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I'm Paul Hollywood, and I'm sort of a baker, | 0:00:03 | 0:00:05 | |
and part-time racing driver. | 0:00:05 | 0:00:08 | |
I love getting in cars, I love racing. | 0:00:08 | 0:00:11 | |
When I did that for the first time, | 0:00:11 | 0:00:12 | |
honestly, I've never been so excited in my life. | 0:00:12 | 0:00:15 | |
I've been into cars for as long as I can remember. | 0:00:17 | 0:00:20 | |
When I was a little boy, that was my favourite car. | 0:00:20 | 0:00:22 | |
DB5, James Bond car - that started my passion in cars. | 0:00:22 | 0:00:26 | |
They're more than just transport from A to B, | 0:00:26 | 0:00:29 | |
they're a thing of enjoyment | 0:00:29 | 0:00:30 | |
they're a thing, for me, that I use to de-stress. | 0:00:30 | 0:00:32 | |
What really fascinates me is what cars say about their owners | 0:00:34 | 0:00:37 | |
and about the people who made them. | 0:00:37 | 0:00:39 | |
# Don't worry | 0:00:39 | 0:00:41 | |
# Be happy. # | 0:00:41 | 0:00:42 | |
'In fact, I reckon you can learn a lot about a country | 0:00:42 | 0:00:45 | |
'by looking at the cars it produces...' | 0:00:45 | 0:00:47 | |
It is all just quite... merde. | 0:00:47 | 0:00:50 | |
'..and by driving on its roads.' | 0:00:50 | 0:00:51 | |
If you break the rules, you know, people will go nuts on you. | 0:00:51 | 0:00:54 | |
So, I'm off on a European road trip... | 0:00:55 | 0:00:58 | |
..visiting some of our most car-obsessed neighbours. | 0:00:59 | 0:01:02 | |
Checking out the history, the culture, the people, | 0:01:02 | 0:01:05 | |
and what makes the country very special when it comes to cars. | 0:01:05 | 0:01:08 | |
This time, I'm in a country where they're properly passionate | 0:01:10 | 0:01:13 | |
about their cars. | 0:01:13 | 0:01:15 | |
OK, we're about to head off on a six-day tour of Italy, | 0:01:16 | 0:01:20 | |
taking in quite a big chunk of it, actually. | 0:01:20 | 0:01:23 | |
1,000 miles in this country's sexiest, smallest and silliest cars. | 0:01:23 | 0:01:30 | |
We're going to start here in Rome. | 0:01:31 | 0:01:32 | |
Head north all the way to Maranello. | 0:01:34 | 0:01:37 | |
A little bit further north to Verona. | 0:01:39 | 0:01:41 | |
And then we're going to head west to Turin. | 0:01:43 | 0:01:46 | |
Then north into the Alps to Courmayeur. | 0:01:49 | 0:01:51 | |
Finally, last leg, south again to a mad festival in a town called Ivrea. | 0:01:54 | 0:01:59 | |
Absolutely pummelled! | 0:01:59 | 0:02:00 | |
'What I want to find out is, why the Italians build the cars they do...' | 0:02:02 | 0:02:06 | |
Look at this car! | 0:02:06 | 0:02:08 | |
'..what those cars say about them...' | 0:02:08 | 0:02:10 | |
It's a style choice. | 0:02:10 | 0:02:11 | |
'..and if they really drive as badly as everyone says they do.' | 0:02:12 | 0:02:16 | |
Rules are for everybody else. | 0:02:16 | 0:02:18 | |
'Along the way, I'll be hooking up with a few locals | 0:02:18 | 0:02:21 | |
'who gesticulate a lot...' | 0:02:21 | 0:02:22 | |
This gesture means your wife is cheating on you. | 0:02:22 | 0:02:25 | |
You're kidding me. Yeah. | 0:02:25 | 0:02:26 | |
'..get all touchy-feely, | 0:02:26 | 0:02:28 | |
'and say stuff I won't understand until I see the subtitles.' | 0:02:28 | 0:02:32 | |
HE SPEAKS ITALIAN | 0:02:32 | 0:02:34 | |
'They'll also hopefully explain the Italians' love affair with cars.' | 0:02:36 | 0:02:39 | |
I'll give you a million for it. No, I won't. I'll give you two. | 0:02:39 | 0:02:42 | |
Six days and 1,000 miles for me to learn how to drive like an Italian. | 0:02:42 | 0:02:47 | |
So, the city where the whole road thing started. | 0:02:53 | 0:02:56 | |
Rome has a population of 2.8 million | 0:02:58 | 0:03:00 | |
and the highest rate of car ownership of any capital city | 0:03:00 | 0:03:03 | |
in the world. | 0:03:03 | 0:03:04 | |
There's one car for pretty much every Roman old enough to drive. | 0:03:06 | 0:03:10 | |
Rome also has a reputation for being the most dangerous city in Europe to | 0:03:11 | 0:03:15 | |
drive around, combining narrow streets, lots of cars, | 0:03:15 | 0:03:19 | |
cobbles, scooters, confused tourists, excitable Romans, | 0:03:19 | 0:03:23 | |
often it only ends one way. | 0:03:23 | 0:03:25 | |
To teach me how to survive on these roads, | 0:03:26 | 0:03:28 | |
a calm guide with a cool head would be the sensible choice. | 0:03:28 | 0:03:32 | |
But it will be much more fun with choreographer and Strictly judge, | 0:03:33 | 0:03:36 | |
Bruno Tonioli. | 0:03:36 | 0:03:37 | |
It had the flavour of La Dolce Vita and the acceleration of la Ferrari. | 0:03:37 | 0:03:43 | |
It's lovely isn't it? It's stunning, Paul, look. | 0:03:44 | 0:03:46 | |
The eternal city, the great beauty. | 0:03:46 | 0:03:49 | |
Thousands of years of history. | 0:03:49 | 0:03:51 | |
The problem I have got, I was always told never to drive around Rome. | 0:03:51 | 0:03:54 | |
We're going to do it anyway. | 0:03:54 | 0:03:55 | |
From an early age, Bruno has been a bit obsessed | 0:03:57 | 0:04:00 | |
with Italian sports cars, | 0:04:00 | 0:04:02 | |
which hopefully means he'll enjoy today. | 0:04:02 | 0:04:04 | |
Our car is a Lamborghini Huracan Spyder. | 0:04:08 | 0:04:11 | |
In orange. | 0:04:13 | 0:04:14 | |
Well, we're in Italy. | 0:04:16 | 0:04:18 | |
We had to start with a full-on "look at me" supercar, didn't we? | 0:04:18 | 0:04:21 | |
ENGINE REVS | 0:04:21 | 0:04:23 | |
I can feel it right now. | 0:04:23 | 0:04:26 | |
You are an Italian driver at heart. | 0:04:26 | 0:04:29 | |
Do you like the car? Absolutely. | 0:04:29 | 0:04:31 | |
Italians make some beautiful supercars. Of course! | 0:04:31 | 0:04:34 | |
Lamborghini being one of the poster boys for me when I was growing up. | 0:04:34 | 0:04:38 | |
I had a poster of a Countach on my wall. We all did! | 0:04:38 | 0:04:41 | |
Get yourself a Huracan Spyder | 0:04:42 | 0:04:45 | |
and you also get yourself some big stats. | 0:04:45 | 0:04:48 | |
This is over 600 brake horsepower, over 200mph. | 0:04:48 | 0:04:52 | |
And a price tag of just under ?200,000. | 0:04:52 | 0:04:57 | |
That's ten years take-home pay for the average Italian. | 0:04:57 | 0:05:00 | |
If you were driving this in London, you'd think what a berk, | 0:05:00 | 0:05:04 | |
you know what I mean? Hood down. | 0:05:04 | 0:05:06 | |
It's not particularly warm. | 0:05:06 | 0:05:07 | |
We've got shades on. You'd think, what a load of posers. | 0:05:07 | 0:05:10 | |
But in Italy do they respect that? | 0:05:10 | 0:05:12 | |
They do, because this is part of their Italian heritage. | 0:05:12 | 0:05:14 | |
It's the best of Italy, it's the best of what Italy does. | 0:05:16 | 0:05:19 | |
Yeah, yeah. It makes you proud to be Italian. | 0:05:19 | 0:05:21 | |
It's something that represents the love of beauty and the passion you | 0:05:21 | 0:05:26 | |
have. For me, it's a work of art, really. | 0:05:26 | 0:05:28 | |
The cameras are literally out everywhere. | 0:05:29 | 0:05:31 | |
Rejoice, rejoice. | 0:05:32 | 0:05:33 | |
I love it. I'm posing. | 0:05:33 | 0:05:35 | |
ENGINE REVS | 0:05:35 | 0:05:37 | |
Come on, go for it, the Italian way. | 0:05:37 | 0:05:39 | |
Give it welly. | 0:05:39 | 0:05:40 | |
CAR ALARM | 0:05:40 | 0:05:42 | |
I think I just set off a car alarm. Oh, God, it's us! | 0:05:42 | 0:05:44 | |
I've just been through a zebra crossing there. | 0:05:47 | 0:05:49 | |
People wanted to cross. Yeah... I just went straight through. | 0:05:49 | 0:05:51 | |
Forget about that. We've got a Lamborghini, we look good. | 0:05:51 | 0:05:54 | |
They stop. They stop and look, darling. | 0:05:54 | 0:05:56 | |
Rules are for everybody else. | 0:05:56 | 0:05:59 | |
We just don't follow rules. | 0:05:59 | 0:06:01 | |
And Bruno's right. | 0:06:01 | 0:06:03 | |
Almost 90% of accidents in Rome are apparently caused | 0:06:03 | 0:06:06 | |
by drivers disobeying laws and just doing their own thing. | 0:06:06 | 0:06:09 | |
Whoa! | 0:06:11 | 0:06:12 | |
The lines on the road are really pointless, here. | 0:06:13 | 0:06:16 | |
Yeah. Because, basically, | 0:06:16 | 0:06:17 | |
you take whatever line suits you to get where you want to get to | 0:06:17 | 0:06:21 | |
but everybody does the same. | 0:06:21 | 0:06:22 | |
So the chaos somehow works itself out. | 0:06:22 | 0:06:25 | |
Hang on, I'm getting the squeeze here. Yeah, but that's OK. | 0:06:25 | 0:06:28 | |
You'll be fine. Somebody will stop. But not you. | 0:06:28 | 0:06:30 | |
HORNS BLARE | 0:06:30 | 0:06:32 | |
Look at this guy, he's cut me up. Well, it doesn't matter. | 0:06:32 | 0:06:34 | |
You just keep going. Yeah, but why are they like that? | 0:06:34 | 0:06:36 | |
You just keep going. Well, because, if you can find your way through, | 0:06:36 | 0:06:39 | |
you just do it. It's in the DNA of the Italians. | 0:06:39 | 0:06:41 | |
It's the DNA of the Italian nation. | 0:06:41 | 0:06:43 | |
And that's it. That's the Italian view of life. | 0:06:43 | 0:06:46 | |
If you can find your way through, you just do it. | 0:06:46 | 0:06:50 | |
They're not aggressive. That's one thing I have realised. | 0:06:50 | 0:06:52 | |
They're not aggressive. They are assertive, I like that. | 0:06:52 | 0:06:55 | |
That's OK, you know. | 0:06:55 | 0:06:56 | |
Assertive and yet endearingly self-aware. | 0:06:58 | 0:07:01 | |
In a recent survey, Italians voted themselves | 0:07:01 | 0:07:04 | |
the worst drivers in Europe. | 0:07:04 | 0:07:06 | |
By the way, this you don't need, my love. Hold on. | 0:07:06 | 0:07:09 | |
What are you doing? | 0:07:09 | 0:07:10 | |
Check my hair. Put it back. You don't need it, darling. | 0:07:10 | 0:07:13 | |
Who cares? People behind you are irrelevant, darling. | 0:07:13 | 0:07:16 | |
It's only what comes ahead. | 0:07:16 | 0:07:17 | |
Look at the state of these roads, Bruno. Goodness' sake. | 0:07:18 | 0:07:22 | |
Go, go, go. There you go. | 0:07:22 | 0:07:24 | |
And here goes the chassis. | 0:07:24 | 0:07:28 | |
Rome's roads are thankfully getting smoother. | 0:07:28 | 0:07:30 | |
Or at least the cobbled bits are. | 0:07:30 | 0:07:32 | |
The vibrations from cars and buses driving over the cobbles are causing | 0:07:33 | 0:07:37 | |
increasing damage to ancient monuments. | 0:07:37 | 0:07:39 | |
So, as many cobbles as possible are now being replaced. | 0:07:39 | 0:07:43 | |
I think I've lost a filling. | 0:07:43 | 0:07:44 | |
We've now reached the most notorious intersection in Rome, | 0:07:46 | 0:07:50 | |
Piazza Venezia. | 0:07:50 | 0:07:51 | |
What do I do here? Move, move, move. | 0:07:51 | 0:07:53 | |
Hang on. Move, move, get out of the way. | 0:07:53 | 0:07:56 | |
We've got the Lambo. | 0:07:56 | 0:07:57 | |
There you go. That's ridiculous. | 0:07:57 | 0:08:00 | |
Are they meant to be stopping? | 0:08:00 | 0:08:02 | |
They're stopping for us. Thank you very much, madam. | 0:08:02 | 0:08:04 | |
You've been very polite, thank you. | 0:08:04 | 0:08:06 | |
What the...? You have to ease yourself, you have to ease yourself. | 0:08:06 | 0:08:09 | |
Never stop, never stop. | 0:08:09 | 0:08:12 | |
OK. Beautiful. | 0:08:12 | 0:08:13 | |
Bruno's very next instruction is to stop. | 0:08:14 | 0:08:17 | |
And get out. | 0:08:18 | 0:08:19 | |
Because he wants me to meet the one man who tries to control | 0:08:19 | 0:08:23 | |
the mayhem in this piazza. | 0:08:23 | 0:08:24 | |
This is actually very famous as an example of crazy traffic in Rome. | 0:08:24 | 0:08:31 | |
Look at this, they come from everywhere. | 0:08:31 | 0:08:32 | |
They're coming from over there. Everywhere. | 0:08:32 | 0:08:34 | |
Look, and they put a police officer in charge. | 0:08:34 | 0:08:38 | |
Choreograph... Look, he's like a dancer. | 0:08:38 | 0:08:40 | |
Look at his uniform, though. | 0:08:40 | 0:08:41 | |
The uniform, even that is high-fashion. | 0:08:41 | 0:08:44 | |
I want to go and talk to him. Let's go and speak to him, yeah. | 0:08:44 | 0:08:46 | |
Do you reckon you can get over there without getting killed? | 0:08:46 | 0:08:49 | |
No, we won't get killed, darling. We're going to stop traffic. | 0:08:49 | 0:08:51 | |
Thank you very much. | 0:08:53 | 0:08:53 | |
'The white glove municipal police known as the vigili...' | 0:08:55 | 0:08:59 | |
Hello. Pleased to meet you. Buongiorno. | 0:08:59 | 0:09:02 | |
'..have been keeping the traffic flowing around Piazza Venezia | 0:09:02 | 0:09:05 | |
'for over a century. | 0:09:05 | 0:09:07 | |
'Fabio Grelo has done the job for ten years.' | 0:09:08 | 0:09:11 | |
How do you judge all of this craziness? | 0:09:11 | 0:09:15 | |
It's mayhem, isn't it? | 0:09:15 | 0:09:17 | |
It's crazy, yes. | 0:09:17 | 0:09:18 | |
It's very crazy. We stop all the traffic. | 0:09:18 | 0:09:22 | |
Just one traffic line at a time. Yeah. | 0:09:22 | 0:09:25 | |
HE SPEAKS ITALIAN | 0:09:25 | 0:09:27 | |
BRUNO TRANSLATES: You have to be calm. | 0:09:27 | 0:09:29 | |
Calm. | 0:09:29 | 0:09:31 | |
And strong. And very strong. Very strong. | 0:09:31 | 0:09:33 | |
HE SPEAKS ITALIAN | 0:09:33 | 0:09:37 | |
I want you to learn how to direct traffic | 0:09:37 | 0:09:39 | |
and then I'm going to judge you, | 0:09:39 | 0:09:41 | |
one to ten, based on artistic interpretation, technique, | 0:09:41 | 0:09:45 | |
and performance value. | 0:09:45 | 0:09:47 | |
Right. | 0:09:47 | 0:09:49 | |
HE SPEAKS ITALIAN | 0:09:49 | 0:09:52 | |
This line, keep going, keep going. Oh, excellent. | 0:09:53 | 0:09:56 | |
OK. Wonderful wrist action. | 0:09:56 | 0:09:58 | |
HORNS BLARE | 0:09:58 | 0:10:00 | |
While they used to carry a wooden box out into the road to stand on... | 0:10:02 | 0:10:06 | |
Look at me, look at me. OK. | 0:10:06 | 0:10:08 | |
These days they have an automatic platform that rises out of the road. | 0:10:08 | 0:10:12 | |
Except it broke a year ago. | 0:10:13 | 0:10:15 | |
And they haven't got round to fixing it yet. | 0:10:15 | 0:10:17 | |
More affirmative, Paul. | 0:10:18 | 0:10:20 | |
Look at him. OK, OK. I'm going to wave them all on. | 0:10:20 | 0:10:24 | |
Move, move. | 0:10:24 | 0:10:26 | |
Fabio was selected from over 2,000 applicants for this job, | 0:10:26 | 0:10:30 | |
and then had to train for three months | 0:10:30 | 0:10:32 | |
before he was allowed on the piazza. | 0:10:32 | 0:10:34 | |
What about the guys behind? | 0:10:36 | 0:10:38 | |
What about the guys behind? They're stopped. They keep in touch. | 0:10:38 | 0:10:41 | |
They'll be waiting. This is where it all goes wrong. | 0:10:41 | 0:10:43 | |
'Back on the road...' | 0:10:50 | 0:10:52 | |
E troppo bella! Grazie! | 0:10:52 | 0:10:54 | |
They said, what a beautiful car. | 0:10:54 | 0:10:56 | |
'..and now we're getting some serious love.' | 0:10:56 | 0:10:58 | |
Today we've been photographed more than Kate Moss. | 0:10:58 | 0:11:01 | |
I think it's the car. | 0:11:03 | 0:11:06 | |
We are supermodels. There's three cameras there, look. | 0:11:06 | 0:11:08 | |
Supercar with supermodel. | 0:11:08 | 0:11:11 | |
They love this car. | 0:11:11 | 0:11:13 | |
The chances are they're not going to own one. Never. | 0:11:13 | 0:11:15 | |
But they just want a picture of a Lamborghini. | 0:11:15 | 0:11:18 | |
Everybody takes pride of it. | 0:11:18 | 0:11:19 | |
There is no envy. There isn't, is there? | 0:11:19 | 0:11:23 | |
No. It's celebrating, you know, | 0:11:23 | 0:11:26 | |
something that this country does very well. | 0:11:26 | 0:11:27 | |
Look at that. | 0:11:32 | 0:11:33 | |
This is incredible. I love that building. | 0:11:33 | 0:11:35 | |
It's giving me goose bumps every time I see it. | 0:11:35 | 0:11:38 | |
I just think of Russell Crowe. | 0:11:38 | 0:11:39 | |
Oh, darling, you look like Russell Crowe. | 0:11:39 | 0:11:41 | |
PAUL LAUGHS | 0:11:41 | 0:11:42 | |
'Having barely popped over 30mph all day, | 0:11:44 | 0:11:47 | |
'I'm now heading for the autostrada...' | 0:11:47 | 0:11:49 | |
'..so I can finally go fast.' | 0:11:54 | 0:11:56 | |
Paul, you're being naughty. | 0:11:56 | 0:11:58 | |
Problem is, that Italians see the autostrada as God's own racetrack. | 0:12:00 | 0:12:04 | |
So the traffic police out here are properly tooled up. | 0:12:06 | 0:12:10 | |
Oh, my God, Paul. | 0:12:10 | 0:12:11 | |
Do he put the paddle out? Yes. We have to follow them. | 0:12:14 | 0:12:17 | |
Follow them? OK. Don't do a runner. | 0:12:17 | 0:12:19 | |
BLEEP! | 0:12:19 | 0:12:20 | |
I wasn't going fast. | 0:12:22 | 0:12:24 | |
Yeah, you were, a bit. We're in it together. | 0:12:24 | 0:12:26 | |
It's a team. No, you're in on your own. | 0:12:26 | 0:12:28 | |
If we go to prison, we go together. | 0:12:28 | 0:12:30 | |
I'm Italian, I know nothing! I have a career. | 0:12:30 | 0:12:32 | |
'Pulling us over is possibly one of the coolest police cars | 0:12:35 | 0:12:38 | |
'in the world. | 0:12:38 | 0:12:39 | |
'It's the hardtop version of the Huracan we're driving. | 0:12:41 | 0:12:44 | |
'Lamborghini donated two of these to the Italian State police.' | 0:12:47 | 0:12:50 | |
Uh-oh. Uh-oh. Uh-oh. | 0:12:55 | 0:12:57 | |
'Of course, my producers set this up. | 0:12:59 | 0:13:02 | |
'But we may have forgotten to tell Bruno.' | 0:13:04 | 0:13:06 | |
I have to apologise for the manner of my driver. | 0:13:06 | 0:13:09 | |
I don't have any responsibility for it. | 0:13:09 | 0:13:12 | |
He's been hired for the day and he was showing off. | 0:13:12 | 0:13:15 | |
He was showing off. | 0:13:15 | 0:13:17 | |
Tell me, is that a standard Huracan or has it been tuned? | 0:13:17 | 0:13:21 | |
No, this is a standard Huracan. | 0:13:21 | 0:13:23 | |
The only thing is, there's police equipment on. | 0:13:23 | 0:13:25 | |
Yeah. So we can use it on a police duty. | 0:13:25 | 0:13:28 | |
Yeah. Have you ever used it to chase somebody? | 0:13:28 | 0:13:31 | |
Yes. It's almost worth the ticket. | 0:13:31 | 0:13:34 | |
Just to see this car? Just to see that stopping you. | 0:13:34 | 0:13:37 | |
It happened, that somebody says, I don't care about the ticket. | 0:13:37 | 0:13:40 | |
Just stop me! | 0:13:40 | 0:13:41 | |
The main purpose of this car is organ transportation. | 0:13:42 | 0:13:46 | |
Wow. | 0:13:46 | 0:13:47 | |
Simon Cowell Botox box. | 0:13:47 | 0:13:50 | |
I knew it! | 0:13:50 | 0:13:53 | |
Normally when the helicopter cannot be used, for the weather condition, | 0:13:53 | 0:13:59 | |
they call us to make organ transportation. | 0:13:59 | 0:14:01 | |
It is the prettiest police car I've ever seen. | 0:14:03 | 0:14:06 | |
The million-dollar question - | 0:14:06 | 0:14:08 | |
they say, Italians, we are the worst drivers in the world. | 0:14:08 | 0:14:13 | |
Do you agree with that? No, I don't agree. Great, thank you. | 0:14:13 | 0:14:16 | |
I think the Italians are the best drivers in Europe. | 0:14:16 | 0:14:19 | |
Having seen Rome, I thought it was actually organised chaos. | 0:14:19 | 0:14:21 | |
Yeah. But beautifully organised. Yes. Yes, but beautifully organised. | 0:14:21 | 0:14:25 | |
It's art. Yes. It's art. | 0:14:25 | 0:14:26 | |
I've had a great day, mate. Oh, Paul, grazie a te. | 0:14:30 | 0:14:33 | |
Ricorda, very, very important. What? | 0:14:33 | 0:14:35 | |
Remember, | 0:14:35 | 0:14:37 | |
use your mirrors only to check your beautiful blue eyes. | 0:14:37 | 0:14:42 | |
But I think you need a shave, mate. Oh, leave it out. | 0:14:44 | 0:14:47 | |
Come on, sort that out. | 0:14:47 | 0:14:48 | |
'Today, I'm heading north. | 0:14:55 | 0:14:57 | |
'Or I will be once I make my seat belt work.' | 0:14:57 | 0:15:00 | |
Oh, come on! | 0:15:00 | 0:15:01 | |
Got ya. | 0:15:12 | 0:15:13 | |
Oh, don't! | 0:15:16 | 0:15:17 | |
I'm hoping to reach Maranello today. | 0:15:22 | 0:15:24 | |
Hoping, because I'm now driving a contender | 0:15:26 | 0:15:29 | |
for the worst Italian car ever built, the Alfasud. | 0:15:29 | 0:15:33 | |
But it's OK, you know. | 0:15:35 | 0:15:37 | |
It's OK. | 0:15:39 | 0:15:40 | |
The story of this car is in many ways typically Italian. | 0:15:41 | 0:15:46 | |
A blend of brilliant creativity, hopeless organisation, | 0:15:46 | 0:15:50 | |
and blind optimism. | 0:15:50 | 0:15:51 | |
In the '70s when all of Italy's car-building expertise | 0:15:54 | 0:15:57 | |
was centred in the wealthy industrial north, | 0:15:57 | 0:16:00 | |
the government, using lots of money, convinced Alfa Romeo | 0:16:00 | 0:16:04 | |
to build a brand-new factory near Naples, | 0:16:04 | 0:16:07 | |
in the poor agricultural south. Spread the wealth and all that. | 0:16:07 | 0:16:11 | |
And the Alfasud, aptly meaning "Alfa south", | 0:16:13 | 0:16:17 | |
would be the proud product of that factory. | 0:16:17 | 0:16:19 | |
Alfa's first-ever front-wheel drive car was years ahead of its time | 0:16:20 | 0:16:24 | |
in styling, handling and performance. | 0:16:24 | 0:16:27 | |
Sadly, its build quality was prehistoric. | 0:16:33 | 0:16:35 | |
Many of the 15,000 strong workforce were hastily recruited farm hands | 0:16:39 | 0:16:44 | |
with little or no manufacturing experience. | 0:16:44 | 0:16:48 | |
And the car was built with cheap, very low-grade Russian steel. | 0:16:48 | 0:16:52 | |
It was never going to end well. | 0:16:52 | 0:16:53 | |
Door handles fell off week-old cars. | 0:16:56 | 0:16:58 | |
Everything rattled. | 0:16:58 | 0:17:00 | |
The electrics rarely worked. | 0:17:00 | 0:17:02 | |
Windscreens fell out and rust was a nightmare. | 0:17:02 | 0:17:04 | |
Luckily for me this one hasn't fallen apart, | 0:17:09 | 0:17:12 | |
and I've made it all the way to Maranello. | 0:17:12 | 0:17:15 | |
ENGINE REVS | 0:17:15 | 0:17:16 | |
This is Ferrari town, | 0:17:16 | 0:17:19 | |
home of the greatest supercar mark on Earth and there is no way | 0:17:19 | 0:17:23 | |
I'm driving around here in a Alfasud. | 0:17:23 | 0:17:27 | |
Luckily, you can hire something much more appropriate. | 0:17:28 | 0:17:31 | |
Buongiorno. Buongiorno. How are you doing? | 0:17:33 | 0:17:35 | |
Nice to meet you. | 0:17:35 | 0:17:36 | |
I'm after a Ferrari. You are in the right place. | 0:17:38 | 0:17:41 | |
I can see that, yeah. | 0:17:41 | 0:17:43 | |
I'm looking at your times. | 0:17:43 | 0:17:44 | |
Five minutes. Yeah, it's possible to rent a car also for a minute. | 0:17:44 | 0:17:48 | |
You start the car, drive to the end, to there, come back and go, | 0:17:48 | 0:17:50 | |
thank you very much. OK. | 0:17:50 | 0:17:52 | |
I need a Ferrari. | 0:17:52 | 0:17:53 | |
I'm looking at the California. | 0:17:53 | 0:17:55 | |
There's one, OK. What I need is your driving licence. | 0:17:55 | 0:17:58 | |
No problem. There you go. | 0:17:58 | 0:18:00 | |
Thank you. | 0:18:00 | 0:18:01 | |
OK, it is still valid. | 0:18:02 | 0:18:03 | |
This is your contract. | 0:18:05 | 0:18:06 | |
We have to check the condition of the car. | 0:18:06 | 0:18:08 | |
Damages et cetera. OK. | 0:18:08 | 0:18:10 | |
There's a mark here. There are a couple of stone chips. | 0:18:10 | 0:18:14 | |
We generally consider only the big damages. | 0:18:14 | 0:18:17 | |
Seems good to me. Yeah, I think it's good for you. | 0:18:17 | 0:18:19 | |
I need a couple of signatures. | 0:18:21 | 0:18:22 | |
On there? Here, yes. | 0:18:22 | 0:18:23 | |
One. Great. | 0:18:24 | 0:18:26 | |
Thank you very much indeed. Enjoy the car. | 0:18:26 | 0:18:28 | |
I will, thank you. | 0:18:28 | 0:18:29 | |
ENGINE REVS | 0:18:31 | 0:18:33 | |
MUSIC: Sognando California by Dik Dik | 0:18:35 | 0:18:39 | |
You don't have to be a millionaire. | 0:18:47 | 0:18:49 | |
For 70 euros, you can drive around Maranello and be in a red Ferrari. | 0:18:49 | 0:18:53 | |
It's surely everybody's dream, isn't it? | 0:18:53 | 0:18:56 | |
And for 20 euros, they'll even video it. | 0:18:56 | 0:18:58 | |
So they'll video you in a Ferrari driving around Maranello, | 0:18:58 | 0:19:02 | |
the birthplace of Ferrari. | 0:19:02 | 0:19:04 | |
How cool is that? | 0:19:04 | 0:19:06 | |
Love it. | 0:19:09 | 0:19:10 | |
The sunshine's out. | 0:19:10 | 0:19:12 | |
Happy days. | 0:19:12 | 0:19:14 | |
Maranello is part of the motor valley where 20,000 Italians | 0:19:23 | 0:19:27 | |
are in the business of building sports cars and bikes. | 0:19:27 | 0:19:30 | |
Together, they generate | 0:19:31 | 0:19:33 | |
a gobsmacking ten billion euros of sales every year. | 0:19:33 | 0:19:36 | |
Do you know, driving round here, | 0:19:36 | 0:19:38 | |
you see just everything is about Ferrari, you know, the whole area. | 0:19:38 | 0:19:41 | |
It's fantastic. | 0:19:41 | 0:19:42 | |
Without one man, Maranello would be a very different place today. | 0:19:44 | 0:19:48 | |
All Enzo Ferrari ever wanted was to race cars, | 0:19:50 | 0:19:54 | |
initially, running Alfa Romeo's racing team. | 0:19:54 | 0:19:57 | |
Hoo-hoo-hoo! | 0:19:58 | 0:19:59 | |
In 1939, he left Alfa, | 0:20:02 | 0:20:03 | |
and went it alone with his race team, Scuderia Ferrari. | 0:20:03 | 0:20:08 | |
Enzo reluctantly produced the first Ferrari badge road car in 1947. | 0:20:10 | 0:20:15 | |
He had little interest in road cars | 0:20:15 | 0:20:17 | |
but needed a way to finance his race team. | 0:20:17 | 0:20:20 | |
Look at that. The prancing horse. | 0:20:20 | 0:20:22 | |
Ferrari. Ferrari-ari-ari. | 0:20:22 | 0:20:26 | |
Scuderia Ferrari is the most successful F1 team | 0:20:26 | 0:20:29 | |
in the sport's history. | 0:20:29 | 0:20:31 | |
And Ferrari is now one of the world's most powerful brands. | 0:20:32 | 0:20:36 | |
If you'd hired the car for ten minutes, I'd be driving it back now. | 0:20:38 | 0:20:41 | |
Would that be worth it? | 0:20:41 | 0:20:43 | |
Yeah! | 0:20:43 | 0:20:44 | |
There's no other car manufacturer on earth that provokes such passion | 0:20:44 | 0:20:48 | |
and pride from a whole nation, | 0:20:48 | 0:20:51 | |
especially when you consider how few Italians will ever own a Ferrari. | 0:20:51 | 0:20:55 | |
Of the 7,000 cars the company make each year, | 0:20:55 | 0:20:59 | |
only 3% are sold in Italy. | 0:20:59 | 0:21:01 | |
I think when you see the red, that typical Ferrari red, | 0:21:01 | 0:21:05 | |
it does put a smile on your face. | 0:21:05 | 0:21:06 | |
And it seems anything with the prancing horse on it | 0:21:10 | 0:21:13 | |
will put a smile on Italian faces. | 0:21:13 | 0:21:16 | |
Because last year, they spent around ?125 million on Ferrari merchandise. | 0:21:16 | 0:21:22 | |
So, why do they love this brand so much? | 0:21:22 | 0:21:24 | |
Well, I don't think you'll ever find a better answer to that question | 0:21:27 | 0:21:31 | |
than the one I get from this man, Massimiliano Morini, | 0:21:31 | 0:21:35 | |
the mayor of Maranello. | 0:21:35 | 0:21:37 | |
Maranello, the home of Ferrari. | 0:21:39 | 0:21:42 | |
Why the passion, not just of this area but generally, Italians, | 0:21:42 | 0:21:47 | |
why do they love Ferrari? | 0:21:47 | 0:21:48 | |
Oh, uh, I think that Enzo Ferrari once said that Ferrari cars | 0:21:48 | 0:21:55 | |
are not better than the other but different. | 0:21:55 | 0:21:58 | |
They are made of the brain of the blood and of the Earth, | 0:21:58 | 0:22:03 | |
of the people who build them. | 0:22:03 | 0:22:05 | |
I think that we can... | 0:22:05 | 0:22:07 | |
When we see a Ferrari, | 0:22:07 | 0:22:08 | |
we can smell this flavour and Ferrari tells the story of our land. | 0:22:08 | 0:22:14 | |
And I think this is the key of the success of Ferrari. | 0:22:14 | 0:22:16 | |
Ferrari are, without a doubt, | 0:22:23 | 0:22:25 | |
the kings of the supercar world right now. | 0:22:25 | 0:22:28 | |
But just 20 minutes down the road, | 0:22:30 | 0:22:32 | |
there's a young pretender taking the Italian supercar thing | 0:22:32 | 0:22:36 | |
to a whole new extraordinary level. | 0:22:36 | 0:22:38 | |
This is Pagani. | 0:22:41 | 0:22:43 | |
Horatio Pagani was an Argentinian immigrant who started work at | 0:22:46 | 0:22:50 | |
Lamborghini, sweeping floors, | 0:22:50 | 0:22:52 | |
but quickly worked his way up to become their chief engineer. | 0:22:52 | 0:22:56 | |
In 1992, he founded Pagani... | 0:22:59 | 0:23:01 | |
..with the aim of producing the world's finest | 0:23:05 | 0:23:07 | |
carbon fibre supercars. | 0:23:07 | 0:23:09 | |
In the beautiful Pagani factory, | 0:23:10 | 0:23:12 | |
designed to look like an Italian piazza, | 0:23:12 | 0:23:15 | |
they produce just 45 cars a year. | 0:23:15 | 0:23:18 | |
Each Pagani car is hand built and takes four months to finish. | 0:23:19 | 0:23:24 | |
The cheapest you can buy is ?2 million. | 0:23:24 | 0:23:27 | |
A single car contains 4,000 handcrafted | 0:23:30 | 0:23:33 | |
grade seven titanium bolts. | 0:23:33 | 0:23:35 | |
And the Pagani logo is etched on every single one. | 0:23:35 | 0:23:39 | |
The instruments on the dash are handmade by an Italian watchmaker. | 0:23:43 | 0:23:49 | |
The numerals and markings are cut from the metal face itself. | 0:23:49 | 0:23:53 | |
They each take days to create, | 0:23:53 | 0:23:55 | |
and come in at around five grand a set. | 0:23:55 | 0:23:58 | |
This is car manufacturing in the grand tradition of Italian fine art | 0:24:00 | 0:24:04 | |
and like a lot of fine art, | 0:24:04 | 0:24:06 | |
most Paganis find their way into private collections. | 0:24:06 | 0:24:09 | |
Many never to be driven, or seen on the road. | 0:24:12 | 0:24:15 | |
And that's a real shame. | 0:24:18 | 0:24:20 | |
Because these beautiful works of art are also supposed to be among the | 0:24:20 | 0:24:25 | |
finest driving machines ever built. | 0:24:25 | 0:24:27 | |
Something I'm about to experience, | 0:24:33 | 0:24:35 | |
because here at the Modena racetrack, | 0:24:35 | 0:24:38 | |
just down the road from the factory, Pagani have said I can drive this, | 0:24:38 | 0:24:43 | |
the Huayra coupe, one of just 100 in existence. | 0:24:43 | 0:24:49 | |
Except as soon as I arrive, | 0:24:49 | 0:24:51 | |
it's clear things have gone a bit Pete Tong. | 0:24:51 | 0:24:54 | |
Their road car has basically gone pop. | 0:24:55 | 0:24:57 | |
Their racing driver came in, did a few doughnuts... | 0:24:57 | 0:25:00 | |
Basically, he's knackered the car. | 0:25:02 | 0:25:04 | |
Juices have flown out of the bottom and there is no car for us to use, | 0:25:04 | 0:25:09 | |
which is a little bit annoying | 0:25:09 | 0:25:12 | |
because I've always wanted to have a go of a Pagani. | 0:25:12 | 0:25:16 | |
Except Pagani have a very secret prototype car at the moment, | 0:25:20 | 0:25:25 | |
which is the Roadster. | 0:25:25 | 0:25:26 | |
The problem is I don't think I'm going to be allowed to drive it. | 0:25:26 | 0:25:29 | |
WHISPERS: It's coming past me. | 0:25:30 | 0:25:32 | |
That's a prototype. | 0:25:38 | 0:25:40 | |
'Having said we couldn't even film the prototype, | 0:25:43 | 0:25:46 | |
'Pagani then agree to let me have a sniff around it on camera. | 0:25:46 | 0:25:50 | |
'And while I'm doing that, off-camera, | 0:25:50 | 0:25:52 | |
'the producers keep asking if I can drive it.' | 0:25:52 | 0:25:54 | |
This rap is designed basically so if there's paparazzi around | 0:25:56 | 0:26:00 | |
and cameras that want to photograph a very top-secret car, | 0:26:00 | 0:26:04 | |
this sort of blurs their image, they can't get a decent shape of the car. | 0:26:04 | 0:26:07 | |
'Our persistence eventually bears fruit.' | 0:26:08 | 0:26:12 | |
Paul, Pagani have said you can drive it. | 0:26:12 | 0:26:13 | |
This lady, who is head of PR for Pagani, | 0:26:15 | 0:26:18 | |
has said I can drive this car. | 0:26:18 | 0:26:20 | |
Grazie, grazie! | 0:26:21 | 0:26:23 | |
That is amazing. I mean, look at it. | 0:26:23 | 0:26:26 | |
Look at this car. | 0:26:26 | 0:26:27 | |
The one condition is that Pagani's test driver, Andrea Palma, | 0:26:29 | 0:26:33 | |
rides with me. | 0:26:33 | 0:26:34 | |
I was a little bit nervous but I was buzzing. | 0:26:35 | 0:26:37 | |
No other non-Pagani test driver has ever driven this car. | 0:26:37 | 0:26:42 | |
Please, attention with this car. | 0:26:43 | 0:26:46 | |
Because this is one of my babies. I know! | 0:26:46 | 0:26:49 | |
As we accelerate, I think Andrea is a little nervous. | 0:26:56 | 0:27:00 | |
In fact, keep your eye on him as we start some fast laps. | 0:27:02 | 0:27:05 | |
Careful on the braking. | 0:27:05 | 0:27:06 | |
Stop. | 0:27:08 | 0:27:10 | |
I did mean to ask Andrea about how he thinks Pagani | 0:27:11 | 0:27:14 | |
reflects the Italian national character | 0:27:14 | 0:27:17 | |
but sort of feel now is not the right time. | 0:27:17 | 0:27:19 | |
Stop it, stop it, stop it! | 0:27:19 | 0:27:21 | |
PAUL LAUGHS | 0:27:21 | 0:27:23 | |
This is the thing, racing drivers hate being driven around. | 0:27:26 | 0:27:28 | |
My baby. | 0:27:28 | 0:27:30 | |
'Thankfully, though, after a while, my passenger relaxes. | 0:27:32 | 0:27:35 | |
'And I can just get on with loving it.' | 0:27:35 | 0:27:38 | |
Woo! | 0:27:42 | 0:27:43 | |
What a car. | 0:27:43 | 0:27:45 | |
The sound feels like thunder. | 0:27:47 | 0:27:49 | |
It's amazing. It feels beautiful. Really good. | 0:27:50 | 0:27:55 | |
It's lovely. | 0:27:56 | 0:27:57 | |
Woo! It's nice. | 0:28:02 | 0:28:03 | |
It's nice. | 0:28:03 | 0:28:05 | |
He's very fast. | 0:28:06 | 0:28:07 | |
Is that OK? It's fantastic. Yeah. | 0:28:13 | 0:28:17 | |
Grazie. | 0:28:17 | 0:28:19 | |
That was great fun. It's a very special car. | 0:28:19 | 0:28:21 | |
What Pagani have done is take this to a whole new level. | 0:28:21 | 0:28:25 | |
Ferrari took it to the level and they made sports cars, | 0:28:26 | 0:28:28 | |
and they made race cars, Lamborghini did... | 0:28:28 | 0:28:30 | |
They are all about the design. | 0:28:30 | 0:28:32 | |
I think what Pagani is, they're artists, designers | 0:28:32 | 0:28:36 | |
and racing drivers all blended in together. | 0:28:36 | 0:28:39 | |
I've fallen for it, really. | 0:28:40 | 0:28:42 | |
It's ridiculous. | 0:28:42 | 0:28:44 | |
CAR WHOOSHES PAST | 0:28:50 | 0:28:51 | |
The next morning, after a couple of hours on the road, I reach Verona. | 0:28:51 | 0:28:56 | |
Today, I'm working for a local laundry, as a delivery driver, | 0:28:59 | 0:29:03 | |
alongside the owner's son, Kevin Napoli. | 0:29:03 | 0:29:06 | |
OK. This suit? | 0:29:06 | 0:29:08 | |
And my wheels? | 0:29:08 | 0:29:10 | |
Arguably the most important post-war Italian car of them all, | 0:29:10 | 0:29:15 | |
the Piaggio Ape. | 0:29:15 | 0:29:17 | |
Launched three years after the end of the Second World War, | 0:29:17 | 0:29:20 | |
this three wheel van is still in production today. | 0:29:20 | 0:29:23 | |
And so far, two million have been sold. | 0:29:23 | 0:29:25 | |
The beauty of the Ape is that it's so simple, | 0:29:30 | 0:29:33 | |
just a throttle and a break. | 0:29:33 | 0:29:35 | |
Any idiot could drive it. | 0:29:35 | 0:29:36 | |
ENGINE STALLS | 0:29:36 | 0:29:37 | |
Almost any idiot. | 0:29:39 | 0:29:40 | |
MUSIC: Sono Bugiarda by Caterina Caselli | 0:29:42 | 0:29:47 | |
Oh, my door's opened. | 0:29:51 | 0:29:53 | |
'OK, so it's debatable whether the Ape is actually a car...' | 0:29:54 | 0:29:58 | |
My door's opened again! | 0:29:58 | 0:29:59 | |
'..or a scooter with doors that don't shut properly. | 0:30:00 | 0:30:03 | |
'But let's go with car, please.' | 0:30:04 | 0:30:06 | |
Apes are cheap to buy, cheap to run and reliable. | 0:30:09 | 0:30:12 | |
Perfect for the hundreds of thousands of small family businesses | 0:30:12 | 0:30:15 | |
which still characterise many Italian cities. | 0:30:15 | 0:30:18 | |
I mean, these things are actually pretty decent vehicles to use. | 0:30:18 | 0:30:22 | |
Those little tight streets around Italy, it's absolutely perfect. | 0:30:22 | 0:30:27 | |
I can see myself delivering bread in this. | 0:30:27 | 0:30:30 | |
What a beautiful part of the city, though. | 0:30:30 | 0:30:32 | |
Ironically, I can't open the doors now, which is weird. | 0:30:38 | 0:30:40 | |
'Our delivery is shirts, | 0:30:40 | 0:30:42 | |
'for a lady who is apparently quite a famous Italian actress.' | 0:30:42 | 0:30:46 | |
Buongiorno. OK? Si! OK, thank you. Thank you, Paul. Grazie. | 0:30:46 | 0:30:50 | |
'That was easy. Time for a coffee break... | 0:30:52 | 0:30:55 | |
'..and a chat with Mirko Zambaldo, | 0:30:56 | 0:30:58 | |
'President of the Verona Ape Owners' Club.' | 0:30:58 | 0:31:02 | |
Can you tell me a little bit about why the Italians love the Ape? | 0:31:02 | 0:31:07 | |
After World War II, the Italian economy was on its knees. | 0:31:14 | 0:31:18 | |
Its people were broke, | 0:31:18 | 0:31:20 | |
they needed a cheap way to start and run businesses. | 0:31:20 | 0:31:23 | |
NEWSREEL: The people of Europe did not lack courage... | 0:31:23 | 0:31:27 | |
Enter the Ape. | 0:31:27 | 0:31:29 | |
And in this country of supercar lovers, | 0:31:46 | 0:31:48 | |
it appears they still have a big place in their hearts for this funny | 0:31:48 | 0:31:52 | |
little three-wheeler. | 0:31:52 | 0:31:53 | |
'Back on the laundry run, | 0:32:18 | 0:32:21 | |
'I'm feeling a lot of love too for my Ape.' | 0:32:21 | 0:32:23 | |
U-u-u-ugh! | 0:32:23 | 0:32:25 | |
'And so are my crew, | 0:32:25 | 0:32:27 | |
'crammed into the back of an Ape pick-up in front of me.' | 0:32:27 | 0:32:30 | |
'And so is Kevin, who appears to think using all three | 0:32:33 | 0:32:36 | |
'of the Ape's wheels is wasteful and boring.' | 0:32:36 | 0:32:40 | |
Oh, yeah, got him. Oh, yeah. | 0:32:43 | 0:32:45 | |
I'm going to cut him up now in the gate. Get in! | 0:32:46 | 0:32:49 | |
I've cut him up. | 0:32:50 | 0:32:52 | |
'You know what? I get it now. | 0:32:52 | 0:32:53 | |
'I love my Ape. | 0:32:53 | 0:32:55 | |
'I love what it says about Italy. | 0:32:55 | 0:32:57 | |
'While they dream of supercars, | 0:32:57 | 0:32:59 | |
'they passionately embraced their three-wheeled reality.' | 0:32:59 | 0:33:02 | |
That was great. | 0:33:03 | 0:33:05 | |
Having said goodbye to Kevin and my little yellow Ape, | 0:33:09 | 0:33:13 | |
I'm now leaving Verona in this beautiful 1938 Alfa 6C. | 0:33:13 | 0:33:18 | |
But I'm really nervous. | 0:33:19 | 0:33:21 | |
Every time I select a gear, I think, oh, please, don't crunch. | 0:33:22 | 0:33:25 | |
Because they only said, | 0:33:25 | 0:33:26 | |
"Paul, please don't crunch the gears because every time you do that, | 0:33:26 | 0:33:29 | |
"it costs me money." | 0:33:29 | 0:33:30 | |
So I'm really nervous. | 0:33:30 | 0:33:32 | |
'And I bet you'd be nervous too | 0:33:35 | 0:33:37 | |
'because this car is valued at around ?3 million.' | 0:33:37 | 0:33:41 | |
GEARS CRUNCH Ooh! he's going to kill me! | 0:33:41 | 0:33:43 | |
'This is the Mille Miglia version of the 6C | 0:33:45 | 0:33:48 | |
'and it's still regarded today as one of the very best cars | 0:33:48 | 0:33:51 | |
'Alfa Romeo ever built.' | 0:33:51 | 0:33:53 | |
I notice, I look in my one wing mirror, | 0:33:55 | 0:33:58 | |
I can see a new Alfa Romeo behind me. | 0:33:58 | 0:34:00 | |
That's him, that is. | 0:34:00 | 0:34:02 | |
The owner's watching me. | 0:34:02 | 0:34:04 | |
He's making sure that his car's all right. | 0:34:04 | 0:34:08 | |
Oh, yeah, go off, enjoy yourself. | 0:34:08 | 0:34:09 | |
I'll wait here. | 0:34:09 | 0:34:10 | |
Yeah, sure(!) | 0:34:10 | 0:34:12 | |
'Only 107 of this special edition were ever built | 0:34:13 | 0:34:16 | |
'to commemorate the racing achievements of its predecessors. | 0:34:16 | 0:34:20 | |
'Because on this very road, | 0:34:20 | 0:34:22 | |
'Alfa 6Cs won the world's most prestigious motor race three times.' | 0:34:22 | 0:34:27 | |
NEWSREEL: The greatest international road race of them all, | 0:34:27 | 0:34:29 | |
the Mille Miglia. | 0:34:29 | 0:34:31 | |
The Mille Miglia started in 1927. | 0:34:31 | 0:34:34 | |
It was basically a 1,000 mile road race. | 0:34:34 | 0:34:38 | |
The race went from Brescia to Rome and back to Brescia, | 0:34:41 | 0:34:45 | |
although the exact route changed regularly over the years. | 0:34:45 | 0:34:48 | |
An estimated five million spectators lined the roads | 0:34:50 | 0:34:54 | |
as cars flew by at 150mph. | 0:34:54 | 0:34:56 | |
Italy's fanatical love of motorsport began with the Mille Miglia. | 0:34:58 | 0:35:02 | |
Alfa Romeo won it more than any other manufacturer. | 0:35:02 | 0:35:06 | |
It won it 11 times. | 0:35:06 | 0:35:08 | |
Enzo Ferrari ran cars in the Mille Miglia. | 0:35:10 | 0:35:13 | |
Ferruccio Lamborghini and Bindo Maserati raced in it. | 0:35:13 | 0:35:16 | |
This is the reason why supercars come from Italy. | 0:35:16 | 0:35:19 | |
A 1,000 mile race which lasted for 30 years before it was stopped. | 0:35:19 | 0:35:24 | |
And the reason it was stopped was because of what happened here on the | 0:35:27 | 0:35:31 | |
SP236, 30 miles south of Brescia. | 0:35:31 | 0:35:34 | |
It was at this point in 1957, 12th of March, | 0:35:36 | 0:35:41 | |
where there was an horrific accident. | 0:35:41 | 0:35:44 | |
At the start line, car 531 was amongst the favourites. | 0:35:50 | 0:35:54 | |
COMMENTATOR: The Marquis de Portago of Spain | 0:35:54 | 0:35:56 | |
and Eddie Nelson, America, share a Ferrari. | 0:35:56 | 0:35:59 | |
Neither the watching millions at the roadside | 0:35:59 | 0:36:02 | |
nor de Portago himself dream of the tragedy that lies ahead for him. | 0:36:02 | 0:36:04 | |
Approaching the finish, Portago was in third place. | 0:36:08 | 0:36:11 | |
He desperately wanted to win and was pushing hard. | 0:36:11 | 0:36:14 | |
The Ferrari lost control, blow out, the car turned, spun, | 0:36:20 | 0:36:25 | |
ended up in this ditch. | 0:36:25 | 0:36:26 | |
Nine of the spectators lost their lives here. | 0:36:30 | 0:36:32 | |
And this is the reason why the Mille Miglia never happened | 0:36:33 | 0:36:38 | |
the same way again. | 0:36:38 | 0:36:41 | |
Because this accident changed everything. | 0:36:41 | 0:36:44 | |
And 11 people lost their lives that day. | 0:36:47 | 0:36:49 | |
All for the sake of motor racing. | 0:36:50 | 0:36:52 | |
Subject of the day today is Italian style | 0:37:05 | 0:37:07 | |
and I'm heading west towards Milan... | 0:37:07 | 0:37:10 | |
..the fashion capital of Italy... | 0:37:11 | 0:37:13 | |
..where right now, the world's top designers, | 0:37:15 | 0:37:17 | |
cake dodgers, and chain smokers | 0:37:17 | 0:37:19 | |
are gathered for Milan Fashion Week to look at clothes | 0:37:19 | 0:37:22 | |
no-one will actually buy. | 0:37:22 | 0:37:24 | |
Thankfully, though, we're not stopping with the fashionistas, | 0:37:25 | 0:37:28 | |
at least not the ones who like dresses. | 0:37:28 | 0:37:30 | |
We're heading on to Turin. | 0:37:30 | 0:37:32 | |
Milan is for the clothes, Turin is for the cars. | 0:37:32 | 0:37:35 | |
This city is home to the world's leading car-styling houses. | 0:37:37 | 0:37:40 | |
Pininfarina, Bertone, Gandini, Ghia, | 0:37:40 | 0:37:44 | |
and Ital all started in and around Turin. | 0:37:44 | 0:37:47 | |
Car stylists are commissioned by manufacturers to create the exterior | 0:37:49 | 0:37:53 | |
design of cars, working on both aesthetics and aerodynamics. | 0:37:53 | 0:37:59 | |
The likes of Fiat, the likes of Ferrari, the likes of Maserati, | 0:37:59 | 0:38:02 | |
the likes of Lamborghini, they came here to get their cars styled | 0:38:02 | 0:38:07 | |
by these amazing fashion houses for cars. | 0:38:07 | 0:38:10 | |
This is a face-lifted version of one Pininfarina did. | 0:38:13 | 0:38:16 | |
The new Maserati Quattroporte. | 0:38:18 | 0:38:20 | |
This is a family supercar. | 0:38:20 | 0:38:23 | |
Quattroporte sounds very Italiano, but actually, | 0:38:23 | 0:38:26 | |
it just means four doors. | 0:38:26 | 0:38:28 | |
'And that's the point. | 0:38:32 | 0:38:34 | |
'Things feel more stylish by being Italian.' | 0:38:34 | 0:38:36 | |
Ho-ho-ho-ho! | 0:38:36 | 0:38:38 | |
'Italy is synonymous with style, but why?' | 0:38:38 | 0:38:42 | |
To try to find out, I'm heading here, | 0:38:44 | 0:38:46 | |
probably the most stylish test track in the world. | 0:38:46 | 0:38:50 | |
The Pista Lingotto. | 0:38:50 | 0:38:52 | |
Built on the roof of the old Fiat factory of the same name. | 0:38:52 | 0:38:55 | |
Even the ramp up there is beautiful. | 0:38:57 | 0:38:59 | |
It was opened in 1923... | 0:39:03 | 0:39:05 | |
..and meant that every single car produced in the factory below | 0:39:06 | 0:39:10 | |
could be driven straight off at the end of the production line | 0:39:10 | 0:39:13 | |
and tested high above the city. | 0:39:13 | 0:39:15 | |
Today, it has a speed limit of 30 kilometres per hour. | 0:39:17 | 0:39:22 | |
But the director decided it was still a suitably classy location | 0:39:29 | 0:39:34 | |
for us to shoot the bit where I meet this lady... | 0:39:34 | 0:39:36 | |
..chef, journalist and style guru Eleonora Galasso, | 0:39:38 | 0:39:42 | |
who drives an elegant classic, the Fiat Cinquecento. | 0:39:42 | 0:39:46 | |
Of course, elegance and Scouse baker are not common bedfellows. | 0:39:50 | 0:39:54 | |
Eleonora, lovely to meet you. | 0:39:56 | 0:39:58 | |
Buongiorno, Paul. | 0:39:58 | 0:39:59 | |
How are you? I'm very good. | 0:39:59 | 0:40:01 | |
We're going for a little drive around Turin. | 0:40:01 | 0:40:04 | |
It's open. There you go. That's really being an Italian gentleman. | 0:40:04 | 0:40:08 | |
We're starting very well. | 0:40:08 | 0:40:09 | |
You know, I was voted second in Britain's worst-dressed man. | 0:40:20 | 0:40:24 | |
Yeah, I'm very proud of that. | 0:40:25 | 0:40:26 | |
The Fiat Cinquecento, Italian for 500 by the way, | 0:40:30 | 0:40:34 | |
was launched in 1957, | 0:40:34 | 0:40:36 | |
in the days before seat belts were thought necessary. | 0:40:36 | 0:40:39 | |
It was one of the first purpose-built city cars, | 0:40:39 | 0:40:42 | |
designed to cope with the tiny streets of Italy's ancient cities. | 0:40:42 | 0:40:45 | |
You know, these doors with the hinges that go the other way? | 0:40:48 | 0:40:51 | |
In 1965, they moved the hinges to there | 0:40:51 | 0:40:53 | |
so that the doors opened normally. | 0:40:53 | 0:40:55 | |
Right, right. And the Italian men kicked off. | 0:40:55 | 0:40:57 | |
They really... They didn't like it. | 0:40:57 | 0:40:59 | |
You know why? Why? | 0:40:59 | 0:41:00 | |
Because they couldn't see the lady's knickers | 0:41:00 | 0:41:02 | |
when they came out of the car. | 0:41:02 | 0:41:03 | |
The devil's in the detail. | 0:41:03 | 0:41:05 | |
MUSIC: La Donna e Mobile by Rigoletto | 0:41:07 | 0:41:09 | |
Italians loved this little car because it was cheap | 0:41:12 | 0:41:15 | |
and compact, but also because it looked good. | 0:41:15 | 0:41:18 | |
And that wasn't an accident. | 0:41:20 | 0:41:22 | |
Its design was entrusted to Dante Giacosa, | 0:41:22 | 0:41:25 | |
who cut his teeth on sexy sports cars. | 0:41:25 | 0:41:28 | |
What he produced became an Italian style icon right around the world. | 0:41:28 | 0:41:33 | |
You've got one of these cars, haven't you? Of course I do. | 0:41:34 | 0:41:37 | |
Now, was that a style choice or was that because you loved it? | 0:41:37 | 0:41:41 | |
It's a style choice. | 0:41:41 | 0:41:43 | |
It's a lifestyle choice. | 0:41:43 | 0:41:44 | |
Do you think this car is stylish? | 0:41:44 | 0:41:46 | |
Er... | 0:41:48 | 0:41:49 | |
I suppose style is... | 0:41:51 | 0:41:53 | |
You can't really put your finger on it, can you? | 0:41:53 | 0:41:56 | |
But you know someone that is stylish because when you see someone who is | 0:41:56 | 0:41:59 | |
stylish, you go, now, you're stylish. | 0:41:59 | 0:42:01 | |
I suppose people see this car and say the same thing. | 0:42:01 | 0:42:03 | |
You look at this roof as well... | 0:42:05 | 0:42:07 | |
You think, that's a stylish roof. | 0:42:07 | 0:42:09 | |
Do you know why they put that roof there? | 0:42:09 | 0:42:10 | |
No, why? To save money on metal. | 0:42:10 | 0:42:12 | |
Style has nothing to do with money. | 0:42:12 | 0:42:15 | |
But you do have to have all the details right, | 0:42:15 | 0:42:18 | |
and show it out to the world without screaming it. | 0:42:18 | 0:42:22 | |
What we Italians believe in is the things that have lived | 0:42:22 | 0:42:26 | |
for a long time and that will probably survive. | 0:42:26 | 0:42:29 | |
Yeah. This is tradition. | 0:42:29 | 0:42:31 | |
You don't make it up. Right. | 0:42:31 | 0:42:32 | |
You learn it, you see it... | 0:42:32 | 0:42:34 | |
You breathe it. And you replicate it. | 0:42:34 | 0:42:35 | |
And you breathe it and it's within your veins, it's within your guts. | 0:42:35 | 0:42:39 | |
I think I get it now. | 0:42:41 | 0:42:43 | |
Italy has a very rich history and throughout that history, | 0:42:44 | 0:42:48 | |
how things look has been very important to them. | 0:42:48 | 0:42:51 | |
From art to clothes to buildings and even tiny, cheap cars. | 0:42:52 | 0:42:58 | |
You need to pull on the right, just here. OK. | 0:42:58 | 0:43:01 | |
Italians appreciate beautiful things, not expensive things, | 0:43:01 | 0:43:05 | |
and know how to create them. | 0:43:05 | 0:43:06 | |
Eleonora even reckons she can add a little bit of Italian polish | 0:43:07 | 0:43:11 | |
to the aforementioned Scouse baker. | 0:43:11 | 0:43:13 | |
You can be a new person. | 0:43:13 | 0:43:15 | |
You can be your Italian you. | 0:43:15 | 0:43:17 | |
OK, I'll change my name to Paolo. | 0:43:17 | 0:43:19 | |
'For Italians, style is in everything. | 0:43:19 | 0:43:22 | |
'How you look...' | 0:43:22 | 0:43:23 | |
Finito. | 0:43:25 | 0:43:26 | |
'..how you dress...' | 0:43:26 | 0:43:27 | |
Ah, eccolo! | 0:43:27 | 0:43:29 | |
That's an Italian man I see. | 0:43:29 | 0:43:31 | |
It feels great. I mean, if I really let my stomach go, | 0:43:31 | 0:43:34 | |
I reckon I'll take your eye out like a bullet with one of these buttons. | 0:43:34 | 0:43:37 | |
'..and what you drive.' | 0:43:37 | 0:43:39 | |
'In Turin's most beautiful piazza...' | 0:43:42 | 0:43:45 | |
Wow! That's a great picture. | 0:43:45 | 0:43:47 | |
'..with Eleonora sitting on its bonnet, | 0:43:47 | 0:43:49 | |
'and Paolo Hollywood by its side, | 0:43:49 | 0:43:52 | |
'the Cinquecento is the essence of Italian style.' | 0:43:52 | 0:43:56 | |
I want this one. I love it. | 0:43:56 | 0:43:57 | |
I love it. | 0:43:57 | 0:43:58 | |
For my penultimate day, | 0:44:05 | 0:44:06 | |
I'm driving up to Courmayeur and a very different Italy. | 0:44:06 | 0:44:10 | |
The one in the mountains. | 0:44:11 | 0:44:13 | |
To meet a car which represents a whole new side of this nation. | 0:44:13 | 0:44:17 | |
You see, I'm starting to realise there are many different Italys, | 0:44:18 | 0:44:22 | |
all within the same country. | 0:44:22 | 0:44:24 | |
Before unification in the 19th century, | 0:44:27 | 0:44:29 | |
Italy was a collection of independent states. | 0:44:29 | 0:44:32 | |
And there's still a definite divide between the rich industrial northern | 0:44:32 | 0:44:36 | |
cities and the poorer agricultural south. | 0:44:36 | 0:44:39 | |
But then, 40% of Italy is mountainous | 0:44:39 | 0:44:42 | |
and that's a whole different ball game. So, Fiat built this. | 0:44:42 | 0:44:47 | |
The world's best value off-roader, the Panda 4x4. | 0:44:49 | 0:44:53 | |
Launched in 1983, | 0:44:54 | 0:44:56 | |
it was a car that reflected perfectly | 0:44:56 | 0:44:58 | |
life in the Italian mountains - | 0:44:58 | 0:45:00 | |
modest, tough and no-nonsense. | 0:45:00 | 0:45:03 | |
Up here, it's very popular. | 0:45:05 | 0:45:07 | |
Even with people who could probably afford something | 0:45:07 | 0:45:11 | |
a little bit fancier. | 0:45:11 | 0:45:12 | |
Like this man, Claudio Coriasco, | 0:45:12 | 0:45:15 | |
director of Courmayeur's poshest and most exclusive hotel. | 0:45:15 | 0:45:18 | |
There are many countries inside Italy | 0:45:20 | 0:45:22 | |
in a motoristic point of view. | 0:45:22 | 0:45:24 | |
Because we've got the Ape for the south of Italy, Fiat Cinquecento | 0:45:24 | 0:45:29 | |
that put again Italy on the road, and in the northern part of Italy, | 0:45:29 | 0:45:32 | |
it was the Panda. A lot of people still have Pandas | 0:45:32 | 0:45:34 | |
in the Auster Valley. | 0:45:34 | 0:45:36 | |
Really? A panda? A 4x4? Supercars are the dream. | 0:45:36 | 0:45:39 | |
And everybody would like to drive a dream but we drive reality. | 0:45:39 | 0:45:44 | |
This car belonged to my father. | 0:45:44 | 0:45:46 | |
He was a country doctor. | 0:45:46 | 0:45:48 | |
And he used this car to reach all the small villages | 0:45:48 | 0:45:52 | |
up in the mountains 30 years ago. This was built in 1987. | 0:45:52 | 0:45:57 | |
Wow! It was made to reach every impossible road. | 0:45:57 | 0:46:01 | |
This can afford 50 centimetres of fresh snow without any problem, | 0:46:01 | 0:46:05 | |
carrying four people. | 0:46:05 | 0:46:06 | |
Is it like a pet to you? | 0:46:06 | 0:46:08 | |
Yeah, absolutely. I will not sell it. | 0:46:08 | 0:46:09 | |
Not even for ?50,000. I will give you a million for it now. | 0:46:09 | 0:46:12 | |
No, I won't. I'll give you two. Well, let's talk about it. | 0:46:12 | 0:46:15 | |
See? There is a price. | 0:46:15 | 0:46:17 | |
Giorgetto Giugiaro, the original Panda's designer, | 0:46:20 | 0:46:23 | |
compared this 4x4 to a pair of jeans - | 0:46:23 | 0:46:26 | |
simple, practical, and without frills. | 0:46:26 | 0:46:29 | |
And you know? I bloody love jeans. | 0:46:29 | 0:46:31 | |
To show you just how good this little car is, | 0:46:34 | 0:46:36 | |
I'm ending the day with a slushy snow race. | 0:46:36 | 0:46:39 | |
This is the latest version of the Panda 4x4, the ?16,000 Panda Cross. | 0:46:41 | 0:46:48 | |
Driving it is the two times world rally champion Miki Biasion. | 0:46:48 | 0:46:52 | |
Yeah, it's a nice car. | 0:46:52 | 0:46:55 | |
It's a happy car. You drive and you smile. | 0:46:55 | 0:46:57 | |
Yeah. | 0:46:57 | 0:46:59 | |
'And this is one of the most expensive 4x4s | 0:46:59 | 0:47:02 | |
'that's currently built in Italy - | 0:47:02 | 0:47:04 | |
'the ?230,000 Ferrari GTC4Lusso. | 0:47:04 | 0:47:10 | |
'Driving it, me.' | 0:47:10 | 0:47:12 | |
Perfect. | 0:47:12 | 0:47:14 | |
'So, one flying lap. | 0:47:14 | 0:47:16 | |
'Flat-out time trial. | 0:47:18 | 0:47:19 | |
'Ferrari versus Fiat. | 0:47:21 | 0:47:23 | |
'Thoroughbred racehorse versus mountain goat. | 0:47:24 | 0:47:28 | |
'Dream versus reality.' | 0:47:28 | 0:47:29 | |
Good handling, yes? It is, yeah, it is. | 0:47:35 | 0:47:38 | |
Ho-ho-ho-ho! | 0:47:44 | 0:47:46 | |
That's a backbreaker, that one! | 0:47:46 | 0:47:48 | |
It's got grip. I mean, it's not a Range Rover, | 0:47:51 | 0:47:54 | |
but it's got grip. | 0:47:54 | 0:47:56 | |
'Ferrari built the GTC4 car because some of their customers complained | 0:47:56 | 0:48:00 | |
'that they couldn't get their two-wheel drive Ferraris | 0:48:00 | 0:48:03 | |
'up to their ski chalets through the snow. | 0:48:03 | 0:48:05 | |
'Breaks your heart, doesn't it(?) | 0:48:06 | 0:48:08 | |
'Now, I'm not saying that the Panda is better than the Ferrari, | 0:48:10 | 0:48:13 | |
'but with both me and Miki driving, | 0:48:13 | 0:48:16 | |
'it was three seconds faster around the track. | 0:48:16 | 0:48:18 | |
'And the Ferrari got stuck. | 0:48:23 | 0:48:25 | |
'OK, there's a button we didn't know about, which helps get it unstuck. | 0:48:28 | 0:48:31 | |
'But the Panda didn't need a button.' | 0:48:34 | 0:48:36 | |
It's my final day in Italy and I'm heading back south, | 0:48:42 | 0:48:47 | |
leaving the mountains. | 0:48:47 | 0:48:49 | |
Today, I want to answer one final question. | 0:48:49 | 0:48:51 | |
What is it about this country's culture and the character | 0:48:53 | 0:48:56 | |
of its people which means Italy produces | 0:48:56 | 0:48:59 | |
the most desirable and emotionally engaging cars in the world? | 0:48:59 | 0:49:03 | |
Like this one. | 0:49:04 | 0:49:05 | |
The most beautiful Italian car ever built. | 0:49:10 | 0:49:13 | |
The Lamborghini Miura. | 0:49:14 | 0:49:16 | |
I'll introduce you to the Italian sitting next to me in a minute or so | 0:49:18 | 0:49:22 | |
but right now, we both just want to enjoy the moment. | 0:49:22 | 0:49:25 | |
CAR HORN BLARES | 0:49:30 | 0:49:32 | |
Oh, we've got a tunnel coming up, eh. | 0:49:49 | 0:49:52 | |
ENGINE ROARS | 0:49:52 | 0:49:55 | |
Sounds great, doesn't it? Wow! | 0:49:55 | 0:49:57 | |
Ho-ho-ho-ho! | 0:49:57 | 0:49:59 | |
That's great. | 0:50:01 | 0:50:02 | |
'So, that bloke in the passenger seat, as I said, | 0:50:02 | 0:50:05 | |
'I'll explain who he is in a moment. | 0:50:05 | 0:50:07 | |
'But first, having exited the tunnel safely, let's talk about this car.' | 0:50:07 | 0:50:11 | |
'The Lamborghini Miura was the first supercar. | 0:50:14 | 0:50:17 | |
'Two seats, rear-wheel drive, mid-engined | 0:50:17 | 0:50:20 | |
'and, as the Italians say... | 0:50:20 | 0:50:21 | |
'..molto, molto bellissimo.' | 0:50:23 | 0:50:25 | |
I love the fact that we're driving this beautiful car | 0:50:26 | 0:50:29 | |
and we have the Italian Alps as a panoramic view in front of us. | 0:50:29 | 0:50:32 | |
'Launched in 1966, | 0:50:33 | 0:50:35 | |
'the Miura is the same age as me and looking a lot better on it.' | 0:50:35 | 0:50:39 | |
When this hit the motor show, everybody just went crazy. | 0:50:41 | 0:50:44 | |
No-one had ever seen anything like this. | 0:50:44 | 0:50:46 | |
A mid-engined Italian supercar. | 0:50:46 | 0:50:49 | |
It's so radical and it drives beautifully. | 0:50:49 | 0:50:52 | |
They only build 763 Miuras and, while of course Italians loved them, | 0:50:54 | 0:51:00 | |
as with all supercars, most were sold abroad. | 0:51:00 | 0:51:03 | |
It feels like a race car. | 0:51:06 | 0:51:07 | |
It doesn't feel like a road car. It feels like you're in a race car. | 0:51:07 | 0:51:10 | |
Sammy Davis Jr, Dean Martin and Frank Sinatra all had Miuras. | 0:51:11 | 0:51:16 | |
When asked why he hadn't bought a Ferrari, Sinatra replied, | 0:51:16 | 0:51:21 | |
"You buy a Ferrari when you want to be somebody. | 0:51:21 | 0:51:23 | |
"You buy a Lamborghini when you are somebody." | 0:51:23 | 0:51:27 | |
Right, time to introduce that bloke in the passenger seat. | 0:51:29 | 0:51:33 | |
He is Francesco DeCarlo. | 0:51:33 | 0:51:35 | |
Comedian, car lover, | 0:51:35 | 0:51:37 | |
and a man who knows what driving in this country is all about. | 0:51:37 | 0:51:40 | |
Tell me about driving in Italy. | 0:51:40 | 0:51:43 | |
Oh... First of all, | 0:51:43 | 0:51:44 | |
that the position of your hands on the wheel... Yeah. | 0:51:44 | 0:51:47 | |
You know they are ten to two? Yeah. | 0:51:47 | 0:51:49 | |
But the Italian way is midday. | 0:51:49 | 0:51:51 | |
Yes. You have to show off that you're a cool guy. | 0:51:51 | 0:51:55 | |
OK. We call it making la belle figura. | 0:51:55 | 0:51:59 | |
You know, making a good impression. | 0:51:59 | 0:52:01 | |
Yeah. That's why we want to show off every time what we are doing. | 0:52:01 | 0:52:05 | |
So cars are kind of like a status symbol. | 0:52:05 | 0:52:08 | |
Then you need the sunglasses of course. OK. | 0:52:08 | 0:52:10 | |
And, uh, don't... Don't think about pedestrians. | 0:52:10 | 0:52:15 | |
We just don't like pedestrians. | 0:52:15 | 0:52:16 | |
THEY LAUGH | 0:52:16 | 0:52:18 | |
As we enter the town of Ivrea, 50 miles north of Turin, | 0:52:20 | 0:52:24 | |
we're coming across quite a few pedestrians | 0:52:24 | 0:52:27 | |
and that's exposing a bit of a Miura design flaw. | 0:52:27 | 0:52:30 | |
This car is so low that when people walk across you, | 0:52:30 | 0:52:33 | |
you just have a crotch view. | 0:52:33 | 0:52:35 | |
Yes. I don't think this is the reason why they were so low. | 0:52:35 | 0:52:39 | |
I don't know. Maybe we've found something in this. | 0:52:40 | 0:52:43 | |
Even if we are in Italy, we are not so obsessed about sex. | 0:52:43 | 0:52:45 | |
He had a crotch obsession. | 0:52:45 | 0:52:47 | |
A crotch obsession! No, no, no, we are good people. | 0:52:47 | 0:52:50 | |
We don't think about crotches. | 0:52:50 | 0:52:51 | |
This country is very passionate about everything. | 0:52:51 | 0:52:54 | |
It's love and hate. | 0:52:54 | 0:52:55 | |
Tragedy and comedy are together. | 0:52:55 | 0:52:58 | |
We are brave and cowards. | 0:52:58 | 0:53:00 | |
We are the top of every kind of emotions. | 0:53:00 | 0:53:03 | |
I think that the cars are the same. | 0:53:03 | 0:53:05 | |
They reflect the spirit of the country in which they are built. | 0:53:05 | 0:53:09 | |
Yeah. So, you know, the British cars are very, very silent and classy. | 0:53:09 | 0:53:13 | |
The German cars are very powerful and reliable. | 0:53:13 | 0:53:16 | |
Yeah. They think Italian cars are noisy. | 0:53:16 | 0:53:18 | |
INCOMPREHENSIBLE SHOUTING | 0:53:18 | 0:53:21 | |
Italians are quite... Eh-de-de-de-de-re! | 0:53:21 | 0:53:23 | |
So it's all about hands, isn't it? | 0:53:23 | 0:53:24 | |
Oh, yes, obviously. Hand gestures is very important for us. | 0:53:24 | 0:53:27 | |
Even when you drive a car. Yes. Because there is a lot of signs... | 0:53:27 | 0:53:30 | |
Keep moving, keep on, come on. | 0:53:31 | 0:53:34 | |
It's my time. You know? | 0:53:34 | 0:53:36 | |
You have to learn this and then there is this gesture. | 0:53:36 | 0:53:39 | |
If you want to offend another driver, this is very old-fashioned | 0:53:39 | 0:53:43 | |
but it's still good. | 0:53:43 | 0:53:44 | |
It means that your wife is cheating on you. | 0:53:44 | 0:53:48 | |
You're kidding me! Yeah. | 0:53:48 | 0:53:49 | |
That? Yeah, yeah, yeah. | 0:53:49 | 0:53:51 | |
We use it for other drivers or referee... It's very, very popular. | 0:53:51 | 0:53:55 | |
So if someone... cuts you up. Yeah, yeah, yeah. You just say... | 0:53:56 | 0:53:59 | |
HE SPEAKS ITALIAN | 0:53:59 | 0:54:01 | |
The real reason we've come to Ivrea | 0:54:01 | 0:54:03 | |
is because Francesco reckons this town can answer my question | 0:54:03 | 0:54:08 | |
about why Italians build such brilliant supercars. | 0:54:08 | 0:54:10 | |
By way of a potentially very painful metaphor. | 0:54:10 | 0:54:14 | |
You like oranges? | 0:54:14 | 0:54:15 | |
Love oranges, yeah. | 0:54:15 | 0:54:17 | |
Yeah, yeah. You will see a lot of oranges. | 0:54:17 | 0:54:19 | |
This is the battle of the oranges. | 0:54:25 | 0:54:27 | |
Dating back to 1808, | 0:54:30 | 0:54:32 | |
the festival is something to do with Ivrea's ordinary citizens, | 0:54:32 | 0:54:36 | |
revolting against the wicked landowners of the time. | 0:54:36 | 0:54:39 | |
In reality, it's actually just a massive orange fight. | 0:54:39 | 0:54:42 | |
I think trouble's coming. I feel the tension. Something is happening. | 0:54:45 | 0:54:48 | |
SHOUTING AND CHANTING IN ITALIAN | 0:54:48 | 0:54:53 | |
To start with... | 0:54:53 | 0:54:55 | |
we watch from a safe distance, | 0:54:55 | 0:54:57 | |
bravely standing behind some netting. | 0:54:57 | 0:54:59 | |
MUSIC: Requiem, Dies Irae by Verdi | 0:55:02 | 0:55:05 | |
Those guys in the helmets are getting absolutely pummelled. | 0:55:09 | 0:55:13 | |
That's why we build supercar because we love excitement, | 0:55:16 | 0:55:20 | |
we love extreme life, | 0:55:20 | 0:55:21 | |
we love passion. | 0:55:21 | 0:55:23 | |
Yeah, yeah. You can be hurt here, you can be killed, | 0:55:23 | 0:55:26 | |
but you will never get bored in this country. | 0:55:26 | 0:55:28 | |
Never. Wow! Look at that. | 0:55:28 | 0:55:29 | |
That is absolutely crazy. | 0:55:29 | 0:55:31 | |
It's like going back 400 years. | 0:55:31 | 0:55:33 | |
Yeah, it's an ancient ritual. | 0:55:33 | 0:55:35 | |
You can feel it in the blood. | 0:55:35 | 0:55:37 | |
PAUL LAUGHS | 0:55:37 | 0:55:39 | |
It's just a constant battering. | 0:55:39 | 0:55:41 | |
Look at the amount of oranges on the floor down there. Yeah, yeah, yeah. | 0:55:41 | 0:55:45 | |
'Italians have a knack for making life exciting to live. | 0:55:53 | 0:55:57 | |
'And that just makes you want to get a piece of the action.' | 0:55:57 | 0:56:00 | |
Do you know what? | 0:56:02 | 0:56:04 | |
Shall we go down there? Yes, I know it. | 0:56:04 | 0:56:06 | |
I knew it. Come on. Let's just have a go. Let's try. | 0:56:06 | 0:56:08 | |
You've got to do it, haven't you? | 0:56:08 | 0:56:10 | |
They take this orange business to a level which you think, | 0:56:10 | 0:56:13 | |
"What are you thinking?" | 0:56:13 | 0:56:15 | |
I'll take a few of them. | 0:56:22 | 0:56:24 | |
It thrilled you, it scared you at the same time. | 0:56:35 | 0:56:38 | |
I got hit in the mouth with a couple of oranges but wow, crazy Italians. | 0:56:41 | 0:56:47 | |
But if you do join in, don't scare the horses. | 0:56:47 | 0:56:50 | |
Everyone involved considers their safety to be paramount. | 0:56:50 | 0:56:54 | |
And you really don't want to upset thousands of Italians | 0:56:54 | 0:56:57 | |
armed with oranges. | 0:56:57 | 0:56:59 | |
I'm empty, mate. No, really? | 0:57:02 | 0:57:04 | |
Yeah. Look what's on the floor. | 0:57:04 | 0:57:06 | |
On the floor, oranges, horse shit | 0:57:08 | 0:57:10 | |
and blood, which is a perfect metaphor for life! | 0:57:10 | 0:57:13 | |
PAUL LAUGHS | 0:57:13 | 0:57:15 | |
'And as a closing thought to my Italian road trip, | 0:57:15 | 0:57:18 | |
'you can't say fairer than that.' | 0:57:18 | 0:57:20 | |
'So, what have I learnt? | 0:57:24 | 0:57:26 | |
'Well, Italians are dreamers. Most of them will never own a supercar.' | 0:57:27 | 0:57:31 | |
E troppo bella! Grazie! | 0:57:31 | 0:57:34 | |
'However, they love what these extraordinary machines | 0:57:34 | 0:57:37 | |
'say about them and their nation.' | 0:57:37 | 0:57:39 | |
It's one of my babies. I know. | 0:57:41 | 0:57:43 | |
'At the same time, they're realists and embrace what they have. | 0:57:43 | 0:57:48 | |
'Who knew that working in a laundry | 0:57:48 | 0:57:49 | |
'or getting hit in the face with an orange would be so exhilarating?' | 0:57:49 | 0:57:53 | |
What the Italians have, and they have lots of it, | 0:57:55 | 0:57:58 | |
whether it be their food, | 0:57:58 | 0:58:00 | |
their styling, their throwing of oranges, their supercars, | 0:58:00 | 0:58:04 | |
their practical cars, they have one thing in common - | 0:58:04 | 0:58:07 | |
passione. | 0:58:07 | 0:58:09 | |
Passion. | 0:58:09 | 0:58:10 | |
That is what makes Italian cars fantastic. | 0:58:10 | 0:58:15 | |
'Next time, I'll be in Germany, Europe's biggest car producer. | 0:58:16 | 0:58:19 | |
'Enjoying the autobahn...' | 0:58:21 | 0:58:22 | |
150. 155... | 0:58:22 | 0:58:24 | |
'..scaring the pants off Al Murray...' | 0:58:26 | 0:58:27 | |
Whoa! | 0:58:27 | 0:58:29 | |
'..and meeting naked people.' | 0:58:29 | 0:58:31 | |
This isn't awkward at all. | 0:58:31 | 0:58:33 | |
PERCUSSIVE CLICKING | 0:58:58 | 0:59:00 | |
WHISTLE | 0:59:00 | 0:59:01 | |
6 Music... Recommends. | 0:59:01 | 0:59:03 | |
We pick... | 0:59:03 | 0:59:05 | |
..new music. | 0:59:05 | 0:59:06 | |
No-one... ..tells us... ..what to choose. | 0:59:08 | 0:59:11 | |
Whoo! | 0:59:11 | 0:59:12 |