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My Bradshaw's Continental Railway Guide dated 1913 | 0:00:02 | 0:00:05 | |
has brought me east to the borderlands where Europe meets Asia. | 0:00:05 | 0:00:11 | |
My journey will take me from the grasslands of the Steppes | 0:00:11 | 0:00:14 | |
to the shores of the Black Sea | 0:00:14 | 0:00:16 | |
and run along the ridge of the mighty Caucasus Mountains. | 0:00:16 | 0:00:20 | |
To a volcanic land of fire. | 0:00:20 | 0:00:22 | |
I'll explore countries which at the time of my guidebook were under the | 0:00:24 | 0:00:28 | |
rule of a tsar but which a century ago fell to a revolutionary empire | 0:00:28 | 0:00:34 | |
the likes of which have never been seen. | 0:00:34 | 0:00:37 | |
I'll encounter Cossacks and Communists. | 0:00:37 | 0:00:40 | |
Monasteries and mosques. | 0:00:40 | 0:00:42 | |
Tea and black gold. | 0:00:42 | 0:00:45 | |
On my journey through these enchanting lands | 0:00:45 | 0:00:47 | |
I'll try to understand the tensions and conflicts of today. | 0:00:47 | 0:00:52 | |
I'm travelling to a region whose people felt a strong sense of | 0:01:14 | 0:01:18 | |
nationhood over centuries when their country appeared on no map. | 0:01:18 | 0:01:23 | |
I'm in Ukraine which first existed as an independent state | 0:01:23 | 0:01:28 | |
only in 1991. | 0:01:28 | 0:01:31 | |
In my Bradshaw's, its cities | 0:01:31 | 0:01:33 | |
are listed under Austria-Hungary and Russia. | 0:01:33 | 0:01:36 | |
And, before that, parts of it belonged to Poland | 0:01:36 | 0:01:39 | |
and the Ottoman Empire too. | 0:01:39 | 0:01:42 | |
Ukraine means borderland and standing at the edges of Europe, | 0:01:42 | 0:01:46 | |
it has long been torn physically and emotionally between East and West. | 0:01:46 | 0:01:52 | |
The struggle to control its territory and to win its allegiance | 0:01:52 | 0:01:56 | |
continues in the present day. | 0:01:56 | 0:01:58 | |
My journey starts in the north of the country | 0:02:01 | 0:02:04 | |
in the capital city Kiev. | 0:02:04 | 0:02:06 | |
The cradle of Slavic civilisation. | 0:02:06 | 0:02:09 | |
I travel West to Lviv where the flame of Ukrainian nationalism burns | 0:02:10 | 0:02:15 | |
brightly and onward by overnight train to Odessa on the Black Sea. | 0:02:15 | 0:02:20 | |
A thriving port and seaside resort. | 0:02:20 | 0:02:23 | |
On my way I cross swords with Cossacks. | 0:02:25 | 0:02:29 | |
You need to hold it firmly | 0:02:29 | 0:02:31 | |
but tenderly, like a woman. | 0:02:31 | 0:02:33 | |
Oh! | 0:02:34 | 0:02:36 | |
Put on a pinny to learn the secrets of Ukrainian cuisine. | 0:02:37 | 0:02:40 | |
I'm just dying to lick my finger | 0:02:41 | 0:02:43 | |
because this looks absolutely delicious. | 0:02:43 | 0:02:46 | |
Encounter the body and soul of a mummified monk. | 0:02:46 | 0:02:49 | |
That is extraordinary. | 0:02:49 | 0:02:51 | |
I'm seeing the hands of the Saint there. | 0:02:51 | 0:02:53 | |
And get down and dirty in the spa. | 0:02:55 | 0:02:58 | |
I'm now lying in very warm mud | 0:02:58 | 0:03:01 | |
and the lady with the rubber gloves has begun a fairly intimate massage. | 0:03:01 | 0:03:07 | |
My first stop will be the Ukrainian capital, Kiev. | 0:03:12 | 0:03:15 | |
Bradshaw's tells me it's commercial, strongly fortified, picturesque, | 0:03:15 | 0:03:20 | |
sometimes termed the Jerusalem of Russia. | 0:03:20 | 0:03:25 | |
Jerusalem. | 0:03:25 | 0:03:26 | |
Perhaps meaning the core of its religion. | 0:03:26 | 0:03:29 | |
The source of its spiritual life. | 0:03:29 | 0:03:32 | |
Kiev Central Station dates from 1927. | 0:03:39 | 0:03:43 | |
With ornate chandeliers hanging from lofty ceilings, | 0:03:43 | 0:03:47 | |
it's a landmark of the architectural style known as Ukrainian Baroque. | 0:03:47 | 0:03:52 | |
In the city itself, I find a mix of building styles from different eras. | 0:03:55 | 0:03:59 | |
And overlooking everything, the gigantic Soviet Motherland Monument. | 0:04:02 | 0:04:07 | |
I'm heading straight to the heart of ancient Kiev | 0:04:15 | 0:04:19 | |
on a route that takes me almost vertically straight up. | 0:04:19 | 0:04:22 | |
Dobroye utro. | 0:04:23 | 0:04:25 | |
Odin bilet, pozhaluysta. | 0:04:25 | 0:04:29 | |
Spasibo. | 0:04:29 | 0:04:31 | |
Alongside the native Ukrainian, Russian is widely spoken here | 0:04:31 | 0:04:36 | |
and luckily I can remember just enough from my school days | 0:04:36 | 0:04:39 | |
to scrape by. | 0:04:39 | 0:04:41 | |
I've taken the funicular to see for myself why, centuries before there | 0:04:42 | 0:04:46 | |
was a city of Moscow, there was a city of Kiev. | 0:04:46 | 0:04:49 | |
Set on high, commanding ground above the River Dnieper, | 0:04:49 | 0:04:53 | |
which runs for more than 2,000km | 0:04:53 | 0:04:56 | |
from the heart of this, the vast Eurasian landmass, | 0:04:56 | 0:05:00 | |
to the Black Sea. | 0:05:00 | 0:05:02 | |
Until the turn of the 20th century, | 0:05:10 | 0:05:13 | |
the top of the hill could be reached only by climbing a wooden staircase. | 0:05:13 | 0:05:17 | |
But by the time of my guidebook, | 0:05:17 | 0:05:20 | |
tourists were able to ascend with ease. | 0:05:20 | 0:05:23 | |
Bradshaw's has brought me to the Saint Vladimir monument | 0:05:27 | 0:05:30 | |
on an elevated, open space by the river, a favourite promenade. | 0:05:30 | 0:05:35 | |
On the whole, history is not made by individuals. | 0:05:35 | 0:05:39 | |
It's about economic forces, social change, new ways of thinking, | 0:05:39 | 0:05:44 | |
transformative technologies, | 0:05:44 | 0:05:46 | |
but every now and again one person makes a decision | 0:05:46 | 0:05:51 | |
which by itself shapes the future. | 0:05:51 | 0:05:53 | |
Volodymyr was such a one | 0:05:53 | 0:05:56 | |
and his decision determined the development of Ukraine, | 0:05:56 | 0:06:00 | |
and indeed Russia, for more than 1,000 years. | 0:06:00 | 0:06:03 | |
I'm heading for Kiev's oldest church | 0:06:15 | 0:06:18 | |
which dates back to 1017. | 0:06:18 | 0:06:21 | |
My guidebook describes it as generally surrounded | 0:06:21 | 0:06:24 | |
by pilgrims and beggars. | 0:06:24 | 0:06:26 | |
Today, you're more likely to find Kiev's faithful | 0:06:27 | 0:06:30 | |
mixing with tourists. | 0:06:30 | 0:06:32 | |
I'm meeting an historian | 0:06:35 | 0:06:38 | |
to find out why this cathedral is so important. | 0:06:38 | 0:06:41 | |
-Hello. -Nice to see you and welcome to Kiev. -Thank you very much. | 0:06:41 | 0:06:45 | |
And the glorious St Sophia Cathedral looking wonderful in this weather. | 0:06:45 | 0:06:50 | |
Yes, sure. | 0:06:50 | 0:06:51 | |
When is there first an important city of Kiev? | 0:06:51 | 0:06:55 | |
The settlement in the territory of Kiev existed from | 0:06:55 | 0:06:58 | |
at least to the early 6th century. | 0:06:58 | 0:07:00 | |
But at the beginning of the 9th century, the Vikings came here, | 0:07:00 | 0:07:05 | |
they recognised the significance of the trade route from the northern | 0:07:05 | 0:07:08 | |
Europe to Byzantium and they turned Kiev into their stronghold. | 0:07:08 | 0:07:13 | |
And these Vikings, are they the people that we know as Rus? | 0:07:13 | 0:07:17 | |
Yes, they were called Rus. | 0:07:17 | 0:07:19 | |
This name was used as a label to name them | 0:07:19 | 0:07:23 | |
and it was also used as the place name for this territory, | 0:07:23 | 0:07:28 | |
the Middle Dnieper area. | 0:07:28 | 0:07:30 | |
Kievan Rus', as it became known | 0:07:32 | 0:07:34 | |
was the first great Eastern Slavic state and included large swathes of | 0:07:34 | 0:07:39 | |
present-day Russia. | 0:07:39 | 0:07:41 | |
And its greatest leader's critical decision was one of faith. | 0:07:42 | 0:07:46 | |
Tell me about Volodymyr, who has a statue here. | 0:07:46 | 0:07:50 | |
Volodymyr is one of the greatest rulers of the Kievan Rus'. | 0:07:50 | 0:07:54 | |
His name is usually connected with the adoption of Christianity. | 0:07:54 | 0:07:59 | |
And is it true that Volodymyr shopped around | 0:07:59 | 0:08:03 | |
looking for the right religion? | 0:08:03 | 0:08:05 | |
Yes, there is a curious story in Kiev's primary chronicle | 0:08:05 | 0:08:09 | |
about Volodymyr, who sent embassies to the neighbouring countries | 0:08:09 | 0:08:13 | |
to ask to them to make presentations of their religions. | 0:08:13 | 0:08:18 | |
For example, he refused to take Islam | 0:08:18 | 0:08:21 | |
because this religion prohibits drinking the wine. | 0:08:21 | 0:08:25 | |
He said the drinking of wine is the joy of Russes. | 0:08:25 | 0:08:28 | |
According to myth, having also rejected Judaism and Catholicism, | 0:08:28 | 0:08:34 | |
Prince Volodymyr the Great decided on the Orthodox version of | 0:08:34 | 0:08:39 | |
Christianity because of the overwhelming beauty of its liturgy. | 0:08:39 | 0:08:45 | |
Actually, his decision was political. | 0:08:45 | 0:08:48 | |
Volodymyr chose Orthodox Christianity to align himself with | 0:08:48 | 0:08:51 | |
the powerful Byzantine Empire and to boost the prestige of his realm. | 0:08:51 | 0:08:57 | |
I suppose this created a doctrinal gulf | 0:08:57 | 0:09:00 | |
between the Catholic countries of the West | 0:09:00 | 0:09:02 | |
and the Orthodox countries of the East. | 0:09:02 | 0:09:05 | |
Yes, it could be compared with the Iron Curtain, for example. | 0:09:05 | 0:09:09 | |
Built to unite the religious and political authority | 0:09:15 | 0:09:18 | |
of Kievan Rus', Saint Sophia's, with its wealth of Byzantine decor | 0:09:18 | 0:09:23 | |
remains a powerful national symbol. | 0:09:23 | 0:09:27 | |
The interior is really breathtaking, isn't it? | 0:09:27 | 0:09:31 | |
Yes, sure. | 0:09:31 | 0:09:32 | |
And I would like to point your attention on this beautiful | 0:09:32 | 0:09:36 | |
mosaic which is called Mother of God Oranta. | 0:09:36 | 0:09:40 | |
It was made by Greek artists, | 0:09:40 | 0:09:43 | |
but today it is considered as one of the important symbols of Ukraine | 0:09:43 | 0:09:48 | |
just because Kiev is the heart of Ukraine | 0:09:48 | 0:09:52 | |
and Saint Sophia is the heart of Kiev. | 0:09:52 | 0:09:55 | |
Is this also a heritage that is more widely claimed, | 0:09:55 | 0:09:58 | |
for instance, by Russians? | 0:09:58 | 0:10:00 | |
Yes, I think that's Saint Sophia Cathedral and Kiev are very | 0:10:00 | 0:10:06 | |
important places for all of Eastern Europe, | 0:10:06 | 0:10:08 | |
not just Ukraine and Russia. | 0:10:08 | 0:10:10 | |
It is an important part of Russian historical myth | 0:10:10 | 0:10:14 | |
and many people in Russia still believe | 0:10:14 | 0:10:18 | |
that the best thing they can do is to reunite the Kievan Rus'. | 0:10:18 | 0:10:25 | |
The results of this ideology are clearly visible in Crimea, | 0:10:25 | 0:10:29 | |
or in Donbass now. | 0:10:29 | 0:10:30 | |
Bitter fighting continues in those Eastern regions of Ukraine | 0:10:32 | 0:10:36 | |
after they were annexed by Moscow in 2014, | 0:10:36 | 0:10:40 | |
a move welcomed by their large Russian-speaking minorities, | 0:10:40 | 0:10:44 | |
but contrary to international law. | 0:10:44 | 0:10:47 | |
It's extraordinary to encounter symbols that are 1,000 years old | 0:10:48 | 0:10:53 | |
and to find that they are politically sensitive today. | 0:10:53 | 0:10:56 | |
My guidebook tells me that churches | 0:11:01 | 0:11:04 | |
and religious establishments are numerous in Kiev | 0:11:04 | 0:11:07 | |
and there's another that, | 0:11:07 | 0:11:08 | |
like St Sophia, attracts throngs of pilgrims. | 0:11:08 | 0:11:11 | |
To reach it, I will first go a long way underground. | 0:11:14 | 0:11:18 | |
This is the second very long escalator I've been on. | 0:11:18 | 0:11:22 | |
The stations are incredibly deep. | 0:11:22 | 0:11:24 | |
And very splendid. | 0:11:27 | 0:11:30 | |
This particular station, Zoloti Vorota, | 0:11:32 | 0:11:35 | |
is often heralded as one of the most beautiful Metro stops anywhere. | 0:11:35 | 0:11:40 | |
And from the most stunning station I'm heading | 0:11:52 | 0:11:55 | |
to one of the deepest in the world. | 0:11:55 | 0:11:57 | |
Arsenalna is 105 metres below ground. | 0:11:58 | 0:12:03 | |
The 70-acre complex of churches and cathedrals, | 0:12:11 | 0:12:15 | |
collectively known as the Pechersk Lavra, | 0:12:15 | 0:12:19 | |
is probably the holiest place in all of the Eastern Slavic states. | 0:12:19 | 0:12:23 | |
Bradshaw's has brought me | 0:12:42 | 0:12:44 | |
to the Pechersk monastery caves of St Anthony, | 0:12:44 | 0:12:47 | |
"Where in niches repose 82 saints, | 0:12:47 | 0:12:52 | |
"some of the mummified being elaborately dressed." | 0:12:52 | 0:12:56 | |
What a fascinating place. | 0:12:56 | 0:12:58 | |
Brother Innocent is one of nearly 160 monks | 0:13:03 | 0:13:07 | |
who look after the caves and churches. | 0:13:07 | 0:13:10 | |
-Brother Innocent? -Hello, Michael. -Excuse me. | 0:13:10 | 0:13:13 | |
How very nice to see you. This is an extraordinary place. | 0:13:13 | 0:13:17 | |
-And you have, in the niches here, the bodies of saints. -Yes. | 0:13:17 | 0:13:22 | |
What is it like for you, Brother Innocent, | 0:13:32 | 0:13:34 | |
to be in this very special place, to spend so much of your life here? | 0:13:34 | 0:13:38 | |
Monks came to these caves in search of quiet and solitude. | 0:13:46 | 0:13:50 | |
And here they remained after death. | 0:13:52 | 0:13:54 | |
In the cool, dry environment, the bodies, now numbering over 100, | 0:13:56 | 0:14:02 | |
were preserved naturally with no need for embalming. | 0:14:02 | 0:14:06 | |
Brother Innocent, this is a very special moment. | 0:14:06 | 0:14:09 | |
Thank you so much. | 0:14:09 | 0:14:11 | |
Sometimes our holy relics, they smell very nice. | 0:14:13 | 0:14:17 | |
And I'm seeing the hands of the saint there. | 0:14:18 | 0:14:23 | |
That is extraordinary. | 0:14:23 | 0:14:24 | |
The relics of Saint Unitist. | 0:14:24 | 0:14:27 | |
And he lived in the 15th century. | 0:14:27 | 0:14:31 | |
And I can catch the smell now coming from the cask. | 0:14:31 | 0:14:36 | |
But as you say, it's not a bad smell, it's a good smell. | 0:14:36 | 0:14:39 | |
Yes, yes. | 0:14:39 | 0:14:41 | |
And each of the relics, they have their special smell. | 0:14:41 | 0:14:44 | |
Oh, that's extraordinary. Thank you so much. | 0:14:44 | 0:14:48 | |
You're welcome. | 0:14:48 | 0:14:49 | |
We've come to the cluster of churches known | 0:14:54 | 0:14:56 | |
as the Upper Lavra, where the faithful gather | 0:14:56 | 0:14:59 | |
several times a day. | 0:14:59 | 0:15:01 | |
Today's Ukrainian Orthodox service | 0:15:12 | 0:15:14 | |
for the eve of Pentecost has drawn many worshippers. | 0:15:14 | 0:15:18 | |
Under communism, 80% of church buildings in Ukraine | 0:15:26 | 0:15:31 | |
were destroyed and their priests persecuted. | 0:15:31 | 0:15:34 | |
The Pechersk Lavra was closed down until 1988. | 0:15:35 | 0:15:39 | |
The elaborate rituals and the beautiful singing of the monks | 0:15:48 | 0:15:52 | |
makes this very special. | 0:15:52 | 0:15:54 | |
The face of the congregation is deeply impressive. | 0:15:54 | 0:15:58 | |
Religion was repressed in this country for decades | 0:15:58 | 0:16:02 | |
and it seems somehow to have burst out with renewed fervour. | 0:16:02 | 0:16:07 | |
In a different part of Kiev, I find another group of devotees. | 0:16:13 | 0:16:18 | |
As the sun begins to set on the city, I'd drop in on what I might | 0:16:20 | 0:16:24 | |
call a sect whose focus is not the soul. | 0:16:24 | 0:16:28 | |
They are rather more... body worshipers. | 0:16:28 | 0:16:31 | |
Well, this must be one of the strangest things I've ever seen. | 0:16:31 | 0:16:35 | |
This open-air gym, known as the Kachalka, opened in the 1970s | 0:16:35 | 0:16:39 | |
and all the machines make use of scrap metal. | 0:16:39 | 0:16:44 | |
There are marine parts, there are automotive parts, | 0:16:44 | 0:16:47 | |
there are radiators. | 0:16:47 | 0:16:49 | |
Very popular with the men and women of Kiev who come, | 0:16:49 | 0:16:52 | |
in a very special way, to pump iron. | 0:16:52 | 0:16:55 | |
You can work out here for no charge all year round. | 0:16:57 | 0:17:01 | |
A chance to build some muscles of steel. | 0:17:01 | 0:17:04 | |
Hello, ladies. | 0:17:04 | 0:17:06 | |
-Hello. -Hello. -You look pretty serious about your body building. | 0:17:06 | 0:17:11 | |
Are you kind of professionals, or something? | 0:17:11 | 0:17:14 | |
Yes, professional, but not body-building. Strong woman. | 0:17:14 | 0:17:17 | |
-Strong woman? -Yes. -Is that what it's called, strong woman? | 0:17:17 | 0:17:19 | |
How well do you do? | 0:17:19 | 0:17:20 | |
Number two and number three in the world. | 0:17:20 | 0:17:23 | |
-Respect, respect. -Thank you. -Thank you very much. | 0:17:23 | 0:17:25 | |
Don't let me stop you. | 0:17:25 | 0:17:27 | |
Well, as you would expect, I feel duty bound to have a go. | 0:17:31 | 0:17:35 | |
I'm going to try and lift this piece of machinery. | 0:17:35 | 0:17:38 | |
Dear me. | 0:17:48 | 0:17:50 | |
Perhaps heavy lifting is something best left to the strong women. | 0:17:50 | 0:17:54 | |
I'm keen to find out about another chapter in this region's history | 0:18:05 | 0:18:09 | |
in a park just west of the city centre. | 0:18:09 | 0:18:12 | |
Welcome to the Cossack settlement. | 0:18:15 | 0:18:18 | |
Thank you very much. | 0:18:18 | 0:18:20 | |
-So, you're Ludmila? -Yes. -I'm Michael. -Michael, nice to meet you. | 0:18:20 | 0:18:23 | |
Hi. Well, these look very fierce Cossacks, wow. | 0:18:23 | 0:18:26 | |
-Yes. -And beautiful horses. | 0:18:26 | 0:18:29 | |
I've come to Mamajeva Sloboda to see how these warrior horsemen lived. | 0:18:29 | 0:18:34 | |
-I will help. -OK. | 0:18:34 | 0:18:36 | |
There we are. | 0:18:37 | 0:18:39 | |
A martial community, recreated in this living history museum | 0:18:43 | 0:18:48 | |
of 100 wooden buildings, | 0:18:48 | 0:18:50 | |
is populated by fierce-looking Cossacks... | 0:18:50 | 0:18:53 | |
..whom I'm joining. | 0:18:58 | 0:19:00 | |
-Hello. -Hello. | 0:19:03 | 0:19:05 | |
So... | 0:19:05 | 0:19:07 | |
Oh, thank you. What is it you do, now, with this sword? | 0:19:07 | 0:19:10 | |
LUDMILA TRANSLATES | 0:19:10 | 0:19:12 | |
You need to wave your hand. | 0:19:12 | 0:19:15 | |
Like that. | 0:19:15 | 0:19:17 | |
And then like that, OK. | 0:19:17 | 0:19:19 | |
-OK, let's try that. -You know, you need to hold it firmly | 0:19:21 | 0:19:24 | |
but tenderly like a woman. | 0:19:24 | 0:19:27 | |
I'm not sure I'm getting the hang of this, Ludmila. | 0:19:34 | 0:19:36 | |
Like a good start, at least. | 0:19:36 | 0:19:39 | |
What I don't have that all is the wrist action. | 0:19:39 | 0:19:41 | |
I don't know how they turn the sword around and bring it through. | 0:19:41 | 0:19:45 | |
Whoa! | 0:19:49 | 0:19:51 | |
Wisely, they've taken away my sword and given me...a twig. | 0:19:51 | 0:19:56 | |
-In my mouth? -Yes. | 0:19:56 | 0:19:58 | |
Put it in your mouth. | 0:19:58 | 0:20:00 | |
I don't think my dentist is going to like that. | 0:20:07 | 0:20:10 | |
So, Ludmila, who were the Cossacks, originally? | 0:20:11 | 0:20:15 | |
They were defenders of Ukrainian land. | 0:20:15 | 0:20:18 | |
In the 12th century, Mongolian Tatars destroyed everything here. | 0:20:18 | 0:20:23 | |
And Turkish, like Ottoman Empire, | 0:20:23 | 0:20:26 | |
Crimean Tatars, Polish invaders, | 0:20:26 | 0:20:29 | |
they lived here and Cossacks didn't want to be slaves. | 0:20:29 | 0:20:33 | |
They took a weapon and they started protecting our lands | 0:20:33 | 0:20:37 | |
from any invader. | 0:20:37 | 0:20:39 | |
So they were a military group, they were warriors? | 0:20:39 | 0:20:42 | |
Yeah, for sure. | 0:20:42 | 0:20:45 | |
Refusing to submit to the rule of Russia, or of their western | 0:20:45 | 0:20:49 | |
neighbour Poland, the Cossacks established free communities on the | 0:20:49 | 0:20:53 | |
rich plains of the Steppe, | 0:20:53 | 0:20:55 | |
where they survived independently, hunting and fishing. | 0:20:55 | 0:20:58 | |
Only after the appearance of Cossacks at the end | 0:21:00 | 0:21:04 | |
of the 16th century, we could feel ourselves people. | 0:21:04 | 0:21:09 | |
We could feel free, we could feel ourselves Ukrainians. | 0:21:09 | 0:21:12 | |
It seems that Ukrainians look to the Cossacks to establish their national | 0:21:12 | 0:21:17 | |
-identity, their heritage. -Yeah, for sure. | 0:21:17 | 0:21:19 | |
Like, everyone has this Cossack blood. I am a Cossack. | 0:21:19 | 0:21:23 | |
I have it in my veins for sure and actually I believe that it's | 0:21:23 | 0:21:28 | |
important to know about our national heroes, to know about our history | 0:21:28 | 0:21:33 | |
and to tell it to our future generations, to our kids, | 0:21:33 | 0:21:37 | |
to our grandchildren, just not to let them forget who we are. | 0:21:37 | 0:21:41 | |
From the 17th century, the lands of the Cossacks were absorbed into the | 0:21:54 | 0:21:59 | |
expanding Russian Empire and their church was subordinated to Moscow. | 0:21:59 | 0:22:03 | |
Russians designated Ukraine "Little Russia". | 0:22:03 | 0:22:07 | |
I've come to meet historian Yaroslav Hrytsak | 0:22:09 | 0:22:13 | |
to find out why that history has so much resonance today. | 0:22:13 | 0:22:17 | |
Jaroslav, what is the special relationship | 0:22:19 | 0:22:22 | |
between Ukraine and Russia? | 0:22:22 | 0:22:24 | |
In many senses, Russia used to define itself and still defines to | 0:22:24 | 0:22:28 | |
a large extent in religious terms. | 0:22:28 | 0:22:30 | |
And this means the orthodoxy. | 0:22:30 | 0:22:32 | |
And this place is the cradle of the orthodoxy itself. | 0:22:32 | 0:22:36 | |
So Russia sees this place as the start of its own history. | 0:22:36 | 0:22:40 | |
Apart of the symbolic meaning, there is a very pragmatic reasons. | 0:22:40 | 0:22:43 | |
First of all, whoever has control of this region has strategical advantage. | 0:22:43 | 0:22:46 | |
You have to feed the Army and the grain is here. | 0:22:46 | 0:22:49 | |
Natural resources. | 0:22:49 | 0:22:51 | |
By the end of the century, | 0:22:51 | 0:22:52 | |
Eastern Ukraine has the largest industrial centre | 0:22:52 | 0:22:55 | |
of the Russian Empire which produced steel and mine, | 0:22:55 | 0:22:58 | |
also strategically important. | 0:22:58 | 0:22:59 | |
And last but not least, access to the Black Sea. | 0:22:59 | 0:23:01 | |
Everyone knows about the conflict between Russia and Ukraine | 0:23:01 | 0:23:04 | |
in the 21st-century. Is it partly a conflict about who owns the history? | 0:23:04 | 0:23:09 | |
I would not say partly. It's very much so. | 0:23:09 | 0:23:11 | |
It's very much so, because the main issue | 0:23:11 | 0:23:13 | |
is who claims historical legitimacy of this territory. | 0:23:13 | 0:23:16 | |
I've arrived at a monument constructed in 1982 | 0:23:22 | 0:23:25 | |
when Kiev was still an integral part of the Soviet Union. | 0:23:25 | 0:23:30 | |
It was built to celebrate Russian-Ukrainian friendship. | 0:23:30 | 0:23:33 | |
With so much shared history, it was inevitable that Ukrainian | 0:23:35 | 0:23:39 | |
independence would provoke a mixed response. | 0:23:39 | 0:23:42 | |
-Excuse me. -Hello. -Are you Ukrainian? | 0:23:42 | 0:23:44 | |
-Yes. -I was just looking at the statue here. | 0:23:44 | 0:23:47 | |
Was it important to you that Ukraine is now independent? | 0:23:47 | 0:23:50 | |
Yes, of course. | 0:23:50 | 0:23:51 | |
It's very important for me because I was born in 1981 | 0:23:51 | 0:23:55 | |
and I feel that I'm more Ukrainian, not Russian any more. | 0:23:55 | 0:23:59 | |
You are a child of independence, | 0:23:59 | 0:24:00 | |
you were born in the year of independence? | 0:24:00 | 0:24:03 | |
Yes, I am. Yeah. | 0:24:03 | 0:24:04 | |
I don't like when our countries separate, I don't like it, | 0:24:04 | 0:24:08 | |
because I have friends in the Russian country, | 0:24:08 | 0:24:13 | |
I have a lot of friends and I like Russian people. | 0:24:13 | 0:24:17 | |
On my rail journeys, I encounter history and I sometimes make | 0:24:19 | 0:24:23 | |
the mistake of believing that it's done and dusted, | 0:24:23 | 0:24:26 | |
as though history had come to an end. | 0:24:26 | 0:24:28 | |
But with Russia and Ukraine locked in conflict | 0:24:28 | 0:24:32 | |
over territory and historical memory, | 0:24:32 | 0:24:35 | |
here in Kiev, I feel my journey is about the future. | 0:24:35 | 0:24:38 | |
We don't know how this story ends. | 0:24:38 | 0:24:41 | |
A political map of Europe, 1913, the year of my Bradshaw's Guide | 0:25:03 | 0:25:07 | |
and the first thing that strikes you is the enormity of Russia. | 0:25:07 | 0:25:12 | |
This tells you how important is Ukraine. | 0:25:12 | 0:25:14 | |
This is the bread basket for Russia, | 0:25:14 | 0:25:16 | |
but also the access for so much of Mother Russia to the outer world is | 0:25:16 | 0:25:22 | |
through the Black Sea and through Ukraine. | 0:25:22 | 0:25:25 | |
My journey will take me now from Kiev to Lemberg, | 0:25:25 | 0:25:30 | |
now known as Lviv, in those days across the border | 0:25:30 | 0:25:33 | |
in the Austro-Hungarian Empire | 0:25:33 | 0:25:35 | |
and then I will travel back into what was the Russian sector | 0:25:35 | 0:25:38 | |
at Odessa on the Black Sea. | 0:25:38 | 0:25:41 | |
-Are you travelling to Lviv? -Yes. -What's Lviv like? | 0:25:44 | 0:25:48 | |
I have come from Kiev, is it different from Kiev? | 0:25:48 | 0:25:51 | |
Yes, it actually is. | 0:25:51 | 0:25:53 | |
Because Kiev is like a busy Ukrainian city, like, | 0:25:53 | 0:25:56 | |
more making money and live your own life and Lviv it's more like | 0:25:56 | 0:26:01 | |
culture, it's more about soul and people think more about tradition. | 0:26:01 | 0:26:05 | |
The rail journey from Kiev to Lviv is five and a half hours | 0:26:15 | 0:26:19 | |
on a nonstop fast train. | 0:26:19 | 0:26:22 | |
Without changing country, it feels as though I'm moving from | 0:26:27 | 0:26:31 | |
eastern to western Europe. | 0:26:31 | 0:26:34 | |
Bradshaw's tells me that Lemberg, as it was then known, | 0:26:34 | 0:26:38 | |
already had a population of more than 200,000. | 0:26:38 | 0:26:42 | |
Surely, such a sizeable city deserves to be better known. | 0:26:42 | 0:26:47 | |
Arriving in Lviv, | 0:27:03 | 0:27:05 | |
I'm plunged into its old world charm | 0:27:05 | 0:27:08 | |
of classical buildings and cobbled streets. | 0:27:08 | 0:27:11 | |
But, for now, I'll leave architecture aside | 0:27:11 | 0:27:14 | |
as I'm on a secret mission. | 0:27:14 | 0:27:16 | |
I'm headed for a bar which is called Kryivka, which means bunker. | 0:27:16 | 0:27:20 | |
It celebrates the activities of the Ukraine insurgent army which fought | 0:27:20 | 0:27:27 | |
successively against the Nazis, the Soviets, | 0:27:27 | 0:27:29 | |
the Poles and the Czechoslovaks. | 0:27:29 | 0:27:31 | |
And they are still worried about enemies, | 0:27:31 | 0:27:34 | |
so to get in I need a password, | 0:27:34 | 0:27:36 | |
and the password is "glory to Ukraine". | 0:27:36 | 0:27:39 | |
A secret door. | 0:28:17 | 0:28:20 | |
Slava Ukrayini! | 0:28:20 | 0:28:21 | |
Never before have I had to swear not to be a communist or a | 0:28:34 | 0:28:38 | |
Moscowvite in order to get a drink, | 0:28:38 | 0:28:40 | |
but, whatever it takes, I seem to have arrived at the very | 0:28:40 | 0:28:44 | |
heartland of Ukrainian patriotism. | 0:28:44 | 0:28:46 | |
Elegant and cultured, the city of Lviv | 0:29:00 | 0:29:04 | |
exudes a kind of battered charm. | 0:29:04 | 0:29:07 | |
Everything here stands in stark contrast to the capital - | 0:29:07 | 0:29:11 | |
starting with the churches. | 0:29:11 | 0:29:13 | |
Behind me, the enormous dome of the Roman Catholic Dominican Cathedral. | 0:29:13 | 0:29:18 | |
That train ride from Kiev carried me away from Russian Orthodoxy. | 0:29:18 | 0:29:23 | |
Lviv is certainly challenging my preconceptions about the former | 0:29:33 | 0:29:36 | |
Soviet Union, and the buildings described in my Bradshaw's | 0:29:36 | 0:29:40 | |
have Austrian names, like Rathaus. | 0:29:40 | 0:29:43 | |
This feels much more like the city of Wolfgang Amadeus Mozart | 0:29:43 | 0:29:47 | |
than of Joseph Stalin. | 0:29:47 | 0:29:50 | |
And my early impression is that people here are fervently | 0:29:50 | 0:29:54 | |
Ukrainian, perhaps even more so than they were in Kiev. | 0:29:54 | 0:29:58 | |
Free from the crushing rule of the Russian tsars, | 0:30:15 | 0:30:18 | |
Ukrainian nationalism flourished in Lviv under the more benign rule | 0:30:18 | 0:30:23 | |
of the Austro-Hungarian Empire. | 0:30:23 | 0:30:25 | |
CHOIR SINGS UKRANIAN NATIONAL ANTHEM | 0:30:25 | 0:30:27 | |
The very title of the song, Ukraine Has Not Died Yet, | 0:30:37 | 0:30:41 | |
reflects the country's perilous journey towards statehood. | 0:30:41 | 0:30:45 | |
Suppressed by the Soviets, the anthem was officially adopted | 0:30:45 | 0:30:49 | |
only in 1992. | 0:30:49 | 0:30:51 | |
APPLAUSE | 0:30:58 | 0:31:00 | |
Dmitro, that was fantastic. Thank you very much, indeed. | 0:31:02 | 0:31:05 | |
-Do you mind if I speak to the choir for a moment? -Of course. | 0:31:05 | 0:31:08 | |
Hello, choir! | 0:31:08 | 0:31:09 | |
Hello. | 0:31:09 | 0:31:11 | |
Anyone speak English? | 0:31:11 | 0:31:12 | |
Yes! | 0:31:12 | 0:31:14 | |
Those of you that speak English, how did you feel today, singing your national anthem? | 0:31:14 | 0:31:18 | |
Very nice. | 0:31:18 | 0:31:20 | |
-Do you feel good? -Yes! | 0:31:20 | 0:31:22 | |
And what was the song about? | 0:31:22 | 0:31:24 | |
-Glory! -What else? | 0:31:24 | 0:31:26 | |
Peace and prosperity. | 0:31:26 | 0:31:28 | |
Any mention of the Cossacks? | 0:31:28 | 0:31:30 | |
-Yes! -What do you say about the Cossacks? | 0:31:30 | 0:31:32 | |
We will show everyone that we are Cossacks, very strong men. | 0:31:32 | 0:31:36 | |
Thank you, choir. Wonderful performance. | 0:31:36 | 0:31:38 | |
Such patriotic fervour owes its strength to one man | 0:31:48 | 0:31:52 | |
who single-handedly stoked a new wave of national feeling. | 0:31:52 | 0:31:56 | |
Taras Shevchenko, leading figure in a Ukrainian national revival, | 0:31:58 | 0:32:03 | |
this one in the 19th century, but, unlike the Kievan Rus' or the Cossacks, | 0:32:03 | 0:32:08 | |
his weapons were not the sword and the whip | 0:32:08 | 0:32:11 | |
but rather the pen and the paintbrush. | 0:32:11 | 0:32:14 | |
There are more statues of Shevchenko in Ukraine than any other | 0:32:17 | 0:32:21 | |
secular figure. | 0:32:21 | 0:32:23 | |
I've come to the Ivan Franko National University to talk | 0:32:29 | 0:32:33 | |
to Professor Iryna Starovoyt, an expert on the poet. | 0:32:33 | 0:32:36 | |
Libraries are one of my favourite things | 0:32:40 | 0:32:42 | |
in the world and this one has the musty smell of dust, | 0:32:42 | 0:32:46 | |
and ancient books and human wisdom. | 0:32:46 | 0:32:49 | |
Iryna, tell me about the poet, Shevchenko. | 0:32:51 | 0:32:55 | |
Well, he was born in 1814 as a second-generation serf | 0:32:55 | 0:33:00 | |
in the Russian Empire but he was actually bought out of serfdom | 0:33:00 | 0:33:05 | |
because of his artistic gift and he's managed to become | 0:33:05 | 0:33:09 | |
an academician, painter and a very important poet. | 0:33:09 | 0:33:16 | |
So, what was it that he was writing, what was political? | 0:33:16 | 0:33:20 | |
He was very ironic about Russian imperialist regimes and he was, | 0:33:20 | 0:33:26 | |
we would say in contemporary speech, deconstructing them. | 0:33:26 | 0:33:30 | |
Shevchenko was arrested for criticising the Tsar | 0:33:30 | 0:33:34 | |
and sentenced to a form of penal servitude, | 0:33:34 | 0:33:37 | |
25 years as a private in an army battalion. | 0:33:37 | 0:33:41 | |
And Tsar Nicholas II himself added a devastating rider. | 0:33:41 | 0:33:47 | |
Taras was to be completely prohibited from writing and painting. | 0:33:47 | 0:33:51 | |
That would have been the worst part of the sentence for him. | 0:33:51 | 0:33:54 | |
Absolutely, yes. | 0:33:54 | 0:33:56 | |
Because that was sentencing not only your body but also your soul and | 0:33:56 | 0:34:00 | |
your mind. | 0:34:00 | 0:34:01 | |
Shevchenko put that in his diary later on, saying that even if he | 0:34:01 | 0:34:06 | |
would be a monster, a vampire, | 0:34:06 | 0:34:09 | |
such a sentence would be the cruellest torture ever. | 0:34:09 | 0:34:13 | |
Appalling. | 0:34:13 | 0:34:14 | |
Iryna, what a very beautiful library this is. | 0:34:26 | 0:34:29 | |
Absolutely exquisite. | 0:34:29 | 0:34:31 | |
Indeed, and it contains some exquisite books as well. | 0:34:31 | 0:34:34 | |
One of them is Shevchenko's volume of poetry | 0:34:34 | 0:34:36 | |
printed during his lifetime. | 0:34:36 | 0:34:39 | |
Tell me about the circumstances of the poem that you are going to read? | 0:34:39 | 0:34:44 | |
He, at that time 33 years old, was sitting | 0:34:44 | 0:34:48 | |
in Novopetrovskoe Fortress, thinking | 0:34:48 | 0:34:51 | |
he will never see his beloved fatherland again. | 0:34:51 | 0:34:55 | |
IRYNA READS IN THE FORTRESS | 0:34:57 | 0:35:00 | |
"It does not touch me, not a whit | 0:35:03 | 0:35:05 | |
"If I live in Ukraine, or no | 0:35:05 | 0:35:07 | |
"If men recall me, or forget, | 0:35:07 | 0:35:10 | |
"Lost as I am in foreign snow - | 0:35:10 | 0:35:13 | |
"Touches me not the slightest whit. | 0:35:13 | 0:35:15 | |
"But it does touch me deep if knaves, | 0:35:15 | 0:35:18 | |
"Evil rogues lull our Ukraine asleep | 0:35:18 | 0:35:22 | |
"And only in the flames let her all plundered, wake again. | 0:35:22 | 0:35:27 | |
"That touches me with deepest pain." | 0:35:27 | 0:35:30 | |
I'm curious to see whether Shevchenko's words mean as | 0:35:33 | 0:35:37 | |
much to the younger generation. | 0:35:37 | 0:35:39 | |
Are you great fans of the poet Shevchenko? | 0:35:39 | 0:35:42 | |
He's like a prophet to us, because he was living back | 0:35:42 | 0:35:45 | |
in the 19th century, but all of his words are topical even now | 0:35:45 | 0:35:48 | |
in the 21st century. | 0:35:48 | 0:35:50 | |
Independence of Ukraine was the most important thing in his life, | 0:35:50 | 0:35:54 | |
and his words are filled with this feeling that he loves Ukraine, | 0:35:54 | 0:35:58 | |
that he was proud to be Ukrainian and he could see the bright future of our country. | 0:35:58 | 0:36:03 | |
Perhaps there's only one thing that draws us close to the | 0:36:12 | 0:36:15 | |
Ukrainian soul as Shevchenko's poetry, | 0:36:15 | 0:36:18 | |
that's the national cuisine. | 0:36:18 | 0:36:20 | |
I'm told that the very best Ukrainian food is served not in | 0:36:22 | 0:36:26 | |
restaurants, but in the home. | 0:36:26 | 0:36:28 | |
Ivana, Katerina? | 0:36:28 | 0:36:31 | |
-Hello. -Hi. -Are you Ivana? -Yes, I am. | 0:36:31 | 0:36:34 | |
-I'm Michael. -This is Katerina. | 0:36:34 | 0:36:36 | |
Thank you so much for inviting me to your home, Katerina. | 0:36:36 | 0:36:39 | |
Katerina is known as the best cook in the neighbourhood | 0:36:39 | 0:36:41 | |
and Ivana's here to help. | 0:36:41 | 0:36:43 | |
My goodness, there's food everywhere. | 0:36:43 | 0:36:46 | |
Now, I've heard about this thing called Vareniki. | 0:36:46 | 0:36:50 | |
Yes, Vareniki, you're perfectly correct. | 0:36:50 | 0:36:53 | |
That's the most favourite dish of Ukrainian cuisine, | 0:36:53 | 0:36:57 | |
and now you'll have a chance to try and make it because it's not that | 0:36:57 | 0:37:02 | |
hard, but very tasty, though. | 0:37:02 | 0:37:04 | |
Oh, thank you, thank you. | 0:37:04 | 0:37:06 | |
What do you think, Katerina? | 0:37:06 | 0:37:08 | |
Beautiful. | 0:37:08 | 0:37:09 | |
So, we have a dough over here and, out of this one, | 0:37:12 | 0:37:16 | |
Vareniki is usually made. | 0:37:16 | 0:37:18 | |
Vareniki are a type of filled pasta. | 0:37:18 | 0:37:21 | |
-So, now we cut them out. -Yeah. | 0:37:21 | 0:37:24 | |
What is this filling? | 0:37:27 | 0:37:28 | |
This is a sour cheese filling. | 0:37:28 | 0:37:32 | |
Oh, thank you. | 0:37:32 | 0:37:33 | |
In Ukraine we say that Vareniki have to be small, | 0:37:34 | 0:37:39 | |
otherwise if they are too big to swallow in one bite | 0:37:39 | 0:37:42 | |
then it means that the wife is lazy. | 0:37:42 | 0:37:44 | |
I'm just dying to lick my finger, because this looks | 0:37:47 | 0:37:50 | |
absolutely delicious. | 0:37:50 | 0:37:52 | |
Vareniki are so important in the life of Ukrainians that we even how | 0:37:52 | 0:37:56 | |
whole love stories and the tragedies devoted to Vareniki. | 0:37:56 | 0:37:59 | |
One of the most popular is when the young man loves the girl | 0:37:59 | 0:38:05 | |
and Vareniki that she makes. | 0:38:05 | 0:38:07 | |
Then the enemies come and stole the girl and Vareniki. | 0:38:07 | 0:38:11 | |
He goes to his friends and together they fight back to liberate the girl | 0:38:11 | 0:38:16 | |
and Vareniki, of course. | 0:38:16 | 0:38:18 | |
So, Vareniki are the way to a man's heart. | 0:38:18 | 0:38:21 | |
-Oh, for sure. -Now, in the... | 0:38:21 | 0:38:25 | |
-In the water. -In the water. | 0:38:25 | 0:38:27 | |
The water has to be boiling, one and then... | 0:38:27 | 0:38:29 | |
The water is boiling. | 0:38:29 | 0:38:31 | |
In they pop. | 0:38:31 | 0:38:32 | |
They are cooked incredibly quickly. | 0:38:37 | 0:38:39 | |
Ah, they look very good. | 0:38:45 | 0:38:47 | |
-That's how it should be. -A little sour cream like that. | 0:38:47 | 0:38:50 | |
In Ukrainian cuisine, we have another thing than just bon appetit, | 0:38:50 | 0:38:56 | |
we have a smachno. | 0:38:56 | 0:38:58 | |
Let you to have a tasty food. | 0:38:58 | 0:39:00 | |
-Smachno. -Smachno. | 0:39:00 | 0:39:03 | |
Mm, that is good. | 0:39:06 | 0:39:08 | |
-It's very cheesy, a little bit sweet and a very lovely dough. -Michael. | 0:39:08 | 0:39:12 | |
-IVANA TRANSLATES: -That was a good job. | 0:39:12 | 0:39:14 | |
Oh, thank you. | 0:39:14 | 0:39:15 | |
The romance of the night express carrying me to the Black Sea. | 0:39:32 | 0:39:37 | |
Travelling in Ukraine is very affordable. | 0:39:40 | 0:39:43 | |
For less than £20 you can sleep in comfort through the 12-hour journey. | 0:39:43 | 0:39:48 | |
Ah, I have a private compartment all to myself | 0:39:48 | 0:39:52 | |
with homely touches like a pillow printed to look | 0:39:52 | 0:39:57 | |
like a sort of folk costume, | 0:39:57 | 0:40:01 | |
and curtains made to look like silk. | 0:40:01 | 0:40:04 | |
And now, if you'll excuse me, I'm feeling very tired. | 0:40:06 | 0:40:09 | |
Goodnight. | 0:40:09 | 0:40:11 | |
Good morning. | 0:40:24 | 0:40:26 | |
Ah, a little chai, black tea in the morning. | 0:40:32 | 0:40:37 | |
I shall shortly arrive in Odessa. | 0:40:49 | 0:40:51 | |
Bradshaw's tells me it's the most important commercial place | 0:40:51 | 0:40:55 | |
on the Black Sea. | 0:40:55 | 0:40:56 | |
"Regarded as the fourth town of Russia." | 0:40:56 | 0:40:58 | |
I know this city only from its legends, | 0:40:58 | 0:41:02 | |
having passed into history as the creation of Catherine the Great. | 0:41:02 | 0:41:06 | |
Into literature as the home to an enormous dynamic Jewish population, | 0:41:06 | 0:41:12 | |
and into mythology because of Eisenstein's film, | 0:41:12 | 0:41:15 | |
the Battleship Potemkin. | 0:41:15 | 0:41:17 | |
In coming here today I fulfil a personal lifelong ambition. | 0:41:17 | 0:41:22 | |
This station, with its shiny dome, | 0:41:29 | 0:41:32 | |
immediately makes me feel that I've arrived at a seaside pavilion. | 0:41:32 | 0:41:37 | |
Odessa Station dates from the birth of the railway itself in the | 0:41:39 | 0:41:43 | |
latter half of the 19th century. | 0:41:43 | 0:41:45 | |
In bygone days, stations were often referred to as cathedrals of steam | 0:41:45 | 0:41:50 | |
and this one has a dome, and pillars, | 0:41:50 | 0:41:52 | |
and a balustrade and chandeliers. | 0:41:52 | 0:41:55 | |
What a welcome to a great city. | 0:41:55 | 0:41:57 | |
Empress of Russia, Catherine the Great, | 0:42:01 | 0:42:04 | |
imagined Odessa as a St Petersburg of the south. | 0:42:04 | 0:42:07 | |
It seems that peeling back the Soviet layer, | 0:42:09 | 0:42:13 | |
the city is rediscovering its cosmopolitan side, | 0:42:13 | 0:42:15 | |
with the sunny climate and the sandy beaches that have made it a populous | 0:42:15 | 0:42:19 | |
seaside resort since the 19th century. | 0:42:19 | 0:42:23 | |
Looking like pink and white icing sugar, | 0:42:23 | 0:42:26 | |
and mentioned in my Bradshaw's Guide, | 0:42:26 | 0:42:29 | |
the Hotel Bristol had a name that would have made of the early | 0:42:29 | 0:42:32 | |
20th century British traveller feel reassuringly at home. | 0:42:32 | 0:42:36 | |
In 1905, shortly after the Bristol Hotel opened its doors, | 0:42:42 | 0:42:45 | |
the London newspapers carried the story of a mutiny at Odessa. | 0:42:45 | 0:42:50 | |
The crew of the battleship Potemkin | 0:42:50 | 0:42:52 | |
had murdered the captain and thrown his body overboard. | 0:42:52 | 0:42:55 | |
The ruthless response of the Tsar's forces was reimagined | 0:42:57 | 0:43:01 | |
for cinema on the monumental stone steps at the gateway | 0:43:01 | 0:43:05 | |
to Odessa's port. | 0:43:05 | 0:43:06 | |
In Eisenstein's 1925 film the Battleship Potemkin, | 0:43:09 | 0:43:14 | |
the Russian soldiers were stationed at the top and gunned down men, | 0:43:14 | 0:43:19 | |
women and children on these steps. | 0:43:19 | 0:43:22 | |
It was commissioned by the Soviet authorities to mark the 20th anniversary of the mutiny. | 0:43:22 | 0:43:28 | |
It's absolutely correct that more than 1,000 citizens were massacred, | 0:43:28 | 0:43:33 | |
but the events did not unfold in the spectacular way depicted in the | 0:43:33 | 0:43:39 | |
movie, but set against such cinematic drama | 0:43:39 | 0:43:42 | |
the truth has stood no chance ever since. | 0:43:42 | 0:43:45 | |
Privoz Market started in 1827 | 0:44:12 | 0:44:15 | |
as a handful of horse-drawn carts, | 0:44:15 | 0:44:17 | |
and has grown to be the largest food market in Odessa, | 0:44:17 | 0:44:20 | |
and indeed Ukraine, | 0:44:20 | 0:44:22 | |
or, according to some locals, in the entire world. | 0:44:22 | 0:44:25 | |
Dobre? | 0:44:25 | 0:44:28 | |
Erm... | 0:44:28 | 0:44:29 | |
Cherries. | 0:44:29 | 0:44:31 | |
Vyshnya. | 0:44:31 | 0:44:33 | |
Dyakuyu. | 0:44:40 | 0:44:41 | |
-Do pobachennya. -Do pobachennya. | 0:44:41 | 0:44:43 | |
By comparison with the rest of Ukraine, | 0:44:45 | 0:44:48 | |
here in Odessa I'm seeing a greater variety of faces. | 0:44:48 | 0:44:53 | |
Different ethnic types. | 0:44:53 | 0:44:54 | |
The place is more cosmopolitan, | 0:44:54 | 0:44:57 | |
a kind of human fruit salad. | 0:44:57 | 0:44:58 | |
I want to find out what lies behind the cultural and ethnic mix of the | 0:45:03 | 0:45:08 | |
city from an historian. | 0:45:08 | 0:45:11 | |
Olga, we meet in this absolutely beautiful square | 0:45:11 | 0:45:14 | |
with a view over the Black Sea. | 0:45:14 | 0:45:16 | |
But also, this immense statue of Catherine the Great. | 0:45:16 | 0:45:20 | |
Why is she commemorated in Odessa? | 0:45:20 | 0:45:22 | |
Well, she was instrumental in the city's foundation. | 0:45:22 | 0:45:25 | |
In the 1760s, '70s and then '80s | 0:45:25 | 0:45:29 | |
she carried out a series of military operations. | 0:45:29 | 0:45:31 | |
The Ottomans were pushed back and the Russian Empire gained | 0:45:31 | 0:45:34 | |
territories along the Black Sea including this piece of land. | 0:45:34 | 0:45:39 | |
And the city was founded in 1794. | 0:45:39 | 0:45:42 | |
Catherine started to plan the city with broad, straight avenues | 0:45:43 | 0:45:47 | |
and classical buildings. | 0:45:47 | 0:45:48 | |
But only after her death did it really blossom. | 0:45:50 | 0:45:55 | |
And to whom do we owe the city as it is with its very Western-style? | 0:45:55 | 0:45:58 | |
To a large extent, to a French aristocrat, Richelieu, | 0:45:58 | 0:46:03 | |
who was appointed the city governor in 1803 by the Russian Tsar. | 0:46:03 | 0:46:09 | |
This land initially didn't have many people, | 0:46:09 | 0:46:11 | |
so the Russian Empire needed to attract people here, | 0:46:11 | 0:46:14 | |
so the first brochures, | 0:46:14 | 0:46:16 | |
the first articles about Odessa in European languages, | 0:46:16 | 0:46:18 | |
this was his initiative. | 0:46:18 | 0:46:20 | |
And that attracted the European merchants here. | 0:46:20 | 0:46:22 | |
How brilliant. | 0:46:22 | 0:46:24 | |
My guidebook is from 1913, | 0:46:24 | 0:46:25 | |
and it tells me that by then it's the fourth largest Russian city. | 0:46:25 | 0:46:30 | |
Who was living here? | 0:46:30 | 0:46:31 | |
The population was very multinational since its foundation. | 0:46:31 | 0:46:35 | |
A French aristocrat visited Odessa during Richelieu times | 0:46:35 | 0:46:39 | |
and he left a note which said that through the beautiful squares | 0:46:39 | 0:46:43 | |
strolled the Greek, the Turk, the Jew, the Moldavian, and the Russian. | 0:46:43 | 0:46:48 | |
The Englishman, and the French, and the German. | 0:46:48 | 0:46:51 | |
Many of them wearing the costumes proper to each | 0:46:51 | 0:46:54 | |
and speaking different tongues. | 0:46:54 | 0:46:56 | |
And the Jews were a big part of this? | 0:46:56 | 0:46:58 | |
Yeah, the Jews started coming here from the city's inception. | 0:46:58 | 0:47:02 | |
By late 1800s they made about 30% of local population. | 0:47:02 | 0:47:08 | |
The rich Jewish culture of Odessa was recorded by its many writers and artists. | 0:47:08 | 0:47:13 | |
Most famously in the short stories of Isaac Babel. | 0:47:13 | 0:47:17 | |
Today, Jews make up just under 5% of the population, | 0:47:17 | 0:47:21 | |
but the fact that they're here at all is a small miracle. | 0:47:21 | 0:47:25 | |
I've come to the city's great synagogue | 0:47:27 | 0:47:30 | |
which is at the heart of the community. | 0:47:30 | 0:47:33 | |
Given that the Jewish population of Odessa was wiped out | 0:47:42 | 0:47:46 | |
during the Second World War, | 0:47:46 | 0:47:47 | |
it's a pleasant surprise to find the faith | 0:47:47 | 0:47:50 | |
so fervently practised here today. | 0:47:50 | 0:47:51 | |
London-born Refael Kruskal is the senior rabbi here. | 0:47:53 | 0:47:56 | |
It's very, very good to see you. | 0:47:56 | 0:47:58 | |
Nice to see you. | 0:47:58 | 0:48:00 | |
Today, are you a sizeable Jewish community in Odessa? | 0:48:00 | 0:48:02 | |
We are one of the largest Jewish communities, I would say, | 0:48:02 | 0:48:04 | |
in the former Soviet Union and the most vibrant, for sure. | 0:48:04 | 0:48:08 | |
Even bigger than cities like Moscow and Kiev | 0:48:08 | 0:48:12 | |
because of the fact that Odessa was always a Jewish city. | 0:48:12 | 0:48:16 | |
Jews came to Odessa because they found a welcome here. | 0:48:19 | 0:48:21 | |
During the 18th century, Catherine the Great reserved an area | 0:48:23 | 0:48:27 | |
of 1 million square kilometres, known as the Pale of Settlement, | 0:48:27 | 0:48:31 | |
in which Jews were required to reside. | 0:48:31 | 0:48:35 | |
But the liberal minded tolerant Duc De Richelieu | 0:48:35 | 0:48:37 | |
arriving to govern Odessa saw what the Jews could offer. | 0:48:37 | 0:48:43 | |
The Mayor of Odessa Richelieu | 0:48:43 | 0:48:45 | |
decided he wanted to let as many Jews in as possible. | 0:48:45 | 0:48:48 | |
He wanted to go out and tell them how important their involvement | 0:48:48 | 0:48:52 | |
for building Odessa was and they built up the banking industry, | 0:48:52 | 0:48:56 | |
the export and import, | 0:48:56 | 0:48:57 | |
and they became very, very important in Odessa. | 0:48:57 | 0:49:01 | |
But anti-Semitism was never far from the surface in this part of Eastern Europe. | 0:49:02 | 0:49:05 | |
Violent attacks on Jews, known as pogroms, occurred sporadically in Odessa. | 0:49:05 | 0:49:12 | |
And at the time of my guidebook were seared into the memory. | 0:49:12 | 0:49:15 | |
1905 is the worst of the pogroms. | 0:49:17 | 0:49:20 | |
Does that really mark the high water point of the Jewish population? | 0:49:20 | 0:49:24 | |
There were about 300 people killed during the pogroms of 1905, | 0:49:24 | 0:49:28 | |
and lots of people you'll meet around the world from Odessan descent | 0:49:28 | 0:49:33 | |
will tell you that their grandparents left after 1905. | 0:49:33 | 0:49:36 | |
Among those who fled Odessa after the pogrom | 0:49:37 | 0:49:40 | |
were the grandparents of both singer Bob Dylan | 0:49:40 | 0:49:43 | |
and film director Steven Spielberg. | 0:49:43 | 0:49:46 | |
For those remained, life returned to normal, | 0:49:47 | 0:49:50 | |
but in the decades ahead worse was to come. | 0:49:50 | 0:49:53 | |
The Jewish population was eliminated in 1941. | 0:49:54 | 0:49:58 | |
How is it that there could be any kind of a revival after that? | 0:49:58 | 0:50:02 | |
People felt comfortable to come back, | 0:50:03 | 0:50:05 | |
they didn't blame, as such, the Ukrainians, | 0:50:05 | 0:50:09 | |
and the local people knew their culture, so they welcomed them back. | 0:50:09 | 0:50:12 | |
Rabbi, are you optimistic about the future of the Jewish community of Odessa? | 0:50:12 | 0:50:16 | |
There's lots and lots of Jews who want to stay here, | 0:50:16 | 0:50:18 | |
they feel very connected to their roots in Ukraine. | 0:50:18 | 0:50:20 | |
Though Ukraine is going through a difficult period, | 0:50:20 | 0:50:23 | |
I think that the Jews of Odessa and the Jews of Ukraine will survive it | 0:50:23 | 0:50:26 | |
with the Ukrainians and get to a much better period | 0:50:26 | 0:50:32 | |
where they'll be, well, where they will be able to flourish. | 0:50:32 | 0:50:34 | |
This little train is taking me to Kuyalnik Lyman, | 0:50:53 | 0:50:57 | |
which Bradshaw's tells me is a bathing resort | 0:50:57 | 0:51:00 | |
five miles east of Odessa | 0:51:00 | 0:51:02 | |
with a town hydropathic establishment. | 0:51:02 | 0:51:04 | |
I'm informed that Lyman means wet sand or mud bath. | 0:51:04 | 0:51:10 | |
For over 200 years, people have been travelling to the Kuyalnik Estuary | 0:51:12 | 0:51:16 | |
to seek relief for all sorts of ailments. | 0:51:16 | 0:51:20 | |
And at the time of my guidebook, | 0:51:20 | 0:51:22 | |
it would have been at the height of its popularity. | 0:51:22 | 0:51:24 | |
After being separated from the Black Sea during the Middle Ages, | 0:51:26 | 0:51:29 | |
the estuary was converted into a huge salt lake | 0:51:29 | 0:51:33 | |
by the scorching southern sun. | 0:51:33 | 0:51:35 | |
Its mineral rich mud is reputed to have medicinal properties. | 0:51:35 | 0:51:40 | |
-Zdravstvuyte. -Zdravstvuyte. | 0:51:40 | 0:51:42 | |
Kuyalnik Lyman... Good? | 0:51:42 | 0:51:45 | |
You look very, very healthy on it. | 0:51:49 | 0:51:51 | |
Why don't I have the mud as well? | 0:51:54 | 0:51:55 | |
The clinic which opened on the banks of this estuary | 0:52:00 | 0:52:03 | |
became the largest and most modern in the whole of the Russian Empire, | 0:52:03 | 0:52:06 | |
growing even more under communism. | 0:52:06 | 0:52:08 | |
Much of the vast complex has now fallen derelict. | 0:52:10 | 0:52:14 | |
Faded glory. | 0:52:14 | 0:52:17 | |
Past grandeur. | 0:52:17 | 0:52:18 | |
I'm really attracted to this place with its picturesque shabbiness. | 0:52:22 | 0:52:27 | |
It may seem crass to say so, | 0:52:27 | 0:52:29 | |
but the tourist almost misses the Soviet Union | 0:52:29 | 0:52:32 | |
now that everywhere you go is so much the same. | 0:52:32 | 0:52:35 | |
Glass towers and fast food outlets. | 0:52:35 | 0:52:38 | |
Historian Vladimir has been delving into the archives. | 0:52:41 | 0:52:45 | |
What an amazingly historic and charming place. | 0:52:45 | 0:52:48 | |
When did this hydropathic establishment first open? | 0:52:48 | 0:52:52 | |
It was 1843. | 0:52:52 | 0:52:53 | |
Erast Andriyevsky, you can see his statue here, | 0:52:53 | 0:52:56 | |
he was a doctor in the Russian army. | 0:52:56 | 0:52:59 | |
So he founded the first special resort. | 0:52:59 | 0:53:03 | |
What is special about the mud? | 0:53:03 | 0:53:05 | |
This mud is unique for all skin problems | 0:53:05 | 0:53:10 | |
and with some venereal diseases, it was this kind of stories. | 0:53:10 | 0:53:13 | |
It was obviously extremely popular. | 0:53:13 | 0:53:15 | |
Was it, like other spas, also a place for the rich and for the famous? | 0:53:15 | 0:53:19 | |
It was very popular and in the Russian Empire it was unique. | 0:53:19 | 0:53:22 | |
And Nicholas II, | 0:53:22 | 0:53:24 | |
he visited here and inside this complex a special residence | 0:53:24 | 0:53:29 | |
was constructed for the tsar and for the family. | 0:53:29 | 0:53:34 | |
The Tsar was not alone. | 0:53:35 | 0:53:36 | |
So popular was this clinic with the upper echelons of society | 0:53:36 | 0:53:40 | |
that a special train service was laid on from Moscow. | 0:53:40 | 0:53:43 | |
The spa is still open for business. | 0:53:44 | 0:53:46 | |
And what's good enough for the emperor and autocrat | 0:53:46 | 0:53:49 | |
of all the Russias is good enough for me. | 0:53:49 | 0:53:53 | |
The place feels like a cross between a monastery and a hospital. | 0:53:53 | 0:53:57 | |
None of the luxury or pampering that you might expect at a spa. | 0:53:57 | 0:54:01 | |
Oh. OK. Shorts off. | 0:54:06 | 0:54:08 | |
And the attendants are strict disciplinarians. | 0:54:08 | 0:54:11 | |
THEY SPEAK UKRANIAN | 0:54:22 | 0:54:24 | |
I'm telling her that it's very, very good | 0:54:26 | 0:54:28 | |
and actually there is a fearful smell of rotten eggs and... | 0:54:28 | 0:54:32 | |
..underneath me there's all this really... | 0:54:33 | 0:54:36 | |
sticky, muddy stuff. | 0:54:36 | 0:54:38 | |
Look at that. | 0:54:38 | 0:54:40 | |
But it feels soft and, oh, it's meant to do you lots of good. | 0:54:40 | 0:54:47 | |
Good for the skin, good for the bones, good for the joints. | 0:54:48 | 0:54:51 | |
I'm really pleased I'm here. | 0:54:51 | 0:54:53 | |
A lady wearing rubber boots and rubber gloves. | 0:55:06 | 0:55:09 | |
This does not look like good news. | 0:55:09 | 0:55:11 | |
I'm now lying in very warm mud | 0:55:20 | 0:55:23 | |
and the lady with the rubber gloves | 0:55:23 | 0:55:25 | |
has begun a fairly intimate massage, | 0:55:25 | 0:55:28 | |
using warm mud. | 0:55:28 | 0:55:30 | |
And, as they say in the movie business, it's a wrap! | 0:55:37 | 0:55:41 | |
I really can't leave town without visiting the opera house. | 0:55:51 | 0:55:55 | |
The Duc De Richelieu believed that placing the arts at the heart of the city | 0:55:57 | 0:56:01 | |
would attract the right kind of people to Odessa. | 0:56:01 | 0:56:04 | |
"The theatre, west side of Pushkin Street," says Bradshaw's, | 0:56:06 | 0:56:10 | |
"is one of the finest in Russia." | 0:56:10 | 0:56:12 | |
Surely an understatement. | 0:56:12 | 0:56:14 | |
Is not this one of the loveliest opera houses in the world? | 0:56:14 | 0:56:19 | |
The interior is one of the most stunning I've ever seen. | 0:56:32 | 0:56:35 | |
And on the stage they're preparing to rehearse Sleeping Beauty. | 0:56:35 | 0:56:40 | |
What a privilege. | 0:56:40 | 0:56:41 | |
MUSIC: The Sleeping Beauty by Tchaikovsky | 0:56:45 | 0:56:48 | |
The theatre's resident opera and ballet companies are world-class. | 0:57:02 | 0:57:07 | |
A fairy tale ending to my tour of Ukraine. | 0:57:09 | 0:57:12 | |
The Sleeping Beauty, music by Pyotr Tchaikovsky, | 0:57:30 | 0:57:33 | |
a Russian composer. | 0:57:33 | 0:57:36 | |
When I was in Kiev I felt that I was at the origin of Ukraine, | 0:57:36 | 0:57:39 | |
but also arguably of Russia, too. | 0:57:39 | 0:57:42 | |
And certainly at the heart of Russian orthodoxy. | 0:57:42 | 0:57:46 | |
Lviv feels like the product of Austrian and Polish Catholicism, | 0:57:46 | 0:57:51 | |
whilst Odessa was the conception of a Frenchman | 0:57:51 | 0:57:54 | |
and its history is that of the Jews, as much as anyone. | 0:57:54 | 0:57:59 | |
Despite this diverse heritage, | 0:57:59 | 0:58:02 | |
people everywhere feel enthusiastically Ukrainian. | 0:58:02 | 0:58:06 | |
Defiant that their nation should be free | 0:58:06 | 0:58:09 | |
to choose to span east and west. | 0:58:09 | 0:58:12 | |
Next, my borderland adventure takes me to Georgia and Azerbaijan, | 0:58:16 | 0:58:21 | |
home to medieval monasteries and magnificent mountains. | 0:58:21 | 0:58:24 | |
Peeking through the clouds now, 5047 metres up, we skim the top. | 0:58:24 | 0:58:31 | |
There I'll taste the Georgian soul. | 0:58:31 | 0:58:34 | |
You're drinking, now, my family's heart | 0:58:34 | 0:58:37 | |
and my family's energy inside of the glass. | 0:58:37 | 0:58:40 | |
And discover a source of great riches. | 0:58:40 | 0:58:43 | |
A view of the terminal from up here is absolutely extraordinary. | 0:58:43 | 0:58:47 | |
It is immense. | 0:58:47 | 0:58:49 |