Browse content similar to Preparing for Take Off. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
RADIO: "Hello London tower, this is Trans Canada." | 0:00:02 | 0:00:06 | |
Britain today has 44 public airports. | 0:00:06 | 0:00:09 | |
Gateways to a web of routes that have interconnected the country | 0:00:11 | 0:00:15 | |
and linked to Britain with the rest of the world. | 0:00:15 | 0:00:18 | |
You step into airport X and you emerge in another country. | 0:00:18 | 0:00:22 | |
They're sci-fi. | 0:00:22 | 0:00:23 | |
Their promise of adventure has fired our imagination and our desires. | 0:00:23 | 0:00:28 | |
Modern and racy, very racy. | 0:00:28 | 0:00:31 | |
The airports are racy. | 0:00:31 | 0:00:33 | |
You feel alive in an airport, I feel. | 0:00:33 | 0:00:35 | |
As well as inspiring skulduggery at the highest levels. | 0:00:35 | 0:00:41 | |
Things were concealed from the public, | 0:00:41 | 0:00:43 | |
lies were told to those people who were losing their property. | 0:00:43 | 0:00:47 | |
This series charts the development of Britain's airports. | 0:00:47 | 0:00:50 | |
How they've changed our landscape and created new borders. | 0:00:50 | 0:00:56 | |
Generating both freedom and panic. | 0:00:56 | 0:00:59 | |
If you make it through the barrier, you're a good citizen, buy shit. | 0:01:00 | 0:01:04 | |
and if you don't make it through the barrier, you're an evil terrorist who should be disappeared. | 0:01:04 | 0:01:09 | |
And how airports have transformed what it means to be British. | 0:01:09 | 0:01:12 | |
It just became a new world really. | 0:01:12 | 0:01:15 | |
The old way of life had completely and utterly gone. | 0:01:15 | 0:01:18 | |
'This is the last and final call...' | 0:01:19 | 0:01:22 | |
The airport tells you a lot about the state of a nation. | 0:01:22 | 0:01:26 | |
It's more than just the gateway. | 0:01:26 | 0:01:28 | |
'Please proceed immediately to gate 21.' | 0:01:28 | 0:01:32 | |
There was a time when airports existed only in the imagination and anything seemed possible. | 0:01:37 | 0:01:42 | |
The Wright brothers' historic first flights in 1903 put man in the air. | 0:01:47 | 0:01:52 | |
The question was now, just where was he to land? | 0:01:56 | 0:02:00 | |
There was a quest for - what does an airport need to look like? | 0:02:00 | 0:02:05 | |
Airports were regarded as buildings of the future, and I think therefore, | 0:02:07 | 0:02:11 | |
airport design tends to capture always an image of the future. | 0:02:11 | 0:02:15 | |
Dynamism - that was a new world, all about energy. | 0:02:15 | 0:02:18 | |
The most exciting machine of all was of course the aircraft, | 0:02:18 | 0:02:21 | |
and the most exciting buildings were skyscrapers. | 0:02:21 | 0:02:24 | |
One of the most exciting young architects after World War I | 0:02:24 | 0:02:27 | |
was an Italian called Antonio Sant'Elia. | 0:02:27 | 0:02:30 | |
He sketched giant skyscrapers in which there would be railway stations, | 0:02:30 | 0:02:35 | |
motorway service stations and there would be, of course, an airport. | 0:02:35 | 0:02:41 | |
That was the great fantasy, we would all be on the move in this new world. | 0:02:41 | 0:02:45 | |
There were some totally bonkers schemes for ultra-modern airports in London. | 0:02:45 | 0:02:49 | |
This scheme, situated in the borough of St Pancras, | 0:02:49 | 0:02:52 | |
in the neighbourhood of King's Cross and St Pancras station, have been before the public for some time. | 0:02:52 | 0:02:59 | |
The runways would be so short that what would happen in practice - | 0:02:59 | 0:03:02 | |
the air crafts would have gone... "bumf" | 0:03:02 | 0:03:04 | |
bumf and fallen down in Gower Street or the Euston Road and they wouldn't have been very popular. | 0:03:04 | 0:03:09 | |
Architects' early fantasies for airports were brought to earth with a bump. | 0:03:09 | 0:03:14 | |
The realities of flying meant airports weren't suited to city centres but their outskirts. | 0:03:16 | 0:03:21 | |
The most basic requirement for the early airports or flying fields | 0:03:24 | 0:03:27 | |
were simply that they were open areas of ground. | 0:03:27 | 0:03:30 | |
Moreover, the surrounding area had to be free from obstructions | 0:03:30 | 0:03:33 | |
to allow the pilots to take-off and land safely. | 0:03:33 | 0:03:36 | |
So you had things like farmers fields, racecourses, | 0:03:36 | 0:03:39 | |
school playing fields and the like. | 0:03:39 | 0:03:41 | |
But once in the air, aircraft were free. | 0:03:42 | 0:03:46 | |
They had no respect for existing national borders. | 0:03:46 | 0:03:51 | |
In the old days, you arrived in Britain and you thought of the White Cliffs of Dover as you sailed in. | 0:03:51 | 0:03:56 | |
Now you arrive in Britain through its great gateways, the airport gateways. | 0:03:56 | 0:04:00 | |
They're buildings, they're human achievements and human designs, not natural features. | 0:04:00 | 0:04:05 | |
Now Britain's borders were wherever a plane touched down. | 0:04:06 | 0:04:10 | |
So what the airport had to have was a customs post. | 0:04:10 | 0:04:14 | |
The government put one up on an ex-RAF base on Hounslow Heath, | 0:04:16 | 0:04:19 | |
making it Britain's first landlocked customs post. | 0:04:19 | 0:04:22 | |
It was from here that the very first international commercial flight took off for Paris, in August 1919. | 0:04:24 | 0:04:32 | |
The first flight itself was an adventure, I think it's fair to say. | 0:04:32 | 0:04:36 | |
The weather was pretty atrocious, | 0:04:36 | 0:04:38 | |
and it's reported that one of the first passengers to actually fly across the English Channel | 0:04:38 | 0:04:42 | |
was sick into his bowler hat! | 0:04:42 | 0:04:44 | |
It might have been an inauspicious start, | 0:04:45 | 0:04:48 | |
but the opportunity to defy gravity was now open to anyone who could afford it. | 0:04:48 | 0:04:54 | |
That meant the airfield had better shape up. | 0:04:54 | 0:04:57 | |
The birth of commercial aviation meant | 0:04:57 | 0:05:00 | |
the shift from the airfield to the airport | 0:05:00 | 0:05:02 | |
that happened in the 1920s. | 0:05:02 | 0:05:04 | |
The gaze was no longer in the sky, it was towards the ground. | 0:05:06 | 0:05:09 | |
Airfields existed solely for pilots, but airports were designed for the paying passenger. | 0:05:11 | 0:05:16 | |
Airports act as transformers - they prepare us from | 0:05:17 | 0:05:22 | |
earthly beings on the ground to being these beings in the air. | 0:05:22 | 0:05:25 | |
They step us up, they prepare us for flight. | 0:05:25 | 0:05:28 | |
You were out on the tarmac and in the aircraft within a matter of minutes. | 0:05:31 | 0:05:37 | |
The main feeling was the surge across the grass. | 0:05:37 | 0:05:39 | |
Bumping along, bumping along, bumping along and then all of a sudden - | 0:05:39 | 0:05:43 | |
up you went, and it was a funny feeling. The old tummy went a bit funny. | 0:05:43 | 0:05:48 | |
You feel a bit of G-force whenever the plane takes off and it throws you back in your chair. | 0:05:48 | 0:05:54 | |
So that's fun, I like that. | 0:05:54 | 0:05:57 | |
With commercial flight now under way, | 0:05:58 | 0:06:01 | |
the government quickly relocated Britain's only airport customs post from fog-bound Hounslow Heath. | 0:06:01 | 0:06:07 | |
Instead it chose to build its first airport terminal and gateway to the world... | 0:06:07 | 0:06:11 | |
in Croydon. | 0:06:11 | 0:06:13 | |
When I was 14, we moved from Oxford to Croydon, | 0:06:20 | 0:06:24 | |
and we moved to a house in Purdy Way | 0:06:24 | 0:06:27 | |
that was only a quarter of a mile from the airport. | 0:06:27 | 0:06:31 | |
We heard the planes coming over the house, | 0:06:31 | 0:06:33 | |
and I used to rush out into the garden and look up at the planes, | 0:06:33 | 0:06:38 | |
and it was so exciting to me. | 0:06:38 | 0:06:40 | |
There was an association with genteel flying because remember in the early days, | 0:06:43 | 0:06:47 | |
the man in the street couldn't really afford to fly, | 0:06:47 | 0:06:50 | |
so I think it was to do with relatively well-off people, | 0:06:50 | 0:06:53 | |
a sense of luxury travel, | 0:06:53 | 0:06:55 | |
and I think Croydon Airport has this sort of genteel country house feel about it. | 0:06:55 | 0:07:00 | |
It was a great building. | 0:07:03 | 0:07:05 | |
Loads of porters who used to carry the luggage, | 0:07:05 | 0:07:09 | |
and also, we had cleaners at night | 0:07:09 | 0:07:11 | |
that cleaned the place up so it was always in pristine condition. | 0:07:11 | 0:07:16 | |
You had the booking hall there with all the counters either side | 0:07:16 | 0:07:20 | |
with all the different companies like KLM, Air France, Lufthansa. | 0:07:20 | 0:07:26 | |
You used to get the coaches coming down from London with all the passengers. | 0:07:26 | 0:07:31 | |
This flight to Paris was a teatime flight. | 0:07:33 | 0:07:39 | |
We got to Croydon at about 3:15pm, we were weighed, as was usual. | 0:07:39 | 0:07:45 | |
I used to weigh the luggage, | 0:07:45 | 0:07:48 | |
weigh the people but when I weighed the young ladies, | 0:07:48 | 0:07:50 | |
I turned the scale round so they couldn't see the dial, | 0:07:50 | 0:07:55 | |
and I think it was appreciated! | 0:07:55 | 0:07:57 | |
Actually, if someone was too heavy, what we did was say, | 0:07:57 | 0:08:01 | |
"Sorry, madam, you've got to leave some of your luggage behind!" | 0:08:01 | 0:08:04 | |
It was a minor inconvenience compared to passengers' discovery | 0:08:09 | 0:08:12 | |
of one of the fundamental truths of airports. | 0:08:12 | 0:08:16 | |
Here, distance was dead. | 0:08:16 | 0:08:18 | |
Now, only time mattered. | 0:08:18 | 0:08:20 | |
I always think about places and time. | 0:08:26 | 0:08:28 | |
Like how much time it would take to get there, not about the miles - | 0:08:28 | 0:08:32 | |
I never count the miles. | 0:08:32 | 0:08:33 | |
Airports had a very fundamental effect on how people perceived both time and space. | 0:08:35 | 0:08:41 | |
One of the most important things | 0:08:41 | 0:08:43 | |
was that airlines were selling this idea of time, | 0:08:43 | 0:08:45 | |
principally time-saving. | 0:08:45 | 0:08:46 | |
For the first time, journeys that would have taken months or weeks | 0:08:46 | 0:08:50 | |
could now be accomplished by air in a matter of hours, | 0:08:50 | 0:08:52 | |
so it was far easier and far quicker to get from London to Paris, say, | 0:08:52 | 0:08:55 | |
in the early 1920s or 1930s | 0:08:55 | 0:08:57 | |
than it was to travel to other places in the United Kingdom. | 0:08:57 | 0:09:01 | |
When I flew to Paris, I didn't really know how far it was. | 0:09:03 | 0:09:09 | |
I know now it's 200-and-something miles from Croydon. | 0:09:09 | 0:09:13 | |
But that didn't occur to me. | 0:09:13 | 0:09:16 | |
All I knew was it was going to take us 2.5 hours to get there. | 0:09:16 | 0:09:20 | |
But while a lucky few were gadding from Croydon to Paris more quickly than ever before, | 0:09:26 | 0:09:32 | |
the government saw the airport as a fast track to further-flung places. | 0:09:32 | 0:09:36 | |
NEWSREEL: 'Merchants from Milan, farmers back to Australia, | 0:09:36 | 0:09:40 | |
'wives to join husbands, Army men going back to India after leave.' | 0:09:40 | 0:09:45 | |
By the time the first airports arrived, | 0:09:45 | 0:09:48 | |
with Croydon in the '20s or early-'30s, | 0:09:48 | 0:09:51 | |
a quarter of the world was painted red on the maps, | 0:09:51 | 0:09:53 | |
so the British Empire was a reality. | 0:09:53 | 0:09:55 | |
It was about to disappear, but then it was a reality. | 0:09:55 | 0:09:59 | |
Very much the idea that this is an airport serving the Empire. | 0:09:59 | 0:10:02 | |
-NEWSREEL: -'Every day these services carry letters and packages all over the world.' | 0:10:02 | 0:10:07 | |
Imperial Airways was created by the government in 1924. | 0:10:09 | 0:10:12 | |
Within a little over 10 years, Croydon was the centre of a network that stretched as far as Brisbane. | 0:10:12 | 0:10:17 | |
-NEWSREEL: -'Letters which missed the post can be phoned to Croydon.' | 0:10:17 | 0:10:23 | |
PHONE RINGS | 0:10:24 | 0:10:25 | |
Croydon 3261 speaking. | 0:10:26 | 0:10:28 | |
My father had been posted out to North India, | 0:10:32 | 0:10:36 | |
and in 1938 when the crisis came, | 0:10:36 | 0:10:39 | |
my mother said I was to come out by air. | 0:10:39 | 0:10:41 | |
They decided that was the best way. | 0:10:41 | 0:10:43 | |
When we arrived at Croydon Airport, I was slightly apprehensive. | 0:10:43 | 0:10:49 | |
We got into this building which wasn't very exciting. | 0:10:49 | 0:10:55 | |
There might have been a sort of kiosk there, but not a proper shop. | 0:10:55 | 0:11:00 | |
But we didn't spend long and then we were taken out to the plane. | 0:11:00 | 0:11:06 | |
I flew out accompanied by some elderly lady, | 0:11:06 | 0:11:10 | |
but she was ill all the time, | 0:11:10 | 0:11:12 | |
so I had to look after her, and she wasn't much use! | 0:11:12 | 0:11:15 | |
Because of the limited range of aeroplanes, | 0:11:17 | 0:11:20 | |
more airports and landing grounds had to be built en route, | 0:11:20 | 0:11:23 | |
and they themselves became symbols of Imperial rule and power. | 0:11:23 | 0:11:28 | |
NEWSREEL: 'Shoes from Bond Street tread the desert sand. | 0:11:28 | 0:11:32 | |
'Shiny suitcases from Piccadilly reflect the glare of an Arabian sun. | 0:11:32 | 0:11:37 | |
'Refreshment for the travellers, time to talk with strangers and have tea.' | 0:11:37 | 0:11:41 | |
We came down in all sorts of places. | 0:11:41 | 0:11:44 | |
In Basra, there was nothing there at all. | 0:11:44 | 0:11:47 | |
Except a little restaurant with coloured lights, | 0:11:47 | 0:11:50 | |
and the steward took me there for supper, | 0:11:50 | 0:11:53 | |
where we had cold jellied soup which I'd never had before, | 0:11:53 | 0:11:59 | |
and thought was absolutely disgusting. | 0:11:59 | 0:12:01 | |
Croydon, with its empire routes, was flourishing. | 0:12:03 | 0:12:07 | |
The government felt that was pretty much all the airport that Britain required. | 0:12:10 | 0:12:14 | |
In the 1920s, | 0:12:16 | 0:12:17 | |
there was no national plan for airport development whatsoever. | 0:12:17 | 0:12:22 | |
Basically, the government didn't envisage | 0:12:22 | 0:12:24 | |
that there was going to be any mass... | 0:12:24 | 0:12:27 | |
that civil aviation was going to become a mass passenger transport market. | 0:12:27 | 0:12:32 | |
But this view wasn't shared on the Continent where airports and their users were multiplied. | 0:12:36 | 0:12:41 | |
The country at the forefront of developments was Germany. | 0:12:44 | 0:12:47 | |
It had been denied a military air force after World War I, | 0:12:47 | 0:12:51 | |
so instead, threw its energies into civil aviation. | 0:12:51 | 0:12:56 | |
There was one man only too keen to encourage the trend. | 0:12:56 | 0:13:01 | |
The 20th century politician who understood the early power of flight | 0:13:01 | 0:13:06 | |
was, of course, Adolf Hitler. | 0:13:06 | 0:13:08 | |
He would fly in the latest aircraft from city to city, | 0:13:08 | 0:13:11 | |
town to town, land in air fields and coming out, he was a man from space, from the air, | 0:13:11 | 0:13:16 | |
coming down around Germany and really exciting people. | 0:13:16 | 0:13:20 | |
In the early '30s with the rallies and Nazi demonstrations that occurred at Tempelhof airfield | 0:13:22 | 0:13:29 | |
where they organised a mass demonstration of hundreds of thousands of supporters, | 0:13:29 | 0:13:35 | |
they used the airport to bring the community together | 0:13:35 | 0:13:37 | |
and to communicate political messages. | 0:13:37 | 0:13:40 | |
Ever since, politicians and leaders of all complexions have used the airport as a stage. | 0:13:44 | 0:13:51 | |
Its qualities of modernity and dynamism intensifying their promise of a better future. | 0:13:53 | 0:13:59 | |
REPORTERS: 'This is the moment that millions in Iran had been waiting for.' | 0:14:00 | 0:14:05 | |
'There he is, the President, followed by Mrs Gorbachev.' | 0:14:05 | 0:14:10 | |
CHEERING AND APPLAUSE | 0:14:17 | 0:14:19 | |
In 1920s Britain, there were a few aviation evangelists. | 0:14:25 | 0:14:29 | |
They appreciated the potential of airports and didn't want Britain to be left behind. | 0:14:32 | 0:14:36 | |
Alan Cobham, a former World War I ace, set out on a crusade to make the British air-minded. | 0:14:38 | 0:14:44 | |
With our aircraft, we are going practically to every town throughout the country | 0:14:44 | 0:14:50 | |
in the hope of making flying popular, | 0:14:50 | 0:14:52 | |
and bringing about the establishment of a landing ground in every town. | 0:14:52 | 0:14:56 | |
Cobham thought that by being involved in aviation, | 0:14:56 | 0:14:59 | |
by visiting an airport, | 0:14:59 | 0:15:01 | |
it was almost what was described as a baptism of the air. | 0:15:01 | 0:15:05 | |
In the sense that you would transcend yourself by thinking | 0:15:06 | 0:15:09 | |
of what was to come with aviation, what was to be gained by building something like an airport, | 0:15:09 | 0:15:15 | |
that you would gain something in yourself, you would be a new kind of person, a better person. | 0:15:15 | 0:15:20 | |
The excitement really was in the audience of the people watching | 0:15:25 | 0:15:28 | |
the various things like - I think somebody walked out on the wing of an aeroplane. | 0:15:28 | 0:15:33 | |
But there was a general hubbub of excitement | 0:15:35 | 0:15:38 | |
because it was a very rare event for an air display to come to Sundridge, very rare. | 0:15:38 | 0:15:44 | |
It never happened before and has never happened since. | 0:15:44 | 0:15:47 | |
For the new believers, short joy flights were offered. | 0:15:57 | 0:16:01 | |
NEWSREEL: 'The object is to take people over London, that Londoners may see London. | 0:16:01 | 0:16:07 | |
'It is made at a very cheap price of 12 and sixpence with the sole object | 0:16:07 | 0:16:10 | |
'that poor and rich alike can see their own London from the air.' | 0:16:10 | 0:16:14 | |
It showed people who thought their city was the limits, | 0:16:20 | 0:16:24 | |
the horizon of all known possibilities, | 0:16:24 | 0:16:26 | |
that it's just a tiny bit of a much larger sphere, | 0:16:26 | 0:16:30 | |
so it immediately reminds you that the world is bigger | 0:16:30 | 0:16:33 | |
and so more diverse, more exciting and more possible. | 0:16:33 | 0:16:36 | |
You looked out and thought, oh, my house there. | 0:16:36 | 0:16:42 | |
It was great! | 0:16:42 | 0:16:44 | |
To have an airport was to be modern. | 0:16:45 | 0:16:49 | |
Soon, towns across the country were scrambling to build one of their very own. | 0:16:49 | 0:16:55 | |
I have now great pleasure in declaring the Luton Municipal Aerodrome open. | 0:16:55 | 0:17:01 | |
Obviously, years ago, a city was defined as whether you had a cathedral or not. | 0:17:01 | 0:17:05 | |
To be honest, I think nowadays, if you haven't got an airport, | 0:17:05 | 0:17:09 | |
you're not really a city, are you? | 0:17:09 | 0:17:11 | |
I now have much pleasure in declaring the airport of Birmingham open. | 0:17:11 | 0:17:16 | |
To be a local authority of any worth, you had to have your own aerodrome. | 0:17:16 | 0:17:20 | |
So, if one looks to Yorkshire and the north-east, | 0:17:20 | 0:17:25 | |
there were airports at Grimsby, Doncaster, Leeds-Bradford, Hull, Newcastle. | 0:17:25 | 0:17:32 | |
So, airports springing up all over the country in close proximity to each other. | 0:17:32 | 0:17:36 | |
But there was one place that wanted an airport that was bigger, | 0:17:36 | 0:17:42 | |
better and bolder than anywhere else in the country. | 0:17:42 | 0:17:45 | |
The best city in the world is Liverpool. | 0:17:45 | 0:17:48 | |
All the glamour, all the girls, all the fashion, | 0:17:48 | 0:17:51 | |
the footballers and the Albert Dock. | 0:17:51 | 0:17:52 | |
Liverpool is the best city in the world. | 0:17:52 | 0:17:55 | |
Liverpool of course was the greatest port in the country, | 0:17:55 | 0:18:00 | |
and I think the people realised | 0:18:00 | 0:18:01 | |
that a good airport would be very good to have | 0:18:01 | 0:18:06 | |
alongside its shipping port. | 0:18:06 | 0:18:07 | |
'Their town council consulted and it took a lot of advice.' | 0:18:09 | 0:18:14 | |
They wanted to put Liverpool on the air map, | 0:18:14 | 0:18:16 | |
they wanted to see Liverpool as being like its port was, | 0:18:16 | 0:18:19 | |
a kind of hub. | 0:18:19 | 0:18:20 | |
NEWSREEL: 'Liverpool's newly-constructed civil airport, | 0:18:20 | 0:18:24 | |
'the largest and most important commercial aerodrome in the North of England.' | 0:18:24 | 0:18:28 | |
Speke airport was the most ambitious and expensive in Britain. | 0:18:28 | 0:18:33 | |
While most provincial airports only offered internal flights, | 0:18:33 | 0:18:37 | |
Speke soon had ones across the sea, | 0:18:37 | 0:18:39 | |
not just to Belfast and the Isle of Man but to Amsterdam. | 0:18:39 | 0:18:44 | |
We used to watch the aircraft coming in and it was very interesting to think that they had come | 0:18:44 | 0:18:50 | |
all the way from Holland to Speke and how they found their way across. | 0:18:50 | 0:18:56 | |
They used to park quite close, I suppose 20 yards away, and walk into the building. | 0:18:59 | 0:19:04 | |
Everything was parked on the doorstep. | 0:19:06 | 0:19:09 | |
Speke airport was influenced not by Croydon, not by British examples, | 0:19:09 | 0:19:14 | |
but by the very latest, and that was from Germany. | 0:19:14 | 0:19:17 | |
But it's not offensively modern to British eyes, it was gently curved | 0:19:17 | 0:19:22 | |
and made of nice brick, | 0:19:22 | 0:19:24 | |
and the interiors were very gently glamorous. | 0:19:24 | 0:19:28 | |
Speke was the finest airport in Britain. | 0:19:29 | 0:19:32 | |
But in Germany, the next generation was already emerging, | 0:19:32 | 0:19:36 | |
as Hitler rebuilt Berlin's Tempelhof. | 0:19:36 | 0:19:38 | |
NEWSREEL: 'As the gigantic buildings rise on the Tempelhof site, | 0:19:38 | 0:19:42 | |
'we get an idea of the immensity of the embarkation hall. | 0:19:42 | 0:19:45 | |
'Paris has just opened her new airport at Le Bourget, | 0:19:45 | 0:19:48 | |
'and New York has laid the foundation of hers. | 0:19:48 | 0:19:50 | |
'Britain still sticks to Croydon, a quarter of the size of any of these. | 0:19:50 | 0:19:54 | |
'What is Britain doing about it?' | 0:19:54 | 0:19:55 | |
Tempelhof is one of the most spectacular airport buildings anywhere, even today. | 0:19:55 | 0:20:01 | |
The plane is treated like a passenger. | 0:20:03 | 0:20:05 | |
The plane is welcomed at this great sweeping airport, | 0:20:05 | 0:20:08 | |
which must be one kilometre long, I should think. | 0:20:08 | 0:20:10 | |
The hangars are included, the passengers are included - | 0:20:10 | 0:20:14 | |
all are organised in the right sequence to make the building work for passengers. | 0:20:14 | 0:20:18 | |
Tempelhof was the first truly modern airport, | 0:20:18 | 0:20:22 | |
and despite its Nazi origins, a blueprint for those that followed. | 0:20:22 | 0:20:26 | |
Because what its architect understood was the importance of airport circulation. | 0:20:29 | 0:20:34 | |
The science of logistics, the science of moving huge numbers of people | 0:20:37 | 0:20:41 | |
very efficiently and very quickly without panic | 0:20:41 | 0:20:44 | |
lies at the heart of the post-war civil aviation miracle, | 0:20:44 | 0:20:49 | |
if you can call it that. | 0:20:49 | 0:20:51 | |
The pressure on getting people in and out of terminals | 0:20:51 | 0:20:56 | |
quickly and comfortably and efficiently | 0:20:56 | 0:21:00 | |
is more important than anything else. | 0:21:00 | 0:21:02 | |
And hopefully, they get a good experience. | 0:21:02 | 0:21:05 | |
And direct - no corners if possible. | 0:21:06 | 0:21:10 | |
Getting the bags going in a straight line is a good thing. | 0:21:10 | 0:21:12 | |
It's a fantastic magnet at the other end. | 0:21:12 | 0:21:15 | |
You want to be sitting in that aeroplane with a Bloody Mary in your hand waiting for take-off. | 0:21:16 | 0:21:21 | |
It's called intuitive way finding. | 0:21:23 | 0:21:26 | |
You simply move through it because you're kind of pulled through the terminal | 0:21:26 | 0:21:30 | |
by certain unconscious cues like the feeling of the floor under your feet | 0:21:30 | 0:21:33 | |
or by the way in which that flooring looks. | 0:21:33 | 0:21:36 | |
It hasn't changed to carpet, | 0:21:36 | 0:21:37 | |
or it hasn't changed from a limestone floor to a different kind of flooring. | 0:21:37 | 0:21:41 | |
So we feel we are carried along like a river through the building. | 0:21:41 | 0:21:45 | |
The design process is characterised by lots of arrows | 0:21:48 | 0:21:51 | |
and lots of flows and arrows of different thicknesses. | 0:21:51 | 0:21:54 | |
Big arrows for big flows and small arrows for small flows. | 0:21:54 | 0:21:59 | |
Blue ones for departures, red ones for arrivals, | 0:21:59 | 0:22:02 | |
orange ones for transfers, | 0:22:02 | 0:22:04 | |
so you get this nest of increasing complexity of passenger flows. | 0:22:04 | 0:22:08 | |
Sometimes it's just - keep moving, keep moving, | 0:22:09 | 0:22:12 | |
where are we going, we don't know. | 0:22:12 | 0:22:14 | |
I don't feel processed, no. | 0:22:14 | 0:22:17 | |
I might quite enjoyed feeling processed, then I wouldn't get lost! | 0:22:17 | 0:22:20 | |
Where do we go, where do we go? Upstairs, departures. | 0:22:20 | 0:22:23 | |
If you don't go in a certain way in an airport, then it all goes wrong. | 0:22:23 | 0:22:26 | |
It's like playing chess, you're just getting moved and moved, | 0:22:26 | 0:22:30 | |
and in the end, you're going to go, check mate, I'm out, next. | 0:22:30 | 0:22:33 | |
Not just logistics but plane navigation and runway development | 0:22:38 | 0:22:43 | |
were all hugely accelerated by World War II. | 0:22:43 | 0:22:46 | |
Airports came of age, | 0:22:50 | 0:22:52 | |
transformed from small-scale affairs into industrial complexes. | 0:22:52 | 0:22:57 | |
We have built airfields from Iceland to the Azores, | 0:22:57 | 0:23:02 | |
from Crete and Malta to Bel-Air | 0:23:02 | 0:23:05 | |
and in this country alone, during the war, we reconstructed 444 airfields. | 0:23:05 | 0:23:11 | |
At one period, we were turning out three aerodromes every week. | 0:23:11 | 0:23:16 | |
In the Air Ministry, there was one man who saw the war | 0:23:18 | 0:23:21 | |
as a golden opportunity to construct a major new civil airport for London. | 0:23:21 | 0:23:26 | |
Even if he had to use subterfuge to do it. | 0:23:26 | 0:23:28 | |
"Almost the last thing I did at the Air Ministry of any importance was to hijack for the Civil Aviation, | 0:23:31 | 0:23:37 | |
"the land on which London Airport stands, under the noses of resistant ministerial colleagues. | 0:23:37 | 0:23:43 | |
"If hijack is too strong a term, I plead guilty to the lesser crime of deceiving the Cabinet committee." | 0:23:43 | 0:23:50 | |
It was an Orwellian exercise. | 0:23:50 | 0:23:53 | |
Things were concealed from the public, lies were told. | 0:23:53 | 0:23:57 | |
The perpetrator of this plot was World War I ace | 0:23:58 | 0:24:01 | |
and Under-Secretary of State for Air, Harold Balfour. | 0:24:01 | 0:24:05 | |
Balfour took a celluloid grid and placed it over a large map of London, | 0:24:07 | 0:24:11 | |
and he found the only place suitable for building a large new airport | 0:24:11 | 0:24:15 | |
was a village called Heathrow which lay in Middlesex. | 0:24:15 | 0:24:19 | |
It was all fields. It was pretty area, yes, | 0:24:20 | 0:24:24 | |
because there was the blossom from the fruit trees. | 0:24:24 | 0:24:27 | |
Little farms and smallholdings and market gardeners, really. | 0:24:27 | 0:24:32 | |
Balfour knew that the civil authorities would never approve | 0:24:34 | 0:24:38 | |
his bold project on such prime arable land, | 0:24:38 | 0:24:41 | |
so he resorted to lying, to the Cabinet and the country, | 0:24:41 | 0:24:45 | |
and claimed an airport at Heathrow was vital for the war effort. | 0:24:45 | 0:24:48 | |
Within months, emergency requisition powers had secured the land. | 0:24:50 | 0:24:56 | |
NEWSREEL: 'It was in April 1944 that history came to these country fields. | 0:24:56 | 0:25:00 | |
'An airport was required to finish off the Japanese. | 0:25:00 | 0:25:04 | |
'The landscape was changed and the past obliterated.' | 0:25:06 | 0:25:10 | |
It was pretty horrendous. People didn't want to move or relocate. | 0:25:10 | 0:25:14 | |
A lot of people lost their businesses but then, the majority | 0:25:14 | 0:25:17 | |
of people that lived in the area eventually worked on the airport. | 0:25:17 | 0:25:22 | |
My father went to work there actually because he had a market garden business, | 0:25:22 | 0:25:29 | |
but eventually it went and got swallowed up. | 0:25:29 | 0:25:31 | |
The driving force behind the demolition was the need for longer and stronger runways. | 0:25:36 | 0:25:42 | |
Runways have always pushed the boundaries of engineering. | 0:25:43 | 0:25:47 | |
A typical wheel load applied through a modern aircraft | 0:25:47 | 0:25:50 | |
is about 10 times the load that is going down through the wheel of a lorry. | 0:25:50 | 0:25:54 | |
Before the war, the only area that you'd find concrete on an airport | 0:25:56 | 0:25:59 | |
would be where the aircraft were being parked | 0:25:59 | 0:26:02 | |
and were passengers were embarking. | 0:26:02 | 0:26:04 | |
Elsewhere, it would be a grass runway and they were entirely appropriate for the aircraft of the time. | 0:26:04 | 0:26:11 | |
During World War II as aircraft got bigger and heavier, | 0:26:12 | 0:26:15 | |
particularly the big British bombers, | 0:26:15 | 0:26:17 | |
they needed longer runways and eventually harder runways, | 0:26:17 | 0:26:21 | |
so concrete runways was the future of both military and civil airfields. | 0:26:21 | 0:26:26 | |
But to get sufficient lift, | 0:26:26 | 0:26:30 | |
planes still needed to take off into the wind. | 0:26:30 | 0:26:32 | |
So to allow for changing wind direction, they built six runways at Heathrow in a Star of David pattern. | 0:26:34 | 0:26:41 | |
It was the biggest engineering project that Britain had ever seen. | 0:26:42 | 0:26:47 | |
No other airfield in the UK had been built anywhere near the scale of Heathrow. | 0:26:47 | 0:26:55 | |
On site there was a laboratory to determine the strength of the concrete that was being placed. | 0:26:57 | 0:27:03 | |
Tested to destruction. | 0:27:03 | 0:27:05 | |
At peak, the labour force approached towards 2,000 people. | 0:27:12 | 0:27:15 | |
That is a lot of men. | 0:27:15 | 0:27:18 | |
It gave you a far more exciting range of what was out there for you. | 0:27:20 | 0:27:26 | |
I had a few dates with a lad from Doncaster, | 0:27:26 | 0:27:31 | |
so that's what it brought to us - meet new people | 0:27:31 | 0:27:33 | |
and have new boyfriends, a different one every night! | 0:27:33 | 0:27:38 | |
When you see a beautiful piece of concrete finished, | 0:27:38 | 0:27:42 | |
that's as good as gold. | 0:27:43 | 0:27:46 | |
Some of the original concrete is indeed still in use today. | 0:27:47 | 0:27:51 | |
We probably have a runway thickness now of about one metre, | 0:27:51 | 0:27:54 | |
but the very early concrete is down at the bottom of that one-metre depth. | 0:27:54 | 0:28:00 | |
-NEWSREEL: -'The smoothness of the finished concrete is an important sector in runway construction. | 0:28:01 | 0:28:07 | |
'Rough surfaces cause excessive wear to aircraft tyres. | 0:28:07 | 0:28:10 | |
'For this reason, after the passage of the mechanical plant, the surface | 0:28:10 | 0:28:13 | |
'is usually belted by hand to give the best possible finish.' | 0:28:13 | 0:28:16 | |
We are looking for any surface defects | 0:28:19 | 0:28:22 | |
such as any break-ups, lighting defects, | 0:28:22 | 0:28:26 | |
any spillages. | 0:28:26 | 0:28:27 | |
-RADIO: -'Vacate runway two - I suggest you go right.' | 0:28:27 | 0:28:31 | |
Vacate runway two to right. | 0:28:33 | 0:28:34 | |
Runways here are inspected six times in every 24 hour period, | 0:28:38 | 0:28:42 | |
so roughly every four hours. | 0:28:42 | 0:28:43 | |
TALKING ON RADIO | 0:28:43 | 0:28:46 | |
Bravo Zulu One into runway to vacate Delta Zulu One. That's copied, Leader Three. | 0:28:50 | 0:28:56 | |
I've just been given permission to re-enter the runway. | 0:28:56 | 0:29:00 | |
We can't afford to have any potholes or any large amounts of rubber build up or that kind of thing. | 0:29:04 | 0:29:09 | |
It does have to be kept in the prime condition to enable good braking action. | 0:29:09 | 0:29:13 | |
So the runway friction has to be monitored. | 0:29:13 | 0:29:15 | |
We usually have two people in a vehicle when carrying out a runway inspection. | 0:29:17 | 0:29:22 | |
We have to adopt a sterile cockpit which means that we don't talk unless we have to, | 0:29:22 | 0:29:27 | |
but it requires an immense amount of concentration from both people. | 0:29:27 | 0:29:32 | |
That's inspection complete, thank you. Runway status is wet, wet, wet. | 0:29:36 | 0:29:40 | |
Anti-icing needed and serviceable. Thanks, Leader Three. | 0:29:40 | 0:29:43 | |
On this first day of the new year, | 0:29:44 | 0:29:48 | |
this probing flight starts off from Heathrow | 0:29:48 | 0:29:54 | |
which will be the future civil airport of London. | 0:29:54 | 0:29:59 | |
It takes off from the finest runway in the world. | 0:29:59 | 0:30:02 | |
1st January 1946 here at Heathrow was an amazing day. | 0:30:02 | 0:30:07 | |
Although the weather was cold and bleak, very depressing, | 0:30:07 | 0:30:11 | |
it was nevertheless, the first international departure from Heathrow. | 0:30:11 | 0:30:16 | |
I was just a young 16 year-old traffic apprentice | 0:30:18 | 0:30:21 | |
with British South American Airways. | 0:30:21 | 0:30:24 | |
I just felt so proud, as we all did. | 0:30:24 | 0:30:26 | |
-NEWSREEL: -'Civil flying gets going again, | 0:30:28 | 0:30:31 | |
'and Britain begins to fight for her old place on the skylines of the world.' | 0:30:31 | 0:30:34 | |
Usually, a little puff of blue smoke would emerge when the engines started, | 0:30:34 | 0:30:40 | |
and very comforting to see all four engines started all right, | 0:30:40 | 0:30:44 | |
and away she was, 12:07pm, the first leg of the journey which was to Lisbon. | 0:30:44 | 0:30:49 | |
It was an exciting era. New routes, new developments coming along, | 0:30:53 | 0:30:58 | |
and Britain needed that sort of boost and it just captured the atmosphere. | 0:30:58 | 0:31:03 | |
Obviously it was exciting to see planes in the sky. | 0:31:05 | 0:31:09 | |
We had never seen anything like it in our lives. | 0:31:09 | 0:31:12 | |
My sister worked there at the time. | 0:31:12 | 0:31:15 | |
She was a teleprinter operator and she was working in a tent. | 0:31:15 | 0:31:18 | |
I found that quite intriguing. | 0:31:21 | 0:31:23 | |
Duckboards etc, people squelching about. | 0:31:28 | 0:31:31 | |
Foreign passengers must have been horrified. | 0:31:31 | 0:31:34 | |
The first time I went to Heathrow, I think it was on my honeymoon, | 0:31:34 | 0:31:39 | |
and I had an argument with my wife. | 0:31:39 | 0:31:41 | |
I thought it was a tent we left from, and she said it was a shed. | 0:31:41 | 0:31:46 | |
I think I'm probably right! | 0:31:46 | 0:31:48 | |
It was like an army camp. | 0:31:48 | 0:31:50 | |
There was an enormous gap between what Britain could achieve in terms of Engineering in the aviation world | 0:31:52 | 0:31:57 | |
and what it could produce in terms of passenger experience. | 0:31:57 | 0:32:01 | |
Because it was a ration book world, an austerity world, | 0:32:01 | 0:32:04 | |
there was a feeling, I suppose, that luxury wasn't something people should have. | 0:32:04 | 0:32:10 | |
Heathrow has struggled to shake off | 0:32:12 | 0:32:14 | |
the army surplus make-do-and-mend mentality on which it was built. | 0:32:14 | 0:32:18 | |
In fact, Heathrow operated without proper terminal buildings for 10 years. | 0:32:22 | 0:32:28 | |
The man tasked with finally providing them | 0:32:30 | 0:32:33 | |
was architect Frederick Gibberd. | 0:32:33 | 0:32:36 | |
The first thing I think I should say about this scheme, which I found so fascinating, | 0:32:36 | 0:32:41 | |
was that the whole scheme is right in the middle of the airport. | 0:32:41 | 0:32:44 | |
Good thinking! | 0:32:45 | 0:32:46 | |
Doesn't that Star of David runway layout give you a bit of a problem? | 0:32:46 | 0:32:50 | |
One had to get across the runway to avoid interrupting the aircraft movements. | 0:32:51 | 0:32:56 | |
What the devil are you going to do about that? | 0:32:56 | 0:32:59 | |
You get there by a tunnel. | 0:32:59 | 0:33:01 | |
It's pretty unsatisfactory. | 0:33:01 | 0:33:04 | |
You come from a tunnel over there. | 0:33:04 | 0:33:06 | |
The terminal building was going to be constrained. | 0:33:06 | 0:33:09 | |
It could only take place within the island at the centre of the runways. | 0:33:09 | 0:33:15 | |
Access by the creation of tunnels. | 0:33:15 | 0:33:18 | |
In order for Heathrow to expand properly, new terminals would have to be built beyond the island. | 0:33:18 | 0:33:24 | |
It had to be moved around like a game of chess, here and there around that Star of David pattern. | 0:33:24 | 0:33:30 | |
There was no clear idea or clear vision of what a truly modern airport might be. | 0:33:30 | 0:33:36 | |
One could see the greater numbers, of course, | 0:33:40 | 0:33:44 | |
but no-one could ever believe it could grow to the extent it has done. | 0:33:44 | 0:33:48 | |
Expansion of Britain's airports has been driven not just by technological but political changes. | 0:33:50 | 0:33:57 | |
As the old imperial powers gave way their colonies, | 0:34:00 | 0:34:04 | |
a whole new generation of nations and airlines were born. | 0:34:04 | 0:34:08 | |
It's very important to have your national carrier | 0:34:25 | 0:34:28 | |
flying to different parts of the world. | 0:34:28 | 0:34:29 | |
Because you fly your flag, and you fly it well. | 0:34:29 | 0:34:34 | |
Watching planes at Heathrow Airport | 0:34:35 | 0:34:37 | |
was like watching the United Nations Assembly played out in front of you, | 0:34:37 | 0:34:41 | |
and the aircraft would come from all parts of the world | 0:34:41 | 0:34:44 | |
and were symbolic of the achievements of those countries. | 0:34:44 | 0:34:48 | |
Croatia became a nation in 1991, | 0:34:52 | 0:34:55 | |
and Croatia Airlines was formed shortly after. | 0:34:55 | 0:34:59 | |
For a small carrier from a country that was still at war that was being formed, | 0:35:00 | 0:35:06 | |
to see the name Croatia Airlines here at Heathrow Airport, | 0:35:06 | 0:35:10 | |
it was a nice feeling, it was a feeling of pride. | 0:35:10 | 0:35:14 | |
The national airlines had their own identity and one got used to their different ways of doing things. | 0:35:15 | 0:35:21 | |
For example, the Swiss were super-efficient, the Germans were very efficient, | 0:35:21 | 0:35:26 | |
the French more laid-back. | 0:35:26 | 0:35:28 | |
One could sense the international atmosphere very early on indeed. | 0:35:29 | 0:35:34 | |
The frontiers of nations had now effectively moved to the ticket desk of their national carrier. | 0:35:36 | 0:35:41 | |
Airports had changed political geography, | 0:35:44 | 0:35:47 | |
but the physical geography around them couldn't be ignored. | 0:35:47 | 0:35:51 | |
The surrounding area has been brought under the airport's influence. | 0:35:53 | 0:35:57 | |
The environment managed... | 0:35:57 | 0:35:59 | |
..and local residents kept under control. | 0:36:00 | 0:36:02 | |
HE PLAYS TAPE OF RECORDED BIRD SQUAWKING | 0:36:09 | 0:36:11 | |
The rooks are the cleverest, I have to admit. | 0:36:17 | 0:36:19 | |
They give us the run-around, | 0:36:19 | 0:36:21 | |
they really do. | 0:36:21 | 0:36:22 | |
You're looking out, once you've dispersed them off field, | 0:36:22 | 0:36:26 | |
you see them go a long way off and then settle down in some field. | 0:36:26 | 0:36:30 | |
The next minute you'll see one pop up above the trees, | 0:36:30 | 0:36:33 | |
and he's looking directly over to the airfield | 0:36:33 | 0:36:35 | |
just to see if you're in that same position, | 0:36:35 | 0:36:38 | |
and then he'll go back down. | 0:36:38 | 0:36:41 | |
Jets high-powered engines suck in air, | 0:36:42 | 0:36:45 | |
and in the rare event of a bird being ingested too, | 0:36:45 | 0:36:48 | |
the blades can be dangerously damaged. | 0:36:48 | 0:36:52 | |
Vans broadcasting bird distress signals were developed, | 0:36:53 | 0:36:57 | |
with calls tailor-made to scare off different species. | 0:36:57 | 0:37:00 | |
The first one is a rook. | 0:37:02 | 0:37:03 | |
ROOK SQUAWKING | 0:37:03 | 0:37:06 | |
The next one is a starling. | 0:37:06 | 0:37:07 | |
STARLING SQUAWKING | 0:37:07 | 0:37:09 | |
Now we're going on to the gold species. | 0:37:09 | 0:37:11 | |
Herring gull. | 0:37:11 | 0:37:13 | |
HERRING GULL SQUAWKING | 0:37:13 | 0:37:15 | |
I can make that one move now. | 0:37:16 | 0:37:18 | |
Human decoys have been deployed. | 0:37:21 | 0:37:23 | |
24 beats a minute was found to be a particularly effective deterrent. | 0:37:25 | 0:37:29 | |
But sometimes, something even more startling has been required. | 0:37:33 | 0:37:37 | |
LOUD GUNSHOT | 0:37:42 | 0:37:44 | |
That was a kestrel. | 0:37:46 | 0:37:48 | |
You've got to be careful when you move them. | 0:37:49 | 0:37:51 | |
Obviously with aircraft taking off, | 0:37:51 | 0:37:54 | |
you don't want to send the birds up in front of the aircraft. | 0:37:54 | 0:37:57 | |
So, it's probably like a game of chess where you are protecting something, | 0:37:57 | 0:38:01 | |
you are protecting the runways at Manchester airport. | 0:38:01 | 0:38:05 | |
I'll just stop you there, we've got a heron that's just flying over. | 0:38:05 | 0:38:09 | |
He's going off field to the north. | 0:38:11 | 0:38:14 | |
LAPWING SQUAWKING | 0:38:15 | 0:38:17 | |
Back in the 1950s, though, birds had little to fear at Britain's regional airports. | 0:38:25 | 0:38:31 | |
Certainly not aeroplanes. | 0:38:33 | 0:38:35 | |
At Speke airport in Liverpool, | 0:38:39 | 0:38:41 | |
the glorious terminal was now functioning more as a local amenity | 0:38:41 | 0:38:45 | |
than a thriving airport. | 0:38:45 | 0:38:47 | |
Every Saturday they would have dances there, | 0:38:47 | 0:38:51 | |
and they were just wonderful. | 0:38:51 | 0:38:53 | |
The ladies with all their long dresses | 0:38:53 | 0:38:55 | |
and sweeping up those beautiful staircases. | 0:38:55 | 0:39:00 | |
It really was lovely. | 0:39:00 | 0:39:01 | |
The orchestra in the background - magnificent. | 0:39:01 | 0:39:05 | |
Of course you had the noise of the aeroplanes of an evening which added to it, I thought. | 0:39:05 | 0:39:10 | |
It wouldn't detract from it. | 0:39:10 | 0:39:12 | |
It wasn't as if they were coming in by the droves but just one an hour. | 0:39:12 | 0:39:16 | |
Great excitement. | 0:39:16 | 0:39:19 | |
The balcony was very popular among families, | 0:39:19 | 0:39:23 | |
and they would spend the day waiting for the aircraft to come. | 0:39:23 | 0:39:27 | |
Of course people in those days used to bring their knitting with them, | 0:39:27 | 0:39:31 | |
and games of football played on the balcony | 0:39:31 | 0:39:34 | |
where the children had got disinterested in waiting for the next aircraft. | 0:39:34 | 0:39:38 | |
Like most airports in Britain, | 0:39:41 | 0:39:42 | |
Speke had been swept up in the post-war Labour government's nationalisation plans. | 0:39:42 | 0:39:48 | |
In the 1950s, the government didn't anticipate | 0:39:48 | 0:39:51 | |
this new mass market of people holidaying in Palma, et cetera, | 0:39:51 | 0:39:56 | |
but at the same time, I'm not even sure that had that been predicted by the government, | 0:39:56 | 0:40:01 | |
they would necessarily have thought of actually putting facilities in place | 0:40:01 | 0:40:06 | |
to enable people to fly out of their local airport. | 0:40:06 | 0:40:09 | |
Economically, it seemed to make sense to concentrate on developing the capital. | 0:40:09 | 0:40:14 | |
But there was one city that begged to disagree. | 0:40:14 | 0:40:19 | |
We've always had a saying up here - | 0:40:19 | 0:40:21 | |
what Manchester does today, London does tomorrow! | 0:40:21 | 0:40:24 | |
Manchester Council fought nationalisation of their airport, | 0:40:24 | 0:40:29 | |
determined it should stay locally-run. | 0:40:29 | 0:40:31 | |
Forward-thinking front people involved within the city. | 0:40:31 | 0:40:35 | |
The ship canal - who would have thought of building a canal | 0:40:35 | 0:40:38 | |
from Liverpool to Manchester, which they did. | 0:40:38 | 0:40:40 | |
It was the same with the airport. | 0:40:40 | 0:40:43 | |
Exactly the same there. | 0:40:43 | 0:40:44 | |
Forward thinking, entrepreneurs that were involved. | 0:40:44 | 0:40:47 | |
It was a calculated risk. | 0:40:47 | 0:40:49 | |
In 1953, Manchester inaugurated England's only transatlantic service outside the capital. | 0:40:49 | 0:40:56 | |
They'd splashed out on extending the runway, | 0:40:58 | 0:41:00 | |
and could soon handle the new jets. | 0:41:00 | 0:41:02 | |
Their next-door neighbours, though, had noticed they'd omitted one thing. | 0:41:04 | 0:41:08 | |
Manchester airport didn't have a terminal. | 0:41:08 | 0:41:11 | |
I can remember walking along the planks on the ground, | 0:41:11 | 0:41:16 | |
and they used to have little huts. | 0:41:16 | 0:41:19 | |
There was no terminal building like Liverpool has. | 0:41:19 | 0:41:22 | |
Liverpool was far more advanced. | 0:41:22 | 0:41:24 | |
If you've not got a runway that's long enough to take long-haul aircraft, | 0:41:24 | 0:41:28 | |
it's a waste of time having any terminal buildings at all. | 0:41:28 | 0:41:32 | |
The strategy paid off. | 0:41:32 | 0:41:35 | |
Within a few years, Manchester airport was in profit, | 0:41:35 | 0:41:38 | |
and it had saved up for a spanking new terminal of its own. | 0:41:38 | 0:41:41 | |
REPORTER: 'The crowning glories of the new terminal are the four Venetian glass chandeliers, | 0:41:41 | 0:41:46 | |
'each one weighing two tons and containing 1,300 pieces of glass.' | 0:41:46 | 0:41:50 | |
I'm afraid Manchester went ahead and Liverpool just went down and down. | 0:41:50 | 0:41:55 | |
Manchester just got bigger and bigger. | 0:41:55 | 0:41:57 | |
It was very upsetting for us all. | 0:41:57 | 0:42:00 | |
For years, Liverpudlians suffered the indignity of driving past their own airport to use Manchester's. | 0:42:01 | 0:42:09 | |
Until that is, the British love of a bargain kicked in. | 0:42:09 | 0:42:11 | |
I'm from Manchester and obviously we have a wonderful airport. | 0:42:20 | 0:42:24 | |
However, I'm flying from Liverpool today, | 0:42:24 | 0:42:27 | |
which is also quite a nice airport. | 0:42:27 | 0:42:30 | |
Obviously not as nice as Manchester! | 0:42:30 | 0:42:32 | |
But to be honest, the flights were cheaper. | 0:42:32 | 0:42:34 | |
Liverpool's old art-deco terminal has been turned into a hotel, | 0:42:37 | 0:42:41 | |
servicing a brand new airport building. | 0:42:41 | 0:42:44 | |
But having cornered the low-cost market, | 0:42:46 | 0:42:49 | |
Liverpool Airport still felt it needed something extra. | 0:42:49 | 0:42:52 | |
The development team went to the States | 0:42:52 | 0:42:54 | |
and looked at an airport in Orange County, | 0:42:54 | 0:42:56 | |
which happened to be called John Wayne airport, | 0:42:56 | 0:42:59 | |
with a big statue outside of John Wayne with his stetson. | 0:42:59 | 0:43:02 | |
It set the seed in their minds - what a great opportunity, | 0:43:02 | 0:43:04 | |
why don't we rename the airport, change the name. | 0:43:04 | 0:43:08 | |
MUSIC: "Help" by The Beatles | 0:43:08 | 0:43:10 | |
Here in the UK, we're quite a boring lot, really, | 0:43:15 | 0:43:18 | |
and we never name our airports after anything but the city or the region that it serves, | 0:43:18 | 0:43:22 | |
so there was a real coup here. | 0:43:22 | 0:43:23 | |
-REPORTER: -'It's the first time a British airport | 0:43:23 | 0:43:27 | |
'has been named after a celebrity and Yoko said she was honoured.' | 0:43:27 | 0:43:31 | |
As John said, | 0:43:31 | 0:43:32 | |
there's no hell below us, | 0:43:32 | 0:43:36 | |
above us, only sky. | 0:43:36 | 0:43:38 | |
MUSIC: "Imagine" by John Lennon | 0:43:38 | 0:43:40 | |
Liverpool airport is wonderful, | 0:43:54 | 0:43:56 | |
it's what it should have been all the time. | 0:43:56 | 0:43:59 | |
Love it. | 0:43:59 | 0:44:01 | |
Now we can go to Barcelona and everywhere from Liverpool, | 0:44:01 | 0:44:04 | |
which is brilliant stuff. | 0:44:04 | 0:44:05 | |
Sorry, Manchester are going to lose out and let Liverpool prosper. | 0:44:05 | 0:44:09 | |
It does make it easier for the people of Liverpool. | 0:44:09 | 0:44:11 | |
You're only a few miles away from the airport, no motorways... | 0:44:11 | 0:44:15 | |
it's great stuff! | 0:44:15 | 0:44:17 | |
Passenger numbers flowing through Britain's airports each year | 0:44:19 | 0:44:22 | |
have risen since the war from 700,000 to 250 million. | 0:44:22 | 0:44:27 | |
But as the country's airports have become more successful, | 0:44:29 | 0:44:33 | |
regional and even national identity | 0:44:33 | 0:44:36 | |
has had to give way to an international airport culture. | 0:44:36 | 0:44:40 | |
Airports are machines that are fundamentally designed | 0:44:40 | 0:44:43 | |
to facilitate international flow and mobility so passengers arrive, | 0:44:43 | 0:44:46 | |
they are processed, put on the right aircraft and dispatched. | 0:44:46 | 0:44:49 | |
As a result of this, it's really important that the language | 0:44:49 | 0:44:52 | |
at the terminal is, to a certain extent, universally standardised. | 0:44:52 | 0:44:56 | |
Where you should check in, where the security lanes are - | 0:44:56 | 0:45:00 | |
everything is coded. | 0:45:00 | 0:45:02 | |
The airport is entirely structured around signs. | 0:45:02 | 0:45:05 | |
There are some Japanese over there I could try. | 0:45:12 | 0:45:14 | |
-Could ask what your nationality is? -Zambian. | 0:45:15 | 0:45:18 | |
-Filipino. -Filipino? Yep. | 0:45:18 | 0:45:22 | |
-If you saw that sign, what would that mean to you? -Departures. | 0:45:22 | 0:45:25 | |
-Take off. -The gate. | 0:45:25 | 0:45:28 | |
'There are some pictograms which are absolutely extraordinary, | 0:45:28 | 0:45:31 | |
'and I think it's Schiphol airport in Amsterdam,' | 0:45:31 | 0:45:34 | |
which has a special sign for porn shop, | 0:45:34 | 0:45:36 | |
and unluckily, I've forgotten what that is! | 0:45:36 | 0:45:38 | |
Washing your hands? | 0:45:38 | 0:45:41 | |
Anything else you think it could mean? | 0:45:41 | 0:45:44 | |
-It's a customs security point. -Oh right, OK. | 0:45:48 | 0:45:50 | |
So, you were virtually there. | 0:45:50 | 0:45:53 | |
And now this one. | 0:45:53 | 0:45:56 | |
-You can use it. -Wi-Fi. | 0:45:56 | 0:45:59 | |
-I would think it's a ladies' toilet. -You are exactly right! | 0:46:02 | 0:46:07 | |
But even as late as the 1960s, | 0:46:07 | 0:46:11 | |
this international language was one the British were reluctant to learn. | 0:46:11 | 0:46:15 | |
REPORTER: Foreign tourists meet signs in English and English only. | 0:46:15 | 0:46:18 | |
Why aren't there any pictorial signs there to help them? | 0:46:18 | 0:46:21 | |
Because there's been no great international standard for pictorial symbols. | 0:46:21 | 0:46:25 | |
Ever since I was a lad, and that's some time ago, | 0:46:25 | 0:46:28 | |
continental airports have had these signs on their toilets. | 0:46:28 | 0:46:31 | |
Why are we only getting them now? | 0:46:31 | 0:46:32 | |
I think it's because of innate conservatism, the thought of a lady in skirts | 0:46:32 | 0:46:37 | |
as being an indication of a ladies' lavatory | 0:46:37 | 0:46:39 | |
has not been widely accepted. | 0:46:39 | 0:46:41 | |
A lady in skirts may attract a Middle Eastern or a Far Eastern gentleman | 0:46:41 | 0:46:46 | |
into misinterpreting what the room is for. | 0:46:46 | 0:46:49 | |
Heathrow may have reflected British conservatism... | 0:46:51 | 0:46:54 | |
..but a revolution had started. | 0:46:56 | 0:46:58 | |
When London's new international airport, Gatwick, was developed, | 0:46:58 | 0:47:02 | |
the architects took a more open-minded approach. | 0:47:02 | 0:47:05 | |
They commissioned a tutor at the Royal College of Art, Jock Kinnear, to design the signs. | 0:47:05 | 0:47:11 | |
He was assisted by his student, Margaret Calvert. | 0:47:11 | 0:47:15 | |
Nobody had ever signposted an airport and Gatwick was a big event then. | 0:47:16 | 0:47:22 | |
One wanted something more European, more all-embracing. | 0:47:22 | 0:47:27 | |
It was very much an engineer's and architect's world - hard hats and that. | 0:47:27 | 0:47:31 | |
So we went up ladders and scaffolding, | 0:47:31 | 0:47:33 | |
and holding damp pieces of cartridge paper | 0:47:33 | 0:47:37 | |
with the builders helping us and looking at them | 0:47:37 | 0:47:41 | |
from a distance to see what size they should be, the lettering. | 0:47:41 | 0:47:45 | |
Of course, the essential innovation was that we used lower case letters | 0:47:45 | 0:47:52 | |
so that was actually the very beginning. | 0:47:52 | 0:47:55 | |
Calvert and Kinnear went on to sign many of Britain's airports, | 0:47:55 | 0:47:59 | |
where their use of colour was striking. | 0:47:59 | 0:48:02 | |
It's essential that the actual sign is what you notice first | 0:48:02 | 0:48:08 | |
before the information on it, the legend. | 0:48:08 | 0:48:10 | |
Black on yellow is the most noticeable combination. | 0:48:10 | 0:48:16 | |
Aesthetically, an ugly combination if you think. | 0:48:16 | 0:48:20 | |
You don't wear black and yellow but it is very striking, very strong | 0:48:20 | 0:48:23 | |
and if you get all the elements right, it can look very good. | 0:48:23 | 0:48:27 | |
Yellow and black has a nice sort of glow. | 0:48:27 | 0:48:31 | |
I think it would be nice for my own home. I quite like signs. | 0:48:31 | 0:48:34 | |
I would like signs for my life saying, this way for this, that way for that. | 0:48:34 | 0:48:38 | |
I think we all want somebody to come and design us our own road maps. | 0:48:38 | 0:48:43 | |
When you enter the airport, you abandon a certain kind of free will. | 0:48:51 | 0:48:56 | |
It's a relief, you're relieved, | 0:48:57 | 0:49:00 | |
you're on the travelator, I'll change some money. | 0:49:00 | 0:49:03 | |
I'll buy some things I need, I'll get on the plane. | 0:49:03 | 0:49:07 | |
By giving in to the machine, | 0:49:09 | 0:49:11 | |
passengers become part of an airport waltz. | 0:49:11 | 0:49:15 | |
There is a highly-choreographed dance and the aeroplane flows, | 0:49:19 | 0:49:23 | |
the baggage flows and the people flows | 0:49:23 | 0:49:26 | |
all have to act seamlessly together in one holistic system. | 0:49:26 | 0:49:31 | |
Out on the tarmac, the pilot's subject to as many instructions as the passengers in the terminal. | 0:49:31 | 0:49:37 | |
For me, the airport is the ramp area. | 0:50:16 | 0:50:18 | |
It's about where all the activity comes together. | 0:50:18 | 0:50:22 | |
It's like a hidden world that the general public don't see. | 0:50:22 | 0:50:25 | |
We orchestrate baggage loading, push backs, the fuelling. | 0:50:25 | 0:50:31 | |
It's vital. | 0:50:31 | 0:50:33 | |
If there's a hold-up, or things don't turn out right, | 0:50:33 | 0:50:36 | |
it would snowball and cause a lot of disruption. | 0:50:36 | 0:50:39 | |
With increasing complexity, not just the airport but the airfield itself, | 0:50:40 | 0:50:46 | |
there's needed an organising intelligence. | 0:50:46 | 0:50:48 | |
A new airport breed was born to take control. | 0:50:54 | 0:50:58 | |
I thoroughly enjoy controlling. | 0:51:09 | 0:51:10 | |
You sit up in the tower, you conduct the whole system, | 0:51:10 | 0:51:13 | |
you've got aircraft coming in, aircraft going out. | 0:51:13 | 0:51:15 | |
Big aircraft, small aircraft, | 0:51:15 | 0:51:17 | |
deadlines to meet, slots, | 0:51:17 | 0:51:20 | |
and you really just have to orchestrate the whole thing to make it work safely. | 0:51:20 | 0:51:24 | |
When I started in air traffic control, the pilots were in charge. | 0:51:25 | 0:51:29 | |
Mostly, they were ex-World War II pilots who had done some pretty challenging stuff, | 0:51:29 | 0:51:35 | |
and they came out and expected to be able to carry on flying their aircraft, | 0:51:35 | 0:51:39 | |
and air traffic control were largely there to make their life a bit difficult. | 0:51:39 | 0:51:43 | |
It was more fun because you were very much on your own, | 0:51:47 | 0:51:50 | |
and you had to make your own decisions all the time. | 0:51:50 | 0:51:52 | |
There were the odd cases where people have landed on the wrong airfields. | 0:51:54 | 0:51:57 | |
You kept rather quiet about it, normally, | 0:51:57 | 0:51:59 | |
because you didn't want anybody to know, | 0:51:59 | 0:52:02 | |
and quietly fly back to your own airfield and not say a word! | 0:52:02 | 0:52:05 | |
Work out roughly how long it would take you, | 0:52:05 | 0:52:08 | |
and then you would do it visually by first landmarks, pinpoints. | 0:52:08 | 0:52:12 | |
Railways were very useful, you could follow railways. | 0:52:12 | 0:52:15 | |
Quite good fun, really. | 0:52:15 | 0:52:17 | |
Not very safe! | 0:52:17 | 0:52:20 | |
In April 1922, two pilots navigating in poor visibility and both following the same railway line | 0:52:20 | 0:52:25 | |
sadly flew into one another with tragic consequences. | 0:52:25 | 0:52:28 | |
As a result of that, a number of radio navigation beacons were installed to help pilots navigate. | 0:52:28 | 0:52:35 | |
You had your radio aid which had a pointer on it and you flew towards that. | 0:52:35 | 0:52:38 | |
You flew designated routes and they had various reporting points. | 0:52:38 | 0:52:42 | |
The controller told you which course to fly and what height to fly at. | 0:52:42 | 0:52:46 | |
You just followed his orders, rather like following a TomTom or something! | 0:52:46 | 0:52:50 | |
I should think that at any moment now, the speed bird will be calling over Dean Cross. | 0:52:51 | 0:52:56 | |
The individual waypoints are given names. | 0:52:56 | 0:52:59 | |
Pilots flying between England and the Republic of Ireland, for example, encounter the waypoint Ginis. | 0:52:59 | 0:53:06 | |
Pilots occasionally also encounter the waypoints Beano and Dandy. | 0:53:06 | 0:53:10 | |
Hotspur, around here you've got Lesta and Pigot. | 0:53:10 | 0:53:14 | |
Needle and thread. | 0:53:14 | 0:53:15 | |
A huge sense of humour! | 0:53:15 | 0:53:17 | |
It's just very rare that you're allowed to express it, | 0:53:17 | 0:53:20 | |
not when you're flying at any rate! | 0:53:20 | 0:53:23 | |
French was once the language of the air. | 0:53:32 | 0:53:35 | |
But after World War II, | 0:53:35 | 0:53:37 | |
the international regulations of aviation were established, | 0:53:37 | 0:53:41 | |
and English was designated the official language. | 0:53:41 | 0:53:44 | |
HE SPEAKS IN CODE | 0:53:47 | 0:53:51 | |
'International regulations apply to just about everything we do.' | 0:53:55 | 0:54:00 | |
At its basic level, we use Greenwich Mean Time, | 0:54:00 | 0:54:03 | |
and the whole aviation world uses Greenwich Mean Time, | 0:54:03 | 0:54:06 | |
and the time will be exactly the same in a control tower in Hong Kong as it is here. | 0:54:06 | 0:54:11 | |
But there's one thing that has been outside the control of the controllers. | 0:54:13 | 0:54:17 | |
The weather. | 0:54:18 | 0:54:20 | |
We are surrounded by water, oddly enough. | 0:54:22 | 0:54:25 | |
There's the reservoir, so obviously it's prone to fog. | 0:54:25 | 0:54:29 | |
I'm surprised they ever thought of putting an airport there, really! | 0:54:29 | 0:54:33 | |
The first attempts to guide aircraft down | 0:54:33 | 0:54:36 | |
included a string of lighthouses, | 0:54:36 | 0:54:39 | |
beacons on airfields, | 0:54:39 | 0:54:41 | |
and even firing rockets. | 0:54:41 | 0:54:43 | |
During World War II, the RAF developed a system, | 0:54:43 | 0:54:48 | |
of burning hundreds of thousands of gallons of petrol alongside the runway. | 0:54:48 | 0:54:53 | |
Somebody once said, it's just like going into hell when you go into this mass of flames, | 0:54:53 | 0:54:57 | |
and hope you don't turn off the runway - keep straight on the runway of course. | 0:54:57 | 0:55:01 | |
But it worked very well. | 0:55:01 | 0:55:03 | |
It cleared the fog away, and of course ,it was visible through the fog. | 0:55:03 | 0:55:08 | |
It was even considered for Heathrow, | 0:55:08 | 0:55:10 | |
but never installed. | 0:55:10 | 0:55:12 | |
Let's go down to 3,000 feet at 12 miles. | 0:55:12 | 0:55:17 | |
That would be great. | 0:55:19 | 0:55:20 | |
We are now 12 miles from touchdown at Heathrow. | 0:55:20 | 0:55:22 | |
I can see the approach lights ahead of me. | 0:55:22 | 0:55:28 | |
To the left of the approach lights I can see the precision approach path indicator. | 0:55:28 | 0:55:32 | |
Radar, instrument landing systems and auto-land. | 0:55:32 | 0:55:37 | |
All developed to guide flights through the fog. | 0:55:37 | 0:55:42 | |
That was quite amazing, it was a little bit like the Martians had landed, I suppose, really. | 0:55:42 | 0:55:47 | |
Edward Calvert developed a distinctive system of lights | 0:55:53 | 0:55:56 | |
to make the runway itself clear. | 0:55:56 | 0:55:58 | |
We've got a very good view now of the Calvert lighting system. | 0:56:01 | 0:56:05 | |
The difference that Calvert made was, | 0:56:05 | 0:56:08 | |
he put in place some crossbars and you can see ahead of you, | 0:56:08 | 0:56:13 | |
a number of sets of white lights | 0:56:13 | 0:56:17 | |
that cut across the extended centre line of the runway. | 0:56:17 | 0:56:20 | |
They were vitally important for pilots when auto-land wasn't available. | 0:56:20 | 0:56:25 | |
Because it allowed them to determine whether they were actually to the left or the right of the centre line | 0:56:25 | 0:56:30 | |
but more importantly, whether the wings were level, | 0:56:30 | 0:56:33 | |
because it's really important to keep the aeroplane on a stable trajectory | 0:56:33 | 0:56:37 | |
for the last part of the approach. | 0:56:37 | 0:56:39 | |
That is telling me we're on the correct approach so the aircraft is flaring now, | 0:56:44 | 0:56:50 | |
and in a moment we'll feel the wheels touch the ground. | 0:56:50 | 0:56:52 | |
There they go. I'm going to take some reverse idle. | 0:56:55 | 0:56:58 | |
Those big plates that you see coming up on the wings if you're sitting near the wings, | 0:56:58 | 0:57:02 | |
are automatically deployed. | 0:57:02 | 0:57:04 | |
I'm going to allow the aircraft to brake automatically. | 0:57:04 | 0:57:10 | |
It's nice to get back home, you've got family to get back and be with. | 0:57:12 | 0:57:16 | |
The adrenalin's there because it's a scary time, landing. | 0:57:17 | 0:57:22 | |
But night-time is where the magic is. | 0:57:22 | 0:57:24 | |
The magic of the lights, the magic of the runways, the sparkle - they are simply jewel-like. | 0:57:24 | 0:57:30 | |
It seems strange at night because it was that much quieter, | 0:57:33 | 0:57:36 | |
and you weren't used to it, it was ghostly. | 0:57:36 | 0:57:38 | |
Complete contrast to the hectic activity in the day. | 0:57:38 | 0:57:42 | |
At night when one sees the runway lights and when one sees the beautifully lit terminal, | 0:57:44 | 0:57:49 | |
you realise just how far modernity can touch us. | 0:57:49 | 0:57:53 | |
Over the last 100 years, since the first flight took off in 1903, | 0:57:57 | 0:58:04 | |
the airfield has become the airport. | 0:58:04 | 0:58:07 | |
A 24-hour-a-day movement machine. | 0:58:07 | 0:58:10 | |
Constantly changing and evolving. | 0:58:10 | 0:58:12 | |
It's a transformation that Britain, as a nation, has tentatively embraced. | 0:58:13 | 0:58:17 | |
But as individuals, we've flocked to the airport as soon as we could afford to. | 0:58:17 | 0:58:21 | |
In the next programme, we explore how the jet age turned the British | 0:58:23 | 0:58:27 | |
into international travellers and in the process, changing our lives. | 0:58:27 | 0:58:33 | |
Subtitles by Red Bee Media Ltd | 0:58:52 | 0:58:53 | |
E-mail [email protected] | 0:58:53 | 0:58:55 |