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This programme contains some strong language and scenes of a sexual nature | 0:00:00 | 0:00:04 | |
No, no. Listen, listen! | 0:00:04 | 0:00:05 | |
We'll get on with the comedy acting. | 0:00:05 | 0:00:07 | |
The comedy stuff. Is that all right? | 0:00:07 | 0:00:09 | |
-OK. -HE CLEARS THROAT | 0:00:09 | 0:00:11 | |
Ooh, no! Ooh, no, Mrs! | 0:00:11 | 0:00:14 | |
No! No! You shut your face, you! | 0:00:14 | 0:00:18 | |
No, not on your nelly! Titter ye not! | 0:00:18 | 0:00:21 | |
Titter ye not! Nay, nay and thrice nay. Yay again, nay! | 0:00:21 | 0:00:26 | |
I'll do an encore. I don't usually do an encore until the end. If I get to the end. | 0:00:26 | 0:00:30 | |
This programme contains some strong language and some scenes of a sexual nature. | 0:00:30 | 0:00:34 | |
# They say for every boy and girl | 0:00:34 | 0:00:36 | |
# There's just one love In this whole world | 0:00:36 | 0:00:38 | |
# And I know, I've found mine | 0:00:38 | 0:00:45 | |
# The heavenly touch of your embrace Tells me no-one Could take your place | 0:00:47 | 0:00:52 | |
# E-e-ever in my heart | 0:00:52 | 0:00:58 | |
-# Young love, -(young love) -# First love, -(first love) | 0:01:00 | 0:01:05 | |
# Filled with true devotion | 0:01:05 | 0:01:11 | |
-# Young love, -(young love) | 0:01:13 | 0:01:15 | |
-# Our love, -(our love) | 0:01:15 | 0:01:18 | |
# We share with deep... # | 0:01:18 | 0:01:21 | |
I suppose you'll go into politics? | 0:01:23 | 0:01:26 | |
Yes. You a True Blue? | 0:01:26 | 0:01:27 | |
Ooh, I don't like Labour people. | 0:01:27 | 0:01:30 | |
No, no, no. They're all po-faced. | 0:01:30 | 0:01:33 | |
All seem to have this terrible...problem with their hair. | 0:01:33 | 0:01:37 | |
-Not like you. -We're very honoured to have you here. I'll introduce you, and then... | 0:01:37 | 0:01:42 | |
-you can expect a warm hand on your entrance. -Yes. You've done your homework, you. Oh! | 0:01:42 | 0:01:47 | |
Are you...? | 0:01:47 | 0:01:49 | |
It's my back, Sheridan. I'm a martyr. | 0:01:49 | 0:01:52 | |
Would you, um... Would you... | 0:01:52 | 0:01:56 | |
..Be a pal? | 0:01:58 | 0:02:00 | |
We're low on Get Your Titters Out. | 0:02:08 | 0:02:10 | |
Well, I can't do anything about that now, can I? | 0:02:10 | 0:02:13 | |
Sheridan, President of the Oxford Union, this is Mr Heymer, my, er... | 0:02:13 | 0:02:16 | |
manager and my chauffeur. | 0:02:16 | 0:02:19 | |
-I can see to him now, thank you.. -Excellent. | 0:02:19 | 0:02:21 | |
I'm getting too old for this. | 0:02:23 | 0:02:25 | |
-Too old for what? -Should really give it up. | 0:02:25 | 0:02:27 | |
Ooh! On with the motley. | 0:02:27 | 0:02:30 | |
Give us a kiss, then. | 0:02:30 | 0:02:32 | |
I'm not giving you a kiss. | 0:02:32 | 0:02:34 | |
Go on. | 0:02:34 | 0:02:36 | |
-Dennis...you won't forget to heckle me, will you? -No, I bloody won't. | 0:02:37 | 0:02:43 | |
CHEERING AND HECKLING | 0:02:45 | 0:02:47 | |
I'm not, you know, well, you don't know, but you'll believe me when I tell you, I'm not what you'd call | 0:02:57 | 0:03:02 | |
a clever clogs, you know, sort of...O-levels and A-levels. Nothing like that, no, no, no. | 0:03:02 | 0:03:07 | |
Being students, I'm not what you'd call an academic. | 0:03:07 | 0:03:11 | |
-By no way could you call me an intellectual. -Hear, hear. | 0:03:11 | 0:03:15 | |
-Which is why I feel so at home here tonight. -LAUGHTER | 0:03:15 | 0:03:20 | |
You shut your face, you! He's mocking! He's mocking Francis. | 0:03:21 | 0:03:25 | |
He's mocking your Francis. | 0:03:25 | 0:03:27 | |
Well, I'm going to tell this story about a gamekeeper, right. This gamekeeper | 0:03:29 | 0:03:34 | |
used to go round the woods all the time, you know, with his gun looking for game. | 0:03:34 | 0:03:38 | |
In the woods to shoot. | 0:03:38 | 0:03:40 | |
And he comes across this coppice. | 0:03:40 | 0:03:43 | |
It's a coppice! | 0:03:43 | 0:03:45 | |
A coppice in a wood. | 0:03:45 | 0:03:47 | |
Yes, please, missus, please! Pay attention. | 0:03:47 | 0:03:50 | |
And oh, there's this girl! A beautiful girl. | 0:03:53 | 0:03:57 | |
Yes! In this coppice, and she's beautiful. | 0:03:57 | 0:04:00 | |
A coppice! A coppice in a wood. Yes, | 0:04:00 | 0:04:03 | |
please, missus... please pay attention. | 0:04:03 | 0:04:05 | |
-Were you nervous? -Me? Nervous? -I mean, standing up in front of the Queen. | 0:04:14 | 0:04:19 | |
Never had a moment's trouble with nerves in my life. | 0:04:19 | 0:04:21 | |
He's all right, Rodge. Big funny-looking fella over there. | 0:04:21 | 0:04:24 | |
I used to love him on Variety Bandbox. | 0:04:24 | 0:04:27 | |
-'Stars is all the same. Last Christmas, he offered me ten bob to wank him off.' -Ten bob? | 0:04:27 | 0:04:32 | |
Yeah, stingy bastard. You know, he's the highest paid entertainer in the country. | 0:04:32 | 0:04:36 | |
Even Gilbert Harding give me a fiver. | 0:04:36 | 0:04:38 | |
I'm sick of being a comic. | 0:04:42 | 0:04:44 | |
In any case, I want to be an actor. | 0:04:44 | 0:04:47 | |
Yes, in the coppice... And well, she's beautiful, yes. | 0:04:54 | 0:04:57 | |
And, you know, he... she looked at him. | 0:04:57 | 0:05:00 | |
He, you know, looked at her. | 0:05:02 | 0:05:05 | |
He said, um... "Excuse me, | 0:05:09 | 0:05:11 | |
but are you game?" She said, "Yes". | 0:05:11 | 0:05:14 | |
So he shot her. | 0:05:14 | 0:05:16 | |
LAUGHTER | 0:05:16 | 0:05:19 | |
I'm just gonna go and powder my nose. | 0:05:37 | 0:05:39 | |
-I like your girlfriend. Very nice. -Jane's my companion, not my girlfriend. | 0:05:44 | 0:05:50 | |
The kind of "girls" I usually go for...I prefer | 0:05:50 | 0:05:53 | |
girls with shorter hair and rather flatter chests, you understand. | 0:05:53 | 0:05:56 | |
The kind who don't expect too much in return. | 0:05:56 | 0:05:59 | |
Were you breast-fed? | 0:06:00 | 0:06:03 | |
No, I'm serious. Were you breast-fed? I mean, by your mother. | 0:06:03 | 0:06:06 | |
I don't suppose I was, no. | 0:06:06 | 0:06:08 | |
I was. Every day. | 0:06:08 | 0:06:10 | |
I couldn't get enough of it. | 0:06:10 | 0:06:11 | |
They used to have to pull me off her like a limpet. Do you ever feel the urge | 0:06:11 | 0:06:15 | |
-to return to the womb? -I don't think my mum'd let me. | 0:06:15 | 0:06:18 | |
She doesn't much like me living in the back bedroom. | 0:06:18 | 0:06:22 | |
-Oh! -What? What? It's my back. -I've terrible trouble with it. | 0:06:23 | 0:06:28 | |
Where's the boss? Come on, where is he? LADY SHRIEKS | 0:06:28 | 0:06:31 | |
Come here, you! | 0:06:31 | 0:06:33 | |
Rather you than me. | 0:06:33 | 0:06:34 | |
'Ooh, no! Oh, no, missus!' | 0:06:40 | 0:06:41 | |
Oh, no! | 0:06:41 | 0:06:43 | |
Titter ye not! Titter ye not! | 0:06:46 | 0:06:48 | |
Nay, nay and thrice nay! And yay again, nay! | 0:06:51 | 0:06:54 | |
Bugger it! | 0:07:01 | 0:07:03 | |
All coming out in a torrent now! | 0:07:05 | 0:07:07 | |
-'Yes, well, you can't lie there all night, can you?' -'Whatever you like.' | 0:07:27 | 0:07:31 | |
-'Very good-looking, aren't you? I haven't got as much money as you'd think.' -'Didn't ask for money.' | 0:07:36 | 0:07:42 | |
No, not yet. | 0:07:42 | 0:07:44 | |
Nice to meet you...Dennis. | 0:07:49 | 0:07:52 | |
I can stay. | 0:07:53 | 0:07:54 | |
'When I was a little boy in Eltam, I was very timid. | 0:08:08 | 0:08:12 | |
'I was a very shy boy, yes. And I put that down' | 0:08:12 | 0:08:15 | |
to breast-feeding. | 0:08:15 | 0:08:16 | |
Oh, no, don't, please. Listen! Listen! After I was born, | 0:08:16 | 0:08:21 | |
my mother went back to her job in the chocolate factory. | 0:08:21 | 0:08:24 | |
And she left my father, who was unemployed, to look after me at home. | 0:08:24 | 0:08:29 | |
And you know, he used to breast-feed me. | 0:08:29 | 0:08:32 | |
Don't! Please! You're not taking this seriously. | 0:08:32 | 0:08:35 | |
He used to, you know, warm the bottle up. | 0:08:35 | 0:08:37 | |
He used to stick it up his vest. He'd make a little hole. | 0:08:37 | 0:08:40 | |
He'd make a little hole here. He'd stick the teat through the hole. | 0:08:40 | 0:08:44 | |
Well, cos people used to make their own entertainment in those days. | 0:08:44 | 0:08:48 | |
Well, once again, let's say welcome to What's My Line | 0:08:57 | 0:09:00 | |
and start off in the usual way, by introducing the experts. | 0:09:02 | 0:09:05 | |
I don't need you to help me. | 0:09:06 | 0:09:08 | |
-Top of the table, we have David Nixon. -Good evening. | 0:09:10 | 0:09:13 | |
'I wish you wouldn't do that' | 0:09:13 | 0:09:15 | |
-in front of the television set. -Well, they can't see us, Mum. | 0:09:15 | 0:09:19 | |
And our very special guest, Mr Frankie Howerd. | 0:09:19 | 0:09:21 | |
Don't like Frankie Howerd. | 0:09:29 | 0:09:31 | |
I prefer Eamonn Andrews, even if he is a bloody Mick. | 0:09:31 | 0:09:35 | |
Bloody hell, Dennis! | 0:09:37 | 0:09:39 | |
I can smell that from here! | 0:09:39 | 0:09:41 | |
Don't he smell like a tart, Bob? | 0:09:41 | 0:09:43 | |
'All right, all clear. We start with Frankie Howerd,' | 0:09:43 | 0:09:46 | |
'and we'll tell you that Mr Rosenthal is wage-earning.' | 0:09:46 | 0:09:49 | |
Frankie? | 0:09:52 | 0:09:54 | |
'What the bleedin' hell's his problem?' | 0:09:55 | 0:09:59 | |
'Is it then one of the main services that go to people's houses?' | 0:09:59 | 0:10:03 | |
'No...let's go back to Frankie.' | 0:10:03 | 0:10:06 | |
LAUGHTER | 0:10:14 | 0:10:16 | |
PHONE RINGS | 0:10:25 | 0:10:27 | |
Who is it? | 0:10:44 | 0:10:46 | |
-'It's Dennis'. -Dennis who? | 0:10:46 | 0:10:48 | |
'Dennis Heymer'. | 0:10:48 | 0:10:50 | |
We were at Chequers together. Do you remember? And the man with the gun came. | 0:10:50 | 0:10:54 | |
-Yes. -'I saw What's My Line.' | 0:10:55 | 0:10:59 | |
I just thought I'd, um... I thought I'd call to see if you were OK. | 0:10:59 | 0:11:03 | |
Um...were you nervous? | 0:11:03 | 0:11:05 | |
Well, of course I was fucking nervous. | 0:11:05 | 0:11:07 | |
'I'm useless if I haven't got a script.' | 0:11:07 | 0:11:10 | |
-Oh, I'm sorry. -'I've always been nervy. I had an audition' | 0:11:10 | 0:11:13 | |
for RADA once. My poor mother packed me a bag of cheese and onion sandwiches, | 0:11:13 | 0:11:17 | |
and I was trembling so much during To Be Or Not To Be", I lobbed them right in Dame Helen Haye's tits. | 0:11:17 | 0:11:23 | |
Are you going to be OK? | 0:11:26 | 0:11:28 | |
Oh, it was a bloody disaster. | 0:11:30 | 0:11:32 | |
Here we go. | 0:11:38 | 0:11:39 | |
-Happy birthday. -Cheers, mate! | 0:11:41 | 0:11:43 | |
-Cheers! -Thanks for coming. -You all right? | 0:11:43 | 0:11:47 | |
Yeah, it's just that I invited someone, but they haven't, um... | 0:11:47 | 0:11:52 | |
Fuck me. | 0:11:54 | 0:11:56 | |
Oh, no. Oh, no, I meant my agent. | 0:12:00 | 0:12:02 | |
He's very nice. Yes! Very nice, but he's always a scruffy man. | 0:12:02 | 0:12:05 | |
I mean, they call him Scruffy. I mean, don't they, Jane? | 0:12:05 | 0:12:08 | |
Scruffy Dale? | 0:12:08 | 0:12:10 | |
Yes. He's on the Uxbridge Road, if you want to check, above a pub. | 0:12:10 | 0:12:14 | |
Yes. He sits there in his pyjamas most days, you know, fag ash down his you-knows. | 0:12:14 | 0:12:19 | |
The thing is, I'm not important to him. He's got all these other artistes, you see. Oh, no, please. | 0:12:19 | 0:12:25 | |
I mean, he's got Rusty, | 0:12:25 | 0:12:27 | |
and his pigeon friends, which are very, very popular in Bridlington. | 0:12:27 | 0:12:31 | |
And he's got, he's got Windy Blow and his balloons. | 0:12:31 | 0:12:34 | |
Yes, you should see where he puts those balloons. They'd make your eyes water. | 0:12:34 | 0:12:38 | |
I used to love you on Variety Bandbox. | 0:12:43 | 0:12:46 | |
Yes, it was a very popular...programme. Ohhh! | 0:12:46 | 0:12:49 | |
What's up? | 0:13:03 | 0:13:05 | |
Well, it's emotional isn't it, you know, the cork coming out of the bottle. | 0:13:05 | 0:13:09 | |
I get a bit anxious sometimes. | 0:13:11 | 0:13:13 | |
I think it's coming back... I used to have a terrible stammer when I was a boy. | 0:13:13 | 0:13:18 | |
You grow out of a stammer. | 0:13:18 | 0:13:19 | |
Yes, you'll be wanting to pop off. | 0:13:22 | 0:13:24 | |
Nah, I can stay. | 0:13:26 | 0:13:27 | |
Morning. | 0:13:38 | 0:13:40 | |
-Yes, make yourself at home, young man. -You want some eggs? | 0:13:40 | 0:13:43 | |
-Yes, wife! -You any family? | 0:13:43 | 0:13:46 | |
Yes, my mother and my sister. | 0:13:46 | 0:13:47 | |
I love them both very dearly. No, I do. | 0:13:47 | 0:13:49 | |
-Always been very good to me. Made me feel very special. -Your dad still on the go? | 0:13:49 | 0:13:54 | |
No, he's dead. | 0:13:54 | 0:13:56 | |
Extremely. | 0:13:56 | 0:13:59 | |
Kids, I'd like. | 0:13:59 | 0:14:00 | |
-What about Jane? -No! I could never physically go about making one. | 0:14:00 | 0:14:05 | |
I'm not sure I'd like to inflict myself on a child, either. | 0:14:05 | 0:14:08 | |
I thought for ages that my mother was dead. | 0:14:08 | 0:14:12 | |
She, um...ran off with a bloke when I was evacuated. | 0:14:12 | 0:14:16 | |
And I think that's what she wanted them to say. You know, that she was dead. | 0:14:16 | 0:14:20 | |
What was it like when she came back? | 0:14:20 | 0:14:22 | |
-It was a surprise, wannit? -Yes! | 0:14:22 | 0:14:25 | |
I'd love to meet your mother. | 0:14:25 | 0:14:28 | |
She sounds very nice. She look after you? | 0:14:28 | 0:14:31 | |
Oh, no, I look after her. | 0:14:31 | 0:14:34 | |
Well, I think you need someone to look after you. | 0:14:34 | 0:14:37 | |
That's just the problem with being well-known. | 0:14:39 | 0:14:43 | |
People say they wanna look after you, but they're only after hanging on. Or a job. | 0:14:43 | 0:14:47 | |
# I may be right, I may be wrong, you know you're gonna Miss me when I'm gone... # | 0:15:00 | 0:15:05 | |
Can't Scruffy get you better than that? | 0:15:07 | 0:15:09 | |
He's not seeing to you right. | 0:15:09 | 0:15:12 | |
You'd think 10% of what you earn... | 0:15:12 | 0:15:14 | |
I don't want to turn things down, do I? I don't want a reputation. | 0:15:14 | 0:15:18 | |
-You'll never have a reputation, Frank. -How did it go, Mr Howerd? | 0:15:18 | 0:15:21 | |
Another bloody disaster. I was shitting myself with nerves. | 0:15:22 | 0:15:25 | |
Frank! Sit up in the front if you want, Frank, love. | 0:15:25 | 0:15:29 | |
-Janie and me will be in the back. -The star doesn't sit in the front, Mum. | 0:15:29 | 0:15:32 | |
I'll go in the front. | 0:15:32 | 0:15:35 | |
I've always wanted to go to the BBC. Nice, innit? | 0:15:35 | 0:15:37 | |
Take us to the Savoy, will you? | 0:15:37 | 0:15:39 | |
Certainly. | 0:15:39 | 0:15:41 | |
You can't keep staying, though. | 0:15:50 | 0:15:52 | |
Am I red? | 0:15:52 | 0:15:54 | |
Dennis, we've got to be discreet. | 0:15:55 | 0:15:57 | |
I'm trying to get things back on track. | 0:15:57 | 0:15:59 | |
If anyone knew I was queer, it'd do for me. | 0:15:59 | 0:16:02 | |
Where are we heading today, then? | 0:16:19 | 0:16:20 | |
Where am I taking you? | 0:16:20 | 0:16:23 | |
'Oh, it's a sad story.' | 0:16:26 | 0:16:28 | |
A sad story, yes. Get your aahs out. Your aahs, dear, yes. Terrible tragedy. | 0:16:28 | 0:16:34 | |
Yes. Tragedy! | 0:16:34 | 0:16:35 | |
Turmoil after turmoil! There's a girl here crying her eyes out. | 0:16:35 | 0:16:39 | |
I shouldn't be doing comedy. | 0:16:39 | 0:16:40 | |
You know, I should be doing drama. | 0:16:40 | 0:16:43 | |
But I did do drama. Yes! | 0:16:43 | 0:16:44 | |
You should have seen my Bottom. | 0:16:44 | 0:16:46 | |
I can't, I can't. | 0:16:50 | 0:16:52 | |
In that case, get out of the production! | 0:16:52 | 0:16:55 | |
Get out of the production! You can't threaten the livelihoods of the others because of your incompetence. | 0:16:55 | 0:17:00 | |
Get out if you're going to soil yourself every weeknight and twice on Thursdays. | 0:17:00 | 0:17:05 | |
'My Bottom attracted some warm appreciation, yes.' | 0:17:16 | 0:17:20 | |
They tittered at Francis' Bottom. Yes. | 0:17:20 | 0:17:23 | |
Do you find my genitals attractive, Dennis? Don't subject them to parliamentary scrutiny. | 0:17:45 | 0:17:52 | |
Yeah. Yeah. | 0:17:52 | 0:17:55 | |
Not bad. | 0:17:55 | 0:17:57 | |
Where do you think it comes from? | 0:17:57 | 0:17:59 | |
Where does your attraction to the male parsnip come from? | 0:17:59 | 0:18:02 | |
Don't know. I don't particularly think about it. No point worrying, is there? | 0:18:02 | 0:18:06 | |
Beautiful and brainless. | 0:18:06 | 0:18:09 | |
And a natural blonde. | 0:18:09 | 0:18:11 | |
Do you like mine? | 0:18:11 | 0:18:13 | |
Yes. Half the time. | 0:18:14 | 0:18:17 | |
Beforehand, yes, I do. | 0:18:17 | 0:18:19 | |
Turn round. | 0:18:27 | 0:18:28 | |
What, and present you with a nice clean pair of buttocks for your perusal and delectation? | 0:18:28 | 0:18:34 | |
-Not on your nelly. -Frank, turn round. | 0:18:34 | 0:18:37 | |
Look at yourself. | 0:18:43 | 0:18:44 | |
You're a lovely man, Frank. | 0:18:55 | 0:18:56 | |
You're funny and you've got presence, but you've got to calm down a bit about everything. | 0:18:56 | 0:19:02 | |
It's dirty. | 0:19:02 | 0:19:04 | |
I love you. | 0:19:09 | 0:19:10 | |
I love you. | 0:19:15 | 0:19:16 | |
You'll have to make yourself scarce in the morning. | 0:19:21 | 0:19:23 | |
Yeah, course. | 0:19:23 | 0:19:25 | |
-Discreet. -I've got a doctor coming. | 0:19:25 | 0:19:27 | |
-Why, what's up? -I've got a doctor coming to talk. | 0:19:27 | 0:19:30 | |
I think I need it. | 0:19:30 | 0:19:31 | |
I asked him to come. It's my nerves. | 0:19:31 | 0:19:35 | |
I can't work. | 0:19:37 | 0:19:38 | |
No! Stop it, Dennis. Stop it! | 0:20:31 | 0:20:34 | |
I'm all right. Sorry, I didn't know there was a menage. | 0:20:34 | 0:20:37 | |
-Fuck off! -Can I have my jacket? | 0:20:37 | 0:20:39 | |
-Fuck off, or I'll fill your fucking face in! -I won't have violence! | 0:20:39 | 0:20:42 | |
-I bought you a fucking Monopoly set! -Get out of my flat, you poof! -Frank! | 0:20:42 | 0:20:47 | |
-You know perfectly well you wouldn't be here if I wasn't who I am. -Frank! -Fuck off! Fuck off! | 0:20:47 | 0:20:52 | |
# They say for every boy and girl There's just one love In this whole world... # | 0:21:09 | 0:21:14 | |
What you been up to, Dennis? | 0:21:14 | 0:21:16 | |
Bit of driving. | 0:21:16 | 0:21:17 | |
-Do you want one? -Who for? -Frankie Howerd. | 0:21:19 | 0:21:24 | |
No wonder you're back here. He's fucked, in't he? | 0:21:25 | 0:21:28 | |
Ta-ta. | 0:21:29 | 0:21:31 | |
-# Young love, -(young love) -First love, -(first love) | 0:21:35 | 0:21:40 | |
# Filled with true devotion... # | 0:21:40 | 0:21:46 | |
What the bloody hell are you moping around for? | 0:21:47 | 0:21:50 | |
You've been in my way all morning. | 0:21:50 | 0:21:52 | |
-Mum? -She mucking you around? -Mum... | 0:21:52 | 0:21:55 | |
You're too soft, Dennis, always have been. | 0:21:55 | 0:21:59 | |
You fall for people and you go all doe-eyed. | 0:21:59 | 0:22:01 | |
You want to get out there and make some hay while the sun shines. | 0:22:01 | 0:22:05 | |
You don't want to be tied down, your age. | 0:22:05 | 0:22:07 | |
Well, you'd know, wouldn't you? | 0:22:07 | 0:22:10 | |
Don't speak to me like that, Dennis. | 0:22:10 | 0:22:12 | |
-I'm trying to dust. -Do you want a hand? | 0:22:12 | 0:22:14 | |
I can manage on me own, thanks. | 0:22:14 | 0:22:17 | |
DENNIS SOBS | 0:22:20 | 0:22:22 | |
What kind of a man are you? | 0:22:25 | 0:22:27 | |
'I don't much feel like it tonight. | 0:22:44 | 0:22:47 | |
'And I'm usually so vivacious.' | 0:22:47 | 0:22:49 | |
I mean, people say "That's Francis. | 0:22:49 | 0:22:51 | |
"He's so vivacious". I feel... I feel...I feel...I feel limp. | 0:22:51 | 0:22:58 | |
LAUGHTER | 0:22:58 | 0:23:02 | |
'You know, I should be in bed. | 0:23:04 | 0:23:07 | |
'I should be in bed.' | 0:23:07 | 0:23:08 | |
-Anyone? -LAUGHTER -Oh, get back! Get back! | 0:23:08 | 0:23:13 | |
She, er... | 0:23:35 | 0:23:37 | |
-she wants you to come back. -Well, she can come herself, can't she? | 0:23:37 | 0:23:40 | |
-She's right down. -I know how she feels. | 0:23:40 | 0:23:44 | |
She's, er... | 0:23:44 | 0:23:46 | |
..She's got himself into trouble, Dennis. | 0:23:48 | 0:23:51 | |
-Scruffy's done a runner with about 80 grand of his money. -Really? | 0:23:51 | 0:23:57 | |
'What's she doing sending a friend? She that high and bloody mighty?' | 0:23:57 | 0:24:00 | |
Don't shut that door! | 0:24:00 | 0:24:01 | |
Jane, I don't want to be hidden away all the time. | 0:24:02 | 0:24:06 | |
I was quite comfy with it, before he came along. | 0:24:06 | 0:24:09 | |
Then I met him and he makes it... | 0:24:09 | 0:24:13 | |
uncomfortable. And not just cos we have to hide it for work. | 0:24:13 | 0:24:16 | |
You're yourselves at home, aren't you? | 0:24:17 | 0:24:20 | |
-Yeah, but it's just backgammon and tidying up. -We get a lot of glamour out of him, you and me. | 0:24:20 | 0:24:25 | |
I'm not bothered about the glamour. I thought I was, but I'm not. | 0:24:25 | 0:24:29 | |
The glamour's not the thing I'm in it for. | 0:24:29 | 0:24:31 | |
Listen. | 0:24:31 | 0:24:33 | |
He said to say that he loves you. | 0:24:33 | 0:24:35 | |
Are you taking the piss out of me? | 0:24:35 | 0:24:37 | |
He said that he loves you, Dennis. | 0:24:37 | 0:24:40 | |
Well...he never told me that. | 0:24:42 | 0:24:47 | |
Well, that's what he asked me to say. | 0:24:47 | 0:24:49 | |
That he loves you very much, | 0:24:49 | 0:24:51 | |
and he needs you. | 0:24:51 | 0:24:54 | |
He needs you, Dennis. | 0:24:54 | 0:24:56 | |
Really? | 0:24:59 | 0:25:01 | |
I'm not going to stay locked in that spare room for ever. Not if you really need me. Do you need me? | 0:25:03 | 0:25:08 | |
-I said I did. -Yep. | 0:25:08 | 0:25:12 | |
I know we'll have to be discreet. I understand that. | 0:25:12 | 0:25:15 | |
But I can look after you. | 0:25:15 | 0:25:17 | |
-If you want. Is that what you want? -Yes. -Yes. | 0:25:17 | 0:25:21 | |
I can clean your clothes because sometimes, I'm sorry, but you look a disgrace. | 0:25:21 | 0:25:25 | |
I can sort out your household stuff. And we can do a bit of work getting your jobs coming in. | 0:25:25 | 0:25:29 | |
Get you back where you should be. | 0:25:29 | 0:25:32 | |
Right? | 0:25:32 | 0:25:34 | |
I missed you. | 0:25:36 | 0:25:39 | |
Well, I missed you. | 0:25:39 | 0:25:41 | |
Come in! Come in! | 0:26:04 | 0:26:05 | |
Now, dear, this is Dennis. | 0:26:05 | 0:26:07 | |
He's my new manager. | 0:26:07 | 0:26:10 | |
Didn't you used to drive him? | 0:26:10 | 0:26:12 | |
-Yeah. Yeah. -Well, you'll have to give me some suggestions or two. | 0:26:12 | 0:26:18 | |
I could never manage him. | 0:26:18 | 0:26:20 | |
-Oh, he's no trouble, Mrs Howerd. He's a joy, really. -Yes, he is. | 0:26:20 | 0:26:24 | |
We're proud of him. | 0:26:24 | 0:26:26 | |
Aren't we proud of you, Frank? | 0:26:26 | 0:26:30 | |
I made you your jelly, love. | 0:26:30 | 0:26:32 | |
Is work all right? | 0:26:35 | 0:26:37 | |
A load of bloody rubbish. | 0:26:37 | 0:26:39 | |
I don't like this house, Mum. | 0:26:43 | 0:26:44 | |
-Why don't you sell it, and I can buy you a new one? -I'm settled here. | 0:26:44 | 0:26:48 | |
It's been a happy house. | 0:26:49 | 0:26:51 | |
You look like the Cheshire Cat. | 0:26:53 | 0:26:55 | |
Be discreet! | 0:26:55 | 0:26:56 | |
I used to bring you it home from the factory, didn't I, love? | 0:27:03 | 0:27:07 | |
Bit of chocolate. | 0:27:07 | 0:27:09 | |
I always tried and gave them a little treat every day, even if it was just | 0:27:09 | 0:27:14 | |
half an hour of playing or whatever. | 0:27:14 | 0:27:17 | |
It's important for kids. | 0:27:17 | 0:27:19 | |
That the three of you? | 0:27:22 | 0:27:24 | |
That's the two of us... | 0:27:24 | 0:27:27 | |
and Frank senior. | 0:27:27 | 0:27:30 | |
Do you want a bit more jelly, love? | 0:27:30 | 0:27:32 | |
Yes, I'll get it. | 0:27:32 | 0:27:34 | |
You been in show business long? | 0:27:40 | 0:27:42 | |
Oh, no. Not long. Not really. | 0:27:42 | 0:27:44 | |
What was your line before? | 0:27:44 | 0:27:45 | |
Er, I was a waiter. | 0:27:45 | 0:27:47 | |
And before that I delivered bread for the Co-op. | 0:27:47 | 0:27:50 | |
Oh! | 0:27:50 | 0:27:51 | |
She's mutt. | 0:27:55 | 0:27:56 | |
She's mutt. Mutt! | 0:27:56 | 0:27:58 | |
She's mutt and Jeff. | 0:27:58 | 0:28:00 | |
Means deaf. They're there if you dig deep. | 0:28:00 | 0:28:04 | |
'I shan't book him again, Mr Heymer.' | 0:28:04 | 0:28:06 | |
I'm afraid his entrance is much too vulgar for Scarborough. | 0:28:06 | 0:28:09 | |
I told him, what he wants to do is smarten himself up a bit, come on, and say, "How are you? | 0:28:09 | 0:28:17 | |
"Are all your cars parked nicely? | 0:28:17 | 0:28:19 | |
"Are all your cars parked nicely?" | 0:28:19 | 0:28:22 | |
I told him he could have that one. | 0:28:22 | 0:28:24 | |
-What did he say? -He said thanks for putting him right. | 0:28:24 | 0:28:29 | |
I'm really chasing Tommy Steele. | 0:28:29 | 0:28:31 | |
I told him "You're on your way out, aren't you? | 0:28:31 | 0:28:36 | |
"You've been round a bit too long, Frankie". | 0:28:36 | 0:28:39 | |
That may be your opinion... and it may be true. | 0:28:43 | 0:28:47 | |
But if you say anything like that to him again, I'll kick your fucking bollocks off. | 0:28:47 | 0:28:52 | |
'..He says to her, "Do you want to go to sleep now or what?"' | 0:28:52 | 0:28:56 | |
She says "What?" | 0:28:56 | 0:28:58 | |
We've got an hour of this, so try and reconcile yourselves with it. | 0:28:59 | 0:29:03 | |
Got any kippers? | 0:29:07 | 0:29:08 | |
It's rather a lot, isn't it, a thousand? | 0:29:30 | 0:29:32 | |
Well, what is it usually, when you don't bother telling me? | 0:29:32 | 0:29:35 | |
Do you want me to tell the truth about that? | 0:29:36 | 0:29:39 | |
-Why did you open my post? -I answer your fan mail. | 0:29:39 | 0:29:42 | |
You asked me to. | 0:29:42 | 0:29:44 | |
I'm not going to get angry with you, cos you need to do what you need to do. | 0:29:49 | 0:29:52 | |
But if you want to get the jobs, you've got to pack this sort of thing in. | 0:29:52 | 0:29:56 | |
-This bloke won't go to the law, but someone else might. -I'm sorry, Dennis. I'll be a bit more careful. | 0:29:58 | 0:30:04 | |
Well, that'd be a start, yes. | 0:30:04 | 0:30:06 | |
-I won't ever do it. That was the last time. -Don't make promises you can't keep. | 0:30:09 | 0:30:13 | |
-I want to keep it, Dennis. I don't want to send you away. -Oh, you won't. | 0:30:13 | 0:30:18 | |
I've been reading about this new kind of thing. | 0:30:18 | 0:30:22 | |
I think it might make me better. | 0:30:22 | 0:30:24 | |
Your valium's in your case. | 0:30:44 | 0:30:46 | |
Have you got the photos? | 0:30:47 | 0:30:49 | |
-What's all this? -The first course will be Sodium Amytal. | 0:31:26 | 0:31:30 | |
I'll then give you 80 gamma of LSD to start with. | 0:31:30 | 0:31:34 | |
It'll take about 20 minutes, and you'll feel a little warmer, and there'll be some flashing lights. | 0:31:34 | 0:31:40 | |
What, you lay those on, do you? | 0:31:40 | 0:31:42 | |
No, in your mind's eye. | 0:31:42 | 0:31:44 | |
And you'll experience euphoria. | 0:31:44 | 0:31:46 | |
I bloody hope so. | 0:31:46 | 0:31:48 | |
I'll then give you some Ritalin to concentrate your thoughts. | 0:31:48 | 0:31:52 | |
You should use the photographs and props. | 0:31:52 | 0:31:56 | |
And write it down. Or draw. | 0:31:56 | 0:31:58 | |
Mr Howerd will be needing some time on his own. | 0:31:58 | 0:32:01 | |
-I'll come and get you Monday. -And don't be late. | 0:32:03 | 0:32:06 | |
'It makes you feel soiled in some way? | 0:33:22 | 0:33:26 | |
-'Dirty?' -'It's a sad story, yes... | 0:33:27 | 0:33:31 | |
'It's a sad story.' | 0:33:31 | 0:33:33 | |
Get your aahs out. | 0:33:33 | 0:33:35 | |
HE SOBS | 0:33:35 | 0:33:38 | |
Listen! Listen! | 0:33:40 | 0:33:42 | |
Don't laugh, it's wicked to mock these things. | 0:33:45 | 0:33:48 | |
He's mocking your Francis! | 0:33:51 | 0:33:53 | |
How did it go? | 0:34:31 | 0:34:33 | |
Oh, what's the matter? | 0:34:33 | 0:34:35 | |
No, please. Don't cuddle me out on the street, Dennis. | 0:34:36 | 0:34:39 | |
I'm trying to get you a couple of weeks in Butlin's. | 0:34:59 | 0:35:03 | |
Filey. | 0:35:03 | 0:35:04 | |
No. No, don't. I haven't got a libido. | 0:35:13 | 0:35:15 | |
I'm worn out. | 0:35:15 | 0:35:16 | |
Do you know how long it's been since you touched my dick? | 0:35:18 | 0:35:22 | |
No. I don't keep those facts at my fingertips. | 0:35:22 | 0:35:24 | |
Since my birthday. | 0:35:24 | 0:35:26 | |
When was that? | 0:35:26 | 0:35:28 | |
-Is he all right? -He's fine. | 0:35:40 | 0:35:44 | |
Just having a bit of a rest. He wanted me to give you the housekeeping. | 0:35:44 | 0:35:48 | |
Is he all right? | 0:35:51 | 0:35:53 | |
He's nervy. | 0:35:58 | 0:35:59 | |
CAR DOOR OPENS | 0:36:11 | 0:36:13 | |
DOOR SHUTS | 0:36:16 | 0:36:18 | |
-What good is it going over and over everything? You think too much. -How can I stop myself thinking? | 0:36:18 | 0:36:22 | |
-Oh, I dunno. -I've got nothing else to do than think! | 0:36:22 | 0:36:25 | |
It breaks my heart! You should see yourself...when you come back. | 0:36:25 | 0:36:29 | |
I...I feel as if you're cheating on me. | 0:36:29 | 0:36:31 | |
I cheat when I go down under Waterloo Bridge. I cheat when I get a dresser to suck me off. Not then. | 0:36:31 | 0:36:36 | |
Well, why do you need to talk? | 0:36:36 | 0:36:38 | |
It makes you worse! | 0:36:38 | 0:36:40 | |
Because I hate the way I am. | 0:36:42 | 0:36:43 | |
It's dirty and it's disgusting, and I don't want people knowing. | 0:36:43 | 0:36:47 | |
And what we do together makes me want to vomit. | 0:36:47 | 0:36:50 | |
I've fucking had it! | 0:36:51 | 0:36:53 | |
How was she? Your mother. | 0:38:22 | 0:38:25 | |
She was all right, thanks. | 0:38:25 | 0:38:28 | |
I don't think my mother's very well. | 0:38:28 | 0:38:30 | |
MUSIC: "Garden Of Eden" by Frankie Vaughan | 0:38:38 | 0:38:42 | |
# When you walk in the garden | 0:38:43 | 0:38:46 | |
# In the garden of Eden | 0:38:46 | 0:38:49 | |
# With a beautiful woman | 0:38:49 | 0:38:52 | |
# And you know how you care | 0:38:52 | 0:38:56 | |
# And the voice in the garden | 0:38:56 | 0:38:58 | |
# In the garden of Eden | 0:38:58 | 0:39:02 | |
# Tells you she is forbidden Can you leave her there? | 0:39:02 | 0:39:07 | |
# When you're yearning for loving | 0:39:07 | 0:39:11 | |
# And she touches your hand | 0:39:11 | 0:39:13 | |
# And your heart starts a-pounding And you're feeling so grand | 0:39:13 | 0:39:20 | |
# Can you leave her to heaven? | 0:39:20 | 0:39:24 | |
# And obey the command? | 0:39:24 | 0:39:27 | |
# Can you walk from the garden? | 0:39:27 | 0:39:30 | |
# Does your heart understand? | 0:39:30 | 0:39:33 | |
# And that voice in the garden | 0:39:33 | 0:39:35 | |
# In the garden of Eden | 0:39:35 | 0:39:40 | |
# Tells you she is forbidden Can you leave her there? | 0:39:40 | 0:39:47 | |
# Can you leave her there? # | 0:39:48 | 0:39:55 | |
I'm trying to get you work, Frank. You gotta work. | 0:40:21 | 0:40:24 | |
-I don't want it. -Why don't you try and get out the flat, then? Play tennis or something. | 0:40:24 | 0:40:28 | |
-Tennis, Dennis? -Yes, you like tennis, it cheers you up. | 0:40:28 | 0:40:32 | |
I have of late, but wherefore I know not, lost all my mirth, | 0:40:32 | 0:40:38 | |
forgone all custom of exercises, | 0:40:38 | 0:40:40 | |
and indeed, it goes so heavily with my disposition | 0:40:40 | 0:40:44 | |
that this goodly frame, the earth, seems to me a sterile promontory. | 0:40:44 | 0:40:48 | |
HE BREAKS WIND | 0:40:50 | 0:40:52 | |
Oh, it's bitter out. | 0:40:52 | 0:40:55 | |
'I won't have to put up with any more bloody psychiatrists.' | 0:40:58 | 0:41:01 | |
What a bloody relief! | 0:41:01 | 0:41:03 | |
OK, all right, but I'll have to go round his house first. | 0:41:05 | 0:41:09 | |
Pick up a few things, you know. | 0:41:09 | 0:41:12 | |
Tell him I'm going. | 0:41:12 | 0:41:13 | |
OK. | 0:41:15 | 0:41:17 | |
Bye-bye. | 0:41:17 | 0:41:18 | |
-That you? -Of course it's me. | 0:41:29 | 0:41:32 | |
I'm not stopping. | 0:41:32 | 0:41:33 | |
-Cos you know we've not been getting along, Frank... -My mother's had a stroke, Den. | 0:41:33 | 0:41:38 | |
She's going to die. | 0:41:38 | 0:41:39 | |
I don't know what I'll do. | 0:41:57 | 0:41:58 | |
Do you want your Valium? | 0:42:00 | 0:42:01 | |
Thank you. | 0:42:12 | 0:42:13 | |
It bothers me sometimes... | 0:42:26 | 0:42:29 | |
we didn't meet when things were destined to be better. You know, | 0:42:29 | 0:42:32 | |
-you and me. -Doesn't bother me. | 0:42:32 | 0:42:34 | |
Maybe for your sake. | 0:42:34 | 0:42:36 | |
Was a bit more fun when you were big, but that's not what I fell in love with. | 0:42:38 | 0:42:42 | |
I wasn't any happier. | 0:42:42 | 0:42:43 | |
You know, | 0:42:43 | 0:42:45 | |
you worry about losing it when you've got it, and you worry about getting it back when it's gone. | 0:42:45 | 0:42:50 | |
-Listen. Frank, I know this isn't a good time, but... -I've started to know it's not the work, Dennis... | 0:43:02 | 0:43:08 | |
..It's the people... | 0:43:10 | 0:43:12 | |
that count. | 0:43:12 | 0:43:14 | |
I've been thinking. | 0:43:15 | 0:43:18 | |
I've... I've been thinking practically. | 0:43:18 | 0:43:20 | |
There's no use me just working two or three months a year and... | 0:43:20 | 0:43:25 | |
well, we can't rely on a waiter's wage. Why don't we sell up and buy a pub? | 0:43:25 | 0:43:32 | |
You could run a pub, couldn't you? | 0:43:34 | 0:43:36 | |
You're not serious. | 0:43:36 | 0:43:37 | |
No, I am. | 0:43:37 | 0:43:40 | |
Right? | 0:43:43 | 0:43:44 | |
What time is it? | 0:44:07 | 0:44:09 | |
It's half-one. | 0:44:09 | 0:44:11 | |
Hm! | 0:44:13 | 0:44:15 | |
He was always a good sleeper. | 0:44:15 | 0:44:17 | |
Dennis. | 0:44:24 | 0:44:25 | |
You must promise me that you'll look after him. | 0:44:28 | 0:44:32 | |
He needs looking after, Dennis. | 0:44:40 | 0:44:42 | |
I need to know that he's being seen to. | 0:44:45 | 0:44:49 | |
But what about me? | 0:44:52 | 0:44:54 | |
He loves you back, doesn't he? | 0:44:54 | 0:44:57 | |
I...I don't know how you've got yourself set up... | 0:45:01 | 0:45:06 | |
..but there has to be one of you who makes things peaceful. | 0:45:07 | 0:45:11 | |
Put it on the teapot, will you? | 0:47:06 | 0:47:09 | |
-It doesn't make it any better putting it on the teapot. -It does. It steams it. | 0:47:09 | 0:47:13 | |
It keeps its contours. Bette Davis told me. | 0:47:13 | 0:47:17 | |
Yeah, well, I think she was taking the piss out of you. | 0:47:17 | 0:47:20 | |
Listen, I'm going to stay at my mother's tonight. All right? You gonna be all right on your own? | 0:47:24 | 0:47:29 | |
Hmm? I said, I'm going to stay at my mum's. | 0:47:31 | 0:47:33 | |
Will you be all right on your own? | 0:47:33 | 0:47:35 | |
Frank! | 0:47:35 | 0:47:37 | |
Where are you really going? | 0:47:37 | 0:47:40 | |
To my mum's. | 0:47:40 | 0:47:42 | |
Do you want to know why I feel the need to see a psychiatrist? | 0:47:43 | 0:47:46 | |
Well, it's because you don't want to be queer. That's become very plain. | 0:47:46 | 0:47:50 | |
It's because in that bedroom where she died...my father used to get hold of me. | 0:47:52 | 0:47:59 | |
He'd lock the door. | 0:48:00 | 0:48:03 | |
He'd hold my neck tight with these great spiky fingers... | 0:48:03 | 0:48:07 | |
..and he'd push my head down and make me suck his dick. | 0:48:09 | 0:48:12 | |
Let me get this out of the way, because I'm not going to tell you again. | 0:48:15 | 0:48:19 | |
He'd either come in angry... | 0:48:21 | 0:48:23 | |
..and he'd strip me off and beat me or scald me... | 0:48:25 | 0:48:28 | |
..Or he'd come in drunk and do that. | 0:48:29 | 0:48:31 | |
I don't think Mum knew, | 0:48:34 | 0:48:36 | |
not until later. | 0:48:36 | 0:48:39 | |
Eventually it stopped. | 0:48:39 | 0:48:41 | |
He did something similar to a kid across the road. | 0:48:41 | 0:48:45 | |
She threw him out. | 0:48:47 | 0:48:49 | |
Then he died. | 0:48:49 | 0:48:51 | |
Frank... | 0:48:59 | 0:49:01 | |
PHONE RINGS | 0:49:03 | 0:49:05 | |
PHONE KEEPS RINGING | 0:49:13 | 0:49:14 | |
Hello? | 0:49:26 | 0:49:27 | |
No, no. No time like the present. | 0:49:30 | 0:49:32 | |
Nothing much. | 0:49:34 | 0:49:36 | |
Really? | 0:49:39 | 0:49:40 | |
OK, Max, thank you. | 0:49:43 | 0:49:45 | |
Goodbye. | 0:49:45 | 0:49:47 | |
What? | 0:49:47 | 0:49:50 | |
They want me to do the Evening Standard Awards again. | 0:49:50 | 0:49:53 | |
That's nice. | 0:49:53 | 0:49:56 | |
Right, just do this one last thing, and then get out of it. | 0:49:56 | 0:50:00 | |
-Frank, I don't know what to say about your dad... -I said I wouldn't talk about it again. You know now. | 0:50:02 | 0:50:07 | |
Well, are you sure you wanna get out? | 0:50:07 | 0:50:10 | |
Get that pub? | 0:50:10 | 0:50:12 | |
I've never been more sure of anything. | 0:50:15 | 0:50:18 | |
I'm variety, you know. I'm not satire. Not made for this. | 0:50:25 | 0:50:29 | |
-I'm not going to miss it. -And now, to say a few words, Frankie Howerd! | 0:50:29 | 0:50:33 | |
APPLAUSE | 0:50:33 | 0:50:36 | |
I love you, Dennis. | 0:50:37 | 0:50:40 | |
INAUDIBLE | 0:50:51 | 0:50:54 | |
INAUDIBLE | 0:50:56 | 0:50:59 | |
INAUDIBLE | 0:51:11 | 0:51:14 | |
APPLAUSE | 0:51:21 | 0:51:23 | |
I'd just like to say, um, thank you so much for everything over the years. And, er... | 0:51:23 | 0:51:30 | |
Good night. | 0:51:36 | 0:51:39 | |
I like you in this coat, Frank. | 0:51:55 | 0:51:57 | |
-Was I all right tonight? -You were lovely. Nerves seem to have cleared up, then? | 0:51:57 | 0:52:01 | |
Well, vis-a-vis that, I seem to remember that I was perfectly all right before I met you. | 0:52:01 | 0:52:06 | |
-I think you put the curse on me. -Yeah, it was me, wasn't it? | 0:52:06 | 0:52:09 | |
-And you brought my piles on as well. -'Mr Howerd?' -Oh, yes? Oh! | 0:52:09 | 0:52:13 | |
-I'm Peter Cook. -Yes, I know. Congratulations. I saw your show. Very good. | 0:52:13 | 0:52:17 | |
Very funny, yes. We're just off. | 0:52:17 | 0:52:19 | |
Um, could I possibly call you next week? | 0:52:19 | 0:52:22 | |
-Well... -I'm just... I'm opening a cabaret club. | 0:52:23 | 0:52:27 | |
And I was wondering if you'd do a residency. | 0:52:27 | 0:52:29 | |
So anyway, I'm there, and this young man comes up to me and he says, you know, "Hello. | 0:52:36 | 0:52:42 | |
"I'm Cook." And I said, "Well, yes! It was a lovely meal!" | 0:52:42 | 0:52:45 | |
And I was there...no, I'll tell you...I was there with... | 0:52:45 | 0:52:48 | |
He's a lovely fella. He needs it a bit softer. | 0:52:48 | 0:52:51 | |
I suppose it's the over-the-garden-fence school of comedy. Very anti-joke. Very modern. | 0:52:51 | 0:52:58 | |
It's a bit harsh on him, I think. | 0:52:58 | 0:53:00 | |
I know what I'm doing. | 0:53:00 | 0:53:02 | |
And now, the Week at Westminster. | 0:53:04 | 0:53:06 | |
And our lobby correspondent is Mr Frankie Howerd. | 0:53:06 | 0:53:10 | |
-No, no, he can't do next week. -TV PLAYS | 0:53:12 | 0:53:15 | |
Yeah, three weeks tomorrow is the next time. | 0:53:15 | 0:53:17 | |
-OVEN TIMER RINGS -Can I call you back? | 0:53:17 | 0:53:19 | |
PHONE RINGS | 0:53:22 | 0:53:24 | |
Hello? | 0:53:29 | 0:53:31 | |
I don't know when he's going to be available. I'm sorry. | 0:53:32 | 0:53:35 | |
Do you want to do the Royal Variety? | 0:53:38 | 0:53:40 | |
Of course. Oh, I like this bit. | 0:53:40 | 0:53:43 | |
Shall we, um, | 0:53:45 | 0:53:47 | |
leave off that pub for a while? | 0:53:47 | 0:53:50 | |
Yeah. Yeah, all right. | 0:53:50 | 0:53:53 | |
I'll have to watch how I go, Frank. | 0:54:05 | 0:54:07 | |
Fellers see me with you and I'm in danger of getting left on the shelf. | 0:54:07 | 0:54:10 | |
-Oh, you could have brushed your hair, Frank, it's a publicity shoot. -Someone else'll do it. | 0:54:10 | 0:54:15 | |
I mean, you don't wanna get left out, Janie. | 0:54:15 | 0:54:18 | |
-You don't wanna live your whole life a fag hag. -Oh, I don't know Frank. | 0:54:18 | 0:54:22 | |
I've always found it very agreeable. | 0:54:22 | 0:54:24 | |
If I could take a pill, | 0:54:24 | 0:54:27 | |
if there was a pill that would cure me of the way I am, I'd do it tomorrow. I'd take it. | 0:54:27 | 0:54:31 | |
-Yes, and I'd give it to you, you miserable git. -Drive. | 0:54:31 | 0:54:36 | |
'She's been pregnant, you know. Over and over. Over and over!' | 0:54:43 | 0:54:46 | |
Because of her ears! I mean, she's got an appliance, you see. | 0:54:46 | 0:54:50 | |
You know, she pops it in. | 0:54:50 | 0:54:53 | |
In her ear! Oh, the disgraceful...! | 0:54:55 | 0:54:58 | |
And she pops it out again when she goes to bed. And her husband. | 0:54:58 | 0:55:02 | |
I mean, he luxuriates. | 0:55:02 | 0:55:04 | |
He luxuriates! He luxuriates at her side. | 0:55:04 | 0:55:08 | |
And he rolls over, and he says to her, | 0:55:08 | 0:55:12 | |
"Do you want to go to sleep now, or what?" | 0:55:12 | 0:55:14 | |
-And she says "What?" -LAUGHTER | 0:55:14 | 0:55:17 | |
Up the students! Up all students everywhere! | 0:55:23 | 0:55:27 | |
Here we are. Thank you, yes. Thank you. | 0:55:41 | 0:55:44 | |
You've got an interview tomorrow for Channel 4 on The Word, | 0:55:46 | 0:55:50 | |
and they want four Roman centurions to carry you on. | 0:55:50 | 0:55:53 | |
Bit gay, isn't it? Was I any good? | 0:55:53 | 0:55:55 | |
Yes, you were very good, Frank, on stage, at least. | 0:55:55 | 0:55:58 | |
-So, still going to give it all up, are you? -Well, why not? | 0:56:00 | 0:56:04 | |
-We could still get that pub. -I think they'll have sold it by now, don't you? | 0:56:04 | 0:56:08 | |
Anyway, I knew you when you weren't working, and you were even more bloody insufferable than usual. | 0:56:08 | 0:56:13 | |
-And I can't retire, can I? Looking after you's a bleeding full-time job. -Rather you than me. | 0:56:13 | 0:56:18 | |
-Sorry about earlier, with... -Yeah, never mind. I'm used to it. | 0:56:18 | 0:56:22 | |
-Now get in the back of the car, you big old poof. -Mocking! You're mocking Francis! No, I'll, um, | 0:56:22 | 0:56:28 | |
come in the front. I can't really hear you when I'm in the back. | 0:56:28 | 0:56:32 | |
-# Young love, -(young love) -First love, -(first love) | 0:56:43 | 0:56:47 | |
# Filled with true devotion | 0:56:47 | 0:56:54 | |
-# Young love, -(young love) -Our love, -(our love) | 0:56:55 | 0:57:00 | |
# We share with deep emotion. # | 0:57:00 | 0:57:07 | |
Subtitles by Red Bee Media Ltd | 0:57:07 | 0:57:10 | |
Email [email protected] | 0:57:10 | 0:57:13 |