
Browse content similar to Stolen. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:09 | |
and some scenes which some viewers may find upsetting | 0:00:09 | 0:00:17 | |
HE SIGHS | 0:00:17 | 0:00:21 | |
Yes! | 0:00:40 | 0:00:42 | |
Da! | 0:00:43 | 0:00:45 | |
HE EXCLAIMS IN RUSSIAN | 0:00:47 | 0:00:48 | |
Yes! | 0:00:48 | 0:00:50 | |
-HE LAUGHS -Woo! Yes! | 0:00:50 | 0:00:54 | |
Georgie. | 0:01:00 | 0:01:03 | |
Georgie, come on, we have to go now. | 0:01:03 | 0:01:05 | |
Georgie. | 0:01:08 | 0:01:09 | |
# In the name of | 0:01:18 | 0:01:21 | |
# And by the power of | 0:01:21 | 0:01:24 | |
# The holy spirit | 0:01:24 | 0:01:29 | |
# May we invoke your | 0:01:29 | 0:01:32 | |
# Intersession for | 0:01:32 | 0:01:35 | |
# The children of England | 0:01:35 | 0:01:41 | |
# Some of whom have seen | 0:01:41 | 0:01:44 | |
# Murder so obscene | 0:01:44 | 0:01:47 | |
# Some of whom have been | 0:01:47 | 0:01:50 | |
# Taken! | 0:01:50 | 0:01:55 | |
# Let not another child be slain... # | 0:01:55 | 0:02:00 | |
MAN: You're going to love it, don't you worry. | 0:02:00 | 0:02:03 | |
Hey, it's going to be all right, I promise. | 0:02:03 | 0:02:05 | |
-They'll all want to make a fuss of the new girl. -OK. | 0:02:05 | 0:02:09 | |
I know what to say - I'm here, with my family, | 0:02:09 | 0:02:12 | |
-with my sister, my new sister. -Georgie, quiet, we're not done yet! | 0:02:12 | 0:02:16 | |
Hello, lady. DVD, DVD? | 0:02:20 | 0:02:22 | |
Eyes closed. | 0:02:27 | 0:02:29 | |
Look! | 0:02:29 | 0:02:31 | |
Good morning. Hello! Good morning, good morning. | 0:02:33 | 0:02:38 | |
Georgie... SHE SPEAKS IN RUSSIAN | 0:02:38 | 0:02:40 | |
Yes. | 0:02:40 | 0:02:41 | |
England! | 0:02:41 | 0:02:42 | |
-England, England! -Yes! | 0:02:42 | 0:02:45 | |
THEY SPEAK VIETNAMESE | 0:02:55 | 0:02:59 | |
Look the school's blue, it's your favourite colour. | 0:03:12 | 0:03:16 | |
That's good, isn't it? | 0:03:16 | 0:03:18 | |
It's exciting, first day at a new school. | 0:03:18 | 0:03:22 | |
Hi, are you here on your own? | 0:03:55 | 0:03:57 | |
Did someone tell you to wait for us to pick you up? | 0:03:57 | 0:04:00 | |
What happened here? | 0:04:07 | 0:04:09 | |
Bye-bye. Have a good day, yeah? | 0:04:23 | 0:04:26 | |
I'll pick you up later. | 0:04:26 | 0:04:27 | |
MOBILE PHONE RINGS | 0:04:27 | 0:04:31 | |
-Carter. -We've got another one - | 0:04:31 | 0:04:33 | |
'an African girl straight off the plane, no identification, | 0:04:33 | 0:04:37 | |
'been told what to say and do.' | 0:04:37 | 0:04:39 | |
'You need to see her.' | 0:04:41 | 0:04:43 | |
Hello, I'm Anthony. | 0:05:02 | 0:05:05 | |
Rosemary...can you tell me who gave you these coins? | 0:05:09 | 0:05:14 | |
Shall I tell you what I think happened? | 0:05:19 | 0:05:21 | |
I think someone put you on an aeroplane in Lagos... | 0:05:21 | 0:05:25 | |
and you've torn up your passport and your tickets | 0:05:25 | 0:05:30 | |
and thrown them into the toilet. | 0:05:30 | 0:05:32 | |
You're not in any trouble, not with me, not with Sonia. | 0:05:33 | 0:05:38 | |
Can I see your arm? | 0:05:43 | 0:05:45 | |
Will you show me your arm, please? | 0:05:49 | 0:05:51 | |
Show me your arm. | 0:05:53 | 0:05:55 | |
Thank you. | 0:06:09 | 0:06:11 | |
They must have really hurt you... when they took your blood... | 0:06:12 | 0:06:17 | |
..and told you to swear. | 0:06:19 | 0:06:20 | |
You're a very brave girl. | 0:06:23 | 0:06:24 | |
Have they put juju on you, Rosemary? | 0:06:26 | 0:06:29 | |
And your family? | 0:06:30 | 0:06:31 | |
Have they told you bad things will happen | 0:06:33 | 0:06:35 | |
unless you keep everything secret? | 0:06:35 | 0:06:39 | |
Unless you make your phone call? | 0:06:39 | 0:06:41 | |
They were telling lies. | 0:06:44 | 0:06:46 | |
You're safe here with us, Rosemary. | 0:06:47 | 0:06:49 | |
Are you the policeman? | 0:06:52 | 0:06:55 | |
Oh, it's so beautiful, look at this, look at this! | 0:07:00 | 0:07:04 | |
-Hello... -Georgie, stop. | 0:07:04 | 0:07:06 | |
We are nice English family. | 0:07:07 | 0:07:11 | |
THEY SPEAK RUSSIAN | 0:07:11 | 0:07:14 | |
SHE SPEAKS RUSSIAN | 0:07:28 | 0:07:31 | |
MOBILE PHONE RINGS | 0:07:31 | 0:07:33 | |
Hello? SHE SPEAKS RUSSIAN | 0:07:39 | 0:07:44 | |
See, a seat. Sit down. | 0:07:56 | 0:07:59 | |
Don't worry. Don't worry, it will be better. | 0:07:59 | 0:08:06 | |
Here, come on. | 0:08:15 | 0:08:16 | |
DOOR BELL RINGS | 0:08:19 | 0:08:22 | |
Hello. This is Rosemary and Anthony. | 0:08:31 | 0:08:33 | |
Hello, Rosemary. Come in. | 0:08:33 | 0:08:35 | |
Rosemary, I'll show you where you'll be sleeping. | 0:08:41 | 0:08:43 | |
You must be very tired. | 0:08:43 | 0:08:45 | |
Do you want to follow me? | 0:08:45 | 0:08:47 | |
Come on. | 0:08:48 | 0:08:50 | |
Keisha? | 0:08:54 | 0:08:56 | |
What? | 0:08:56 | 0:08:58 | |
This is Rosemary. | 0:08:59 | 0:09:00 | |
Is she foreign? | 0:09:03 | 0:09:04 | |
-She's going to be staying with us for a couple of days. -Another one? | 0:09:04 | 0:09:08 | |
SHE KISSES HER TEETH | 0:09:08 | 0:09:09 | |
Rosemary, this is your room. OK? | 0:09:13 | 0:09:16 | |
I'll be back in a minute. | 0:09:16 | 0:09:19 | |
Is the girl any trouble? | 0:09:22 | 0:09:24 | |
Keisha? She's fine. | 0:09:24 | 0:09:25 | |
She's been in care half her life, we allow her the odd strop. | 0:09:25 | 0:09:30 | |
-Does she have a key? -Yeah. | 0:09:30 | 0:09:32 | |
OK, when Rosemary's in the house, I always want the doors locked. | 0:09:32 | 0:09:38 | |
OK? I want all mobile phones out of sight at all times. | 0:09:38 | 0:09:41 | |
She's my only link to the trafficker and I do not want to lose her. | 0:09:41 | 0:09:45 | |
Then put a policeman on the door. | 0:09:45 | 0:09:47 | |
As far as security goes, April, you're it. Thanks. | 0:09:47 | 0:09:50 | |
-See you. -Thanks, Sonia. | 0:09:53 | 0:09:55 | |
-What have we got? -Fall out from a domestic, | 0:10:53 | 0:10:56 | |
boyfriend claims his girlfriend is illegal and a tart, his words. | 0:10:56 | 0:10:59 | |
Anything else? | 0:10:59 | 0:11:00 | |
-He was worse for wear, let's say, she wouldn't let him in. -THUMPING MUSIC | 0:11:00 | 0:11:05 | |
Hello, there. Police. Can we come in, please? | 0:11:16 | 0:11:20 | |
-Is this about last night? -It's connected to what happened last night. | 0:11:20 | 0:11:24 | |
Your boyfriend will be appearing in court this morning. Can we come in? | 0:11:24 | 0:11:27 | |
-Do you mind if we have a look around? -Look around? | 0:11:34 | 0:11:37 | |
Yeah. Is that a problem? | 0:11:37 | 0:11:39 | |
Look for what? | 0:11:39 | 0:11:40 | |
Are you in this country legally, Miss? | 0:11:40 | 0:11:43 | |
I am studying to be a nurse. | 0:11:43 | 0:11:44 | |
Can we see your passport, please? | 0:11:44 | 0:11:46 | |
Your passport. | 0:11:49 | 0:11:50 | |
I have lost it. | 0:11:50 | 0:11:52 | |
Maybe we can we help you find it? | 0:11:52 | 0:11:54 | |
We won't make a mess, I promise. Do you mind? | 0:11:54 | 0:11:56 | |
-You're Portuguese, Anna? -Yes. | 0:12:04 | 0:12:06 | |
Looks like a genuine blank, content's a good forgery. | 0:12:06 | 0:12:10 | |
D'you hear that? | 0:12:10 | 0:12:11 | |
Forgery, no. No, it's not possible. | 0:12:11 | 0:12:14 | |
It's a fact, Anna, I'm looking at a fake passport. | 0:12:14 | 0:12:16 | |
No, I am a student. | 0:12:16 | 0:12:18 | |
I can show you my books, I will be a nurse! | 0:12:18 | 0:12:20 | |
Miss Costa, we believe your passport to be forged, | 0:12:20 | 0:12:23 | |
therefore, we suspect you of entering this country illegally. | 0:12:23 | 0:12:26 | |
-D'you want to stand up for me? -Stand. | 0:12:27 | 0:12:30 | |
Just take a look at you, OK? | 0:12:30 | 0:12:32 | |
Can you just turn around? | 0:12:32 | 0:12:35 | |
Open your eyes. Open your eyes. | 0:12:35 | 0:12:38 | |
Open your mouth. Open your mouth. | 0:12:39 | 0:12:43 | |
She looks healthy. | 0:12:44 | 0:12:45 | |
-I think we can do a bit better on the price. -He wants the money. | 0:12:47 | 0:12:51 | |
He agreed on the price. OK? | 0:12:51 | 0:12:53 | |
SHE SPEAKS RUSSIAN | 0:12:57 | 0:12:59 | |
DOOR CLOSES | 0:13:12 | 0:13:14 | |
SHE SPEAKS RUSSIAN | 0:14:23 | 0:14:26 | |
What to do with the boy now? | 0:14:32 | 0:14:33 | |
He needs a job. | 0:14:39 | 0:14:40 | |
Nyet. | 0:14:42 | 0:14:43 | |
Come on, George. | 0:15:01 | 0:15:02 | |
These dirty bastards, they've been treating this place like a shithole. | 0:15:09 | 0:15:12 | |
Now I need someone that I can trust. | 0:15:12 | 0:15:15 | |
-Do you understand trust? -Yeah. -Do you understand? -Yes... Yes, boss. | 0:15:15 | 0:15:18 | |
-I'm giving you an opportunity, Georgie. -Yes. | 0:15:18 | 0:15:21 | |
-A chance to earn some real money. -Yes, boss. | 0:15:21 | 0:15:23 | |
-And just maybe, Georgie, if you work hard... -Yes. | 0:15:23 | 0:15:26 | |
..you might wind up with a car like mine. | 0:15:26 | 0:15:28 | |
I don't need all this mess, George, do you understand? | 0:15:38 | 0:15:41 | |
I need for it to be clean and tidy. | 0:15:41 | 0:15:43 | |
-Yes. -I need the floor swept, I need the washing done, | 0:15:43 | 0:15:47 | |
I need it sorted. Washing machine, dryers are over there. | 0:15:47 | 0:15:50 | |
You make sure their clothes are clean. | 0:15:50 | 0:15:52 | |
You'll be sleeping here with the rest of them. | 0:15:52 | 0:15:55 | |
You'll pay me to stay here and for the grub I give you. | 0:15:55 | 0:15:59 | |
Keep everything clean. I don't want it smelling like this. | 0:15:59 | 0:16:02 | |
-Do you understand, George? -Yes, I work. | 0:16:02 | 0:16:04 | |
# The mulberry bush The mulberry bush | 0:16:11 | 0:16:13 | |
# Here we go round the mulberry bush... # | 0:16:13 | 0:16:17 | |
HE SPEAKS VIETNAMESE | 0:16:21 | 0:16:22 | |
RAP MUSIC PLAYS | 0:16:37 | 0:16:39 | |
HE SPEAKS VIETNAMESE | 0:16:55 | 0:16:57 | |
Kim Pak? Kim Pak? | 0:17:01 | 0:17:04 | |
Have you been smoking all my profit again? | 0:17:06 | 0:17:08 | |
Kim Pak! | 0:17:16 | 0:17:18 | |
THEY ARGUE IN VIETNAMESE | 0:17:33 | 0:17:37 | |
I need to get out of here. | 0:17:43 | 0:17:45 | |
Rosemary, come on. Rosemary, come on back to bed. | 0:19:14 | 0:19:17 | |
You can't leave, it's the middle of the night, come on. | 0:19:17 | 0:19:20 | |
-Would you like water? -What's going on? | 0:19:20 | 0:19:22 | |
-Go back to bed, Keisha. -April, what's going on? | 0:19:22 | 0:19:25 | |
It's the middle of the night, you can't go out there, | 0:19:25 | 0:19:28 | |
you've got to come back to bed. | 0:19:28 | 0:19:29 | |
If she wants to go, just let her go. | 0:19:29 | 0:19:31 | |
Keisha, you're not helping me, go back to bed! | 0:19:31 | 0:19:33 | |
Can't you see I can't sleep cos she's making noise! | 0:19:33 | 0:19:36 | |
-No! -If she wants to go out, open the door and let her out! | 0:19:36 | 0:19:39 | |
-Back to bed now! -No! | 0:19:39 | 0:19:41 | |
It's all about her, isn't it? You don't care about me, do you? | 0:19:41 | 0:19:44 | |
Please, Rosemary! | 0:19:44 | 0:19:47 | |
-Look at me. -No! -Rosemary, look at me, please. | 0:19:50 | 0:19:55 | |
Are you OK? | 0:19:58 | 0:19:59 | |
You're safe. | 0:20:01 | 0:20:03 | |
I need to borrow some cash. Just a tenner, that OK? | 0:20:37 | 0:20:40 | |
It's in my wallet. | 0:20:40 | 0:20:41 | |
Thanks, hun. | 0:20:41 | 0:20:43 | |
Oh, I'm going to be so late. | 0:20:49 | 0:20:52 | |
-Hey, what's this photograph? -Work. | 0:20:53 | 0:20:56 | |
What's it doing in your wallet? | 0:20:56 | 0:20:59 | |
Just keeping it safe. | 0:20:59 | 0:21:01 | |
Please, don't bring it home. | 0:21:03 | 0:21:04 | |
This isn't home. | 0:21:04 | 0:21:06 | |
-You know what I mean. -Alison, it's just a photograph. | 0:21:06 | 0:21:09 | |
No, it's a child...with a name. What's her name? | 0:21:09 | 0:21:16 | |
MOBILE PHONE RINGS Rosemary. | 0:21:16 | 0:21:19 | |
I think you were better off in vice. | 0:21:21 | 0:21:23 | |
-Carter. -'Hi, it's April Harris.' | 0:21:23 | 0:21:26 | |
'Rosemary tried to run from the house last night.' | 0:21:26 | 0:21:30 | |
She's absolutely terrified. | 0:21:30 | 0:21:31 | |
I can't keep her here, if she tries to leave again... | 0:21:31 | 0:21:36 | |
You know, I'm not her jailer, Anthony, I'm sorry. | 0:21:36 | 0:21:38 | |
April, you're all we've got. | 0:21:38 | 0:21:41 | |
You're all I've got, OK? | 0:21:41 | 0:21:42 | |
You've got to do everything you can to hold on to her. | 0:21:42 | 0:21:45 | |
'All right? I've got to go.' | 0:21:45 | 0:21:47 | |
That girl in the photo, she tried to run. | 0:21:52 | 0:21:55 | |
-Love you! -Get dressed. -OK. | 0:21:59 | 0:22:01 | |
-Is everything OK? -Yeah. | 0:22:06 | 0:22:08 | |
-Sorry about the flat. -It's fine. | 0:22:10 | 0:22:13 | |
See you tonight. | 0:22:15 | 0:22:16 | |
-Wash? -MAN SPEAKS RUSSIAN | 0:22:21 | 0:22:23 | |
Dirty clothes? | 0:22:28 | 0:22:30 | |
I help you wash, free wash. | 0:22:30 | 0:22:32 | |
No, no. I help you, I help you, free wash. | 0:22:35 | 0:22:37 | |
Do you hear? Free! | 0:22:37 | 0:22:41 | |
There is nothing for free. | 0:22:41 | 0:22:43 | |
But it's my job, it is all what I have. | 0:22:52 | 0:22:55 | |
-I fuck your job. -Hey, Danny, what's up with you, he's just a boy! | 0:22:55 | 0:22:59 | |
Make your fucking business, OK? Fuck you. | 0:23:01 | 0:23:04 | |
No, fuck you, son of a bitch! | 0:23:04 | 0:23:06 | |
THEY LAUGH | 0:23:06 | 0:23:09 | |
Danny, Danny, Danny, Danny, come on. Come on, man, calm down. | 0:23:09 | 0:23:12 | |
Fuck you, son of a bitch! | 0:23:12 | 0:23:15 | |
It's not worth it. | 0:23:18 | 0:23:19 | |
-I will wash my clothes by myself. -Come on, sit down. | 0:23:19 | 0:23:24 | |
Wash? | 0:23:29 | 0:23:31 | |
Wash? | 0:23:32 | 0:23:33 | |
It is always morning here. | 0:23:44 | 0:23:46 | |
Come, off to work. | 0:24:06 | 0:24:07 | |
Who are you? | 0:24:09 | 0:24:11 | |
I am a student. I will soon be a nurse, an asset. | 0:24:11 | 0:24:14 | |
Your name's Kadisha Kosh, you're in this country illegally. | 0:24:14 | 0:24:17 | |
You're from East Africa, Somalia. | 0:24:17 | 0:24:19 | |
Your letters, from home, from Somalia, found here at your flat. | 0:24:19 | 0:24:23 | |
-You are wrong. -We can prove it. | 0:24:23 | 0:24:25 | |
Then prove it. I have friends in Germany, does that make me German? | 0:24:25 | 0:24:29 | |
I'm told you have scars, on your arm. | 0:24:35 | 0:24:38 | |
Were you trafficked? | 0:24:38 | 0:24:40 | |
Don't lie to me, Kadisha Kosh, I know you were trafficked. | 0:24:40 | 0:24:45 | |
You've made a life for yourself... | 0:24:48 | 0:24:50 | |
which tells me you're brave, strong. | 0:24:50 | 0:24:53 | |
Her name is Rosemary. | 0:25:00 | 0:25:02 | |
She was brought into the country yesterday... | 0:25:02 | 0:25:05 | |
..she needs your strength. | 0:25:07 | 0:25:09 | |
I have nothing to say. | 0:25:11 | 0:25:12 | |
She tried to run away last night, make her phone call. | 0:25:12 | 0:25:16 | |
Do you want this little girl to go through what you've been through? | 0:25:16 | 0:25:19 | |
You know nothing about my life. | 0:25:19 | 0:25:21 | |
My name is Anna Costa, I have nothing more to say. | 0:25:21 | 0:25:26 | |
May I go to my class? | 0:25:26 | 0:25:28 | |
-All right. OK. -That's fine. | 0:25:32 | 0:25:37 | |
'It has to be a girl.' | 0:25:37 | 0:25:38 | |
She has to be hard-working, no older than 14. | 0:25:38 | 0:25:42 | |
-Girls are in demand. -Girls are more readily available. I know this. | 0:25:42 | 0:25:46 | |
I happen to have just what you need. | 0:25:47 | 0:25:50 | |
One payment - £5,000. | 0:25:50 | 0:25:52 | |
-Ah, it's too much. -It's a fair price. -Too much. | 0:25:52 | 0:25:55 | |
I could really sell the girl for £10,000 here in England, | 0:25:55 | 0:25:59 | |
in Italy, Ireland. If I advertise that she is a virgin... | 0:25:59 | 0:26:05 | |
I can sell her for £50,000. | 0:26:05 | 0:26:08 | |
But I am not a pimp, I am a businessman. | 0:26:08 | 0:26:13 | |
-And this girl is special - obedient, strong, healthy. -Hungry. | 0:26:13 | 0:26:18 | |
I would like to see this excellent girl with a good family. | 0:26:22 | 0:26:25 | |
-You have a big heart, Mr Ekoku. -Grace... | 0:26:25 | 0:26:28 | |
For the right girl, I will pay half that amount. | 0:26:33 | 0:26:36 | |
£4,000 is my lowest price, you will understand, | 0:26:36 | 0:26:40 | |
-the risks are too great for anything less. -Too much. | 0:26:40 | 0:26:44 | |
Then I walk away. | 0:26:44 | 0:26:46 | |
£4,000 - my final price. | 0:26:46 | 0:26:50 | |
Michael, take note. | 0:26:54 | 0:26:56 | |
Yes. | 0:26:56 | 0:26:59 | |
-Well, it's best I go. -HE LAUGHS | 0:27:01 | 0:27:04 | |
Grace, no open door. | 0:27:06 | 0:27:09 | |
THEY SPEAK THEIR OWN LANGUAGE | 0:27:14 | 0:27:16 | |
Ready? | 0:27:38 | 0:27:40 | |
Mm-hmm. | 0:27:40 | 0:27:42 | |
Bring all your dolls. | 0:27:47 | 0:27:48 | |
-Have you got them all? -Yeah. | 0:27:48 | 0:27:50 | |
Good girl. | 0:27:50 | 0:27:51 | |
This is great, this is going to be your first play date. | 0:27:54 | 0:27:57 | |
Here we go. | 0:28:03 | 0:28:04 | |
DOORBELL RINGS | 0:28:09 | 0:28:11 | |
-And be nice. -I am nice. | 0:28:11 | 0:28:15 | |
She's just upstairs. | 0:28:15 | 0:28:17 | |
Rosemary! | 0:28:19 | 0:28:21 | |
Come down. | 0:28:27 | 0:28:28 | |
Hello, Rosemary. Are you going to say hi? | 0:28:37 | 0:28:40 | |
Hi. | 0:28:40 | 0:28:43 | |
This is Ellie, my daughter, she's come to have a play. | 0:28:43 | 0:28:46 | |
-Are you going to show all your toys? -They're not toys! | 0:28:46 | 0:28:50 | |
Sorry, sorry. Your dolls. | 0:28:50 | 0:28:52 | |
This is Molly and this is Natasha. | 0:28:55 | 0:28:59 | |
Do you want to dress her? | 0:28:59 | 0:29:01 | |
Here. | 0:29:01 | 0:29:03 | |
It must have been a hell of a fight... | 0:29:08 | 0:29:10 | |
..between the father and the policeman. | 0:29:12 | 0:29:14 | |
I just hope you know what you're doing. | 0:29:15 | 0:29:18 | |
I need to know who was on that plane with her. | 0:29:18 | 0:29:21 | |
I'm told the traffickers know the house | 0:29:25 | 0:29:28 | |
of every carer in the borough. | 0:29:28 | 0:29:30 | |
Did you know that? | 0:29:30 | 0:29:31 | |
-Yeah. -I didn't. | 0:29:33 | 0:29:37 | |
Do you want to feel her hair? | 0:29:38 | 0:29:40 | |
Do you want it? | 0:29:58 | 0:30:00 | |
Here you go. | 0:30:03 | 0:30:04 | |
It looks really nice on you. | 0:30:11 | 0:30:13 | |
It can be our little friendship bracelet. | 0:30:13 | 0:30:15 | |
And I'll have mine on | 0:30:15 | 0:30:17 | |
and that'll mean we'll stay friends forever. | 0:30:17 | 0:30:20 | |
Oh, girl... | 0:30:33 | 0:30:35 | |
Miss! | 0:30:35 | 0:30:37 | |
-You live here? -Who's asking? | 0:30:39 | 0:30:42 | |
The Queen of England. | 0:30:47 | 0:30:49 | |
I might do. | 0:30:50 | 0:30:52 | |
-You might do? -Yeah. -Who do you live there with, huh? | 0:30:52 | 0:30:55 | |
A little foreign girl. | 0:30:55 | 0:30:57 | |
-A little foreign girl? -Hmm-hmm. -What does she look like? | 0:30:57 | 0:31:00 | |
-She's little. -Little... -She's foreign. -Yes? -And she's a girl. | 0:31:00 | 0:31:05 | |
Thank you. | 0:31:06 | 0:31:08 | |
OK, this is a fun game. This is called Name the Face. | 0:31:17 | 0:31:21 | |
OK? I put a picture down | 0:31:21 | 0:31:23 | |
-and you've got to tell me who it is. -OK. | 0:31:23 | 0:31:25 | |
Ready? Fingers on buzzers, please, let's go. | 0:31:25 | 0:31:28 | |
Dad! | 0:31:28 | 0:31:29 | |
-Name? -Dad! -That's right, D-A-D, Dad. | 0:31:29 | 0:31:32 | |
-Barney! -Barney, we love Barney. | 0:31:33 | 0:31:36 | |
Her! It's her! | 0:31:36 | 0:31:38 | |
-Cat's mother? What's her name? -Erm... -April. | 0:31:38 | 0:31:41 | |
Good girl. April. Good girl, Rosemary. | 0:31:41 | 0:31:43 | |
-Nelson! -Mr Mandela to you, young lady. | 0:31:54 | 0:31:58 | |
Me, me, me, me, me, me, me, me! It's me! | 0:32:09 | 0:32:11 | |
-Me, me, me! What's your name? -Ellie! | 0:32:11 | 0:32:14 | |
Ellie, good girl, two to Rosemary. Very good, Rosemary. | 0:32:14 | 0:32:17 | |
Erm...Dad, another one. | 0:32:29 | 0:32:32 | |
Pingu! | 0:32:35 | 0:32:37 | |
Rosemary? | 0:32:41 | 0:32:42 | |
Are you feeling OK? | 0:32:43 | 0:32:45 | |
Do you know who this is? | 0:32:59 | 0:33:01 | |
I can help you, Rosemary. | 0:33:13 | 0:33:15 | |
Dad, why aren't we moving? | 0:33:34 | 0:33:38 | |
Hey, babe, we're back! | 0:33:48 | 0:33:50 | |
How was your day? | 0:33:53 | 0:33:55 | |
Mummy! | 0:33:55 | 0:33:57 | |
-Did you miss us? -Where have you been? -I told you we'd be late. | 0:33:59 | 0:34:03 | |
-Your mobile's switched off. -Oh, it's on now. | 0:34:04 | 0:34:07 | |
-We've been playing with Rosemary, haven't we, Dad? -Yes. | 0:34:07 | 0:34:11 | |
-Rosemary? -It's not a big deal. | 0:34:11 | 0:34:13 | |
Is that the girl from the photograph? | 0:34:13 | 0:34:15 | |
Ali, it's not a big deal. OK? It was a last-minute decision. | 0:34:15 | 0:34:18 | |
-She enjoyed it! -She's really nice. | 0:34:18 | 0:34:21 | |
She enjoyed it. | 0:34:22 | 0:34:24 | |
What in the name of God are you playing at? | 0:34:24 | 0:34:27 | |
Hey, let's go next door. Put the telly on, OK? | 0:34:27 | 0:34:29 | |
I'll bring you a cookie in a minute, close the door. | 0:34:29 | 0:34:32 | |
-Anthony. -What? -The playmate you've chosen for Ellie | 0:34:32 | 0:34:35 | |
is somebody's idea of how to make money. | 0:34:35 | 0:34:37 | |
What if they were watching the house? They weren't. | 0:34:37 | 0:34:41 | |
What if they saw Ellie and thought...she's nice. | 0:34:41 | 0:34:44 | |
-That's ridiculous! -Oh, you think so? -She was safe. | 0:34:44 | 0:34:48 | |
You used her. | 0:34:48 | 0:34:49 | |
We agreed you'd never bring this home and you have. | 0:34:51 | 0:34:54 | |
Come on, then! Let's be having you, let's get to work, come on! | 0:34:56 | 0:35:00 | |
Hey, not you, Danny. Stay there, Dan. | 0:35:05 | 0:35:08 | |
Georgie, come on, mate, we'll earn some money tonight. | 0:35:08 | 0:35:11 | |
Let's go to work. Come on, boy. | 0:35:11 | 0:35:13 | |
Come. | 0:35:13 | 0:35:15 | |
Too much mouth, Danny! | 0:35:15 | 0:35:17 | |
Put them down there and get your wellies on. | 0:35:20 | 0:35:23 | |
THEY SPEAK RUSSIAN | 0:35:23 | 0:35:26 | |
Georgie, wipe down the tables, boy. | 0:35:52 | 0:35:56 | |
Right. | 0:35:56 | 0:35:57 | |
BANGING | 0:36:42 | 0:36:44 | |
Kim Pak? | 0:37:08 | 0:37:09 | |
Kim Pak? | 0:37:09 | 0:37:11 | |
CONTINUES IN VIETNAMESE | 0:37:11 | 0:37:14 | |
Kim Pak? | 0:37:18 | 0:37:20 | |
HE SPEAKS IN VIETNAMESE | 0:37:43 | 0:37:47 | |
HE LAUGHS | 0:37:51 | 0:37:54 | |
HE SCREAMS IN DELIGHT | 0:38:10 | 0:38:13 | |
HE SHOUTS IN VIETNAMESE | 0:38:19 | 0:38:22 | |
TYRES SQUEAL, ENGINE REVS | 0:38:43 | 0:38:46 | |
HE SHOUTS IN VIETNAMESE | 0:39:09 | 0:39:11 | |
HORNS BLARE | 0:39:16 | 0:39:17 | |
HE SHOUTS | 0:39:28 | 0:39:30 | |
CAR SPEEDS UP | 0:39:42 | 0:39:44 | |
Let me out! | 0:39:49 | 0:39:51 | |
BRAKES SQUEAL | 0:39:53 | 0:39:56 | |
CRASH | 0:40:01 | 0:40:03 | |
DRIVER SPEAKS IN VIETNAMESE | 0:40:13 | 0:40:15 | |
Oi! | 0:40:32 | 0:40:33 | |
What are you playing at? | 0:40:34 | 0:40:36 | |
You could have killed us! | 0:40:36 | 0:40:38 | |
Stay there! I'll call the police. Stay there. Stay there! | 0:40:38 | 0:40:43 | |
Hey! | 0:40:43 | 0:40:44 | |
No police! No police! | 0:40:44 | 0:40:47 | |
-No police. No phone. No police. -OK. | 0:40:47 | 0:40:51 | |
SIRENS IN DISTANCE | 0:41:01 | 0:41:03 | |
OK. Just try not to panic. | 0:41:20 | 0:41:22 | |
Basil. | 0:41:25 | 0:41:26 | |
Basil, go on then, tear off some basil. | 0:41:26 | 0:41:29 | |
What's the matter with cheesy beans? That's what I want. | 0:41:29 | 0:41:33 | |
Lots of chilli, please. | 0:41:33 | 0:41:35 | |
Chilli. Oh, my God. | 0:41:35 | 0:41:38 | |
PHONE RINGS | 0:41:38 | 0:41:39 | |
Oh, dear, I can't eat all that chilli. | 0:41:39 | 0:41:42 | |
Carter. | 0:41:42 | 0:41:43 | |
Does he speak English? | 0:41:46 | 0:41:48 | |
So we don't need a translator? OK, I'll see you soon. | 0:41:50 | 0:41:54 | |
Hi, Sonia. | 0:41:54 | 0:41:55 | |
Sorry. They called me. I told them to call you. | 0:41:55 | 0:41:57 | |
So his name is Kim Pak. | 0:41:57 | 0:41:59 | |
He's given no address, no next of kin, no contacts. | 0:41:59 | 0:42:02 | |
Found these on him. | 0:42:02 | 0:42:04 | |
Hello, Kim Pak. | 0:42:09 | 0:42:10 | |
How are you feeling? | 0:42:12 | 0:42:13 | |
If you send me to Vietnam, they will kill me. | 0:42:13 | 0:42:16 | |
-Who will kill you? -Gangster. -Who are the gangsters? | 0:42:16 | 0:42:20 | |
Who brought you into the country, Kim Pak? | 0:42:21 | 0:42:25 | |
You probably have cannabis in your blood. | 0:42:25 | 0:42:28 | |
You have cannabis in your pockets. | 0:42:28 | 0:42:31 | |
If you aren't prepared to tell me where you've been, | 0:42:31 | 0:42:34 | |
what you've been doing and who you have been working for, all I see is a criminal. | 0:42:34 | 0:42:38 | |
Just go home now, I need to go to sleep. | 0:42:40 | 0:42:42 | |
Kim Pak, you're too young to be alone without any friends, | 0:42:44 | 0:42:48 | |
you have to trust somebody. | 0:42:48 | 0:42:49 | |
Don't go too far now, Rosemary. | 0:43:02 | 0:43:04 | |
Oooh, that's nice. | 0:43:27 | 0:43:29 | |
It's like a little person, isn't it? | 0:43:29 | 0:43:32 | |
Shall we have some peas? | 0:43:32 | 0:43:35 | |
DOORBELL RINGS | 0:44:31 | 0:44:34 | |
Wait there, Rosemary. | 0:44:35 | 0:44:38 | |
Who is it? Who is it? | 0:44:42 | 0:44:45 | |
Madam, I am looking for my niece. | 0:44:45 | 0:44:48 | |
I think she might be staying with you. | 0:44:48 | 0:44:51 | |
She made a promise she would call. | 0:44:51 | 0:44:53 | |
Rosemary, go back into the kitchen. | 0:44:57 | 0:44:59 | |
-(Go back!) -Hello? | 0:44:59 | 0:45:01 | |
You have the wrong house. | 0:45:02 | 0:45:04 | |
Can I speak with your husband, please? | 0:45:06 | 0:45:08 | |
-I said you have the wrong house. -One minute of his time. | 0:45:08 | 0:45:12 | |
-April? What's going on? -Keisha, go back upstairs. | 0:45:12 | 0:45:14 | |
-Who is it? -Go into your room, OK? -What does he want? -I don't know. | 0:45:14 | 0:45:18 | |
I said you have the wrong house. Now I'm calling the police! | 0:45:18 | 0:45:22 | |
That is a pity. | 0:45:23 | 0:45:25 | |
You see, my niece, she swore an oath. | 0:45:26 | 0:45:29 | |
She made a promise she would call. | 0:45:29 | 0:45:31 | |
Her family will be worried. They will be frightened. | 0:45:33 | 0:45:37 | |
Get away from my house now! I'm calling the police! | 0:45:37 | 0:45:42 | |
GO! GO! | 0:45:42 | 0:45:44 | |
-What's going on? -Keisha, please go up stairs. -What does he want? | 0:46:02 | 0:46:06 | |
I'm going to find out. Please go to your room and stay there. | 0:46:06 | 0:46:08 | |
(Please.) | 0:46:11 | 0:46:12 | |
I need a reason not to lock him up. | 0:46:14 | 0:46:16 | |
-Well, he's afraid. -I need him to give me that reason. | 0:46:16 | 0:46:20 | |
Just give him time, please. | 0:46:20 | 0:46:22 | |
OK. He's 16, he's a minor, | 0:46:23 | 0:46:26 | |
he might be in need of further medical attention, | 0:46:26 | 0:46:29 | |
-he has to be in a hospital or Social. OK? -Yeah. | 0:46:29 | 0:46:32 | |
Sonia, you need to let me know where he is | 0:46:32 | 0:46:34 | |
-and warn him he needs to talk. -Thanks, Anthony. -PHONE RINGS | 0:46:34 | 0:46:38 | |
OK. Carter. | 0:46:38 | 0:46:39 | |
It's April. | 0:46:39 | 0:46:40 | |
Yeah. | 0:46:41 | 0:46:43 | |
I've had a visitor. | 0:46:43 | 0:46:44 | |
Is he still there? | 0:46:44 | 0:46:46 | |
I think he's gone. | 0:46:46 | 0:46:47 | |
Rosemary? | 0:46:53 | 0:46:54 | |
What? April, what is it? | 0:46:54 | 0:46:57 | |
Oh, my God! | 0:46:58 | 0:47:00 | |
April, is she still there? | 0:47:00 | 0:47:02 | |
April, is she still there? Tell me she's still there. | 0:47:02 | 0:47:06 | |
I'm just checking the back. | 0:47:06 | 0:47:08 | |
Rosemary!? | 0:47:08 | 0:47:09 | |
The gate's open. I locked the gate. | 0:47:12 | 0:47:16 | |
Rosemary! | 0:47:18 | 0:47:19 | |
April, is she still there? | 0:47:19 | 0:47:20 | |
ROSEMARY! | 0:47:20 | 0:47:22 | |
I can't see her. | 0:47:22 | 0:47:24 | |
ROSEMARY! | 0:47:27 | 0:47:29 | |
SHE SOBS | 0:47:37 | 0:47:39 | |
Anthony, I'm sorry. She's gone. I'll find her. | 0:47:42 | 0:47:46 | |
SHE PANTS HEAVILY | 0:48:16 | 0:48:17 | |
MOBILE RINGS | 0:48:54 | 0:48:57 | |
Who is this? | 0:49:01 | 0:49:02 | |
This is Rosemary. I have the name of the road for you. | 0:49:02 | 0:49:06 | |
-Do you know him? -Am I supposed to know every black man in the city? | 0:49:08 | 0:49:12 | |
He's a trafficker. | 0:49:12 | 0:49:14 | |
Do you remember that little girl I told you about - Rosemary? | 0:49:19 | 0:49:23 | |
She's gone. | 0:49:23 | 0:49:25 | |
She ran. | 0:49:25 | 0:49:27 | |
Maybe to him. | 0:49:27 | 0:49:29 | |
Look, I know what it cost you to get that passport - | 0:49:32 | 0:49:36 | |
maybe the best five years of your life. | 0:49:36 | 0:49:39 | |
And all those men. | 0:49:39 | 0:49:42 | |
And I'm sorry... but it begins with someone like him. | 0:49:43 | 0:49:47 | |
It begins with the demand. | 0:49:47 | 0:49:49 | |
He is the supply. Economics. | 0:49:49 | 0:49:52 | |
So you do know him? | 0:49:52 | 0:49:55 | |
What about me? | 0:49:59 | 0:50:01 | |
Can you help me? | 0:50:02 | 0:50:03 | |
All I can promise you is that I'll inform the Home Office | 0:50:03 | 0:50:07 | |
that you co-operated with the investigation. | 0:50:07 | 0:50:10 | |
That's...that's the best I can do. | 0:50:10 | 0:50:12 | |
Do you know him? | 0:50:16 | 0:50:18 | |
No. | 0:50:18 | 0:50:19 | |
-But I can tell you about the girl. -That's his daughter. | 0:50:24 | 0:50:27 | |
You don't think so? | 0:50:29 | 0:50:30 | |
She's afraid. She's hiding underneath that hat. | 0:50:30 | 0:50:33 | |
She's pretending to be older than she is, | 0:50:33 | 0:50:36 | |
with the high shoes, the clothes. | 0:50:36 | 0:50:38 | |
I think she is stolen. | 0:50:40 | 0:50:41 | |
Come! | 0:50:49 | 0:50:51 | |
Any problems, you know where to find me... | 0:51:12 | 0:51:15 | |
..and when she gets a little older, | 0:51:16 | 0:51:18 | |
when she looks more like a woman, maybe I'll take her back. | 0:51:18 | 0:51:23 | |
Look at me. | 0:51:26 | 0:51:27 | |
Work hard, like I told you. | 0:51:29 | 0:51:31 | |
Is that you? | 0:51:57 | 0:51:59 | |
-I think so, yes. -And the girl? | 0:52:02 | 0:52:04 | |
Serena, my daughter. | 0:52:04 | 0:52:07 | |
Can I talk to Serena? | 0:52:07 | 0:52:09 | |
-Why? -Why, is it a problem if I want to talk to her? | 0:52:09 | 0:52:12 | |
Exactly - is there a problem? You tell me. | 0:52:12 | 0:52:16 | |
Serena! | 0:52:19 | 0:52:20 | |
Hello, Serena. | 0:52:49 | 0:52:51 | |
I'm going to ask you a question. | 0:52:53 | 0:52:55 | |
Do you know this little girl? | 0:52:56 | 0:52:59 | |
No...I have never seen her before. | 0:52:59 | 0:53:02 | |
Never. | 0:53:02 | 0:53:03 | |
Who did you visit in Lagos? | 0:53:03 | 0:53:06 | |
My grandmother, my aunties and some clients with my father. | 0:53:08 | 0:53:11 | |
Serena is learning the business. | 0:53:11 | 0:53:13 | |
Can you tell me who this man is? | 0:53:22 | 0:53:24 | |
It is my father - not a very good picture. | 0:53:24 | 0:53:27 | |
-Not a good picture of me nor you, Serena. -HE CHUCKLES | 0:53:27 | 0:53:32 | |
Thanks. | 0:53:36 | 0:53:38 | |
EKOKU SPEAKS NIGERIAN LANGUAGE | 0:53:38 | 0:53:41 | |
No problem. Now, if you will excuse me, | 0:53:43 | 0:53:46 | |
I believe our business here is finished. | 0:53:46 | 0:53:49 | |
Make sure you finish before you come out here. | 0:54:05 | 0:54:08 | |
It's done. | 0:54:11 | 0:54:13 | |
So now you have a house-girl. | 0:54:13 | 0:54:15 | |
Ah, Grace, you know we have children to take care of, | 0:54:15 | 0:54:18 | |
businesses to run, and you are pregnant. | 0:54:18 | 0:54:20 | |
-I don't want it in this house. -You just have to be patient with her. | 0:54:20 | 0:54:24 | |
Ah, you, go through. | 0:54:24 | 0:54:26 | |
-Is she clean? -What? -Is she clean? Does she have lice, infection? | 0:54:29 | 0:54:33 | |
-Listen, I am trying to talk to you. -I am listening to you talk. | 0:54:33 | 0:54:37 | |
Wait. Grace, she is necessary. | 0:54:37 | 0:54:40 | |
Ah-ah! What do you mean? This is not Nigeria, my friend. | 0:54:40 | 0:54:43 | |
You are not a politician - you are an ordinary man. | 0:54:43 | 0:54:47 | |
-Grace, take it easy. -I don't want her sleeping on my sofa. -Fine! | 0:54:47 | 0:54:51 | |
-Listen, I'm trying to talk to you. -I'm listening to you talk! -Wait. | 0:54:51 | 0:54:54 | |
Hah? Bringing another person into this house! | 0:54:54 | 0:54:57 | |
We shouldn't be doing this in front of the children anyway. | 0:54:57 | 0:55:00 | |
CAR DOORS SHUT | 0:55:27 | 0:55:29 | |
PEOPLE CHATTER | 0:55:35 | 0:55:37 | |
-All right, Sean? -Yes, boss. Thank you. | 0:55:37 | 0:55:40 | |
What about me, boss? | 0:55:45 | 0:55:47 | |
Not this time, George, eh? Maybe next week. | 0:55:47 | 0:55:49 | |
-Next week?! -Maybe. -I work hard, I work all this week! | 0:55:49 | 0:55:53 | |
-Maybe, eh? Maybe. -He has worked hard. -Shut it, Sean! | 0:55:53 | 0:55:57 | |
You got something to say to me, say it in private! | 0:55:57 | 0:56:00 | |
-I'm only saying he's worked hard. -I work in the house! | 0:56:00 | 0:56:03 | |
I work in the factory! I work hard for you!! | 0:56:03 | 0:56:06 | |
George... | 0:56:06 | 0:56:08 | |
you've said enough. | 0:56:08 | 0:56:10 | |
Leave it. | 0:56:10 | 0:56:11 | |
GEORGE GROANS | 0:56:13 | 0:56:15 | |
CARTER: So is there anything you want to tell me? | 0:56:38 | 0:56:41 | |
About this place? | 0:56:41 | 0:56:42 | |
Anything at all? | 0:56:44 | 0:56:46 | |
What about the other boy? | 0:56:49 | 0:56:51 | |
There was another boy in the car, when you crashed. | 0:56:55 | 0:56:58 | |
Is he happy, do you think? Is he safe? | 0:57:00 | 0:57:03 | |
-He will not be killed. -No, but you will. | 0:57:06 | 0:57:10 | |
-Yes. -By gangsters. | 0:57:10 | 0:57:13 | |
OK. This is my home. This is where I work. | 0:57:21 | 0:57:24 | |
Why escape? | 0:57:42 | 0:57:44 | |
Why run? | 0:57:44 | 0:57:46 | |
If you knew they would kill you, why risk it? | 0:57:47 | 0:57:51 | |
There must have been a reason. | 0:57:52 | 0:57:54 | |
I wanted to sleep... | 0:57:57 | 0:57:59 | |
..to sleep in the dark. | 0:58:01 | 0:58:02 | |
-Take it easy. -It's you she gets it from. | 0:58:10 | 0:58:13 | |
Ah, she doesn't get it from me! It's your dad she gets it from. | 0:58:13 | 0:58:16 | |
Why are you teaching him that? | 0:58:16 | 0:58:18 | |
LAUGHTER | 0:58:24 | 0:58:26 | |
-Did you wash your hands? -Yes, miss. | 0:58:33 | 0:58:36 | |
Did you scrub them? Properly, with soap? | 0:58:36 | 0:58:39 | |
Yes, miss. | 0:58:39 | 0:58:40 | |
Do it again. | 0:58:44 | 0:58:46 | |
-Eat your food now and stop playing. -WATER RUNS | 0:58:50 | 0:58:54 | |
Manda? | 0:58:54 | 0:58:56 | |
It's Thomas Ekoku and his daughter. Look at her shoes. | 0:58:56 | 0:58:59 | |
-Heels. -So? -And she comes to just below his shoulder. | 0:58:59 | 0:59:04 | |
But the Serena we saw came to his shoulder at least. | 0:59:04 | 0:59:07 | |
In flats... | 0:59:07 | 0:59:08 | |
..different girls. | 0:59:10 | 0:59:12 | |
The girl in the cap, the girl you passed off as your daughter. | 0:59:19 | 0:59:23 | |
-Who is she? -My daughter. | 0:59:23 | 0:59:25 | |
Where is she? Sold? | 0:59:25 | 0:59:27 | |
At home. | 0:59:27 | 0:59:29 | |
How much did you get for Rosemary, when you sold her? | 0:59:29 | 0:59:31 | |
This is nonsense. I have no idea what you're talking about. | 0:59:31 | 0:59:34 | |
HE BANGS TABLE Who! | 0:59:34 | 0:59:35 | |
I am talking about two little girls, one of them called Rosemary. | 0:59:35 | 0:59:40 | |
Tiny, frightened little children | 0:59:40 | 0:59:42 | |
that you brought into this country and sold. | 0:59:42 | 0:59:45 | |
You are mistaken. I am not a trafficker. | 0:59:45 | 0:59:48 | |
No, that's right. | 0:59:48 | 0:59:50 | |
What you are is a slaver. A piece of shit. | 0:59:50 | 0:59:53 | |
If you have any further questions, perhaps it is best | 0:59:59 | 1:00:02 | |
I have my lawyer present. | 1:00:02 | 1:00:03 | |
But I will say one more thing. | 1:00:03 | 1:00:06 | |
These "pieces of shit" you are talking about, | 1:00:07 | 1:00:10 | |
are the English men, the Italian men, | 1:00:10 | 1:00:13 | |
the Germans, the Spanish, the French, | 1:00:13 | 1:00:16 | |
all of these educated, greedy Europeans | 1:00:16 | 1:00:21 | |
gladly pay money to abuse young African girls, | 1:00:21 | 1:00:26 | |
without ever asking who they are or where they are from. | 1:00:26 | 1:00:30 | |
I have done nothing wrong. | 1:00:30 | 1:00:32 | |
I am a hard-working British citizen. | 1:00:32 | 1:00:35 | |
I'm not a trafficker or a slaver. | 1:00:35 | 1:00:38 | |
I'm not a piece if shit, and I'm not a man you can push around. | 1:00:38 | 1:00:44 | |
I've no intention of pushing you around... | 1:00:44 | 1:00:47 | |
but I will lock you up. | 1:00:47 | 1:00:49 | |
You have upset my children, Mr Carter. | 1:00:49 | 1:00:52 | |
You have upset my little girl. | 1:00:53 | 1:00:56 | |
I believe you too have a little girl. | 1:00:56 | 1:00:58 | |
It is so hard to keep them safe. | 1:01:00 | 1:01:03 | |
-Kids, come on. -It's your fault. | 1:01:05 | 1:01:07 | |
CHILDREN BICKER | 1:01:07 | 1:01:09 | |
Stop all this arguing. Now, let's go, let's go. | 1:01:09 | 1:01:12 | |
Precious, Precious, you have your form for your teacher? | 1:01:12 | 1:01:16 | |
-Yes. -Yeah? -It's your fault... | 1:01:16 | 1:01:18 | |
We are always late. | 1:01:18 | 1:01:19 | |
OK, I have got the keys now. | 1:01:19 | 1:01:21 | |
Miss, when can I go to school? | 1:01:21 | 1:01:24 | |
Keep off the balcony and keep away from the windows. | 1:01:24 | 1:01:28 | |
I want to go to school. | 1:01:28 | 1:01:30 | |
I think you heard what I said. | 1:01:30 | 1:01:32 | |
Now, wear your coats. | 1:01:32 | 1:01:33 | |
DOOR SHUTS | 1:01:33 | 1:01:35 | |
THEY SPEAK VARIOUS LANGUAGES | 1:01:47 | 1:01:49 | |
Georgie. Come on, George. | 1:02:33 | 1:02:36 | |
Come on, boy, come with me. Come on, son. | 1:02:36 | 1:02:39 | |
You said I could trust you, Georgie. | 1:02:54 | 1:02:57 | |
Yes, boss, you can trust me. | 1:02:58 | 1:03:00 | |
What's this, Georgie? | 1:03:03 | 1:03:04 | |
It was you, wasn't it? | 1:03:07 | 1:03:09 | |
It was you, Georgie. | 1:03:11 | 1:03:13 | |
"I work for no money"? | 1:03:14 | 1:03:17 | |
I trusted you, Georgie. | 1:03:18 | 1:03:20 | |
Now...I've got no money. | 1:03:20 | 1:03:23 | |
-Luka, take his clothes! -No! -Take his shoes, take his jacket. | 1:03:24 | 1:03:28 | |
Hand it over, Georgie. | 1:03:28 | 1:03:30 | |
No! | 1:03:30 | 1:03:31 | |
Knows his sandwiches?! | 1:03:36 | 1:03:38 | |
Get out of here, Georgie! Live on the streets where you belong! | 1:03:38 | 1:03:41 | |
SHE SOBS | 1:04:00 | 1:04:02 | |
Why are you looking? | 1:04:20 | 1:04:21 | |
I want to have a job! | 1:04:23 | 1:04:24 | |
I want to have a life like you! | 1:04:24 | 1:04:28 | |
I want to have a good life! | 1:04:29 | 1:04:30 | |
I want the chance to have a good job! | 1:04:33 | 1:04:36 | |
I want to have money, to give for my mum. | 1:04:36 | 1:04:41 | |
HE SOBS | 1:04:48 | 1:04:50 | |
Mama. | 1:05:01 | 1:05:03 | |
Mama, Mama! | 1:05:03 | 1:05:08 | |
Mum... | 1:05:17 | 1:05:18 | |
YOUTHS LAUGH AND CHATTER | 1:06:08 | 1:06:11 | |
Go! Come on, you rich people, come on. | 1:06:15 | 1:06:19 | |
LAUGHTER | 1:06:19 | 1:06:21 | |
You... You have all... | 1:06:26 | 1:06:28 | |
You have all nice... | 1:06:28 | 1:06:29 | |
HE WHIMPERS | 1:07:33 | 1:07:35 | |
Georgie? | 1:07:47 | 1:07:48 | |
Mama? | 1:07:52 | 1:07:53 | |
SHE MURMURS | 1:07:55 | 1:07:57 | |
'Stab wound to the stomach.' | 1:08:55 | 1:08:57 | |
He was found there this morning so he could have been there some time. | 1:08:57 | 1:09:00 | |
That was found on him. | 1:09:00 | 1:09:03 | |
Thanks. | 1:09:08 | 1:09:09 | |
-TV: -This four-bedroomed house needs quite a lot of work before... | 1:09:25 | 1:09:29 | |
Hey, Kim Pak. | 1:09:37 | 1:09:38 | |
You OK? | 1:09:40 | 1:09:42 | |
I don't know what's going to happen next. | 1:09:45 | 1:09:48 | |
There's a chance you could be taken out of here. | 1:09:50 | 1:09:54 | |
Put into a young offenders' institution. | 1:09:55 | 1:09:57 | |
Prison. | 1:10:00 | 1:10:01 | |
You might stay in prison. | 1:10:06 | 1:10:08 | |
They might send you back to Vietnam. | 1:10:12 | 1:10:14 | |
Right now, you could pack your bag and walk out the door. | 1:10:17 | 1:10:23 | |
Disappear, to another city... | 1:10:26 | 1:10:29 | |
..to a place where you could sleep... | 1:10:31 | 1:10:34 | |
..safely. | 1:10:35 | 1:10:36 | |
You're a survivor, Kim Pak. You could do that. | 1:10:40 | 1:10:42 | |
Yeah. | 1:10:44 | 1:10:45 | |
If you do walk out the door... | 1:10:49 | 1:10:51 | |
..I will not come to find you. | 1:10:54 | 1:10:56 | |
I'm too busy. | 1:10:58 | 1:10:59 | |
WOMEN SPEAK RUSSIAN | 1:11:19 | 1:11:22 | |
WASHING MACHINE SPINS | 1:12:42 | 1:12:44 | |
Excuse me, girl. | 1:12:59 | 1:13:01 | |
What do you think you're doing? Come here. | 1:13:02 | 1:13:05 | |
Hmm? | 1:13:10 | 1:13:12 | |
I said, what do you think you are doing? | 1:13:12 | 1:13:15 | |
Can you remove that, please?! | 1:13:16 | 1:13:17 | |
Uh-uh! What kind of nonsense? | 1:13:17 | 1:13:20 | |
You think you're... | 1:13:20 | 1:13:22 | |
Can you take this off? Goodness me. What do you mean by this? | 1:13:22 | 1:13:26 | |
Give me this. What nonsense! You think you're something special? | 1:13:26 | 1:13:29 | |
Who said you could wear my children's clothes? Come away! | 1:13:29 | 1:13:32 | |
What do you mean? Come out from this place! | 1:13:32 | 1:13:35 | |
Who said you could wear my children's clothes? | 1:13:35 | 1:13:37 | |
Come out from here! I said move, huh?! | 1:13:37 | 1:13:41 | |
Move, shift! | 1:13:41 | 1:13:43 | |
Nonsense, stupid, rubbish girl. | 1:13:43 | 1:13:45 | |
Eh? Come out from here. | 1:13:45 | 1:13:48 | |
And stay down. I don't want anyone seeing your stupid head. | 1:13:49 | 1:13:52 | |
Get down there! Naughty girl. | 1:13:52 | 1:13:54 | |
DOOR OPENS | 1:14:21 | 1:14:24 | |
-Where are the children? -I left them with Joyce. -Joyce? | 1:14:25 | 1:14:28 | |
The children are not coming back until that girl has left this house. | 1:14:28 | 1:14:32 | |
-Where's the girl? -She's outside. -Outside where? -Outside on the balcony. | 1:14:32 | 1:14:36 | |
-Please. -I don't want her in this house, please. | 1:14:36 | 1:14:39 | |
I want her gone. | 1:14:39 | 1:14:40 | |
I don't want her touching my children, my clothes, my furniture, nothing! I want her gone! | 1:14:40 | 1:14:45 | |
-She cost us four thousand. -Uh-uh, I don't care about the money. | 1:14:45 | 1:14:48 | |
I can smell her all over my furniture. I want her gone! | 1:14:48 | 1:14:51 | |
Please, I don't care where, I just want her gone! | 1:14:51 | 1:14:54 | |
OK. | 1:14:54 | 1:14:56 | |
Girl, this is where you'll be living now...and working. | 1:15:20 | 1:15:24 | |
Listen, do not touch anything, do you understand? | 1:15:24 | 1:15:26 | |
Nothing. | 1:15:26 | 1:15:28 | |
BUZZER SOUNDS | 1:15:52 | 1:15:54 | |
BUZZER SOUNDS | 1:15:57 | 1:15:59 | |
Hello? | 1:15:59 | 1:16:01 | |
Hello. | 1:16:01 | 1:16:02 | |
You are alone, yes? | 1:16:04 | 1:16:06 | |
Who is this? | 1:16:09 | 1:16:11 | |
Someone who knows you are alone. | 1:16:11 | 1:16:13 | |
Dad? | 1:16:25 | 1:16:27 | |
Yeah? | 1:16:27 | 1:16:28 | |
Dad. Dad. | 1:16:28 | 1:16:30 | |
-What is it? -Ellie, get in the car! | 1:16:37 | 1:16:40 | |
MOBILE RINGS | 1:16:42 | 1:16:45 | |
Yeah. Hello, darling. | 1:16:48 | 1:16:50 | |
-Excuse me! -You have to do your own business. That's... Listen, you... | 1:17:17 | 1:17:22 | |
Go anywhere near my family and the moment you're locked up, | 1:17:22 | 1:17:26 | |
before you even get to court, I will have you dealt with. | 1:17:26 | 1:17:28 | |
That's not a threat, that is a promise! | 1:17:28 | 1:17:32 | |
I'll call you back. | 1:17:32 | 1:17:33 | |
I don't blame you for being angry. You're a father. | 1:17:43 | 1:17:47 | |
Don't you dare. Have I made myself clear? | 1:17:47 | 1:17:50 | |
Have I made myself clear? | 1:17:51 | 1:17:54 | |
You have made yourself abundantly clear... | 1:18:00 | 1:18:03 | |
that all you really care about is yourself and your family. | 1:18:03 | 1:18:08 | |
We are the same. | 1:18:08 | 1:18:10 | |
MOBILE RINGS | 1:18:31 | 1:18:33 | |
-Carter. -We've got something. A telephone message. | 1:18:34 | 1:18:38 | |
It was left on the mobile we cloned of Thomas Ekoku. Listen to this. | 1:18:38 | 1:18:41 | |
It is David. | 1:18:43 | 1:18:45 | |
My wife, she...isn't happy with our recent purchase. | 1:18:45 | 1:18:49 | |
I would like to return it as quickly as possible. | 1:18:49 | 1:18:52 | |
Not for all of the money but for at least half. | 1:18:52 | 1:18:55 | |
I know you can sell her on, so please, no arguments about the fee, | 1:18:55 | 1:18:59 | |
no games. | 1:18:59 | 1:19:00 | |
-"I know you can sell her on." -Have you got the caller's number? | 1:19:01 | 1:19:04 | |
A phone box, Upper Road, just off Oxford Road. | 1:19:04 | 1:19:07 | |
It's loaded with traffic cameras. | 1:19:07 | 1:19:09 | |
We've got him. | 1:19:09 | 1:19:11 | |
I'm going to look inside, you stay here out the front. | 1:19:11 | 1:19:14 | |
(Rosemary.) | 1:19:47 | 1:19:48 | |
-What are you doing? -Police. | 1:19:56 | 1:19:58 | |
-Rosemary. -Go, go, go, go. | 1:19:58 | 1:20:00 | |
Rosemary. Rosemary! | 1:20:00 | 1:20:02 | |
Rosemary! | 1:20:02 | 1:20:04 | |
Go. Run. Run! | 1:20:04 | 1:20:05 | |
Rosemary! | 1:20:05 | 1:20:07 | |
Rosemary, stay there, don't move. | 1:20:12 | 1:20:13 | |
-She's just a child! -You know nothing! | 1:20:13 | 1:20:16 | |
Stand back from the door, stand back! | 1:20:16 | 1:20:18 | |
HE KICKS THE DOOR | 1:20:18 | 1:20:20 | |
SHOUTING | 1:20:23 | 1:20:26 | |
-Did you see her? She came out of here, did you see her?! -No! | 1:20:46 | 1:20:50 | |
-She'll call. -Oh, fuck! -She'll call. | 1:20:50 | 1:20:54 | |
'Is very cheapest one, is very cheapest one.' | 1:21:21 | 1:21:24 | |
MOBILE RINGS | 1:21:44 | 1:21:46 | |
'Hello, Mister. | 1:21:48 | 1:21:50 | |
'This is Rosemary. | 1:21:50 | 1:21:53 | |
'I have the name of the road for you.' | 1:21:53 | 1:21:55 | |
Let's go. | 1:21:55 | 1:21:57 | |
PHONE RINGS | 1:22:05 | 1:22:08 | |
Hello? | 1:22:09 | 1:22:11 | |
Hello? Hello? | 1:22:11 | 1:22:14 | |
Rosemary? | 1:22:15 | 1:22:17 | |
Hey, hey, hey... | 1:22:17 | 1:22:20 | |
Hey. | 1:22:20 | 1:22:22 | |
You're safe now, Rosemary. Shh. | 1:22:22 | 1:22:24 | |
Hey, sweetheart, shh. I'm not going to hurt you. I'm not going to hurt you. | 1:22:24 | 1:22:28 | |
Nobody, nobody is going to hurt you. | 1:22:28 | 1:22:30 | |
I promise you. Shh, shh, shh... | 1:22:30 | 1:22:33 | |
Hey, hey, you're safe, you're safe now. | 1:22:33 | 1:22:36 | |
Rosemary, this is Anna, the lady I told you about. | 1:22:41 | 1:22:45 | |
Hello, Rosemary. | 1:22:53 | 1:22:55 | |
I really wanted to meet you. | 1:23:04 | 1:23:07 | |
Because I believe we are the same. | 1:23:07 | 1:23:09 | |
You see? | 1:23:16 | 1:23:18 | |
And I've never told this to anyone, not one person. | 1:23:19 | 1:23:22 | |
I was a little older than you but I was still very scared. | 1:23:22 | 1:23:26 | |
And I believed bad things would happen if I did not do as I was told. | 1:23:28 | 1:23:33 | |
So I did as I was told. | 1:23:33 | 1:23:35 | |
But bad things still happened. | 1:23:37 | 1:23:40 | |
Terrible things. | 1:23:42 | 1:23:43 | |
I was lonely... | 1:23:52 | 1:23:54 | |
..afraid... | 1:23:55 | 1:23:56 | |
All I could do was cry and pray. | 1:23:59 | 1:24:02 | |
Then one day a voice inside me said, "Anna... | 1:24:04 | 1:24:07 | |
"..only you can make these bad things stop." | 1:24:08 | 1:24:11 | |
Who? | 1:24:11 | 1:24:12 | |
I don't know. | 1:24:13 | 1:24:15 | |
Maybe it was me. | 1:24:15 | 1:24:18 | |
My heart. | 1:24:18 | 1:24:19 | |
But I found the strength to say, "Enough!" | 1:24:20 | 1:24:24 | |
"My name is Anna and I swear to myself I will save myself! | 1:24:25 | 1:24:28 | |
"I swear." | 1:24:30 | 1:24:32 | |
And do you know what happened next? | 1:24:36 | 1:24:38 | |
Good things happened next. | 1:24:38 | 1:24:40 | |
School. | 1:24:43 | 1:24:45 | |
Friends. | 1:24:45 | 1:24:47 | |
Good things. | 1:24:47 | 1:24:48 | |
All because I listened to what is in here. | 1:24:49 | 1:24:52 | |
Inside. | 1:24:52 | 1:24:53 | |
And in here. | 1:24:56 | 1:24:57 | |
We are the same. | 1:24:59 | 1:25:01 | |
We are good women. | 1:25:03 | 1:25:05 | |
Number five. | 1:26:02 | 1:26:05 | |
Good girl. | 1:26:05 | 1:26:06 | |
CHILDREN SING IN ANOTHER ROOM | 1:26:14 | 1:26:17 | |
# We are marching to where freedom begins | 1:26:32 | 1:26:35 | |
# We are marching to where freedom begins | 1:26:36 | 1:26:40 | |
# We are marching to where freedom begins | 1:26:40 | 1:26:45 | |
# We are marching, we are marching | 1:26:45 | 1:26:49 | |
# We are marching to where freedom begins | 1:26:49 | 1:26:54 | |
# We are marching, we are marching | 1:26:54 | 1:26:59 | |
# We are marching to where freedom begins... # | 1:26:59 | 1:27:03 | |
Daddy, Daddy! Daddy! | 1:27:05 | 1:27:09 | |
-How are you? -I'm fine. -Yeah? -Yeah. | 1:27:16 | 1:27:18 | |
Did you have a good day at school today? Was it a good day? | 1:27:18 | 1:27:22 | |
-Mmm. -Yeah? | 1:27:22 | 1:27:24 | |
Good girl. | 1:27:24 | 1:27:25 | |
PLANE ROARS OVERHEAD | 1:27:30 | 1:27:34 | |
Subtitles by Red Bee Media Ltd | 1:29:16 | 1:29:18 | |
E-mail [email protected] | 1:29:18 | 1:29:21 |