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I'm embarking on a railway adventure that will take me | 0:00:03 | 0:00:06 | |
beyond the edge of Continental Europe. | 0:00:06 | 0:00:09 | |
I'll be using this, my Bradshaw's Continental Railway Guide, | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign | 0:00:15 | 0:00:20 | |
travel for the British tourist. | 0:00:20 | 0:00:22 | |
It told travellers where to go, what to see, and how to | 0:00:22 | 0:00:26 | |
navigate the thousands of miles of tracks crisscrossing the Continent. | 0:00:26 | 0:00:30 | |
Now, a century later, | 0:00:30 | 0:00:32 | |
I am using my copy to reveal an era of great optimism and energy, | 0:00:32 | 0:00:36 | |
where technology, industry, science and the arts were flourishing. | 0:00:36 | 0:00:41 | |
I want to rediscover that lost Europe, that in 1913 couldn't know | 0:00:42 | 0:00:48 | |
that its way of life would shortly be swept aside by the advent of war. | 0:00:48 | 0:00:52 | |
My journey will take me east through the Balkans, beyond Christian Europe. | 0:01:08 | 0:01:12 | |
In 1913, only intrepid travellers ventured this way. | 0:01:14 | 0:01:18 | |
On this adventure, I'll be making an unusually difficult journey, | 0:01:25 | 0:01:29 | |
tracing the tracks of the Orient Express, | 0:01:29 | 0:01:31 | |
speeding me towards that multiethnic city known variously | 0:01:31 | 0:01:35 | |
as Constantinople or Istanbul, within which Europe and Asia meet. | 0:01:35 | 0:01:41 | |
At the time of my guidebook, | 0:01:41 | 0:01:43 | |
the Ottoman Empire that was ruled from there was decaying - | 0:01:43 | 0:01:47 | |
known as the sick man of Europe. | 0:01:47 | 0:01:50 | |
Bulgaria, where my journey begins, had already broken free, | 0:01:50 | 0:01:54 | |
and was the cause of rivalry, mistrust | 0:01:54 | 0:01:58 | |
and intrigue between the great powers of Europe. | 0:01:58 | 0:02:01 | |
I'll be making my way east, | 0:02:06 | 0:02:08 | |
along the most exotic section of the Orient Express route. | 0:02:08 | 0:02:12 | |
Starting in Sofia, Bulgaria's capital, | 0:02:12 | 0:02:15 | |
I'll travel to the ancient city of Plovdiv, | 0:02:15 | 0:02:18 | |
join a stretch of the line that's now been rebuilt at Svilengrad, | 0:02:18 | 0:02:22 | |
and then cross into Turkey at Edirne. | 0:02:22 | 0:02:27 | |
I'll end my journey at the gateway to Asia, Istanbul. | 0:02:27 | 0:02:31 | |
'Along the way...' | 0:02:32 | 0:02:34 | |
Fire! | 0:02:34 | 0:02:35 | |
'..I'll get to grips with a blossoming industry...' | 0:02:35 | 0:02:39 | |
Ah! | 0:02:39 | 0:02:40 | |
The last petal has been defeated. | 0:02:40 | 0:02:43 | |
'..learn the importance of an ancient dance to the Bulgarian psyche.' | 0:02:43 | 0:02:48 | |
I've noticed that one of the techniques is to thrust a hand down | 0:02:53 | 0:02:57 | |
the breeches of the other wrestler, so clearly it is no-holds barred. | 0:02:57 | 0:03:01 | |
'I'll discover what Istanbul would have been like in 1913...' | 0:03:02 | 0:03:06 | |
There were refugees everywhere. | 0:03:06 | 0:03:07 | |
Muslim refugees from the Balkans crowded every available space. | 0:03:07 | 0:03:11 | |
'..and fulfil a boyish fantasy.' | 0:03:11 | 0:03:13 | |
This is the route of the Orient Express, and I am driving the train. | 0:03:13 | 0:03:18 | |
My journey begins in Sofia, where, in 1913, | 0:03:34 | 0:03:38 | |
the reigning monarch was Tsar Ferdinand I. | 0:03:38 | 0:03:41 | |
According to Bradshaw's, | 0:03:41 | 0:03:43 | |
"the suzerainty of Turkey was thrown off on October 5th, 1908, | 0:03:43 | 0:03:48 | |
"when the independence of Bulgaria was proclaimed." | 0:03:48 | 0:03:52 | |
The dying empire was then involved in a series of bloody wars, | 0:03:52 | 0:03:56 | |
with Christian nationalities in the Balkans. | 0:03:56 | 0:03:59 | |
And like vultures, Britain, France, Russia, Austria, Hungary | 0:03:59 | 0:04:04 | |
and Germany hovered - | 0:04:04 | 0:04:06 | |
each anxious that the others should not gain more than their fair | 0:04:06 | 0:04:10 | |
share of influence in the region. | 0:04:10 | 0:04:12 | |
Such tensions earned the region its reputation as the powderkeg of | 0:04:14 | 0:04:18 | |
Europe, and indeed, | 0:04:18 | 0:04:20 | |
it was events here that sparked the First World War. | 0:04:20 | 0:04:23 | |
In Bulgaria, the Ottomans had been slow to build railways. | 0:04:24 | 0:04:28 | |
In 1880, there were just 140 miles of track, | 0:04:28 | 0:04:32 | |
and by 1912, still only 1,300. | 0:04:32 | 0:04:36 | |
I'm arriving at Sofia's Centralna Gara, first opened in August 1888. | 0:04:36 | 0:04:44 | |
Well, first impressions, | 0:04:44 | 0:04:46 | |
apparently Sofia station is under major redevelopment. | 0:04:46 | 0:04:50 | |
It's just a building site, really, from one end to the other. | 0:04:50 | 0:04:54 | |
But it's apparent that something rather beautiful | 0:04:54 | 0:04:56 | |
and rather grand is going to emerge. | 0:04:56 | 0:04:58 | |
The station's interior reveals the brutalist aesthetic of the most | 0:05:03 | 0:05:07 | |
recent empire to control this region - | 0:05:07 | 0:05:10 | |
the Soviets. | 0:05:10 | 0:05:11 | |
But Bulgaria is resilient. | 0:05:15 | 0:05:17 | |
First founded in the seventh century, | 0:05:17 | 0:05:19 | |
the Bulgarian state is one of the oldest on the European continent. | 0:05:19 | 0:05:23 | |
Maintaining its own form of Orthodox Christianity, | 0:05:23 | 0:05:27 | |
despite being consumed by one empire after another over the millennia. | 0:05:27 | 0:05:32 | |
Bulgaria's tumultuous history is reflected in its architecture | 0:05:34 | 0:05:38 | |
and here in the Plaza Nezavisimost, | 0:05:38 | 0:05:41 | |
those layers of history are exposed in a single place. | 0:05:41 | 0:05:45 | |
"This city," says Bradshaw's, "is about 2,000 feet above sea. | 0:05:46 | 0:05:51 | |
"Almost encompassed by ranges of the Balkans." | 0:05:51 | 0:05:54 | |
And indeed, it's lovely to see mountains at the end of many streets. | 0:05:54 | 0:05:58 | |
"The old squalid Turkish town has been cleared away, | 0:05:58 | 0:06:02 | |
"and its place taken by a modern city." | 0:06:02 | 0:06:05 | |
But Bradshaw's reminds me that this is the ancient Serdica. | 0:06:05 | 0:06:08 | |
And here, close at hand, are Roman ruins. | 0:06:08 | 0:06:11 | |
Yet I'm surrounded here by buildings from the communist | 0:06:11 | 0:06:14 | |
era of the late 20th century. And all of the ages | 0:06:14 | 0:06:18 | |
of the city are presided over by the statue of St Sofia herself. | 0:06:18 | 0:06:22 | |
With Bulgaria's capital named after this early martyr, | 0:06:27 | 0:06:31 | |
Christianity has played an important role in the country's history. | 0:06:31 | 0:06:35 | |
Today, 85% of the population regard themselves as Orthodox Christians, | 0:06:37 | 0:06:42 | |
and this enormous cathedral is, to me, the loveliest building in Sofia. | 0:06:42 | 0:06:47 | |
The St Alexander Nevsky Cathedral is a relatively modern building in the | 0:06:48 | 0:06:52 | |
Byzantine style, and its golden domes are today gleaming in the sunlight. | 0:06:52 | 0:06:57 | |
One of the things I love is that with so little traffic and with big | 0:06:57 | 0:07:01 | |
spaces all around, you can appreciate the whole building at once. | 0:07:01 | 0:07:04 | |
The cathedral was largely completed by 1912 - | 0:07:06 | 0:07:10 | |
just a year before my guidebook was published. | 0:07:10 | 0:07:13 | |
And I'd like to learn more about the period from local guide | 0:07:13 | 0:07:16 | |
Stefan Ognyanov. | 0:07:16 | 0:07:18 | |
-Stefan, hello. -Hello. Nice to meet you. | 0:07:19 | 0:07:22 | |
I find myself very moved by the cathedral, | 0:07:22 | 0:07:24 | |
which has a simplicity, a calm, but certainly a great holiness, as well. | 0:07:24 | 0:07:29 | |
Has the Orthodox Church played a very important part in Bulgarian history? | 0:07:29 | 0:07:33 | |
Yes, the Orthodox Church was basically instrumental | 0:07:33 | 0:07:36 | |
in the preservation of Bulgarian culture and traditions and basically | 0:07:36 | 0:07:40 | |
the identity of the people through the five centuries of Ottoman rule. | 0:07:40 | 0:07:43 | |
And that sense of national identity of consciousness, | 0:07:43 | 0:07:46 | |
eventually grew into a wish to be independent from the Ottoman Empire. | 0:07:46 | 0:07:49 | |
Exactly. There was a small seed that basically started it all | 0:07:49 | 0:07:53 | |
and then it grew into a massive movement. | 0:07:53 | 0:07:55 | |
The giant cathedral can hold a congregation of up to 7,000. | 0:07:58 | 0:08:02 | |
Its vast dome rises to 45 metres. | 0:08:06 | 0:08:10 | |
Whoa. This is extraordinary. | 0:08:10 | 0:08:13 | |
We are so high above the main altar here, | 0:08:13 | 0:08:16 | |
I'm quite nervous about dropping my Bradshaw's. | 0:08:16 | 0:08:20 | |
Stefan leads me up onto the roof to get a view over Sofia - | 0:08:20 | 0:08:24 | |
a city that was in turmoil back in the 1870s. | 0:08:24 | 0:08:27 | |
Here on the cathedral roof, we get a fantastic view of the city | 0:08:28 | 0:08:32 | |
and, actually, also the mountains all around. | 0:08:32 | 0:08:35 | |
So, how was it that the revolution came about when it did? | 0:08:39 | 0:08:42 | |
As soon as a critical mass of people realised that they | 0:08:42 | 0:08:46 | |
constituted a nation, they were basically looking to | 0:08:46 | 0:08:49 | |
establish their own independent Bulgarian state. | 0:08:49 | 0:08:52 | |
So, in 1876, there was | 0:08:52 | 0:08:54 | |
an organisation that was supposed to actually light the whole | 0:08:54 | 0:08:57 | |
country on fire, so an all-out revolution everywhere. | 0:08:57 | 0:09:02 | |
The reality is, it only really happened in just one | 0:09:02 | 0:09:05 | |
region of the country, but still what happened in southern Bulgaria | 0:09:05 | 0:09:09 | |
attracted the world's attention, because of the way it was put down. | 0:09:09 | 0:09:14 | |
This April uprising was brutally suppressed by the Ottomans, | 0:09:15 | 0:09:19 | |
who massacred up to 30,000 men, women and children. | 0:09:19 | 0:09:23 | |
Those atrocities caused outrage in Western Europe. | 0:09:23 | 0:09:28 | |
-How does Britain react to it all? -The official position of Britain, | 0:09:28 | 0:09:31 | |
the British government of Disraeli, is support of the Ottoman Empire | 0:09:31 | 0:09:36 | |
in order to block off the interests of Russia in the region. | 0:09:36 | 0:09:40 | |
However, William Gladstone, who was leader of the Liberal party, | 0:09:40 | 0:09:43 | |
which was in opposition at the time, was actually | 0:09:43 | 0:09:46 | |
appalled by the atrocities and urged the British government to | 0:09:46 | 0:09:49 | |
actually take some measures to help the situation of the Bulgarians. | 0:09:49 | 0:09:55 | |
While Gladstone attacked Prime Minister Disraeli's imperialism, | 0:09:55 | 0:09:59 | |
Russia seized the chance to lash out at its old Ottoman enemy, | 0:09:59 | 0:10:02 | |
and in 1877, stepped in to liberate Bulgaria, | 0:10:02 | 0:10:07 | |
cementing her own influence in the region. | 0:10:07 | 0:10:10 | |
In gratitude to their Russian liberators, | 0:10:10 | 0:10:12 | |
the Bulgarian people erected this huge Orthodox cathedral | 0:10:12 | 0:10:16 | |
and dedicated it to the Russian Tsar's patron saint, | 0:10:16 | 0:10:20 | |
Alexander Nevsky. | 0:10:20 | 0:10:21 | |
However, peace in the region didn't last long, as the new | 0:10:21 | 0:10:25 | |
King Ferdinand led Bulgaria into two Balkan wars in 1912 and '13. | 0:10:25 | 0:10:32 | |
The first Balkan War, it was the newly established Christian | 0:10:32 | 0:10:35 | |
nations of Europe, like Bulgaria, Serbia and Greece, uniting to push | 0:10:35 | 0:10:40 | |
the Ottoman Empire - try and push the Ottoman Empire - out of Europe. | 0:10:40 | 0:10:44 | |
And then the Second Balkan War erupted | 0:10:44 | 0:10:47 | |
because these newly established Christian nations were | 0:10:47 | 0:10:51 | |
fighting each other for what they had achieved during the first war. | 0:10:51 | 0:10:55 | |
As I head back down to ground level, I think of the great | 0:10:58 | 0:11:02 | |
sacrifices that this country has made across its turbulent history. | 0:11:02 | 0:11:07 | |
There is a tradition here in the cathedral that you light | 0:11:08 | 0:11:11 | |
a candle - either for happiness or, here in the sand, for remembrance. | 0:11:11 | 0:11:17 | |
And since I've heard about the tens of thousands of people who | 0:11:17 | 0:11:20 | |
were killed in the struggle for Bulgarian independence, | 0:11:20 | 0:11:25 | |
this single candle is in their memory. | 0:11:25 | 0:11:27 | |
While Russia has this splendid cathedral | 0:11:40 | 0:11:43 | |
built in gratitude for her assistance, | 0:11:43 | 0:11:46 | |
it's good to see that the Victorian statesman William Gladstone | 0:11:46 | 0:11:49 | |
has a small corner of Sofia dedicated to his memory. | 0:11:49 | 0:11:53 | |
I'm back at Sofia Central Station to make my way east towards | 0:11:59 | 0:12:04 | |
the heart of the old Ottoman Empire. | 0:12:04 | 0:12:06 | |
This, the historic route of the Orient Express, will take me | 0:12:12 | 0:12:15 | |
to Bulgaria's second city, Plovdiv - | 0:12:15 | 0:12:18 | |
referred to in my guidebook as Philippopolis. | 0:12:18 | 0:12:21 | |
Are you travelling to Plovdiv? | 0:12:26 | 0:12:28 | |
-Yes, I am travelling to Plovdiv. -I am, too. My name's Michael. | 0:12:28 | 0:12:32 | |
-My name is Emil. Nice to meet you. -Good to see you. | 0:12:32 | 0:12:35 | |
I bought some food that they told me was typical Bulgarian. | 0:12:35 | 0:12:39 | |
I don't like to eat alone. Would you like to share some of this? | 0:12:39 | 0:12:41 | |
OK, no problem. | 0:12:41 | 0:12:43 | |
They... Boza. They told me this was typically Bulgarian. | 0:12:43 | 0:12:46 | |
-What is this? -Yes, it's a national Bulgarian drink. | 0:12:46 | 0:12:50 | |
It is made from fermented wheat. | 0:12:50 | 0:12:52 | |
Mm. Thick and gloopy. | 0:12:52 | 0:12:55 | |
Wow, it's kind of like a... | 0:12:55 | 0:12:57 | |
Ooh. | 0:12:58 | 0:12:59 | |
-It does smell of fermented wheat, doesn't it? -Yes. -Incredibly powerful. | 0:12:59 | 0:13:03 | |
-A bit like a medicine. -Bulgarians like it. | 0:13:06 | 0:13:10 | |
Mm. Good, good for Bulgarians. Good. | 0:13:10 | 0:13:14 | |
'This salty yoghurt drink looks as though it might be more suited | 0:13:14 | 0:13:18 | |
'to my British taste buds.' | 0:13:18 | 0:13:20 | |
Oh, that's great. That's so refreshing. | 0:13:20 | 0:13:23 | |
Now, what's this thing in here? | 0:13:23 | 0:13:25 | |
This is a banitsa. People often eat it for breakfast. | 0:13:27 | 0:13:33 | |
Excuse fingers. | 0:13:33 | 0:13:35 | |
'Banitsa is a traditional filo pastry that can be savoury...' | 0:13:35 | 0:13:39 | |
Quite tough going. | 0:13:39 | 0:13:41 | |
'..or sweet.' | 0:13:41 | 0:13:43 | |
So, which of these things has been your favourite? | 0:13:43 | 0:13:45 | |
My favourite thing right now is this type of sweet banitsa. | 0:13:45 | 0:13:50 | |
I like that. | 0:13:50 | 0:13:51 | |
But for me, my favourite is the salty yoghurt. | 0:13:51 | 0:13:55 | |
-Cheers. -Cheers. | 0:13:55 | 0:13:57 | |
I've travelled 90 miles south-east from Sofia. | 0:14:07 | 0:14:10 | |
But as I'm arriving in Plovdiv at dusk, | 0:14:13 | 0:14:16 | |
I'll wait till morning to explore Bulgaria's second city. | 0:14:16 | 0:14:19 | |
Plovdiv, Bradshaw's tells me, was the Roman Trimontium, | 0:14:39 | 0:14:43 | |
referring to the three mountains on which the city is built. | 0:14:43 | 0:14:46 | |
"It was the capital of Thrace. It has Greek and Bulgarian cathedrals | 0:14:46 | 0:14:51 | |
"and several mosques. | 0:14:51 | 0:14:53 | |
"It's a bright and cheerful place, with lofty houses. | 0:14:53 | 0:14:57 | |
"So many influences - Greek, Thracian, Roman, Ottoman." | 0:14:57 | 0:15:02 | |
And yet, somehow, something emerged that's absolutely Bulgarian. | 0:15:02 | 0:15:07 | |
Plovdiv is thought to be one of the oldest settlements in Europe. | 0:15:16 | 0:15:20 | |
Its ancient pedigree would have greatly appealed | 0:15:20 | 0:15:23 | |
to the early 20th-century tourist. | 0:15:23 | 0:15:25 | |
As the Bulgarian middle classes grew wealthier during the 19th century, | 0:15:28 | 0:15:32 | |
they developed their own cultural identity, | 0:15:32 | 0:15:35 | |
clearly expressed in this elaborately decorated domestic architecture | 0:15:35 | 0:15:40 | |
known as National Revival. | 0:15:40 | 0:15:42 | |
As I walk through these roughly paved streets, | 0:15:43 | 0:15:46 | |
I feel as though I'm treading on the stones of history. | 0:15:46 | 0:15:49 | |
And these houses, though very charming, | 0:15:49 | 0:15:52 | |
are also grand and proud. | 0:15:52 | 0:15:55 | |
Plovdiv is a place that grew used, during its history, | 0:15:55 | 0:15:58 | |
to being important. | 0:15:58 | 0:16:00 | |
And one of the things I most appreciate about this place | 0:16:00 | 0:16:04 | |
is that I'm enjoying and absorbing all this history virtually alone. | 0:16:04 | 0:16:08 | |
And yet I see there are one or two of my fellow countrymen | 0:16:10 | 0:16:13 | |
who've found their way here. | 0:16:13 | 0:16:15 | |
-How are you enjoying Plovdiv? -Incredible. Incredible. | 0:16:16 | 0:16:19 | |
-Really? What do you think of it? -All the history... | 0:16:19 | 0:16:21 | |
-Plovdiv goes back 8,000 years. -What brought you to Plovdiv? | 0:16:21 | 0:16:25 | |
-We work with someone from Plovdiv. -Ah. | 0:16:25 | 0:16:29 | |
-This gentleman here. -Oh, really? | 0:16:29 | 0:16:30 | |
-Yeah. -You've brought all your English mates over? | 0:16:30 | 0:16:33 | |
-Yeah, pretty much. -Oh, that's fantastic. | 0:16:33 | 0:16:35 | |
-And you're obviously very proud of your town. -Yeah. | 0:16:35 | 0:16:38 | |
-And are they reacting well to it? -So far, so far. -Yeah? | 0:16:38 | 0:16:41 | |
-That's a pretty good advertisement for the town. -It's the best. | 0:16:41 | 0:16:44 | |
Thank you, guys. Enjoyed it. Bye-bye now. | 0:16:44 | 0:16:46 | |
There's a place I've been told that I must visit | 0:16:48 | 0:16:50 | |
in this magnificent city, | 0:16:50 | 0:16:52 | |
which isn't mentioned in Bradshaw's, with good reason. | 0:16:52 | 0:16:55 | |
MUSIC PLAYS, SINGING | 0:16:55 | 0:16:57 | |
It's wonderful to see a dance going on here. | 0:17:07 | 0:17:10 | |
But first of all, this theatre is incredible. | 0:17:10 | 0:17:14 | |
It is so well preserved. | 0:17:14 | 0:17:16 | |
And I understand it was only uncovered in the 1970s | 0:17:16 | 0:17:21 | |
because of a landslide. | 0:17:21 | 0:17:22 | |
And it's just perfection. | 0:17:22 | 0:17:24 | |
Dating back to the Emperor Trajan in the 2nd century AD, | 0:17:25 | 0:17:30 | |
this Roman theatre is the perfect spot | 0:17:30 | 0:17:32 | |
to witness a traditional dance that's 1,300 years old. | 0:17:32 | 0:17:37 | |
It's really a very beautiful dance. And the costumes are superb. | 0:17:37 | 0:17:41 | |
HE CLAPS Bravo. | 0:18:03 | 0:18:07 | |
-That was fantastic. -Thank you very much. | 0:18:07 | 0:18:09 | |
What is that dance called? | 0:18:09 | 0:18:12 | |
This is the Thracian dance. | 0:18:12 | 0:18:14 | |
-As it were, from Thrace, as we would say it. -From Thrace, yes. | 0:18:14 | 0:18:16 | |
And how important is this kind of dancing to Bulgarians, | 0:18:16 | 0:18:19 | |
to Bulgarian culture? | 0:18:19 | 0:18:21 | |
The dances are very important. | 0:18:21 | 0:18:23 | |
They are part of our national psychology. | 0:18:23 | 0:18:25 | |
Passed down from generation to generation, | 0:18:25 | 0:18:28 | |
the dance has always been a part of the life of Bulgarians | 0:18:28 | 0:18:32 | |
for all its historical development. | 0:18:32 | 0:18:35 | |
Well, I think I would find it impossible. | 0:18:35 | 0:18:37 | |
Let me show you some movements. | 0:18:37 | 0:18:39 | |
MICHAEL LAUGHS OK. | 0:18:39 | 0:18:41 | |
Thank you. Let me just get this lovely costume on. | 0:18:41 | 0:18:44 | |
How do I look? Not quite as beautiful as you. Look at that. | 0:18:48 | 0:18:52 | |
-OK. -So, the dance is called Rachenitsa. | 0:18:52 | 0:18:55 | |
-Yeah. -And it's one, two, three. | 0:18:55 | 0:18:58 | |
One, two, three. | 0:18:58 | 0:19:00 | |
-Let's start with the right leg. -OK. -So, one, two, three. | 0:19:00 | 0:19:06 | |
One, two, three. | 0:19:06 | 0:19:08 | |
-BOTH: -One, two, three. | 0:19:08 | 0:19:11 | |
-Go. -BOTH: -Right, left, right. | 0:19:11 | 0:19:13 | |
HE GASPS | 0:19:13 | 0:19:14 | |
If this is part of the national identity, | 0:19:14 | 0:19:16 | |
I hope that my clumsy footwork doesn't cause a diplomatic incident. | 0:19:16 | 0:19:20 | |
-Now let's do it faster. -OK. -OK. | 0:19:20 | 0:19:23 | |
One, two, three. | 0:19:23 | 0:19:25 | |
One, two, three. | 0:19:25 | 0:19:27 | |
One, two, three. | 0:19:27 | 0:19:28 | |
One, two, three. | 0:19:28 | 0:19:29 | |
OK, you are ready to get the part of the dance. | 0:19:29 | 0:19:31 | |
-Let me show you your position. -OK, thank you, thank you. Hello. | 0:19:31 | 0:19:35 | |
-You are here. -I'm here, am I? | 0:19:37 | 0:19:39 | |
-OK. Hello. -We are ready to go. -Right. | 0:19:39 | 0:19:43 | |
THEY SHOUT | 0:19:43 | 0:19:45 | |
MUSIC PLAYS | 0:19:45 | 0:19:46 | |
SINGING | 0:19:46 | 0:19:49 | |
The Thracian dance I'm attempting | 0:20:15 | 0:20:18 | |
is treasured for keeping the Bulgarian spirit alive | 0:20:18 | 0:20:22 | |
over five centuries of Ottoman rule. | 0:20:22 | 0:20:25 | |
And when that ended in 1878, | 0:20:30 | 0:20:32 | |
young and old danced hand-in-hand in celebration. | 0:20:32 | 0:20:37 | |
On my train journeys, | 0:21:24 | 0:21:26 | |
I don't often get the chance to escape from the town or the city. | 0:21:26 | 0:21:29 | |
And in Bulgaria, you have these enormous open spaces | 0:21:29 | 0:21:32 | |
and the mountains are ever present. | 0:21:32 | 0:21:36 | |
In this region, in Rumelia, Bradshaw's tells me, | 0:21:36 | 0:21:39 | |
"The rose farms, where is produced the otto or attar of roses, | 0:21:39 | 0:21:44 | |
"cover a great extent of the country. | 0:21:44 | 0:21:46 | |
"The natural conditions in Bulgaria are perfect, heaven-sent." | 0:21:46 | 0:21:51 | |
This industry dates back over 300 years. | 0:21:53 | 0:21:57 | |
And today, Bulgaria produces around 70% of the world's rose oil. | 0:21:57 | 0:22:03 | |
Marina Lavrenova is showing me around a farm that's over a century old. | 0:22:03 | 0:22:08 | |
Marina, this is a beautiful place. | 0:22:09 | 0:22:11 | |
Why is it that you're able to grow such great roses here? | 0:22:11 | 0:22:15 | |
We are at the heart of the Rose Valley. | 0:22:15 | 0:22:18 | |
This is a blessed area. | 0:22:18 | 0:22:20 | |
And we have the perfect weather conditions | 0:22:20 | 0:22:22 | |
to grow the oil-bearing rose here. | 0:22:22 | 0:22:25 | |
-Dobar den. WOMEN: -Dobar den. | 0:22:25 | 0:22:28 | |
So, how do you pick the rose? Which part are you picking? | 0:22:28 | 0:22:33 | |
Exactly this part. | 0:22:33 | 0:22:36 | |
So, she just kind of bends the rose back. | 0:22:36 | 0:22:38 | |
-Yes. -Thank you. -Yes. | 0:22:41 | 0:22:43 | |
And the company that owns this plantation here, when did that begin? | 0:22:43 | 0:22:48 | |
The company was established in 1909. | 0:22:48 | 0:22:52 | |
And in 1947, it was nationalised. | 0:22:52 | 0:22:56 | |
-During the communist... -During the communist period. | 0:22:56 | 0:22:59 | |
-And now? -In 1992, the company was returned to the local owners. | 0:22:59 | 0:23:04 | |
And now it's run by the family of Enio Bonchev. | 0:23:06 | 0:23:10 | |
And so after all those years of communism, | 0:23:10 | 0:23:13 | |
the family took it back again? | 0:23:13 | 0:23:15 | |
-Yes. -Fantastic story. | 0:23:15 | 0:23:17 | |
Once picked, the roses must be distilled immediately | 0:23:20 | 0:23:24 | |
to extract the scented oil in the flower, | 0:23:24 | 0:23:27 | |
so I'm following the process inside. | 0:23:27 | 0:23:29 | |
I see here all the rose petals are ready for the distillery. | 0:23:29 | 0:23:33 | |
Extraordinarily heady smell | 0:23:34 | 0:23:37 | |
of what I suppose must be hundreds of thousands of rose petals. | 0:23:37 | 0:23:41 | |
We are in the oldest, but still working distillery in Europe. | 0:23:41 | 0:23:45 | |
This place is actually unique, | 0:23:45 | 0:23:47 | |
because all the stills, all the containers are made of copper, | 0:23:47 | 0:23:51 | |
because it makes the aroma of the water stronger. | 0:23:51 | 0:23:55 | |
How old are these copper stills? | 0:23:55 | 0:23:58 | |
Since 1909. | 0:23:58 | 0:24:01 | |
-Yeah. -Just before my guidebook. | 0:24:01 | 0:24:03 | |
It looks like the guys are preparing for a distillation, is that right? | 0:24:03 | 0:24:06 | |
Exactly. | 0:24:06 | 0:24:07 | |
Around 180 roses are poured into each copper | 0:24:11 | 0:24:14 | |
and mixed with five times their weight in water. | 0:24:14 | 0:24:18 | |
This mixture is then boiled over an open flame | 0:24:18 | 0:24:21 | |
and the steam fed into a cooling chamber | 0:24:21 | 0:24:23 | |
where the first rose-water distillate is collected. | 0:24:23 | 0:24:26 | |
So, we're standing now above the stills | 0:24:28 | 0:24:30 | |
-and we can feel the tremendous heat that's coming out of them. -Yes. | 0:24:30 | 0:24:34 | |
Let me see if I can catch one of these bags. | 0:24:34 | 0:24:38 | |
Whoa! | 0:24:38 | 0:24:39 | |
Empty the petals into the still. | 0:24:39 | 0:24:42 | |
Ready for the next bag. Whoa! | 0:24:46 | 0:24:49 | |
He's a very good thrower, this guy. He's a very good thrower. | 0:24:49 | 0:24:51 | |
'And with each bag weighing 15 kilos, that's no mean feat.' | 0:24:51 | 0:24:55 | |
Fire. | 0:24:55 | 0:24:57 | |
-Michael, you're doing really well. -Thank you. | 0:24:58 | 0:25:01 | |
I must say, it's very physical. | 0:25:01 | 0:25:03 | |
Ah! | 0:25:05 | 0:25:06 | |
The last petal has been defeated. | 0:25:07 | 0:25:10 | |
-That was hard work. -Great job. -Thank you very much, Marina. | 0:25:10 | 0:25:14 | |
'A second distillation of the rose-water | 0:25:15 | 0:25:18 | |
'increases the concentration.' | 0:25:18 | 0:25:20 | |
How long does it take from the petals | 0:25:20 | 0:25:23 | |
all the way through to the end of the second distillation process? | 0:25:23 | 0:25:27 | |
Um... | 0:25:27 | 0:25:28 | |
The whole process? It's about two hours and 30 minutes. | 0:25:28 | 0:25:32 | |
-Is that all? -Yes. | 0:25:32 | 0:25:33 | |
And what product does that give you? | 0:25:33 | 0:25:35 | |
It gives us the rose-water. | 0:25:35 | 0:25:39 | |
Rose-water is a cosmetic product | 0:25:39 | 0:25:41 | |
that's said to be excellent for the complexion. | 0:25:41 | 0:25:45 | |
It's sometimes also used in cooking. | 0:25:45 | 0:25:47 | |
But it's rose oil that is most highly prized. | 0:25:48 | 0:25:51 | |
Three-and-a-half tonnes of flowers will produce just one litre of oil. | 0:25:51 | 0:25:57 | |
The company's finest rose alba oil sells for over £7,000 per kilo. | 0:25:57 | 0:26:04 | |
Welcome to our small museum. | 0:26:04 | 0:26:07 | |
-A delightful room. -Thank you. | 0:26:08 | 0:26:11 | |
And these are very, very beautiful things. What are these? | 0:26:11 | 0:26:14 | |
This is a traditional wooden box. In Bulgarian, it's called muskal. | 0:26:14 | 0:26:19 | |
-Muskal. -Muskal. -Muskal. -Yes. | 0:26:19 | 0:26:21 | |
It's handmade and this one is 60 years old. | 0:26:21 | 0:26:25 | |
Beautiful little miniature painting. | 0:26:25 | 0:26:28 | |
And you can find the rose oil inside. | 0:26:28 | 0:26:30 | |
-Here, we have 0.5 millilitres of rose oil. -So, unscrew the top. | 0:26:33 | 0:26:39 | |
-What, you just put a little drop on, like that? -Yes, put just a drop. | 0:26:41 | 0:26:45 | |
Wow. | 0:26:45 | 0:26:48 | |
That is intense, isn't it? | 0:26:48 | 0:26:50 | |
-It's amazing. I love it. -Mm. Smell of roses all day. -Yeah. | 0:26:50 | 0:26:54 | |
-Now, what's that one there? -This is our rose-water. -A-ha. | 0:26:54 | 0:26:57 | |
I can spray some of it on your face, on your hair, so... | 0:26:57 | 0:27:02 | |
-Take aim, take aim. -OK. | 0:27:02 | 0:27:04 | |
And the other side. | 0:27:06 | 0:27:08 | |
-I will put some on your hair. -OK. | 0:27:08 | 0:27:10 | |
I feel completely refreshed. | 0:27:14 | 0:27:17 | |
This morning, I'm back at Plovdiv station to continue my journey east | 0:27:26 | 0:27:31 | |
along the historic route of the Orient Express. | 0:27:31 | 0:27:34 | |
Dobar den. | 0:27:36 | 0:27:37 | |
HE SPEAKS IN BULGARIAN | 0:27:38 | 0:27:41 | |
Blagodarya. | 0:27:44 | 0:27:45 | |
Rush hour in Plovdiv. | 0:27:49 | 0:27:51 | |
I'm continuing my journey towards Istanbul, Constantinople. | 0:27:58 | 0:28:03 | |
Unfortunately, today, there are no through train services | 0:28:03 | 0:28:06 | |
and it seems that things weren't very different | 0:28:06 | 0:28:09 | |
at the time of my guidebook. | 0:28:09 | 0:28:10 | |
"Since the outbreak of hostilities..." | 0:28:10 | 0:28:12 | |
That would be a reference to the Second Balkan War. | 0:28:12 | 0:28:15 | |
"..the train service has been suspended." | 0:28:15 | 0:28:18 | |
Today, it's for a happier reason. | 0:28:18 | 0:28:19 | |
The European Union has designated a railway network | 0:28:19 | 0:28:23 | |
running from Dresden and Strasbourg in the west to Istanbul in the east. | 0:28:23 | 0:28:28 | |
And the section that I'm about to come to | 0:28:28 | 0:28:30 | |
is being massively rebuilt | 0:28:30 | 0:28:32 | |
so that the spirit of the Orient Express can rise again. | 0:28:32 | 0:28:36 | |
As there are no public services through to my next destination, | 0:28:40 | 0:28:44 | |
I'm leaving this train at Parvomay to meet Richard Kerr, | 0:28:44 | 0:28:47 | |
the British civil engineer | 0:28:47 | 0:28:49 | |
who's supervising the rebuilding of this historic railway. | 0:28:49 | 0:28:52 | |
-Hello, Richard. -Hello, Michael. Nice to meet you. -Very good to see you. | 0:28:54 | 0:28:57 | |
I'm sorry to lower your visibility, but...! | 0:28:57 | 0:29:00 | |
-Not as bright as mine. -Not quite. -Right. -Please, welcome aboard. | 0:29:00 | 0:29:03 | |
Thank you very much. | 0:29:03 | 0:29:05 | |
I think this is the smartest wagon I've seen on rails for a long time. | 0:29:14 | 0:29:18 | |
-What is it? -Well, it's a works train. | 0:29:18 | 0:29:20 | |
It's a specialist train that they use to monitor and oversee | 0:29:20 | 0:29:25 | |
the electrical feeding system above the railway. | 0:29:25 | 0:29:28 | |
'The line will also be straightened, | 0:29:28 | 0:29:31 | |
'allowing trains to run at up to 100mph.' | 0:29:31 | 0:29:35 | |
So, this section really tells the whole story. | 0:29:35 | 0:29:38 | |
Here we are moving on an old track, which is very, very bumpy, | 0:29:38 | 0:29:41 | |
overgrown in places, foliage on either side. | 0:29:41 | 0:29:44 | |
And yet we can also see, to the sides, the new construction site, | 0:29:44 | 0:29:47 | |
the dust, the lorries, the trucks, the earth-moving equipment. | 0:29:47 | 0:29:51 | |
It's all happening. | 0:29:51 | 0:29:53 | |
Yes, obviously, 100 years ago, the engineers were not able | 0:29:53 | 0:29:56 | |
to form their way through the hillsides | 0:29:56 | 0:29:59 | |
in the way that they do now. | 0:29:59 | 0:30:01 | |
So, now, we've come off the old line. The bumping has stopped. | 0:30:02 | 0:30:06 | |
This is obviously new track. | 0:30:06 | 0:30:08 | |
We're passing a station that's under construction. | 0:30:08 | 0:30:11 | |
Absolutely. I'm glad you noticed the difference. | 0:30:11 | 0:30:14 | |
Now we're on the new line, | 0:30:14 | 0:30:16 | |
we can speed up to 160km per hour | 0:30:16 | 0:30:19 | |
and take ourselves off down to the borders of the European Union. | 0:30:19 | 0:30:23 | |
Bulgaria became a member of the EU in 2007, | 0:30:25 | 0:30:28 | |
and this railway line is part of the new European high-speed rail network. | 0:30:28 | 0:30:33 | |
This 150km stretch between Parvomay and Svilengrad | 0:30:34 | 0:30:38 | |
is costing £300 million to build. | 0:30:38 | 0:30:41 | |
What's been the most challenging single thing that you've had to do on this route? | 0:30:43 | 0:30:46 | |
One of the most significant technical challenges that we've had | 0:30:46 | 0:30:49 | |
is a substantial 400-metre bridge | 0:30:49 | 0:30:51 | |
that we're building across the River Maritsa, | 0:30:51 | 0:30:54 | |
which is prone to flooding, actually, | 0:30:54 | 0:30:56 | |
and has caused us some difficulties along the works. | 0:30:56 | 0:30:59 | |
It's quite a substantial structure. | 0:30:59 | 0:31:01 | |
It's a concrete arch bridge | 0:31:01 | 0:31:02 | |
and we've had to actually divert the river to allow us to construct it. | 0:31:02 | 0:31:07 | |
Wow, that does sound very complex. | 0:31:07 | 0:31:09 | |
As I near the end of my exclusive preview of this exciting new project, | 0:31:11 | 0:31:16 | |
I get to live the dream. | 0:31:16 | 0:31:18 | |
This is the route of the Orient Express, and I am driving the train. | 0:31:19 | 0:31:23 | |
And nobody's told me, but I think this is the accelerator. | 0:31:26 | 0:31:29 | |
Anyone know where the brake is? | 0:31:29 | 0:31:31 | |
Here in the driving seat, you get a complete appreciation | 0:31:33 | 0:31:36 | |
of the difference that the new track makes. | 0:31:36 | 0:31:39 | |
It's wonderfully smooth | 0:31:39 | 0:31:41 | |
and I can see now all the posts have gone in along the side of the line. | 0:31:41 | 0:31:45 | |
This is where the wires will hang. | 0:31:45 | 0:31:47 | |
And shortly, the route of the Orient Express will be fast and electrified. | 0:31:47 | 0:31:52 | |
My engineering train has taken me as far as Svilengrad, | 0:31:57 | 0:32:01 | |
just short of the Turkish border. | 0:32:01 | 0:32:03 | |
From here, I have no choice but to hit the road. | 0:32:10 | 0:32:13 | |
I'm now approaching the Turkish border, to my chagrin, | 0:32:20 | 0:32:23 | |
in a car, not a train. | 0:32:23 | 0:32:26 | |
Bradshaw's is not encouraging. | 0:32:26 | 0:32:28 | |
"Customs examinations are extremely vexatious and unreasonable, | 0:32:28 | 0:32:33 | |
"books being liable to seizure and to being destroyed. | 0:32:33 | 0:32:36 | |
"Passport and luggage are examined. | 0:32:36 | 0:32:39 | |
"It's advisable to put guidebooks and maps in one's pocket | 0:32:39 | 0:32:43 | |
"to avoid confiscation." | 0:32:43 | 0:32:45 | |
But what pocket is big enough for a Bradshaw's? | 0:32:45 | 0:32:48 | |
The border had only just been settled here in July 1913, | 0:32:50 | 0:32:54 | |
following fierce fighting during the two Balkan Wars. | 0:32:54 | 0:32:58 | |
So, travelling into Turkey a century ago, | 0:33:02 | 0:33:05 | |
I might have been crossing a warzone. | 0:33:05 | 0:33:07 | |
Today, my passage into Turkey's toehold in Europe | 0:33:10 | 0:33:13 | |
goes without a hitch. | 0:33:13 | 0:33:15 | |
When I left Bulgaria, I not only quit the European Union, | 0:33:21 | 0:33:26 | |
but also Christendom. | 0:33:26 | 0:33:28 | |
The boundary between Christian and Muslim domains | 0:33:28 | 0:33:31 | |
has been hotly disputed over many centuries. | 0:33:31 | 0:33:34 | |
At one time, it stood close to the French town of Tours. | 0:33:34 | 0:33:38 | |
At another time, it was just outside Vienna. | 0:33:38 | 0:33:42 | |
And for the last century, it's run just close by here, | 0:33:42 | 0:33:45 | |
just outside Edirne. | 0:33:45 | 0:33:47 | |
This city was the empire's capital | 0:33:54 | 0:33:56 | |
before the Ottoman conquest of Constantinople in 1453. | 0:33:56 | 0:34:01 | |
Thereafter, it remained an important Ottoman centre. | 0:34:02 | 0:34:06 | |
So much so that Sultan Selim II commissioned his finest architect | 0:34:06 | 0:34:11 | |
to build the monumental Selimiye Mosque at its highest point. | 0:34:11 | 0:34:15 | |
Sultan Selim's fine mosque, according to Bradshaw's, has a lofty dome, | 0:34:21 | 0:34:26 | |
four minarets, many marble courts, colonnades | 0:34:26 | 0:34:30 | |
and 999 windows. | 0:34:30 | 0:34:34 | |
It is the work of Mimar Sinan, and "Mimar" means "architect", | 0:34:34 | 0:34:38 | |
and he was simply the greatest of the Ottoman period. | 0:34:38 | 0:34:42 | |
This predates St Peter's Cathedral in Rome, and the Taj Mahal, | 0:34:42 | 0:34:46 | |
but in common with those two great buildings, | 0:34:46 | 0:34:49 | |
it seems to me that it wears its bulk very lightly. | 0:34:49 | 0:34:53 | |
It's as though the four minarets are somehow carrying it towards heaven. | 0:34:53 | 0:34:57 | |
Mimar Sinan was responsible for over 300 major buildings. | 0:35:02 | 0:35:07 | |
And this glorious mosque, completed in 1575, is his masterpiece | 0:35:07 | 0:35:13 | |
and considered one of the greatest buildings in the Islamic world. | 0:35:13 | 0:35:17 | |
A source of particular pride was the dome, | 0:35:17 | 0:35:20 | |
just a little larger than that of the famous Hagia Sophia, | 0:35:20 | 0:35:24 | |
built by Christians 1,000 years earlier in Constantinople. | 0:35:24 | 0:35:28 | |
When you enter the mosque, | 0:35:28 | 0:35:30 | |
the first thing that strikes you is its simplicity. | 0:35:30 | 0:35:34 | |
Because the dome is so immense, | 0:35:34 | 0:35:36 | |
almost the whole space for worship can lie beneath it. | 0:35:36 | 0:35:40 | |
There's no need for further complexity. | 0:35:40 | 0:35:43 | |
And then you're struck by the colours - | 0:35:43 | 0:35:46 | |
the blues, the reds, the greens. | 0:35:46 | 0:35:49 | |
It's as though a tapestry has been spread above you, like a canopy. | 0:35:49 | 0:35:53 | |
I really do feel as though | 0:36:24 | 0:36:25 | |
I've stepped over a threshold into the Orient, | 0:36:25 | 0:36:28 | |
not only because of the architecture, but also because of the traditions. | 0:36:28 | 0:36:33 | |
This part of Turkey | 0:36:33 | 0:36:34 | |
maintains a practice dating back over 3,000 years | 0:36:34 | 0:36:38 | |
and I've been invited to this stadium to witness it. | 0:36:38 | 0:36:41 | |
An oil wrestling tournament has been held annually in this area | 0:36:45 | 0:36:49 | |
since 1346, | 0:36:49 | 0:36:52 | |
making it the longest running sports competition in the world. | 0:36:52 | 0:36:56 | |
The wrestlers are covered in this stuff, which is olive oil, | 0:36:57 | 0:37:01 | |
and that makes it very difficult | 0:37:01 | 0:37:03 | |
for either one to get a grip on the other. | 0:37:03 | 0:37:05 | |
Now, they're wearing leather pants, and I can see that | 0:37:05 | 0:37:10 | |
they're trying to put their hands inside the other's trousers. | 0:37:10 | 0:37:13 | |
So, I think anything goes. Any hold at all is allowed. | 0:37:13 | 0:37:17 | |
But, apparently, at the end of it all, | 0:37:17 | 0:37:20 | |
there are marks given for gentlemanly conduct. | 0:37:20 | 0:37:22 | |
During the early days of the Ottoman Empire, | 0:37:27 | 0:37:29 | |
the military commander Suleiman Pasha | 0:37:29 | 0:37:32 | |
would let his soldiers unwind by wrestling. | 0:37:32 | 0:37:35 | |
On one memorable occasion, | 0:37:35 | 0:37:36 | |
the two top fighters grappled past midnight | 0:37:36 | 0:37:39 | |
until both died of exhaustion. | 0:37:39 | 0:37:42 | |
Ouch. | 0:37:44 | 0:37:46 | |
I wonder what straight-laced Edwardian tourists | 0:37:47 | 0:37:50 | |
would have made of this. | 0:37:50 | 0:37:52 | |
-Ah! -Oh! | 0:37:53 | 0:37:55 | |
-Hello. -Do you speak English? -Yes. A little. | 0:37:55 | 0:37:58 | |
Well, thank you. I've rarely seen such an extraordinary spectacle. | 0:37:58 | 0:38:01 | |
-Thank you very much. -Congratulations. | 0:38:01 | 0:38:03 | |
Were you a kid when you started this? | 0:38:03 | 0:38:05 | |
-Ten years. -Yeah? -Ten years. | 0:38:05 | 0:38:08 | |
-Are you very exhausted? -Yes. | 0:38:08 | 0:38:12 | |
Thank you very much. Bye. | 0:38:12 | 0:38:14 | |
It's clear that I've tumbled into another world. | 0:38:16 | 0:38:19 | |
And after watching such exertions, | 0:38:19 | 0:38:22 | |
I'm ready to slide into my bed for my first night's sleep in Turkey. | 0:38:22 | 0:38:26 | |
This morning, I treat myself to a traditional Turkish shave. | 0:38:33 | 0:38:37 | |
Wow! | 0:38:37 | 0:38:40 | |
That feels really good. | 0:38:40 | 0:38:42 | |
And now that I'm fit for first class, I've come two miles out of town | 0:38:42 | 0:38:47 | |
in search of the historic route of the Orient Express. | 0:38:47 | 0:38:52 | |
I found this beautiful old station | 0:38:52 | 0:38:54 | |
where I'm meeting historian Soner Tursun. | 0:38:54 | 0:38:56 | |
-Hello, Soner. -Hello. -Very good to see you. | 0:38:56 | 0:38:59 | |
My guidebook tells me | 0:38:59 | 0:39:01 | |
that the station is some distance from the town, and so it is. | 0:39:01 | 0:39:04 | |
Why was it built here? | 0:39:04 | 0:39:06 | |
Well, actually, the company had no interest | 0:39:06 | 0:39:10 | |
in building the station closer to the city, | 0:39:10 | 0:39:13 | |
because it had to cross the Maritsa River | 0:39:13 | 0:39:16 | |
and, of course, the company was paid by the kilometre they build, | 0:39:16 | 0:39:21 | |
so it was not good for them to take the shortest route. | 0:39:21 | 0:39:25 | |
That's extraordinary. | 0:39:25 | 0:39:27 | |
Now, who was it who built the line we know as the Orient Express? | 0:39:27 | 0:39:32 | |
Well, actually, it was such a big project | 0:39:32 | 0:39:35 | |
that no single person was totally responsible for it. | 0:39:35 | 0:39:39 | |
The Ottoman Empire had no money, so it granted concessions. | 0:39:39 | 0:39:44 | |
The first person was Baron von Hirsch. | 0:39:44 | 0:39:49 | |
Von Hirsch set up a consortium and construction began in 1870. | 0:39:49 | 0:39:54 | |
When did an Orient Express first pass through this lovely Edirne station? | 0:39:54 | 0:40:00 | |
What we call the Orient Express, starting from Paris, | 0:40:00 | 0:40:04 | |
ending in Istanbul, crossed the line in 1883. | 0:40:04 | 0:40:08 | |
The Orient Express had a reputation for luxury. | 0:40:10 | 0:40:14 | |
Until it gained a reputation for murder. | 0:40:14 | 0:40:18 | |
One of the people who made the Orient Express so famous | 0:40:18 | 0:40:20 | |
was, of course, Agatha Christie, | 0:40:20 | 0:40:23 | |
with her novel Murder On The Orient Express. | 0:40:23 | 0:40:25 | |
What was her experience of the line, then? | 0:40:25 | 0:40:27 | |
It was an unlucky travel, | 0:40:27 | 0:40:30 | |
because the train got stuck because of a snow slide. | 0:40:30 | 0:40:34 | |
The train had to wait for a long time | 0:40:34 | 0:40:37 | |
and probably she was inspired because of this event. | 0:40:37 | 0:40:41 | |
Because in this story, | 0:40:41 | 0:40:43 | |
the Orient Express gets stuck because of a snow slide | 0:40:43 | 0:40:47 | |
and in the morning, they see one of the passengers was killed | 0:40:47 | 0:40:52 | |
and everyone becomes the suspect. | 0:40:52 | 0:40:54 | |
If only I could make such a fortune out of every train delay. | 0:40:54 | 0:40:58 | |
This beautiful old station is now out of commission | 0:40:59 | 0:41:03 | |
and houses the Fine Arts faculty of the University of Trakya. | 0:41:03 | 0:41:07 | |
In its heyday, the railway carried countesses and millionaires, | 0:41:11 | 0:41:16 | |
presidents and crooks, | 0:41:16 | 0:41:19 | |
all speeding their way to my final destination. | 0:41:19 | 0:41:22 | |
For the last leg of my journey, | 0:41:24 | 0:41:26 | |
I'm picking up the train to the centre of a city | 0:41:26 | 0:41:29 | |
known in my Bradshaw's as Constantinople, | 0:41:29 | 0:41:32 | |
and renamed Istanbul in 1930. | 0:41:32 | 0:41:36 | |
A short stroll from my stop, I find the old Sirkeci station, | 0:41:38 | 0:41:43 | |
the grand terminus of the Orient Express, | 0:41:43 | 0:41:46 | |
which ran from Paris for almost a century, until 1977. | 0:41:46 | 0:41:51 | |
"The principal railway station, | 0:41:52 | 0:41:54 | |
"the terminus of the Oriental Railway Company," | 0:41:54 | 0:41:58 | |
says Bradshaw's, "is the arrival and departure station | 0:41:58 | 0:42:01 | |
"for all trains connecting with the rest of Europe." | 0:42:01 | 0:42:05 | |
I know it's semi-deserted today. | 0:42:05 | 0:42:07 | |
I imagine the excitement of travellers | 0:42:07 | 0:42:09 | |
arriving from points all over the continent, | 0:42:09 | 0:42:12 | |
the commotion as they descended from the train with their trunks | 0:42:12 | 0:42:16 | |
and their hatboxes and their servants. | 0:42:16 | 0:42:19 | |
The noise of the impact of West upon East. | 0:42:19 | 0:42:23 | |
Istanbul is built, like Rome, on seven hills. | 0:42:32 | 0:42:36 | |
This is a city as treasured and fought over as Jerusalem, | 0:42:38 | 0:42:43 | |
as important a city of empire as Rome. | 0:42:43 | 0:42:46 | |
It's one of the greats in the long history of the Old World. | 0:42:46 | 0:42:50 | |
I've come to admire the most famous building in this historic city, | 0:42:54 | 0:42:57 | |
which began life as a Christian cathedral. | 0:42:57 | 0:43:01 | |
When I first saw the Hagia Sophia, | 0:43:01 | 0:43:03 | |
it took me a while to work out what this building was | 0:43:03 | 0:43:07 | |
because, of course, it looks like a mosque, but it was built by a Roman. | 0:43:07 | 0:43:11 | |
It was built by the Emperor Justinian. | 0:43:11 | 0:43:13 | |
And, to me, it's just extraordinary that such an immense building | 0:43:13 | 0:43:17 | |
could have been created 1,500 years ago. | 0:43:17 | 0:43:20 | |
-Hello. Do you speak English? -Yeah. | 0:43:24 | 0:43:26 | |
-Are you enjoying your visit to Istanbul? -Yeah, definitely. | 0:43:26 | 0:43:30 | |
-What have you enjoyed so far most? -The Hagia Sophia. | 0:43:30 | 0:43:33 | |
I think it's really beautiful to see how the Islamic and the Christian... | 0:43:33 | 0:43:39 | |
..art converges together. | 0:43:41 | 0:43:43 | |
Especially in times of war and stuff like that. | 0:43:43 | 0:43:47 | |
Do you feel while you're in Istanbul | 0:43:47 | 0:43:49 | |
-that you're in this meeting place of East and West... -Yeah. | 0:43:49 | 0:43:52 | |
-..of Islam and Christianity? -Yeah, definitely. | 0:43:52 | 0:43:55 | |
And I think the church really shows, in one building, the whole city. | 0:43:55 | 0:44:01 | |
There's an extraordinary buzz about the streets of Istanbul. | 0:44:14 | 0:44:17 | |
The shops and the cafes tumble into the street. | 0:44:17 | 0:44:21 | |
The restaurant owners invite you into their premises. | 0:44:21 | 0:44:25 | |
The merchandise is exotic. | 0:44:25 | 0:44:27 | |
OK, it's touristy, but it is undeniably different. | 0:44:27 | 0:44:31 | |
You have made the journey. | 0:44:31 | 0:44:33 | |
Hello. | 0:44:37 | 0:44:39 | |
Cheese, potato, apple pie. Turkish borek. | 0:44:39 | 0:44:41 | |
-Apple pie. Apple pie. -Apple pie. | 0:44:41 | 0:44:44 | |
-How much is that? -Three dinar. Four dinar, three dinar. | 0:44:44 | 0:44:48 | |
-There we go. Thank you very much indeed. Thank you. -Bye-bye. -Bye-bye. | 0:44:48 | 0:44:52 | |
-Hello, good day. -Mm. -Yes, please. | 0:44:55 | 0:44:57 | |
It's good. It's good. | 0:44:58 | 0:45:01 | |
The Grand Bazaar | 0:45:16 | 0:45:17 | |
is one of the oldest and largest covered markets in the world, | 0:45:17 | 0:45:21 | |
built shortly after the Ottoman conquest of Constantinople in 1453. | 0:45:21 | 0:45:25 | |
What I find so stunning about the bazaar | 0:45:31 | 0:45:33 | |
is the assault on the eyes of colour. | 0:45:33 | 0:45:37 | |
Everything is so bright, all the goods, all the ceramics, | 0:45:37 | 0:45:40 | |
all the scarves, all the carpets. | 0:45:40 | 0:45:42 | |
Even the painting on the arches. | 0:45:42 | 0:45:44 | |
Just like that. | 0:45:49 | 0:45:50 | |
Leaving the hectic buzz of the Old City behind, | 0:45:53 | 0:45:55 | |
I'm making my way down to the banks of the Bosporus, | 0:45:55 | 0:45:58 | |
the narrow channel which links the Black Sea with the Mediterranean. | 0:45:58 | 0:46:03 | |
-Hello, Caroline. -Hello, good to see you. -Very good to see you. | 0:46:03 | 0:46:07 | |
Here, I wanted to discover more about Istanbul in the early 20th century | 0:46:07 | 0:46:12 | |
from historian Caroline Finkel. | 0:46:12 | 0:46:14 | |
Caroline, we can see the Suleymaniye Mosque and the Topkapi Palace. | 0:46:15 | 0:46:19 | |
I suppose these buildings really represent | 0:46:19 | 0:46:21 | |
the Ottoman Empire at the height of its powers. | 0:46:21 | 0:46:24 | |
That's very much the case. | 0:46:24 | 0:46:25 | |
They're built, as you can see, | 0:46:25 | 0:46:27 | |
on the spine of the hill in a very dominating position. | 0:46:27 | 0:46:30 | |
Everyone who approached by sea would see them immediately, | 0:46:30 | 0:46:33 | |
standing there on the promontory, | 0:46:33 | 0:46:35 | |
and it must have been quite a sight when you came to the city. | 0:46:35 | 0:46:38 | |
'The Topkapi Palace was the first seat of government | 0:46:38 | 0:46:41 | |
'for the Ottoman sultans, | 0:46:41 | 0:46:43 | |
'who held absolute power across the empire. | 0:46:43 | 0:46:45 | |
'Next to it, the Suleymaniye Mosque was completed in 1557, | 0:46:46 | 0:46:52 | |
'when the empire controlled | 0:46:52 | 0:46:53 | |
'most of the eastern and southern Mediterranean.' | 0:46:53 | 0:46:56 | |
And if the traveller had come here in either the 16th or the 17th century, | 0:46:56 | 0:47:01 | |
what impression would he have had of Constantinople? | 0:47:01 | 0:47:05 | |
You can read travellers' accounts. | 0:47:05 | 0:47:07 | |
They all are pretty much overwhelmed by the place. | 0:47:07 | 0:47:10 | |
They might have seen, during Suleiman's reign... | 0:47:10 | 0:47:13 | |
Suleiman was given to appearing at parades and displays, | 0:47:13 | 0:47:17 | |
so the ones who were lucky enough to be there | 0:47:17 | 0:47:20 | |
would have seen that side of Ottoman power as well, | 0:47:20 | 0:47:23 | |
the very splendid and dramatic | 0:47:23 | 0:47:25 | |
and gilded sight of Ottoman power in the city. | 0:47:25 | 0:47:27 | |
By the early 20th century, | 0:47:29 | 0:47:31 | |
that impression would have been rather different. | 0:47:31 | 0:47:35 | |
The 1913 traveller, using my guidebook, | 0:47:35 | 0:47:37 | |
what would he have found in Constantinople? | 0:47:37 | 0:47:39 | |
It seems to me rather surprising | 0:47:39 | 0:47:41 | |
that people were being encouraged to come. | 0:47:41 | 0:47:43 | |
I don't think the FCO today would recommend that people came in 1913. | 0:47:43 | 0:47:47 | |
It was a terrible year. The city was in turmoil. | 0:47:47 | 0:47:50 | |
It was just, of course, before the First World War, | 0:47:50 | 0:47:53 | |
but the First World War was merely a culmination | 0:47:53 | 0:47:55 | |
of everything that went before. | 0:47:55 | 0:47:58 | |
The empire had shrunk dramatically, | 0:47:58 | 0:48:01 | |
losing provinces that had been Ottoman for five centuries | 0:48:01 | 0:48:04 | |
in a matter of weeks during the First Balkan War of 1912. | 0:48:04 | 0:48:09 | |
There were refugees everywhere. | 0:48:11 | 0:48:13 | |
Muslim refugees from the Balkans crowded every available space. | 0:48:13 | 0:48:16 | |
Hundreds of thousands of refugees with nothing. | 0:48:16 | 0:48:19 | |
While the empire's borders contracted, | 0:48:20 | 0:48:23 | |
pressure for reform built inside Turkey | 0:48:23 | 0:48:25 | |
from a revolutionary group known as the Young Turks. | 0:48:25 | 0:48:29 | |
And the great powers circled like vultures over the Bosporus. | 0:48:29 | 0:48:34 | |
The greatest threat came from the Russians, | 0:48:34 | 0:48:36 | |
who were trying to come down and take warm water harbours. | 0:48:36 | 0:48:40 | |
They only had the cold waters of the north, frozen much of the year, | 0:48:40 | 0:48:43 | |
and this was the cause of much of the wars | 0:48:43 | 0:48:46 | |
between the Ottomans and the Russians. | 0:48:46 | 0:48:48 | |
As the Ottomans had grown weaker, they'd sought an ally in the West | 0:48:48 | 0:48:53 | |
and had aligned themselves with the newest state in Europe, Germany. | 0:48:53 | 0:48:57 | |
The Germans did not have a record of having tutored the Ottomans, | 0:48:57 | 0:49:01 | |
for better or for worse, throughout the long centuries. | 0:49:01 | 0:49:04 | |
They had industry, technology to sell, military reforms, railways, | 0:49:04 | 0:49:09 | |
and it was a very happy alliance between the two. | 0:49:09 | 0:49:12 | |
The Ottomans' defeat in the First World War | 0:49:15 | 0:49:18 | |
gave rise to the nationalist movement which was to remove the sultans | 0:49:18 | 0:49:23 | |
and lead to the foundation of the modern state of Turkey. | 0:49:23 | 0:49:26 | |
I've stayed overnight in this opulent hotel | 0:49:39 | 0:49:42 | |
which, at the time of my guidebook, | 0:49:42 | 0:49:44 | |
was the property of the International Sleeping Car Company | 0:49:44 | 0:49:48 | |
which ran the trains of the Orient Express. | 0:49:48 | 0:49:50 | |
Ah, the elegance of centuries gone by. | 0:49:50 | 0:49:53 | |
Agatha Christie was a regular guest and legend has it | 0:49:58 | 0:50:02 | |
that here, she wrote Murder On The Orient Express. | 0:50:02 | 0:50:06 | |
Good morning. | 0:50:10 | 0:50:11 | |
Having relished the heights of Edwardian luxury, | 0:50:12 | 0:50:15 | |
there's one more treat I have to delight in while I'm here. | 0:50:15 | 0:50:19 | |
-Hello, Hande. -Oh, hello. -Good morning, I'm Michael. -Good morning. | 0:50:23 | 0:50:26 | |
-Nice to meet you. -What a delightful shop. -Thank you. -How old is it? | 0:50:26 | 0:50:31 | |
It's 238 years old exactly. It was opened 1777. | 0:50:31 | 0:50:36 | |
'Hande's ancestor, Haci Bekir, moved to Istanbul from Anatolia | 0:50:36 | 0:50:41 | |
'and set up this shop. | 0:50:41 | 0:50:43 | |
'His excellent sweetmeats came to the attention of Sultan Mahmud II, | 0:50:43 | 0:50:48 | |
'who appointed him Chief Confectioner to the Palace. | 0:50:48 | 0:50:51 | |
'Today, Hande Celalyan is the fifth generation of the family | 0:50:51 | 0:50:56 | |
'to run the shop.' | 0:50:56 | 0:50:58 | |
And when can we call these confections Turkish delight? | 0:50:58 | 0:51:01 | |
This is when an English traveller | 0:51:01 | 0:51:04 | |
bought some Turkish delight from Istanbul | 0:51:04 | 0:51:06 | |
and brought it to England. | 0:51:06 | 0:51:08 | |
At that time, it was called rahat-ul hulkum. | 0:51:08 | 0:51:11 | |
-What was that word? -Rahat-ul hulkum. | 0:51:11 | 0:51:14 | |
Rahat-ul hulkum. | 0:51:14 | 0:51:15 | |
And then it was rahat lokum, and lokum simply for us, too. | 0:51:15 | 0:51:19 | |
-Oh, lokum is easier. -That was the development of the word in Turkish. | 0:51:19 | 0:51:23 | |
Lokum. I can manage that, actually. | 0:51:23 | 0:51:25 | |
Haci Bekir was a man on a mission to create the perfect Turkish sweet. | 0:51:25 | 0:51:31 | |
His greatest innovation came with the discovery of starch in 1811. | 0:51:31 | 0:51:36 | |
He was the first one to use starch instead of flour. | 0:51:36 | 0:51:39 | |
And this is...that we achieved the elastic texture now, | 0:51:39 | 0:51:44 | |
the elastic magical cubes today. | 0:51:44 | 0:51:46 | |
'Hande is constantly developing new varieties | 0:51:46 | 0:51:50 | |
'using a vast array of tantalising ingredients.' | 0:51:50 | 0:51:54 | |
This is Turkish delight with walnuts. So, as you see... | 0:51:54 | 0:51:59 | |
they are produced in rolls. | 0:51:59 | 0:52:01 | |
-Like sausages. -Like sausages, yes, indeed. | 0:52:01 | 0:52:04 | |
-And then they are cut here by hand freshly in the shop. -Fantastic. | 0:52:04 | 0:52:08 | |
What would you say to someone like me | 0:52:08 | 0:52:10 | |
who finds Turkish delight a little too sweet? | 0:52:10 | 0:52:13 | |
You should try something with nuts, | 0:52:13 | 0:52:15 | |
because the nuts are cutting the sweetness. | 0:52:15 | 0:52:18 | |
Tell me your impression. | 0:52:19 | 0:52:20 | |
Well, I think you're right. It's not too sweet. | 0:52:23 | 0:52:26 | |
It has a lovely elasticity. Yeah, I like that. | 0:52:26 | 0:52:28 | |
You should feel the resistance | 0:52:28 | 0:52:31 | |
but your teeth should be able to bite cleanly through the product. | 0:52:31 | 0:52:35 | |
Well, I think I had that experience, | 0:52:35 | 0:52:36 | |
but I think I might need another to be sure. | 0:52:36 | 0:52:39 | |
SHE CHUCKLES | 0:52:39 | 0:52:41 | |
For my final delight here in Istanbul, | 0:52:47 | 0:52:49 | |
I'm heading back to Sirkeci Metro station | 0:52:49 | 0:52:52 | |
to cross one of the most fought-over sea channels in the world. | 0:52:52 | 0:52:55 | |
Bradshaw's tells me you can take a rowboat from the European side | 0:52:57 | 0:53:01 | |
across the Bosporus to the Asian side in 15 minutes. | 0:53:01 | 0:53:06 | |
But since 2013, this brand-new railway has existed, the Marmaray, | 0:53:06 | 0:53:10 | |
and that goes deep in the tunnel from the Asian side to the European side, | 0:53:10 | 0:53:14 | |
and then that's going to connect to railways | 0:53:14 | 0:53:17 | |
that go all the way out to the suburbs. | 0:53:17 | 0:53:19 | |
And, of course, it will connect to railways | 0:53:19 | 0:53:21 | |
going all the way out to the suburbs on the Asian side, too. | 0:53:21 | 0:53:24 | |
Plans for a rail tunnel under the Bosporus | 0:53:27 | 0:53:29 | |
were first mooted during the reign of Sultan Abdulmecid in 1860. | 0:53:29 | 0:53:34 | |
But they've only just been realised. | 0:53:34 | 0:53:36 | |
This tunnel, 60 metres underground, | 0:53:40 | 0:53:42 | |
was particularly problematic to engineers | 0:53:42 | 0:53:45 | |
as it crosses a tectonic faultline on its route to Asia. | 0:53:45 | 0:53:48 | |
Amazing to think that we're now under the Bosporus. | 0:53:50 | 0:53:53 | |
If I could tunnel through the roof of this train and keep going, | 0:53:53 | 0:53:56 | |
I'd arrive in one of the most famous stretches of water in the world. | 0:53:56 | 0:54:00 | |
Quiz question - when do you change continent without changing city? | 0:54:05 | 0:54:09 | |
Answer - in Istanbul. | 0:54:09 | 0:54:11 | |
Welcome to Asia. | 0:54:11 | 0:54:13 | |
Now on the Asian shore, I'm drawn to the famous Haidar Pasha station, | 0:54:19 | 0:54:24 | |
from where trains used to depart for Izmit and Ankara. | 0:54:24 | 0:54:28 | |
It was completed in 1909 by the Ottoman Anatolian Railway Company | 0:54:28 | 0:54:32 | |
after being chosen as the Asian terminus | 0:54:32 | 0:54:36 | |
for the ambitious German Berlin to Baghdad railway. | 0:54:36 | 0:54:39 | |
It seems that the new Marmaray line | 0:54:41 | 0:54:43 | |
has made this historic station redundant, too, | 0:54:43 | 0:54:46 | |
though I see it's still used for art installations. | 0:54:46 | 0:54:50 | |
While here, I can't help but become nostalgic | 0:54:50 | 0:54:53 | |
about those intrepid Edwardian travellers inbound from Asia Minor. | 0:54:53 | 0:54:58 | |
It's a bit like arriving in Venice by train. | 0:54:58 | 0:55:00 | |
You would go down these steps to your steamboat, | 0:55:00 | 0:55:03 | |
which would be waiting, possibly to take you across the Bosporus. | 0:55:03 | 0:55:07 | |
Maybe you'd want a couple of nights in the Pera Palace Hotel, | 0:55:07 | 0:55:10 | |
just time to get your white linen suit pressed, | 0:55:10 | 0:55:13 | |
before heading on into Europe. | 0:55:13 | 0:55:15 | |
Haidar Pasha Terminus marked the end of many a journey. | 0:55:16 | 0:55:20 | |
But I'm amazed to discover tucked behind the now derelict station | 0:55:20 | 0:55:24 | |
the final resting place for thousands of British soldiers and expatriates. | 0:55:24 | 0:55:30 | |
Historian Lynelle Howson is showing me around. | 0:55:30 | 0:55:33 | |
Lynelle, Bradshaw's says that, | 0:55:33 | 0:55:36 | |
"In the beautiful British cemetery of Haidar Pasha | 0:55:36 | 0:55:39 | |
"are buried thousands who died of sickness or wounds | 0:55:39 | 0:55:42 | |
"during the Crimean War." | 0:55:42 | 0:55:43 | |
This is truly a very historic place. | 0:55:43 | 0:55:46 | |
And is Bradshaw's right about thousands lying here? | 0:55:46 | 0:55:49 | |
Yes. Most of the Crimean servicemen buried here are in mass graves. | 0:55:49 | 0:55:53 | |
I've heard anything from 6,000 to 8,000 | 0:55:53 | 0:55:56 | |
buried right here in the cemetery, in Haidar Pasha. | 0:55:56 | 0:55:59 | |
Do you get the impression that in the 19th century, | 0:55:59 | 0:56:02 | |
this was a place of some homage, of pilgrimage? | 0:56:02 | 0:56:04 | |
I certainly do, not least because Bradshaw mentions it. | 0:56:04 | 0:56:07 | |
He points it out as somewhere that people might be interested to come | 0:56:07 | 0:56:10 | |
specifically because of the Crimean War | 0:56:10 | 0:56:13 | |
and the fame of Florence Nightingale and the nearby hospital. | 0:56:13 | 0:56:17 | |
'Shortly after my guidebook was published, | 0:56:17 | 0:56:19 | |
'thousands more would die during the First World War, | 0:56:19 | 0:56:22 | |
'not far away at Gallipoli. | 0:56:22 | 0:56:25 | |
'And some of those casualties were brought here, too.' | 0:56:25 | 0:56:28 | |
9th Battalion Australian infantry. | 0:56:28 | 0:56:31 | |
A soldier of the Indian Army. | 0:56:31 | 0:56:34 | |
South Wales. | 0:56:34 | 0:56:36 | |
How many nationalities are represented here? | 0:56:36 | 0:56:38 | |
Well, if we consider modern nationalities, | 0:56:38 | 0:56:41 | |
we'll have more than 20, I would say. | 0:56:41 | 0:56:43 | |
Here at the crossroads of Europe and Asia, | 0:56:48 | 0:56:51 | |
it's poignant to reflect on the price of conflicts past and present. | 0:56:51 | 0:56:56 | |
In 1913, the intrepid Bradshaw traveller | 0:57:01 | 0:57:05 | |
would hope to journey to Constantinople on the Orient Express, | 0:57:05 | 0:57:10 | |
passing through the newly independent Bulgaria. | 0:57:10 | 0:57:13 | |
But warzones would interrupt his progress | 0:57:13 | 0:57:16 | |
as the Ottoman Empire disintegrated. | 0:57:16 | 0:57:20 | |
The Balkans were the tinderbox that would ignite the First World War. | 0:57:20 | 0:57:25 | |
And two years later, | 0:57:25 | 0:57:26 | |
Turkish cemeteries would fill with British Empire dead. | 0:57:26 | 0:57:30 | |
Today, trains pass from Europe to Asia under the Bosporus. | 0:57:30 | 0:57:35 | |
Turkey is a democratic nation | 0:57:35 | 0:57:38 | |
with a majority Muslim population that borders Iran, Iraq and Syria. | 0:57:38 | 0:57:44 | |
Just like 100 years ago, | 0:57:44 | 0:57:46 | |
it is an important square on the international strategic chessboard. | 0:57:46 | 0:57:51 | |
Next time, I'll learn how the Habsburg Empire, | 0:57:55 | 0:57:59 | |
when faced with the future, fought to hold on to its past. | 0:57:59 | 0:58:03 | |
Not everybody likes it when a new world begins. | 0:58:03 | 0:58:06 | |
A new world beginning means an old world ends. | 0:58:06 | 0:58:09 | |
I'll attempt an Edwardian-style winter sports challenge. | 0:58:09 | 0:58:12 | |
Yay! | 0:58:13 | 0:58:15 | |
You will hang like this. | 0:58:15 | 0:58:17 | |
I wondered how I would hang. | 0:58:17 | 0:58:19 | |
And I'll travel along | 0:58:22 | 0:58:23 | |
one of the world's most impressive feats of railway engineering. | 0:58:23 | 0:58:28 | |
There weren't tunnel-drilling machines, | 0:58:28 | 0:58:30 | |
so they had to drill the holes by hand. | 0:58:30 | 0:58:32 | |
So, it's a handmade railway line. | 0:58:32 | 0:58:34 |