say the average length of a car is 20 yards | 0:03:11 | 0:03:14 | |
and you've got 100 cars. | 0:03:14 | 0:03:16 | |
That's 2,000 yards. That is more than a mile! | 0:03:16 | 0:03:19 | |
We do have some long trains here, yes. | 0:03:19 | 0:03:22 | |
My next stop will be Sedalia, Missouri, | 0:03:32 | 0:03:35 | |
which, according to Appletons', | 0:03:35 | 0:03:37 | |
is "a busy manufacturing town and railroad centre. | 0:03:37 | 0:03:40 | |
"The principal street is 120 feet wide, | 0:03:40 | 0:03:44 | |
"finely shaded, and has many handsome buildings." | 0:03:44 | 0:03:48 | |
I'd like to investigate the shady side of this railroad town. | 0:03:48 | 0:03:52 | |
Founded in 1860, Sedalia retains its period character, | 0:03:59 | 0:04:04 | |
with wide streets and old buildings. | 0:04:04 | 0:04:06 | |
When my guidebook was published, this was an important railroad town, | 0:04:13 | 0:04:18 | |
full of engineering workshops and storage depots. | 0:04:18 | 0:04:22 | |
Railroad workers and passengers looked for entertainment | 0:04:22 | 0:04:25 | |
and Sedalia was proud to deliver. | 0:04:25 | 0:04:28 | |
Rhonda Chalfant is an historian. | 0:04:33 | 0:04:36 | |
Paint me a picture of this railroad town in the late-19th century. | 0:04:36 | 0:04:41 | |
Lots of businesses, lots of industry, lots of noise. | 0:04:41 | 0:04:44 | |
Something like 24 trains coming through each day. | 0:04:44 | 0:04:47 | |
And along West Main Street, lots of brothels. | 0:04:47 | 0:04:51 | |
-Brothels?! -Yes. | 0:04:51 | 0:04:52 | |
In the upstairs rooms of what were legitimate businesses. | 0:04:52 | 0:04:56 | |
-Were these brothels legal? -Of course not! | 0:04:56 | 0:04:58 | |
But the prostitutes contributed a great deal of money | 0:04:58 | 0:05:02 | |
to the town's economy. | 0:05:02 | 0:05:03 | |
They dressed nicely, most of them. | 0:05:03 | 0:05:05 | |
Some of them owned property and paid property taxes | 0:05:05 | 0:05:08 | |
and they appeared in court to pay their fine. | 0:05:08 | 0:05:12 | |
If they paid their fine, their house was not raided. | 0:05:12 | 0:05:15 | |
By the 1890s, | 0:05:16 | 0:05:18 | |
12 buildings in a single Main Street block housed brothels, | 0:05:18 | 0:05:22 | |
with others scattered throughout the town. | 0:05:22 | 0:05:25 | |
-Was that typical of small-town America? -No. | 0:05:25 | 0:05:28 | |
One of the St Louis newspapers referred to Sedalia | 0:05:28 | 0:05:31 | |
as "the Sodom and Gomorrah of the Midwest". | 0:05:31 | 0:05:34 | |
Is that because there was a special kind of clientele in Sedalia? | 0:05:34 | 0:05:36 | |
Somewhat. | 0:05:36 | 0:05:37 | |
The number of transients - railroad workers, travelling salespeople, | 0:05:37 | 0:05:44 | |
that were in and out - did create some of the demand | 0:05:44 | 0:05:49 | |
but also, apparently, there were quite a number of men | 0:05:49 | 0:05:53 | |
who just sought the services of the ladies. | 0:05:53 | 0:05:55 | |
Rhonda has brought me to a place that she promises | 0:05:57 | 0:06:00 | |
will offer a glimpse into Sedalia's disreputable past. | 0:06:00 | 0:06:04 | |
Rhonda, what den of iniquity have you brought me to? | 0:06:05 | 0:06:08 | |
This is 217 West Main. | 0:06:08 | 0:06:11 | |
It is listed on the National Register Of Historic Places. | 0:06:11 | 0:06:14 | |
When it was listed in 1996, | 0:06:14 | 0:06:16 | |
it was the second brothel to be so recognised. | 0:06:16 | 0:06:19 | |
MICHAEL CHUCKLES Let's go inside. | 0:06:19 | 0:06:21 | |
-Michael, this way. -Thank you. | 0:06:24 | 0:06:26 | |
'Jack Lewis now owns the building.' | 0:06:28 | 0:06:30 | |
Thank you. | 0:06:34 | 0:06:36 | |
This room was a place where the ladies met their clients, | 0:06:36 | 0:06:39 | |
-is that right? -Yes. | 0:06:39 | 0:06:40 | |
I would say this was the social room. | 0:06:40 | 0:06:43 | |
They would play games, drink, might have had a piano in here. | 0:06:43 | 0:06:46 | |
You know, women sitting on their laps. | 0:06:46 | 0:06:48 | |
-And you've been stripping away the wallpaper, is that right? -I have. | 0:06:48 | 0:06:51 | |
-And some people did it long before I did. -And what have you discovered? | 0:06:51 | 0:06:54 | |
-All of this graffiti? -Drawings, names, addresses... | 0:06:54 | 0:06:58 | |
Wow. And this will date back to when, do you think? | 0:06:58 | 0:07:01 | |
First date we found was 1874. | 0:07:01 | 0:07:03 | |
And what are the sort of things that they are writing on the wall | 0:07:03 | 0:07:06 | |
-that you can tell me about? -Old ballads, old poems | 0:07:06 | 0:07:10 | |
from very risque to very colourful. | 0:07:10 | 0:07:13 | |
You know, it refers to the ladies, it refers to the era, | 0:07:13 | 0:07:16 | |
a lot of railroad stuff. | 0:07:16 | 0:07:18 | |
"Bertha, best in the house." | 0:07:21 | 0:07:23 | |
"Josie, the best-looker on Main Street." | 0:07:24 | 0:07:27 | |
Appreciative comments from clients, | 0:07:28 | 0:07:31 | |
railroad workers and others, | 0:07:31 | 0:07:33 | |
who never imagined that their graffiti | 0:07:33 | 0:07:36 | |
would become a matter of historical record. | 0:07:36 | 0:07:39 | |
So, Jack, if you wanted to know the written history of Sedalia, | 0:07:40 | 0:07:43 | |
-read the brothel walls. -That would work. | 0:07:43 | 0:07:45 | |
Brothels offered more than one sort of entertainment. | 0:07:48 | 0:07:51 | |
Sedalia's red-light district | 0:07:51 | 0:07:54 | |
provided a venue for black musicians to perform. | 0:07:54 | 0:07:57 | |
The town became known as the cradle of a new musical genre... | 0:07:58 | 0:08:03 | |
Ragtime. | 0:08:03 | 0:08:04 | |
And its most famous composer was Scott Joplin. | 0:08:04 | 0:08:08 | |
-MAN: -# Won't you come home, Bill Bailey? | 0:08:08 | 0:08:10 | |
# Won't you come home? # | 0:08:10 | 0:08:13 | |
What a lovely building! | 0:08:13 | 0:08:15 | |
Clearly a former railroad station | 0:08:15 | 0:08:17 | |
of the Missouri, Kansas and Texas Railroad. | 0:08:17 | 0:08:20 | |
And from the "KT" in the middle of those initials, known as Katy. | 0:08:20 | 0:08:25 | |
-MAN: -# I know I've done you wrong | 0:08:25 | 0:08:28 | |
# Remember that raining evening | 0:08:29 | 0:08:32 | |
# I threw you out | 0:08:32 | 0:08:34 | |
# With nothing but a fine toothcomb | 0:08:34 | 0:08:38 | |
# Yes, I know that I'm to blame | 0:08:39 | 0:08:42 | |
# But ain't that a shame? | 0:08:42 | 0:08:44 | |
# Bill Bailey, won't you please come home? | 0:08:44 | 0:08:48 | |
# Bill Bailey, won't you please come home? # | 0:08:50 | 0:08:53 | |
HE PLAYS ON THE HARMONICA | 0:08:53 | 0:08:55 | |
MUSIC STOPS | 0:08:55 | 0:08:57 | |
Fantastic! | 0:08:57 | 0:08:58 | |
Oh, I enjoyed that! That gets rid of the blues, doesn't it? | 0:08:58 | 0:09:01 | |
So, is this ragtime? | 0:09:01 | 0:09:03 | |
-Yes. -And what distinguishes ragtime? | 0:09:03 | 0:09:05 | |
-A combination of overlapping rhythms... -Mm-hm. | 0:09:05 | 0:09:09 | |
..where a rhythm is given as much attention as the melody. | 0:09:09 | 0:09:14 | |
That's what signifies and characterises ragtime. | 0:09:14 | 0:09:18 | |
And was Scott Joplin really the pioneer of that? | 0:09:18 | 0:09:20 | |
-Pioneer of classic ragtime. -Yeah. | 0:09:20 | 0:09:22 | |
I mean, the genius of Scott Joplin is he fused African American rhythms | 0:09:22 | 0:09:28 | |
with classical European composition. | 0:09:28 | 0:09:32 | |
You could say it was the first authentic | 0:09:32 | 0:09:35 | |
widespread popular American music. Indigenous. | 0:09:35 | 0:09:38 | |
RAGTIME PIANO | 0:09:38 | 0:09:41 | |
Born in Texas, a young Scott Joplin moved to Sedalia in the 1880s | 0:09:41 | 0:09:47 | |
and enrolled in the George R Smith College for Negroes to study music. | 0:09:47 | 0:09:52 | |
His big break came when the owner of a music store in Sedalia | 0:10:04 | 0:10:08 | |
published his Maple Leaf Rag in 1899. | 0:10:08 | 0:10:12 | |
It sold half a million copies and set off the ragtime craze. | 0:10:17 | 0:10:23 | |
-Hey! You really tickle the ivories. -Thank you! | 0:10:32 | 0:10:36 | |
-Doesn't she swing a mean finger? ALL: -Yes! | 0:10:36 | 0:10:39 | |
Are you a Sedalia man? | 0:10:50 | 0:10:51 | |
I am. I've lived here for about eight years now. | 0:10:51 | 0:10:54 | |
-Where did you come from before that, then? -I was born in Boston. | 0:10:54 | 0:10:57 | |
Is there much difference between Massachusetts and Sedalia, Missouri? | 0:10:57 | 0:11:00 | |
Huge difference. In Boston it is such a rat race. | 0:11:00 | 0:11:04 | |
Whereas here...you meet people, you know? | 0:11:04 | 0:11:06 | |
And I love it that you can meet somebody out on the street | 0:11:06 | 0:11:09 | |
and just have a conversation with people. | 0:11:09 | 0:11:11 | |
I'm using a 19th-century guidebook and, at the time, | 0:11:11 | 0:11:15 | |
Sedalia was known as "the Sodom and Gomorrah of Missouri", I think. | 0:11:15 | 0:11:19 | |
-Is it still Sodom and Gomorrah? -It is not. | 0:11:19 | 0:11:21 | |
Today we have this swathe that we call the Bible Belt | 0:11:21 | 0:11:25 | |
and we're right in the middle of that. | 0:11:25 | 0:11:27 | |
Missouri is really a big part of that. | 0:11:27 | 0:11:29 | |
What does it really mean to be in the Bible Belt? | 0:11:29 | 0:11:32 | |
Generally speaking, it's middle-class America. | 0:11:32 | 0:11:36 | |
It's hard-working, average people. | 0:11:36 | 0:11:40 | |
And they believe in what God has for us. | 0:11:40 | 0:11:43 | |
It's about following a different way of life than our own, er... | 0:11:43 | 0:11:47 | |
natural tendencies. | 0:11:47 | 0:11:49 | |
And what practical difference does that make | 0:11:49 | 0:11:51 | |
to the way that people behave towards each other? | 0:11:51 | 0:11:53 | |
We love each other. It's all about love. | 0:11:53 | 0:11:55 | |
And does that love extend to people who aren't like you? | 0:11:55 | 0:11:58 | |
Black people, non-Christians, Muslims? | 0:11:58 | 0:12:00 | |
Oh, sure it does, yeah. | 0:12:00 | 0:12:02 | |
Love... Love transcends all, doesn't it? | 0:12:02 | 0:12:05 | |
I will have that thought in mind as I board my train. | 0:12:05 | 0:12:08 | |
Good! Thank you, Mike. | 0:12:08 | 0:12:10 | |
From Sedalia, my journey following in the footsteps of the pioneers | 0:12:18 | 0:12:23 | |
is taking me 84 miles westward | 0:12:23 | 0:12:25 | |
on Amtrak's Missouri River Runner service. | 0:12:25 | 0:12:28 | |
My next stop will be Independence, Missouri, | 0:12:30 | 0:12:33 | |
which Appletons' tells me is | 0:12:33 | 0:12:35 | |
"a neat and thriving town with much business activity". | 0:12:35 | 0:12:39 | |
I wonder what made its wheels go round | 0:12:39 | 0:12:41 | |
before the railroads called into town? | 0:12:41 | 0:12:43 | |
-Hello, ladies. -Hi! | 0:12:44 | 0:12:46 | |
I spotted you, because you are being very jolly. What you are up to? | 0:12:46 | 0:12:50 | |
-Why are you having so much fun? -We're on our mother-daughter trip. | 0:12:50 | 0:12:53 | |
-Ah, lovely. -Yes. -And where is your mother-daughter trip taking you? | 0:12:53 | 0:12:57 | |
-To Kansas City. -Now, I'm doing a journey through history. | 0:12:57 | 0:13:00 | |
-Do you like history? -I teach history, so... | 0:13:00 | 0:13:02 | |
-You teach it? -I teach history. | 0:13:02 | 0:13:04 | |
Do you ever think about the old days? | 0:13:04 | 0:13:06 | |
I mean, before the railroads, | 0:13:06 | 0:13:08 | |
what about the wagons and the frontiersmen and the settlers? | 0:13:08 | 0:13:11 | |
I do. I mean, I just think it would be neat to go back in time | 0:13:11 | 0:13:15 | |
and see all of that, just be a part of it. | 0:13:15 | 0:13:17 | |
You'd wear a lot of clothes and you'd be dirty more frequently. | 0:13:17 | 0:13:20 | |
But I think it would be neat to find out. | 0:13:20 | 0:13:23 | |
And once again, ladies and gentlemen, | 0:13:26 | 0:13:28 | |
our next stop is Independence, home to Harry S Truman, | 0:13:28 | 0:13:30 | |
the 33rd President of the United States. | 0:13:30 | 0:13:32 | |
Independence, your stop. Please gather your belongings | 0:13:32 | 0:13:34 | |
and be ready to exit the train. Independence will be next. | 0:13:34 | 0:13:37 | |
That was a great ride. Thank you so much. | 0:13:46 | 0:13:48 | |
-You're welcome. -Bye-bye, now. | 0:13:48 | 0:13:50 | |
This is the house of Harry S Truman. | 0:14:01 | 0:14:04 | |
He didn't have a college education, | 0:14:04 | 0:14:06 | |
he ran a haberdashery business here in Independence. | 0:14:06 | 0:14:09 | |
He became President of the United States. | 0:14:09 | 0:14:12 | |
Took the decision to drop the atom bomb on Japan. | 0:14:12 | 0:14:15 | |
And after the Second World War, with the Marshall plan, | 0:14:15 | 0:14:18 | |
rebuilt Japan and Germany as democracies. | 0:14:18 | 0:14:22 | |
A self-educated man from small-town America | 0:14:22 | 0:14:25 | |
reached the White House | 0:14:25 | 0:14:27 | |
and took decisions that have shaped the world. | 0:14:27 | 0:14:30 | |
That's the American dream. | 0:14:30 | 0:14:32 | |
Before railroads crossed the continent, | 0:14:41 | 0:14:44 | |
Independence, Missouri was the trailhead | 0:14:44 | 0:14:47 | |
for the gruelling and epic 2,000-mile trip west | 0:14:47 | 0:14:50 | |
to Oregon or California. | 0:14:50 | 0:14:52 | |
Pioneers would gather here before setting out into the great unknown. | 0:14:55 | 0:14:59 | |
I'm taking a ride with tour guide Ralph Goldsmith. | 0:15:06 | 0:15:10 | |
Ralph, what is the significance of Independence | 0:15:12 | 0:15:15 | |
in the story of the conquest of the West? | 0:15:15 | 0:15:17 | |
Well, Independence is where the trails began. | 0:15:17 | 0:15:20 | |
The main reason is that Independence was about as far west | 0:15:20 | 0:15:23 | |
as you could get on the Missouri River at that time. | 0:15:23 | 0:15:25 | |
So, for example, in the 1840s, | 0:15:25 | 0:15:28 | |
what sort of people were starting from Independence? | 0:15:28 | 0:15:31 | |
Would they be families or ambitious young men? | 0:15:31 | 0:15:33 | |
A little of both. A little of both. | 0:15:33 | 0:15:35 | |
They, er... | 0:15:35 | 0:15:36 | |
Horace Greeley said it, "Go west, young man, go west." | 0:15:36 | 0:15:39 | |
If you're ambitious, you know, there are opportunities out there. | 0:15:39 | 0:15:42 | |
They were giving land away free in Oregon. | 0:15:42 | 0:15:44 | |
All you had to do was get there. | 0:15:44 | 0:15:45 | |
Some people would sell everything they had to come here, you know, | 0:15:45 | 0:15:49 | |
to make a new nation here. | 0:15:49 | 0:15:51 | |
Between 1840 and 1860, | 0:15:52 | 0:15:54 | |
around half a million migrants made the journey west on the trails. | 0:15:54 | 0:15:59 | |
The most popular destination was Oregon. | 0:15:59 | 0:16:02 | |
But the discovery of gold in California in 1849 | 0:16:02 | 0:16:05 | |
drew tens of thousands to seek their fortune. | 0:16:05 | 0:16:08 | |
-Did you need to have a bit of money to go out west? -Oh, yeah. | 0:16:10 | 0:16:12 | |
You had to buy your oxen and mules and all your supplies. | 0:16:12 | 0:16:15 | |
But you have to understand, it was a wagon train industry here. | 0:16:15 | 0:16:20 | |
Think about it. A thousand wagons leaving town in one month in 1845. | 0:16:20 | 0:16:24 | |
Six animals per wagon. | 0:16:24 | 0:16:25 | |
That's 6,000 head of livestock left this area. | 0:16:25 | 0:16:28 | |
Times four. | 0:16:28 | 0:16:30 | |
24,000 mule shoes, ox shoes and horseshoes had to go on. | 0:16:30 | 0:16:33 | |
It was incredible. The commerce here was just off the wall. | 0:16:33 | 0:16:37 | |
Right here, where the courthouse is, | 0:16:37 | 0:16:39 | |
is where the Presbyterian and Methodist church | 0:16:39 | 0:16:42 | |
would have gatherings here and pray for the pioneers as they'd leave. | 0:16:42 | 0:16:45 | |
The Episcopal church down here | 0:16:45 | 0:16:47 | |
would actually anoint them, the animals, with holy water. | 0:16:47 | 0:16:49 | |
It was a pretty perilous undertaking. | 0:16:49 | 0:16:51 | |
It was a perilous taking. They were taking their lives in their hands. | 0:16:51 | 0:16:54 | |
Five-and-a-half months from this point, right here. | 0:16:54 | 0:16:56 | |
And they never averaged more than 9 to 15 miles per day. | 0:16:56 | 0:17:00 | |
Unbelievable. | 0:17:00 | 0:17:01 | |
They called it "seeing the elephant". | 0:17:01 | 0:17:03 | |
You know, you had this vision of what it's going to be like | 0:17:03 | 0:17:06 | |
but, when you get out on the prairie, | 0:17:06 | 0:17:08 | |
there's nothing but prairie grass for thousands of miles. | 0:17:08 | 0:17:11 | |
And you realise, "Holy Moley, what have I got myself into?" | 0:17:11 | 0:17:14 | |
Ralph, I want you to level with me. What are our chances of making it? | 0:17:14 | 0:17:18 | |
400,000 people made that journey. | 0:17:18 | 0:17:21 | |
They claim at least 9% died along the way. | 0:17:21 | 0:17:25 | |
-Died of what? -Dysentery, snakebites, | 0:17:25 | 0:17:28 | |
wagon accidents, cholera. | 0:17:28 | 0:17:31 | |
They claim less than 300 of them | 0:17:31 | 0:17:32 | |
were actually killed by American Indians along the way. | 0:17:32 | 0:17:35 | |
But those people, their courage, their strength, their stamina, | 0:17:35 | 0:17:38 | |
they're the ones who made us a nation | 0:17:38 | 0:17:42 | |
from sea to shining sea. | 0:17:42 | 0:17:44 | |
We had a name for this dream. | 0:17:44 | 0:17:46 | |
We called it "manifest destiny". | 0:17:46 | 0:17:50 | |
Yah! Come on, get 'em up, now! | 0:17:50 | 0:17:52 | |
-Here, you take them for a while. -OK. | 0:17:52 | 0:17:54 | |
Let's go west, young man! | 0:17:54 | 0:17:56 | |
All right! | 0:17:56 | 0:17:58 | |
I smell...gold! | 0:17:58 | 0:18:00 | |
At the end of the day, | 0:18:07 | 0:18:08 | |
wagon trains would be drawn into a circle to corral the livestock. | 0:18:08 | 0:18:12 | |
-What's for supper, Keith? -Buffalo soup. | 0:18:13 | 0:18:16 | |
-Not again! -Oh, yeah. | 0:18:16 | 0:18:18 | |
It's your favourite. | 0:18:18 | 0:18:19 | |
I tell you, Keith, it's good. | 0:18:21 | 0:18:23 | |
To many pioneers on the trail, my meal would have seemed like a feast. | 0:18:27 | 0:18:31 | |
Diaries reveal the hardships that they faced. | 0:18:31 | 0:18:36 | |
Virginia Reid Murphy, aged 13, 1846 - | 0:18:36 | 0:18:40 | |
"We could scarcely walk | 0:18:40 | 0:18:41 | |
"and the men had hardly enough strength to procure wood. | 0:18:41 | 0:18:44 | |
"We would drag ourselves through the snow. | 0:18:44 | 0:18:47 | |
"Poor little children were crying with hunger and mothers were crying | 0:18:47 | 0:18:51 | |
"because they had so little to give to their children. | 0:18:51 | 0:18:54 | |
"We now had nothing to eat... but raw hides." | 0:18:54 | 0:18:57 | |
Terrible. | 0:18:57 | 0:18:59 | |
At the time of my Appletons' Guide, | 0:19:12 | 0:19:14 | |
waves of migrants continued to push the American frontier westward, | 0:19:14 | 0:19:18 | |
while others settled. | 0:19:18 | 0:19:21 | |
15 miles south of Independence, | 0:19:21 | 0:19:23 | |
I hope to find out what life was like for them | 0:19:23 | 0:19:26 | |
from Jonathan Klusmeyer, who, along with 150 volunteers... | 0:19:26 | 0:19:30 | |
Thank you. It's so nice to see you. | 0:19:30 | 0:19:32 | |
..runs a living history museum called Missouri Town 1855. | 0:19:32 | 0:19:37 | |
You know, there is such amazing tranquillity here. | 0:19:37 | 0:19:41 | |
I can't believe it. No sound of cars, no sounds of trains. | 0:19:41 | 0:19:44 | |
-It's a very special place, isn't it? -Absolutely it is. | 0:19:44 | 0:19:46 | |
The town actually never existed. | 0:19:46 | 0:19:49 | |
We actually moved buildings in here | 0:19:49 | 0:19:50 | |
from different parts of western Missouri. | 0:19:50 | 0:19:52 | |
So these buildings have come from somewhere else, | 0:19:52 | 0:19:55 | |
-but they're perfect in their period detail? -Yeah. | 0:19:55 | 0:19:57 | |
These folk, who came to Missouri, | 0:19:57 | 0:19:59 | |
they had not made the trek of 2,000 miles to Oregon or California | 0:19:59 | 0:20:01 | |
but, nonetheless, the conditions they found here were difficult. | 0:20:01 | 0:20:04 | |
They were difficult. | 0:20:04 | 0:20:05 | |
So they found rocky soil, they found tall trees, | 0:20:05 | 0:20:09 | |
they had to clear all of these roots out of the area | 0:20:09 | 0:20:11 | |
and really get the land ready to farm. | 0:20:11 | 0:20:14 | |
So where had they come from? | 0:20:14 | 0:20:16 | |
They were coming from all over the South, primarily. | 0:20:16 | 0:20:19 | |
Until actually you get into the 1850s, | 0:20:19 | 0:20:21 | |
when the Germans and Irish started coming over, | 0:20:21 | 0:20:23 | |
you're getting mainly just Virginians, | 0:20:23 | 0:20:25 | |
people from Tennessee and also Kentucky, | 0:20:25 | 0:20:27 | |
that are trying to escape the higher land prices in the East. | 0:20:27 | 0:20:30 | |
The Homestead Act of 1862 | 0:20:33 | 0:20:36 | |
opened up settlement of the Western United States | 0:20:36 | 0:20:39 | |
by allowing any citizen over 21 to claim 160 acres of land. | 0:20:39 | 0:20:45 | |
Those who farmed it successfully for five years would then own it. | 0:20:45 | 0:20:49 | |
Others were drawn to follow, and settlements grew into towns. | 0:20:51 | 0:20:55 | |
Hello. | 0:20:55 | 0:20:56 | |
The number of such claims approved eventually exceeded 1.5 million. | 0:20:57 | 0:21:03 | |
-Hello, sir. -Mr Bailey. | 0:21:03 | 0:21:05 | |
They tell me this is the very heart of the village. | 0:21:05 | 0:21:07 | |
Who are your clients? What are they coming here for? | 0:21:07 | 0:21:09 | |
Well, pretty much everybody has some business with me one way or another, | 0:21:09 | 0:21:12 | |
but most of the people, of course, are farmers. | 0:21:12 | 0:21:15 | |
So I put tyres on the wagon wheels, shoes for the horse, mule and ox. | 0:21:15 | 0:21:19 | |
And whatever their metal needs are, I pretty much take care of them. | 0:21:19 | 0:21:23 | |
Tell me a bit about how the town works. | 0:21:23 | 0:21:25 | |
I think of people here being self-reliant. | 0:21:25 | 0:21:27 | |
But, actually, I'm getting an impression | 0:21:27 | 0:21:28 | |
that it has to function as a community. | 0:21:28 | 0:21:30 | |
We're really more dependent on one another than you might imagine. | 0:21:30 | 0:21:33 | |
I don't farm, but I still like to eat. | 0:21:33 | 0:21:36 | |
So what I do is, oftentimes, | 0:21:36 | 0:21:38 | |
if people can't afford to pay me outright with cash, we do barter. | 0:21:38 | 0:21:42 | |
And that's, of course, a way of life with us. | 0:21:42 | 0:21:44 | |
Now, I interrupted you. You were making something. | 0:21:44 | 0:21:46 | |
Well, yes, sir. Got a little hook in the fire here. | 0:21:46 | 0:21:49 | |
You want to work it whilst it's still hot. | 0:21:49 | 0:21:51 | |
The old saying, you've got to strike while the iron's hot. | 0:21:51 | 0:21:53 | |
This is where it came from. | 0:21:53 | 0:21:55 | |
I'm making a little curlicue on the end of this. | 0:21:55 | 0:21:57 | |
We don't want this to snag momma's dress | 0:21:57 | 0:21:59 | |
while she's working in the kitchen. | 0:21:59 | 0:22:00 | |
And the next thing that's left | 0:22:00 | 0:22:03 | |
is just to put a twist in it to kind of finish it off. | 0:22:03 | 0:22:05 | |
Why don't you come on over here and try the bellows for a little bit? | 0:22:05 | 0:22:09 | |
-Takes a bit of effort, Mr Bailey. -Yes, it does. | 0:22:10 | 0:22:13 | |
We're going to bring that out. | 0:22:13 | 0:22:15 | |
Put it with the hook up in the vice. | 0:22:16 | 0:22:19 | |
-Now, take the tongs and get a good grip on the shank itself. -Yeah. | 0:22:19 | 0:22:23 | |
And in this state, it's easy enough to put a little twist in there. | 0:22:23 | 0:22:26 | |
There you go, sir. | 0:22:27 | 0:22:29 | |
A lovely S-hook with twists at either end, | 0:22:30 | 0:22:33 | |
ready for grandma's kitchen. | 0:22:33 | 0:22:35 | |
To encourage western migration, | 0:22:38 | 0:22:40 | |
the Homestead Act even made provision for women and freed slaves | 0:22:40 | 0:22:45 | |
to take over land and begin new lives in the prairies and beyond. | 0:22:45 | 0:22:49 | |
-Good morning, Linda. -Hello. | 0:22:50 | 0:22:52 | |
-How are Dan and Murphy today? -Very good, thank you. | 0:22:52 | 0:22:55 | |
They've been very busy ploughing, hauling grain. | 0:22:55 | 0:22:59 | |
And excuse me asking you, it is usual for a woman | 0:22:59 | 0:23:01 | |
to be in control of a couple of huge oxen? | 0:23:01 | 0:23:03 | |
It is not that common but, of course, | 0:23:03 | 0:23:05 | |
in the absence of her husband or any sons, | 0:23:05 | 0:23:08 | |
women of all ages and all generations rise to the occasion | 0:23:08 | 0:23:12 | |
and do what's required of them. | 0:23:12 | 0:23:13 | |
Honestly, what's it like for a woman in 1855 living out here in the West? | 0:23:13 | 0:23:17 | |
Well, it can be rather frightening. It can be very lonely. | 0:23:17 | 0:23:21 | |
But, of course, that makes it all the more enjoyable | 0:23:21 | 0:23:24 | |
when we get to go to church or if we have a quilting bee | 0:23:24 | 0:23:28 | |
-and get together with the other ladies. -Hm... | 0:23:28 | 0:23:30 | |
Now, next time I get lonesome, I'll think about a quilting bee. | 0:23:30 | 0:23:33 | |
-Could be just the thing. -It might be just the thing. | 0:23:33 | 0:23:36 | |
-Thank you, Linda. -Thank you. -Bye. -Bye. | 0:23:36 | 0:23:38 | |
Railroad companies drove the settlement of the West. | 0:23:41 | 0:23:45 | |
In order to encourage new lines, | 0:23:45 | 0:23:47 | |
the government offered them generous land grants | 0:23:47 | 0:23:49 | |
on either side of their tracks. | 0:23:49 | 0:23:52 | |
They launched a settlement campaign, | 0:23:53 | 0:23:55 | |
offering transport and temporary accommodation, | 0:23:55 | 0:23:58 | |
while families built their own homes. | 0:23:58 | 0:24:01 | |
Communities quickly grew. | 0:24:01 | 0:24:03 | |
OLD-TIME COUNTRY MUSIC | 0:24:03 | 0:24:08 | |
Ma'am, what a privilege. | 0:24:23 | 0:24:25 | |
You are welcome, sir. | 0:24:25 | 0:24:28 | |
From Independence, | 0:24:30 | 0:24:32 | |
you can see the gleaming towers of Kansas City, Missouri, | 0:24:32 | 0:24:35 | |
ten miles away. | 0:24:35 | 0:24:36 | |
But most trains approaching the city today don't carry passengers. | 0:24:40 | 0:24:45 | |
They move America's freight. | 0:24:47 | 0:24:50 | |
Shellee Currier is from the South Kansas and Oklahoma Railroad. | 0:24:53 | 0:24:58 | |
Shellee, I get the impression that Kansas City | 0:25:00 | 0:25:03 | |
must be a very major hub for rail freight. | 0:25:03 | 0:25:05 | |
Where does it rank in the nation? | 0:25:05 | 0:25:06 | |
Yes, Kansas City is the second largest rail hub after Chicago. | 0:25:06 | 0:25:10 | |
But it's first with consideration of tonnage | 0:25:10 | 0:25:12 | |
that travels through the terminal. | 0:25:12 | 0:25:14 | |
As you're seeing above us, | 0:25:14 | 0:25:16 | |
this is considered a container train. | 0:25:16 | 0:25:18 | |
You could have a mix of unit train, | 0:25:18 | 0:25:20 | |
where it's one train carrying one product, such as coal. | 0:25:20 | 0:25:24 | |
Or you could have what's called a manifest train, | 0:25:24 | 0:25:27 | |
100 to 132 railcars, | 0:25:27 | 0:25:29 | |
and it's a mixture of, like, cement or sand or things of that type. | 0:25:29 | 0:25:33 | |
So let's say the average length of a car is 60 feet, 20 yards. | 0:25:33 | 0:25:37 | |
And you've got 100 cars, that's 2,000 yards. | 0:25:37 | 0:25:39 | |
That is more than a mile! | 0:25:39 | 0:25:42 | |
We do have some long trains here, yes. | 0:25:42 | 0:25:45 | |
I get the feeling in Kansas City | 0:25:45 | 0:25:46 | |
we're at the centre of the spider's web. Would that be right? | 0:25:46 | 0:25:49 | |
That is true. Each carrier that's in here, | 0:25:49 | 0:25:51 | |
their network looks a little bit different. | 0:25:51 | 0:25:53 | |
For the Kansas City Southern, for example, | 0:25:53 | 0:25:55 | |
this is their furthest north point, | 0:25:55 | 0:25:56 | |
and then they're travelling down into the Mexico area. | 0:25:56 | 0:25:59 | |
For the Canadian Pacific, this is their furthest west point. | 0:25:59 | 0:26:02 | |
The BN and the Union Pacific, | 0:26:02 | 0:26:03 | |
they have traffic that runs both east and west | 0:26:03 | 0:26:06 | |
and also some lines north and south, as well. | 0:26:06 | 0:26:09 | |
At the time of my guidebook, separate rail companies cooperated | 0:26:10 | 0:26:15 | |
to provide direct services for goods across the United States. | 0:26:15 | 0:26:19 | |
Today, the freight rail network extends to 140,000 miles | 0:26:20 | 0:26:26 | |
and plays a major role in transporting goods. | 0:26:26 | 0:26:28 | |
Shellee, what sort of freight would you be moving on these lines? | 0:26:31 | 0:26:35 | |
Predominantly, we're moving bulk paper | 0:26:35 | 0:26:37 | |
that would be used to manufacture moving boxes and paper plates. | 0:26:37 | 0:26:42 | |
Keith, your job, then, is to pick up goods like this, like paper, | 0:26:42 | 0:26:46 | |
-and take them into the centre of Kansas City. -That's correct. | 0:26:46 | 0:26:49 | |
What will happen to them there? | 0:26:49 | 0:26:50 | |
They switch them between different railroads | 0:26:50 | 0:26:52 | |
and send them on their way out. | 0:26:52 | 0:26:54 | |
So you're the local service. You're picking up and delivering | 0:26:54 | 0:26:57 | |
-to the cross-continental railway? -That's right. We're the local crew. | 0:26:57 | 0:27:00 | |
This locomotive, how big a train could this haul? | 0:27:00 | 0:27:02 | |
This train is only 2,000 horsepower, so it'll haul about 2,000 tonnes. | 0:27:02 | 0:27:07 | |
-2,000 tonnes? That's still a serious amount. -Oh, yeah. | 0:27:07 | 0:27:10 | |
Every night on this journey, | 0:27:13 | 0:27:15 | |
from my bed I hear the mournful horn of a locomotive. | 0:27:15 | 0:27:19 | |
TRAIN HORN BLARES | 0:27:19 | 0:27:22 | |
It is the soundtrack of the American economy. | 0:27:22 | 0:27:26 | |
TRAIN HORN | 0:27:26 | 0:27:28 | |
The settlers endured months of travel on wagons | 0:27:30 | 0:27:33 | |
that were pulled by oxen or mules | 0:27:33 | 0:27:36 | |
and many of them perished on the way. | 0:27:36 | 0:27:39 | |
The survivors had to clear forest or prairie | 0:27:39 | 0:27:42 | |
to have ground which they could plough. | 0:27:42 | 0:27:45 | |
They had to suffer the heat and the cold and disease. | 0:27:45 | 0:27:48 | |
The next time that I get cross because the car won't start, | 0:27:48 | 0:27:51 | |
or because the Wi-Fi's on the blink, | 0:27:51 | 0:27:53 | |
I'll remind myself that I would never have made a pioneer. | 0:27:53 | 0:27:57 | |
Next time... | 0:28:01 | 0:28:03 | |
I'll witness the art of the auctioneer. | 0:28:03 | 0:28:06 | |
56, 57... | 0:28:06 | 0:28:08 | |
..learn about the perils of the Pony Express... | 0:28:10 | 0:28:13 | |
"Wanted - young, skinny, wiry fellows, | 0:28:16 | 0:28:18 | |
"willing to risk death daily. Orphans preferred." | 0:28:18 | 0:28:22 | |
..and discover the truth about the demise | 0:28:22 | 0:28:25 | |
of one of America's most famous outlaws. | 0:28:25 | 0:28:27 | |
Jesse's not carrying a gun. | 0:28:27 | 0:28:30 | |
Jesse's back is to us. So we're just going to murder him in cold blood. | 0:28:30 | 0:28:34 |