Frankie Howerd: Rather You Than Me


Frankie Howerd: Rather You Than Me

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This programme contains some strong language and scenes of a sexual nature

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No, no. Listen, listen!

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We'll get on with the comedy acting.

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The comedy stuff. Is that all right?

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-OK.

-HE CLEARS THROAT

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Ooh, no! Ooh, no, Mrs!

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No! No! You shut your face, you!

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No, not on your nelly! Titter ye not!

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Titter ye not! Nay, nay and thrice nay. Yay again, nay!

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I'll do an encore. I don't usually do an encore until the end. If I get to the end.

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This programme contains some strong language and some scenes of a sexual nature.

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# They say for every boy and girl

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# There's just one love In this whole world

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# And I know, I've found mine

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# The heavenly touch of your embrace Tells me no-one Could take your place

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# E-e-ever in my heart

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-# Young love,

-(young love)

-# First love,

-(first love)

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# Filled with true devotion

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-# Young love,

-(young love)

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-# Our love,

-(our love)

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# We share with deep... #

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I suppose you'll go into politics?

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Yes. You a True Blue?

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Ooh, I don't like Labour people.

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No, no, no. They're all po-faced.

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All seem to have this terrible...problem with their hair.

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-Not like you.

-We're very honoured to have you here. I'll introduce you, and then...

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-you can expect a warm hand on your entrance.

-Yes. You've done your homework, you. Oh!

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Are you...?

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It's my back, Sheridan. I'm a martyr.

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Would you, um... Would you...

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..Be a pal?

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We're low on Get Your Titters Out.

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Well, I can't do anything about that now, can I?

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Sheridan, President of the Oxford Union, this is Mr Heymer, my, er...

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manager and my chauffeur.

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-I can see to him now, thank you..

-Excellent.

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I'm getting too old for this.

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-Too old for what?

-Should really give it up.

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Ooh! On with the motley.

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Give us a kiss, then.

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I'm not giving you a kiss.

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Go on.

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-Dennis...you won't forget to heckle me, will you?

-No, I bloody won't.

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CHEERING AND HECKLING

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I'm not, you know, well, you don't know, but you'll believe me when I tell you, I'm not what you'd call

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a clever clogs, you know, sort of...O-levels and A-levels. Nothing like that, no, no, no.

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Being students, I'm not what you'd call an academic.

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-By no way could you call me an intellectual.

-Hear, hear.

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-Which is why I feel so at home here tonight.

-LAUGHTER

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You shut your face, you! He's mocking! He's mocking Francis.

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He's mocking your Francis.

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Well, I'm going to tell this story about a gamekeeper, right. This gamekeeper

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used to go round the woods all the time, you know, with his gun looking for game.

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In the woods to shoot.

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And he comes across this coppice.

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It's a coppice!

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A coppice in a wood.

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Yes, please, missus, please! Pay attention.

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And oh, there's this girl! A beautiful girl.

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Yes! In this coppice, and she's beautiful.

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A coppice! A coppice in a wood. Yes,

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please, missus... please pay attention.

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-Were you nervous?

-Me? Nervous?

-I mean, standing up in front of the Queen.

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Never had a moment's trouble with nerves in my life.

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He's all right, Rodge. Big funny-looking fella over there.

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I used to love him on Variety Bandbox.

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-'Stars is all the same. Last Christmas, he offered me ten bob to wank him off.'

-Ten bob?

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Yeah, stingy bastard. You know, he's the highest paid entertainer in the country.

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Even Gilbert Harding give me a fiver.

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I'm sick of being a comic.

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In any case, I want to be an actor.

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Yes, in the coppice... And well, she's beautiful, yes.

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And, you know, he... she looked at him.

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He, you know, looked at her.

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He said, um... "Excuse me,

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but are you game?" She said, "Yes".

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So he shot her.

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LAUGHTER

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I'm just gonna go and powder my nose.

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-I like your girlfriend. Very nice.

-Jane's my companion, not my girlfriend.

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The kind of "girls" I usually go for...I prefer

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girls with shorter hair and rather flatter chests, you understand.

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The kind who don't expect too much in return.

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Were you breast-fed?

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No, I'm serious. Were you breast-fed? I mean, by your mother.

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I don't suppose I was, no.

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I was. Every day.

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I couldn't get enough of it.

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They used to have to pull me off her like a limpet. Do you ever feel the urge

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-to return to the womb?

-I don't think my mum'd let me.

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She doesn't much like me living in the back bedroom.

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-Oh!

-What? What? It's my back.

-I've terrible trouble with it.

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Where's the boss? Come on, where is he? LADY SHRIEKS

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Come here, you!

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Rather you than me.

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'Ooh, no! Oh, no, missus!'

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Oh, no!

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Titter ye not! Titter ye not!

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Nay, nay and thrice nay! And yay again, nay!

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Bugger it!

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All coming out in a torrent now!

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-'Yes, well, you can't lie there all night, can you?'

-'Whatever you like.'

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-'Very good-looking, aren't you? I haven't got as much money as you'd think.'

-'Didn't ask for money.'

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No, not yet.

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Nice to meet you...Dennis.

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I can stay.

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'When I was a little boy in Eltam, I was very timid.

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'I was a very shy boy, yes. And I put that down'

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to breast-feeding.

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Oh, no, don't, please. Listen! Listen! After I was born,

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my mother went back to her job in the chocolate factory.

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And she left my father, who was unemployed, to look after me at home.

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And you know, he used to breast-feed me.

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Don't! Please! You're not taking this seriously.

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He used to, you know, warm the bottle up.

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He used to stick it up his vest. He'd make a little hole.

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He'd make a little hole here. He'd stick the teat through the hole.

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Well, cos people used to make their own entertainment in those days.

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Well, once again, let's say welcome to What's My Line

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and start off in the usual way, by introducing the experts.

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I don't need you to help me.

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-Top of the table, we have David Nixon.

-Good evening.

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'I wish you wouldn't do that'

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-in front of the television set.

-Well, they can't see us, Mum.

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And our very special guest, Mr Frankie Howerd.

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Don't like Frankie Howerd.

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I prefer Eamonn Andrews, even if he is a bloody Mick.

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Bloody hell, Dennis!

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I can smell that from here!

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Don't he smell like a tart, Bob?

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'All right, all clear. We start with Frankie Howerd,'

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'and we'll tell you that Mr Rosenthal is wage-earning.'

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Frankie?

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'What the bleedin' hell's his problem?'

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'Is it then one of the main services that go to people's houses?'

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'No...let's go back to Frankie.'

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LAUGHTER

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PHONE RINGS

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Who is it?

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-'It's Dennis'.

-Dennis who?

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'Dennis Heymer'.

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We were at Chequers together. Do you remember? And the man with the gun came.

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-Yes.

-'I saw What's My Line.'

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I just thought I'd, um... I thought I'd call to see if you were OK.

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Um...were you nervous?

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Well, of course I was fucking nervous.

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'I'm useless if I haven't got a script.'

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-Oh, I'm sorry.

-'I've always been nervy. I had an audition'

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for RADA once. My poor mother packed me a bag of cheese and onion sandwiches,

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and I was trembling so much during To Be Or Not To Be", I lobbed them right in Dame Helen Haye's tits.

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Are you going to be OK?

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Oh, it was a bloody disaster.

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Here we go.

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-Happy birthday.

-Cheers, mate!

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-Cheers!

-Thanks for coming.

-You all right?

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Yeah, it's just that I invited someone, but they haven't, um...

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Fuck me.

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Oh, no. Oh, no, I meant my agent.

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He's very nice. Yes! Very nice, but he's always a scruffy man.

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I mean, they call him Scruffy. I mean, don't they, Jane?

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Scruffy Dale?

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Yes. He's on the Uxbridge Road, if you want to check, above a pub.

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Yes. He sits there in his pyjamas most days, you know, fag ash down his you-knows.

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The thing is, I'm not important to him. He's got all these other artistes, you see. Oh, no, please.

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I mean, he's got Rusty,

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and his pigeon friends, which are very, very popular in Bridlington.

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And he's got, he's got Windy Blow and his balloons.

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Yes, you should see where he puts those balloons. They'd make your eyes water.

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I used to love you on Variety Bandbox.

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Yes, it was a very popular...programme. Ohhh!

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What's up?

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Well, it's emotional isn't it, you know, the cork coming out of the bottle.

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I get a bit anxious sometimes.

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I think it's coming back... I used to have a terrible stammer when I was a boy.

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You grow out of a stammer.

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Yes, you'll be wanting to pop off.

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Nah, I can stay.

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Morning.

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-Yes, make yourself at home, young man.

-You want some eggs?

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-Yes, wife!

-You any family?

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Yes, my mother and my sister.

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I love them both very dearly. No, I do.

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-Always been very good to me. Made me feel very special.

-Your dad still on the go?

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No, he's dead.

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Extremely.

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Kids, I'd like.

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-What about Jane?

-No! I could never physically go about making one.

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I'm not sure I'd like to inflict myself on a child, either.

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I thought for ages that my mother was dead.

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She, um...ran off with a bloke when I was evacuated.

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And I think that's what she wanted them to say. You know, that she was dead.

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What was it like when she came back?

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-It was a surprise, wannit?

-Yes!

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I'd love to meet your mother.

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She sounds very nice. She look after you?

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Oh, no, I look after her.

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Well, I think you need someone to look after you.

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That's just the problem with being well-known.

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People say they wanna look after you, but they're only after hanging on. Or a job.

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# I may be right, I may be wrong, you know you're gonna Miss me when I'm gone... #

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Can't Scruffy get you better than that?

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He's not seeing to you right.

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You'd think 10% of what you earn...

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I don't want to turn things down, do I? I don't want a reputation.

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-You'll never have a reputation, Frank.

-How did it go, Mr Howerd?

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Another bloody disaster. I was shitting myself with nerves.

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Frank! Sit up in the front if you want, Frank, love.

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-Janie and me will be in the back.

-The star doesn't sit in the front, Mum.

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I'll go in the front.

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I've always wanted to go to the BBC. Nice, innit?

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Take us to the Savoy, will you?

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Certainly.

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You can't keep staying, though.

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Am I red?

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Dennis, we've got to be discreet.

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I'm trying to get things back on track.

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If anyone knew I was queer, it'd do for me.

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Where are we heading today, then?

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Where am I taking you?

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'Oh, it's a sad story.'

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A sad story, yes. Get your aahs out. Your aahs, dear, yes. Terrible tragedy.

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Yes. Tragedy!

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Turmoil after turmoil! There's a girl here crying her eyes out.

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I shouldn't be doing comedy.

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You know, I should be doing drama.

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But I did do drama. Yes!

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You should have seen my Bottom.

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I can't, I can't.

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In that case, get out of the production!

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Get out of the production! You can't threaten the livelihoods of the others because of your incompetence.

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Get out if you're going to soil yourself every weeknight and twice on Thursdays.

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'My Bottom attracted some warm appreciation, yes.'

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They tittered at Francis' Bottom. Yes.

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Do you find my genitals attractive, Dennis? Don't subject them to parliamentary scrutiny.

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Yeah. Yeah.

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Not bad.

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Where do you think it comes from?

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Where does your attraction to the male parsnip come from?

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Don't know. I don't particularly think about it. No point worrying, is there?

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Beautiful and brainless.

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And a natural blonde.

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Do you like mine?

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Yes. Half the time.

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Beforehand, yes, I do.

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Turn round.

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What, and present you with a nice clean pair of buttocks for your perusal and delectation?

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-Not on your nelly.

-Frank, turn round.

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Look at yourself.

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You're a lovely man, Frank.

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You're funny and you've got presence, but you've got to calm down a bit about everything.

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It's dirty.

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I love you.

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I love you.

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You'll have to make yourself scarce in the morning.

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Yeah, course.

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-Discreet.

-I've got a doctor coming.

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-Why, what's up?

-I've got a doctor coming to talk.

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I think I need it.

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I asked him to come. It's my nerves.

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I can't work.

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No! Stop it, Dennis. Stop it!

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I'm all right. Sorry, I didn't know there was a menage.

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-Fuck off!

-Can I have my jacket?

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-Fuck off, or I'll fill your fucking face in!

-I won't have violence!

0:20:390:20:42

-I bought you a fucking Monopoly set!

-Get out of my flat, you poof!

-Frank!

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-You know perfectly well you wouldn't be here if I wasn't who I am.

-Frank!

-Fuck off! Fuck off!

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# They say for every boy and girl There's just one love In this whole world... #

0:21:090:21:14

What you been up to, Dennis?

0:21:140:21:16

Bit of driving.

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-Do you want one?

-Who for?

-Frankie Howerd.

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No wonder you're back here. He's fucked, in't he?

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Ta-ta.

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-# Young love,

-(young love)

-First love,

-(first love)

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# Filled with true devotion... #

0:21:400:21:46

What the bloody hell are you moping around for?

0:21:470:21:50

You've been in my way all morning.

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-Mum?

-She mucking you around?

-Mum...

0:21:520:21:55

You're too soft, Dennis, always have been.

0:21:550:21:59

You fall for people and you go all doe-eyed.

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You want to get out there and make some hay while the sun shines.

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You don't want to be tied down, your age.

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Well, you'd know, wouldn't you?

0:22:070:22:10

Don't speak to me like that, Dennis.

0:22:100:22:12

-I'm trying to dust.

-Do you want a hand?

0:22:120:22:14

I can manage on me own, thanks.

0:22:140:22:17

DENNIS SOBS

0:22:200:22:22

What kind of a man are you?

0:22:250:22:27

'I don't much feel like it tonight.

0:22:440:22:47

'And I'm usually so vivacious.'

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I mean, people say "That's Francis.

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"He's so vivacious". I feel... I feel...I feel...I feel limp.

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LAUGHTER

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'You know, I should be in bed.

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'I should be in bed.'

0:23:070:23:08

-Anyone?

-LAUGHTER

-Oh, get back! Get back!

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She, er...

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-she wants you to come back.

-Well, she can come herself, can't she?

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-She's right down.

-I know how she feels.

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She's, er...

0:23:440:23:46

..She's got himself into trouble, Dennis.

0:23:480:23:51

-Scruffy's done a runner with about 80 grand of his money.

-Really?

0:23:510:23:57

'What's she doing sending a friend? She that high and bloody mighty?'

0:23:570:24:00

Don't shut that door!

0:24:000:24:01

Jane, I don't want to be hidden away all the time.

0:24:020:24:06

I was quite comfy with it, before he came along.

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Then I met him and he makes it...

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uncomfortable. And not just cos we have to hide it for work.

0:24:130:24:16

You're yourselves at home, aren't you?

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-Yeah, but it's just backgammon and tidying up.

-We get a lot of glamour out of him, you and me.

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I'm not bothered about the glamour. I thought I was, but I'm not.

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The glamour's not the thing I'm in it for.

0:24:290:24:31

Listen.

0:24:310:24:33

He said to say that he loves you.

0:24:330:24:35

Are you taking the piss out of me?

0:24:350:24:37

He said that he loves you, Dennis.

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Well...he never told me that.

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Well, that's what he asked me to say.

0:24:470:24:49

That he loves you very much,

0:24:490:24:51

and he needs you.

0:24:510:24:54

He needs you, Dennis.

0:24:540:24:56

Really?

0:24:590:25:01

I'm not going to stay locked in that spare room for ever. Not if you really need me. Do you need me?

0:25:030:25:08

-I said I did.

-Yep.

0:25:080:25:12

I know we'll have to be discreet. I understand that.

0:25:120:25:15

But I can look after you.

0:25:150:25:17

-If you want. Is that what you want?

-Yes.

-Yes.

0:25:170:25:21

I can clean your clothes because sometimes, I'm sorry, but you look a disgrace.

0:25:210:25:25

I can sort out your household stuff. And we can do a bit of work getting your jobs coming in.

0:25:250:25:29

Get you back where you should be.

0:25:290:25:32

Right?

0:25:320:25:34

I missed you.

0:25:360:25:39

Well, I missed you.

0:25:390:25:41

Come in! Come in!

0:26:040:26:05

Now, dear, this is Dennis.

0:26:050:26:07

He's my new manager.

0:26:070:26:10

Didn't you used to drive him?

0:26:100:26:12

-Yeah. Yeah.

-Well, you'll have to give me some suggestions or two.

0:26:120:26:18

I could never manage him.

0:26:180:26:20

-Oh, he's no trouble, Mrs Howerd. He's a joy, really.

-Yes, he is.

0:26:200:26:24

We're proud of him.

0:26:240:26:26

Aren't we proud of you, Frank?

0:26:260:26:30

I made you your jelly, love.

0:26:300:26:32

Is work all right?

0:26:350:26:37

A load of bloody rubbish.

0:26:370:26:39

I don't like this house, Mum.

0:26:430:26:44

-Why don't you sell it, and I can buy you a new one?

-I'm settled here.

0:26:440:26:48

It's been a happy house.

0:26:490:26:51

You look like the Cheshire Cat.

0:26:530:26:55

Be discreet!

0:26:550:26:56

I used to bring you it home from the factory, didn't I, love?

0:27:030:27:07

Bit of chocolate.

0:27:070:27:09

I always tried and gave them a little treat every day, even if it was just

0:27:090:27:14

half an hour of playing or whatever.

0:27:140:27:17

It's important for kids.

0:27:170:27:19

That the three of you?

0:27:220:27:24

That's the two of us...

0:27:240:27:27

and Frank senior.

0:27:270:27:30

Do you want a bit more jelly, love?

0:27:300:27:32

Yes, I'll get it.

0:27:320:27:34

You been in show business long?

0:27:400:27:42

Oh, no. Not long. Not really.

0:27:420:27:44

What was your line before?

0:27:440:27:45

Er, I was a waiter.

0:27:450:27:47

And before that I delivered bread for the Co-op.

0:27:470:27:50

Oh!

0:27:500:27:51

She's mutt.

0:27:550:27:56

She's mutt. Mutt!

0:27:560:27:58

She's mutt and Jeff.

0:27:580:28:00

Means deaf. They're there if you dig deep.

0:28:000:28:04

'I shan't book him again, Mr Heymer.'

0:28:040:28:06

I'm afraid his entrance is much too vulgar for Scarborough.

0:28:060:28:09

I told him, what he wants to do is smarten himself up a bit, come on, and say, "How are you?

0:28:090:28:17

"Are all your cars parked nicely?

0:28:170:28:19

"Are all your cars parked nicely?"

0:28:190:28:22

I told him he could have that one.

0:28:220:28:24

-What did he say?

-He said thanks for putting him right.

0:28:240:28:29

I'm really chasing Tommy Steele.

0:28:290:28:31

I told him "You're on your way out, aren't you?

0:28:310:28:36

"You've been round a bit too long, Frankie".

0:28:360:28:39

That may be your opinion... and it may be true.

0:28:430:28:47

But if you say anything like that to him again, I'll kick your fucking bollocks off.

0:28:470:28:52

'..He says to her, "Do you want to go to sleep now or what?"'

0:28:520:28:56

She says "What?"

0:28:560:28:58

We've got an hour of this, so try and reconcile yourselves with it.

0:28:590:29:03

Got any kippers?

0:29:070:29:08

It's rather a lot, isn't it, a thousand?

0:29:300:29:32

Well, what is it usually, when you don't bother telling me?

0:29:320:29:35

Do you want me to tell the truth about that?

0:29:360:29:39

-Why did you open my post?

-I answer your fan mail.

0:29:390:29:42

You asked me to.

0:29:420:29:44

I'm not going to get angry with you, cos you need to do what you need to do.

0:29:490:29:52

But if you want to get the jobs, you've got to pack this sort of thing in.

0:29:520:29:56

-This bloke won't go to the law, but someone else might.

-I'm sorry, Dennis. I'll be a bit more careful.

0:29:580:30:04

Well, that'd be a start, yes.

0:30:040:30:06

-I won't ever do it. That was the last time.

-Don't make promises you can't keep.

0:30:090:30:13

-I want to keep it, Dennis. I don't want to send you away.

-Oh, you won't.

0:30:130:30:18

I've been reading about this new kind of thing.

0:30:180:30:22

I think it might make me better.

0:30:220:30:24

Your valium's in your case.

0:30:440:30:46

Have you got the photos?

0:30:470:30:49

-What's all this?

-The first course will be Sodium Amytal.

0:31:260:31:30

I'll then give you 80 gamma of LSD to start with.

0:31:300:31:34

It'll take about 20 minutes, and you'll feel a little warmer, and there'll be some flashing lights.

0:31:340:31:40

What, you lay those on, do you?

0:31:400:31:42

No, in your mind's eye.

0:31:420:31:44

And you'll experience euphoria.

0:31:440:31:46

I bloody hope so.

0:31:460:31:48

I'll then give you some Ritalin to concentrate your thoughts.

0:31:480:31:52

You should use the photographs and props.

0:31:520:31:56

And write it down. Or draw.

0:31:560:31:58

Mr Howerd will be needing some time on his own.

0:31:580:32:01

-I'll come and get you Monday.

-And don't be late.

0:32:030:32:06

'It makes you feel soiled in some way?

0:33:220:33:26

-'Dirty?'

-'It's a sad story, yes...

0:33:270:33:31

'It's a sad story.'

0:33:310:33:33

Get your aahs out.

0:33:330:33:35

HE SOBS

0:33:350:33:38

Listen! Listen!

0:33:400:33:42

Don't laugh, it's wicked to mock these things.

0:33:450:33:48

He's mocking your Francis!

0:33:510:33:53

How did it go?

0:34:310:34:33

Oh, what's the matter?

0:34:330:34:35

No, please. Don't cuddle me out on the street, Dennis.

0:34:360:34:39

I'm trying to get you a couple of weeks in Butlin's.

0:34:590:35:03

Filey.

0:35:030:35:04

No. No, don't. I haven't got a libido.

0:35:130:35:15

I'm worn out.

0:35:150:35:16

Do you know how long it's been since you touched my dick?

0:35:180:35:22

No. I don't keep those facts at my fingertips.

0:35:220:35:24

Since my birthday.

0:35:240:35:26

When was that?

0:35:260:35:28

-Is he all right?

-He's fine.

0:35:400:35:44

Just having a bit of a rest. He wanted me to give you the housekeeping.

0:35:440:35:48

Is he all right?

0:35:510:35:53

He's nervy.

0:35:580:35:59

CAR DOOR OPENS

0:36:110:36:13

DOOR SHUTS

0:36:160:36:18

-What good is it going over and over everything? You think too much.

-How can I stop myself thinking?

0:36:180:36:22

-Oh, I dunno.

-I've got nothing else to do than think!

0:36:220:36:25

It breaks my heart! You should see yourself...when you come back.

0:36:250:36:29

I...I feel as if you're cheating on me.

0:36:290:36:31

I cheat when I go down under Waterloo Bridge. I cheat when I get a dresser to suck me off. Not then.

0:36:310:36:36

Well, why do you need to talk?

0:36:360:36:38

It makes you worse!

0:36:380:36:40

Because I hate the way I am.

0:36:420:36:43

It's dirty and it's disgusting, and I don't want people knowing.

0:36:430:36:47

And what we do together makes me want to vomit.

0:36:470:36:50

I've fucking had it!

0:36:510:36:53

How was she? Your mother.

0:38:220:38:25

She was all right, thanks.

0:38:250:38:28

I don't think my mother's very well.

0:38:280:38:30

MUSIC: "Garden Of Eden" by Frankie Vaughan

0:38:380:38:42

# When you walk in the garden

0:38:430:38:46

# In the garden of Eden

0:38:460:38:49

# With a beautiful woman

0:38:490:38:52

# And you know how you care

0:38:520:38:56

# And the voice in the garden

0:38:560:38:58

# In the garden of Eden

0:38:580:39:02

# Tells you she is forbidden Can you leave her there?

0:39:020:39:07

# When you're yearning for loving

0:39:070:39:11

# And she touches your hand

0:39:110:39:13

# And your heart starts a-pounding And you're feeling so grand

0:39:130:39:20

# Can you leave her to heaven?

0:39:200:39:24

# And obey the command?

0:39:240:39:27

# Can you walk from the garden?

0:39:270:39:30

# Does your heart understand?

0:39:300:39:33

# And that voice in the garden

0:39:330:39:35

# In the garden of Eden

0:39:350:39:40

# Tells you she is forbidden Can you leave her there?

0:39:400:39:47

# Can you leave her there? #

0:39:480:39:55

I'm trying to get you work, Frank. You gotta work.

0:40:210:40:24

-I don't want it.

-Why don't you try and get out the flat, then? Play tennis or something.

0:40:240:40:28

-Tennis, Dennis?

-Yes, you like tennis, it cheers you up.

0:40:280:40:32

I have of late, but wherefore I know not, lost all my mirth,

0:40:320:40:38

forgone all custom of exercises,

0:40:380:40:40

and indeed, it goes so heavily with my disposition

0:40:400:40:44

that this goodly frame, the earth, seems to me a sterile promontory.

0:40:440:40:48

HE BREAKS WIND

0:40:500:40:52

Oh, it's bitter out.

0:40:520:40:55

'I won't have to put up with any more bloody psychiatrists.'

0:40:580:41:01

What a bloody relief!

0:41:010:41:03

OK, all right, but I'll have to go round his house first.

0:41:050:41:09

Pick up a few things, you know.

0:41:090:41:12

Tell him I'm going.

0:41:120:41:13

OK.

0:41:150:41:17

Bye-bye.

0:41:170:41:18

-That you?

-Of course it's me.

0:41:290:41:32

I'm not stopping.

0:41:320:41:33

-Cos you know we've not been getting along, Frank...

-My mother's had a stroke, Den.

0:41:330:41:38

She's going to die.

0:41:380:41:39

I don't know what I'll do.

0:41:570:41:58

Do you want your Valium?

0:42:000:42:01

Thank you.

0:42:120:42:13

It bothers me sometimes...

0:42:260:42:29

we didn't meet when things were destined to be better. You know,

0:42:290:42:32

-you and me.

-Doesn't bother me.

0:42:320:42:34

Maybe for your sake.

0:42:340:42:36

Was a bit more fun when you were big, but that's not what I fell in love with.

0:42:380:42:42

I wasn't any happier.

0:42:420:42:43

You know,

0:42:430:42:45

you worry about losing it when you've got it, and you worry about getting it back when it's gone.

0:42:450:42:50

-Listen. Frank, I know this isn't a good time, but...

-I've started to know it's not the work, Dennis...

0:43:020:43:08

..It's the people...

0:43:100:43:12

that count.

0:43:120:43:14

I've been thinking.

0:43:150:43:18

I've... I've been thinking practically.

0:43:180:43:20

There's no use me just working two or three months a year and...

0:43:200:43:25

well, we can't rely on a waiter's wage. Why don't we sell up and buy a pub?

0:43:250:43:32

You could run a pub, couldn't you?

0:43:340:43:36

You're not serious.

0:43:360:43:37

No, I am.

0:43:370:43:40

Right?

0:43:430:43:44

What time is it?

0:44:070:44:09

It's half-one.

0:44:090:44:11

Hm!

0:44:130:44:15

He was always a good sleeper.

0:44:150:44:17

Dennis.

0:44:240:44:25

You must promise me that you'll look after him.

0:44:280:44:32

He needs looking after, Dennis.

0:44:400:44:42

I need to know that he's being seen to.

0:44:450:44:49

But what about me?

0:44:520:44:54

He loves you back, doesn't he?

0:44:540:44:57

I...I don't know how you've got yourself set up...

0:45:010:45:06

..but there has to be one of you who makes things peaceful.

0:45:070:45:11

Put it on the teapot, will you?

0:47:060:47:09

-It doesn't make it any better putting it on the teapot.

-It does. It steams it.

0:47:090:47:13

It keeps its contours. Bette Davis told me.

0:47:130:47:17

Yeah, well, I think she was taking the piss out of you.

0:47:170:47:20

Listen, I'm going to stay at my mother's tonight. All right? You gonna be all right on your own?

0:47:240:47:29

Hmm? I said, I'm going to stay at my mum's.

0:47:310:47:33

Will you be all right on your own?

0:47:330:47:35

Frank!

0:47:350:47:37

Where are you really going?

0:47:370:47:40

To my mum's.

0:47:400:47:42

Do you want to know why I feel the need to see a psychiatrist?

0:47:430:47:46

Well, it's because you don't want to be queer. That's become very plain.

0:47:460:47:50

It's because in that bedroom where she died...my father used to get hold of me.

0:47:520:47:59

He'd lock the door.

0:48:000:48:03

He'd hold my neck tight with these great spiky fingers...

0:48:030:48:07

..and he'd push my head down and make me suck his dick.

0:48:090:48:12

Let me get this out of the way, because I'm not going to tell you again.

0:48:150:48:19

He'd either come in angry...

0:48:210:48:23

..and he'd strip me off and beat me or scald me...

0:48:250:48:28

..Or he'd come in drunk and do that.

0:48:290:48:31

I don't think Mum knew,

0:48:340:48:36

not until later.

0:48:360:48:39

Eventually it stopped.

0:48:390:48:41

He did something similar to a kid across the road.

0:48:410:48:45

She threw him out.

0:48:470:48:49

Then he died.

0:48:490:48:51

Frank...

0:48:590:49:01

PHONE RINGS

0:49:030:49:05

PHONE KEEPS RINGING

0:49:130:49:14

Hello?

0:49:260:49:27

No, no. No time like the present.

0:49:300:49:32

Nothing much.

0:49:340:49:36

Really?

0:49:390:49:40

OK, Max, thank you.

0:49:430:49:45

Goodbye.

0:49:450:49:47

What?

0:49:470:49:50

They want me to do the Evening Standard Awards again.

0:49:500:49:53

That's nice.

0:49:530:49:56

Right, just do this one last thing, and then get out of it.

0:49:560:50:00

-Frank, I don't know what to say about your dad...

-I said I wouldn't talk about it again. You know now.

0:50:020:50:07

Well, are you sure you wanna get out?

0:50:070:50:10

Get that pub?

0:50:100:50:12

I've never been more sure of anything.

0:50:150:50:18

I'm variety, you know. I'm not satire. Not made for this.

0:50:250:50:29

-I'm not going to miss it.

-And now, to say a few words, Frankie Howerd!

0:50:290:50:33

APPLAUSE

0:50:330:50:36

I love you, Dennis.

0:50:370:50:40

INAUDIBLE

0:50:510:50:54

INAUDIBLE

0:50:560:50:59

INAUDIBLE

0:51:110:51:14

APPLAUSE

0:51:210:51:23

I'd just like to say, um, thank you so much for everything over the years. And, er...

0:51:230:51:30

Good night.

0:51:360:51:39

I like you in this coat, Frank.

0:51:550:51:57

-Was I all right tonight?

-You were lovely. Nerves seem to have cleared up, then?

0:51:570:52:01

Well, vis-a-vis that, I seem to remember that I was perfectly all right before I met you.

0:52:010:52:06

-I think you put the curse on me.

-Yeah, it was me, wasn't it?

0:52:060:52:09

-And you brought my piles on as well.

-'Mr Howerd?'

-Oh, yes? Oh!

0:52:090:52:13

-I'm Peter Cook.

-Yes, I know. Congratulations. I saw your show. Very good.

0:52:130:52:17

Very funny, yes. We're just off.

0:52:170:52:19

Um, could I possibly call you next week?

0:52:190:52:22

-Well...

-I'm just... I'm opening a cabaret club.

0:52:230:52:27

And I was wondering if you'd do a residency.

0:52:270:52:29

So anyway, I'm there, and this young man comes up to me and he says, you know, "Hello.

0:52:360:52:42

"I'm Cook." And I said, "Well, yes! It was a lovely meal!"

0:52:420:52:45

And I was there...no, I'll tell you...I was there with...

0:52:450:52:48

He's a lovely fella. He needs it a bit softer.

0:52:480:52:51

I suppose it's the over-the-garden-fence school of comedy. Very anti-joke. Very modern.

0:52:510:52:58

It's a bit harsh on him, I think.

0:52:580:53:00

I know what I'm doing.

0:53:000:53:02

And now, the Week at Westminster.

0:53:040:53:06

And our lobby correspondent is Mr Frankie Howerd.

0:53:060:53:10

-No, no, he can't do next week.

-TV PLAYS

0:53:120:53:15

Yeah, three weeks tomorrow is the next time.

0:53:150:53:17

-OVEN TIMER RINGS

-Can I call you back?

0:53:170:53:19

PHONE RINGS

0:53:220:53:24

Hello?

0:53:290:53:31

I don't know when he's going to be available. I'm sorry.

0:53:320:53:35

Do you want to do the Royal Variety?

0:53:380:53:40

Of course. Oh, I like this bit.

0:53:400:53:43

Shall we, um,

0:53:450:53:47

leave off that pub for a while?

0:53:470:53:50

Yeah. Yeah, all right.

0:53:500:53:53

I'll have to watch how I go, Frank.

0:54:050:54:07

Fellers see me with you and I'm in danger of getting left on the shelf.

0:54:070:54:10

-Oh, you could have brushed your hair, Frank, it's a publicity shoot.

-Someone else'll do it.

0:54:100:54:15

I mean, you don't wanna get left out, Janie.

0:54:150:54:18

-You don't wanna live your whole life a fag hag.

-Oh, I don't know Frank.

0:54:180:54:22

I've always found it very agreeable.

0:54:220:54:24

If I could take a pill,

0:54:240:54:27

if there was a pill that would cure me of the way I am, I'd do it tomorrow. I'd take it.

0:54:270:54:31

-Yes, and I'd give it to you, you miserable git.

-Drive.

0:54:310:54:36

'She's been pregnant, you know. Over and over. Over and over!'

0:54:430:54:46

Because of her ears! I mean, she's got an appliance, you see.

0:54:460:54:50

You know, she pops it in.

0:54:500:54:53

In her ear! Oh, the disgraceful...!

0:54:550:54:58

And she pops it out again when she goes to bed. And her husband.

0:54:580:55:02

I mean, he luxuriates.

0:55:020:55:04

He luxuriates! He luxuriates at her side.

0:55:040:55:08

And he rolls over, and he says to her,

0:55:080:55:12

"Do you want to go to sleep now, or what?"

0:55:120:55:14

-And she says "What?"

-LAUGHTER

0:55:140:55:17

Up the students! Up all students everywhere!

0:55:230:55:27

Here we are. Thank you, yes. Thank you.

0:55:410:55:44

You've got an interview tomorrow for Channel 4 on The Word,

0:55:460:55:50

and they want four Roman centurions to carry you on.

0:55:500:55:53

Bit gay, isn't it? Was I any good?

0:55:530:55:55

Yes, you were very good, Frank, on stage, at least.

0:55:550:55:58

-So, still going to give it all up, are you?

-Well, why not?

0:56:000:56:04

-We could still get that pub.

-I think they'll have sold it by now, don't you?

0:56:040:56:08

Anyway, I knew you when you weren't working, and you were even more bloody insufferable than usual.

0:56:080:56:13

-And I can't retire, can I? Looking after you's a bleeding full-time job.

-Rather you than me.

0:56:130:56:18

-Sorry about earlier, with...

-Yeah, never mind. I'm used to it.

0:56:180:56:22

-Now get in the back of the car, you big old poof.

-Mocking! You're mocking Francis! No, I'll, um,

0:56:220:56:28

come in the front. I can't really hear you when I'm in the back.

0:56:280:56:32

-# Young love,

-(young love)

-First love,

-(first love)

0:56:430:56:47

# Filled with true devotion

0:56:470:56:54

-# Young love,

-(young love)

-Our love,

-(our love)

0:56:550:57:00

# We share with deep emotion. #

0:57:000:57:07

Subtitles by Red Bee Media Ltd

0:57:070:57:10

Email [email protected]

0:57:100:57:13

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