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The Tropic of Cancer marks the northern border of the tropics, | 0:00:02 | 0:00:05 | |
the most beautiful, brilliant, and blighted region of the world. | 0:00:05 | 0:00:09 | |
I've already travelled around the equator | 0:00:09 | 0:00:11 | |
and the southern border of the tropics, | 0:00:11 | 0:00:14 | |
but following the Tropic of Cancer | 0:00:14 | 0:00:15 | |
will be my toughest journey yet. | 0:00:15 | 0:00:17 | |
This tropic cuts through central America, | 0:00:19 | 0:00:21 | |
the Caribbean, North Africa, | 0:00:21 | 0:00:24 | |
the kingdoms of Arabia, India, and on through Asia to finish in Hawaii. | 0:00:24 | 0:00:30 | |
It's 23,000 miles across deserts, rivers, and mountains. | 0:00:30 | 0:00:36 | |
Along the way I encounter extraordinary people, | 0:00:36 | 0:00:39 | |
simmering conflicts, and some of the most | 0:00:39 | 0:00:42 | |
stunning landscapes on our planet. | 0:00:42 | 0:00:44 | |
This first leg of my journey will take me from Mexico to Cuba | 0:00:44 | 0:00:48 | |
and on to the Bahamas. | 0:00:48 | 0:00:51 | |
It's 2,000 miles from Mexico's Pacific coast | 0:00:51 | 0:00:54 | |
to the coral paradise of the Caribbean. | 0:00:54 | 0:00:57 | |
I crossed the rugged heart of Mexico | 0:01:00 | 0:01:02 | |
and meet the men waging a war against the powerful drug cartels | 0:01:02 | 0:01:06 | |
that threaten the country's stability. | 0:01:06 | 0:01:09 | |
They're telling us to get down. | 0:01:09 | 0:01:11 | |
In the capital, I dabble in a famous local sport. | 0:01:13 | 0:01:16 | |
GROANING | 0:01:16 | 0:01:17 | |
Go with the flow, you know. | 0:01:17 | 0:01:19 | |
And when I reach the glorious Bahamas, | 0:01:21 | 0:01:23 | |
I go hunting for an alien invader. | 0:01:23 | 0:01:26 | |
Just here is where the Tropic of Cancer hits the coast of Mexico. | 0:01:34 | 0:01:39 | |
I'm starting another huge journey around the planet, | 0:01:39 | 0:01:42 | |
this time following the line that marks the northern border | 0:01:42 | 0:01:45 | |
of the tropics region. | 0:01:45 | 0:01:46 | |
This journey will be my biggest challenge yet. | 0:01:47 | 0:01:51 | |
Mexico's beautiful Baja California peninsula | 0:01:54 | 0:01:58 | |
is an 800 mile long strip of land extending south from the US. | 0:01:58 | 0:02:03 | |
Baja was a glorious place to launch my journey. | 0:02:04 | 0:02:08 | |
Sparsely populated, | 0:02:08 | 0:02:10 | |
it's a rugged wilderness of dry desert and empty beaches. | 0:02:10 | 0:02:14 | |
At first, I thought I'd discovered a remote paradise, | 0:02:14 | 0:02:18 | |
but an hour to the south it was clear a few other travellers | 0:02:18 | 0:02:21 | |
had got here before me. | 0:02:21 | 0:02:23 | |
Tens of thousands of Americans are now coming here | 0:02:28 | 0:02:31 | |
to Cabo San Lucas every year in search of the tropical sun. | 0:02:31 | 0:02:35 | |
It's a tourist playground right on the edge of the desert, | 0:02:35 | 0:02:39 | |
and soon they won't be alone. | 0:02:39 | 0:02:40 | |
The size of this! | 0:02:40 | 0:02:42 | |
The extraordinary thing for me about this marina is that the government | 0:02:42 | 0:02:46 | |
is planning to build another 17 marinas just like this on the same | 0:02:46 | 0:02:51 | |
grand scale, with all the same number of expensive yachts along | 0:02:51 | 0:02:55 | |
the coastline in this area, on the edge of the desert... | 0:02:55 | 0:02:58 | |
and all of it, all of the boats, all of the tourism here, | 0:02:58 | 0:03:02 | |
is entirely dependent on Americans and US dollars. | 0:03:02 | 0:03:06 | |
The new tourist developments here have already eaten up more | 0:03:08 | 0:03:11 | |
than 20 miles of pristine coastline, and Mexico is now promoting | 0:03:11 | 0:03:15 | |
this area as a luxury tropical destination. | 0:03:15 | 0:03:18 | |
So we dropped in to see one of the swanky resorts they're building, | 0:03:18 | 0:03:22 | |
called the One and Only Palmilla. | 0:03:22 | 0:03:24 | |
BBC expenses wouldn't run to staying here, | 0:03:25 | 0:03:28 | |
but Hollywood's jet set have become frequent visitors | 0:03:28 | 0:03:31 | |
since the resort opened with a monumental party for John Travolta. | 0:03:31 | 0:03:35 | |
-Hola! -God, I feel a bit out of place here, I'll tell you. | 0:03:36 | 0:03:39 | |
Something the cat brought in. | 0:03:41 | 0:03:43 | |
-Hello. -Hey, how are you? | 0:03:44 | 0:03:46 | |
Look at this. | 0:03:48 | 0:03:50 | |
Everybody touches their heart, it's quite moving. | 0:03:52 | 0:03:54 | |
Yes, it's our own One and Only salute at Palmilla, it's a... | 0:03:54 | 0:03:57 | |
-A One and Only salute? -It is a One and Only Palmilla salute and | 0:03:57 | 0:04:01 | |
it's a gesture of warm hospitality that comes from our heart to | 0:04:01 | 0:04:05 | |
our guests and also among each other, here, that we work at the hotel. | 0:04:05 | 0:04:09 | |
So they are actually still working on it, then? | 0:04:09 | 0:04:13 | |
We are, so maybe we should... | 0:04:13 | 0:04:15 | |
Are the gold taps already in? | 0:04:15 | 0:04:17 | |
So maybe we should probably... | 0:04:17 | 0:04:19 | |
-Stop here. -Stop here, go inside and make sure everything is in order | 0:04:19 | 0:04:23 | |
-and then continue with the filming. -What, you want to go and check that | 0:04:23 | 0:04:26 | |
-there's nobody, no builders' bums or anything like that? Go on. -Exactly. | 0:04:26 | 0:04:30 | |
The only people in this villa were workers from the Mexican mainland, | 0:04:33 | 0:04:37 | |
still completing the final touches. | 0:04:37 | 0:04:39 | |
So tell us, er, tell us about this place. Look at this. | 0:04:39 | 0:04:43 | |
This is Villa Cortes, it's our also new unit, four-bedroomed villa. | 0:04:43 | 0:04:48 | |
As you can see it has, I'll show you, the, the spa, the kinesis, | 0:04:48 | 0:04:52 | |
their own gym, the media room, and this is the entertainment area. | 0:04:52 | 0:04:57 | |
So how much does this cost per night? | 0:04:57 | 0:04:59 | |
It varies as well, but it goes from eight, starting price 8,000, | 0:04:59 | 0:05:03 | |
to 12,000 per night, plus tax and service charge. | 0:05:03 | 0:05:08 | |
-Per night? -Per night. | 0:05:08 | 0:05:10 | |
That's about £5,000, more than £5,000 per night, starting price. | 0:05:10 | 0:05:16 | |
Starting price. Correct. But look at this, look at all that we have. | 0:05:16 | 0:05:20 | |
-Oh, my God, look. -Look at this. | 0:05:20 | 0:05:21 | |
Your own infinity pool. | 0:05:21 | 0:05:23 | |
Yes, your own infinity pool. | 0:05:23 | 0:05:25 | |
Look, we even have little beds for the dogs | 0:05:25 | 0:05:27 | |
in case they bring their own pets. | 0:05:27 | 0:05:29 | |
We should check them out. | 0:05:29 | 0:05:31 | |
Yes! | 0:05:32 | 0:05:34 | |
Can we see a bedroom? | 0:05:34 | 0:05:35 | |
-Yes. Go in here. -Let's see the master bedroom. | 0:05:35 | 0:05:38 | |
Right, so as you can see, it has a king bed... | 0:05:39 | 0:05:43 | |
-Can we have a look in the bathroom? -Can we just look it from here? | 0:05:43 | 0:05:47 | |
-Here, here. -It's all right, they're still just finishing it off. | 0:05:47 | 0:05:51 | |
-We can look at it from this side. -Final detail, details. | 0:05:51 | 0:05:54 | |
Hola! It's all right, don't worry, don't worry. | 0:05:54 | 0:05:57 | |
I just wanted to see if it had gold-plated taps. | 0:05:57 | 0:05:59 | |
-I think I've pressed a button, it says massage. -Don't do it now, | 0:05:59 | 0:06:03 | |
-because there is no water. -OK. -Then you have the direct access outside. | 0:06:03 | 0:06:07 | |
-OK, we'll take it. Yeah. -OK, good. -I think we'll take it. -Sold. | 0:06:08 | 0:06:12 | |
The staff that you have here and the construction workers, | 0:06:14 | 0:06:18 | |
are they all from Baja, or are they Mexicans coming from the mainland? | 0:06:18 | 0:06:23 | |
-I mean, is it all... -No, basically the company that is building | 0:06:23 | 0:06:27 | |
and other local building companies, | 0:06:27 | 0:06:30 | |
they have their own people that work for them, they all live in the area, | 0:06:30 | 0:06:34 | |
in San Jose del Cabo or Cabo San Lucas, everybody has their own place. | 0:06:34 | 0:06:38 | |
The tourist industry provides jobs for thousands of Mexicans, | 0:06:42 | 0:06:46 | |
but they live mostly in areas like this, just a short distance | 0:06:46 | 0:06:50 | |
from the One and Only resort. | 0:06:50 | 0:06:52 | |
This whole shanty town is built on a dried-up river bed. | 0:06:52 | 0:06:56 | |
It often floods, and recently people here lost their homes | 0:06:56 | 0:07:00 | |
when storms swept away their plywood shacks. | 0:07:00 | 0:07:02 | |
Luis came here from the Mexican mainland five years ago | 0:07:04 | 0:07:08 | |
to look for work. He has a wife and four children. | 0:07:08 | 0:07:11 | |
This one room plywood structure is what he calls home. | 0:07:11 | 0:07:15 | |
What happens here when it rains? | 0:07:15 | 0:07:17 | |
TRANSLATION: We get scared because the wind shakes the house. | 0:07:18 | 0:07:23 | |
When there's a hurricane, | 0:07:25 | 0:07:27 | |
we have to go to the shelters, because this just falls over. | 0:07:27 | 0:07:33 | |
Does it feel strange to you that people are living in, in these, | 0:07:33 | 0:07:39 | |
in this situation when there's people living in luxury so nearby? | 0:07:39 | 0:07:42 | |
I'm not going to wish for a house like that, | 0:07:42 | 0:07:45 | |
because I know I'm never going to have one. | 0:07:45 | 0:07:47 | |
There are more than 20,000 people living in this shanty town, | 0:07:49 | 0:07:53 | |
and it's estimated there are 150,000 migrant Mexicans | 0:07:53 | 0:07:57 | |
working in this area alone. | 0:07:57 | 0:07:59 | |
Most have been happy just to have a job living off | 0:07:59 | 0:08:01 | |
the crumbs of the tourist trade. | 0:08:01 | 0:08:04 | |
But the recession in the US has hit them hard. | 0:08:04 | 0:08:07 | |
TRANSLATION: If it goes badly for them, | 0:08:09 | 0:08:12 | |
we're dependent on them for work. | 0:08:12 | 0:08:14 | |
So when they sink, we sink even further. | 0:08:18 | 0:08:20 | |
The next day I travelled around the coast to continue my journey | 0:08:28 | 0:08:32 | |
out of Baja California and on to mainland Mexico. | 0:08:32 | 0:08:36 | |
Passports, ID cards, I don't know. Hola, buenas tardes. | 0:08:36 | 0:08:39 | |
-OK. -OK? Gracias, gracias. | 0:08:42 | 0:08:45 | |
I feel a bit, I mean, I'm excited about going to the mainland, | 0:08:45 | 0:08:48 | |
but I apprehensive about it as well, because there's almost, | 0:08:48 | 0:08:53 | |
there's almost a civil war in Mexico at the moment, | 0:08:53 | 0:08:57 | |
and there's a conflict raging over drugs and this ferry's | 0:08:57 | 0:09:03 | |
going to take us really to the heart of it. | 0:09:03 | 0:09:06 | |
I had a night at sea to reflect on my journey. | 0:09:07 | 0:09:10 | |
I knew that following the Tropic of Cancer | 0:09:10 | 0:09:12 | |
would take me to stunning and troubled parts of the planet, | 0:09:12 | 0:09:16 | |
and already the line was leading me from beautiful Baja | 0:09:16 | 0:09:20 | |
on to the dangerous world of Mexico's drug war. | 0:09:20 | 0:09:22 | |
I was crossing the Sea of Cortes and heading for the city of Culiacan | 0:09:22 | 0:09:27 | |
in Sinaloa state, just to the north of the tropic. | 0:09:27 | 0:09:31 | |
In recent years, Culiacan has become a major centre | 0:09:34 | 0:09:37 | |
of one of Mexico's biggest growth industries... | 0:09:37 | 0:09:40 | |
the smuggling of narcotics into the United States. | 0:09:40 | 0:09:43 | |
Thousands of tonnes of South American drugs | 0:09:45 | 0:09:47 | |
pass through Mexico annually, | 0:09:47 | 0:09:49 | |
and Culiacan is the headquarters | 0:09:49 | 0:09:51 | |
of perhaps the biggest drug gang in the world, the Sinaloa Cartel. | 0:09:51 | 0:09:55 | |
Their battle with other cartels and the Mexican government | 0:09:55 | 0:09:58 | |
has turned Culiacan into one of the most dangerous cities on earth. | 0:09:58 | 0:10:02 | |
In the relative safety of daylight, | 0:10:04 | 0:10:06 | |
I met up with my guide in mainland Mexico, Pepe Cohen. | 0:10:06 | 0:10:09 | |
So welcome to Culiacan, er, Simon. | 0:10:09 | 0:10:14 | |
Thanks, mate. | 0:10:14 | 0:10:15 | |
The crown of drug trafficking. | 0:10:15 | 0:10:17 | |
SIMON LAUGHS | 0:10:17 | 0:10:18 | |
Is that really how it's known? | 0:10:18 | 0:10:20 | |
Only last night when you arrived, there was an assassination attempt | 0:10:20 | 0:10:25 | |
against one of the top cops of the city. | 0:10:25 | 0:10:28 | |
How does Mexico compare to Columbia? | 0:10:28 | 0:10:31 | |
At the moment, Mexico is worse than Colombia, | 0:10:31 | 0:10:34 | |
because the Colombian cartels decided to go low profile... | 0:10:34 | 0:10:38 | |
businessmen, no killings. | 0:10:38 | 0:10:40 | |
But in Culiacan there have been | 0:10:41 | 0:10:44 | |
countless gruesome murders on a daily basis. | 0:10:44 | 0:10:47 | |
We met up with local journalist, Javier Valdez, | 0:10:54 | 0:10:57 | |
who showed us around Culiacan's main cemetery. | 0:10:57 | 0:11:00 | |
Far from keeping a low profile, | 0:11:04 | 0:11:06 | |
the families of drug traffickers here go to extraordinary lengths | 0:11:06 | 0:11:09 | |
to celebrate their status as gangsters. | 0:11:09 | 0:11:12 | |
Javier, how many of the people who are buried here will be | 0:11:12 | 0:11:17 | |
graves for people who've died in connection with drugs in some way? | 0:11:17 | 0:11:21 | |
TRANSLATION: I would say around 90% of the people buried here | 0:11:22 | 0:11:27 | |
are linked to the drug trade. | 0:11:27 | 0:11:29 | |
Just as we were passing this one here, I had a glimpse in and, | 0:11:29 | 0:11:34 | |
and already you can see that most of the people | 0:11:34 | 0:11:39 | |
buried here are young men | 0:11:39 | 0:11:42 | |
of a distinctly suspicious looking nature. | 0:11:42 | 0:11:45 | |
-Si. -So this is, again, another young guy? | 0:11:45 | 0:11:48 | |
That kid on the side, he's typical of the drug culture. | 0:11:48 | 0:11:52 | |
-He's got a gun in his belt. -It does look almost like a real gun. | 0:11:52 | 0:11:58 | |
Er, I think it is. It's traditional for these kinds of families to pose | 0:11:58 | 0:12:03 | |
with automatic weapons and flak jackets, and with animal skin boots. | 0:12:03 | 0:12:07 | |
-Oh, look at this. Look, here. -Si, Hummer. | 0:12:10 | 0:12:14 | |
You can see the picture of a guy on the side here | 0:12:14 | 0:12:17 | |
and you can see his Hummer on the picture. | 0:12:17 | 0:12:20 | |
This is a guy who was killed just in August 2008, | 0:12:20 | 0:12:24 | |
and you can see he's posing, he's pictured here with assault rifles. | 0:12:24 | 0:12:29 | |
Definitely a gunman. | 0:12:29 | 0:12:32 | |
You look around here and you see the new wealth that's displayed here. | 0:12:32 | 0:12:37 | |
Can you imagine how much it must cost to build these mausoleums? | 0:12:37 | 0:12:41 | |
I mean, these, this is a two-storey mausoleum here. | 0:12:41 | 0:12:46 | |
There's a level of opulence and even luxury to these mausoleums. | 0:12:46 | 0:12:52 | |
TRANSLATION: They have their own generators and air conditioning, | 0:12:54 | 0:12:59 | |
and comfortable furniture for the visitors. | 0:12:59 | 0:13:04 | |
The gang murder rate here is one of the highest in the world, | 0:13:09 | 0:13:12 | |
and the nature of the violence is extreme, | 0:13:12 | 0:13:15 | |
designed to shock and terrorise. | 0:13:15 | 0:13:17 | |
Drug gangs often mutilate their victims | 0:13:17 | 0:13:20 | |
in an endless cycle of revenge killings. | 0:13:20 | 0:13:22 | |
Hundreds of police officers are also murdered in Mexico every year. | 0:13:22 | 0:13:26 | |
Some have even been beheaded. Javier took me to a city crossroads | 0:13:26 | 0:13:31 | |
where drug dealers recently executed five police officers. | 0:13:31 | 0:13:34 | |
Javier, what happened here? | 0:13:34 | 0:13:35 | |
TRANSLATION: The police were going from east to west, | 0:13:37 | 0:13:40 | |
two cars appeared and started shooting from 200 metres away. | 0:13:40 | 0:13:45 | |
They didn't stop shooting until they got here. | 0:13:45 | 0:13:48 | |
And they executed them all. | 0:13:48 | 0:13:50 | |
Does it feel like Culiacan is under siege from the drug gangs? | 0:13:52 | 0:13:55 | |
There's always a fear hanging over people, a fear of the gunmen. | 0:13:59 | 0:14:03 | |
People have stopped going to shopping malls and going out at night. | 0:14:05 | 0:14:08 | |
They hide in their homes. | 0:14:10 | 0:14:12 | |
There is a collective paranoia. | 0:14:15 | 0:14:17 | |
One of the other things about the shoot-out here that surprises me is | 0:14:19 | 0:14:23 | |
that right next to where the shoot-out was, just round here, | 0:14:23 | 0:14:27 | |
look, there's a small police station, right there, | 0:14:27 | 0:14:30 | |
so the cartel had become so brazen in their attacks | 0:14:30 | 0:14:33 | |
that they're prepared to shoot at a group of police officers | 0:14:33 | 0:14:37 | |
right next to a small police station. | 0:14:37 | 0:14:40 | |
The situation here seems completely out of control. | 0:14:40 | 0:14:43 | |
Under intense pressure from the United States, | 0:14:47 | 0:14:50 | |
the Mexican government's response to the violence | 0:14:50 | 0:14:53 | |
has been to declare its very own war on drugs. | 0:14:53 | 0:14:56 | |
More than 3,000 elite troops and heavily armed federal police | 0:14:56 | 0:15:00 | |
have been sent in to Sinaloa state. | 0:15:00 | 0:15:02 | |
The commander of this elite unit wanted to show us | 0:15:02 | 0:15:05 | |
their most recent haul of weapons, but such is the level of fear here, | 0:15:05 | 0:15:09 | |
even he didn't want to show us his face. | 0:15:09 | 0:15:11 | |
Oh, right, look at this. | 0:15:11 | 0:15:12 | |
This is ammunition and guns, then, | 0:15:13 | 0:15:16 | |
that were seized just last night, is that right? | 0:15:16 | 0:15:19 | |
Last night we had a call from the public. | 0:15:19 | 0:15:22 | |
They reported seeing gunmen inside a private house. | 0:15:22 | 0:15:25 | |
This looks, to me, the sort of amount that you would need | 0:15:25 | 0:15:29 | |
to fight a small war. | 0:15:29 | 0:15:30 | |
One of the ironies of the drug war here is that | 0:15:30 | 0:15:33 | |
while America wants Mexico to confront the drug gangs, | 0:15:33 | 0:15:37 | |
an estimated 90% of the weapons used by the cartels actually | 0:15:37 | 0:15:41 | |
come from the US and are smuggled across the border. | 0:15:41 | 0:15:45 | |
These are called police killers. | 0:15:45 | 0:15:48 | |
They have porcelain tips. | 0:15:48 | 0:15:51 | |
They can penetrate armour. | 0:15:51 | 0:15:55 | |
Well, that's, that's not very reassuring for you. | 0:15:55 | 0:15:57 | |
You're wearing a level four vest now, I imagine, this is the... | 0:15:57 | 0:16:01 | |
Nivel cuatro ahorita. | 0:16:01 | 0:16:03 | |
So you're wearing the best protection that anyone can get, | 0:16:03 | 0:16:07 | |
and these bullets will go through that? | 0:16:07 | 0:16:09 | |
Yes. That's correct. | 0:16:09 | 0:16:11 | |
The commander agreed to take us | 0:16:13 | 0:16:15 | |
on their regular patrol through the city. | 0:16:15 | 0:16:17 | |
THEY SPEAK IN SPANISH | 0:16:17 | 0:16:22 | |
Patrols like this have become part of everyday life in Culiacan. | 0:16:23 | 0:16:28 | |
The Federales are an elite, heavily armed force, | 0:16:28 | 0:16:31 | |
but despite their intimidating presence, | 0:16:31 | 0:16:34 | |
I could still sense an air of trepidation among the officers. | 0:16:34 | 0:16:38 | |
Can you give us an idea of where you're going | 0:16:38 | 0:16:41 | |
and what we'll be seeing when we go out? | 0:16:41 | 0:16:44 | |
We're going to patrol in one of the sectors of the city. | 0:16:44 | 0:16:48 | |
And we're going to visit some of the permanent checkpoints | 0:16:51 | 0:16:54 | |
we've set up around the city. | 0:16:54 | 0:16:56 | |
POLICE SIRENS | 0:16:56 | 0:16:59 | |
But as we made our way to one of the city's many checkpoints, | 0:16:59 | 0:17:03 | |
we suddenly made a dramatic U-turn. | 0:17:03 | 0:17:05 | |
We've just stopped very suddenly because the officers in the car | 0:17:08 | 0:17:13 | |
ahead of us saw a car with AK47 assault rifles in it, so because | 0:17:13 | 0:17:17 | |
the officers are worried for our safety, the agents have formed | 0:17:17 | 0:17:22 | |
a secure perimeter around us. | 0:17:22 | 0:17:25 | |
POLICE SIRENS | 0:17:25 | 0:17:29 | |
As we drove to another checkpoint, | 0:17:33 | 0:17:35 | |
the commander stopped to take a call from HQ. | 0:17:35 | 0:17:38 | |
The police had received a tip-off, | 0:17:38 | 0:17:42 | |
and we headed off to raid the safe house of a suspected drug dealer. | 0:17:42 | 0:17:45 | |
So we're now at the front of the whole raiding party. | 0:17:51 | 0:17:54 | |
POLICE SIRENS | 0:17:54 | 0:17:56 | |
We're speeding through the traffic now, | 0:17:56 | 0:17:59 | |
we're in proper pursuit situation. | 0:17:59 | 0:18:03 | |
They're telling us to get down. | 0:18:05 | 0:18:06 | |
And see. | 0:18:08 | 0:18:10 | |
-Is that a Hummer? -Yeah, that's a Hummer. | 0:18:13 | 0:18:16 | |
Look, there's a bloody Hummer inside this building, | 0:18:16 | 0:18:19 | |
this is what they think is a cartel safe house. | 0:18:19 | 0:18:22 | |
THEY SPEAK IN SPANISH | 0:18:22 | 0:18:24 | |
There's a man here who they're holding, | 0:18:24 | 0:18:27 | |
they've just found a picture of him with a Kalashnikov. | 0:18:27 | 0:18:30 | |
It seemed the commander and his men had arrived just a little too late. | 0:18:44 | 0:18:47 | |
The police have had limited success in combating the drug trade, | 0:19:03 | 0:19:07 | |
and many Mexicans worry that such an aggressive approach | 0:19:07 | 0:19:11 | |
is making the cartels even more violent. | 0:19:11 | 0:19:13 | |
I couldn't help feeling the cops had an almost impossible task. | 0:19:13 | 0:19:18 | |
What they're up against isn't just endless demand for drugs in the US, | 0:19:18 | 0:19:22 | |
and heavily armed, immensely rich drug traffickers, | 0:19:22 | 0:19:26 | |
but a culture where the drug trade is deeply ingrained in | 0:19:26 | 0:19:29 | |
the social fabric of the region. | 0:19:29 | 0:19:31 | |
Here, drug dealers even have their own patron saint. | 0:19:31 | 0:19:35 | |
Pepe, can you tell us a little bit about this place? | 0:19:35 | 0:19:38 | |
Well, this is Malverde's shrine. | 0:19:38 | 0:19:41 | |
Malverde is the Robin Hood of the poor and the drug traffickers, | 0:19:41 | 0:19:46 | |
and everybody around the drug chain, so a lot of people come here | 0:19:46 | 0:19:51 | |
to ask for security for their shipments, security on the road. | 0:19:51 | 0:19:56 | |
-Really? -Yeah. -What, they'll actually come and light a candle | 0:19:56 | 0:20:00 | |
and say, "Please protect me while I'm trafficking drugs to the US"? | 0:20:00 | 0:20:03 | |
-Yes. -That's extraordinary. -Yes. | 0:20:03 | 0:20:06 | |
Or, "Please protect me while I cross illegally into the US." | 0:20:06 | 0:20:10 | |
-What, as a migrant? -As a migrant. | 0:20:10 | 0:20:12 | |
The type of things that people come here and ask cannot go and ask | 0:20:12 | 0:20:16 | |
a priest when they confess or for when they do confession. | 0:20:16 | 0:20:20 | |
-They can't go and say, "Oh, please," er... -Dear father... | 0:20:20 | 0:20:23 | |
"..help me get my million dollars for the shipment that | 0:20:23 | 0:20:26 | |
"I just sent to the US," you know. | 0:20:26 | 0:20:28 | |
I mean, what does it say about a society where you've got | 0:20:28 | 0:20:33 | |
a shrine for narco-traffickers on one of the main streets in Culiacan? | 0:20:33 | 0:20:37 | |
What it tells you is that it's a way of life, I wouldn't say it | 0:20:37 | 0:20:41 | |
all around the country, but particularly in this state | 0:20:41 | 0:20:45 | |
it's, drug trafficking is, is a way of living, you know. | 0:20:45 | 0:20:49 | |
So how much would this be? | 0:20:49 | 0:20:52 | |
-200. -200, yeah? | 0:20:52 | 0:20:53 | |
-Yeah. -Are you going to do the deal? | 0:20:53 | 0:20:55 | |
Yes. | 0:20:55 | 0:20:57 | |
Gracias, senorita. Y una bolsita? | 0:20:57 | 0:20:59 | |
I don't need to wrap it? | 0:20:59 | 0:21:01 | |
-No, no. -What's she going to do? | 0:21:01 | 0:21:03 | |
Oh, she's going to... | 0:21:03 | 0:21:05 | |
-Bless it in some way? -Bless it. | 0:21:05 | 0:21:08 | |
-Pon tus manos... -You do hands? | 0:21:18 | 0:21:21 | |
Turn them around. | 0:21:24 | 0:21:26 | |
-What's she doing? -She's doing a blessing. | 0:21:32 | 0:21:35 | |
-But what is this that she's put on us? -Que es lo que nos puso? | 0:21:35 | 0:21:38 | |
-Es aqua bendita. -Is holy water. | 0:21:38 | 0:21:40 | |
Holy water? Muchas gracias. | 0:21:40 | 0:21:43 | |
Gracias, eh? Gracias. Ciao. | 0:21:43 | 0:21:47 | |
Culiacan is the dark heart of Mexico's drug war, and it was | 0:21:50 | 0:21:55 | |
clear to me that police raids alone aren't going to solve a problem that | 0:21:55 | 0:21:59 | |
many think threatens the stability of this entire country. | 0:21:59 | 0:22:04 | |
The next day we left Culiacan and began our journey eastwards along | 0:22:07 | 0:22:12 | |
the Tropic of Cancer, away from Mexico's Pacific coast | 0:22:12 | 0:22:17 | |
and up into the Sierra Madre mountain range. | 0:22:17 | 0:22:20 | |
This route through the mountains is known as the Road of 3,000 Curves, | 0:22:20 | 0:22:24 | |
and it passes through some spectacular scenery. | 0:22:24 | 0:22:27 | |
We've now travelled around about 1,000 of the curves and the reward | 0:22:30 | 0:22:35 | |
is this spectacular view. | 0:22:35 | 0:22:38 | |
But on this side of the road, | 0:22:38 | 0:22:40 | |
across what they call the Devil's Spine here, | 0:22:40 | 0:22:43 | |
the view is even more beautiful. | 0:22:43 | 0:22:47 | |
Look at this. | 0:22:47 | 0:22:48 | |
Isn't it amazing? | 0:22:51 | 0:22:53 | |
CISTERN FLUSHES | 0:22:58 | 0:23:01 | |
That is the smelliest toilet in Mexico. | 0:23:02 | 0:23:05 | |
We drove deep into Mexico's mountainous interior, | 0:23:13 | 0:23:17 | |
and on to the city of Durango. | 0:23:17 | 0:23:20 | |
It's one of the oldest cities in the country, | 0:23:20 | 0:23:22 | |
built in the 16th century by Spanish colonialists drawn here | 0:23:22 | 0:23:27 | |
by the lure of silver in the mountains. | 0:23:27 | 0:23:29 | |
After the drug cops on the coast, this is a lot more pleasant, | 0:23:31 | 0:23:35 | |
it's a lot more what I imagined Mexico to be like. | 0:23:35 | 0:23:39 | |
But even around here, | 0:23:39 | 0:23:41 | |
the influence of the neighbour to the north is never far away. | 0:23:41 | 0:23:44 | |
The area surrounding the city is where many of Hollywood's | 0:23:52 | 0:23:55 | |
most famous westerns were shot in the '60s and '70s. | 0:23:55 | 0:23:59 | |
Across the desert, many of the film sets still remain. | 0:23:59 | 0:24:03 | |
This one was owned by John Wayne. | 0:24:03 | 0:24:04 | |
And this is where they filmed them? | 0:24:04 | 0:24:06 | |
Yeah. It's got all the elements of a Wild West movie. | 0:24:06 | 0:24:10 | |
But the area around here certainly does look | 0:24:10 | 0:24:12 | |
like the American West, doesn't it? | 0:24:12 | 0:24:15 | |
Yeah. And the landscape is, is very, very similar. | 0:24:15 | 0:24:18 | |
And this is a some sort of saloon, presumably? | 0:24:18 | 0:24:21 | |
And look, you've got the old swing doors. | 0:24:21 | 0:24:23 | |
Yes, yes, it's pretty much like the Wild, Wild West, man. | 0:24:23 | 0:24:27 | |
After you, you go first, you can take the bullet at the bar. | 0:24:27 | 0:24:31 | |
So this, then, this is more like a dance hall... | 0:24:31 | 0:24:34 | |
-Yeah. -Er, stage, isn't it... -Like a stage from the salon. | 0:24:34 | 0:24:38 | |
Yeah. What an amazing place. | 0:24:38 | 0:24:41 | |
-So we've got to have a look in the bank. -Yes. | 0:24:43 | 0:24:46 | |
It's incredible. | 0:24:46 | 0:24:48 | |
It's amazing, isn't it? | 0:24:48 | 0:24:50 | |
Listen to that. | 0:24:51 | 0:24:54 | |
It's polystyrene. | 0:24:56 | 0:24:58 | |
Bloody frauds. | 0:24:58 | 0:25:00 | |
Hollywood still shoots some of its biggest movies in Mexico, | 0:25:00 | 0:25:04 | |
but when westerns went out of fashion in the early '80s, | 0:25:04 | 0:25:07 | |
most of these film sets went out of business. | 0:25:07 | 0:25:09 | |
This one, though, still serves as a home | 0:25:13 | 0:25:16 | |
for its very own resident cowboy. | 0:25:16 | 0:25:18 | |
This is Don Antonio, who, I think... | 0:25:21 | 0:25:23 | |
-Don Antonio. -Antonio. -Don Antonio. -Si. | 0:25:23 | 0:25:26 | |
Fantastic to meet you, sir. I gather you live here? | 0:25:26 | 0:25:29 | |
-Si. -Where do you live? | 0:25:29 | 0:25:31 | |
-TRANSLATION: -I've lived here for 38 years. | 0:25:33 | 0:25:36 | |
Come on, I'll show you where I live. | 0:25:36 | 0:25:40 | |
Antonio bought the film set from John Wayne's estate | 0:25:40 | 0:25:43 | |
and his family have lived in the abandoned train station | 0:25:43 | 0:25:47 | |
for more than 35 years. | 0:25:47 | 0:25:50 | |
So, Don Antonio, you have a railway carriage on your land, | 0:25:50 | 0:25:55 | |
how did you come to have this railway carriage? | 0:25:55 | 0:25:58 | |
John Wayne brought it here. | 0:25:58 | 0:26:00 | |
-He used it in both the movies he shot here. -Was it a fun time? | 0:26:00 | 0:26:04 | |
Yes, very. | 0:26:04 | 0:26:06 | |
He was a great person, very kind. | 0:26:06 | 0:26:08 | |
There was a lot of work in those films. | 0:26:08 | 0:26:11 | |
When John Wayne finished, so did the good films. | 0:26:11 | 0:26:14 | |
I never saw films like that again. | 0:26:14 | 0:26:17 | |
Are you happy living here, would you rather live somewhere else? | 0:26:17 | 0:26:20 | |
No, I'll be here to the grave. | 0:26:20 | 0:26:23 | |
I've lived a long time, so that's fine. | 0:26:23 | 0:26:25 | |
The nearest town was more than an hour away, so in the spirit | 0:26:32 | 0:26:36 | |
of the Wild West, Pepe and I decided to sink a few beers | 0:26:36 | 0:26:39 | |
around the old campfire and bed down for the night in the bank. | 0:26:39 | 0:26:43 | |
Bedtime. | 0:26:43 | 0:26:44 | |
You wouldn't believe how cold it is here. | 0:26:46 | 0:26:49 | |
Oh, I've got a hangover as well. | 0:26:53 | 0:26:55 | |
Next morning we left the Wild West behind | 0:27:05 | 0:27:08 | |
and headed eastwards along the line. | 0:27:08 | 0:27:10 | |
Or at least that was the plan. | 0:27:11 | 0:27:14 | |
Looks like the perils of driving in Mexico. | 0:27:16 | 0:27:18 | |
This taxi here cut across us to try and turn left, | 0:27:18 | 0:27:23 | |
so he cut across our vehicle to try and turn left, | 0:27:23 | 0:27:26 | |
and went right into our vehicle, and this guy is now blaming | 0:27:26 | 0:27:30 | |
our driver and a group of taxis have just suddenly cornered us | 0:27:30 | 0:27:35 | |
in a service station and they're sort of threatening us. | 0:27:35 | 0:27:38 | |
So look, now six taxis are just converging on us here, | 0:27:38 | 0:27:42 | |
and they're sort of blocking us in. | 0:27:42 | 0:27:44 | |
I mean, in Mexico, this is a violent country, | 0:27:44 | 0:27:46 | |
this can lead to something nasty. | 0:27:46 | 0:27:50 | |
-Pepe, what are you doing? -I'm calling the local police. | 0:27:52 | 0:27:56 | |
-Why? -Because I feel threatened by these guys... -Yeah, same here. | 0:27:57 | 0:28:00 | |
and I don't like to be surrounded. | 0:28:00 | 0:28:02 | |
THEY TALK IN SPANISH | 0:28:02 | 0:28:07 | |
So there's another two taxis coming in now, and again with | 0:28:07 | 0:28:10 | |
big guys getting out, these aren't small guys, look at this. | 0:28:10 | 0:28:14 | |
Cops coming. | 0:28:26 | 0:28:28 | |
Can I also suggest that you say this man then tried to drive us | 0:28:38 | 0:28:41 | |
off the road again? Not content with going into us once, he then tried to | 0:28:41 | 0:28:45 | |
drive into us twice just on the road down here, and we've been surrounded | 0:28:45 | 0:28:49 | |
by these vehicles and we feel threatened by this. | 0:28:49 | 0:28:52 | |
'The taxi drivers seemed to be pretty friendly with the police, | 0:28:53 | 0:28:56 | |
'who spelt out our limited options to Pepe.' | 0:28:56 | 0:28:59 | |
-So what's happened? -Basically, the police officer is saying | 0:28:59 | 0:29:04 | |
if you guys can settle down, | 0:29:04 | 0:29:07 | |
you won't have to go to the station, | 0:29:07 | 0:29:09 | |
if you don't settle down and make an agreement... | 0:29:09 | 0:29:12 | |
What does, "settle down" mean, you mean, pay him? | 0:29:12 | 0:29:15 | |
Well, no, make a negotiation to see, you know, pay him or he pays us. | 0:29:15 | 0:29:19 | |
I think our negotiation should be quite straightforward, | 0:29:19 | 0:29:22 | |
We're in the clear here, it was completely the taxi driver's fault, | 0:29:22 | 0:29:26 | |
there's hardly any damage to our vehicle, we should just go. | 0:29:26 | 0:29:30 | |
Can we just ask the taxi driver what he's suggesting | 0:29:30 | 0:29:34 | |
we should do, then, given that he rammed into our car? | 0:29:34 | 0:29:37 | |
He wants you to pay for the, the hit. | 0:29:39 | 0:29:42 | |
This is the boss of the taxi company here. | 0:29:42 | 0:29:45 | |
I'm going to give him 300 pesos and we're going to leave, OK? | 0:29:45 | 0:29:48 | |
Otherwise we're going to lose, I'm doing this. | 0:29:48 | 0:29:51 | |
This is... Can you get his badge, here, this is absolute extortion, | 0:29:51 | 0:29:54 | |
this is outrageous. | 0:29:54 | 0:29:56 | |
The impression this gave of Mexico was upsetting our driver, Daniel. | 0:29:56 | 0:30:00 | |
You are watching what, how corrupted are we, you know, I'm ashamed | 0:30:00 | 0:30:05 | |
to be Mexican, to, we think like, we think like that, with, that happen. | 0:30:05 | 0:30:10 | |
OK, I'm so pissed. I'm so pissed off. | 0:30:10 | 0:30:12 | |
14 quid lighter, we hit the road again and were given our very | 0:30:15 | 0:30:19 | |
own police escort to protect us from any more rogue taxis. | 0:30:19 | 0:30:24 | |
We headed on to the state of Zacatecas, | 0:30:27 | 0:30:31 | |
one of the poorest in Mexico. | 0:30:31 | 0:30:32 | |
Millions of Mexicans, like huge numbers across the tropics, | 0:30:32 | 0:30:37 | |
have left their country for work abroad. | 0:30:37 | 0:30:40 | |
In this state, it's estimated more than half the population | 0:30:40 | 0:30:44 | |
has migrated to find work in the United States. | 0:30:44 | 0:30:47 | |
Just minutes from the Tropic of Cancer is Miguel Hidalgo, | 0:30:47 | 0:30:51 | |
a small village typical of this part of Mexico. | 0:30:51 | 0:30:54 | |
So it's now ten-to-two on a Friday afternoon, we're on the main street | 0:30:58 | 0:31:02 | |
in the village and this place is really, really just dead. | 0:31:02 | 0:31:07 | |
You've got all these buildings here, homes, which are basically empty, | 0:31:07 | 0:31:11 | |
it's not as though people are in, inside having a siesta, the people | 0:31:11 | 0:31:15 | |
here have just basically locked up their houses and gone to America. | 0:31:15 | 0:31:20 | |
We finally found a few children left in the village school. | 0:31:22 | 0:31:26 | |
How many of you have got family in the United States? | 0:31:26 | 0:31:29 | |
Yo. | 0:31:29 | 0:31:31 | |
Wow, so almost, almost all of you. | 0:31:31 | 0:31:34 | |
Who doesn't have a relative living in the US? | 0:31:34 | 0:31:37 | |
So just three out of two, four, six, eight, ten, twelve, thirteen. | 0:31:37 | 0:31:42 | |
Who here would like to go and live and work in the United States? | 0:31:42 | 0:31:47 | |
Wow. | 0:31:48 | 0:31:50 | |
Millions of Mexicans have to work illegally in the United States, | 0:31:55 | 0:31:59 | |
but the NAFTA free trade agreement between Mexico, the US, and Canada | 0:31:59 | 0:32:04 | |
has made it much easier for North American businesses | 0:32:04 | 0:32:07 | |
to operate freely in Mexico. | 0:32:07 | 0:32:09 | |
Many critics think this has become another opportunity for | 0:32:09 | 0:32:13 | |
the developed world to exploit this part of the tropics. | 0:32:13 | 0:32:16 | |
We were heading for the 400-year-old village | 0:32:18 | 0:32:20 | |
of Cerro San Pedro. | 0:32:20 | 0:32:21 | |
Since the 19th-century, people have mined gold here, | 0:32:21 | 0:32:24 | |
tunnelling into the mountainside. | 0:32:24 | 0:32:26 | |
But in 2007, a Canadian owned firm began modern opencast mining, | 0:32:26 | 0:32:32 | |
which involves blasting the mountainside with explosives... | 0:32:32 | 0:32:36 | |
right at the edge of the village. | 0:32:36 | 0:32:38 | |
Mario Martinez was born here. | 0:32:40 | 0:32:43 | |
He's an experienced mining engineer, and, like many locals, he believes | 0:32:43 | 0:32:47 | |
the mine is an environmental disaster for the village | 0:32:47 | 0:32:51 | |
and the surrounding area. | 0:32:51 | 0:32:52 | |
Bloody hell. | 0:32:52 | 0:32:54 | |
Bloody hell, look at that. | 0:32:57 | 0:32:59 | |
The mountain used to be much higher. | 0:32:59 | 0:33:03 | |
There's the cut. | 0:33:03 | 0:33:05 | |
They knocked down thousands of tonnes of the mountain every day. | 0:33:05 | 0:33:08 | |
60% of it they send that way. | 0:33:08 | 0:33:11 | |
That land you see over there, it's useless brittle rock. | 0:33:11 | 0:33:16 | |
How many years has it taken for them to destroy a mountain here? | 0:33:16 | 0:33:22 | |
Approximately two years. | 0:33:25 | 0:33:27 | |
Mario took us to meet a couple who've lived in the village | 0:33:28 | 0:33:32 | |
their entire lives. | 0:33:32 | 0:33:33 | |
They believe the huge explosions from the mine are destroying | 0:33:35 | 0:33:40 | |
their already old and fragile home. | 0:33:40 | 0:33:43 | |
Todo esto se cae, todo esto. | 0:33:43 | 0:33:46 | |
So even under the sofa here you can see, I mean, | 0:33:46 | 0:33:50 | |
Armando is saying because of the explosions the roof | 0:33:50 | 0:33:55 | |
is starting to collapse, and you can see up there between the beams | 0:33:55 | 0:34:01 | |
it's starting to crack and crumble. | 0:34:01 | 0:34:04 | |
TRANSLATION: The house is so dirty because of all the dust | 0:34:07 | 0:34:10 | |
that comes off the walls and ceiling. Look at that. | 0:34:10 | 0:34:13 | |
The explosions are terrible, we all shake. | 0:34:13 | 0:34:17 | |
You've seen the sofa with the bits that fall down from the ceiling. | 0:34:17 | 0:34:21 | |
Hundreds of Canadian mining firms now operate in Mexico. | 0:34:23 | 0:34:26 | |
Campaigners say chemicals used in this mine pollute the area, | 0:34:26 | 0:34:31 | |
and they've launched a campaign that's included lawsuits in Canada. | 0:34:31 | 0:34:35 | |
But not everyone here opposes the mine. | 0:34:35 | 0:34:37 | |
Many residents work for the mining company, | 0:34:37 | 0:34:40 | |
and Mario has come under intense pressure to end his protest. | 0:34:40 | 0:34:43 | |
This is my house. This is where I was born. | 0:34:43 | 0:34:46 | |
They painted this graffiti on Saturday and broke my windows. | 0:34:46 | 0:34:50 | |
This is where you were born? | 0:34:50 | 0:34:52 | |
This is how they deal with anyone who opposes the mine. | 0:34:52 | 0:34:55 | |
They vandalise them. I replace the windows and they break them again. | 0:34:55 | 0:35:00 | |
The dispute has become extremely bitter, | 0:35:00 | 0:35:02 | |
often spilling over into violence. | 0:35:02 | 0:35:04 | |
This is a dangerous place for me. | 0:35:04 | 0:35:08 | |
This is where the last attack happened, in July. | 0:35:08 | 0:35:11 | |
They attacked me with a machete and stones. They ripped my shirt. | 0:35:11 | 0:35:16 | |
This is from a stone. | 0:35:18 | 0:35:19 | |
I stopped it with my hand. | 0:35:19 | 0:35:23 | |
He prefers going the other way. | 0:35:25 | 0:35:26 | |
OK. In your home village, that's pretty tragic, isn't it? | 0:35:26 | 0:35:30 | |
Mario believes people working for the mining company | 0:35:30 | 0:35:33 | |
are behind much of the violence. | 0:35:33 | 0:35:36 | |
So it's an extraordinary situation, Mario's actually frightened | 0:35:36 | 0:35:40 | |
to come any closer because just on my left now is | 0:35:40 | 0:35:44 | |
one of the headquarters of part of the mining security people, | 0:35:44 | 0:35:47 | |
and he's frightened that they're going to attack him. | 0:35:47 | 0:35:50 | |
So is this the edge, then, this is the edge of the mine? | 0:35:52 | 0:35:56 | |
And this is really still in the heart of the village, | 0:35:58 | 0:36:00 | |
they've put this fence up, you can see how new the fence is, | 0:36:00 | 0:36:03 | |
there's a bloody great wall of stones here, which just, | 0:36:03 | 0:36:07 | |
it's like a dam, really, holding back the gold mine beyond it. | 0:36:07 | 0:36:13 | |
Incredible. | 0:36:13 | 0:36:15 | |
I wanted to see the mine for myself, | 0:36:18 | 0:36:21 | |
and Luis Rodriguez, from the mining company, | 0:36:21 | 0:36:24 | |
took me to see how things looked from their side of the operation. | 0:36:24 | 0:36:28 | |
Got a right whole retinue of people here with us. | 0:36:28 | 0:36:33 | |
They're a bit nervous about what we're, er, here to do. | 0:36:33 | 0:36:36 | |
So let's go and have a look. | 0:36:36 | 0:36:38 | |
So there's a fence just here, | 0:36:39 | 0:36:42 | |
and below us, | 0:36:42 | 0:36:45 | |
wow, good Lord. | 0:36:45 | 0:36:49 | |
Look at that. | 0:36:51 | 0:36:53 | |
Well, you really do see there the scale of the mine | 0:36:53 | 0:36:58 | |
and the proximity of the mine to the town, I mean, | 0:36:58 | 0:37:01 | |
that does really illustrate it, doesn't it? | 0:37:01 | 0:37:04 | |
How can you protect the buildings there from the mine | 0:37:04 | 0:37:08 | |
when they're just metres away from this vast, opencast pit? | 0:37:08 | 0:37:13 | |
Previously, the experts from the environmental offices | 0:37:13 | 0:37:18 | |
took into consideration the exact measurements to assure | 0:37:18 | 0:37:23 | |
that our work will not damage any historical buildings or even, | 0:37:23 | 0:37:27 | |
not even historical buildings, | 0:37:27 | 0:37:29 | |
they'll not damage any of the constructions of the town. | 0:37:29 | 0:37:33 | |
But it's quite unfortunate for you, really, I suppose, | 0:37:33 | 0:37:36 | |
-this town is here, isn't it? -Mining, you have to go where the ore is. | 0:37:36 | 0:37:43 | |
The management of the mine were very keen for us to meet | 0:37:46 | 0:37:49 | |
their local workers who had, coincidentally, | 0:37:49 | 0:37:52 | |
arrived for a barbecue the very day we visited. | 0:37:52 | 0:37:55 | |
One of the allegations that's been levelled against your gold mine | 0:37:55 | 0:37:59 | |
is that employees of the gold mine have intimidated and attacked | 0:37:59 | 0:38:03 | |
local campaigners - what's your response to that, | 0:38:03 | 0:38:07 | |
have some of your employees gotten a bit out of hand? | 0:38:07 | 0:38:10 | |
If there are some things going on, it's between particular persons, | 0:38:10 | 0:38:16 | |
but not the company taking any of the workers or pushing the workers | 0:38:16 | 0:38:22 | |
to do, er, something or, to encourage violence, never. | 0:38:22 | 0:38:28 | |
So you're saying that some of your employees might have | 0:38:28 | 0:38:31 | |
-acted on their own, maybe... -Probably, probably... | 0:38:31 | 0:38:34 | |
-and gone after someone? -They probably do, we don't know for sure. | 0:38:34 | 0:38:38 | |
-But it's not, the company's not involved? -No, not at all. | 0:38:38 | 0:38:42 | |
We've heard from a lot of people who oppose this gold mine, | 0:38:45 | 0:38:48 | |
obviously the people here have made good money from it, | 0:38:48 | 0:38:53 | |
they've had jobs, they've been paid, and they get prizes and rewards, | 0:38:53 | 0:38:58 | |
but it just seems rather tragic that this gold mine has completely split | 0:38:58 | 0:39:03 | |
this community and this area. | 0:39:03 | 0:39:06 | |
My journey across Mexico was coming to an end. | 0:39:12 | 0:39:15 | |
But before following the Tropic of Cancer across the Caribbean, | 0:39:15 | 0:39:19 | |
I had to travel through the capital, Mexico City. | 0:39:19 | 0:39:22 | |
Almost everything I'd seen so far had been overshadowed | 0:39:22 | 0:39:25 | |
by the influence of the United States. | 0:39:25 | 0:39:28 | |
I wanted to experience something uniquely Mexican, so before I left, | 0:39:28 | 0:39:33 | |
Pepe took me to see one of Mexico's most popular sports, | 0:39:33 | 0:39:36 | |
a spectacular form of masked wrestling known as lucha libre. | 0:39:36 | 0:39:41 | |
Look at the size of this stadium. | 0:39:41 | 0:39:43 | |
Is this just for lucha libre? | 0:39:46 | 0:39:48 | |
This is just for lucha libre. | 0:39:48 | 0:39:50 | |
This is incredible, this is like, | 0:39:50 | 0:39:52 | |
it's almost the size of a football stadium. | 0:39:52 | 0:39:55 | |
Pepe had arranged for me to meet one of Mexico's top female wrestlers, | 0:39:55 | 0:39:59 | |
La Princesa, and take part in a harmless little training session. | 0:39:59 | 0:40:03 | |
-Hola. -Hola. Buenos dias. | 0:40:03 | 0:40:09 | |
-Madame... Mucho gusto. -Como esta? | 0:40:09 | 0:40:11 | |
So I gather, we're going to be involved in your training session, | 0:40:11 | 0:40:16 | |
I just have one thing to ask, please be gentle, | 0:40:16 | 0:40:19 | |
so no broken bones, no dislocations, | 0:40:19 | 0:40:21 | |
is that a deal? | 0:40:21 | 0:40:24 | |
No... No, exacto. | 0:40:24 | 0:40:27 | |
Pepe had assured me that lucha libre was largely stage-managed, | 0:40:28 | 0:40:32 | |
a form of aggressive pantomime. | 0:40:32 | 0:40:34 | |
But as I watched the Princesa and her fight partner warming up, | 0:40:34 | 0:40:38 | |
I began to have a few doubts. | 0:40:38 | 0:40:40 | |
-TRANSLATION: -My friend and I can give you a demo | 0:40:57 | 0:41:00 | |
of the true lucha libre moves. | 0:41:00 | 0:41:01 | |
Some people say that lucha libre is not aggressive and strong. | 0:41:03 | 0:41:08 | |
But we'll give you a little taste of what it's really like. | 0:41:08 | 0:41:11 | |
I don't like the sound of that. | 0:41:13 | 0:41:15 | |
OK? | 0:41:15 | 0:41:17 | |
HE YELLS | 0:41:17 | 0:41:21 | |
That bloody hurts. | 0:41:24 | 0:41:26 | |
Oh, God. | 0:41:26 | 0:41:27 | |
Si ese pone muy duro, muy fuerte, va a hacer la lesion mas grave. | 0:41:27 | 0:41:31 | |
She's not going to hurt you as long as you're loose? | 0:41:31 | 0:41:35 | |
OK. What are you going to do? | 0:41:35 | 0:41:38 | |
-Loosen up. -Loosen up, I'm loosening up, I'm loosening up. | 0:41:38 | 0:41:41 | |
Aaaah! | 0:41:51 | 0:41:53 | |
HE YELLS | 0:42:00 | 0:42:03 | |
OK. | 0:42:03 | 0:42:04 | |
If you don't loosen up then they have to use their force. | 0:42:04 | 0:42:07 | |
-Their force. -And they have to get you down, so if you loosen up | 0:42:07 | 0:42:10 | |
a little bit you'll just go with the flow, you know. | 0:42:10 | 0:42:13 | |
What about our serious questions that we've got to ask you | 0:42:27 | 0:42:30 | |
about female emancipation? | 0:42:30 | 0:42:34 | |
-That hurt. -Who said that lucha libre is not painful, eh? | 0:42:34 | 0:42:38 | |
I never said it. | 0:42:38 | 0:42:39 | |
That was just a demo, but it hurt, didn't it? | 0:42:39 | 0:42:42 | |
Later that night, we were given ringside seats and I spent | 0:42:45 | 0:42:48 | |
my last night in Mexico having a few beers and cheering on La Princesa. | 0:42:48 | 0:42:52 | |
Princess! La Princess! | 0:42:52 | 0:42:56 | |
Yeah! | 0:42:58 | 0:43:01 | |
BELL CLANGS | 0:43:01 | 0:43:04 | |
CHEERING | 0:43:04 | 0:43:05 | |
WHISTLING AND CHEERING | 0:43:15 | 0:43:20 | |
Come on! Rip her head off! | 0:43:20 | 0:43:23 | |
CHEERING | 0:43:23 | 0:43:25 | |
BELL CLANGS | 0:43:32 | 0:43:34 | |
-Cheers. -Cheers, mate. Thanks for showing us across Mexico. | 0:43:48 | 0:43:52 | |
You're welcome, man, it was my pleasure. | 0:43:52 | 0:43:55 | |
ANNOUNCEMENTS IN SPANISH | 0:43:57 | 0:44:00 | |
Heading east along the line, the Tropic of Cancer passes | 0:44:02 | 0:44:05 | |
just a few miles north of Havana, the capital of Cuba. | 0:44:05 | 0:44:09 | |
It wasn't strictly on the route, but I couldn't resist a brief stop | 0:44:09 | 0:44:13 | |
on this huge tropical island. | 0:44:13 | 0:44:15 | |
While Mexico had seemed to be completely dominated by America, | 0:44:34 | 0:44:38 | |
Cuba has famously stood up to the superpower | 0:44:38 | 0:44:41 | |
since the revolution in 1959. | 0:44:41 | 0:44:44 | |
Almost ever since, the US has imposed an embargo, | 0:44:49 | 0:44:53 | |
limiting trade with the island, | 0:44:53 | 0:44:55 | |
which has left Cuba stuck in something of a time warp. | 0:44:55 | 0:44:58 | |
So we've just, er, arrived in Cuba, | 0:45:03 | 0:45:06 | |
and we've just met Ernesto, who's going to be, er, well, | 0:45:06 | 0:45:11 | |
guiding us around Havana, I think. | 0:45:11 | 0:45:12 | |
-I hope so, yeah. -Thank you. | 0:45:12 | 0:45:15 | |
Even critics of Cuba have been impressed by its health-care | 0:45:17 | 0:45:20 | |
and education system, but I'd heard about a less well-known development, | 0:45:20 | 0:45:24 | |
one which the whole world might be able to learn from. | 0:45:24 | 0:45:28 | |
After the Soviet Union collapsed, | 0:45:28 | 0:45:30 | |
Cuba was left without its best friend and its main benefactor, | 0:45:30 | 0:45:35 | |
and Cubans were left without basic foods and supplies, | 0:45:35 | 0:45:38 | |
and millions of people went hungry. | 0:45:38 | 0:45:40 | |
So in response, Cubans started growing plants in market gardens. | 0:45:40 | 0:45:47 | |
Hundreds of allotments like these, known as organoponicos, | 0:45:47 | 0:45:51 | |
have sprouted up all over Havana. | 0:45:51 | 0:45:53 | |
Buenos dias. | 0:45:53 | 0:45:54 | |
-Mucho gusto. -Mi nombre es Simon. | 0:45:54 | 0:45:57 | |
'This one's run by 72-year-old Chalo Hernandez. | 0:45:57 | 0:46:00 | |
'Basking in the tropical sun, the organoponicos provide locals | 0:46:00 | 0:46:04 | |
'with huge quantities of fruit and vegetables, and they're often | 0:46:04 | 0:46:07 | |
'built on reclaimed land.' | 0:46:07 | 0:46:09 | |
What was here before the garden? | 0:46:09 | 0:46:11 | |
-TRANSLATION: -A cement factory. -Here was a cement factory? -Yes. | 0:46:11 | 0:46:14 | |
That's extraordinary. | 0:46:14 | 0:46:17 | |
Here we have Chinese cabbage. | 0:46:17 | 0:46:19 | |
This is celery and a patch of beet leaves, | 0:46:21 | 0:46:25 | |
here you have lettuce, tomatoes, | 0:46:25 | 0:46:27 | |
peppers, and this is mint for the mojitos. | 0:46:27 | 0:46:31 | |
Organoponicos like this now provide Havana | 0:46:32 | 0:46:35 | |
with more than 90% of its fruit and veg, | 0:46:35 | 0:46:37 | |
direct to local people at remarkably low prices, | 0:46:37 | 0:46:41 | |
but they're not just productive, they're also eco-friendly. | 0:46:41 | 0:46:45 | |
So am I right in thinking all the food that you've planted here | 0:46:45 | 0:46:48 | |
and are growing here, is this all done organically, | 0:46:48 | 0:46:51 | |
without pesticides, without artificial fertilisers? | 0:46:51 | 0:46:55 | |
Everything's organic. | 0:46:55 | 0:46:57 | |
THEY SPEAK IN SPANISH | 0:46:57 | 0:46:59 | |
Can you explain to us what this is? | 0:47:04 | 0:47:07 | |
It's organic animal matter. | 0:47:07 | 0:47:09 | |
This is cow manure? | 0:47:09 | 0:47:11 | |
This is already decomposed. | 0:47:13 | 0:47:15 | |
The World Wildlife Fund has singled out and praised Cuba | 0:47:18 | 0:47:21 | |
for its sustainable development. | 0:47:21 | 0:47:24 | |
There are now thousands of these gardens across the country, | 0:47:24 | 0:47:27 | |
producing more than a million tonnes of food each year. | 0:47:27 | 0:47:30 | |
It's a movement that has spread to the whole of Cuba, | 0:47:34 | 0:47:37 | |
and nobody can stop it. | 0:47:37 | 0:47:39 | |
Every day it's getting bigger. | 0:47:39 | 0:47:42 | |
It's even spreading in to the courtyards, inside people's homes. | 0:47:42 | 0:47:47 | |
If the population of the planet | 0:47:49 | 0:47:52 | |
keeps increasing at the current stratospheric rate, | 0:47:52 | 0:47:56 | |
then eventually more of us | 0:47:56 | 0:47:58 | |
will need to start growing our own food locally, | 0:47:58 | 0:48:01 | |
and these gardens show us how it can be done. | 0:48:01 | 0:48:04 | |
They might be good at providing fruit and veg in communist Cuba, | 0:48:10 | 0:48:14 | |
but they're not so great at providing much else. | 0:48:14 | 0:48:16 | |
Other basic foods are still distributed | 0:48:16 | 0:48:19 | |
through state-controlled ration shops. | 0:48:19 | 0:48:21 | |
And just here, actually, is one of the shops that Cubans have to buy | 0:48:23 | 0:48:27 | |
their products from, as you can see. | 0:48:27 | 0:48:30 | |
There's hardly anything on the shelves. | 0:48:30 | 0:48:32 | |
This is the notebook that you could have, rice, beans, oil. | 0:48:33 | 0:48:41 | |
So this is a sort of ration book, then? | 0:48:41 | 0:48:44 | |
Showing you what you're allowed to have? | 0:48:44 | 0:48:46 | |
Yeah, for example, the rice is five pounds by person. | 0:48:46 | 0:48:54 | |
So five pounds of rice in weight per person per day, per week, per month? | 0:48:54 | 0:48:59 | |
-In the month. -In the month, OK. | 0:48:59 | 0:49:03 | |
'Every Cuban has a monthly allowance | 0:49:03 | 0:49:04 | |
'of basics set out for them, all heavily subsidised by the state. | 0:49:04 | 0:49:10 | |
'It's incredibly cheap, but government shops like this | 0:49:10 | 0:49:13 | |
'provide only the most basic commodities. | 0:49:13 | 0:49:16 | |
'Meanwhile, the prices of consumer goods are often astronomical, | 0:49:23 | 0:49:28 | |
'and to buy them Cubans on meagre state salaries | 0:49:28 | 0:49:31 | |
'need access to money from relatives abroad | 0:49:31 | 0:49:34 | |
'or foreign tourists. | 0:49:34 | 0:49:35 | |
'For a supposedly communist society, | 0:49:35 | 0:49:38 | |
'it's resulted in a strange new social hierarchy.' | 0:49:38 | 0:49:42 | |
So a bar like this you might find Cubans drinking beer, | 0:49:42 | 0:49:46 | |
spending probably 1.50, | 0:49:46 | 0:49:48 | |
so that would be people working in tourism or taxi drivers | 0:49:48 | 0:49:51 | |
who didn't have to go to college to make that money. | 0:49:51 | 0:49:54 | |
-And... -So sometimes people who studied the hardest, | 0:49:54 | 0:49:57 | |
got the most qualifications, they earn the least? | 0:49:57 | 0:49:59 | |
That's the case in Cuba. | 0:49:59 | 0:50:01 | |
In Cuba, a bartender could be making, I don't know, out of tips | 0:50:01 | 0:50:04 | |
could be making probably almost 100 dollars a day, and that's probably | 0:50:04 | 0:50:09 | |
a year's salary, a year's salary for an ordinary worker. | 0:50:09 | 0:50:13 | |
In the 1950s, Havana was a playground | 0:50:15 | 0:50:18 | |
for wealthy American tourists and brothels, casinos, | 0:50:18 | 0:50:22 | |
and corruption were a major cause of the revolution. | 0:50:22 | 0:50:25 | |
How ironic that 50 years later, | 0:50:25 | 0:50:27 | |
ordinary Cubans who want a decent standard of living | 0:50:27 | 0:50:29 | |
are desperate for jobs in the growing tourism industry. | 0:50:29 | 0:50:33 | |
So far Americans haven't returned in large numbers | 0:50:33 | 0:50:35 | |
because of the embargo, | 0:50:35 | 0:50:37 | |
and everyone's waiting to see when it will end. | 0:50:37 | 0:50:39 | |
So Cubans are still waiting? | 0:50:39 | 0:50:42 | |
Yeah. We have been waiting for 50 years, and one of the things we would | 0:50:42 | 0:50:45 | |
like to happen is that, you know, the US blockade goes away, | 0:50:45 | 0:50:48 | |
because it's really affecting, the, you know, the country. | 0:50:48 | 0:50:52 | |
Is it something that people still talk about, they still talk about | 0:50:52 | 0:50:55 | |
the day the blockade will be lifted, the embargo will be ended? | 0:50:55 | 0:50:59 | |
No-one knows what's going to happen | 0:50:59 | 0:51:00 | |
once the blockade or the embargo is lifted. | 0:51:00 | 0:51:03 | |
We don't know whether the things will remain the same | 0:51:03 | 0:51:06 | |
or things will change. | 0:51:06 | 0:51:07 | |
That's a good question. | 0:51:07 | 0:51:09 | |
That's a question of the century. | 0:51:09 | 0:51:11 | |
I left Havana and flew east along the Tropic of Cancer to Nassau, | 0:51:30 | 0:51:36 | |
the capital of the Bahamas. | 0:51:36 | 0:51:38 | |
Unlike Cuba, Americans are still flocking here | 0:51:39 | 0:51:43 | |
in their hundreds of thousands. | 0:51:43 | 0:51:45 | |
The island are one of the ultimate holiday destinations, | 0:51:47 | 0:51:50 | |
world famous for their beautiful beaches | 0:51:50 | 0:51:52 | |
and a warm Caribbean welcome. | 0:51:52 | 0:51:55 | |
But even the Bahamas has a dark side. | 0:51:57 | 0:52:01 | |
Every year, thousands of desperate migrants arrive here from Haiti, | 0:52:01 | 0:52:05 | |
the poorest country in the Caribbean. | 0:52:05 | 0:52:07 | |
Many of those caught by the authorities | 0:52:07 | 0:52:10 | |
are locked up in this detention centre. | 0:52:10 | 0:52:12 | |
Human rights groups have expressed concerns | 0:52:12 | 0:52:15 | |
about how the Haitians are being treated. | 0:52:15 | 0:52:17 | |
Hello there. | 0:52:19 | 0:52:20 | |
-How are you? -May I ask what you're doing? | 0:52:25 | 0:52:27 | |
Of course, we're from the BBC in London. | 0:52:27 | 0:52:29 | |
-Uh-huh. -And we're filming the detention centre. | 0:52:29 | 0:52:33 | |
-You're not allowed to do that, sir. -Why is that? | 0:52:33 | 0:52:36 | |
You're not allowed to take pictures. | 0:52:36 | 0:52:38 | |
Are we not allowed to film from the street? | 0:52:38 | 0:52:40 | |
We understood we were allowed to film from the street? | 0:52:40 | 0:52:42 | |
You're not allowed to. | 0:52:42 | 0:52:44 | |
-Can we come in at all? -No, you can't come in at all. | 0:52:44 | 0:52:46 | |
Can we ask how many Haitians are detained inside? | 0:52:46 | 0:52:49 | |
No, I can't give you that information. | 0:52:49 | 0:52:51 | |
-All right. -That's our rules and regulations. -OK. | 0:52:51 | 0:52:54 | |
'Some estimates now suggest Haitian migrants | 0:52:55 | 0:52:58 | |
'now comprise up to a third of the population of the Bahamas. | 0:52:58 | 0:53:02 | |
'Well, away from the tourist trail, | 0:53:02 | 0:53:03 | |
'thousands live here illegally in slums like this. | 0:53:03 | 0:53:06 | |
'They've often been through harrowing ordeals | 0:53:06 | 0:53:09 | |
'while escaping the poverty and the violence of their homeland.' | 0:53:09 | 0:53:12 | |
I mean, we've heard terrible things | 0:53:12 | 0:53:15 | |
about the journeys by boat from Haiti to the Bahamas - | 0:53:15 | 0:53:19 | |
what was the boat journey like for you, | 0:53:19 | 0:53:21 | |
can you take us through what happened? | 0:53:21 | 0:53:23 | |
HE SPEAKS IN FRENCH | 0:53:23 | 0:53:25 | |
10 people died just on the journey? | 0:53:32 | 0:53:35 | |
Many of these people now live in a kind of limbo in the Bahamas, | 0:53:54 | 0:53:58 | |
with no access to health-care or education, | 0:53:58 | 0:54:01 | |
working in low-paid tourism jobs, | 0:54:01 | 0:54:03 | |
and constantly in fear of deportation. | 0:54:03 | 0:54:05 | |
I'm really quite shocked | 0:54:05 | 0:54:08 | |
by the conditions people are living in here. | 0:54:08 | 0:54:12 | |
And these are African conditions in a wealthy Caribbean state. | 0:54:12 | 0:54:18 | |
Of course, for the Bahamas it's quite a convenient situation, | 0:54:18 | 0:54:22 | |
because it means they have cheap labour when times | 0:54:22 | 0:54:25 | |
are good and when times are bad they can just kick these people out. | 0:54:25 | 0:54:29 | |
I was coming to the end of this first leg | 0:54:35 | 0:54:37 | |
of my global journey around the tropic, | 0:54:37 | 0:54:40 | |
but to reconnect with the line, | 0:54:40 | 0:54:42 | |
I had to fly south from Nassau to Long Island. | 0:54:42 | 0:54:46 | |
It was a tough journey, above some of the most | 0:54:46 | 0:54:48 | |
beautiful islands on the planet. | 0:54:48 | 0:54:50 | |
Ugh. | 0:55:04 | 0:55:05 | |
There's worse ways to arrive anywhere. | 0:55:07 | 0:55:10 | |
So here we are on Long Island. | 0:55:10 | 0:55:12 | |
It's a bit overcast. | 0:55:12 | 0:55:14 | |
But, you know, there's worse places to be, and this, | 0:55:14 | 0:55:19 | |
is Marvin. Marvin, hello, mate. | 0:55:19 | 0:55:22 | |
-How you doing? -Thank you very much for coming to see us. | 0:55:22 | 0:55:24 | |
No problem at all, man, no problem at all. | 0:55:24 | 0:55:26 | |
We're sorry we're a bit late. | 0:55:26 | 0:55:28 | |
-Welcome to Long Island. -Look at that. | 0:55:28 | 0:55:30 | |
-"Bad to the bone." -That's me. | 0:55:30 | 0:55:34 | |
Marvin's been working as a fisherman here on Long Island | 0:55:38 | 0:55:42 | |
for more than two decades. | 0:55:42 | 0:55:44 | |
But he's now worried his livelihood is threatened by the arrival | 0:55:45 | 0:55:49 | |
of an alien species. | 0:55:49 | 0:55:51 | |
When did you first see the lionfish coming into your waters? | 0:55:51 | 0:55:54 | |
Er, I think it was 2004, that's the first time I seen a lionfish, | 0:55:54 | 0:56:00 | |
just a single lionfish, they brought them in here, | 0:56:00 | 0:56:02 | |
every diver on my boat seen one or two of them, | 0:56:02 | 0:56:05 | |
and then the following year there was like five or six, ten, | 0:56:05 | 0:56:09 | |
I have never seen a fish multiply as fast as the lionfish here. | 0:56:09 | 0:56:14 | |
Why do they pose a threat? | 0:56:14 | 0:56:16 | |
-Well... -What's wrong with them? | 0:56:16 | 0:56:19 | |
They're poisonous to start, | 0:56:19 | 0:56:20 | |
and then there's no, they don't have a predator. | 0:56:20 | 0:56:23 | |
The lionfish also have a voracious appetite, | 0:56:26 | 0:56:29 | |
and Marvin now spends much of his time trying to catch them. | 0:56:29 | 0:56:32 | |
Experts have realised the lionfish are devouring indigenous stocks | 0:56:34 | 0:56:38 | |
and they're warning the fish | 0:56:38 | 0:56:40 | |
could eventually transform this entire ecosystem. | 0:56:40 | 0:56:43 | |
He's got one. | 0:56:43 | 0:56:46 | |
Got two. | 0:56:46 | 0:56:47 | |
Look at that. | 0:56:47 | 0:56:49 | |
They're extraordinary creatures. | 0:56:54 | 0:56:56 | |
Yeah. And right now I'm their only predator. | 0:56:56 | 0:56:59 | |
Well, these fish are really quite stunning, aren't they? | 0:57:04 | 0:57:08 | |
But it's no exaggeration to say these are, | 0:57:08 | 0:57:12 | |
these are like a plague of locusts, really, here, | 0:57:12 | 0:57:14 | |
descending on the Caribbean and just eating everything. | 0:57:14 | 0:57:19 | |
No-one knows for sure how the Asian lionfish got to the Bahamas, | 0:57:19 | 0:57:23 | |
but some believe they were washed out of marine parks in Miami | 0:57:23 | 0:57:27 | |
during a storm. | 0:57:27 | 0:57:28 | |
It would be a more unusual example of how America has an impact | 0:57:28 | 0:57:32 | |
on its smaller tropical neighbours to the south. | 0:57:32 | 0:57:35 | |
It had been a month since I began my journey on the west coast of Mexico. | 0:57:35 | 0:57:40 | |
I'd travelled almost 1,500 miles to here, | 0:57:40 | 0:57:43 | |
the beautiful beaches of Long Island, | 0:57:43 | 0:57:45 | |
but my journey around the world was only just beginning. | 0:57:45 | 0:57:50 | |
This is where the Tropic of Cancer leaves the Bahamas, | 0:57:50 | 0:57:53 | |
and this is the end of this part of my trip. | 0:57:53 | 0:57:56 | |
From here, I need to get across the Atlantic | 0:57:56 | 0:57:59 | |
to Africa and continue my journey. | 0:57:59 | 0:58:02 | |
Next time, I'll be crossing North Africa. | 0:58:04 | 0:58:07 | |
I ride one of the longest trains in the world. | 0:58:07 | 0:58:12 | |
And discover a hidden, bitter conflict. | 0:58:12 | 0:58:15 | |
What do you think about this one? | 0:58:15 | 0:58:18 | |
It's a glorious, | 0:58:18 | 0:58:19 | |
gruelling journey that takes me across the Sahara Desert. | 0:58:19 | 0:58:23 | |
Subtitles by Red Bee Media Ltd | 0:58:44 | 0:58:47 | |
E-mail [email protected] | 0:58:47 | 0:58:50 |