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'I'm embarking on a new railway adventure that will | 0:00:04 | 0:00:07 | |
'take me across the heart of Europe.' | 0:00:07 | 0:00:09 | |
I'll be using this, | 0:00:11 | 0:00:12 | |
my Bradshaw's Continental Railway Guide, dated 1913, | 0:00:12 | 0:00:17 | |
which opened up an exotic world of foreign travel | 0:00:17 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:22 | |
'It told travellers where to go, what to see and how to | 0:00:22 | 0:00:25 | |
'navigate the thousands of miles of tracks crisscrossing the continent. | 0:00:25 | 0:00:31 | |
'Now a century later, I'm using my copy to reveal | 0:00:31 | 0:00:33 | |
'an era of great optimism and energy, | 0:00:33 | 0:00:36 | |
where technology, industry, science and the arts were flourishing.' | 0:00:36 | 0:00:41 | |
I want to rediscover that lost Europe, that in 1913 couldn't know | 0:00:42 | 0:00:48 | |
that its way of life would shortly be swept aside by the advent of war. | 0:00:48 | 0:00:52 | |
On this journey, I'll keep track of King Edward VII, | 0:01:10 | 0:01:14 | |
who, at a time of European decadence and danger, progressed to | 0:01:14 | 0:01:18 | |
southwest France in search of both amusement and alliances. | 0:01:18 | 0:01:23 | |
I'll pursue royalty and vin rouge in a region that combined blue blood | 0:01:23 | 0:01:28 | |
with red wine. | 0:01:28 | 0:01:30 | |
After Bordeaux it'll be Biarritz, | 0:01:30 | 0:01:32 | |
and then the Basque country, including Bilbao. | 0:01:32 | 0:01:36 | |
'On this leg of my 1913 journey, | 0:01:39 | 0:01:42 | |
'I'll eat fashionable cake in Bordeaux...' | 0:01:42 | 0:01:45 | |
It's named after the shape of the mould, and it's a groovy shape. | 0:01:45 | 0:01:49 | |
It is a groovy shape! | 0:01:49 | 0:01:51 | |
'..test the waters in Edwardian style...' | 0:01:51 | 0:01:55 | |
What do you think of my outfit? | 0:01:55 | 0:01:57 | |
-I thought you were from prison at first. -Prison?! | 0:01:57 | 0:02:00 | |
'..play regal greens in Biarritz...' | 0:02:00 | 0:02:03 | |
Edward VII used to come here and play between 1906 until 1910. | 0:02:03 | 0:02:10 | |
You really have had some big shots here. | 0:02:10 | 0:02:12 | |
'..ride a scenic railway in San Sebastian...' | 0:02:13 | 0:02:17 | |
Oh, dear, we're going up again! | 0:02:17 | 0:02:19 | |
THEY LAUGH | 0:02:21 | 0:02:22 | |
'..and cross a Basque river on a gondola suspended from a monorail.' | 0:02:24 | 0:02:28 | |
-How does Bilbao feel about its bridge? -It's iconic. | 0:02:28 | 0:02:32 | |
It's central to their identity. It symbolises their mastery of iron | 0:02:32 | 0:02:36 | |
and steel at the height of the first Industrial Revolution. | 0:02:36 | 0:02:38 | |
'My Edwardian adventure surfaces in the wineries of Bordeaux, | 0:02:44 | 0:02:48 | |
'takes a dip in Arcachon, soars to the high life in Biarritz, | 0:02:48 | 0:02:54 | |
'crosses into Spain, ascending to regal San Sebastian, and risks | 0:02:54 | 0:03:00 | |
'vertigo in industrial Bilbao, | 0:03:00 | 0:03:03 | |
'in the culturally distinct Basque country.' | 0:03:03 | 0:03:06 | |
My journey begins at Bordeaux, | 0:03:10 | 0:03:13 | |
seat of the French government in 1870, when the Prussians besieged Paris, | 0:03:13 | 0:03:17 | |
and French capital in 1914 | 0:03:17 | 0:03:21 | |
and 1940, when the Germans invaded again. | 0:03:21 | 0:03:24 | |
In 1913, few of the bons viveurs of fashionable France living | 0:03:26 | 0:03:31 | |
through La Belle Epoque foresaw the imminent catastrophe of war. | 0:03:31 | 0:03:35 | |
'King Edward VII was a frequent visitor in those heady days. | 0:03:37 | 0:03:41 | |
'Were they merely the jaunts of an ageing playboy, or was this | 0:03:41 | 0:03:45 | |
'elder statesman in pursuit of alliance as much as dalliance?' | 0:03:45 | 0:03:48 | |
'Starting in Bordeaux, | 0:03:50 | 0:03:52 | |
'the finest wine producing region in the world, | 0:03:52 | 0:03:55 | |
'I'm seeking to extract the British connection with the French | 0:03:55 | 0:03:58 | |
'wine industry and to see how the railways have assisted its success.' | 0:03:58 | 0:04:03 | |
With vineyards stretching to every horizon, Bradshaw's tells me | 0:04:05 | 0:04:08 | |
the principal trade with a port is engaged with Bordeaux wines. | 0:04:08 | 0:04:13 | |
I shall be interested to see what mark has been | 0:04:13 | 0:04:15 | |
left on the city by wine or by the wealth created from it. | 0:04:15 | 0:04:19 | |
'Situated on the River Garonne, | 0:04:23 | 0:04:24 | |
'which empties into the Atlantic Ocean, | 0:04:24 | 0:04:27 | |
'Bordeaux has been a port for centuries.' | 0:04:27 | 0:04:29 | |
'In the 17th, ranking second only to London, it supplied the majority | 0:04:31 | 0:04:36 | |
'of Europe with coffee, cocoa, sugar, cotton, wine and slaves, | 0:04:36 | 0:04:41 | |
'trades that by the 19th century afforded the town | 0:04:41 | 0:04:45 | |
'the best of everything.' | 0:04:45 | 0:04:48 | |
I'm standing at the window to get a good view of this spectacular | 0:04:48 | 0:04:51 | |
old railway bridge that was finished in 1860, | 0:04:51 | 0:04:54 | |
and the site manager was a 25-year-old engineer | 0:04:54 | 0:04:57 | |
called Gustave Eiffel. 27 years later, | 0:04:57 | 0:05:01 | |
he'd go on to build what we know as the Eiffel Tower in Paris. | 0:05:01 | 0:05:05 | |
'The 19th century brought the railway | 0:05:11 | 0:05:13 | |
'and its architecture to this prosperous commercial hub. | 0:05:13 | 0:05:17 | |
'The Saint-Jean railway station first opened in 1855.' | 0:05:17 | 0:05:21 | |
'Too small to cope with the passenger numbers, | 0:05:23 | 0:05:26 | |
'the original was rebuilt with a vast 183-foot-wide canopy | 0:05:26 | 0:05:30 | |
'just in time for the World Exposition in 1900.' | 0:05:30 | 0:05:35 | |
I'm so impressed by this vast station at Bordeaux, a traveller | 0:05:35 | 0:05:39 | |
with my Bradshaw's guide would have been as well, because then it was | 0:05:39 | 0:05:42 | |
quite new, completed in 1898, so that's about ten years | 0:05:42 | 0:05:46 | |
after the Eiffel Tower, and by then, engineers really understood | 0:05:46 | 0:05:50 | |
how to make these enormous structures. | 0:05:50 | 0:05:53 | |
The wealth generated by Bordeaux as an entrepot, or trading hub, | 0:05:57 | 0:06:01 | |
back in the 18th century, | 0:06:01 | 0:06:03 | |
helped to construct many of the city's principal buildings. | 0:06:03 | 0:06:07 | |
And in the 21st century, that continued affluence, | 0:06:07 | 0:06:11 | |
built now on wine, enables the city | 0:06:11 | 0:06:13 | |
to protect its historic architectural heritage. | 0:06:13 | 0:06:17 | |
This beautiful building would grace any European capital. | 0:06:18 | 0:06:22 | |
It is actually the grand theatre, according to Bradshaw's, | 0:06:22 | 0:06:24 | |
and its portico has 12 Corinthian columns. | 0:06:24 | 0:06:27 | |
What's so interesting is, they allow the trams to run | 0:06:27 | 0:06:31 | |
in front of it, but instead of having overhead wires | 0:06:31 | 0:06:33 | |
that would spoil the view of this delicious building, | 0:06:33 | 0:06:36 | |
the trams are powered by a current passing through the pavements | 0:06:36 | 0:06:40 | |
which somehow powers the tram | 0:06:40 | 0:06:42 | |
without electrocuting the pedestrians! | 0:06:42 | 0:06:45 | |
The railways brought industrial quantities of Bordeaux wine | 0:06:55 | 0:06:58 | |
to its docks for export. | 0:06:58 | 0:07:00 | |
It was a boom time for the town's negociants, the middlemen | 0:07:01 | 0:07:04 | |
who have brokered wine from across the region for centuries. | 0:07:04 | 0:07:09 | |
At the time of my guidebook, many were British, | 0:07:09 | 0:07:12 | |
like the ancestors of negociant Charlie Sichels. | 0:07:12 | 0:07:15 | |
What is it you do in the wine trade? | 0:07:18 | 0:07:20 | |
We are what one would call a negociant. | 0:07:20 | 0:07:22 | |
The negociant is responsible for buying and selling | 0:07:24 | 0:07:28 | |
other people's wines. | 0:07:28 | 0:07:30 | |
You know, Bordeaux is a massive wine producing area, the biggest probably | 0:07:30 | 0:07:35 | |
in the world, producing 800 million bottles of wine every year. | 0:07:35 | 0:07:40 | |
Stunning. | 0:07:40 | 0:07:41 | |
And we are one of 400 negociants in Bordeaux, | 0:07:41 | 0:07:46 | |
and we sell wine all over the world. | 0:07:46 | 0:07:50 | |
How long has your family been in the business? | 0:07:50 | 0:07:53 | |
Here in Bordeaux since 1883. | 0:07:53 | 0:07:55 | |
But before that, involved in the wine business since 1755. | 0:07:55 | 0:08:00 | |
Extraordinary. | 0:08:00 | 0:08:02 | |
Now, my Bradshaw's tells me about the splendid quays here in Bordeaux. | 0:08:02 | 0:08:06 | |
Not very busy at the moment. What was this like in its heyday? | 0:08:06 | 0:08:10 | |
Massively busy, massively busy. Boats everywhere, | 0:08:10 | 0:08:14 | |
Barrels all over the quayside. People tasting the barrels. | 0:08:14 | 0:08:19 | |
In fact, in the buildings behind me, | 0:08:19 | 0:08:21 | |
every other door was a wine merchant. | 0:08:21 | 0:08:24 | |
They would roll the barrels out of the cellars | 0:08:24 | 0:08:28 | |
straight onto the boats and then they'd sail off | 0:08:28 | 0:08:31 | |
heading north for England, amongst other places. | 0:08:31 | 0:08:34 | |
As Charlie's family has been doing business here | 0:08:38 | 0:08:41 | |
since before my guidebook was written, I wonder whether | 0:08:41 | 0:08:44 | |
his impressive cellar includes wines from that period. | 0:08:44 | 0:08:47 | |
In 1913, someone carrying my Bradshaw's guide | 0:08:51 | 0:08:54 | |
would've been drinking what? | 0:08:54 | 0:08:55 | |
Probably something like | 0:08:55 | 0:08:58 | |
a 1908 Chateau Palmer, | 0:08:58 | 0:09:02 | |
one of three bottles left. | 0:09:02 | 0:09:05 | |
Magnificent! Now, was that a good year? | 0:09:05 | 0:09:08 | |
I think, Michael, it was an OK year. | 0:09:08 | 0:09:10 | |
Now, I imagine that the great vintages or very historic bottles | 0:09:10 | 0:09:15 | |
do sell for extraordinary sums. | 0:09:15 | 0:09:18 | |
What would be the figures they'd go for? | 0:09:18 | 0:09:19 | |
Something like a Chateau Mouton Rothschild 1945, | 0:09:19 | 0:09:24 | |
85,000 euros. | 0:09:24 | 0:09:26 | |
-A bottle?! -A bottle. | 0:09:26 | 0:09:28 | |
Thankfully, in Bordeaux, some pleasures are free. | 0:09:39 | 0:09:42 | |
Led by my guidebook, I'm taking the tram to a landmark | 0:09:43 | 0:09:47 | |
that in 1913 was magnetic to visitors, as it is today. | 0:09:47 | 0:09:51 | |
Bradshaw's has brought me here to the Place des Quinconces, | 0:09:56 | 0:10:00 | |
which, it tells me, is the largest open square in the city. | 0:10:00 | 0:10:03 | |
Actually, it claims to be the largest square in Europe | 0:10:03 | 0:10:07 | |
and for a big city like this to have such an enormous space | 0:10:07 | 0:10:10 | |
at its heart is delightful, special. | 0:10:10 | 0:10:14 | |
Completed in 1828 and now a venue for concerts and public events, | 0:10:17 | 0:10:23 | |
the 12-hectare square, built on the site of a demolished castle, | 0:10:23 | 0:10:27 | |
hosts the Monument aux Girondins, over 140 feet high, | 0:10:27 | 0:10:32 | |
commemorating the fallen of the French Revolution. | 0:10:32 | 0:10:35 | |
And nearby there's an impressive imperial relic of Bonapartist grandeur. | 0:10:42 | 0:10:49 | |
This is Bordeaux's Pont de Pierre, Bridge of Stone. | 0:10:49 | 0:10:52 | |
It was commissioned by Napoleon Bonaparte for his troops | 0:10:52 | 0:10:55 | |
to march across, although he was defeated before it was completed. | 0:10:55 | 0:10:59 | |
Bradshaw's tells me it's justly considered | 0:10:59 | 0:11:02 | |
one of the finest bridges in Europe, and you can see his PONT. Point! | 0:11:02 | 0:11:07 | |
I'm feeling rather peckish | 0:11:15 | 0:11:16 | |
and I've heard that patisseries stock Canele de Bordeaux, | 0:11:16 | 0:11:19 | |
the official cake of the city. | 0:11:19 | 0:11:22 | |
Hello! | 0:11:22 | 0:11:23 | |
Hi. | 0:11:23 | 0:11:25 | |
I'm intrigued to hear about its history | 0:11:25 | 0:11:27 | |
and to find out how it tastes. | 0:11:27 | 0:11:29 | |
It's named after the shape of the mould | 0:11:30 | 0:11:33 | |
so the moulds are like that and it's a groovy shape. | 0:11:33 | 0:11:37 | |
It IS a groovy shape! | 0:11:37 | 0:11:39 | |
And so that's how we named it canele, because of the shape of the mould. | 0:11:39 | 0:11:43 | |
What's the origin of it? | 0:11:43 | 0:11:44 | |
The origins of the Canele would be religious. | 0:11:44 | 0:11:47 | |
It was nuns in the 16th century | 0:11:48 | 0:11:50 | |
that collected the basic products | 0:11:50 | 0:11:53 | |
to make little cakes for the poor. | 0:11:53 | 0:11:55 | |
Flour and vanilla from the ships, | 0:11:55 | 0:11:58 | |
and also the egg yolks from the winemakers | 0:11:58 | 0:12:02 | |
because they used only the whites to clarify the wine. | 0:12:02 | 0:12:07 | |
-So even this cake is a kind of by-product of Bordeaux's wine industry? -Yes, exactly. | 0:12:07 | 0:12:12 | |
-Could I possibly taste one, please? -Yes, you can. | 0:12:12 | 0:12:14 | |
It's very crispy on the outside and always soft on the inside. | 0:12:14 | 0:12:18 | |
-Do I bite the top off? -Yes! | 0:12:18 | 0:12:19 | |
SHE GIGGLES | 0:12:21 | 0:12:22 | |
Mmm! | 0:12:22 | 0:12:24 | |
Wow! It is really crispy | 0:12:24 | 0:12:26 | |
and then I'm getting all that egg and sugar inside. | 0:12:26 | 0:12:29 | |
That's what makes it very special, actually, the texture. | 0:12:29 | 0:12:34 | |
It's fantastic. I shall remember Bordeaux by this | 0:12:34 | 0:12:36 | |
and possibly leave my fillings here too, thank you! | 0:12:36 | 0:12:38 | |
You're welcome, bye! | 0:12:38 | 0:12:39 | |
I'm leaving Bordeaux for my last stop of the day. | 0:12:45 | 0:12:48 | |
Another town defined by wine, 25 miles east of the region's capital. | 0:12:48 | 0:12:52 | |
Saint-Emilion is a beautiful medieval hilltop retreat | 0:12:56 | 0:13:00 | |
with a church hewn from limestone. | 0:13:00 | 0:13:03 | |
The rock is a factor in making these lands so suitable for vines. | 0:13:03 | 0:13:07 | |
In the mid-19th century, the arrival of the railways | 0:13:14 | 0:13:17 | |
revolutionised the region's wine industry. | 0:13:17 | 0:13:20 | |
For the first time, vineyards far from Bordeaux | 0:13:20 | 0:13:23 | |
could send wine in large quantities to the port and, from there, | 0:13:23 | 0:13:26 | |
to international customers. | 0:13:26 | 0:13:28 | |
Even when you know you're coming to a wine-producing area, | 0:13:33 | 0:13:37 | |
nothing quite prepares you for the intensity | 0:13:37 | 0:13:39 | |
of the wine production in this landscape. | 0:13:39 | 0:13:42 | |
It's just kind of vines covering every square centimetre. | 0:13:42 | 0:13:46 | |
Except, of course, for a few beautifully positioned trees | 0:13:46 | 0:13:50 | |
and the lovely stone of the chateaux and the farm buildings. | 0:13:50 | 0:13:53 | |
I've come here to meet another Briton in the wine trade, | 0:13:56 | 0:13:59 | |
Jonathan Maltus, who left home in 1994 | 0:13:59 | 0:14:02 | |
and bought the Chateau Teyssier winery, | 0:14:02 | 0:14:04 | |
which has been producing since the 18th century. | 0:14:04 | 0:14:07 | |
What are the grape types? | 0:14:10 | 0:14:12 | |
Well, Bordeaux has three grape varieties, Cabernet Sauvignon, | 0:14:12 | 0:14:16 | |
Merlot and Cabernet Franc, and on this side of the river it's Merlot. | 0:14:16 | 0:14:21 | |
Well, I feel a bit distant from the wine. Can we get a bit closer to the actual liquid? | 0:14:21 | 0:14:24 | |
Absolutely. Let's do it. | 0:14:24 | 0:14:26 | |
Known as a garagiste proprietor, | 0:14:28 | 0:14:30 | |
happy to depart from traditional winemaking techniques, | 0:14:30 | 0:14:33 | |
Jonathan's Chateau Teyssier label | 0:14:33 | 0:14:35 | |
produces 300,000 bottles of wine per year. | 0:14:35 | 0:14:39 | |
This is interesting. We seem to be in an entirely modern room | 0:14:40 | 0:14:43 | |
-but with, what, rather traditional oak vats? -Yes, that's right. | 0:14:43 | 0:14:47 | |
In 1913, this would have been really the kind of vats | 0:14:47 | 0:14:51 | |
that would exist at that time. | 0:14:51 | 0:14:53 | |
We've gone back to the future with our more expensive wines | 0:14:53 | 0:14:56 | |
so hence you have these sort of vats. | 0:14:56 | 0:14:58 | |
Edward VII was immensely fond of fine wine. | 0:15:00 | 0:15:03 | |
He famously observed that | 0:15:03 | 0:15:05 | |
"One not only drinks the wine, one smells it, observes it, | 0:15:05 | 0:15:08 | |
"tastes it, sips it, and one talks about it." | 0:15:08 | 0:15:12 | |
I wonder how much Chateau Teyssier made its way to Britain in 1913? | 0:15:13 | 0:15:18 | |
At the time of my Bradshaw's Guide, | 0:15:20 | 0:15:22 | |
the British were pretty big drinkers of Bordeaux? | 0:15:22 | 0:15:25 | |
I think they represented probably the biggest export market | 0:15:25 | 0:15:29 | |
from this part of the world. | 0:15:29 | 0:15:31 | |
In the late 1970s, the American wine writer Robert M Parker Junior | 0:15:32 | 0:15:37 | |
began publishing his guide to wine buying, | 0:15:37 | 0:15:40 | |
scoring wines around the world out of 100 points. | 0:15:40 | 0:15:45 | |
His opinion can make or break a vintage. | 0:15:45 | 0:15:48 | |
So your mission, Michael, should you wish to accept it, | 0:15:48 | 0:15:51 | |
there are three bottles on the table. | 0:15:51 | 0:15:54 | |
One of them is 100 points from Robert Parker. | 0:15:54 | 0:15:57 | |
Which one is it? | 0:15:57 | 0:15:59 | |
And what would the 100-pointer be worth? | 0:15:59 | 0:16:01 | |
-About £250 a bottle. -Oof! | 0:16:01 | 0:16:03 | |
I don't reckon much on my palate. | 0:16:04 | 0:16:05 | |
It's taken a bit of a bashing over the years. | 0:16:05 | 0:16:08 | |
HE SNIFFS | 0:16:08 | 0:16:09 | |
It's a very, very good wine. Mm. Try and remember that. | 0:16:15 | 0:16:19 | |
Mm, that's also delightful. | 0:16:26 | 0:16:28 | |
I'm not sure I'm going to get this. | 0:16:29 | 0:16:31 | |
Well...my vote is for this one. | 0:16:35 | 0:16:42 | |
Well, you're not there, unfortunately, because in fact | 0:16:42 | 0:16:45 | |
-the one on the right is Le Dome. -Ah! -And that gets 100 points. | 0:16:45 | 0:16:50 | |
This one is called Les Asterie. It's 96 points, £95 a bottle. | 0:16:50 | 0:16:56 | |
And the one on the left is home brew, 92 points, £18 a bottle. | 0:16:56 | 0:17:01 | |
The unpalatable truth is that I'll never be a sommelier. | 0:17:03 | 0:17:08 | |
'After a long, if thoroughly pleasant day, | 0:17:08 | 0:17:10 | |
'I'll take my rest before renewing my belle epoque adventure tomorrow.' | 0:17:10 | 0:17:16 | |
Ready for the day ahead, | 0:17:23 | 0:17:25 | |
I'm back at Bordeaux's mainline station | 0:17:25 | 0:17:27 | |
from where I shall be heading southwest to find out more | 0:17:27 | 0:17:31 | |
about Europe before the cataclysm of 1914 changed it forever. | 0:17:31 | 0:17:37 | |
A tip for the unwary train traveller in France - | 0:17:37 | 0:17:40 | |
even though you have a ticket, before you board a train, | 0:17:40 | 0:17:42 | |
you must validate it at this little machine, | 0:17:42 | 0:17:45 | |
otherwise you could get a fine. | 0:17:45 | 0:17:46 | |
Picking up the tracks of King Edward VII through Southwest France, | 0:17:55 | 0:17:59 | |
this train will take me to a coastal town | 0:17:59 | 0:18:02 | |
popular with late 19th century British royalty | 0:18:02 | 0:18:05 | |
who were in search of curative sea air. | 0:18:05 | 0:18:07 | |
My first stop on this new day will be Arcachon, which, Bradshaw's | 0:18:09 | 0:18:12 | |
tells me, is a favourite sea bathing and winter resort. | 0:18:12 | 0:18:16 | |
The town along the shore | 0:18:16 | 0:18:18 | |
and the winter town in the pine forest to the south. | 0:18:18 | 0:18:22 | |
A winter and summer resort in one place - | 0:18:22 | 0:18:24 | |
it sounds as though the town had a pretty good marketing department. | 0:18:24 | 0:18:28 | |
Anyway, nothing fortifies the over-40s better | 0:18:28 | 0:18:30 | |
than a stiff sea breeze | 0:18:30 | 0:18:32 | |
and let's face it, I qualify - and my Bradshaw's Guide, even more so. | 0:18:32 | 0:18:35 | |
'In 1891, the French railway brought new pleasures to the working class | 0:18:37 | 0:18:42 | |
'by inventing the cheap family day return. | 0:18:42 | 0:18:45 | |
'I'm wondering whether the quick excursion is as popular today.' | 0:18:45 | 0:18:49 | |
-Bonjour. Excusez-moi. -Oui? -Vous parlez anglais? -Non. | 0:18:51 | 0:18:55 | |
-Non, pas de tout? -Et vous parlez francais? -Un peu, un petit peu. | 0:18:55 | 0:18:59 | |
Je vois votre pannier. Est-ce que vous allez a la plage? | 0:18:59 | 0:19:02 | |
-Oui. -Ah, they are going to the beach. | 0:19:02 | 0:19:05 | |
-Et qu'est-ce que vous faites? -Faire bronzette. | 0:19:05 | 0:19:07 | |
Ah, she's going to do sunbathing. | 0:19:07 | 0:19:09 | |
-Madame, vous etes bien bronzee. You've got a lovely tan. -Merci! | 0:19:09 | 0:19:13 | |
-HE CHUCKLES -Merci, madame. | 0:19:13 | 0:19:15 | |
Sheltered from the Atlantic by the Cap Ferret peninsular | 0:19:17 | 0:19:20 | |
on the Cote d'Argent, or Silver Coast, | 0:19:20 | 0:19:23 | |
the resort of Arcachon dates back to 1823 | 0:19:23 | 0:19:26 | |
when the first hotel with spa was built | 0:19:26 | 0:19:29 | |
betwixt pine forest, beach and sea. | 0:19:29 | 0:19:31 | |
Arcachon's reviving qualities attracted so many Britons | 0:19:36 | 0:19:39 | |
that by the late 19th century, there were enough here | 0:19:39 | 0:19:42 | |
to require an Anglican church. | 0:19:42 | 0:19:44 | |
'I've heard that Queen Victoria's children came here, too | 0:19:47 | 0:19:50 | |
'and I'm confident that local guide Valerie Soutra will know more.' | 0:19:50 | 0:19:56 | |
When that first hotel was built, was the idea anything to do with health | 0:19:56 | 0:20:00 | |
or was it for people to come and swim in the sea, what was the idea? | 0:20:00 | 0:20:03 | |
It was more for health. | 0:20:03 | 0:20:05 | |
Because on this time, doctors thought it was beneficial | 0:20:05 | 0:20:10 | |
to swim on the water of this bay | 0:20:10 | 0:20:13 | |
for diseases like hysteria or melancholy. | 0:20:13 | 0:20:19 | |
Because the water is more quiet and more warm than the Atlantic Ocean. | 0:20:19 | 0:20:27 | |
-And so that would have a calming effect? -Exactly. | 0:20:27 | 0:20:30 | |
So how did the town grow after that? | 0:20:30 | 0:20:33 | |
Archachon developed thanks to two brothers | 0:20:33 | 0:20:36 | |
named Emile and Isaac Pereire, who carried the railway | 0:20:36 | 0:20:40 | |
to Archachon in July 1857. | 0:20:40 | 0:20:47 | |
My guidebook tells me that the "exhalations of the pine trees | 0:20:47 | 0:20:52 | |
"with the sea air render the Ville d'Hiver a very healthy quarter." | 0:20:52 | 0:20:56 | |
-The Ville d'Hiver - now, that would be the Winter Town? -Yes. | 0:20:56 | 0:21:00 | |
-Where would that be? -Just behind the seaside resort. | 0:21:00 | 0:21:03 | |
Arcachon has districts named after each of the four seasons. | 0:21:08 | 0:21:12 | |
At the Winter Town, also known as the Open Air Sanatorium, | 0:21:12 | 0:21:16 | |
the sick, particularly tuberculosis sufferers, | 0:21:16 | 0:21:19 | |
were said to benefit from breathing the "balsamic and iodised air". | 0:21:19 | 0:21:24 | |
This Winter Town was created by the two Pereire brothers | 0:21:26 | 0:21:31 | |
in 40 hectares to attract all the high society from Europe | 0:21:31 | 0:21:36 | |
with tuberculosis. | 0:21:36 | 0:21:38 | |
And was this breathing of the pine air, | 0:21:38 | 0:21:41 | |
was this supposedly effective for their maladies? | 0:21:41 | 0:21:44 | |
Yes, by good food and by cure with good pine forest air. | 0:21:44 | 0:21:49 | |
Valerie has brought me to a particular house | 0:21:52 | 0:21:55 | |
to demonstrate that the future king was convinced | 0:21:55 | 0:21:58 | |
of the town's healing qualities. | 0:21:58 | 0:22:00 | |
I want to tell you about this house, | 0:22:03 | 0:22:06 | |
where came in 1886 the Princess Louise, | 0:22:06 | 0:22:11 | |
-one of the daughter of the Queen Victoria. -Ah. | 0:22:11 | 0:22:15 | |
She came here because she had had a serious accident in Canada. | 0:22:15 | 0:22:22 | |
Her brother, the Prince of Wales, said to her, | 0:22:22 | 0:22:27 | |
I think it was good for her to came here. | 0:22:27 | 0:22:31 | |
Her recuperation in Arcachon must have rejuvenated her. | 0:22:35 | 0:22:39 | |
Louise would prove to be Queen Victoria's longest-lived daughter, | 0:22:39 | 0:22:43 | |
dying at the ripe old age of 91. | 0:22:43 | 0:22:46 | |
I've absorbed the air from the pines and the air from the sea | 0:22:48 | 0:22:51 | |
and it's great news that in the time of my Bradshaw's Guide, | 0:22:51 | 0:22:54 | |
something else was prescribed for good health - oysters. | 0:22:54 | 0:22:58 | |
The oysters are recommended for their iodine, | 0:23:00 | 0:23:03 | |
and were first cultivated in the Arcachon basin in the 1850s, | 0:23:03 | 0:23:08 | |
in oyster beds developed by the personal physician | 0:23:08 | 0:23:11 | |
to the French empress, Eugenie. | 0:23:11 | 0:23:13 | |
I like to think that the tasty little creatures | 0:23:19 | 0:23:22 | |
aided Princess Louise's recovery. | 0:23:22 | 0:23:24 | |
-Excellent, merci. -Bon appetit. -Merci. | 0:23:27 | 0:23:30 | |
Ooh, these look absolutely delicious. | 0:23:32 | 0:23:34 | |
I like to have them just with lemon juice. | 0:23:34 | 0:23:38 | |
Clean the palate with a little white wine... | 0:23:39 | 0:23:43 | |
then scoop the little creature out of its hiding place... | 0:23:43 | 0:23:48 | |
Mm! Give it a good chew, | 0:23:50 | 0:23:55 | |
allow the flavour of the sea to explode in your mouth... | 0:23:55 | 0:23:59 | |
and clean the palate again with a glass of wine. | 0:23:59 | 0:24:02 | |
In the 21st century, people come to the beach and show a lot of flesh. | 0:24:14 | 0:24:18 | |
Men in figure-hugging trunks and women in skimpy bikinis, or topless. | 0:24:18 | 0:24:23 | |
But in Edwardian times, people showed more decorum. | 0:24:23 | 0:24:27 | |
ACCORDION MUSIC PLAYS | 0:24:27 | 0:24:29 | |
And to complete the sex appeal... | 0:24:37 | 0:24:39 | |
'France was the favoured seaside destination | 0:24:41 | 0:24:43 | |
'for European tourists in the carefree years | 0:24:43 | 0:24:46 | |
'before the First World War, | 0:24:46 | 0:24:48 | |
'when the social elite came here in pursuit of beauty, | 0:24:48 | 0:24:52 | |
'in art and people. | 0:24:52 | 0:24:53 | |
'Like those discerning travellers, I know that nothing titillates | 0:24:53 | 0:24:57 | |
'as much as that which is discreetly covered. | 0:24:57 | 0:25:00 | |
'I wonder whether my Edwardian costume | 0:25:00 | 0:25:02 | |
'will set modern sun-seekers quivering.' | 0:25:02 | 0:25:05 | |
Bonjour, messieurs. Do you speak English? Vous parlez anglais? | 0:25:05 | 0:25:09 | |
-Non. -Ah! | 0:25:09 | 0:25:11 | |
Et qu'est-ce vous opinez de ca? | 0:25:11 | 0:25:14 | |
-Tres beau. -"Tres beau!" I look very beautiful in it. | 0:25:14 | 0:25:19 | |
-What do you think of my... -I thought you were from prison at first. | 0:25:19 | 0:25:23 | |
-Did you, prison? -We're... Yeah. -This is my Edwardian bathing suit. | 0:25:23 | 0:25:29 | |
There you go. | 0:25:29 | 0:25:30 | |
-That was the second guess! -HE LAUGHS | 0:25:30 | 0:25:32 | |
I can hardly leave Archachon without sampling | 0:25:37 | 0:25:40 | |
the healing qualities of the water. | 0:25:40 | 0:25:43 | |
Continuing my journey through pre-First World War Europe, | 0:26:03 | 0:26:07 | |
I'll move south from Arcachon to Biarritz, | 0:26:07 | 0:26:10 | |
cross the Spanish border at Irun and then, like Edward VII, | 0:26:10 | 0:26:14 | |
sojourn in royal San Sebastian | 0:26:14 | 0:26:16 | |
before ending at the Basque port of Bilbao which, | 0:26:16 | 0:26:20 | |
in 1913, reeked of smoke and Basque nationalism. | 0:26:20 | 0:26:24 | |
I shall leave this train at Biarritz which, Bradshaw's tells me, | 0:26:34 | 0:26:38 | |
is favourably situated facing the Bay of Biscay on a line | 0:26:38 | 0:26:42 | |
of cliffs sloping to a magnificent beach. | 0:26:42 | 0:26:45 | |
It's one of the most frequented bathing resorts in France, | 0:26:45 | 0:26:49 | |
especially by the better classes of society, and so with my nose | 0:26:49 | 0:26:53 | |
stuck firmly in the air, | 0:26:53 | 0:26:55 | |
I shall head for this remarkably refined resort. | 0:26:55 | 0:26:59 | |
Biarritz, on the Atlantic coast in the French Basque country. | 0:27:10 | 0:27:15 | |
Emperor Napoleon III built the Villa Eugenie here in 1855, | 0:27:15 | 0:27:20 | |
for his wife, the Empress. | 0:27:20 | 0:27:21 | |
As crowned heads of Europe followed, the resort soon became known | 0:27:24 | 0:27:27 | |
as "the queen of beaches and the beach of kings." | 0:27:27 | 0:27:31 | |
'I've heard that not only did Edward VII come here, | 0:27:41 | 0:27:45 | |
'but that in Biarritz at the turn of the 20th century, | 0:27:45 | 0:27:48 | |
'British influence was par for the course.' | 0:27:48 | 0:27:50 | |
This beautiful golf course is in my Bradshaw's Guide. | 0:27:54 | 0:27:57 | |
It tells me there's an 18-hole course | 0:27:57 | 0:28:00 | |
a mile from the centre of town, a clubhouse, a ladies' green, | 0:28:00 | 0:28:03 | |
nine-hole. This must've been very early for golf courses. | 0:28:03 | 0:28:06 | |
Indeed, the sign on the gate tells me | 0:28:06 | 0:28:09 | |
that it was founded in the swinging 1880s. | 0:28:09 | 0:28:11 | |
Back in 1813, 100 years before my guidebook, | 0:28:13 | 0:28:18 | |
the Duke of Wellington's army invaded this region | 0:28:18 | 0:28:21 | |
and here at Le Phare, I'm intrigued to discover what they left behind. | 0:28:21 | 0:28:26 | |
-Hello, Claude. -Hello, Michael. -Very good to see you. | 0:28:28 | 0:28:32 | |
'Claude Rousseau is Director General of The Biarritz Golf Society.' | 0:28:32 | 0:28:36 | |
-British people came with bank, shops... -Yes. | 0:28:36 | 0:28:42 | |
..sports, tennis, cricket, everything. And especially golf | 0:28:42 | 0:28:48 | |
so in 1887, they decided to buy land here and in April '88, | 0:28:48 | 0:28:55 | |
-they decided to open it. -You're saying that the British were really absolutely, | 0:28:55 | 0:29:00 | |
-fundamentally important to that? -Yes, definitely. | 0:29:00 | 0:29:02 | |
The British people were very important | 0:29:02 | 0:29:05 | |
for the economy of the city. | 0:29:05 | 0:29:07 | |
So, Claude, how do the French develop their love of golf? | 0:29:09 | 0:29:12 | |
Well, it starts when the British players came here, | 0:29:12 | 0:29:18 | |
they asked for caddies and it means that by the evening, | 0:29:18 | 0:29:23 | |
when the players come back to the clubhouse to have a cup of beer | 0:29:23 | 0:29:27 | |
or a couple of whisky, | 0:29:27 | 0:29:29 | |
they pick up the clubs of their guest and they start to play. | 0:29:29 | 0:29:34 | |
So now, you're going to try to play golf. | 0:29:36 | 0:29:40 | |
Er, this will be humiliating! Let's give it a go. | 0:29:40 | 0:29:44 | |
Put the club in front of the ball. | 0:29:44 | 0:29:46 | |
Take care to your stance. | 0:29:46 | 0:29:48 | |
And then you have to look at the ball. | 0:29:50 | 0:29:54 | |
-Look at the ball? -Yeah. | 0:29:54 | 0:29:56 | |
Perfect. It's a good shot. | 0:30:00 | 0:30:02 | |
Well, I'll be jiggered. | 0:30:02 | 0:30:04 | |
Aha. | 0:30:08 | 0:30:10 | |
Ahh, bit long. | 0:30:10 | 0:30:11 | |
Have you had any famous British players here? | 0:30:12 | 0:30:15 | |
Yes, we had very famous... a famous player coming here, | 0:30:15 | 0:30:19 | |
because we had Edward VII, | 0:30:19 | 0:30:21 | |
who used to come here and play between 1906 until 1910. | 0:30:21 | 0:30:28 | |
You really have had some big shots here. | 0:30:28 | 0:30:30 | |
Congratulations. | 0:30:34 | 0:30:36 | |
Edward championed golf, laying out courses at his royal residences | 0:30:38 | 0:30:42 | |
in Britain not just for family and guests but also for his servants. | 0:30:42 | 0:30:48 | |
But the whisper at the 19th hole | 0:30:48 | 0:30:50 | |
was that he was not a very active player. | 0:30:50 | 0:30:53 | |
I wonder what else he did whilst in Biarritz. | 0:30:53 | 0:30:55 | |
His most recent biographer, Jane Ridley, | 0:30:55 | 0:30:58 | |
has travelled here to enlighten me. | 0:30:58 | 0:31:01 | |
Jane. | 0:31:01 | 0:31:03 | |
-Hello. -Hello. | 0:31:03 | 0:31:05 | |
I've discovered at the golf course | 0:31:05 | 0:31:07 | |
that Edward VII used to come to Biarritz | 0:31:07 | 0:31:10 | |
but what brought him here? | 0:31:10 | 0:31:11 | |
Well, he came here for his health. | 0:31:11 | 0:31:14 | |
His doctors told him that he had to leave England in the spring | 0:31:14 | 0:31:17 | |
because he got terrible bronchitis, | 0:31:17 | 0:31:19 | |
so he came here for the bracing sea breezes and the good climate. | 0:31:19 | 0:31:22 | |
What company did the King have in Biarritz? | 0:31:22 | 0:31:25 | |
Well, when he came to Biarritz, | 0:31:25 | 0:31:27 | |
the Queen, Alexandra, she never came, | 0:31:27 | 0:31:29 | |
but Mrs Keppel, who was the mistress throughout his reign, | 0:31:29 | 0:31:32 | |
she was always here and also his retinue would come as well, | 0:31:32 | 0:31:36 | |
I mean, about sort of 12 or 18 people. | 0:31:36 | 0:31:38 | |
How did he make his way here? | 0:31:38 | 0:31:39 | |
I mean, he was, you know, a railway King. | 0:31:39 | 0:31:42 | |
He would come by train in great splendour | 0:31:42 | 0:31:44 | |
and he would be preceded by a sort of charabanc of motorcars, | 0:31:44 | 0:31:47 | |
laden with all the King's luggage. | 0:31:47 | 0:31:49 | |
Whenever he went anywhere, he would take sort of 80 pieces of luggage. | 0:31:49 | 0:31:52 | |
So it was a big operation. | 0:31:52 | 0:31:54 | |
He's constantly, you know, moving in Europe, moving all around Britain, | 0:31:54 | 0:31:58 | |
so, I mean, he loved railways - they were very much part of his life. | 0:31:58 | 0:32:01 | |
He had a huge amount of contacts in Europe | 0:32:01 | 0:32:04 | |
because he was uncle to the Czar of Russia, the King of Germany | 0:32:04 | 0:32:08 | |
and he had an enormous amount of friends | 0:32:08 | 0:32:10 | |
on the European diplomatic scene. | 0:32:10 | 0:32:13 | |
I mean, a lot of the things he did were very important. | 0:32:13 | 0:32:15 | |
He went to Paris in 1903 and that visit was really important | 0:32:15 | 0:32:19 | |
because it set up the alliance with France, | 0:32:19 | 0:32:22 | |
the entente cordiale of 1904, | 0:32:22 | 0:32:24 | |
so, I mean, that was a key bit of diplomacy. | 0:32:24 | 0:32:26 | |
If the King was distracted by diplomacy, | 0:32:31 | 0:32:33 | |
his portly disposition suggests that he may have sought solace | 0:32:33 | 0:32:37 | |
in his penchant for patisserie. | 0:32:37 | 0:32:39 | |
At the time of my guidebook, | 0:32:45 | 0:32:47 | |
the Cafe Miremont was the most fashionable place in Biarritz | 0:32:47 | 0:32:51 | |
to indulge in that particular French fancy. | 0:32:51 | 0:32:54 | |
If we'd come here at the time of my Bradshaw's guide, | 0:33:00 | 0:33:02 | |
what sort of crowd would we have encountered in this cafe? | 0:33:02 | 0:33:05 | |
Oh, well, I think we'd have found a very grand crowd indeed - | 0:33:05 | 0:33:08 | |
somebody once joked, actually, | 0:33:08 | 0:33:10 | |
that in this cafe there were more queens than pastries | 0:33:10 | 0:33:13 | |
and there were fewer rum babas than there were grand dukes. | 0:33:13 | 0:33:17 | |
THEY CHUCKLE | 0:33:17 | 0:33:19 | |
So you've got a dessert fit for a King. | 0:33:19 | 0:33:21 | |
Edward VII really liked his food. | 0:33:21 | 0:33:23 | |
Edward VII was well known for liking his food. | 0:33:24 | 0:33:28 | |
I mean, he was known as Tum Tum. SHE LAUGHS | 0:33:28 | 0:33:30 | |
And with good reason. | 0:33:30 | 0:33:32 | |
He would eat a huge lunch and then, before dinner, | 0:33:32 | 0:33:35 | |
there would be an enormous tea and then dinner was always 12 courses. | 0:33:35 | 0:33:38 | |
And Edward VII wolfed the lot. | 0:33:38 | 0:33:40 | |
Away from his food, what were the King's delights here in Biarritz? | 0:33:40 | 0:33:45 | |
Well, what he really loved was bridge. | 0:33:45 | 0:33:47 | |
The King actually wasn't terribly good | 0:33:47 | 0:33:48 | |
and he had a very explosive temper, | 0:33:48 | 0:33:50 | |
so, if it went wrong, he would get frightfully cross and, you know, | 0:33:50 | 0:33:53 | |
people were reduced to nervous wrecks playing with the King. | 0:33:53 | 0:33:57 | |
So I'm going to try this traditional millefeuille | 0:33:57 | 0:33:59 | |
and good luck with your wild strawberry tart. | 0:33:59 | 0:34:02 | |
It looks delicious. | 0:34:02 | 0:34:03 | |
-Mmm! -Mm-hm. -Really good. | 0:34:06 | 0:34:07 | |
The King spent his last five springs living here, | 0:34:11 | 0:34:15 | |
at the luxurious Hotel du Palais. | 0:34:15 | 0:34:17 | |
This was the same Villa Eugenie built by Napoleon III, | 0:34:17 | 0:34:22 | |
but then it became a casino and later a hotel. | 0:34:22 | 0:34:26 | |
It was lavishly refurbished after a fire in 1903. | 0:34:26 | 0:34:29 | |
At a time when a reforming Liberal Government | 0:34:35 | 0:34:38 | |
was attempting to change Britain's constitution and society, | 0:34:38 | 0:34:42 | |
I wonder how involved Edward could have been | 0:34:42 | 0:34:45 | |
whilst in distant Biarritz. | 0:34:45 | 0:34:46 | |
Ah. It's magnificently opulent, isn't it? | 0:34:50 | 0:34:53 | |
So grand. | 0:34:53 | 0:34:54 | |
I'm just thinking, when the King was travelling abroad, | 0:34:54 | 0:34:56 | |
obviously the business of government had to continue. | 0:34:56 | 0:34:59 | |
How was that organised? | 0:34:59 | 0:35:00 | |
Oh, that was organised very carefully. | 0:35:00 | 0:35:02 | |
The King's boxes, carrying his official documents, | 0:35:02 | 0:35:05 | |
the papers he had to sign and read, | 0:35:05 | 0:35:07 | |
came out daily and he would sit under a big, stripy awning, | 0:35:07 | 0:35:11 | |
going through his papers very conscientiously. | 0:35:11 | 0:35:15 | |
If you look up here, there is this rather wonderful plaque, | 0:35:15 | 0:35:18 | |
which commemorates an incredibly important visit, | 0:35:18 | 0:35:21 | |
which took place in 1908. | 0:35:21 | 0:35:23 | |
"Mr Henry Herbert Asquith | 0:35:23 | 0:35:26 | |
"was named as Prime Minister of the British Empire | 0:35:26 | 0:35:29 | |
"in this palace on 7th April, 1908, by His Majesty Edward VII." | 0:35:29 | 0:35:33 | |
There was a lot of criticism from the press in Britain, | 0:35:33 | 0:35:36 | |
who said it was appallingly high-handed of the King | 0:35:36 | 0:35:40 | |
to drag the new Prime Minister to France | 0:35:40 | 0:35:42 | |
to make him Prime Minister. | 0:35:42 | 0:35:44 | |
Asquith, of course, had a pretty stormy premiership. | 0:35:44 | 0:35:48 | |
In 1909, they had this budget | 0:35:48 | 0:35:50 | |
that raised taxes on higher incomes very substantially | 0:35:50 | 0:35:53 | |
and then there was this constitutional crisis | 0:35:53 | 0:35:55 | |
where they set about reforming the House of Lords, | 0:35:55 | 0:35:57 | |
so how did the King get involved in all of that from Biarritz? | 0:35:57 | 0:36:01 | |
Well, the King was very much involved with all of that | 0:36:01 | 0:36:03 | |
because in 1910, when he came to Biarritz, | 0:36:03 | 0:36:06 | |
that crisis was at its height and the King was also very ill, | 0:36:06 | 0:36:10 | |
so it was a very sort of stressful time | 0:36:10 | 0:36:12 | |
because he was essentially trying to mediate between the two sides | 0:36:12 | 0:36:15 | |
and to broker some kind of deal | 0:36:15 | 0:36:17 | |
between the opposition and the Liberal Government. | 0:36:17 | 0:36:19 | |
So, actually, I'm getting quite a rounded view of this man now. | 0:36:19 | 0:36:22 | |
I mean, he may have been a bit of a philanderer, | 0:36:22 | 0:36:25 | |
he may have loved his travels and his comforts | 0:36:25 | 0:36:28 | |
but he was quite serious about his constitutional duties. | 0:36:28 | 0:36:31 | |
Oh, very much so. I think he was a very good King | 0:36:31 | 0:36:34 | |
and, I think, um... hugely underestimated. | 0:36:34 | 0:36:37 | |
On April 26th, 1910, the King, seemingly recovered, | 0:36:39 | 0:36:44 | |
left Biarritz for Buckingham Palace. | 0:36:44 | 0:36:46 | |
But, on the 6th of May, he died. | 0:36:46 | 0:36:49 | |
Tonight, I shall sleep in a suite that the King himself occupied. | 0:36:54 | 0:36:58 | |
And so this is your room. | 0:37:00 | 0:37:02 | |
And please take a closer look at the bed, | 0:37:02 | 0:37:04 | |
because the bed is actually where Edward VII stayed | 0:37:04 | 0:37:08 | |
and it is said that, on his last day, | 0:37:08 | 0:37:10 | |
he just stayed by the window and whispered, "Goodbye, Biarritz." | 0:37:10 | 0:37:14 | |
Ah, that's a very sad story. | 0:37:14 | 0:37:15 | |
I'm delighted that, in beautiful Biarritz, | 0:37:17 | 0:37:20 | |
I've learned that Edward VII was a conscientious and capable King. | 0:37:20 | 0:37:25 | |
But his formidable mother, Victoria, found his philandering unamusing. | 0:37:25 | 0:37:31 | |
Being so close to the Atlantic Ocean, | 0:37:42 | 0:37:44 | |
I thought I'd begin my day with a little fish. | 0:37:44 | 0:37:46 | |
I'm looking out today on a cloudy bay | 0:37:46 | 0:37:49 | |
but no intrepid traveller with his Bradshaw's Guide | 0:37:49 | 0:37:52 | |
can be put off by a little bad weather. | 0:37:52 | 0:37:54 | |
This morning, I'm leaving Biarritz to continue my journey south, | 0:37:58 | 0:38:02 | |
and, to make the most of the day, I'm taking an early train. | 0:38:02 | 0:38:05 | |
I've boarded the overnight train that's come down from Paris | 0:38:09 | 0:38:12 | |
and this car is full of people sleeping | 0:38:12 | 0:38:15 | |
and, ahead of me, there are lots of sleeper cars | 0:38:15 | 0:38:17 | |
and even these cars are specially designed to recline. | 0:38:17 | 0:38:21 | |
We shall soon be crossing the border from France into Spain. | 0:38:32 | 0:38:35 | |
I have both a British and a Spanish passport. | 0:38:35 | 0:38:38 | |
That's because my father was Spanish | 0:38:38 | 0:38:40 | |
and he registered me as a Spanish citizen when I was four years old. | 0:38:40 | 0:38:44 | |
Interestingly, I have a different name in each passport. | 0:38:44 | 0:38:47 | |
In this one, I'm Miguel - that's how you translate Michael. | 0:38:47 | 0:38:50 | |
But also the Spanish have the habit | 0:38:50 | 0:38:52 | |
of using both their father's and their mother's surname, | 0:38:52 | 0:38:55 | |
one after the other, so I'm Miguel Portillo Blythe. | 0:38:55 | 0:38:58 | |
You wouldn't know it was me, would you? | 0:38:58 | 0:39:01 | |
Bradshaw's tells me that the railway line | 0:39:14 | 0:39:16 | |
reaches Spanish territory at Irun, where I am now, | 0:39:16 | 0:39:20 | |
"where carriages are changed as the gauge of the Spanish railways | 0:39:20 | 0:39:24 | |
"is about one-third broader than that of the French railways." | 0:39:24 | 0:39:28 | |
Rail historians believe the Spanish made a strategic decision | 0:39:29 | 0:39:33 | |
not to adopt the standard gauge of four foot, eight-and-a-half inches | 0:39:33 | 0:39:37 | |
in order to hamper any possible invasion by rail. | 0:39:37 | 0:39:40 | |
Spanish railways have only quite recently | 0:39:42 | 0:39:45 | |
adopted standard gauge for their new, high-speed lines. | 0:39:45 | 0:39:49 | |
Sergio Lopez is a professor of engineering. | 0:39:49 | 0:39:52 | |
Someone going from France to Spain 100 years ago, | 0:39:53 | 0:39:55 | |
at the time of this guidebook, | 0:39:55 | 0:39:57 | |
at Irun, what would they have had to do? | 0:39:57 | 0:39:59 | |
Yeah, pretty inconvenient. But, I suppose, even worse for freight. | 0:40:09 | 0:40:13 | |
Yeah, so it's had quite serious economic consequences. | 0:40:22 | 0:40:25 | |
Yes, yes, yes. | 0:40:25 | 0:40:28 | |
Trains crossing the border were once manually lifted onto new wheelsets. | 0:40:28 | 0:40:32 | |
But now the train axles adjust so that, both at the French border | 0:40:32 | 0:40:36 | |
and where trains on domestic routes | 0:40:36 | 0:40:39 | |
move from old, wide tracks on to the new, high-speed network, | 0:40:39 | 0:40:43 | |
the distance between the wheels is narrowed, or vice-versa. | 0:40:43 | 0:40:46 | |
So now I find myself in a different country | 0:40:48 | 0:40:51 | |
with a different railway company and even a different gauge of track. | 0:40:51 | 0:40:56 | |
My next stop will be San Sebastian. | 0:41:02 | 0:41:05 | |
Bradshaw's tells me, "It's the most fashionable seaside resort in Spain, | 0:41:05 | 0:41:09 | |
"beautifully situated on an inlet. | 0:41:09 | 0:41:12 | |
"Spanish royalty usually in residence during the summer." | 0:41:12 | 0:41:16 | |
I'm getting the impression that, at the beginning of the 20th Century, | 0:41:16 | 0:41:19 | |
around the Bay Of Biscay, there was a kind of royal crescent | 0:41:19 | 0:41:23 | |
where kings and queens would take their holiday and meet each other | 0:41:23 | 0:41:27 | |
and, since they were nearly all related, | 0:41:27 | 0:41:29 | |
presumably exchange family gossip. | 0:41:29 | 0:41:31 | |
The 19th and early 20th century tourists | 0:41:37 | 0:41:40 | |
who followed Spanish royalty here | 0:41:40 | 0:41:42 | |
helped to create the wealth that gave San Sebastian | 0:41:42 | 0:41:45 | |
one of the most recognisable seafronts in Europe. | 0:41:45 | 0:41:48 | |
Bradshaw's tells me to look out for Monte Urgull - that hill - | 0:41:56 | 0:42:00 | |
380 feet at the sea end of the old town. | 0:42:00 | 0:42:04 | |
And then the wonder of this place is the beach. | 0:42:04 | 0:42:07 | |
Bradshaw's tells me it's called La Concha. | 0:42:07 | 0:42:10 | |
Concha is the Spanish for seashell | 0:42:10 | 0:42:12 | |
and, with its terrific natural beauty, | 0:42:12 | 0:42:15 | |
you could say that this seashell | 0:42:15 | 0:42:17 | |
has produced, on the northern coast of Spain, a pearl. | 0:42:17 | 0:42:20 | |
In 1906, the British King, Edward VII, visited here | 0:42:24 | 0:42:28 | |
whilst brokering the marriage of his niece, Ena, | 0:42:28 | 0:42:30 | |
to Spain's King Alfonso XIII. | 0:42:30 | 0:42:34 | |
And, six years later, Spain's Queen Mother, Maria Cristina, | 0:42:34 | 0:42:37 | |
inaugurated the funicular railway at Monte Igueldo, | 0:42:37 | 0:42:41 | |
which transported gamblers to San Sebastian's new clifftop casino. | 0:42:41 | 0:42:46 | |
The line's carriages are original | 0:42:46 | 0:42:48 | |
and have now entered their second century of service. | 0:42:48 | 0:42:52 | |
Sergio Fernandez knows more. | 0:42:52 | 0:42:54 | |
-Hello, Sergio. -Hi, Michael. Nice to meet you. | 0:42:56 | 0:42:59 | |
What a beautiful funicular railway. How long is the line? | 0:42:59 | 0:43:03 | |
It's 312 metres long and 160 metres above the sea. | 0:43:03 | 0:43:09 | |
And what sort of gradient does it go up? | 0:43:09 | 0:43:11 | |
It's very, very inclined, between 32% and 58%. | 0:43:11 | 0:43:16 | |
Which is what we would call one in three and more than one in two. | 0:43:16 | 0:43:20 | |
That is extraordinarily steep. | 0:43:20 | 0:43:22 | |
How unusual is it to have original wagons on a Spanish funicular? | 0:43:22 | 0:43:26 | |
I think there is no any other original in Spain. | 0:43:26 | 0:43:31 | |
-May we take a ride? -Let's go. | 0:43:31 | 0:43:33 | |
I love all these old wooden benches. It's really beautiful. | 0:43:36 | 0:43:41 | |
My guidebook is from 1913. | 0:43:49 | 0:43:51 | |
This would have been brand-new in those days | 0:43:51 | 0:43:54 | |
and they would be coming, of course, very, very elegantly dressed. | 0:43:54 | 0:43:57 | |
-Maybe to visit the casino, maybe just to see the view. -Yes. | 0:43:57 | 0:44:00 | |
So 160 metres above the sea. That's, I think, more than 500 feet | 0:44:05 | 0:44:11 | |
and we've done it in... How long did that take us? | 0:44:11 | 0:44:15 | |
Er, three minutes and 20 seconds. | 0:44:15 | 0:44:17 | |
Very good. | 0:44:17 | 0:44:19 | |
-Gracias. -De nada. | 0:44:22 | 0:44:24 | |
When anti-gambling laws shut down Monte Igueldo's casino in 1925, | 0:44:26 | 0:44:31 | |
it was replaced by a clifftop funfair, | 0:44:31 | 0:44:35 | |
whose 1,100-foot-long scenic railway, | 0:44:35 | 0:44:37 | |
the Montana Suiza, still runs. | 0:44:37 | 0:44:40 | |
I see why it's called the scenic railway - | 0:44:42 | 0:44:44 | |
a wonderful view of San Sebastian from here. | 0:44:44 | 0:44:47 | |
Yeah, fantastic view. | 0:44:47 | 0:44:48 | |
Let's go? Yes, please. | 0:44:48 | 0:44:49 | |
Starts nice and gently... | 0:44:51 | 0:44:53 | |
Whoa. | 0:44:56 | 0:44:57 | |
'Only a handful of so-called side-friction-style scenic railways | 0:45:01 | 0:45:06 | |
'like this one still operate. | 0:45:06 | 0:45:07 | |
'Because the cars rely on little more than gravity | 0:45:09 | 0:45:12 | |
'to hold on to the rails, a brakeman must ensure that the train's speed | 0:45:12 | 0:45:16 | |
'on each corner and fall is not only thrilling but safe.' | 0:45:16 | 0:45:20 | |
Ah! Fantastic view now of the bay. Oh, that's lovely. | 0:45:22 | 0:45:26 | |
Yeah, amazing view. | 0:45:26 | 0:45:28 | |
Oh, dear, we're going up again. | 0:45:28 | 0:45:30 | |
Yes. The last drop, the big one! | 0:45:30 | 0:45:32 | |
-"The LAST drop"? -MICHAEL LAUGHS | 0:45:32 | 0:45:35 | |
Oh, my goodness! | 0:45:40 | 0:45:41 | |
Here we go! | 0:45:45 | 0:45:47 | |
SERGIO LAUGHS | 0:45:47 | 0:45:49 | |
That was very good! That was very, very good. | 0:45:55 | 0:45:57 | |
The only thing is I very nearly dropped my Bradshaw's! | 0:46:00 | 0:46:03 | |
Having experienced its ups and downs, I'm leaving San Sebastian. | 0:46:06 | 0:46:10 | |
Tomorrow, I'll explore the final destination | 0:46:13 | 0:46:16 | |
of this European adventure. | 0:46:16 | 0:46:17 | |
This is the third gauge of railway I've been on today. | 0:46:22 | 0:46:25 | |
There was French standard gauge, then there was Spanish broad gauge | 0:46:25 | 0:46:29 | |
and now this is Spanish narrow gauge, | 0:46:29 | 0:46:31 | |
very well-suited to building in the mountains. | 0:46:31 | 0:46:34 | |
And this line forms a kind of Metro, | 0:46:34 | 0:46:37 | |
running from the French border all the way to Bilbao. | 0:46:37 | 0:46:40 | |
The Basques are the oldest surviving ethnic group in Europe. | 0:46:54 | 0:46:58 | |
They've lived in the foothills of the Western Pyrenees for millennia | 0:46:58 | 0:47:02 | |
and, for seven centuries, the resolutely Basque port of Bilbao | 0:47:02 | 0:47:07 | |
has sat proudly upon the Nervion River estuary. | 0:47:07 | 0:47:10 | |
Bradshaw's describes Bilbao as, "an important commercial town, | 0:47:11 | 0:47:15 | |
"concerned in iron manufacture, with many British residents." | 0:47:15 | 0:47:19 | |
A historical relationship that continues today. | 0:47:19 | 0:47:22 | |
The designs by the British architect, Norman Foster, | 0:47:24 | 0:47:27 | |
for the stations on Bilbao's underground railway | 0:47:27 | 0:47:30 | |
have given the city these distinctive glass armadillos, | 0:47:30 | 0:47:34 | |
which are known locally and affectionately as Fosteritos. | 0:47:34 | 0:47:38 | |
In Bilbao, I'm leaving King Edward behind. | 0:47:44 | 0:47:47 | |
Here, I hope to discover the industrial ties | 0:47:47 | 0:47:50 | |
between Britain and Spain at the time of my 1913 guidebook. | 0:47:50 | 0:47:53 | |
I've come to Abando Station to meet John Walton, | 0:47:55 | 0:47:58 | |
professor of social history at Ikerbasque, | 0:47:58 | 0:48:01 | |
The Basque Foundation of Science. | 0:48:01 | 0:48:03 | |
Bradshaw's talks about a lot of British residents here 100 years ago. | 0:48:05 | 0:48:09 | |
What were they connected with? | 0:48:09 | 0:48:11 | |
Above all, they were involved with the mining | 0:48:11 | 0:48:14 | |
and the ship building and the iron and steel manufacture. | 0:48:14 | 0:48:17 | |
But, right from the beginning, of course, | 0:48:17 | 0:48:19 | |
they were identified with the railways as well | 0:48:19 | 0:48:21 | |
and the first railway line from Bilbao to Tudela, | 0:48:21 | 0:48:24 | |
which came in to this very station in the late 1850s, | 0:48:24 | 0:48:28 | |
was engineered by a British firm. | 0:48:28 | 0:48:31 | |
This stained glass, I think, tells us a little bit | 0:48:31 | 0:48:34 | |
about the history of the place, doesn't it? | 0:48:34 | 0:48:36 | |
Oh, it certainly does. You have iron ore mines, you have the iron works, | 0:48:36 | 0:48:40 | |
you have farmers - the Basques were very big on their rural identity - | 0:48:40 | 0:48:45 | |
you have characteristic Basque buildings | 0:48:45 | 0:48:47 | |
and, of course, you have a representation of the port. | 0:48:47 | 0:48:51 | |
So this window really provides a terrific gateway to Bilbao. | 0:48:51 | 0:48:54 | |
Shall we go through and see more? | 0:48:54 | 0:48:56 | |
Like many post-industrial European ports, | 0:48:58 | 0:49:02 | |
Bilbao's docks have shrunk dramatically. | 0:49:02 | 0:49:05 | |
A regeneration programme has turned a large chunk | 0:49:05 | 0:49:08 | |
into a smart residential, commercial and cultural hub | 0:49:08 | 0:49:12 | |
but, at the time of my guidebook, | 0:49:12 | 0:49:14 | |
the riverside must have looked very different. | 0:49:14 | 0:49:17 | |
It was an absolute hive of activity. The port exported iron ore | 0:49:18 | 0:49:22 | |
to particularly South Wales and Lancashire. | 0:49:22 | 0:49:26 | |
But it also imported coal, particularly from Wales. | 0:49:26 | 0:49:29 | |
So there was a pretty balanced trade between Britain, | 0:49:29 | 0:49:31 | |
particularly Wales, and Bilbao? | 0:49:31 | 0:49:33 | |
It was a symbiotic relationship. They helped each other's economies. | 0:49:33 | 0:49:36 | |
And now we've come to, what... | 0:49:36 | 0:49:38 | |
really one of the most iconic structures of Bilbao. | 0:49:38 | 0:49:41 | |
Yes, this is the first transporter bridge in the world. | 0:49:41 | 0:49:45 | |
Opened in 1893. | 0:49:45 | 0:49:47 | |
Designed by a local engineer, Alberto De Palacio, | 0:49:47 | 0:49:51 | |
who's supposed to have been a disciple | 0:49:51 | 0:49:53 | |
of Gustave Eiffel, of the tower. | 0:49:53 | 0:49:56 | |
Alberto De Palacio's Puente Vizcaya is over 500 feet long | 0:49:57 | 0:50:02 | |
and has been copied in countries worldwide, including Britain. | 0:50:02 | 0:50:06 | |
With no need for long approach roads, | 0:50:07 | 0:50:09 | |
four towers, over 150 feet high, support a monorail, | 0:50:09 | 0:50:14 | |
from which a gondola is suspended, carrying goods and people | 0:50:14 | 0:50:17 | |
across the river, high above the shipping lanes... | 0:50:17 | 0:50:20 | |
Ooh, a superb view. | 0:50:25 | 0:50:27 | |
And now you get the feeling that the whole city | 0:50:27 | 0:50:30 | |
is kind of cradled by mountains on all sides. | 0:50:30 | 0:50:34 | |
What's happening up at this level? | 0:50:34 | 0:50:36 | |
Well, we're going along the maintenance walkway, originally. | 0:50:36 | 0:50:41 | |
But we're looking down on the gondola going to and fro. | 0:50:41 | 0:50:46 | |
How does Bilbao feel about its bridge? | 0:50:46 | 0:50:49 | |
It's iconic. It's central to their identity. | 0:50:49 | 0:50:51 | |
It symbolises their mastery of iron and steel | 0:50:51 | 0:50:54 | |
at the height of the first Industrial Revolution. | 0:50:54 | 0:50:57 | |
A British engineer designed an early railway line into Bilbao | 0:51:08 | 0:51:12 | |
but those transporter bridges that we have in Britain | 0:51:12 | 0:51:16 | |
were inspired by the Basque engineer | 0:51:16 | 0:51:18 | |
who designed this magnificent structure in Bilbao. | 0:51:18 | 0:51:21 | |
Bilbao has another iconic structure much admired by the outside world. | 0:51:28 | 0:51:33 | |
I can reach it on the city's modern and spacious Metro. | 0:51:33 | 0:51:37 | |
Canadian-American Architect Frank Gehry's 1997 Guggenheim Museum | 0:51:46 | 0:51:52 | |
transformed the image of this once grimy city. | 0:51:52 | 0:51:56 | |
They say that Frank Gehry's design for the Guggenheim Museum | 0:51:58 | 0:52:02 | |
is reminiscent of the bows of ships | 0:52:02 | 0:52:05 | |
and, indeed, it's built on the site of an old dock | 0:52:05 | 0:52:08 | |
and it's hard to believe that this used to be | 0:52:08 | 0:52:10 | |
a railway marshalling yard. | 0:52:10 | 0:52:12 | |
But one of the things I like about it | 0:52:12 | 0:52:14 | |
is that I find it impossible to describe the shape - | 0:52:14 | 0:52:16 | |
it is absolutely unique. | 0:52:16 | 0:52:19 | |
Do you like the building? | 0:52:24 | 0:52:25 | |
-Mesmerising, yes. -Yeah? | 0:52:25 | 0:52:27 | |
I like old, classical buildings, but it... Credit where credit's due. | 0:52:27 | 0:52:32 | |
-For me it's very, very, very surprising. -Yes? | 0:52:32 | 0:52:36 | |
Would it surprise you to know that this used to be a dock? | 0:52:36 | 0:52:39 | |
-That this used to be railways? -Yeah. | 0:52:39 | 0:52:42 | |
I came here about 30 or 40 years ago, so it was all rusty. | 0:52:42 | 0:52:49 | |
-Very different today. -Oh, very different. | 0:52:49 | 0:52:52 | |
Before completing my journey, | 0:52:52 | 0:52:54 | |
I'd like to hear about the Basque Country, | 0:52:54 | 0:52:57 | |
its people and what sets their culture apart | 0:52:57 | 0:53:00 | |
from the Spain with which I'm so familiar. | 0:53:00 | 0:53:02 | |
Born in Britain to Basque parents, | 0:53:03 | 0:53:06 | |
local guide David Elexgaray can enlighten me. | 0:53:06 | 0:53:08 | |
David, my Bradshaw's Guide, written 100 years ago, | 0:53:11 | 0:53:14 | |
talks about the Basque country, | 0:53:14 | 0:53:16 | |
"whose people are regarded as being upon a higher level of civilisation | 0:53:16 | 0:53:20 | |
"than the peasantry in other parts of Spain." | 0:53:20 | 0:53:23 | |
Now, you're a Basque - how do you feel about that? | 0:53:23 | 0:53:25 | |
We are a bit different to the rest. | 0:53:25 | 0:53:27 | |
I mean, we have our own language, Euskara, | 0:53:27 | 0:53:29 | |
which is probably one of the oldest - if not THE oldest - | 0:53:29 | 0:53:31 | |
living languages in Europe... | 0:53:31 | 0:53:33 | |
This book, 100 years ago, is hinting at a sort of Basque nationalism. | 0:53:33 | 0:53:38 | |
Was that starting in those days? | 0:53:38 | 0:53:40 | |
More or less 100 years ago. It would be at the end of the 19th century, | 0:53:40 | 0:53:45 | |
which is part of the movement that was already taking place in Europe. | 0:53:45 | 0:53:48 | |
The Basques briefly secured autonomy in 1936 | 0:53:50 | 0:53:54 | |
at the outbreak of the Spanish Civil War | 0:53:54 | 0:53:57 | |
but, the following year, German and Italian planes | 0:53:57 | 0:54:00 | |
aided General Franco by bombing the Basque town of Guernica, | 0:54:00 | 0:54:04 | |
massacring civilians and causing widespread destruction. | 0:54:04 | 0:54:09 | |
Franco went on to ban the Basque language | 0:54:09 | 0:54:12 | |
and to suppress the people's identity. | 0:54:12 | 0:54:15 | |
In 1959, a revolutionary group known as ETA | 0:54:15 | 0:54:18 | |
began a violent separatist campaign for Basque independence. | 0:54:18 | 0:54:23 | |
Recent devolution has coincided with a permanent cease-fire. | 0:54:23 | 0:54:27 | |
And there's been a resurgence of spoken Basque. | 0:54:27 | 0:54:30 | |
Nowadays, we can see young people, even with piercings, tattoos, | 0:54:30 | 0:54:35 | |
but, on weekends, they dress up in traditional costumes, | 0:54:35 | 0:54:38 | |
do the traditional dances and play the traditional music. | 0:54:38 | 0:54:41 | |
Now, what other customs should I know about while I'm here? | 0:54:41 | 0:54:44 | |
Well, basically, do you enjoy your food? | 0:54:44 | 0:54:46 | |
I enjoy my food. | 0:54:46 | 0:54:48 | |
You've come to the right place. This is the mecca for food. | 0:54:48 | 0:54:51 | |
David has brought me to Zortziko, a restaurant serving Basque cuisine | 0:54:53 | 0:54:57 | |
under the watchful eye of Michelin-starred chef Daniel Garcia. | 0:54:57 | 0:55:01 | |
-Daniel. -Daniel. -Muchisimo gusto. | 0:55:01 | 0:55:03 | |
MICHAEL SPEAKS IN SPANISH | 0:55:03 | 0:55:05 | |
Daniel's going to show me how to prepare traditional Basque squid, | 0:55:05 | 0:55:09 | |
cooked in its own ink. | 0:55:09 | 0:55:11 | |
DANIEL SPEAKS IN SPANISH | 0:55:11 | 0:55:14 | |
He's saying that this is a very traditional dish | 0:55:14 | 0:55:17 | |
and that we have to show a lot of respect to it | 0:55:17 | 0:55:20 | |
because, as he cooks this dish, | 0:55:20 | 0:55:22 | |
he's thinking about all the ancestors who've cooked it before. | 0:55:22 | 0:55:26 | |
That is such a lovely thought. That's beautiful. | 0:55:26 | 0:55:29 | |
'Although not born a Basque, Daniel settled here as a young man | 0:55:29 | 0:55:33 | |
'and is now a celebrated Bilbaino.' | 0:55:33 | 0:55:35 | |
Now this is the interesting bit - | 0:55:35 | 0:55:37 | |
we're going to use the actual ink from the squid, | 0:55:37 | 0:55:40 | |
the ink that it has inside itself. | 0:55:40 | 0:55:43 | |
Que color mas intenso tiene. | 0:55:43 | 0:55:45 | |
It's an absolutely intense black. | 0:55:45 | 0:55:48 | |
Most extraordinary, gloopy stuff. | 0:55:48 | 0:55:51 | |
Fantastico! | 0:55:57 | 0:55:58 | |
Mm. One word of warning - | 0:55:58 | 0:56:00 | |
this is not a dish to be eaten on a first date, | 0:56:00 | 0:56:03 | |
cos you end up with a... | 0:56:03 | 0:56:04 | |
..black tongue. | 0:56:05 | 0:56:06 | |
-Ooh! -Ai, ai! -Ooh, that looks nice. | 0:56:13 | 0:56:17 | |
The final meal of my Basque adventure. | 0:56:17 | 0:56:20 | |
Inspired by thousands of years of history and passion | 0:56:20 | 0:56:24 | |
within a distinctive culture... | 0:56:24 | 0:56:26 | |
Not a 12-course Edwardian banquet, but certainly a dish fit for a king. | 0:56:27 | 0:56:31 | |
Hora la vamos a probar. | 0:56:33 | 0:56:35 | |
This is the moment of truth. | 0:56:35 | 0:56:37 | |
Mmm! Bueno! MICHAEL CHUCKLES | 0:56:42 | 0:56:44 | |
-It's so lovely and juicy, isn't it? -Mm-hm. -Wonderful. | 0:56:44 | 0:56:48 | |
HE SPEAKS IN SPANISH | 0:56:48 | 0:56:49 | |
Here in the Basque Country, it's really typical, | 0:56:49 | 0:56:51 | |
once you'd have had a good meal and had a few wines, to start singing. | 0:56:51 | 0:56:55 | |
DAVID AND DANIEL SING | 0:56:55 | 0:56:58 | |
MICHAEL LAUGHS | 0:57:11 | 0:57:12 | |
"An Englishman came to Bilbao to see the river and the sea, | 0:57:15 | 0:57:18 | |
"but, when he saw the beautiful girls of Bilbao, | 0:57:18 | 0:57:21 | |
"he didn't want to leave." | 0:57:21 | 0:57:22 | |
And, now I've had such a lovely meal, I don't want to leave either. | 0:57:22 | 0:57:26 | |
Gracias. | 0:57:26 | 0:57:27 | |
-Cheers. -Cheers. | 0:57:27 | 0:57:29 | |
This has been a right royal journey. | 0:57:42 | 0:57:45 | |
King Edward VII, who stayed at Biarritz | 0:57:45 | 0:57:47 | |
and gave his name to the Edwardian era, | 0:57:47 | 0:57:50 | |
was known as the Uncle of Europe. | 0:57:50 | 0:57:53 | |
Within a few years of my Bradshaw's Guide, | 0:57:53 | 0:57:56 | |
one of his nephews, the Kaiser of Germany, | 0:57:56 | 0:57:59 | |
had fought a war against us and had abdicated. | 0:57:59 | 0:58:03 | |
Another of his nephews, the Russian Czar, | 0:58:03 | 0:58:05 | |
had been murdered by Russian revolutionaries. | 0:58:05 | 0:58:08 | |
One of Edward's nieces, Victoria Eugenie, | 0:58:08 | 0:58:11 | |
also known as Ena, married the Spanish King Alfonso XIII. | 0:58:11 | 0:58:16 | |
But he also, in due course, had to flee Spain | 0:58:16 | 0:58:19 | |
but, today, Ena's grandson, King Juan Carlos, | 0:58:19 | 0:58:24 | |
reigns here in Spain. | 0:58:24 | 0:58:26 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:54 |