
Browse content similar to The Night Watch. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains scenes of a sexual nature. | 0:00:02 | 0:00:09 | |
If you go to the cinema mid way through a film, | 0:00:11 | 0:00:14 | |
you watch the second half first, don't you? | 0:00:14 | 0:00:18 | |
So you see how the characters end up in the story. | 0:00:18 | 0:00:21 | |
'In spite of shortages and rationing...' | 0:00:21 | 0:00:23 | |
What happened to turn them into the people they became... | 0:00:23 | 0:00:26 | |
..it's like a riddle you have to solve... | 0:00:28 | 0:00:30 | |
Get your paper! | 0:02:17 | 0:02:19 | |
No. | 0:02:36 | 0:02:38 | |
No. | 0:02:40 | 0:02:42 | |
Try to keep an open mind, Mr Bryant. | 0:02:42 | 0:02:45 | |
-No. -How about this one? | 0:02:45 | 0:02:47 | |
New in last week. Enjoys dressmaking, walking and... | 0:02:48 | 0:02:51 | |
No-one in spectacles. | 0:02:51 | 0:02:53 | |
Here... | 0:02:53 | 0:02:55 | |
I haven't got time for this. | 0:02:55 | 0:02:57 | |
You know the type I want. | 0:02:57 | 0:02:58 | |
If and when you get one suitable call me. | 0:02:58 | 0:03:01 | |
It's like he thinks finding the perfect woman is his reward for doing his bit in the war. | 0:03:13 | 0:03:18 | |
-What about our Forest Hill lady? -He's after someone younger. | 0:03:18 | 0:03:21 | |
I had one this morning. EX-RAF, married the girl next door - | 0:03:21 | 0:03:24 | |
came home to a peroxide blonde chasing anything in trousers. | 0:03:24 | 0:03:28 | |
War changes people. | 0:03:28 | 0:03:30 | |
Not always for the better. | 0:03:30 | 0:03:32 | |
Our two o'clock will be along. Better see if we've got anyone suitable. | 0:03:34 | 0:03:37 | |
Forever Amber is on at the Odeon. We should go one evening. | 0:03:39 | 0:03:42 | |
I'll bring my brother, he could do with a night out. You can bring your chap. | 0:03:42 | 0:03:46 | |
About time I got to meet him. | 0:03:46 | 0:03:48 | |
Sounds like fun. | 0:03:48 | 0:03:50 | |
CLOCKS CHIMING | 0:03:56 | 0:03:59 | |
Don't they drive you mad? | 0:04:06 | 0:04:08 | |
Thought we'd treat ourselves to tea in the parlour this time. | 0:04:09 | 0:04:13 | |
Fish paste all right, dear? | 0:04:14 | 0:04:17 | |
Done. | 0:04:20 | 0:04:22 | |
You don't belong in this...museum, Duncan. | 0:04:26 | 0:04:31 | |
You belong at home with Dad and me. | 0:04:31 | 0:04:34 | |
It's not like you owe him anything, is it? It's just not healthy. | 0:04:34 | 0:04:38 | |
-Do you think if we keep having this conversation, it'll come out the way you want? -Can you not even visit? | 0:04:38 | 0:04:43 | |
-Come home for Sunday lunch once in a... -I can't go back to that house! | 0:04:43 | 0:04:48 | |
You bloody know why. | 0:04:48 | 0:04:49 | |
KNOCK AT DOOR | 0:04:49 | 0:04:51 | |
Mats and cosy, Duncan. | 0:04:55 | 0:04:56 | |
Cat...or cottage? | 0:05:01 | 0:05:04 | |
The cat, why not? | 0:05:04 | 0:05:07 | |
Let's see now... | 0:05:15 | 0:05:18 | |
Thank you for the gift of food, oh Lord, | 0:05:22 | 0:05:26 | |
and we will keep in mind that lust and covetness | 0:05:26 | 0:05:29 | |
-are powerless in the face of your forgiveness. Amen. -Amen. | 0:05:29 | 0:05:34 | |
Shall I be mother? | 0:05:38 | 0:05:39 | |
PHONE RINGING | 0:05:51 | 0:05:53 | |
SIRENS WAILING | 0:05:53 | 0:05:55 | |
-'Guest house in Jostlyn Street. Six people trapped inside... -Stop it!... | 0:05:55 | 0:05:59 | |
'Section 58 call out deal with it!...' | 0:05:59 | 0:06:02 | |
# Run Rabbit, Run Rabbit, run, run, run... # | 0:06:02 | 0:06:06 | |
'Is she worth that much?...' | 0:06:06 | 0:06:08 | |
BANGING | 0:06:08 | 0:06:09 | |
Our legs are all mixed up. You can't tell which belongs to who. | 0:06:30 | 0:06:34 | |
Can I see? | 0:06:36 | 0:06:38 | |
You look so glamorous. | 0:06:42 | 0:06:44 | |
You're biased. | 0:06:46 | 0:06:47 | |
Do you think it's wrong, | 0:07:10 | 0:07:12 | |
being so happy when there's been so much suffering in the world? | 0:07:12 | 0:07:15 | |
All the more reason not to squander it. | 0:07:15 | 0:07:19 | |
Do you think I do squander it? | 0:07:19 | 0:07:20 | |
I think you feel you've forfeited the right to be happy, | 0:07:20 | 0:07:23 | |
to atone for past sins. | 0:07:23 | 0:07:26 | |
-How about present sins? -Stop! | 0:07:30 | 0:07:32 | |
-Behave! -Not until you say it. | 0:07:32 | 0:07:35 | |
You know I'll make you eventually. | 0:07:35 | 0:07:37 | |
I concede! I love you. | 0:07:37 | 0:07:40 | |
You better. | 0:07:40 | 0:07:42 | |
Hello, Duncan. | 0:07:56 | 0:07:57 | |
Fraser. | 0:08:02 | 0:08:04 | |
They said at the front desk I'd find you back here. | 0:08:05 | 0:08:09 | |
You haven't changed one iota. | 0:08:09 | 0:08:11 | |
Not one bit! | 0:08:11 | 0:08:14 | |
How did you know where to... | 0:08:14 | 0:08:15 | |
I phoned the parole office, at the scrubs. | 0:08:15 | 0:08:19 | |
Chatted up the secretary, she said to try here. | 0:08:19 | 0:08:22 | |
She said you got out just after me. | 0:08:35 | 0:08:37 | |
Six months after. | 0:08:39 | 0:08:41 | |
I never thought you'd come looking for me. | 0:08:44 | 0:08:47 | |
I wanted to see how you were getting on. | 0:08:47 | 0:08:50 | |
I'd better let you get on. | 0:08:53 | 0:08:57 | |
Give me your number, we can meet. | 0:08:57 | 0:08:59 | |
I'm not on the phone. | 0:08:59 | 0:09:01 | |
Here's my number. | 0:09:08 | 0:09:10 | |
Call me, we can have a drink... | 0:09:12 | 0:09:15 | |
Or drop round if you'd prefer. | 0:09:15 | 0:09:17 | |
Don't leave it too long, OK? | 0:09:20 | 0:09:22 | |
Hello, gorgeous. | 0:09:46 | 0:09:47 | |
You know it's coming up for six years for us? | 0:10:13 | 0:10:16 | |
You're my life raft, Viv. | 0:10:18 | 0:10:20 | |
Only you keeps me afloat. | 0:10:22 | 0:10:24 | |
If you hadn't forgiven me. | 0:10:31 | 0:10:33 | |
If you'd walked out of my life. | 0:10:33 | 0:10:36 | |
I'd have no life. | 0:10:36 | 0:10:37 | |
My love. | 0:10:39 | 0:10:41 | |
My precious girl. | 0:10:43 | 0:10:44 | |
(Reggie.) | 0:10:53 | 0:10:55 | |
We can't, not here. | 0:10:55 | 0:10:56 | |
My dearest love, let me in, please. | 0:10:56 | 0:10:59 | |
(Oh, God, yes.) | 0:11:10 | 0:11:11 | |
Say you'll never leave me. | 0:11:13 | 0:11:15 | |
Promise you'll never leave? | 0:11:17 | 0:11:19 | |
Say it again, my love. | 0:11:26 | 0:11:28 | |
You'll never leave me. | 0:11:28 | 0:11:31 | |
Say it! | 0:11:31 | 0:11:33 | |
-All the best, love. -Thank you. | 0:11:35 | 0:11:38 | |
Paper! | 0:11:38 | 0:11:39 | |
They say romance is dead. | 0:11:45 | 0:11:47 | |
It's for Dad. | 0:11:47 | 0:11:48 | |
I sometimes think he loves the Royal Family more than his own. | 0:11:49 | 0:11:52 | |
Prezzie for you. | 0:11:55 | 0:11:57 | |
Peaches for a peach. | 0:11:57 | 0:11:59 | |
Oi! Watch it, Mr! | 0:12:05 | 0:12:07 | |
Miss, I should say. | 0:12:07 | 0:12:10 | |
Stop the car! | 0:12:10 | 0:12:12 | |
-Stop! -What? What is it? -I know her! I'm sure I do! | 0:12:12 | 0:12:16 | |
Paper! | 0:12:20 | 0:12:21 | |
'Where's the fighting Spits that kept us going through the war? | 0:12:33 | 0:12:37 | |
'Everywhere people are asking how long they must go on lacking the basic things...' | 0:12:37 | 0:12:45 | |
'..and they don't only mean the food on their table | 0:12:45 | 0:12:48 | |
'and the clothes on their backs, but decent housing and jobs. | 0:12:48 | 0:12:51 | |
'It's not just our fighting spirit that's shrunken up...' | 0:12:51 | 0:12:54 | |
MUSIC BOX PLAYING | 0:12:55 | 0:12:57 | |
Glory be. | 0:13:35 | 0:13:37 | |
Finally. | 0:13:37 | 0:13:40 | |
Better late than never. | 0:13:40 | 0:13:42 | |
Two years late. | 0:13:42 | 0:13:45 | |
I swore if you ignored my last letter it'd be the last one I'd send. | 0:13:45 | 0:13:49 | |
Tardy bitch. | 0:13:53 | 0:13:56 | |
So spill, what's been going on with you? | 0:13:58 | 0:14:01 | |
I got left some money, my aunt in Holland Park with the antique shop, | 0:14:01 | 0:14:05 | |
so, I'm what you call a lady of leisure. | 0:14:05 | 0:14:08 | |
Until the well runs dry anyway. | 0:14:08 | 0:14:11 | |
You didn't fancy running the shop yourself? | 0:14:11 | 0:14:14 | |
What one earth do you do with yourself all day? | 0:14:14 | 0:14:17 | |
Walk mostly. | 0:14:17 | 0:14:18 | |
-Walk where? -Anywhere. | 0:14:18 | 0:14:20 | |
Wherever. | 0:14:22 | 0:14:23 | |
Did you hear it? | 0:14:23 | 0:14:25 | |
Interview on the Home Service on her latest book. | 0:14:27 | 0:14:31 | |
Look at us! | 0:14:38 | 0:14:40 | |
(Look at me.) | 0:14:45 | 0:14:49 | |
You were the bravest person I knew. | 0:14:49 | 0:14:51 | |
No, I think it's easy to be brave in war time. | 0:14:51 | 0:14:54 | |
I thought I was better than this, Nancy. Stronger than this. | 0:14:58 | 0:15:01 | |
But everything always goes back to that night. | 0:15:01 | 0:15:04 | |
Most people you pass on the street have lost a heck of a lot more than me. | 0:15:10 | 0:15:14 | |
They've lost a child or... | 0:15:14 | 0:15:17 | |
They're getting on with their lives, aren't they? | 0:15:17 | 0:15:21 | |
Listen to me. | 0:15:21 | 0:15:24 | |
Going on about loss to you of all people. | 0:15:24 | 0:15:26 | |
I'm not fit company for anyone but myself. | 0:15:29 | 0:15:32 | |
Don't you dare run out on me now. | 0:15:32 | 0:15:35 | |
You're human, Kay... | 0:15:35 | 0:15:37 | |
..join the bloody club. | 0:15:38 | 0:15:40 | |
Do you ever...think about it? | 0:15:49 | 0:15:52 | |
The scrubs, our life there? | 0:15:54 | 0:15:56 | |
Life?! | 0:15:58 | 0:16:00 | |
Living death more like. | 0:16:00 | 0:16:02 | |
How was it for you... | 0:16:04 | 0:16:05 | |
..after you got out? | 0:16:07 | 0:16:08 | |
I sort of lost my bearings. | 0:16:08 | 0:16:12 | |
I had to get away, | 0:16:12 | 0:16:14 | |
so I did a stint up north for a refugee charity. | 0:16:14 | 0:16:18 | |
Salving my conscience you might say. | 0:16:18 | 0:16:23 | |
Jews mostly, from all over Europe. | 0:16:23 | 0:16:25 | |
God, what those people have been through. | 0:16:27 | 0:16:29 | |
They told me terrible things. | 0:16:31 | 0:16:32 | |
They told me wonderful things too. | 0:16:35 | 0:16:38 | |
The unexpected goodness of people. | 0:16:38 | 0:16:41 | |
Their courage and... | 0:16:43 | 0:16:45 | |
I started writing down their stories. Selling them to the newspapers. | 0:16:47 | 0:16:51 | |
I struck lucky, The West London Gazette took me on a reporter. | 0:16:51 | 0:16:55 | |
Nothing earth shattering. | 0:16:55 | 0:16:58 | |
Anyway, it's you I want to hear about. | 0:16:58 | 0:17:01 | |
How's that sister of yours doing? | 0:17:04 | 0:17:06 | |
I remember her from the prison visits. | 0:17:06 | 0:17:08 | |
Viv, isn't it? | 0:17:08 | 0:17:11 | |
She works in Soho now, | 0:17:12 | 0:17:14 | |
one of those...introduction agencies. | 0:17:14 | 0:17:17 | |
Still living at home with she and your dad? | 0:17:17 | 0:17:20 | |
No, I'm in...digs just round the corner. | 0:17:20 | 0:17:25 | |
Off Wood Lane. | 0:17:25 | 0:17:26 | |
So close to the Scrubs?! | 0:17:26 | 0:17:28 | |
Half the reason I left London was to get away from the stench of that BLOODY place. | 0:17:28 | 0:17:33 | |
You should do the same Duncan. | 0:17:36 | 0:17:38 | |
Make a fresh start somewhere. | 0:17:38 | 0:17:40 | |
Nothing to keep you here, is there? | 0:17:40 | 0:17:42 | |
Ah, so there is someone to keep you here? | 0:17:46 | 0:17:50 | |
You'll have to ask me back so I can meet them. | 0:17:50 | 0:17:52 | |
I'll worm it out of you eventually. | 0:17:54 | 0:17:56 | |
Coaxing information out of people is my stock in trade now. | 0:17:56 | 0:18:00 | |
I never take no for an answer. | 0:18:00 | 0:18:02 | |
Top up? | 0:18:05 | 0:18:06 | |
Duncan? | 0:18:28 | 0:18:30 | |
Duncan! | 0:18:30 | 0:18:31 | |
Duncan! | 0:18:36 | 0:18:38 | |
Duncan! | 0:18:59 | 0:19:00 | |
'How about this one?' | 0:19:23 | 0:19:24 | |
26 years old, ex-commando, awarded the Victoria Cross. | 0:19:24 | 0:19:28 | |
Is that a glass eye? How thrilling! | 0:19:28 | 0:19:32 | |
PHONE RINGING | 0:19:32 | 0:19:34 | |
Do you suppose he takes it out at night? | 0:19:34 | 0:19:36 | |
West End Introduction Agency? | 0:19:41 | 0:19:43 | |
Hello, gorgeous. Listen, it has to be Thursday instead of tonight. | 0:19:43 | 0:19:47 | |
The wife's roped me into some damn cocktail do with the neighbours. | 0:19:47 | 0:19:52 | |
What time Thursday sir? | 0:19:52 | 0:19:53 | |
Seven o'clock, usual place? | 0:19:53 | 0:19:57 | |
I'm counting the minutes, my love. | 0:19:57 | 0:20:00 | |
Daddy! Daddy! | 0:20:00 | 0:20:02 | |
Do you have an appointment? | 0:20:04 | 0:20:06 | |
You need to fill this in, as much detail as you can. | 0:20:06 | 0:20:10 | |
Actually, I'm not here after a date, it's you I want. | 0:20:10 | 0:20:15 | |
Viv, isn't it? | 0:20:16 | 0:20:18 | |
Robert Fraser? | 0:20:18 | 0:20:20 | |
I shared a cell with your brother in the Scrubs. | 0:20:26 | 0:20:30 | |
I ran into him the other day. | 0:20:33 | 0:20:35 | |
I'm concerned about him. | 0:20:35 | 0:20:37 | |
As I'm sure you are. | 0:20:37 | 0:20:38 | |
The cafe, at the top of Poland Street. | 0:20:41 | 0:20:43 | |
I finish in 20 minutes. I'll see you there. | 0:20:45 | 0:20:48 | |
Duncan never said you were married. | 0:21:11 | 0:21:13 | |
I'm not. | 0:21:13 | 0:21:16 | |
Look, I know it's queer, | 0:21:22 | 0:21:25 | |
me dropping into your life out of the blue like this, but... | 0:21:25 | 0:21:28 | |
..when I saw Duncan with Mundy the other night.... | 0:21:28 | 0:21:31 | |
You went to their house? | 0:21:31 | 0:21:32 | |
I mean, Mundy, of all people! | 0:21:32 | 0:21:35 | |
Didn't he get enough of him in prison? | 0:21:35 | 0:21:38 | |
A boy like Duncan, it's... | 0:21:38 | 0:21:39 | |
..just not right is it? | 0:21:40 | 0:21:42 | |
A boy like him! | 0:21:42 | 0:21:44 | |
Why not just say what you mean? | 0:21:45 | 0:21:47 | |
And why do you suddenly care so much about him? | 0:21:47 | 0:21:51 | |
About who he lives with or... | 0:21:51 | 0:21:52 | |
Oh, I see! | 0:21:54 | 0:21:56 | |
It's not like that. I'm not like that. | 0:21:57 | 0:22:00 | |
Is that what you think? | 0:22:00 | 0:22:01 | |
Maybe he went to Mundy's because he had nowhere else to go. | 0:22:01 | 0:22:06 | |
He couldn't come home, "Never return to the scene of the crime", | 0:22:06 | 0:22:09 | |
isn't that what you cons say? | 0:22:09 | 0:22:11 | |
Sharing a cell...like we did... | 0:22:16 | 0:22:19 | |
The truth is, I wasn't always as kind to him as I should have been. | 0:22:20 | 0:22:25 | |
I want to do right by him now, if I can. | 0:22:26 | 0:22:30 | |
I used to watch you, in that visiting room. | 0:22:38 | 0:22:42 | |
When you walked in, it was like in The Wizard Of Oz, you know... | 0:22:42 | 0:22:45 | |
..when suddenly it all goes into Technicolor. | 0:22:47 | 0:22:50 | |
Just for a few minutes, things didn't seem so... | 0:22:50 | 0:22:54 | |
utterly, bloody bleak. | 0:22:54 | 0:22:58 | |
I'd like to call you sometime, may I? | 0:23:02 | 0:23:04 | |
There's someone else, of course. | 0:23:07 | 0:23:09 | |
As if I'd ever get that lucky. | 0:23:17 | 0:23:18 | |
Hello? | 0:23:40 | 0:23:41 | |
Wait. Please! | 0:23:43 | 0:23:44 | |
Hello! Wait, please? | 0:23:53 | 0:23:55 | |
PLEASE! | 0:23:55 | 0:23:56 | |
I knew it was you. | 0:23:58 | 0:23:59 | |
You did me a great kindness in the war. You loaned me this? | 0:23:59 | 0:24:04 | |
I saw you near here last week. I've been back every day, hoping to find you. | 0:24:04 | 0:24:08 | |
-You shouldn't have gone to the trouble. I'd forgotten all about it. -I'll never forget it. | 0:24:08 | 0:24:12 | |
What you did for me. | 0:24:12 | 0:24:13 | |
God bless you! | 0:24:18 | 0:24:21 | |
PHONE RINGING | 0:24:49 | 0:24:50 | |
-Streatham 212? -Viv, Viv it's me! | 0:24:57 | 0:25:00 | |
Where are you, love? I'm here waiting for ya! Viv? | 0:25:00 | 0:25:04 | |
Viv, I can't stop much longer, one of the kids is ill. Viv? | 0:25:04 | 0:25:09 | |
Viv? | 0:25:09 | 0:25:10 | |
Viv, are you there? | 0:25:11 | 0:25:13 | |
Answer me, Viv! | 0:25:13 | 0:25:14 | |
AMERICAN RADIO SHOW | 0:25:19 | 0:25:20 | |
(Oh, no, please God, no!) | 0:26:19 | 0:26:23 | |
Hello? | 0:26:25 | 0:26:26 | |
It was an accident! I'll retype it for you. I'll start on it now! | 0:26:27 | 0:26:32 | |
What were you doing in here anyway? | 0:26:33 | 0:26:35 | |
I waited supper for you. | 0:26:35 | 0:26:37 | |
I was at a concert. God, what a mess. | 0:26:37 | 0:26:39 | |
What was it? | 0:26:39 | 0:26:41 | |
The concert? | 0:26:41 | 0:26:43 | |
Mozart. | 0:26:43 | 0:26:44 | |
You were with Ursula, weren't you? | 0:26:46 | 0:26:48 | |
Fine, it's her birthday, she had a dinner party. | 0:26:49 | 0:26:53 | |
She asked me if I'd help her with it. | 0:26:53 | 0:26:55 | |
Satisfied? | 0:26:55 | 0:26:57 | |
I suppose there were others like her there. | 0:27:10 | 0:27:13 | |
You mean like us? Yes, a matter of fact. | 0:27:13 | 0:27:15 | |
As it happens she invited you too. | 0:27:15 | 0:27:18 | |
I told her you were unavailable. | 0:27:18 | 0:27:19 | |
Because you still can't cope with being around queers, can you? | 0:27:21 | 0:27:24 | |
-You can't deal with it. -That's not true! | 0:27:24 | 0:27:26 | |
So why is I never meet your friends? Or you never want to meet mine? | 0:27:26 | 0:27:30 | |
When I do go out, or anything on my own, | 0:27:30 | 0:27:32 | |
I have to come back to another of your inquisitions | 0:27:32 | 0:27:34 | |
because I'm so bloody irresistible that even if a girl isn't a raving lesbian when she meets me, | 0:27:34 | 0:27:39 | |
she will be by the time I've got my hands on her. | 0:27:39 | 0:27:42 | |
You know why I do it. | 0:27:42 | 0:27:45 | |
Because I'm afraid you no longer love me. | 0:27:45 | 0:27:48 | |
If you ever did. | 0:27:49 | 0:27:51 | |
It wasn't just about revenge? | 0:27:52 | 0:27:54 | |
God, must it always come back to that?! | 0:27:54 | 0:27:57 | |
We can't go on like this, Helen. | 0:28:01 | 0:28:02 | |
Torturing each other over the past. | 0:28:05 | 0:28:08 | |
You need to find a place of your own. | 0:28:08 | 0:28:10 | |
Sort out who you are, what it is you want. | 0:28:12 | 0:28:15 | |
It's you I want | 0:28:15 | 0:28:17 | |
Remember when we met? You loved me then! | 0:28:19 | 0:28:22 | |
I can be that person again, I can! | 0:28:22 | 0:28:24 | |
I want to be that person! | 0:28:24 | 0:28:26 | |
One sugar. | 0:29:25 | 0:29:27 | |
Just as you like it. | 0:29:27 | 0:29:28 | |
Sit a minute. | 0:29:31 | 0:29:33 | |
How was your day? | 0:29:47 | 0:29:49 | |
CLOCK CHIMES SOFTLY | 0:29:49 | 0:29:50 | |
The usual. | 0:29:50 | 0:29:52 | |
Nothing more from Fraser? | 0:29:54 | 0:29:56 | |
We're better off without him, lad. | 0:29:58 | 0:30:00 | |
Dial needs a bit of a clean, | 0:30:03 | 0:30:06 | |
if you've a mind. | 0:30:06 | 0:30:08 | |
CONVERSATION SPILLS ONTO STREET | 0:30:35 | 0:30:38 | |
SIREN GETS LOUDER | 0:30:46 | 0:30:49 | |
SIREN QUIETENS | 0:30:49 | 0:30:51 | |
AIR RAID SIREN IN DISTANCE | 0:31:04 | 0:31:07 | |
PHONE RINGS | 0:31:09 | 0:31:11 | |
ECHOING: You're up, girls. Another guest house in Joswick Street. | 0:31:15 | 0:31:18 | |
WHISTLING, EXPLOSION | 0:31:18 | 0:31:20 | |
SHOUTS AND EXPLOSIONS ECHO | 0:31:20 | 0:31:23 | |
SIREN RINGS | 0:31:42 | 0:31:44 | |
MAN: More round the corner! | 0:31:54 | 0:31:56 | |
Two walking wounded, one fatality, one still unaccounted for. | 0:31:59 | 0:32:03 | |
-Bloody hours, digging around, looking for him. -So much for a quiet night. | 0:32:03 | 0:32:07 | |
I had in mind a couple of fractures, maybe a nice old lady with a broken ankle. | 0:32:07 | 0:32:11 | |
A nice YOUNG lady, you mean. | 0:32:11 | 0:32:13 | |
Women's work, Harry? People will talk. | 0:32:17 | 0:32:21 | |
You'd know all about that. | 0:32:23 | 0:32:25 | |
Sticks and stones. | 0:32:25 | 0:32:27 | |
I've heard it all before, lived to tell the tale. | 0:32:27 | 0:32:30 | |
Not if Hitler gets his way. | 0:32:30 | 0:32:31 | |
He'd have you lot strung up by your tits. | 0:32:31 | 0:32:33 | |
Just another reason to bash the Bosch. | 0:32:33 | 0:32:35 | |
Break it up, you two. | 0:32:35 | 0:32:36 | |
He started it, Mummy. | 0:32:36 | 0:32:39 | |
BOMB EXPLODES | 0:32:40 | 0:32:44 | |
SECONDARY EXPLOSION | 0:32:46 | 0:32:48 | |
PHONE RINGS | 0:32:48 | 0:32:51 | |
Here we go, stand by your beds. | 0:32:51 | 0:32:55 | |
You're up, Hughes. Brandon Place, corner of Levington Street. | 0:32:55 | 0:32:58 | |
Come on. | 0:32:58 | 0:33:00 | |
Don't get too comfortable, Langrish. | 0:33:00 | 0:33:02 | |
Night's not over yet. | 0:33:02 | 0:33:04 | |
I suppose you don't hear much of the bombs, down in your shelter? | 0:33:11 | 0:33:16 | |
We're not allowed in the shelters. | 0:33:16 | 0:33:18 | |
Only the guards are. | 0:33:18 | 0:33:20 | |
Still, safer here than you would be at the front, eh? | 0:33:20 | 0:33:23 | |
Hardly. They say, er, | 0:33:23 | 0:33:25 | |
Pentonville got hit by an incendiary bomb the other day. | 0:33:25 | 0:33:29 | |
Your cell mate, isn't it? | 0:33:34 | 0:33:37 | |
The one who was at university? | 0:33:37 | 0:33:40 | |
-You can tell just by looking at him he doesn't belong here. -Meaning I do? | 0:33:40 | 0:33:46 | |
He didn't say that, Duncan. | 0:33:46 | 0:33:48 | |
I thought the chap at the end was due for release? | 0:33:50 | 0:33:52 | |
They're letting him out next week. Going to the army. | 0:33:55 | 0:34:00 | |
Good on him. | 0:34:00 | 0:34:02 | |
What, so there's no shame in the army making you into a murderer? | 0:34:03 | 0:34:06 | |
It's all right to have blood on your hands for King and Country? | 0:34:06 | 0:34:09 | |
-For heaven's sake, Duncan! -You want to talk about shame? | 0:34:09 | 0:34:12 | |
You wait until you're out of here and you can't walk down the street without people pointing at you, | 0:34:12 | 0:34:17 | |
whispering about you and that boy. | 0:34:17 | 0:34:19 | |
If you're so ashamed, why bother coming to see me? | 0:34:19 | 0:34:23 | |
You're my son. | 0:34:23 | 0:34:26 | |
No need for that. Be a man, eh? | 0:34:33 | 0:34:37 | |
KNOCK AT DOOR | 0:35:10 | 0:35:12 | |
Bloody chambermaid's on the prowl, had to play hide and seek with her. | 0:35:12 | 0:35:16 | |
Oh... | 0:35:16 | 0:35:19 | |
Jesus, what a dump! I should have come ahead, checked it out. | 0:35:19 | 0:35:24 | |
I just thought it would be a change from our Paddington one... | 0:35:24 | 0:35:27 | |
I have something for you! Not much... | 0:35:29 | 0:35:31 | |
They grow in the woods by the base. | 0:35:36 | 0:35:38 | |
Every time I see them they remind me of you. | 0:35:38 | 0:35:41 | |
So unspoilt. Beautiful. | 0:35:41 | 0:35:44 | |
Oi! Keep it down in there! These walls are like paper. | 0:36:05 | 0:36:09 | |
THEY LAUGH | 0:36:09 | 0:36:11 | |
AIR RAID SIREN BLARES | 0:36:14 | 0:36:18 | |
Hey. | 0:36:18 | 0:36:19 | |
Perfect timing for once. | 0:36:19 | 0:36:21 | |
EXPLOSIONS AND SCREAMING | 0:36:43 | 0:36:48 | |
Langrish! Langrish! What the hell are you doing? | 0:36:48 | 0:36:52 | |
Go the other way! | 0:36:52 | 0:36:54 | |
Through Dean Street. | 0:36:54 | 0:36:55 | |
Stay back! Another one over here. Stay back! | 0:36:58 | 0:37:03 | |
Get back! | 0:37:03 | 0:37:06 | |
I hear you've been up to your heroics again, Langrish. | 0:37:27 | 0:37:30 | |
Putting out incendiaries? How many times? It's not our responsibility. | 0:37:30 | 0:37:34 | |
So, let an entire street get reduced to ashes? | 0:37:34 | 0:37:37 | |
You know the procedure. Either stick to it | 0:37:37 | 0:37:39 | |
or I'll put you on manning the damn telephone. | 0:37:39 | 0:37:41 | |
Loose lips. | 0:37:45 | 0:37:47 | |
It's for your own good, Langrish. | 0:37:47 | 0:37:49 | |
You'll pull that once too often one night. | 0:37:49 | 0:37:51 | |
I need a mortuary run. | 0:37:51 | 0:37:52 | |
Who's not done it this week? | 0:37:52 | 0:37:54 | |
Mother and three kids. | 0:38:00 | 0:38:02 | |
No survivors, | 0:38:02 | 0:38:04 | |
Parkside Road. | 0:38:04 | 0:38:06 | |
After identification, take them to the local mortuary. | 0:38:06 | 0:38:09 | |
Err, I'll go with Hughes. | 0:38:09 | 0:38:11 | |
Maybe you are a bloody hero, letting O'Neill off the hook that way. | 0:38:23 | 0:38:27 | |
If you're a good boy, I'll let you drive. | 0:38:27 | 0:38:30 | |
SIREN RINGS | 0:38:30 | 0:38:34 | |
Direct hit on a shelter. We think there's four kiddies. More limbs than we can account for. | 0:38:53 | 0:39:00 | |
Genie! | 0:39:05 | 0:39:07 | |
Genie! | 0:39:08 | 0:39:10 | |
SCREAMING | 0:39:52 | 0:39:55 | |
What on earth have you done to yourself? | 0:42:06 | 0:42:09 | |
Why do you have to go out there every night? | 0:42:15 | 0:42:18 | |
-No-one would think the worse of you if you didn't. -I would. | 0:42:18 | 0:42:22 | |
SHE SOBS | 0:42:30 | 0:42:32 | |
You should get some sleep. | 0:42:40 | 0:42:42 | |
I'll sleep when I'm dead. | 0:42:43 | 0:42:46 | |
GUARD APPROACHES | 0:43:58 | 0:44:01 | |
OK in there? | 0:44:08 | 0:44:10 | |
What could I say? | 0:44:28 | 0:44:30 | |
He obviously thinks I'm your sister. | 0:44:30 | 0:44:33 | |
Or your lodger. | 0:44:33 | 0:44:34 | |
You're my spoils of war, my darling. | 0:44:36 | 0:44:39 | |
Hello, stranger. | 0:44:51 | 0:44:53 | |
You remember Julia? | 0:44:53 | 0:44:54 | |
We bumped into her at that Red Cross do at Christmas? | 0:44:54 | 0:44:56 | |
Of course, yes. Hello. | 0:44:56 | 0:44:59 | |
Your hair's different. | 0:45:04 | 0:45:06 | |
I like it. | 0:45:06 | 0:45:09 | |
Do you work round here? | 0:45:09 | 0:45:10 | |
Town Hall, housing department, relocating bomb victims. And you? | 0:45:10 | 0:45:15 | |
Helping survey bomb-damaged buildings. | 0:45:15 | 0:45:17 | |
Speed up reconstruction if and when this bloody war ever ends. | 0:45:17 | 0:45:21 | |
I suppose you're still doing your trusty ambulance bit every night? | 0:45:23 | 0:45:27 | |
Gets lonely, doesn't it? | 0:45:27 | 0:45:30 | |
-How's the writing? -Seems irrelevant, frankly. | 0:45:30 | 0:45:33 | |
Not to say pointless. | 0:45:33 | 0:45:35 | |
So many terrible things going on in Europe. | 0:45:35 | 0:45:37 | |
People still need entertaining, don't they? | 0:45:37 | 0:45:40 | |
Somewhere to escape, now more than ever. | 0:45:40 | 0:45:43 | |
-Which way do you, err...? -Lavern Road. We must meet up for lunch sometime, since we're close by. | 0:45:43 | 0:45:51 | |
I'd like that. | 0:45:51 | 0:45:53 | |
Good seeing you again, Kay. | 0:45:53 | 0:45:55 | |
Why will you never talk about what went wrong between you? | 0:45:59 | 0:46:02 | |
SHE LAUGHS NERVOUSLY | 0:46:02 | 0:46:04 | |
You always change the subject, don't you? | 0:46:04 | 0:46:06 | |
It was a misaffection, that's all. What we felt for each other | 0:46:06 | 0:46:11 | |
wasn't entirely equal. | 0:46:11 | 0:46:14 | |
That's how I know it's right between us. | 0:46:15 | 0:46:18 | |
SHE RETCHES | 0:47:07 | 0:47:11 | |
Oh, it's little Miss Pearce! | 0:48:11 | 0:48:12 | |
Shift up ladies, make room for her. | 0:48:12 | 0:48:15 | |
We girls are all law breakers, love. | 0:48:26 | 0:48:28 | |
You're no better than the rest of us. | 0:48:28 | 0:48:30 | |
All I'm saying is, give a man a decent job, | 0:48:30 | 0:48:33 | |
a decent home, he'd get the point of pacifism soon enough. | 0:48:33 | 0:48:37 | |
So where are you on pacifism, Pearce? | 0:48:37 | 0:48:42 | |
Not given it much thought. | 0:48:42 | 0:48:45 | |
There we are! The less we think about war, | 0:48:45 | 0:48:48 | |
the less we question it, the more compliant we become. Mr Mundy! Help us out here. | 0:48:48 | 0:48:55 | |
Enlighten us | 0:48:55 | 0:48:57 | |
as to why the prison system won't let us read newspapers or listen to the wireless, | 0:48:57 | 0:49:02 | |
or anything which might actually inform or educate us? | 0:49:02 | 0:49:05 | |
You know why, lad. Because hearing from the outside | 0:49:05 | 0:49:08 | |
just stirs you all up. | 0:49:08 | 0:49:10 | |
In other words, denying us the right to form our own opinions | 0:49:10 | 0:49:15 | |
makes us easier for you to manage? | 0:49:15 | 0:49:18 | |
You have a grievance, Mr Fraser, take it up with the governor. | 0:49:18 | 0:49:22 | |
Or better yet, Mr Churchill. | 0:49:22 | 0:49:25 | |
All right, son? | 0:49:27 | 0:49:28 | |
Give me an honest sadist than a hypocrite like him any day. | 0:49:31 | 0:49:36 | |
He's better than most of them. | 0:49:36 | 0:49:37 | |
-And kinder. -To the pretty ones, he is. | 0:49:39 | 0:49:42 | |
LAUGHTER | 0:49:42 | 0:49:43 | |
DISTANT SINGING | 0:49:46 | 0:49:49 | |
# Run rabbit, run rabbit Run, run, run | 0:50:04 | 0:50:08 | |
# Bang! Bang! Bang! Bang! Goes the farmer's gun | 0:50:08 | 0:50:11 | |
# Run rabbit, run rabbit Run, run, run | 0:50:11 | 0:50:15 | |
# Run rabbit, run rabbit Run, run, run | 0:50:15 | 0:50:19 | |
# Don't give the farmer his Fun, fun, fun | 0:50:19 | 0:50:22 | |
# He'll get by Without his rabbit pie | 0:50:22 | 0:50:26 | |
# Run rabbit, run rabbit... # | 0:50:26 | 0:50:28 | |
Tastes like battery acid. | 0:50:28 | 0:50:29 | |
That's quality contraband gin, I'll have you know. | 0:50:29 | 0:50:32 | |
So it hasn't got you down yet? Living in the shadows? | 0:50:32 | 0:50:36 | |
The pretence to be someone you're not every waking second? | 0:50:36 | 0:50:38 | |
This from the women who used to say living outside the social order was intoxicating. | 0:50:38 | 0:50:42 | |
After the war, I'm tempted to chuck in the whole game. | 0:50:42 | 0:50:45 | |
Find myself a nice chap, push out a couple of kids while I still can. | 0:50:45 | 0:50:48 | |
After the war things will be different. | 0:50:48 | 0:50:50 | |
We will be used to independent women. All the old prejudices will be gone... | 0:50:50 | 0:50:54 | |
They need us to be independent NOW to drive their damn ambulances, | 0:50:54 | 0:50:57 | |
work in their factories! Come the peace, | 0:50:57 | 0:50:59 | |
they'll have us back in aprons, you'll see. | 0:50:59 | 0:51:01 | |
I for one do not intend to win the war | 0:51:01 | 0:51:04 | |
and lose the peace. | 0:51:04 | 0:51:05 | |
I have too much to lose. | 0:51:07 | 0:51:09 | |
Looking like a man doesn't give you the same rights, Kay. | 0:51:09 | 0:51:13 | |
DOOR BELL RINGS | 0:51:13 | 0:51:14 | |
Oh! Take that lot through. Kay, glasses. | 0:51:14 | 0:51:17 | |
Excuse me. | 0:51:18 | 0:51:20 | |
I saw Julia today. | 0:51:20 | 0:51:22 | |
We're meeting for lunch on Friday. | 0:51:22 | 0:51:25 | |
-You don't mind, do you? -Why should I? | 0:51:25 | 0:51:27 | |
Say if you do - I'll make up an excuse. | 0:51:27 | 0:51:30 | |
I don't mind, really. Just remember, fiction is her speciality. | 0:51:30 | 0:51:35 | |
WAILING | 0:51:35 | 0:51:38 | |
SOBBING | 0:51:39 | 0:51:41 | |
Hope you like rabbit. | 0:52:20 | 0:52:22 | |
Is it really rabbit? | 0:52:34 | 0:52:36 | |
My neighbour claims they're running wild all over London. | 0:52:36 | 0:52:39 | |
He says he saw one on a platform at Victoria Station the other day. | 0:52:39 | 0:52:42 | |
Apparently it was fearfully het up. | 0:52:42 | 0:52:44 | |
Kept looking at its pocket watch, saying it was late! | 0:52:44 | 0:52:48 | |
Things are going well for you and Kay, are they? | 0:52:56 | 0:52:58 | |
VOICES APPROACH God! | 0:53:03 | 0:53:06 | |
This passion everyone has now to parade around in uniforms even off duty, | 0:53:06 | 0:53:11 | |
as if war gives them some status they otherwise lack. | 0:53:11 | 0:53:14 | |
They're just proud to wear them, surely? | 0:53:14 | 0:53:17 | |
I have a tendency towards cynicism. | 0:53:22 | 0:53:25 | |
It used to drive Kay mad. | 0:53:25 | 0:53:27 | |
I should be more generous and well-adjusted, like you. | 0:53:28 | 0:53:32 | |
Me? Well-adjusted? Hardly. | 0:53:32 | 0:53:35 | |
You seem to handle the whole grisly L business pretty well. | 0:53:36 | 0:53:40 | |
I mean, I never really thought about it before I met Kay. | 0:53:40 | 0:53:43 | |
It just never... | 0:53:43 | 0:53:46 | |
occurred to me. | 0:53:46 | 0:53:48 | |
If you ever need company when Kay's off doing her ambulance thing, | 0:53:51 | 0:53:54 | |
I'm in the book. | 0:53:54 | 0:53:55 | |
I know how lonely these nights can be. | 0:53:59 | 0:54:02 | |
I'll remember that. | 0:54:04 | 0:54:06 | |
Thanks. | 0:54:07 | 0:54:09 | |
I've enjoyed this, | 0:54:11 | 0:54:14 | |
it's made a nice change. | 0:54:14 | 0:54:16 | |
I'd forgotten how underrated the word nice is. | 0:54:16 | 0:54:20 | |
We've seen your twat, Chase! And it was as black as a hat! | 0:55:41 | 0:55:46 | |
She can't answer, she's got her gob round Evan's knob! | 0:55:46 | 0:55:49 | |
Doggy-style! | 0:55:49 | 0:55:52 | |
-SHOUTING -Shut it! | 0:55:52 | 0:55:55 | |
-MAN SINGS: -# I see her tripping where the bright streams play | 0:55:55 | 0:56:02 | |
# Happy as the daisies that dance on her way | 0:56:02 | 0:56:08 | |
# Many were the wild notes her merry voice would pour | 0:56:08 | 0:56:13 | |
# Many were the blithe... # | 0:56:13 | 0:56:16 | |
God, I wish I had a girl right now. | 0:56:16 | 0:56:20 | |
To touch her... | 0:56:20 | 0:56:24 | |
Sweet Jesus. | 0:56:24 | 0:56:26 | |
Pearce? | 0:56:34 | 0:56:35 | |
Are you awake? | 0:56:38 | 0:56:40 | |
Pearce? | 0:57:31 | 0:57:34 | |
God, you're a pathetic specimen. | 0:57:37 | 0:57:40 | |
You were dreaming. I could see it in your face. | 0:58:11 | 0:58:13 | |
Of me, I hope. | 0:58:15 | 0:58:17 | |
You look just like when I first held you in that dreadful place. | 0:58:21 | 0:58:24 | |
I have something for you! | 0:58:31 | 0:58:33 | |
-You spoil me. -You wait till the war is over. | 0:58:49 | 0:58:52 | |
My life will be dedicated to making you happy. | 0:58:52 | 0:58:55 | |
The buttons are real bone, see? | 0:59:02 | 0:59:04 | |
I had your initial put on them... | 0:59:06 | 0:59:09 | |
Try it on! | 0:59:10 | 0:59:13 | |
How glamorous you look. | 0:59:23 | 0:59:25 | |
Like Greta Garbo! | 0:59:25 | 0:59:28 | |
Sorry, damn tube's up the spout. Before I forget. | 0:59:53 | 0:59:57 | |
It's too big, Reggie. | 1:00:00 | 1:00:02 | |
It's only for show, isn't it? | 1:00:02 | 1:00:05 | |
Remove your shoes and your skirt | 1:00:14 | 1:00:17 | |
and your underthings, Mrs Harrison. | 1:00:17 | 1:00:19 | |
And sit back in the seat. | 1:00:22 | 1:00:24 | |
Right back. | 1:00:31 | 1:00:32 | |
I must ask, when you leave, to put a handkerchief over your mouth, | 1:00:36 | 1:00:39 | |
give the impression you were here for dental work? | 1:00:39 | 1:00:41 | |
The war has made everyone so suspicious these days. | 1:00:43 | 1:00:46 | |
Legs apart. | 1:00:46 | 1:00:47 | |
Try not to tense up. | 1:00:52 | 1:00:54 | |
So, then... Deep breathes. | 1:00:59 | 1:01:04 | |
-Here you are, sir, the Devon Hotel. -Cheers, thanks. | 1:01:25 | 1:01:28 | |
Let's get you inside. | 1:01:31 | 1:01:33 | |
Bloody shyster, trying to spring an extra two quid on me | 1:01:37 | 1:01:40 | |
at the eleventh hour! | 1:01:40 | 1:01:41 | |
God, Viv, you're freezing cold! | 1:01:47 | 1:01:49 | |
Another gauze thing. | 1:01:49 | 1:01:51 | |
Something's happening, Reggie! | 1:01:58 | 1:02:00 | |
Oh, Jesus! | 1:02:04 | 1:02:06 | |
Get a towel! | 1:02:06 | 1:02:08 | |
It won't stop! I can't stop it! | 1:02:08 | 1:02:10 | |
He'd said there'd be bleeding. | 1:02:10 | 1:02:11 | |
Not like this! | 1:02:11 | 1:02:13 | |
We have to call someone. | 1:02:13 | 1:02:15 | |
A doctor or... | 1:02:15 | 1:02:16 | |
No, no. He'll know it's an abortion! | 1:02:16 | 1:02:19 | |
He'll call the police. We'll end up in the bloody clink! | 1:02:19 | 1:02:21 | |
Please, Reggie, get help! Before the sirens start. Get help! | 1:02:21 | 1:02:26 | |
Yeah, eh, ambulance, yes. | 1:02:35 | 1:02:39 | |
It's, eh, Devon Hotel, Weston Street, room 21. | 1:02:39 | 1:02:43 | |
For my wife. Yeah, yeah, hurry please! | 1:02:43 | 1:02:45 | |
AMBULANCE BELL RINGS | 1:02:54 | 1:02:57 | |
Can you tell us your name, love? | 1:03:06 | 1:03:08 | |
Pearce. Vivian. | 1:03:08 | 1:03:10 | |
How long have you been bleeding this way? | 1:03:10 | 1:03:13 | |
-Where's Reggie? -Is he your husband? | 1:03:13 | 1:03:15 | |
-No... Yes, my husband yes! -How far along was the baby, Vivian? | 1:03:15 | 1:03:18 | |
-You must lie still. -Where is he? Why isn't he here? Reggie? | 1:03:18 | 1:03:23 | |
AMBULANCE BELL RINGS | 1:03:23 | 1:03:27 | |
At the hospital, if they send for the police, | 1:03:32 | 1:03:35 | |
don't tell them my real name! Tell them I'm Mrs Harrison. | 1:03:35 | 1:03:38 | |
-Why would they send for the police? -Getting rid of a baby. | 1:03:38 | 1:03:41 | |
They'll know it's an abortion. | 1:03:41 | 1:03:46 | |
The ring. Oh, it's gone! | 1:03:46 | 1:03:49 | |
We have to find the ring! They'll know I'm not married without it! | 1:03:49 | 1:03:53 | |
You must stay calm, Vivian! | 1:03:53 | 1:03:54 | |
AMBULANCE BELL RINGS | 1:03:54 | 1:03:57 | |
-Vivian? -We're at the hospital. Listen to me! | 1:04:00 | 1:04:01 | |
I've made a tear in your coat, put your ration book in it. | 1:04:01 | 1:04:05 | |
They won't find it there. | 1:04:05 | 1:04:06 | |
You're Mrs Harrison, like you said. | 1:04:06 | 1:04:08 | |
I have no ring! | 1:04:08 | 1:04:09 | |
Let me do the talking. Leave it to me, OK? | 1:04:16 | 1:04:19 | |
What have we got tonight? | 1:04:22 | 1:04:23 | |
A Mrs Harrison. A miscarriage, with complications. | 1:04:23 | 1:04:25 | |
She's had a fall, lost a lot of blood. | 1:04:25 | 1:04:27 | |
Is it Kay? | 1:04:51 | 1:04:52 | |
I'm taking you at your word... | 1:04:53 | 1:04:55 | |
if I needed company. | 1:04:55 | 1:04:57 | |
I prefer to be out in the open when there's a raid. | 1:04:58 | 1:05:01 | |
I can't breathe in that bloody shelter. | 1:05:01 | 1:05:03 | |
I'm the same. | 1:05:03 | 1:05:04 | |
-Which way? -You choose. | 1:05:04 | 1:05:06 | |
You got a death wish? | 1:05:14 | 1:05:15 | |
Wear something white! Keep yourself visible! | 1:05:15 | 1:05:17 | |
Maybe we like being invisible! | 1:05:17 | 1:05:19 | |
It's like they're putting on a display just for us. | 1:05:27 | 1:05:29 | |
Bravo! | 1:05:29 | 1:05:31 | |
Encore! | 1:05:31 | 1:05:32 | |
After a raid, the first thing everyone asks is, | 1:05:35 | 1:05:37 | |
"Did St Paul's make it?" Have you noticed? | 1:05:37 | 1:05:40 | |
Never mind the scores of families bombed to oblivion, so long as | 1:05:40 | 1:05:44 | |
the symbol of our illustrious past survives. | 1:05:44 | 1:05:47 | |
It reminds us what we're fighting for, doesn't it? | 1:05:47 | 1:05:49 | |
We like to think love and altruism define human nature, | 1:05:49 | 1:05:54 | |
but savagery and hatred are part of it, too. | 1:05:54 | 1:05:58 | |
In a war, that part of us wins. | 1:05:58 | 1:06:01 | |
Sometimes it can give you courage you never knew you had. | 1:06:05 | 1:06:09 | |
Come on! | 1:06:13 | 1:06:15 | |
I've got something to show you. | 1:06:15 | 1:06:17 | |
Christopher Wren built this, too, after the Great Fire. | 1:06:21 | 1:06:25 | |
His daughter Jane helped him design the tower. | 1:06:26 | 1:06:29 | |
I remember the night Kay met you. | 1:06:53 | 1:06:55 | |
It's like it's scored into my brain. | 1:06:55 | 1:06:59 | |
She always wanted a wife. | 1:06:59 | 1:07:01 | |
Someone she could look after, | 1:07:01 | 1:07:03 | |
protect. | 1:07:03 | 1:07:05 | |
Someone innocent. | 1:07:05 | 1:07:06 | |
When she came home that night, told me how she'd met you, | 1:07:08 | 1:07:13 | |
I knew she'd found what she was looking for. | 1:07:13 | 1:07:16 | |
We were over. | 1:07:16 | 1:07:18 | |
But it was you who left her for someone? | 1:07:22 | 1:07:24 | |
She said what you had was..."misaffection". | 1:07:29 | 1:07:34 | |
Is that what she calls it? | 1:07:35 | 1:07:37 | |
She still wears the snake ring you gave her every day. | 1:07:39 | 1:07:42 | |
It's just a piece of jewellery to her. | 1:07:42 | 1:07:45 | |
Of no more significance than I was. | 1:07:45 | 1:07:47 | |
EXPLOSION | 1:07:47 | 1:07:51 | |
Are you frightened yet? | 1:07:51 | 1:07:52 | |
Not of the bombs. | 1:07:52 | 1:07:53 | |
EXPLOSION | 1:07:53 | 1:07:56 | |
Now I am! | 1:07:58 | 1:07:59 | |
Tell me this isn't about punishing Kay for what she did to you? | 1:08:09 | 1:08:12 | |
It's real? | 1:08:12 | 1:08:13 | |
Now we're invisible again. | 1:08:18 | 1:08:20 | |
EXPLOSIONS AND MEN SHOUTING | 1:08:27 | 1:08:30 | |
-Unlock this bloody door! -In God's name, have pity! | 1:08:30 | 1:08:35 | |
Me and my pacifism! | 1:08:35 | 1:08:38 | |
When it comes to it, I'm just a bloody coward, | 1:08:38 | 1:08:41 | |
like anyone else! Oh, God... Oh, shit! | 1:08:41 | 1:08:47 | |
Talk to me. | 1:08:50 | 1:08:52 | |
And keep talking! | 1:08:52 | 1:08:53 | |
Tell me about the boy, | 1:08:58 | 1:09:00 | |
about what happened. | 1:09:00 | 1:09:02 | |
His name was Alec. | 1:09:04 | 1:09:06 | |
He lived across the road from me. | 1:09:07 | 1:09:09 | |
They catch you at it, did they? | 1:09:11 | 1:09:13 | |
The police? Was that it? | 1:09:13 | 1:09:15 | |
No, that's not how it was. | 1:09:17 | 1:09:20 | |
EXPLOSION | 1:09:21 | 1:09:23 | |
What? | 1:09:31 | 1:09:32 | |
We just got word. Rathbone Place has been hit. | 1:09:32 | 1:09:36 | |
Section 58 are on their way. They'll keep us posted. | 1:09:36 | 1:09:38 | |
-Helen will be in the shelter. -She never uses the damn shelter! | 1:09:38 | 1:09:41 | |
-Give me the keys! -Section 58 will report back. | 1:09:41 | 1:09:43 | |
I have to go to her! | 1:09:43 | 1:09:44 | |
Nancy? | 1:09:45 | 1:09:46 | |
-Give them to me. -There's nothing you can do, Kay! | 1:09:51 | 1:09:53 | |
Stop, Kay! For God's sake! | 1:09:55 | 1:09:57 | |
It's Section 58's. They'll deal with it. You know the bloody drill! | 1:09:57 | 1:10:01 | |
It's not our call! | 1:10:01 | 1:10:02 | |
You want to be thrown off the service? She worth that much? | 1:10:02 | 1:10:05 | |
Help us! We need help! Somebody, please! Help us! | 1:10:14 | 1:10:21 | |
WOMAN SCREAMS | 1:10:27 | 1:10:30 | |
Kay? | 1:11:58 | 1:11:59 | |
I thought you were gone. | 1:12:08 | 1:12:10 | |
I thought I'd lost you! | 1:12:13 | 1:12:15 | |
You're not rostered for tonight. | 1:13:00 | 1:13:02 | |
They changed the rota. | 1:13:02 | 1:13:05 | |
I was born at night, Kay, but not last night. | 1:13:05 | 1:13:08 | |
You volunteered again, didn't you? | 1:13:08 | 1:13:10 | |
You just can't keep away from that damn place! | 1:13:11 | 1:13:13 | |
I don't begrudge you your writing, do I? Why do you this for me? | 1:13:13 | 1:13:17 | |
-I'm just afraid one night you won't come back. -I always do, don't I? | 1:13:18 | 1:13:22 | |
I'm indestructible. | 1:13:23 | 1:13:25 | |
Don't you know that yet? | 1:13:27 | 1:13:29 | |
Check the black-out before you turn in. | 1:13:34 | 1:13:37 | |
Can I tempt you, love? | 1:13:43 | 1:13:44 | |
I'm watching my figure. | 1:13:44 | 1:13:46 | |
You're not the only one. | 1:13:46 | 1:13:48 | |
Is the guard about? | 1:13:56 | 1:13:58 | |
The ticket inspector? | 1:13:58 | 1:14:00 | |
Tickets, please. | 1:14:08 | 1:14:09 | |
Miss? Miss, he's coming, the guard! I've lost my ticket, you see. | 1:14:12 | 1:14:16 | |
Let me in, just till he's gone by. | 1:14:16 | 1:14:18 | |
I go to the front next week. I've only 24 hours leave. | 1:14:18 | 1:14:19 | |
I've already lost five of them waiting for the bloody train! | 1:14:19 | 1:14:22 | |
If he throws me off, I've had it! | 1:14:22 | 1:14:24 | |
Tickets, please! | 1:14:33 | 1:14:34 | |
One minute. | 1:14:34 | 1:14:36 | |
You are heaven sent, you know that? | 1:14:48 | 1:14:50 | |
Glad I could help. | 1:14:50 | 1:14:52 | |
Wait. | 1:14:52 | 1:14:53 | |
One more minute, eh? Make sure the coast is clear? | 1:14:53 | 1:14:57 | |
Try anything, | 1:15:01 | 1:15:03 | |
I'll scream blue murder. | 1:15:03 | 1:15:05 | |
You spending your leave in London? | 1:15:11 | 1:15:12 | |
My wife just had a baby. | 1:15:12 | 1:15:14 | |
Boy or girl? | 1:15:14 | 1:15:15 | |
Girl. We already had a boy. | 1:15:15 | 1:15:19 | |
You might say we've the set now. | 1:15:19 | 1:15:21 | |
Does it scare you, | 1:15:22 | 1:15:24 | |
going to the front next week? | 1:15:24 | 1:15:26 | |
Maybe if I stop and think about it. | 1:15:26 | 1:15:29 | |
The home front's no picnic, either. | 1:15:29 | 1:15:31 | |
Every time I go back, I dread it more. | 1:15:31 | 1:15:33 | |
It'll end up like always. Minutes after stepping | 1:15:33 | 1:15:36 | |
through the door, my wife and I will be arguing again. | 1:15:36 | 1:15:38 | |
Good luck - at the front, I mean. | 1:15:46 | 1:15:49 | |
The memory of this will keep me going there. | 1:15:51 | 1:15:54 | |
That once, I got a break. | 1:15:54 | 1:15:57 | |
I got to spend a few precious minutes with the most | 1:15:57 | 1:15:59 | |
gorgeous girl who ever drew breath. | 1:15:59 | 1:16:01 | |
I can die a happy man. | 1:16:01 | 1:16:03 | |
Maybe one more cigarette? | 1:16:07 | 1:16:09 | |
SHARP KNOCKING | 1:16:23 | 1:16:26 | |
Alec, is that you? | 1:16:27 | 1:16:29 | |
My papers came. This is it Duncan! | 1:16:35 | 1:16:39 | |
I'm to report to some training place in Salisbury. | 1:16:39 | 1:16:43 | |
Mine aren't through. | 1:16:43 | 1:16:44 | |
They'll come soon enough. When I told my father I wasn't going, | 1:16:44 | 1:16:48 | |
I thought he'd tear my bloody head off! | 1:16:48 | 1:16:51 | |
I said to him, "They're bloody quick enough to send you to war, they don't | 1:16:51 | 1:16:55 | |
"tell you about the gas Hitler uses to fry your brains, do they?" | 1:16:55 | 1:16:58 | |
I wrote the letter, like we planned. | 1:16:58 | 1:17:02 | |
"To whom it may concern..." | 1:17:02 | 1:17:05 | |
I was going to put "To Mr Churchill", | 1:17:05 | 1:17:08 | |
but this way, it's to Hitler and Mussolini, too, see? | 1:17:08 | 1:17:11 | |
"We, the undersigned, do not undertake this deed lightly. | 1:17:11 | 1:17:15 | |
"We are two young people who choose to die to save others. | 1:17:15 | 1:17:18 | |
"We would rather take our own lives | 1:17:18 | 1:17:20 | |
"than collude in the waste of war." They'll have to take notice | 1:17:20 | 1:17:23 | |
of a gesture like that, won't they? | 1:17:23 | 1:17:25 | |
We might even end the war! | 1:17:25 | 1:17:27 | |
We've not planned how yet. | 1:17:27 | 1:17:28 | |
What are the options? | 1:17:28 | 1:17:31 | |
I know, rat poison! | 1:17:31 | 1:17:34 | |
Shh, shh, shh! Shh. | 1:17:34 | 1:17:36 | |
There's only bleach. | 1:17:36 | 1:17:37 | |
The pain would kill us! | 1:17:37 | 1:17:39 | |
GIGGLES | 1:17:39 | 1:17:43 | |
Look at this, Duncan! | 1:17:49 | 1:17:52 | |
This is just the bloody job! | 1:17:54 | 1:17:56 | |
We'll do it at dawn. | 1:18:11 | 1:18:14 | |
First bird song we hear, that's the cue, ok? | 1:18:16 | 1:18:19 | |
I'll go first. | 1:18:19 | 1:18:21 | |
Directly I've done it, you take the razor, do it, too. | 1:18:21 | 1:18:24 | |
We must make a good job of it. | 1:18:25 | 1:18:27 | |
Helping someone top themselves, they'll throw away the key. | 1:18:27 | 1:18:32 | |
Bugger this waiting lark. Let's get on with it! | 1:18:36 | 1:18:38 | |
You're the best, you are, Duncan! | 1:18:46 | 1:18:49 | |
You're up, girls. | 1:19:02 | 1:19:05 | |
Guest house in Jocelyn Street. Six people trapped inside. | 1:19:05 | 1:19:08 | |
DOORBELL RINGS | 1:19:21 | 1:19:23 | |
I didn't do it. I couldn't do it. | 1:19:53 | 1:19:57 | |
Duncan James Pearce, I am arresting you on suspicion | 1:20:05 | 1:20:08 | |
of inciting and assisting in the suicide of Alec Jennings. | 1:20:08 | 1:20:11 | |
-Anything? -No. | 1:20:14 | 1:20:17 | |
COUGHING | 1:20:20 | 1:20:23 | |
Help. | 1:20:32 | 1:20:33 | |
Over here! | 1:20:35 | 1:20:36 | |
Help! | 1:20:36 | 1:20:37 | |
We need help lifting her. | 1:20:43 | 1:20:45 | |
Can you move your legs? Move your toes for me? | 1:20:57 | 1:21:01 | |
Are you a doctor? | 1:21:08 | 1:21:10 | |
Just a dab hand at first aid. | 1:21:10 | 1:21:12 | |
I went out with a doctor once. | 1:21:14 | 1:21:17 | |
Well, nearly, he was a medical student. | 1:21:17 | 1:21:20 | |
It didn't work out. | 1:21:20 | 1:21:21 | |
Why is it we can never love the people we ought? | 1:21:25 | 1:21:28 | |
Don't worry. | 1:21:32 | 1:21:34 | |
I won't let anything happen to you. Be brave a bit longer. | 1:21:34 | 1:21:37 | |
You're the one that's brave, doing this job. | 1:21:45 | 1:21:49 | |
It's easier being out in thick of it than cowering in some shelter. | 1:21:49 | 1:21:54 | |
And at night, when there's a raid on, | 1:21:54 | 1:21:57 | |
when no-one's about and the streets are empty, | 1:21:57 | 1:21:59 | |
it's like the whole city belongs to you. | 1:21:59 | 1:22:01 | |
You're protecting it. | 1:22:07 | 1:22:08 | |
What? | 1:22:20 | 1:22:21 | |
Over here! | 1:22:26 | 1:22:27 | |
I'll be where you can see me. | 1:22:34 | 1:22:36 | |
You do realise, now you've saved her, she's yours for life. | 1:22:46 | 1:22:49 | |
MUSIC PLAYS | 1:24:44 | 1:24:48 | |
'Someone once said a happy ending | 1:28:12 | 1:28:14 | |
'depends on where you decide to stop your story. | 1:28:14 | 1:28:18 | |
'Then again, | 1:28:18 | 1:28:20 | |
'it could be when you realise your story is not yet over, | 1:28:20 | 1:28:23 | |
'that you are only at the end | 1:28:23 | 1:28:26 | |
'of the beginning.' | 1:28:26 | 1:28:28 | |
Subtitles by Red Bee Media Ltd | 1:29:00 | 1:29:03 | |
E-mail [email protected] | 1:29:03 | 1:29:06 |