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I'm embarking on a new railway adventure | 0:00:03 | 0:00:06 | |
that will take me beyond the heart of Europe. | 0:00:06 | 0:00:09 | |
I'll be using this, my Bradshaw's Continental Railway Guide | 0:00:11 | 0:00:15 | |
dated 1913, which opened up an exotic world of foreign travel | 0:00:15 | 0:00:20 | |
for the British tourist. | 0:00:20 | 0:00:22 | |
The guide told the traveller where to go, what to see, | 0:00:22 | 0:00:25 | |
and most importantly, how to navigate the thousands of miles | 0:00:25 | 0:00:30 | |
of track crisscrossing the continent. | 0:00:30 | 0:00:32 | |
Now, a century later, | 0:00:32 | 0:00:34 | |
I'm using my copy to reveal an era of great optimism and energy, | 0:00:34 | 0:00:39 | |
but also of high tension. | 0:00:39 | 0:00:42 | |
I want to rediscover that lost Europe that in 1913 couldn't know | 0:00:42 | 0:00:48 | |
that its way of life would shortly be swept aside by the advent of war. | 0:00:48 | 0:00:52 | |
I'm continuing my 700 km Baltic journey through three countries. | 0:01:07 | 0:01:12 | |
I began in Riga, capital of Latvia, | 0:01:22 | 0:01:25 | |
before crossing into Estonia, and the southern city of Valga. | 0:01:25 | 0:01:29 | |
From there, I travelled to Tartu, Estonia's cultural capital. | 0:01:29 | 0:01:36 | |
Now I'm exploring the medieval city of Tallinn. | 0:01:36 | 0:01:39 | |
Next, I'll cross the Gulf of Finland | 0:01:39 | 0:01:41 | |
to visit the daughter of the Baltic, Helsinki. | 0:01:41 | 0:01:44 | |
Journey's end will be Tampere, known as the Manchester of Finland. | 0:01:44 | 0:01:49 | |
'Along the way, the bell tolls for me... | 0:01:51 | 0:01:56 | |
Is it dangerous for the hearing? | 0:01:56 | 0:01:57 | |
No, no. It takes away headache. | 0:01:57 | 0:02:01 | |
That's an enormous noise! | 0:02:04 | 0:02:07 | |
'..I hone my barbecue skills...' | 0:02:07 | 0:02:09 | |
My sausage has burst a bit there. Is that all right? | 0:02:09 | 0:02:12 | |
'..and I find peace on the water.' | 0:02:12 | 0:02:15 | |
Completely different and special moment. | 0:02:15 | 0:02:18 | |
Tallinn has a magnificent collection | 0:02:34 | 0:02:36 | |
of medieval and other historic buildings, | 0:02:36 | 0:02:39 | |
and on a late spring day, when it's warm, everybody's out, | 0:02:39 | 0:02:44 | |
it feels like the whole city is at a party. | 0:02:44 | 0:02:46 | |
All over Tallinn, I see Estonian national identity being celebrated. | 0:02:48 | 0:02:53 | |
But the city today also displays evidence | 0:02:53 | 0:02:56 | |
of its history of subjugation by foreign powers. | 0:02:56 | 0:03:00 | |
It's evident in the architecture | 0:03:00 | 0:03:02 | |
and in the sounds of the city. | 0:03:02 | 0:03:04 | |
BELLS RING | 0:03:04 | 0:03:07 | |
SINGING | 0:03:07 | 0:03:10 | |
Over a quarter of Estonia's 1.4 million-strong population | 0:03:12 | 0:03:16 | |
is of Russian descent, | 0:03:16 | 0:03:18 | |
and the stunning Alexander Nevsky Russian Orthodox Cathedral | 0:03:18 | 0:03:22 | |
plays an active role in the city's religious life. | 0:03:22 | 0:03:26 | |
CHANTING IN OWN LANGUAGE | 0:03:26 | 0:03:30 | |
Father Juvenalis. I'm Michael. What a pleasure. | 0:03:43 | 0:03:46 | |
Great pleasure for me also to meet you in our cathedral. | 0:03:46 | 0:03:51 | |
This is a very beautiful cathedral, but actually not very old. | 0:03:51 | 0:03:57 | |
It's now about 120 years. | 0:03:57 | 0:04:01 | |
It was consecrated just in the year, er...1900. | 0:04:01 | 0:04:08 | |
Like many Russian Orthodox cathedrals, | 0:04:10 | 0:04:12 | |
it's named after Alexander Nevsky, the 13th-century Russian prince | 0:04:12 | 0:04:17 | |
glorified as a saint by the Russian Orthodox Church in 1547. | 0:04:17 | 0:04:22 | |
Now, adoringly restored, | 0:04:22 | 0:04:24 | |
its interior is filled with beautiful icons, | 0:04:24 | 0:04:28 | |
dazzlingly covered with gold leaf. | 0:04:28 | 0:04:30 | |
To view one of its greatest treasures requires legwork. | 0:04:32 | 0:04:36 | |
-Oh, wow! This is one enormous bell! -Yes. -How big is this bell? | 0:04:47 | 0:04:52 | |
This weighs 1,000 pfund, | 0:04:52 | 0:04:57 | |
and it will be about 16 tonnes. | 0:04:57 | 0:05:01 | |
-16 tonnes of bell! -Yes. -Do you ever ring this bell? | 0:05:01 | 0:05:05 | |
Yes, all the great feasts, we ring this bell. | 0:05:05 | 0:05:09 | |
It's called, in Church Slavonic, "Blagaya Vest". | 0:05:09 | 0:05:12 | |
-It means "Good News". -The Good News Bell. -Yes. | 0:05:12 | 0:05:17 | |
The bell was made in St Petersburg, | 0:05:17 | 0:05:21 | |
and it was brought here by the railway. | 0:05:21 | 0:05:24 | |
-I shall ring. -That will be marvellous. Do you think it's...? | 0:05:24 | 0:05:29 | |
-Is it dangerous for the hearing, do you think? -No, no. | 0:05:29 | 0:05:32 | |
It takes away...headache. | 0:05:32 | 0:05:35 | |
THEY LAUGH | 0:05:35 | 0:05:37 | |
I have experienced this. It takes a little time but it's not difficult. | 0:05:37 | 0:05:44 | |
Even a little boy can do this, and sometimes he IS doing this. | 0:05:44 | 0:05:48 | |
It's an extraordinary feeling | 0:05:49 | 0:05:51 | |
to be waiting here under this enormous bell, | 0:05:51 | 0:05:54 | |
just waiting for the moment when the clapper makes contact, | 0:05:54 | 0:05:57 | |
which is going to be any moment now. | 0:05:57 | 0:05:59 | |
BELL CLANGS | 0:05:59 | 0:06:03 | |
BELL CONTINUES TO VIBRATE | 0:06:03 | 0:06:05 | |
That's an enormous noise! | 0:06:05 | 0:06:08 | |
BELL CLANGS | 0:06:10 | 0:06:14 | |
That thought provides a fitting end to my trip to Estonia | 0:06:35 | 0:06:39 | |
before I head across the Baltic to pick up my rail journey in Finland. | 0:06:39 | 0:06:43 | |
SHIP'S HORN BLARES | 0:06:43 | 0:06:45 | |
'At the time of my guidebook, | 0:06:47 | 0:06:49 | |
'Finland was something of a mystery to British travellers. | 0:06:49 | 0:06:52 | |
'It was a challenge even to procure a map of the country in London.' | 0:06:52 | 0:06:57 | |
So long, Estonia. | 0:06:57 | 0:06:59 | |
I'll always associate you with the outpouring of patriotic song | 0:06:59 | 0:07:04 | |
and the deep resonance of the Good News Bell. | 0:07:04 | 0:07:06 | |
I'm heading out into the Baltic Sea, | 0:07:10 | 0:07:13 | |
for centuries strategically important | 0:07:13 | 0:07:15 | |
to both Germany and Russia, | 0:07:15 | 0:07:17 | |
something that historian Dr Ivo Juurvee knows all about. | 0:07:17 | 0:07:22 | |
-Hello, Ivo. I'm Michael. -Nice to meet you. -Good to see you. | 0:07:22 | 0:07:28 | |
So, here we have a map of the Baltic before the First World War. | 0:07:28 | 0:07:31 | |
And Sweden, Germany, the Russian Empire, | 0:07:31 | 0:07:36 | |
including Latvia, Estonia, and Finland. | 0:07:36 | 0:07:40 | |
And it's clear to me that the Baltic is of huge strategic importance | 0:07:40 | 0:07:44 | |
-to Germany and, perhaps even more so, to Russia. -Indeed. | 0:07:44 | 0:07:47 | |
It was the main gate to the sea for Russia, | 0:07:47 | 0:07:50 | |
or exit of the Russian Empire to the West. | 0:07:50 | 0:07:53 | |
The ports of St Petersburg, Tallinn and Riga had huge importance | 0:07:53 | 0:07:57 | |
in exports and also in imports. | 0:07:57 | 0:07:59 | |
Russia has relatively few ports in the West. | 0:07:59 | 0:08:03 | |
It has these and it has the Black Sea, | 0:08:03 | 0:08:05 | |
and that represents a sort of vulnerability, doesn't it? | 0:08:05 | 0:08:08 | |
Well, more or less. The ports in the far north | 0:08:08 | 0:08:10 | |
were not used much before the First World War. | 0:08:10 | 0:08:13 | |
These sensitive waters were the scene | 0:08:13 | 0:08:17 | |
of a patiently crafted diplomatic meeting in June 1908 | 0:08:17 | 0:08:20 | |
between the Tsar of Russia, Nicholas II, | 0:08:20 | 0:08:23 | |
and his uncle by marriage, British King Edward VII. | 0:08:23 | 0:08:27 | |
The King was accompanied by Queen Alexandra. | 0:08:29 | 0:08:32 | |
As a precaution against assassination, | 0:08:32 | 0:08:35 | |
they met on board the King's royal yacht, | 0:08:35 | 0:08:37 | |
the Victoria And Albert, in the Bay of Tallinn. | 0:08:37 | 0:08:41 | |
Edward's mission was to strengthen ties between Britain and Russia | 0:08:41 | 0:08:45 | |
and thereby safeguard the delicate balance of power in Europe, | 0:08:45 | 0:08:49 | |
which was increasingly under threat from Germany. | 0:08:49 | 0:08:53 | |
Ever since the fall of communism, | 0:08:53 | 0:08:55 | |
being able to travel freely through the Baltic feels special, | 0:08:55 | 0:09:00 | |
but Russia's annexation of the Crimea has stirred up bad memories | 0:09:00 | 0:09:04 | |
for many, and made Finland and the Baltic countries wary | 0:09:04 | 0:09:07 | |
of their neighbour's intentions. | 0:09:07 | 0:09:09 | |
The entrance to Helsinki harbour, | 0:09:15 | 0:09:17 | |
through a narrow channel, past the ancient fortifications, | 0:09:17 | 0:09:21 | |
is extremely attractive, and as Bradshaw says, | 0:09:21 | 0:09:24 | |
"Numerous small islands contribute to its picturesque appearance." | 0:09:24 | 0:09:28 | |
The guidebook also tells me that it's a Russian grand duchy, | 0:09:28 | 0:09:32 | |
so even before the First World War, | 0:09:32 | 0:09:34 | |
it enjoyed a fair degree of autonomy from the Russian Tsar. | 0:09:34 | 0:09:38 | |
I shall be interested to see | 0:09:38 | 0:09:40 | |
how the national character expressed itself in Finland. | 0:09:40 | 0:09:45 | |
MUSIC: Karelia Suite, by Sibelius | 0:09:45 | 0:09:48 | |
Helsinki, which dates back to the mid-16th century, | 0:09:57 | 0:10:00 | |
became the Finnish capital in 1812, | 0:10:00 | 0:10:03 | |
after Russia wrested Finland away from Swedish control. | 0:10:03 | 0:10:07 | |
MUSIC: Karelia Suite, by Sibelius | 0:10:07 | 0:10:11 | |
I'm in the heart of Helsinki, | 0:10:15 | 0:10:17 | |
but here, at the lakeside, it has the feel of the country. | 0:10:17 | 0:10:22 | |
I'm surrounded by the lapping sea, | 0:10:22 | 0:10:25 | |
with a mass of harbours and hidden bays. | 0:10:25 | 0:10:28 | |
-Hello. -Hi, you want to join? | 0:10:28 | 0:10:30 | |
-May I share your fire? -Please do so. | 0:10:30 | 0:10:34 | |
You can show me how... how to do this. | 0:10:34 | 0:10:36 | |
-Yeah, I will. Blanket is a good start. -Very good start. | 0:10:38 | 0:10:43 | |
You notice that our summers are a bit chilly every once in a while. | 0:10:43 | 0:10:47 | |
-Those look really good. -Yeah. -Is this a local custom? | 0:10:47 | 0:10:50 | |
Yeah, absolutely. People come... | 0:10:50 | 0:10:53 | |
This is kind of like a cafe, here on the coastline, so people come | 0:10:53 | 0:10:56 | |
and sit down, grill a bit of the sausages, see the sunset, you know. | 0:10:56 | 0:11:00 | |
I've just arrived, but it seems a special kind of city, | 0:11:00 | 0:11:03 | |
with a lake in the centre, and this feeling of being, I don't know, | 0:11:03 | 0:11:08 | |
out in the rural areas, when you're in the city. | 0:11:08 | 0:11:11 | |
Well, that's what they say. We are a sea-like city, | 0:11:11 | 0:11:14 | |
so there's this big bay area in the middle. | 0:11:14 | 0:11:17 | |
-It looks like a lake but it's actually the sea. -Is it? | 0:11:17 | 0:11:19 | |
So, it's a nature reserve. | 0:11:19 | 0:11:21 | |
I think, in Helsinki, nature's always very close. | 0:11:21 | 0:11:24 | |
We have lots of cultural things, cultural venues, | 0:11:24 | 0:11:27 | |
but always the green areas and everything | 0:11:27 | 0:11:29 | |
are in our hearts, I would say. | 0:11:29 | 0:11:31 | |
My sausage has burst a bit there. Is that all right? | 0:11:31 | 0:11:34 | |
Yeah, that's the thing. Just don't put it too close to the fire. | 0:11:34 | 0:11:38 | |
That's looking good. | 0:11:39 | 0:11:41 | |
Yeah, I think you just put some mustard on the top, | 0:11:41 | 0:11:43 | |
and you're good to go. | 0:11:43 | 0:11:45 | |
You know, some people are very sensitive with a bit of mustard, | 0:11:46 | 0:11:50 | |
but I just put it all over. | 0:11:50 | 0:11:52 | |
Mmm, tastes so good, doesn't it, from the charcoal fire? | 0:11:55 | 0:11:57 | |
Yeah, I think, when you're outdoors as well. | 0:11:57 | 0:12:00 | |
You get a different appetite when you are sitting outside. | 0:12:00 | 0:12:03 | |
-It's the place as well. -Mmm. | 0:12:03 | 0:12:06 | |
And with your help, I cooked that really well. | 0:12:06 | 0:12:09 | |
Well done. | 0:12:09 | 0:12:11 | |
CHURCH BELLS TOLL | 0:12:18 | 0:12:21 | |
This beautiful morning finds me in what Bradshaw's describes as, | 0:12:26 | 0:12:30 | |
"A fine square, the Senate Square, | 0:12:30 | 0:12:32 | |
"with imposing public buildings on each side." | 0:12:32 | 0:12:35 | |
And they are the University, the Cathedral, and the Senate. | 0:12:35 | 0:12:41 | |
And this square is the very heart of Finnish nationalism. | 0:12:41 | 0:12:45 | |
The Finns, with their own institutions, | 0:12:45 | 0:12:47 | |
enjoyed a good deal of self-government, | 0:12:47 | 0:12:50 | |
by comparison with the Latvians and the Estonians, | 0:12:50 | 0:12:53 | |
and their independence was increased by this Russian Tsar, Alexander II. | 0:12:53 | 0:12:58 | |
When, in 1899, his grandson tightened the Russian grip | 0:12:58 | 0:13:03 | |
on Finland, protesting Finns came here and laid flowers | 0:13:03 | 0:13:08 | |
at the feet of the man they called the "Good Tsar". | 0:13:08 | 0:13:11 | |
MUSIC: Symphony No 2 In D Major, by Sibelius | 0:13:11 | 0:13:15 | |
'And just as in Estonia, | 0:13:19 | 0:13:22 | |
'music would help to propel the Finns towards independence. | 0:13:22 | 0:13:26 | |
'I'm meeting Vesa Ruotonen | 0:13:29 | 0:13:31 | |
'at the city's historic Kamp Hotel, | 0:13:31 | 0:13:34 | |
'a favourite haunt in the late 19th century of Jean Sibelius, | 0:13:34 | 0:13:39 | |
'surely Finland's greatest composer.' | 0:13:39 | 0:13:41 | |
-Skol. -Skol. | 0:13:41 | 0:13:44 | |
So, is it suitable to be drinking champagne while discussing Sibelius? | 0:13:45 | 0:13:48 | |
Oh, yes! He was here, actually, always drinking the champagne. | 0:13:48 | 0:13:52 | |
You know, he could stay here for a couple of weeks. | 0:13:52 | 0:13:55 | |
Why is it that Sibelius is so important to Finns? | 0:13:55 | 0:13:59 | |
He did put the Finnish soul into the music, | 0:13:59 | 0:14:03 | |
and he was also a person that his music followed the | 0:14:03 | 0:14:07 | |
national development of the country. And here, the political | 0:14:07 | 0:14:12 | |
and the national and the arts were going the same way, | 0:14:12 | 0:14:16 | |
and Sibelius was the leading person with his Finlandia, | 0:14:16 | 0:14:21 | |
which is actually kind of the ideal | 0:14:21 | 0:14:23 | |
of what it is to be free and what it is to be Finn. | 0:14:23 | 0:14:27 | |
MUSIC: Finlandia Op 26, by Sibelius | 0:14:27 | 0:14:31 | |
Sibelius was born in 1865 | 0:14:33 | 0:14:36 | |
and, although his mother wanted him to study law, his passion was music. | 0:14:36 | 0:14:41 | |
He became an accomplished violinist | 0:14:41 | 0:14:43 | |
before devoting himself to composition. | 0:14:43 | 0:14:47 | |
He wrote seven symphonies and a violin concerto, | 0:14:47 | 0:14:50 | |
as well as Finlandia. | 0:14:50 | 0:14:53 | |
His music reflects the nature and also the nature of the Finns | 0:14:53 | 0:14:59 | |
and human nature displayed all over the world nowadays. | 0:14:59 | 0:15:02 | |
Sibelius also composed lyrical pieces, like this beautiful romance. | 0:15:04 | 0:15:10 | |
MUSIC PLAYS | 0:15:10 | 0:15:14 | |
But in 1899, he turned his hand to music | 0:15:21 | 0:15:25 | |
about the struggle of the Finns to rid themselves of Russian rule. | 0:15:25 | 0:15:30 | |
Very lovely. Hello, I'm Michael. | 0:15:54 | 0:15:55 | |
-Hello, I'm Emilia. -Emilia. -Hello. -Very good to see you. | 0:15:55 | 0:16:01 | |
Vesa, Finlandia comes at a really key moment. | 0:16:01 | 0:16:05 | |
Yeah, when it came out, people immediately understood the message. | 0:16:05 | 0:16:08 | |
It's beautiful music, but it's also a sign for the Finns | 0:16:08 | 0:16:13 | |
that we have to be united now, to get free. | 0:16:13 | 0:16:16 | |
HE PLAYS EXTRACT FROM FINLANDIA BY SIBELIUS | 0:16:16 | 0:16:19 | |
-That's the Russians. -Right. | 0:16:31 | 0:16:34 | |
We've got a few bars, and then comes the choral. | 0:16:34 | 0:16:39 | |
This is what the Finns are singing - "God, do something. Help us." | 0:16:39 | 0:16:45 | |
HE PLAYS EXTRACT FROM FINLANDIA BY SIBELIUS | 0:16:45 | 0:16:48 | |
"Why you did not help? Now we Finns have to fight for the freedom." | 0:16:48 | 0:16:52 | |
HE PLAYS EXTRACT FROM FINLANDIA BY SIBELIUS | 0:16:52 | 0:16:56 | |
After the victorious battle, | 0:17:13 | 0:17:16 | |
now we are finally free to sing the anthem, Finlandia. | 0:17:16 | 0:17:21 | |
THEY PLAY EXTRACT FROM FINLANDIA BY SIBELIUS | 0:17:21 | 0:17:25 | |
Resistance against the Russians gathered strength, | 0:17:58 | 0:18:01 | |
until, as Russia was taken over by the Bolsheviks in 1917, | 0:18:01 | 0:18:05 | |
the Finnish parliament declared the nation's independence. | 0:18:05 | 0:18:10 | |
It was as if, with Finlandia, | 0:18:10 | 0:18:12 | |
Sibelius had supplied his country with a national hymn. | 0:18:12 | 0:18:17 | |
Even at the railway station, | 0:18:22 | 0:18:24 | |
I find a celebration of what it is to be Finnish. | 0:18:24 | 0:18:28 | |
Helsinki's magnificent railway station was designed | 0:18:28 | 0:18:32 | |
by a friend of Jean Sibelius, called Eliel Saarinen. | 0:18:32 | 0:18:36 | |
His original idea was a kind of romantic | 0:18:36 | 0:18:39 | |
19th-century-style building, | 0:18:39 | 0:18:42 | |
but in the political turmoil of the early 20th century, | 0:18:42 | 0:18:45 | |
when Finland was wrestling with its Russian oppressor, | 0:18:45 | 0:18:49 | |
he came up with a different design - something very 20th century, | 0:18:49 | 0:18:53 | |
something very modern, uniquely Finnish, | 0:18:53 | 0:18:56 | |
and so, in a way, this building is also highly political. | 0:18:56 | 0:18:59 | |
I'm back on track, heading north to the city of Tampere, | 0:19:02 | 0:19:06 | |
just over one-and-a-half hours away by train. | 0:19:06 | 0:19:09 | |
'These new high-speed Italian tilting trains | 0:19:11 | 0:19:14 | |
'are fast and comfortable, and I particularly love that the interior | 0:19:14 | 0:19:19 | |
'has been designed to blend with my jacket.' | 0:19:19 | 0:19:22 | |
-PA: -'Ladies and gentlemen, | 0:19:22 | 0:19:24 | |
'this is a Pendolino train via Tampere and Jyvaskyla to Kuopio.' | 0:19:24 | 0:19:29 | |
In the middle of the 19th century, | 0:19:39 | 0:19:41 | |
Finns had to decide where to build their first railway line. | 0:19:41 | 0:19:45 | |
Russophiles favoured one from Helsinki to St Petersburg, | 0:19:45 | 0:19:48 | |
while nationalists thought one should be built | 0:19:48 | 0:19:50 | |
to promote domestic economic activity. | 0:19:50 | 0:19:53 | |
In the end, the first one opened on this line in 1862, | 0:19:53 | 0:19:58 | |
between Helsinki and the Finnish town of Hameenlinna, | 0:19:58 | 0:20:02 | |
and the one to Russia had to wait another eight years. | 0:20:02 | 0:20:06 | |
-PA: -'The next stop - Tampere.' | 0:20:15 | 0:20:17 | |
Tampere is a city built on the power of water. | 0:20:31 | 0:20:35 | |
The rushing rapids of the Tammerkoski River | 0:20:35 | 0:20:38 | |
drive the city's imposing 19th-century mills. | 0:20:38 | 0:20:42 | |
It's retained many of its factories, | 0:20:42 | 0:20:45 | |
and its paper mills still supply much of Finland's paper. | 0:20:45 | 0:20:49 | |
But surrounding what's become known as the Manchester of Finland | 0:20:49 | 0:20:53 | |
are 200 beautiful lakes... | 0:20:53 | 0:20:55 | |
..perfect to allow me to feel what it's like to be free and Finnish. | 0:21:03 | 0:21:08 | |
When the days get longer, the Finns take to their country houses, | 0:21:19 | 0:21:23 | |
and to the lakeside, in order to commune with nature, | 0:21:23 | 0:21:27 | |
and although I'm a city boy, I thought I'd give it a go. | 0:21:27 | 0:21:31 | |
First, heat your hot tub with freshly chopped wood. | 0:21:33 | 0:21:39 | |
Then remove tarpaulin from hot tub. | 0:21:47 | 0:21:52 | |
Aha! | 0:21:52 | 0:21:54 | |
Stir the water, | 0:21:57 | 0:21:59 | |
in order to mix the hot at the top with the cold at the bottom. | 0:21:59 | 0:22:05 | |
Now, all is ready. | 0:22:08 | 0:22:10 | |
'It's 11:00 at night and sunset, | 0:22:12 | 0:22:16 | |
'and I begin to experience an iconic Finnish natural phenomenon - | 0:22:16 | 0:22:19 | |
'the white nights, when there is light throughout the 24 hours. | 0:22:19 | 0:22:24 | |
'With long, cold, dark winters, | 0:22:24 | 0:22:27 | |
'summer in Finland is about being outside.' | 0:22:27 | 0:22:31 | |
What better thing to do... Argh! | 0:22:31 | 0:22:34 | |
..than to get into a hot tub | 0:22:34 | 0:22:36 | |
and enjoy a cloudberry liqueur known as a lakka? | 0:22:36 | 0:22:41 | |
Why... | 0:22:43 | 0:22:45 | |
..would the people of this country, in the middle of the night, | 0:22:48 | 0:22:52 | |
get into hot water and drink alcohol? | 0:22:52 | 0:22:55 | |
Because this is the way that a day must finish. | 0:22:55 | 0:22:59 | |
I don't find it easy to sleep when it's daylight all night, | 0:23:16 | 0:23:20 | |
but breakfast with this beautiful view and the fresh air | 0:23:20 | 0:23:25 | |
and the stiff breeze coming off the lake, that really wakes me up. | 0:23:25 | 0:23:29 | |
-Hello, canoeists! -Hello, Michael. -Good morning. -Good morning. | 0:23:45 | 0:23:51 | |
-Nice to see you, Michael. -Oh, it's lovely to see YOU. Come alongside. | 0:23:51 | 0:23:56 | |
'I'm being met by canoe guides Liisa and Pekka Tyllila.' | 0:23:57 | 0:24:02 | |
Isn't it beautiful? | 0:24:02 | 0:24:03 | |
-It's nice weather today for canoeing. -It looks perfect. | 0:24:03 | 0:24:07 | |
'Seeing the world from the bow of a silent canoe is truly special.' | 0:24:23 | 0:24:28 | |
This is an extraordinary moment for me, | 0:24:44 | 0:24:46 | |
because I'm hearing something that I never hear, | 0:24:46 | 0:24:52 | |
which is silence... | 0:24:52 | 0:24:54 | |
if you discount the sound of the birds, | 0:24:54 | 0:24:59 | |
and the wind moving across the lake. | 0:24:59 | 0:25:02 | |
Completely different and special moment. | 0:25:04 | 0:25:07 | |
Absolutely exceptional in my existence. | 0:25:09 | 0:25:12 | |
Liisa, what's the name of this lake? | 0:25:19 | 0:25:22 | |
Vuokalanjarvi. | 0:25:22 | 0:25:24 | |
Vuokalanjarvi. | 0:25:24 | 0:25:26 | |
Fine! Perfect! You are almost a Finn. | 0:25:26 | 0:25:29 | |
THEY LAUGH | 0:25:29 | 0:25:31 | |
How long have Finns been canoeing, Liisa? | 0:25:31 | 0:25:34 | |
Well, it started, actually, in 1891, | 0:25:34 | 0:25:39 | |
when a minister of finances, August Ramsay, published his book. | 0:25:39 | 0:25:45 | |
'With over 180,000 lakes in Finland to paddle, August Ramsay's guide | 0:25:45 | 0:25:50 | |
'encouraged Finns to take to canoes for leisure.' | 0:25:50 | 0:25:54 | |
So, I find the stories very interesting | 0:25:54 | 0:25:57 | |
and it tells how it was. | 0:25:57 | 0:26:00 | |
And did you see the first picture, where the canoeing men, | 0:26:00 | 0:26:06 | |
they're helped by women to carry the canoes? | 0:26:06 | 0:26:10 | |
THEY LAUGH | 0:26:10 | 0:26:12 | |
So, that was one way to get to know young women in the countryside. | 0:26:12 | 0:26:17 | |
But also, actually, you Finns gave equality to women | 0:26:17 | 0:26:21 | |
very early on, didn't you? | 0:26:21 | 0:26:23 | |
Yes, Finland is the third country to give women the right to vote, | 0:26:23 | 0:26:29 | |
so the girls from countryside moved to towns | 0:26:29 | 0:26:34 | |
and started to get salary. | 0:26:34 | 0:26:36 | |
They became independent, and that was the big step. | 0:26:36 | 0:26:41 | |
And they earned the right to carry the canoe as well. | 0:26:41 | 0:26:44 | |
LIISA LAUGHS | 0:26:44 | 0:26:47 | |
Well, not so many Finnish ladies do that. | 0:26:47 | 0:26:51 | |
-I like your book, it's beautifully illustrated. -Yeah? | 0:26:51 | 0:26:54 | |
It's a sort of Finnish canoeing Bradshaw's. | 0:26:54 | 0:26:57 | |
A century ago, the Bradshaw's visitor to the Baltic region | 0:27:10 | 0:27:15 | |
of the Russian Empire heard the cry for freedom. | 0:27:15 | 0:27:19 | |
In Riga, demonstrators had recently been massacred, | 0:27:19 | 0:27:23 | |
in Estonia, choirs sang about liberty, | 0:27:23 | 0:27:27 | |
whilst, in Finland, | 0:27:27 | 0:27:28 | |
the music of Jean Sibelius longed for independence. | 0:27:28 | 0:27:33 | |
The 20th century brought the region moments of joy | 0:27:33 | 0:27:36 | |
and periods of catastrophe, until, in the 1980s, | 0:27:36 | 0:27:41 | |
a singing revolution helped to restore self-government. | 0:27:41 | 0:27:45 | |
These peoples eventually triumphed, | 0:27:45 | 0:27:48 | |
not through force of arms or numbers, | 0:27:48 | 0:27:51 | |
but because of the strength of their national cultures. | 0:27:51 | 0:27:54 | |
'Next time...' | 0:27:58 | 0:27:59 | |
This is absolutely terrifying. | 0:27:59 | 0:28:01 | |
'..I'll need some Dutch courage.' | 0:28:01 | 0:28:04 | |
THUD | 0:28:04 | 0:28:05 | |
Ha-ha! | 0:28:05 | 0:28:08 | |
I didn't expect that! We got a hole in one. | 0:28:08 | 0:28:11 | |
'And I'll root around the world's largest flower auction...' | 0:28:11 | 0:28:14 | |
Tell me there are some rules here, right? | 0:28:14 | 0:28:16 | |
There are some rules of the road, are there? | 0:28:16 | 0:28:18 | |
Well, they SAY they have traffic rules. | 0:28:18 | 0:28:21 | |
'..before tilting at windmills.' | 0:28:21 | 0:28:24 | |
30,000 kilos, and I haven't even broken a sweat. | 0:28:24 | 0:28:28 |