
Browse content similar to Gracie!. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Hee hee, come on, lads and lasses. | 0:00:06 | 0:00:08 | |
The factory's opened again! Hee hee! | 0:00:08 | 0:00:10 | |
# Sing as we go and let the world go by | 0:00:13 | 0:00:16 | |
# Singing a song, we march along the highway | 0:00:16 | 0:00:20 | |
# Say goodbye to sorrow | 0:00:20 | 0:00:23 | |
# There's always tomorrow to think of today | 0:00:23 | 0:00:27 | |
# Sing as we go, although the skies are grey | 0:00:27 | 0:00:31 | |
# Beggar or king, you've got to sing a gay tune | 0:00:31 | 0:00:35 | |
# A song and a smile making life worthwhile | 0:00:35 | 0:00:38 | |
# So sing.. | 0:00:38 | 0:00:40 | |
# As we go along. # | 0:00:40 | 0:00:43 | |
CHEERING AND APPLAUSE | 0:00:43 | 0:00:45 | |
Oh, please, no. Not on a Sunday. | 0:01:03 | 0:01:08 | |
Hello there! | 0:01:10 | 0:01:13 | |
-Hello. -Excuse me... | 0:01:13 | 0:01:15 | |
Oi! | 0:01:15 | 0:01:16 | |
SHE WHISTLES | 0:01:16 | 0:01:17 | |
Herbert! What can I do for you? | 0:01:17 | 0:01:20 | |
Nothing. Thank you. I am looking for Gracie Fields. | 0:01:20 | 0:01:22 | |
Hey! Here! Me. I'm Gracie Fields. | 0:01:22 | 0:01:27 | |
Yes! You're Gracie Fields! | 0:01:35 | 0:01:37 | |
You really had me fooled there for a moment. | 0:01:37 | 0:01:39 | |
I'm Monty Banks. | 0:01:41 | 0:01:43 | |
Montagu Banks. Motion Picture Director. Hollywood. | 0:01:43 | 0:01:46 | |
The best. | 0:01:46 | 0:01:48 | |
Surely you've been told about me? | 0:01:48 | 0:01:49 | |
I don't like doing motion pictures, I'm afraid, Mr Banks. | 0:01:49 | 0:01:52 | |
I can't stand the sitting around. | 0:01:52 | 0:01:54 | |
But you've never made a picture with Monty Banks. | 0:01:54 | 0:01:56 | |
I know, what a shame. | 0:01:56 | 0:01:58 | |
Goodbye, Mr Banks. | 0:01:58 | 0:02:00 | |
-The Compulsory Husband? -No. | 0:02:03 | 0:02:05 | |
Almost A Honeymoon? | 0:02:05 | 0:02:06 | |
-Falling In Love? -No, I've never seen any of them. | 0:02:06 | 0:02:09 | |
I don't have much time to go to the pictures. | 0:02:09 | 0:02:11 | |
-And you don't like the sitting around. -Exactly. | 0:02:11 | 0:02:14 | |
-Well, there's no sitting around with Monty Banks. -I can see that. | 0:02:14 | 0:02:17 | |
Miss Fields, I've seen all your movies... | 0:02:17 | 0:02:19 | |
Don't worry. I'm not so keen on them either. | 0:02:19 | 0:02:21 | |
And I can tell you're having no fun, the camera cannot lie. | 0:02:21 | 0:02:24 | |
With Monty Banks, it is always fun, fun, fun! | 0:02:24 | 0:02:28 | |
The films pay for my bills, that's... | 0:02:28 | 0:02:30 | |
Oooph! | 0:02:30 | 0:02:31 | |
Mr Banks! | 0:02:31 | 0:02:32 | |
Are you all ri... | 0:02:32 | 0:02:33 | |
Did you know I was one of the Keystone Cops, Miss Fields? | 0:02:33 | 0:02:36 | |
Why, you... | 0:02:36 | 0:02:37 | |
I've worked with Fatty Arbuckle, Mack Sennett, Harold Lloyd, | 0:02:37 | 0:02:42 | |
and now I want to work with you. | 0:02:42 | 0:02:44 | |
I can make Gracie Fields an even bigger star than she is already. | 0:02:44 | 0:02:50 | |
Well, I suppose you'd better come in for a cup of tea. | 0:02:50 | 0:02:53 | |
'The most popular distinction in the New Year's Honours list is, of course, for our Gracie. | 0:02:57 | 0:03:01 | |
'Here she is on her way to Buckingham Palace to collect her CBE | 0:03:01 | 0:03:05 | |
'for services to entertainment. | 0:03:05 | 0:03:06 | |
'The crowd brace the cold outside to catch a glimpse of her.' | 0:03:06 | 0:03:09 | |
Shall we show the lads, mother? | 0:03:09 | 0:03:11 | |
Ooh, it's beautiful. Yes. | 0:03:11 | 0:03:12 | |
Here y'are, lads. | 0:03:12 | 0:03:14 | |
'Her latest picture, Queen of Hearts, | 0:03:14 | 0:03:16 | |
'show just how deserved the honour is. | 0:03:16 | 0:03:18 | |
'Thousands of eager fans turned up for the opening of what is | 0:03:18 | 0:03:21 | |
'sure to be another box office hit. | 0:03:21 | 0:03:22 | |
'Our gal from Rochdale is unstoppable. | 0:03:22 | 0:03:24 | |
'Working harder than ever to keep the nation smiling. | 0:03:24 | 0:03:27 | |
'Here she is on set with Monty Banks, | 0:03:27 | 0:03:28 | |
'the Hollywood director who shot her fame transatlantic. | 0:03:28 | 0:03:31 | |
'From CBE to highest paid actress in the world, | 0:03:31 | 0:03:34 | |
'is there no end to what our Gracie can do?' | 0:03:34 | 0:03:35 | |
< Gracie. | 0:04:02 | 0:04:03 | |
It's me again. Monty. | 0:04:04 | 0:04:07 | |
The surgeon says you are a fighter, so... | 0:04:07 | 0:04:12 | |
Keep fighting. | 0:04:15 | 0:04:17 | |
I worked you too hard on that bloody film, and all the time you were ill. | 0:04:21 | 0:04:28 | |
Gracie, there's something I've been wanting to tell you. | 0:04:35 | 0:04:41 | |
Gracie, I... | 0:04:44 | 0:04:45 | |
DOOR OPENS | 0:04:45 | 0:04:46 | |
Still nowt? | 0:05:00 | 0:05:01 | |
Come on, Grace. | 0:05:05 | 0:05:07 | |
The whole country's praying for you. | 0:05:07 | 0:05:10 | |
Look! | 0:05:16 | 0:05:17 | |
Are you all right, love? | 0:05:29 | 0:05:31 | |
Shh. She's trying to speak. | 0:05:31 | 0:05:33 | |
Don't try to talk, love. | 0:05:33 | 0:05:36 | |
No love, leave that to your mother! | 0:05:36 | 0:05:38 | |
You're going to be fine, Grace. | 0:05:41 | 0:05:43 | |
You're going to live. | 0:05:45 | 0:05:47 | |
# I love the moon | 0:05:52 | 0:05:56 | |
# I love the sun | 0:05:58 | 0:06:01 | |
# I love the forest | 0:06:03 | 0:06:06 | |
# The flowers, the fun | 0:06:06 | 0:06:10 | |
# I love the wild birds | 0:06:12 | 0:06:17 | |
# The dawn and the dew | 0:06:19 | 0:06:26 | |
# But best of all | 0:06:28 | 0:06:36 | |
# I love you | 0:06:36 | 0:06:41 | |
# I love you. # | 0:06:41 | 0:06:46 | |
And now, I want to thank you all again a thousand times | 0:06:52 | 0:06:56 | |
for the great love and affection you have shown for me. | 0:06:56 | 0:07:01 | |
And thank you, Mr BBC. Good night. | 0:07:01 | 0:07:04 | |
And God bless you all. | 0:07:04 | 0:07:07 | |
PIANO NOTES JAR | 0:07:11 | 0:07:12 | |
Ow! My bloody fingers! | 0:07:12 | 0:07:13 | |
Monty, you daft pie-can, put the lights back on! | 0:07:13 | 0:07:16 | |
I didn't do anything. It's a power cut. | 0:07:16 | 0:07:19 | |
Everyone must have put their kettles on for a nice cup of tea. | 0:07:19 | 0:07:23 | |
Always mayhem, wherever you go. | 0:07:23 | 0:07:25 | |
Have you dropped something? | 0:07:25 | 0:07:27 | |
What are you looking for? | 0:07:27 | 0:07:29 | |
I... nothing. | 0:07:29 | 0:07:31 | |
Was I all right? | 0:07:31 | 0:07:34 | |
You were wonderful. | 0:07:34 | 0:07:36 | |
"Dear Councillor Roberts, | 0:07:48 | 0:07:50 | |
"I was very, very happy to receive your letter of good wishes, | 0:07:50 | 0:07:53 | |
"and do thank you so very much for your kind offer | 0:07:53 | 0:07:56 | |
"to send me some kippers." | 0:07:56 | 0:07:57 | |
Buckingham Palace, look. I recognise the envelope. | 0:07:57 | 0:08:00 | |
It's the same as the CBE. | 0:08:00 | 0:08:01 | |
"Unfortunately, I shall be going to Italy to convalesce later today, | 0:08:01 | 0:08:05 | |
"and I'm not sure that kippers will survive the passage to the Isle Of Capri." | 0:08:05 | 0:08:09 | |
I do hope you know what you're doing, flitting off to a foreign country. | 0:08:09 | 0:08:12 | |
Shush, Mama! | 0:08:12 | 0:08:13 | |
"I hope to return to these shores fit and well in the near future. | 0:08:13 | 0:08:17 | |
"By which time I'm sure I shall be desperate for a kipper, | 0:08:17 | 0:08:20 | |
"since I won't have had one since the last one you sent... | 0:08:20 | 0:08:22 | |
"and by gum, they were extra..." | 0:08:22 | 0:08:24 | |
Well? | 0:08:24 | 0:08:25 | |
What did you think? Is that one for you? | 0:08:26 | 0:08:29 | |
I've told you, Harry, I'm not looking for new songs. | 0:08:29 | 0:08:32 | |
I'm giving this old voice a rest. | 0:08:32 | 0:08:34 | |
That lovely surgeon told me to take two years off. | 0:08:34 | 0:08:37 | |
Two years! What does a surgeon know about show business? | 0:08:37 | 0:08:41 | |
I've never known you to take more than two days off. | 0:08:41 | 0:08:44 | |
How on earth are you going to amuse yourself for two whole years? | 0:08:44 | 0:08:47 | |
This is a new start, Harry. | 0:08:47 | 0:08:49 | |
A new life now. | 0:08:49 | 0:08:50 | |
I've worked these old bones into the ground. | 0:08:50 | 0:08:53 | |
But the good Lord has seen fit to give me another chance, so... | 0:08:53 | 0:08:57 | |
Monty's here. | 0:08:57 | 0:08:58 | |
You're not going to let him see you looking like that, are you? | 0:08:58 | 0:09:01 | |
You look like death warmed up. | 0:09:01 | 0:09:03 | |
That's exactly what I am, in't it? | 0:09:03 | 0:09:05 | |
Oh, you can be very coarse, Grace. | 0:09:05 | 0:09:08 | |
Yeah, well. | 0:09:08 | 0:09:10 | |
Just don't count on me having any songs left for you when you return. | 0:09:10 | 0:09:14 | |
Goodbye, Harry! | 0:09:14 | 0:09:15 | |
Good morning! | 0:09:23 | 0:09:24 | |
Not more post! | 0:09:24 | 0:09:26 | |
No. I met Santa Claus on the stairs. | 0:09:26 | 0:09:29 | |
Hey! No lifting! No carrying. | 0:09:29 | 0:09:30 | |
This goes straight to Mary. She can deal with it while you are away. | 0:09:30 | 0:09:34 | |
Is this you? | 0:09:34 | 0:09:36 | |
That's better. I see it now. | 0:09:39 | 0:09:42 | |
-Where's your wave set? -I don't know. | 0:09:42 | 0:09:45 | |
You probably packed it. | 0:09:45 | 0:09:46 | |
Oi! Get off my fan mail! | 0:09:46 | 0:09:47 | |
"Dear Miss Fields, blah blah blah, | 0:09:47 | 0:09:51 | |
"if you could send me five pounds, I would be able to pay my milk bill." | 0:09:51 | 0:09:55 | |
Always asking for something! This can wait. Stop now. | 0:09:55 | 0:09:59 | |
The taxi will be here any minute. | 0:09:59 | 0:10:02 | |
Monty. Come with me. | 0:10:02 | 0:10:04 | |
To Capri, with you? | 0:10:04 | 0:10:06 | |
Oh, come on, it'd be a hoot. | 0:10:06 | 0:10:09 | |
-A hoot? -Yes! | 0:10:09 | 0:10:11 | |
I don't know if I can play the fool 24 hours a day | 0:10:11 | 0:10:14 | |
if you just want to have a hoot. | 0:10:14 | 0:10:15 | |
And you speak the language. We can't speak the language, none of us. | 0:10:15 | 0:10:20 | |
Us? | 0:10:20 | 0:10:21 | |
Yes, Well, I'm taking Mary to deal with all this post, | 0:10:21 | 0:10:23 | |
and Mum and Dad are coming on a later boat and... | 0:10:23 | 0:10:26 | |
Well, I don't know. | 0:10:26 | 0:10:27 | |
'I am speaking to you | 0:10:27 | 0:10:29 | |
'from the Cabinet Room at 10 Downing Street.' | 0:10:29 | 0:10:33 | |
Passport! I will need my passport! | 0:10:34 | 0:10:36 | |
'This morning, the German ambassador in Berlin | 0:10:36 | 0:10:39 | |
'handed the German government a final note, | 0:10:39 | 0:10:43 | |
'stating that unless we heard from them by 11 o'clock | 0:10:43 | 0:10:48 | |
'that they were prepared at once to withdraw their troops from Poland, | 0:10:48 | 0:10:54 | |
'a state of war would exist between us. | 0:10:54 | 0:10:58 | |
'I have to tell you now | 0:10:58 | 0:11:01 | |
'that no such undertaking has been received, | 0:11:01 | 0:11:04 | |
'and that consequently, this country is at war with Germany.' | 0:11:04 | 0:11:10 | |
I telephoned the shipping company. | 0:11:16 | 0:11:18 | |
We can get a later boat. | 0:11:18 | 0:11:21 | |
Basil bloody Dean. | 0:11:21 | 0:11:22 | |
-You can't stand him anyway. -Shh! | 0:11:22 | 0:11:24 | |
It's true. | 0:11:24 | 0:11:26 | |
It's useful if a comedy director actually knows something about making people laugh. | 0:11:26 | 0:11:31 | |
And if he likes to laugh himself. | 0:11:31 | 0:11:33 | |
The only thing that makes Basil laugh is his pay check, all the way to the bank. | 0:11:33 | 0:11:37 | |
-Hello, Gracie. -Hello, Basil. | 0:11:39 | 0:11:41 | |
Hello, Basil. | 0:11:41 | 0:11:43 | |
Monty. Come in, Gracie. | 0:11:43 | 0:11:46 | |
Miriam will get you a cup of tea, Monty. Out here. | 0:11:46 | 0:11:49 | |
Can I get you anything, Mr Banks? | 0:11:51 | 0:11:54 | |
Tell me, Miriam, | 0:11:56 | 0:11:57 | |
do you play cards? | 0:11:57 | 0:11:59 | |
I've spoken to Olivier, Richardson, and now Gielgud. | 0:12:01 | 0:12:05 | |
They'll all be bringing Shakespeare to the troops to help boost morale. | 0:12:05 | 0:12:08 | |
Oh. Right. | 0:12:08 | 0:12:10 | |
I think our boys will take great solace | 0:12:10 | 0:12:12 | |
from the words of our island's greatest poet. | 0:12:12 | 0:12:14 | |
"Once more unto the breach, dear friends, once more." | 0:12:14 | 0:12:17 | |
Yes, well, Basil, I don't know much about breaches, so why have you brought me here? | 0:12:17 | 0:12:20 | |
Your audience loves you because they think you're one of them. | 0:12:20 | 0:12:23 | |
-I am one of them. -You can turn any theatre into their front room, they feel at home with you. | 0:12:23 | 0:12:29 | |
You put a smile on their faces. | 0:12:29 | 0:12:31 | |
So instead of a bit of "To be or not to be", | 0:12:31 | 0:12:34 | |
I can give them a bit of "Fiddly diddly dee". | 0:12:34 | 0:12:37 | |
Precisely. | 0:12:37 | 0:12:38 | |
Basil, will you please pay your secretary early this week. | 0:12:38 | 0:12:42 | |
What? Why? | 0:12:42 | 0:12:43 | |
Because she's losing at cards and I want my money. | 0:12:43 | 0:12:46 | |
Will you leave us, please. | 0:12:46 | 0:12:48 | |
I'm sorry, Miriam, it will have to be strip poker. | 0:12:50 | 0:12:52 | |
Look at these films we did together, and they made people laugh too. | 0:12:56 | 0:13:00 | |
I've been considering setting up impromptu picture houses in northern France. | 0:13:00 | 0:13:04 | |
They don't want films, they want the real thing! | 0:13:04 | 0:13:08 | |
Now, I know you've been unwell. | 0:13:09 | 0:13:11 | |
Did you get my flowers by the way? | 0:13:11 | 0:13:12 | |
Telegram. | 0:13:12 | 0:13:14 | |
Telegram? Right... | 0:13:16 | 0:13:18 | |
Well, the plan is to start with a series of concerts in northern France. | 0:13:18 | 0:13:22 | |
Keep our boys' spirits up, get them singing and laughing. | 0:13:22 | 0:13:25 | |
-But it'll be a tough three or four shows a day. -I can do it, Basil. | 0:13:25 | 0:13:29 | |
Now more than ever. I have to. | 0:13:29 | 0:13:31 | |
Gracie, be serious. | 0:13:31 | 0:13:33 | |
Six weeks ago, you were on your deathbed. | 0:13:33 | 0:13:35 | |
They say work is the best tonic. | 0:13:35 | 0:13:37 | |
Schweppes is the best tonic. | 0:13:37 | 0:13:39 | |
The best tonic, drunk with gin on the terrace of a hotel in Capri. | 0:13:39 | 0:13:43 | |
Capri will have to wait, Monty. | 0:13:43 | 0:13:45 | |
I'm going to sing to our lads in France. | 0:13:45 | 0:13:48 | |
And no-one can stop me. | 0:13:48 | 0:13:50 | |
'A great welcome for Gracie Fields, | 0:13:52 | 0:13:54 | |
'when she entertains our lads in France.' | 0:13:54 | 0:13:56 | |
# Wish me luck as you wave me goodbye | 0:13:58 | 0:14:02 | |
# Cheerio, here I go, on my way... # | 0:14:02 | 0:14:06 | |
Come on, lads, you know the words! | 0:14:06 | 0:14:09 | |
# Not a tear, but a cheer, make it gay | 0:14:10 | 0:14:14 | |
# Give me a smile, I can keep all the while | 0:14:15 | 0:14:18 | |
# In my heart while I'm away | 0:14:18 | 0:14:21 | |
# Till we meet once again you and I | 0:14:22 | 0:14:26 | |
# Wish me luck | 0:14:26 | 0:14:28 | |
# As you wave me goodbye. # | 0:14:28 | 0:14:33 | |
Cheerio everybody. God bless. | 0:14:33 | 0:14:35 | |
I'll do my best for ya. | 0:14:35 | 0:14:37 | |
Reporting for duty! | 0:14:41 | 0:14:43 | |
I can't wear this shirt. Look at me, I look like Chaplin. | 0:14:44 | 0:14:47 | |
We've all got to wear uniform. | 0:14:47 | 0:14:49 | |
What would happen if we got captured, eh? | 0:14:49 | 0:14:52 | |
-They'd have you for a spy. -A spy? | 0:14:52 | 0:14:53 | |
Not a very good spy, but a spy all the same. | 0:14:53 | 0:14:56 | |
I will write to my tailor, see if he can make me some of these shirts in linen. | 0:14:56 | 0:15:00 | |
Hey, you insisted in coming along. Nobody forced you. | 0:15:00 | 0:15:02 | |
Why did you come in the first place? | 0:15:02 | 0:15:04 | |
Because I am a motion picture director and you are my star. | 0:15:04 | 0:15:07 | |
And we have another picture to make together when this is over, | 0:15:07 | 0:15:10 | |
and I would like to make sure you live long enough to do it. | 0:15:10 | 0:15:13 | |
-Well, then, stop your mithering. -My what? | 0:15:13 | 0:15:15 | |
You heard. | 0:15:15 | 0:15:16 | |
It's stuck! | 0:15:18 | 0:15:20 | |
Come on! We're going to be late! | 0:15:22 | 0:15:25 | |
-What's so funny? -You're a daft beggar, Monty. | 0:15:36 | 0:15:42 | |
I bet you were a naughty child, weren't you? | 0:15:45 | 0:15:50 | |
That's all you are really, isn't it? | 0:15:50 | 0:15:52 | |
A big naughty kid with a pencil moustache. | 0:15:52 | 0:15:56 | |
No. That is not all I am. | 0:15:56 | 0:15:57 | |
It's a shame you never had children. | 0:15:59 | 0:16:01 | |
You would make a wonderful mother. | 0:16:01 | 0:16:03 | |
Well, it's not going to happen now, is it? | 0:16:03 | 0:16:06 | |
So best not to think about it. | 0:16:06 | 0:16:10 | |
41-year-old with all your insides out. | 0:16:10 | 0:16:13 | |
41 years old with the rest of your life ahead of you. | 0:16:13 | 0:16:17 | |
HORN SOUNDS | 0:16:21 | 0:16:22 | |
Eh up. Cavalry's arrived. | 0:16:22 | 0:16:24 | |
It's our lads. They'll get us out. | 0:16:26 | 0:16:29 | |
Oh. Must have gone for reinforcements. | 0:16:33 | 0:16:35 | |
I think maybe you have been recognised. | 0:16:40 | 0:16:42 | |
All right, lads! | 0:16:42 | 0:16:44 | |
No. They'll get in. | 0:16:44 | 0:16:46 | |
It's you, isn't it? | 0:16:46 | 0:16:48 | |
-It is. -It is, love. -It's her. It's Gracie Fields! | 0:16:48 | 0:16:51 | |
Sing us a song, Gracie! | 0:16:51 | 0:16:52 | |
They said you were coming, this lot didn't believe it. But I believed it. | 0:16:52 | 0:16:56 | |
-Oh, sing us a song, Gracie. -Don't be ridiculous. | 0:16:56 | 0:16:58 | |
The cold air will ruin your voice. | 0:16:58 | 0:17:00 | |
If you don't look after the voice, it will leave you. Forever. | 0:17:00 | 0:17:04 | |
You're right. | 0:17:04 | 0:17:05 | |
Maybe just one. | 0:17:07 | 0:17:08 | |
Miss Fields! Will you sing one for me? | 0:17:10 | 0:17:12 | |
Remind me of my sweetheart. | 0:17:12 | 0:17:14 | |
-I don't half miss her, Miss Fields. Please. -Of course I will, lad. | 0:17:14 | 0:17:17 | |
-What's her name? -It's Sally. | 0:17:17 | 0:17:18 | |
-I thought it might be. -Would you sing "Sally" for me? | 0:17:18 | 0:17:21 | |
You're weak. You sing in the cold, your voice will go before the concert. | 0:17:21 | 0:17:25 | |
Laryngitis. Bronchitis. | 0:17:25 | 0:17:26 | |
Pneumonia. Double pneumonia. | 0:17:26 | 0:17:29 | |
How long will you last? | 0:17:29 | 0:17:30 | |
Look at him, Monty. Look at the little lad. | 0:17:30 | 0:17:34 | |
How long's he going to last, eh? | 0:17:34 | 0:17:35 | |
Never mind me. How long is he going to last? | 0:17:35 | 0:17:39 | |
It's why I'm here. | 0:17:39 | 0:17:41 | |
Come on, then, lads! | 0:17:42 | 0:17:43 | |
You'll have to help me out. Get round the bumper. | 0:17:44 | 0:17:49 | |
# The skies were blue when I met you, Sally | 0:17:52 | 0:18:00 | |
# You were my gal, my little pal so true | 0:18:02 | 0:18:07 | |
# You came along, made life a song, Sally | 0:18:09 | 0:18:16 | |
# If I lost you | 0:18:16 | 0:18:19 | |
# I wonder what I'd do | 0:18:19 | 0:18:24 | |
# Sally, Sally, don't ever wander | 0:18:27 | 0:18:34 | |
# Away from the alley and me | 0:18:35 | 0:18:40 | |
# Sally, Sally, marry me, Sally | 0:18:41 | 0:18:48 | |
# And happy forever I'll be | 0:18:48 | 0:18:54 | |
# When skies are blue | 0:18:54 | 0:18:57 | |
# You're beguiling | 0:18:57 | 0:19:00 | |
# And when they're grey | 0:19:01 | 0:19:03 | |
# You're still smiling | 0:19:03 | 0:19:05 | |
# Smiling, Sally, Sally | 0:19:05 | 0:19:12 | |
# Pride of our alley | 0:19:12 | 0:19:17 | |
# You're more than | 0:19:17 | 0:19:21 | |
# The whole world to me. # | 0:19:21 | 0:19:26 | |
You should wait till I've finished. | 0:19:29 | 0:19:31 | |
You shouldn't start mucking about now! | 0:19:31 | 0:19:34 | |
# Walter and me, we've been courtin' for years | 0:19:39 | 0:19:42 | |
# But he's never asked me to wed | 0:19:43 | 0:19:46 | |
# When Leap Year comes round, I give three hearty cheers | 0:19:47 | 0:19:51 | |
# Hip hip hooray, hip hip hooray, hip hip hooray | 0:19:51 | 0:19:54 | |
# Because I do the askin' instead | 0:19:54 | 0:19:57 | |
# I don't want to die an old maid | 0:19:58 | 0:20:02 | |
# So I sing him this serenade | 0:20:03 | 0:20:08 | |
# Walter, Walter | 0:20:09 | 0:20:14 | |
# Lead me to the altar | 0:20:14 | 0:20:18 | |
# I don't cost much to keep in food | 0:20:18 | 0:20:21 | |
# Walter, come on | 0:20:24 | 0:20:26 | |
# Walter, lead me to the altar | 0:20:26 | 0:20:32 | |
# And I'll show you where I'm tattooed. # | 0:20:32 | 0:20:36 | |
Ee, you dirty lot. | 0:20:36 | 0:20:38 | |
It's not where you think. | 0:20:38 | 0:20:39 | |
Goodbye, lads! See you soon. | 0:20:42 | 0:20:45 | |
You don't need to worry about a hardy lass from the north. | 0:20:47 | 0:20:50 | |
Yes, I do. | 0:20:50 | 0:20:51 | |
SHE COUGHS | 0:20:51 | 0:20:54 | |
Hey. Come on. They say this war will be over by Christmas. | 0:20:54 | 0:20:58 | |
We have to do this, Monty. | 0:21:00 | 0:21:02 | |
-We? -You and me. | 0:21:02 | 0:21:04 | |
We've got to stick at what we can do. | 0:21:04 | 0:21:06 | |
This is what we are. | 0:21:06 | 0:21:08 | |
This is what we're good at. | 0:21:08 | 0:21:10 | |
I'm going to have to go back on. | 0:21:11 | 0:21:13 | |
All right. | 0:21:17 | 0:21:19 | |
There's other people waiting to come on, you know, it's not just me! | 0:21:19 | 0:21:22 | |
All right then, what we going to have? Come on. | 0:21:22 | 0:21:26 | |
CAROL SINGING IN BACKGROUND | 0:21:27 | 0:21:31 | |
Night, lads. | 0:21:33 | 0:21:35 | |
You're incorrigible. Don't encourage them. | 0:21:35 | 0:21:37 | |
I think I'll keep this on for the moment. | 0:21:46 | 0:21:48 | |
-Is it me or is it right cold in here? -It's you. | 0:21:48 | 0:21:52 | |
Eh, one of the lads gave me this. | 0:21:55 | 0:21:57 | |
Merry Christmas, Monty. Come on. | 0:21:57 | 0:22:01 | |
-You are too weak even to pull a cracker. -Oh, shuddup! | 0:22:01 | 0:22:04 | |
Sorry to disturb you, Miss Fields. | 0:22:07 | 0:22:09 | |
The lads in the bar sent me, they're wondering if you'd join them. | 0:22:09 | 0:22:13 | |
It being Christmas and all. | 0:22:13 | 0:22:14 | |
She's eating her dinner. Eat your dinner. | 0:22:14 | 0:22:17 | |
Get her some dinner to eat. | 0:22:17 | 0:22:19 | |
After we've eaten, love, then I'll come over. | 0:22:19 | 0:22:21 | |
Thank you, Miss Fields! | 0:22:21 | 0:22:23 | |
I'm not expecting a call, am I? | 0:22:29 | 0:22:31 | |
No. It's for me. Stanley Laurel? | 0:22:31 | 0:22:35 | |
What does he want on Christmas Eve? | 0:22:35 | 0:22:37 | |
Hello, Stan. Hi. How are you? | 0:22:37 | 0:22:42 | |
I don't know what I'm doing in France. | 0:22:43 | 0:22:45 | |
Well, while you're on the telephone. | 0:22:45 | 0:22:48 | |
No, Grace. | 0:22:48 | 0:22:49 | |
No, no, I'm listening. | 0:22:49 | 0:22:51 | |
CHEERING | 0:22:51 | 0:22:55 | |
-Shall we do a funny one first? -Yeah! | 0:23:07 | 0:23:08 | |
Right, Chopin, never cried so much in all me life. | 0:23:08 | 0:23:12 | |
# Ooooooh... | 0:23:12 | 0:23:13 | |
I like it, yes, it could be very funny. | 0:23:13 | 0:23:16 | |
Yes, I am listening. | 0:23:17 | 0:23:21 | |
Yes. | 0:23:21 | 0:23:23 | |
Let me call you. Yes, and ah, how is your large friend? | 0:23:24 | 0:23:29 | |
# Red sails in the sunset | 0:23:29 | 0:23:32 | |
# Way out on the sea... # | 0:23:34 | 0:23:36 | |
Thank you very much, lads. | 0:23:48 | 0:23:49 | |
I'm going to have to rest this old throat, you know! | 0:23:55 | 0:23:58 | |
# I'm sending a letter to Santa Claus | 0:24:01 | 0:24:08 | |
# A letter I hope he'll receive | 0:24:08 | 0:24:15 | |
# He'll get a lot of letters for playthings | 0:24:17 | 0:24:22 | |
# From other girls and boys | 0:24:22 | 0:24:25 | |
# But I want my soldier daddy | 0:24:26 | 0:24:29 | |
# He's better than all the toys | 0:24:29 | 0:24:33 | |
# And so I'm sending my letter to Santa Claus | 0:24:35 | 0:24:42 | |
# To bring Daddy safely home to me. # | 0:24:45 | 0:24:52 | |
There you are. | 0:25:45 | 0:25:47 | |
What happened to you? | 0:25:47 | 0:25:48 | |
I lost my appetite. | 0:25:49 | 0:25:51 | |
What are you doing? | 0:25:53 | 0:25:54 | |
We're not leaving here till the day after tomorrow. | 0:25:54 | 0:25:57 | |
I'm going back to America. | 0:25:57 | 0:25:59 | |
America. What for? | 0:25:59 | 0:26:01 | |
They've asked me to direct a picture. Laurel and Hardy. | 0:26:01 | 0:26:04 | |
But there's a war on! | 0:26:04 | 0:26:06 | |
Oh, OK. Is that why there are soldiers everywhere? Of course! | 0:26:06 | 0:26:12 | |
And everywhere there's a soldier there's another song | 0:26:16 | 0:26:19 | |
and another picture and another ruined dinner! | 0:26:19 | 0:26:22 | |
Well, I'm telling you, there is no war in Hollywood. | 0:26:22 | 0:26:26 | |
-You can't go Monty. -Why not? | 0:26:26 | 0:26:28 | |
Because you keep me going. | 0:26:28 | 0:26:31 | |
I can't do this without you, you make me laugh. | 0:26:31 | 0:26:36 | |
It's more than that. You and me, we're...you know. | 0:26:36 | 0:26:43 | |
What? You and me what? | 0:26:43 | 0:26:48 | |
Go on, say it. | 0:26:50 | 0:26:52 | |
Please say it. Because it is killing me to be here, in love with you! | 0:26:52 | 0:26:57 | |
Miss Fields! | 0:26:59 | 0:27:00 | |
All right, lads! | 0:27:00 | 0:27:02 | |
They've shut the bar, Miss Fields! | 0:27:02 | 0:27:04 | |
Ten to twelve on Christmas Eve and they've shut the bar. | 0:27:04 | 0:27:07 | |
Then go to bed! | 0:27:07 | 0:27:09 | |
We wanted to see Christmas Day in with a song. | 0:27:09 | 0:27:12 | |
If they've shut the bar, then you can all come back to my room! | 0:27:24 | 0:27:27 | |
Come on! | 0:27:27 | 0:27:29 | |
All right then, what are we going to have? | 0:27:32 | 0:27:34 | |
# And so I'm sending my letter to Santa Claus | 0:27:36 | 0:27:41 | |
# To bring Daddy safely home to me. # | 0:27:43 | 0:27:50 | |
MUFFLED CHEERING | 0:27:50 | 0:27:54 | |
KNOCK ON DOOR | 0:28:09 | 0:28:11 | |
Merry Christmas. | 0:28:36 | 0:28:38 | |
Did they bring your case down yet? | 0:28:56 | 0:28:58 | |
The convoy leaves at nine if you want to get out of here. | 0:28:58 | 0:29:02 | |
You're right, you know. You're better off in Hollywood. | 0:29:07 | 0:29:10 | |
This isn't your war. | 0:29:10 | 0:29:13 | |
Anyway, it'll all be over soon and I'll be straight on that boat to Capri. | 0:29:15 | 0:29:20 | |
The first time I went to Capri, | 0:29:31 | 0:29:34 | |
as a young man, there was a boy out swimming. | 0:29:34 | 0:29:38 | |
The boy started struggling. He got pulled down by the current. | 0:29:38 | 0:29:42 | |
So his father dived in to save him. | 0:29:42 | 0:29:46 | |
But it was no good. They both got pulled down together. | 0:29:46 | 0:29:50 | |
Imagine that, Grace. | 0:29:53 | 0:29:56 | |
To try to save someone only to get dragged down with them. | 0:29:56 | 0:30:00 | |
That's tragic. | 0:30:00 | 0:30:02 | |
It could have been. | 0:30:05 | 0:30:07 | |
But the boy, he suddenly reappeared. | 0:30:07 | 0:30:09 | |
The sea spat him up and he swam safely to shore. | 0:30:09 | 0:30:16 | |
And the father? | 0:30:16 | 0:30:17 | |
The father, he vanished. | 0:30:18 | 0:30:19 | |
Then he appeared, fifty yards down the beach. | 0:30:23 | 0:30:27 | |
And he walks up to his son and | 0:30:28 | 0:30:31 | |
gives him the biggest bloody hiding you ever seen. | 0:30:31 | 0:30:36 | |
Don't let me drown, Monty. | 0:30:43 | 0:30:45 | |
Please don't let me drown. | 0:30:48 | 0:30:50 | |
Convoy to Calais leaving now! | 0:30:51 | 0:30:54 | |
Last chance for Calais, Mr Banks. | 0:30:54 | 0:30:57 | |
-Gracie, Miss Fields. -Hello, lads. | 0:31:04 | 0:31:06 | |
I've got a Brownie Miss Fields, could we have a picture? | 0:31:06 | 0:31:08 | |
Of course, come on. | 0:31:08 | 0:31:10 | |
They'd never believe us back home. | 0:31:10 | 0:31:12 | |
You're keeping us going, Miss Fields. | 0:31:12 | 0:31:13 | |
EXPLOSION | 0:31:13 | 0:31:14 | |
-You shouldn't be here, Miss Fields. -Why's that, then? | 0:31:14 | 0:31:17 | |
Because you're a blinking film star. | 0:31:17 | 0:31:18 | |
Film stars don't deserve to be in the cold and mud having bombs dropped on 'em. | 0:31:18 | 0:31:22 | |
I can think of plenty who do. | 0:31:22 | 0:31:23 | |
LOUDER EXPLOSION | 0:31:23 | 0:31:25 | |
Come on lads, let's show 'em. | 0:31:25 | 0:31:26 | |
# Me brother's joined the army and he's gone across to France | 0:31:26 | 0:31:30 | |
# With the biggest aspidistra in the world | 0:31:30 | 0:31:34 | |
# The Colonel says that's topping | 0:31:34 | 0:31:36 | |
# Let's start the big advance | 0:31:36 | 0:31:37 | |
# With the biggest aspidistra in the world | 0:31:37 | 0:31:41 | |
# Then Goebbels saw it from afar | 0:31:48 | 0:31:50 | |
# And said to his old Frau | 0:31:50 | 0:31:52 | |
# Young Joe has got his blood up | 0:31:52 | 0:31:54 | |
# So the war's all over now | 0:31:54 | 0:31:56 | |
# Cos they're going to string old Hitler | 0:31:56 | 0:31:59 | |
# From the very highest bough | 0:31:59 | 0:32:02 | |
# Of the biggest aspidistra in the world! # | 0:32:02 | 0:32:06 | |
This one's from Mama. | 0:32:14 | 0:32:15 | |
Her eyesight's getting even worse. | 0:32:15 | 0:32:18 | |
I should send them to live in California, shouldn't I? | 0:32:18 | 0:32:21 | |
That house of mine is sitting there empty. | 0:32:21 | 0:32:24 | |
Yes. With its swimming pool, and its sunny veranda. | 0:32:24 | 0:32:27 | |
Eh, listen to this. She says, | 0:32:27 | 0:32:29 | |
"Grace, these eyes of mine are going fast, I want to see you wed." | 0:32:29 | 0:32:33 | |
Oh. Really. | 0:32:33 | 0:32:35 | |
Halt. Stop the vehicle. | 0:32:35 | 0:32:38 | |
For God's sake, what now? | 0:32:38 | 0:32:39 | |
Good afternoon, Miss Fields. | 0:32:45 | 0:32:47 | |
I'm sorry to bother you. | 0:32:47 | 0:32:48 | |
I'm afraid there's been a change of plan. You're going to have to turn back. | 0:32:48 | 0:32:52 | |
-What for? -It's too late for a bloody encore. | 0:32:52 | 0:32:55 | |
Mr Basil Dean is recalling all ENSA artists back to Britain. | 0:32:55 | 0:32:58 | |
-He's what? -He's what? | 0:32:58 | 0:33:00 | |
Too dangerous! | 0:33:00 | 0:33:01 | |
What does Basil Dean know, sitting in his blinking office back home. | 0:33:01 | 0:33:05 | |
Goebbels is after you, for heaven's sake. It's there in black and white. | 0:33:05 | 0:33:08 | |
In German. I don't understand German, neither do you. | 0:33:08 | 0:33:11 | |
I understand what the officer told you. | 0:33:11 | 0:33:13 | |
Gracie Fields has earned for England enough to buy 100 new Spitfires. | 0:33:13 | 0:33:16 | |
She is a war industry and she'll be treated accordingly. | 0:33:16 | 0:33:19 | |
-Do I look like a war industry to you? -Yes. | 0:33:19 | 0:33:21 | |
What about the concerts they're cancelling? What about our lads? | 0:33:21 | 0:33:25 | |
We can't let them down. | 0:33:25 | 0:33:26 | |
-Whatever happened to "The Show Must Go On"? -They'll have to wait. | 0:33:26 | 0:33:30 | |
Well, we can always tour the factories at home, can't we? | 0:33:30 | 0:33:34 | |
-No, we shall be otherwise engaged. -What are you mumbling about? | 0:33:34 | 0:33:37 | |
Will you, Grace Stansfield, marry me, Mario Bianchi? | 0:33:37 | 0:33:41 | |
Ee, you daft pie-can! What took you so long? | 0:33:41 | 0:33:46 | |
You sure you're doing the right thing? | 0:34:01 | 0:34:03 | |
Monty showed me. Hold the cork still and twist the bottle! | 0:34:03 | 0:34:07 | |
CORK POPS | 0:34:08 | 0:34:09 | |
You know what I'm talking about. All a bit sudden, wasn't it? | 0:34:09 | 0:34:12 | |
Eee, you're a misery Harry. | 0:34:12 | 0:34:14 | |
Another career move, is it? Hollywood director. | 0:34:14 | 0:34:16 | |
I wouldn't give a damn if he was a funeral director. | 0:34:16 | 0:34:19 | |
There's security in that. | 0:34:19 | 0:34:21 | |
Hey, that's enough. | 0:34:21 | 0:34:22 | |
There's a war on. Cheers. | 0:34:22 | 0:34:25 | |
Cheers. Eh, I hear you've joined up. | 0:34:25 | 0:34:27 | |
-Irish Guards. -Why not the Welsh ones? | 0:34:27 | 0:34:30 | |
Irish Guards have got a better piano. | 0:34:30 | 0:34:33 | |
Mrs Stansfield, | 0:34:34 | 0:34:36 | |
you know she's doing Drury Lane again. | 0:34:36 | 0:34:39 | |
With Maurice Chevalier. | 0:34:39 | 0:34:40 | |
You like him, don't you, Mrs Stansfield? | 0:34:40 | 0:34:43 | |
I wish he'd sing in English. | 0:34:43 | 0:34:45 | |
No offence, Monty. | 0:34:45 | 0:34:47 | |
No offence taken. | 0:34:47 | 0:34:48 | |
Soon you will be able to call me son. | 0:34:48 | 0:34:52 | |
Well. At least I'll see you wed before you ship me off to America. | 0:34:52 | 0:34:56 | |
You know it's for your own benefit. | 0:34:56 | 0:34:58 | |
The doctor said the climate will do your eyes no end of good. | 0:34:58 | 0:35:01 | |
First thing I'm going to do is get myself a new Stetson. | 0:35:01 | 0:35:04 | |
-You are not! -I bloody am. | 0:35:04 | 0:35:06 | |
Did you know, Monty, that's how we started courting, Jenny and I. | 0:35:06 | 0:35:10 | |
She saw me walking through Rochdale wearing a cowboy hat I bought | 0:35:10 | 0:35:13 | |
when I was on the cargo ships to California, and she thought I must be a film star. | 0:35:13 | 0:35:19 | |
Santa Monica, Jenny, is the playground of the stars. | 0:35:20 | 0:35:23 | |
Sunshine. That big house with its lovely swimming pool... | 0:35:23 | 0:35:28 | |
I'm not going in no swimming pool. | 0:35:28 | 0:35:30 | |
You used to swim in the canal, woman! | 0:35:30 | 0:35:32 | |
Stick a couple of dead cats and an old bike in that pool and she'll be in it like a shot. | 0:35:32 | 0:35:37 | |
You've had enough. | 0:35:37 | 0:35:38 | |
I'd had enough about forty years ago. | 0:35:38 | 0:35:41 | |
They all end up like their mothers, Monty. | 0:35:41 | 0:35:43 | |
Hard luck, mate. | 0:35:43 | 0:35:45 | |
We don't do that in Rochdale. | 0:35:48 | 0:35:51 | |
Come on, Fred, we're going. | 0:35:52 | 0:35:53 | |
Is this what you're looking for, Dad? | 0:36:00 | 0:36:02 | |
Oh, There it is. Don't tell your mother. | 0:36:02 | 0:36:05 | |
Am I doing the right thing, Dad? | 0:36:07 | 0:36:09 | |
You love him, don't you? | 0:36:09 | 0:36:11 | |
Of course. | 0:36:13 | 0:36:15 | |
He's a right gent and that, Grace. | 0:36:15 | 0:36:17 | |
You know he asked my permission and everything? | 0:36:17 | 0:36:19 | |
I said, "You're mistaking me for the man in charge here, Monty, | 0:36:19 | 0:36:22 | |
"you better ask Jenny." | 0:36:22 | 0:36:24 | |
Eh, you're not marrying him just because your ma told you to? | 0:36:24 | 0:36:27 | |
Of course not. I learned my lesson. | 0:36:27 | 0:36:30 | |
Do you remember that game you all used to play when you were a nipper back in Rochdale? | 0:36:30 | 0:36:37 | |
You used to grab the back of the tram and run hell for leather. | 0:36:37 | 0:36:41 | |
It's a wonder we weren't all killed! | 0:36:41 | 0:36:44 | |
Run and run and run, faster and faster, and wait till the last possible moment before you let go. | 0:36:44 | 0:36:52 | |
You know, it seems to me that you never stopped running ever since. | 0:36:54 | 0:36:59 | |
Fred. You and me, we're going now. | 0:37:02 | 0:37:03 | |
I've just opened another bottle of champagne, love. | 0:37:03 | 0:37:06 | |
Now, I said. Leave them to it. | 0:37:06 | 0:37:07 | |
I'll see you tomorrow, love. | 0:37:16 | 0:37:18 | |
Come on, love, let's go. | 0:37:18 | 0:37:20 | |
Come on. | 0:37:20 | 0:37:21 | |
Mrs Bianchi! | 0:37:51 | 0:37:53 | |
Just five minutes for the egg, please! | 0:37:53 | 0:37:55 | |
-Who are you? -I'm Mrs Bianchi. | 0:37:56 | 0:38:00 | |
I like it. Mrs Bianchi. | 0:38:00 | 0:38:02 | |
-Grace Bianchi. -But where is old Mrs Bianchi? | 0:38:02 | 0:38:06 | |
Oh, her. | 0:38:06 | 0:38:08 | |
-Hold on. -I miss her. | 0:38:08 | 0:38:10 | |
That's better. | 0:38:15 | 0:38:17 | |
-Prima Colazione. -Ah! | 0:38:17 | 0:38:20 | |
Where is my newspaper, Old Mrs Bianchi? | 0:38:21 | 0:38:24 | |
SHE MUMBLES AND WHINES | 0:38:24 | 0:38:27 | |
La la la la la la la! | 0:38:27 | 0:38:29 | |
That's what I call service. | 0:38:29 | 0:38:33 | |
Good God. Did you see this? | 0:38:35 | 0:38:37 | |
This is the hotel we stayed in at Arras. Bombed. Seven people dead. | 0:38:39 | 0:38:42 | |
What are the Germans doing, bombing hotels? Innocent people. | 0:38:42 | 0:38:48 | |
Obviously they thought you were still there. | 0:38:48 | 0:38:50 | |
Maybe someone really is looking after you. | 0:38:52 | 0:38:55 | |
For the moment, you are safe here. | 0:38:55 | 0:38:59 | |
They can't stop us, Monty. | 0:38:59 | 0:39:01 | |
Goebbels, Hitler, | 0:39:01 | 0:39:04 | |
none of them. | 0:39:04 | 0:39:05 | |
TELEPHONE RINGS | 0:39:11 | 0:39:14 | |
Hello? | 0:39:21 | 0:39:22 | |
It is. | 0:39:22 | 0:39:23 | |
Well, thank you very much. | 0:39:23 | 0:39:26 | |
Oh, I see. | 0:39:29 | 0:39:30 | |
Right. | 0:39:32 | 0:39:34 | |
Right. | 0:39:34 | 0:39:37 | |
Well, thank you for warning us. | 0:39:37 | 0:39:40 | |
I will, yes. | 0:39:40 | 0:39:43 | |
Goodbye. | 0:39:43 | 0:39:45 | |
What's wrong? Who was that? | 0:39:45 | 0:39:47 | |
That was Lord Castlerosse on the phone, Monty. | 0:39:47 | 0:39:50 | |
Ah... | 0:39:50 | 0:39:52 | |
He's had a tip-off. | 0:39:52 | 0:39:55 | |
Italy look set to enter the war. | 0:39:55 | 0:39:57 | |
Any day now. | 0:39:57 | 0:40:00 | |
Mussolini with Hitler. | 0:40:00 | 0:40:02 | |
Well... | 0:40:04 | 0:40:06 | |
I will be the enemy then. | 0:40:06 | 0:40:09 | |
Don't worry. | 0:40:09 | 0:40:10 | |
I'm Italian. I surrender. | 0:40:10 | 0:40:12 | |
This is no time for jokes, Monty. | 0:40:12 | 0:40:14 | |
If you stay in England, you'll be interned. | 0:40:14 | 0:40:17 | |
What did I do? | 0:40:17 | 0:40:19 | |
You're Italian. | 0:40:19 | 0:40:21 | |
That's a crime now? | 0:40:21 | 0:40:23 | |
It will be, yes. | 0:40:23 | 0:40:24 | |
You'll have to leave. | 0:40:24 | 0:40:26 | |
I'm not leaving you. | 0:40:26 | 0:40:28 | |
If I leave you to look after yourself you'll work yourself to death. | 0:40:28 | 0:40:31 | |
What use would you be stuck in prison, eh? | 0:40:31 | 0:40:34 | |
We could both go. Come with me to America. | 0:40:34 | 0:40:37 | |
I can't. | 0:40:37 | 0:40:38 | |
How would it look if I abandoned my country now? | 0:40:38 | 0:40:41 | |
Why didn't you become an American citizen all those years ago? | 0:40:41 | 0:40:45 | |
I didn't get round to it! | 0:40:45 | 0:40:47 | |
None of us did! | 0:40:47 | 0:40:48 | |
What a mess. | 0:40:51 | 0:40:53 | |
I think there's someone I can talk to. | 0:40:54 | 0:40:56 | |
Someone who can sort this out. | 0:40:58 | 0:41:00 | |
Who? Who can you talk to? | 0:41:02 | 0:41:05 | |
So how is the new boss? | 0:41:05 | 0:41:08 | |
He's very kind, to see my wife at such short notice. | 0:41:10 | 0:41:14 | |
Well... she is a Commander Of The British Empire, | 0:41:14 | 0:41:17 | |
which obviously counts for something in matters like this. | 0:41:17 | 0:41:20 | |
GRACIE WHISTLES | 0:41:20 | 0:41:21 | |
Eh up... | 0:41:21 | 0:41:23 | |
-we're going to Canada. -Canada? | 0:41:23 | 0:41:25 | |
I'll do a nationwide tour, and you'll be safe. | 0:41:29 | 0:41:32 | |
So we'll stay together? You on stage, me playing poker in the wings. | 0:41:32 | 0:41:36 | |
Churchill's sending me there to raise money for the war effort, not lose it on cards! | 0:41:36 | 0:41:40 | |
I never lose. When the Doctor gave you a 50/50 chance to live, I went to Ladbrokes... | 0:41:40 | 0:41:45 | |
they give me 2/1. You made me very rich. | 0:41:45 | 0:41:47 | |
-You're a fool. -You're wonderful. | 0:41:47 | 0:41:50 | |
NEWSREADER: Gracie Fields crosses the Atlantic to Canada. | 0:41:53 | 0:41:57 | |
A brave undertaking in these dark and troubled times. | 0:41:57 | 0:42:00 | |
Oh, the welcoming committee's arrived. | 0:42:03 | 0:42:06 | |
Welcome to Canada, Miss Fields. | 0:42:08 | 0:42:10 | |
I'm honoured to be here. | 0:42:10 | 0:42:12 | |
-You are...Mario Bianchi? -I am. | 0:42:12 | 0:42:15 | |
I must ask you to accompany me please, sir. | 0:42:15 | 0:42:17 | |
Accompany you? OK. Where's the piano? | 0:42:17 | 0:42:20 | |
-I'm arresting you, Mr Bianchi, on behalf of... -Hold on. | 0:42:20 | 0:42:24 | |
This is my husband! Arrest him? | 0:42:24 | 0:42:26 | |
Why, what's he done? | 0:42:26 | 0:42:27 | |
Mussolini has formally declared war on Britain. | 0:42:27 | 0:42:30 | |
And Mr Bianchi is therefore an enemy alien. | 0:42:30 | 0:42:33 | |
Not here in Canada he's not! | 0:42:33 | 0:42:35 | |
We are an allied nation at war, Miss Fields. | 0:42:35 | 0:42:37 | |
Italian nationals are to be interned. | 0:42:37 | 0:42:39 | |
So I'm afraid you will have to come with me, Mr Bianchi. | 0:42:39 | 0:42:42 | |
-I'm coming too. -No, Gracie. -That won't be necessary, Miss Fields. | 0:42:42 | 0:42:45 | |
Oh yes, it will! I've come here to do concerts at the behest of Winston Churchill, | 0:42:45 | 0:42:49 | |
Prime Minister of England, and he made no mention of performing in prison. | 0:42:49 | 0:42:53 | |
-Miss Fields. -If you arrest my husband, you arrest me. | 0:42:53 | 0:42:55 | |
Or you go and get your superior to sort this out. | 0:42:55 | 0:42:58 | |
I'm very sorry about all of this, Miss Fields. | 0:43:00 | 0:43:03 | |
There was never any question of Mr Bianchi being arrested. | 0:43:03 | 0:43:07 | |
A misunderstanding. | 0:43:07 | 0:43:08 | |
Thank you. So can we get on now? | 0:43:08 | 0:43:11 | |
As per instructions, we are to guarantee your husband safe passage to California. | 0:43:11 | 0:43:16 | |
But he's to accompany me on my tour! | 0:43:16 | 0:43:18 | |
Once he has his American passport you will be free to travel together once more. | 0:43:18 | 0:43:22 | |
-That is unacceptable! My wife has been very sick, she can't do it alone. -That's right. | 0:43:22 | 0:43:27 | |
-So the tour is cancelled! My wife is coming with me! -No. Hold on Monty. I'm... | 0:43:27 | 0:43:32 | |
You should consider yourself fortunate, Mr Bianchi, | 0:43:36 | 0:43:39 | |
that special arrangements have been made for you. | 0:43:39 | 0:43:43 | |
I'll let you say your farewells. | 0:43:43 | 0:43:46 | |
He's assuming you're staying. | 0:43:48 | 0:43:50 | |
I can't cancel all these shows, can I? | 0:43:50 | 0:43:53 | |
You have to! You are coming with me to America... | 0:43:53 | 0:43:56 | |
where everyone is welcome! | 0:43:56 | 0:43:58 | |
I can't pull out of the tour. They need that money back at home. | 0:43:58 | 0:44:01 | |
It's why I'm here! | 0:44:01 | 0:44:04 | |
I thought we came to Canada so we could be together. | 0:44:04 | 0:44:07 | |
-We did but... -But all you can think of is them, them, them! | 0:44:07 | 0:44:10 | |
You're not married to them, you're married to me! | 0:44:10 | 0:44:12 | |
Come with me. | 0:44:17 | 0:44:19 | |
Mrs Bianchi. | 0:44:19 | 0:44:21 | |
I can't let my country down. | 0:44:23 | 0:44:25 | |
I can't forget all the love they've shown me. | 0:44:25 | 0:44:28 | |
That isn't love! | 0:44:28 | 0:44:30 | |
If that isn't love, then I don't know what is! | 0:44:30 | 0:44:33 | |
No. Maybe you don't. | 0:44:37 | 0:44:39 | |
Goodbye, Gracie. | 0:45:03 | 0:45:05 | |
Thanks, Guy. | 0:45:23 | 0:45:25 | |
# Now is the hour | 0:45:40 | 0:45:46 | |
# For me to say goodbye | 0:45:46 | 0:45:52 | |
# Soon | 0:45:52 | 0:45:54 | |
# I'll be sailing | 0:45:54 | 0:45:58 | |
# Far across the sea | 0:45:58 | 0:46:04 | |
# While I'm away | 0:46:04 | 0:46:11 | |
# Oh, please remember me | 0:46:11 | 0:46:17 | |
# When I return | 0:46:17 | 0:46:23 | |
# I'll find you waiting here. # | 0:46:23 | 0:46:32 | |
Stupid bloody man! | 0:46:32 | 0:46:34 | |
Harry! Where did you come from? | 0:46:34 | 0:46:36 | |
That musical director, bloody rude, he is! | 0:46:36 | 0:46:38 | |
He ridiculed my accent the whole time! | 0:46:38 | 0:46:40 | |
Our musical director? Harry, he's Welsh. | 0:46:40 | 0:46:44 | |
He's as Welsh as you are. | 0:46:44 | 0:46:47 | |
What part of Wales is he from? | 0:46:47 | 0:46:49 | |
Welsh Wales, just like you! | 0:46:49 | 0:46:51 | |
Well, there are some parts of Wales that you might consider to be Welsh | 0:46:51 | 0:46:56 | |
that I, as a Welshman, wouldn't. | 0:46:56 | 0:46:58 | |
Not necessarily. | 0:46:58 | 0:47:00 | |
Come here, you daft ha'porth. | 0:47:00 | 0:47:02 | |
Oh, I'm sorry, Grace. | 0:47:03 | 0:47:05 | |
I'm a little bit uptight, you know. It's the piles again, see. | 0:47:05 | 0:47:09 | |
Never mind your piles, whatever happened to the Irish Guards? | 0:47:09 | 0:47:12 | |
Well I've been transferred, ain't I, thanks to you. | 0:47:12 | 0:47:15 | |
Word got through that your new accompanist wasn't up to much, so here I am. | 0:47:15 | 0:47:19 | |
And that piano they had in the Guards was probably the best I've ever played | 0:47:19 | 0:47:23 | |
so I hope you're happy with yourself. | 0:47:23 | 0:47:25 | |
No Monty? | 0:47:27 | 0:47:29 | |
No. | 0:47:29 | 0:47:31 | |
No Monty. | 0:47:31 | 0:47:32 | |
I'll be doing 34 concerts here in Canada, | 0:47:35 | 0:47:38 | |
and if they go well, I'll be straight back for some more. | 0:47:38 | 0:47:41 | |
-All the proceeds will go to the Navy League? -Every single penny. | 0:47:41 | 0:47:44 | |
I'll be stony broke by the end, I can tell you. | 0:47:44 | 0:47:46 | |
I can tell you we are most pleased to have you here. | 0:47:46 | 0:47:48 | |
And by gum, I'm pleased to be here, love. | 0:47:48 | 0:47:51 | |
Do you think Canadians will have a problem understanding your Cockney accent? | 0:47:51 | 0:47:55 | |
-Hee hee! -Left the bloody hotel without me, didn't you! | 0:47:55 | 0:47:57 | |
-We couldn't wake you. -If I could... -Harry, my accompanist. -Harry. | 0:47:57 | 0:48:01 | |
-Miss Fields says you have been her accompanist ten years. -That's a lie. | 0:48:01 | 0:48:05 | |
I've been working for her for nine years and eleven months. | 0:48:05 | 0:48:08 | |
-LAUGHTER -What are you laughing about? It's true! | 0:48:08 | 0:48:11 | |
Your husband won't be joining you? | 0:48:11 | 0:48:12 | |
No, I'll be meeting him in California when I'm finished here. | 0:48:12 | 0:48:16 | |
What do you think of Vera Lynn? | 0:48:16 | 0:48:18 | |
She's a bonny lass. | 0:48:18 | 0:48:19 | |
They've started calling her The Forces' Sweetheart back in England. | 0:48:19 | 0:48:23 | |
Well, yes. She's a lovely young thing. One last question. | 0:48:23 | 0:48:26 | |
Mr Churchill recently announced the Battle of Britain has just begun in the skies over England. | 0:48:26 | 0:48:31 | |
Do you have a message for everyone so many miles away back at home? | 0:48:31 | 0:48:34 | |
Yes, tell them I'm working as hard as I can to raise the money that will help keep them safe | 0:48:34 | 0:48:39 | |
and I'll be back as soon as humanly possible. | 0:48:39 | 0:48:41 | |
Miss Fields, some of the English papers have suggested... | 0:48:41 | 0:48:45 | |
-Bye! -..patriotic for you to be here doing concerts when people are dying back in England. -Bye! | 0:48:45 | 0:48:50 | |
Miss Fields... | 0:48:50 | 0:48:53 | |
-Will that be all for today, ma'am? -Yes, thank you, Guy. | 0:49:00 | 0:49:03 | |
He reminds me of that fellow that used to work for you. | 0:49:08 | 0:49:11 | |
Years ago. Big fellow. | 0:49:11 | 0:49:13 | |
I don't remember. | 0:49:13 | 0:49:15 | |
Well, no, because you couldn't move for young men in those days. | 0:49:15 | 0:49:18 | |
Aye, and all of them after one thing. | 0:49:18 | 0:49:21 | |
-Really? -Yes. | 0:49:21 | 0:49:23 | |
"Miss Fields. I've got a song for you..." | 0:49:23 | 0:49:27 | |
"Miss Fields, please, sing my song!" | 0:49:27 | 0:49:30 | |
I had to hire that big fella to guard the stage door... | 0:49:30 | 0:49:34 | |
Like an ape, he was. | 0:49:34 | 0:49:35 | |
Like a gorilla. Massive. | 0:49:35 | 0:49:37 | |
He only let you in because he thought you were a messenger boy. | 0:49:37 | 0:49:41 | |
No, no, no. Because, even he could see my genius. | 0:49:41 | 0:49:45 | |
17 years old, scrawny and with your thick spectacles. | 0:49:46 | 0:49:50 | |
And a song that you bought on the spot. | 0:49:50 | 0:49:53 | |
Ay, that's true. I sang it that very night. | 0:49:53 | 0:49:58 | |
# I hate you for the agony and pain that I've been through | 0:49:59 | 0:50:07 | |
# For the sorrow and the rain | 0:50:07 | 0:50:10 | |
# That's just what I mean when I say | 0:50:10 | 0:50:14 | |
# I hate you | 0:50:14 | 0:50:17 | |
# I despise every little thing that you do | 0:50:20 | 0:50:24 | |
# You'll find out what I say is only too true | 0:50:24 | 0:50:30 | |
# Nobody knows how much I... | 0:50:30 | 0:50:34 | |
# Hate you. # | 0:50:34 | 0:50:37 | |
How could you write that? When you were only 17? | 0:50:37 | 0:50:40 | |
Well, I told you. Genius. | 0:50:40 | 0:50:42 | |
But how did you know about life? | 0:50:42 | 0:50:45 | |
From listening to songs, I suppose. | 0:50:47 | 0:50:49 | |
Same as me then. | 0:50:49 | 0:50:50 | |
Just listening to songs and singing them back. | 0:50:50 | 0:50:53 | |
Over and over. | 0:50:53 | 0:50:54 | |
You never had your heart broken? | 0:50:58 | 0:50:59 | |
No. Of course not. | 0:51:04 | 0:51:07 | |
I was only 17, wasn't I? | 0:51:09 | 0:51:12 | |
We've sung about the lot of it, haven't we, Harry? | 0:51:12 | 0:51:15 | |
Things that have never happened. | 0:51:16 | 0:51:18 | |
Places we've never even been. | 0:51:18 | 0:51:19 | |
I must have sung "I love you" 100,000 times, or more. | 0:51:21 | 0:51:25 | |
It's what people want to hear. | 0:51:26 | 0:51:27 | |
Yes, it is. You're right. | 0:51:27 | 0:51:30 | |
It's what people want to hear. | 0:51:30 | 0:51:32 | |
So it's what we do. | 0:51:32 | 0:51:34 | |
Singing and making noises. | 0:51:34 | 0:51:36 | |
Have you ever been in love, Harry? | 0:51:43 | 0:51:45 | |
I think it's, um, I think it's time you went to bed. | 0:51:52 | 0:51:55 | |
Yes. I suppose it is. | 0:51:58 | 0:52:00 | |
-They're not so clever in Esher, Surrey are they, Guy? -No ma'am? | 0:52:09 | 0:52:13 | |
"How sad and disappointed I am that you, Gracie Fields, | 0:52:13 | 0:52:16 | |
"should run off with your wog husband in our hour of need. | 0:52:16 | 0:52:19 | |
"He is a well-known fascist and I believe he was once a member of Al Capone's gang." | 0:52:19 | 0:52:24 | |
He's not a wog, you silly fool. | 0:52:24 | 0:52:27 | |
He's a wop. | 0:52:27 | 0:52:28 | |
Some people. | 0:52:28 | 0:52:30 | |
They seem to know that in Cheam, and Bognor and Stroud and Penzance... | 0:52:30 | 0:52:36 | |
Why don't they know it in Esher? | 0:52:36 | 0:52:38 | |
They're going to throw rotten eggs at me in Reading, | 0:52:40 | 0:52:43 | |
and in Hitchin they're going to hang me from the highest... | 0:52:43 | 0:52:46 | |
Is that how you spell bough? | 0:52:46 | 0:52:48 | |
No. | 0:52:50 | 0:52:51 | |
And no Y in Diego either. | 0:52:54 | 0:52:56 | |
Three days now. | 0:53:04 | 0:53:06 | |
Three days since I've had a satisfactory movement. | 0:53:06 | 0:53:08 | |
Good morning, Harry. | 0:53:08 | 0:53:11 | |
I got half way through the stock and shares before I finally gave up. | 0:53:11 | 0:53:14 | |
Oh, no, I wouldn't look at that if I were you. | 0:53:14 | 0:53:17 | |
What you talking about? Give it here! | 0:53:17 | 0:53:20 | |
Stuff and nonsense. All of it. | 0:53:21 | 0:53:23 | |
What the heck... | 0:53:23 | 0:53:25 | |
There. I told you not to read it. | 0:53:25 | 0:53:26 | |
"Miss Gracie Fields has fled England with her Italian husband | 0:53:26 | 0:53:30 | |
"and an estimated £100,000 in cash and a further fortune in jewellery?" | 0:53:30 | 0:53:37 | |
How ridiculous can you get? How can they print such rubbish? | 0:53:37 | 0:53:40 | |
There's a war on, for heaven's sake! | 0:53:40 | 0:53:43 | |
What you looking at me like that for? | 0:53:43 | 0:53:46 | |
Well? Did you? | 0:53:46 | 0:53:48 | |
Of course I bloody didn't! It's a damned lie! | 0:53:48 | 0:53:51 | |
-Is it? -Of course it is! -Well, I thought it was. | 0:53:51 | 0:53:55 | |
It's a load of rubbish, and you know it! | 0:53:55 | 0:53:58 | |
Why have you run away from England? | 0:54:23 | 0:54:25 | |
-I've not. I'm here to perform. -Is that your husband? | 0:54:25 | 0:54:28 | |
-No, he's not! -Has he gone back to Italy? -Where's your jewellery? | 0:54:28 | 0:54:32 | |
I'm wearing it, it's all here! On this finger! That's all I've got. | 0:54:32 | 0:54:37 | |
How much have you really smuggled out? | 0:54:37 | 0:54:39 | |
I haven't smuggled anything out! | 0:54:39 | 0:54:41 | |
Questions were asked in Parliament. They say you smuggled £10,000! | 0:54:41 | 0:54:45 | |
Why isn't your husband imprisoned? | 0:54:45 | 0:54:46 | |
He's done nothing wrong! And neither have I. | 0:54:46 | 0:54:49 | |
If I've done anything wrong I'll put it right when I'm finished. | 0:54:49 | 0:54:52 | |
But I'm here on a tour, and I'm getting on with it. | 0:54:52 | 0:54:55 | |
People need a smile putting back on their faces. | 0:54:55 | 0:54:58 | |
I don't know if any of your lot have noticed but there's a war on. | 0:54:58 | 0:55:02 | |
-Miss Fields? -One more question... -Miss Fields? | 0:55:02 | 0:55:05 | |
I'll speak to them. I've nothing to hide. | 0:55:05 | 0:55:07 | |
Did you know your husband was a fascist? | 0:55:07 | 0:55:09 | |
-He's no more of a fascist than me! -Are you a fascist? | 0:55:09 | 0:55:12 | |
No! I mean more of a fascist than me or the King of... | 0:55:12 | 0:55:15 | |
-The King Of England? -Old King Cole, I don't know! -Al Capone. | 0:55:15 | 0:55:18 | |
No, I said "Old King Cole". | 0:55:18 | 0:55:21 | |
He was a member of Al Capone's gang, were you aware of that? | 0:55:21 | 0:55:24 | |
Al Capone! My husband was a Keystone Kop! | 0:55:24 | 0:55:27 | |
SHOUTS CONTINUE | 0:55:27 | 0:55:34 | |
I don't suppose you've ever been booed off before, have you? | 0:55:35 | 0:55:38 | |
No I haven't, and I don't intend to start now. | 0:55:38 | 0:55:41 | |
Think of the number of times you've stopped the applause with that "errand boy" whistle of yours. | 0:55:41 | 0:55:46 | |
Every blinking time. | 0:55:46 | 0:55:48 | |
We've all told you. Archie, Bert, everyone. | 0:55:49 | 0:55:52 | |
Let the applause ride. | 0:55:52 | 0:55:54 | |
Because one day, | 0:55:54 | 0:55:55 | |
you know... | 0:55:55 | 0:55:57 | |
the applause might dry up of its own accord. | 0:55:57 | 0:55:59 | |
Thanks, Harry. I knew I could rely on you. | 0:55:59 | 0:56:02 | |
Ladies and Gentlemen, next up on tonight's bill, | 0:56:02 | 0:56:05 | |
all the way from England... | 0:56:05 | 0:56:07 | |
Britain, damn you. | 0:56:07 | 0:56:09 | |
Gracie Fields! | 0:56:09 | 0:56:11 | |
APPLAUSE | 0:56:18 | 0:56:22 | |
Hello, everybody! | 0:56:22 | 0:56:25 | |
Ee, what's the matter? Has someone died? | 0:56:25 | 0:56:29 | |
Not yet! | 0:56:29 | 0:56:31 | |
I was going to sing He's Dead But He Won't Lie Down, | 0:56:31 | 0:56:34 | |
but I'd hate to cause offence. | 0:56:34 | 0:56:37 | |
Can you sing Far Far Away? | 0:56:37 | 0:56:38 | |
I'm sorry, love. I'm a bit deaf. What was that? | 0:56:38 | 0:56:42 | |
There'll always be an England! | 0:56:42 | 0:56:43 | |
There will always be an England. | 0:56:43 | 0:56:45 | |
Let's hope so, love. That's why I'm here. | 0:56:45 | 0:56:48 | |
Sing it! Sing There'll Always Be An England! | 0:56:48 | 0:56:51 | |
# There'll always be an England | 0:56:58 | 0:57:02 | |
# While there's a country lane | 0:57:02 | 0:57:06 | |
# Wherever there's a cottage small... # | 0:57:06 | 0:57:10 | |
-Get off! -# Beside a field of grain | 0:57:10 | 0:57:14 | |
# There'll always be an England | 0:57:14 | 0:57:18 | |
# While there's a busy street | 0:57:18 | 0:57:23 | |
# Wherever there's a turning wheel | 0:57:23 | 0:57:27 | |
# A million marching feet | 0:57:27 | 0:57:30 | |
# Red, white and blue | 0:57:30 | 0:57:33 | |
-# What does it mean to you? # -Fascist! | 0:57:33 | 0:57:35 | |
# Surely you're proud Shout it aloud | 0:57:35 | 0:57:37 | |
# Britons, awake! | 0:57:37 | 0:57:39 | |
# The empire too | 0:57:39 | 0:57:41 | |
# We can depend on you | 0:57:41 | 0:57:42 | |
# Freedom remains, these are the chains, nothing can break | 0:57:42 | 0:57:47 | |
# There'll always be an England | 0:57:47 | 0:57:51 | |
# And England shall be free | 0:57:51 | 0:57:56 | |
# If England means as much to you | 0:57:56 | 0:58:01 | |
-# As England means to... # -Traitor! Traitor! Traitor! Traitor! | 0:58:01 | 0:58:06 | |
-# Me. # -Traitor! Traitor! Traitor! Traitor! | 0:58:06 | 0:58:12 | |
Thank you. God bless. | 0:58:14 | 0:58:16 | |
CHANTING CONTINUES | 0:58:16 | 0:58:19 | |
OK! So you put this in your newspaper, are you listening? | 0:58:19 | 0:58:22 | |
I am not a British Citizen, and it is my own money. | 0:58:22 | 0:58:28 | |
My wife and I followed the usual procedure, | 0:58:28 | 0:58:33 | |
by making regular application for permission to take our money with us. | 0:58:33 | 0:58:39 | |
"It is just because I am Italian that they are trying to make things disagreeable for Miss Fields. | 0:58:39 | 0:58:45 | |
"I wish they would cease. | 0:58:45 | 0:58:46 | |
"She has been giving generously of her time and talents. | 0:58:46 | 0:58:49 | |
"If they bother us any more I am going to telephone to her | 0:58:49 | 0:58:52 | |
"to come home and live like a normal person." | 0:58:52 | 0:58:55 | |
PHONE RINGS | 0:58:58 | 0:59:00 | |
-Hello? -Why the hell have you stuck your oar in? | 0:59:09 | 0:59:11 | |
-Gracie? -You've made it a hundred times worse! | 0:59:11 | 0:59:14 | |
-Gracie. Calm down. -'All you've done is stir it up!' | 0:59:14 | 0:59:17 | |
They would've let it go! | 0:59:17 | 0:59:18 | |
Believe it or not I won't stand by and see you humiliated by these idiots. | 0:59:18 | 0:59:22 | |
It's my business! Don't interfere! | 0:59:22 | 0:59:24 | |
I am your husband! I cannot ignore my wife being called a traitor! | 0:59:24 | 0:59:27 | |
That is what they are calling you! | 0:59:27 | 0:59:29 | |
Only because I married you! | 0:59:29 | 0:59:32 | |
If that's how you feel maybe you should have thought twice about marrying a wop in the first place! | 0:59:32 | 0:59:37 | |
-Why did you marry me? -My mother told me to! | 0:59:37 | 0:59:39 | |
-Maybe you should do what I tell you! -Maybe I don't want anyone telling me what to do! | 0:59:39 | 0:59:43 | |
No! You're right. Maybe you don't. You don't need me! You don't need anyone! You're on your own! | 0:59:43 | 0:59:48 | |
And now, ladies and gentlemen, | 1:00:05 | 1:00:07 | |
I have with me Miss Gracie Fields, all the way from England. | 1:00:07 | 1:00:12 | |
Gracie, welcome to Iowa. | 1:00:12 | 1:00:14 | |
Gracious, is that where we are? | 1:00:14 | 1:00:16 | |
It most certainly is. | 1:00:16 | 1:00:18 | |
You've been on tour for quite some time, how has it been? | 1:00:18 | 1:00:21 | |
It's been fantastic, Joe, the people have been wonderful, and the audiences are terrific. | 1:00:21 | 1:00:26 | |
I'm very pleased to hear that... | 1:00:26 | 1:00:29 | |
You're probably better off here in Iowa, | 1:00:29 | 1:00:31 | |
because I believe the newspapers in Britain are calling you a traitor. | 1:00:31 | 1:00:35 | |
Actions speak louder than words I was always taught, Joe, which is why I'm here. | 1:00:35 | 1:00:39 | |
To raise awareness in the good old U S of A, because we need your help. We're counting on it. | 1:00:39 | 1:00:45 | |
What reception do you expect when you return? | 1:00:45 | 1:00:47 | |
Well, I'm not going home yet, I've got plenty more work to do here. | 1:00:47 | 1:00:51 | |
We've got concerts all over the place, here there and everywhere. | 1:00:51 | 1:00:54 | |
You must be a little scared to go back to Britain? | 1:00:54 | 1:00:57 | |
I don't think so. | 1:00:57 | 1:00:58 | |
I miss all those wonderful people back at home, | 1:00:58 | 1:01:01 | |
I miss their love and devotion, and I'll get back to them as soon as I can. | 1:01:01 | 1:01:06 | |
Scared, why would I be scared? | 1:01:06 | 1:01:09 | |
I was thinking of the bombing of your country, Miss Fields. I'd be scared. I'd be happier to be here. | 1:01:09 | 1:01:14 | |
You're going to sing for us, am I right? | 1:01:16 | 1:01:19 | |
That's right, Joe. I'm going to sing Looking On The Bright Side. | 1:01:19 | 1:01:22 | |
Ladies and Gentleman, Miss Gracie Fields with Looking On The Bright Side. | 1:01:22 | 1:01:27 | |
And we're off the air. | 1:01:27 | 1:01:29 | |
Gracie, thank you very much. | 1:01:29 | 1:01:31 | |
May I say, that is quite an accent you have. | 1:01:31 | 1:01:33 | |
Thank you. And may I say, so do you. | 1:01:33 | 1:01:36 | |
-I was expecting something a little more mid-Atlantic. -Mid-Atlantic. | 1:01:36 | 1:01:41 | |
In the middle of the ocean. | 1:01:41 | 1:01:43 | |
Drowning. | 1:01:44 | 1:01:46 | |
# I'm looking on the bright side | 1:01:46 | 1:01:49 | |
# Though I'm walking in the shade | 1:01:49 | 1:01:52 | |
# Sticking out my chest | 1:01:52 | 1:01:54 | |
# Hoping for the best | 1:01:54 | 1:01:55 | |
# Looking on the bright side of life | 1:01:55 | 1:01:59 | |
# I'm waiting for the right tide | 1:01:59 | 1:02:02 | |
# And if luck comes to my aid | 1:02:02 | 1:02:05 | |
# Giving me a break | 1:02:05 | 1:02:07 | |
# I shall be awake | 1:02:07 | 1:02:08 | |
# Looking on the bright side of life | 1:02:08 | 1:02:12 | |
# Today I'm in the shadow | 1:02:12 | 1:02:15 | |
# Tomorrow maybe... # Stop a minute will you, Guy? | 1:02:15 | 1:02:19 | |
# The clouds will lift And let the sun shift over to me. # | 1:02:19 | 1:02:25 | |
-Are you Gracie Fields? -Yes, love. I am. | 1:02:25 | 1:02:27 | |
# I'm looking on the bright side Though today's all care and strife | 1:02:29 | 1:02:35 | |
#I can wear a grin Sticking out my chin | 1:02:35 | 1:02:38 | |
# Looking on the bright side of life. # | 1:02:38 | 1:02:41 | |
PHONE RINGS | 1:02:54 | 1:02:56 | |
Sir, telephone call for you. | 1:03:00 | 1:03:02 | |
I don't want to speak to anyone. No-one at all. | 1:03:02 | 1:03:06 | |
He's not? | 1:03:08 | 1:03:10 | |
Thank you, bye-bye. | 1:03:10 | 1:03:13 | |
Ma'am. | 1:03:34 | 1:03:36 | |
Oh, I think I... | 1:03:39 | 1:03:41 | |
Goodnight. | 1:03:41 | 1:03:43 | |
Is that tea or coffee? | 1:04:04 | 1:04:05 | |
I don't know. | 1:04:05 | 1:04:07 | |
I think it's today's tea that smells of yesterday's coffee. | 1:04:08 | 1:04:11 | |
Or maybe vice versa. | 1:04:14 | 1:04:15 | |
I can't live like this much longer. | 1:04:24 | 1:04:26 | |
No. Neither can I. | 1:04:27 | 1:04:29 | |
A proper cup of coffee. | 1:04:29 | 1:04:32 | |
My own bed. | 1:04:32 | 1:04:33 | |
Or maybe even someone else's. | 1:04:35 | 1:04:37 | |
Is there something you're trying to tell me, Harry? | 1:04:38 | 1:04:41 | |
You're not courting at last, are you? | 1:04:42 | 1:04:45 | |
No. I'm not. | 1:04:45 | 1:04:46 | |
I'm still only writing songs about it. | 1:04:46 | 1:04:50 | |
The thought of that made me unhappy this morning. | 1:04:50 | 1:04:54 | |
I just...don't want to let life pass me by. | 1:04:55 | 1:04:59 | |
What was that film called that you did? | 1:05:10 | 1:05:13 | |
Which one? | 1:05:13 | 1:05:15 | |
I don't know. That's what I'm asking you. | 1:05:15 | 1:05:17 | |
What happened in it? | 1:05:17 | 1:05:20 | |
I can't remember. | 1:05:20 | 1:05:24 | |
I think you saved the day. | 1:05:24 | 1:05:26 | |
I always saved the day. | 1:05:26 | 1:05:28 | |
Maybe there was a dog in it. | 1:05:30 | 1:05:33 | |
Keep Smiling. | 1:05:33 | 1:05:34 | |
What happened in that one? | 1:05:34 | 1:05:36 | |
I milked a cow. I got chased by dogs. I nearly drowned. | 1:05:36 | 1:05:40 | |
I did a tour with tramps. | 1:05:40 | 1:05:42 | |
Then I saved the day. | 1:05:42 | 1:05:44 | |
No, no, no, no. It wasn't that one. | 1:05:44 | 1:05:47 | |
HE STOPS PLAYING | 1:05:47 | 1:05:50 | |
You did the Apache Dance. | 1:05:50 | 1:05:52 | |
Queen Of Hearts. | 1:05:53 | 1:05:55 | |
Queen Of Hearts. | 1:05:55 | 1:05:57 | |
RESUMES PLAYING | 1:05:57 | 1:06:00 | |
# Da da da da da, da da da da Da da da da, da da da da, da da... # | 1:06:00 | 1:06:06 | |
That's the first film Monty directed me in. | 1:06:11 | 1:06:13 | |
Silly beggar, he put a pile of newspapers under my seat on the first morning. | 1:06:13 | 1:06:18 | |
Then he set fire to them. I should have known. | 1:06:18 | 1:06:22 | |
Yes. Queen Of Hearts. | 1:06:22 | 1:06:25 | |
I liked that one. | 1:06:25 | 1:06:27 | |
You got the fella at the end for once, didn't you? | 1:06:27 | 1:06:30 | |
You'll have me, | 1:06:59 | 1:07:01 | |
I'll always cling to you, | 1:07:03 | 1:07:07 | |
You'll have me, | 1:07:07 | 1:07:11 | |
I'll always sing to you. | 1:07:12 | 1:07:18 | |
Life gave us our awful blow. | 1:07:18 | 1:07:21 | |
But my, dear we'll live to show the world what love can do. | 1:07:21 | 1:07:26 | |
Gracie! | 1:07:50 | 1:07:51 | |
Monty. | 1:07:53 | 1:07:55 | |
She's going to be in my new picture. | 1:07:56 | 1:07:59 | |
It's called Honeymoon Merry-Go-Round. | 1:07:59 | 1:08:02 | |
It's about a pair of newlyweds | 1:08:02 | 1:08:05 | |
who try to have a nice, romantic honeymoon but end up having a big fight instead. | 1:08:05 | 1:08:10 | |
Oh, dear. | 1:08:10 | 1:08:11 | |
Don't worry. It's a comedy. | 1:08:11 | 1:08:13 | |
It doesn't sound so funny. | 1:08:13 | 1:08:15 | |
Oh, it's funny. | 1:08:15 | 1:08:17 | |
I wrote it myself. | 1:08:17 | 1:08:19 | |
What happens in the end? | 1:08:19 | 1:08:22 | |
I don't know yet. | 1:08:28 | 1:08:30 | |
Did you get my card? | 1:08:32 | 1:08:33 | |
I sent you a card. | 1:08:33 | 1:08:35 | |
Our Gracie. | 1:08:39 | 1:08:40 | |
I should have known you would never be my Gracie. | 1:08:43 | 1:08:46 | |
I am your Gracie, | 1:08:46 | 1:08:50 | |
really, I am. | 1:08:50 | 1:08:52 | |
Think how many of these you have given away over the years. Thousands. | 1:08:52 | 1:08:56 | |
That's the last one. | 1:08:56 | 1:08:58 | |
I'm going to pack it all in. | 1:08:58 | 1:09:00 | |
Why? | 1:09:00 | 1:09:02 | |
For you. | 1:09:02 | 1:09:05 | |
Impossible. | 1:09:05 | 1:09:08 | |
I can do it now, I know I can. | 1:09:08 | 1:09:11 | |
I could never have thrown it all in before, | 1:09:11 | 1:09:15 | |
I was too frightened. | 1:09:15 | 1:09:16 | |
Running for my life, | 1:09:18 | 1:09:19 | |
couldn't stop. | 1:09:19 | 1:09:22 | |
But I'm not frightened any more. | 1:09:22 | 1:09:24 | |
Gracie... | 1:09:24 | 1:09:26 | |
Because I've got you. | 1:09:26 | 1:09:28 | |
I don't have to be Gracie Fields with you. | 1:09:31 | 1:09:35 | |
I can just be me. | 1:09:37 | 1:09:40 | |
Gracie. You said it yourself, this is what we do, this is who we are. | 1:09:40 | 1:09:44 | |
You stop performing and you would die. | 1:09:44 | 1:09:46 | |
There you go, Monty. | 1:09:59 | 1:10:00 | |
Your Gracie. | 1:10:02 | 1:10:03 | |
I love you, Monty. | 1:10:05 | 1:10:08 | |
I want to be Mrs Bianchi. | 1:10:09 | 1:10:12 | |
Please. Just once. | 1:10:16 | 1:10:17 | |
It's Bianchi. | 1:10:20 | 1:10:22 | |
Bianchi. | 1:10:26 | 1:10:27 | |
Hello. | 1:10:34 | 1:10:35 | |
Well, I can't tell you how wonderful it is to be back, | 1:10:35 | 1:10:38 | |
now I've finished my little war job. | 1:10:38 | 1:10:40 | |
It started so long ago in France, then Canada, | 1:10:40 | 1:10:45 | |
then I toured America for British War relief. | 1:10:45 | 1:10:48 | |
Then it was Honolulu and the Fiji Islands through to Australia and New Zealand. | 1:10:48 | 1:10:52 | |
Through Borneo and New Guinea, before we joined the Americans | 1:10:52 | 1:10:57 | |
and we did all through the Philippines right up to Okinawa. | 1:10:57 | 1:11:00 | |
I say I want to retire but nobody takes any notice of me. | 1:11:00 | 1:11:04 | |
But I suppose as long as my... | 1:11:04 | 1:11:07 | |
# ha ha ha # | 1:11:07 | 1:11:08 | |
keeps working, I'll keep following it. | 1:11:08 | 1:11:12 | |
Cheerio, everybody, and God bless all of you. | 1:11:12 | 1:11:16 | |
Now the war is over how does it feel to be back here at the London Palladium? | 1:11:22 | 1:11:26 | |
Grand, lad. It feels grand. | 1:11:26 | 1:11:27 | |
But you live on the Isle of Capri now. | 1:11:27 | 1:11:30 | |
That's right. With my husband. | 1:11:30 | 1:11:32 | |
Husband, writer, faithful retainer. | 1:11:32 | 1:11:35 | |
10 minutes. | 1:11:35 | 1:11:36 | |
OK. | 1:11:36 | 1:11:37 | |
I'll leave you to it now. | 1:11:37 | 1:11:39 | |
-Thank you, Miss Fields. -Thank you. | 1:11:39 | 1:11:41 | |
-Miss Fields. -Yes, love. | 1:11:43 | 1:11:46 | |
Do you, by any chance, remember getting stuck in the mud | 1:11:46 | 1:11:49 | |
in Northern France in November 1939, | 1:11:49 | 1:11:52 | |
and a bunch of British soldiers helped push you out? | 1:11:52 | 1:11:56 | |
Yes, I do. And a little lad asked me to sing Sally for him. | 1:11:56 | 1:12:00 | |
That's right. | 1:12:00 | 1:12:02 | |
I wonder what happened to him. | 1:12:02 | 1:12:05 | |
Oh, don't you worry. | 1:12:05 | 1:12:06 | |
He's fine. | 1:12:06 | 1:12:07 | |
-Thank you. -Thank you. | 1:12:07 | 1:12:09 | |
Will it be all right? | 1:12:29 | 1:12:32 | |
You will be wonderful. | 1:12:32 | 1:12:33 | |
You'll no doubt be pleased to know... | 1:12:38 | 1:12:41 | |
the train has successfully left the station. | 1:12:41 | 1:12:45 | |
Oh, that's a weight off my mind. | 1:12:45 | 1:12:48 | |
Harry, what are you talking about? | 1:12:48 | 1:12:50 | |
He means he has just succeeded in moving his bowels. | 1:12:50 | 1:12:53 | |
Ladies and Gentlemen... | 1:12:53 | 1:12:55 | |
Miss Gracie Fields. | 1:12:55 | 1:12:58 | |
Come on Harry, lad. Do your stuff. | 1:12:58 | 1:13:01 | |
APPLAUSE | 1:13:01 | 1:13:04 | |
# Take me to your heart again | 1:13:17 | 1:13:22 | |
# Let's make a start again | 1:13:22 | 1:13:26 | |
# Forgiving and forgetting | 1:13:26 | 1:13:32 | |
# Take me to your heart again | 1:13:32 | 1:13:38 | |
# And leave behind from then | 1:13:38 | 1:13:41 | |
# Our life of long regretting | 1:13:41 | 1:13:48 | |
# Dearest, let's turn back the years | 1:13:48 | 1:13:54 | |
# Let smiles come after tears | 1:13:54 | 1:13:58 | |
# Like sunshine after rain | 1:13:58 | 1:14:05 | |
# I'm yearning for you | 1:14:05 | 1:14:09 | |
# By night and by day | 1:14:09 | 1:14:13 | |
# Praying I'll soon hear you saying | 1:14:13 | 1:14:19 | |
# "I love you" | 1:14:19 | 1:14:26 | |
# Then, we'll never part again | 1:14:26 | 1:14:30 | |
# If you will take me | 1:14:30 | 1:14:34 | |
# To your heart again. # | 1:14:34 | 1:14:44 | |
APPLAUSE | 1:14:44 | 1:14:46 | |
# Sing as we go And let the world go by | 1:16:45 | 1:16:49 | |
# Singing a song We march along the highway | 1:16:49 | 1:16:53 | |
# Say goodbye to sorrow | 1:16:53 | 1:16:56 | |
# There's always tomorrow to think of today | 1:16:56 | 1:16:59 | |
# Sing as we go Although the skies are grey | 1:16:59 | 1:17:04 | |
# Beggar or king You've got to sing a gay tune | 1:17:04 | 1:17:07 | |
# A song and a smile make it right worthwhile | 1:17:07 | 1:17:10 | |
# So sing, a-a-a-a-a-a As we go along. # | 1:17:10 | 1:17:15 | |
CHEERING AND APPLAUSE | 1:17:15 | 1:17:18 | |
WHISTLES | 1:17:20 | 1:17:22 |