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I'm embarking on a new railway adventure that will take me | 0:00:04 | 0:00:07 | |
across the heart of Europe. | 0:00:07 | 0:00:09 | |
I'll be using this, | 0:00:11 | 0:00:12 | |
my Bradshaw's Continental Railway Guide, dated 1913, | 0:00:12 | 0:00:17 | |
which opened up an exotic world of foreign travel | 0:00:17 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:22 | |
It told travellers where to go, what to see, | 0:00:22 | 0:00:25 | |
and how to navigate the thousands of miles of tracks | 0:00:25 | 0:00:29 | |
crisscrossing the continent. | 0:00:29 | 0:00:31 | |
Now, a century later, | 0:00:31 | 0:00:32 | |
I am using my copy to reveal an era of great optimism and energy, | 0:00:32 | 0:00:37 | |
where technology, industry, science and the arts were flourishing. | 0:00:37 | 0:00:41 | |
I want to rediscover that lost Europe | 0:00:42 | 0:00:45 | |
that in 1913 couldn't know that its way of life would shortly | 0:00:45 | 0:00:50 | |
be swept aside by the advent of war. | 0:00:50 | 0:00:52 | |
I'm continuing my railway adventure | 0:01:06 | 0:01:09 | |
through the stunning landscapes of northern Italy | 0:01:09 | 0:01:12 | |
from the shores of the Riviera | 0:01:12 | 0:01:14 | |
to the Alps. | 0:01:14 | 0:01:16 | |
I began in Genoa, and have travelled east along the coast. | 0:01:30 | 0:01:34 | |
I'm now approaching the port of La Spezia | 0:01:34 | 0:01:37 | |
from where I'll turn inland | 0:01:37 | 0:01:39 | |
towards the cultural and culinary treasures of Parma, | 0:01:39 | 0:01:42 | |
My journey then takes me north to the Alpine towns of Rovereto | 0:01:44 | 0:01:47 | |
and Trento before finishing at the Brenner Pass | 0:01:47 | 0:01:51 | |
on Italy's Austrian border. | 0:01:51 | 0:01:52 | |
This time I defend the Mediterranean | 0:01:54 | 0:01:57 | |
with the Italian Navy. | 0:01:57 | 0:01:59 | |
What do you say in Italian for take that? | 0:01:59 | 0:02:01 | |
-Prendi la mira! -Prendi la mira! | 0:02:01 | 0:02:03 | |
Discover how an Edwardian Britain in Italy | 0:02:03 | 0:02:07 | |
made motoring history. | 0:02:07 | 0:02:10 | |
He ordered a bottle of champagne | 0:02:10 | 0:02:12 | |
and he put a glass inside the radiator. | 0:02:12 | 0:02:15 | |
And reveal a modern engineering marvel buried beneath the Alps. | 0:02:15 | 0:02:20 | |
EXPLOSION | 0:02:20 | 0:02:22 | |
It's well known that the First World War was preceded by a dangerous | 0:02:28 | 0:02:32 | |
arms race between the German and British navies, but listen to this, | 0:02:32 | 0:02:37 | |
from Bradshaw's - | 0:02:37 | 0:02:38 | |
"The Italian Navy at the time had 15 battleships, 21 cruisers, | 0:02:38 | 0:02:42 | |
"35 destroyers and 18 submarines" - | 0:02:42 | 0:02:46 | |
the navy of an ambitious country. | 0:02:46 | 0:02:48 | |
I'm arriving in La Spezia. | 0:02:48 | 0:02:51 | |
The guidebook tells me that it's "a naval port with the largest arsenal and dockyard in Italy." | 0:02:51 | 0:02:57 | |
Edwardian travellers came here to admire the so-called Bay of Poets, | 0:03:10 | 0:03:14 | |
frequented by Lord Byron, where Percy Bysshe Shelley drowned. | 0:03:14 | 0:03:18 | |
By the time of my guide, verses had given way to vessels. | 0:03:19 | 0:03:23 | |
The royal government commissioned a naval arsenal here in 1861, | 0:03:24 | 0:03:29 | |
as Italy consolidated its unification. | 0:03:29 | 0:03:33 | |
And La Spezia is still one of the most important Italian naval bases. | 0:03:33 | 0:03:38 | |
Gregory Alecci is an expert in Italian military history. | 0:03:38 | 0:03:42 | |
Gregory, why is it that La Spezia becomes, as my guidebook tells me, | 0:03:42 | 0:03:46 | |
the premier naval port and dockyard for Italy? | 0:03:46 | 0:03:50 | |
Well, La Spezia as such is a natural harbour. | 0:03:50 | 0:03:53 | |
Well defended, which is something navies always look for. | 0:03:53 | 0:03:56 | |
In broader terms, | 0:03:56 | 0:03:57 | |
the newly-minted Italian nation intended to build up its navy. | 0:03:57 | 0:04:02 | |
It grew fourfold within 30 years. | 0:04:02 | 0:04:05 | |
By the turn of the century, it was the world's third-largest navy. | 0:04:05 | 0:04:08 | |
Then, in 1911, just before my guidebook was published, | 0:04:10 | 0:04:13 | |
Italy decided to flex its new-found military muscle. | 0:04:13 | 0:04:17 | |
In a bid to compete with its imperial neighbours, | 0:04:18 | 0:04:21 | |
Italy invaded Libya, | 0:04:21 | 0:04:23 | |
then controlled by the Ottoman Empire. | 0:04:23 | 0:04:25 | |
The invasion was welcomed by Italian nationalists, | 0:04:26 | 0:04:30 | |
but the Libya campaign also marked a seminal moment | 0:04:30 | 0:04:33 | |
in European military history. | 0:04:33 | 0:04:35 | |
To hear the story, Gregory and I are taking to the sky. | 0:04:35 | 0:04:39 | |
La Spezia was where the Italian Navy had its first flight experiments. | 0:04:46 | 0:04:51 | |
During the war with Libya, | 0:04:51 | 0:04:52 | |
Italy made the first real war operational flights in the world. | 0:04:52 | 0:04:58 | |
And what use did Italy make of aircraft in Libya? | 0:04:58 | 0:05:01 | |
Well, over the eight or nine months of the campaign, | 0:05:01 | 0:05:05 | |
they actually tried everything. | 0:05:05 | 0:05:07 | |
Scouting, so looking for the enemy. | 0:05:07 | 0:05:10 | |
Messages. They would report what they had seen | 0:05:10 | 0:05:13 | |
to troops on the ground, | 0:05:13 | 0:05:15 | |
literally scribbling notes and dropping them out of the window. | 0:05:15 | 0:05:19 | |
And eventually something more offensive - dropping bombs. | 0:05:19 | 0:05:23 | |
An engineer by the name of Giulio Gavotti | 0:05:23 | 0:05:26 | |
took to the air carrying a small case of 3lb bombs. | 0:05:26 | 0:05:30 | |
He would put the bomb in a tube, | 0:05:30 | 0:05:32 | |
and it would be projected well clear of any obstacles. | 0:05:32 | 0:05:35 | |
And it worked. | 0:05:35 | 0:05:37 | |
The first hits had great psychological effect. | 0:05:37 | 0:05:39 | |
The troops and the people on the ground were frightened. | 0:05:39 | 0:05:42 | |
This was completely new to them. | 0:05:42 | 0:05:45 | |
Gavotti's bombing had only a modest direct effect, | 0:05:45 | 0:05:49 | |
but with his flights over Libya, he expanded the scope of warfare, | 0:05:49 | 0:05:53 | |
helping to shape the conflicts of the 20th century. | 0:05:53 | 0:05:56 | |
So, the Italians invent aerial bombardment. | 0:05:56 | 0:06:00 | |
As an historian, what's the significance of that? | 0:06:00 | 0:06:03 | |
Rather than having to take every inch of ground | 0:06:03 | 0:06:05 | |
as in the First World War, | 0:06:05 | 0:06:07 | |
from a great distance, you can achieve results. | 0:06:07 | 0:06:10 | |
You can hit Germany from Britain. | 0:06:10 | 0:06:14 | |
You can hit Japan from an obscure island in the Pacific. | 0:06:14 | 0:06:18 | |
And the idea is that you can shorten war. | 0:06:18 | 0:06:21 | |
And that idea is still with us today. | 0:06:21 | 0:06:23 | |
While the Mediterranean remains the focus for the Italian military.... | 0:06:27 | 0:06:31 | |
Buon giorno. | 0:06:31 | 0:06:33 | |
'..the challenges and the technologies available to confront them are always changing.' | 0:06:33 | 0:06:37 | |
WHISTLE BLOWS | 0:06:40 | 0:06:41 | |
'Captain Giancarlo Ciappina honours me | 0:06:42 | 0:06:45 | |
'by piping me aboard his frigate.' | 0:06:45 | 0:06:48 | |
Good morning, Michael. | 0:06:48 | 0:06:49 | |
Welcome onboard the ITS Virginio Fasan. | 0:06:49 | 0:06:52 | |
Captain Ciappina. Onore e privilegio mio. | 0:06:52 | 0:06:54 | |
-Oh, very nice meeting you. -Thank you. | 0:06:54 | 0:06:56 | |
Captain, this ship, which I think you call a frigate, | 0:07:00 | 0:07:02 | |
is actually extremely capable. | 0:07:02 | 0:07:05 | |
What is it built to do? | 0:07:05 | 0:07:06 | |
This is a multipurpose frigate. | 0:07:06 | 0:07:08 | |
So it's supposed to do a lot of missions. | 0:07:08 | 0:07:11 | |
Conventional warfare, anti-piracy, illegal immigration control, | 0:07:11 | 0:07:14 | |
protection of our traffic lines in the Mediterranean Sea. | 0:07:14 | 0:07:19 | |
In today's unpredictable world, | 0:07:20 | 0:07:22 | |
armed forces must be prepared for anything. | 0:07:22 | 0:07:24 | |
Should piracy re-emerge as a threat in the Mediterranean, | 0:07:26 | 0:07:29 | |
frigates like this will be in the front line. | 0:07:29 | 0:07:31 | |
Meanwhile, Captain Ciappina allows me to indulge | 0:07:34 | 0:07:38 | |
my swashbuckling fantasies. | 0:07:38 | 0:07:40 | |
Please, Michael, I'm going to show you right now our self-defence gun. | 0:07:42 | 0:07:46 | |
This gun is a 25mm gun. | 0:07:46 | 0:07:49 | |
And this is used, of course, against small targets. | 0:07:49 | 0:07:52 | |
Just have a comfortable seat over here. | 0:07:52 | 0:07:54 | |
And just be very gentle. | 0:07:54 | 0:07:58 | |
Now, lift this, and you can move it. | 0:07:58 | 0:07:59 | |
Ah, bene. | 0:07:59 | 0:08:02 | |
Here we go. That's the way. | 0:08:02 | 0:08:04 | |
Up and down, you move the barrel, this way. | 0:08:04 | 0:08:06 | |
-All right. -Captain, | 0:08:07 | 0:08:09 | |
I'm just going to drop the barrel to take aim at that pirate. | 0:08:09 | 0:08:13 | |
What do you say in Italian for "take that!"? | 0:08:13 | 0:08:15 | |
-Prendi la mira! -Prendi la mira! | 0:08:15 | 0:08:17 | |
I'm leaving La Spezia and the Italian Riviera behind. | 0:08:22 | 0:08:25 | |
My next train is carrying me inland into the province of Emilia Romagna, | 0:08:27 | 0:08:31 | |
which lies between Italy's Mediterranean shores | 0:08:31 | 0:08:34 | |
and the cooler mountains to the north. | 0:08:34 | 0:08:37 | |
This region's unique microclimate has helped to make it a magnet | 0:08:41 | 0:08:45 | |
for gastronomes. | 0:08:45 | 0:08:47 | |
I'll shortly be arriving in Parma. | 0:08:47 | 0:08:49 | |
Bradshaw's promises, "a cathedral, libraries, | 0:08:49 | 0:08:53 | |
"collections of paintings and antiquities." | 0:08:53 | 0:08:56 | |
But at this stage of the journey, I need not just food for thought, | 0:08:56 | 0:08:59 | |
but food, and Parma goes together with ham like love and marriage. | 0:08:59 | 0:09:05 | |
And I want a slice of it. | 0:09:05 | 0:09:07 | |
According to my 1913 guide, | 0:09:24 | 0:09:26 | |
"Parma is a place of very old foundation | 0:09:26 | 0:09:29 | |
"but presents a quite modern appearance." | 0:09:29 | 0:09:32 | |
On first impressions, Parma has lost none of its fin de siecle charm. | 0:09:32 | 0:09:37 | |
For a classic taste of the city, | 0:09:37 | 0:09:39 | |
I head for a traditional shop run by Silvano Romani, | 0:09:39 | 0:09:42 | |
and his father before him, | 0:09:42 | 0:09:44 | |
since 1965. | 0:09:44 | 0:09:46 | |
-Buona sera. -Michael. -Ciao. | 0:09:46 | 0:09:48 | |
-Sono Silvano. -Piacere. -Ciao. | 0:09:48 | 0:09:51 | |
You want to cut some prosciutto with us? | 0:09:51 | 0:09:53 | |
Yes, grazie! | 0:09:53 | 0:09:55 | |
De la? | 0:09:55 | 0:09:57 | |
Parma ham has been recognised as a delicacy for centuries. | 0:09:57 | 0:10:01 | |
The pigs are fed on the whey that's drained from the curd while making | 0:10:01 | 0:10:05 | |
Parmesan cheese. | 0:10:05 | 0:10:07 | |
The resulting ham is air dried and the humidity in Parma contributes to | 0:10:07 | 0:10:12 | |
its unique flavour. | 0:10:12 | 0:10:13 | |
-Molto gentile. -Molto gentile. | 0:10:14 | 0:10:17 | |
-Piu veloce. -Piu rapido. A bit faster. | 0:10:19 | 0:10:22 | |
OK, bravissimo! | 0:10:22 | 0:10:24 | |
Bring the knife up... | 0:10:24 | 0:10:25 | |
HE SPEAKS ITALIAN | 0:10:25 | 0:10:26 | |
-Oh! -Buono, buono! -Buono, buono, buono! | 0:10:28 | 0:10:30 | |
I'm so excited! | 0:10:30 | 0:10:32 | |
Michael, number one! | 0:10:32 | 0:10:33 | |
Can we taste it? | 0:10:33 | 0:10:35 | |
Si, si! | 0:10:35 | 0:10:37 | |
I'm going to start with some Parmesan cheese. | 0:10:38 | 0:10:41 | |
Trenta mesi in montagna. | 0:10:41 | 0:10:43 | |
30 months old... | 0:10:43 | 0:10:45 | |
HE CONTINUES IN ITALIAN | 0:10:45 | 0:10:47 | |
Absolutely pure, that is milk and salt. | 0:10:51 | 0:10:53 | |
Milk from the mountain, it's wonderful. | 0:10:55 | 0:10:57 | |
Mmm! | 0:10:57 | 0:10:58 | |
The longer it sits, the more flavourful it is. | 0:10:58 | 0:11:01 | |
Well, this is immensely flavourful. | 0:11:01 | 0:11:03 | |
Fantastico! Auguri! | 0:11:04 | 0:11:06 | |
-Congratulations! -Grazie! | 0:11:06 | 0:11:09 | |
You may think me cheesy, | 0:11:09 | 0:11:11 | |
but in Parma, I'm a ham! | 0:11:11 | 0:11:13 | |
Ha-ha! | 0:11:16 | 0:11:18 | |
-She does understand! -Yes, I did! | 0:11:18 | 0:11:20 | |
As well as its culinary delights, Parma provides a musical feast. | 0:11:25 | 0:11:29 | |
Composer Giuseppe Verdi was born just 20 miles away, in 1813. | 0:11:29 | 0:11:34 | |
A century later, when my guidebook was still hot off the press, | 0:11:36 | 0:11:40 | |
tourists flocked here to honour Parma's most famous son. | 0:11:40 | 0:11:44 | |
I'm thrilled to be invited to the world-famous Teatro Regio, | 0:11:48 | 0:11:52 | |
one of Italy's most prestigious opera houses, | 0:11:52 | 0:11:55 | |
to hear the story from general manager Anna Maria Meo. | 0:11:55 | 0:11:59 | |
Anna, it seems that in 1913 you had the most enormous celebration | 0:11:59 | 0:12:04 | |
of Verdi's centenary. | 0:12:04 | 0:12:06 | |
Of course. It was a need to celebrate Verdi. | 0:12:06 | 0:12:10 | |
It was a special need by all the population here in Parma. | 0:12:10 | 0:12:14 | |
They wanted to honour the composer in the best way possible. | 0:12:14 | 0:12:19 | |
The three month-long exhibition | 0:12:19 | 0:12:22 | |
featured a dazzling array of attractions, | 0:12:22 | 0:12:25 | |
including performances, | 0:12:25 | 0:12:26 | |
displays of industrial and agricultural prowess | 0:12:26 | 0:12:29 | |
and sporting tournaments. | 0:12:29 | 0:12:31 | |
So, what does Parma feel about Verdi? | 0:12:32 | 0:12:36 | |
Something that is part of the heart. | 0:12:36 | 0:12:38 | |
Verdi's lovers, they know every single note, | 0:12:38 | 0:12:42 | |
they know every single word of the librettos, | 0:12:42 | 0:12:45 | |
so whoever sings here has a very difficult judgment | 0:12:45 | 0:12:50 | |
from the loggionna, | 0:12:50 | 0:12:51 | |
which is the balcony, which are the more popular seats. | 0:12:51 | 0:12:55 | |
So the singers are worried about what's going on in the cheap seats? | 0:12:55 | 0:12:58 | |
Very, very worried | 0:12:58 | 0:13:00 | |
because if the loggionna doesn't like your interpretation, | 0:13:00 | 0:13:04 | |
they don't hesitate to boo. | 0:13:04 | 0:13:06 | |
They are like soccer fans. | 0:13:06 | 0:13:09 | |
Entering the exquisite auditorium of the Teatro Regio, | 0:13:14 | 0:13:18 | |
it's hard to imagine fans in the ornate balcony heckling. | 0:13:18 | 0:13:22 | |
Verdi was a staunch supporter of Italian unification. | 0:13:24 | 0:13:28 | |
And this seems an appropriate setting for works that still | 0:13:28 | 0:13:31 | |
stir the national soul. | 0:13:31 | 0:13:34 | |
For centuries, before television and cinema, | 0:13:35 | 0:13:38 | |
these buildings were the places where performers hatched illusions, | 0:13:38 | 0:13:44 | |
and I like opera because it is today I think the most complex thing, | 0:13:44 | 0:13:49 | |
bringing together orchestra, soloists, | 0:13:49 | 0:13:52 | |
chorus, dancers, sets, lighting, | 0:13:52 | 0:13:57 | |
magic. | 0:13:57 | 0:13:59 | |
CHORUS SINGS IN ITALIAN | 0:14:01 | 0:14:04 | |
HE GIVES INSTRUCTIONS | 0:14:06 | 0:14:08 | |
The great Verdi choruses were repeated | 0:14:25 | 0:14:28 | |
by crowds of patriotic Italians in their day, | 0:14:28 | 0:14:31 | |
but it's fascinating to see how the professional chorus has to | 0:14:31 | 0:14:35 | |
rehearse again and again to achieve perfection. | 0:14:35 | 0:14:39 | |
Un cappuccino, per favore. | 0:15:00 | 0:15:02 | |
My train ride today will take me to a huge change of scenery | 0:15:06 | 0:15:09 | |
and of culture. | 0:15:09 | 0:15:12 | |
With 170km to cover on this leg of my journey, | 0:15:18 | 0:15:21 | |
I'm taking the fast train. | 0:15:21 | 0:15:23 | |
It carries me north-east, | 0:15:23 | 0:15:26 | |
across the fertile plains of the Po Valley | 0:15:26 | 0:15:28 | |
and toward the foothills of the Alps. | 0:15:28 | 0:15:31 | |
A century ago, the traveller on this line would shortly have crossed into | 0:15:38 | 0:15:43 | |
Austria-Hungary, because the border in those days ran along | 0:15:43 | 0:15:47 | |
the northern shore of Lake Garda, | 0:15:47 | 0:15:50 | |
even though many Italian speakers lived further north. | 0:15:50 | 0:15:54 | |
After the First World War, | 0:15:54 | 0:15:57 | |
the victorious Allies redrew the border with Austria | 0:15:57 | 0:16:00 | |
here at the Brenner Pass, and the rechristening of these towns | 0:16:00 | 0:16:05 | |
with Italian names began. | 0:16:05 | 0:16:08 | |
My next stop is beautiful Rovereto, | 0:16:20 | 0:16:23 | |
built along the Adige River | 0:16:23 | 0:16:26 | |
and dominated by its 14th-century castle. | 0:16:26 | 0:16:29 | |
In the early 20th century, | 0:16:29 | 0:16:32 | |
all eyes turned to it during a celebrated challenge | 0:16:32 | 0:16:35 | |
for the world's best-known carmakers, the Alpine Trial. | 0:16:35 | 0:16:38 | |
I'm reliving the glamour and excitement | 0:16:41 | 0:16:44 | |
in one of the most luxurious cars | 0:16:44 | 0:16:45 | |
available to the 21st-century motorist, | 0:16:45 | 0:16:48 | |
a Rolls-Royce Dawn. | 0:16:48 | 0:16:50 | |
Sharing the thrill on the winding roads above Rovereto | 0:16:52 | 0:16:56 | |
is motoring writer Davide Bassoli. | 0:16:56 | 0:16:59 | |
What were these trials that were held here | 0:17:00 | 0:17:03 | |
in the early part of the 20th century? | 0:17:03 | 0:17:06 | |
Yeah, the Alpine Trial was an endurance test | 0:17:06 | 0:17:10 | |
for the major car manufacturers. | 0:17:10 | 0:17:12 | |
These endurance tests had rules. | 0:17:12 | 0:17:15 | |
One of the rules was that the cars cannot stall, | 0:17:15 | 0:17:18 | |
and this was for 1,800km, | 0:17:18 | 0:17:21 | |
1,200 miles. | 0:17:21 | 0:17:24 | |
What sort of technology did they have in those days? | 0:17:24 | 0:17:26 | |
The gearbox was very difficult to use | 0:17:26 | 0:17:29 | |
because you needed the double-declutching, | 0:17:29 | 0:17:31 | |
not just for the down change but also for the up change. | 0:17:31 | 0:17:34 | |
So it was very, very difficult to drive those cars | 0:17:34 | 0:17:38 | |
and also the steering - no power steering at all. | 0:17:38 | 0:17:40 | |
Rolls-Royce knew that a win at the trial | 0:17:43 | 0:17:46 | |
would show the world what British engineering could do. | 0:17:46 | 0:17:50 | |
In 1912, British motorist James Radley | 0:17:50 | 0:17:53 | |
tried and failed when his Silver Ghost stalled on the mountain roads. | 0:17:53 | 0:17:58 | |
But Radley was not to be deterred. | 0:17:58 | 0:18:00 | |
In 1913, the next year, they entered four cars. | 0:18:02 | 0:18:07 | |
Three cars were official by Rolls-Royce | 0:18:07 | 0:18:10 | |
and one private, by James Radley. | 0:18:10 | 0:18:13 | |
When James Radley took delivery of the car in London, | 0:18:13 | 0:18:17 | |
to christen the car, | 0:18:17 | 0:18:19 | |
he ordered a bottle of champagne, | 0:18:19 | 0:18:21 | |
and he poured a glass inside the radiator. | 0:18:21 | 0:18:24 | |
So, at the end of the trial, what is the result? | 0:18:24 | 0:18:27 | |
Oh, it was immense. | 0:18:27 | 0:18:28 | |
James Radley was the man who won this race. | 0:18:28 | 0:18:32 | |
In Europe, and outside Europe, also in America, | 0:18:32 | 0:18:35 | |
everybody knew now about the Rolls-Royce and its reliability, | 0:18:35 | 0:18:39 | |
and Europe and the world realised that that was | 0:18:39 | 0:18:42 | |
the best car in the world. | 0:18:42 | 0:18:44 | |
My four-wheeled alpine diversion has been invigorating | 0:18:51 | 0:18:55 | |
but the rails beckon once more. | 0:18:55 | 0:18:58 | |
The Brenner Railway transports me north, | 0:19:03 | 0:19:05 | |
through the province of Trentino. | 0:19:05 | 0:19:07 | |
My next stop will be Trent, or Trento. | 0:19:09 | 0:19:12 | |
It's in Italy today but appears in Bradshaw's in the Austrian section. | 0:19:12 | 0:19:18 | |
"It has many fine streets, | 0:19:18 | 0:19:20 | |
"palaces and towers, and is thoroughly Italian in character." | 0:19:20 | 0:19:24 | |
At the time of my guidebook, | 0:19:27 | 0:19:29 | |
the status of Italian-speaking places like Trento | 0:19:29 | 0:19:32 | |
was increasingly controversial. | 0:19:32 | 0:19:34 | |
Some felt the unification of Italy wouldn't be complete until these | 0:19:38 | 0:19:43 | |
so-called unredeemed lands were part of the motherland. | 0:19:43 | 0:19:47 | |
An ardent campaigner was Cesare Battisti. | 0:19:47 | 0:19:50 | |
Historian Francesco Frizzera is sharing the story. | 0:19:50 | 0:19:54 | |
-Hello, Michael. -How are you? -I'm fine, thanks. | 0:19:54 | 0:19:57 | |
-Nice to meet you. -Nice to be here. | 0:19:57 | 0:20:00 | |
-Who was Battisti? -Well, Battisti was a socialist, | 0:20:00 | 0:20:04 | |
he was born in Trento, just over there. | 0:20:04 | 0:20:07 | |
He was convinced that the | 0:20:07 | 0:20:08 | |
Italian-speaking population of Trentino | 0:20:08 | 0:20:11 | |
could have better working opportunities in Italy | 0:20:11 | 0:20:15 | |
because they were a minority group in Austria-Hungary. | 0:20:15 | 0:20:20 | |
But the local population was used to the status quo | 0:20:20 | 0:20:23 | |
and loyal to the Austro-Hungarian crown. | 0:20:23 | 0:20:27 | |
Battisti set out to use the press to win hearts and minds. | 0:20:27 | 0:20:30 | |
He founded a very important newspaper, whose name is Il Popolo. | 0:20:32 | 0:20:36 | |
That was a socialist newspaper. | 0:20:36 | 0:20:39 | |
He became a formidable journalist | 0:20:39 | 0:20:41 | |
and he developed a great ability to manage the public opinion. | 0:20:41 | 0:20:47 | |
The nationalist cause in Trentino gained momentum. | 0:20:47 | 0:20:51 | |
But it was war that would change the province's destiny. | 0:20:51 | 0:20:55 | |
When the First World War erupted, Italy took a neutral stance, | 0:20:55 | 0:20:59 | |
but Battisti fought to change that. | 0:20:59 | 0:21:02 | |
In 1914, he fled to Italy | 0:21:02 | 0:21:05 | |
and then he organised a great campaign | 0:21:05 | 0:21:08 | |
to convince the Italian middle class | 0:21:08 | 0:21:11 | |
to join the war against Austria-Hungary. | 0:21:11 | 0:21:14 | |
You have to think that Italy and Austria were allied since 1882 | 0:21:14 | 0:21:19 | |
and, also, the Italian parliament in 1914 was against the war. | 0:21:19 | 0:21:26 | |
Nevertheless, he was able to convince the Italian public opinion | 0:21:26 | 0:21:30 | |
to enter the war. | 0:21:30 | 0:21:31 | |
The Allies had promised to redraw the Italian border | 0:21:31 | 0:21:34 | |
in the event of victory. | 0:21:34 | 0:21:37 | |
After four years of bloodshed, | 0:21:37 | 0:21:39 | |
the Treaty of Saint-Germain gave Trentino to Italy. | 0:21:39 | 0:21:43 | |
Battisti's vision was realised, but he didn't live to see it. | 0:21:43 | 0:21:47 | |
Fighting for Italy in 1916, | 0:21:47 | 0:21:49 | |
he was captured by Austrian troops and executed for treason. | 0:21:49 | 0:21:54 | |
The skilful use of the media, the manipulation of public opinion, | 0:21:55 | 0:21:59 | |
these are sometimes known as the black arts of politics. | 0:21:59 | 0:22:03 | |
Starting from a position where the Italian population of Trento | 0:22:03 | 0:22:07 | |
didn't feel discontent living under a foreign emperor, | 0:22:07 | 0:22:11 | |
Cesare Battisti managed to persuade all of Italy | 0:22:11 | 0:22:15 | |
to go to war with Austria-Hungary. | 0:22:15 | 0:22:17 | |
Quite an achievement. | 0:22:17 | 0:22:20 | |
I've re-joined the railway line north of Trento | 0:22:39 | 0:22:43 | |
on a delightful morning | 0:22:43 | 0:22:45 | |
at a beautiful railway station called Vipiteno. | 0:22:45 | 0:22:48 | |
On the final leg of my journey, | 0:22:53 | 0:22:56 | |
I'm climbing 21km north-east into the Alps | 0:22:56 | 0:22:59 | |
to Brenner on what is now the Austrian border. | 0:22:59 | 0:23:02 | |
Bradshaw's recommends the spa of Brennerbad, | 0:23:11 | 0:23:15 | |
4,390 feet above sea level | 0:23:15 | 0:23:18 | |
at the watershed between the Adriatic and the Black Sea, | 0:23:18 | 0:23:22 | |
at the highest point of the celebrated Brenner Railway. | 0:23:22 | 0:23:26 | |
The Brenner Pass, for centuries the route for armies and pilgrims, | 0:23:26 | 0:23:30 | |
was mastered by the railways in the 19th century. | 0:23:30 | 0:23:33 | |
I'm keen to penetrate how they're boring ahead today. | 0:23:33 | 0:23:37 | |
At 1,371 metres, the Brenner Pass is the lowest in the Alps. | 0:23:48 | 0:23:54 | |
The Austria-Hungarian Empire built the first railway here in 1867, | 0:23:54 | 0:23:59 | |
and almost half of all alpine freight | 0:23:59 | 0:24:02 | |
still passes along this route. | 0:24:02 | 0:24:05 | |
But the line is steep and curved, with inclines of up to one in 37. | 0:24:05 | 0:24:09 | |
Now a new high-speed railway | 0:24:09 | 0:24:13 | |
will bore straight under the mountains in the | 0:24:13 | 0:24:15 | |
world's second-longest tunnel, the Brenner Base Tunnel, | 0:24:15 | 0:24:18 | |
and I'm privileged to get a look behind the scenes. | 0:24:18 | 0:24:22 | |
Hi, Michael. Nice to have you here on the Brenner Base Tunnel Project. | 0:24:23 | 0:24:27 | |
I can't wait to see it. | 0:24:27 | 0:24:29 | |
To reveal the vast scale of the project, | 0:24:29 | 0:24:31 | |
Simon Lochmann is driving me deep beneath the mountain, | 0:24:31 | 0:24:35 | |
and the first thing that hits you is the smell. | 0:24:35 | 0:24:38 | |
The smell is because of the explosions. | 0:24:38 | 0:24:41 | |
When explosive gets in contact with concrete, | 0:24:41 | 0:24:43 | |
it has a kind of sulphate-ammonia smell. | 0:24:43 | 0:24:46 | |
On the current twisting rail route, | 0:24:46 | 0:24:49 | |
speeds rarely exceed 70km per hour. | 0:24:49 | 0:24:53 | |
The engineers here are literally moving mountains | 0:24:53 | 0:24:56 | |
in order to cut journey times across the Alps. | 0:24:56 | 0:25:01 | |
So what you are seeing here is the main tunnel tube | 0:25:02 | 0:25:06 | |
of the Brenner Base Tunnel. | 0:25:06 | 0:25:08 | |
We have two big tubes where the tracks are inside, | 0:25:08 | 0:25:11 | |
there's just a single track, | 0:25:11 | 0:25:13 | |
and the trains always go just in one direction. | 0:25:13 | 0:25:15 | |
That permits us also to go at quite a high velocity, | 0:25:15 | 0:25:18 | |
that means the trains can reach up to 250km per hour. | 0:25:18 | 0:25:23 | |
And what size is all this going to be? | 0:25:23 | 0:25:26 | |
From Innsbruck to Fortezza in Italy is 55km long. | 0:25:26 | 0:25:30 | |
So we have an entire tunnel system of around 230km to do, | 0:25:30 | 0:25:35 | |
and all this spoil has to come out of the mountain, of course. | 0:25:35 | 0:25:40 | |
Immense tunnel-boring machines drill the main tunnel tubes, | 0:25:40 | 0:25:45 | |
but for smaller sections, explosives are used. | 0:25:45 | 0:25:48 | |
Simon, what are these guys here doing? | 0:25:48 | 0:25:51 | |
So they are preparing the next explosion here. | 0:25:51 | 0:25:54 | |
How far forward will that take them? | 0:25:54 | 0:25:56 | |
Normally, we are making 1.7 metres every time we make an explosion, | 0:25:56 | 0:26:00 | |
but it could be that we make 2 metres or 1.3. | 0:26:00 | 0:26:03 | |
It's really depending on the rock. | 0:26:03 | 0:26:05 | |
That's an awful lot of bangs to build your tunnel. | 0:26:05 | 0:26:09 | |
This boring machine has two arms on each side, | 0:26:09 | 0:26:12 | |
and they're used to thrust forward this drill into the mountain | 0:26:12 | 0:26:17 | |
and into those boreholes the explosive will be placed, | 0:26:17 | 0:26:22 | |
and following the explosion, with luck, | 0:26:22 | 0:26:24 | |
we'll be 1.7 metres nearer to our destination. | 0:26:24 | 0:26:29 | |
Travellers on the Brenner Railway above have no idea that beneath them | 0:26:29 | 0:26:33 | |
there's an explosion every three to six hours. | 0:26:33 | 0:26:37 | |
HE SHOUTS | 0:26:37 | 0:26:39 | |
The Brenner Base Tunnel should open in 2026, | 0:26:42 | 0:26:46 | |
revolutionising trade and travel throughout Europe. | 0:26:46 | 0:26:49 | |
The project's ambition and complexity | 0:26:49 | 0:26:52 | |
underline the achievement of those 19th-century engineers | 0:26:52 | 0:26:56 | |
on whose success we've relied for more than 100 years. | 0:26:56 | 0:27:00 | |
On my journey through many tunnels, I've seen how brilliant were the | 0:27:00 | 0:27:05 | |
Italian railway-builders of the 19th century. | 0:27:05 | 0:27:09 | |
Some Italians thought that a modern nation's prestige | 0:27:09 | 0:27:12 | |
required colonies too | 0:27:12 | 0:27:14 | |
and were lured into the First World War | 0:27:14 | 0:27:17 | |
by British promises of territorial gain. | 0:27:17 | 0:27:20 | |
Italy then fell victim to the extreme nationalism | 0:27:20 | 0:27:24 | |
of Mussolini's fascists and to defeat in World War II. | 0:27:24 | 0:27:28 | |
It has emerged from that darkness into true modernity and, today, | 0:27:28 | 0:27:33 | |
once more, expresses its ambition and its internationalism through | 0:27:33 | 0:27:39 | |
dramatic civil engineering. | 0:27:39 | 0:27:42 | |
'Next time, I take an invigorating dip in the Baltic Sea...' | 0:27:46 | 0:27:51 | |
Absolutely FREEZING! | 0:27:51 | 0:27:54 | |
'..I'm caught up in a macabre medieval tournament...' | 0:27:54 | 0:27:58 | |
It seems to be very brutal. | 0:27:58 | 0:28:00 | |
They're using their shields to strike each other's throats. | 0:28:00 | 0:28:03 | |
'..the bell tolls for me...' | 0:28:03 | 0:28:05 | |
BELL CLANGS | 0:28:05 | 0:28:07 | |
That's an enormous noise. | 0:28:07 | 0:28:09 | |
'..and I find peace on the water.' | 0:28:09 | 0:28:12 | |
A completely different and special moment. | 0:28:12 | 0:28:15 |