
Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:06 | |
Below London's streets exists another world. | 0:00:06 | 0:00:09 | |
The madness is my swimming pool, I'm at home in that kind of water, | 0:00:09 | 0:00:13 | |
what can I say? | 0:00:13 | 0:00:14 | |
Every day, 20,000 workers struggle to keep 4 million people | 0:00:15 | 0:00:20 | |
on the move. | 0:00:20 | 0:00:21 | |
Is the customer asleep on the platform? Get him on the train. | 0:00:23 | 0:00:26 | |
It's not easy when the tube is undergoing the biggest upgrade in its history. | 0:00:26 | 0:00:30 | |
We have got five minutes, I want this site cleared! | 0:00:31 | 0:00:34 | |
Cameras will reveal an underground world | 0:00:34 | 0:00:37 | |
we have never fully seen before. | 0:00:37 | 0:00:40 | |
10,421 mobiles since April. | 0:00:40 | 0:00:42 | |
Listen to what I'm saying, pay as you go. You just went. | 0:00:42 | 0:00:47 | |
Over the barrier, this guy running up the stairs! You need to stop him. | 0:00:47 | 0:00:52 | |
We are just the underground part of the city. | 0:00:53 | 0:00:57 | |
London comes down here every single day, it is part of their world. | 0:00:57 | 0:01:01 | |
It is part of everyone's world. | 0:01:01 | 0:01:02 | |
I love you. | 0:01:02 | 0:01:05 | |
You know people are going home by the way they look, | 0:01:14 | 0:01:17 | |
the way they act, their face, their facial features, | 0:01:17 | 0:01:23 | |
you can see they are tired and worn out and ready to go home. | 0:01:23 | 0:01:26 | |
Stand outside the yellow boxes, please. Thank you. | 0:01:26 | 0:01:28 | |
PA: 'There is another train directly behind this.' | 0:01:28 | 0:01:31 | |
The evening rush hour is in full swing. | 0:01:34 | 0:01:37 | |
The tube is taking a million weary Londoners home. | 0:01:37 | 0:01:41 | |
Hello, guys. Move down, please. There is tea and cakes at the back. | 0:01:43 | 0:01:48 | |
Keep moving, please. Can't stop there, my friend. | 0:01:48 | 0:01:51 | |
Number seven has stopped, somebody has pressed the diamond. | 0:01:54 | 0:01:58 | |
We are going to reverse number six. | 0:01:58 | 0:02:00 | |
There you go. There'll be a lot of people not going to the gym tonight! | 0:02:04 | 0:02:10 | |
Watch all the miserable faces, man. | 0:02:14 | 0:02:16 | |
Faces as long as a wet week. If they're going to work, | 0:02:18 | 0:02:21 | |
they should at least have a smile or something on their face. | 0:02:21 | 0:02:25 | |
Or don't look so goddamned miserable. | 0:02:25 | 0:02:28 | |
Like most people, I have a timetable to go home, | 0:02:31 | 0:02:33 | |
I know what time I finish, | 0:02:33 | 0:02:35 | |
what time the National Rail trains are to get me home. | 0:02:35 | 0:02:39 | |
But not all tube staff go home in the evening. | 0:02:42 | 0:02:46 | |
As the rush hour is finishing, | 0:02:48 | 0:02:50 | |
6,500 underground workers are getting ready to start their day. | 0:02:50 | 0:02:54 | |
Tunnel cleaner Alan Whitting travels to a different station every night. | 0:03:14 | 0:03:18 | |
I love it, if you look around, there's nobody here to bother you, | 0:03:18 | 0:03:21 | |
you ain't got to rush around for seats, | 0:03:21 | 0:03:23 | |
you ain't got to be crammed in, and it's such an easy ride in. | 0:03:23 | 0:03:28 | |
A lot of people would love to have that. | 0:03:28 | 0:03:31 | |
I have a job that actually allows me to do it. | 0:03:31 | 0:03:34 | |
I do not think I'm missing out, I think I'm lucky, because | 0:03:34 | 0:03:37 | |
I have got a great job, great bunch of guys I work with. | 0:03:37 | 0:03:42 | |
Here we go. I am just part of it, just going along with it. | 0:03:42 | 0:03:46 | |
The early hours are the only time when the stations | 0:03:52 | 0:03:55 | |
and tracks can be properly cleaned. | 0:03:55 | 0:03:58 | |
Some workers are more eager than others to get going. | 0:03:58 | 0:04:01 | |
Nobody here yet. Surprise, surprise(!) | 0:04:01 | 0:04:06 | |
On the other side of London, | 0:04:09 | 0:04:11 | |
engineering workers get ready to go underground. | 0:04:11 | 0:04:15 | |
Gentleman, for those who don't know me, I'm Marshall, | 0:04:15 | 0:04:17 | |
the site person in charge, I'm in charge for the job tonight. | 0:04:17 | 0:04:21 | |
Tonight, we are rerailing. | 0:04:21 | 0:04:23 | |
For some people, it is the best time of day to be working. | 0:04:23 | 0:04:26 | |
I love nights, I love it. | 0:04:26 | 0:04:28 | |
It's the best thing that ever happened for me, man. | 0:04:28 | 0:04:32 | |
I didn't know people worked at night. | 0:04:32 | 0:04:34 | |
When I found out, I went, "I'm having some of that." | 0:04:34 | 0:04:38 | |
I'm a night person, basically. I'm a vampire. I only come out at night. | 0:04:38 | 0:04:43 | |
There are 10 different teams here tonight, | 0:04:43 | 0:04:46 | |
getting ready to repair track, signals and points. | 0:04:46 | 0:04:49 | |
But before the night workers can start, | 0:04:49 | 0:04:53 | |
they have to wait for the stations to be closed. | 0:04:53 | 0:04:55 | |
At Camden Town, that's easier said than done. | 0:04:57 | 0:05:00 | |
SHOUTING AND CHATTER | 0:05:00 | 0:05:03 | |
With five minutes to go before last trains, it is the job | 0:05:05 | 0:05:08 | |
of customer service assistant Debbie Moore to get the clubbers moving. | 0:05:08 | 0:05:12 | |
It's the end of the month, payday. | 0:05:12 | 0:05:14 | |
This is generally what Camden is like as a rule. | 0:05:16 | 0:05:20 | |
The good, the bad, the ugly. You get a bit of everything here. | 0:05:21 | 0:05:24 | |
Never dull. | 0:05:25 | 0:05:27 | |
The last train going south is at 12.24. | 0:05:29 | 0:05:32 | |
Three minutes! Yes. | 0:05:33 | 0:05:38 | |
Run, run. She needs to get cigarettes, just wait. | 0:05:38 | 0:05:41 | |
Run to the shop! | 0:05:41 | 0:05:42 | |
If you're going south, you have about two minutes. | 0:05:47 | 0:05:51 | |
If you're going south, you've got about one minute. | 0:05:54 | 0:05:58 | |
Train is coming in now, you need to hurry up. | 0:06:00 | 0:06:02 | |
The last train south has gone, | 0:06:10 | 0:06:11 | |
but there is still time to catch the final train going north. | 0:06:11 | 0:06:16 | |
I have got northbound only, Edgware, Barnet. | 0:06:16 | 0:06:18 | |
Going south is buses only now. Where are you going to? | 0:06:18 | 0:06:24 | |
See that white building? | 0:06:24 | 0:06:26 | |
You need to turn right, go to the second bus stop, get the 88. | 0:06:26 | 0:06:29 | |
-Where's the train going? -No, there's no more southbounds. You missed it. | 0:06:29 | 0:06:32 | |
-What about that one? Just let us in. -Sort yourself out. | 0:06:32 | 0:06:36 | |
If you listen to me, I'll tell you what bus to get. | 0:06:36 | 0:06:39 | |
-I missed the last train, I'll just get a bus! -HE LAUGHS | 0:06:39 | 0:06:43 | |
ALARM SOUNDS | 0:06:43 | 0:06:45 | |
Fantastic, so nothing has stalled. | 0:06:45 | 0:06:47 | |
Soon as we see that one moving, I'll get them to ring the list | 0:06:47 | 0:06:50 | |
and we'll decide what to say. | 0:06:50 | 0:06:52 | |
At the Network Operations Centre, | 0:06:52 | 0:06:54 | |
duty manager Andy Hogg is overseeing the last trains across all 11 lines. | 0:06:54 | 0:06:59 | |
That was the last District, leaving West Ham. | 0:06:59 | 0:07:02 | |
That is going eastbound towards Upminster, and you can see | 0:07:02 | 0:07:05 | |
the last one's gone through Canning Town, Jubilee, so it's 12.33. | 0:07:05 | 0:07:11 | |
We're pretty much now at the end of traffic. | 0:07:11 | 0:07:14 | |
Contrary to popular belief, | 0:07:14 | 0:07:15 | |
we don't turn the power off and put our feet up and go to sleep. | 0:07:15 | 0:07:18 | |
We have to shut the line down at night to give the engineers | 0:07:18 | 0:07:21 | |
a few hours at least to go and do some work. | 0:07:21 | 0:07:24 | |
The wear and tear, purely on infrastructure, is colossal. | 0:07:24 | 0:07:28 | |
Each train takes a pounding. | 0:07:28 | 0:07:30 | |
The track itself is solid steel, but it wears out, even signals going | 0:07:30 | 0:07:34 | |
green and red, there are moving parts in the signals, relays that are going | 0:07:34 | 0:07:38 | |
back and forward every minute, and we have to do maintenance on them. | 0:07:38 | 0:07:42 | |
The more we can do, the less problem we have during the day | 0:07:42 | 0:07:47 | |
with disruptions because of infrastructure failures. | 0:07:47 | 0:07:49 | |
The Underground has always relied on getting its repairs | 0:07:57 | 0:08:00 | |
and cleaning done during the night. | 0:08:00 | 0:08:02 | |
NARRATOR: 'Just look at all this dirt. 100 tonnes of it every year.' | 0:08:02 | 0:08:07 | |
In the 1950s, passenger numbers and investment declined, night work | 0:08:07 | 0:08:11 | |
was just a matter of maintaining the existing infrastructure. | 0:08:11 | 0:08:14 | |
Come on then, you're invited! | 0:08:14 | 0:08:17 | |
Today, demand is soaring, | 0:08:17 | 0:08:18 | |
and the tube is in the middle of its biggest ever upgrade. | 0:08:18 | 0:08:22 | |
Night workers must modernise the system, as well as maintain it. | 0:08:22 | 0:08:27 | |
All right, lads, make way. Make way. Get out! Shut up. | 0:08:27 | 0:08:34 | |
Your chariot awaits, ladies. | 0:08:34 | 0:08:36 | |
Marshall and his team are on their way to a rail replacement job | 0:08:40 | 0:08:44 | |
at Regent's Park station. | 0:08:44 | 0:08:45 | |
-It is a big job tonight, isn't it? -Major job tonight, guaranteed. | 0:08:50 | 0:08:53 | |
It's not easy, what we're doing tonight, at all. | 0:08:55 | 0:08:58 | |
Problems always turn up unforeseen. | 0:08:58 | 0:09:00 | |
Something breaking down, that's our worst nightmare. | 0:09:00 | 0:09:03 | |
If a tool or equipment breaks down, we're in serious trouble. | 0:09:03 | 0:09:06 | |
Hopefully nothing breaks down, fingers crossed. | 0:09:06 | 0:09:11 | |
I call us the invisible rats. As in tunnel rats. | 0:09:17 | 0:09:20 | |
We come down here, we do what we've got to do, | 0:09:20 | 0:09:22 | |
the public don't know about us. While we're working, | 0:09:22 | 0:09:25 | |
they're sleeping. | 0:09:25 | 0:09:28 | |
When we finish, they go to work in the morning. | 0:09:28 | 0:09:31 | |
If the people saw what we done on the track every single night, | 0:09:31 | 0:09:34 | |
they'd be amazed. | 0:09:34 | 0:09:36 | |
Night on the Underground is short. | 0:09:52 | 0:09:55 | |
They will have only four hours to complete the work. | 0:09:55 | 0:09:58 | |
Less if the station is late closing. | 0:09:58 | 0:10:01 | |
Can't get into the station until the passengers are clear. | 0:10:01 | 0:10:04 | |
We're always impatient, that's why you see us walking around, | 0:10:04 | 0:10:07 | |
we're always impatient to get to work straight away, | 0:10:07 | 0:10:09 | |
but we've got to be patient and wait. | 0:10:09 | 0:10:11 | |
Finally, the last train of the night leaves Camden. | 0:10:15 | 0:10:18 | |
Hello, where are you going? | 0:10:20 | 0:10:22 | |
-Sorry? -Where was you going? | 0:10:22 | 0:10:24 | |
Belsize Park. | 0:10:24 | 0:10:25 | |
Last train's gone. | 0:10:25 | 0:10:27 | |
Another day at the office. | 0:10:31 | 0:10:34 | |
See how quiet it is now? It's lovely. | 0:10:34 | 0:10:37 | |
Some passengers refuse to accept the bad news about last trains. | 0:10:38 | 0:10:42 | |
ARGUING AND SWEARING | 0:10:42 | 0:10:44 | |
< Let them in! | 0:10:46 | 0:10:48 | |
Get your foot out. | 0:10:48 | 0:10:51 | |
Right. | 0:10:51 | 0:10:52 | |
We've literally just missed it, about three minutes ago. | 0:10:58 | 0:11:01 | |
I don't know, it's not on, is it?! | 0:11:01 | 0:11:05 | |
Yeah, it's definitely early for the last train, we need to be going home now. | 0:11:05 | 0:11:10 | |
JEERING | 0:11:19 | 0:11:22 | |
By 1am, the Tube staff finally have the Underground to themselves, | 0:11:22 | 0:11:26 | |
and peace reigns. | 0:11:26 | 0:11:28 | |
BELL TOLLS | 0:11:31 | 0:11:33 | |
At Waterloo, it takes supervisor David Latham an hour to bar and bolt the station. | 0:11:38 | 0:11:43 | |
I've been here 14 years, and it's the longest I've ever had one job. | 0:11:45 | 0:11:49 | |
I was a lecturer at University before I come here. | 0:11:52 | 0:11:54 | |
Network installations, computer installations. | 0:11:54 | 0:11:58 | |
I just got fed up with it, | 0:11:59 | 0:12:01 | |
I saw a bloke I knew from one of the pubs I used to go in, | 0:12:01 | 0:12:05 | |
he'd started here, said, "You want to try it?" | 0:12:05 | 0:12:07 | |
Within two weeks, I was here. | 0:12:07 | 0:12:09 | |
Dave will be left alone now to look after the station for the whole night. | 0:12:12 | 0:12:15 | |
'My relief will come in at 7 o'clock.' | 0:12:17 | 0:12:19 | |
Once all the escalators are turned off, you could hear a pin drop through the station. | 0:12:21 | 0:12:25 | |
'Then once I've locked up and had a quick check round, | 0:12:27 | 0:12:30 | |
'I basically haven't got a lot to do until I have to go and do the checks in the morning.' | 0:12:30 | 0:12:34 | |
See what I mean about the silence? | 0:12:40 | 0:12:42 | |
HE CHUCKLES | 0:12:42 | 0:12:44 | |
With the last customers gone, more than 4,000 train carriages can be taken off the tracks | 0:13:04 | 0:13:09 | |
and housed at one of 15 depots across London. | 0:13:09 | 0:13:12 | |
Good morning, Tower? | 0:13:25 | 0:13:27 | |
234 on 4-9, you're clear to stable on 2-9, 29 south. | 0:13:27 | 0:13:32 | |
Victoria Line depot controller Gary Hart has been putting trains to bed for 19 years. | 0:13:32 | 0:13:38 | |
What we're doing, | 0:13:43 | 0:13:45 | |
we're steering trains into depot... | 0:13:45 | 0:13:47 | |
RINGS BELL | 0:13:47 | 0:13:49 | |
That bell indicates that I've got a train just coming down to me now. | 0:13:49 | 0:13:54 | |
Yeah, 227 on 4-9, you're clear to 3-2 32 south. | 0:13:54 | 0:13:58 | |
Gary steers trains home with the same control desk used every night | 0:14:00 | 0:14:05 | |
since 1968, when the line opened. | 0:14:05 | 0:14:07 | |
This is directing the train. At one stage it was there, which would send it up that way. | 0:14:07 | 0:14:12 | |
With that, the train there is going to go to 29 South. | 0:14:12 | 0:14:15 | |
Every indication indicates a four car unit, | 0:14:15 | 0:14:20 | |
that is 16 cars, in other words, two trains. | 0:14:20 | 0:14:22 | |
It looks complex, but it's like... everything's easy when you know how. | 0:14:22 | 0:14:27 | |
Some people think it's boring, but... | 0:14:30 | 0:14:33 | |
..when it's really going, you don't get a chance to think, really. | 0:14:33 | 0:14:38 | |
You're just... concentration all the time. | 0:14:38 | 0:14:41 | |
Cos if I don't do my job correctly, it can mean to say | 0:14:41 | 0:14:44 | |
that the Victoria line doesn't have a service. | 0:14:44 | 0:14:47 | |
240152, you're all clear down to Stockwell 48. | 0:14:47 | 0:14:50 | |
Simply getting all these trains off the tracks in the right order | 0:14:50 | 0:14:54 | |
takes two hours every night. | 0:14:54 | 0:14:56 | |
235 on 49, you're clear to stable on 31, 31 South. | 0:14:59 | 0:15:04 | |
We have a wash road over here, | 0:15:13 | 0:15:15 | |
which cleans the trains externally. | 0:15:15 | 0:15:18 | |
Trains get cleaned every few days. | 0:15:22 | 0:15:25 | |
The trains are shampooed going in... | 0:15:27 | 0:15:29 | |
..and rinsed off going out. | 0:15:33 | 0:15:35 | |
That's the exam shed there. | 0:15:36 | 0:15:38 | |
The trains have to be examined underneath for wheel cracks, | 0:15:38 | 0:15:44 | |
everything imaginable has to be taken to pieces | 0:15:44 | 0:15:46 | |
and put back together again and examined. | 0:15:46 | 0:15:49 | |
Now the trains are off the tracks, an important decision can be made by this man... | 0:16:08 | 0:16:13 | |
-Hello, power control. -..at a secret location in central London. | 0:16:13 | 0:16:17 | |
Canning Town to Belsize Park on the northbound | 0:16:17 | 0:16:19 | |
and Elephant and Castle to Clapham Common on the southbound. Thank you, ta. | 0:16:19 | 0:16:24 | |
We do actually have all the power for the underground. | 0:16:24 | 0:16:27 | |
It's a lot of responsibility. | 0:16:27 | 0:16:29 | |
Safety-critical decisions, could be life-threatening decisions as well. | 0:16:29 | 0:16:33 | |
-Line clear for you... -Power controller James White is in charge of the Northern line tonight, | 0:16:33 | 0:16:38 | |
the tube's most complex line. | 0:16:38 | 0:16:41 | |
I sort of describe the job as like an air traffic controller | 0:16:41 | 0:16:45 | |
but with electricity. | 0:16:45 | 0:16:46 | |
James used to work in track maintenance before joining the power control team. | 0:16:46 | 0:16:51 | |
I'm one of the youngest ones. | 0:16:51 | 0:16:54 | |
I did my apprenticeship when I was 18 and then worked my way up. | 0:16:54 | 0:16:57 | |
I was wearing overalls before and stuff like that. | 0:16:57 | 0:16:59 | |
I still get a rash on my neck where I'm not used to wearing a collar | 0:16:59 | 0:17:02 | |
but it does make a difference. | 0:17:02 | 0:17:04 | |
People speak to you nicer when you go into shops dressed up smart so yes, I do enjoy it. | 0:17:04 | 0:17:09 | |
James and his team are responsible for switching the current off | 0:17:09 | 0:17:12 | |
along all 249 miles of track. | 0:17:12 | 0:17:15 | |
It looks like a computer game, | 0:17:15 | 0:17:18 | |
but you don't get no extra lives or nothing like that on here. | 0:17:18 | 0:17:21 | |
I can make a mistake now and turn on the wrong section | 0:17:21 | 0:17:24 | |
and potentially kill people. | 0:17:24 | 0:17:26 | |
With the power off, | 0:17:32 | 0:17:34 | |
Marshall and his 25 strong gang at Regents Park station can get going. | 0:17:34 | 0:17:38 | |
THEY TALK OVER EACH OTHER | 0:17:43 | 0:17:44 | |
At the same time, seven miles away at Blackhorse Road, | 0:17:46 | 0:17:49 | |
Alan Whiting joins fellow tunnel cleaners, | 0:17:49 | 0:17:52 | |
or "fluffers" as they head down to start work. | 0:17:52 | 0:17:56 | |
24-year-old Harry Reeves is in charge. | 0:17:58 | 0:18:01 | |
There's always going to be work for people cleaning down in tunnels, definitely. | 0:18:01 | 0:18:06 | |
A train can't clean a tunnel. | 0:18:06 | 0:18:08 | |
Ah... Another night, mate. | 0:18:10 | 0:18:13 | |
This is probably the cheapest, most efficient way to do it. | 0:18:14 | 0:18:19 | |
Tonight, Harry's men must remove dust and fluff | 0:18:19 | 0:18:21 | |
from more than 300 metres of track. | 0:18:21 | 0:18:23 | |
They clean a different stretch each night. | 0:18:23 | 0:18:26 | |
This is a tunnel from Walthamstow all the way down to Brixton, | 0:18:26 | 0:18:31 | |
which means that it does get dusty in here. | 0:18:31 | 0:18:34 | |
There's nowhere for the air to go. | 0:18:34 | 0:18:35 | |
They have big air systems in here but it doesn't do an adequate job | 0:18:35 | 0:18:40 | |
for the train drivers, so you have to come in here and do it manually. | 0:18:40 | 0:18:43 | |
These pipes here, they need to be done, | 0:18:43 | 0:18:46 | |
the walls needs to be done. It gets very, very dusty down here. | 0:18:46 | 0:18:49 | |
The average person loses round about 80 hairs per day. | 0:18:49 | 0:18:53 | |
Just a normal person's dirt, basically. | 0:18:53 | 0:18:56 | |
Let's get this rail in. Thank you. | 0:19:01 | 0:19:05 | |
Over at Regents Park, Marshall and his team have four hours to remove a worn out rail | 0:19:05 | 0:19:10 | |
and install a five ton, 90 metre long new section. | 0:19:10 | 0:19:13 | |
When you first work here, it's terrifying. | 0:19:15 | 0:19:17 | |
The first time in this environment is totally weird, | 0:19:17 | 0:19:20 | |
totally oh, scary, yes, very much so. | 0:19:20 | 0:19:23 | |
Trains, currents, rails, hammers, | 0:19:23 | 0:19:27 | |
cos all tools are flying all over the place, | 0:19:27 | 0:19:29 | |
so you've got to be very careful. | 0:19:29 | 0:19:30 | |
It should be just outside the station somewhere. | 0:19:30 | 0:19:34 | |
Mr E! | 0:19:34 | 0:19:36 | |
Spanner! | 0:19:36 | 0:19:38 | |
I need a spanner! The big one, quickly! | 0:19:38 | 0:19:42 | |
THEY TALK OVER EACH OTHER | 0:19:42 | 0:19:46 | |
In the process, you jack this rail up. Once we've jacked it up, | 0:19:49 | 0:19:52 | |
we cut right in the middle of the bed, here. | 0:19:52 | 0:19:54 | |
They do the same at the far end and once both cuts are done, | 0:19:54 | 0:19:57 | |
they take out the O rail, put it to one side | 0:19:57 | 0:20:00 | |
then they put this rail in, it comes in through here. | 0:20:00 | 0:20:03 | |
Now the fun begins. | 0:20:05 | 0:20:07 | |
CRASHING | 0:20:16 | 0:20:18 | |
The new rail was brought into the tunnel two weeks ago | 0:20:18 | 0:20:23 | |
in preparation for the job tonight. | 0:20:23 | 0:20:25 | |
Now it must you manoeuvred exactly into position. | 0:20:25 | 0:20:28 | |
Take it up, take it up. | 0:20:28 | 0:20:32 | |
Hold it there. | 0:20:32 | 0:20:35 | |
Take it away! | 0:20:35 | 0:20:37 | |
Being in the tunnels working at night time can be very depressing. | 0:20:43 | 0:20:46 | |
Sometimes I say they should paint stars in the tunnel segments, because it is depressing. | 0:20:46 | 0:20:51 | |
Sometimes you can work outside | 0:20:51 | 0:20:52 | |
and you think you never want to work in the tunnels again. | 0:20:52 | 0:20:56 | |
Yo, my friend, mind out the way. | 0:20:56 | 0:20:59 | |
Benny, are we ready?! | 0:20:59 | 0:21:02 | |
They are halfway through the job | 0:21:02 | 0:21:04 | |
and as they get close to lining up the new rail, there is a problem. | 0:21:04 | 0:21:08 | |
The light's not working. | 0:21:08 | 0:21:10 | |
You don't know what's happening? | 0:21:10 | 0:21:12 | |
INAUDIBLE | 0:21:12 | 0:21:14 | |
No. | 0:21:14 | 0:21:15 | |
They're having trouble getting the lights on. | 0:21:16 | 0:21:20 | |
Go and help him out sorting out the lighting. | 0:21:20 | 0:21:22 | |
The first time this has happened this week. | 0:21:22 | 0:21:25 | |
Excuse me for a minute. | 0:21:25 | 0:21:26 | |
If they can't fix the lighting in the next hour, | 0:21:26 | 0:21:29 | |
they won't finish in time. | 0:21:29 | 0:21:31 | |
At the moment, a little bit of a delay. | 0:21:31 | 0:21:35 | |
We can't work properly without proper lighting. | 0:21:35 | 0:21:38 | |
Only him! Only him! | 0:21:38 | 0:21:41 | |
The technique for replacing track overnight | 0:21:41 | 0:21:44 | |
has barely changed in the last 60 years. | 0:21:44 | 0:21:47 | |
NEWSREEL: 'They lug up the old rail, 100 yards at a time, mind you. | 0:21:50 | 0:21:54 | |
'Then they replace it. | 0:21:54 | 0:21:58 | |
'Replace the whole lot. | 0:21:58 | 0:22:00 | |
'It takes some doing too. | 0:22:00 | 0:22:03 | |
'Last train at night to first train in the morning is about four hours | 0:22:03 | 0:22:07 | |
'and you can't skimp this job.' | 0:22:07 | 0:22:08 | |
The work of the fluffers today, | 0:22:10 | 0:22:14 | |
removing dust and fibres from the tunnels | 0:22:14 | 0:22:17 | |
is also as much as it was in 1958. | 0:22:17 | 0:22:19 | |
'That's what they're called - fluffers. They're VIPs too. | 0:22:20 | 0:22:25 | |
'Not just here to tiddly up the place. This is fire prevention work. | 0:22:25 | 0:22:29 | |
'If all this dust, paper and fluff was allowed to pile up, | 0:22:29 | 0:22:33 | |
'you'd only need one spark, and woof!' | 0:22:33 | 0:22:35 | |
But the fluffers themselves have changed. | 0:22:40 | 0:22:43 | |
Where once they were women, now they're men with vacuum cleaners. | 0:22:43 | 0:22:48 | |
The fluff has changed too. | 0:22:48 | 0:22:50 | |
Different part of London, the type of fibres that you find | 0:22:50 | 0:22:53 | |
and the fluff changes across the network. | 0:22:53 | 0:22:55 | |
Certainly in west London, there's more cotton and more wool | 0:22:55 | 0:23:00 | |
and fine woollen fabrics in the fluff. | 0:23:00 | 0:23:02 | |
And you get parts of east London and south London, | 0:23:02 | 0:23:04 | |
the amount of polyester in the fluff actually changes, | 0:23:04 | 0:23:07 | |
the composition of the fluff. Um, yes. | 0:23:07 | 0:23:11 | |
I've found credit cards, Oyster cards, wallets, everything. | 0:23:11 | 0:23:16 | |
I find a T-shirt every now and again. | 0:23:16 | 0:23:18 | |
The best thing I found was a tenner. | 0:23:18 | 0:23:20 | |
-How you finding it, all right? -Yes. -Easy, 'innit? | 0:23:20 | 0:23:24 | |
Harry has been a fluffer for two years. | 0:23:24 | 0:23:27 | |
Six nights, every week, six nights. | 0:23:27 | 0:23:30 | |
Mind that there. | 0:23:30 | 0:23:31 | |
I only have Saturday nights off. | 0:23:31 | 0:23:33 | |
I can't have too many days off, mate. | 0:23:35 | 0:23:38 | |
Because if we don't work, we don't get paid. | 0:23:38 | 0:23:40 | |
So, you get the hours in, you know? | 0:23:40 | 0:23:43 | |
He's only recently been promoted to boss of the team. | 0:23:43 | 0:23:46 | |
Just looking to make sure all the walls have been done down to the floor, | 0:23:46 | 0:23:50 | |
to make sure all the cables have been nicely hoovered off, | 0:23:50 | 0:23:54 | |
which they have. | 0:23:54 | 0:23:55 | |
They're meant to clean 360 metres of tunnel tonight, | 0:23:55 | 0:23:58 | |
but they're a man short. | 0:23:58 | 0:23:59 | |
This is where you're going to start on this light, yes? | 0:24:03 | 0:24:06 | |
You're going to be doing this side. | 0:24:06 | 0:24:09 | |
Tonight, it's about nine lights, it's about 90 metres each. | 0:24:09 | 0:24:12 | |
Because we needed to cover 360 metres, | 0:24:12 | 0:24:15 | |
so we just give everybody nine lights, | 0:24:15 | 0:24:18 | |
so then everybody does their 90 metres. | 0:24:18 | 0:24:20 | |
Nobody wants to be hoovering a tunnel. | 0:24:21 | 0:24:24 | |
Then you've got someone telling you you ain't done a good enough job, of hoovering a dirty tunnel. | 0:24:24 | 0:24:29 | |
You don't need that in your life. | 0:24:29 | 0:24:33 | |
My girlfriend hates me working nights. | 0:24:33 | 0:24:35 | |
She hates it. But my girlfriend says, "You waste the whole day in bed." | 0:24:35 | 0:24:40 | |
It's not like I waste the whole day in bed. | 0:24:40 | 0:24:42 | |
I have to get up and work all night, you know? | 0:24:42 | 0:24:45 | |
And I'm sure more people than just myself have had arguments | 0:24:45 | 0:24:49 | |
with their partners over something like that. | 0:24:49 | 0:24:52 | |
She would like it if I could work in the daytime, | 0:24:52 | 0:24:54 | |
but to be honest, I quite enjoy working nights now. | 0:24:54 | 0:24:57 | |
Now that I'm used to it and I've adapted to it. | 0:24:57 | 0:25:00 | |
While the fluffers clean the tunnels, | 0:25:00 | 0:25:03 | |
a separate team are at work at the platform edges. | 0:25:03 | 0:25:06 | |
Good evening, my name is Vladimir Penchev, I will be your PM and first-aider for tonight. | 0:25:06 | 0:25:12 | |
Every two weeks, the stations get their own deep clean. | 0:25:12 | 0:25:15 | |
Hazards we've got is slipping and tripping. | 0:25:15 | 0:25:17 | |
The juice is off, we can go safe on the track. | 0:25:17 | 0:25:20 | |
The reason to come here is looking for a better life. | 0:25:35 | 0:25:38 | |
If you ask every single foreigner, they say the same thing. | 0:25:38 | 0:25:41 | |
But I was lucky, to be honest. | 0:25:41 | 0:25:44 | |
I really was so lucky, because I never was without a job. | 0:25:44 | 0:25:48 | |
If you're looking for a job, every time you'll find it. | 0:25:48 | 0:25:51 | |
That is my philosophy for every single thing. | 0:25:51 | 0:25:57 | |
I was cleaning one school. | 0:26:02 | 0:26:04 | |
-But I didn't like it, to be honest. -LAUGHS | 0:26:04 | 0:26:07 | |
It's a lot of kids around and everybody's laughing to you | 0:26:07 | 0:26:11 | |
because you're the cleaner. | 0:26:11 | 0:26:13 | |
But it's nothing shaming, to do the job, any job, it's not a shame. | 0:26:13 | 0:26:17 | |
I think funny is the Government is giving money to people for not working. | 0:26:18 | 0:26:24 | |
I don't understand this one at all. | 0:26:24 | 0:26:27 | |
I never see a country like this one in the world. | 0:26:27 | 0:26:30 | |
I worked in a lot of countries to be honest, I never saw that. | 0:26:30 | 0:26:34 | |
DISTANT TRAFFIC SOUNDS | 0:26:44 | 0:26:49 | |
Night is the time when the tube's most vulnerable equipment, | 0:27:05 | 0:27:10 | |
pounded during the day, can be looked after. | 0:27:10 | 0:27:13 | |
Like the 8,000 points across the system. | 0:27:13 | 0:27:17 | |
Movable rails, allowing trains to change from one track to another. | 0:27:18 | 0:27:22 | |
Points can be the tube's Achilles heel, | 0:27:24 | 0:27:26 | |
causing huge delays when they fail. | 0:27:26 | 0:27:29 | |
Michael and Fiona Perryman are two of the underground's | 0:27:29 | 0:27:33 | |
850 points and signals technicians, who must prevent a failure. | 0:27:33 | 0:27:37 | |
Tonight, they've been sent to Bank station, | 0:27:41 | 0:27:44 | |
where another maintenance team is already doing work that may disturb the nearest points. | 0:27:44 | 0:27:49 | |
What's happened is the sleepers have dropped a little bit. | 0:27:49 | 0:27:53 | |
They've only dropped by four mill, | 0:27:53 | 0:27:56 | |
So it will be straight and it's dipped. | 0:27:56 | 0:28:00 | |
They're now clearing out the valley | 0:28:03 | 0:28:05 | |
and packing underneath it to raise it up, | 0:28:05 | 0:28:07 | |
even though it's only four mill, just to raise it up to make sure | 0:28:07 | 0:28:11 | |
that it's all back level | 0:28:11 | 0:28:13 | |
and why we're here, because they're working around our equipment, | 0:28:13 | 0:28:17 | |
and we want to make sure from what they've done, | 0:28:17 | 0:28:21 | |
they haven't affected our equipment, | 0:28:21 | 0:28:23 | |
and it's safe for the trains to run in the morning. So... | 0:28:23 | 0:28:27 | |
This shouldn't take long. Touch wood. | 0:28:28 | 0:28:32 | |
Michael and Fiona met four years ago. | 0:28:34 | 0:28:37 | |
My dad and her dad were apprentices together on the underground when they were 16. | 0:28:37 | 0:28:42 | |
So they've known each other for years. My mum was her boss. | 0:28:42 | 0:28:46 | |
My mum's the apprentice manager of the Underground... | 0:28:46 | 0:28:50 | |
So she got to send me to whichever depot she wanted | 0:28:50 | 0:28:53 | |
and I ended up here. | 0:28:53 | 0:28:54 | |
-How long have you been married? -Since September. -September this year. | 0:28:54 | 0:28:59 | |
-We're pretty much with each other 24-7. -24 hours a day, really. | 0:28:59 | 0:29:04 | |
-We haven't managed to kill each other yet. -We're all right. | 0:29:04 | 0:29:07 | |
INAUDIBLE SPEECH | 0:29:07 | 0:29:09 | |
The rail repair has finished, but Michael and Fiona have found | 0:29:11 | 0:29:14 | |
a different problem with an electric motor that changes points. | 0:29:14 | 0:29:18 | |
-No, only getting 13 volts. -'How are you getting on?' | 0:29:21 | 0:29:25 | |
-Trouble in paradise. -'Lovely.' | 0:29:27 | 0:29:30 | |
There just isn't enough electricity to make the points move. | 0:29:30 | 0:29:34 | |
Now I'm not getting 110 where I should. | 0:29:34 | 0:29:36 | |
At the minute, I'm looking for 110 volts. | 0:29:38 | 0:29:40 | |
And I'm only getting 13 volts at the minute. | 0:29:40 | 0:29:44 | |
Everything is going straight through. | 0:29:46 | 0:29:49 | |
-No. -No, nothing. -'Can you check on your 1B?' -No. | 0:29:49 | 0:29:56 | |
Now they have only two hours to find and fix the problem | 0:29:59 | 0:30:02 | |
before getting off the track to make way for the first train. | 0:30:02 | 0:30:05 | |
The Tube has 274 stations in use. | 0:30:10 | 0:30:13 | |
But there are also 18 abandoned, or "ghost" stations, | 0:30:13 | 0:30:17 | |
that passengers never see. | 0:30:17 | 0:30:18 | |
Roy Kenneth, the Tube's emergency planning manager, | 0:30:28 | 0:30:31 | |
is checking the security of Down Street disused station, | 0:30:31 | 0:30:34 | |
just off Piccadilly in central London. | 0:30:34 | 0:30:37 | |
It's the thrill of being somewhere where most people don't go, | 0:30:51 | 0:30:56 | |
these hidden spaces, there's lots of them under our feet. | 0:30:56 | 0:30:59 | |
Down Street isn't very far from Green Park | 0:31:05 | 0:31:08 | |
and it's not very far from Hyde Park Corner. | 0:31:08 | 0:31:10 | |
The station itself was hardly being used, | 0:31:10 | 0:31:13 | |
so the company at the time took the decision to close it. | 0:31:13 | 0:31:17 | |
The station originally closed in 1932 and then was used during the war | 0:31:19 | 0:31:24 | |
as an air raid shelter for the Railway Executive. | 0:31:24 | 0:31:28 | |
I warn you now, it is not pleasant in there. It's dark, it's very smelly. | 0:31:30 | 0:31:34 | |
It's a bit wet through here, as well. | 0:31:36 | 0:31:38 | |
Britain's entire rail network was run from Down Street during the war. | 0:31:39 | 0:31:44 | |
75 people worked, ate and slept down here, | 0:31:44 | 0:31:47 | |
keeping the railways running, even at the height of the Blitz. | 0:31:47 | 0:31:50 | |
'Londoners take to shelter, unafraid. | 0:31:52 | 0:31:54 | |
'Old and young, their spirits undismayed.' | 0:31:54 | 0:31:59 | |
SIRENS WAIL | 0:32:03 | 0:32:06 | |
Churchill used these rooms too, for War Cabinet meetings | 0:32:09 | 0:32:14 | |
before a purpose built bunker was opened, and often slept here. | 0:32:14 | 0:32:17 | |
They used to say this is Winston Churchill's bath tub. | 0:32:17 | 0:32:22 | |
Brick walls were built along the platforms | 0:32:22 | 0:32:24 | |
to conceal this complex from passing Tube trains, | 0:32:24 | 0:32:27 | |
which might have been carrying German spies. | 0:32:27 | 0:32:29 | |
There's a whole series of offices and committee room spaces, | 0:32:29 | 0:32:33 | |
telephone exchange, this would have been manned | 0:32:33 | 0:32:35 | |
by a couple of telephonists, transferring | 0:32:35 | 0:32:37 | |
the calls from the Railway Executive to whoever they needed to talk to. | 0:32:37 | 0:32:42 | |
This is the grey room. | 0:32:42 | 0:32:43 | |
It's an electrical switch room that for some reason, | 0:32:45 | 0:32:48 | |
everything in the room has been painted grey, | 0:32:48 | 0:32:51 | |
including the lights and the lightbulbs, | 0:32:51 | 0:32:54 | |
we don't know why. | 0:32:54 | 0:32:56 | |
The Underground's lost stations were once busy with passengers, | 0:33:09 | 0:33:12 | |
but now, no longer wanted, they are almost all silent and shuttered. | 0:33:12 | 0:33:17 | |
These ghost stations are unmarked on any Tube map. | 0:33:19 | 0:33:23 | |
We pass through them without realising they are there. | 0:33:23 | 0:33:26 | |
TRAIN RUMBLES PAST | 0:33:26 | 0:33:29 | |
DISTANT CREAKING | 0:33:38 | 0:33:40 | |
-What's that sound? -I don't actually know. | 0:33:40 | 0:33:42 | |
The rumble was the train, I don't know what the other noise was. | 0:33:42 | 0:33:45 | |
Maybe it's the ghost! | 0:33:45 | 0:33:47 | |
HE CHUCKLES | 0:33:47 | 0:33:48 | |
Is anyone here? | 0:33:48 | 0:33:50 | |
The strange acoustical effect when you walk up the stairs, | 0:33:50 | 0:33:52 | |
it sounds like someone is walking up behind you. | 0:33:52 | 0:33:55 | |
That's caused many a person to run out in fright. | 0:33:55 | 0:33:59 | |
If we go through this way here... | 0:33:59 | 0:34:01 | |
It is quite a lonely place, and certain areas are completely black. | 0:34:06 | 0:34:11 | |
Your imagination starts playing up. The slightest noise becomes loud. | 0:34:13 | 0:34:17 | |
And you start thinking, what is that noise? | 0:34:17 | 0:34:19 | |
You imagine all sorts of things. | 0:34:19 | 0:34:22 | |
HE CHUCKLES | 0:34:22 | 0:34:24 | |
There can be ghost stations within working stations, | 0:34:40 | 0:34:43 | |
as Dave Latham at Waterloo knows. | 0:34:43 | 0:34:45 | |
Still is the word I would use, I think. | 0:34:47 | 0:34:51 | |
Because none of the escalators are running, nothing is working at all. | 0:34:51 | 0:34:55 | |
You can walk round | 0:34:59 | 0:35:00 | |
and hear your own footsteps, and everything echoes. | 0:35:00 | 0:35:04 | |
Some people like it, some people don't. | 0:35:04 | 0:35:06 | |
A lot of the stations, they reckon are haunted, so some people | 0:35:06 | 0:35:09 | |
really worry when they start walking round, but it doesn't bother me. | 0:35:09 | 0:35:12 | |
This is where people used to come in from the old Eurostar. | 0:35:14 | 0:35:17 | |
Completely unused. There is nothing they can use it for. | 0:35:21 | 0:35:25 | |
We had a ticket office down there, car hire was all down there. | 0:35:25 | 0:35:29 | |
I am one of these people, in fact, my mum said it a while ago, | 0:35:31 | 0:35:34 | |
both me and my two sisters can be on our own, we enjoy our own company. | 0:35:34 | 0:35:38 | |
I don't know, I can't understand people that need people round them. | 0:35:38 | 0:35:43 | |
When I was at school, I was really lazy, I never done any homework. | 0:36:02 | 0:36:07 | |
I was one of those kids. | 0:36:07 | 0:36:09 | |
If I had had the dedication that I have now in my life | 0:36:09 | 0:36:11 | |
towards things, I probably would have done a lot better at school | 0:36:11 | 0:36:14 | |
and probably would have got to go to university. | 0:36:14 | 0:36:17 | |
-What would I study? -Yeah. -Astrophysics and particle physics. | 0:36:17 | 0:36:21 | |
Probably go and be a scientist in CERN, | 0:36:21 | 0:36:24 | |
go and work on CERN in Switzerland. | 0:36:24 | 0:36:26 | |
I would like to have the chance to go and do that, | 0:36:26 | 0:36:28 | |
but you know, looking back, | 0:36:28 | 0:36:30 | |
made your bed, got to lie in it. Making the best of the situation, | 0:36:30 | 0:36:34 | |
coming down here, trying to work my way up in the Underground. | 0:36:34 | 0:36:37 | |
So, that's what I've got to work up towards, you know. | 0:36:37 | 0:36:40 | |
Got to aim high, or you will never get anywhere. | 0:36:40 | 0:36:42 | |
30 year, I work in theatre. | 0:36:51 | 0:36:55 | |
At this moment, | 0:36:57 | 0:37:00 | |
I am no good time from culture, | 0:37:00 | 0:37:04 | |
no good. No. | 0:37:04 | 0:37:07 | |
I am clear. Very, very good. | 0:37:11 | 0:37:16 | |
My son student, Edinburgh. Yeah. | 0:37:18 | 0:37:22 | |
Need money. I work, for my son. | 0:37:22 | 0:37:27 | |
-Sorry! -STARTS UP CLEANING APPARATUS | 0:37:29 | 0:37:32 | |
Bye. | 0:37:34 | 0:37:35 | |
For the last 12 years, Mick Denyer has led a nocturnal life, | 0:37:55 | 0:37:58 | |
like the animals he deals with. | 0:37:58 | 0:38:00 | |
I would rather do this on a night time than a daytime. | 0:38:05 | 0:38:09 | |
It's the only time they come out as well, so... | 0:38:09 | 0:38:11 | |
Mick is one of 40 pest controllers, | 0:38:24 | 0:38:26 | |
covering the entire network. | 0:38:26 | 0:38:28 | |
Tonight, he has been called to the west end of the Piccadilly line. | 0:38:28 | 0:38:31 | |
All right? Someone has put out a fault for a mouse. | 0:38:31 | 0:38:35 | |
You might be able to smell, actually. | 0:38:36 | 0:38:38 | |
-Has anyone actually seen it? -No. But it was heard, though. -OK. | 0:38:40 | 0:38:45 | |
-Initially, I did see the mouse on the ceiling. -OK. | 0:38:51 | 0:38:54 | |
It is quite a scare, because it might bite you | 0:38:54 | 0:38:57 | |
and things like that, they have got diseases, | 0:38:57 | 0:38:59 | |
they are really filthy sorts of rodents. | 0:38:59 | 0:39:01 | |
We have got a dead mouse on a trap just above your head, basically. | 0:39:10 | 0:39:15 | |
How on earth did it get up there? | 0:39:15 | 0:39:18 | |
Sorry. | 0:39:22 | 0:39:25 | |
The bite's not a disease, | 0:39:29 | 0:39:32 | |
it's actually infection in the urine, isn't it? | 0:39:32 | 0:39:34 | |
I prefer them not to be in the station at all, | 0:39:38 | 0:39:41 | |
you can never get rid of them, that's the only problem. | 0:39:41 | 0:39:44 | |
-OK, all finished. -Thanks for removing that smell. -No problem at all. | 0:39:44 | 0:39:50 | |
Thank you very much. | 0:39:50 | 0:39:52 | |
London Underground makes tens of millions of pounds selling advertising space. | 0:40:09 | 0:40:13 | |
Adam Lenski and his team try to change seven posters a night. | 0:40:18 | 0:40:22 | |
Some of the posters, it's really hard to match up. | 0:40:27 | 0:40:30 | |
It's a problem with the paper, it sticks too much, | 0:40:30 | 0:40:32 | |
so it's harder to move it. | 0:40:32 | 0:40:34 | |
But after some time, you get used to it. | 0:40:34 | 0:40:36 | |
When I get home, when I am in my bed, | 0:40:44 | 0:40:46 | |
newspaper, or read something on my phone, | 0:40:46 | 0:40:49 | |
then as my eyes are moving, they close little by little, | 0:40:49 | 0:40:52 | |
then after that, like a baby for five or six hours. | 0:40:52 | 0:40:55 | |
Nothing can wake me up, literally. | 0:40:55 | 0:40:57 | |
I am stripping the backing. | 0:41:08 | 0:41:10 | |
The backing is the sticky thing that we stick the poster on. | 0:41:10 | 0:41:14 | |
Basically, it is like double-sided tape, only much stronger. | 0:41:14 | 0:41:17 | |
If you do a lot of it, it just sticks to your skin, | 0:41:17 | 0:41:20 | |
then after some while, you get really rough skin on the fingers. | 0:41:20 | 0:41:24 | |
Before, this was all done with paste, | 0:41:24 | 0:41:26 | |
like huge wallpaper, something like that. | 0:41:26 | 0:41:29 | |
But after some time, it was very dirty, it wasn't looking very good. | 0:41:29 | 0:41:32 | |
So that's why it has changed to this, the process looks much better. | 0:41:32 | 0:41:36 | |
Most of the stuff that we post, not to be rude, is mundane. | 0:41:38 | 0:41:42 | |
Only a few of them that you catch a glimpse of, you are interested in. | 0:41:43 | 0:41:47 | |
We used to have someone to help us with the rubbish, | 0:41:47 | 0:41:49 | |
but know we have to do the rubbish ourselves. | 0:41:49 | 0:41:52 | |
The worst-case scenario is, the station supervisor can kick us | 0:41:52 | 0:41:56 | |
off the station and we only done half of the poster, | 0:41:56 | 0:42:01 | |
that can lead to us not working in Camden for a while. | 0:42:01 | 0:42:04 | |
So, yeah. | 0:42:04 | 0:42:06 | |
When I am travelling on the Underground, then I am | 0:42:06 | 0:42:09 | |
actually quite proud, if I was on the station, | 0:42:09 | 0:42:12 | |
I had done this job, so I can... | 0:42:12 | 0:42:14 | |
If I am travelling with my girlfriend, my friends, | 0:42:14 | 0:42:17 | |
I am just saying, "Yeah, I've done this one." | 0:42:17 | 0:42:19 | |
But when I am on the station posting bills, it is completely different, | 0:42:19 | 0:42:22 | |
I am just doing my job, getting it done and that's it. | 0:42:22 | 0:42:26 | |
-WOMAN: Would you say you are a perfectionist? -Yes. | 0:42:26 | 0:42:29 | |
I would say that, yes, I am trying to get them perfect. | 0:42:29 | 0:42:33 | |
It's not always possible, | 0:42:33 | 0:42:34 | |
but I am trying to get them as close to perfection as possible. | 0:42:34 | 0:42:39 | |
The tops are going a bit down. The bottoms are going up. | 0:42:39 | 0:42:43 | |
So, it's not perfect, but you won't notice it. | 0:42:43 | 0:42:48 | |
Good morning. My number is 7834, November 3803. | 0:42:51 | 0:42:56 | |
The tracks are now safe for trains to run. | 0:42:56 | 0:42:58 | |
Thank you. Goodbye. | 0:42:58 | 0:43:00 | |
Even my son is a pest controller. My other son, he is a hairdresser. | 0:43:06 | 0:43:11 | |
Tell us, Mick, how many kids have you got? | 0:43:11 | 0:43:14 | |
Oh, ten children. | 0:43:14 | 0:43:16 | |
HE CHUCKLES | 0:43:16 | 0:43:18 | |
They range from about 36 down to the age of three. | 0:43:18 | 0:43:23 | |
Will you have more kids? | 0:43:23 | 0:43:26 | |
-I don't think so. -HE LAUGHS | 0:43:26 | 0:43:30 | |
I can't, I work nights. | 0:43:30 | 0:43:33 | |
The missus works days, we never get the time. | 0:43:33 | 0:43:35 | |
Plenty you've had so far! | 0:43:35 | 0:43:38 | |
Well, now, I didn't always use to work nights then! | 0:43:38 | 0:43:42 | |
Hello! | 0:43:45 | 0:43:46 | |
The dead of night is the best time for Mick to carry out | 0:43:48 | 0:43:51 | |
one of his most unpleasant duties. | 0:43:51 | 0:43:53 | |
We are going to sort some guano out today. | 0:43:53 | 0:43:57 | |
And if there is any pigeons in the way, | 0:43:57 | 0:43:59 | |
we will have to try and get rid of them somehow. | 0:43:59 | 0:44:02 | |
As you can see, it's all spikes and everything else, | 0:44:03 | 0:44:08 | |
and the pigeons are still getting in. And they will just eat anything. | 0:44:08 | 0:44:13 | |
Anything at all. Burgers, food they've thrown on the floor. | 0:44:14 | 0:44:18 | |
It's not very nice for people to come and sit in the station | 0:44:21 | 0:44:25 | |
when there is pigeon poo on the seats and stuff, | 0:44:25 | 0:44:27 | |
because you're going to work, | 0:44:27 | 0:44:29 | |
so you don't want to be smelling of pigeon poo. | 0:44:29 | 0:44:32 | |
There he is. | 0:44:34 | 0:44:35 | |
You've got to aim for the head so you get a quick kill. | 0:44:35 | 0:44:40 | |
GUNSHOT | 0:44:44 | 0:44:46 | |
Sorry, mate. | 0:44:46 | 0:44:48 | |
It's your last resort. | 0:44:50 | 0:44:52 | |
I don't really like killing animals. | 0:44:53 | 0:44:56 | |
But it's just a job I've got to do. | 0:44:56 | 0:44:58 | |
I think we're causing the actual problem of the pest. | 0:44:58 | 0:45:02 | |
We clean up our act and they'll probably go somewhere else. | 0:45:02 | 0:45:06 | |
London will be coming back to life soon. | 0:45:24 | 0:45:28 | |
The underground's night workers are running out of time. | 0:45:28 | 0:45:31 | |
At Canary Wharf station, the cavernous spaces call for the specialists. | 0:45:42 | 0:45:47 | |
Industrial abseilers, that's what we are. | 0:45:50 | 0:45:53 | |
INDISTINCT SPEECH | 0:45:54 | 0:45:55 | |
Then they ask you what you do. "We're cleaning windows." | 0:45:55 | 0:45:58 | |
"Oh, is that it?" you know? | 0:45:58 | 0:46:01 | |
Can I have a tea break, please? | 0:46:01 | 0:46:03 | |
No, we ain't got time for a tea break. | 0:46:03 | 0:46:06 | |
I never want to get down. | 0:46:06 | 0:46:09 | |
I'm a bit behind, to be honest. | 0:46:09 | 0:46:11 | |
We're on a deadline. | 0:46:11 | 0:46:13 | |
Lee Crane and Carl Ballantine are given just four hours | 0:46:13 | 0:46:17 | |
to clean the inside of the glass roof once a year. | 0:46:17 | 0:46:20 | |
The team comes down from Suffolk specially for the job. | 0:46:20 | 0:46:24 | |
I'm getting in a muddle here. | 0:46:26 | 0:46:28 | |
I've never known it to be this dirty. | 0:46:28 | 0:46:30 | |
It's absolutely filthy. | 0:46:30 | 0:46:33 | |
-That's how dirty London is! -LAUGHTER | 0:46:33 | 0:46:35 | |
But it has to be done. | 0:46:37 | 0:46:39 | |
It has to be cleaned. | 0:46:39 | 0:46:41 | |
I don't really like coming to London. | 0:46:41 | 0:46:43 | |
I don't like the traffic. | 0:46:43 | 0:46:45 | |
-Too busy for me. -I mean, it's nice to work here and see everything, | 0:46:45 | 0:46:49 | |
but it's also nice to go back to Suffolk. | 0:46:49 | 0:46:52 | |
I think it's about time we packed up, Lee. | 0:47:02 | 0:47:05 | |
-Oh! -We'd better hurry up cos we've got about half an hour | 0:47:09 | 0:47:13 | |
to pack up and get out of here. | 0:47:13 | 0:47:15 | |
Looks all right. | 0:47:15 | 0:47:17 | |
We usually only do one row a night anyway. | 0:47:17 | 0:47:20 | |
But we've done all right, considering. | 0:47:20 | 0:47:23 | |
Big cities are always going to be dirty and smoggy, ain't they, so... | 0:47:23 | 0:47:27 | |
BANGING AND SHOUTING | 0:47:32 | 0:47:35 | |
Marshall and his team are also under pressure | 0:47:35 | 0:47:38 | |
to finish laying the new section of rail. | 0:47:38 | 0:47:41 | |
I'd say we lost 20 minutes on setting up the lighting. | 0:47:42 | 0:47:46 | |
But every second counts, every minute counts, | 0:47:46 | 0:47:50 | |
but we're good at our job, so we'll make up time. | 0:47:50 | 0:47:53 | |
Get this bar out, please. | 0:47:54 | 0:47:57 | |
Dropping down! | 0:47:57 | 0:47:59 | |
Right, ease off, ease off, ease off! | 0:48:02 | 0:48:05 | |
Steve, we're ten! | 0:48:06 | 0:48:09 | |
I'm not happy with that. | 0:48:10 | 0:48:12 | |
-Yeah? -No. | 0:48:12 | 0:48:13 | |
Yeah, I'm happy now. | 0:48:13 | 0:48:15 | |
-Yeah? -Yeah. | 0:48:15 | 0:48:17 | |
Come on, gentlemen. One man put the shackle on, | 0:48:17 | 0:48:20 | |
the rest of us keep this rail up. | 0:48:20 | 0:48:21 | |
We've got ten minutes. I want this track put to bed. | 0:48:21 | 0:48:25 | |
Ten minutes and no more. | 0:48:25 | 0:48:26 | |
That trolley goes non-stop to the start of the job, ASAP. | 0:48:26 | 0:48:30 | |
Let him through. Nobody stops the trolley. | 0:48:30 | 0:48:33 | |
Mayo, you've got three minutes! | 0:48:33 | 0:48:37 | |
Len, you should be clear! | 0:48:37 | 0:48:39 | |
Les, have we finished with the power? | 0:48:40 | 0:48:43 | |
Set the signals, yeah? | 0:48:43 | 0:48:46 | |
Marshall and his gang have finished the work with half an hour to spare. | 0:48:46 | 0:48:50 | |
The invisible people have done their job. | 0:48:50 | 0:48:52 | |
And the public can be happy now. | 0:48:52 | 0:48:56 | |
Les, darling, well done, babes. | 0:48:56 | 0:48:58 | |
All good. | 0:48:58 | 0:48:59 | |
WHISTLING | 0:49:02 | 0:49:05 | |
Harry and his fluffers are calling it a night. | 0:49:11 | 0:49:14 | |
It's a job, you know. It's not the greatest job in the world, | 0:49:16 | 0:49:20 | |
I'd much rather win the Lottery. | 0:49:20 | 0:49:22 | |
I'll have about ten houses, I think, then I'll just sit on my bum | 0:49:22 | 0:49:27 | |
all day and do nothing. | 0:49:27 | 0:49:30 | |
That's what I'd love to do, but, you know... | 0:49:30 | 0:49:33 | |
no time for that, mate. | 0:49:33 | 0:49:35 | |
We have to work hard for our money in this world. | 0:49:35 | 0:49:38 | |
Another night down. | 0:49:40 | 0:49:42 | |
How do you feel about getting up and doing it all again tomorrow? | 0:49:44 | 0:49:47 | |
Love it! I'm looking forward to it. | 0:49:47 | 0:49:49 | |
You know, I could be at a different station tomorrow. | 0:49:49 | 0:49:53 | |
Got to be optimistic, ain't you? | 0:49:53 | 0:49:55 | |
Always look on the bright side of life. | 0:49:55 | 0:49:59 | |
As the night workers leave, the underground is returning to life. | 0:50:02 | 0:50:06 | |
Line by line, the power to the tracks is being switched on. | 0:50:06 | 0:50:11 | |
Hello, power control. | 0:50:11 | 0:50:13 | |
Current will slowly come on, section by section as the train moves along | 0:50:13 | 0:50:17 | |
at Old Street, Euston City on the northbound. Thank you. | 0:50:17 | 0:50:21 | |
Eventually, all of them will meet in the middle until the whole line itself is recharged | 0:50:23 | 0:50:29 | |
and the service will be back running as normal. | 0:50:29 | 0:50:31 | |
Good morning, ladies and gentlemen. It's that time of day again. | 0:50:56 | 0:50:59 | |
Can we have everyone to their positions, please? | 0:50:59 | 0:51:02 | |
We are about to open the station. | 0:51:02 | 0:51:04 | |
Activity's starting again. | 0:51:04 | 0:51:06 | |
When you open the station, you know you're nearer to going-home time. | 0:51:06 | 0:51:10 | |
Morning. | 0:51:10 | 0:51:12 | |
Go home, cup of tea, sandwich, bed for a couple of hours, then up. | 0:51:12 | 0:51:15 | |
This morning, driver Ann O'Grady is on the early shift. | 0:51:17 | 0:51:20 | |
You run this out, Janet. | 0:51:22 | 0:51:23 | |
INDISTINCT REPLY | 0:51:23 | 0:51:25 | |
'It's my train. | 0:51:25 | 0:51:27 | |
'It's not the line controller's train, it's not the supervisor's train, it's my train.' | 0:51:27 | 0:51:32 | |
Just be careful where you walk and watch out for trip hazards. | 0:51:32 | 0:51:36 | |
This one here has over 460 volts. | 0:51:36 | 0:51:40 | |
Isn't that right, Janet? | 0:51:41 | 0:51:44 | |
Right... | 0:51:47 | 0:51:49 | |
now... | 0:51:49 | 0:51:51 | |
CLANKING AND HISSING | 0:51:51 | 0:51:54 | |
Take the key out. | 0:51:54 | 0:51:56 | |
Sorted. | 0:51:59 | 0:52:01 | |
There... | 0:52:07 | 0:52:08 | |
Now, that red should go off and the green should come on. | 0:52:08 | 0:52:12 | |
There we go - brake test passed. | 0:52:14 | 0:52:17 | |
The Victoria Line trains, carefully stabled overnight | 0:52:17 | 0:52:21 | |
in the correct order for the morning timetable, are powered up. | 0:52:21 | 0:52:25 | |
I think the train's still got to wake up. | 0:52:27 | 0:52:30 | |
Good morning. Are we up for... ready for service? | 0:52:30 | 0:52:35 | |
Good morning, Tower, this is train 211 on 31 South, cleared down to stop board 49, thank you. | 0:52:35 | 0:52:41 | |
Yeah, 214 on 31 South, | 0:52:41 | 0:52:43 | |
you're cleared down to stop board 49. | 0:52:43 | 0:52:47 | |
Yeah, 211 out. | 0:52:47 | 0:52:49 | |
WHISTLE BLOWS | 0:52:50 | 0:52:53 | |
Right, had my pilot light, so we'll head off. And I have a green. | 0:52:53 | 0:52:56 | |
I'll just give a little toot as I approach the platform | 0:52:59 | 0:53:03 | |
to warn anybody that I don't see. | 0:53:03 | 0:53:05 | |
TOOTING | 0:53:05 | 0:53:07 | |
Yeah, that's it. | 0:53:07 | 0:53:09 | |
Just put the pressure on. | 0:53:24 | 0:53:27 | |
With trains on other lines starting to run, Michael and Fiona are almost out of time. | 0:53:27 | 0:53:33 | |
Trains on this line, the Waterloo and City, | 0:53:33 | 0:53:36 | |
enter service later than elsewhere. | 0:53:36 | 0:53:38 | |
But there is still no sign of the faulty points being fixed. | 0:53:38 | 0:53:42 | |
Er, what have you got on 1C and 2D? | 0:53:42 | 0:53:46 | |
-Are we on the left? -No, we're on the right, aren't we? | 0:53:46 | 0:53:51 | |
Oh, wait, we do want 1C and 2D. | 0:53:51 | 0:53:53 | |
On the left hand. | 0:53:53 | 0:53:55 | |
Because we're getting close to the time, | 0:53:55 | 0:53:58 | |
probably going to have to book late surrender, which means | 0:53:58 | 0:54:01 | |
call in the tech and delaying the time the juice comes on. | 0:54:01 | 0:54:05 | |
We had it on the open switch, but not on the plugs. | 0:54:05 | 0:54:08 | |
WOMAN: 1Bs are now reversed. | 0:54:08 | 0:54:11 | |
Yeah, nothing. | 0:54:11 | 0:54:12 | |
'A point failure, 9 times out of 10,' | 0:54:12 | 0:54:14 | |
will show up as an open circuit, like a switch not working on your lighting. | 0:54:14 | 0:54:19 | |
So you keep pushing the switch and the light's not working. | 0:54:19 | 0:54:22 | |
So it's just an open circuit. | 0:54:22 | 0:54:24 | |
Tracing the open circuit involves laboriously combing through | 0:54:27 | 0:54:31 | |
miles of wiring in the signal relay room. | 0:54:31 | 0:54:34 | |
'What about the condition of those relays? | 0:54:38 | 0:54:41 | |
'Is the NWR up - D2, A11?' | 0:54:41 | 0:54:44 | |
Pillar D1... | 0:54:44 | 0:54:46 | |
and then...A11. | 0:54:46 | 0:54:49 | |
Echo 7? | 0:54:49 | 0:54:50 | |
All right, I'm getting nothing. | 0:54:50 | 0:54:53 | |
Really? | 0:54:53 | 0:54:55 | |
We're still narrowing things down, so we're getting closer all the time, but... | 0:54:55 | 0:55:00 | |
now it's come to late surrender as well, so there's more pressure. | 0:55:00 | 0:55:04 | |
Obviously speed things up. | 0:55:04 | 0:55:06 | |
MAN: What's your plan? | 0:55:06 | 0:55:07 | |
We'll keep having a go at the moment, and if the worst comes to the worst, | 0:55:07 | 0:55:10 | |
we're still not holding up the first train yet. | 0:55:10 | 0:55:12 | |
Certainly it's delay, but not a service catastrophe. | 0:55:12 | 0:55:16 | |
Maybe the tappets need adjusting. | 0:55:16 | 0:55:19 | |
At last, a breakthrough. | 0:55:19 | 0:55:21 | |
Power is restored to the points. | 0:55:21 | 0:55:24 | |
Got voltage. | 0:55:24 | 0:55:25 | |
Whay! CHEERING | 0:55:25 | 0:55:28 | |
WOMAN: What's happened? Has it started working? | 0:55:28 | 0:55:31 | |
I don't know what happened. None of us do, really. | 0:55:31 | 0:55:34 | |
-It just started working. -Yeah. | 0:55:34 | 0:55:36 | |
I don't know... | 0:55:38 | 0:55:41 | |
LAUGHS | 0:55:41 | 0:55:42 | |
6.21, first train. | 0:55:42 | 0:55:44 | |
-6.21, first train. -What sort of time is it now? | 0:55:44 | 0:55:48 | |
-You don't want to know. -LAUGHS | 0:55:48 | 0:55:51 | |
Er... | 0:55:51 | 0:55:53 | |
-MAN: Six hours. -Yeah. So about 20 minutes. | 0:55:53 | 0:55:56 | |
Yeah, that's it, lovely. Thanks. | 0:55:59 | 0:56:02 | |
TANNOY: 'Ladies and gentlemen, there are currently | 0:56:02 | 0:56:05 | |
'minor delays on the Circle and Hammersmith & City lines | 0:56:05 | 0:56:09 | |
'and the Waterloo & City line is suspended. | 0:56:09 | 0:56:11 | |
'All other lines are operating a good service...' | 0:56:11 | 0:56:14 | |
Waterloo & City line suspended. | 0:56:14 | 0:56:17 | |
Good morning. My name's Mike, reference number W6185. | 0:56:21 | 0:56:26 | |
All staff and equipment clear of the track, it's safe for trains to run. | 0:56:26 | 0:56:30 | |
Thank you very much, have a good morning. Bye. | 0:56:30 | 0:56:33 | |
Literally, literally, yeah. They've got six minutes. | 0:56:33 | 0:56:36 | |
They've said, er...they've announced that it's suspended, | 0:56:36 | 0:56:40 | |
but I think that's just a precaution to let people know, but... | 0:56:40 | 0:56:44 | |
first train should be out on time now. | 0:56:44 | 0:56:46 | |
Which is good. | 0:56:46 | 0:56:48 | |
Just literally, what, six minutes until... | 0:56:48 | 0:56:52 | |
until the trains. | 0:56:52 | 0:56:54 | |
But, right, let's go, let's get out. | 0:56:54 | 0:56:56 | |
99% of them have no idea. They think we arrive half an hour before them and open the doors. | 0:57:16 | 0:57:20 | |
They don't realise you've been there since ten o'clock the night before. | 0:57:20 | 0:57:24 | |
You don't want to run up the stairs, | 0:57:24 | 0:57:26 | |
you want to walk up the stairs to open the gate up. | 0:57:26 | 0:57:30 | |
-Bit worn out. -Bit worn out! Used it too much! -Yeah. | 0:57:30 | 0:57:33 | |
I don't dislike passengers at all. | 0:57:34 | 0:57:37 | |
If it wasn't for passengers, I wouldn't have a job! | 0:57:37 | 0:57:39 | |
-There you go. -Thank you. | 0:57:39 | 0:57:41 | |
All they worry about is the trains running on time. They only worry about us if we delay them. | 0:57:45 | 0:57:49 | |
Which is a thankless task, but we don't mind. | 0:57:49 | 0:57:52 | |
That's life. I'd be exactly the same as them. | 0:57:52 | 0:57:55 | |
Subtitles by Red Bee Media Ltd | 0:58:24 | 0:58:27 |