Browse content similar to The Signalman. Check below for episodes and series from the same categories and more!
Line | From | To | |
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DISTANT ENGINE | 0:00:22 | 0:00:24 | |
WHISTLE BLOWS | 0:00:24 | 0:00:26 | |
Hello! | 0:01:20 | 0:01:22 | |
Below there! | 0:01:23 | 0:01:26 | |
Hello! | 0:01:33 | 0:01:35 | |
Below! | 0:01:35 | 0:01:37 | |
Is... | 0:01:56 | 0:01:58 | |
Is there any path by which I may come down and speak with you? | 0:01:58 | 0:02:02 | |
WHISTLE BLOWS > | 0:02:02 | 0:02:04 | |
Is there a path? | 0:02:15 | 0:02:17 | |
Thank you. I'll come down. | 0:02:21 | 0:02:23 | |
Ah! Here we are. | 0:02:40 | 0:02:42 | |
This must be a very lonesome spot to occupy, I should think. | 0:03:07 | 0:03:10 | |
I saw you from above. | 0:03:14 | 0:03:16 | |
I couldn't help watching. | 0:03:16 | 0:03:18 | |
Forgive the intrusion, but I felt I had to know how you... | 0:03:20 | 0:03:23 | |
That light, it's part of your charge, I should say, is it not? | 0:03:33 | 0:03:37 | |
Don't you know that it is? | 0:03:37 | 0:03:40 | |
You look at me as if you had some dread of me. | 0:03:40 | 0:03:43 | |
I assure you there's nothing to fear. Nothing at all to fear. | 0:03:46 | 0:03:50 | |
I am simply a man. | 0:03:53 | 0:03:56 | |
FLAPPING > | 0:03:58 | 0:04:00 | |
I have spent much of my life shut up within narrow limits. | 0:04:04 | 0:04:07 | |
I've been confined, but now I am free. | 0:04:09 | 0:04:14 | |
Why do you stare at me like that, man? | 0:04:15 | 0:04:18 | |
I was doubtful whether I'd seen you before. | 0:04:18 | 0:04:21 | |
Seen me? Where? | 0:04:21 | 0:04:23 | |
Where? | 0:04:27 | 0:04:28 | |
There? | 0:04:28 | 0:04:30 | |
Why? | 0:04:31 | 0:04:33 | |
What should I do there? | 0:04:35 | 0:04:37 | |
My good fellow, I was never there in my life. | 0:04:37 | 0:04:40 | |
You may swear it. | 0:04:41 | 0:04:43 | |
Yes, I... | 0:04:43 | 0:04:45 | |
I think I may. | 0:04:45 | 0:04:48 | |
Yes... | 0:04:49 | 0:04:50 | |
..I'm sure I may. | 0:04:52 | 0:04:54 | |
It's cold. | 0:04:58 | 0:05:00 | |
It's not the work, sir, it's the responsibility. | 0:05:06 | 0:05:09 | |
-I should have thought... -There's not enough work here to tax the muscles or brain of a child. | 0:05:09 | 0:05:16 | |
No, it's the responsibility, the duty. | 0:05:17 | 0:05:21 | |
You seem to have things pretty much at your command. | 0:05:21 | 0:05:24 | |
I believe I do, sir, but it never stops, do you see? It's always there to be done. It's never finished. | 0:05:24 | 0:05:30 | |
And these months of late, I... | 0:05:32 | 0:05:35 | |
Yes. | 0:05:37 | 0:05:38 | |
BELL RINGS | 0:05:38 | 0:05:40 | |
BELL RINGS AGAIN | 0:05:46 | 0:05:48 | |
CLANGING | 0:06:06 | 0:06:08 | |
-There you are, sir, that's my work. Nothing of interest to anyone but myself. -I am interested. | 0:06:13 | 0:06:19 | |
So little to do with so much depending on it. | 0:06:21 | 0:06:25 | |
I wonder what you do with your mind, in between your duties, I mean. | 0:06:26 | 0:06:30 | |
You cannot spend your whole life reflecting on your responsibilities. | 0:06:30 | 0:06:34 | |
Well, yes, sir, I use my mind, though there's precious little profit in it. | 0:06:35 | 0:06:40 | |
You see those books? I've been trying to teach myself mathematics - fractions, decimals, algebra. | 0:06:40 | 0:06:46 | |
-You're a scholar then? -Indeed I'm not, sir, no. | 0:06:46 | 0:06:50 | |
No, I've no head for figures. I never had as a boy. I make a poor figure as a mathematics scholar. | 0:06:50 | 0:06:57 | |
Then why? | 0:06:57 | 0:06:59 | |
Well, it's the time, sir. | 0:06:59 | 0:07:01 | |
I've all the time in the world to fill and nothing to do with the knowledge when I have it. | 0:07:01 | 0:07:07 | |
Mathematics will do as well as anything else. | 0:07:07 | 0:07:11 | |
It serves to pass... | 0:07:11 | 0:07:13 | |
HOLLOW RING | 0:07:18 | 0:07:20 | |
Is everything as it should be? | 0:07:41 | 0:07:44 | |
I believe so. | 0:07:46 | 0:07:48 | |
Tell me, do you spend all your hours of duty down here... | 0:07:56 | 0:08:01 | |
..between these cold, dark walls? | 0:08:02 | 0:08:05 | |
I'm accustomed to it. | 0:08:07 | 0:08:09 | |
In the early days, I'd sometimes find a bit of slack time to climb up into the sunlight, | 0:08:12 | 0:08:18 | |
but the work was always here to draw me down. I'd listen for the bell, you see. | 0:08:18 | 0:08:23 | |
My face would be in the sun, but my mind would be down here in the dark | 0:08:23 | 0:08:28 | |
and the shadows. | 0:08:28 | 0:08:30 | |
I think the mind makes its own places, sir. | 0:08:30 | 0:08:34 | |
You speak - forgive me - like a man of education. | 0:08:34 | 0:08:39 | |
Oh, I was at one time, sir. A student of natural philosophy. | 0:08:39 | 0:08:43 | |
But what does that tell us? Nothing. | 0:08:43 | 0:08:45 | |
No motion without cause, a reason for everything. I found myself dissatisfied with it. | 0:08:45 | 0:08:51 | |
-BELL RINGS -Make yourself comfortable, sir. | 0:08:51 | 0:08:54 | |
ENGINE ROARS | 0:09:15 | 0:09:17 | |
You've been asleep. | 0:09:37 | 0:09:39 | |
Don't worry, you have no responsibilities here. | 0:09:39 | 0:09:43 | |
Forgive me. | 0:09:43 | 0:09:45 | |
You have no call to be here. And being here, there's no charge on you to do this or that. | 0:09:45 | 0:09:52 | |
Sleep or wake, nothing will suffer for it. | 0:09:53 | 0:09:56 | |
What brought you here? | 0:10:01 | 0:10:03 | |
I was drawn here. | 0:10:05 | 0:10:08 | |
Drawn? Yes, I... | 0:10:08 | 0:10:10 | |
HOLLOW RING | 0:10:10 | 0:10:13 | |
-That bell... -Yes? | 0:10:45 | 0:10:47 | |
An accident on this stretch of the line must be a terrible thing. | 0:10:50 | 0:10:55 | |
In the tunnel, say. | 0:10:56 | 0:10:59 | |
The tunnel collision is the worst to be feared. | 0:11:01 | 0:11:04 | |
Your nightmares would go hard to equal it. | 0:11:04 | 0:11:07 | |
The wreckage becomes hideously compressed so they can find space. | 0:11:08 | 0:11:12 | |
If fire breaks out, the tunnel and its ventilating shafts become furnace flues. | 0:11:12 | 0:11:19 | |
You cannot see in the dark to get the wreckage and the bodies out. | 0:11:19 | 0:11:22 | |
The screams of the injured and dying... | 0:11:24 | 0:11:27 | |
echo in a most... | 0:11:27 | 0:11:29 | |
persistent way. | 0:11:29 | 0:11:31 | |
It's the shape of the tunnel, you see, sir. | 0:11:31 | 0:11:34 | |
But you can only do your duty. | 0:11:36 | 0:11:39 | |
Oh, yes, sir. | 0:11:39 | 0:11:41 | |
And you have all this. | 0:11:41 | 0:11:43 | |
This place of peace. | 0:11:43 | 0:11:46 | |
-And you have no desires to go elsewhere? -I have not. | 0:11:48 | 0:11:52 | |
Then I almost believe I have met with a contented man. | 0:11:54 | 0:11:57 | |
Well, I must leave you now. | 0:12:00 | 0:12:02 | |
It's a fair walk to the inn. | 0:12:02 | 0:12:05 | |
-I believe I used to be a contented man, sir, but I'm troubled, I'm troubled. -With what? | 0:12:07 | 0:12:13 | |
-What is your trouble? -It's difficult to impart, difficult to speak of, | 0:12:13 | 0:12:18 | |
but if you pay me another visit, I'll try to tell you. | 0:12:18 | 0:12:22 | |
I intend to make you another visit. When shall it be? | 0:12:22 | 0:12:25 | |
I go off duty early in the morning, but I'm on again at 10 o'clock tomorrow night. | 0:12:25 | 0:12:30 | |
-I shall come at 11. -Thank you, sir. | 0:12:30 | 0:12:33 | |
I'll show you my white light till you've found your way. | 0:12:33 | 0:12:37 | |
When you've found it, | 0:12:37 | 0:12:39 | |
don't...don't call out. | 0:12:39 | 0:12:41 | |
And when you come tomorrow night, don't call out. | 0:12:44 | 0:12:48 | |
Very well. | 0:12:49 | 0:12:51 | |
Let me ask you one question, sir. | 0:12:51 | 0:12:53 | |
What bid you say, "Hello, below there," this evening? | 0:12:53 | 0:12:58 | |
Heaven knows. | 0:12:58 | 0:13:00 | |
-I said something to that effect. -Not to that effect. Those are the words. | 0:13:00 | 0:13:04 | |
I said them, no doubt, because I saw you below. | 0:13:04 | 0:13:07 | |
You have no feeling that they were conveyed to you in any...supernatural way? | 0:13:07 | 0:13:12 | |
No. | 0:13:15 | 0:13:17 | |
Then I'll wish you goodnight, sir, and Godspeed. | 0:13:18 | 0:13:21 | |
DISTANT WHISTLE BLOWS | 0:13:46 | 0:13:48 | |
DISTANT ENGINE | 0:13:58 | 0:14:00 | |
'The tunnel collision is the worst to be feared.' | 0:14:18 | 0:14:22 | |
ENGINE ROARS | 0:14:22 | 0:14:25 | |
'Don't call out. | 0:14:34 | 0:14:37 | |
'Don't call out. | 0:14:43 | 0:14:45 | |
'Don't call out.' | 0:14:46 | 0:14:49 | |
BIRDSONG | 0:14:51 | 0:14:53 | |
You see, I've not called out. | 0:15:11 | 0:15:14 | |
May I speak now? | 0:15:15 | 0:15:17 | |
By all means, sir. | 0:15:17 | 0:15:19 | |
Goodnight then, | 0:15:20 | 0:15:22 | |
and here's my hand. | 0:15:22 | 0:15:24 | |
Goodnight, sir, and here's mine. | 0:15:24 | 0:15:27 | |
I've made up my mind, sir, you shall not have to ask me twice what troubles me. | 0:15:41 | 0:15:47 | |
I took you for someone else last night. | 0:15:48 | 0:15:50 | |
That troubles me. | 0:15:50 | 0:15:53 | |
That mistake? | 0:15:53 | 0:15:55 | |
That...someone else. | 0:15:55 | 0:15:57 | |
Who is it? | 0:15:57 | 0:15:59 | |
I... | 0:16:01 | 0:16:03 | |
-I don't know. -Like me? | 0:16:03 | 0:16:05 | |
I don't know. I never saw his face. | 0:16:05 | 0:16:07 | |
The left arm is across the face and the right arm is waved. | 0:16:07 | 0:16:12 | |
Violently waved. | 0:16:14 | 0:16:16 | |
This way. | 0:16:16 | 0:16:18 | |
As if to say... | 0:16:24 | 0:16:26 | |
for God's sake, clear the way. | 0:16:26 | 0:16:29 | |
One foggy night... | 0:16:35 | 0:16:38 | |
I was sitting here | 0:16:38 | 0:16:41 | |
watching the patterns in the fire... | 0:16:41 | 0:16:44 | |
..and I heard a voice. | 0:16:45 | 0:16:47 | |
Hello. | 0:16:48 | 0:16:50 | |
Below there. | 0:16:50 | 0:16:52 | |
Hello! | 0:16:54 | 0:16:56 | |
Below there! | 0:16:56 | 0:16:58 | |
Hello! Below there! | 0:17:02 | 0:17:04 | |
What's wrong? What's happened? | 0:17:06 | 0:17:08 | |
Come out! Come out! | 0:17:08 | 0:17:10 | |
What? Where? | 0:17:13 | 0:17:15 | |
Come out! Look out! | 0:17:15 | 0:17:18 | |
Come out! | 0:17:20 | 0:17:22 | |
Look out! | 0:17:22 | 0:17:24 | |
BELL RINGS | 0:18:14 | 0:18:16 | |
ALL THREE BELLS RING | 0:18:16 | 0:18:19 | |
All well. All well. | 0:18:32 | 0:18:35 | |
"All well" you telegraphed? | 0:18:37 | 0:18:40 | |
I telegraphed both ways. | 0:18:40 | 0:18:42 | |
"All well." | 0:18:42 | 0:18:44 | |
I'm sure that this figure must be a deception. | 0:18:47 | 0:18:51 | |
A deception of your sense of sight, I mean. | 0:18:51 | 0:18:54 | |
A minor ailment of one of the delicate nerves that minister to the functions of the eye. | 0:18:54 | 0:19:00 | |
I assure you, I have known many such cases, and the impairment is not permanent. | 0:19:00 | 0:19:05 | |
-Experiment has proved these things to be so. -Experiment? | 0:19:05 | 0:19:09 | |
We must look to our rational faculties for an explanation. | 0:19:09 | 0:19:14 | |
If we abandon reason, | 0:19:14 | 0:19:17 | |
how do we consider this imaginary cry? | 0:19:17 | 0:19:20 | |
Do but listen for a moment to the wind in this unnatural valley. | 0:19:23 | 0:19:28 | |
HOWLING WIND Even now as we speak. | 0:19:28 | 0:19:31 | |
The... | 0:19:31 | 0:19:33 | |
wild harp it makes of the telegraph wires. | 0:19:33 | 0:19:38 | |
I know that sound well enough, sir. | 0:19:39 | 0:19:42 | |
Well then. | 0:19:42 | 0:19:43 | |
Still I have not finished. | 0:19:43 | 0:19:45 | |
Within six hours, | 0:19:47 | 0:19:50 | |
after the appearance... | 0:19:50 | 0:19:53 | |
..the memorable accident on this line occurred. | 0:19:55 | 0:20:00 | |
WHISTLE BLOWS | 0:20:07 | 0:20:09 | |
HE WHISTLES | 0:20:11 | 0:20:14 | |
ENGINE ROARS | 0:20:40 | 0:20:42 | |
WHISTLE BLOWS | 0:21:03 | 0:21:05 | |
CRASH! | 0:21:11 | 0:21:13 | |
DISTANT WAILING AND COUGHING | 0:21:24 | 0:21:27 | |
'And within ten hours, the dead and wounded were brought along through the tunnel | 0:21:35 | 0:21:42 | |
'over the spot where the figure had stood.' | 0:21:42 | 0:21:46 | |
Stretchers in here! | 0:21:49 | 0:21:51 | |
WHEEZING | 0:21:52 | 0:21:54 | |
CLANGING | 0:22:02 | 0:22:05 | |
A remarkable coincidence, my friend. | 0:22:52 | 0:22:55 | |
But no more than that. | 0:22:57 | 0:22:59 | |
We are men of good sense. | 0:23:00 | 0:23:03 | |
We must seek to understand the world by rational means. | 0:23:03 | 0:23:07 | |
But we can allow coincidence. I think we can. | 0:23:08 | 0:23:12 | |
But still I have not finished. | 0:23:12 | 0:23:14 | |
That was just a year ago. | 0:23:15 | 0:23:17 | |
Six or seven months past, and I'd recovered from the surprise and the shock, | 0:23:17 | 0:23:24 | |
when one morning, | 0:23:24 | 0:23:27 | |
'just as the day was breaking, | 0:23:27 | 0:23:30 | |
'I stood at the door | 0:23:30 | 0:23:33 | |
'..and looked towards the red light.' | 0:23:35 | 0:23:38 | |
HOLLOW RING | 0:23:41 | 0:23:44 | |
What is it? | 0:24:06 | 0:24:09 | |
What is it? | 0:24:09 | 0:24:11 | |
Where is the danger? | 0:24:13 | 0:24:15 | |
Tell me what to do. | 0:24:15 | 0:24:18 | |
Answer! | 0:24:19 | 0:24:21 | |
What is it? | 0:24:21 | 0:24:23 | |
What can I do? | 0:24:23 | 0:24:25 | |
ENGINE ROARS | 0:24:34 | 0:24:36 | |
WHISTLE BLOWS | 0:24:41 | 0:24:44 | |
SCREAMING | 0:24:45 | 0:24:47 | |
SCREECHING BRAKES | 0:24:58 | 0:25:00 | |
'It's true, sir. | 0:25:50 | 0:25:52 | |
'They brought her in and they laid her down on this floor between us.' | 0:25:52 | 0:25:56 | |
It's true, sir, true. | 0:25:58 | 0:26:00 | |
Precisely as it happened, so I tell you. | 0:26:00 | 0:26:04 | |
BELL RINGS | 0:26:08 | 0:26:10 | |
Now, sir, mark this... | 0:26:12 | 0:26:15 | |
..the spectre came back a week ago. | 0:26:16 | 0:26:18 | |
And it's been there now and again by fits and starts. | 0:26:20 | 0:26:24 | |
At the light? | 0:26:26 | 0:26:27 | |
At the danger light. | 0:26:28 | 0:26:30 | |
What does it seem to do? | 0:26:31 | 0:26:34 | |
You know what it does. | 0:26:35 | 0:26:36 | |
I've shown you. | 0:26:36 | 0:26:38 | |
Besides... | 0:26:38 | 0:26:39 | |
..it does this. | 0:26:41 | 0:26:43 | |
I have no rest, no peace for it. | 0:26:52 | 0:26:54 | |
It calls me for minutes together. | 0:26:56 | 0:26:59 | |
An agonised shout. | 0:27:00 | 0:27:01 | |
"Below there! | 0:27:01 | 0:27:02 | |
"Look out! Look out!" | 0:27:02 | 0:27:04 | |
It stands there waving to me, rings my little bell. | 0:27:05 | 0:27:08 | |
Twice, yesterday evening, while I was here. | 0:27:08 | 0:27:11 | |
You knew. What do you know of this?! | 0:27:11 | 0:27:14 | |
Nothing, my friend, I assure you. | 0:27:14 | 0:27:16 | |
I simply observed you and made rational deductions. | 0:27:16 | 0:27:19 | |
And I must tell you that that bell did not ring. | 0:27:20 | 0:27:23 | |
My eyes were on the bell, my ears were on the bell | 0:27:23 | 0:27:26 | |
and it never rang. | 0:27:26 | 0:27:27 | |
Except in the natural course of things. | 0:27:27 | 0:27:30 | |
By the station communicating with you, I mean. | 0:27:30 | 0:27:33 | |
No, no, no, I never confuse the spectre's ring with the man's. | 0:27:33 | 0:27:37 | |
The ghost's ring, sir, has a strange vibration in the bell that it derives from nothing else. | 0:27:37 | 0:27:42 | |
I've not asserted that the bell stirs to the eye. | 0:27:44 | 0:27:47 | |
I don't wonder that you fail to hear it, if you speak the truth, | 0:27:47 | 0:27:51 | |
but I HEARD IT. | 0:27:51 | 0:27:52 | |
And did the spectre seem to be there when you looked out? | 0:27:52 | 0:27:56 | |
It WAS there. | 0:27:56 | 0:27:58 | |
-Both times? -Both times. | 0:27:58 | 0:28:00 | |
Will you come to the door with me now and look for it? | 0:28:04 | 0:28:08 | |
Do you see it? | 0:28:19 | 0:28:21 | |
I do not see it now. | 0:28:23 | 0:28:26 | |
It is not there. | 0:28:26 | 0:28:28 | |
Agreed. | 0:28:29 | 0:28:31 | |
You see now, sir, what troubles me so dreadfully, | 0:28:42 | 0:28:45 | |
what does this spectre mean? | 0:28:45 | 0:28:48 | |
-I'm not sure that I understand you. -Oh, I think you do, sir. | 0:28:48 | 0:28:51 | |
What is it warning me about? | 0:28:51 | 0:28:52 | |
What is the danger? Where is the danger? | 0:28:52 | 0:28:55 | |
Some dreadful calamity will happen to this line. | 0:28:55 | 0:28:58 | |
It's not to be doubted this third time. | 0:28:58 | 0:29:00 | |
Sir, this is a dreadful haunting of me, but what am I do to? | 0:29:00 | 0:29:04 | |
If I telegraph "danger", I can give no reason. They'll think I'm mad. | 0:29:04 | 0:29:08 | |
Message, "Danger. Take care." | 0:29:08 | 0:29:09 | |
Answer, "What danger? Where?" | 0:29:09 | 0:29:11 | |
Message, "Don't know, but for God's sake, take care." | 0:29:11 | 0:29:14 | |
They would displace me. What else could they do? | 0:29:14 | 0:29:17 | |
Please, my friend, you must compose yourself. I'm sure... | 0:29:17 | 0:29:20 | |
When it first stood there under the danger light, | 0:29:20 | 0:29:22 | |
why did it not tell me where they accident was to happen? | 0:29:22 | 0:29:25 | |
And why did it not tell me how it could be averted? | 0:29:25 | 0:29:28 | |
If it must be averted. | 0:29:28 | 0:29:30 | |
Why did it not tell me on the second occasion? | 0:29:30 | 0:29:33 | |
"She's going to die. Keep her at home." | 0:29:33 | 0:29:36 | |
And now, what is it to be? | 0:29:36 | 0:29:38 | |
And why me, for heaven's sake, a poor signalman on this station? | 0:29:38 | 0:29:42 | |
Why not go to somebody with credit to be believed and power to act? | 0:29:42 | 0:29:46 | |
My dear friend, you must listen to me. | 0:29:46 | 0:29:48 | |
You must compose yourself. | 0:29:48 | 0:29:50 | |
-Let us say that all these things are true. -They ARE true. | 0:29:51 | 0:29:55 | |
So be it. Very well. | 0:29:55 | 0:29:57 | |
But try to take heed of this. | 0:29:57 | 0:29:59 | |
Any man who thoroughly discharges his duty must do well. | 0:30:01 | 0:30:06 | |
There is no more that you can do. | 0:30:09 | 0:30:11 | |
I have studied you these past two nights. | 0:30:14 | 0:30:18 | |
I am convinced that no man could carry out his task | 0:30:18 | 0:30:21 | |
with more attention and responsibility than you do. | 0:30:21 | 0:30:24 | |
-I hope so, sir. I do believe so. -I'm SURE that it is so. | 0:30:24 | 0:30:28 | |
You must take comfort in this - that you understand your duty | 0:30:28 | 0:30:33 | |
and discharge it to the smallest detail. | 0:30:33 | 0:30:36 | |
These...disturbing appearances... | 0:30:37 | 0:30:40 | |
You can't be called upon to try to interpret them. | 0:30:40 | 0:30:44 | |
Believe me. | 0:30:44 | 0:30:46 | |
Take comfort in the discharge of your duty. | 0:30:46 | 0:30:50 | |
You cannot be to blame. | 0:30:50 | 0:30:53 | |
BELL RINGS | 0:30:54 | 0:30:57 | |
-I believe you are on the right of it, sir. -I know I am. | 0:31:09 | 0:31:14 | |
I'll stick to my duty, then. Nothing else to be done. | 0:31:17 | 0:31:21 | |
I'm heartily glad to hear you say it. | 0:31:21 | 0:31:25 | |
I believe you've helped me tonight, sir, and I thank you for it. | 0:31:26 | 0:31:30 | |
-I'll willingly stay with you till dawn if you wish. -Oh, no, sir. | 0:31:30 | 0:31:35 | |
No, I wouldn't hear of it. | 0:31:35 | 0:31:38 | |
No, I've got my work to keep me company. | 0:31:40 | 0:31:43 | |
-Perhaps you'll come again, sir. -Indeed I will. And I shan't call out. | 0:31:45 | 0:31:50 | |
I would be grateful, sir. | 0:31:50 | 0:31:53 | |
BELL RINGS | 0:32:04 | 0:32:06 | |
Ohh...! | 0:32:28 | 0:32:29 | |
CREAKING | 0:32:34 | 0:32:36 | |
HE WHISTLES CHEERILY | 0:32:48 | 0:32:51 | |
BELL RINGS | 0:32:58 | 0:33:01 | |
TRAIN APPROACHES | 0:33:19 | 0:33:22 | |
SOFT HUM | 0:33:47 | 0:33:49 | |
WHISTLE BLOWS | 0:34:03 | 0:34:05 | |
Hello! Below there! | 0:34:13 | 0:34:15 | |
DOOR OPENS AND CLOSES | 0:34:27 | 0:34:31 | |
TAPPING | 0:34:31 | 0:34:34 | |
Hello! Below there! | 0:34:43 | 0:34:45 | |
Hello! | 0:34:47 | 0:34:49 | |
Below there! | 0:34:49 | 0:34:51 | |
WHISTLE BLOWS | 0:35:13 | 0:35:16 | |
Look out! | 0:35:34 | 0:35:36 | |
Look OUT! | 0:35:36 | 0:35:39 | |
TRAIN COMES TO A HALT | 0:35:51 | 0:35:53 | |
What happened? | 0:36:08 | 0:36:11 | |
Coming round the curve of the tunnel, sir, I saw him at the end, | 0:36:11 | 0:36:15 | |
like as if I saw him down the end of a perspective glass. | 0:36:15 | 0:36:20 | |
There was no time to shut off speed, sir. I knew him to be very careful. | 0:36:20 | 0:36:24 | |
He... | 0:36:24 | 0:36:26 | |
He didn't seem to heed the whistle, sir, | 0:36:26 | 0:36:30 | |
so I shut it off and I called to him. | 0:36:30 | 0:36:33 | |
What did you say to him? | 0:36:33 | 0:36:36 | |
I said, "Hello! Below there! Look out!" | 0:36:36 | 0:36:40 | |
I was waving at him! | 0:36:40 | 0:36:42 | |
"Look out! | 0:36:42 | 0:36:45 | |
"Look out! For God's sake, clear the way!" | 0:36:45 | 0:36:49 | |
Subtitles by Red Bee Media Ltd 2005 | 0:37:42 | 0:37:44 | |
E-mail [email protected] | 0:37:44 | 0:37:47 |