The Thirteenth Tale


The Thirteenth Tale

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This programme contains some violent scenes and scenes some viewers may find disturbing.

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BIRDS CAW

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Is this the moors?

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It is.

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Good afternoon.

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Miss Lea? I'm Miss Winter's housekeeper.

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My name is Judith.

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Very good. I'll send up some sandwiches right away.

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-You must be hungry after your long journey.

-Thank you.

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Miss Winter expects to see you in the library at four.

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So, Miss Lea, have you read ANY of my books?

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Almost all of them, I think.

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Well...

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You'd better sit down.

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Now, if I interpreted your answer to my letter correctly,

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you're not exactly leaping at this very attractive offer I've made you.

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-Well, I...

-You'd be guaranteed a very healthy advance.

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Hmm. But I can see from what you're wearing,

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you're not particularly interested in money.

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I've written about people who don't care for money,

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but I never actually expected to meet one.

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Are my books too popular for you?

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What exactly makes you hesitate?

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I'd like to know what made you choose me as a potential biographer.

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Ah.

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It certainly wasn't your celebrated biography of the Bronte sisters...

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..which I wouldn't dream of reading.

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BOOK CLATTERS

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No, what caught my attention, Miss Lea,

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was that piece you wrote for that pretentious little magazine

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about the Landier sisters, the twins.

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Obviously, I've been doing some research,

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and I couldn't help noticing

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in the couple of dozen interviews I looked at,

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you give a different account of your life in every one of them.

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You think I'm a liar?

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That isn't quite what I said.

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You surely don't think I'm so dull

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as to trot out the same story over and over again?

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I make things up so as not to bore myself.

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It's my profession. After all, they're only journalists...

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..if you take my point.

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I'm not sure that I do, exactly. I'm sorry.

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You don't need to be so polite. I can't abide politeness.

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I always think that being nice...

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..is what's left over after you've failed at everything else.

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You're obviously a great success.

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Ah!

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SHE CHUCKLES

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Oh, that's better.

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Have you a love life?

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Oh, wait, wait! Wait!

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I have an extraordinary story. Don't turn your back on it.

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It's about twins.

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Please, come back.

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Come on.

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Sit down.

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Don't take offence. I'm only trying to get to know you.

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I can't be expected to spill the secrets of a lifetime

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to a complete stranger.

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But this was your idea.

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I thought this is what you wanted to do.

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-It's not that I want to. I have to.

-Why?

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Because I'm old. I'm dying.

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Dying?

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Why else should I subject myself to all this?

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Hmm.

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What do you need from me?

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I need to be sure that you're intending to tell me the truth.

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I'm a biographer, I deal in facts.

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Oh, how stupendously boring, you poor thing.

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Suppose we start by me

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asking you three independently verifiable questions?

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-And then if your answers are true...

-Three questions.

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Pleasantly traditional.

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My first question - what is your real name?

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Ah, I could easily bamboozle you there.

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It's Vida Winter. I had it changed by deed poll.

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What you really need to know is the name I was originally known by.

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That's right, yes.

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Adeline March.

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My next question is your place of birth.

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You can check in the records of St Bart's in London.

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Next.

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Um, I'd like you to tell me something that happened to you

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before you changed your name, which is also a matter of public record.

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Hm, I can do that, but first I have some conditions of my own.

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-What are they?

-You must let me tell my story chronologically.

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No interruptions, no questions

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and no sneaky peeping at the last page.

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-All right.

-Good.

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Do you believe in ghosts?

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That's not a very easy question.

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Do you or don't you?

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Certain kinds of ghosts, maybe.

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I was brought up in a house about five miles from here.

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A haunted house.

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-I see.

-No, you don't.

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I call it my story,

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but it has none of the familiar consolations that word implies.

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It's something far harsher...

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..much more painful.

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Something I suppose we have to call the truth.

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I was brought up in a house called Angelfield.

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When I was 17, there was a fire. The house was destroyed.

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And there's a public record?

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It was in all the local papers.

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And I can show you a different sort of record...

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SHE GASPS

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So, you see, in spite of what I just said...

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..you know the end of my story.

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The end? You said that happened when you were 17,

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-before you'd even started writing.

-Oh, writing.

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That was just to fill in the time.

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I'm sorry if I've shocked you, Miss Lea.

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One becomes so accustomed to one's own horrors.

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MUFFLED GASPS AND GROANS

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CHILD: 'Don't be like that, Margaret!'

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KNOCK ON DOOR

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Come in.

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If you don't mind, Dr Clifton, Miss Winter's doctor,

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would like to have a word with you.

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Ah. OK.

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Thank you for agreeing to see me, Miss Lea.

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Miss Winter wanted me to explain her condition to you.

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-Oh?

-Miss Winter has cancer of the pancreas,

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which we've recently discovered has spread throughout her body.

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This means she has very little time left.

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How long?

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We're not able to say precisely.

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Most people wouldn't have survived this long,

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but Miss Winter is extremely tough.

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She just wanted me to make you aware that time is of the essence.

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You can let her know I understand.

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Thank you.

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Um, have you been her doctor long?

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Long enough to know that I'm extremely impatient to read your book.

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I was pleased last night

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when you didn't ask the question everybody else always does.

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-What question's that?

-About the first book.

-Oh, The Thirteenth Tale?

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-That's right.

-And everybody always asks why there are only twelve?

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-That's right.

-Why are there only twelve?

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Shall we get started?

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RECORDER BEEPS

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The story begins at Angelfield.

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After the mysterious, unexplained death of their parents,

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the house now belonged to Charlie Angelfield and his sister Isabelle.

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She'd left the house less than a year before but her husband,

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Roland March, had been killed in the war

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and now she returned.

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Of course, in their parents' day,

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there had been dozens of servants to run the estate

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but now only two remained -

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Mrs Dunne the housekeeper, known to everyone as The Missus,

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and the gardener, John Digence,

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who we called John The Dig.

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Can you put it down there?

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BABIES GURGLE

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Well, well.

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-What are they called?

-Adeline and Emmeline.

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Which one is which?

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You know, I haven't the slightest idea.

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BABIES CRY

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Where is Mr Angelfield?

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He'll be in the library, I expect, madam.

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I'll leave these with you.

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Truth to tell, it was not poverty or even the demands of the war

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which brought about the exodus of the Angelfield staff.

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It was the sense of chaos

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and unease caused by the bizarre and unpredictable

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behaviour of Isabelle's brother.

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Charlie, I'm back.

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What do you mean?

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I'm back for good. I brought the children with me.

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What?

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What children?

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-Oh. Oh, yes.

-It's just you and me now, Charlie.

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You shouldn't have gone away for so long, Isabelle.

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I had to, Charlie. I explained it all to you.

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All the same.

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This one can be Adeline.

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I suppose we were shamefully neglected

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when we were children. No schooling, no discipline.

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THEY TALK IN MADE-UP LANGUAGE

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We were so much on our own, we invented our own private language.

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Charlie and Isabelle were so wrapped up in one another

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that the only people in our lives vaguely resembling parents

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were The Missus and John The Dig.

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Are you all right, missus?

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THEY CHATTER IN THEIR OWN LANGUAGE

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But we did have each other, and we were all the world to one another.

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We couldn't imagine that anyone but ourselves really existed.

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I expect that's why we were so cruel.

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The topiary garden had been planted

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by John The Dig's great-grandfather.

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It was his pride and joy.

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LOUD WAILS

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THEY GIGGLE

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WAILING CONTINUES

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We weren't confined to the house and garden.

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We roamed all over the estate and did exactly what we felt like.

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We were the children from the big house, so they put up with us...

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One...

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..until the day we took Mary Jameson's baby.

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..two...three...

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THEY GIGGLE

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BABY CRIES

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SHE SPEAKS IN THEIR OWN LANGUAGE

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Good afternoon. Is your mother in?

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Perhaps I'll try the back door.

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Mrs Theodora Mawsley, the local doctor's wife

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and something of a busybody, eagerly volunteered to take up

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the matter of Mary Jameson's baby with Charlie and Isabelle.

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BIRDS CAW

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Hello?

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Is anybody there?

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Mr Angelfield?

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PLAYED HALTINGLY ON VIOLIN: "Ring A Ring O' Roses"

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MUSIC STOPS ABRUPTLY

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GLASS BREAKS

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GLASS TINKLES

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SHE PLAYS SOME NOTES

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LOUD THUD

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What's the matter? Miss Winter?

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It's just my wolf.

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Wolf?

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That's what I call it.

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Pills are meant to keep him at bay, but he...

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he comes a little earlier every day.

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Is there anything I can do?

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Should we stop for the day?

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No. No, no, no, he's just sniffing around.

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We mustn't encourage him.

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Now...

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Miss Lea, where were we?

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Erm...the doctor's wife and the violin.

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I'm desperate to know what happened next.

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Oh...

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-Surely it must have been one of the children?

-No.

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No, I told you, I saw the children out on the steps on my way in.

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No, it was a woman in white.

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There's no woman in white in this house, ma'am.

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You must have seen the ghost.

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They do say Angelfield is haunted.

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Dr Mawsley. I'm not sure if you remember me.

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It has been some time.

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Oh, yes.

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Might this be the person who attacked you?

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Yes. Yes, I think it might.

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Excuse me, but could you tell me, did you do these yourself?

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Yes.

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Mr Angelfield, do you mind if I have a word with you in private?

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I think it would be best not to visit her for at least a month,

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give them time to... draw some conclusions.

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Oh, Mr Charlie...

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HE WHIMPERS

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Oh, now hush.

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BIRDS CRY

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'There's no woman in white in this house, ma'am.

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'You think I'm a liar?

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'Do you believe in ghosts?

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'They do say Angelfield is haunted.'

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DULL THUDS

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SHE GASPS

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GIRL SOFTLY SINGS: "Ring A Ring O' Roses"

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THEY CHATTER IN THEIR OWN LANGUAGE

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After they took Isabelle off to the asylum,

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Charlie Angelfield went completely to pieces.

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Dr Mawsley arranged through the family solicitor

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to appoint a governess to look after us.

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Her name was Hester Barrow.

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Welcome to Angelfield.

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I'll get your bags.

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So the children never knew their father?

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Oh, no, miss, none of us did.

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I don't even think Miss Isabelle knew him very well.

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The only man she ever took any notice of was her brother Charlie.

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And when she came back here, she did everything for him...

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..if you know what I mean.

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I'm not sure I do, Mrs Dunne.

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-Well...

-In any event, it's probably time I met Mr Angelfield.

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I don't know as he'll want to see you, miss.

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He's not very well in himself, like.

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He keeps to his quarters and no-one's allowed to disturb him.

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I see.

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He never was very sociable,

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but since they took Miss Isabelle away, he's hardly showed his face.

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I don't know where those children can be.

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I'll go and see if I can scare them up.

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No, no, Mrs Dunne, it's not for us to go chasing after them.

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No doubt they'll come down for their dinner.

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Well, often as not,

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they just creep down and help themselves to summat out the pantry.

0:29:520:29:56

Oh... I don't think we can allow that.

0:29:560:29:59

We'll try the twins' room, miss,

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which is the third door along here on the left.

0:30:030:30:07

It's just here...

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Shh.

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DOOR HANDLE RATTLES

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Now, come along, girls. It's time you met your new governess.

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I am sorry, Miss Barrow.

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Don't you worry, Mrs Dunne, we have all the time in the world.

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I should like to explore the rest of the house.

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I'll show you around.

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No, no, you get back to your kitchen, Mrs Dunne.

0:30:410:30:43

I shall get on much better on my own.

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That first afternoon, we refused to come down and meet her.

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We thought she might be discouraged and go away.

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-But she wasn't?

-No!

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She was the first person who tried to take us on.

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I went to have a look at Angelfield.

0:31:010:31:03

Hmm. Did you?

0:31:060:31:08

Did you see the ghost?

0:31:090:31:12

I saw something.

0:31:120:31:13

What?

0:31:130:31:15

Not sure.

0:31:150:31:17

Erm, you were telling me about Hester.

0:31:230:31:26

Yes.

0:31:270:31:29

You remind me of her a bit.

0:31:290:31:31

In what way?

0:31:310:31:33

She was very determined and inquisitive.

0:31:330:31:36

Food.

0:31:380:31:40

-Food.

-Hungry.

0:31:400:31:42

At the end of Hester's first day at the house,

0:31:420:31:45

she'd already formed a strategy

0:31:450:31:48

for dealing with her as yet invisible charges.

0:31:480:31:52

No keys.

0:32:000:32:02

Emmeline? Adeline?

0:32:140:32:17

Which one are you? Adeline or Emmeline?

0:32:230:32:26

Emmeline.

0:32:260:32:28

Are you hungry? Would you like some supper?

0:32:300:32:34

Mmm.

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And what about your sister?

0:32:350:32:38

Never mind. Let's go to the kitchen.

0:32:410:32:45

Follow me.

0:32:520:32:53

So, right from the start, Hester managed to drive a wedge between us.

0:32:590:33:03

I can't say our education was entirely plain sailing...

0:33:050:33:09

..although Emmeline continued to be pretty much of a pushover.

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CRASHING AND BANGING

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Well, a very good morning to you, Adeline.

0:33:220:33:25

HE MUTTERS

0:33:250:33:26

Thank you so much, John.

0:33:260:33:28

Very good of you to join us, I must say.

0:33:300:33:32

We're starting the morning

0:33:330:33:36

with a drawing of our beautiful Angelfield House.

0:33:360:33:39

You're most welcome to stay down there if you're more comfortable.

0:33:410:33:45

Ah! Ow!

0:33:590:34:01

Adeline! Adeline, this behaviour will simply not be tolerated!

0:34:010:34:05

Do you hear me? Do you hear me, Adeline?

0:34:050:34:08

Miss?

0:34:210:34:23

Yes, Emmeline?

0:34:230:34:25

Finished, miss.

0:34:250:34:27

Just a minute.

0:34:320:34:34

Very nice, dear.

0:34:530:34:55

Oh, I don't believe you've quite finished, Adeline.

0:34:550:34:59

THUNDER RUMBLES

0:35:050:35:08

CHILD: 'Margaret?' GIGGLING

0:35:170:35:20

MUFFLED GROANING

0:35:470:35:50

Do you believe in ghosts?

0:36:080:36:10

You asked me that before.

0:36:120:36:13

Your answer was evasive, as I recall.

0:36:140:36:17

Well, let's just say I'm beginning to.

0:36:200:36:22

Oh? Why would that be?

0:36:220:36:24

Anyway, Hester didn't.

0:36:270:36:30

Too sensible, poor thing.

0:36:300:36:32

It would have been easier for her

0:36:320:36:34

if she hadn't insisted on being so rational.

0:36:340:36:37

Is there really nowhere we can get hold of some decent fish?

0:36:390:36:42

Well, yes, you can, if you really want to. It's a bit of a palaver.

0:36:420:36:47

Emmeline?

0:36:500:36:51

She's out in the garden, miss.

0:36:540:36:56

I... I just saw her.

0:36:560:36:58

I can hear them outside.

0:37:010:37:03

DISTANT CHATTERING

0:37:030:37:05

That's strange. I could have sworn...

0:37:110:37:14

Was she wearing white, miss?

0:37:180:37:20

Yes, she was.

0:37:210:37:23

That'll be the ghost.

0:37:240:37:26

Oh, don't be ridiculous, Mrs Dunne.

0:37:260:37:28

It's probably just the sunlight flashing in the mirror.

0:37:280:37:32

Woman in white, miss. We've all seen her.

0:37:320:37:36

Well, I haven't, and I certainly don't intend to.

0:37:360:37:40

HANDLE RATTLES

0:39:020:39:04

SHE SHRIEKS

0:39:150:39:17

DISTANT LAUGHTER

0:39:200:39:22

WIND WHISTLES

0:39:320:39:35

During that summer, Dr Mawsley visited

0:39:360:39:39

a little more frequently than was perhaps medically necessary.

0:39:390:39:43

I'm at my wits' end with Adeline.

0:39:450:39:47

She's an aggressive and dangerous child.

0:39:470:39:50

She hardly eats anything.

0:39:500:39:52

It takes two of us to hold her down at bath-time.

0:39:520:39:55

She seems impervious to any kind of human emotion.

0:39:550:39:58

Is she intelligent?

0:39:580:40:00

It's hard to tell, given that she refuses to speak.

0:40:000:40:03

Soon after I arrived, I sent off for a number of studies of twins.

0:40:050:40:09

Really?

0:40:090:40:11

If I've understood correctly,

0:40:110:40:13

what tends to happen is that certain pairs of twins

0:40:130:40:16

divide up available emotions and personality traits between them.

0:40:160:40:19

Thus, one being placid and passive, the other wild and violent.

0:40:190:40:25

One clean, the other dirt-loving.

0:40:250:40:27

Of course, you would know much more about this than I.

0:40:280:40:31

Not necessarily.

0:40:320:40:34

Yes.

0:40:340:40:35

My wife's opinion...

0:40:350:40:37

I... I do sometimes discuss my patients with my wife.

0:40:390:40:42

She thinks the child may quite simply be wicked.

0:40:440:40:48

I think the explanation may be a little more nuanced than that.

0:40:480:40:52

No doubt. My wife is apt to take the layman's view.

0:40:520:40:55

I was thinking that the situation

0:40:590:41:01

does present a rare opportunity for original research.

0:41:010:41:05

Indeed.

0:41:060:41:08

In which I would be more than happy to assist you.

0:41:080:41:11

Hmm.

0:41:140:41:15

DOOR BELL RINGS

0:41:310:41:33

Where's Adeline?

0:41:370:41:39

Back soon.

0:41:390:41:41

KEY TURNS IN LOCK

0:41:410:41:43

-I hate you!

-Adeline, behave, please.

0:41:520:41:55

ADELINE SHOUTS

0:41:550:41:57

-Emmeline!

-Be careful, John.

0:42:000:42:04

Watch her, please.

0:42:040:42:05

Adeline!

0:42:050:42:07

Miss Barrow, take the door.

0:42:070:42:09

SHE STRAINS AND SCREAMS

0:42:090:42:11

-Emmeline!

-Is she in?

0:42:110:42:13

Come on. Ready to go?

0:42:140:42:15

Come away.

0:42:150:42:17

LOUD SOBBING

0:42:570:42:59

KEY TURNS IN LOCK

0:43:050:43:06

Oh, my goodness, Emmeline.

0:43:080:43:10

Come in. Let me show you your room.

0:43:260:43:28

You'll like it, you'll have it all to yourself.

0:43:280:43:31

I tell you, no good'll come of this.

0:43:330:43:36

Adeline...

0:43:490:43:50

And naturally there have been reports that point to some evidence...

0:43:560:43:59

Hester and Dr Mawsley had become so engrossed

0:43:590:44:03

in their scientific experiment

0:44:030:44:05

and so relished their daily discussions

0:44:050:44:08

they quite failed to notice that their patients

0:44:080:44:11

were making no progress whatsoever.

0:44:110:44:15

They completely ignored the only and most obvious diagnosis -

0:44:220:44:27

the twins were missing each other desperately.

0:44:270:44:30

Emmeline!

0:44:370:44:39

Emmeline!

0:44:390:44:40

There you are. Come along, it's time for your tea.

0:44:430:44:46

Where have you been? I've been looking for you.

0:44:480:44:51

We went down to the woods.

0:44:510:44:53

-No, you should say,

-"I

-went down to the woods."

0:44:530:44:57

I went down to the woods.

0:44:570:44:59

Mm. And what did you do there?

0:44:590:45:02

We picked some bluebells.

0:45:020:45:04

Come on.

0:45:050:45:07

Where did you put your bluebells?

0:45:170:45:19

The bluebells you picked? Did you put them in the vase?

0:45:220:45:26

No, we saved them for Adeline.

0:45:260:45:30

Well, you correct her, you see, and she gets it right for a moment

0:45:340:45:38

but then she always goes back to saying "we".

0:45:380:45:40

-I'm afraid Adeline never speaks at all.

-Oh, dear.

0:45:400:45:43

I don't think it would be prudent

0:45:450:45:47

to let her out of the house, do you?

0:45:470:45:49

I say, I don't think it would be safe

0:45:500:45:53

to let Adeline out of the house.

0:45:530:45:55

No.

0:45:560:45:58

KEY TURNS IN LOCK

0:46:390:46:42

I thought we'd agreed that the rooms not immediately in use

0:46:450:46:48

should be kept locked.

0:46:480:46:50

Yes, that's right, miss.

0:46:500:46:51

Well, just now I found the drawing-room open.

0:46:510:46:54

Not a bad idea to give it a bit of an airing.

0:46:540:46:57

Oh, so you opened it, did you?

0:46:570:47:00

Oh, no, miss.

0:47:000:47:02

I don't have the keys any more, remember?

0:47:020:47:04

You've got the keys.

0:47:060:47:08

THEY GIGGLE

0:47:300:47:32

FRANTIC KNOCKING

0:47:350:47:37

-What is it?

-Why have you let Adeline out?

0:47:390:47:42

Oh... Oh, that's impossible!

0:47:450:47:48

I've just seen her this minute with Emmeline in...in the grounds!

0:47:480:47:52

Calm down. Here.

0:47:520:47:53

Adeline has been here, in this room, this past hour.

0:47:550:47:58

Ever since breakfast.

0:48:000:48:01

But...

0:48:010:48:03

I must be going mad!

0:48:080:48:09

SHE SOBS

0:48:100:48:12

FOOTSTEPS APPROACH

0:48:280:48:31

I'll thank you to leave this house immediately.

0:48:410:48:44

And send John for the child.

0:48:460:48:47

I can...

0:48:470:48:49

I'll speak to you later.

0:48:490:48:51

The next day, Hester had vanished.

0:49:010:49:03

Packed her bags, slipped away, never seen again.

0:49:050:49:08

-What happened to her?

-I've no idea.

0:49:080:49:10

The doctor had disappeared as well, so we can make an educated guess.

0:49:100:49:14

Rumour was they'd disappeared to America.

0:49:140:49:18

Wherever it was, I'm sure they both flourished.

0:49:180:49:22

Hester was a resourceful little... THING.

0:49:220:49:27

CAR APPROACHES

0:49:290:49:31

CAR DOOR OPENS AND CLOSES

0:49:310:49:33

THE MISSUS: She's upstairs.

0:49:330:49:35

Emmeline!

0:49:350:49:37

SHE ROARS

0:49:440:49:47

But why did you do that?

0:49:590:50:01

I...I-I couldn't tell you.

0:50:040:50:06

Over the next five or six years, in spite of strenuous efforts

0:50:140:50:19

to maintain the status quo, bit by bit, everything changed.

0:50:190:50:24

First, a letter came from the asylum

0:50:270:50:30

saying that Isabelle had died of pneumonia.

0:50:300:50:34

FLIES BUZZ

0:50:340:50:37

A week or so later, we noticed that Charlie had stopped touching

0:50:370:50:41

the food that The Missus had left for him.

0:50:410:50:45

He'd gone.

0:50:450:50:47

I had an idea where Charlie might be.

0:50:550:50:58

I'd often followed him and watched what he did there with Isabelle.

0:50:580:51:03

FLIES BUZZ

0:51:290:51:31

I never said a word to the others.

0:51:540:51:57

If Master Charlie has gone, didn't we ought to tell someone?

0:52:000:52:05

No call to.

0:52:050:52:07

I collect the money from the bank end of the month,

0:52:070:52:10

same as always.

0:52:100:52:12

And if we run short,

0:52:140:52:16

I know a man that'll buy some of that wine from the cellar.

0:52:160:52:19

Oh, he wouldn't like that.

0:52:190:52:21

Anyroad, I better take him up his dinner.

0:52:240:52:28

Of course, The Missus was suffering from some kind of dementia.

0:52:310:52:36

But we drifted on pretty much as we always had.

0:52:360:52:41

PIERCING SCREAM

0:52:500:52:53

GIRL SINGS SOFTLY: "Ring A Ring O' Roses"

0:53:140:53:17

CHILD: 'Forgive me, please!

0:53:330:53:35

LOUD SCREAM

0:53:360:53:38

'Margaret, I'm sorry.'

0:53:380:53:41

HORN BLARES

0:53:410:53:43

DISTRESSED WAILING

0:53:450:53:48

SHE SOBS AND WAILS

0:53:550:53:58

SOBBING

0:54:030:54:06

SHE GASPS AND MUTTERS

0:54:180:54:21

SHE GRUNTS

0:54:210:54:24

Underground...

0:54:260:54:28

Emmeline?

0:54:280:54:30

Dead go underground...

0:54:300:54:33

Are you Emmeline?

0:54:330:54:35

SHE MUTTERS

0:54:370:54:41

MOANING

0:54:480:54:51

DOOR OPENS

0:54:550:54:57

KISS

0:55:300:55:33

You look like death warmed up. What's the matter?

0:56:010:56:04

I didn't get sleep much last night.

0:56:040:56:06

Oh?

0:56:060:56:08

Are you in a fit state to continue?

0:56:080:56:10

Yes, of course.

0:56:100:56:12

Um, we were talking about what happened after The Missus died.

0:56:120:56:16

John brought in a local boy to help with the garden.

0:56:170:56:20

Ambrose Proctor.

0:56:200:56:22

I don't see why we need him.

0:56:230:56:25

He's all right.

0:56:260:56:29

Keeps himself to himself. Works hard.

0:56:290:56:32

Gives me a bit of time for what needs doing in the house.

0:56:320:56:35

You said you were going to show me how to trim the topiary.

0:56:380:56:41

Well, I will, then. Huh?

0:56:410:56:43

Now, you check the safety latch first. Right?

0:56:480:56:52

Right. Bit wobbly-like, against the tree.

0:56:520:56:56

You need to test it before you go up it.

0:56:560:56:59

Right...

0:57:010:57:02

Up you go.

0:57:030:57:05

Never cut into the sun or towards your own shadow, all right?

0:57:120:57:17

-Yes.

-And never look at the clouds.

0:57:170:57:20

They keep moving, see, and they throw you out.

0:57:200:57:23

Good girl.

0:57:330:57:34

Yes.

0:57:340:57:37

GIGGLING

0:57:400:57:42

BANGING

0:57:590:58:02

Where's the ladder?

0:58:140:58:15

Mr Digence took it. He's round the back, fixing the guttering.

0:58:150:58:19

-Obviously somebody had tampered with the safety catch.

-Who?

0:58:470:58:53

We said no questions.

0:58:530:58:55

After that, everything's a blur.

0:58:570:58:59

But I did have the presence of mind to tell the police

0:58:590:59:02

that Uncle Charlie was away.

0:59:020:59:04

After the funeral, we had a meeting with the family solicitor, Mr Lomax.

0:59:060:59:12

So where exactly is your uncle?

0:59:120:59:15

Peru, I think.

0:59:150:59:17

-Peru?

-I believe so.

0:59:170:59:19

And when will he be back?

0:59:210:59:23

I'm not sure. Quite soon, anyway.

0:59:230:59:26

You're 17 now, if I'm not mistaken.

0:59:300:59:33

That's right.

0:59:330:59:35

I'm just wondering what arrangements we can put in place

0:59:350:59:39

to make sure that you and your sister are properly looked after.

0:59:390:59:43

We're quite used to fending for ourselves.

0:59:430:59:45

-Yes, but I...

-My grandmother knows the house very well.

0:59:450:59:48

She can look in every day, like.

0:59:480:59:50

There's no need for your grandmother to trouble herself.

1:00:021:00:06

Well, that's lucky, because I haven't got a grandmother.

1:00:061:00:10

So, who do you think killed John?

1:00:171:00:19

It certainly wasn't Emmeline, if that's what you're thinking.

1:00:191:00:22

And Ambrose had no motive. Quite the contrary.

1:00:221:00:26

Then...

1:00:261:00:28

We agreed no questions.

1:00:311:00:33

Patience, Miss Lea.

1:00:341:00:36

That was that. You got away with it.

1:00:381:00:40

Mr Lomax was very happy not to put himself out.

1:00:441:00:48

You got away with everything.

1:00:481:00:50

I can't understand why the police didn't properly investigate

1:00:501:00:53

John's death after all the...

1:00:531:00:55

I'll tell the story my own way, Miss Lea!

1:00:561:00:59

I think that's probably enough for today.

1:01:031:01:05

'We said no questions.

1:01:151:01:17

'It certainly wasn't Emmeline, if that's what you're thinking.'

1:01:171:01:20

CAMERA SHUTTER CLICKS

1:02:021:02:05

Sorry. Forgive me.

1:03:001:03:02

So you're treating Emmeline as well?

1:03:251:03:28

Yes. Yes, um...

1:03:301:03:32

As a matter of fact, she's even more seriously ill than Miss Winter.

1:03:321:03:35

Is she?

1:03:351:03:37

We tried to move her to hospital a few weeks ago

1:03:371:03:39

but she refused to get in the ambulance.

1:03:391:03:42

Do you know if anyone's living at Angelfield?

1:03:441:03:47

Why do you ask?

1:03:471:03:48

Well, I know it's pretty much a ruin,

1:03:481:03:50

I've been there a couple of times,

1:03:501:03:52

and the first time some enormous man chased me out of the house,

1:03:521:03:54

and the second time, in one of the rooms,

1:03:541:03:56

there was signs of someone living there.

1:03:561:03:59

He's called Aurelius Love.

1:03:591:04:01

He's not quite right in the head, but he's totally harmless.

1:04:011:04:05

Bit of a local character. Works with his mother in the bakery.

1:04:051:04:09

Was that what you wanted to ask me about?

1:04:101:04:12

Um...no, not really.

1:04:121:04:15

I think Miss Winter may have confessed to committing

1:04:231:04:26

a murder when she was a teenager.

1:04:261:04:28

Erm, well... Well, did she or didn't she?

1:04:281:04:32

I haven't got the whole story yet but somebody killed the gardener

1:04:321:04:35

and I can't see who else it could have been.

1:04:351:04:37

And I don't know what to do about it.

1:04:371:04:40

Do you have any evidence?

1:04:401:04:42

No, and even if I did...

1:04:451:04:47

Hmm.

1:04:511:04:52

I'm sure you're right.

1:04:531:04:56

Maybe wait until you've heard more?

1:04:561:04:58

Emmeline...

1:05:011:05:03

Dr Clifton tells me you've been asking questions about her.

1:05:051:05:08

How did you find out?

1:05:081:05:09

I saw her one night in the garden,

1:05:091:05:11

and eventually worked out who she was.

1:05:111:05:14

I see.

1:05:141:05:15

I wanted to know why she was digging in the garden

1:05:151:05:18

-and what it was she kept saying all the time.

-Any theories?

1:05:181:05:21

Erm...I think what she's saying is, "Dead go underground."

1:05:231:05:26

Very good.

1:05:331:05:35

Miss Lea, you're doing very well.

1:05:351:05:37

So she IS looking for someone underground?

1:05:371:05:40

Who could it be? A child?

1:05:401:05:42

When are you going to tell me your story, Margaret?

1:05:451:05:48

I haven't got a story.

1:05:481:05:50

Everybody has a story.

1:05:511:05:53

If you keep it to yourself, it dies and comes back to haunt you.

1:05:531:05:59

You take my word for it.

1:05:591:06:01

Well, I have no intention of telling anyone my story.

1:06:021:06:05

Would you mind passing me that bottle?

1:06:101:06:14

Yes, of course.

1:06:141:06:15

What is it?

1:06:191:06:21

Liquid morphine.

1:06:211:06:23

For my wolf.

1:06:281:06:30

What did you say?

1:06:401:06:42

CHILD: 'I said I'm sorry.

1:06:421:06:44

'I was saving it specially.'

1:06:441:06:46

HORN BLARES

1:07:071:07:08

'It's me!'

1:07:081:07:10

I want to spend more time with Emmeline

1:07:201:07:22

over the next couple of days.

1:07:221:07:25

I always thought of Emmeline as a twin.

1:07:271:07:29

-MUFFLED ECHO:

-I always thought of Emmeline as a twin.

1:07:291:07:32

-MUFFLED:

-There is something special about losing a twin.

1:07:351:07:37

SHE SOBS

1:07:371:07:40

My dear, whatever's the matter?

1:07:421:07:45

I had a twin.

1:07:531:07:56

-Margaret, I'm sorry.

-I'm not talking to you.

1:07:591:08:02

I'm not even going to walk with you.

1:08:021:08:04

-I'm going over to the other side.

-Don't!

1:08:041:08:07

Walk by yourself.

1:08:071:08:09

Please forgive me, please!

1:08:131:08:15

It was all my fault.

1:08:171:08:19

She'd eaten a bar of chocolate that I'd been saving

1:08:191:08:22

and...I wanted to punish her.

1:08:221:08:25

Oh, all right.

1:08:281:08:30

Come on, then!

1:08:311:08:33

Moira!

1:08:351:08:36

CAR TYRES SCREECH

1:08:361:08:38

MARGARET SCREAMS

1:08:381:08:39

Feeling guilty doesn't do anybody any good.

1:08:471:08:50

It wasn't your fault.

1:08:531:08:55

My mother thought it was.

1:08:581:09:00

And she never forgave me.

1:09:001:09:02

I've been so lonely all these years without my sister.

1:09:081:09:12

We all have our stories.

1:09:191:09:21

You've been here before, haven't you?

1:10:161:10:18

You're Aurelius?

1:10:181:10:20

I frightened you when you came here. I didn't mean to.

1:10:201:10:23

No, I... It was my fault, I panicked.

1:10:231:10:26

-Look what they've done.

-Yeah.

1:10:261:10:29

Developers.

1:10:301:10:32

Didn't you live here?

1:10:321:10:34

No, I just used to camp out, like.

1:10:341:10:38

I live with me mum.

1:10:391:10:41

I loved this house.

1:10:441:10:46

And what's going on down there?

1:10:491:10:51

Oh, yeah. Funny thing.

1:10:511:10:54

They found some bones.

1:10:561:10:58

Skeleton.

1:10:581:11:00

'She's an aggressive and dangerous child.

1:11:241:11:28

'I always thought of Emmeline as a twin.

1:11:301:11:32

'The twins were missing each other desperately.'

1:11:341:11:39

# Ring a ring a roses

1:11:391:11:41

# A pocketful of posies... #

1:11:411:11:44

'Emmeline...'

1:11:441:11:46

There were three of you.

1:12:181:12:20

There were three of you.

1:12:221:12:24

It wasn't just Adeline and Emmeline, there were three of you.

1:12:241:12:28

There were police at Angelfield. They've found a body.

1:12:281:12:31

-A skeleton.

-Mm-hm.

1:12:311:12:33

There were three of us. And now there's one of us.

1:12:351:12:38

Oh, I'm sorry.

1:12:401:12:42

I'm so sorry, I got carried away.

1:12:421:12:45

Oh, I'm sorry.

1:12:471:12:48

So, you see, there WAS a ghost at Angelfield all along.

1:13:091:13:13

A ghost with no name.

1:13:131:13:16

It was me.

1:13:181:13:20

Like it or not, I was the ghost.

1:13:201:13:22

Who was your mother?

1:13:241:13:26

Oh, I've no idea.

1:13:261:13:29

All I do know is that when Isabelle went away to have the twins,

1:13:311:13:36

Charlie went on some kind of a rampage.

1:13:361:13:39

What I do know is that I was born a few months later than the twins,

1:13:421:13:46

and Charlie, God knows if it ever dawned on him...

1:13:461:13:50

..was the father of us all.

1:13:541:13:56

How did you get to Angelfield?

1:13:581:14:01

All I know is what John The Dig told me.

1:14:011:14:03

Which was what?

1:14:031:14:05

He started to notice his strawberries

1:14:071:14:09

and his carrots were disappearing from his vegetable garden.

1:14:091:14:12

And he thought he saw

1:14:121:14:14

signs of someone sleeping in the potting shed.

1:14:141:14:18

Also, this someone was not properly turning off the outside tap.

1:14:191:14:24

Hey, you!

1:14:411:14:43

John and The Missus took me in.

1:14:451:14:47

Or he did, really.

1:14:471:14:49

Are you thinking what I'm thinking?

1:14:511:14:54

The hair? Yes.

1:14:541:14:55

Should we tell them?

1:14:551:14:57

And I spent as much of the time as I could with them.

1:15:021:15:06

He taught me how to read out of his seed catalogues.

1:15:071:15:10

But of course Adeline never even wanted to learn to read.

1:15:171:15:20

She was...?

1:15:211:15:22

Genuinely dangerous, yes.

1:15:241:15:26

Violence was always her first instinct.

1:15:291:15:31

SHE SCREAMS

1:15:411:15:44

Finally, she killed John.

1:15:581:16:01

What made her do it?

1:16:011:16:03

She hated him for some reason.

1:16:071:16:10

She seemed to think he was responsible

1:16:101:16:13

for taking her away from Emmeline that time.

1:16:131:16:16

Or perhaps she was jealous of all the attention he gave me.

1:16:161:16:22

He was the closest I ever had to a real parent.

1:16:331:16:39

GASPS AND CLATTERING

1:16:391:16:41

HE MUTTERS UNINTELLIGIBLY

1:16:501:16:52

After John's death, we were alone with Ambrose.

1:17:041:17:09

It's a lot harder than it looks.

1:17:141:17:16

I was never easy in my mind about him.

1:17:161:17:19

Don't you touch Emmeline, you hear me?

1:17:241:17:27

I haven't touched Emmeline.

1:17:271:17:29

Good. Well, don't.

1:17:291:17:31

It's not Emmeline I wants to touch.

1:17:381:17:40

Even though she's kinder than what you are.

1:17:411:17:44

Why can't you be kind like Emmeline?

1:17:521:17:53

'Before long it was obvious that Emmeline was pregnant

1:18:041:18:08

'and I dismissed Ambrose.

1:18:081:18:10

'I decided not to ask for any help with delivering the baby.'

1:18:161:18:21

SCREAMING

1:18:211:18:23

'I read up for it as much as I could.

1:18:231:18:25

'So, I was deluded,

1:18:261:18:29

'Adeline was insane and Emmeline was helpless.

1:18:291:18:33

'All the same, somehow or other...'

1:18:371:18:40

That's it, Emmeline, keep going.

1:18:401:18:42

'..we managed.'

1:18:421:18:43

BABY CRIES

1:18:441:18:45

It's a boy, Emmeline. It's a boy.

1:18:461:18:50

There.

1:19:061:19:09

Shall I leave you to rest a while?

1:19:141:19:16

No.

1:19:181:19:20

I want to finish the story tonight. The wolf is at the door.

1:19:211:19:25

It's time to tell you the Thirteenth Tale.

1:19:281:19:31

I realised very early on how jealous Adeline was

1:19:391:19:43

and how much she resented the baby.

1:19:431:19:46

Please go on.

1:20:001:20:01

And before long, I discovered the baby was in real danger.

1:20:041:20:09

I knew I had to keep her under constant observation.

1:20:491:20:54

BABY GRIZZLES

1:22:331:22:35

Shh, shh...

1:22:431:22:44

< SCREAMING

1:23:011:23:02

Emmeline!

1:23:021:23:03

Adeline, no! Emmeline! Adeline, leave her alone!

1:23:161:23:21

It's the only time I've ever seen Emmeline fight back.

1:23:211:23:25

The baby's safe, Emmeline! He's safe!

1:23:281:23:30

Emmeline! No, Emmeline! No!

1:23:301:23:35

SCREAMING ECHOES

1:23:401:23:43

SIZZLING, SHE SCREAMS

1:24:001:24:02

Emmeline!

1:24:061:24:08

< SCREAMING CONTINUES

1:24:111:24:14

SCREAMING ECHOES

1:24:191:24:21

-You saved the baby's life.

-Yes.

1:24:431:24:45

I left the baby

1:24:481:24:51

outside the cottage belonging to the baker's widow, Mrs Love.

1:24:511:24:56

Everybody knew she had a kind heart.

1:24:591:25:03

-Aurelius Love.

-Yes.

1:25:031:25:05

He turned out to be a bit simple, but warm-hearted...

1:25:061:25:09

..like his mother.

1:25:101:25:12

When I got back to the house,

1:25:221:25:24

of course, everyone assumed...I was Adeline.

1:25:241:25:31

When we started, Margaret, I told you this was a story about twins.

1:25:381:25:42

What I didn't tell you was that I wasn't one of them.

1:25:421:25:45

Oh, I longed to be,

1:25:461:25:49

but they always kept me out.

1:25:491:25:53

So I stayed outside.

1:25:531:25:54

That's what made me a writer.

1:25:571:25:59

You lost your twin, Margaret.

1:26:061:26:08

Margaret... Oh, that was terrible.

1:26:121:26:16

But you had her with you for a while.

1:26:181:26:20

She's always with me.

1:26:231:26:24

I envy you.

1:26:271:26:28

Oh, I'm so tired.

1:26:371:26:39

Hee-hee-hee, the wolf is in the room.

1:26:471:26:50

Thank you.

1:27:271:27:28

Margaret?

1:27:301:27:31

I didn't want you to go before I had a chance to say goodbye.

1:27:321:27:36

I'm going to stay in the area for a while,

1:27:361:27:38

at least until after the funeral.

1:27:381:27:39

Good. Good, well, I'll see you there.

1:27:391:27:42

And then will you go back to London?

1:27:431:27:46

Um, I'm not sure. I think I'll stay up here somewhere to write the book.

1:27:471:27:50

I'll let you know what I decide.

1:27:511:27:53

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