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I'm embarking on a railway adventure that will take me | 0:00:03 | 0:00:06 | |
beyond the edge of Continental Europe. | 0:00:06 | 0:00:09 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign | 0:00:15 | 0:00:20 | |
travel for the British tourist. | 0:00:20 | 0:00:22 | |
It told travellers where to go, what to see, and how to | 0:00:22 | 0:00:26 | |
navigate the thousands of miles of tracks crisscrossing the Continent. | 0:00:26 | 0:00:30 | |
Now, a century later, | 0:00:30 | 0:00:32 | |
I'm using my copy to reveal an era of great optimism and energy, | 0:00:32 | 0:00:36 | |
where technology, industry, science and the arts were flourishing. | 0:00:36 | 0:00:41 | |
I want to rediscover that lost Europe, that in 1913 couldn't know | 0:00:42 | 0:00:48 | |
that its way of life would shortly be swept aside by the advent of war. | 0:00:48 | 0:00:52 | |
My journey will take me east through the Balkans, | 0:01:08 | 0:01:11 | |
beyond Christian Europe. | 0:01:11 | 0:01:12 | |
In 1913, only intrepid travellers ventured this way. | 0:01:14 | 0:01:18 | |
On this adventure, I'll be making an unusually difficult journey, | 0:01:25 | 0:01:29 | |
tracing the tracks of the Orient Express, | 0:01:29 | 0:01:31 | |
speeding me towards that multiethnic city known variously | 0:01:31 | 0:01:35 | |
as Constantinople or Istanbul, | 0:01:35 | 0:01:38 | |
within which Europe and Asia meet. | 0:01:38 | 0:01:41 | |
At the time of my guidebook, | 0:01:41 | 0:01:43 | |
the Ottoman Empire that was ruled from there was decaying - | 0:01:43 | 0:01:47 | |
known as the sick man of Europe. | 0:01:47 | 0:01:50 | |
Bulgaria, where my journey begins, had already broken free, | 0:01:50 | 0:01:54 | |
and was the cause of rivalry, mistrust | 0:01:54 | 0:01:58 | |
and intrigue between the great powers of Europe. | 0:01:58 | 0:02:01 | |
I'll be making my way east, | 0:02:06 | 0:02:08 | |
along the most exotic section of the Orient Express route. | 0:02:08 | 0:02:12 | |
Starting in Sofia, Bulgaria's capital, | 0:02:12 | 0:02:15 | |
I'll travel to the ancient city of Plovdiv, | 0:02:15 | 0:02:18 | |
join a stretch of the line that's now been rebuilt at Svilengrad, | 0:02:18 | 0:02:23 | |
and then cross into Turkey at Edirne. | 0:02:23 | 0:02:27 | |
I'll end my journey at the gateway to Asia, Istanbul. | 0:02:27 | 0:02:31 | |
'Along the way...' | 0:02:35 | 0:02:37 | |
Fire! | 0:02:37 | 0:02:39 | |
'..I'll get to grips with a blossoming industry...' | 0:02:39 | 0:02:42 | |
Ah! | 0:02:42 | 0:02:44 | |
The last petal has been defeated. | 0:02:44 | 0:02:46 | |
'..get a taste of what Bulgarians tuck into when travelling...' | 0:02:48 | 0:02:55 | |
-It's a bit like a medicine. -Bulgarians like it. A lot. | 0:02:55 | 0:02:59 | |
Mmm. Good. Good... Good... Good for Bulgarians. | 0:02:59 | 0:03:02 | |
Good. | 0:03:02 | 0:03:04 | |
'..and learn the importance to their national psyche | 0:03:04 | 0:03:07 | |
'of an ancient dance.' | 0:03:07 | 0:03:09 | |
My journey begins in Sofia, where, in 1913, | 0:03:30 | 0:03:34 | |
the reigning monarch was Tsar Ferdinand I. | 0:03:34 | 0:03:38 | |
According to Bradshaw's, | 0:03:38 | 0:03:40 | |
"the suzerainty of Turkey was thrown off on October 5th, 1908, | 0:03:40 | 0:03:44 | |
"when the independence of Bulgaria was proclaimed." | 0:03:44 | 0:03:49 | |
The dying empire was then involved in a series of bloody wars, | 0:03:49 | 0:03:52 | |
with Christian nationalities in the Balkans. | 0:03:52 | 0:03:55 | |
And like vultures, Britain, France, Russia, Austria, Hungary | 0:03:55 | 0:04:00 | |
and Germany hovered - | 0:04:00 | 0:04:02 | |
each anxious that the others should not gain more than their fair | 0:04:02 | 0:04:06 | |
share of influence in the region. | 0:04:06 | 0:04:09 | |
Such tensions earned the region its reputation as the powderkeg of | 0:04:11 | 0:04:15 | |
Europe, and indeed, | 0:04:15 | 0:04:16 | |
it was events here that sparked the First World War. | 0:04:16 | 0:04:19 | |
In Bulgaria, the Ottomans had been slow to build railways. | 0:04:20 | 0:04:24 | |
In 1880, there were just 140 miles of track, | 0:04:24 | 0:04:28 | |
and by 1912, still only 1,300. | 0:04:28 | 0:04:33 | |
I'm arriving at Sofia's Centralna Gara, | 0:04:33 | 0:04:37 | |
first opened in August 1888. | 0:04:37 | 0:04:40 | |
Well, first impressions, | 0:04:40 | 0:04:42 | |
apparently Sofia station is under major redevelopment. | 0:04:42 | 0:04:47 | |
It's just a building site, really, from one end to the other. | 0:04:47 | 0:04:50 | |
But it's apparent that something rather beautiful | 0:04:50 | 0:04:53 | |
and rather grand is going to emerge. | 0:04:53 | 0:04:55 | |
The station's interior reveals the brutalist aesthetic of the most | 0:05:00 | 0:05:04 | |
recent empire to control this region - | 0:05:04 | 0:05:06 | |
the Soviets. | 0:05:06 | 0:05:08 | |
But Bulgaria is resilient. | 0:05:11 | 0:05:14 | |
First founded in the seventh century, | 0:05:14 | 0:05:16 | |
the Bulgarian state is one of the oldest on the European continent. | 0:05:16 | 0:05:20 | |
Maintaining its own form of Orthodox Christianity, | 0:05:20 | 0:05:23 | |
despite being consumed by one empire after another over the millennia. | 0:05:23 | 0:05:28 | |
Bulgaria's tumultuous history is reflected in its architecture | 0:05:30 | 0:05:35 | |
and here in the Plaza Nezavisimost, | 0:05:35 | 0:05:38 | |
those layers of history are exposed in a single place. | 0:05:38 | 0:05:42 | |
"This city," says Bradshaw's, "is about 2,000 feet above sea, | 0:05:43 | 0:05:48 | |
"almost encompassed by ranges of the Balkans." | 0:05:48 | 0:05:51 | |
And indeed, it's lovely to see mountains at the end of many streets. | 0:05:51 | 0:05:55 | |
"The old squalid Turkish town has been cleared away, | 0:05:55 | 0:05:58 | |
"and its place taken by a modern city." | 0:05:58 | 0:06:01 | |
But Bradshaw's reminds me that this is the ancient Serdica. | 0:06:01 | 0:06:04 | |
And here, close at hand, are Roman ruins. | 0:06:04 | 0:06:07 | |
Yet I'm surrounded here by buildings from the communist era | 0:06:07 | 0:06:10 | |
of the late 20th century. And all of the ages | 0:06:10 | 0:06:14 | |
of the city are presided over by the statue of St Sofia herself. | 0:06:14 | 0:06:19 | |
With Bulgaria's capital named after this early martyr, | 0:06:24 | 0:06:28 | |
Christianity has played an important role in the country's history. | 0:06:28 | 0:06:32 | |
Today, 85% of the population regard themselves as Orthodox Christians, | 0:06:34 | 0:06:39 | |
and this enormous cathedral is, to me, the loveliest building in Sofia. | 0:06:39 | 0:06:44 | |
The St Alexander Nevsky Cathedral is a relatively modern building in the | 0:06:45 | 0:06:48 | |
Byzantine style, and its golden domes are today | 0:06:48 | 0:06:51 | |
gleaming in the sunlight. | 0:06:51 | 0:06:54 | |
One of the things I love is that with so little traffic and with big | 0:06:54 | 0:06:57 | |
spaces all around, you can appreciate the whole building at once. | 0:06:57 | 0:07:01 | |
The cathedral was largely completed by 1912 - | 0:07:03 | 0:07:06 | |
just a year before my guidebook was published. | 0:07:06 | 0:07:09 | |
And I'd like to learn more about the period from local guide | 0:07:09 | 0:07:12 | |
Stefan Ognyanov. | 0:07:12 | 0:07:14 | |
-Stefan, hi. -Hello. Nice to meet you. | 0:07:15 | 0:07:18 | |
I find myself very moved by the cathedral, | 0:07:18 | 0:07:20 | |
which has a simplicity, a calm, | 0:07:20 | 0:07:23 | |
but certainly a great holiness, as well. | 0:07:23 | 0:07:25 | |
Has the Orthodox Church played a very important part in Bulgarian history? | 0:07:25 | 0:07:29 | |
Yes, the Orthodox Church was basically instrumental | 0:07:29 | 0:07:33 | |
in the preservation of Bulgarian culture and traditions and basically | 0:07:33 | 0:07:36 | |
the identity of the people through the five centuries of Ottoman rule. | 0:07:36 | 0:07:40 | |
And that sense of national identity of consciousness, | 0:07:40 | 0:07:42 | |
eventually grew into a wish to be independent from the Ottoman Empire. | 0:07:42 | 0:07:46 | |
Exactly. There was a small seed that basically started it all | 0:07:46 | 0:07:50 | |
and then it grew into a massive movement. | 0:07:50 | 0:07:52 | |
The giant cathedral can hold a congregation of up to 7,000. | 0:07:55 | 0:07:59 | |
Its vast dome rises to 45 metres. | 0:08:03 | 0:08:07 | |
Whoa. This is extraordinary. | 0:08:07 | 0:08:10 | |
We are so high above the main altar here, | 0:08:10 | 0:08:13 | |
I'm quite nervous about dropping my Bradshaw's. | 0:08:13 | 0:08:17 | |
'Stefan leads me up onto the roof to get a view over Sofia - | 0:08:17 | 0:08:20 | |
'a city that was in turmoil back in the 1870s.' | 0:08:20 | 0:08:23 | |
Here on the cathedral roof, we get a fantastic view of the city | 0:08:25 | 0:08:29 | |
and, actually, also the mountains all around. | 0:08:29 | 0:08:31 | |
So, how was it that the revolution came about when it did? | 0:08:35 | 0:08:38 | |
As soon as a critical mass of people realised that they | 0:08:38 | 0:08:42 | |
constituted a nation, they were basically looking to | 0:08:42 | 0:08:45 | |
establish their own independent Bulgarian state. | 0:08:45 | 0:08:48 | |
So, in 1876, there was | 0:08:48 | 0:08:50 | |
an organisation that was supposed to actually light the whole | 0:08:50 | 0:08:54 | |
country on fire, so an all-out revolution everywhere. | 0:08:54 | 0:08:58 | |
The reality is, it only really happened in just one | 0:08:58 | 0:09:01 | |
region of the country, but still what happened in southern Bulgaria | 0:09:01 | 0:09:05 | |
attracted the world's attention, because of the way it was put down. | 0:09:05 | 0:09:10 | |
This April uprising was brutally suppressed by the Ottomans, | 0:09:11 | 0:09:15 | |
who massacred up to 30,000 men, women and children. | 0:09:15 | 0:09:20 | |
Those atrocities caused outrage in Western Europe. | 0:09:20 | 0:09:24 | |
-How does Britain react to it all? -The official position of Britain, | 0:09:24 | 0:09:28 | |
the British government of Disraeli, | 0:09:28 | 0:09:30 | |
is support of the Ottoman Empire | 0:09:30 | 0:09:32 | |
in order to block off the interests of Russia in the region. | 0:09:32 | 0:09:36 | |
However, William Gladstone, who was leader of the Liberal party, | 0:09:36 | 0:09:40 | |
which was in opposition at the time, was actually | 0:09:40 | 0:09:42 | |
appalled by the atrocities and urged the British government to | 0:09:42 | 0:09:46 | |
actually take some measures to help | 0:09:46 | 0:09:48 | |
the situation of the Bulgarians. | 0:09:48 | 0:09:51 | |
While Gladstone attacked Prime Minister Disraeli's imperialism, | 0:09:51 | 0:09:55 | |
Russia seized the chance to lash out at its old Ottoman enemy, | 0:09:55 | 0:09:59 | |
and in 1877, stepped in to liberate Bulgaria, | 0:09:59 | 0:10:03 | |
cementing her own influence in the region. | 0:10:03 | 0:10:06 | |
In gratitude to their Russian liberators, | 0:10:06 | 0:10:08 | |
the Bulgarian people erected this huge Orthodox cathedral | 0:10:08 | 0:10:13 | |
and dedicated it to the Russian Tsar's patron saint, | 0:10:13 | 0:10:16 | |
Alexander Nevsky. | 0:10:16 | 0:10:18 | |
However, peace in the region didn't last long, as the new | 0:10:18 | 0:10:21 | |
King Ferdinand led Bulgaria into | 0:10:21 | 0:10:24 | |
two Balkan wars in 1912 and '13. | 0:10:24 | 0:10:29 | |
The first Balkan War, it was the newly established Christian | 0:10:29 | 0:10:32 | |
nations of Europe, like Bulgaria, Serbia and Greece, uniting to push | 0:10:32 | 0:10:37 | |
the Ottoman Empire - try and push the Ottoman Empire - out of Europe. | 0:10:37 | 0:10:40 | |
And then the Second Balkan War erupted | 0:10:40 | 0:10:44 | |
because these newly established Christian nations were | 0:10:44 | 0:10:47 | |
fighting each other for what they had achieved during the first war. | 0:10:47 | 0:10:51 | |
As I head back down to ground level, I think of the great | 0:10:54 | 0:10:59 | |
sacrifices that this country has made across its turbulent history. | 0:10:59 | 0:11:03 | |
There's a tradition here in the cathedral that you light | 0:11:05 | 0:11:08 | |
a candle - either for happiness | 0:11:08 | 0:11:11 | |
or, here in the sand, for remembrance. | 0:11:11 | 0:11:14 | |
And since I've heard about the tens of thousands of people who | 0:11:14 | 0:11:17 | |
were killed in the struggle for Bulgarian independence, | 0:11:17 | 0:11:21 | |
this single candle is in their memory. | 0:11:21 | 0:11:24 | |
While Russia has this splendid cathedral | 0:11:37 | 0:11:39 | |
built in gratitude for her assistance, | 0:11:39 | 0:11:42 | |
it's good to see that the Victorian statesman William Gladstone | 0:11:42 | 0:11:46 | |
has a small corner of Sofia dedicated to his memory. | 0:11:46 | 0:11:50 | |
I'm back at Sofia Central Station to make my way east towards | 0:11:56 | 0:12:00 | |
the heart of the old Ottoman Empire. | 0:12:00 | 0:12:02 | |
This, the historic route of the Orient Express, will take me | 0:12:08 | 0:12:12 | |
to Bulgaria's second city, Plovdiv - | 0:12:12 | 0:12:15 | |
referred to in my guidebook as Philippopolis. | 0:12:15 | 0:12:18 | |
Are you travelling to Plovdiv? | 0:12:23 | 0:12:24 | |
-Yes, I am travelling to Plovdiv. -I am, too. My name's Michael. | 0:12:24 | 0:12:28 | |
-My name is Emil. Nice to meet you. -Good to see you. | 0:12:28 | 0:12:31 | |
I bought some food that they told me was typical Bulgarian. | 0:12:31 | 0:12:35 | |
I don't like to eat alone. Would you like to share some of this? | 0:12:35 | 0:12:38 | |
OK, no problem. | 0:12:38 | 0:12:40 | |
They... Boza. They told me this was typically Bulgarian. | 0:12:40 | 0:12:43 | |
-What is this? -Yes, it's a national Bulgarian drink. | 0:12:43 | 0:12:47 | |
It is made from fermented wheat. | 0:12:47 | 0:12:49 | |
Mmm. Thick and gloopy. | 0:12:49 | 0:12:51 | |
Wow, it's kind of like a... | 0:12:51 | 0:12:53 | |
Ooh. | 0:12:54 | 0:12:56 | |
-It does smell of fermented wheat, doesn't it? -Yes. | 0:12:56 | 0:12:58 | |
Incredibly powerful. | 0:12:58 | 0:13:00 | |
-It's a bit like a medicine. -Bulgarians like it. A lot. | 0:13:02 | 0:13:06 | |
Mmm. Good. Good... Good for Bulgarians. | 0:13:06 | 0:13:10 | |
Good. | 0:13:10 | 0:13:11 | |
'This salty yoghurt drink looks as though it might be more suited | 0:13:11 | 0:13:14 | |
'to my British taste buds.' | 0:13:14 | 0:13:16 | |
Oh, that's great. That's so refreshing. | 0:13:16 | 0:13:20 | |
Now, what's this thing in here? | 0:13:20 | 0:13:22 | |
This is a banitsa. | 0:13:23 | 0:13:26 | |
People often eat it for breakfast. | 0:13:26 | 0:13:30 | |
-Excuse fingers. -Thank you. | 0:13:30 | 0:13:32 | |
'Banitsa is a traditional filo pastry that can be savoury...' | 0:13:32 | 0:13:36 | |
Quite tough going. | 0:13:36 | 0:13:37 | |
'..or sweet.' | 0:13:37 | 0:13:39 | |
So, which of these things has been your favourite? | 0:13:39 | 0:13:42 | |
My favourite thing right now | 0:13:42 | 0:13:44 | |
is this type of sweet banitsa. | 0:13:44 | 0:13:47 | |
I like that. But for me, my favourite is the salty yoghurt. | 0:13:47 | 0:13:52 | |
-Cheers. -Cheers. | 0:13:52 | 0:13:54 | |
I've travelled 90 miles south-east from Sofia. | 0:14:03 | 0:14:06 | |
But as I'm arriving in Plovdiv at dusk, | 0:14:10 | 0:14:13 | |
I'll wait till morning to explore Bulgaria's second city. | 0:14:13 | 0:14:16 | |
Plovdiv, Bradshaw's tells me, was the Roman Trimontium, | 0:14:37 | 0:14:41 | |
referring to the three mountains on which the city is built. | 0:14:41 | 0:14:44 | |
"It was the capital of Thrace. | 0:14:44 | 0:14:46 | |
"It has Greek and Bulgarian cathedrals | 0:14:46 | 0:14:49 | |
"and several mosques. | 0:14:49 | 0:14:51 | |
"It's a bright and cheerful place, with lofty houses. | 0:14:51 | 0:14:55 | |
"So many influences - Greek, Thracian, Roman, Ottoman." | 0:14:55 | 0:15:00 | |
And yet, somehow, something emerged that's absolutely Bulgarian. | 0:15:00 | 0:15:04 | |
Plovdiv is thought to be one of the oldest settlements in Europe. | 0:15:13 | 0:15:18 | |
Its ancient pedigree would have greatly appealed | 0:15:18 | 0:15:21 | |
to the early 20th-century tourist. | 0:15:21 | 0:15:23 | |
As the Bulgarian middle classes grew wealthier during the 19th century, | 0:15:26 | 0:15:30 | |
they developed their own cultural identity, | 0:15:30 | 0:15:33 | |
clearly expressed in this elaborately decorated domestic architecture | 0:15:33 | 0:15:37 | |
known as National Revival. | 0:15:37 | 0:15:40 | |
As I walk through these roughly paved streets, | 0:15:41 | 0:15:44 | |
I feel as though I'm treading on the stones of history. | 0:15:44 | 0:15:47 | |
And these houses, though very charming, | 0:15:47 | 0:15:50 | |
are also grand and proud. | 0:15:50 | 0:15:53 | |
Plovdiv is a place that grew used, during its history, | 0:15:53 | 0:15:56 | |
to being important. | 0:15:56 | 0:15:58 | |
And one of the things I most appreciate about this place | 0:15:58 | 0:16:01 | |
is that I'm enjoying and absorbing all this history virtually alone. | 0:16:01 | 0:16:05 | |
And yet I see there are one or two of my fellow countrymen | 0:16:08 | 0:16:11 | |
who've found their way here. | 0:16:11 | 0:16:12 | |
-How are you enjoying Plovdiv? -Incredible. Incredible. | 0:16:13 | 0:16:17 | |
-Really? What do you think of it? -All the history... | 0:16:17 | 0:16:19 | |
-Plovdiv goes back 8,000 years. -What brought you to Plovdiv? | 0:16:19 | 0:16:23 | |
-We work with someone from Plovdiv. -Ah. | 0:16:23 | 0:16:26 | |
-This gentleman here. -Oh, really? | 0:16:26 | 0:16:28 | |
-Yeah. -You've brought all your English mates over? | 0:16:28 | 0:16:30 | |
-Yeah, pretty much. -Oh, that's fantastic. | 0:16:30 | 0:16:32 | |
-And you're obviously very proud of your town. -Yeah. | 0:16:32 | 0:16:35 | |
-And are they reacting well to it? -So far, so far. -Yeah? | 0:16:35 | 0:16:38 | |
-That's a pretty good advertisement for the town. -It's the best. | 0:16:38 | 0:16:41 | |
Thank you, guys. Enjoyed it. Bye-bye now. | 0:16:41 | 0:16:43 | |
There's a place I've been told that I must visit | 0:16:45 | 0:16:48 | |
in this magnificent city, | 0:16:48 | 0:16:49 | |
which isn't mentioned in Bradshaw's, with good reason. | 0:16:49 | 0:16:52 | |
MUSIC PLAYS, SINGING | 0:16:52 | 0:16:55 | |
It's wonderful to see a dance going on here. | 0:17:05 | 0:17:07 | |
But first of all, this theatre is incredible. | 0:17:07 | 0:17:11 | |
It is so well preserved. | 0:17:11 | 0:17:14 | |
And I understand it was only uncovered in the 1970s | 0:17:14 | 0:17:18 | |
because of a landslide. And it's just perfection. | 0:17:18 | 0:17:22 | |
Dating back to the Emperor Trajan in the 2nd century AD, | 0:17:23 | 0:17:27 | |
this Roman theatre is the perfect spot | 0:17:27 | 0:17:29 | |
to witness a traditional dance that's 1,300 years old. | 0:17:29 | 0:17:34 | |
It's really a very beautiful dance. And the costumes are superb. | 0:17:34 | 0:17:38 | |
HE CLAPS Bravo. | 0:18:01 | 0:18:04 | |
-That was fantastic. -Thank you very much. | 0:18:04 | 0:18:07 | |
What is that dance called? | 0:18:07 | 0:18:09 | |
This is the Thracian dance. | 0:18:09 | 0:18:11 | |
-As it were, from Thrace, as we would say it. -From Thrace, yes. | 0:18:11 | 0:18:14 | |
And how important is this kind of dancing to Bulgarians, | 0:18:14 | 0:18:17 | |
to Bulgarian culture? | 0:18:17 | 0:18:18 | |
The dances are very important. | 0:18:18 | 0:18:20 | |
They are part of our national psychology. | 0:18:20 | 0:18:22 | |
Passed down from generation to generation, | 0:18:22 | 0:18:25 | |
the dance has always been a part of the life of Bulgarians | 0:18:25 | 0:18:29 | |
for all its historical development. | 0:18:29 | 0:18:32 | |
Well, I think I would find it impossible. | 0:18:32 | 0:18:34 | |
Let me show you some movements. | 0:18:34 | 0:18:36 | |
MICHAEL LAUGHS OK. | 0:18:36 | 0:18:38 | |
Thank you. Let me just get this lovely costume on. | 0:18:38 | 0:18:41 | |
How do I look? Not quite as beautiful as you. Look at that. | 0:18:45 | 0:18:49 | |
-OK. -So, the dance is called Rachenitsa. | 0:18:49 | 0:18:52 | |
-Yeah. -And it's one, two, three. | 0:18:52 | 0:18:56 | |
One, two, three. | 0:18:56 | 0:18:58 | |
-Let's start with the right leg. -OK. -So... | 0:18:58 | 0:19:01 | |
One, two, three. | 0:19:01 | 0:19:03 | |
One, two, three. | 0:19:03 | 0:19:05 | |
-BOTH: -One, two, three. | 0:19:05 | 0:19:08 | |
-Go. -BOTH: -Right, left, right. | 0:19:08 | 0:19:11 | |
HE GASPS | 0:19:11 | 0:19:12 | |
'If this is part of the national identity, | 0:19:12 | 0:19:14 | |
'I hope that my clumsy footwork | 0:19:14 | 0:19:15 | |
'doesn't cause a diplomatic incident. | 0:19:15 | 0:19:17 | |
-Now let's do it faster. -OK. -OK. | 0:19:17 | 0:19:21 | |
One, two, three. | 0:19:21 | 0:19:22 | |
One, two, three. | 0:19:22 | 0:19:24 | |
One, two, three. | 0:19:24 | 0:19:25 | |
One, two, three. | 0:19:25 | 0:19:27 | |
OK, you are ready to get the part of the dance. | 0:19:27 | 0:19:29 | |
-Let me show you your position. -OK, thank you, thank you. Hello. | 0:19:29 | 0:19:32 | |
-You are here. -I'm here, am I? | 0:19:35 | 0:19:37 | |
-OK. Hello. -We are ready to go. -Right. | 0:19:37 | 0:19:40 | |
THEY SHOUT | 0:19:40 | 0:19:42 | |
MUSIC PLAYS | 0:19:42 | 0:19:44 | |
SINGING | 0:19:44 | 0:19:46 | |
The Thracian dance I'm attempting | 0:20:13 | 0:20:15 | |
is treasured for keeping the Bulgarian spirit alive | 0:20:15 | 0:20:19 | |
over five centuries of Ottoman rule. | 0:20:19 | 0:20:22 | |
And when that ended in 1878, | 0:20:27 | 0:20:29 | |
young and old danced hand-in-hand in celebration. | 0:20:29 | 0:20:34 | |
On my train journeys, | 0:21:21 | 0:21:23 | |
I don't often get the chance to escape from the town or the city. | 0:21:23 | 0:21:27 | |
And in Bulgaria, you have these enormous open spaces | 0:21:27 | 0:21:30 | |
and the mountains are ever present. | 0:21:30 | 0:21:33 | |
In this region, in Rumelia, Bradshaw's tells me, | 0:21:33 | 0:21:37 | |
"The rose farms, where is produced the otto or attar of roses, | 0:21:37 | 0:21:41 | |
"cover a great extent of the country. | 0:21:41 | 0:21:44 | |
"The natural conditions in Bulgaria are perfect, heaven-sent." | 0:21:44 | 0:21:48 | |
This industry dates back over 300 years. | 0:21:51 | 0:21:54 | |
And today, Bulgaria produces around 70% of the world's rose oil. | 0:21:54 | 0:22:00 | |
Marina Lavrenova is showing me around a farm | 0:22:00 | 0:22:03 | |
that's over a century old. | 0:22:03 | 0:22:05 | |
Marina, this is a beautiful place. | 0:22:06 | 0:22:09 | |
Why is it that you're able to grow such great roses here? | 0:22:09 | 0:22:12 | |
We are at the heart of the Rose Valley. | 0:22:12 | 0:22:15 | |
This is a blessed area. | 0:22:15 | 0:22:17 | |
And we have the perfect weather conditions | 0:22:17 | 0:22:20 | |
to grow the oil-bearing rose here. | 0:22:20 | 0:22:23 | |
-Dobar den. WOMEN: -Dobar den. | 0:22:23 | 0:22:26 | |
So, how do you pick the rose? Which part are you picking? | 0:22:26 | 0:22:30 | |
Exactly this part. | 0:22:30 | 0:22:33 | |
So, she just kind of bends the rose back. | 0:22:33 | 0:22:35 | |
-Yes. -Thank you. -Yes. | 0:22:38 | 0:22:41 | |
And the company that owns this plantation here, | 0:22:41 | 0:22:44 | |
when did that begin? | 0:22:44 | 0:22:46 | |
The company was established in 1909. | 0:22:46 | 0:22:49 | |
And in 1947, it was nationalised. | 0:22:49 | 0:22:54 | |
-During the communist... -During the communist period. | 0:22:54 | 0:22:56 | |
-And now? -In 1992, | 0:22:56 | 0:22:59 | |
the company was returned to the local owners. | 0:22:59 | 0:23:02 | |
And now it's run by the family of Enio Bonchev. | 0:23:03 | 0:23:07 | |
And so after all those years of communism, | 0:23:07 | 0:23:10 | |
the family took it back again? | 0:23:10 | 0:23:12 | |
-Yes. -Fantastic story. | 0:23:12 | 0:23:14 | |
Once picked, the roses must be distilled immediately | 0:23:18 | 0:23:21 | |
to extract the scented oil in the flower, | 0:23:21 | 0:23:24 | |
so I'm following the process inside. | 0:23:24 | 0:23:26 | |
I see here all the rose petals are ready for the distillery. | 0:23:26 | 0:23:31 | |
Extraordinarily heady smell | 0:23:32 | 0:23:35 | |
of what I suppose must be hundreds of thousands of rose petals. | 0:23:35 | 0:23:38 | |
We are in the oldest, but still working distillery in Europe. | 0:23:38 | 0:23:42 | |
This place is actually unique, | 0:23:42 | 0:23:44 | |
because all the stills, all the containers | 0:23:44 | 0:23:48 | |
are made of copper, | 0:23:48 | 0:23:49 | |
because it makes the aroma of the water stronger. | 0:23:49 | 0:23:53 | |
How old are these copper stills? | 0:23:53 | 0:23:55 | |
Since 1909. | 0:23:55 | 0:23:58 | |
-Yeah. -Just before my guidebook. | 0:23:58 | 0:24:00 | |
It looks like the guys are preparing for a distillation, is that right? | 0:24:00 | 0:24:04 | |
Exactly. | 0:24:04 | 0:24:05 | |
Around 180 roses are poured into each copper | 0:24:09 | 0:24:12 | |
and mixed with five times their weight in water. | 0:24:12 | 0:24:15 | |
This mixture is then boiled over an open flame | 0:24:15 | 0:24:18 | |
and the steam fed into a cooling chamber | 0:24:18 | 0:24:21 | |
where the first rose-water distillate is collected. | 0:24:21 | 0:24:24 | |
So, we're standing now above the stills | 0:24:25 | 0:24:27 | |
-and we can feel the tremendous heat that's coming out of them. -Yes. | 0:24:27 | 0:24:32 | |
Let me see if I can catch one of these bags. | 0:24:32 | 0:24:35 | |
Whoa! | 0:24:35 | 0:24:36 | |
Empty the petals into the still. | 0:24:36 | 0:24:39 | |
Ready for the next bag. Whoa! | 0:24:44 | 0:24:46 | |
He's a very good thrower, this guy. He's a very good thrower. | 0:24:46 | 0:24:49 | |
'And with each bag weighing 15 kilos, that's no mean feat.' | 0:24:49 | 0:24:53 | |
Fire. | 0:24:53 | 0:24:54 | |
-Michael, you're doing really well. -Thank you. | 0:24:55 | 0:24:59 | |
I must say, it's very physical. | 0:24:59 | 0:25:01 | |
Ah! | 0:25:03 | 0:25:05 | |
The last petal has been defeated. | 0:25:05 | 0:25:08 | |
-That was hard work. -Great job. -Thank you very much, Marina. | 0:25:08 | 0:25:12 | |
'A second distillation of the rose-water | 0:25:12 | 0:25:15 | |
'increases the concentration.' | 0:25:15 | 0:25:18 | |
How long does it take from the petals | 0:25:18 | 0:25:20 | |
all the way through to the end of the second distillation process? | 0:25:20 | 0:25:24 | |
Um... | 0:25:24 | 0:25:26 | |
The whole process? It's about two hours and 30 minutes. | 0:25:26 | 0:25:29 | |
-Is that all? -Yes. | 0:25:29 | 0:25:30 | |
And what product does that give you? | 0:25:30 | 0:25:33 | |
It gives us the rose-water. | 0:25:33 | 0:25:37 | |
Rose-water is a cosmetic product | 0:25:37 | 0:25:39 | |
that's said to be excellent for the complexion. | 0:25:39 | 0:25:42 | |
It's sometimes also used in cooking. | 0:25:42 | 0:25:44 | |
But it's rose oil that is most highly prized. | 0:25:45 | 0:25:49 | |
Three-and-a-half tonnes of flowers will produce just one litre of oil. | 0:25:49 | 0:25:55 | |
The company's finest rose alba oil | 0:25:55 | 0:25:58 | |
sells for over £7,000 per kilo. | 0:25:58 | 0:26:02 | |
Welcome to our small museum. | 0:26:02 | 0:26:04 | |
-A delightful room. -Thank you. | 0:26:06 | 0:26:08 | |
And these are very, very beautiful things. What are these? | 0:26:08 | 0:26:11 | |
This is a traditional wooden box. In Bulgarian, it's called muskal. | 0:26:11 | 0:26:17 | |
-Muskal. -Muskal. -Muskal. -Yes. | 0:26:17 | 0:26:19 | |
It's handmade and this one is 60 years old. | 0:26:19 | 0:26:23 | |
Beautiful little miniature painting. | 0:26:23 | 0:26:25 | |
And you can find the rose oil inside. | 0:26:25 | 0:26:27 | |
Here, we have 0.5 millilitres of rose oil. | 0:26:30 | 0:26:35 | |
So, unscrew the top. | 0:26:35 | 0:26:37 | |
-What, you just put a little drop on, like that? -Yes, put just a drop. | 0:26:38 | 0:26:43 | |
Wow. | 0:26:43 | 0:26:45 | |
That is intense, isn't it? | 0:26:45 | 0:26:47 | |
-It's amazing. I love it. -Mm. Smell of roses all day. -Yeah. | 0:26:47 | 0:26:51 | |
-Now, what's that one there? -This is our rose-water. -A-ha. | 0:26:51 | 0:26:55 | |
I can spray some of it on your face, | 0:26:55 | 0:26:57 | |
on your hair, so... | 0:26:57 | 0:27:00 | |
-Take aim, take aim. -OK. | 0:27:00 | 0:27:02 | |
On the other side. | 0:27:03 | 0:27:05 | |
-I will put some on your hair. -OK. | 0:27:05 | 0:27:07 | |
I feel completely refreshed. | 0:27:12 | 0:27:14 | |
'Next time, I'll get to grips with a slippery Turkish tradition...' | 0:27:23 | 0:27:27 | |
I've noticed that one of the techniques is to thrust a hand | 0:27:29 | 0:27:32 | |
down the breeches of the other wrestler so, clearly, | 0:27:32 | 0:27:35 | |
it's no holds barred. | 0:27:35 | 0:27:38 | |
'..I'll discover what Istanbul would have been like in 1913...' | 0:27:38 | 0:27:42 | |
There were refugees everywhere. | 0:27:42 | 0:27:43 | |
Muslim refugees from the Balkans crowded every available space. | 0:27:43 | 0:27:47 | |
'..delight in a Turkish treat...' | 0:27:47 | 0:27:50 | |
You should feel the resistance, | 0:27:50 | 0:27:52 | |
but your teeth should be able to | 0:27:52 | 0:27:54 | |
bite cleanly through the product. | 0:27:54 | 0:27:56 | |
I think I had that experience, but... | 0:27:56 | 0:27:59 | |
I think I might need another to be sure. | 0:27:59 | 0:28:00 | |
SHE LAUGHS | 0:28:00 | 0:28:02 | |
'..and fulfil a boyish fantasy.' | 0:28:02 | 0:28:05 | |
Nobody's told me, but I think this is the accelerator. | 0:28:05 | 0:28:08 | |
Anyone know where the brake is? | 0:28:08 | 0:28:10 | |
This is the route of the Orient Express, | 0:28:11 | 0:28:14 | |
and I am driving the train. | 0:28:14 | 0:28:16 |