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I have crossed the Atlantic to ride the railroads of North America | 0:00:02 | 0:00:07 | |
with my faithful Appleton's guide. | 0:00:07 | 0:00:10 | |
Published in the late 19th century, | 0:00:13 | 0:00:14 | |
it will direct me to everything that's novel, beautiful... | 0:00:14 | 0:00:18 | |
..memorable and curious... | 0:00:19 | 0:00:21 | |
-..in the United States. ALL: -Yee-ha! | 0:00:22 | 0:00:25 | |
As I travel through this vast continent, I'll discover gold | 0:00:25 | 0:00:30 | |
and silver, movies and microchips, oil and oranges, | 0:00:30 | 0:00:36 | |
and learn how America's most famous railroad | 0:00:36 | 0:00:39 | |
conquered the wild landscapes of the West. | 0:00:39 | 0:00:42 | |
I continue to explore San Francisco | 0:01:26 | 0:01:29 | |
using one of the city's many transport systems. | 0:01:29 | 0:01:32 | |
These streetcars, not to be confused with the more famous cable cars, | 0:01:32 | 0:01:37 | |
represent a moving museum of vintage vehicles. | 0:01:37 | 0:01:41 | |
They've been acquired from far-off places, from Philadelphia, | 0:01:41 | 0:01:45 | |
Minneapolis, Hamburg, and Milan. | 0:01:45 | 0:01:48 | |
This one has signs written in Italian. | 0:01:48 | 0:01:51 | |
They all seem at home here now, in a city whose transport is as diverse | 0:01:51 | 0:01:56 | |
and exotic as its population. | 0:01:56 | 0:01:58 | |
My route has taken me over the Sierra Nevada Mountains, | 0:02:05 | 0:02:09 | |
via the wineries of the Napa Valley | 0:02:09 | 0:02:12 | |
to today's destination, San Francisco. | 0:02:12 | 0:02:15 | |
From here, I'll travel inland to the majestic natural beauty of Yosemite | 0:02:15 | 0:02:20 | |
National Park. I'll return to the Pacific coast, and head south, | 0:02:20 | 0:02:24 | |
visiting Monterey and San Luis Obispo, | 0:02:24 | 0:02:27 | |
en route to the City of Angels, Los Angeles. | 0:02:27 | 0:02:31 | |
My final destination, just north of the Mexican border, | 0:02:31 | 0:02:35 | |
will be San Diego. | 0:02:35 | 0:02:37 | |
Today, I begin in San Francisco's famous Chinatown. | 0:02:39 | 0:02:43 | |
I'll explore the city, before taking in the ocean view at Land's End, | 0:02:44 | 0:02:49 | |
returning to finish on the calmer waters in San Francisco Bay. | 0:02:49 | 0:02:53 | |
Along the way, I'm branded with misfortune by a fortune cookie... | 0:02:55 | 0:02:59 | |
Argh! My hands are burning! Ow! Ow! | 0:02:59 | 0:03:02 | |
..I learn of an extraordinary 19th century civil rights case... | 0:03:03 | 0:03:07 | |
It was in all the newspapers that an African-American would have | 0:03:07 | 0:03:10 | |
the audacity to sue one of the most politically-connected, | 0:03:10 | 0:03:13 | |
richest families in Northern California for discrimination. | 0:03:13 | 0:03:16 | |
..and turn my hand to handball. | 0:03:16 | 0:03:20 | |
I'm going to have a cardiac arrest! | 0:03:21 | 0:03:24 | |
I'll leave my heart in San Francisco! | 0:03:24 | 0:03:26 | |
Appleton's tells me that there are about 30,000 Chinese | 0:03:59 | 0:04:03 | |
in San Francisco. | 0:04:03 | 0:04:05 | |
In the Chinese quarter, they hold undisputed possession of several | 0:04:05 | 0:04:10 | |
blocks, and the houses are crammed from sub-cellar to attic. | 0:04:10 | 0:04:15 | |
Today Chinatown is a major tourist attraction, | 0:04:15 | 0:04:18 | |
and a culinary hub, | 0:04:18 | 0:04:20 | |
but I get the impression that in Appleton's day, | 0:04:20 | 0:04:22 | |
even the Chinese who had built the Transcontinental Railroad | 0:04:22 | 0:04:26 | |
were not treated well. | 0:04:26 | 0:04:28 | |
Chinatown is located between the mansions of Nob Hill and the | 0:04:56 | 0:05:01 | |
financial district, and is the oldest Chinatown in North America, | 0:05:01 | 0:05:05 | |
dating back to the mid-19th century. | 0:05:05 | 0:05:08 | |
I've arranged to meet Sue Lee, | 0:05:22 | 0:05:25 | |
of the Chinese Historical Society of America. | 0:05:25 | 0:05:28 | |
Sue, here we are in the centre of Chinatown, and yet | 0:05:29 | 0:05:33 | |
this plaque tells us that the first American flag in San Francisco | 0:05:33 | 0:05:36 | |
was raised here. Tell me about that. | 0:05:36 | 0:05:38 | |
Well, in 1846, the US wanted California as a state, | 0:05:38 | 0:05:43 | |
so John Montgomery of the USS Portsmouth planted the American flag | 0:05:43 | 0:05:47 | |
here in July 1846 to assert US authority in this territory. | 0:05:47 | 0:05:53 | |
When were the Chinese first attracted to San Francisco | 0:05:53 | 0:05:56 | |
-in numbers? -Large numbers of Chinese began to come to California when | 0:05:56 | 0:05:59 | |
they heard about the Gold Rush. | 0:05:59 | 0:06:02 | |
And so the Chinese population exploded in 1851. | 0:06:02 | 0:06:05 | |
So did they immediately settle in this area? | 0:06:05 | 0:06:09 | |
This was the part of San Francisco that was closest to where the ships | 0:06:09 | 0:06:12 | |
landed and so, as the Chinese came off the ships, they would | 0:06:12 | 0:06:16 | |
come up to Portsmouth Square and they would find lodging around | 0:06:16 | 0:06:20 | |
the square. So this is where Chinatown began. | 0:06:20 | 0:06:24 | |
Further waves of Chinese were attracted to build | 0:06:24 | 0:06:26 | |
the Transcontinental Railroad, is that right? | 0:06:26 | 0:06:29 | |
The Chinese were recruited to come to build the Central Pacific | 0:06:29 | 0:06:32 | |
Railroad, which is the western portion of the Transcontinental. | 0:06:32 | 0:06:37 | |
And 12,000-15,000 Chinese worked on that railroad. | 0:06:37 | 0:06:41 | |
And without the Chinese, it wouldn't have been completed in record time. | 0:06:41 | 0:06:44 | |
Chinese labourers did the dangerous work of blasting through | 0:06:46 | 0:06:49 | |
the treacherous terrain of the High Sierra Mountains. | 0:06:49 | 0:06:52 | |
Receiving lower wages than their white counterparts, | 0:06:54 | 0:06:57 | |
they also had to pay for food, accommodation and tools - | 0:06:57 | 0:07:01 | |
things the white workers were given free. | 0:07:01 | 0:07:03 | |
So once the Chinese have built the railroads, | 0:07:11 | 0:07:13 | |
-how they treated by the Americans? -They were treated very poorly. | 0:07:13 | 0:07:16 | |
They were discriminated against. | 0:07:16 | 0:07:18 | |
-Why? -You know, Chinese have always been seen as perpetual foreigners. | 0:07:18 | 0:07:22 | |
They dressed differently, they spoke a different language. | 0:07:22 | 0:07:25 | |
And then in 1882, the US Congress enacted the Chinese Exclusion Act, | 0:07:25 | 0:07:30 | |
which specifically banned the immigration of Chinese labourers. | 0:07:30 | 0:07:36 | |
And how long was that on the statute book? | 0:07:36 | 0:07:38 | |
The Chinese Exclusion Act lasted 61 years, | 0:07:38 | 0:07:41 | |
and would not be repealed until 1943. | 0:07:41 | 0:07:45 | |
Which is quite shocking. | 0:07:45 | 0:07:46 | |
In the 19th century, white labour feared the Chinese, | 0:07:55 | 0:07:58 | |
partly because they worked so hard. | 0:07:58 | 0:08:00 | |
And here, in every nook and cranny, there is a business. | 0:08:00 | 0:08:03 | |
The Chinese community is so entrepreneurial. | 0:08:03 | 0:08:05 | |
Some making cookies. And some, I dare say, making fortunes. | 0:08:05 | 0:08:09 | |
In business since 1962, the Golden Gate Fortune Cookie Company | 0:08:14 | 0:08:19 | |
has foretold millions of fortunes. | 0:08:19 | 0:08:22 | |
I'm intrigued to learn mine. | 0:08:23 | 0:08:25 | |
-Hello, Kevin. I'm Michael. -Hey, how are you? | 0:08:25 | 0:08:29 | |
Very nice to see you. So, you're making huge numbers | 0:08:29 | 0:08:32 | |
-of fortune cookies. -Yeah, 15,000 per day. | 0:08:32 | 0:08:34 | |
-15,000! -Hand-folded. -Do they have to be hand-folded? | 0:08:34 | 0:08:37 | |
Hand-fold, we are the old school, original. | 0:08:37 | 0:08:40 | |
-Do you want to see your fortune of the day? -Yes, I'd love to. | 0:08:40 | 0:08:43 | |
What does it say? | 0:08:43 | 0:08:45 | |
It says... | 0:08:45 | 0:08:47 | |
Your colourful character will take you far! | 0:08:47 | 0:08:50 | |
-Colourful! -Yes, nice colour. | 0:08:50 | 0:08:52 | |
Where does the fortune cookie come from? | 0:08:52 | 0:08:54 | |
-San Francisco creation. -Really? Not from China, then? | 0:08:54 | 0:08:57 | |
-No such thing. -If you ask for a fortune cookie in China, | 0:08:57 | 0:09:00 | |
they will look at you, like... What are you talking about? | 0:09:00 | 0:09:02 | |
-Is it easy to fold them? -Oh, yeah, for me it's easy. | 0:09:02 | 0:09:06 | |
-Do you want to try? Do you want to go on? -Sure, I'd like to. | 0:09:06 | 0:09:09 | |
Thank you very much. | 0:09:09 | 0:09:11 | |
Now, how do I start? Take up the fortune. | 0:09:13 | 0:09:15 | |
The fortune and put it in the middle and fold it down. | 0:09:15 | 0:09:19 | |
OK, that doesn't look too difficult. | 0:09:19 | 0:09:21 | |
Wow, it's hot! | 0:09:21 | 0:09:23 | |
-Like that? -OK, fold. -Oh, you've got to do it quickly because it's... | 0:09:25 | 0:09:29 | |
Argh! My hands are burning! | 0:09:29 | 0:09:31 | |
Ow, ow! | 0:09:31 | 0:09:33 | |
Four second, if you can't get it done, it goes to the waste can. | 0:09:33 | 0:09:37 | |
Ah, ah, ah! Ouch! | 0:09:37 | 0:09:40 | |
This is absolutely impossible because they are just so hot. | 0:09:41 | 0:09:44 | |
You can't hold on to them for long enough to complete the job. | 0:09:44 | 0:09:47 | |
OK, just one more go. | 0:09:47 | 0:09:49 | |
Fold! | 0:09:49 | 0:09:50 | |
-What are you making, wonton?! Let me show you. -All right. -OK. | 0:09:52 | 0:09:55 | |
Kevin, you are incredibly fast, but you must have asbestos fingers. | 0:10:06 | 0:10:09 | |
-No more feelings. Numb. -Your thumbs are numb, are they? | 0:10:09 | 0:10:13 | |
-No more. -Yes, I can imagine. | 0:10:13 | 0:10:15 | |
And the reason why the lady wears the gloves, those are silk gloves. | 0:10:17 | 0:10:20 | |
Gloves of silk. You cannot use rubber because they will melt. | 0:10:20 | 0:10:23 | |
You didn't offer me any silk gloves, I notice! | 0:10:23 | 0:10:25 | |
Because I thought you were a tough man, so you've got it! | 0:10:25 | 0:10:28 | |
Well, now you know the truth! I'll let you get on with your work. | 0:10:28 | 0:10:31 | |
-Thank you very much. Colourful. -Colourful, that's me. | 0:10:31 | 0:10:34 | |
As well as being an important area of commerce, | 0:10:35 | 0:10:38 | |
Chinatown is also a distinctive community, | 0:10:38 | 0:10:42 | |
where language, culture and traditions are preserved. | 0:10:42 | 0:10:45 | |
-Hello. -Yes? -Sorry to interrupt you. | 0:10:58 | 0:11:01 | |
Are you part of this school here? | 0:11:01 | 0:11:03 | |
Oh, yes. We are teaching the Chinese martial art. | 0:11:03 | 0:11:07 | |
The more they do it like that, so they get used. | 0:11:07 | 0:11:10 | |
Something comes up and they automatically move forward. | 0:11:10 | 0:11:14 | |
So, for instance, if I try to attack you, what's your...? | 0:11:14 | 0:11:17 | |
-Oh! Right! -I just go ahead, just like that. | 0:11:17 | 0:11:20 | |
-OK. -That's very effective. | 0:11:20 | 0:11:22 | |
You bring your hand up, OK, like this, OK? | 0:11:22 | 0:11:26 | |
Just don't think of anything. | 0:11:28 | 0:11:30 | |
If you stay there, lay there, you will feel heavier. | 0:11:30 | 0:11:33 | |
And when you feel heavier, your mind says, no, I've got to keep it up, | 0:11:33 | 0:11:38 | |
keep it up. That means your body is strong, | 0:11:38 | 0:11:42 | |
you get stronger, see? You get stronger, you see. | 0:11:42 | 0:11:46 | |
-That's it. Simple. -First lesson, first lesson. | 0:11:46 | 0:11:49 | |
You're learning so fast! | 0:11:49 | 0:11:51 | |
-Thank you so much! -Enjoy. -Thank you. | 0:11:51 | 0:11:54 | |
Leaving Chinatown, | 0:12:01 | 0:12:03 | |
I'm guided by a reference in my Appleton's to the Olympic Club, | 0:12:03 | 0:12:07 | |
which is just a few blocks away. | 0:12:07 | 0:12:09 | |
Established in 1860, | 0:12:10 | 0:12:12 | |
it's one of the oldest private athletic clubs in America. | 0:12:12 | 0:12:16 | |
Early members include writer Mark Twain and Transcontinental Railroad | 0:12:16 | 0:12:20 | |
tycoons Charles Crocker and Leland Stanford. | 0:12:20 | 0:12:24 | |
There are facilities for many sports, | 0:12:25 | 0:12:27 | |
including one I've never played before. | 0:12:27 | 0:12:30 | |
Handball. I'm meeting one of the sport's top players, Emmett Peixot. | 0:12:30 | 0:12:35 | |
Nice shot. | 0:12:35 | 0:12:37 | |
-Emmett. -Yeah. -Hello. -How's it going? -I'm Michael. | 0:12:41 | 0:12:44 | |
Nice to see you, Michael. | 0:12:44 | 0:12:46 | |
I hadn't anticipated finding handball in San Francisco. | 0:12:46 | 0:12:49 | |
Who brought it to the city? | 0:12:49 | 0:12:51 | |
It was the Irish that actually brought handball to the city, around | 0:12:51 | 0:12:56 | |
1850 or so, and from there on out, | 0:12:56 | 0:12:57 | |
it started to become more and more popular. | 0:12:57 | 0:12:59 | |
How far back does the game go, do you know? | 0:12:59 | 0:13:02 | |
The earliest mention is in Greek poetry back BC. | 0:13:02 | 0:13:05 | |
So it's a very old sport. There's definitely a lot of public | 0:13:05 | 0:13:10 | |
mentions of the sport in the 1400s and 1500s in the UK. | 0:13:10 | 0:13:14 | |
In principle, each player is meant to hit the ball in turn, is that right? | 0:13:14 | 0:13:17 | |
That's correct, yeah. So one player hits, the next person hits, | 0:13:17 | 0:13:20 | |
very much like tennis, a similar strategy to tennis as well. | 0:13:20 | 0:13:23 | |
Right. I'm rather long in the tooth myself, I'm well into my 60s, | 0:13:23 | 0:13:27 | |
but I'm slightly encouraged cos I see some of your players here, well, | 0:13:27 | 0:13:31 | |
are probably even a little bit older than I am. | 0:13:31 | 0:13:33 | |
That's right. We have a list of players that are well over 80. | 0:13:33 | 0:13:37 | |
Absolutely amazing. | 0:13:37 | 0:13:38 | |
The secret to eternal youth! I need to investigate. | 0:13:38 | 0:13:42 | |
Hi, guys. | 0:13:43 | 0:13:45 | |
-May I interrupt a moment? -Sure. | 0:13:45 | 0:13:47 | |
So how long have you been playing handball? | 0:13:47 | 0:13:50 | |
Erm, 70 years. | 0:13:50 | 0:13:52 | |
-Seven zero years I've played in.. -70 years! | 0:13:53 | 0:13:57 | |
I played in boarding school in Sydney, the Christian Brothers, | 0:13:57 | 0:14:00 | |
-they had a court there from Ireland. -I've just been doing the arithmetic. | 0:14:00 | 0:14:03 | |
You've been playing 70 years, you started when you were a teenager, | 0:14:03 | 0:14:06 | |
you are in your mid-80s? | 0:14:06 | 0:14:08 | |
-84! -What's the great attraction of this sport? | 0:14:08 | 0:14:10 | |
-Why do you go on and on with this? -Number one is conditioning, | 0:14:10 | 0:14:13 | |
it keeps you going and keeps your mind going, as well as your body. | 0:14:13 | 0:14:17 | |
And the number two is camaraderie. Because no matter what you do, | 0:14:17 | 0:14:20 | |
they'll never let you be proud of it. They'll just insult you every time! | 0:14:20 | 0:14:23 | |
And that mentally is very refreshing. | 0:14:23 | 0:14:26 | |
Inspired by these guys, I'm going to take on Emmett. | 0:14:26 | 0:14:30 | |
Emmett has been singles champion one, two, three, | 0:14:39 | 0:14:42 | |
four, five, six, seven, eight, nine, ten, 11, 12... | 0:14:42 | 0:14:46 | |
12 times. I don't think the result of this match is in doubt. | 0:14:46 | 0:14:50 | |
-So here I am, Emmett. -How's it going? | 0:14:56 | 0:14:59 | |
Now, do you have any general words of advice for me? | 0:14:59 | 0:15:01 | |
Yes, the most important thing to remember is never take your eye off the ball. | 0:15:01 | 0:15:05 | |
Even when I'm hitting the ball, never take your eye off the ball. | 0:15:05 | 0:15:08 | |
-The second most important thing to remember is move your feet as much as you can. -Good to go! | 0:15:08 | 0:15:13 | |
-OK, so how do we start this? -You're going to swing low to high. | 0:15:13 | 0:15:17 | |
So you're going to get a little lower with your knees, just like that. Now, watch that ball. | 0:15:17 | 0:15:22 | |
Your goal is to try and hit it right there in your hand, OK? | 0:15:22 | 0:15:24 | |
Drop, step, swing. | 0:15:24 | 0:15:26 | |
Wow! Nice shot. | 0:15:28 | 0:15:30 | |
There you go. | 0:15:30 | 0:15:32 | |
Yeah! And that's actually... | 0:15:32 | 0:15:34 | |
You won the point on that one. Here you go. | 0:15:34 | 0:15:36 | |
A serve must hit the front wall first, | 0:15:42 | 0:15:45 | |
after which players hit the ball in turn, without letting it bounce | 0:15:45 | 0:15:48 | |
more than once. | 0:15:48 | 0:15:50 | |
The first to score 21 points wins the game. | 0:15:52 | 0:15:56 | |
Good, move those feet. That's perfect. Nice shot. | 0:15:58 | 0:16:01 | |
You! | 0:16:02 | 0:16:03 | |
Nice. | 0:16:03 | 0:16:04 | |
Excellent, that's a perfect pass. | 0:16:12 | 0:16:14 | |
-Nice shot. -Phew, I'm going to have a cardiac arrest. | 0:16:14 | 0:16:19 | |
I'll leave my heart in San Francisco! | 0:16:19 | 0:16:21 | |
I'm ending my day in Nob Hill, | 0:16:33 | 0:16:35 | |
a neighbourhood that in the 19th century became a favoured spot | 0:16:35 | 0:16:39 | |
for rich tycoons, such as Mark Hopkins, | 0:16:39 | 0:16:42 | |
a financier of the Central Pacific Railroad. | 0:16:42 | 0:16:45 | |
I'm getting a sundowner at the panoramic top floor bar | 0:16:47 | 0:16:51 | |
of his eponymous hotel. | 0:16:51 | 0:16:53 | |
Mark Hopkins built an extraordinary Gothic mansion, | 0:16:53 | 0:16:58 | |
here at the top of Nob Hill. It was made entirely of redwood, | 0:16:58 | 0:17:01 | |
and not surprisingly, it perished in the earthquake and fire of 1906. | 0:17:01 | 0:17:07 | |
But this hotel was built in its place, | 0:17:07 | 0:17:09 | |
and it bears the name of Mark Hopkins. | 0:17:09 | 0:17:12 | |
And this bar is one of the great destinations in San Francisco. | 0:17:12 | 0:17:16 | |
And it's called Top Of The Mark. And top of the evening to you. | 0:17:16 | 0:17:19 | |
This morning I'm making my way out of town to an area | 0:17:50 | 0:17:54 | |
known in the 19th century as the Outside Lands. | 0:17:54 | 0:17:57 | |
Appleton's urges me to visit the beautiful park surrounding | 0:18:00 | 0:18:04 | |
the residence of Adolph Sutro, called Sutro Heights. | 0:18:04 | 0:18:08 | |
To the right of the Cliff House are public baths, established by | 0:18:08 | 0:18:13 | |
Adolph Sutro and water is drawn direct from the ocean. | 0:18:13 | 0:18:16 | |
But in this beautiful place, an ugly incident occurred. | 0:18:16 | 0:18:19 | |
And as so often in American history, it had to do with race. | 0:18:19 | 0:18:23 | |
I'm travelling to the western side of the peninsular on which | 0:18:28 | 0:18:31 | |
San Francisco sits, to a place known as Land's End. | 0:18:31 | 0:18:35 | |
Overlooking the Pacific Ocean, | 0:18:37 | 0:18:39 | |
it's the sight referred to in my Appleton's, | 0:18:39 | 0:18:42 | |
but what he described is no longer there. | 0:18:42 | 0:18:45 | |
I'm meeting National Parks Ranger Rick Penn. | 0:18:51 | 0:18:54 | |
What an amazingly beautiful spot. | 0:18:59 | 0:19:01 | |
Rick, we're looking down on what I suppose are the ruins | 0:19:06 | 0:19:09 | |
of the great Sutro Baths. What sort of facilities were there here? | 0:19:09 | 0:19:13 | |
Sutro was a hydraulic engineer, | 0:19:13 | 0:19:15 | |
and he could manipulate water like no-one. | 0:19:15 | 0:19:17 | |
That's how he made his millions of dollars, not so much as a gold | 0:19:17 | 0:19:20 | |
miner, but someone who provided the equipment for other people to get | 0:19:20 | 0:19:24 | |
gold or silver out of the ground. | 0:19:24 | 0:19:25 | |
He built four different pools, which were flooded by the ocean. | 0:19:25 | 0:19:29 | |
And one of the quotes in the San Francisco Examiner from 1897 said, | 0:19:29 | 0:19:34 | |
"Not since the glory days of Rome have there been baths like these." | 0:19:34 | 0:19:37 | |
As well as the swimming pools, the vast complex housed restaurants, | 0:19:40 | 0:19:45 | |
a museum, and viewing platforms to accommodate thousands of people. | 0:19:45 | 0:19:50 | |
The baths were open to the public, | 0:19:53 | 0:19:54 | |
but what was meant by "the public" in the 1890s? | 0:19:54 | 0:19:57 | |
Even though the newspaper article said that this was a gift to all | 0:19:57 | 0:20:01 | |
of San Francisco, I don't think the Chinese-Americans got the memo | 0:20:01 | 0:20:04 | |
on that, or the African-Americans, or the Mexicans, | 0:20:04 | 0:20:07 | |
because people of colour could come to the baths and they could go | 0:20:07 | 0:20:10 | |
and have a drink or a Sarsaparilla and view the sights, | 0:20:10 | 0:20:13 | |
but when it came to getting a swimsuit and going to swim, | 0:20:13 | 0:20:16 | |
they were denied that. And because of that denial, | 0:20:16 | 0:20:19 | |
a small fledgling group in San Francisco of African-Americans sued | 0:20:19 | 0:20:23 | |
-Adolph Sutro. -Tell me about this discrimination case, then. | 0:20:23 | 0:20:26 | |
Oh, the John Harris versus Adolph Sutro case was a big deal in 1897. | 0:20:26 | 0:20:30 | |
It was in all the newspapers, | 0:20:30 | 0:20:32 | |
that an African-American would have the audacity to sue one of the most | 0:20:32 | 0:20:35 | |
politically-connected, richest families in Northern California for | 0:20:35 | 0:20:39 | |
discrimination at the Sutro Baths. | 0:20:39 | 0:20:41 | |
Across the United States, | 0:20:41 | 0:20:43 | |
segregation had become the law of the land. | 0:20:43 | 0:20:47 | |
But in 1897, | 0:20:47 | 0:20:48 | |
the relatively freethinking state of California passed | 0:20:48 | 0:20:52 | |
the Dibble Civil Rights Act which prohibited discrimination | 0:20:52 | 0:20:56 | |
in restaurants, bathhouses, public transport and movie theatres. | 0:20:56 | 0:21:01 | |
It was this legislation that formed the basis of the John Harris' case. | 0:21:01 | 0:21:06 | |
What was the incident that led to the case? | 0:21:06 | 0:21:08 | |
John Harris had come to Sutro Baths with a couple of friends. | 0:21:08 | 0:21:12 | |
They were white Americans. And they wanted to go and swim in the baths. | 0:21:12 | 0:21:16 | |
So they paid for their ticket, and when they went to get their bathing suit, | 0:21:16 | 0:21:19 | |
the attendant would give the bathing suit to the two Irish-Americans, | 0:21:19 | 0:21:22 | |
but not to John Harris. And they refused him. | 0:21:22 | 0:21:25 | |
Harris was embarrassed and he left and went back to his organisation, | 0:21:25 | 0:21:30 | |
and they asked him to go back again on July 4th, | 0:21:30 | 0:21:32 | |
a very patriotic day in American history. | 0:21:32 | 0:21:35 | |
He did go, he got rebuffed again, and then they decided they were | 0:21:35 | 0:21:39 | |
going to sue the Adolph Sutro organisation | 0:21:39 | 0:21:41 | |
-and Sutro Baths for 10,000. -What was the result of the trial? | 0:21:41 | 0:21:46 | |
The jury heard the evidence, but the jury even asked the judge, | 0:21:46 | 0:21:50 | |
"Do we have to follow the law?" | 0:21:50 | 0:21:52 | |
And the judge said, "Of course you have to follow the law!" | 0:21:52 | 0:21:55 | |
And so they said, we hold for the plaintiff, he was discriminated against. | 0:21:55 | 0:21:58 | |
Now, when it came to the actual money, | 0:21:58 | 0:22:01 | |
the jury went back to the judge and said, "How little can we give him?" | 0:22:01 | 0:22:05 | |
And the judge says, "Well, according to the law, | 0:22:05 | 0:22:08 | |
"no less than 50 per incident." | 0:22:08 | 0:22:10 | |
So they gave him 100, not the 10,000. | 0:22:10 | 0:22:14 | |
But a precedent had been set, and this story, I think, | 0:22:14 | 0:22:17 | |
is more than just a legacy of beautiful ruins, | 0:22:17 | 0:22:20 | |
but something that came out of the ruins that is alive today | 0:22:20 | 0:22:23 | |
and with us today. | 0:22:23 | 0:22:25 | |
California's somewhat progressive civil rights laws would, | 0:22:28 | 0:22:31 | |
almost 70 years later, inform the landmark 1964 Civil Rights Act, | 0:22:31 | 0:22:37 | |
which is still on the statute books today. | 0:22:37 | 0:22:40 | |
When San Francisco exploded as a city | 0:22:52 | 0:22:55 | |
on the back of the 1849 Gold Rush, | 0:22:55 | 0:22:58 | |
it had to establish civil institutions rapidly. | 0:22:58 | 0:23:01 | |
The San Francisco Police Department was founded in the same year. | 0:23:03 | 0:23:07 | |
And in 1864, a Marine Division was added. | 0:23:08 | 0:23:11 | |
150 years later, policing has continued to adapt. | 0:23:13 | 0:23:17 | |
I've arranged a rendezvous with Sergeant Daniel Laval. | 0:23:19 | 0:23:23 | |
Dan, what is your police boat doing along there by the walls? | 0:23:25 | 0:23:28 | |
So right now they're running along the pier face and they're conducting | 0:23:28 | 0:23:32 | |
a sonar sweep. And this particular sonar is a three-dimensional sonar. | 0:23:32 | 0:23:36 | |
-Well, they're coming ashore now. Shall we look at what they've captured? -Absolutely. | 0:23:36 | 0:23:41 | |
-Hello, guys. -Hello. -How you doing? | 0:23:49 | 0:23:51 | |
This is Officer Mopar, Officer Mathe. | 0:23:51 | 0:23:53 | |
-Nice to meet you. -Good to see you both. | 0:23:53 | 0:23:56 | |
-What are you looking for? -If we have any of our Navy ships coming into | 0:23:56 | 0:23:59 | |
town, like we'll be having Fleet Week coming up soon, | 0:23:59 | 0:24:02 | |
what we'll do is we'll do a sweep of the pier, and we | 0:24:02 | 0:24:05 | |
keep records of what they looked like last year to what they look | 0:24:05 | 0:24:08 | |
like this year. And if we see any thing that's different or looks out | 0:24:08 | 0:24:12 | |
of place, then we can forward that over to our bomb techs, and then they'll take a look at it. | 0:24:12 | 0:24:16 | |
And if they determine they need to go underwater to take a look at it, | 0:24:16 | 0:24:19 | |
they will. It just gives you an amazing, | 0:24:19 | 0:24:21 | |
it's almost a picture-quality image of what's going on down there. | 0:24:21 | 0:24:24 | |
I'm astonished by how good these images are. | 0:24:24 | 0:24:27 | |
Oh, it's an unbelievable tool that can help keep the port safe. | 0:24:27 | 0:24:31 | |
Good work. | 0:24:31 | 0:24:32 | |
It's not just the harbour that they inspect. | 0:24:34 | 0:24:37 | |
They're charged with protecting the whole bay, | 0:24:37 | 0:24:40 | |
which they've been patrolling since the 1860s. | 0:24:40 | 0:24:43 | |
I'm taking to the water with Officer Stephen Hogan to see how this | 0:24:43 | 0:24:47 | |
strategically important port has been defended over the years. | 0:24:47 | 0:24:51 | |
Steve, when you get out on the water like this and you see the bay, | 0:24:54 | 0:24:58 | |
you begin to realise why the San Francisco Police has a Marine Division. | 0:24:58 | 0:25:01 | |
It must be a pretty important part of what you do. | 0:25:01 | 0:25:04 | |
Well, we have certain things, whether it's drug interdiction, | 0:25:04 | 0:25:06 | |
and just generally regulating commerce in the area. | 0:25:06 | 0:25:10 | |
One of our main missions is search and rescue, of course. | 0:25:10 | 0:25:13 | |
This must have been an area heavily fortified over the centuries. | 0:25:13 | 0:25:16 | |
From the beginning of the settlement, | 0:25:16 | 0:25:18 | |
this has always been a focal point for any kind of coastal defence or | 0:25:18 | 0:25:21 | |
defence of San Francisco Bay. Especially in the 1850s. | 0:25:21 | 0:25:25 | |
That's when most of the major fortifications were built in this area. | 0:25:25 | 0:25:28 | |
And the fort that we see here under the Golden Gate Bridge, what's that? | 0:25:28 | 0:25:32 | |
-That's Fort Point, and that was built and finished in the early 1860s. -During the Civil War, | 0:25:32 | 0:25:38 | |
I suppose there was some perceived threat to San Francisco? | 0:25:38 | 0:25:42 | |
Definitely. The Confederacy could potentially raid any gold | 0:25:42 | 0:25:46 | |
-deposits here. -The gold, of course, was valuable to San Francisco, | 0:25:46 | 0:25:50 | |
but also essential to the Union victory. | 0:25:50 | 0:25:52 | |
Definitely. This is kind of a bank or reserve for the Union Army. | 0:25:52 | 0:25:56 | |
Yes, so there's quite a lot to defend. | 0:25:56 | 0:25:59 | |
Definitely. It's always been a very wealthy port here. | 0:25:59 | 0:26:02 | |
All these batteries, all these gun emplacements. | 0:26:02 | 0:26:04 | |
But I suppose they were never fired in anger, were they? | 0:26:04 | 0:26:07 | |
No, nobody ever fired a shot here in anger, thankfully. | 0:26:07 | 0:26:10 | |
-But the motto was, be prepared. -It's always be prepared. | 0:26:10 | 0:26:13 | |
It still is be prepared today. | 0:26:13 | 0:26:15 | |
And now we pass under this amazingly iconic bridge, | 0:26:25 | 0:26:29 | |
with its familiar rust red colour, built, what, in the 1930s, was it? | 0:26:29 | 0:26:34 | |
Yes, it was completed actually in 1937. | 0:26:34 | 0:26:37 | |
And that colour is known as International Orange. | 0:26:37 | 0:26:39 | |
I'm dressed for the occasion! | 0:26:40 | 0:26:42 | |
San Francisco began as a cosmopolitan melting pot, | 0:27:00 | 0:27:04 | |
and is today famously respectful of diversity. | 0:27:04 | 0:27:08 | |
But it's been a hilly journey. California joined the USA | 0:27:08 | 0:27:13 | |
as an anti-slavery state, not so much because it was liberal, | 0:27:13 | 0:27:17 | |
but because white workers feared being undercut by free labour. | 0:27:17 | 0:27:21 | |
The John Harris case was about segregation in this city, | 0:27:21 | 0:27:26 | |
and the law expressly discriminated against Chinese people. | 0:27:26 | 0:27:31 | |
Even San Francisco, the City of Love, | 0:27:31 | 0:27:35 | |
has been unable to avoid the racism which has poisoned the United States | 0:27:35 | 0:27:40 | |
since their foundation. | 0:27:40 | 0:27:41 | |
Next time, foundations are rocked... | 0:27:47 | 0:27:50 | |
The earthquake has begun. | 0:27:50 | 0:27:51 | |
Wow! | 0:27:51 | 0:27:53 | |
An incredibly sharp jolt that time. | 0:27:53 | 0:27:56 | |
..I try not to lose my footing... | 0:27:57 | 0:28:00 | |
-You scared of heights? -Yes! | 0:28:00 | 0:28:02 | |
Does the rope make it all the way to the ground? | 0:28:02 | 0:28:05 | |
I don't know that! | 0:28:05 | 0:28:06 | |
..and end up in a flat spin. | 0:28:07 | 0:28:09 | |
Turning this two-tonne beast is hard work! | 0:28:11 | 0:28:15 |