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I'm embarking on a new railway adventure | 0:00:03 | 0:00:06 | |
that will take me across the heart of Europe. | 0:00:06 | 0:00:09 | |
I will be using this, | 0:00:11 | 0:00:12 | |
my Bradshaw's Continental Railway Guide, dated 1913, | 0:00:12 | 0:00:16 | |
which opened up an exotic world of foreign travel | 0:00:16 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:21 | |
It told travellers where to go, | 0:00:23 | 0:00:25 | |
what to see and how to navigate | 0:00:25 | 0:00:27 | |
the thousands of miles of tracks criss-crossing the continent. | 0:00:27 | 0:00:31 | |
Now, a century later, | 0:00:31 | 0:00:33 | |
I'm using my copy to reveal an era of great optimism and energy, | 0:00:33 | 0:00:37 | |
when technology, industry, science and the arts were flourishing. | 0:00:37 | 0:00:42 | |
I want to rediscover that lost Europe | 0:00:42 | 0:00:45 | |
that in 1913 couldn't know | 0:00:45 | 0:00:47 | |
that its way of life would shortly be swept aside | 0:00:47 | 0:00:50 | |
by the advent of war. | 0:00:50 | 0:00:52 | |
I'm continuing my journey which started in the Spanish capital Madrid. | 0:01:11 | 0:01:16 | |
I travelled south-west to historic Cordoba, | 0:01:16 | 0:01:18 | |
a city with ancient Moorish roots, | 0:01:18 | 0:01:22 | |
Today I cross Andalusia to Seville | 0:01:22 | 0:01:25 | |
and on to Jerez in the south-west. | 0:01:25 | 0:01:27 | |
The hilltop town of Ronda will be my final inland stop, | 0:01:27 | 0:01:31 | |
before I descend to the Costa Del Sol. | 0:01:31 | 0:01:35 | |
And my journey ends on the Rock of Gibraltar. | 0:01:35 | 0:01:37 | |
On this second part of my journey, I find out why a tobacco factory | 0:01:38 | 0:01:42 | |
Seville became an Edwardian tourist attraction. | 0:01:42 | 0:01:46 | |
'..Discover in Jerez | 0:01:47 | 0:01:48 | |
'how we have been getting a British tradition so wrong'. | 0:01:48 | 0:01:51 | |
-How do we drink sherry? -Well, in England, very badly. | 0:01:51 | 0:01:55 | |
'And find out the lengths that the British went to | 0:01:56 | 0:01:59 | |
'to keep the Rock of Gibraltar.' | 0:01:59 | 0:02:01 | |
Six men were prepared to entomb themselves | 0:02:01 | 0:02:04 | |
literally inside the rock. It's a total James Bond story. | 0:02:04 | 0:02:09 | |
Oh! It's an absolutely perfectly designed lookout. | 0:02:09 | 0:02:12 | |
When my guidebook was published, the exotic | 0:02:16 | 0:02:18 | |
and adventurous rail journey across Spain would have been slow. | 0:02:18 | 0:02:22 | |
Now the country has over 3,000km of track and its high-speed system | 0:02:22 | 0:02:27 | |
serves a staggering 60% of the population. | 0:02:27 | 0:02:31 | |
My journey of around 130km through Andalusia's rolling hills | 0:02:31 | 0:02:36 | |
would take me just 40 minutes. | 0:02:36 | 0:02:39 | |
Bradshaw says that Seville is the capital of Andalusia. | 0:02:39 | 0:02:43 | |
"The streets present a bright cheerfulness of life | 0:02:43 | 0:02:45 | |
"and a charm that go far to justify the boast..." | 0:02:45 | 0:02:49 | |
HE QUOTES IN SPANISH | 0:02:49 | 0:02:53 | |
"Who hasn't seen Seville has not seen a wonder", and indeed, | 0:02:53 | 0:02:57 | |
with its avenues and fountains and gardens and cathedral, all enveloped | 0:02:57 | 0:03:02 | |
in the scent of orange blossom, | 0:03:02 | 0:03:04 | |
it is indeed one of the world's wonders. | 0:03:04 | 0:03:07 | |
Seville's fortunes have been shaped by its river port. | 0:03:13 | 0:03:16 | |
The 16th century was its golden age, when it became the major | 0:03:18 | 0:03:21 | |
European point of departure for the New World of the Americas. | 0:03:21 | 0:03:25 | |
During the 19th century's rapid industrialisation, | 0:03:27 | 0:03:30 | |
rail connections brought an influx of artists and intellectuals, | 0:03:30 | 0:03:34 | |
keen to escape the manufacturing cities of northern Europe. | 0:03:34 | 0:03:38 | |
Touring the city of Seville in 1913 would have been made easier | 0:03:42 | 0:03:46 | |
for the traveller by the tram system. | 0:03:46 | 0:03:48 | |
Bradshaw's tells me that the cathedral in Seville is | 0:03:54 | 0:03:57 | |
"a Gothic edifice of surpassing architectural and historic interest. | 0:03:57 | 0:04:02 | |
"It suffered much from earthquake and two or three times, | 0:04:02 | 0:04:05 | |
"the dome has collapsed, the last collapse being on August 1st, 1888". | 0:04:05 | 0:04:11 | |
I've often been in Seville and I didn't know that. | 0:04:11 | 0:04:13 | |
But what I DO remember is that the vast majority of the steeple | 0:04:13 | 0:04:17 | |
was formerly an Islamic minaret and it has an exact twin in Marrakech. | 0:04:17 | 0:04:23 | |
I love Seville so much that now I have a house near here, | 0:04:29 | 0:04:33 | |
in a town ringed by Roman walls. | 0:04:33 | 0:04:36 | |
It means that I can truly enjoy this beautiful city | 0:04:37 | 0:04:40 | |
and THIS place has always intrigued me. | 0:04:40 | 0:04:42 | |
"The tobacco factory is usually included among the sites | 0:04:44 | 0:04:47 | |
"of Seville", says Bradshaw's. I'm curious to know why. | 0:04:47 | 0:04:50 | |
"It's an immense building where are employed 5,000 cigareras" - | 0:04:50 | 0:04:54 | |
that is, of course women cigar workers. | 0:04:54 | 0:04:58 | |
That could be the clue. | 0:04:58 | 0:04:59 | |
Columbus's sailors brought the first tobacco plants | 0:05:00 | 0:05:04 | |
from the Americas at the end of the 15th century. | 0:05:04 | 0:05:07 | |
By 1728, Spanish King Philip V began work on what is | 0:05:07 | 0:05:12 | |
possibly the grandest tobacco factory ever built. | 0:05:12 | 0:05:15 | |
Originally, only men were employed in the tobacco industry, | 0:05:15 | 0:05:18 | |
to make snuff, but by 1829, | 0:05:18 | 0:05:21 | |
the nimbler and cheaper fingers of women were in demand to make cigars. | 0:05:21 | 0:05:26 | |
Today, the Seville factory houses the city's university. | 0:05:27 | 0:05:31 | |
I want to find out why it became such a tourist attraction. | 0:05:31 | 0:05:36 | |
My Bradshaw's guide recommends visitors to come to the factory | 0:05:39 | 0:05:44 | |
and I'm just wondering why visitors would want to come here. | 0:05:44 | 0:05:47 | |
Most of the 19th-century travellers came to Spain | 0:05:47 | 0:05:51 | |
escaping from the dreary life of industrial Europe. | 0:05:51 | 0:05:55 | |
The first thing they visited was a factory, which is | 0:05:55 | 0:05:59 | |
a bit of a paradox! | 0:05:59 | 0:06:01 | |
But of course there was this added charm of seeing lots of ladies. | 0:06:01 | 0:06:07 | |
And how would the tourists see them? | 0:06:07 | 0:06:09 | |
They had to be invited by the administrator, | 0:06:09 | 0:06:12 | |
but normally people of some standing, | 0:06:12 | 0:06:14 | |
some social standing, had no problem in getting here. | 0:06:14 | 0:06:18 | |
And were these women very beautiful? | 0:06:18 | 0:06:21 | |
Well, according to the visitors, yes, they were. | 0:06:21 | 0:06:24 | |
But in fact, the photographs we have of them taken at the end | 0:06:24 | 0:06:28 | |
of the 19th century show that most of them were pretty awful. | 0:06:28 | 0:06:31 | |
It's a myth of the cigareras - it was obviously an imaginary thing! | 0:06:31 | 0:06:36 | |
Well, my experience of Seville women is that they're very beautiful! | 0:06:36 | 0:06:39 | |
My experience, too! | 0:06:39 | 0:06:41 | |
MUSIC: "Habanera" from Carmen by Bizet | 0:06:42 | 0:06:46 | |
These fierce cigareras were immortalised by the French | 0:06:46 | 0:06:50 | |
composer George Bizet in his passionate opera, Carmen. | 0:06:50 | 0:06:55 | |
Bizet depicted the heroine Carmen as an amoral seductress with | 0:06:55 | 0:06:59 | |
both men and women behaving badly. | 0:06:59 | 0:07:02 | |
Did Spanish people get a bit offended that their women | 0:07:02 | 0:07:05 | |
-and their men were being represented as libertines in opera? -No. | 0:07:05 | 0:07:09 | |
Not really, I don't think so. | 0:07:09 | 0:07:12 | |
This sort of reaction took place in the very recent | 0:07:12 | 0:07:17 | |
times in the dictatorship of Franco | 0:07:17 | 0:07:19 | |
when some composer decided to create a figure which was the good | 0:07:19 | 0:07:24 | |
and virtuous Carmen, which embodied the virtues of the Spanish people, | 0:07:24 | 0:07:28 | |
to come to balance the influence of the French Carmen, | 0:07:28 | 0:07:32 | |
which was, er...rather libertine. | 0:07:32 | 0:07:35 | |
It was composer Manuel Quiroga who wrote the more reserved | 0:07:35 | 0:07:39 | |
Spanish version. | 0:07:39 | 0:07:40 | |
WOMAN SINGS IN SPANISH | 0:07:41 | 0:07:45 | |
Ole! | 0:08:13 | 0:08:15 | |
The next stop on my journey will be Jerez de la Frontera - | 0:08:21 | 0:08:25 | |
the sherry capital of the world, | 0:08:25 | 0:08:27 | |
thanks to the town's perfect conditions for growing | 0:08:27 | 0:08:30 | |
the palomino grape. | 0:08:30 | 0:08:32 | |
As well as being famous for its fortified wine, | 0:08:39 | 0:08:42 | |
Jerez is the transport and communication hub of its province. | 0:08:42 | 0:08:46 | |
Mucho gusto. | 0:08:51 | 0:08:53 | |
Adios. Hasta luego. | 0:08:53 | 0:08:56 | |
Throughout my Spanish journey so far, I've been at stations | 0:08:59 | 0:09:02 | |
which are utilitarian, modern, made of concrete and glass, reflecting | 0:09:02 | 0:09:06 | |
how much railway building has been done in the last two decades. | 0:09:06 | 0:09:09 | |
It's so nice to arrive now at a traditional station, | 0:09:09 | 0:09:12 | |
here covered in ceramic tiles in these brilliant, bright colours, | 0:09:12 | 0:09:15 | |
so typical of the south of Spain. | 0:09:15 | 0:09:17 | |
Jerez's success and the British love affair with sherry all | 0:09:21 | 0:09:25 | |
started with a military incident. | 0:09:25 | 0:09:27 | |
In 1587, Sir Francis Drake made a daring raid on the Spanish fleet. | 0:09:27 | 0:09:32 | |
His triumphal return from Spain included | 0:09:32 | 0:09:35 | |
a cargo of 2,900 butts of sherry. | 0:09:35 | 0:09:39 | |
His liquid spoils of war were instantly popular. | 0:09:39 | 0:09:42 | |
In 1855, British businessmen Robert Byass joined forces with | 0:09:42 | 0:09:48 | |
Manuel Gonzalez and their sherry empire started | 0:09:48 | 0:09:52 | |
with the production of 7.5 hectares of vineyards. | 0:09:52 | 0:09:56 | |
Today, it's his great-great-grandson | 0:09:56 | 0:09:59 | |
and my friend Gonzalo del Rio who is a leading light at Gonzales-Byass. | 0:09:59 | 0:10:04 | |
-Gonzalo! -Michael! | 0:10:09 | 0:10:12 | |
Lovely to see you. I'm good. Is it time for a little sherry? | 0:10:12 | 0:10:16 | |
I've heard you love sherry, now you follow trains! | 0:10:16 | 0:10:19 | |
I do, I'm a trainspotter! | 0:10:19 | 0:10:22 | |
-Is there any connection between sherry and trains? -Yes, a lot. | 0:10:22 | 0:10:25 | |
Look, this is a book written by my grandfather and where he does a | 0:10:25 | 0:10:29 | |
big description about the project of the railway | 0:10:29 | 0:10:33 | |
to Jerez Puerto in 1829. | 0:10:33 | 0:10:37 | |
This is about the time of the very earliest railways in England. | 0:10:37 | 0:10:41 | |
So this is going down to the port? | 0:10:41 | 0:10:43 | |
This is going down to the port of Santa Maria. | 0:10:43 | 0:10:46 | |
This was a way to try | 0:10:46 | 0:10:47 | |
and transport the barrels of wine | 0:10:47 | 0:10:50 | |
in a faster way and in a better way. | 0:10:50 | 0:10:53 | |
And the founder of this company, my great-great-grandfather, | 0:10:53 | 0:10:58 | |
-he financed all that project. -So he was very forward-looking? | 0:10:58 | 0:11:02 | |
Yes, and used to go all the way through the different | 0:11:02 | 0:11:06 | |
sellers of the winery to fetch the barrels of wine. | 0:11:06 | 0:11:10 | |
-So the railway wasn't just picking up from this bodega? -No, no. | 0:11:10 | 0:11:14 | |
All the different wineries - or bodegas - had their own place | 0:11:14 | 0:11:20 | |
to put all the barrels inside the train. | 0:11:20 | 0:11:23 | |
Sherry is produced in a variety of styles, from the driest | 0:11:28 | 0:11:31 | |
and palest fino to the darkest and smoothest oloroso. | 0:11:31 | 0:11:35 | |
Probably the oldest brand is Tio Pepe. | 0:11:36 | 0:11:40 | |
..Michael Portillo. | 0:11:40 | 0:11:42 | |
-How do you do? -He's going to give us a glass of Tio Pepe. | 0:11:42 | 0:11:48 | |
At last, I thought you'd never ask! | 0:11:48 | 0:11:50 | |
Now, Gonzalo, how do we drink sherry? | 0:11:54 | 0:11:57 | |
Well, in England, very badly! | 0:11:57 | 0:11:59 | |
We failed in that - it's not your fault, it's our fault. | 0:11:59 | 0:12:02 | |
We haven't shown people how to drink sherry properly. | 0:12:02 | 0:12:06 | |
Two different ways - one way, because they don't have it cold. | 0:12:06 | 0:12:11 | |
In the second way, they open it on Sunday lunch | 0:12:11 | 0:12:14 | |
and after three months, they go back to it. | 0:12:14 | 0:12:17 | |
A bottle of wine should be drank immediately. | 0:12:17 | 0:12:21 | |
You're absolutely right. | 0:12:21 | 0:12:22 | |
I remember I had some lovely aunts and they would always | 0:12:22 | 0:12:25 | |
serve us a glass of sherry, but we might go there every three | 0:12:25 | 0:12:28 | |
months and it would be the same bottle again and again and again! | 0:12:28 | 0:12:31 | |
Then you agree with me? | 0:12:31 | 0:12:32 | |
Yes, but I didn't realise it was a bad thing to do - | 0:12:32 | 0:12:34 | |
-sherry doesn't last that long, no? -No, no. This is alive. | 0:12:34 | 0:12:38 | |
So, two easy rules - drink it cold and drink it fast! | 0:12:38 | 0:12:43 | |
To sherry and to the railways! | 0:12:43 | 0:12:45 | |
-Thank you. -Thank you. | 0:12:45 | 0:12:46 | |
-Mm! -How was that? | 0:12:49 | 0:12:51 | |
-I -think it's pretty good! -Smell it, smell it. | 0:12:51 | 0:12:55 | |
It's REALLY good! | 0:12:55 | 0:12:56 | |
I can't think of a better way to finish my day than | 0:12:59 | 0:13:02 | |
a glass of sherry, catching up with an old friend. | 0:13:02 | 0:13:05 | |
A new day and I'm taking the Algeciras to Bobadilla line, | 0:13:15 | 0:13:20 | |
climbing high into the Andalusian mountains. | 0:13:20 | 0:13:23 | |
My next stop will be Ronda. | 0:13:27 | 0:13:29 | |
Bradshaw's tells me "it's a finely-situated, | 0:13:29 | 0:13:31 | |
"interesting town, 2,460 feet above sea, | 0:13:31 | 0:13:36 | |
"on a projection of the Sierra Nevada, | 0:13:36 | 0:13:38 | |
"in the midst of a magnificent range of mountains." | 0:13:38 | 0:13:42 | |
Bradshaw's tells me that here in Ronda, the old | 0:13:51 | 0:13:55 | |
Moorish town is separated from the modern quarter by the "tajo", | 0:13:55 | 0:13:59 | |
an imposing gorge over the River Guadalevin, | 0:13:59 | 0:14:04 | |
350 feet deep. | 0:14:04 | 0:14:06 | |
This is known as the New Bridge, built in the 1790s, but the | 0:14:06 | 0:14:10 | |
previous effort collapsed into the ravine | 0:14:10 | 0:14:13 | |
with massive loss of life. | 0:14:13 | 0:14:15 | |
You might think this is pretty unpromising territory | 0:14:15 | 0:14:18 | |
for railway builders, but that would be to underestimate | 0:14:18 | 0:14:22 | |
British engineers at the height of their powers. | 0:14:22 | 0:14:26 | |
To discover more about how they tamed this rugged | 0:14:31 | 0:14:34 | |
and inaccessible landscape, I'm travelling on the Ronda to | 0:14:34 | 0:14:38 | |
Algeciras line, heading south towards my final stop, Gibraltar. | 0:14:38 | 0:14:42 | |
I'm meeting railway enthusiast and guide Mani, | 0:14:44 | 0:14:47 | |
who knows about the engineers' epic achievement. | 0:14:47 | 0:14:51 | |
-Hello, Mani. -Hi, Michael. -Well met! | 0:14:56 | 0:14:59 | |
I think this ride is quite a treat, isn't it? Beautiful scenery. | 0:14:59 | 0:15:03 | |
-Yes, it really is. -Who built this railway line? | 0:15:03 | 0:15:06 | |
It was built by the British, Greenwood and Company, out of London. | 0:15:06 | 0:15:10 | |
-Did they have experience of difficult terrain? -Yes, | 0:15:10 | 0:15:13 | |
they had been... The owner of the company was called Mr Henderson | 0:15:13 | 0:15:17 | |
and together with Morrison, they'd already installed | 0:15:17 | 0:15:19 | |
lots of the trains in South America, Uruguay, Paraguay, Argentina. | 0:15:19 | 0:15:23 | |
So this was 180km through very, very difficult terrain, | 0:15:23 | 0:15:27 | |
but to them, it wasn't too much of a challenge. | 0:15:27 | 0:15:30 | |
For the British, there was | 0:15:30 | 0:15:31 | |
also another reason for wanting to build the railway. | 0:15:31 | 0:15:35 | |
Beyond the end of the line is Gibraltar, | 0:15:35 | 0:15:37 | |
which was totally cut off and only reachable by sea. | 0:15:37 | 0:15:41 | |
Originally, they wanted to take the train | 0:15:41 | 0:15:43 | |
all the way to the border with Gibraltar | 0:15:43 | 0:15:44 | |
and the Spanish didn't allow that - that's why this train | 0:15:44 | 0:15:48 | |
finishes in the Spanish city of Algeciras. Because they couldn't | 0:15:48 | 0:15:51 | |
take the train there, Mr Henderson's company had to build a link by sea | 0:15:51 | 0:15:55 | |
and there were two steamboats that crossed the Bay of Gibraltar. | 0:15:55 | 0:16:00 | |
With the line in place, soldiers stationed at the British | 0:16:00 | 0:16:02 | |
garrison on Gibraltar had a chance to escape and relax, | 0:16:02 | 0:16:06 | |
drawn by the excitement of the bullfights | 0:16:06 | 0:16:08 | |
and the hilltop pleasures of the Ronda. | 0:16:08 | 0:16:11 | |
And what were the challenges of the terrain? | 0:16:11 | 0:16:14 | |
They were vast, one because of the elevation - climb - | 0:16:14 | 0:16:17 | |
sea level to Ronda is 750m. | 0:16:17 | 0:16:20 | |
And the second because of the actual terrain. | 0:16:20 | 0:16:23 | |
We're just about to go into the gorge, | 0:16:23 | 0:16:25 | |
we're following the track of the river, the Guadiaro River. | 0:16:25 | 0:16:28 | |
They literally had to bevel out the tunnels from rock, from pure rock. | 0:16:28 | 0:16:34 | |
They had to build a series of switchbacks over the river - | 0:16:34 | 0:16:37 | |
16 tunnels and about six bridges. | 0:16:37 | 0:16:41 | |
-Tunnel number one. -Tunnel number one! | 0:16:41 | 0:16:44 | |
So what was the impact of this railway when it opened | 0:16:44 | 0:16:46 | |
at the end of the 19th century, on the communities here? | 0:16:46 | 0:16:49 | |
Vast - they called it railway fever. | 0:16:49 | 0:16:52 | |
The great thing about this railway and I suppose all railways | 0:16:52 | 0:16:55 | |
that opened at that time is that they transcended class. | 0:16:55 | 0:16:59 | |
They were important for everybody, | 0:16:59 | 0:17:00 | |
because all these communities were very, | 0:17:00 | 0:17:03 | |
very cut off and it gave them all a vital lifeline to the rest of Spain. | 0:17:03 | 0:17:07 | |
-What is the future of the railway? -Right now, it's up in the air. | 0:17:07 | 0:17:11 | |
Renfe, the national rail company, | 0:17:11 | 0:17:13 | |
they are studying the closure of about eight lines in Andalusia. | 0:17:13 | 0:17:17 | |
It makes me very sad that this is one of the lines that might be close. | 0:17:17 | 0:17:20 | |
-And is there a fuss going on about that? -Yes. | 0:17:20 | 0:17:23 | |
A lot of people are reliant on this railway, not just for pleasure | 0:17:23 | 0:17:26 | |
but to get to work, to get to school, to go shopping. | 0:17:26 | 0:17:30 | |
So there's a campaign under way | 0:17:30 | 0:17:31 | |
-and some poor politician has to make the decision! -I think so. | 0:17:31 | 0:17:36 | |
My last stop by railway is Algeciras, | 0:17:37 | 0:17:40 | |
which was very different in 1913 from what it is today. | 0:17:40 | 0:17:43 | |
The then-quiet beaches are now obscured by a vast | 0:17:45 | 0:17:49 | |
network of cranes, ships and lorries. | 0:17:49 | 0:17:52 | |
It's Spain's second-busiest container port. | 0:17:52 | 0:17:55 | |
Having constructed the railway line, | 0:18:00 | 0:18:03 | |
Mr Henderson built a hotel for his travellers in Ronda. | 0:18:03 | 0:18:07 | |
Its sister hotel is here in Algeciras. | 0:18:07 | 0:18:10 | |
This irresistible advertisement in Bradshaw's guide has | 0:18:12 | 0:18:15 | |
brought me to the hotel Reina Cristina. | 0:18:15 | 0:18:18 | |
"Modern hotel, furnished by maples. | 0:18:18 | 0:18:22 | |
"Frequent saloon steamers daily to and from Gibraltar. | 0:18:22 | 0:18:26 | |
"Best sanitary arrangements." | 0:18:26 | 0:18:29 | |
It's also the very first hotel to be built on the Costa Del Sol | 0:18:29 | 0:18:34 | |
and very early in its history, it welcomed Winston Churchill | 0:18:34 | 0:18:38 | |
to the Algeciras Conference to resolve the Moroccan Crisis. | 0:18:38 | 0:18:42 | |
In 1905, Germany was eager to expand its empire to rival | 0:18:45 | 0:18:49 | |
those of Britain and France. | 0:18:49 | 0:18:51 | |
Kaiser Wilhelm landed in Morocco and controversially backed | 0:18:51 | 0:18:55 | |
the Sultan in his bid for independence from France. | 0:18:55 | 0:18:59 | |
The French were furious and the Algeciras Conference was | 0:18:59 | 0:19:03 | |
called to try to get France and Germany to negotiate. | 0:19:03 | 0:19:07 | |
A diplomatic solution was found, | 0:19:07 | 0:19:09 | |
but Britain, France and Russia allied themselves against Germany. | 0:19:09 | 0:19:13 | |
-Hola, buenas tardes. -Hola! | 0:19:14 | 0:19:17 | |
Michael Portillo, por favor. | 0:19:17 | 0:19:20 | |
The hotel became a firm favourite with the garrison officers | 0:19:22 | 0:19:25 | |
in Gibraltar, who wanted to get off the Rock to relax, | 0:19:25 | 0:19:28 | |
which is exactly what I'm going to do. | 0:19:28 | 0:19:31 | |
Algeciras is very definitely in Spain, but this morning I've | 0:19:41 | 0:19:44 | |
chosen an English breakfast, because Gibraltar is very close by and it's | 0:19:44 | 0:19:50 | |
my next destination, so today, it's eggs, bacon and baked beans. | 0:19:50 | 0:19:54 | |
Gibraltar is 2.5 square miles of Jurassic limestone, | 0:19:58 | 0:20:02 | |
rising in a bold headland fronting the Straits of Africa. | 0:20:02 | 0:20:06 | |
On a clear day, you appreciate how narrow those straits are | 0:20:06 | 0:20:09 | |
and why that little stretch of water was so important to the British. | 0:20:09 | 0:20:14 | |
For three centuries, | 0:20:14 | 0:20:15 | |
British artillery on the Rock has been able to deny access to | 0:20:15 | 0:20:18 | |
shipping from the Atlantic to the Mediterranean and vice versa. | 0:20:18 | 0:20:22 | |
Given its strategic importance, you can see why | 0:20:22 | 0:20:26 | |
the British have clung to it like a limpet to a rock. | 0:20:26 | 0:20:30 | |
In 1704, the British took Gibraltar by force and ever since, | 0:20:37 | 0:20:41 | |
there have been Anglo-Spanish tensions. | 0:20:41 | 0:20:44 | |
The best place to understand why the British were prepared to | 0:20:44 | 0:20:47 | |
fight to keep possession of Gibraltar is up here. | 0:20:47 | 0:20:50 | |
BIRDSONG | 0:20:54 | 0:20:57 | |
Hello. | 0:20:57 | 0:20:59 | |
It's like taking off in a plane, the views come rushing into sight. | 0:21:09 | 0:21:14 | |
We're going up 412m, so we're going up about the height | 0:21:14 | 0:21:20 | |
of the very top of the Empire State Building in New York. | 0:21:20 | 0:21:24 | |
I think the panorama today is going to be spectacular. | 0:21:24 | 0:21:28 | |
Spain is laid out before me today like a map. | 0:21:38 | 0:21:40 | |
The coastline snaking away there towards Malaga, | 0:21:40 | 0:21:43 | |
and on that side towards, eventually, Portugal. | 0:21:43 | 0:21:46 | |
Ronda will be up there, and then of course the railway | 0:21:47 | 0:21:50 | |
snakes its way down to...Algeciras, there. | 0:21:50 | 0:21:55 | |
And my early 20th-century travellers would then have taken | 0:21:56 | 0:22:00 | |
a saloon steamer across here | 0:22:00 | 0:22:03 | |
to Gibraltar. | 0:22:03 | 0:22:04 | |
But my crow's-nest view also reveals why the British | 0:22:11 | 0:22:14 | |
so badly wanted Gibraltar. | 0:22:14 | 0:22:16 | |
It was only 14 miles away from the coast of North Africa | 0:22:16 | 0:22:19 | |
and the waters were a shortcut for shipping through to the | 0:22:19 | 0:22:23 | |
Mediterranean and the rest of the British Empire. | 0:22:23 | 0:22:26 | |
Without access to Gibraltar, ships would have had to go all | 0:22:26 | 0:22:29 | |
the way round the African coast, taking more time | 0:22:29 | 0:22:32 | |
and more risks. | 0:22:32 | 0:22:34 | |
With tensions over Africa hotting up between the European powers, | 0:22:34 | 0:22:38 | |
Gibraltar looked as though it might be the front line in war. | 0:22:38 | 0:22:41 | |
I'm meeting Prof Clive Finlayson, director of Gibraltar's museum. | 0:22:43 | 0:22:47 | |
Clive, in 1913, | 0:22:47 | 0:22:48 | |
we're only, as it turned out, a year away from war and already | 0:22:48 | 0:22:51 | |
the colonial powers were in dispute over bits of North Africa. | 0:22:51 | 0:22:55 | |
The visitor from Britain, clutching his Bradshaw's guide, | 0:22:55 | 0:22:57 | |
what might he have noticed in Gibraltar at that time? | 0:22:57 | 0:23:00 | |
Well, intense activity related to the dockyards | 0:23:00 | 0:23:03 | |
and the whole of the port was built over a period of 12 years. | 0:23:03 | 0:23:07 | |
That really transformed the whole of Gibraltar. | 0:23:07 | 0:23:09 | |
There was intense quarrying, | 0:23:09 | 0:23:10 | |
the whole physical landscape of Gibraltar changed completely. | 0:23:10 | 0:23:13 | |
It was of course related to the fact that the British knew | 0:23:13 | 0:23:15 | |
the German submarines, U-boats, posed a threat | 0:23:15 | 0:23:18 | |
and they wanted to construct a torpedo-proof harbour. | 0:23:18 | 0:23:20 | |
So that's what they would have seen. | 0:23:20 | 0:23:22 | |
Was this traditionally the Royal Navy area of Gibraltar? | 0:23:22 | 0:23:27 | |
Right from the start, in 1704, the port had been in the North, | 0:23:27 | 0:23:31 | |
but suddenly, the enemy was in the North, so they had to move | 0:23:31 | 0:23:33 | |
the harbour, the naval facility, away from the land and the guns. | 0:23:33 | 0:23:38 | |
So it was brought here. | 0:23:38 | 0:23:40 | |
Tunnels begun in the 18th century were used to store naval | 0:23:40 | 0:23:43 | |
ammunition during the First World War. | 0:23:43 | 0:23:46 | |
During the Second World War, | 0:23:46 | 0:23:48 | |
they were developed into a clandestine network and Clive's got | 0:23:48 | 0:23:51 | |
a recently-declassified top-secret surprise for me. | 0:23:51 | 0:23:55 | |
Well, we've come through a huge number of tunnels - what was | 0:23:56 | 0:23:59 | |
the purpose of this, Clive? | 0:23:59 | 0:24:01 | |
Well, this was one of the most secret projects of the Second World War. | 0:24:01 | 0:24:05 | |
The British planned that should Franco reach an agreement | 0:24:05 | 0:24:09 | |
and allow Hitler through Spain, Germany took Gibraltar. | 0:24:09 | 0:24:14 | |
Six men were prepared to entomb themselves, | 0:24:14 | 0:24:18 | |
literally inside the Rock and spy on the Germans from the inside. | 0:24:18 | 0:24:25 | |
It's a total James Bond story. | 0:24:25 | 0:24:27 | |
So we're coming through another tunnel, we're now pointing west. | 0:24:28 | 0:24:32 | |
If you don't mind, to go up there and look through that little slit. | 0:24:32 | 0:24:36 | |
Ho! | 0:24:36 | 0:24:37 | |
This tiny slit, which can only be what, six inches long | 0:24:38 | 0:24:42 | |
and half an inch wide, I can see all the bay down to Algeciras... | 0:24:42 | 0:24:46 | |
And actually, I can see down to the wharfs of Gibraltar as well. | 0:24:47 | 0:24:51 | |
An absolutely perfectly-planned lookout. | 0:24:51 | 0:24:55 | |
From inside, you could see any movement of enemy ships | 0:24:55 | 0:24:58 | |
and then push an aerial out at night when nobody is watching | 0:24:58 | 0:25:02 | |
and transmit that information back to London. | 0:25:02 | 0:25:04 | |
Hopefully, they'd be able to come and re-take Gibraltar. | 0:25:04 | 0:25:07 | |
Having served as Defence Secretary, I can appreciate here that the | 0:25:09 | 0:25:13 | |
Rock is the best sentry box in the Mediterranean. | 0:25:13 | 0:25:16 | |
Although the Rock was bombed | 0:25:18 | 0:25:19 | |
during the Second World War, Nazi Germany did not invade Gibraltar. | 0:25:19 | 0:25:24 | |
But in the years after the war, | 0:25:25 | 0:25:27 | |
struggles between Spain's military leader General Franco | 0:25:27 | 0:25:30 | |
and the British have left their mark on its 30,000 inhabitants. | 0:25:30 | 0:25:35 | |
To find out how it's affected this multinational population, | 0:25:35 | 0:25:39 | |
I'm meeting local, Tito Vallejo. | 0:25:39 | 0:25:41 | |
-Hello, Tito. -Hello, Mike. How are you? -Good to see you. | 0:25:41 | 0:25:45 | |
I see you're here with your fish and chips | 0:25:45 | 0:25:48 | |
and of course I see the post-boxes | 0:25:48 | 0:25:50 | |
and telephone boxes - all of it very reminiscent of the UK. | 0:25:50 | 0:25:53 | |
But you're a Gibraltarian - what does that mean, really? | 0:25:53 | 0:25:56 | |
We are British, obviously, British subjects, but the English | 0:25:56 | 0:26:00 | |
usually call us Spanish and the Spanish call of English. | 0:26:00 | 0:26:02 | |
But we cannot say that, | 0:26:02 | 0:26:04 | |
because we have our own roots - for example, I am half and half. | 0:26:04 | 0:26:07 | |
Given there are so many nationalities in Gibraltar, | 0:26:07 | 0:26:10 | |
why are they so pro-British? | 0:26:10 | 0:26:11 | |
I wonder if it's partly | 0:26:11 | 0:26:12 | |
because of the difficulties that there have been with Spain. | 0:26:12 | 0:26:15 | |
That is one of the main problems. The constant strangulation of Gibraltar. | 0:26:15 | 0:26:19 | |
It didn't intensify until the Queen came to Gibraltar in 1954. | 0:26:19 | 0:26:23 | |
Franco got annoyed. | 0:26:23 | 0:26:26 | |
He said, from now on, I'm going to strangle Gibraltar | 0:26:26 | 0:26:28 | |
and I want it back. From then on, things started to heat up. | 0:26:28 | 0:26:32 | |
Because of that rift, | 0:26:32 | 0:26:33 | |
our young children are now losing the way of speaking Spanish. | 0:26:33 | 0:26:37 | |
It's a very great pity about that. | 0:26:37 | 0:26:40 | |
-How do you describe your nationality or ethnicity? -British. | 0:26:40 | 0:26:43 | |
British to the core. But how about you? You're in the same boat! | 0:26:43 | 0:26:46 | |
Well, I regard myself as British AND Spanish, | 0:26:46 | 0:26:49 | |
but I think they're both so different and so marvellous | 0:26:49 | 0:26:53 | |
and so distinct, I don't see them being put together in one country. | 0:26:53 | 0:26:58 | |
I find it frustrating that Spain and Britain are in dispute. | 0:27:02 | 0:27:06 | |
If the two countries could only work together, Gibraltarians | 0:27:06 | 0:27:10 | |
and Spaniards could reap richer rewards. | 0:27:10 | 0:27:13 | |
I've travelled down across Spain on fast and efficient trains, | 0:27:17 | 0:27:21 | |
quite a change since my guide book was written. | 0:27:21 | 0:27:24 | |
The early 20th-century traveller would have been struck at the end | 0:27:24 | 0:27:27 | |
of the journey as I am that Africa | 0:27:27 | 0:27:29 | |
is almost within touching distance. | 0:27:29 | 0:27:32 | |
Invaders from there occupied Spain for centuries. | 0:27:32 | 0:27:36 | |
Perhaps that helps to explain why, for all its modernity, | 0:27:36 | 0:27:41 | |
in its food, its customs, its dances and its architecture, | 0:27:41 | 0:27:46 | |
Spain remains today unlike anywhere else in Europe. | 0:27:46 | 0:27:51 | |
Next time, I find out how the Edwardian traveller | 0:27:59 | 0:28:02 | |
discovered a love of the high life. | 0:28:02 | 0:28:05 | |
A traveller with my Bradshaw's guide in 1913 could have gone | 0:28:05 | 0:28:08 | |
-up in a plane and seen this wonderful view. -Absolutely. | 0:28:08 | 0:28:12 | |
And on the Grand Canal, | 0:28:12 | 0:28:14 | |
I hear about the amorous conquests | 0:28:14 | 0:28:17 | |
-of Venice's most famous son. -Casanova loved women. | 0:28:17 | 0:28:20 | |
He only had 130 lovers. | 0:28:20 | 0:28:22 | |
-That's extremely moderate. -Absolutely! | 0:28:22 | 0:28:24 | |
Viva Italia! | 0:28:27 | 0:28:29 |