Browse content similar to Hattie. Check below for episodes and series from the same categories and more!
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This programme contains some strong language and some scenes of a sexual nature. | 0:00:02 | 0:00:10 | |
# Oh, the good life... # | 0:00:18 | 0:00:22 | |
COUPLE ARGUE | 0:00:22 | 0:00:24 | |
# Full of fun | 0:00:24 | 0:00:26 | |
# Seems to be the ideal | 0:00:26 | 0:00:30 | |
PHONE RINGS | 0:00:30 | 0:00:32 | |
# Mm, the good life | 0:00:34 | 0:00:37 | |
# Let's you hide... # | 0:00:37 | 0:00:40 | |
WOMAN: Don't you dare come back! | 0:00:40 | 0:00:42 | |
-MAN: -Fine! | 0:00:42 | 0:00:43 | |
PHONE CONTINUES RINGING | 0:00:45 | 0:00:47 | |
Hello. | 0:00:52 | 0:00:54 | |
Oh, I'm not on set, I'm so sorry. I've had, um... | 0:00:56 | 0:01:00 | |
Do you think you could send a car for me? | 0:01:01 | 0:01:04 | |
My...driver seems to have...um... | 0:01:06 | 0:01:09 | |
..gone. | 0:01:12 | 0:01:14 | |
'It's on its way.' | 0:01:14 | 0:01:16 | |
Thank you so much. | 0:01:16 | 0:01:19 | |
# ..To be free and explore the unknown | 0:01:20 | 0:01:26 | |
-CHILDREN: -You'll never catch me. -I'm gonna catch you. | 0:01:33 | 0:01:37 | |
CHILDREN CHATTER | 0:01:41 | 0:01:44 | |
You found it! Clever darling. | 0:01:44 | 0:01:47 | |
-Can I squirt it on? -I'll squirt it. -Squirt. Squirt? | 0:01:47 | 0:01:50 | |
-An outrageous slur! -No! | 0:01:50 | 0:01:52 | |
SNIFFS | 0:01:54 | 0:01:56 | |
Oh, dear. | 0:01:56 | 0:01:57 | |
That...isn't Yardley. | 0:01:57 | 0:02:00 | |
Bugger, bugger, bugger! | 0:02:01 | 0:02:04 | |
Let's pray it isn't what it smells like. | 0:02:04 | 0:02:06 | |
Ohh! Bugger! | 0:02:06 | 0:02:09 | |
I forgot to turn it down! | 0:02:09 | 0:02:12 | |
Oh, John, didn't you smell it? | 0:02:13 | 0:02:16 | |
Do you know, I rather think I did. | 0:02:18 | 0:02:20 | |
You are sacked as my assistant...again. | 0:02:20 | 0:02:23 | |
Is Christmas ruined, Mum? | 0:02:25 | 0:02:26 | |
No more than usual. | 0:02:26 | 0:02:29 | |
Right, first to the top is emperor of the world. | 0:02:29 | 0:02:34 | |
Ooh, you cheaters! | 0:02:34 | 0:02:37 | |
Hey, Kim! | 0:02:37 | 0:02:38 | |
CHATTER | 0:02:38 | 0:02:41 | |
Bruce! Don't worry, | 0:02:42 | 0:02:44 | |
-I'm not here for the rent. -Boys... -Hello, Bruce. | 0:02:44 | 0:02:48 | |
Oh! We're a bird down. | 0:02:48 | 0:02:50 | |
Oh, dear! Tragedy, bun? | 0:02:50 | 0:02:52 | |
Turkey-tastrophe, darling. | 0:02:52 | 0:02:55 | |
Is there enough, do you think, boys? | 0:02:56 | 0:02:58 | |
I don't know. | 0:02:58 | 0:03:00 | |
-Well, say yes, to reassure me. -Yes. | 0:03:00 | 0:03:03 | |
Loaves and fishes, love. Loaves and fishes. | 0:03:03 | 0:03:07 | |
CHATTER | 0:03:13 | 0:03:16 | |
Robin, could you answer the door? | 0:03:16 | 0:03:18 | |
Sprouts, as good as possible. | 0:03:19 | 0:03:21 | |
Carrots, done. | 0:03:21 | 0:03:23 | |
We await your command. | 0:03:23 | 0:03:25 | |
OK. Peas. | 0:03:25 | 0:03:27 | |
And that's us, we're set. | 0:03:27 | 0:03:29 | |
Ready, Eddie? | 0:03:29 | 0:03:30 | |
Go, Flo! (LAUGHS) | 0:03:30 | 0:03:32 | |
-Am I late? -No, darling, we're not even a little bit drunk yet. | 0:03:32 | 0:03:36 | |
-Sweetheart, take Joanie's coat upstairs. -Oh, thank you. | 0:03:36 | 0:03:39 | |
Do you want a hand? | 0:03:39 | 0:03:41 | |
Ooh! | 0:03:42 | 0:03:43 | |
Don't tell anyone about the secret ingredient. | 0:03:43 | 0:03:45 | |
Any more slosh? | 0:03:45 | 0:03:48 | |
Ah. | 0:03:48 | 0:03:49 | |
John Le Mesurier, my husband. | 0:03:49 | 0:03:51 | |
Oh, but of course, you've met, haven't you? | 0:03:51 | 0:03:54 | |
Joan, isn't it? Charming name. Lovely to have you here and merry Christmas. | 0:03:54 | 0:03:58 | |
Merry Christmas. | 0:03:58 | 0:03:59 | |
-Er... -Ah, there you go. | 0:03:59 | 0:04:00 | |
Ah, very kind of you. | 0:04:00 | 0:04:02 | |
Are they getting restless? | 0:04:02 | 0:04:03 | |
Do you want me to tell one of my queasy-making stories? | 0:04:03 | 0:04:06 | |
No, thank you. I think we're ready. | 0:04:06 | 0:04:09 | |
I don't know how I could have managed without you. You've saved my life. | 0:04:09 | 0:04:12 | |
I know. He's a dear, isn't he? | 0:04:14 | 0:04:16 | |
This is for you. | 0:04:18 | 0:04:19 | |
-Merry Christmas, one and all. -ALL: Merry Christmas. | 0:04:23 | 0:04:27 | |
Now, this is Joan. | 0:04:27 | 0:04:29 | |
ALL: Hello, Joanie. | 0:04:29 | 0:04:30 | |
And she's single. And you can talk to her about anything. | 0:04:30 | 0:04:33 | |
Oh, you all look so... | 0:04:35 | 0:04:38 | |
festive! | 0:04:38 | 0:04:39 | |
Er, I'd like to propose a toast, to dear Hattie. | 0:04:41 | 0:04:45 | |
ALL: Hattie... | 0:04:45 | 0:04:47 | |
-The Christmas fairy! -ALL: The Christmas fairy. | 0:04:47 | 0:04:50 | |
-Ooh... -Ooh! | 0:05:04 | 0:05:07 | |
No photos. | 0:05:07 | 0:05:08 | |
Oh, I say. How's the harness? | 0:05:10 | 0:05:13 | |
Luckily I'm not planning on having any more children. | 0:05:13 | 0:05:16 | |
SIGHS | 0:05:16 | 0:05:19 | |
99% for arms | 0:05:19 | 0:05:21 | |
at the Dean Sisters Academy of Ballet and Theatrical Dance. | 0:05:21 | 0:05:25 | |
You were robbed. Are you ready? | 0:05:25 | 0:05:27 | |
Oh, yes. | 0:05:27 | 0:05:28 | |
Right. Take it away. | 0:05:28 | 0:05:30 | |
COGS GRIND | 0:05:30 | 0:05:33 | |
Oh, it's like being back there. | 0:05:36 | 0:05:39 | |
Marvellous, Hat. | 0:05:51 | 0:05:53 | |
GIGGLES | 0:05:53 | 0:05:54 | |
CREAKING | 0:05:59 | 0:06:02 | |
Just a minute, Miss Jacques! | 0:06:03 | 0:06:07 | |
CREAKING AND CLUNKING | 0:06:07 | 0:06:10 | |
It's not budging. | 0:06:10 | 0:06:12 | |
-Can't take the weight, can it! -LAUGHTER | 0:06:12 | 0:06:16 | |
John! | 0:06:26 | 0:06:28 | |
John? | 0:06:36 | 0:06:38 | |
# This isn't sometimes | 0:06:54 | 0:06:58 | |
# This is always... # | 0:06:59 | 0:07:02 | |
KNOCKS | 0:07:05 | 0:07:06 | |
Bruce? Are you awake? | 0:07:06 | 0:07:09 | |
-MAN: Who is it? -Just a minute. | 0:07:09 | 0:07:11 | |
CLUNKING | 0:07:11 | 0:07:14 | |
I'm entertaining. | 0:07:15 | 0:07:17 | |
Oh. Oh... | 0:07:17 | 0:07:19 | |
Typical babysitter. | 0:07:19 | 0:07:21 | |
He's hiding under the bed. | 0:07:21 | 0:07:22 | |
Afraid of the police. | 0:07:22 | 0:07:24 | |
Right. | 0:07:24 | 0:07:26 | |
-Well, I'll leave you to it then. -Night-night. | 0:07:26 | 0:07:30 | |
(Come out.) | 0:07:31 | 0:07:33 | |
Are you awake, chicken? | 0:07:58 | 0:08:00 | |
Do you want to get up with Mummy, have a naughty late night? | 0:08:00 | 0:08:04 | |
MUMBLES | 0:08:04 | 0:08:06 | |
# Love me or leave me | 0:08:11 | 0:08:13 | |
# And let me be lonely | 0:08:13 | 0:08:15 | |
# You won't believe me but I love you only | 0:08:15 | 0:08:19 | |
# I'd rather be lonely than happy with somebody else... # | 0:08:19 | 0:08:24 | |
DOOR OPENS | 0:08:24 | 0:08:27 | |
You're still up. | 0:08:28 | 0:08:31 | |
Are you all right? | 0:08:31 | 0:08:32 | |
I'm fine. | 0:08:32 | 0:08:34 | |
Hey, what's the matter? | 0:08:36 | 0:08:38 | |
Nothing. | 0:08:38 | 0:08:40 | |
Just one of those days. Silly really. | 0:08:40 | 0:08:43 | |
Mm... | 0:08:43 | 0:08:44 | |
The flying winch broke. | 0:08:51 | 0:08:54 | |
I was left sort of dangling above the stage. | 0:08:54 | 0:08:57 | |
Oh, no! | 0:08:57 | 0:08:59 | |
Humiliating. | 0:09:00 | 0:09:02 | |
Oh, you poor thing. | 0:09:02 | 0:09:03 | |
Pretending to be a stupid great fairy! | 0:09:03 | 0:09:06 | |
You're a fine actress, Hattie. You don't have to do this rubbish. | 0:09:06 | 0:09:09 | |
I know my casting, John. I'm the silly, frigid, fat girl. | 0:09:09 | 0:09:13 | |
You're the nation's favourite silly, frigid, fat... | 0:09:13 | 0:09:16 | |
Oh, there was a call for you. Um, something about leukaemia, I'm not quite sure what. | 0:09:16 | 0:09:21 | |
There's a do. | 0:09:21 | 0:09:23 | |
They want me to be guest of honour. | 0:09:23 | 0:09:25 | |
Sorry. | 0:09:28 | 0:09:29 | |
Just being a drama queen. | 0:09:29 | 0:09:32 | |
No, no. | 0:09:32 | 0:09:33 | |
Do you need to do lines? | 0:09:35 | 0:09:36 | |
I'd like to help if I can. | 0:09:36 | 0:09:38 | |
You know I can't manage them without you. | 0:09:38 | 0:09:40 | |
-All right, so, job scene? -Mm-hm. | 0:09:42 | 0:09:44 | |
I'll be Sid. | 0:09:44 | 0:09:45 | |
BELLOWING LAUGHTER | 0:09:45 | 0:09:48 | |
-You don't believe me, anyway. -Course I believe you, Charlie. | 0:09:48 | 0:09:51 | |
You're not clever enough to think up an excuse that good. | 0:09:51 | 0:09:53 | |
-I'm only saying I'm sorry. -Unreasonable of me to sit around here moping, | 0:09:53 | 0:09:57 | |
expecting you to take me out once a year, Charlie. | 0:09:57 | 0:09:59 | |
Blimey! I wouldn't say you're being unreasonable, Peg. | 0:09:59 | 0:10:01 | |
But you don't have to worry about me now, Charlie. | 0:10:01 | 0:10:03 | |
-I'm going to get a job. -Amazingly, you've put in another couple of Charlies. | 0:10:03 | 0:10:07 | |
-She only says it every other fucking line! -BOTH LAUGH | 0:10:07 | 0:10:10 | |
Get a job? Blah, blah, blah, blah, blah, blah. What can you do? | 0:10:10 | 0:10:14 | |
We'll have to see, won't we... BOTH: Charlie! | 0:10:14 | 0:10:17 | |
BOTH LAUGH | 0:10:17 | 0:10:18 | |
My star has plummeted, the public have deserted. | 0:10:25 | 0:10:28 | |
I don't know how I did that. | 0:10:28 | 0:10:30 | |
I've run these fundraisers for years and never... | 0:10:30 | 0:10:32 | |
It's an easy mistake, darling. | 0:10:32 | 0:10:34 | |
I'm organised. I was in the Pay Corps. | 0:10:34 | 0:10:36 | |
Well, everybody's misread March for April. | 0:10:36 | 0:10:40 | |
You've taken it in ever such good part. I'd be livid. | 0:10:40 | 0:10:43 | |
That's because I'm a much nicer person than you, Ron. | 0:10:43 | 0:10:47 | |
I've had to find a local volunteer to drive you home. | 0:10:47 | 0:10:51 | |
I'm sorry again. I'm mortified, Miss Jacques. | 0:10:51 | 0:10:54 | |
-Is he sober? -I'm fairly sure he is. | 0:10:54 | 0:10:57 | |
Well, that's a start. | 0:10:57 | 0:10:59 | |
That's him. John Schofield. | 0:10:59 | 0:11:01 | |
Er, I'd better lock up. I'll, er, see you next month? | 0:11:04 | 0:11:09 | |
Yes. | 0:11:09 | 0:11:10 | |
Bye, Ron. | 0:11:10 | 0:11:12 | |
Let me guess... | 0:11:14 | 0:11:15 | |
Ron's fault? | 0:11:16 | 0:11:18 | |
Luckily, he's only a fundraiser for leukaemia. | 0:11:18 | 0:11:21 | |
He's not actually responsible for finding a cure. | 0:11:21 | 0:11:24 | |
I'm John. | 0:11:24 | 0:11:25 | |
I know who you are. Everybody does. | 0:11:25 | 0:11:29 | |
Are you all right here, or... | 0:11:29 | 0:11:32 | |
do you need to sit in the back like the Queen? | 0:11:32 | 0:11:35 | |
Oh, I'd need six months' notice to squeeze my behind in there. | 0:11:35 | 0:11:38 | |
ENGINE ROARS | 0:11:48 | 0:11:50 | |
You're not a getaway driver, are you? | 0:11:50 | 0:11:53 | |
Do all sorts. Sometimes do deliveries for dealers. | 0:11:53 | 0:11:57 | |
That's why I'm in this. | 0:11:57 | 0:11:58 | |
It's not yours? | 0:11:58 | 0:11:59 | |
-It's not stolen! -Just borrowed? | 0:11:59 | 0:12:02 | |
So, Miss Jacques, why do you put yourself down? | 0:12:07 | 0:12:11 | |
I beg your pardon? | 0:12:11 | 0:12:14 | |
Ah, you did it when you were getting in the car. | 0:12:14 | 0:12:16 | |
I've seen you do it on the box. | 0:12:16 | 0:12:18 | |
I'm doing very well, thank you. | 0:12:18 | 0:12:21 | |
YOU are driving ME. | 0:12:21 | 0:12:23 | |
You don't need to do it. | 0:12:23 | 0:12:25 | |
You're... | 0:12:25 | 0:12:26 | |
-(SIGHS) -Anyone can see you're lovely. | 0:12:26 | 0:12:29 | |
A proper lovely person. | 0:12:29 | 0:12:31 | |
-Oh, good. -And you're beautiful. | 0:12:31 | 0:12:33 | |
I've got a nice face! | 0:12:33 | 0:12:35 | |
You're beautiful. | 0:12:35 | 0:12:37 | |
Sorry. | 0:12:41 | 0:12:42 | |
I don't know what it's like being well known. | 0:12:44 | 0:12:46 | |
Pain in the backside, I'm guessing. | 0:12:46 | 0:12:48 | |
Cheeky sods like me telling you stuff you don't wanna hear. | 0:12:48 | 0:12:51 | |
Oh, there are compensations. People are mostly very kind. | 0:12:51 | 0:12:56 | |
And I get to do evenings like this. | 0:12:57 | 0:12:59 | |
-Charity? -Yes. | 0:12:59 | 0:13:02 | |
Why do you bother? | 0:13:02 | 0:13:03 | |
Because I want to. | 0:13:03 | 0:13:06 | |
I want to give something back. | 0:13:06 | 0:13:08 | |
-What... -All right, I do it for purely selfish reasons. | 0:13:08 | 0:13:11 | |
I'm completely selfish. Happy? | 0:13:11 | 0:13:14 | |
-It's not what I was saying. -Well, why do you do it then, | 0:13:14 | 0:13:17 | |
driving a complete stranger home at such short notice? What's in it for you? | 0:13:17 | 0:13:21 | |
My boy had leukaemia. | 0:13:23 | 0:13:25 | |
Oh, Christ! | 0:13:28 | 0:13:31 | |
I'm so sorry. | 0:13:31 | 0:13:32 | |
When? How is he now? | 0:13:34 | 0:13:36 | |
No, no, he, er... | 0:13:36 | 0:13:38 | |
He died. | 0:13:40 | 0:13:42 | |
-God, John, I'm so sorry. -Yeah... | 0:13:44 | 0:13:47 | |
That is... | 0:13:49 | 0:13:51 | |
That's terrible and so wrong and... | 0:13:53 | 0:13:56 | |
You poor, poor man. | 0:13:57 | 0:13:59 | |
-I'm sorry, I've got to, er... -Of course you have. | 0:14:03 | 0:14:05 | |
What was his name? | 0:14:19 | 0:14:21 | |
John. | 0:14:22 | 0:14:24 | |
Little John. | 0:14:26 | 0:14:27 | |
He was four. | 0:14:29 | 0:14:30 | |
When did he die? | 0:14:33 | 0:14:34 | |
Nearly a year ago. | 0:14:38 | 0:14:40 | |
I haven't... | 0:14:41 | 0:14:44 | |
No, I haven't dealt with it well. | 0:14:44 | 0:14:46 | |
-Who would? -No, I'm sorry, I shouldn't have said anything. | 0:14:46 | 0:14:51 | |
-Don't be silly. -It doesn't help anything! | 0:14:51 | 0:14:53 | |
I'm so sorry for that brief unscheduled stop. | 0:14:56 | 0:14:59 | |
-I shall now get you home. -Yes. | 0:15:00 | 0:15:03 | |
Take me home, please. | 0:15:03 | 0:15:06 | |
Well, it was lovely to meet you, John, thank you very much. | 0:15:21 | 0:15:25 | |
-I'm perfectly fine from here, thank you. -I know you are. | 0:15:45 | 0:15:49 | |
No, no. | 0:15:56 | 0:15:59 | |
PIANO PLAYS | 0:16:19 | 0:16:23 | |
Hello, darling. | 0:16:34 | 0:16:36 | |
Mix-up over dates. | 0:16:36 | 0:16:38 | |
Oh, no. | 0:16:38 | 0:16:39 | |
You know, I've just met the most extraordinary man. | 0:16:41 | 0:16:46 | |
Have you? | 0:16:46 | 0:16:47 | |
He drove me back. | 0:16:47 | 0:16:50 | |
His son died of leukaemia. | 0:16:50 | 0:16:52 | |
Oh, dear. | 0:16:52 | 0:16:55 | |
And he, um... | 0:16:55 | 0:16:56 | |
Why is he extraordinary? | 0:16:56 | 0:16:58 | |
He was, er... | 0:17:01 | 0:17:02 | |
I suppose I just felt sorry for him, all he'd been through. | 0:17:04 | 0:17:08 | |
Drink? | 0:17:11 | 0:17:13 | |
-I'm going to bed. -It's barely nine. | 0:17:13 | 0:17:16 | |
Is it? I'm shattered. Is Bruce in? | 0:17:16 | 0:17:21 | |
Bruce! | 0:17:23 | 0:17:25 | |
Bruce? Are you up there? | 0:17:26 | 0:17:28 | |
SOBBING | 0:17:28 | 0:17:31 | |
-Oh, darling. -No - onions. | 0:17:31 | 0:17:34 | |
(LAUGHING) Oh, Bruce! | 0:17:34 | 0:17:36 | |
Oh, Bruce. | 0:17:36 | 0:17:38 | |
You fade, but I have a true love of the dance. | 0:17:44 | 0:17:49 | |
Hm? | 0:17:49 | 0:17:51 | |
Ah! | 0:17:51 | 0:17:52 | |
What's going on? | 0:17:52 | 0:17:54 | |
-Tell me to grow up. -You are grown up. | 0:17:56 | 0:18:00 | |
Tell me to be MORE grown up. | 0:18:00 | 0:18:03 | |
Hattie... | 0:18:03 | 0:18:04 | |
No. | 0:18:08 | 0:18:09 | |
No. | 0:18:10 | 0:18:11 | |
Goodnight. | 0:18:13 | 0:18:14 | |
So we're cutting the other lines? | 0:18:23 | 0:18:24 | |
Yes. It's just a "we're starting our business" set-up scene anyway. | 0:18:24 | 0:18:28 | |
But all we're left with is a load of leering. | 0:18:28 | 0:18:30 | |
-I mean, Esma hasn't even got a line. -Oh, she's full of herself today. | 0:18:30 | 0:18:34 | |
Don't be the shop steward on my account, | 0:18:34 | 0:18:36 | |
I'm perfectly happy scuttling round. | 0:18:36 | 0:18:38 | |
OK. You're the boss. | 0:18:38 | 0:18:41 | |
Thank you for reminding everyone, Hattie. Positions, everyone. | 0:18:41 | 0:18:45 | |
And away we go. Action. | 0:18:49 | 0:18:53 | |
Right. May I see your legs, please? | 0:18:53 | 0:18:55 | |
You've got the job. Next, please, Flo. | 0:18:58 | 0:19:02 | |
You've got the job. | 0:19:10 | 0:19:13 | |
Cut! Great. Let's go again. Big close-up on the bust. | 0:19:13 | 0:19:16 | |
Hers or mine? | 0:19:16 | 0:19:19 | |
LAUGHTER | 0:19:19 | 0:19:21 | |
# Hey there | 0:19:29 | 0:19:31 | |
# You with the stars in your eyes... # | 0:19:31 | 0:19:33 | |
What are we having for tea? | 0:19:33 | 0:19:35 | |
There's, er, stew with... all sorts of delicious things. | 0:19:35 | 0:19:40 | |
I'm Carry On Cabby-ing every day except Tuesday when I'm doing Sykes | 0:19:40 | 0:19:44 | |
and Friday when I'm in the shop. | 0:19:44 | 0:19:46 | |
-Wednesday evening? -Spastics. | 0:19:46 | 0:19:48 | |
Thursday? | 0:19:48 | 0:19:51 | |
-Radio recording. -Oh. | 0:19:51 | 0:19:53 | |
And tonight... Tonight is leukaemia. | 0:19:54 | 0:19:57 | |
-Haven't you already done that? -They got the wrong date, darling. | 0:19:57 | 0:20:01 | |
Ooh la la! Big guns ce soir. | 0:20:01 | 0:20:04 | |
Mm. Is that a compliment I hear? | 0:20:04 | 0:20:07 | |
Well, you do look very lovely, darling. | 0:20:07 | 0:20:10 | |
Well, thank you, my darling boys. | 0:20:10 | 0:20:12 | |
DOORBELL RINGS | 0:20:12 | 0:20:13 | |
That'll be your driver. | 0:20:13 | 0:20:15 | |
Just a tick. | 0:20:20 | 0:20:22 | |
Evening, Miss Jacques. | 0:20:24 | 0:20:26 | |
Reg. | 0:20:26 | 0:20:29 | |
How are you? | 0:20:29 | 0:20:30 | |
Bit down if I'm honest. | 0:20:30 | 0:20:32 | |
Course you are. | 0:20:32 | 0:20:34 | |
You'll have to tell me all about it on the journey. | 0:20:34 | 0:20:36 | |
Definitely will, Miss Jacques. | 0:20:36 | 0:20:38 | |
SIGHS | 0:20:40 | 0:20:43 | |
Then you stop. OK. | 0:20:49 | 0:20:52 | |
And away we go... | 0:20:52 | 0:20:54 | |
Action! | 0:20:58 | 0:20:59 | |
Right, girls. | 0:21:07 | 0:21:08 | |
This is it. | 0:21:08 | 0:21:10 | |
I want you to get out there and grab all the business | 0:21:10 | 0:21:14 | |
from under their smug male noses. | 0:21:14 | 0:21:17 | |
I don't care how you do it - | 0:21:17 | 0:21:19 | |
within reason - | 0:21:19 | 0:21:20 | |
just get the fares in your cabs. | 0:21:20 | 0:21:23 | |
GIGGLES | 0:21:23 | 0:21:25 | |
In the back of the cab, dear, with you in the front! | 0:21:26 | 0:21:30 | |
Any questions? | 0:21:31 | 0:21:34 | |
Supposing a male passenger tries to start something? | 0:21:34 | 0:21:37 | |
Then use this! | 0:21:37 | 0:21:38 | |
-What's that? -A starting handle. | 0:21:38 | 0:21:41 | |
And there's nothing better for stopping something. | 0:21:41 | 0:21:44 | |
Right. In your cabs, girls. | 0:21:44 | 0:21:47 | |
Well, here goes, Flo. | 0:21:50 | 0:21:52 | |
I hope I'm doing the right thing. | 0:21:52 | 0:21:55 | |
Cut! Great. | 0:21:55 | 0:21:56 | |
We haven't finished yet, Gerald, the scene goes on. | 0:21:56 | 0:21:58 | |
No point doing the whole scene without the other cars, darling. | 0:21:58 | 0:22:02 | |
Come on, there's other things to shoot while we're waiting. Onwards! | 0:22:02 | 0:22:05 | |
It's nice to have a job where I keep my top on! Even in this weather! | 0:22:07 | 0:22:11 | |
Jobs with clothes can't be knocked, dear. | 0:22:11 | 0:22:13 | |
Would've been nice to have had a line though. | 0:22:13 | 0:22:16 | |
I wonder why he dropped me from that scene? | 0:22:16 | 0:22:18 | |
The fewer the lines the better, isn't that right, Esma? | 0:22:18 | 0:22:21 | |
-Don't start, it's all right for you. -I'm only teasing. | 0:22:21 | 0:22:24 | |
-Are you serious? -Yes, I am. | 0:22:24 | 0:22:25 | |
I'm sick of this "batty old lady" shit. | 0:22:25 | 0:22:28 | |
And I'm sick of learning lines. | 0:22:28 | 0:22:29 | |
And I'm sick of resenting too few lines. | 0:22:29 | 0:22:32 | |
It's the digs, the directors, the auditions, the waiting... | 0:22:32 | 0:22:35 | |
not to mention the fucking public! | 0:22:35 | 0:22:37 | |
I won't have a word said against the fucking public! | 0:22:37 | 0:22:39 | |
She thinks I'm joking. This is the last job for me. I've had it. | 0:22:39 | 0:22:43 | |
I'm sorry, do you, um... | 0:22:53 | 0:22:56 | |
mind if I don't join you? | 0:22:56 | 0:22:58 | |
I'd forgotten he was coming. | 0:22:58 | 0:23:01 | |
He's a charity worker. | 0:23:01 | 0:23:04 | |
Just want to go through some dates with him. | 0:23:04 | 0:23:06 | |
Oh, we'll manage without you somehow, Mother Superior! | 0:23:06 | 0:23:09 | |
He's a bit of all right. | 0:23:10 | 0:23:12 | |
I'd do charity work if they were all like that! | 0:23:12 | 0:23:14 | |
You don't believe her, do you? | 0:23:17 | 0:23:19 | |
You're not the only one with a touch of strumpet in the eyes. | 0:23:19 | 0:23:23 | |
-You're surprisingly easy to find. -And very difficult to miss! | 0:23:32 | 0:23:37 | |
Can you stop doing that... as a favour, to me? | 0:23:37 | 0:23:42 | |
Why would I do you any favours? | 0:23:42 | 0:23:45 | |
You know, I'm not really used to chasing women. | 0:23:46 | 0:23:49 | |
Hm. | 0:23:49 | 0:23:50 | |
-I'm not being... -Big headed? | 0:23:50 | 0:23:53 | |
I just don't have to. | 0:23:53 | 0:23:55 | |
So, this is me being chased, is it? | 0:23:56 | 0:23:59 | |
No. | 0:23:59 | 0:24:01 | |
This is you being hunted. | 0:24:03 | 0:24:05 | |
# You stepped out of a cloud... # | 0:24:06 | 0:24:11 | |
I'm on your trail. | 0:24:13 | 0:24:14 | |
# And I will take you away | 0:24:14 | 0:24:16 | |
# Away from the crowd... # | 0:24:16 | 0:24:20 | |
There's no escape. | 0:24:20 | 0:24:22 | |
# And have you all to myself | 0:24:22 | 0:24:25 | |
# Alone and apart | 0:24:25 | 0:24:27 | |
# Out of a dream | 0:24:27 | 0:24:31 | |
# Safe in my heart... # | 0:24:31 | 0:24:34 | |
Thought I heard you. | 0:24:49 | 0:24:51 | |
-Noisy ice. -As you're asking. | 0:24:52 | 0:24:55 | |
Thanks. | 0:24:57 | 0:24:59 | |
They offered me the part. | 0:25:00 | 0:25:02 | |
Congratulations. That's lovely. | 0:25:02 | 0:25:05 | |
I knew they would. Be strong. Say no. | 0:25:05 | 0:25:09 | |
What? | 0:25:09 | 0:25:10 | |
If you do another prissy, buttoned-up little clerk, | 0:25:10 | 0:25:14 | |
you'll be playing them till you die. | 0:25:14 | 0:25:15 | |
It's good money. | 0:25:15 | 0:25:17 | |
We've got plenty of money...I think. | 0:25:17 | 0:25:20 | |
Enough for you to say no. | 0:25:20 | 0:25:22 | |
Yes. | 0:25:22 | 0:25:23 | |
Yes, maybe you're right. | 0:25:23 | 0:25:25 | |
We spend too much time apart as it is. | 0:25:28 | 0:25:31 | |
At least the Carry Ons are local. | 0:25:31 | 0:25:34 | |
Let's only do work when it's worth it. | 0:25:34 | 0:25:37 | |
There's nothing else in the pipeline. | 0:25:37 | 0:25:40 | |
Good to feel...scared, bit shaky. | 0:25:40 | 0:25:45 | |
That's what you signed up for. | 0:25:45 | 0:25:46 | |
How was filming? | 0:25:48 | 0:25:49 | |
I've had... | 0:25:52 | 0:25:54 | |
an unusual day. | 0:25:54 | 0:25:56 | |
Really? | 0:25:56 | 0:25:58 | |
Yes, that's what's so wonderful about filming, isn't it? | 0:25:58 | 0:26:01 | |
It really is different every day. | 0:26:01 | 0:26:04 | |
Thank you for your advice. | 0:26:06 | 0:26:09 | |
As always, you really are so very wise. | 0:26:09 | 0:26:12 | |
Are you coming out? | 0:26:25 | 0:26:27 | |
I'm waiting. | 0:26:29 | 0:26:31 | |
Why did you buy me underwear? | 0:26:31 | 0:26:34 | |
I like taking it off. | 0:26:35 | 0:26:36 | |
LAUGHING I'm surprised you found any in my size! | 0:26:36 | 0:26:41 | |
Show me. | 0:26:44 | 0:26:45 | |
Don't act. | 0:26:58 | 0:27:00 | |
Just stand. | 0:27:00 | 0:27:01 | |
Stand? | 0:27:02 | 0:27:04 | |
Just... | 0:27:04 | 0:27:05 | |
Just stand. | 0:27:06 | 0:27:08 | |
# You stepped out of a dream | 0:27:11 | 0:27:17 | |
# You are too wonderful... # | 0:27:17 | 0:27:20 | |
Yeah...I'd like to take that off. | 0:27:20 | 0:27:24 | |
# Could there be eyes... # | 0:27:25 | 0:27:28 | |
Come on, hurry, people, this is in the cinema on Friday! | 0:27:28 | 0:27:30 | |
LAUGHTER | 0:27:30 | 0:27:32 | |
It's an interesting sort of life. | 0:27:36 | 0:27:39 | |
Profumo's having an interesting life, dirty bugger! | 0:27:39 | 0:27:42 | |
I imagine being an actor might be fun. | 0:27:44 | 0:27:46 | |
These arseholes see a woman can do one thing, that's all she ever does! | 0:27:46 | 0:27:51 | |
-I quite like this part. -Well, you're not a hospital harridan and I'm not bonkers. | 0:27:51 | 0:27:55 | |
They're hardly stretching us, are they? | 0:27:55 | 0:27:59 | |
You'll always work. | 0:27:59 | 0:28:00 | |
-You work. -Nah, bits and bobs, I shan't miss it. | 0:28:00 | 0:28:03 | |
-You would. -I'm never gonna stop. | 0:28:03 | 0:28:06 | |
-Well, you won't have to. People like you. -They like you. | 0:28:06 | 0:28:09 | |
Oh, stop it. I mean people. | 0:28:09 | 0:28:11 | |
You have a public, I haven't. | 0:28:11 | 0:28:13 | |
They'll stick with you, too... | 0:28:13 | 0:28:15 | |
unless you balls it up, like this dick! | 0:28:15 | 0:28:19 | |
You British never forgive people who like a lot of sex. | 0:28:20 | 0:28:24 | |
I'll treasure that. | 0:28:30 | 0:28:31 | |
Thank you. | 0:28:34 | 0:28:35 | |
-BOYS: -But that's too small. -Too small? -Yes. Too small. | 0:28:44 | 0:28:47 | |
No, we need to make it bigger. | 0:28:47 | 0:28:49 | |
Bigger, bigger... OK. | 0:28:49 | 0:28:51 | |
CHILDREN CONTINUE CHATTERING | 0:28:53 | 0:28:56 | |
Hello, darling. That was a late one for you. | 0:29:04 | 0:29:07 | |
Yes. | 0:29:07 | 0:29:08 | |
John... | 0:29:11 | 0:29:13 | |
This is... | 0:29:13 | 0:29:15 | |
Oh, yes, your friend is here. He's with the boys in the garden. | 0:29:15 | 0:29:18 | |
What friend? | 0:29:18 | 0:29:19 | |
Er, a chap from the charity. Um...John. | 0:29:19 | 0:29:22 | |
I really should remember that name, shouldn't I? Yeah, he's a lovely chap. | 0:29:24 | 0:29:28 | |
-You can't do that! -Yes! Go. Go quick. | 0:29:31 | 0:29:35 | |
Oh, oh, oh, outrageous! Foul! | 0:29:35 | 0:29:37 | |
That's a penalty. | 0:29:37 | 0:29:39 | |
-No, ref didn't see it. -You're not the ref. | 0:29:39 | 0:29:42 | |
Course I am, Robin. Oldest is ref, who's oldest? | 0:29:42 | 0:29:45 | |
I am. Get in goal. | 0:29:45 | 0:29:47 | |
What? No, she can't be ref. | 0:29:47 | 0:29:50 | |
Yes, I can. Those goalposts are far too small, move them over. | 0:29:50 | 0:29:53 | |
-I'll just pick it up. -Yes! | 0:29:53 | 0:29:55 | |
Oh, what?! | 0:29:55 | 0:29:56 | |
WHOOPING AND CHEERING | 0:29:56 | 0:29:57 | |
Oh, he's on the break! No-one can stop him. | 0:29:57 | 0:30:01 | |
Oh, what a terrible shot! No, go and get it. | 0:30:01 | 0:30:05 | |
-Robin, go and help Kim-bo. -Yeah, go and help your brother. | 0:30:05 | 0:30:08 | |
-What are you doing? -I came about that important thing. | 0:30:08 | 0:30:13 | |
They're nice lads. | 0:30:15 | 0:30:16 | |
Yes, thank you. | 0:30:16 | 0:30:18 | |
-Your bloke's all right too. -I know. | 0:30:18 | 0:30:21 | |
So... | 0:30:21 | 0:30:23 | |
I've left my wife. | 0:30:23 | 0:30:25 | |
What did she say? | 0:30:27 | 0:30:28 | |
No, don't tell me. | 0:30:28 | 0:30:30 | |
-Did you mention me? -No, there was no need. | 0:30:31 | 0:30:34 | |
It was dead in the water. | 0:30:34 | 0:30:36 | |
She knew it. | 0:30:36 | 0:30:37 | |
We're not a fling. | 0:30:37 | 0:30:39 | |
You're the most... | 0:30:40 | 0:30:42 | |
beautiful... | 0:30:42 | 0:30:43 | |
..sexy, funny... | 0:30:44 | 0:30:47 | |
brilliant... | 0:30:47 | 0:30:49 | |
I wanna touch you all the time. | 0:30:50 | 0:30:53 | |
You think I've got such a low opinion of myself | 0:30:53 | 0:30:56 | |
that telling me I'm beautiful will make me throw my life away. | 0:30:56 | 0:30:59 | |
Yes. Yes. | 0:30:59 | 0:31:01 | |
-I know what this is. -So do I. | 0:31:04 | 0:31:06 | |
And I can't face a scandal. | 0:31:06 | 0:31:08 | |
I thought you might appreciate a little support. | 0:31:10 | 0:31:12 | |
-Oh, you're a gent, John. -Darling! | 0:31:12 | 0:31:16 | |
Shouldn't you be going home now, John? | 0:31:17 | 0:31:20 | |
Cheers. I would, if I had one. | 0:31:20 | 0:31:22 | |
I'm staying at a mate's. Wife's kicked us out. | 0:31:22 | 0:31:25 | |
Oh, you must stay here. There's always somebody on the sofa. I insist. | 0:31:25 | 0:31:29 | |
That's, er... | 0:31:29 | 0:31:31 | |
Thanks. I really should say yes. | 0:31:31 | 0:31:34 | |
Then do. It's all right, isn't it, Hattie? | 0:31:34 | 0:31:37 | |
Absolutely. | 0:31:37 | 0:31:38 | |
But I won't. I've arranged to stay at a mate's, I don't wanna upset him. | 0:31:41 | 0:31:45 | |
Dad, Kim's found a fossil. | 0:31:45 | 0:31:46 | |
You're always welcome. ..Mm, a fossil? | 0:31:46 | 0:31:49 | |
Cheers. | 0:31:49 | 0:31:50 | |
Well, that's not actually a fossil, Kim. | 0:31:50 | 0:31:52 | |
MOUTHS | 0:31:52 | 0:31:54 | |
WOLF WHISTLE | 0:31:57 | 0:31:58 | |
Better luck next time...darling. | 0:32:03 | 0:32:05 | |
Cut! | 0:32:05 | 0:32:07 | |
Great. Lovely stuff. | 0:32:07 | 0:32:10 | |
Let's try it again without the line. | 0:32:10 | 0:32:11 | |
Please hurry up! | 0:32:15 | 0:32:16 | |
I'm meant to be on set in two minutes! | 0:32:18 | 0:32:20 | |
Ohhh! Ahhh! Ohhhhh! | 0:32:20 | 0:32:24 | |
And how was the party? | 0:32:24 | 0:32:27 | |
Cheap as the film. | 0:32:27 | 0:32:29 | |
Jolly enough apart from the vows not to do another one. | 0:32:29 | 0:32:32 | |
It's good to know they're there if you need them. | 0:32:33 | 0:32:36 | |
They'll go on as long as they make a few quid, I expect. | 0:32:36 | 0:32:39 | |
-Mm. Did you get the note? -No. | 0:32:39 | 0:32:42 | |
Bruce is moving out. | 0:32:42 | 0:32:44 | |
-Oh, no! -He's going to live with Clive. | 0:32:46 | 0:32:49 | |
The house will feel so empty. | 0:32:49 | 0:32:51 | |
Yeah...but might be quite nice to have the place to ourselves for a while. | 0:32:51 | 0:32:55 | |
Do you think? | 0:32:55 | 0:32:57 | |
We always have a lodger. So much more lively. | 0:32:58 | 0:33:00 | |
What about John? | 0:33:03 | 0:33:05 | |
-Who? -Lovely John Schofield. You asked him before. | 0:33:05 | 0:33:09 | |
Oh, yeah, the wife trouble chappie. | 0:33:09 | 0:33:11 | |
-Yes. -Yeah, he did seem awfully nice. | 0:33:11 | 0:33:13 | |
-Then again... -What? | 0:33:14 | 0:33:17 | |
-Nothing. It's just... -Do you think he'd fit in? | 0:33:18 | 0:33:21 | |
Oh, we're a doddle to live with. | 0:33:21 | 0:33:23 | |
And it might be good to have someone around for when you're filming. | 0:33:23 | 0:33:27 | |
Yes, might be quite useful. | 0:33:27 | 0:33:28 | |
Oh, I don't know. | 0:33:28 | 0:33:30 | |
No, just...just us for a while. | 0:33:30 | 0:33:33 | |
-Perhaps we should think about it. -Yes. | 0:33:33 | 0:33:36 | |
Well, maybe we could have a trial period. | 0:33:39 | 0:33:42 | |
I'm sure Hattie would like to have been here, | 0:33:47 | 0:33:50 | |
but she really is awfully busy. | 0:33:50 | 0:33:52 | |
Yeah, I've heard that. | 0:33:52 | 0:33:56 | |
Well, as you can see, everything's here, I think. | 0:33:58 | 0:34:02 | |
Do you have to get up early? | 0:34:02 | 0:34:04 | |
Sometimes. | 0:34:04 | 0:34:05 | |
-And what is it you do? -I'm an entrepreneur. | 0:34:05 | 0:34:08 | |
Mm? | 0:34:08 | 0:34:09 | |
-Businessman. -Oh, really? | 0:34:10 | 0:34:12 | |
Well, I'll leave you to settle in. | 0:34:12 | 0:34:14 | |
I have to go out now, so do make yourself at home. | 0:34:14 | 0:34:17 | |
Cheers. | 0:34:18 | 0:34:19 | |
# I want a little sugar in my bowl | 0:34:26 | 0:34:31 | |
# I want a little sweetness down in my soul | 0:34:35 | 0:34:39 | |
# I could stand some lovin' | 0:34:40 | 0:34:43 | |
# Oh, so bad | 0:34:43 | 0:34:46 | |
# I feel so funny | 0:34:47 | 0:34:51 | |
# I feel so sad | 0:34:51 | 0:34:53 | |
# I wanna little steam on my clothes... # | 0:34:56 | 0:35:01 | |
KNOCK ON DOOR | 0:35:01 | 0:35:04 | |
Hello. Who are you? | 0:35:04 | 0:35:06 | |
I'm John. I'm moving in. | 0:35:06 | 0:35:10 | |
Bruce. I'm moving out. | 0:35:10 | 0:35:12 | |
Ah. | 0:35:12 | 0:35:13 | |
Just...learning my way around... | 0:35:14 | 0:35:16 | |
Bruce. | 0:35:17 | 0:35:18 | |
You look like someone who knows his way around already...John. | 0:35:18 | 0:35:22 | |
# ..I want some sugar in my bowl. # | 0:35:25 | 0:35:28 | |
SHOUTING AND LAUGHTER | 0:35:30 | 0:35:32 | |
Be careful, boys, please. | 0:35:37 | 0:35:39 | |
Call that hiding? That's the first place the monster looks! | 0:35:39 | 0:35:44 | |
BOYS SHOUT AND GIGGLE | 0:35:44 | 0:35:47 | |
Oh, I'm starving. | 0:35:51 | 0:35:53 | |
What shall we cook? | 0:35:53 | 0:35:55 | |
I really wouldn't know. Hattie cooks. | 0:35:55 | 0:35:57 | |
-Oh, it's only making a bit of food, it's easy. -I'm sure it is. | 0:35:57 | 0:36:01 | |
I'll pull up some veg... | 0:36:01 | 0:36:03 | |
Well, hello, you charming gentlemen. | 0:36:07 | 0:36:09 | |
My, my, my... | 0:36:11 | 0:36:12 | |
And before you chain me to one of my many cookers, darling... | 0:36:12 | 0:36:17 | |
Mm... | 0:36:17 | 0:36:18 | |
-Hello, John. -All right. | 0:36:18 | 0:36:21 | |
Welcome to, um... | 0:36:21 | 0:36:22 | |
-Our home. -Yes. | 0:36:22 | 0:36:24 | |
Welcome to 67. | 0:36:24 | 0:36:26 | |
And now you must excuse me. | 0:36:28 | 0:36:29 | |
I have work to do, souffles to construct. | 0:36:29 | 0:36:33 | |
Ah, top-up? | 0:36:49 | 0:36:52 | |
No, thanks, mate. Cheers. | 0:36:53 | 0:36:56 | |
Why are you sitting there? | 0:37:31 | 0:37:33 | |
I don't care where I sit. | 0:37:33 | 0:37:35 | |
Game of cards, anyone? | 0:38:09 | 0:38:12 | |
I spoke to Howard today. | 0:38:17 | 0:38:18 | |
He still hasn't found anyone for that conman, so I suggested you. | 0:38:18 | 0:38:22 | |
That's very sweet of you. But you don't have to suggest me for every part. | 0:38:22 | 0:38:26 | |
I don't. | 0:38:26 | 0:38:27 | |
I only suggest you for the ones you'd be good at, which is a lot. | 0:38:27 | 0:38:31 | |
Oh, thank you. | 0:38:31 | 0:38:32 | |
Do you think it's going to work out? | 0:38:36 | 0:38:38 | |
John? | 0:38:38 | 0:38:39 | |
Mm... | 0:38:39 | 0:38:41 | |
It was a bit spur of the... | 0:38:41 | 0:38:43 | |
What do you think? | 0:38:43 | 0:38:44 | |
-He's a nice chap... -I mean, he's a shot of energy, | 0:38:44 | 0:38:47 | |
-that's got to be good for a home, hasn't it? -Yeah, yes, yes. | 0:38:47 | 0:38:51 | |
But it's not seamless though, is it? | 0:38:51 | 0:38:53 | |
-He's good for the boys. -Yes. I suppose he might be. | 0:38:53 | 0:38:57 | |
Oh, I don't know, it might be a mistake. | 0:38:59 | 0:39:02 | |
We said we'd see. | 0:39:02 | 0:39:04 | |
If you want him to go, then... | 0:39:04 | 0:39:07 | |
No. Trial period. New force. Bit of a... | 0:39:07 | 0:39:12 | |
-And all that. -Hm. | 0:39:12 | 0:39:14 | |
Goodnight, Hattie. | 0:39:17 | 0:39:18 | |
Goodnight. | 0:39:20 | 0:39:21 | |
LIGHT SNORING | 0:40:24 | 0:40:26 | |
DOOR CREAKS | 0:40:53 | 0:40:54 | |
You're gonna be late. | 0:41:32 | 0:41:33 | |
-Bye, Mum. -Bye, darling. | 0:41:35 | 0:41:37 | |
-Bye, Dad. -Bye, Kim. | 0:41:37 | 0:41:39 | |
Mwah, love you. | 0:41:39 | 0:41:40 | |
-Bye, Dad. -Bye, Robin. -See you later, Kim-bo. | 0:41:40 | 0:41:43 | |
CHILDREN: Bye! DOOR SHUTS | 0:41:54 | 0:41:56 | |
Two eggs, John? | 0:41:56 | 0:41:58 | |
Hm? | 0:41:58 | 0:42:00 | |
Yeah. Lovely. | 0:42:01 | 0:42:03 | |
We might have to develop a system with so many Johns. | 0:42:03 | 0:42:07 | |
Any takers for Johnny? | 0:42:09 | 0:42:11 | |
Or we could always have exactly the same thing. | 0:42:16 | 0:42:19 | |
Do you think we have the same taste? | 0:42:19 | 0:42:21 | |
-In some things. -Like what? | 0:42:21 | 0:42:23 | |
Eggs. | 0:42:26 | 0:42:28 | |
Hm. | 0:42:28 | 0:42:29 | |
There is that. | 0:42:31 | 0:42:32 | |
I won't hurt him. | 0:42:40 | 0:42:42 | |
Or the boys. | 0:42:42 | 0:42:43 | |
And I can't keep having sex above his head. | 0:42:43 | 0:42:47 | |
-Very good sex. -Very good sex. | 0:42:47 | 0:42:49 | |
Exceptionally good sex. | 0:42:49 | 0:42:51 | |
Tell him it's run its course. | 0:42:53 | 0:42:55 | |
I can't. | 0:42:55 | 0:42:57 | |
I couldn't face life without him. | 0:42:58 | 0:43:01 | |
Sorry. | 0:43:01 | 0:43:03 | |
And I want the boys to need him. | 0:43:03 | 0:43:05 | |
-They prefer me. -Don't crow. | 0:43:05 | 0:43:09 | |
He's theirs. | 0:43:09 | 0:43:10 | |
And he's my husband. | 0:43:10 | 0:43:13 | |
He's very dear, very...dear. | 0:43:14 | 0:43:18 | |
BOTH LAUGH | 0:43:22 | 0:43:24 | |
Just a little one. | 0:43:25 | 0:43:27 | |
-Ah... -Thank you, darling. | 0:43:27 | 0:43:28 | |
-Thank you. -My pleasure. -So kind. | 0:43:28 | 0:43:31 | |
-Cheers, me dear. -Cheers. | 0:43:32 | 0:43:33 | |
Mm... | 0:43:36 | 0:43:37 | |
Ah... | 0:43:37 | 0:43:39 | |
Too much gin? | 0:43:39 | 0:43:41 | |
Horse strength. | 0:43:41 | 0:43:42 | |
He always does something wrong so he won't be asked to do it again. | 0:43:42 | 0:43:46 | |
-Does that work? -Pretty much. | 0:43:46 | 0:43:48 | |
When he was quite young, he realised he'd have an easier life | 0:43:50 | 0:43:54 | |
if he pretended to know fuck all about anything. | 0:43:54 | 0:43:57 | |
Clown. | 0:44:01 | 0:44:02 | |
Are you sleeping with him? | 0:44:07 | 0:44:10 | |
-Is it obvious? -You haven't tried to pair ME off with him. | 0:44:10 | 0:44:13 | |
-And Bruce dropped a hint. -Oh, naughty boy. | 0:44:15 | 0:44:18 | |
Does John know? | 0:44:18 | 0:44:19 | |
Doesn't really notice things like that. | 0:44:19 | 0:44:22 | |
He's pretty hard not to notice. | 0:44:22 | 0:44:25 | |
Oh, terrible mistake moving him in. | 0:44:27 | 0:44:30 | |
I thought it would contain things, | 0:44:30 | 0:44:32 | |
stop the press from sticking their noses in. | 0:44:32 | 0:44:35 | |
It's just mess ahead. | 0:44:37 | 0:44:39 | |
-Tell him to sling his hook. -Who? | 0:44:39 | 0:44:41 | |
Me laddo. | 0:44:41 | 0:44:43 | |
Come clean to your old man. | 0:44:43 | 0:44:45 | |
It's only a bit of sex. | 0:44:45 | 0:44:47 | |
Marriages survive. | 0:44:47 | 0:44:49 | |
John's had lapses. We both have. | 0:44:49 | 0:44:53 | |
But this is utterly different. | 0:44:53 | 0:44:56 | |
I know this one's a dish, but so's John. | 0:44:56 | 0:44:59 | |
He's charming. | 0:44:59 | 0:45:02 | |
He's got lovely legs. And you're both in the biz too. | 0:45:02 | 0:45:05 | |
You get caught having it off with some bloke ten years | 0:45:05 | 0:45:09 | |
-younger than you, moving him in... -They'll crucify me, I know. | 0:45:09 | 0:45:13 | |
It's not that I don't care, I do. | 0:45:14 | 0:45:17 | |
I have to work. I have to, but... | 0:45:17 | 0:45:21 | |
Oh, look. | 0:45:21 | 0:45:23 | |
Him? | 0:45:24 | 0:45:26 | |
With me? | 0:45:26 | 0:45:27 | |
You could have anyone you wanted. | 0:45:27 | 0:45:30 | |
He makes me reckless. | 0:45:30 | 0:45:31 | |
Everything else is irrelevant. | 0:45:31 | 0:45:33 | |
My work, my marriage, how I look. | 0:45:33 | 0:45:36 | |
I don't want to give him up. | 0:45:36 | 0:45:38 | |
I can't. | 0:45:39 | 0:45:42 | |
He's unstoppable in bed. | 0:45:44 | 0:45:47 | |
-You're giddy. -I am. | 0:45:50 | 0:45:53 | |
I want to be forever. | 0:45:53 | 0:45:55 | |
Anyone for a top-up? | 0:45:56 | 0:45:58 | |
Oh, yes, please, darling. Just a little drop. | 0:45:58 | 0:46:01 | |
I've hardly touched it. | 0:46:01 | 0:46:02 | |
# Because | 0:46:02 | 0:46:04 | |
# If you break his heart | 0:46:04 | 0:46:09 | |
# Somebody's gonna come along... # | 0:46:09 | 0:46:11 | |
Shush! | 0:46:12 | 0:46:14 | |
-What? -John's up. | 0:46:14 | 0:46:17 | |
Really? | 0:46:18 | 0:46:20 | |
John. | 0:46:32 | 0:46:33 | |
Oh, what are you doing up? Did I wake you? | 0:46:33 | 0:46:36 | |
Would you like a glass? | 0:46:36 | 0:46:38 | |
Mm. | 0:46:42 | 0:46:43 | |
Let's go back to bed. | 0:46:43 | 0:46:45 | |
Have a really wonderful time. They're lucky to have you. | 0:47:07 | 0:47:10 | |
A week seems a long time to be away for just a cough and a spit. | 0:47:10 | 0:47:14 | |
It's more than that. You'll make it more. | 0:47:14 | 0:47:17 | |
And so will they when they realise how witty you are. | 0:47:17 | 0:47:19 | |
Thank you. | 0:47:19 | 0:47:21 | |
I'll ring you. | 0:47:21 | 0:47:23 | |
Can't stand long goodbyes. | 0:47:27 | 0:47:29 | |
Your trial period starts now. | 0:47:30 | 0:47:34 | |
What do you want to do first? | 0:47:34 | 0:47:36 | |
Oh, I'm terribly sorry. | 0:47:43 | 0:47:47 | |
HE LAUGHS Oh... Stop it! Stop it! Get off me! | 0:47:50 | 0:47:55 | |
Oh... | 0:47:55 | 0:47:56 | |
Get off me! | 0:47:56 | 0:47:57 | |
This is it, girl. | 0:47:57 | 0:47:59 | |
Let's sort this now. | 0:47:59 | 0:48:01 | |
I forgot my book. | 0:48:20 | 0:48:22 | |
I wasn't trying to... | 0:48:22 | 0:48:23 | |
Of course you weren't. | 0:48:23 | 0:48:25 | |
Oh, John, I apologise, that must have been utterly miserable for you, | 0:48:25 | 0:48:29 | |
a terrible shock. | 0:48:29 | 0:48:31 | |
He's no fucking good, you know. He's going to hurt you. | 0:48:31 | 0:48:34 | |
-That's not your concern. -I know what a remarkable woman you are. I don't think he does. | 0:48:34 | 0:48:38 | |
Oh, darling, I wouldn't do this to you for someone who didn't love me. | 0:48:38 | 0:48:43 | |
I wanted to tell you. | 0:48:47 | 0:48:49 | |
I just couldn't find the... | 0:48:50 | 0:48:52 | |
I've been such a coward. | 0:48:54 | 0:48:56 | |
I do understand that. | 0:48:56 | 0:48:58 | |
But the boys... | 0:49:01 | 0:49:04 | |
Our family, friends. | 0:49:04 | 0:49:07 | |
Our work. We're Hattie and John. | 0:49:07 | 0:49:09 | |
We fit rather well. | 0:49:09 | 0:49:11 | |
-I thought we did. -We did... We do. | 0:49:13 | 0:49:16 | |
I haven't stopped loving you. | 0:49:16 | 0:49:19 | |
Oh, you poor thing. | 0:49:23 | 0:49:24 | |
I've made a hash, haven't I? | 0:49:28 | 0:49:30 | |
I don't want to leave you. I can't imagine not being your husband. | 0:49:33 | 0:49:38 | |
Please don't go. | 0:49:38 | 0:49:40 | |
I don't want you to go. | 0:49:40 | 0:49:42 | |
I want you to stay. | 0:49:45 | 0:49:48 | |
Thank you. I'll stay. | 0:49:50 | 0:49:53 | |
Obviously... I'm going now. | 0:50:04 | 0:50:08 | |
Yeah. | 0:50:08 | 0:50:09 | |
Let me fetch your book. | 0:50:16 | 0:50:17 | |
Well? | 0:50:24 | 0:50:25 | |
He forgot his book. | 0:50:25 | 0:50:27 | |
And...? | 0:50:27 | 0:50:29 | |
He doesn't want to leave. | 0:50:30 | 0:50:32 | |
Oh, can't he read the signs?! | 0:50:32 | 0:50:35 | |
I don't want him to leave either. | 0:50:35 | 0:50:38 | |
What? | 0:50:38 | 0:50:39 | |
Why? | 0:50:39 | 0:50:42 | |
Because I'm married to him. | 0:50:42 | 0:50:44 | |
If I threw him away, I could do the same to you, and I won't do it. | 0:50:46 | 0:50:51 | |
He's a lovely, clever man. | 0:50:51 | 0:50:54 | |
And I want to look after him. | 0:50:56 | 0:50:59 | |
Stay with him. For now, anyway. | 0:50:59 | 0:51:02 | |
All right. Let me have a word. | 0:51:03 | 0:51:06 | |
Am I a prick? | 0:51:21 | 0:51:23 | |
Er, that's really not for me to say. | 0:51:23 | 0:51:25 | |
-You treat me like one. -Sorry, please explain, I don't understand what you're talking about. | 0:51:25 | 0:51:29 | |
Why won't you move out? | 0:51:29 | 0:51:31 | |
Er, because this is my home, and my wife and family live here. | 0:51:31 | 0:51:36 | |
And so does your wife's lover. | 0:51:36 | 0:51:39 | |
Where are your balls? | 0:51:39 | 0:51:41 | |
Well, they're not in my brain. Now, I know you're looking for some kind of a fight, | 0:51:41 | 0:51:45 | |
but I think it would be incredibly vulgar, don't you? | 0:51:45 | 0:51:48 | |
We're clearly going to be living in the same house, | 0:51:48 | 0:51:51 | |
-so we may as well try to rub along. Don't you agree? -I'll never understand posh people. | 0:51:51 | 0:51:56 | |
Is this normal for you? | 0:51:56 | 0:51:58 | |
And I really would like to know how it ends. | 0:51:59 | 0:52:02 | |
You're not the first, you know. I've weathered the storm before. | 0:52:09 | 0:52:13 | |
Now, if you don't mind, I've a horror of being late. | 0:52:13 | 0:52:17 | |
Nothing's changed. | 0:52:26 | 0:52:27 | |
Yes, it has. He knows now. | 0:52:27 | 0:52:29 | |
He knew anyway. | 0:52:29 | 0:52:32 | |
-Let's try and live with it, please. -Bollocks! You're as bad as him. | 0:52:33 | 0:52:37 | |
I wondered what you saw in him. | 0:52:37 | 0:52:39 | |
I know now. | 0:52:39 | 0:52:42 | |
You're the bloody same! | 0:52:42 | 0:52:44 | |
John, please... | 0:52:44 | 0:52:46 | |
# While I'm far away from you | 0:52:57 | 0:53:01 | |
# My baby, woo-oo | 0:53:01 | 0:53:05 | |
# I know it's hard for you, my baby Woo-oo | 0:53:05 | 0:53:11 | |
# Because it's hard for me my baby... # | 0:53:11 | 0:53:15 | |
PHONE RINGS | 0:53:15 | 0:53:17 | |
# ...And the darkest hour just before dawn... # | 0:53:17 | 0:53:20 | |
Hello? | 0:53:20 | 0:53:21 | |
No, I'm afraid he's away filming at the moment, can I take a m... | 0:53:23 | 0:53:27 | |
Hello? | 0:53:29 | 0:53:30 | |
I am not turning my life upside down for some...bolter, | 0:53:43 | 0:53:50 | |
some idiot who runs away at the first... | 0:53:50 | 0:53:52 | |
-How could you do that?! -I didn't leave you. | 0:53:54 | 0:53:57 | |
Apparently I can't. | 0:53:58 | 0:54:00 | |
-Where've you been? -I stayed at a mate's, I need to clear my brain. | 0:54:08 | 0:54:12 | |
I love you. | 0:54:17 | 0:54:18 | |
I accept the situation. | 0:54:21 | 0:54:23 | |
John can stay. | 0:54:23 | 0:54:24 | |
I'll be your little secret, | 0:54:32 | 0:54:34 | |
kept inside, | 0:54:34 | 0:54:37 | |
out of sight. | 0:54:37 | 0:54:38 | |
But I've got one condition. | 0:54:40 | 0:54:43 | |
Well, I think I've moved everything that's yours. | 0:55:03 | 0:55:06 | |
If I haven't, | 0:55:07 | 0:55:10 | |
bang on the floor...or something. | 0:55:10 | 0:55:13 | |
I'll let you settle in. | 0:55:15 | 0:55:16 | |
PIANO PLAYS | 0:55:25 | 0:55:28 | |
-How was filming? -It was good enough. | 0:55:44 | 0:55:48 | |
This is going to work, isn't it? | 0:55:53 | 0:55:55 | |
If we all try jolly hard. | 0:55:57 | 0:56:00 | |
I really want it to. | 0:56:00 | 0:56:03 | |
So do I. | 0:56:03 | 0:56:06 | |
John is upstairs. | 0:56:06 | 0:56:08 | |
All right, boys, start again. | 0:56:21 | 0:56:24 | |
-Pass it to me. -OK, here we go. | 0:56:24 | 0:56:26 | |
One car-rot... | 0:56:26 | 0:56:27 | |
-Eric's written a lovely script. Very funny. -Oh, good. I'd like to read it. | 0:56:27 | 0:56:32 | |
-Four car-rot. -So what is this game? | 0:56:32 | 0:56:35 | |
It's car-rot. | 0:56:35 | 0:56:37 | |
Now you say five car-rot. | 0:56:39 | 0:56:42 | |
Five carrot. | 0:56:42 | 0:56:43 | |
LAUGHS | 0:56:43 | 0:56:46 | |
Five car-rot. | 0:56:46 | 0:56:48 | |
-Car-rot. -Yeah. | 0:56:48 | 0:56:49 | |
Pass it. | 0:56:49 | 0:56:50 | |
There we are. | 0:56:50 | 0:56:52 | |
Well, I don't think I'm a natural car-rot player. | 0:56:55 | 0:56:58 | |
I dunno, I thought you did pretty well. | 0:56:58 | 0:57:00 | |
Start again. All right, Kim-bo. | 0:57:00 | 0:57:02 | |
One car-rot. | 0:57:02 | 0:57:03 | |
Two car-rot. | 0:57:03 | 0:57:06 | |
Three car-rot. | 0:57:06 | 0:57:07 | |
-Four car-rot. -Five car-rot. | 0:57:07 | 0:57:09 | |
-Six car-rot. -Seven car-rot. -Faster. -Eight car-rot. | 0:57:09 | 0:57:12 | |
I hate seeing him so unhappy. | 0:57:12 | 0:57:14 | |
He's too vague to be unhappy. | 0:57:14 | 0:57:16 | |
Well, that's no help. | 0:57:16 | 0:57:19 | |
He seems the same as usual. | 0:57:19 | 0:57:22 | |
-What do you want me to say? -I want you to say everything's going to be all right. | 0:57:22 | 0:57:26 | |
I'm fine with it, myself, but... | 0:57:26 | 0:57:29 | |
it is a bit perverted, isn't it? | 0:57:29 | 0:57:32 | |
Three of us in the same house! | 0:57:32 | 0:57:35 | |
-It's practical. -I like him. | 0:57:35 | 0:57:38 | |
I don't wanna see him with an arsey face, but... | 0:57:38 | 0:57:42 | |
I want him to go. | 0:57:42 | 0:57:44 | |
Oh... | 0:57:44 | 0:57:46 | |
At some...distant point in the future. | 0:57:46 | 0:57:50 | |
-Everything's gonna be all right. -Stop it. | 0:57:56 | 0:57:59 | |
No. No, no. Serious now. Look at me. | 0:57:59 | 0:58:02 | |
Look at me. I'm serious. | 0:58:02 | 0:58:04 | |
Everything... Every... | 0:58:04 | 0:58:07 | |
thing is gonna be all right. | 0:58:07 | 0:58:10 | |
(LAUGHING) Get off me. | 0:58:10 | 0:58:12 | |
# You've been acting different | 0:58:30 | 0:58:33 | |
# I've been told | 0:58:33 | 0:58:35 | |
# Soothe me I want some sugar in my bowl | 0:58:36 | 0:58:43 | |
# I want... # | 0:58:46 | 0:58:47 | |
(LAUGHING) No, no! | 0:58:47 | 0:58:49 | |
# ...Some steam on my clothes... # | 0:58:49 | 0:58:51 | |
LAUGHTER DOWNSTAIRS | 0:58:51 | 0:58:54 | |
GASPING AND MOANING | 0:59:27 | 0:59:29 | |
HATTIE: Oh, God! | 0:59:29 | 0:59:31 | |
Oh, oh, oh! | 0:59:31 | 0:59:35 | |
HATTIE PANTS | 0:59:35 | 0:59:38 | |
BANGING | 0:59:38 | 0:59:39 | |
Oh! Oh! | 0:59:39 | 0:59:42 | |
Morning. How did you sleep? | 0:59:49 | 0:59:51 | |
Like a child. | 0:59:51 | 0:59:53 | |
Morning, darling. | 0:59:57 | 0:59:59 | |
Huh, what's up with you, sulky-pants? | 1:00:01 | 1:00:03 | |
Nothing throws him. He's all right, aren't you, old chap? | 1:00:03 | 1:00:06 | |
Just pretending to be grumpy, are you? | 1:00:06 | 1:00:09 | |
Robin?! | 1:00:12 | 1:00:13 | |
No, he's fine. | 1:00:13 | 1:00:15 | |
It's nothing, I'm sure. | 1:00:17 | 1:00:19 | |
Oh, Eric, don't upset yourself, have supper, go along. | 1:00:27 | 1:00:31 | |
-STILTED: -Well, we're as good as he is, I'll tell you that. | 1:00:31 | 1:00:34 | |
Ask Aunty Edith for my defence medal. | 1:00:34 | 1:00:37 | |
Oh, Eric! Tiddles, where are you? | 1:00:37 | 1:00:43 | |
Come on, Tiddles. | 1:00:43 | 1:00:44 | |
Eric, is Tiddles in there with you? | 1:00:46 | 1:00:49 | |
No. | 1:00:49 | 1:00:51 | |
We're having soup. | 1:00:51 | 1:00:53 | |
Ah... Why don't you do it? Keep your hand in. | 1:00:53 | 1:00:56 | |
-Oh, you're good, keep at it. -No. | 1:00:56 | 1:00:58 | |
Well, it is my bag, as it were. | 1:00:58 | 1:01:00 | |
It's fine. Carry on, John. | 1:01:00 | 1:01:04 | |
That cat has to go. | 1:01:06 | 1:01:08 | |
Oh, but Eric, he's only a kitten. | 1:01:08 | 1:01:12 | |
I'm sorry, Hat, it's too much. | 1:01:12 | 1:01:15 | |
Tomorrow I'm going to find a good home for him. | 1:01:15 | 1:01:18 | |
But he's got a good home here. | 1:01:18 | 1:01:21 | |
In that case I'll find a good home for me. | 1:01:21 | 1:01:26 | |
Oh, Eric! | 1:01:28 | 1:01:30 | |
It's good. | 1:01:31 | 1:01:33 | |
There's nowhere else I'd rather be. | 1:01:58 | 1:02:01 | |
Good. | 1:02:09 | 1:02:11 | |
Dinner's ready. | 1:02:21 | 1:02:22 | |
BOTH LAUGH | 1:02:22 | 1:02:24 | |
It's my responsibility. | 1:02:26 | 1:02:28 | |
It's my fault. | 1:02:28 | 1:02:30 | |
-He seems the same to me. -You cheer him up. | 1:02:30 | 1:02:33 | |
-Can't you take him out to a jazz club or something? -He doesn't seem unhappy. | 1:02:33 | 1:02:37 | |
Oh. Caught him looking at the wedding photos the other day. | 1:02:37 | 1:02:41 | |
-Is that proof of mortal despair? -It's very un-John. | 1:02:41 | 1:02:45 | |
He goes out, won't say where. | 1:02:48 | 1:02:51 | |
Drinking too much. | 1:02:51 | 1:02:53 | |
I saw him in the phone box the other day. | 1:02:53 | 1:02:55 | |
-Why can't he ring from home? -Sounds like he's got a woman. | 1:02:55 | 1:02:59 | |
Well, he can ring her from here. | 1:02:59 | 1:03:01 | |
I'd like him to have one of those. | 1:03:01 | 1:03:04 | |
And she'd be very lucky. | 1:03:04 | 1:03:06 | |
He's worth having, he really is. | 1:03:06 | 1:03:09 | |
-Thank you, darling, that was delicious. -A pleasure. | 1:03:16 | 1:03:19 | |
Are you going, Joan? | 1:03:21 | 1:03:22 | |
-Yes. -It's wonderful to see you again. | 1:03:22 | 1:03:25 | |
Have you had a lovely evening? | 1:03:25 | 1:03:27 | |
Of course. How could I not with Hat? | 1:03:27 | 1:03:30 | |
Well, I hope to see you again soon. | 1:03:31 | 1:03:32 | |
Yes. | 1:03:32 | 1:03:34 | |
So do I. | 1:03:34 | 1:03:36 | |
Beautiful. Aw. | 1:03:52 | 1:03:54 | |
Why is John coming? | 1:03:57 | 1:03:59 | |
It's only a Sykes. | 1:03:59 | 1:04:00 | |
I don't know. | 1:04:00 | 1:04:02 | |
Why are you coming? | 1:04:04 | 1:04:06 | |
Oh, I haven't seen Eric for... | 1:04:06 | 1:04:09 | |
I just thought I would. Do you mind? | 1:04:09 | 1:04:11 | |
Are you driving? | 1:04:11 | 1:04:13 | |
As long as you both sit in the back... | 1:04:13 | 1:04:16 | |
and I get to wear a cap. | 1:04:16 | 1:04:18 | |
Ah, you're late! | 1:04:22 | 1:04:24 | |
-I have never been late for work in my life, young man. -Come on. | 1:04:24 | 1:04:27 | |
What's that mean? | 1:04:29 | 1:04:30 | |
-What? -The big stupid face? | 1:04:30 | 1:04:33 | |
Hello, Eric. Hello, Hattie. | 1:04:33 | 1:04:36 | |
How are you? | 1:04:36 | 1:04:38 | |
Let's have some lights, may we? | 1:04:38 | 1:04:40 | |
We have a big surprise, | 1:04:44 | 1:04:46 | |
because tonight, Hattie Jacques... | 1:04:46 | 1:04:48 | |
This Is Your Life. | 1:04:48 | 1:04:51 | |
You're kidding, of course? | 1:04:51 | 1:04:53 | |
I'm not kidding of course. Hidden away here tonight | 1:04:53 | 1:04:55 | |
are all sorts of lovely surprises. You come with me. | 1:04:55 | 1:04:58 | |
Now, there's nothing to worry about. | 1:05:00 | 1:05:02 | |
Walk this way. | 1:05:02 | 1:05:03 | |
Oh, Eamonn, they don't come duller than me! | 1:05:03 | 1:05:07 | |
You knew about this. | 1:05:07 | 1:05:09 | |
Mm? | 1:05:09 | 1:05:10 | |
You ba... | 1:05:12 | 1:05:13 | |
-Why didn't you tell me? -It's not as if you can appear, is it? -So what do I do? | 1:05:15 | 1:05:19 | |
I'm sure we can find you a dressing room to wait in. ..Hello, boys. | 1:05:19 | 1:05:23 | |
Just remember, it's a sham. | 1:05:23 | 1:05:26 | |
A big pile of poncey show-biz shite! | 1:05:26 | 1:05:31 | |
I'm her man, John. | 1:05:31 | 1:05:33 | |
I am. Me. | 1:05:33 | 1:05:37 | |
Yes, well, this is Hattie's working world, it means an awful lot to her | 1:05:37 | 1:05:41 | |
and I'm sure she'd appreciate it greatly if you didn't make a scene. | 1:05:41 | 1:05:44 | |
Hello, boys. Now, we've got to hide from Mummy, so quick, follow me. | 1:05:44 | 1:05:48 | |
APPLAUSE | 1:06:11 | 1:06:12 | |
Good evening and thank you. | 1:06:14 | 1:06:16 | |
Our programme this evening comes from the BBC Television Theatre in London. | 1:06:16 | 1:06:21 | |
Now, a half an hour ago, the foyer to this theatre was empty. | 1:06:21 | 1:06:25 | |
But we knew that two famous stars were going to | 1:06:25 | 1:06:28 | |
walk through this theatre on their way to a recording. | 1:06:28 | 1:06:32 | |
Ladies and gentlemen, I bring you the incomparable, | 1:06:32 | 1:06:35 | |
the wonderful Hattie Jacques. | 1:06:35 | 1:06:38 | |
APPLAUSE | 1:06:38 | 1:06:40 | |
A rather shaken Hattie Jacques, I might tell you. | 1:06:59 | 1:07:02 | |
And here to start our story, | 1:07:04 | 1:07:05 | |
one of the most eminent names in show business, | 1:07:05 | 1:07:08 | |
star of the small screen, who plays Hattie's identical twin brother, | 1:07:08 | 1:07:12 | |
Eric Sykes. | 1:07:12 | 1:07:13 | |
APPLAUSE | 1:07:13 | 1:07:16 | |
Hey! | 1:07:18 | 1:07:20 | |
Hey, who's your friend? | 1:07:20 | 1:07:22 | |
LAUGHTER | 1:07:24 | 1:07:27 | |
Thank you, Eric. | 1:07:27 | 1:07:29 | |
Your divisional director in the Red Cross Society, | 1:07:31 | 1:07:34 | |
who's here again to see you tonight, Miss Vivian Caplow. | 1:07:34 | 1:07:37 | |
Celebrated actor and Chairman of the Players' Theatre, Mr Leonard Sachs. | 1:07:40 | 1:07:46 | |
APPLAUSE DROWNS SPEECH | 1:07:49 | 1:07:52 | |
You left a deep impression on a young actress playing opposite you, | 1:07:56 | 1:08:01 | |
-Shirley Eaton. -APPLAUSE | 1:08:01 | 1:08:03 | |
Founder of London's Mermaid Theatre, Bernard Miles. | 1:08:07 | 1:08:11 | |
And in that year, 1950, you married well-known actor, John Le Mesurier. | 1:08:14 | 1:08:20 | |
So there's never a dull moment with Hattie? | 1:08:36 | 1:08:38 | |
No, there isn't, really. | 1:08:38 | 1:08:41 | |
I would, though... I would like to say that... | 1:08:41 | 1:08:44 | |
..I'm eternally grateful for the way she runs the home, | 1:08:46 | 1:08:50 | |
looks after the children... | 1:08:50 | 1:08:53 | |
looks after me. | 1:08:53 | 1:08:56 | |
Home comes first, I think I'm right in saying. | 1:08:56 | 1:08:58 | |
LAUGHTER | 1:08:58 | 1:09:00 | |
But, for someone who's so very busy all the time, | 1:09:02 | 1:09:05 | |
and so very much in the public eye all the time... | 1:09:05 | 1:09:11 | |
to do these things is very difficult... | 1:09:11 | 1:09:13 | |
..and a jolly neat trick. | 1:09:16 | 1:09:19 | |
Thank you, John Le Mesurier. | 1:09:19 | 1:09:22 | |
A jolly...neat...trick. | 1:09:41 | 1:09:45 | |
A jolly neat trick? | 1:09:46 | 1:09:48 | |
-Do shut up, John, you're beginning to be a bore. -John? | 1:09:48 | 1:09:51 | |
What, me? | 1:09:51 | 1:09:52 | |
That was... | 1:09:53 | 1:09:54 | |
Oh, I felt such a fraud, such a... | 1:09:54 | 1:09:57 | |
I can't... | 1:09:57 | 1:10:00 | |
Oh, it was ghastly. | 1:10:00 | 1:10:02 | |
I did suspect you wouldn't like it. But I thought you wouldn't want to miss it, if you see what I mean. | 1:10:02 | 1:10:07 | |
-Did you know about it? -No. | 1:10:08 | 1:10:11 | |
-There is no other woman, is there? -Sorry? | 1:10:13 | 1:10:16 | |
All these secret phone calls, it's all been to do with this, hasn't it? | 1:10:16 | 1:10:19 | |
Yes. | 1:10:19 | 1:10:21 | |
I'd rather hoped you'd fallen in love. | 1:10:21 | 1:10:23 | |
There is no-one else. | 1:10:25 | 1:10:27 | |
Oh, John, what are we going to do with you? | 1:10:28 | 1:10:30 | |
I don't suspect you have to do anything. | 1:10:30 | 1:10:33 | |
Come on, let's go and get a drink. | 1:10:35 | 1:10:39 | |
CHUCKLING | 1:10:39 | 1:10:41 | |
It's hot, darling. | 1:10:51 | 1:10:52 | |
Cheers. | 1:10:52 | 1:10:54 | |
I've got it. I'll follow you through. | 1:10:55 | 1:10:57 | |
This is ready. | 1:10:59 | 1:11:00 | |
Ow. Ow! | 1:11:11 | 1:11:13 | |
Ah, come on. There we go. | 1:11:19 | 1:11:21 | |
Ooh, oh... | 1:11:23 | 1:11:25 | |
Thank you. Sprouts ready? | 1:11:25 | 1:11:28 | |
As they'll ever be. | 1:11:28 | 1:11:29 | |
Right, let's go, Supergirl. | 1:11:32 | 1:11:35 | |
Oh, it's so lovely to see you all. | 1:11:36 | 1:11:40 | |
Make room for Joanie. | 1:11:40 | 1:11:42 | |
What? The kitchen skivvy's allowed to eat with us?! | 1:11:42 | 1:11:46 | |
Oh, she is so much more than that. | 1:11:46 | 1:11:49 | |
Thanks, Hat. | 1:11:49 | 1:11:51 | |
In fact, if this is nasty, then it's all her fault. | 1:11:51 | 1:11:55 | |
Oh, despite what she says, the cook! | 1:11:55 | 1:11:59 | |
-Yes, the cook. -Oh, bless you all. | 1:11:59 | 1:12:02 | |
Now tuck in and be jolly. | 1:12:04 | 1:12:06 | |
-Night-night, darling. -Night-night. -Sweet dreams. | 1:12:17 | 1:12:21 | |
Night, Mum. | 1:12:21 | 1:12:23 | |
And you waited all night to find that out? | 1:12:23 | 1:12:26 | |
Well, it seemed rude to ask her to unveil any earlier, but... | 1:12:26 | 1:12:29 | |
-you don't expect a moustache, do you? -No! No. | 1:12:29 | 1:12:33 | |
Adventures in Greece? | 1:12:33 | 1:12:35 | |
Yes. | 1:12:35 | 1:12:36 | |
-He's impossible. -Yes, he is. | 1:12:36 | 1:12:39 | |
Oh, I would have thought I was eminently possible. | 1:12:39 | 1:12:42 | |
Oh, I should go. | 1:12:43 | 1:12:45 | |
Oh, no, don't. Stay. | 1:12:45 | 1:12:48 | |
-No, it's late. -I'll show you out. | 1:12:48 | 1:12:50 | |
-Bye, lovely. -Joan... -Thank you. | 1:12:51 | 1:12:55 | |
I'll see you soon. | 1:12:55 | 1:12:57 | |
-Well, goodbye, Joan. -Bye, John. -Lovely to see you again. | 1:12:57 | 1:13:00 | |
Lovely to see you. Thank you. See you soon. | 1:13:00 | 1:13:04 | |
Hm, that went well. | 1:13:07 | 1:13:08 | |
-You should grab that one. -Really? Do you think so? | 1:13:08 | 1:13:11 | |
Mm. You'll never meet anyone as perfect for you. | 1:13:11 | 1:13:14 | |
-I thought I had. -Grab her. | 1:13:14 | 1:13:16 | |
I wouldn't know how to go about it. | 1:13:16 | 1:13:19 | |
Well, let's make a plan then. | 1:13:19 | 1:13:21 | |
-No, no, you don't have to, please. -Come on, sit down. | 1:13:21 | 1:13:24 | |
-Oh. -I'll write it down and you follow my instructions. | 1:13:24 | 1:13:29 | |
This is completely unnecessary. | 1:13:29 | 1:13:31 | |
Mm-hm. | 1:13:31 | 1:13:32 | |
First step, number one. | 1:13:32 | 1:13:35 | |
-Feel her up? -I'll pencil that in at 5 or 6, shall I? | 1:13:35 | 1:13:40 | |
Number one is invite her to dinner. | 1:13:40 | 1:13:42 | |
-What, just like that? -Yes. | 1:13:42 | 1:13:45 | |
In fact, number one is ring her up. | 1:13:45 | 1:13:48 | |
Number two is invite her out to dinner during conversation. | 1:13:48 | 1:13:52 | |
-What shall we talk about? -Just be charming. You can do that without my writing it down. | 1:13:52 | 1:13:57 | |
I can't do anything without you. | 1:13:57 | 1:13:59 | |
Oh, John. | 1:14:00 | 1:14:02 | |
DOOR SHUTS | 1:14:02 | 1:14:05 | |
Did you walk Jennifer to her car? | 1:14:05 | 1:14:07 | |
Yeah. | 1:14:07 | 1:14:08 | |
I'll see you in bed. | 1:14:09 | 1:14:11 | |
Number three - buy her a huge bunch of flowers. | 1:14:15 | 1:14:19 | |
Where was she parked? | 1:14:23 | 1:14:25 | |
Heathrow?! | 1:14:25 | 1:14:26 | |
Don't start. | 1:14:26 | 1:14:29 | |
What was I supposed to think? | 1:14:29 | 1:14:31 | |
That's starting. | 1:14:31 | 1:14:32 | |
This is such a bird's room. | 1:14:37 | 1:14:39 | |
There's a man here now. | 1:14:41 | 1:14:43 | |
We should redecorate. | 1:14:43 | 1:14:45 | |
Whatever you want. | 1:14:46 | 1:14:48 | |
We'd never be mates... | 1:14:53 | 1:14:55 | |
me and you. | 1:14:55 | 1:14:56 | |
It's all or nothing. | 1:14:58 | 1:15:00 | |
That scares me. | 1:15:02 | 1:15:04 | |
KNOCK ON DOOR | 1:15:26 | 1:15:27 | |
Ah... | 1:15:27 | 1:15:29 | |
You don't have to knock. | 1:15:29 | 1:15:31 | |
Well... Um, I thought you might like to know, the plan worked. | 1:15:31 | 1:15:35 | |
And you won't believe this, but...I've made a decision. | 1:15:37 | 1:15:41 | |
That's marvellous news. | 1:15:43 | 1:15:46 | |
I'm so pleased for both of you. | 1:15:46 | 1:15:49 | |
Joan has found me a place. | 1:15:49 | 1:15:50 | |
Calls for a drink. | 1:15:55 | 1:15:57 | |
BOYS CHATTER | 1:16:06 | 1:16:09 | |
-BOYS: -So, who's gonna bat first? -I'm batting first, I've got the bat. | 1:16:13 | 1:16:17 | |
Boys... | 1:16:17 | 1:16:19 | |
-Boys. -Come and sit down. | 1:16:19 | 1:16:21 | |
Um, we've got something to tell you. | 1:16:26 | 1:16:28 | |
We're going to have to ask you both to be very grown-up. | 1:16:28 | 1:16:32 | |
Mummy and Daddy... | 1:16:36 | 1:16:39 | |
are going to get a divorce. | 1:16:39 | 1:16:41 | |
You know what that is, don't you? | 1:16:43 | 1:16:45 | |
Daddy's going to move out into a flat of his own. | 1:16:50 | 1:16:53 | |
It's very near. Only two Tube stops. | 1:16:53 | 1:16:57 | |
Will John still live here? | 1:16:58 | 1:17:00 | |
Yes. | 1:17:03 | 1:17:04 | |
I've got you both... | 1:17:09 | 1:17:11 | |
...penknives. | 1:17:13 | 1:17:14 | |
I thought you're such big boys now, you'd know how to treat them carefully. | 1:17:19 | 1:17:23 | |
Don't you love each other any more? | 1:17:25 | 1:17:27 | |
Oh, yes. Always. | 1:17:28 | 1:17:31 | |
Very, very much. | 1:17:31 | 1:17:34 | |
-There's a wine merchant's. -And they do deliveries. | 1:17:44 | 1:17:47 | |
And he can eat here some nights. | 1:17:47 | 1:17:48 | |
-And I'll cook too. -He won't starve. | 1:17:48 | 1:17:51 | |
Or be lonely. | 1:17:51 | 1:17:53 | |
I do worry about him. | 1:17:53 | 1:17:55 | |
I know. You don't have to. | 1:17:55 | 1:17:58 | |
Your job now. | 1:17:58 | 1:18:00 | |
No, I didn't mean that. I meant there's nothing to worry about. | 1:18:00 | 1:18:04 | |
Everything will be fine. | 1:18:04 | 1:18:06 | |
Will you be? | 1:18:06 | 1:18:08 | |
I'm ready. | 1:18:08 | 1:18:10 | |
And someone will employ me, eventually. | 1:18:10 | 1:18:13 | |
I hope. | 1:18:13 | 1:18:16 | |
Boys want to say goodnight. | 1:18:16 | 1:18:18 | |
It's what I want. | 1:18:20 | 1:18:23 | |
-The public will no doubt despise me... -No, Hattie. | 1:18:23 | 1:18:25 | |
..but it is what I want. | 1:18:25 | 1:18:27 | |
All right? | 1:18:38 | 1:18:40 | |
Fuck off! | 1:18:40 | 1:18:42 | |
I'm the Count of Monte Cristo. | 1:18:49 | 1:18:51 | |
A secret hidden in the castle. | 1:18:53 | 1:18:55 | |
Don't worry, I haven't read it. | 1:18:57 | 1:18:59 | |
You're not a bit of rough. | 1:18:59 | 1:19:01 | |
-That's what it's gonna look like in the divorce court. -Yes. | 1:19:01 | 1:19:05 | |
You'll be all right though, won't you? | 1:19:05 | 1:19:07 | |
Why wouldn't I be? | 1:19:07 | 1:19:09 | |
I'm Eric Sykes's sister, I don't have sex! | 1:19:09 | 1:19:12 | |
SHE SIGHS | 1:19:16 | 1:19:18 | |
When the divorce is filed, | 1:19:18 | 1:19:20 | |
I'll be the adulterer and you'll be the fancy man. | 1:19:20 | 1:19:24 | |
They'll never forgive me and they'll hate you. | 1:19:24 | 1:19:28 | |
I'll be hated for you. | 1:19:28 | 1:19:32 | |
I'll be Mr Jacques. | 1:19:32 | 1:19:35 | |
I'll be anything. | 1:19:35 | 1:19:37 | |
I'm your man. | 1:19:37 | 1:19:39 | |
Yes, you are...my man. | 1:19:41 | 1:19:43 | |
DOORBELL RINGS | 1:19:54 | 1:19:56 | |
So what do you think? | 1:20:02 | 1:20:04 | |
I don't know what to say. | 1:20:08 | 1:20:10 | |
Just say yes. | 1:20:10 | 1:20:12 | |
You'll be the scarlet woman. | 1:20:13 | 1:20:16 | |
Only to the press. To the court I'll be "the guilty party". | 1:20:16 | 1:20:20 | |
I wanted to be the scarlet woman! | 1:20:20 | 1:20:24 | |
No-one need ever know about you and John. | 1:20:26 | 1:20:29 | |
It's so... | 1:20:29 | 1:20:30 | |
generous of you. | 1:20:30 | 1:20:33 | |
-Actually, it was the solicitor's idea. -Mm. | 1:20:33 | 1:20:37 | |
What do you think? | 1:20:37 | 1:20:40 | |
It's your decision. | 1:20:40 | 1:20:42 | |
Yes. You decide. | 1:20:42 | 1:20:44 | |
..Been through this for quite some time. | 1:20:51 | 1:20:53 | |
-All the relevant documents will be forwarded to me in due course? -Yes. | 1:20:53 | 1:20:57 | |
Thank you. Well, thank you very much for making it as painless as it was. | 1:20:57 | 1:21:02 | |
Hm...that went rather well, don't you think? | 1:21:08 | 1:21:11 | |
Yeah. It's a good divorce. | 1:21:11 | 1:21:14 | |
I heard one reporter say, "Course, she had to be a thin bird!" | 1:21:16 | 1:21:19 | |
-Joan... -Stop it. | 1:21:23 | 1:21:26 | |
I'm eternally grateful. | 1:21:28 | 1:21:31 | |
It's official. I steal husbands. | 1:21:31 | 1:21:34 | |
Typical thin bird! | 1:21:34 | 1:21:37 | |
Our home is your home. | 1:21:40 | 1:21:43 | |
Really. I want to see you both all the time. | 1:21:43 | 1:21:47 | |
I love you both so much. | 1:21:47 | 1:21:51 | |
MAN: John! | 1:21:53 | 1:21:55 | |
-Oh, they're still out there. -We'll go first. | 1:21:56 | 1:22:00 | |
Thank you. | 1:22:14 | 1:22:16 | |
Whatever for? | 1:22:16 | 1:22:19 | |
For ending our lovely marriage so beautifully. | 1:22:20 | 1:22:24 | |
Goodbye, my love. | 1:22:27 | 1:22:29 | |
I'll see you soon, Hattie. | 1:22:36 | 1:22:37 | |
PRESS SHOUT | 1:22:50 | 1:22:53 | |
-I don't feel like I deserve this. -Well, maybe you don't. | 1:22:53 | 1:22:57 | |
-I suppose I should go first. -Thank you. | 1:23:00 | 1:23:03 | |
I'll get the car. | 1:23:05 | 1:23:06 | |
PRESS CLAMOUR | 1:23:37 | 1:23:39 | |
# Your baby loves you now | 1:24:25 | 1:24:28 | |
# So don't make him blue now | 1:24:29 | 1:24:31 | |
# You'd better start being true now | 1:24:32 | 1:24:35 | |
# I'm telling you why | 1:24:36 | 1:24:38 | |
# Because | 1:24:38 | 1:24:40 | |
# If you break his heart | 1:24:40 | 1:24:43 | |
# Somebody's gonna come along and cheer | 1:24:44 | 1:24:47 | |
# Steal him away from you | 1:24:47 | 1:24:50 | |
# Somebody like me. # | 1:24:51 | 1:24:53 |