Browse content similar to La Coruna to Lisbon - Part 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I'm embarking on a new railway adventure | 0:00:04 | 0:00:06 | |
that will take me across the heart of Europe. | 0:00:06 | 0:00:09 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:22 | |
'It told travellers where to go, what to see, | 0:00:22 | 0:00:26 | |
'and how to navigate the thousands of miles of tracks | 0:00:26 | 0:00:29 | |
'crisscrossing the continent. | 0:00:29 | 0:00:31 | |
'Now, a century later, I'm using my copy | 0:00:31 | 0:00:33 | |
'to reveal an era of great optimism and energy, | 0:00:33 | 0:00:37 | |
'where technology, industry, | 0:00:37 | 0:00:39 | |
'science and the arts were flourishing. | 0:00:39 | 0:00:41 | |
'I want to rediscover that lost Europe, | 0:00:42 | 0:00:45 | |
'that in 1913 couldn't know that its way of life' | 0:00:45 | 0:00:49 | |
would shortly be swept aside by the advent of war. | 0:00:49 | 0:00:52 | |
I'm continuing my journey which began in the port of La Coruna. | 0:01:08 | 0:01:13 | |
My route took me inland | 0:01:13 | 0:01:15 | |
to the cathedral city of Santiago de Compostela. | 0:01:15 | 0:01:18 | |
Today I'll follow the Atlantic coast via Pontevedra into Portugal. | 0:01:18 | 0:01:23 | |
From Porto, I'll take the famous Douro valley line east | 0:01:23 | 0:01:28 | |
before heading south once more, | 0:01:28 | 0:01:29 | |
to the ancient university city of Coimbra | 0:01:29 | 0:01:32 | |
and on to my final stop in Lisbon. | 0:01:32 | 0:01:35 | |
Today I'll learn about a favourite British tipple... | 0:01:35 | 0:01:38 | |
It's a Martinez 1953, a very rare wine. | 0:01:38 | 0:01:41 | |
It's glorious. | 0:01:43 | 0:01:44 | |
..and in Lisbon, investigate the turbulent events | 0:01:44 | 0:01:48 | |
that shocked Edwardians. | 0:01:48 | 0:01:49 | |
There are a group of armed republicans. In five minutes, | 0:01:49 | 0:01:53 | |
they almost wiped out the entire royal family. | 0:01:53 | 0:01:57 | |
So this square was the scene of appalling horror. | 0:01:57 | 0:02:00 | |
'My 1913 guidebook is leading me across the border into a new land.' | 0:02:04 | 0:02:10 | |
Obrigado. | 0:02:10 | 0:02:11 | |
Estoy... Ya es Portugal? | 0:02:13 | 0:02:14 | |
Is this Portugal already? | 0:02:14 | 0:02:16 | |
Si, yes, yes. | 0:02:16 | 0:02:18 | |
Portugal is... | 0:02:18 | 0:02:20 | |
Ah, I've got to change my watch. | 0:02:20 | 0:02:23 | |
-One hora. -One hour less. -Yes. | 0:02:23 | 0:02:26 | |
-OK. -Obrigado. | 0:02:26 | 0:02:29 | |
Unlike Spain, Portugal is on the same time as Britain, | 0:02:29 | 0:02:32 | |
and that's not the only connection. | 0:02:32 | 0:02:35 | |
I'm now in Portugal, about which Bradshaw's is enthusiastic. | 0:02:35 | 0:02:40 | |
"The most favourable time of the year for a visit to Portugal | 0:02:40 | 0:02:42 | |
"is November until May. | 0:02:42 | 0:02:45 | |
"A charming variety of natural beauty, | 0:02:45 | 0:02:47 | |
"inland, mountain and valley, | 0:02:47 | 0:02:49 | |
"along the rugged coast, bold headlands | 0:02:49 | 0:02:52 | |
"and stretches of sand downs." | 0:02:52 | 0:02:54 | |
And then this intriguing reference. | 0:02:54 | 0:02:56 | |
"The British sovereign is legal currency in Portugal." | 0:02:56 | 0:02:59 | |
Now that is testimony to a long relationship, | 0:02:59 | 0:03:03 | |
stretching back over seven centuries, | 0:03:03 | 0:03:06 | |
cemented by alliances, and marriages, | 0:03:06 | 0:03:09 | |
so that for all the time that we were fighting off Spanish armadas | 0:03:09 | 0:03:13 | |
and defeating the Spanish at the Battle of Trafalgar, | 0:03:13 | 0:03:16 | |
Portugal was our friend. | 0:03:16 | 0:03:19 | |
'I'm travelling towards Porto on the Minho line, opened in the 1880s. | 0:03:24 | 0:03:29 | |
'Compared to Britain, | 0:03:29 | 0:03:31 | |
'19th-century Portugal was slow to adopt the railway. | 0:03:31 | 0:03:35 | |
'The first line was built with British help in the 1850s, | 0:03:35 | 0:03:38 | |
'amidst hopes that trains would bring to Portugal | 0:03:38 | 0:03:41 | |
'the kind of economic growth Britain had enjoyed.' | 0:03:41 | 0:03:44 | |
'I've come to Sao Bento station, | 0:03:51 | 0:03:53 | |
'a building whose ornate decorations are testament | 0:03:53 | 0:03:56 | |
'to the excitement that surrounded the coming of the railways. | 0:03:56 | 0:04:00 | |
'Carol Rankin's family has lived and worked in Portugal for generations. | 0:04:01 | 0:04:05 | |
'Born and brought up here, she knows the station well.' | 0:04:05 | 0:04:10 | |
The railway station is magnificent, when does it date from? | 0:04:10 | 0:04:14 | |
Well, the foundation stone was laid by King Carlos I of Portugal | 0:04:14 | 0:04:18 | |
in 1900, and then it obviously took a while to build, so, it opened... | 0:04:18 | 0:04:22 | |
Actually, the whole thing completed, a few years after that. | 0:04:22 | 0:04:26 | |
I think by the time the tiles were put in place, it was probably 1915. | 0:04:26 | 0:04:30 | |
-All around the time of my Bradshaw's guide. -Indeed. | 0:04:30 | 0:04:34 | |
The station walls are covered in spectacular painted tiles, | 0:04:34 | 0:04:38 | |
a local tradition that evolved out of Moorish mosaics, | 0:04:38 | 0:04:42 | |
introduced to Spain and Portugal in the Middle Ages. | 0:04:42 | 0:04:45 | |
By the time of my guidebook, | 0:04:45 | 0:04:47 | |
they were being used to celebrate the advent of the age of steam. | 0:04:47 | 0:04:51 | |
But the tiles also tell the story | 0:04:52 | 0:04:54 | |
of the birth of Portugal's special relationship with Britain. | 0:04:54 | 0:04:58 | |
This shows us Juan I of Portugal and Philippa of Lancaster | 0:04:59 | 0:05:04 | |
coming in through the streets of Oporto, strewn with rose petals | 0:05:04 | 0:05:09 | |
as you can see, to celebrate their marriage in the city's cathedral. | 0:05:09 | 0:05:13 | |
-Who was she? -She was the daughter of John of Gaunt, | 0:05:13 | 0:05:16 | |
and he was uncle to Richard II | 0:05:16 | 0:05:19 | |
who was on the throne of England at the time. | 0:05:19 | 0:05:22 | |
So, this was quite an important marriage alliance | 0:05:22 | 0:05:25 | |
between England and Portugal? | 0:05:25 | 0:05:27 | |
It is indeed, because it cemented the treaty of Windsor | 0:05:27 | 0:05:30 | |
which was signed in 1386. | 0:05:30 | 0:05:32 | |
The terms of alliance and perpetual friendship that the treaty contained | 0:05:32 | 0:05:37 | |
have never been broken, and it's the world's oldest diplomatic alliance | 0:05:37 | 0:05:42 | |
still in force. | 0:05:42 | 0:05:43 | |
Edwardian tourists arriving here could marvel at the legacy | 0:05:49 | 0:05:53 | |
of Porto's 19th-century industrialisation, | 0:05:53 | 0:05:56 | |
which included the magnificent Dom Luis Bridge, 395m long, | 0:05:56 | 0:06:01 | |
opened in 1886. | 0:06:01 | 0:06:04 | |
Today, it's one of six bridges that link picturesque Porto | 0:06:04 | 0:06:08 | |
with Vila Nova de Gaia south of the river. | 0:06:08 | 0:06:10 | |
"Porto," my guidebook tells me, "on the River Douro, | 0:06:12 | 0:06:15 | |
"is very pleasantly placed in a hemmed-in situation | 0:06:15 | 0:06:18 | |
"on slopes descending to the river. | 0:06:18 | 0:06:21 | |
"And the river broadens out to a spacious harbour." | 0:06:21 | 0:06:24 | |
And then, as these barrel-laden boats suggest | 0:06:24 | 0:06:26 | |
and Bradshaw's confirms, | 0:06:26 | 0:06:28 | |
the principal trade is connected with port wine, | 0:06:28 | 0:06:31 | |
so my next move is evident. | 0:06:31 | 0:06:34 | |
I must steer to port. | 0:06:34 | 0:06:35 | |
Any smart Edwardian dinner party | 0:06:37 | 0:06:40 | |
would culminate with a glass of this fortified wine. | 0:06:40 | 0:06:43 | |
I'm meeting producer Jose Alvaro Ribiero | 0:06:44 | 0:06:47 | |
at a 200-year-old wine lodge to discover its history. | 0:06:47 | 0:06:51 | |
Well, that is on a grand scale. | 0:06:54 | 0:06:57 | |
How much wine do you have here? | 0:06:58 | 0:07:01 | |
Well, we have around 22 million litres of port. | 0:07:01 | 0:07:04 | |
Wine produced in the Douro valley has been exported to Britain | 0:07:07 | 0:07:10 | |
since the 17th century, and, in fact, port as we know it | 0:07:10 | 0:07:14 | |
owes its origins to the requirements of the British market. | 0:07:14 | 0:07:18 | |
At the beginning, the wine that was exported was normal still wine, | 0:07:20 | 0:07:24 | |
not port, but as there were years where the quality of the wine | 0:07:24 | 0:07:28 | |
was not as good as other years, | 0:07:28 | 0:07:30 | |
they started adding brandy to it to stabilise the wine so that it | 0:07:30 | 0:07:34 | |
would reach the UK in great shape, so it really started as an accident. | 0:07:34 | 0:07:40 | |
-So, it's an accident with a British accent? -Definitely. | 0:07:40 | 0:07:46 | |
As well as being enthusiastic consumers of port, | 0:07:46 | 0:07:48 | |
Britons have for centuries been involved in the trade. | 0:07:48 | 0:07:53 | |
Porto's Factory House is the historic centre of their operations. | 0:07:53 | 0:07:58 | |
Today, as in Edwardian times, there's a strict dress code. | 0:07:58 | 0:08:02 | |
What a gorgeous ballroom. | 0:08:04 | 0:08:06 | |
What is this institution, | 0:08:06 | 0:08:07 | |
this Factory House, that you have such wonderful premises? | 0:08:07 | 0:08:10 | |
Well, this Factory House here in Porto is a place | 0:08:10 | 0:08:13 | |
where all the British that had businesses here | 0:08:13 | 0:08:16 | |
in the north of Portugal would do business with locals. | 0:08:16 | 0:08:19 | |
So it was like a place they felt protected. | 0:08:19 | 0:08:22 | |
They also used it for social gatherings. | 0:08:22 | 0:08:25 | |
"Factor" is an old term for businessman, | 0:08:29 | 0:08:32 | |
and the Porto Factory House was paid for by British port shippers. | 0:08:32 | 0:08:35 | |
Michael, I have some special vintage port for us to taste now. | 0:08:42 | 0:08:46 | |
Looks wonderful, what age is this? | 0:08:46 | 0:08:49 | |
Well, it's a very special age. | 0:08:49 | 0:08:51 | |
-It's your birth year. -1953. | 0:08:51 | 0:08:55 | |
1953. It's a Martinez 1953. A very rare wine. | 0:08:55 | 0:08:58 | |
We only have six in our cellar. | 0:08:58 | 0:09:01 | |
My goodness, what a privilege. | 0:09:01 | 0:09:03 | |
This has to be done quite carefully | 0:09:03 | 0:09:05 | |
because the cork, clearly, is an old one. | 0:09:05 | 0:09:08 | |
Oh, yes. Anything from 1953 is very decrepit, I assure you. | 0:09:08 | 0:09:12 | |
-There we are. -Well done. | 0:09:14 | 0:09:16 | |
Thanks to the added brandy, | 0:09:16 | 0:09:18 | |
port can be aged for much longer than most wines. | 0:09:18 | 0:09:21 | |
One of the oldest vintages to be sold was over 150 years old. | 0:09:21 | 0:09:27 | |
The colour is just wonderful. | 0:09:27 | 0:09:29 | |
I get some scents of tobacco. | 0:09:29 | 0:09:32 | |
-Definitely. -And also nuts. | 0:09:32 | 0:09:33 | |
It's quite amazing, because it's still got quite a lot of fruit | 0:09:33 | 0:09:36 | |
for a wine of this age, it's amazing. And look at the colour, fantastic. | 0:09:36 | 0:09:41 | |
I think, let's take a sip. | 0:09:41 | 0:09:43 | |
-It's glorious. -Velvety. | 0:09:48 | 0:09:50 | |
1953 was a great year. | 0:09:51 | 0:09:53 | |
With the taste of port still on my lips, | 0:10:00 | 0:10:03 | |
I'm continuing my journey into its history, | 0:10:03 | 0:10:05 | |
eastwards down the Douro valley on the Linha do Douro. | 0:10:05 | 0:10:09 | |
It's been described as Portugal's best train ride. | 0:10:14 | 0:10:18 | |
And I'm getting a front row seat. | 0:10:18 | 0:10:20 | |
Bom dia. | 0:10:28 | 0:10:29 | |
Oh, yes, this is a fantastic view. | 0:10:32 | 0:10:35 | |
As the railway line snakes along the banks of the river, | 0:10:35 | 0:10:39 | |
it's really a very, very impressive valley. | 0:10:39 | 0:10:42 | |
The steep sides, of course, covered in vines producing the port, | 0:10:42 | 0:10:47 | |
and the other great wines of the Douro. | 0:10:47 | 0:10:50 | |
The arrival of the railway transformed the port trade. | 0:11:05 | 0:11:10 | |
Paul Symington's ancestors witnessed its impact. | 0:11:10 | 0:11:13 | |
So, your family has been in the wine business quite a long time? | 0:11:15 | 0:11:17 | |
Yeah, my great-grandfather came here in 1882 as a very young lad. | 0:11:17 | 0:11:21 | |
He was only 18. He came from Scotland | 0:11:21 | 0:11:24 | |
and he had the very good fortune to marry a woman | 0:11:24 | 0:11:26 | |
who was half Portuguese, half English, | 0:11:26 | 0:11:29 | |
and her family had been in port since the 1700s, so we go back a long way. | 0:11:29 | 0:11:34 | |
It strikes me that this is one of the great railway rides in Europe. | 0:11:34 | 0:11:38 | |
When was this railway built? | 0:11:38 | 0:11:40 | |
1875, they started from Oporto | 0:11:40 | 0:11:42 | |
and got up to the frontier in the early 1880s | 0:11:42 | 0:11:47 | |
and that transformed the region. | 0:11:47 | 0:11:49 | |
Before that, presumably, the wines had been moving along the river. | 0:11:49 | 0:11:53 | |
Yes, right here, down this river. | 0:11:53 | 0:11:55 | |
But the river wasn't dammed then, so there were rapids | 0:11:55 | 0:11:57 | |
in many, many places, so there were huge disasters from time to time | 0:11:57 | 0:12:01 | |
because if these big boats with 40 barrels on board | 0:12:01 | 0:12:05 | |
got sideways in the tricky bit, that was, you know, chips. Game over. | 0:12:05 | 0:12:09 | |
For port-producing families, | 0:12:12 | 0:12:14 | |
the new line cut the travel time from Porto | 0:12:14 | 0:12:17 | |
over the treacherous mountains from three or four days | 0:12:17 | 0:12:20 | |
to around four hours. | 0:12:20 | 0:12:21 | |
I could stay watching the stunning Douro countryside unroll, | 0:12:35 | 0:12:40 | |
but I'm leaving the train to explore the Symington estate. | 0:12:40 | 0:12:43 | |
And here we are at Vesuvio, a quinta, | 0:12:47 | 0:12:49 | |
which is the Portuguese for a wine estate. | 0:12:49 | 0:12:52 | |
That is absolutely beautiful. | 0:12:52 | 0:12:55 | |
In vineyards like this, the story of port begins, | 0:13:02 | 0:13:06 | |
and it's an awe-inspiring sight. | 0:13:06 | 0:13:09 | |
Protected by mountains, the region has its own microclimate, | 0:13:09 | 0:13:12 | |
warmer and drier than the surrounding area | 0:13:12 | 0:13:15 | |
which contributes to the fruity richness of the wine. | 0:13:15 | 0:13:19 | |
This is a really important time of year for us | 0:13:19 | 0:13:21 | |
because the flowering will take place sometime in the next week | 0:13:21 | 0:13:24 | |
to ten days and the fruit doesn't set if the flowering is done | 0:13:24 | 0:13:30 | |
under damp conditions, and we can lose 20, 30% of the crop, | 0:13:30 | 0:13:34 | |
so what we really want is nice, warm, dry weather | 0:13:34 | 0:13:38 | |
to bring the flowering on. We've already got the little buds here, | 0:13:38 | 0:13:41 | |
and that will be a lovely bunch of grapes one day. | 0:13:41 | 0:13:44 | |
As evening draws in, I'll be keeping my fingers firmly crossed. | 0:13:47 | 0:13:52 | |
After a peaceful night in the Douro Valley, | 0:14:03 | 0:14:05 | |
I'm now swapping the countryside | 0:14:05 | 0:14:07 | |
for one of Portugal's most ancient cities. | 0:14:07 | 0:14:10 | |
My next stop will be Coimbra, | 0:14:19 | 0:14:21 | |
which Bradshaw's tells me stands on a hill by the River Mondego. | 0:14:21 | 0:14:25 | |
"The situation and climate have always been extolled. | 0:14:25 | 0:14:28 | |
"The university library contains | 0:14:28 | 0:14:30 | |
"100,000 volumes and many manuscripts." | 0:14:30 | 0:14:34 | |
Which makes a good case for a hide-bound old book lover like me | 0:14:34 | 0:14:38 | |
to visit. | 0:14:38 | 0:14:39 | |
The beautiful city of Coimbra was once Portugal's capital | 0:14:46 | 0:14:50 | |
and its ancient buildings reveal its long and illustrious history. | 0:14:50 | 0:14:54 | |
The university, founded in 1290 in Lisbon, | 0:14:56 | 0:15:00 | |
moved here in the 16th century, | 0:15:00 | 0:15:02 | |
and, by the time of the railways, | 0:15:02 | 0:15:04 | |
witnessed an Anglo-Portuguese exchange of ideas | 0:15:04 | 0:15:07 | |
every bit as vigorous as the trade in wine. | 0:15:07 | 0:15:10 | |
Carlos Fiolhais is showing me round the world-famous library. | 0:15:15 | 0:15:19 | |
Carlos, this is the most fantastic building | 0:15:20 | 0:15:23 | |
-but it reminds me more of a church than a library. -Yes. | 0:15:23 | 0:15:27 | |
But it's not a church, we may call it a temple, | 0:15:27 | 0:15:30 | |
but it's a temple of books. | 0:15:30 | 0:15:31 | |
It was built at the beginning of the 18th century, | 0:15:31 | 0:15:34 | |
at the time of the Enlightenment. | 0:15:34 | 0:15:37 | |
The library's grandeur reflects the wealth then pouring into Portugal | 0:15:37 | 0:15:41 | |
from its colony Brazil, rich in gold and diamonds. | 0:15:41 | 0:15:46 | |
Coimbra is still one of Portugal's most prestigious universities, | 0:15:52 | 0:15:55 | |
and when its students aren't studying hard, they're making music. | 0:15:55 | 0:16:00 | |
The university is famous for its version of Fado, | 0:16:00 | 0:16:03 | |
a Portuguese form of music full of mournful longing. | 0:16:03 | 0:16:06 | |
THEY SING IN PORTUGUESE | 0:16:10 | 0:16:12 | |
That was so beautiful. | 0:17:18 | 0:17:20 | |
So beautifully sung and so beautifully played. So sad. | 0:17:20 | 0:17:24 | |
You've stolen my heart and left it in Coimbra. Thank you, Maestro. | 0:17:24 | 0:17:26 | |
Thank you very much. | 0:17:26 | 0:17:28 | |
My 1913 guide is now steering me towards my last Portuguese stop | 0:17:36 | 0:17:42 | |
as I race towards Lisbon on one of Portugal's modern high-speed trains. | 0:17:42 | 0:17:46 | |
By the turn of the 20th century, | 0:17:49 | 0:17:51 | |
Portugal had invested heavily in its railways. | 0:17:51 | 0:17:55 | |
But sadly, this had failed to bring the hoped-for prosperity. | 0:17:55 | 0:18:00 | |
Instead, overspending on public works including railways | 0:18:00 | 0:18:04 | |
had brought the state close to financial ruin. | 0:18:04 | 0:18:07 | |
There were tumultuous times ahead in Portuguese politics. | 0:18:07 | 0:18:11 | |
I'm alighting in the capital to trace the story. | 0:18:11 | 0:18:14 | |
This is Rossio station. | 0:18:17 | 0:18:19 | |
Bradshaw's tells me that it's at the heart of Lisbon | 0:18:19 | 0:18:22 | |
and that express trains used to arrive here from Spain and France. | 0:18:22 | 0:18:27 | |
A century ago, the gateway to Portugal was changing | 0:18:27 | 0:18:30 | |
from the seaport to this beautiful terminus. | 0:18:30 | 0:18:33 | |
British tourists were following in the footsteps | 0:18:43 | 0:18:46 | |
of King Edward VII, who had come to Lisbon on a state visit in 1903. | 0:18:46 | 0:18:51 | |
Warmly received by his relation King Carlos, | 0:18:51 | 0:18:55 | |
after the trip, this park was renamed in Edward's honour. | 0:18:55 | 0:18:58 | |
It was a measure of the longevity of the special relationship | 0:19:00 | 0:19:03 | |
between Britain and Portugal. | 0:19:03 | 0:19:06 | |
But by the 1900s, the balance of power had shifted. | 0:19:06 | 0:19:10 | |
Britain now ruled the waves, | 0:19:10 | 0:19:12 | |
and the Portuguese Empire was much diminished. | 0:19:12 | 0:19:14 | |
For a bird's eye view of the city | 0:19:18 | 0:19:20 | |
whose ships had colonised Brazil, India and beyond, | 0:19:20 | 0:19:23 | |
Edwardian tourists could travel in this remarkable lift, | 0:19:23 | 0:19:27 | |
opened in 1902. | 0:19:27 | 0:19:28 | |
"Lisbon," says Bradshaw's, "is pre-eminent | 0:19:33 | 0:19:36 | |
"for the natural beauty of its situation, | 0:19:36 | 0:19:38 | |
"lying in and upon an amphitheatre of hills. | 0:19:38 | 0:19:43 | |
"Regarded from the sea, | 0:19:43 | 0:19:44 | |
"the city seems to rise in picturesque terraces. | 0:19:44 | 0:19:48 | |
"Lisbon is poised on the edge of the ocean, | 0:19:48 | 0:19:51 | |
"peering towards the Americas." | 0:19:51 | 0:19:53 | |
During Portugal's 15th and 16th-century golden age, | 0:20:00 | 0:20:04 | |
the launch pad for its seafaring explorers was the harbour at Belem, | 0:20:04 | 0:20:09 | |
protected by this extraordinary fortress, completed in 1521. | 0:20:09 | 0:20:13 | |
I'm seeking out another attraction of the Belem quarter, | 0:20:18 | 0:20:22 | |
on a form of transport familiar to the Edwardian traveller. | 0:20:22 | 0:20:25 | |
Bradshaw's tells me that inclined railways | 0:20:30 | 0:20:33 | |
connect the upper and lower parts of the city. | 0:20:33 | 0:20:36 | |
In this, as in so many other things, | 0:20:36 | 0:20:39 | |
my ancient guidebook remains reliable. | 0:20:39 | 0:20:41 | |
Belem is the birthplace of Pasteis de nata, | 0:20:53 | 0:20:56 | |
the custard tarts which have become Portugal's national sweetmeat. | 0:20:56 | 0:21:00 | |
-Dulce. -Hello, Michael. How are you? | 0:21:02 | 0:21:04 | |
'I'm hearing their story from pastry chef Dulce Roque, | 0:21:04 | 0:21:07 | |
'who's worked at this pasteleria for 37 years.' | 0:21:07 | 0:21:11 | |
Apparently, the cakes were invented by local monks and nuns. | 0:21:12 | 0:21:15 | |
What are the main ingredients? | 0:21:18 | 0:21:20 | |
The main ingredients, I don't know, because it is a secret. | 0:21:20 | 0:21:23 | |
A secret recipe, but I can tell you about milk and flour | 0:21:23 | 0:21:28 | |
and sugar and butter and eggs, that are very important because | 0:21:28 | 0:21:33 | |
the nuns, of the monasteries, used to use the egg whites | 0:21:33 | 0:21:37 | |
as starch for their robes. | 0:21:37 | 0:21:39 | |
The egg yolks they use for making sweets. | 0:21:39 | 0:21:42 | |
In the 1830s, Portugal abolished its monasteries, | 0:21:43 | 0:21:47 | |
and monks from the nearby Jeronimo monastery, seeking a living, | 0:21:47 | 0:21:51 | |
began to sell tarts in this shop. | 0:21:51 | 0:21:53 | |
Soon after, the shop started manufacturing them | 0:21:54 | 0:21:57 | |
to the monks' original recipe. | 0:21:57 | 0:21:59 | |
This is the puff pastry. | 0:22:00 | 0:22:02 | |
She is cutting the puff pastry into little pieces. | 0:22:02 | 0:22:06 | |
Now, you are going to cut a little piece, aren't you? | 0:22:06 | 0:22:08 | |
Yes, please. I'd love to have a go at that. | 0:22:08 | 0:22:11 | |
Yes, and you stretch and you pull, and stretch... | 0:22:11 | 0:22:14 | |
SHE SPEAKS PORTUGUESE | 0:22:15 | 0:22:16 | |
-Round it. Make it round. Yeah. -Make it round. | 0:22:16 | 0:22:20 | |
The buttery puff pastry case is what makes a pastel de nata | 0:22:21 | 0:22:26 | |
different from an English custard tart. | 0:22:26 | 0:22:28 | |
I'm cutting them a bit too big. | 0:22:32 | 0:22:33 | |
She says it ought to be like the top of my thumb | 0:22:33 | 0:22:36 | |
but I'm quite worried about leaving the top of my thumb in the mix. | 0:22:36 | 0:22:39 | |
-Nice, nice, nice. -Thank you. | 0:22:39 | 0:22:41 | |
The pastry case has to be thin enough that it cooks through | 0:22:44 | 0:22:47 | |
before the delicate custard curdles. | 0:22:47 | 0:22:50 | |
-What do you think? -Good. Very good. -Is that one all right? | 0:22:50 | 0:22:54 | |
-Yes. -You're just going to perfect it, I know. | 0:22:54 | 0:22:57 | |
The recipe for the custard itself is so closely guarded | 0:23:02 | 0:23:05 | |
that even the pastry cooks aren't allowed to see it being made. | 0:23:05 | 0:23:09 | |
Once it's piped into the cases, | 0:23:09 | 0:23:11 | |
the tarts go into a fiercely hot oven | 0:23:11 | 0:23:13 | |
before being carried straight to the shop, | 0:23:13 | 0:23:16 | |
where as many as 18,000 go on sale every day. | 0:23:16 | 0:23:19 | |
Will you have one? | 0:23:27 | 0:23:29 | |
I will, but we have to sprinkle first with cinnamon. | 0:23:29 | 0:23:32 | |
And, as the cinnamon is a sour spice, | 0:23:34 | 0:23:39 | |
then we sprinkle, to cut the sourness, with icing sugar. | 0:23:39 | 0:23:43 | |
Mmm, magnificent custard. | 0:23:48 | 0:23:50 | |
Lovely pastry, and the taste of cinnamon on the top, | 0:23:50 | 0:23:53 | |
that's wonderful. | 0:23:53 | 0:23:54 | |
Perhaps this one, you made. Who knows? | 0:23:54 | 0:23:57 | |
That's so good. | 0:24:00 | 0:24:02 | |
Having sampled Lisbon's cafe culture, | 0:24:08 | 0:24:11 | |
Edwardian tourists were refuelled | 0:24:11 | 0:24:12 | |
and ready to press on with their sightseeing. | 0:24:12 | 0:24:15 | |
A must-see was the Praca do Comercio, | 0:24:17 | 0:24:20 | |
described in Bradshaw's as the centre of Lisbon life. | 0:24:20 | 0:24:23 | |
But while they admired the handsome architecture, readers were reminded | 0:24:25 | 0:24:29 | |
that just five years before their guide was published, | 0:24:29 | 0:24:31 | |
on the 1st of February, 1908, | 0:24:31 | 0:24:34 | |
events unfolded here that devastated the Portuguese monarchy. | 0:24:34 | 0:24:38 | |
I'm hearing the story from Rui Ramos of the University of Lisbon. | 0:24:38 | 0:24:42 | |
So, the royal family is returning to Lisbon | 0:24:44 | 0:24:46 | |
after a fortnight in the country. | 0:24:46 | 0:24:49 | |
They arrived at a station on the other side of the river | 0:24:49 | 0:24:52 | |
and then they take a boat into Lisbon. | 0:24:52 | 0:24:55 | |
They disembark near this square, | 0:24:55 | 0:24:57 | |
where they get into an open carriage. | 0:24:57 | 0:24:59 | |
They progress into the square with no guards. | 0:24:59 | 0:25:03 | |
And in the square, there are a group of armed republicans | 0:25:03 | 0:25:07 | |
that were looking for the Prime Minister. | 0:25:07 | 0:25:09 | |
They didn't find the Prime Minister, | 0:25:09 | 0:25:11 | |
but they suddenly see the royal family in front of them | 0:25:11 | 0:25:14 | |
and they take advantage of it. | 0:25:14 | 0:25:17 | |
They kill the king. | 0:25:17 | 0:25:18 | |
They wounded the crown prince that later dies. | 0:25:18 | 0:25:21 | |
The youngest son, future King Manuel II, | 0:25:21 | 0:25:24 | |
escapes with a wound to the arm, | 0:25:24 | 0:25:27 | |
so in five minutes they almost wiped out the entire royal family. | 0:25:27 | 0:25:32 | |
So, this square was the scene of appalling horror. | 0:25:32 | 0:25:35 | |
King Carlos's death was the culmination | 0:25:39 | 0:25:41 | |
of a century of political upheaval. | 0:25:41 | 0:25:43 | |
Since the early 1800s, | 0:25:43 | 0:25:45 | |
liberals had sought to limit the monarchy's powers, | 0:25:45 | 0:25:48 | |
while by the early 20th century, | 0:25:48 | 0:25:50 | |
shaky finances and the decline of Portugal's Empire | 0:25:50 | 0:25:53 | |
had brought public discontent to fever pitch. | 0:25:53 | 0:25:56 | |
The killings sparked outrage in Britain, | 0:25:57 | 0:26:00 | |
especially from King Carlos's relative, King Edward VII. | 0:26:00 | 0:26:03 | |
Meanwhile, 18-year-old Manuel ascended the throne, | 0:26:04 | 0:26:08 | |
but his lack of experience soon brought the monarchy | 0:26:08 | 0:26:11 | |
to crisis point. | 0:26:11 | 0:26:13 | |
From 1908 to 1910, there is this succession of very weak governments. | 0:26:13 | 0:26:18 | |
Parties splitting, ministers falling one after the other, | 0:26:18 | 0:26:22 | |
until the king has this bright idea of appealing to the left. | 0:26:22 | 0:26:26 | |
Now, with that appeal to the left, he didn't convince the left, | 0:26:26 | 0:26:30 | |
but he managed to have the conservatives | 0:26:30 | 0:26:33 | |
against the monarchy too. | 0:26:33 | 0:26:35 | |
So, when the republicans make their move against the monarchy, | 0:26:35 | 0:26:39 | |
there was no-one to defend the monarchy, | 0:26:39 | 0:26:42 | |
and on the 5th of October, 1910, on that morning, | 0:26:42 | 0:26:45 | |
the Portuguese republic is proclaimed | 0:26:45 | 0:26:47 | |
from this balcony to a half full square. | 0:26:47 | 0:26:51 | |
Viva a republica. | 0:26:52 | 0:26:53 | |
In a further twist, Manuel fled the country, seeking asylum in Britain. | 0:26:58 | 0:27:04 | |
He lived the rest of his days in Richmond and Twickenham, | 0:27:04 | 0:27:07 | |
where he adopted the lifestyle of an English aristocrat. | 0:27:07 | 0:27:10 | |
It was the final chapter in the relationship | 0:27:11 | 0:27:15 | |
of the Portuguese and British royalty, | 0:27:15 | 0:27:17 | |
united since the days of Richard II. | 0:27:17 | 0:27:21 | |
A century ago, the traveller knew that, long before the railways, | 0:27:22 | 0:27:26 | |
the Atlantic Ocean bound together | 0:27:26 | 0:27:28 | |
the bagpipe playing Celts of the British Isles and Galicia. | 0:27:28 | 0:27:33 | |
The Atlantic was no limit for Portugal. | 0:27:33 | 0:27:36 | |
England's oldest ally discovered and colonised land on three continents, | 0:27:36 | 0:27:41 | |
and built this Belem Tower to defend its harbour. | 0:27:41 | 0:27:45 | |
The British, Spanish and Portuguese empires are no more, | 0:27:45 | 0:27:49 | |
and the kings and queens who made alliances have passed into history. | 0:27:49 | 0:27:54 | |
But on this journey, I've sensed a welcome rooted in long friendship. | 0:27:54 | 0:27:58 | |
Next time, I'll rediscover early 20th-century France | 0:28:02 | 0:28:05 | |
at the height of its technical prowess... | 0:28:05 | 0:28:07 | |
Wow, off we go. | 0:28:09 | 0:28:12 | |
..where railway explorers could sample the finest French cuisine... | 0:28:12 | 0:28:16 | |
It's rolling itself! | 0:28:16 | 0:28:18 | |
..en route to the nation's imperial hub. | 0:28:18 | 0:28:21 | |
The Port of Marseille is as big like Paris. | 0:28:21 | 0:28:24 | |
-As big as Paris?! -Yes. -That is extraordinary. | 0:28:24 | 0:28:27 |