Miss Marie Lloyd: Queen of the Music Hall


Miss Marie Lloyd: Queen of the Music Hall

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This programme contains some scenes of a sexual nature.

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# A little bit of love is a luxury That's what people say

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# And girls just long for a little bit of love

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# At the close of day

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# Now there's nothing like a little bit of loving

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# If you take it in a quiet sort of way

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# So just take my tip If you're going for a trip

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# Never mind what people say

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# A little of what you like I like, you like

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# It never does you any harm

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# And a little of what you like is bound to do you good

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# If you ever stayed the night, boys I bet you would holler, you would

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# Love is a funny feeling Feeling comes a-stealing

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# It makes the girls all love a man

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# And there's no use denying What is the use of lying?

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# That you like what I like A little love now and then. #

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APPLAUSE

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Ladies and gentlemen,

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the queen of the music halls - Miss Marie Lloyd.

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Is everybody happy?

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You bet your life we are.

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(Stand up straight. Act sad.)

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Oh, dear child.

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-How much?

-Two shillings.

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-Let's go buy some sweets, Tilly.

-No, Freddie. I've got a better idea.

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Go on, you've got five minutes.

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MUSIC-BOX STYLE MUSIC

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That's Little Tich, for obvious reasons.

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-You here to audition?

-Next!

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That's you, isn't it?

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Yeah, I suppose.

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-This your first time?

-Me?

-You've never been on stage before, have you?

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Course I have.

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-Bloody hell.

-Name?

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-Beg pardon?

-Name?

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Name!

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Not that difficult, is it?

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-IN POSH ACCENT:

-No, I just happen to have not quite heard. Miss Bella Delamare.

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Illuminate my day with the lightness of your voice, little Miss Songbird.

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-Beg pardon?

-Sing. Sing! Sing!

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# The boy I love is up in the gallery

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# The boy I love is waving down at me

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# There he is, can't you see?

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# Waving his handkerchief

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# As merry as a robin that sings on a tree. #

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-Thank you.

-Thank you for what?

-Thank you for coming.

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Good day. Next!

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Well?

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Well, come on, Till. Tell me.

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-How did you get on?

-They loved me.

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Well, who wouldn't, eh?

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I just weren't what they were looking for.

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They're so used to the chaff that... that when the wheat turns up...

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Maybe I'm not as good as you think I am.

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I should stick to curling feathers.

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Oi! You never give up.

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As your best pal, I'm telling you. You give up, you've failed.

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-Two shilling and sixpence?

-Take it or leave it.

-I'd have to leave it, Mr Belafonte.

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How dare you just walk out and leave me short of a girl?!

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-Two and six is more than enough for you to be standing on a stage and hoofing about a bit.

-Go!

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Excuse me.

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-Mr Belafonte...

-What?

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I've seen the Dolly Sisters' act. I know what they do.

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-So?

-I beg your pardon.

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Miss Bella Delamare at your service.

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I'm a dancer. Now, it's not normally in my nature to talk disrespectful of my fellow artistes, but...

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What? What are you going on about?

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I'll bloody do it for two-and-a-half bob.

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You've just found yourself your missing Dolly Sister.

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# I was proposed to by Obadiah Binks

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# In a very gentlemanly way

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# I lent him all me money so that he could buy the ring

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# Punctually at 12 o'clock today

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# There was I, waiting at the church

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# Waiting at the church Waiting at the church

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# When I found he'd left me in the lurch

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# Lor', how he did upset me

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# All at once He sent me round a note

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# Here's the very note And this is what he wrote

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# He said, "I can't get away to marry you today

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# "My wife...won't let me!" #

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# There was I, waiting at the church

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# Waiting at the church Waiting at the church

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# When I found he'd left me in the lurch

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-# Lor', how it does upset me! #

-Ooh!

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# All at once he sent me round a note

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# Here's the very note And this is what he wrote

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# He said, "I can't get away to marry you today

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# "My wife won't let me!" #

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-You little cow!

-What did I do?!

-You stole the limelight, when you're part of the chorus! It's not on!

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When you're part of the chorus, you play your part, just like everyone else.

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Well, I don't want to be like everyone else.

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Didn't let you down, did I, sir?

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What? Er...no, it was fine.

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-You were brilliant!

-Did you hear them all laughing?

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-All eyes were on you.

-Who wants to play the bridesmaid when you can play the bride?

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-Well, you were certainly the belle of the ball.

-Ignore him.

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-I'm Percy Courtenay.

-Are you, indeed?

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And I just wondered if the belle of the ball would care for a little refreshment after such exertions?

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-So, have you been dancing on the halls for long, Miss Delamare?

-No, Mr Courtenay. I'm a novice.

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-I'd like to make a career out of it, but it's not easy.

-You need to know the right people, don't you?

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Like you, I suppose.

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-What do you do, Mr Courtenay?

-My profession?

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Well, you're no drayman, are you, by the looks of those hands?

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-I invest on the market.

-What, fruit and veg?

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Stocks and shares.

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And you think I'm the type of girl that'll fall for a single rose?

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# The boy I love is up in the gallery

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# The boy I love is waving down at me There he is... #

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-She's got something.

-Really?

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Damned if I can see it.

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# ..Merry as a robin that sings on a tree. #

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Thank you.

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What do you think to the place?

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It's lovely here, innit?

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It is tonight.

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Here, with you.

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Flatterer!

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# ..There he is, can't you see? Waving his handkerchief... #

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She's got wit. Sparkle.

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# ..Merry as a robin that sings on a tree. #

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Give her five minutes on Monday night.

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I'm glad you agreed to see me again, Miss Delamare.

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-And I hope to see you a lot more often.

-No, you won't.

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-Oh.

-But you can see Miss Tilly Wood, if you like.

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-Tilly who?

-Bella Delamare's my stage name.

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I made it up. Nice, though, don't you think?

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Sophisticated.

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You should call yourself something more...

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-memorable.

-Like what?

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-Something simple.

-Charmed, I'm sure.

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-Well, I ain't having Tilly Wood.

-Why not?

-She's far too common, isn't she?

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What name would you suggest?

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What about...

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Marie?

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What about Mah-ree?

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Marie. Yeah.

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Marie what?

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# And amongst the boys I've got myself a lover

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# And since I got a lover Why, I don't care a fig

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# Cos the boy I love is up in the gallery

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# The boy I love is waving down at me

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# There he is, can't you see?

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# Waving his handkerchief As merry as a robin that sings on a tree. #

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More!

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No-one's ever given me a rose before, Freddie.

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So it's Marie Lloyd now, is it?

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Yes, and don't she sing nice?

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I'll give you ten shillings a performance, and a regular spot.

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-Monday night.

-You've missed the boat. I'm already booked on a Monday,

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-at the Royalty in Bethnal Green.

-Shawcross?

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-How much is he paying you?

-12 shillings and sixpence.

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I'll give you 13.

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-Er...I don't think she can let Mr Shawcross down.

-No, he's a very important man.

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15 shillings and sixpence.

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Done.

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Magnificent!

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Clever girl. You shouldn't be allowed.

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There she is.

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Miss Marie Lloyd of London. A common thief.

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-Who are you?

-That song, it's mine.

-Which song?

-The only bleeding song in your act worth singing.

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-The Boy In The Gallery. I own the rights.

-Oh, I had no idea.

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-I bought the words and music from Hoxton Market. Honest.

-You can't just sing somebody else's material.

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What did you pay for it? Two, three pounds?

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For a song like that?

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You need to keep up with the times, young man. That's a five-pound song.

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Thank you.

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I am slightly mollified.

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Never say Miss Nelly Powers - songbird with a light comic patter -

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doesn't want to help those lower down the bill than herself.

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I'm sure.

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That's your lot.

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We'll take all six.

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That'll be 18 pounds, sir.

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Thank you.

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# My morning promenade Quite a fashion card on the promenade

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# Now, I don't mind nice boys staring hard If it satisfies their desire

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# Do you think my dress is a little bit, just a little bit

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# Not too much of it And if it shows my shape just a little bit

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# That's the little bit the boys admire. #

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It's very good.

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-Really?

-Mm.

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Percy?

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-Good.

-You didn't like it?

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It just needs to feel more...

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-You didn't like it.

-You didn't seem...

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-relaxed.

-It was good. It was good.

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You just need to give more.

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Give more? What does "give more" mean?

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You need to let the audience know that you're enjoying yourself.

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You need to flirt with them.

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-And then... Well, they can enjoy themselves.

-Yeah.

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# Since Mother Eve in the garden long ago

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# Started a fashion Fashion's been a passion

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# Eve wore a costume we might describe as brief

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# Still, every season brought a change of leaf

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# She'd stare if she could come to town

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# Now what would Mother Eve think of my new Parisian gown?

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# When I take my morning promenade Quite a fashion card on the promenade

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# Now, I don't mind nice boys staring hard

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# If it satisfies their desire

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# Do you think my dress is a little bit, just a little bit

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# Not too much of it And if it shows my shape just a little bit

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# That's the little bit the boys admire

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# Fancy the girls in the prehistoric days

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# Each wore a bearskin to cover up their fair skin

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# Lately Salome has charmed us, to be sure

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# Wearing just a row of beads and not much more

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# Fancy me dressing like that, too!

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# I'm sure the Daily Mirror man would love an interview

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# When I take my morning promenade Quite a fashion card on the promenade

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# Now, I don't mind nice boys staring hard

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# If it satisfies their desire

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# Do you think my dress is a little bit, just a little bit

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# Not too much of it And if it shows my shape just a little bit

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# That's the little bit the boys admire. #

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APPLAUSE AND CHEERING

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"Marie Lloyd has an exceptionally quick ear for both pitch and rhythm."

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Let me see, Perce.

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Perce!

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"Her step dancing is perfectly punctuated

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"with revealing displays of silk drawers, frilled below the knees.

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"She is much appreciated by both sexes."

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You're being admired, Tilly.

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It's Marie. Tilly's dead.

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They like me, don't they, Perce?

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One day I want to be top of the bill...Friday and Saturday nights.

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I think they love me.

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Who could blame them?

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So, Mr Percy Courtenay, where do we go from here?

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It's your fault.

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What are we going to do?

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My father used to say, "Where there's a problem, there's a solution."

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Girls have died doing that.

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I've heard - don't think I haven't.

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Well, maybe that wasn't the solution I had in mind.

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What you staring at?

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-You.

-Why, what's wrong with me?

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Nothing.

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You're beautiful.

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Make a wish and blow.

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You'll say yes, won't you?

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What's up with you?

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Nothing's up with me! Except...

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-It's a big thing, ain't it, getting married?

-Oh, my God.

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-Are you sure?

-Course I'm sure.

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-Ain't you going to congratulate me?

-I dunno.

-Why not?

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You tell me.

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I'm marrying him because I want to.

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It's as simple as that.

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Mr Percy Courtenay.

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I love him!

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-That's all that matters, then.

-Yep.

-Congratulations.

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-Look. Ain't it lovely?

-Gorgeous.

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# Now I never was a one to go and skimp myself

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# Cos if I likes a thing, I likes it, that's enough

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# But there's lots of people say That if you likes a thing a lot

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# It will grow on you and all that sort of stuff

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# Now, I likes me drop of stout as well as anyone... #

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The bride and groom!

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# Although, don't you know it's supposed to make you fat

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# And there's many a lah-di-dah-di madam

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# Who wouldn't dare to touch it

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# Cos she says it spoils her figure The silly cat!

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# Well, I always hold with having it if you fancy it

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# If you fancy it, that's understood

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# And suppose it makes you fat

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# I don't worry over that Cos a little of what you fancy does you good

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# Now, once a year I likes a little holiday

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# And we always have one My old man and me

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# But the last time that we had one

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# He sprung up a new idea

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# When he saw the ladies bathing in the sea

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# He says, "Now what a man requires is a change in everything"

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# And how he ought to take his holidays alone

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# You know Away from everyday affairs

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# Very likely if you want a little fortnight on your own

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# Well, I always hold with having it if you fancy it

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# If you fancy it, that's understood

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# But if that's your blooming game I intend to do the same

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# Cos a little of what you fancy does you good...

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# And suppose it makes you fat I don't worry over that

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# Cos a little of what you fancy does you good. #

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You can't sing that to her!

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She fell asleep after the first verse.

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I'm sending my audience to sleep!

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Oh, look.

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I think she's got my nose.

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-Oh, Percy, you shouldn't even joke about things like that.

-You cheeky...!

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# If that's your blooming game I intend to do the same

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# Cos a little of what you fancy does you good

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# But if that's your blooming game I intend to do the same

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# Cos a little of what you fancy does you good. #

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# If I could pick up the Hackney Road and put it over there

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# I'd like to live in Paris all the time

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# I'd like to live in Paris all the time! #

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-I'd better go.

-No, no, no, no. Just one last song.

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Marie, I've booked a table at Romanov's. Come on.

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Oh, come on, sing a song!

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One more, come on.

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-Just one last song. You go ahead, I won't be long.

-Right, same again for everyone?

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# Every little movement has a meaning of its own

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# Every little movement tells a tale

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# And when she walks in dainty hobbles... #

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# As I walk along the Bois de Boulogne With an independent air

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# You can hear the girls declare "He must be a millionaire!"

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# You can hear them sigh and wish to die You can see them wink the other eye

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# At the man who broke the bank at Monte Carlo

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# As I walk along the Bois de Boulogne With an independent air

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# You can hear the girls declare "He must be a millionaire!"

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# You can hear them sigh and wish to die You can see them wink the other eye

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# At the man who broke the bank at Monte Carlo. #

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DOOR CLOSES Good evening, sir.

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-Good evening, madam.

-Hello, Daisy.

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FOOTSTEPS APPROACH

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Where've you been? I waited for you.

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I couldn't get away.

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One song turned into another. You know how it is.

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Gardenias?

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-What are you smelling of perfume for?

-Do I?

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-Yeah, you do.

-I'm tired.

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I don't care if you're tired.

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Where have you been, Percy?

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-Nowhere.

-Then why do you reek like...?

-Look, I can go out if I want, can't I?

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-A few drinks at a gentleman's club. That's what gentlemen do.

-What, when I'm paying for it?

0:27:150:27:20

Oh, lucky me. The famous Marie Lloyd pays for her husband to dine alone.

0:27:200:27:23

-Don't talk to me like that.

-Shut up. I can talk to you any way I want.

-No, you won't.

0:27:230:27:27

I said shut it!

0:27:270:27:29

I'm your husband.

0:27:290:27:31

Show me some respect.

0:27:310:27:33

There's no excuse for it.

0:27:330:27:36

Ain't there?

0:27:360:27:38

No, there ain't.

0:27:380:27:40

I'm in charge.

0:27:400:27:43

Let's go to bed. I'm tired.

0:27:480:27:50

# A little bit of love is a luxury

0:27:590:28:04

# That's what people say

0:28:040:28:08

# And girls just want a little bit of love

0:28:080:28:14

# At the close of day

0:28:140:28:18

# Now there's nothing like a little bit of loving

0:28:180:28:23

# If you take it in a quiet sort of way

0:28:230:28:27

# So just take my tip If you're asking for a bit

0:28:270:28:32

# Never mind what people say

0:28:320:28:37

# So just take my tip If you want a bit... #

0:28:370:28:41

-Your usual table, Mr Lloyd?

-Courtenay.

0:28:430:28:45

The name is Courtenay.

0:28:450:28:48

Usual table.

0:28:480:28:50

We fit in perfectly, don't we, Marie?

0:29:030:29:06

-No-one would think you were common, would they?

-Let's not cause a scene in public.

0:29:060:29:12

Where's Freddie?

0:29:140:29:17

-He's not coming.

-Why not?

-Because I thought we would have a night on our own.

0:29:170:29:22

-Would you be so kind, Miss Lloyd?

-Of course.

0:29:220:29:26

Can we not have one meal without being followed by swarms of Marie Lloyd admirers?

0:29:260:29:31

-Thank you.

-You're welcome.

0:29:390:29:42

# Now there's nothing like a little bit of loving

0:29:480:29:53

# If you take it in a quiet sort of way

0:29:530:29:56

# So just take my tip If you're asking for a bit

0:29:560:30:02

# Never mind what people say

0:30:020:30:06

# So just take my tip If you're asking for a bit

0:30:060:30:11

# Never mind what people say. #

0:30:110:30:16

Tell me you love me, Freddie.

0:30:300:30:32

I love you.

0:30:340:30:36

Then stop looking so cross.

0:30:360:30:38

Look, I don't want you going on stage drunk.

0:30:380:30:41

I've got a natural tolerance to champagne. I was born to bathe in the stuff.

0:30:410:30:45

-If he makes you unhappy...

-I don't deserve to be unhappy, do I, Freddie?

0:30:450:30:49

I'm not unhappy. I'm happy.

0:30:500:30:54

I'm as happy as happy as happy.

0:30:540:30:57

Good.

0:30:590:31:01

APPLAUSE

0:31:140:31:15

LAUGHTER

0:31:280:31:30

Hello, Mother.

0:31:320:31:35

Don't you "Hello, Mother" me! Where have you been, daughter?

0:31:350:31:38

I've been peeping.

0:31:380:31:40

Peeping? And what have you been peeping at, pray? As if we didn't know.

0:31:400:31:45

I've been peeping at Little Boy Blue.

0:31:470:31:50

And why have you been doing that, daughter?

0:31:500:31:53

Because I'm Little Bo Peep, and every day, a-peeping I must go.

0:31:530:31:57

Oh, naughty, naughty!

0:31:570:32:00

I don't like it here, Mother. It's far too cold.

0:32:030:32:07

-SHE SQUEALS

-Oh, what a terrible draught! I don't know where it's coming from,

0:32:070:32:12

but I know where it's going!

0:32:120:32:15

Say hello to your grandmother, daughter.

0:32:170:32:20

My, what big eyes you've got, Grandmother!

0:32:200:32:24

All the better to see you with, my child.

0:32:240:32:28

My, what big ears you've got, Grandmother!

0:32:300:32:34

All the better to hear you with, my child.

0:32:340:32:38

My, what a big tongue you've got, Grandmother!

0:32:380:32:42

All the better to eat you with, my dear. SHE SCREAMS

0:32:420:32:46

My hero!

0:33:030:33:06

Oh, my beloved.

0:33:060:33:08

Oh, my goodness!

0:33:080:33:10

50 pounds? Christ, what's he been buying, the crown jewels?

0:33:140:33:17

Well, hats, shoes, jewellery, underwear.

0:33:170:33:20

-Your husband knows how to spend!

-Swan & Lilley? That's a ladies' outfitters, ain't it?

0:33:200:33:24

Very select.

0:33:240:33:26

So many pairs of silk stockings.

0:33:260:33:28

Finest silk. Only the best for Mr Courtenay, ma'am.

0:33:280:33:31

But these bills do need settling.

0:33:310:33:33

Right. Follow me.

0:33:330:33:36

Here you are. There's his suits for starters. Here are his shirts.

0:33:390:33:44

Here are his scarves, and down there, his shoes.

0:33:440:33:47

And over here are his diamond tiepins and cufflinks.

0:33:470:33:50

And if that don't cover it, he'll be home some time in the morning, I expect.

0:33:500:33:54

I suggest you collar him for yourself.

0:33:540:33:57

For a man with such fine taste, he always comes home smelling of cheap perfume.

0:33:570:34:03

Hey, er...one other thing.

0:34:040:34:07

Would you mind?

0:34:070:34:09

For the missus.

0:34:090:34:10

Yeah, of course.

0:34:100:34:13

It's, er, Queenie.

0:34:130:34:14

-Much obliged.

-Pleasure.

0:34:190:34:21

# I'm Burlington Bertie I rise at 10.30

0:34:310:34:36

# And Buckingham Palace I view

0:34:360:34:41

# I stand in the yard while they're changing the guard

0:34:410:34:46

# And the Queen shouts across, "Toodle-oo!"

0:34:460:34:51

# The Prince of Wales' brother Along with some other

0:34:510:34:56

# Slaps me on the back and says, "Come and see Mother!"

0:34:560:35:01

# But I'm Bert, Bert

0:35:010:35:05

# And Royalty hurt When they ask me to dine, I say no

0:35:050:35:10

# I've just had a banana with Lady Diana

0:35:110:35:17

# I'm Burlington Bertie from Bow

0:35:170:35:21

# I'm Burlington Bertie from Bow

0:35:220:35:25

# Burlington Bertie from Bow. #

0:35:280:35:33

KNOCKING PERCY: I love you.

0:35:350:35:38

I've only ever loved you.

0:35:380:35:41

Let's start again. Another chance.

0:35:410:35:43

Look, I've been seeing someone tonight who can make you a real star.

0:35:450:35:49

-I AM a real star.

-Yeah, but only in this country. I'm talking about the world.

-(It's all right.)

0:35:490:35:54

Percy, go away.

0:35:540:35:56

-(It's all right, sweetheart.)

-Open the door!

0:35:560:35:59

It's all right, darling. OK.

0:35:590:36:02

'Please, boys, come on, let me through.'

0:36:020:36:05

Come on, please. Come on.

0:36:050:36:07

We've got a show to do.

0:36:070:36:09

THEY ALL SHOUT AT ONCE

0:36:100:36:12

Leave the lady alone.

0:36:120:36:14

We've got a show to do.

0:36:140:36:18

I can't do it, Dan. Not tonight.

0:36:490:36:52

-Course you can.

-You must, Marie.

0:36:520:36:54

How can I go on stage when they've all read about me in the papers?

0:36:540:36:58

So what's the great Marie Lloyd going to do? Run away and hide?

0:36:580:37:01

Show 'em nothing can hurt you.

0:37:010:37:04

When they see you've stopped smiling, they'll stop smiling.

0:37:040:37:07

Go on, Marie.

0:37:070:37:09

APPLAUSE

0:37:120:37:14

Ladies and gentlemen,

0:37:310:37:34

I give you your own, your very own,

0:37:340:37:38

the one and only... Miss Marie Lloyd!

0:37:380:37:44

APPLAUSE

0:37:440:37:46

Is everybody happy?

0:37:580:38:00

SILENCE

0:38:000:38:02

I said, is everybody happy?

0:38:020:38:06

SILENCE

0:38:060:38:08

I know what you're thinking.

0:38:090:38:11

Ain't it shocking? Ain't he a devil?

0:38:110:38:14

How can he do this to Our Marie when she's such a lady?

0:38:140:38:19

Well, there's only one thing I've got to say to my husband, Mr Percy Courtenay,

0:38:190:38:25

and it goes like this.

0:38:250:38:26

# Hold your hand out, naughty boy

0:38:290:38:34

# Hold your hand out, naughty boy

0:38:340:38:39

# Last night, in the pale moonlight

0:38:390:38:43

# I saw you

0:38:430:38:47

# With a nice girl in the park

0:38:480:38:52

# You were strolling full of joy

0:38:520:38:57

# And you told me you'd never kissed a girl before

0:38:570:39:02

# Hold your hand out, naughty boy! #

0:39:020:39:08

Milk or cream?

0:39:080:39:10

Cream.

0:39:100:39:12

Sugar?

0:39:140:39:15

Stop playing daft.

0:39:150:39:17

-It's you who's being daft, dragging our names through the dirt.

-Yeah? You love the publicity.

0:39:170:39:22

Not this sort.

0:39:220:39:24

-Biscuit?

-No.

-Please yourself, I'm sure.

0:39:240:39:28

Look, Marie...

0:39:280:39:31

I need you.

0:39:310:39:33

Why do you need me, Percy?

0:39:330:39:35

-Because...

-Well?

0:39:350:39:37

-I just do.

-Well, give me one good reason.

0:39:370:39:40

-You know I love you.

-Oh, do I?

0:39:420:39:46

Of course I do. I married you, didn't I?

0:39:460:39:48

And we know why, don't we? Cos I was your big investment.

0:39:480:39:53

Yeah, well, I've got nothing, Marie. Nothing.

0:39:530:39:56

Do you want to know why you've got nothing?

0:39:560:39:58

-He's got no money cos he gambled it all away.

-Shut it!

0:39:580:40:01

For a short time, though, you were lucky, weren't you?

0:40:010:40:04

-You had a winning smile and a winning hand.

-Marie, please.

0:40:040:40:07

What am I going to do?

0:40:110:40:14

Marie, help me.

0:40:140:40:16

I don't give a raspberry tart.

0:40:160:40:18

-Raspberry tart...?

-Fart!

-Oh, good Lord.

0:40:180:40:21

Without me, you'd be nothing.

0:40:210:40:24

No. Without me, you ARE nothing.

0:40:240:40:28

Some people have little or no decorum.

0:40:340:40:38

I've got bloody decorum.

0:40:380:40:40

# And you told me you'd never kissed a girl before

0:40:420:40:46

# Hold your hand out, naughty boy. #

0:40:460:40:52

She has taken music hall to a new low, and to hear her talk of nothing but kissing and hugging and...

0:41:050:41:11

and tipping the wink is nothing short of filth. She is a strumpet.

0:41:110:41:15

She is an entertainer, and uses the milieu...

0:41:150:41:19

-She has taken music hall to a new low, and in a Christian country, we must make a stand.

-There she is!

0:41:190:41:25

A Christian country, Miss Lloyd, with morals and...

0:41:260:41:31

I don't give a damn what you and your high and mighty ladies of society say about me.

0:41:310:41:36

In fact, keep on saying what you want, because the more things you say, the fuller the houses are.

0:41:360:41:41

I think they're jealous. Their husbands obviously prefer you to them.

0:41:410:41:45

CHATTER

0:41:480:41:51

APPLAUSE

0:41:530:41:55

APPLAUSE AND CHEERING

0:41:550:41:56

PLAYS FANFARE

0:42:010:42:03

BAND PLAYS: "Rule, Britannia"

0:42:070:42:10

LAUGHTER

0:42:100:42:12

I shall have the last laugh, Mr Belafonte, when I close your music hall down.

0:42:200:42:25

The Vigilance Committee, Marie.

0:42:330:42:35

-Mrs Chant has taken her case to the Vigilance Committee.

-So what?

0:42:350:42:39

If they rule that your act is immoral, they could close my hall down.

0:42:390:42:43

Immoral? What on Earth do you mean?

0:42:430:42:45

-Lewd.

-Oh, Mr Belafonte!

0:42:450:42:48

I've never had a lewd thought in my life.

0:42:480:42:51

You'll do your best to convince them otherwise, won't you, Marie? Promise?

0:42:510:42:57

I might.

0:42:570:42:59

# What a silly girl I am. #

0:43:030:43:06

Terribly sorry I'm late, gentlemen.

0:43:070:43:10

-Oh, Mrs Chant. Good day to you.

-Miss Lloyd.

0:43:100:43:15

How can I be of assistance?

0:43:150:43:17

As you know, Miss Lloyd, your lyrics are causing a stir, and we have had complaints.

0:43:170:43:22

Really? I can't think why.

0:43:220:43:25

Would it be possible for you to tell me which particular lyric is causing offence?

0:43:250:43:30

I merely aim to entertain, not to offend.

0:43:300:43:33

Most of them.

0:43:330:43:35

Pray tell, Mrs Chant. Specifics.

0:43:350:43:37

Well, what's that "a little of what you fancy" supposed to be about?

0:43:370:43:43

It's always been a belief of mine that a little bit, not too much, of what one fancies is a good thing.

0:43:430:43:48

My dear mother, for example, loves a dandelion and burdock,

0:43:480:43:51

but I don't advise her to drink it by the gallon.

0:43:510:43:54

-Very laudable. Would you please submit your song lyrics?

-Here.

0:43:540:43:58

"Do you think my dress is just a little bit"?

0:44:050:44:09

People like to see a fine gown on a woman. Don't they?

0:44:090:44:13

Quite.

0:44:130:44:16

Er, there is the question of you showing off your...

0:44:160:44:21

My drawers?

0:44:210:44:22

In red, white and blue.

0:44:220:44:25

It was the King's birthday. It was a special occasion.

0:44:250:44:29

-Very patriotic, I'm sure.

-It won't happen again.

-I hope not.

0:44:290:44:34

"She sits amongst the cabbages and peas"?

0:44:340:44:38

An innocent song about a lady who sits in her vegetable garden.

0:44:380:44:43

-How can it be anything more than innocent?

-I think you know, Miss Lloyd.

0:44:430:44:47

So do you suggest that I change the particular vegetable selected?

0:44:470:44:51

There must be... must be one good substitute. Yeah.

0:44:510:44:55

Very well. She sits amongst the cabbages and...

0:44:550:44:59

-leeks?

-Miss Lloyd!

-What?!

0:44:590:45:02

And there's the nub of it, gentlemen.

0:45:060:45:09

Perhaps it's in the imagination of the audience and not in the intention of the performer.

0:45:090:45:14

-Thank you, Miss Lloyd. You'll be informed of the committee's verdict.

-Thank you, gentlemen.

0:45:140:45:19

I'm sure you'll pass the right motion.

0:45:190:45:21

# Up to the West End Right in the best end

0:45:350:45:38

# Straight from the country came Miss Maudie Brown

0:45:380:45:43

# Father a curate But couldn't endure it

0:45:430:45:47

# That's why the lady's residing in town

0:45:470:45:51

# 12 months ago her modest self

0:45:510:45:54

# Felt quite sublime to sit on a fellow's knee

0:45:540:45:58

# Who's been in all the grime

0:45:580:46:00

# If you should want a kiss She'd droop her eyes like this

0:46:000:46:04

# But now she droops them just one at a time

0:46:040:46:08

# Every little movement has a meaning of its own

0:46:080:46:12

# Every little movement tells a tale

0:46:120:46:17

# And when she walks in dainty hobbles

0:46:170:46:21

# At the back around here There's a kind of wibble-wobble

0:46:210:46:25

# And she glides like this

0:46:250:46:29

# And the Johnnies follow in her trail

0:46:290:46:33

# Cos when she turns her head like so Something's going, don't you know?

0:46:330:46:37

# Every little movement tells a tale

0:46:370:46:40

# Cos when she turns her head like so

0:46:400:46:44

# something's going, don't you know?

0:46:440:46:45

# Every little movement tells a tale. #

0:46:450:46:50

APPLAUSE AND CHEERING

0:46:500:46:52

Evening, sir. All on your own tonight?

0:47:040:47:06

All the lovely ladies to yourself, then.

0:47:090:47:12

-You should be ashamed of yourself, charging a shilling to peep at these girls.

-Who's it harming?

0:47:120:47:17

-Well, it ain't harming your pocket!

-You do well enough out of me.

0:47:170:47:21

-But they don't! Hardly enough to feed their children.

-If they don't like it...

0:47:210:47:25

No wonder there's talks of strikes. Here you are, girls. Have a drink on me this evening, all right?

0:47:250:47:30

-Thank you!

-It's all right, darling.

0:47:300:47:32

-Miss Marie Lloyd to the rescue again.

-Get these people out of here, Freddie.

0:47:320:47:36

Come on, you lot. Ain't you got homes to go to?

0:47:390:47:41

You're not frightened of anyone, are you?

0:47:450:47:48

Well, I'm not frightened of Belafonte.

0:47:480:47:50

But I am scared that you're not going to invite me over the road for a drink.

0:47:500:47:55

-How about tonight?

-Or maybe we should be getting home, eh?

0:47:550:47:59

And maybe you should be minding your own business.

0:47:590:48:03

I'd be delighted, Mr Hurley.

0:48:030:48:06

-I'm only thinking of you.

-You're not my moral guardian.

0:48:100:48:14

-You know, I hate it when you're in one of these moods.

-You hate me?

-Your moods.

0:48:140:48:19

-What moods?

-When you're the only person in the world that matters.

0:48:190:48:23

-What are you doing here, Freddie?

-Sorting out your clothes.

-You're here because I'm employing you.

0:48:230:48:27

-No.

-That's what you're doing here.

0:48:270:48:29

-I've spent my whole life looking after you.

-That's a lie.

0:48:290:48:34

Be quiet.

0:48:340:48:36

No, I've spent MY whole life looking after YOU.

0:48:360:48:40

-You don't want me to be happy.

-I don't want to see you making another mistake.

-Well, go, then.

0:48:400:48:45

-I don't need you.

-You do.

0:48:450:48:47

How dare you think I need you?!

0:48:470:48:50

You want me to go?

0:48:500:48:52

Yes. Go!

0:48:520:48:54

# She's my lady love

0:49:170:49:21

# She is my dove, my baby doll

0:49:210:49:26

# She's no girl for sitting down to dream

0:49:260:49:31

# She's the only queen Laguna knows

0:49:310:49:36

# I know she likes me

0:49:360:49:39

# I know she likes me Because she said so

0:49:390:49:44

# She is the Lily of Laguna

0:49:440:49:49

# She is my lily and my rose. #

0:49:490:49:54

CHEERING AND APPLAUSE

0:49:540:49:57

You meant what you were singing tonight, didn't you, Alec?

0:50:060:50:10

I did.

0:50:100:50:13

I could tell.

0:50:130:50:15

-There was a sparkle in them eyes, and it weren't caused by the stage lamps, was it?

-No.

0:50:150:50:20

What caused it?

0:50:200:50:23

You know what caused it.

0:50:240:50:27

You did. As always.

0:50:270:50:30

The things you say. Really?

0:50:310:50:35

What's up, Alec?

0:50:440:50:46

You make me shiver.

0:50:460:50:48

When you hold my hand.

0:50:480:50:50

You need a pair of gloves, darling.

0:50:500:50:52

I'll buy you some from Simpsons.

0:50:520:50:54

I don't need gloves to keep me warm.

0:50:540:50:56

What do you need?

0:50:580:51:00

Naughty!

0:51:020:51:03

You're an old rooster, ain't you?

0:51:030:51:07

Old faithful, more like.

0:51:070:51:09

I could do with some of that right now.

0:51:120:51:16

Me, too.

0:51:160:51:18

Percy Courtenay said he would love me for ever.

0:51:180:51:22

Don't let me down, Alec, eh?

0:51:240:51:27

Never.

0:51:280:51:30

Well, I'm sure we can come to an amicable arrangement, Miss Lloyd.

0:51:370:51:40

Why does it need to be amicable? I'll give him £2,000 for three years.

0:51:400:51:44

Miss Lloyd, these matters are complicated. There's the issue of custody, the house...

0:51:440:51:49

Those are my terms. Take it or leave it.

0:51:490:51:53

Miss Lloyd, please. Stay.

0:51:530:51:55

-I'll take it.

-Oh.

0:51:570:52:00

Good day, sir.

0:52:000:52:02

-She looks old.

-Yeah.

0:52:080:52:10

-And fat.

-Oh.

0:52:100:52:12

Still, nothing lasts for ever, does it?

0:52:170:52:20

(Marie Lloyd does it again.)

0:52:280:52:31

Oh!

0:52:360:52:38

I love these slippers.

0:52:390:52:42

-Oh, Alec, you are funny! How can anyone love slippers?

-I don't know.

0:52:420:52:46

I just do. They feel right.

0:52:460:52:49

Just like you and me in this house together. That feels right, too.

0:52:490:52:52

-Yeah.

-We're going to have a lovely little life together.

0:52:520:52:56

Little?

0:52:560:52:57

Where's me champagne?

0:52:570:52:59

I thought this morning...tea.

0:52:590:53:02

-Tea's for old ladies.

-We're not getting any younger.

0:53:020:53:05

Alec, you were born 100!

0:53:050:53:08

We could walk on the heath today.

0:53:090:53:11

I thought that we could work on a double act.

0:53:110:53:15

Eat your egg.

0:53:160:53:18

Fair deal for artistes!

0:53:280:53:30

Fair deal for artistes!

0:53:300:53:32

I want the world to know that I'm with you people.

0:53:360:53:38

They can bully you, but they can't bully me.

0:53:380:53:41

So together we shall be indestructible.

0:53:410:53:44

Fair deal for artistes!

0:53:440:53:46

Fair deal for artistes!

0:53:460:53:49

-What does Marie think she's doing, Alec?

-She won't be talked out of it.

0:53:490:53:53

You know this strike's spreading.

0:53:530:53:55

-Two more halls in Shoreditch have gone dark. She's going to drive us out of business.

-I know, sir, but...

0:53:550:54:00

Look, what kind of man are you? She's your wife. Tell her! Make her obey you.

0:54:000:54:05

He's blaming me for not controlling you.

0:54:110:54:15

What does he think I am - your dog?

0:54:150:54:18

I told him that's easier said than done.

0:54:180:54:20

If it wasn't for me, those girls would be crushed, and back at work, humiliated.

0:54:200:54:24

-Yeah, but you've made your point now, though, yeah?

-It's not about making a point.

0:54:240:54:29

-You'll run out of money at this rate.

-It gives me pleasure.

0:54:290:54:32

Yes, but are you doing good to make yourself feel better,

0:54:320:54:36

with this strike?

0:54:360:54:38

What do you suggest, then, Alec?

0:54:380:54:40

That we cave in to Belafonte and his like?

0:54:400:54:42

No, of course not.

0:54:420:54:45

Tell... Ask Miss Lloyd to come and see me, would you?

0:55:140:55:18

-One newspaper has called you a saint.

-Oh, how nice of them!

0:55:210:55:26

I'll pay you £100 a week if you break the strike and go back to work.

0:55:270:55:33

-Don't talk silly. I'm not a blackleg, Arthur.

-No, but you don't seem to mind

0:55:330:55:38

-betraying those who helped you climb to the top in the beginning!

-It's the public who make you a star, dear.

0:55:380:55:43

And it's the managers who pay you handsomely for that privilege.

0:55:430:55:47

-You only pay me what I'm worth.

-And you are worth everything.

0:55:470:55:51

But you shouldn't sully your professional reputation.

0:55:510:55:55

Especially not when there's an invitation to perform before the King.

0:55:550:55:59

We all want you topping the bill at the Royal Command, but...

0:55:590:56:03

-Are you attempting to blackmail me, Mr Belafonte?

-Not at all. I'm...

0:56:030:56:07

I'm appealing to your better nature.

0:56:070:56:10

I will not cave in to your demands.

0:56:100:56:13

The public like me, and His Majesty, I am sure, is quite aware of that.

0:56:130:56:18

I take it that's your last word on the matter?

0:56:200:56:23

Minimum performance rates for all of you! Is everybody happy?

0:56:290:56:35

ALL: You bet your life we are!

0:56:350:56:38

Thank you, Arthur.

0:56:400:56:42

All is forgiven.

0:56:420:56:45

Forgiven, but never forgotten.

0:56:470:56:50

I just think, as my wife...

0:56:590:57:01

Oh, be quiet, Alec. Just be quiet.

0:57:010:57:03

-I was merely pointing out...

-I know, I know.

0:57:030:57:06

I should be drinking tea.

0:57:060:57:08

Shall we go for a walk?

0:57:100:57:12

No.

0:57:130:57:15

Just trying to be pleasant.

0:57:150:57:17

And as with everything else, you're failing, I'm afraid, Alec.

0:57:170:57:21

You'll end up with no-one.

0:57:260:57:28

APPLAUSE

0:58:280:58:30

Freddie.

0:58:550:58:56

-First little tiff, and you run off, never to be seen again.

-Marie.

-You said you'd always look after me.

0:58:590:59:05

-I thought you...

-I knew you'd be missing me.

0:59:060:59:10

Hello.

0:59:160:59:18

The famous Marie Lloyd.

0:59:250:59:28

The famous jockey.

0:59:280:59:30

Bernard Dillon, the Derby winner.

0:59:370:59:39

-And what's he doing here?

-Making a personal appearance.

-HE LAUGHS

0:59:390:59:43

-What?

-You're a married woman - that's what.

0:59:430:59:47

# If you'll be a sport And join the classy sort

1:00:001:00:04

# You must copy country squires Chasing foxes in the shires

1:00:041:00:09

# Fetch your hunting gear And chase the pretty deer

1:00:091:00:13

# And try to attract the ladies' fair, from Petticoat Lane to Berkeley Square

1:00:131:00:17

# Hunting after dark through the streets of London town

1:00:191:00:22

# Yikes! A coy little maid I spy

1:00:221:00:24

# And look how she winks the other eye

1:00:241:00:26

# My, what shall I do all alone here in the park?

1:00:261:00:30

# It's nearly ten And I'm scared of men hunting after dark. #

1:00:301:00:34

You're so naughty!

1:00:341:00:36

-So, where do we go afterwards?

-Afterwards? This IS afterwards. It's past midnight.

1:00:391:00:44

I thought you theatricals were always up all night.

1:00:441:00:47

No, we need to keep our strength up, don't we, Alec? And I need my beauty sleep.

1:00:471:00:51

You don't need any beauty sleep, Marie. Trust me.

1:00:511:00:55

Night-night, Bernie.

1:01:061:01:08

I don't want to hear any tales of naughtiness tomorrow.

1:01:081:01:11

Think of me, won't you? Because I'll be thinking of you.

1:01:131:01:17

Drive on.

1:01:191:01:21

Oh, what now?

1:01:251:01:26

Always having to draw attention to yourself. It's undignified.

1:01:261:01:30

Undignified, is it? Oh, mister high and mighty.

1:01:301:01:33

-What's dignified, then? You?

-I know how to behave.

1:01:331:01:36

-But you don't know how to have fun. And that's the difference.

-You're a married woman.

-Yes.

1:01:361:01:42

-But I'm not dead.

-You're starting to disgust people. Can you not see that?

1:01:421:01:47

No, I disgust you. Everybody else loves me.

1:01:471:01:50

-I wouldn't be so sure.

-What, you think they love you?

1:01:501:01:54

You think they're interested in what YOU do? No-one would have heard of you if it hadn't have been for me.

1:01:541:01:58

For what it's worth, people HAD heard of me.

1:01:581:02:01

They clap your act because you're married to me.

1:02:011:02:04

They clap out of respect...for me.

1:02:041:02:07

Maybe we are a mistake.

1:02:071:02:10

Stop the carriage!

1:02:131:02:14

Stop the carriage!

1:02:151:02:18

Walk on.

1:02:261:02:27

You are watching me tonight, aren't you, Bernard?

1:02:431:02:46

I'll wait for you at Romanov's.

1:02:461:02:48

Where's the champagne?

1:02:481:02:50

Get another one from the bar, darling. Tell them it's for me.

1:02:501:02:54

Kiss!

1:02:571:02:59

You do like him, don't you, Freddie?

1:03:051:03:07

Yeah.

1:03:071:03:10

Why are they being so horrible about me in the papers?

1:03:101:03:13

-Well...

-Why?

1:03:131:03:16

You're supposed to be married.

1:03:161:03:18

Huh! Hardly. Alec Hurley was a little mistake.

1:03:181:03:21

Surely I'm allowed to make a mistake?

1:03:211:03:24

They like Alec. They haven't taken to Bernard.

1:03:241:03:27

They don't know Bernard. They're being cruel about him to get at me.

1:03:271:03:31

Still, you like him, Freddie, that's the main thing.

1:03:311:03:35

How can there be a Royal Variety Performance without Marie Lloyd on the bill?

1:03:401:03:45

-His Majesty doesn't want you. It's nothing to do with me.

-Who's it to do with?

-Take it up with the King.

1:03:451:03:50

-Is it because of the strike?

-Among other things.

1:03:501:03:53

I was coming to the aid of my fellow performers.

1:03:531:03:56

-I was being honourable. And for that I'm condemned?

-It's not just the strike, though, is it?

1:03:561:04:00

-Well, what else, then? What else can it possibly be?

-You read the newspapers.

1:04:001:04:04

-Idle tittle-tattle.

-It's not, though, is it?

1:04:041:04:08

I am the most famous music-hall singer in the country.

1:04:081:04:11

They say he is young enough to be your son.

1:04:111:04:14

They used to call me a saint.

1:04:161:04:18

To perform before the King of our country,

1:04:181:04:21

the artistes must have an untarnished reputation.

1:04:211:04:26

And what reputation do I have?

1:04:261:04:28

-Show me the list.

-Does it matter?

-I want to see the list of performers.

1:04:311:04:35

Alec Hurley?

1:04:411:04:43

# When I take my morning promenade

1:04:541:04:57

# Quite a fashion card On the promenade

1:04:571:05:01

# Now, I don't mind nice boys staring hard

1:05:011:05:05

# If it satisfies their desire Do you think my dress... #

1:05:051:05:10

-Alec Hurley?!

-The King is an ass.

1:05:101:05:13

If Alec Hurley is to perform before the King, I would refuse any invitation that came my way, anyhow.

1:05:131:05:19

Exactly.

1:05:191:05:21

My mother used to sing me this song when I was little.

1:05:231:05:26

Here, do you think the King is jealous of me?

1:05:291:05:33

I mean, I am more popular than he.

1:05:331:05:35

I'm the queen of music halls. I am the people's queen!

1:05:351:05:42

I am going to do a Marie Lloyd spectacular on the night of the Royal Command Performance.

1:05:451:05:52

-I'll be there.

-Everybody will be there!

1:05:521:05:54

Listen up, people.

1:06:011:06:03

On the night of the King's Royal Command Performance,

1:06:031:06:07

Miss Marie Lloyd will be holding her own performance at the Pavilion Theatre, Piccadilly Circus.

1:06:071:06:14

All right? Tickets on sale from Monday, at reasonable prices.

1:06:141:06:17

Everyone is welcome.

1:06:171:06:20

-OK? Is everybody happy?

-ALL: You bet your life we are!

1:06:201:06:25

Do you think I've gone too far?

1:06:301:06:33

The Evening News says you're out of touch with ordinary people.

1:06:331:06:38

The Daily Mirror calls you conceited.

1:06:381:06:40

-People like Royalty, don't they?

-It's not the King who's the problem.

1:06:401:06:44

-It's living with Prince Charming here.

-When it comes to it,

1:06:441:06:47

the working classes are just as moral as anybody else, Marie.

1:06:471:06:51

They liked Alec.

1:06:521:06:55

And they like you for being you. Once they think you're someone different, you've lost them.

1:06:551:07:00

-Well, I am different. I always have been.

-But they mustn't think that.

1:07:001:07:03

Once they think you're Lady Muck living with a bit of flash, you're done for.

1:07:031:07:07

You need to show them that underneath all the diamonds and furs, you're still one of them.

1:07:071:07:12

Ladies and gentlemen,

1:07:161:07:19

Miss Marie Lloyd, queen of the halls,

1:07:191:07:23

gives her own Command Performance.

1:07:231:07:26

# We had to move away Cos the rent we couldn't pay

1:07:371:07:41

# The moving van came round just after dark

1:07:411:07:45

# There was me and my old man Shoving things inside the van

1:07:451:07:50

# Which we'd often done before, let me remark

1:07:501:07:54

# We packed all that we could pack In the van, and that's a fact

1:07:541:07:59

# And we got inside all we could get inside

1:07:591:08:04

# Then we packed all we could pack On the tailboard at the back

1:08:041:08:08

# Till there wasn't any room for me to ride

1:08:081:08:13

# And my old man said follow the van

1:08:131:08:18

# And don't dilly-dally on the way

1:08:181:08:22

# Off went the cart with me home packed in it

1:08:221:08:27

# And I walked behind with me old cock linnet

1:08:271:08:31

# But I dillied and dallied Dallied and dillied

1:08:311:08:36

# I lost me way and don't know where to roam

1:08:361:08:40

# Cos I just popped in to have a little drop of gin

1:08:401:08:45

# And now I can't find my way home. #

1:08:451:08:49

-Is everybody happy?

-ALL: You bet your life we are!

1:08:491:08:54

Course you are. You're having a better time than the King!

1:08:541:08:57

# And my old man said follow the van

1:08:571:09:03

# And don't dilly-dally on the way

1:09:031:09:07

# Off went the cart with me home packed in it

1:09:071:09:12

# And I walked behind with me old cock linnet

1:09:121:09:16

# But I dillied and dallied

1:09:161:09:19

# Dallied and dillied

1:09:191:09:22

# I lost me way and don't know where to roam

1:09:221:09:25

# And if someone could get me in it

1:09:251:09:28

# I'd be in there with me linnet But I can't find my way home. #

1:09:281:09:34

There he is. What did I tell you, Bernard? Marie Lloyd's back.

1:09:521:09:58

-A triumph.

-I was looking out for you. I couldn't see you.

-I was a little late, so I was at the back.

1:09:581:10:02

-Oh, you saw me?

-Of course.

1:10:021:10:05

-# I dillied and dallied... #

-You can still hear them cheering!

-We must celebrate.

1:10:051:10:09

Book the biggest table at Romanov's.

1:10:091:10:11

In fact, book the whole of Romanov's.

1:10:111:10:14

I want everybody there.

1:10:141:10:16

I'll, er, join you later.

1:10:161:10:18

-What do you mean, Bernard? You're coming now, aren't you?

-Yes. Well, later.

1:10:191:10:25

I have to just...

1:10:251:10:27

-Bit of business.

-You mustn't let them see you drunk, you naughty boy.

1:10:271:10:32

I need to go and see someone.

1:10:321:10:34

-At this time of night?

-Can I have some money?

-What do you need money for?

1:10:341:10:39

-You're happy to give everyone else money. Just not the man you're supposed to love.

-But I do love you.

1:10:391:10:44

Give me some money.

1:10:471:10:49

-I will do.

-Thank you.

1:10:511:10:54

I'll try and see you later. If I can get away.

1:10:541:10:57

# A little bit of love is a luxury

1:11:021:11:06

# That's what people say

1:11:061:11:11

# And girls just long for a little bit of love

1:11:111:11:16

# At the close of day

1:11:161:11:20

# Now there's nothing like a little bit of loving

1:11:201:11:25

# If you take it in a quiet sort of way

1:11:251:11:29

# So just take my tip

1:11:291:11:33

# If you're asking for a bit Never mind what people say

1:11:331:11:39

# So just take my tip

1:11:391:11:42

# If you're asking for a bit Never mind what people say. #

1:11:421:11:48

HE HUMS

1:11:481:11:50

I'm famous!

1:12:081:12:10

RATTLING

1:12:191:12:22

(Bernard?)

1:12:261:12:28

Why are you taking my things?

1:12:301:12:32

You can't treat me like this, Bernard.

1:12:341:12:37

-Come to bed.

-No. I've come back to change.

1:12:371:12:40

-Lend us some money.

-Don't go out again.

1:12:441:12:46

Please. Stay with me, please.

1:12:461:12:48

Stop worrying. You know I always come home to you.

1:12:481:12:52

Promise?

1:12:521:12:55

Lend us some money.

1:13:021:13:05

No.

1:13:051:13:07

What did you make me do that for, you old cow?

1:13:091:13:13

Look at my hand. I'm bleeding.

1:13:131:13:16

-It hurt. It bloody hurt.

-I'm so sorry.

1:13:181:13:22

Look, lie down here with me.

1:13:221:13:25

We'll make it better together.

1:13:251:13:28

There, there.

1:13:281:13:30

Marie'll take care of you.

1:13:301:13:33

Marie always takes care of everybody, don't she?

1:13:331:13:36

You're old, you're drunk and you're ugly.

1:13:411:13:45

# I'm very fond of ruins And ruins I like to scan

1:14:531:14:58

# You'd say I'm fond of ruins if you saw my old man

1:14:581:15:03

# I went out in the country for a stroll the other day

1:15:031:15:08

# Cos I like to study history and the pubs along the way

1:15:081:15:12

# I came across an abbey that had tumbled all to bits

1:15:121:15:17

# It seemed a relic of a bygone day

1:15:171:15:21

# A gentleman said, "What is this?"

1:15:211:15:24

# I said, "Excuse me, sir I'll tell you all about it, if I may

1:15:241:15:30

# "It's a bit of a ruin that Cromwell knocked about a bit

1:15:321:15:37

# "A bit of a ruin that Cromwell knocked about a bit

1:15:371:15:42

# "In the gay old days There used to be some doings

1:15:421:15:47

# "No wonder that the poor old abbey went to ruins

1:15:471:15:52

# "And those that study history sing and shout a bit

1:15:521:15:56

# "And you can bet your life there isn't a doubt of it

1:15:561:16:00

# "Cos outside the Cromwell Arms last Sunday night

1:16:001:16:05

# "I was one of the ruins that Cromwell knocked about a bit

1:16:051:16:09

# "And those that study history sing and shout a bit

1:16:091:16:14

# "And you can bet your life there isn't a doubt of it

1:16:141:16:19

# "Cos outside the Cromwell Arms last Saturday night

1:16:191:16:24

# "I was one of the ruins that Cromwell knocked about a bit." #

1:16:241:16:28

Is everybody happy?

1:17:441:17:47

You bet your life we are.

1:17:491:17:51

Subtitles by Red Bee Media Ltd 2007

1:18:341:18:38

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1:18:381:18:41

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