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'I'm embarking on a new railway adventure, | 0:00:04 | 0:00:07 | |
'that will take me across the heart of Europe.' | 0:00:07 | 0:00:10 | |
I'll be using this, | 0:00:11 | 0:00:12 | |
my Bradshaw's Continental Railway Guide, dated 1913, | 0:00:12 | 0:00:17 | |
which opened up an exotic world of foreign travel | 0:00:17 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:21 | |
'It told travellers where to go, what to see | 0:00:23 | 0:00:26 | |
'and how to navigate the thousands of miles of tracks | 0:00:26 | 0:00:29 | |
'criss-crossing the Continent. | 0:00:29 | 0:00:31 | |
'Now, a century later, | 0:00:31 | 0:00:33 | |
'I'm using my copy to reveal an era of great optimism and energy, | 0:00:33 | 0:00:37 | |
'where technology, industry, science and the arts were flourishing.' | 0:00:37 | 0:00:42 | |
I want to rediscover that lost Europe that, in 1913, couldn't know | 0:00:42 | 0:00:47 | |
that its way of life would shortly be swept aside | 0:00:47 | 0:00:51 | |
by the advent of war. | 0:00:51 | 0:00:52 | |
'Steered by my 1913 railway guide, | 0:01:08 | 0:01:11 | |
'I've completed four illuminating journeys | 0:01:11 | 0:01:14 | |
'through prosperous pre-war Europe.' | 0:01:14 | 0:01:16 | |
'Today's final leg will take me | 0:01:19 | 0:01:21 | |
'to where that peaceful world was to be swept away. | 0:01:21 | 0:01:25 | |
'I'll experience the dazzling cities of the pre-war Low Countries.' | 0:01:25 | 0:01:29 | |
-£200,000? For one of these? -Absolutely. | 0:01:29 | 0:01:33 | |
'Sampling the delicacies...' | 0:01:33 | 0:01:35 | |
Feels like you want to take a bath in it, doesn't it? | 0:01:35 | 0:01:37 | |
Yes, you would like to take a bath. | 0:01:37 | 0:01:39 | |
'And meeting today's locals...' | 0:01:39 | 0:01:40 | |
It's like a bible. It's like a railway bible. | 0:01:40 | 0:01:45 | |
'..before reaching the French sector of the Western Front...' | 0:01:45 | 0:01:48 | |
WHISTLE BLOWS | 0:01:48 | 0:01:49 | |
'..where from 1914, | 0:01:49 | 0:01:52 | |
'the trains carried a new cargo - of artillery shells...' | 0:01:52 | 0:01:55 | |
That's amazing. In two minutes, we laid five metres. | 0:01:55 | 0:01:59 | |
'..and the Edwardian tourists were replaced by soldiers, | 0:01:59 | 0:02:02 | |
'facing the horrors of the trenches.' | 0:02:02 | 0:02:05 | |
He was one of the 72,000 people | 0:02:05 | 0:02:10 | |
who never had a grave. | 0:02:10 | 0:02:13 | |
'This journey starts in Amsterdam, | 0:02:23 | 0:02:26 | |
'then takes me south, via The Hague, to Belgium. | 0:02:26 | 0:02:29 | |
'I'll witness the decadence of fin de siecle in Brussels, | 0:02:29 | 0:02:33 | |
'then visit Mons, where British troops first fought in 1914. | 0:02:33 | 0:02:37 | |
'Then the French front line, | 0:02:37 | 0:02:39 | |
'finishing in Compiegne, where four years of warfare came to an end.' | 0:02:39 | 0:02:44 | |
I'm travelling along the first railway line ever built | 0:02:47 | 0:02:50 | |
in the Netherlands and the view from my window | 0:02:50 | 0:02:53 | |
is of the characteristically flat Dutch countryside, | 0:02:53 | 0:02:55 | |
although without the thousands of windmills promised by my Bradshaw's. | 0:02:55 | 0:02:59 | |
But Bradshaw's does say that, | 0:02:59 | 0:03:01 | |
"Holland, which was once an extended swamp, | 0:03:01 | 0:03:04 | |
"alternately covered by, and abandoned by, the sea, | 0:03:04 | 0:03:06 | |
"presents the picture of a people | 0:03:06 | 0:03:08 | |
"owing not only their wealth and high commercial position, | 0:03:08 | 0:03:11 | |
"but even the very land to their own labour and enterprise." | 0:03:11 | 0:03:16 | |
These were industrious and resourceful people, | 0:03:16 | 0:03:20 | |
the sort that we British could admire. | 0:03:20 | 0:03:23 | |
'This nation's achievements were showcased in Amsterdam, described | 0:03:31 | 0:03:35 | |
'in my 1913 guide as "the commercial capital of Holland" | 0:03:35 | 0:03:39 | |
' "and one of the great financial centres of Europe." ' | 0:03:39 | 0:03:42 | |
'Its vast Centraal Station was the first advertisement to visitors | 0:03:44 | 0:03:48 | |
'of the city's enterprising spirit.' | 0:03:48 | 0:03:50 | |
'Arriving here in 1913, | 0:03:53 | 0:03:55 | |
'British tourists could enjoy the opulent facilities, | 0:03:55 | 0:03:58 | |
'including a luxurious restaurant for first-class passengers.' | 0:03:58 | 0:04:02 | |
'But I'm tearing myself away, to look for traces of the Amsterdam | 0:04:04 | 0:04:08 | |
'that they would have seen.' | 0:04:08 | 0:04:10 | |
My Bradshaw's tells me that - "The canals are very numerous, | 0:04:13 | 0:04:17 | |
"and of the greatest utility in draining off the waters | 0:04:17 | 0:04:20 | |
"and in facilitating internal trade. | 0:04:20 | 0:04:22 | |
"They are lined with trees, | 0:04:22 | 0:04:24 | |
"which tend greatly to improve the country. | 0:04:24 | 0:04:26 | |
"The traveller will find an occasional trip on the canals | 0:04:26 | 0:04:30 | |
"an interesting experience." | 0:04:30 | 0:04:32 | |
And it's one that I intend to enjoy, right now. | 0:04:32 | 0:04:36 | |
'Amsterdam's most famous canals date back to | 0:04:36 | 0:04:39 | |
'the city's 17th-Century golden age, | 0:04:39 | 0:04:41 | |
'and with over 60 miles of waterways to explore, | 0:04:41 | 0:04:44 | |
'I'm hitching a ride with lifelong local, Franck Hakkert.' | 0:04:44 | 0:04:48 | |
-Franck. -Michael. -Hello. -Nice meeting you. | 0:04:48 | 0:04:52 | |
-Good to see you. -Come aboard. -Take that, sir. | 0:04:52 | 0:04:54 | |
-Come aboard. -Very good. | 0:04:54 | 0:04:56 | |
'Towards the end of the 19th century, | 0:04:56 | 0:04:58 | |
'new water routes linking Amsterdam to the sea | 0:04:58 | 0:05:00 | |
'were constructed, heralding a fresh boom for the city. | 0:05:00 | 0:05:04 | |
'In 1913, the grand canal-front houses belonged to rich merchants, | 0:05:04 | 0:05:08 | |
'trading oil and other commodities from the Dutch East Indies. | 0:05:08 | 0:05:12 | |
'A boat like Franck's, which is 120 years old, | 0:05:12 | 0:05:15 | |
'would have been a familiar sight in the thriving harbour.' | 0:05:15 | 0:05:19 | |
This sort of boat was used for what? | 0:05:19 | 0:05:21 | |
This boat was called a parlevinker, in Dutch, | 0:05:21 | 0:05:23 | |
there's no translation for that in English. | 0:05:23 | 0:05:25 | |
But it was used to supply bigger sea boats with oil and grease. | 0:05:25 | 0:05:30 | |
They were selling to the bigger boats. It was a shop on the water. | 0:05:30 | 0:05:34 | |
Wonderful, wonderful, wonderful! That's so pretty. | 0:05:37 | 0:05:40 | |
Franck, Amsterdam is not designed for | 0:05:47 | 0:05:50 | |
tall people standing in boats, is it? | 0:05:50 | 0:05:52 | |
These bridges are very low. | 0:05:52 | 0:05:54 | |
Actually, I have hit my head myself once against the bridge. | 0:05:54 | 0:05:57 | |
I ended up in hospital. | 0:05:57 | 0:05:59 | |
Oh, my goodness. | 0:05:59 | 0:06:00 | |
This is very, very low. | 0:06:01 | 0:06:03 | |
Not much headroom there. | 0:06:10 | 0:06:13 | |
-We're there. -Thank you very much indeed. | 0:06:13 | 0:06:15 | |
Have a nice trip. | 0:06:15 | 0:06:17 | |
'My boat ride has brought me to the south of the city. | 0:06:20 | 0:06:22 | |
'When my 1913 railway guide was written, | 0:06:22 | 0:06:25 | |
'this area was home to a community of artisans, | 0:06:25 | 0:06:28 | |
'producing a luxury that bedazzled Europe's glamorous elite.' | 0:06:28 | 0:06:33 | |
In this glittering city, my Bradshaw's points out that - | 0:06:33 | 0:06:36 | |
"Among the arts or crafts practiced here, | 0:06:36 | 0:06:38 | |
"that of diamond polishing should be mentioned. | 0:06:38 | 0:06:40 | |
"The craft is mostly in the hands of Jews, employing several thousands." | 0:06:40 | 0:06:45 | |
And the story of one particular gem made an Amsterdam name | 0:06:45 | 0:06:50 | |
famous in Edwardian Britain. | 0:06:50 | 0:06:53 | |
'Jews in Amsterdam had been cutting diamonds | 0:06:53 | 0:06:56 | |
'since the 16th century and, in the 1900s, they were kept busy | 0:06:56 | 0:07:00 | |
'by a flood of jewels from mines recently opened in South Africa. | 0:07:00 | 0:07:04 | |
'There, in 1905, a stone was found | 0:07:04 | 0:07:08 | |
'which was to make the Asscher Diamond Company universally famous.' | 0:07:08 | 0:07:13 | |
-Hello, Michael. Nice to see you. -Hello. How good to see you. | 0:07:15 | 0:07:18 | |
'Edward Asscher's family has run the firm for five generations. | 0:07:18 | 0:07:22 | |
'A century ago, his grandfather shone in the story of the legendary | 0:07:22 | 0:07:26 | |
'Cullinan diamond.' | 0:07:26 | 0:07:28 | |
The Cullinan is a very famous diamond. Tell me about that. | 0:07:29 | 0:07:32 | |
It's the biggest rough diamond ever found. | 0:07:32 | 0:07:35 | |
It was found in the premier mine in South Africa, | 0:07:35 | 0:07:39 | |
and was given to the UK | 0:07:39 | 0:07:43 | |
as a token of reconciliation after the Boer War. | 0:07:43 | 0:07:47 | |
This is a copy of the original rough Cullinan. | 0:07:47 | 0:07:51 | |
How rare is a diamond of this size and this quality? | 0:07:51 | 0:07:55 | |
Never in history has a bigger diamond been found anywhere in the world. | 0:07:55 | 0:08:00 | |
Still today, it's the largest rough diamond that we have known. | 0:08:00 | 0:08:06 | |
'The flamboyant British king, Edward VII, was passionate | 0:08:06 | 0:08:10 | |
'about diamonds, so the 3,106-carat Cullinan was the perfect gift. | 0:08:10 | 0:08:16 | |
'But a highly-skilled cutter was needed | 0:08:16 | 0:08:18 | |
'to transform the rough stone into jewels fit for royalty.' | 0:08:18 | 0:08:22 | |
We were invited by the King to come to London | 0:08:23 | 0:08:27 | |
and study the diamond. | 0:08:27 | 0:08:29 | |
When the King decided we could polish it, | 0:08:29 | 0:08:33 | |
they published in all the British and Dutch newspapers | 0:08:33 | 0:08:37 | |
the story that they would send a destroyer | 0:08:37 | 0:08:40 | |
with this, the biggest diamond in the world. | 0:08:40 | 0:08:43 | |
Well, actually, my grandfather put it in his pocket | 0:08:43 | 0:08:46 | |
and took the boat from Harwich to the Hook of Holland. | 0:08:46 | 0:08:50 | |
'This was the Asschers' biggest task yet. | 0:08:50 | 0:08:54 | |
'There was a tiny flaw at the centre of the diamond | 0:08:54 | 0:08:57 | |
'and the first challenge was to cut it in two.' | 0:08:57 | 0:09:01 | |
Here we have the tools of the Cullinan. | 0:09:01 | 0:09:05 | |
You can see this is a footprint of the real rough Cullinan | 0:09:05 | 0:09:10 | |
before the cleaving. | 0:09:10 | 0:09:11 | |
Sorry, you mean these tools were actually used to cut the Cullinan? | 0:09:11 | 0:09:15 | |
-These are historic tools. -Indeed, they are. | 0:09:15 | 0:09:18 | |
'A crowd gathered to watch Joseph Asscher cut the priceless stone.' | 0:09:20 | 0:09:25 | |
My grandfather tried to cleave it with this. | 0:09:26 | 0:09:30 | |
First, the blade broke in two pieces. | 0:09:30 | 0:09:34 | |
'Having failed first time, Joseph sent away his audience, | 0:09:34 | 0:09:38 | |
'and gathered his strength once again.' | 0:09:38 | 0:09:40 | |
And then, with this original one, he held it like that, | 0:09:40 | 0:09:44 | |
used a hammer to hit the diamond, then it was cleft in two pieces. | 0:09:44 | 0:09:50 | |
What a responsibility. | 0:09:50 | 0:09:51 | |
'Nine large and 96 smaller gems were cut from the stone, | 0:09:51 | 0:09:55 | |
'and the two biggest now form part of the British Crown Jewels, | 0:09:55 | 0:09:58 | |
'set in the Imperial Sceptre and the Imperial State Crown.' | 0:09:58 | 0:10:03 | |
THEY CHANT | 0:10:05 | 0:10:07 | |
Is this the Cullinan here, is it? | 0:10:07 | 0:10:10 | |
Yes, this a replica of the Imperial State Crown, | 0:10:10 | 0:10:14 | |
in which the Cullinan two are mounted here. | 0:10:14 | 0:10:17 | |
All this is made of gold and diamonds, | 0:10:17 | 0:10:21 | |
except, of course, this little stone. | 0:10:21 | 0:10:24 | |
'Amsterdam's diamond industry was crushed during the Second World War, | 0:10:24 | 0:10:29 | |
'when the city's Jewish diamond cutters | 0:10:29 | 0:10:31 | |
'were sent to concentration camps. | 0:10:31 | 0:10:33 | |
'Of Asscher's 500 workers, only 15 survived. | 0:10:33 | 0:10:38 | |
'Among them were Edward's father and uncle, | 0:10:38 | 0:10:41 | |
'who returned to Amsterdam and rebuilt the business from scratch.' | 0:10:41 | 0:10:46 | |
Michael, here is a six-carat diamond. | 0:10:46 | 0:10:50 | |
This shape we call a "brilliant", it's the most popular shape. | 0:10:50 | 0:10:54 | |
And this six-carat diamond has a value of about £200,000. | 0:10:54 | 0:11:00 | |
-£200,000 for one of these? -Yes. | 0:11:00 | 0:11:03 | |
-Absolutely. -That's amazing. | 0:11:03 | 0:11:06 | |
What makes it SO valuable? | 0:11:07 | 0:11:10 | |
The cut, the colour, the clarity and the weight - | 0:11:10 | 0:11:14 | |
what we call the four Cs - together decides the value of a diamond. | 0:11:14 | 0:11:18 | |
'Today, the firm's skilled polishers still use techniques | 0:11:18 | 0:11:22 | |
'that readers of my guidebook would have seen, | 0:11:22 | 0:11:25 | |
'but some aspects of the business have changed dramatically.' | 0:11:25 | 0:11:29 | |
Put the diamond in front of lens. | 0:11:29 | 0:11:33 | |
And then we close it, so we can look at it on the computer. | 0:11:33 | 0:11:38 | |
This is modern technology. | 0:11:38 | 0:11:39 | |
If we would do this to the Cullinan, | 0:11:39 | 0:11:42 | |
it would also show that we could improve on it. | 0:11:42 | 0:11:45 | |
Is it becoming more perfect? | 0:11:45 | 0:11:47 | |
No, I don't think so. It is more efficient. | 0:11:48 | 0:11:52 | |
But if you look at old diamonds that fetch a very high price, | 0:11:52 | 0:11:56 | |
it's the beauty of it, it is the romance, it is the background | 0:11:56 | 0:12:01 | |
and not only the technology. | 0:12:01 | 0:12:04 | |
'I'm now leaving behind the bustling commercial centre of Amsterdam | 0:12:10 | 0:12:14 | |
'to continue my journey in the footsteps of Edwardian tourists.' | 0:12:14 | 0:12:18 | |
'To while away the train trip, | 0:12:21 | 0:12:23 | |
'I'm sampling a traditional Dutch delicacy.' | 0:12:23 | 0:12:26 | |
It's very important when travelling abroad to immerse yourself | 0:12:26 | 0:12:30 | |
in the local culture. | 0:12:30 | 0:12:32 | |
I'm about to do that big time. | 0:12:32 | 0:12:34 | |
By eating raw herring. | 0:12:34 | 0:12:38 | |
In case it's not smelly enough, it has then been dipped in raw onion... | 0:12:38 | 0:12:44 | |
And then the important thing is to feed it into your face this way. | 0:12:45 | 0:12:50 | |
Urgh. Oh! | 0:12:56 | 0:13:00 | |
Absolutely overpowering. | 0:13:00 | 0:13:02 | |
I'm hoping my next stop will be rather more to my taste. | 0:13:03 | 0:13:07 | |
Because I'm bound for the home of Dutch politics, The Hague. | 0:13:07 | 0:13:11 | |
My Bradshaw's tells me that The Hague - | 0:13:12 | 0:13:14 | |
"Is a town of broad handsome thoroughfares, | 0:13:14 | 0:13:17 | |
"with stately public buildings and houses. | 0:13:17 | 0:13:20 | |
"It's the political capital of Holland, | 0:13:20 | 0:13:22 | |
"the residence of the Queen and the seat of government." | 0:13:22 | 0:13:25 | |
I can already feel the pull of political power | 0:13:25 | 0:13:28 | |
attracting me like a magnet. | 0:13:28 | 0:13:32 | |
'The Hague is still where you'll find the Dutch parliament, | 0:13:33 | 0:13:36 | |
'but internationally, it's better known for its role in global politics. | 0:13:36 | 0:13:40 | |
'The city rejoices to be the home of international peace and justice, | 0:13:40 | 0:13:45 | |
'and the iconic symbol of that mission | 0:13:45 | 0:13:48 | |
'is this majestic structure, which opened its doors in 1913.' | 0:13:48 | 0:13:52 | |
I'm at the Peace Palace, towards whose cost my Bradshaw's tells me | 0:13:53 | 0:13:58 | |
"Mr Carnegie gave £300,000." | 0:13:58 | 0:14:02 | |
I'd like to know more about this multi-millionaire, who devoted | 0:14:02 | 0:14:05 | |
his philanthropy, and his idealism, to finding alternatives to war. | 0:14:05 | 0:14:10 | |
'Andrew Carnegie would have been well-known | 0:14:11 | 0:14:14 | |
'to readers of my 1913 guidebook. | 0:14:14 | 0:14:16 | |
'A British-born steel magnate, he began his career on the railways | 0:14:16 | 0:14:20 | |
'and rose to being one of the richest men in the world.' | 0:14:20 | 0:14:23 | |
'To learn about his connection with this awe-inspiring building, | 0:14:25 | 0:14:29 | |
'I'm exploring the archives with | 0:14:29 | 0:14:31 | |
'General Director of the Carnegie Foundation, Steven van Hoogstraten.' | 0:14:31 | 0:14:35 | |
Steven, this is absolutely vast. What is in this great archive here? | 0:14:36 | 0:14:40 | |
This is the collection of the Peace Palace Library. | 0:14:40 | 0:14:45 | |
Basically, this is 22km of shelves for books, | 0:14:45 | 0:14:48 | |
and we occupy something like 15 or 16. It's close to a million books. | 0:14:48 | 0:14:53 | |
'The palace and its library were borne out of | 0:14:53 | 0:14:56 | |
'an international peace movement | 0:14:56 | 0:14:58 | |
'that flowered at the end of the 19th century. | 0:14:58 | 0:15:00 | |
'In that age of both fear and idealism, | 0:15:00 | 0:15:02 | |
'many hoped that the march of civilisation could one day | 0:15:02 | 0:15:05 | |
'put a stop to war, with the rule of global law replacing conflict. | 0:15:05 | 0:15:10 | |
'Peace campaigners lobbied statesmen | 0:15:10 | 0:15:12 | |
'and later philanthropists to support their cause.' | 0:15:12 | 0:15:15 | |
Why did Carnegie think of giving his money to a Peace Palace? | 0:15:15 | 0:15:18 | |
Andrew Carnegie was a large steel producer, a very rich man, | 0:15:18 | 0:15:25 | |
who decided at the age of 60 that he wanted to become | 0:15:25 | 0:15:28 | |
a philanthropist and give his money away. | 0:15:28 | 0:15:30 | |
And he was approached by people who had participated | 0:15:30 | 0:15:34 | |
in a big peace conference in The Hague in 1899. | 0:15:34 | 0:15:38 | |
'The conference was an international meeting, | 0:15:38 | 0:15:41 | |
'attended by heads of state, campaigners and journalists.' | 0:15:41 | 0:15:46 | |
Here is a cartoon of all the nations | 0:15:46 | 0:15:50 | |
that participated in the first conference. | 0:15:50 | 0:15:52 | |
And this, the American President, a Turkish high representative... | 0:15:52 | 0:15:57 | |
They don't give all the names here, | 0:15:57 | 0:15:59 | |
but it is a rather funny get-together. | 0:15:59 | 0:16:02 | |
And here I recognise, I think, Queen Victoria, | 0:16:02 | 0:16:04 | |
-because this was just before her death. -Yeah. | 0:16:04 | 0:16:07 | |
'At the conference, it was decided to create an | 0:16:07 | 0:16:10 | |
'international court of arbitration to resolve disputes between nations. | 0:16:10 | 0:16:14 | |
'Such an important institution required a suitably imposing home, | 0:16:14 | 0:16:18 | |
'and Carnegie was rich enough to fund it.' | 0:16:18 | 0:16:21 | |
This, Michael, is a copy of the cheque | 0:16:24 | 0:16:26 | |
and it says that there is 1.5m | 0:16:26 | 0:16:30 | |
that he makes available for the creation of the Peace Palace. | 0:16:30 | 0:16:35 | |
1.5m. My guidebook tells me £300,000, | 0:16:35 | 0:16:39 | |
so the exchange rate was a great deal more favourable | 0:16:39 | 0:16:42 | |
to the pound in those days! | 0:16:42 | 0:16:43 | |
'Work began on the grand building in 1907. | 0:16:44 | 0:16:48 | |
'It was completed six years later, | 0:16:48 | 0:16:50 | |
'but by then, the storm clouds of war were gathering.' | 0:16:50 | 0:16:55 | |
That is very poignant, isn't it? | 0:16:55 | 0:16:56 | |
Less than one year before WWI, the Peace Palace opened. | 0:16:56 | 0:17:00 | |
That was one of the great disappointments of the people | 0:17:00 | 0:17:03 | |
who worked in the Peace Palace | 0:17:03 | 0:17:05 | |
and notably, Andrew Carnegie, was very depressed about that. | 0:17:05 | 0:17:09 | |
'The Peace Palace is still home | 0:17:12 | 0:17:14 | |
'to the 1899 Permanent Court of Arbitration. | 0:17:14 | 0:17:16 | |
'With the International Criminal Court based nearby, | 0:17:18 | 0:17:20 | |
'The Hague is uniquely a centre for global justice. | 0:17:20 | 0:17:24 | |
'But touring the Peace Palace gardens, | 0:17:27 | 0:17:29 | |
'with my 1913 guidebook in hand, | 0:17:29 | 0:17:31 | |
'it's poignant to recall how its founders' hopes, expressed | 0:17:31 | 0:17:35 | |
'in this monumental architecture, were soon to be dashed.' | 0:17:35 | 0:17:39 | |
'A new day, and time to continue my voyage through the Low Countries, | 0:17:56 | 0:18:00 | |
'guided by my railway handbook.' | 0:18:00 | 0:18:02 | |
'For me, this next leg carries a whiff of nostalgia.' | 0:18:04 | 0:18:08 | |
Do you remember corridor trains like this? | 0:18:13 | 0:18:16 | |
Where would the writers of romantic novels or murder mysteries | 0:18:16 | 0:18:19 | |
have been without corridor trains? | 0:18:19 | 0:18:22 | |
How I miss them. | 0:18:22 | 0:18:23 | |
'I'm settling in for a two-hour ride | 0:18:23 | 0:18:26 | |
'which will take me across an international frontier.' | 0:18:26 | 0:18:29 | |
This nice old-fashioned train is carrying me into Belgium. | 0:18:32 | 0:18:35 | |
My Bradshaw's notes - "With narrow limits, easily travelled, | 0:18:35 | 0:18:39 | |
"Belgium offers great attractions of | 0:18:39 | 0:18:41 | |
"a wonderful, modern, industrial development. | 0:18:41 | 0:18:45 | |
"Railways - 2,915 miles open, mostly belonging to the state." | 0:18:45 | 0:18:50 | |
Belgium followed Britain in developing its railways, | 0:18:50 | 0:18:54 | |
but here, the state planned the network, in sharp contrast | 0:18:54 | 0:18:57 | |
to Britain's topsy-turvy, hell-for-leather, | 0:18:57 | 0:19:01 | |
free market railway mania. | 0:19:01 | 0:19:04 | |
'When Belgium opened its first line in 1835, | 0:19:07 | 0:19:10 | |
'it was the pioneer in Continental Europe. | 0:19:10 | 0:19:13 | |
'With no local railway industry, the locomotives were imported - | 0:19:13 | 0:19:17 | |
'built in Britain at the Stephenson Works.' | 0:19:17 | 0:19:20 | |
'As with us, the earliest lines were built for industry | 0:19:22 | 0:19:25 | |
'but soon carried people, too. | 0:19:25 | 0:19:28 | |
'In 1913, a journey on these tracks held the promise | 0:19:28 | 0:19:32 | |
'of chance encounters and impromptu friendships, | 0:19:32 | 0:19:35 | |
'and the same is true today.' | 0:19:35 | 0:19:38 | |
Excuse me. The terrible thing about these trains with compartments | 0:19:38 | 0:19:41 | |
is that the person next to you thinks they can talk to you. | 0:19:41 | 0:19:45 | |
Have you noticed that? | 0:19:45 | 0:19:46 | |
A little bit. THEY LAUGH | 0:19:46 | 0:19:49 | |
In Britain, we no longer have these trains. | 0:19:49 | 0:19:52 | |
We used to have them, but they make people more sociable. | 0:19:52 | 0:19:55 | |
You know, when you've got the door and... | 0:19:55 | 0:19:58 | |
-It's a bit cosy. -A bit cosy, yeah. | 0:19:58 | 0:20:01 | |
People used to share food. You haven't got any food, have you? | 0:20:01 | 0:20:05 | |
-I have chewing gum, if you'd like some. -No, no. | 0:20:05 | 0:20:07 | |
-THEY LAUGH -No, thank you. Thank you. | 0:20:07 | 0:20:11 | |
You have an interesting book. | 0:20:11 | 0:20:13 | |
Ah, this is my 1913 guidebook, | 0:20:13 | 0:20:18 | |
so this very nearly 100 years old. | 0:20:18 | 0:20:20 | |
-Really old! -You may hold it, if you like. | 0:20:20 | 0:20:23 | |
It looks a bit like a bible, like a railway bible. | 0:20:23 | 0:20:29 | |
That's exactly what it is, it is a railway bible. | 0:20:29 | 0:20:33 | |
'And my railway bible has brought me to Brussels, the Belgian capital. | 0:20:37 | 0:20:42 | |
'I'm surprised to find that the city | 0:20:42 | 0:20:45 | |
'gets a somewhat muted entry in my 1913 guide. | 0:20:45 | 0:20:48 | |
'It says, "Consequent upon improvements, | 0:20:48 | 0:20:51 | |
' "very little of historic Brussels remains, | 0:20:51 | 0:20:54 | |
' "nor are the local industries of great importance." | 0:20:54 | 0:20:57 | |
'But more recently, | 0:20:57 | 0:20:59 | |
'the city's position and excellent transport links | 0:20:59 | 0:21:02 | |
'have helped to place it at the heart of European politics.' | 0:21:02 | 0:21:05 | |
Bradshaw's comments that Brussels lacks a claim to fame, | 0:21:05 | 0:21:10 | |
but that was before the European Union came to town. | 0:21:10 | 0:21:13 | |
When I was a minister, I used to attend meetings in this building, | 0:21:13 | 0:21:16 | |
but I was always unpopular, because I was the Eurosceptic. | 0:21:16 | 0:21:20 | |
So, after years of isolation and ostracism, | 0:21:20 | 0:21:23 | |
it's good to visit Brussels today | 0:21:23 | 0:21:26 | |
and sample what the tourists enjoy. | 0:21:26 | 0:21:29 | |
'By 1913, like Britain, Europe's industrialised nations | 0:21:29 | 0:21:33 | |
'had experienced an unprecedented period of peace and prosperity. | 0:21:33 | 0:21:37 | |
'Belgium had grown rich on the profits of its African colony, the Congo, | 0:21:37 | 0:21:41 | |
'and the Brussels bourgeoisie enjoyed a privileged lifestyle, | 0:21:41 | 0:21:45 | |
'shopping for luxury goods in the city's grand arcades. | 0:21:45 | 0:21:50 | |
'A century ago, in the glamorous Galerie de la Reine, | 0:21:50 | 0:21:53 | |
'an enterprising businessman created a new delicacy.' | 0:21:53 | 0:21:58 | |
-Hello. -This is the most beautiful shop. -Thank you. | 0:21:58 | 0:22:02 | |
-The smell of chocolate is amazing, isn't it? -Yes. | 0:22:02 | 0:22:05 | |
Why are the Belgians famous for chocolate? | 0:22:05 | 0:22:08 | |
Because we invented the bite-sized filled chocolate. | 0:22:08 | 0:22:12 | |
The real first one was invented in 1912, exactly in this very shop. | 0:22:12 | 0:22:16 | |
'Owner Jean Neuhaus had created the very first praline | 0:22:19 | 0:22:22 | |
'a hard chocolate shell, with a soft creamy filling. | 0:22:22 | 0:22:26 | |
'And a few years later, with his wife, | 0:22:26 | 0:22:28 | |
'he invented the first special packaging. | 0:22:28 | 0:22:31 | |
'The modern box of chocolates was born.' | 0:22:31 | 0:22:34 | |
So what are the most popular today? | 0:22:34 | 0:22:36 | |
The most popular are the "les irresistible". | 0:22:36 | 0:22:40 | |
Les irresistible, as we say in French. Those five here. | 0:22:40 | 0:22:43 | |
"The irresistibles". Could I try one irresistible? | 0:22:43 | 0:22:48 | |
Of course! Which one? | 0:22:48 | 0:22:49 | |
-I'll have a dark chocolate one. -Dark chocolate? -Yes, please. | 0:22:49 | 0:22:54 | |
-There you go. -Thank you very much, indeed. | 0:22:54 | 0:22:56 | |
Dear, oh, dear. Goodbye diet. | 0:22:58 | 0:23:00 | |
Fantastic. | 0:23:03 | 0:23:04 | |
So creamy and crunchy at the same time. | 0:23:06 | 0:23:09 | |
And dark chocolate. Wow. Irresistible indeed. | 0:23:09 | 0:23:14 | |
'Soon the railways were helping to spread the fame | 0:23:14 | 0:23:17 | |
'of Belgian chocolates across the world | 0:23:17 | 0:23:20 | |
'and today, the country produces 320,000 tonnes a year. | 0:23:20 | 0:23:24 | |
'It takes two years to qualify as a chocolatier, but I'm taking | 0:23:24 | 0:23:28 | |
'a crash course, with the Brussels Chocolate Museum's Helene Verbeyst.' | 0:23:28 | 0:23:34 | |
-Hello, Helene. -Hello, Michael. | 0:23:34 | 0:23:35 | |
So, what are we going to do today? | 0:23:35 | 0:23:37 | |
Well, I will try to teach you a little bit about chocolate. | 0:23:37 | 0:23:41 | |
Splendid! | 0:23:41 | 0:23:42 | |
'Helene demonstrates praline-making to tourists, | 0:23:42 | 0:23:46 | |
'so I have an audience for my initiation.' | 0:23:46 | 0:23:49 | |
You feel the consistency of the chocolate. | 0:23:49 | 0:23:51 | |
It feels lovely. | 0:23:51 | 0:23:52 | |
Feels like you want to take a bath in it, doesn't it? | 0:23:52 | 0:23:55 | |
Yes, you would like to take a bath. | 0:23:55 | 0:23:57 | |
'The first step is to make the crisp chocolate shells, | 0:23:57 | 0:24:00 | |
'by filling a mould with melted chocolate...' | 0:24:00 | 0:24:03 | |
-Voila! -Voila! | 0:24:03 | 0:24:05 | |
'..Then knocking out any air bubbles.' | 0:24:05 | 0:24:08 | |
You can make more noise if you want. | 0:24:08 | 0:24:10 | |
Thank you, Helene. Helene, the bubbles are coming out. | 0:24:10 | 0:24:14 | |
'The perfect praline has a glossy, delicate shell, | 0:24:14 | 0:24:17 | |
'and only the thinnest layer of chocolate | 0:24:17 | 0:24:19 | |
'should be left in the mould.' | 0:24:19 | 0:24:21 | |
You have to have a lot of trust for this. Here goes. | 0:24:21 | 0:24:24 | |
Whoa! | 0:24:25 | 0:24:27 | |
Voila. You need... | 0:24:27 | 0:24:29 | |
-It's coming. -It's coming out. It's coming out. | 0:24:29 | 0:24:34 | |
Oh, you people of little faith. | 0:24:34 | 0:24:36 | |
'After filling the shells with chocolate ganache, | 0:24:37 | 0:24:39 | |
'the pralines are closed off with a final chocolate layer.' | 0:24:39 | 0:24:43 | |
-And now scra-a-a-ape it off! -Very good. | 0:24:43 | 0:24:47 | |
And scra-a-a-ape it off. | 0:24:47 | 0:24:51 | |
They seem to have some holes in them. | 0:24:51 | 0:24:54 | |
This is my signature. | 0:24:54 | 0:24:56 | |
This is how people will know that it's a Portillo chocolate. | 0:24:56 | 0:24:59 | |
Voila! You did a very good job. | 0:24:59 | 0:25:01 | |
'Despite the flaws, I'm pretty proud of my first attempt, | 0:25:02 | 0:25:05 | |
'but the proof of the praline is in the eating. | 0:25:05 | 0:25:08 | |
'I've come to the Grand Place, which my guidebook tells me is, | 0:25:08 | 0:25:12 | |
' "The great historic spot of Brussels, | 0:25:12 | 0:25:15 | |
' "often described as the finest medieval square in existence." | 0:25:15 | 0:25:19 | |
'In 1913, as today, this was the tourist hotspot - | 0:25:19 | 0:25:22 | |
'the perfect place to find some guinea pigs for my chocolates.' | 0:25:22 | 0:25:27 | |
I wonder if you would like to try one of my chocolates. | 0:25:27 | 0:25:30 | |
-HE LAUGHS -No, no. There's no catch. | 0:25:30 | 0:25:33 | |
-Nice. -Is that OK? -Hazelnut. | 0:25:33 | 0:25:35 | |
-Really? -HE LAUGHS | 0:25:35 | 0:25:38 | |
I don't think that's what I put in it. | 0:25:38 | 0:25:40 | |
I didn't realise there was stuffing inside. | 0:25:40 | 0:25:43 | |
-Oh, yeah. -It's good. | 0:25:43 | 0:25:44 | |
Would I give you a chocolate that wasn't stuffed? | 0:25:44 | 0:25:47 | |
Did you notice any difference between that and a professional chocolate? | 0:25:47 | 0:25:51 | |
Is there something wrong in it? | 0:25:51 | 0:25:52 | |
No! I...I'm not very good at it, you see. | 0:25:52 | 0:25:55 | |
-I don't believe you. -THEY LAUGH | 0:25:55 | 0:25:58 | |
You're a fine man. Thank you so much, sir. Thank you. | 0:25:58 | 0:26:02 | |
'It's now time to consult my guidebook, | 0:26:07 | 0:26:10 | |
'because I'm in need of a hotel for the night. | 0:26:10 | 0:26:12 | |
'Edwardian readers could pick from 12 listed in my 1913 Bradshaw's, | 0:26:14 | 0:26:18 | |
'and I've found one which is still going today.' | 0:26:18 | 0:26:21 | |
My Bradshaw's is very helpful to the tourist. | 0:26:23 | 0:26:26 | |
It recommends the Metropole Hotel | 0:26:26 | 0:26:28 | |
because it has a lift and electric light. | 0:26:28 | 0:26:32 | |
And an advertisement tells me that, | 0:26:32 | 0:26:34 | |
"the rooms have telephone to foreign countries." | 0:26:34 | 0:26:37 | |
What's more, my Bradshaw's has a handy list of phrases | 0:26:37 | 0:26:41 | |
to help one out in hotels and I'm going to try them out now. | 0:26:41 | 0:26:44 | |
'The palatial Metropole opened in 1894 and, stepping inside, | 0:26:46 | 0:26:51 | |
'you can see why it was advertised as "the leading hotel in Belgium". | 0:26:51 | 0:26:56 | |
'But while the fin de siecle atmosphere has survived intact, | 0:26:56 | 0:26:59 | |
'travellers' needs have changed somewhat since 1913 - | 0:26:59 | 0:27:04 | |
'so I'm not sure how Bradshaw's travellers' vocabulary | 0:27:04 | 0:27:06 | |
'is going to go down.' | 0:27:06 | 0:27:08 | |
-Bon soir, mademoiselle. -Bon soir. | 0:27:08 | 0:27:10 | |
You weren't very surprised that I asked you for a footbath? | 0:27:39 | 0:27:42 | |
I understood. | 0:27:42 | 0:27:44 | |
We don't give this kind of service to the client, | 0:27:44 | 0:27:47 | |
but everything is possible. | 0:27:47 | 0:27:49 | |
We are trained to do our best for the clients! | 0:27:49 | 0:27:51 | |
Thank you so much. You've been very helpful. | 0:27:51 | 0:27:54 | |
-I'm looking forward to staying here. -You're always welcome. | 0:27:54 | 0:27:57 | |
'On the second part of this journey, I'll continue south | 0:28:06 | 0:28:10 | |
'to the French sector of the Western Front, | 0:28:10 | 0:28:13 | |
'where from 1914 the trains carried a new cargo of artillery shells...' | 0:28:13 | 0:28:19 | |
Well, that's amazing. In two minutes we laid five metres. | 0:28:19 | 0:28:23 | |
'..And Edwardian tourists were replaced by soldiers, | 0:28:23 | 0:28:26 | |
'facing the horrors of the trenches.' | 0:28:26 | 0:28:29 | |
He was one of the 72,000 people | 0:28:29 | 0:28:33 | |
who never had a grave. | 0:28:33 | 0:28:36 | |
Subtitles by Red Bee Media Ltd | 0:29:05 | 0:29:08 |