
Browse content similar to Miss Marie Lloyd: Queen of the Music Hall. Check below for episodes and series from the same categories and more!
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This programme contains some scenes of a sexual nature. | 0:00:05 | 0:00:09 | |
# A little bit of love is a luxury That's what people say | 0:00:09 | 0:00:16 | |
# And girls just long for a little bit of love | 0:00:16 | 0:00:21 | |
# At the close of day | 0:00:21 | 0:00:24 | |
# Now there's nothing like a little bit of loving | 0:00:24 | 0:00:29 | |
# If you take it in a quiet sort of way | 0:00:29 | 0:00:32 | |
# So just take my tip If you're going for a trip | 0:00:32 | 0:00:36 | |
# Never mind what people say | 0:00:36 | 0:00:40 | |
# A little of what you like I like, you like | 0:00:40 | 0:00:45 | |
# It never does you any harm | 0:00:45 | 0:00:48 | |
# And a little of what you like is bound to do you good | 0:00:48 | 0:00:52 | |
# If you ever stayed the night, boys I bet you would holler, you would | 0:00:52 | 0:00:57 | |
# Love is a funny feeling Feeling comes a-stealing | 0:00:57 | 0:01:01 | |
# It makes the girls all love a man | 0:01:01 | 0:01:04 | |
# And there's no use denying What is the use of lying? | 0:01:04 | 0:01:08 | |
# That you like what I like A little love now and then. # | 0:01:08 | 0:01:12 | |
APPLAUSE | 0:01:12 | 0:01:14 | |
Ladies and gentlemen, | 0:01:15 | 0:01:18 | |
the queen of the music halls - Miss Marie Lloyd. | 0:01:18 | 0:01:23 | |
Is everybody happy? | 0:01:25 | 0:01:27 | |
You bet your life we are. | 0:01:29 | 0:01:31 | |
(Stand up straight. Act sad.) | 0:01:44 | 0:01:46 | |
Oh, dear child. | 0:02:04 | 0:02:07 | |
-How much? -Two shillings. | 0:02:12 | 0:02:15 | |
-Let's go buy some sweets, Tilly. -No, Freddie. I've got a better idea. | 0:02:15 | 0:02:19 | |
Go on, you've got five minutes. | 0:02:21 | 0:02:23 | |
MUSIC-BOX STYLE MUSIC | 0:02:28 | 0:02:30 | |
That's Little Tich, for obvious reasons. | 0:03:11 | 0:03:15 | |
-You here to audition? -Next! | 0:03:15 | 0:03:17 | |
That's you, isn't it? | 0:03:17 | 0:03:19 | |
Yeah, I suppose. | 0:03:19 | 0:03:21 | |
-This your first time? -Me? -You've never been on stage before, have you? | 0:03:21 | 0:03:26 | |
Course I have. | 0:03:26 | 0:03:28 | |
-Bloody hell. -Name? | 0:03:48 | 0:03:50 | |
-Beg pardon? -Name? | 0:03:52 | 0:03:55 | |
Name! | 0:03:55 | 0:03:56 | |
Not that difficult, is it? | 0:03:56 | 0:03:58 | |
-IN POSH ACCENT: -No, I just happen to have not quite heard. Miss Bella Delamare. | 0:03:58 | 0:04:04 | |
Illuminate my day with the lightness of your voice, little Miss Songbird. | 0:04:04 | 0:04:10 | |
-Beg pardon? -Sing. Sing! Sing! | 0:04:11 | 0:04:15 | |
# The boy I love is up in the gallery | 0:04:25 | 0:04:30 | |
# The boy I love is waving down at me | 0:04:30 | 0:04:35 | |
# There he is, can't you see? | 0:04:35 | 0:04:38 | |
# Waving his handkerchief | 0:04:38 | 0:04:41 | |
# As merry as a robin that sings on a tree. # | 0:04:41 | 0:04:48 | |
-Thank you. -Thank you for what? -Thank you for coming. | 0:04:48 | 0:04:53 | |
Good day. Next! | 0:04:53 | 0:04:54 | |
Well? | 0:05:05 | 0:05:08 | |
Well, come on, Till. Tell me. | 0:05:08 | 0:05:10 | |
-How did you get on? -They loved me. | 0:05:12 | 0:05:14 | |
Well, who wouldn't, eh? | 0:05:14 | 0:05:17 | |
I just weren't what they were looking for. | 0:05:17 | 0:05:19 | |
They're so used to the chaff that... that when the wheat turns up... | 0:05:21 | 0:05:25 | |
Maybe I'm not as good as you think I am. | 0:05:25 | 0:05:27 | |
I should stick to curling feathers. | 0:05:27 | 0:05:29 | |
Oi! You never give up. | 0:05:29 | 0:05:32 | |
As your best pal, I'm telling you. You give up, you've failed. | 0:05:32 | 0:05:37 | |
-Two shilling and sixpence? -Take it or leave it. -I'd have to leave it, Mr Belafonte. | 0:05:37 | 0:05:42 | |
How dare you just walk out and leave me short of a girl?! | 0:05:42 | 0:05:45 | |
-Two and six is more than enough for you to be standing on a stage and hoofing about a bit. -Go! | 0:05:45 | 0:05:50 | |
Excuse me. | 0:05:50 | 0:05:52 | |
-Mr Belafonte... -What? | 0:05:52 | 0:05:55 | |
I've seen the Dolly Sisters' act. I know what they do. | 0:05:55 | 0:05:57 | |
-So? -I beg your pardon. | 0:05:57 | 0:05:58 | |
Miss Bella Delamare at your service. | 0:05:58 | 0:06:01 | |
I'm a dancer. Now, it's not normally in my nature to talk disrespectful of my fellow artistes, but... | 0:06:01 | 0:06:06 | |
What? What are you going on about? | 0:06:06 | 0:06:08 | |
I'll bloody do it for two-and-a-half bob. | 0:06:08 | 0:06:11 | |
You've just found yourself your missing Dolly Sister. | 0:06:11 | 0:06:14 | |
# I was proposed to by Obadiah Binks | 0:06:16 | 0:06:20 | |
# In a very gentlemanly way | 0:06:20 | 0:06:23 | |
# I lent him all me money so that he could buy the ring | 0:06:23 | 0:06:27 | |
# Punctually at 12 o'clock today | 0:06:27 | 0:06:32 | |
# There was I, waiting at the church | 0:06:33 | 0:06:36 | |
# Waiting at the church Waiting at the church | 0:06:36 | 0:06:40 | |
# When I found he'd left me in the lurch | 0:06:40 | 0:06:44 | |
# Lor', how he did upset me | 0:06:44 | 0:06:49 | |
# All at once He sent me round a note | 0:06:49 | 0:06:52 | |
# Here's the very note And this is what he wrote | 0:06:52 | 0:06:56 | |
# He said, "I can't get away to marry you today | 0:06:56 | 0:07:00 | |
# "My wife...won't let me!" # | 0:07:00 | 0:07:04 | |
# There was I, waiting at the church | 0:07:04 | 0:07:08 | |
# Waiting at the church Waiting at the church | 0:07:08 | 0:07:12 | |
# When I found he'd left me in the lurch | 0:07:12 | 0:07:16 | |
-# Lor', how it does upset me! # -Ooh! | 0:07:16 | 0:07:19 | |
# All at once he sent me round a note | 0:07:19 | 0:07:24 | |
# Here's the very note And this is what he wrote | 0:07:24 | 0:07:28 | |
# He said, "I can't get away to marry you today | 0:07:28 | 0:07:32 | |
# "My wife won't let me!" # | 0:07:32 | 0:07:36 | |
-You little cow! -What did I do?! -You stole the limelight, when you're part of the chorus! It's not on! | 0:08:00 | 0:08:05 | |
When you're part of the chorus, you play your part, just like everyone else. | 0:08:05 | 0:08:10 | |
Well, I don't want to be like everyone else. | 0:08:12 | 0:08:16 | |
Didn't let you down, did I, sir? | 0:08:16 | 0:08:18 | |
What? Er...no, it was fine. | 0:08:18 | 0:08:22 | |
-You were brilliant! -Did you hear them all laughing? | 0:08:22 | 0:08:25 | |
-All eyes were on you. -Who wants to play the bridesmaid when you can play the bride? | 0:08:25 | 0:08:29 | |
-Well, you were certainly the belle of the ball. -Ignore him. | 0:08:29 | 0:08:32 | |
-I'm Percy Courtenay. -Are you, indeed? | 0:08:38 | 0:08:41 | |
And I just wondered if the belle of the ball would care for a little refreshment after such exertions? | 0:08:41 | 0:08:47 | |
-So, have you been dancing on the halls for long, Miss Delamare? -No, Mr Courtenay. I'm a novice. | 0:08:48 | 0:08:53 | |
-I'd like to make a career out of it, but it's not easy. -You need to know the right people, don't you? | 0:08:53 | 0:08:57 | |
Like you, I suppose. | 0:08:57 | 0:08:59 | |
-What do you do, Mr Courtenay? -My profession? | 0:09:00 | 0:09:04 | |
Well, you're no drayman, are you, by the looks of those hands? | 0:09:04 | 0:09:08 | |
-I invest on the market. -What, fruit and veg? | 0:09:08 | 0:09:12 | |
Stocks and shares. | 0:09:12 | 0:09:14 | |
And you think I'm the type of girl that'll fall for a single rose? | 0:09:21 | 0:09:25 | |
# The boy I love is up in the gallery | 0:09:26 | 0:09:32 | |
# The boy I love is waving down at me There he is... # | 0:09:32 | 0:09:38 | |
-She's got something. -Really? | 0:09:38 | 0:09:41 | |
Damned if I can see it. | 0:09:41 | 0:09:44 | |
# ..Merry as a robin that sings on a tree. # | 0:09:44 | 0:09:48 | |
Thank you. | 0:09:48 | 0:09:50 | |
What do you think to the place? | 0:09:58 | 0:10:00 | |
It's lovely here, innit? | 0:10:00 | 0:10:03 | |
It is tonight. | 0:10:03 | 0:10:04 | |
Here, with you. | 0:10:04 | 0:10:07 | |
Flatterer! | 0:10:07 | 0:10:08 | |
# ..There he is, can't you see? Waving his handkerchief... # | 0:10:08 | 0:10:12 | |
She's got wit. Sparkle. | 0:10:12 | 0:10:16 | |
# ..Merry as a robin that sings on a tree. # | 0:10:16 | 0:10:21 | |
Give her five minutes on Monday night. | 0:10:21 | 0:10:24 | |
I'm glad you agreed to see me again, Miss Delamare. | 0:10:26 | 0:10:28 | |
-And I hope to see you a lot more often. -No, you won't. | 0:10:28 | 0:10:32 | |
-Oh. -But you can see Miss Tilly Wood, if you like. | 0:10:32 | 0:10:35 | |
-Tilly who? -Bella Delamare's my stage name. | 0:10:35 | 0:10:37 | |
I made it up. Nice, though, don't you think? | 0:10:37 | 0:10:40 | |
Sophisticated. | 0:10:40 | 0:10:42 | |
You should call yourself something more... | 0:10:42 | 0:10:45 | |
-memorable. -Like what? | 0:10:45 | 0:10:47 | |
-Something simple. -Charmed, I'm sure. | 0:10:47 | 0:10:50 | |
-Well, I ain't having Tilly Wood. -Why not? -She's far too common, isn't she? | 0:10:51 | 0:10:55 | |
What name would you suggest? | 0:10:55 | 0:10:57 | |
What about... | 0:10:59 | 0:11:02 | |
Marie? | 0:11:02 | 0:11:04 | |
What about Mah-ree? | 0:11:04 | 0:11:06 | |
Marie. Yeah. | 0:11:07 | 0:11:11 | |
Marie what? | 0:11:11 | 0:11:12 | |
# And amongst the boys I've got myself a lover | 0:11:17 | 0:11:20 | |
# And since I got a lover Why, I don't care a fig | 0:11:20 | 0:11:25 | |
# Cos the boy I love is up in the gallery | 0:11:25 | 0:11:30 | |
# The boy I love is waving down at me | 0:11:30 | 0:11:34 | |
# There he is, can't you see? | 0:11:34 | 0:11:36 | |
# Waving his handkerchief As merry as a robin that sings on a tree. # | 0:11:36 | 0:11:44 | |
More! | 0:11:53 | 0:11:55 | |
No-one's ever given me a rose before, Freddie. | 0:12:03 | 0:12:06 | |
So it's Marie Lloyd now, is it? | 0:12:29 | 0:12:32 | |
Yes, and don't she sing nice? | 0:12:32 | 0:12:34 | |
I'll give you ten shillings a performance, and a regular spot. | 0:12:34 | 0:12:38 | |
-Monday night. -You've missed the boat. I'm already booked on a Monday, | 0:12:38 | 0:12:42 | |
-at the Royalty in Bethnal Green. -Shawcross? | 0:12:42 | 0:12:45 | |
-How much is he paying you? -12 shillings and sixpence. | 0:12:48 | 0:12:50 | |
I'll give you 13. | 0:12:50 | 0:12:53 | |
-Er...I don't think she can let Mr Shawcross down. -No, he's a very important man. | 0:12:53 | 0:12:57 | |
15 shillings and sixpence. | 0:12:57 | 0:12:59 | |
Done. | 0:12:59 | 0:13:01 | |
Magnificent! | 0:13:03 | 0:13:04 | |
Clever girl. You shouldn't be allowed. | 0:13:06 | 0:13:09 | |
There she is. | 0:13:09 | 0:13:11 | |
Miss Marie Lloyd of London. A common thief. | 0:13:11 | 0:13:14 | |
-Who are you? -That song, it's mine. -Which song? -The only bleeding song in your act worth singing. | 0:13:14 | 0:13:19 | |
-The Boy In The Gallery. I own the rights. -Oh, I had no idea. | 0:13:19 | 0:13:24 | |
-I bought the words and music from Hoxton Market. Honest. -You can't just sing somebody else's material. | 0:13:24 | 0:13:28 | |
What did you pay for it? Two, three pounds? | 0:13:28 | 0:13:31 | |
For a song like that? | 0:13:31 | 0:13:33 | |
You need to keep up with the times, young man. That's a five-pound song. | 0:13:33 | 0:13:37 | |
Thank you. | 0:13:45 | 0:13:47 | |
I am slightly mollified. | 0:13:47 | 0:13:50 | |
Never say Miss Nelly Powers - songbird with a light comic patter - | 0:13:50 | 0:13:53 | |
doesn't want to help those lower down the bill than herself. | 0:13:53 | 0:13:57 | |
I'm sure. | 0:13:57 | 0:13:59 | |
That's your lot. | 0:14:12 | 0:14:14 | |
We'll take all six. | 0:14:14 | 0:14:16 | |
That'll be 18 pounds, sir. | 0:14:16 | 0:14:18 | |
Thank you. | 0:14:20 | 0:14:22 | |
# My morning promenade Quite a fashion card on the promenade | 0:14:25 | 0:14:30 | |
# Now, I don't mind nice boys staring hard If it satisfies their desire | 0:14:30 | 0:14:35 | |
# Do you think my dress is a little bit, just a little bit | 0:14:35 | 0:14:39 | |
# Not too much of it And if it shows my shape just a little bit | 0:14:39 | 0:14:43 | |
# That's the little bit the boys admire. # | 0:14:43 | 0:14:46 | |
It's very good. | 0:14:50 | 0:14:52 | |
-Really? -Mm. | 0:14:53 | 0:14:55 | |
Percy? | 0:14:55 | 0:14:56 | |
-Good. -You didn't like it? | 0:14:56 | 0:15:00 | |
It just needs to feel more... | 0:15:00 | 0:15:04 | |
-You didn't like it. -You didn't seem... | 0:15:04 | 0:15:06 | |
-relaxed. -It was good. It was good. | 0:15:06 | 0:15:11 | |
You just need to give more. | 0:15:11 | 0:15:14 | |
Give more? What does "give more" mean? | 0:15:14 | 0:15:17 | |
You need to let the audience know that you're enjoying yourself. | 0:15:17 | 0:15:21 | |
You need to flirt with them. | 0:15:22 | 0:15:25 | |
-And then... Well, they can enjoy themselves. -Yeah. | 0:15:25 | 0:15:28 | |
# Since Mother Eve in the garden long ago | 0:15:39 | 0:15:43 | |
# Started a fashion Fashion's been a passion | 0:15:43 | 0:15:47 | |
# Eve wore a costume we might describe as brief | 0:15:47 | 0:15:50 | |
# Still, every season brought a change of leaf | 0:15:50 | 0:15:54 | |
# She'd stare if she could come to town | 0:15:54 | 0:15:57 | |
# Now what would Mother Eve think of my new Parisian gown? | 0:15:57 | 0:16:02 | |
# When I take my morning promenade Quite a fashion card on the promenade | 0:16:02 | 0:16:08 | |
# Now, I don't mind nice boys staring hard | 0:16:08 | 0:16:12 | |
# If it satisfies their desire | 0:16:12 | 0:16:16 | |
# Do you think my dress is a little bit, just a little bit | 0:16:16 | 0:16:20 | |
# Not too much of it And if it shows my shape just a little bit | 0:16:20 | 0:16:26 | |
# That's the little bit the boys admire | 0:16:26 | 0:16:30 | |
# Fancy the girls in the prehistoric days | 0:16:30 | 0:16:34 | |
# Each wore a bearskin to cover up their fair skin | 0:16:34 | 0:16:38 | |
# Lately Salome has charmed us, to be sure | 0:16:38 | 0:16:40 | |
# Wearing just a row of beads and not much more | 0:16:40 | 0:16:44 | |
# Fancy me dressing like that, too! | 0:16:44 | 0:16:47 | |
# I'm sure the Daily Mirror man would love an interview | 0:16:47 | 0:16:52 | |
# When I take my morning promenade Quite a fashion card on the promenade | 0:16:52 | 0:16:59 | |
# Now, I don't mind nice boys staring hard | 0:16:59 | 0:17:02 | |
# If it satisfies their desire | 0:17:02 | 0:17:06 | |
# Do you think my dress is a little bit, just a little bit | 0:17:06 | 0:17:11 | |
# Not too much of it And if it shows my shape just a little bit | 0:17:11 | 0:17:16 | |
# That's the little bit the boys admire. # | 0:17:16 | 0:17:20 | |
APPLAUSE AND CHEERING | 0:17:20 | 0:17:22 | |
"Marie Lloyd has an exceptionally quick ear for both pitch and rhythm." | 0:17:44 | 0:17:49 | |
Let me see, Perce. | 0:17:49 | 0:17:51 | |
Perce! | 0:17:51 | 0:17:52 | |
"Her step dancing is perfectly punctuated | 0:17:54 | 0:17:57 | |
"with revealing displays of silk drawers, frilled below the knees. | 0:17:57 | 0:18:01 | |
"She is much appreciated by both sexes." | 0:18:01 | 0:18:05 | |
You're being admired, Tilly. | 0:18:05 | 0:18:07 | |
It's Marie. Tilly's dead. | 0:18:07 | 0:18:11 | |
They like me, don't they, Perce? | 0:18:11 | 0:18:13 | |
One day I want to be top of the bill...Friday and Saturday nights. | 0:18:13 | 0:18:18 | |
I think they love me. | 0:18:18 | 0:18:20 | |
Who could blame them? | 0:18:20 | 0:18:22 | |
So, Mr Percy Courtenay, where do we go from here? | 0:18:22 | 0:18:27 | |
It's your fault. | 0:19:21 | 0:19:23 | |
What are we going to do? | 0:19:23 | 0:19:26 | |
My father used to say, "Where there's a problem, there's a solution." | 0:19:29 | 0:19:34 | |
Girls have died doing that. | 0:19:34 | 0:19:36 | |
I've heard - don't think I haven't. | 0:19:36 | 0:19:38 | |
Well, maybe that wasn't the solution I had in mind. | 0:19:38 | 0:19:43 | |
What you staring at? | 0:19:43 | 0:19:46 | |
-You. -Why, what's wrong with me? | 0:19:46 | 0:19:48 | |
Nothing. | 0:19:48 | 0:19:50 | |
You're beautiful. | 0:19:50 | 0:19:51 | |
Make a wish and blow. | 0:19:54 | 0:19:58 | |
You'll say yes, won't you? | 0:20:11 | 0:20:13 | |
What's up with you? | 0:20:27 | 0:20:29 | |
Nothing's up with me! Except... | 0:20:29 | 0:20:32 | |
-It's a big thing, ain't it, getting married? -Oh, my God. | 0:20:34 | 0:20:38 | |
-Are you sure? -Course I'm sure. | 0:20:38 | 0:20:42 | |
-Ain't you going to congratulate me? -I dunno. -Why not? | 0:20:42 | 0:20:46 | |
You tell me. | 0:20:46 | 0:20:48 | |
I'm marrying him because I want to. | 0:20:48 | 0:20:51 | |
It's as simple as that. | 0:20:51 | 0:20:53 | |
Mr Percy Courtenay. | 0:20:54 | 0:20:57 | |
I love him! | 0:20:57 | 0:20:59 | |
-That's all that matters, then. -Yep. -Congratulations. | 0:20:59 | 0:21:03 | |
-Look. Ain't it lovely? -Gorgeous. | 0:21:07 | 0:21:10 | |
# Now I never was a one to go and skimp myself | 0:21:13 | 0:21:17 | |
# Cos if I likes a thing, I likes it, that's enough | 0:21:17 | 0:21:22 | |
# But there's lots of people say That if you likes a thing a lot | 0:21:22 | 0:21:26 | |
# It will grow on you and all that sort of stuff | 0:21:26 | 0:21:30 | |
# Now, I likes me drop of stout as well as anyone... # | 0:21:30 | 0:21:34 | |
The bride and groom! | 0:21:34 | 0:21:36 | |
# Although, don't you know it's supposed to make you fat | 0:21:36 | 0:21:38 | |
# And there's many a lah-di-dah-di madam | 0:21:38 | 0:21:42 | |
# Who wouldn't dare to touch it | 0:21:42 | 0:21:44 | |
# Cos she says it spoils her figure The silly cat! | 0:21:44 | 0:21:47 | |
# Well, I always hold with having it if you fancy it | 0:21:47 | 0:21:51 | |
# If you fancy it, that's understood | 0:21:51 | 0:21:56 | |
# And suppose it makes you fat | 0:21:56 | 0:21:58 | |
# I don't worry over that Cos a little of what you fancy does you good | 0:21:58 | 0:22:05 | |
# Now, once a year I likes a little holiday | 0:22:05 | 0:22:09 | |
# And we always have one My old man and me | 0:22:09 | 0:22:14 | |
# But the last time that we had one | 0:22:14 | 0:22:16 | |
# He sprung up a new idea | 0:22:16 | 0:22:18 | |
# When he saw the ladies bathing in the sea | 0:22:18 | 0:22:22 | |
# He says, "Now what a man requires is a change in everything" | 0:22:22 | 0:22:26 | |
# And how he ought to take his holidays alone | 0:22:26 | 0:22:30 | |
# You know Away from everyday affairs | 0:22:30 | 0:22:34 | |
# Very likely if you want a little fortnight on your own | 0:22:34 | 0:22:39 | |
# Well, I always hold with having it if you fancy it | 0:22:39 | 0:22:44 | |
# If you fancy it, that's understood | 0:22:44 | 0:22:48 | |
# But if that's your blooming game I intend to do the same | 0:22:48 | 0:22:53 | |
# Cos a little of what you fancy does you good... | 0:22:53 | 0:22:57 | |
# And suppose it makes you fat I don't worry over that | 0:22:57 | 0:23:01 | |
# Cos a little of what you fancy does you good. # | 0:23:01 | 0:23:05 | |
You can't sing that to her! | 0:23:06 | 0:23:08 | |
She fell asleep after the first verse. | 0:23:08 | 0:23:10 | |
I'm sending my audience to sleep! | 0:23:10 | 0:23:13 | |
Oh, look. | 0:23:16 | 0:23:19 | |
I think she's got my nose. | 0:23:19 | 0:23:22 | |
-Oh, Percy, you shouldn't even joke about things like that. -You cheeky...! | 0:23:22 | 0:23:27 | |
# If that's your blooming game I intend to do the same | 0:23:27 | 0:23:33 | |
# Cos a little of what you fancy does you good | 0:23:33 | 0:23:37 | |
# But if that's your blooming game I intend to do the same | 0:23:37 | 0:23:42 | |
# Cos a little of what you fancy does you good. # | 0:23:42 | 0:23:46 | |
# If I could pick up the Hackney Road and put it over there | 0:24:28 | 0:24:32 | |
# I'd like to live in Paris all the time | 0:24:32 | 0:24:35 | |
# I'd like to live in Paris all the time! # | 0:24:35 | 0:24:40 | |
-I'd better go. -No, no, no, no. Just one last song. | 0:24:43 | 0:24:46 | |
Marie, I've booked a table at Romanov's. Come on. | 0:24:46 | 0:24:49 | |
Oh, come on, sing a song! | 0:24:49 | 0:24:52 | |
One more, come on. | 0:24:52 | 0:24:55 | |
-Just one last song. You go ahead, I won't be long. -Right, same again for everyone? | 0:24:57 | 0:25:02 | |
# Every little movement has a meaning of its own | 0:25:03 | 0:25:07 | |
# Every little movement tells a tale | 0:25:07 | 0:25:11 | |
# And when she walks in dainty hobbles... # | 0:25:11 | 0:25:15 | |
# As I walk along the Bois de Boulogne With an independent air | 0:25:23 | 0:25:28 | |
# You can hear the girls declare "He must be a millionaire!" | 0:25:28 | 0:25:33 | |
# You can hear them sigh and wish to die You can see them wink the other eye | 0:25:33 | 0:25:36 | |
# At the man who broke the bank at Monte Carlo | 0:25:36 | 0:25:41 | |
# As I walk along the Bois de Boulogne With an independent air | 0:25:41 | 0:25:45 | |
# You can hear the girls declare "He must be a millionaire!" | 0:25:45 | 0:25:49 | |
# You can hear them sigh and wish to die You can see them wink the other eye | 0:25:49 | 0:25:53 | |
# At the man who broke the bank at Monte Carlo. # | 0:25:53 | 0:25:57 | |
DOOR CLOSES Good evening, sir. | 0:26:03 | 0:26:06 | |
-Good evening, madam. -Hello, Daisy. | 0:26:29 | 0:26:31 | |
FOOTSTEPS APPROACH | 0:26:37 | 0:26:39 | |
Where've you been? I waited for you. | 0:26:43 | 0:26:46 | |
I couldn't get away. | 0:26:46 | 0:26:48 | |
One song turned into another. You know how it is. | 0:26:48 | 0:26:51 | |
Gardenias? | 0:26:57 | 0:26:59 | |
-What are you smelling of perfume for? -Do I? | 0:26:59 | 0:27:03 | |
-Yeah, you do. -I'm tired. | 0:27:03 | 0:27:07 | |
I don't care if you're tired. | 0:27:07 | 0:27:09 | |
Where have you been, Percy? | 0:27:09 | 0:27:11 | |
-Nowhere. -Then why do you reek like...? -Look, I can go out if I want, can't I? | 0:27:11 | 0:27:15 | |
-A few drinks at a gentleman's club. That's what gentlemen do. -What, when I'm paying for it? | 0:27:15 | 0:27:20 | |
Oh, lucky me. The famous Marie Lloyd pays for her husband to dine alone. | 0:27:20 | 0:27:23 | |
-Don't talk to me like that. -Shut up. I can talk to you any way I want. -No, you won't. | 0:27:23 | 0:27:27 | |
I said shut it! | 0:27:27 | 0:27:29 | |
I'm your husband. | 0:27:29 | 0:27:31 | |
Show me some respect. | 0:27:31 | 0:27:33 | |
There's no excuse for it. | 0:27:33 | 0:27:36 | |
Ain't there? | 0:27:36 | 0:27:38 | |
No, there ain't. | 0:27:38 | 0:27:40 | |
I'm in charge. | 0:27:40 | 0:27:43 | |
Let's go to bed. I'm tired. | 0:27:48 | 0:27:50 | |
# A little bit of love is a luxury | 0:27:59 | 0:28:04 | |
# That's what people say | 0:28:04 | 0:28:08 | |
# And girls just want a little bit of love | 0:28:08 | 0:28:14 | |
# At the close of day | 0:28:14 | 0:28:18 | |
# Now there's nothing like a little bit of loving | 0:28:18 | 0:28:23 | |
# If you take it in a quiet sort of way | 0:28:23 | 0:28:27 | |
# So just take my tip If you're asking for a bit | 0:28:27 | 0:28:32 | |
# Never mind what people say | 0:28:32 | 0:28:37 | |
# So just take my tip If you want a bit... # | 0:28:37 | 0:28:41 | |
-Your usual table, Mr Lloyd? -Courtenay. | 0:28:43 | 0:28:45 | |
The name is Courtenay. | 0:28:45 | 0:28:48 | |
Usual table. | 0:28:48 | 0:28:50 | |
We fit in perfectly, don't we, Marie? | 0:29:03 | 0:29:06 | |
-No-one would think you were common, would they? -Let's not cause a scene in public. | 0:29:06 | 0:29:12 | |
Where's Freddie? | 0:29:14 | 0:29:17 | |
-He's not coming. -Why not? -Because I thought we would have a night on our own. | 0:29:17 | 0:29:22 | |
-Would you be so kind, Miss Lloyd? -Of course. | 0:29:22 | 0:29:26 | |
Can we not have one meal without being followed by swarms of Marie Lloyd admirers? | 0:29:26 | 0:29:31 | |
-Thank you. -You're welcome. | 0:29:39 | 0:29:42 | |
# Now there's nothing like a little bit of loving | 0:29:48 | 0:29:53 | |
# If you take it in a quiet sort of way | 0:29:53 | 0:29:56 | |
# So just take my tip If you're asking for a bit | 0:29:56 | 0:30:02 | |
# Never mind what people say | 0:30:02 | 0:30:06 | |
# So just take my tip If you're asking for a bit | 0:30:06 | 0:30:11 | |
# Never mind what people say. # | 0:30:11 | 0:30:16 | |
Tell me you love me, Freddie. | 0:30:30 | 0:30:32 | |
I love you. | 0:30:34 | 0:30:36 | |
Then stop looking so cross. | 0:30:36 | 0:30:38 | |
Look, I don't want you going on stage drunk. | 0:30:38 | 0:30:41 | |
I've got a natural tolerance to champagne. I was born to bathe in the stuff. | 0:30:41 | 0:30:45 | |
-If he makes you unhappy... -I don't deserve to be unhappy, do I, Freddie? | 0:30:45 | 0:30:49 | |
I'm not unhappy. I'm happy. | 0:30:50 | 0:30:54 | |
I'm as happy as happy as happy. | 0:30:54 | 0:30:57 | |
Good. | 0:30:59 | 0:31:01 | |
APPLAUSE | 0:31:14 | 0:31:15 | |
LAUGHTER | 0:31:28 | 0:31:30 | |
Hello, Mother. | 0:31:32 | 0:31:35 | |
Don't you "Hello, Mother" me! Where have you been, daughter? | 0:31:35 | 0:31:38 | |
I've been peeping. | 0:31:38 | 0:31:40 | |
Peeping? And what have you been peeping at, pray? As if we didn't know. | 0:31:40 | 0:31:45 | |
I've been peeping at Little Boy Blue. | 0:31:47 | 0:31:50 | |
And why have you been doing that, daughter? | 0:31:50 | 0:31:53 | |
Because I'm Little Bo Peep, and every day, a-peeping I must go. | 0:31:53 | 0:31:57 | |
Oh, naughty, naughty! | 0:31:57 | 0:32:00 | |
I don't like it here, Mother. It's far too cold. | 0:32:03 | 0:32:07 | |
-SHE SQUEALS -Oh, what a terrible draught! I don't know where it's coming from, | 0:32:07 | 0:32:12 | |
but I know where it's going! | 0:32:12 | 0:32:15 | |
Say hello to your grandmother, daughter. | 0:32:17 | 0:32:20 | |
My, what big eyes you've got, Grandmother! | 0:32:20 | 0:32:24 | |
All the better to see you with, my child. | 0:32:24 | 0:32:28 | |
My, what big ears you've got, Grandmother! | 0:32:30 | 0:32:34 | |
All the better to hear you with, my child. | 0:32:34 | 0:32:38 | |
My, what a big tongue you've got, Grandmother! | 0:32:38 | 0:32:42 | |
All the better to eat you with, my dear. SHE SCREAMS | 0:32:42 | 0:32:46 | |
My hero! | 0:33:03 | 0:33:06 | |
Oh, my beloved. | 0:33:06 | 0:33:08 | |
Oh, my goodness! | 0:33:08 | 0:33:10 | |
50 pounds? Christ, what's he been buying, the crown jewels? | 0:33:14 | 0:33:17 | |
Well, hats, shoes, jewellery, underwear. | 0:33:17 | 0:33:20 | |
-Your husband knows how to spend! -Swan & Lilley? That's a ladies' outfitters, ain't it? | 0:33:20 | 0:33:24 | |
Very select. | 0:33:24 | 0:33:26 | |
So many pairs of silk stockings. | 0:33:26 | 0:33:28 | |
Finest silk. Only the best for Mr Courtenay, ma'am. | 0:33:28 | 0:33:31 | |
But these bills do need settling. | 0:33:31 | 0:33:33 | |
Right. Follow me. | 0:33:33 | 0:33:36 | |
Here you are. There's his suits for starters. Here are his shirts. | 0:33:39 | 0:33:44 | |
Here are his scarves, and down there, his shoes. | 0:33:44 | 0:33:47 | |
And over here are his diamond tiepins and cufflinks. | 0:33:47 | 0:33:50 | |
And if that don't cover it, he'll be home some time in the morning, I expect. | 0:33:50 | 0:33:54 | |
I suggest you collar him for yourself. | 0:33:54 | 0:33:57 | |
For a man with such fine taste, he always comes home smelling of cheap perfume. | 0:33:57 | 0:34:03 | |
Hey, er...one other thing. | 0:34:04 | 0:34:07 | |
Would you mind? | 0:34:07 | 0:34:09 | |
For the missus. | 0:34:09 | 0:34:10 | |
Yeah, of course. | 0:34:10 | 0:34:13 | |
It's, er, Queenie. | 0:34:13 | 0:34:14 | |
-Much obliged. -Pleasure. | 0:34:19 | 0:34:21 | |
# I'm Burlington Bertie I rise at 10.30 | 0:34:31 | 0:34:36 | |
# And Buckingham Palace I view | 0:34:36 | 0:34:41 | |
# I stand in the yard while they're changing the guard | 0:34:41 | 0:34:46 | |
# And the Queen shouts across, "Toodle-oo!" | 0:34:46 | 0:34:51 | |
# The Prince of Wales' brother Along with some other | 0:34:51 | 0:34:56 | |
# Slaps me on the back and says, "Come and see Mother!" | 0:34:56 | 0:35:01 | |
# But I'm Bert, Bert | 0:35:01 | 0:35:05 | |
# And Royalty hurt When they ask me to dine, I say no | 0:35:05 | 0:35:10 | |
# I've just had a banana with Lady Diana | 0:35:11 | 0:35:17 | |
# I'm Burlington Bertie from Bow | 0:35:17 | 0:35:21 | |
# I'm Burlington Bertie from Bow | 0:35:22 | 0:35:25 | |
# Burlington Bertie from Bow. # | 0:35:28 | 0:35:33 | |
KNOCKING PERCY: I love you. | 0:35:35 | 0:35:38 | |
I've only ever loved you. | 0:35:38 | 0:35:41 | |
Let's start again. Another chance. | 0:35:41 | 0:35:43 | |
Look, I've been seeing someone tonight who can make you a real star. | 0:35:45 | 0:35:49 | |
-I AM a real star. -Yeah, but only in this country. I'm talking about the world. -(It's all right.) | 0:35:49 | 0:35:54 | |
Percy, go away. | 0:35:54 | 0:35:56 | |
-(It's all right, sweetheart.) -Open the door! | 0:35:56 | 0:35:59 | |
It's all right, darling. OK. | 0:35:59 | 0:36:02 | |
'Please, boys, come on, let me through.' | 0:36:02 | 0:36:05 | |
Come on, please. Come on. | 0:36:05 | 0:36:07 | |
We've got a show to do. | 0:36:07 | 0:36:09 | |
THEY ALL SHOUT AT ONCE | 0:36:10 | 0:36:12 | |
Leave the lady alone. | 0:36:12 | 0:36:14 | |
We've got a show to do. | 0:36:14 | 0:36:18 | |
I can't do it, Dan. Not tonight. | 0:36:49 | 0:36:52 | |
-Course you can. -You must, Marie. | 0:36:52 | 0:36:54 | |
How can I go on stage when they've all read about me in the papers? | 0:36:54 | 0:36:58 | |
So what's the great Marie Lloyd going to do? Run away and hide? | 0:36:58 | 0:37:01 | |
Show 'em nothing can hurt you. | 0:37:01 | 0:37:04 | |
When they see you've stopped smiling, they'll stop smiling. | 0:37:04 | 0:37:07 | |
Go on, Marie. | 0:37:07 | 0:37:09 | |
APPLAUSE | 0:37:12 | 0:37:14 | |
Ladies and gentlemen, | 0:37:31 | 0:37:34 | |
I give you your own, your very own, | 0:37:34 | 0:37:38 | |
the one and only... Miss Marie Lloyd! | 0:37:38 | 0:37:44 | |
APPLAUSE | 0:37:44 | 0:37:46 | |
Is everybody happy? | 0:37:58 | 0:38:00 | |
SILENCE | 0:38:00 | 0:38:02 | |
I said, is everybody happy? | 0:38:02 | 0:38:06 | |
SILENCE | 0:38:06 | 0:38:08 | |
I know what you're thinking. | 0:38:09 | 0:38:11 | |
Ain't it shocking? Ain't he a devil? | 0:38:11 | 0:38:14 | |
How can he do this to Our Marie when she's such a lady? | 0:38:14 | 0:38:19 | |
Well, there's only one thing I've got to say to my husband, Mr Percy Courtenay, | 0:38:19 | 0:38:25 | |
and it goes like this. | 0:38:25 | 0:38:26 | |
# Hold your hand out, naughty boy | 0:38:29 | 0:38:34 | |
# Hold your hand out, naughty boy | 0:38:34 | 0:38:39 | |
# Last night, in the pale moonlight | 0:38:39 | 0:38:43 | |
# I saw you | 0:38:43 | 0:38:47 | |
# With a nice girl in the park | 0:38:48 | 0:38:52 | |
# You were strolling full of joy | 0:38:52 | 0:38:57 | |
# And you told me you'd never kissed a girl before | 0:38:57 | 0:39:02 | |
# Hold your hand out, naughty boy! # | 0:39:02 | 0:39:08 | |
Milk or cream? | 0:39:08 | 0:39:10 | |
Cream. | 0:39:10 | 0:39:12 | |
Sugar? | 0:39:14 | 0:39:15 | |
Stop playing daft. | 0:39:15 | 0:39:17 | |
-It's you who's being daft, dragging our names through the dirt. -Yeah? You love the publicity. | 0:39:17 | 0:39:22 | |
Not this sort. | 0:39:22 | 0:39:24 | |
-Biscuit? -No. -Please yourself, I'm sure. | 0:39:24 | 0:39:28 | |
Look, Marie... | 0:39:28 | 0:39:31 | |
I need you. | 0:39:31 | 0:39:33 | |
Why do you need me, Percy? | 0:39:33 | 0:39:35 | |
-Because... -Well? | 0:39:35 | 0:39:37 | |
-I just do. -Well, give me one good reason. | 0:39:37 | 0:39:40 | |
-You know I love you. -Oh, do I? | 0:39:42 | 0:39:46 | |
Of course I do. I married you, didn't I? | 0:39:46 | 0:39:48 | |
And we know why, don't we? Cos I was your big investment. | 0:39:48 | 0:39:53 | |
Yeah, well, I've got nothing, Marie. Nothing. | 0:39:53 | 0:39:56 | |
Do you want to know why you've got nothing? | 0:39:56 | 0:39:58 | |
-He's got no money cos he gambled it all away. -Shut it! | 0:39:58 | 0:40:01 | |
For a short time, though, you were lucky, weren't you? | 0:40:01 | 0:40:04 | |
-You had a winning smile and a winning hand. -Marie, please. | 0:40:04 | 0:40:07 | |
What am I going to do? | 0:40:11 | 0:40:14 | |
Marie, help me. | 0:40:14 | 0:40:16 | |
I don't give a raspberry tart. | 0:40:16 | 0:40:18 | |
-Raspberry tart...? -Fart! -Oh, good Lord. | 0:40:18 | 0:40:21 | |
Without me, you'd be nothing. | 0:40:21 | 0:40:24 | |
No. Without me, you ARE nothing. | 0:40:24 | 0:40:28 | |
Some people have little or no decorum. | 0:40:34 | 0:40:38 | |
I've got bloody decorum. | 0:40:38 | 0:40:40 | |
# And you told me you'd never kissed a girl before | 0:40:42 | 0:40:46 | |
# Hold your hand out, naughty boy. # | 0:40:46 | 0:40:52 | |
She has taken music hall to a new low, and to hear her talk of nothing but kissing and hugging and... | 0:41:05 | 0:41:11 | |
and tipping the wink is nothing short of filth. She is a strumpet. | 0:41:11 | 0:41:15 | |
She is an entertainer, and uses the milieu... | 0:41:15 | 0:41:19 | |
-She has taken music hall to a new low, and in a Christian country, we must make a stand. -There she is! | 0:41:19 | 0:41:25 | |
A Christian country, Miss Lloyd, with morals and... | 0:41:26 | 0:41:31 | |
I don't give a damn what you and your high and mighty ladies of society say about me. | 0:41:31 | 0:41:36 | |
In fact, keep on saying what you want, because the more things you say, the fuller the houses are. | 0:41:36 | 0:41:41 | |
I think they're jealous. Their husbands obviously prefer you to them. | 0:41:41 | 0:41:45 | |
CHATTER | 0:41:48 | 0:41:51 | |
APPLAUSE | 0:41:53 | 0:41:55 | |
APPLAUSE AND CHEERING | 0:41:55 | 0:41:56 | |
PLAYS FANFARE | 0:42:01 | 0:42:03 | |
BAND PLAYS: "Rule, Britannia" | 0:42:07 | 0:42:10 | |
LAUGHTER | 0:42:10 | 0:42:12 | |
I shall have the last laugh, Mr Belafonte, when I close your music hall down. | 0:42:20 | 0:42:25 | |
The Vigilance Committee, Marie. | 0:42:33 | 0:42:35 | |
-Mrs Chant has taken her case to the Vigilance Committee. -So what? | 0:42:35 | 0:42:39 | |
If they rule that your act is immoral, they could close my hall down. | 0:42:39 | 0:42:43 | |
Immoral? What on Earth do you mean? | 0:42:43 | 0:42:45 | |
-Lewd. -Oh, Mr Belafonte! | 0:42:45 | 0:42:48 | |
I've never had a lewd thought in my life. | 0:42:48 | 0:42:51 | |
You'll do your best to convince them otherwise, won't you, Marie? Promise? | 0:42:51 | 0:42:57 | |
I might. | 0:42:57 | 0:42:59 | |
# What a silly girl I am. # | 0:43:03 | 0:43:06 | |
Terribly sorry I'm late, gentlemen. | 0:43:07 | 0:43:10 | |
-Oh, Mrs Chant. Good day to you. -Miss Lloyd. | 0:43:10 | 0:43:15 | |
How can I be of assistance? | 0:43:15 | 0:43:17 | |
As you know, Miss Lloyd, your lyrics are causing a stir, and we have had complaints. | 0:43:17 | 0:43:22 | |
Really? I can't think why. | 0:43:22 | 0:43:25 | |
Would it be possible for you to tell me which particular lyric is causing offence? | 0:43:25 | 0:43:30 | |
I merely aim to entertain, not to offend. | 0:43:30 | 0:43:33 | |
Most of them. | 0:43:33 | 0:43:35 | |
Pray tell, Mrs Chant. Specifics. | 0:43:35 | 0:43:37 | |
Well, what's that "a little of what you fancy" supposed to be about? | 0:43:37 | 0:43:43 | |
It's always been a belief of mine that a little bit, not too much, of what one fancies is a good thing. | 0:43:43 | 0:43:48 | |
My dear mother, for example, loves a dandelion and burdock, | 0:43:48 | 0:43:51 | |
but I don't advise her to drink it by the gallon. | 0:43:51 | 0:43:54 | |
-Very laudable. Would you please submit your song lyrics? -Here. | 0:43:54 | 0:43:58 | |
"Do you think my dress is just a little bit"? | 0:44:05 | 0:44:09 | |
People like to see a fine gown on a woman. Don't they? | 0:44:09 | 0:44:13 | |
Quite. | 0:44:13 | 0:44:16 | |
Er, there is the question of you showing off your... | 0:44:16 | 0:44:21 | |
My drawers? | 0:44:21 | 0:44:22 | |
In red, white and blue. | 0:44:22 | 0:44:25 | |
It was the King's birthday. It was a special occasion. | 0:44:25 | 0:44:29 | |
-Very patriotic, I'm sure. -It won't happen again. -I hope not. | 0:44:29 | 0:44:34 | |
"She sits amongst the cabbages and peas"? | 0:44:34 | 0:44:38 | |
An innocent song about a lady who sits in her vegetable garden. | 0:44:38 | 0:44:43 | |
-How can it be anything more than innocent? -I think you know, Miss Lloyd. | 0:44:43 | 0:44:47 | |
So do you suggest that I change the particular vegetable selected? | 0:44:47 | 0:44:51 | |
There must be... must be one good substitute. Yeah. | 0:44:51 | 0:44:55 | |
Very well. She sits amongst the cabbages and... | 0:44:55 | 0:44:59 | |
-leeks? -Miss Lloyd! -What?! | 0:44:59 | 0:45:02 | |
And there's the nub of it, gentlemen. | 0:45:06 | 0:45:09 | |
Perhaps it's in the imagination of the audience and not in the intention of the performer. | 0:45:09 | 0:45:14 | |
-Thank you, Miss Lloyd. You'll be informed of the committee's verdict. -Thank you, gentlemen. | 0:45:14 | 0:45:19 | |
I'm sure you'll pass the right motion. | 0:45:19 | 0:45:21 | |
# Up to the West End Right in the best end | 0:45:35 | 0:45:38 | |
# Straight from the country came Miss Maudie Brown | 0:45:38 | 0:45:43 | |
# Father a curate But couldn't endure it | 0:45:43 | 0:45:47 | |
# That's why the lady's residing in town | 0:45:47 | 0:45:51 | |
# 12 months ago her modest self | 0:45:51 | 0:45:54 | |
# Felt quite sublime to sit on a fellow's knee | 0:45:54 | 0:45:58 | |
# Who's been in all the grime | 0:45:58 | 0:46:00 | |
# If you should want a kiss She'd droop her eyes like this | 0:46:00 | 0:46:04 | |
# But now she droops them just one at a time | 0:46:04 | 0:46:08 | |
# Every little movement has a meaning of its own | 0:46:08 | 0:46:12 | |
# Every little movement tells a tale | 0:46:12 | 0:46:17 | |
# And when she walks in dainty hobbles | 0:46:17 | 0:46:21 | |
# At the back around here There's a kind of wibble-wobble | 0:46:21 | 0:46:25 | |
# And she glides like this | 0:46:25 | 0:46:29 | |
# And the Johnnies follow in her trail | 0:46:29 | 0:46:33 | |
# Cos when she turns her head like so Something's going, don't you know? | 0:46:33 | 0:46:37 | |
# Every little movement tells a tale | 0:46:37 | 0:46:40 | |
# Cos when she turns her head like so | 0:46:40 | 0:46:44 | |
# something's going, don't you know? | 0:46:44 | 0:46:45 | |
# Every little movement tells a tale. # | 0:46:45 | 0:46:50 | |
APPLAUSE AND CHEERING | 0:46:50 | 0:46:52 | |
Evening, sir. All on your own tonight? | 0:47:04 | 0:47:06 | |
All the lovely ladies to yourself, then. | 0:47:09 | 0:47:12 | |
-You should be ashamed of yourself, charging a shilling to peep at these girls. -Who's it harming? | 0:47:12 | 0:47:17 | |
-Well, it ain't harming your pocket! -You do well enough out of me. | 0:47:17 | 0:47:21 | |
-But they don't! Hardly enough to feed their children. -If they don't like it... | 0:47:21 | 0:47:25 | |
No wonder there's talks of strikes. Here you are, girls. Have a drink on me this evening, all right? | 0:47:25 | 0:47:30 | |
-Thank you! -It's all right, darling. | 0:47:30 | 0:47:32 | |
-Miss Marie Lloyd to the rescue again. -Get these people out of here, Freddie. | 0:47:32 | 0:47:36 | |
Come on, you lot. Ain't you got homes to go to? | 0:47:39 | 0:47:41 | |
You're not frightened of anyone, are you? | 0:47:45 | 0:47:48 | |
Well, I'm not frightened of Belafonte. | 0:47:48 | 0:47:50 | |
But I am scared that you're not going to invite me over the road for a drink. | 0:47:50 | 0:47:55 | |
-How about tonight? -Or maybe we should be getting home, eh? | 0:47:55 | 0:47:59 | |
And maybe you should be minding your own business. | 0:47:59 | 0:48:03 | |
I'd be delighted, Mr Hurley. | 0:48:03 | 0:48:06 | |
-I'm only thinking of you. -You're not my moral guardian. | 0:48:10 | 0:48:14 | |
-You know, I hate it when you're in one of these moods. -You hate me? -Your moods. | 0:48:14 | 0:48:19 | |
-What moods? -When you're the only person in the world that matters. | 0:48:19 | 0:48:23 | |
-What are you doing here, Freddie? -Sorting out your clothes. -You're here because I'm employing you. | 0:48:23 | 0:48:27 | |
-No. -That's what you're doing here. | 0:48:27 | 0:48:29 | |
-I've spent my whole life looking after you. -That's a lie. | 0:48:29 | 0:48:34 | |
Be quiet. | 0:48:34 | 0:48:36 | |
No, I've spent MY whole life looking after YOU. | 0:48:36 | 0:48:40 | |
-You don't want me to be happy. -I don't want to see you making another mistake. -Well, go, then. | 0:48:40 | 0:48:45 | |
-I don't need you. -You do. | 0:48:45 | 0:48:47 | |
How dare you think I need you?! | 0:48:47 | 0:48:50 | |
You want me to go? | 0:48:50 | 0:48:52 | |
Yes. Go! | 0:48:52 | 0:48:54 | |
# She's my lady love | 0:49:17 | 0:49:21 | |
# She is my dove, my baby doll | 0:49:21 | 0:49:26 | |
# She's no girl for sitting down to dream | 0:49:26 | 0:49:31 | |
# She's the only queen Laguna knows | 0:49:31 | 0:49:36 | |
# I know she likes me | 0:49:36 | 0:49:39 | |
# I know she likes me Because she said so | 0:49:39 | 0:49:44 | |
# She is the Lily of Laguna | 0:49:44 | 0:49:49 | |
# She is my lily and my rose. # | 0:49:49 | 0:49:54 | |
CHEERING AND APPLAUSE | 0:49:54 | 0:49:57 | |
You meant what you were singing tonight, didn't you, Alec? | 0:50:06 | 0:50:10 | |
I did. | 0:50:10 | 0:50:13 | |
I could tell. | 0:50:13 | 0:50:15 | |
-There was a sparkle in them eyes, and it weren't caused by the stage lamps, was it? -No. | 0:50:15 | 0:50:20 | |
What caused it? | 0:50:20 | 0:50:23 | |
You know what caused it. | 0:50:24 | 0:50:27 | |
You did. As always. | 0:50:27 | 0:50:30 | |
The things you say. Really? | 0:50:31 | 0:50:35 | |
What's up, Alec? | 0:50:44 | 0:50:46 | |
You make me shiver. | 0:50:46 | 0:50:48 | |
When you hold my hand. | 0:50:48 | 0:50:50 | |
You need a pair of gloves, darling. | 0:50:50 | 0:50:52 | |
I'll buy you some from Simpsons. | 0:50:52 | 0:50:54 | |
I don't need gloves to keep me warm. | 0:50:54 | 0:50:56 | |
What do you need? | 0:50:58 | 0:51:00 | |
Naughty! | 0:51:02 | 0:51:03 | |
You're an old rooster, ain't you? | 0:51:03 | 0:51:07 | |
Old faithful, more like. | 0:51:07 | 0:51:09 | |
I could do with some of that right now. | 0:51:12 | 0:51:16 | |
Me, too. | 0:51:16 | 0:51:18 | |
Percy Courtenay said he would love me for ever. | 0:51:18 | 0:51:22 | |
Don't let me down, Alec, eh? | 0:51:24 | 0:51:27 | |
Never. | 0:51:28 | 0:51:30 | |
Well, I'm sure we can come to an amicable arrangement, Miss Lloyd. | 0:51:37 | 0:51:40 | |
Why does it need to be amicable? I'll give him £2,000 for three years. | 0:51:40 | 0:51:44 | |
Miss Lloyd, these matters are complicated. There's the issue of custody, the house... | 0:51:44 | 0:51:49 | |
Those are my terms. Take it or leave it. | 0:51:49 | 0:51:53 | |
Miss Lloyd, please. Stay. | 0:51:53 | 0:51:55 | |
-I'll take it. -Oh. | 0:51:57 | 0:52:00 | |
Good day, sir. | 0:52:00 | 0:52:02 | |
-She looks old. -Yeah. | 0:52:08 | 0:52:10 | |
-And fat. -Oh. | 0:52:10 | 0:52:12 | |
Still, nothing lasts for ever, does it? | 0:52:17 | 0:52:20 | |
(Marie Lloyd does it again.) | 0:52:28 | 0:52:31 | |
Oh! | 0:52:36 | 0:52:38 | |
I love these slippers. | 0:52:39 | 0:52:42 | |
-Oh, Alec, you are funny! How can anyone love slippers? -I don't know. | 0:52:42 | 0:52:46 | |
I just do. They feel right. | 0:52:46 | 0:52:49 | |
Just like you and me in this house together. That feels right, too. | 0:52:49 | 0:52:52 | |
-Yeah. -We're going to have a lovely little life together. | 0:52:52 | 0:52:56 | |
Little? | 0:52:56 | 0:52:57 | |
Where's me champagne? | 0:52:57 | 0:52:59 | |
I thought this morning...tea. | 0:52:59 | 0:53:02 | |
-Tea's for old ladies. -We're not getting any younger. | 0:53:02 | 0:53:05 | |
Alec, you were born 100! | 0:53:05 | 0:53:08 | |
We could walk on the heath today. | 0:53:09 | 0:53:11 | |
I thought that we could work on a double act. | 0:53:11 | 0:53:15 | |
Eat your egg. | 0:53:16 | 0:53:18 | |
Fair deal for artistes! | 0:53:28 | 0:53:30 | |
Fair deal for artistes! | 0:53:30 | 0:53:32 | |
I want the world to know that I'm with you people. | 0:53:36 | 0:53:38 | |
They can bully you, but they can't bully me. | 0:53:38 | 0:53:41 | |
So together we shall be indestructible. | 0:53:41 | 0:53:44 | |
Fair deal for artistes! | 0:53:44 | 0:53:46 | |
Fair deal for artistes! | 0:53:46 | 0:53:49 | |
-What does Marie think she's doing, Alec? -She won't be talked out of it. | 0:53:49 | 0:53:53 | |
You know this strike's spreading. | 0:53:53 | 0:53:55 | |
-Two more halls in Shoreditch have gone dark. She's going to drive us out of business. -I know, sir, but... | 0:53:55 | 0:54:00 | |
Look, what kind of man are you? She's your wife. Tell her! Make her obey you. | 0:54:00 | 0:54:05 | |
He's blaming me for not controlling you. | 0:54:11 | 0:54:15 | |
What does he think I am - your dog? | 0:54:15 | 0:54:18 | |
I told him that's easier said than done. | 0:54:18 | 0:54:20 | |
If it wasn't for me, those girls would be crushed, and back at work, humiliated. | 0:54:20 | 0:54:24 | |
-Yeah, but you've made your point now, though, yeah? -It's not about making a point. | 0:54:24 | 0:54:29 | |
-You'll run out of money at this rate. -It gives me pleasure. | 0:54:29 | 0:54:32 | |
Yes, but are you doing good to make yourself feel better, | 0:54:32 | 0:54:36 | |
with this strike? | 0:54:36 | 0:54:38 | |
What do you suggest, then, Alec? | 0:54:38 | 0:54:40 | |
That we cave in to Belafonte and his like? | 0:54:40 | 0:54:42 | |
No, of course not. | 0:54:42 | 0:54:45 | |
Tell... Ask Miss Lloyd to come and see me, would you? | 0:55:14 | 0:55:18 | |
-One newspaper has called you a saint. -Oh, how nice of them! | 0:55:21 | 0:55:26 | |
I'll pay you £100 a week if you break the strike and go back to work. | 0:55:27 | 0:55:33 | |
-Don't talk silly. I'm not a blackleg, Arthur. -No, but you don't seem to mind | 0:55:33 | 0:55:38 | |
-betraying those who helped you climb to the top in the beginning! -It's the public who make you a star, dear. | 0:55:38 | 0:55:43 | |
And it's the managers who pay you handsomely for that privilege. | 0:55:43 | 0:55:47 | |
-You only pay me what I'm worth. -And you are worth everything. | 0:55:47 | 0:55:51 | |
But you shouldn't sully your professional reputation. | 0:55:51 | 0:55:55 | |
Especially not when there's an invitation to perform before the King. | 0:55:55 | 0:55:59 | |
We all want you topping the bill at the Royal Command, but... | 0:55:59 | 0:56:03 | |
-Are you attempting to blackmail me, Mr Belafonte? -Not at all. I'm... | 0:56:03 | 0:56:07 | |
I'm appealing to your better nature. | 0:56:07 | 0:56:10 | |
I will not cave in to your demands. | 0:56:10 | 0:56:13 | |
The public like me, and His Majesty, I am sure, is quite aware of that. | 0:56:13 | 0:56:18 | |
I take it that's your last word on the matter? | 0:56:20 | 0:56:23 | |
Minimum performance rates for all of you! Is everybody happy? | 0:56:29 | 0:56:35 | |
ALL: You bet your life we are! | 0:56:35 | 0:56:38 | |
Thank you, Arthur. | 0:56:40 | 0:56:42 | |
All is forgiven. | 0:56:42 | 0:56:45 | |
Forgiven, but never forgotten. | 0:56:47 | 0:56:50 | |
I just think, as my wife... | 0:56:59 | 0:57:01 | |
Oh, be quiet, Alec. Just be quiet. | 0:57:01 | 0:57:03 | |
-I was merely pointing out... -I know, I know. | 0:57:03 | 0:57:06 | |
I should be drinking tea. | 0:57:06 | 0:57:08 | |
Shall we go for a walk? | 0:57:10 | 0:57:12 | |
No. | 0:57:13 | 0:57:15 | |
Just trying to be pleasant. | 0:57:15 | 0:57:17 | |
And as with everything else, you're failing, I'm afraid, Alec. | 0:57:17 | 0:57:21 | |
You'll end up with no-one. | 0:57:26 | 0:57:28 | |
APPLAUSE | 0:58:28 | 0:58:30 | |
Freddie. | 0:58:55 | 0:58:56 | |
-First little tiff, and you run off, never to be seen again. -Marie. -You said you'd always look after me. | 0:58:59 | 0:59:05 | |
-I thought you... -I knew you'd be missing me. | 0:59:06 | 0:59:10 | |
Hello. | 0:59:16 | 0:59:18 | |
The famous Marie Lloyd. | 0:59:25 | 0:59:28 | |
The famous jockey. | 0:59:28 | 0:59:30 | |
Bernard Dillon, the Derby winner. | 0:59:37 | 0:59:39 | |
-And what's he doing here? -Making a personal appearance. -HE LAUGHS | 0:59:39 | 0:59:43 | |
-What? -You're a married woman - that's what. | 0:59:43 | 0:59:47 | |
# If you'll be a sport And join the classy sort | 1:00:00 | 1:00:04 | |
# You must copy country squires Chasing foxes in the shires | 1:00:04 | 1:00:09 | |
# Fetch your hunting gear And chase the pretty deer | 1:00:09 | 1:00:13 | |
# And try to attract the ladies' fair, from Petticoat Lane to Berkeley Square | 1:00:13 | 1:00:17 | |
# Hunting after dark through the streets of London town | 1:00:19 | 1:00:22 | |
# Yikes! A coy little maid I spy | 1:00:22 | 1:00:24 | |
# And look how she winks the other eye | 1:00:24 | 1:00:26 | |
# My, what shall I do all alone here in the park? | 1:00:26 | 1:00:30 | |
# It's nearly ten And I'm scared of men hunting after dark. # | 1:00:30 | 1:00:34 | |
You're so naughty! | 1:00:34 | 1:00:36 | |
-So, where do we go afterwards? -Afterwards? This IS afterwards. It's past midnight. | 1:00:39 | 1:00:44 | |
I thought you theatricals were always up all night. | 1:00:44 | 1:00:47 | |
No, we need to keep our strength up, don't we, Alec? And I need my beauty sleep. | 1:00:47 | 1:00:51 | |
You don't need any beauty sleep, Marie. Trust me. | 1:00:51 | 1:00:55 | |
Night-night, Bernie. | 1:01:06 | 1:01:08 | |
I don't want to hear any tales of naughtiness tomorrow. | 1:01:08 | 1:01:11 | |
Think of me, won't you? Because I'll be thinking of you. | 1:01:13 | 1:01:17 | |
Drive on. | 1:01:19 | 1:01:21 | |
Oh, what now? | 1:01:25 | 1:01:26 | |
Always having to draw attention to yourself. It's undignified. | 1:01:26 | 1:01:30 | |
Undignified, is it? Oh, mister high and mighty. | 1:01:30 | 1:01:33 | |
-What's dignified, then? You? -I know how to behave. | 1:01:33 | 1:01:36 | |
-But you don't know how to have fun. And that's the difference. -You're a married woman. -Yes. | 1:01:36 | 1:01:42 | |
-But I'm not dead. -You're starting to disgust people. Can you not see that? | 1:01:42 | 1:01:47 | |
No, I disgust you. Everybody else loves me. | 1:01:47 | 1:01:50 | |
-I wouldn't be so sure. -What, you think they love you? | 1:01:50 | 1:01:54 | |
You think they're interested in what YOU do? No-one would have heard of you if it hadn't have been for me. | 1:01:54 | 1:01:58 | |
For what it's worth, people HAD heard of me. | 1:01:58 | 1:02:01 | |
They clap your act because you're married to me. | 1:02:01 | 1:02:04 | |
They clap out of respect...for me. | 1:02:04 | 1:02:07 | |
Maybe we are a mistake. | 1:02:07 | 1:02:10 | |
Stop the carriage! | 1:02:13 | 1:02:14 | |
Stop the carriage! | 1:02:15 | 1:02:18 | |
Walk on. | 1:02:26 | 1:02:27 | |
You are watching me tonight, aren't you, Bernard? | 1:02:43 | 1:02:46 | |
I'll wait for you at Romanov's. | 1:02:46 | 1:02:48 | |
Where's the champagne? | 1:02:48 | 1:02:50 | |
Get another one from the bar, darling. Tell them it's for me. | 1:02:50 | 1:02:54 | |
Kiss! | 1:02:57 | 1:02:59 | |
You do like him, don't you, Freddie? | 1:03:05 | 1:03:07 | |
Yeah. | 1:03:07 | 1:03:10 | |
Why are they being so horrible about me in the papers? | 1:03:10 | 1:03:13 | |
-Well... -Why? | 1:03:13 | 1:03:16 | |
You're supposed to be married. | 1:03:16 | 1:03:18 | |
Huh! Hardly. Alec Hurley was a little mistake. | 1:03:18 | 1:03:21 | |
Surely I'm allowed to make a mistake? | 1:03:21 | 1:03:24 | |
They like Alec. They haven't taken to Bernard. | 1:03:24 | 1:03:27 | |
They don't know Bernard. They're being cruel about him to get at me. | 1:03:27 | 1:03:31 | |
Still, you like him, Freddie, that's the main thing. | 1:03:31 | 1:03:35 | |
How can there be a Royal Variety Performance without Marie Lloyd on the bill? | 1:03:40 | 1:03:45 | |
-His Majesty doesn't want you. It's nothing to do with me. -Who's it to do with? -Take it up with the King. | 1:03:45 | 1:03:50 | |
-Is it because of the strike? -Among other things. | 1:03:50 | 1:03:53 | |
I was coming to the aid of my fellow performers. | 1:03:53 | 1:03:56 | |
-I was being honourable. And for that I'm condemned? -It's not just the strike, though, is it? | 1:03:56 | 1:04:00 | |
-Well, what else, then? What else can it possibly be? -You read the newspapers. | 1:04:00 | 1:04:04 | |
-Idle tittle-tattle. -It's not, though, is it? | 1:04:04 | 1:04:08 | |
I am the most famous music-hall singer in the country. | 1:04:08 | 1:04:11 | |
They say he is young enough to be your son. | 1:04:11 | 1:04:14 | |
They used to call me a saint. | 1:04:16 | 1:04:18 | |
To perform before the King of our country, | 1:04:18 | 1:04:21 | |
the artistes must have an untarnished reputation. | 1:04:21 | 1:04:26 | |
And what reputation do I have? | 1:04:26 | 1:04:28 | |
-Show me the list. -Does it matter? -I want to see the list of performers. | 1:04:31 | 1:04:35 | |
Alec Hurley? | 1:04:41 | 1:04:43 | |
# When I take my morning promenade | 1:04:54 | 1:04:57 | |
# Quite a fashion card On the promenade | 1:04:57 | 1:05:01 | |
# Now, I don't mind nice boys staring hard | 1:05:01 | 1:05:05 | |
# If it satisfies their desire Do you think my dress... # | 1:05:05 | 1:05:10 | |
-Alec Hurley?! -The King is an ass. | 1:05:10 | 1:05:13 | |
If Alec Hurley is to perform before the King, I would refuse any invitation that came my way, anyhow. | 1:05:13 | 1:05:19 | |
Exactly. | 1:05:19 | 1:05:21 | |
My mother used to sing me this song when I was little. | 1:05:23 | 1:05:26 | |
Here, do you think the King is jealous of me? | 1:05:29 | 1:05:33 | |
I mean, I am more popular than he. | 1:05:33 | 1:05:35 | |
I'm the queen of music halls. I am the people's queen! | 1:05:35 | 1:05:42 | |
I am going to do a Marie Lloyd spectacular on the night of the Royal Command Performance. | 1:05:45 | 1:05:52 | |
-I'll be there. -Everybody will be there! | 1:05:52 | 1:05:54 | |
Listen up, people. | 1:06:01 | 1:06:03 | |
On the night of the King's Royal Command Performance, | 1:06:03 | 1:06:07 | |
Miss Marie Lloyd will be holding her own performance at the Pavilion Theatre, Piccadilly Circus. | 1:06:07 | 1:06:14 | |
All right? Tickets on sale from Monday, at reasonable prices. | 1:06:14 | 1:06:17 | |
Everyone is welcome. | 1:06:17 | 1:06:20 | |
-OK? Is everybody happy? -ALL: You bet your life we are! | 1:06:20 | 1:06:25 | |
Do you think I've gone too far? | 1:06:30 | 1:06:33 | |
The Evening News says you're out of touch with ordinary people. | 1:06:33 | 1:06:38 | |
The Daily Mirror calls you conceited. | 1:06:38 | 1:06:40 | |
-People like Royalty, don't they? -It's not the King who's the problem. | 1:06:40 | 1:06:44 | |
-It's living with Prince Charming here. -When it comes to it, | 1:06:44 | 1:06:47 | |
the working classes are just as moral as anybody else, Marie. | 1:06:47 | 1:06:51 | |
They liked Alec. | 1:06:52 | 1:06:55 | |
And they like you for being you. Once they think you're someone different, you've lost them. | 1:06:55 | 1:07:00 | |
-Well, I am different. I always have been. -But they mustn't think that. | 1:07:00 | 1:07:03 | |
Once they think you're Lady Muck living with a bit of flash, you're done for. | 1:07:03 | 1:07:07 | |
You need to show them that underneath all the diamonds and furs, you're still one of them. | 1:07:07 | 1:07:12 | |
Ladies and gentlemen, | 1:07:16 | 1:07:19 | |
Miss Marie Lloyd, queen of the halls, | 1:07:19 | 1:07:23 | |
gives her own Command Performance. | 1:07:23 | 1:07:26 | |
# We had to move away Cos the rent we couldn't pay | 1:07:37 | 1:07:41 | |
# The moving van came round just after dark | 1:07:41 | 1:07:45 | |
# There was me and my old man Shoving things inside the van | 1:07:45 | 1:07:50 | |
# Which we'd often done before, let me remark | 1:07:50 | 1:07:54 | |
# We packed all that we could pack In the van, and that's a fact | 1:07:54 | 1:07:59 | |
# And we got inside all we could get inside | 1:07:59 | 1:08:04 | |
# Then we packed all we could pack On the tailboard at the back | 1:08:04 | 1:08:08 | |
# Till there wasn't any room for me to ride | 1:08:08 | 1:08:13 | |
# And my old man said follow the van | 1:08:13 | 1:08:18 | |
# And don't dilly-dally on the way | 1:08:18 | 1:08:22 | |
# Off went the cart with me home packed in it | 1:08:22 | 1:08:27 | |
# And I walked behind with me old cock linnet | 1:08:27 | 1:08:31 | |
# But I dillied and dallied Dallied and dillied | 1:08:31 | 1:08:36 | |
# I lost me way and don't know where to roam | 1:08:36 | 1:08:40 | |
# Cos I just popped in to have a little drop of gin | 1:08:40 | 1:08:45 | |
# And now I can't find my way home. # | 1:08:45 | 1:08:49 | |
-Is everybody happy? -ALL: You bet your life we are! | 1:08:49 | 1:08:54 | |
Course you are. You're having a better time than the King! | 1:08:54 | 1:08:57 | |
# And my old man said follow the van | 1:08:57 | 1:09:03 | |
# And don't dilly-dally on the way | 1:09:03 | 1:09:07 | |
# Off went the cart with me home packed in it | 1:09:07 | 1:09:12 | |
# And I walked behind with me old cock linnet | 1:09:12 | 1:09:16 | |
# But I dillied and dallied | 1:09:16 | 1:09:19 | |
# Dallied and dillied | 1:09:19 | 1:09:22 | |
# I lost me way and don't know where to roam | 1:09:22 | 1:09:25 | |
# And if someone could get me in it | 1:09:25 | 1:09:28 | |
# I'd be in there with me linnet But I can't find my way home. # | 1:09:28 | 1:09:34 | |
There he is. What did I tell you, Bernard? Marie Lloyd's back. | 1:09:52 | 1:09:58 | |
-A triumph. -I was looking out for you. I couldn't see you. -I was a little late, so I was at the back. | 1:09:58 | 1:10:02 | |
-Oh, you saw me? -Of course. | 1:10:02 | 1:10:05 | |
-# I dillied and dallied... # -You can still hear them cheering! -We must celebrate. | 1:10:05 | 1:10:09 | |
Book the biggest table at Romanov's. | 1:10:09 | 1:10:11 | |
In fact, book the whole of Romanov's. | 1:10:11 | 1:10:14 | |
I want everybody there. | 1:10:14 | 1:10:16 | |
I'll, er, join you later. | 1:10:16 | 1:10:18 | |
-What do you mean, Bernard? You're coming now, aren't you? -Yes. Well, later. | 1:10:19 | 1:10:25 | |
I have to just... | 1:10:25 | 1:10:27 | |
-Bit of business. -You mustn't let them see you drunk, you naughty boy. | 1:10:27 | 1:10:32 | |
I need to go and see someone. | 1:10:32 | 1:10:34 | |
-At this time of night? -Can I have some money? -What do you need money for? | 1:10:34 | 1:10:39 | |
-You're happy to give everyone else money. Just not the man you're supposed to love. -But I do love you. | 1:10:39 | 1:10:44 | |
Give me some money. | 1:10:47 | 1:10:49 | |
-I will do. -Thank you. | 1:10:51 | 1:10:54 | |
I'll try and see you later. If I can get away. | 1:10:54 | 1:10:57 | |
# A little bit of love is a luxury | 1:11:02 | 1:11:06 | |
# That's what people say | 1:11:06 | 1:11:11 | |
# And girls just long for a little bit of love | 1:11:11 | 1:11:16 | |
# At the close of day | 1:11:16 | 1:11:20 | |
# Now there's nothing like a little bit of loving | 1:11:20 | 1:11:25 | |
# If you take it in a quiet sort of way | 1:11:25 | 1:11:29 | |
# So just take my tip | 1:11:29 | 1:11:33 | |
# If you're asking for a bit Never mind what people say | 1:11:33 | 1:11:39 | |
# So just take my tip | 1:11:39 | 1:11:42 | |
# If you're asking for a bit Never mind what people say. # | 1:11:42 | 1:11:48 | |
HE HUMS | 1:11:48 | 1:11:50 | |
I'm famous! | 1:12:08 | 1:12:10 | |
RATTLING | 1:12:19 | 1:12:22 | |
(Bernard?) | 1:12:26 | 1:12:28 | |
Why are you taking my things? | 1:12:30 | 1:12:32 | |
You can't treat me like this, Bernard. | 1:12:34 | 1:12:37 | |
-Come to bed. -No. I've come back to change. | 1:12:37 | 1:12:40 | |
-Lend us some money. -Don't go out again. | 1:12:44 | 1:12:46 | |
Please. Stay with me, please. | 1:12:46 | 1:12:48 | |
Stop worrying. You know I always come home to you. | 1:12:48 | 1:12:52 | |
Promise? | 1:12:52 | 1:12:55 | |
Lend us some money. | 1:13:02 | 1:13:05 | |
No. | 1:13:05 | 1:13:07 | |
What did you make me do that for, you old cow? | 1:13:09 | 1:13:13 | |
Look at my hand. I'm bleeding. | 1:13:13 | 1:13:16 | |
-It hurt. It bloody hurt. -I'm so sorry. | 1:13:18 | 1:13:22 | |
Look, lie down here with me. | 1:13:22 | 1:13:25 | |
We'll make it better together. | 1:13:25 | 1:13:28 | |
There, there. | 1:13:28 | 1:13:30 | |
Marie'll take care of you. | 1:13:30 | 1:13:33 | |
Marie always takes care of everybody, don't she? | 1:13:33 | 1:13:36 | |
You're old, you're drunk and you're ugly. | 1:13:41 | 1:13:45 | |
# I'm very fond of ruins And ruins I like to scan | 1:14:53 | 1:14:58 | |
# You'd say I'm fond of ruins if you saw my old man | 1:14:58 | 1:15:03 | |
# I went out in the country for a stroll the other day | 1:15:03 | 1:15:08 | |
# Cos I like to study history and the pubs along the way | 1:15:08 | 1:15:12 | |
# I came across an abbey that had tumbled all to bits | 1:15:12 | 1:15:17 | |
# It seemed a relic of a bygone day | 1:15:17 | 1:15:21 | |
# A gentleman said, "What is this?" | 1:15:21 | 1:15:24 | |
# I said, "Excuse me, sir I'll tell you all about it, if I may | 1:15:24 | 1:15:30 | |
# "It's a bit of a ruin that Cromwell knocked about a bit | 1:15:32 | 1:15:37 | |
# "A bit of a ruin that Cromwell knocked about a bit | 1:15:37 | 1:15:42 | |
# "In the gay old days There used to be some doings | 1:15:42 | 1:15:47 | |
# "No wonder that the poor old abbey went to ruins | 1:15:47 | 1:15:52 | |
# "And those that study history sing and shout a bit | 1:15:52 | 1:15:56 | |
# "And you can bet your life there isn't a doubt of it | 1:15:56 | 1:16:00 | |
# "Cos outside the Cromwell Arms last Sunday night | 1:16:00 | 1:16:05 | |
# "I was one of the ruins that Cromwell knocked about a bit | 1:16:05 | 1:16:09 | |
# "And those that study history sing and shout a bit | 1:16:09 | 1:16:14 | |
# "And you can bet your life there isn't a doubt of it | 1:16:14 | 1:16:19 | |
# "Cos outside the Cromwell Arms last Saturday night | 1:16:19 | 1:16:24 | |
# "I was one of the ruins that Cromwell knocked about a bit." # | 1:16:24 | 1:16:28 | |
Is everybody happy? | 1:17:44 | 1:17:47 | |
You bet your life we are. | 1:17:49 | 1:17:51 | |
Subtitles by Red Bee Media Ltd 2007 | 1:18:34 | 1:18:38 | |
E-mail [email protected] | 1:18:38 | 1:18:41 |