Gypsy: Live from the Savoy Theatre

Line	From	To
OVERTURE PLAYS	0:00:04	0:00:09
APPLAUSE	0:01:57	0:01:59
CHILDREN CHATTER	0:01:59	0:02:02
Mothers shut up.	0:02:03	0:02:04
All mothers out.	0:02:04	0:02:06
Georgie, Georgie!	0:02:06	0:02:08
I don't want a mother on the wings,	0:02:08	0:02:09
I don't want a mother in the theatre, I want them out!	0:02:09	0:02:12
-It's a pleasure. OK, mothers. -OK, kiddies, let's go.	0:02:12	0:02:15
Let's get in a straight line, right along here	0:02:15	0:02:17
and step forward one at a time.	0:02:17	0:02:20
Shut up!	0:02:20	0:02:21
SILENCE	0:02:21	0:02:23
The doors open at seven	0:02:23	0:02:24
and Uncle Jocko doesn't have time to rehearse each of your darling acts.	0:02:24	0:02:28
You wait right over here, girlie-girl.	0:02:28	0:02:31
Hey, Gus! Hit this doll with a surprise pink	0:02:31	0:02:34
when she does her turn.	0:02:34	0:02:35
Uncle Jocko promised the wee bairn she'd be a winner and she will!	0:02:35	0:02:39
SHE GIGGLES	0:02:41	0:02:42
Chip off her sister's block.	0:02:43	0:02:45
You ought to see them balloons!	0:02:45	0:02:47
-SCOTTISH ACCENT: -OK.	0:02:47	0:02:49
And who is the first wee laddie in Uncle Jocko's Kiddie Show?	0:02:49	0:02:52
-AMERICAN ACCENT: -Take each of them from the top and then cut to the last eight.	0:02:52	0:02:55
-SCOTTISH ACCENT: -Every Friday night. -HE HUMS Scotland The Brave	0:02:55	0:02:58
Uncle Jocko didnae ken that there were	0:02:58	0:03:00
so many talented bairns right here in...	0:03:00	0:03:05
Seattle.	0:03:05	0:03:06
-AMERICAN ACCENT: -And the rest of the crap.	0:03:06	0:03:09
Sidney and his sophisticated saxophone.	0:03:09	0:03:11
CHILD PLAYS HALTINGLY	0:03:13	0:03:16
George, THAT is what is going to kill Vaudeville!	0:03:21	0:03:25
Get to the end, Sidney, the end, kiddo, the end, professor!	0:03:25	0:03:28
And who does Uncle Jocko have... Who the hell...?	0:03:30	0:03:33
Baby June and Company. Half the song, half the dance, and off!	0:03:34	0:03:38
Gotcha!	0:03:38	0:03:39
MUSIC STARTS	0:03:39	0:03:41
# May we entertain you	0:03:43	0:03:46
# May we see you smile	0:03:46	0:03:49
# I will do some kicks... #	0:03:49	0:03:52
SHE SQUEALS	0:03:52	0:03:53
# I will do some tricks... #	0:03:53	0:03:56
-WOMAN: Sing out, Louise! -Who said that?	0:03:56	0:03:58
-# I'll tell you a story... # -Who said that?	0:03:58	0:04:00
WOMAN: You're behind, Louise. Catch up, honey, catch up!	0:04:00	0:04:03
Who let in one of them mothers?	0:04:03	0:04:06
-APPLAUSE GEORGE: -She's got a dog!	0:04:06	0:04:07
Hold it, please, hold it, hold it!	0:04:07	0:04:10
Save your strength, June.	0:04:10	0:04:13
Louise, dear, if you don't count...	0:04:13	0:04:14
-Madam, do you realise you are absolutely... -I do, Uncle Jocko,	0:04:14	0:04:17
-but I want to save your very valuable time for you. -In that case...	0:04:17	0:04:20
When I saw your sensitive face at the Odd Fellows Hall...	0:04:20	0:04:22
My first husband was an Odd Fellow.	0:04:22	0:04:24
-I am not an Odd Fellow! -I meant a Knight of Pythias. My second husband was...	0:04:24	0:04:27
-I was not a Knight of Pythias! -Then where did you catch our act?	0:04:27	0:04:30
At the Elks.	0:04:30	0:04:31
My father is an Elk!	0:04:31	0:04:33
Will you hold Chowsie for me? That's short for Chow Mein.	0:04:33	0:04:37
Mummy just loves Chow Mein, doesn't she, chowsie-wowsie?	0:04:37	0:04:41
Stop sucking your thumb, Louise.	0:04:41	0:04:43
Professor, I just marvel how you can turn a performer into an artist.	0:04:43	0:04:46
Now if you would help my little girls by giving them	0:04:46	0:04:48
-a good loud la-da-da-de-da-da-da... -What is going on here?	0:04:48	0:04:52
God helps him who helps himself.	0:04:52	0:04:53
Mr Zipser, when my girls do their specialty, could you ad lick it? Thank you. Show him, girls.	0:04:53	0:04:59
-SHE SQUEALS -Is this really happening?!	0:04:59	0:05:01
Gus? Oh, Gus, would you please slap Baby June with something pink?	0:05:01	0:05:04
-She's the star. Smile, baby dear! -I have met all kinds of mothers...	0:05:04	0:05:07
Don't hang on the baby's dress, you'll rumple it up.	0:05:07	0:05:10
Now, do you know of a really good agent who could book a professional act like ours?	0:05:10	0:05:13
A professional act! Hey, Georgie! Get a load of this...	0:05:13	0:05:16
Don't laugh!	0:05:16	0:05:18
Don't you dare laugh!	0:05:18	0:05:19
That child is going to be a star.	0:05:19	0:05:20
That's what they all say. All right...	0:05:20	0:05:22
-But we're not finished! -They are as far as I'm concerned.	0:05:22	0:05:25
Because you're trying to play favourites!	0:05:25	0:05:26
-What? -How dare you let that rotten, untalented fat balloon block up my babies?	0:05:26	0:05:31
I won't leave this stage till she does!	0:05:31	0:05:33
-That child... -Have you no loyalty to the Elks?	0:05:33	0:05:36
-I'm not an Elk! -Well, the editor of the Gazette is!	0:05:36	0:05:38
I happen to know because at the last meeting he showed my father	0:05:38	0:05:41
a letter he got complaining some contest was fixed!	0:05:41	0:05:43
I guess desperate people do desperate things.	0:05:43	0:05:45
La-da-da-de-da-da!	0:05:45	0:05:46
Thank you, Professor. Thank you, Uncle Jocko.	0:05:46	0:05:49
MUSIC STARTS Thank you, Gus! And thank you, Mr Zipser!	0:05:49	0:05:52
# ..May we see you smile? #	0:05:52	0:05:56
-Smile, girls, smile! -# I will do some kicks	0:05:56	0:06:00
# I will do some tricks	0:06:00	0:06:04
# I'll tell you a story	0:06:04	0:06:07
# I'll dance when she's done	0:06:07	0:06:11
TOGETHER: # By the time we're through	0:06:11	0:06:13
# Entertaining you	0:06:13	0:06:15
# You'll have a very good time... #	0:06:15	0:06:18
THEY SCREAM # You'll have a very good time... #	0:06:18	0:06:22
APPLAUSE	0:06:22	0:06:24
That rotten little Uncle Jocko! He's as cheap as your grandpa.	0:06:29	0:06:33
Ten bucks for a talent like yours!	0:06:33	0:06:34
Well, we're through with kiddie shows.	0:06:34	0:06:36
And with your grandpa's lodge hall.	0:06:36	0:06:38
It's time we moved on, anyway!	0:06:38	0:06:40
I'm going to get us an agent to book the act on the Orpheum Circuit.	0:06:40	0:06:43
-That's dog food, Momma. -That's what she thinks - I'm hungry.	0:06:43	0:06:47
Then why didn't you eat some of our chow mein after the show?	0:06:47	0:06:52
Because you two did all the work and we have to save every cent.	0:06:52	0:06:55
I had a dream last night -	0:06:55	0:06:58
I dreamt a whole new act for you!	0:06:58	0:07:00
Baby June and her Newsboys!	0:07:00	0:07:03
How are you going to get the boys, Momma?	0:07:03	0:07:05
Louise can be a boy - and I'll find three others.	0:07:05	0:07:08
How are you going to pay them?	0:07:08	0:07:10
The experience will be their pay.	0:07:10	0:07:12
I've got just enough saved up for scenery and costumes.	0:07:12	0:07:15
If I can squeeze a few bucks out of Grandpa,	0:07:15	0:07:17
we can head for Los Angeles and the Orpheum Circuit.	0:07:17	0:07:22
-Goodnight, Momma. -Goodnight. -Goodnight, Grandpa.	0:07:22	0:07:26
You ought to be ashamed, fooling your kids with those dreams!	0:07:26	0:07:28
They're real dreams and I'm going to make 'em come real for my kids!	0:07:28	0:07:31
What are you, Rose, a crazy woman?!	0:07:31	0:07:33
God put you down right here because he meant for you to stay right here!	0:07:33	0:07:37
God's like me, Pop - we both need outside assistance.	0:07:37	0:07:40
You've squeezed the last penny out of me that you're ever going to get!	0:07:40	0:07:43
It ain't for me! It's for my girls. It's too late for me.	0:07:43	0:07:46
It ain't too late for you to get a husband to support you.	0:07:46	0:07:48
After three husbands, I want to enjoy myself.	0:07:48	0:07:51
And I want my girls to enjoy themselves and travel, like Mama does!	0:07:51	0:07:55
And you'll leave them just like your mother left you!	0:07:55	0:07:58
Never!	0:07:58	0:08:00
Why aren't you ready for bed, Louise?	0:08:00	0:08:02
June said you said she can sleep with you tonight.	0:08:02	0:08:05
Well, you know how high-strung the baby is after a performance.	0:08:05	0:08:09
I performed.	0:08:09	0:08:10
Yeah... It ain't the same. Say goodnight and go to bed.	0:08:10	0:08:14
Goodnight, Grandpa.	0:08:14	0:08:15
Goodnight, Louise. You're a good girl.	0:08:15	0:08:17
You are a good girl, and I was proud of you tonight.	0:08:17	0:08:20
Momma...	0:08:20	0:08:23
..how come I have three fathers?	0:08:24	0:08:26
Because you're lucky.	0:08:27	0:08:29
You were born with a caul.	0:08:29	0:08:32
That means you got powers to read palms and tell fortunes	0:08:32	0:08:35
and wonderful things are going to happen for you!	0:08:35	0:08:37
-Why do you fill her with such bunk? -It ain't bunk!	0:08:37	0:08:40
Nothin' wonderful is going to happen to her or June or to you.	0:08:40	0:08:43
Maybe not to me, but they're going to have a marvellous time!	0:08:43	0:08:45
I'll be damned if I'm going to let them sit away their lives like I did.	0:08:45	0:08:48
Or like you do, with only that calendar to tell you one day from the next.	0:08:48	0:08:53
Or that plaque - from your rotten railroad company to say, "Congratulations,	0:08:53	0:08:56
"for 50 years, you've done the same dull thing every dull day."	0:08:56	0:08:59
That plaque is a great tribute! It's solid gold!	0:08:59	0:09:02
-How much could you get for it? -Rose, if you... -What good's it doin' sittin' up there?!	0:09:02	0:09:06
It belongs there like you belong home.	0:09:06	0:09:08
Anybody that stays home is dead!	0:09:08	0:09:10
If I die, it won't be from sittin'!	0:09:10	0:09:12
It'll be from fightin' to get up and get out!	0:09:12	0:09:15
# Some people can get a thrill	0:09:15	0:09:19
# Knitting sweaters and sitting still	0:09:19	0:09:22
# That's OK for some people who don't know they're alive	0:09:22	0:09:29
# Some people can thrive and bloom	0:09:29	0:09:33
# Living life in a living room	0:09:33	0:09:37
# That's perfect for some people of 105	0:09:37	0:09:44
# But I at least got to try	0:09:44	0:09:50
# When I think of all the sights that I got to see yet	0:09:50	0:09:53
# All the places I got to play	0:09:53	0:09:55
# All the things that I got to be yet	0:09:55	0:09:57
# Come on, Poppa, what do you say?	0:09:57	0:09:59
# Some people can be content	0:09:59	0:10:02
# Playing bingo and paying rent	0:10:02	0:10:06
# That's peachy for some people	0:10:06	0:10:09
# For some humdrum people to be	0:10:09	0:10:17
# But some people ain't me. #	0:10:17	0:10:21
# I had a dream	0:10:23	0:10:26
# A wonderful dream, Poppa	0:10:26	0:10:30
# All about June and the Orpheum Circuit	0:10:30	0:10:32
# Give me a chance and I know I can work it	0:10:32	0:10:34
# I had a dream	0:10:34	0:10:38
# Just as real as can be, Poppa	0:10:38	0:10:41
# There I was in Mr Orpheum's office	0:10:42	0:10:46
# And he was saying to me,	0:10:46	0:10:49
# Rose	0:10:49	0:10:50
# Get yourself some new orchestrations	0:10:50	0:10:52
# New routines and red velvet curtains	0:10:52	0:10:54
# Get a feathered hat for the baby	0:10:54	0:10:56
# Photographs in front of the theatre	0:10:56	0:10:58
# Get an agent	0:10:58	0:11:00
# And in jig time you'll be being booked in the big time	0:11:00	0:11:03
# Oh, what a dream	0:11:03	0:11:06
# A wonderful dream, Poppa	0:11:06	0:11:10
# And all that I need is 88 bucks, Poppa!	0:11:10	0:11:16
# That's what he said, Poppa	0:11:16	0:11:20
# Only 88 bucks... #	0:11:20	0:11:22
You ain't gettin' 88 cents from me, Rose!	0:11:22	0:11:25
Well, then I'll get it someplace else!	0:11:25	0:11:28
But I'll get it and get my kids out!	0:11:28	0:11:31
# Goodbye to blueberry pie	0:11:34	0:11:40
# Good riddance to all the socials I had to go to	0:11:40	0:11:44
# All the lodges I had to play	0:11:44	0:11:45
# All the shriners I said hello to	0:11:45	0:11:48
# Hey, LA I'm coming your way	0:11:48	0:11:50
# Some people sit on their butts	0:11:50	0:11:53
# Got the dream, yeah, but not the guts	0:11:53	0:11:57
# That's living for some people	0:11:57	0:12:00
# For some humdrum people, I suppose	0:12:00	0:12:08
# Well, they can stay and rot	0:12:08	0:12:11
# But not Rose. #	0:12:17	0:12:22
APPLAUSE AND CHEERING	0:12:22	0:12:25
SHE WHISTLES	0:12:55	0:12:56
# Goodbye to blueberry pie	0:13:04	0:13:09
# I had a dream	0:13:20	0:13:22
# A wonderful dream	0:13:23	0:13:26
KIDS: # Hail, hail the gang's all here	0:13:26	0:13:29
# Hail	0:13:29	0:13:32
# Some people sit on their butts	0:13:33	0:13:36
# Got the dream, yeah but not the guts	0:13:36	0:13:38
# That's living for some people I suppose	0:13:40	0:13:45
# But not Rose. #	0:13:56	0:14:02
APPLAUSE AND CHEERING	0:14:05	0:14:08
No, no, no, Madam Rose, no!	0:14:10	0:14:14
Listen, Mr Weber, you don't know how to run your theatre.	0:14:14	0:14:16
Your business is slipping. You need youth, fresh young talent.	0:14:16	0:14:19
Madam Rose, I told you this morning, I told you this afternoon	0:14:19	0:14:22
and I am telling you now -	0:14:22	0:14:23
if there is anything I hate worse than kids, it's kids on stage!	0:14:23	0:14:27
Sh!	0:14:27	0:14:28
Children, go play in the alley. Mr Weber, that was a rotten remark.	0:14:28	0:14:31
And if you were a gentleman, you'd apologise and book my act.	0:14:31	0:14:34
I am not a gentleman.	0:14:34	0:14:35
Yes, you are. Deep down...	0:14:35	0:14:37
Herbie!	0:14:37	0:14:38
I was looking for you to get your opinion on the show.	0:14:38	0:14:41
-I doubled your candy order, Ed. -That bad, huh?	0:14:41	0:14:43
Except for a couple of acts. I left a memo on your desk.	0:14:43	0:14:46
Mr Weber, you left me right in the middle of a sentence.	0:14:46	0:14:48
Madam Rose, you are always in the middle of a sentence.	0:14:48	0:14:52
If your show is as rotten as this intelligent says, you can	0:14:52	0:14:55
certainly try my act for a couple of nights, couldn't you?	0:14:55	0:14:57
Yeah, he could. You could, Ed.	0:14:57	0:14:59
-What? -Your theatre gets a family audience, they love kids. -And my kids are great.	0:14:59	0:15:03
-They sure are. -How do you know?	0:15:03	0:15:05
-I've seen 'em. -Where? -In Seattle.	0:15:05	0:15:07
They give your show a lift, Ed.	0:15:07	0:15:08
-Well... -Listen to the man. -Stop pushing!	0:15:08	0:15:11
Let me think it over.	0:15:11	0:15:13
Gee...	0:15:13	0:15:14
It's hard for me to say thanks.	0:15:15	0:15:19
You just did.	0:15:19	0:15:21
So, why'd he listen to you?	0:15:21	0:15:23
Everybody in showbusiness listens to anybody.	0:15:23	0:15:26
-Besides, I used to book acts into this theatre. -Are you an agent?	0:15:26	0:15:29
I was - I'm in the candy business now.	0:15:29	0:15:32
I sell to vaudeville houses all over the West.	0:15:32	0:15:34
How could you ever leave showbusiness?	0:15:34	0:15:36
When the acts I handled had too little talent,	0:15:36	0:15:38
-I got sick to my stomach - ulcers. -You're too sympathetic.	0:15:38	0:15:41
Also, I went bust - I was always giving them my commission,	0:15:41	0:15:44
telling them they got a raise.	0:15:44	0:15:45
The Good Lord says charity begins at home.	0:15:45	0:15:48
Well, I don't have a home.	0:15:48	0:15:50
You're not married?	0:15:50	0:15:53
I have five sisters	0:15:53	0:15:55
and the ugly one didn't get married till a year ago.	0:15:55	0:15:58
Why do you help me just now?	0:15:58	0:16:00
-I love kids. -Oh.	0:16:00	0:16:04
-Also, I saw you before. -Where? -Waiting outside Weber's office.	0:16:04	0:16:07
You looked like a pioneer woman without a frontier.	0:16:07	0:16:10
I don't suppose you'd consider being an agent again?	0:16:10	0:16:13
Would you consider marrying again?	0:16:13	0:16:16
How do you know I'm not married now?	0:16:16	0:16:18
I asked your kids about you.	0:16:18	0:16:20
Oh...	0:16:22	0:16:23
Well, after three husbands,	0:16:25	0:16:27
it takes an awful lot of butter to get you back in the frying pan.	0:16:27	0:16:32
And after 20 years of showbusiness,	0:16:34	0:16:37
you kind of breathe better in the real world.	0:16:37	0:16:40
-Funny. -What? -Us.	0:16:41	0:16:44
Cos I like you, but I don't want marriage.	0:16:44	0:16:47
You like me, but you don't want showbusiness.	0:16:47	0:16:49
That seems to leave you there and me here.	0:16:49	0:16:52
That all depends on how you look at it.	0:16:52	0:16:53
You look at what we don't have.	0:16:53	0:16:56
I look at what we do have.	0:16:56	0:16:59
# Funny, you're a stranger who's come here	0:16:59	0:17:03
# Come from another town	0:17:03	0:17:07
# Funny, I'm a stranger myself here	0:17:08	0:17:12
# Small world, isn't it?	0:17:12	0:17:16
# Funny, you're a man who goes travelling	0:17:17	0:17:21
# Rather than settling down	0:17:21	0:17:26
# Funny, cos I'd love to go travelling	0:17:26	0:17:30
# Small world, isn't it?	0:17:30	0:17:35
# We have so much in common	0:17:35	0:17:40
# It's a phenomenon	0:17:40	0:17:43
# We could pool our resources	0:17:44	0:17:49
# By joining forces from now on	0:17:49	0:17:53
# Lucky, you're a man who likes children	0:17:53	0:17:58
# That's an important sign	0:17:58	0:18:02
# Lucky, I'm a woman with children	0:18:02	0:18:07
# Small world, isn't it?	0:18:07	0:18:12
# Funny, isn't it	0:18:12	0:18:16
# Small and funny and fine... #	0:18:16	0:18:24
Well, I'm not going to pay you much money.	0:18:24	0:18:27
Oh, you'll have to talk about money to Herbie.	0:18:27	0:18:31
Are you handling her act?	0:18:31	0:18:33
No, I can't! But I can't...	0:18:33	0:18:36
Yep, I guess I am.	0:18:36	0:18:38
I'll be in the office. Bring in the cloth.	0:18:38	0:18:40
# We have so much in common	0:18:40	0:18:45
# It's a phenomenon	0:18:45	0:18:49
# We could pool our resources	0:18:49	0:18:54
# By joining forces from now on... #	0:18:54	0:18:57
Rose, is this act of yours any good?	0:18:57	0:19:01
Good? It's great!	0:19:01	0:19:03
And June is sensational. Wait till you see it!	0:19:03	0:19:07
# Lucky, you're a man who likes children	0:19:07	0:19:12
# That's an important sign	0:19:12	0:19:16
# Lucky, I'm a woman with children	0:19:16	0:19:20
# Small world, isn't it?	0:19:20	0:19:24
# Funny, isn't it?	0:19:26	0:19:28
Isn't it?	0:19:28	0:19:30
# Small and funny	0:19:30	0:19:34
# And fine. #	0:19:34	0:19:41
APPLAUSE	0:19:43	0:19:46
EXCITED CHATTER	0:19:52	0:19:55
# Extra! Extra! Hey, look at the headline	0:20:03	0:20:06
# Historical news is being made	0:20:06	0:20:09
# Extra! Extra! They're drawing a red line	0:20:09	0:20:12
# Around the biggest scoop Of the decade	0:20:12	0:20:15
# A barrel of charm A fabulous thrill	0:20:15	0:20:18
# The biggest little headline in vaudeville	0:20:18	0:20:22
# Presenting	0:20:22	0:20:24
# In person	0:20:24	0:20:27
# That three foot three bundle of dynamite	0:20:27	0:20:31
# Baby... June! #	0:20:32	0:20:35
Oh!	0:20:35	0:20:37
Oh!	0:20:42	0:20:43
Hello, everybody!	0:20:45	0:20:46
My name is June!	0:20:46	0:20:48
Wha-a-at's yours?	0:20:48	0:20:51
# Let me entertain you	0:20:57	0:20:59
# Let me make you smile	0:20:59	0:21:03
# Let me do a few tricks Some old and then some new tricks	0:21:03	0:21:06
# I'm very versatile	0:21:06	0:21:10
# And if you're real good I'll make you feel good	0:21:10	0:21:13
# I want your spirits to climb	0:21:13	0:21:16
# So let me entertain you	0:21:16	0:21:19
# And we'll have a real good time yes, sir	0:21:19	0:21:23
# We'll have a real good time. #	0:21:23	0:21:29
Oh!	0:21:29	0:21:30
Oh!	0:21:32	0:21:33
Oh! Oh!	0:21:37	0:21:39
Oh!	0:21:39	0:21:40
Ha-ha-ha!	0:21:41	0:21:43
Oh!	0:21:47	0:21:49
Oh!	0:21:49	0:21:50
Oh!	0:21:51	0:21:52
Oh!	0:21:53	0:21:54
Oh!	0:22:03	0:22:04
APPLAUSE AND CHEERING	0:22:04	0:22:07
Oh!	0:22:07	0:22:08
Oh!	0:22:12	0:22:13
CHEERING	0:22:16	0:22:18
Thank you so much, ladies and gentlemen!	0:22:25	0:22:29
You're ve-e-ery kind!	0:22:29	0:22:33
You know, everyone has someone to thank for this success.	0:22:35	0:22:40
Usually, it's their mother.	0:22:40	0:22:44
APPLAUSE AND LAUGHTER	0:22:45	0:22:47
Or, sometimes, it's their father.	0:22:47	0:22:50
But, tonight, I would like you a-all to join me	0:22:50	0:22:55
in giving thanks to an uncle of mine, and an uncle of yours,	0:22:55	0:23:00
the greatest uncle of them all,	0:23:00	0:23:03
our Uncle Sam!	0:23:03	0:23:06
FANFARE	0:23:06	0:23:09
MUSIC: Anchors Aweigh by Charles A Zimmermann	0:23:16	0:23:19
MUSIC: Yankee Doodle Dandy by Richard Shuckburgh	0:23:44	0:23:47
MUSIC: The Stars And Stripes Forever By John Philip Sousa	0:23:51	0:23:56
Oh! Oh! Oh!	0:24:03	0:24:06
APPLAUSE AND CHEERING	0:24:12	0:24:15
Oh!	0:24:15	0:24:17
Oh!	0:24:17	0:24:18
APPLAUSE AND CHEERING	0:24:23	0:24:27
Mr Conductor!	0:24:28	0:24:30
If you please!	0:24:30	0:24:32
FANFARE	0:24:32	0:24:34
MUSIC: The Stars And Stripes Forever By John Philip Sousa	0:24:36	0:24:40
APPLAUSE AND CHEERING	0:25:04	0:25:08
Oh!	0:25:09	0:25:10
Oh!	0:25:15	0:25:16
APPLAUSE AND CHEERING	0:25:18	0:25:21
ALARM CLOCK RINGS	0:25:48	0:25:50
-Come on! -Please!	0:25:50	0:25:52
Not yet!	0:25:52	0:25:53
-ALARM CLOCK RINGS -Knock it off!	0:26:02	0:26:05
-All right, all right. -We're up, Madam Rose!	0:26:05	0:26:07
Hey, it's not even ten o'clock yet!	0:26:07	0:26:09
-Turn it off! -Louise! -Turn it off, Louise!	0:26:09	0:26:12
I was having the loveliest dream.	0:26:12	0:26:15
About a special day.	0:26:15	0:26:17
Sh!	0:26:17	0:26:18
-My dream book says you dream about a day like that... -We want to sleep!	0:26:18	0:26:21
-I just wanted to say... ALL: -SHUT UP!	0:26:21	0:26:23
I'm sorry.	0:26:25	0:26:26
-Aww! -Louise!	0:26:32	0:26:34
Jeez!	0:26:34	0:26:35
-Come on! -How can you all sleep on such a beautiful day?	0:26:35	0:26:38
-You woke up Mother! -Oh, I didn't mean to, June,	0:26:38	0:26:40
-but today is, well, you know. -Today is the one day	0:26:40	0:26:43
we don't have to travel and we don't have to rehearse.	0:26:43	0:26:45
Which means we could sleep!	0:26:45	0:26:47
Is Momma mad?	0:26:47	0:26:49
She's in the bathroom, making coffee.	0:26:49	0:26:51
She says as long as she's up, everybody come have some breakfast!	0:26:51	0:26:55
-Oh, great(!) -Thanks, Louise! -Yeah, thanks so much! -I said I was sorry!	0:26:55	0:26:59
Momma? Momma?	0:26:59	0:27:02
-Happy birthday! -ALL: -Surprise!	0:27:02	0:27:05
ALL: # Happy birthday to you	0:27:05	0:27:07
# Happy birthday to you	0:27:07	0:27:08
# Happy birthday, dear Louise	0:27:08	0:27:11
# Happy birthday to...	0:27:11	0:27:14
# You. #	0:27:14	0:27:15
Flat. Make a wish.	0:27:15	0:27:16
Go on, make a wish.	0:27:17	0:27:19
I wish... Oh, Momma, I wish...	0:27:19	0:27:21
-Oh, come on! -ALL: -One, two, three... -Make a wish!	0:27:21	0:27:25
CHEERING	0:27:25	0:27:26
Say, you know, that blanket would make a good coat.	0:27:26	0:27:29
Hey, there's only ten candles on that cake.	0:27:29	0:27:31
What do you care? You ain't going to eat candles!	0:27:31	0:27:33
-But she only had ten candles last year! -And the year before that!	0:27:33	0:27:36
-Come to think of it, she's only had ten candles... -Stop right there!	0:27:36	0:27:39
As long as we have this act, nobody is over ten and you all know it!	0:27:39	0:27:43
LAUGHTER	0:27:43	0:27:45
Excepting, of course, me and Herb... Where is Herbie? I had a dream.	0:27:45	0:27:48
Tulsa, go across the hall, see what's keeping Herbie.	0:27:48	0:27:51
The rest of you give Louise her presents	0:27:51	0:27:53
while I go see if the chow mein is warmed up.	0:27:53	0:27:55
-Chow mein? -It's my birthday!	0:27:55	0:27:57
-But chow mein for breakfast? -Why not? There's egg roll, ain't there?	0:27:57	0:28:01
Well, if Madam Rose had paid us a salary,	0:28:01	0:28:04
maybe we could have bought you presents, Louise.	0:28:04	0:28:07
But since it's more fun to clip from the five and dime...	0:28:07	0:28:13
It's a catcher's mitt.	0:28:13	0:28:15
And...a big league baseball.	0:28:15	0:28:18
Thank you, Yonkers!	0:28:18	0:28:19
Here's a real stuffed cat.	0:28:19	0:28:21
I love it, Kansas!	0:28:21	0:28:24
And I clipped a goldfish bowl	0:28:24	0:28:25
and I'll give you the fish for Lent.	0:28:25	0:28:27
-Thank you, LA! -LA.	0:28:27	0:28:29
Oh, June, what a beautiful package!	0:28:29	0:28:32
It's a complete sewing set in a velvet-lined basket.	0:28:32	0:28:35
I...should have wrapped them.	0:28:35	0:28:37
Oh, you don't have to wrap books.	0:28:37	0:28:39
-Well, happy birthday, Louise! -Happy birthday, Tulsa!	0:28:39	0:28:42
Happy birthday?	0:28:42	0:28:43
I-I mean you're welcome.	0:28:43	0:28:45
I mean...thank you.	0:28:45	0:28:47
All right, there's one egg roll apiece and no more.	0:28:47	0:28:50
-Herbie wasn't in his room, Madam Rose. -He wasn't? -No.	0:28:50	0:28:52
Where could he be?	0:28:52	0:28:54
-Momma, can I see my present from you, please? -Well, it's from Herbie and me.	0:28:54	0:28:58
It's not from Herbie, he's an agent. It's from you.	0:28:58	0:29:00
I picked it out, but Herbie paid for it	0:29:00	0:29:02
with his commission for a whole month!	0:29:02	0:29:04
Herbie only makes the same salary we do, poor guy.	0:29:04	0:29:06
Inside, you, and get the coffee.	0:29:06	0:29:08
Oh, here I am, I'm busting to tell Herbie the dream I had.	0:29:08	0:29:11
-Momma, I'll... -It's really in your honour,	0:29:11	0:29:13
coming on the very eve of your birthday.	0:29:13	0:29:15
Oh, baby, you're going to love it!	0:29:15	0:29:17
Children, you're all going to love it. It's a new act!	0:29:17	0:29:19
-That ain't a dream, it's a miracle! -Ha-ha-ha!	0:29:19	0:29:22
No egg roll. In this dream I saw	0:29:22	0:29:24
June singing a song in, like, a barnyard.	0:29:24	0:29:28
-And then a cow came on stage. -A cow? -Oh, sex at last(!)	0:29:28	0:29:32
-LAUGHTER -No, not real cows, a dancing cow with a great big smile.	0:29:32	0:29:36
And then that cow, that cow leaned right over my bed and spoke to me.	0:29:36	0:29:40
What did the cow say?	0:29:40	0:29:42
Baaaa!	0:29:42	0:29:43
Happy birthday, sweetheart!	0:29:43	0:29:45
-A little lamb! -Oh, Rose, you won't believe.	0:29:45	0:29:48
Where have you been? That's what I want to know.	0:29:48	0:29:50
-Rose, Rose, this is Mr Goldstone. -I ask you, Mr Goldstone.	0:29:50	0:29:53
The child has a birthday once a year,	0:29:53	0:29:55
we plan a nice little party, I'm sorry the cake is so small...	0:29:55	0:29:57
Mr Goldstone is from the Orpheum Circuit.	0:29:57	0:29:59
There's only one egg roll apiece and some...	0:29:59	0:30:01
fried...rice...	0:30:01	0:30:03
The act is booked on the Orpheum Circuit, Rose.	0:30:06	0:30:09
# Have an egg roll, Mr Goldstone	0:30:14	0:30:19
# Have an egg roll, Mr Goldstone	0:30:19	0:30:24
# Have a napkin, have a chopstick, have a chair	0:30:24	0:30:31
# Have a spare-rib, Mr Goldstone	0:30:31	0:30:35
# Any spare-rib that I can spare, I'll be glad to share	0:30:35	0:30:40
# Have a dish, have a fork, have a fish, have a pork	0:30:40	0:30:44
# Put your feet up, feel at home	0:30:44	0:30:48
# Have a smoke, have a Coke, would you like to hear a joke?	0:30:48	0:30:52
# I'll have June recite a poem!	0:30:52	0:30:56
# Have a lichee, Mr Goldstone	0:30:56	0:30:59
# Tell me any little thing that I can do	0:30:59	0:31:03
# Ginger-peachy, Mr Goldstone	0:31:03	0:31:07
# Have a kumquat - have two	0:31:07	0:31:11
# Everybody give a cheer Santa Claus is sitting here	0:31:11	0:31:15
# Mr Goldstone, I love you. #	0:31:15	0:31:19
CHEERING	0:31:19	0:31:22
# Have a Goldstone, Mr Egg Roll	0:31:31	0:31:33
# Tell me any little thing that I can do	0:31:33	0:31:36
# Have some fried rice Mr Soy Sauce	0:31:36	0:31:39
# Have a cookie, have a few	0:31:39	0:31:43
# What's the matter, Mr G? Have another pot of tea	0:31:43	0:31:45
# Mr Goldstone, I love you. #	0:31:45	0:31:49
# There are good stones and bad stones	0:31:51	0:31:54
# And curbstones and gladstones	0:31:54	0:31:57
# And touchstones and such stones as them	0:31:57	0:32:01
-# There are big stones -And small stones	0:32:02	0:32:06
-# And grindstones -And gallstones	0:32:06	0:32:09
# But goldstone is a gem	0:32:09	0:32:13
# There are milestones there are millstones	0:32:13	0:32:16
# There's a cherry, there's a yellow, there's a blue	0:32:16	0:32:20
# But we don't want any old stone	0:32:20	0:32:23
# Only goldstone will do	0:32:23	0:32:28
# Moonstone, sunstone - we all scream for one stone	0:32:28	0:32:31
# Mr Goldstone, we love you. #	0:32:31	0:32:36
# Mr Goldstone, we love you. #	0:32:36	0:32:41
Goldstone!	0:32:41	0:32:43
CHEERING AND APPLAUSE	0:32:43	0:32:46
# Little lamb, little lamb	0:32:56	0:33:03
# My birthday is here at last	0:33:03	0:33:09
# Little lamb, little lamb	0:33:09	0:33:15
# A birthday goes by so fast	0:33:15	0:33:22
# Little bear, little bear	0:33:22	0:33:28
# You sit on my right, right there	0:33:28	0:33:35
# Little hen, little hen	0:33:35	0:33:40
# What game shall we play, and when?	0:33:40	0:33:47
# Little cat, little cat	0:33:47	0:33:53
# Ah, why do you look so blue?	0:33:53	0:33:59
# Did somebody paint you like that	0:33:59	0:34:05
# Or is it your birthday, too?	0:34:05	0:34:12
# Little fish, little fish	0:34:12	0:34:18
# Do you think I'll get my wish?	0:34:18	0:34:25
# Little lamb, little lamb	0:34:25	0:34:31
# I wonder how old I am	0:34:31	0:34:37
# I wonder how old I am	0:34:37	0:34:44
# Little lamb. #	0:34:44	0:34:48
APPLAUSE	0:34:48	0:34:55
Hand me Louise's plate, June.	0:35:03	0:35:06
Mother!	0:35:06	0:35:07
We're paying for it, ain't we?	0:35:08	0:35:11
You'll get an ulcer like Herbie.	0:35:11	0:35:14
Rose, did it ever occur to you there might be somebody in this world	0:35:14	0:35:17
who doesn't like Chinese food?	0:35:17	0:35:19
Oh, don't be silly. Who? Don't you like it, Herbie?	0:35:19	0:35:23
Sure, Rose. I love it.	0:35:23	0:35:25
-Oh! Did she? -Yes.	0:35:25	0:35:28
Aw, that's a healthy-wealthy lady-wadie.	0:35:28	0:35:32
Oh, God!	0:35:32	0:35:33
Herbie's angry.	0:35:33	0:35:35
Herbie's never angry - it's bad for his stomach.	0:35:35	0:35:37
Come on, girls, beddie-bye.	0:35:37	0:35:38
It's so early!	0:35:38	0:35:40
But, you have the audition for Mr TT Grantziger at his Palace Theatre tomorrow and you have to look young.	0:35:40	0:35:45
Can I wear a dress?	0:35:45	0:35:46
You look old in a dress. Besides, you haven't got one.	0:35:46	0:35:49
-Goodnight, Uncle Herbie. -Goodnight, June.	0:35:49	0:35:51
Goodnight, Louise.	0:35:54	0:35:56
Goodnight, Herbie.	0:35:57	0:35:59
I'll cold-cream their faces and be right back.	0:35:59	0:36:01
Rose, the hotel is only two doors away.	0:36:01	0:36:04
Honestly, sometimes you behave as though those... Rose!	0:36:04	0:36:07
We need new silverware.	0:36:09	0:36:12
Herbie, how long is it going to take you to get used to me?	0:36:12	0:36:15
How long did it take me to get used to those coats?	0:36:15	0:36:17
What's the matter with them? They're very stylish!	0:36:17	0:36:20
Louise is very handy with a needle.	0:36:20	0:36:23
Herbie, as the good Lord says - an eye for an eye - a tooth for a tooth.	0:36:23	0:36:28
And it serves them right for overcharging.	0:36:28	0:36:32
HE CLEARS THROAT	0:36:32	0:36:35
LAUGHTER	0:36:35	0:36:37
They can skip the cold cream for one night.	0:36:39	0:36:44
All this time we've been together, you still stand up for me.	0:36:44	0:36:47
-Instead of standing up TO you. -I wanted to have dinner tonight, just the two of us.	0:36:47	0:36:50
What was I going to do with the girls? They're babies.	0:36:50	0:36:54
Rose, no matter how you dress 'em, no matter how you smother 'em, they're big girls.	0:36:54	0:36:57
-They're almost young women. -They're not and they never will be!	0:36:57	0:37:00
-I'm embarrassed in front of them! -When are you going to marry me, Rose?	0:37:00	0:37:02
Don't forget to take our scrapbooks to Grantziger's tomorrow.	0:37:02	0:37:05
When are you going to quit stalling? Honey, don't you know there's a depression?	0:37:05	0:37:09
Of course I know! I read Variety.	0:37:09	0:37:11
Don't you know what it's doing to vaudeville?	0:37:11	0:37:13
Don't you know what the talkies are doing to vaudeville?	0:37:13	0:37:16
Don't you know I love you?	0:37:16	0:37:19
Do you think I'd be unfaithful to my husbands if you didn't?	0:37:19	0:37:23
But I have to think of my girls and their happiness.	0:37:23	0:37:26
Louise is very happy being the rear end of a cow.	0:37:26	0:37:28
She loves animals.	0:37:28	0:37:29
She and June should be in school.	0:37:29	0:37:31
And be like other girls - cook and clean and sit and die?!	0:37:31	0:37:36
Oh, honey, could I have a spoon to stir my tea?	0:37:36	0:37:40
I promised June she'd be a star and she will be.	0:37:42	0:37:44
I promised I'd get her on the Pantages Circuit and I did.	0:37:44	0:37:47
I promised I'd get her on the Orpheum Circuit and I did.	0:37:47	0:37:49
I did! And you promised me that after I did, you'd marry me.	0:37:49	0:37:52
-I promised her she'd headline on Broadway. -Didn't you hear what I said?	0:37:52	0:37:56
Yes, but I'm ignoring it.	0:37:56	0:37:58
Oh, thanks, honey!	0:37:58	0:38:00
LAUGHTER	0:38:01	0:38:03
It isn't very polite for a gentleman to remind a lady	0:38:03	0:38:05
that she welched. There was no date on that promise.	0:38:05	0:38:08
Rose, stop handing me that...bull.	0:38:08	0:38:12
Your stomach!	0:38:13	0:38:15
Oh, Herbie. Why don't you get angry outside, instead of letting it settle in your stomach?	0:38:15	0:38:22
-I'm afraid. -Of me? -Of me. -What do you mean?	0:38:22	0:38:25
If I ever let loose, it'll end with me picking up and walking.	0:38:25	0:38:28
-Only around the block. -No.	0:38:28	0:38:30
Don't say that.	0:38:30	0:38:33
# You'll never get away from me	0:38:33	0:38:38
# You can climb the tallest tree	0:38:38	0:38:41
# I'll be there somehow	0:38:41	0:38:44
# True, you could say "Hey, here's your hat"	0:38:44	0:38:49
# But a little thing like that	0:38:49	0:38:52
# Couldn't stop me now	0:38:52	0:38:55
# I couldn't get away from you	0:38:56	0:39:01
# Even if you told me to	0:39:01	0:39:04
# So go on and try	0:39:04	0:39:07
# Just try	0:39:07	0:39:10
# And you're going to see	0:39:10	0:39:13
# How you're going to not at all get away from me. #	0:39:13	0:39:19
Rose, what do you want? There are better agents.	0:39:19	0:39:22
-Not for me. -Even weaker men.	0:39:22	0:39:24
Not for me.	0:39:24	0:39:26
Then what?	0:39:26	0:39:27
You. Herbie, just help me like you been helping.	0:39:27	0:39:30
Just let me get June's name up in lights so big, it'll last my whole life.	0:39:30	0:39:34
Rose, what you expect...	0:39:34	0:39:35
I'll get! And after I get it, I promise I'll marry you.	0:39:35	0:39:39
I even promise to keep my promise. Herbie, please.	0:39:39	0:39:45
I don't want to upset anything before the audition tomorrow.	0:39:45	0:39:48
Including your stomach.	0:39:48	0:39:51
# Rose, I love you	0:39:53	0:39:55
# But don't count your chickens	0:39:55	0:39:57
# Come dance with me	0:39:57	0:39:59
# I warn you that I'm no boy scout	0:39:59	0:40:02
# Relax a while, come dance with me	0:40:02	0:40:05
# So don't think that I'm easy pickings	0:40:05	0:40:08
# The music's so nice	0:40:08	0:40:10
# Rose, cos I just may some day pick up and pack out	0:40:10	0:40:14
# Oh, no, you won't no, not a chance	0:40:14	0:40:16
# No arguments, shut up and dance	0:40:16	0:40:20
# I'll never get away from you	0:40:22	0:40:27
# I could yell until I'm blue	0:40:27	0:40:30
# I give in somehow	0:40:30	0:40:33
# True, you could say "Hey, here's your hat"	0:40:33	0:40:38
# But a little thing like that wouldn't stop me now	0:40:38	0:40:44
# I couldn't get away from you	0:40:45	0:40:50
# Even if you told me to	0:40:50	0:40:53
# So go on and try	0:40:53	0:40:57
# Just try	0:40:57	0:40:58
# Ah, Rose	0:40:58	0:40:59
# And you're going to see	0:40:59	0:41:01
# Ah, Rose	0:41:01	0:41:02
# How you're going to not at all	0:41:02	0:41:06
# Get away from me. #	0:41:08	0:41:11
MUSIC ENDS	0:41:23	0:41:25
APPLAUSE	0:41:25	0:41:28
PHONE RINGS	0:41:29	0:41:35
Yes, Mr Grantziger.	0:41:39	0:41:40
Yes, I know, but they're having a little difficulty with their scenery.	0:41:42	0:41:47
Well, wait till you see it.	0:41:47	0:41:49
Now keep the tempo up. Keep it bright.	0:41:49	0:41:51
That's the mother.	0:41:51	0:41:53
No, I have told her!	0:41:54	0:41:56
Hello, Mr Grantziger. Where is he?	0:41:56	0:41:59
In his office, at the top of the theatre.	0:41:59	0:42:02
Hi!	0:42:02	0:42:04
It's a privilege to audition for you, Mr Grantziger!	0:42:04	0:42:06
Oh, yeah, and you're going to love us!	0:42:06	0:42:08
That is the agent. He's nice.	0:42:08	0:42:12
We're ready now.	0:42:12	0:42:13
Oh, they're ready now, Mr Grantziger.	0:42:13	0:42:17
Good luck.	0:42:17	0:42:18
Thank you.	0:42:18	0:42:19
BIRDSONG	0:42:19	0:42:22
YAWNING	0:42:24	0:42:26
# Extra! Extra! Hey, look at the headline	0:42:39	0:42:42
# Historical news is being made	0:42:42	0:42:44
# Extra! Extra! They're drawing a red line	0:42:45	0:42:48
# Around the biggest scoop of the decade	0:42:48	0:42:52
# A barrel of charm, a fabulous thrill	0:42:52	0:42:55
# The biggest little headline in vaudeville... #	0:42:55	0:42:59
Presenting,	0:42:59	0:43:02
in person,	0:43:02	0:43:04
that five-foot-two bundle of dynamite...	0:43:04	0:43:08
..Daint-eeeeee June!	0:43:09	0:43:14
Oh!	0:43:14	0:43:15
Oh! Hello, everybody!	0:43:20	0:43:23
My name is June. What's yours?	0:43:23	0:43:27
# I have a moo cow, a new cow a true cow named Caroline	0:43:31	0:43:36
# Moo-moo, moo	0:43:36	0:43:37
# She's an extra special friend of mine	0:43:37	0:43:40
# Moo-moo, moo-moo	0:43:40	0:43:41
# I like everything about her fine	0:43:41	0:43:43
# Moo-moo, moo-moo	0:43:43	0:43:45
# She likes to moo in the moonlight	0:43:45	0:43:49
# When the moody moon appears	0:43:49	0:43:53
# And when she moos in the moonlight	0:43:53	0:43:58
# Gosh, it's moosic to my ears	0:43:58	0:44:01
# She's so moosical	0:44:01	0:44:02
# She loves a man cow, a tan cow who can cow with a glance	0:44:02	0:44:08
# When he winks at her she starts to dance	0:44:08	0:44:12
# It's what grown-ups call a real romance	0:44:12	0:44:16
# But if we moved to the city	0:44:16	0:44:21
# Or we settled by the shore	0:44:21	0:44:25
# She'd make the moooooooooove	0:44:25	0:44:28
# Cos she loves me more. #	0:44:28	0:44:31
Oh, oh, oh, oh, oh, oh.	0:44:33	0:44:37
Ha!	0:44:39	0:44:40
Whoo, whoo!	0:44:42	0:44:44
Whoo!	0:45:12	0:45:14
APPLAUSE	0:45:14	0:45:15
PHONE RINGS	0:45:15	0:45:19
Yes, Mr Grantziger.	0:45:21	0:45:22
Ah, right. Dainty June, will you come out for a minute?	0:45:23	0:45:28
Now, come along. Hurry up, hurry up.	0:45:30	0:45:32
Downstage. Don't waste time.	0:45:32	0:45:34
Face front, dear.	0:45:34	0:45:35
Profile.	0:45:36	0:45:37
Thank you very much. That's all.	0:45:40	0:45:43
-No, we have a great dramatic finish! -I'm sure. But Mr Grantziger...	0:45:43	0:45:46
BOTH TALK AT ONCE	0:45:46	0:45:48
# Broadway, Broadway	0:45:48	0:45:52
# We've missed it so	0:45:52	0:45:54
# We're leaving soon and taking June	0:45:54	0:45:57
# To star her in a show	0:45:57	0:46:01
# Bright lights, white lights	0:46:01	0:46:04
# Rhythm and romance	0:46:04	0:46:07
# The train is late so while we wait	0:46:07	0:46:10
# We're going to do a little dance	0:46:10	0:46:12
# Broadway, Broadway	0:46:55	0:46:59
# How great you are	0:46:59	0:47:01
# I'll leave the farm with all its charm	0:47:01	0:47:05
# To be a Broadway star	0:47:05	0:47:08
# Bright lights, white lights	0:47:08	0:47:11
# Where the neons glow	0:47:11	0:47:13
# My bag is packed, I've got my act	0:47:13	0:47:17
# So all aboard, come on, let's go. #	0:47:17	0:47:20
All aboard!	0:47:33	0:47:35
Woo woo! Watch this! It's a train!	0:47:35	0:47:39
LAUGHTER	0:47:40	0:47:43
Goodbye!	0:47:46	0:47:48
Goodbye, Caroline.	0:47:48	0:47:50
Take care.	0:47:50	0:47:52
Don't forget to write!	0:47:52	0:47:55
Wait! Stop the train!	0:47:55	0:47:57
Stop the music! Stop everything!	0:47:57	0:48:00
I can't go to... # Broadway... # with you!	0:48:00	0:48:05
Oh! Why not, Dainty June?	0:48:08	0:48:11
Because everything in life that really matters	0:48:11	0:48:17
is right here!	0:48:17	0:48:19
Moo!	0:48:19	0:48:21
What care I for tinsel or glamour	0:48:21	0:48:26
when I have friendship and true love?	0:48:26	0:48:31
I'm staying here with Caroline!	0:48:31	0:48:34
Moo!	0:48:34	0:48:35
ALL: Hooray!	0:48:35	0:48:36
MUSIC: The Stars And Stripes Forever by John Philip Sousa	0:48:37	0:48:41
APPLAUSE	0:48:57	0:49:01
PHONE RINGS	0:49:06	0:49:11
Yes, Mr Grantziger.	0:49:11	0:49:12
What?	0:49:14	0:49:15
He liked it!	0:49:17	0:49:19
Yes, sir, if that's what you want.	0:49:20	0:49:23
LAUGHTER	0:49:28	0:49:32
If you and your tribe would follow me up to the office,	0:49:33	0:49:37
I will make out the contracts.	0:49:37	0:49:39
-Me and my what? -Rose.	0:49:39	0:49:41
You won't be sorry, Mr Grantziger!	0:49:41	0:49:43
This is going to make you!	0:49:43	0:49:45
PHONE RINGS	0:49:54	0:49:55
Yes.	0:49:55	0:49:57
-No. -Mr Grantziger's busy.	0:49:57	0:50:00
He's gone down to the stage.	0:50:00	0:50:03
Your mother and your agent are still reading over the contracts.	0:50:03	0:50:09
They won't be much longer.	0:50:09	0:50:10
She's got to eat sometime.	0:50:10	0:50:13
Say, woman to woman, how old are you?	0:50:14	0:50:20
Nine.	0:50:20	0:50:21
LAUGHTER	0:50:21	0:50:22
Nine what?	0:50:22	0:50:24
Nine going on ten.	0:50:24	0:50:25
How long has that been going on?	0:50:25	0:50:27
Miss Cratchitt, I think Mr Grantziger's made a mistake in this contract.	0:50:27	0:50:31
So do I.	0:50:31	0:50:32
PHONE RINGS	0:50:32	0:50:34
-Yes? -Happy, girls? -Yes, Momma. -No.	0:50:34	0:50:35
We auditioned for Grantziger's Palace. This is for Grantziger's Variety.	0:50:35	0:50:39
-That's right. -But the Variety is way down on 14th Street.	0:50:39	0:50:42
He'll give you a visa to get there.	0:50:42	0:50:44
PHONE RINGS	0:50:44	0:50:46
-Yes? -I'd like to talk to Mr Grantziger. -No. I told you, he has gone down to the stage.	0:50:46	0:50:50
-Is this the way? Wait a minute! You can't disturb him when he's holding auditions. -Then I'll wait.	0:50:50	0:50:56
SHE SIGHS	0:50:56	0:50:58
Listen, friend.	0:50:58	0:50:59
Strictly between us, if I were you, I would sign that contract.	0:50:59	0:51:04
There's only one item in that act of yours the boss likes -	0:51:04	0:51:08
Dainty Little June. He thinks she can be an actress.	0:51:08	0:51:11
-He's right. -That's if... -If what?	0:51:11	0:51:14
If she goes to school for a solid year and takes acting lessons.	0:51:14	0:51:18
He's ready to pay for everything - on one condition.	0:51:18	0:51:24
You - stay away.	0:51:24	0:51:26
Stay away? I'm her mother!	0:51:26	0:51:28
-You said it, I didn't. -What about the act?	0:51:28	0:51:30
-One week at the Variety. -But June is the act!	0:51:30	0:51:32
-How is it supposed to go on without her? -Rose, we could...	0:51:32	0:51:35
-How are Louise and I supposed to live? -Well, you might get a job, dear.	0:51:35	0:51:38
I have a job, dear, and I do it damn well!	0:51:38	0:51:40
My daughters are my job and I got two of them!	0:51:40	0:51:42
-Momma, if June... -June is my baby! I'm her mother! -PHONE RINGS	0:51:42	0:51:45
What are you... Don't answer that phone when I'm yelling at you!	0:51:45	0:51:49
Nobody knows June like I do and nobody can do for her what I can!	0:51:49	0:51:52
Mother, this is my chance to be an actress.	0:51:52	0:51:54
Mr Grantziger could make me a star!	0:51:54	0:51:57
You ARE a star! And I made you one!	0:51:57	0:52:00
Who's got clippings like she has? Books full of 'em!	0:52:00	0:52:03
She doesn't need lessons any more than she needs Mr TT Grantziger!	0:52:03	0:52:06
There isn't a person in show business that doesn't need Mr Grantziger!	0:52:06	0:52:10
Then take a good look at this person!	0:52:10	0:52:12
-Rose. -Oh, they're so smart in New York!	0:52:12	0:52:15
New York is the centre of everything.	0:52:15	0:52:17
New York is the centre of New York!	0:52:17	0:52:18
There's a whole country full of people who know people	0:52:18	0:52:21
and who know what a mother means to her daughter!	0:52:21	0:52:23
It's hicks like you who don't know!	0:52:23	0:52:25
And you want to know something else? Grantziger's a hick!	0:52:25	0:52:27
-He'll get no place! -Rose.	0:52:27	0:52:29
He's trying to take my baby away from me.	0:52:29	0:52:32
Well, over my dead body, he will!	0:52:32	0:52:34
Come back here! You cannot go down there! Come back right now!	0:52:34	0:52:38
No!	0:52:40	0:52:41
Momma's just talking big, June. She won't really...	0:52:46	0:52:48
-Yes, she will. -Maybe Mr Grantziger will make...	0:52:48	0:52:51
No, he won't.	0:52:51	0:52:54
Well, that's show business.	0:52:54	0:52:58
Aren't you happy someone like Mr TT Grantziger thinks you can be a star?	0:52:58	0:53:03
-You're funny. -Why?	0:53:03	0:53:04
You're never jealous.	0:53:04	0:53:06
Oh. Well, I don't have any talent.	0:53:06	0:53:08
I don't mind really - except Momma would like it better if I did.	0:53:08	0:53:11
I guess that's what she likes about me. Momma's no fool.	0:53:11	0:53:15
-I'm not a star. -You are.	0:53:15	0:53:17
I'm not! Mr Grantziger could make me one.	0:53:17	0:53:20
Momma can make you a star, too.	0:53:20	0:53:22
Momma can do one thing -	0:53:22	0:53:23
she can make herself believe anything she makes up.	0:53:23	0:53:26
Like with that rhinestone finale dress you sewed for me.	0:53:26	0:53:30
Momma wants publicity,	0:53:30	0:53:31
so she makes up this story that three nuns went blind sewing it.	0:53:31	0:53:36
Now she believes it. She even believes the act is good.	0:53:36	0:53:40
Isn't it?	0:53:40	0:53:43
It's a terrible act and I hate it!	0:53:43	0:53:46
I've hated it from the beginning and I hate it more now.	0:53:46	0:53:51
I hate pretending I'm two years old.	0:53:51	0:53:54
I hate singing those same awful songs,	0:53:54	0:53:58
doing the same awful dances,	0:53:58	0:53:59
wearing the same awful costumes.	0:53:59	0:54:02
I didn't mean it about the costumes.	0:54:04	0:54:05
You just meant that you're too big for them now.	0:54:05	0:54:08
Do you ever feel like you don't have a sister?	0:54:10	0:54:13
-Sometimes. -It's Momma's fault.	0:54:13	0:54:15
You can't blame everything on Momma.	0:54:15	0:54:17
You can't maybe. I wish she'd marry Herbie and let me alone.	0:54:17	0:54:22
Herbie doesn't want to marry her.	0:54:22	0:54:24
All he cares about is the act.	0:54:24	0:54:25
Oh, honest. Louise.	0:54:25	0:54:26
Well, he's an agent!	0:54:26	0:54:27
Your mother isn't feeling well.	0:54:27	0:54:30
I'll take her back to the hotel.	0:54:31	0:54:33
Don't worry, June. I'll get you a good booking.	0:54:36	0:54:40
I wish Momma would marry a plain man	0:54:40	0:54:43
so we could all be together.	0:54:43	0:54:45
If Momma was married...	0:54:45	0:54:48
# If Momma was married we'd live in a house	0:54:48	0:54:52
# As private as private can be	0:54:52	0:54:56
# Just Momma, three ducks five canaries, a mouse	0:54:56	0:54:59
# Two monkeys, one father six turtles and me... #	0:54:59	0:55:04
LAUGHTER	0:55:04	0:55:06
# If Momma was married	0:55:06	0:55:11
# If Momma was married I'd jump in the air	0:55:11	0:55:15
# And give all my toeshoes to you	0:55:15	0:55:19
# I'd get all these hair-ribbons out of my hair	0:55:19	0:55:23
# And once and for all I'd get Momma out, too	0:55:23	0:55:29
# If Momma was married	0:55:29	0:55:34
# Momma, get out your white dress you've done it before	0:55:34	0:55:40
# Without much success	0:55:40	0:55:42
# Momma, God speed and God bless	0:55:42	0:55:46
# We're not keeping score what's one, more or less	0:55:46	0:55:51
# Oh, Momma, say yes	0:55:53	0:55:55
# And waltz down the aisle while you may	0:55:55	0:56:00
# I'll gladly support you	0:56:00	0:56:02
# I'll even escort you	0:56:02	0:56:04
# And I'll gladly give you away	0:56:04	0:56:08
# Oh, Momma	0:56:08	0:56:11
# Get married today	0:56:11	0:56:17
# If Momma was married there wouldn't be any more	0:56:17	0:56:21
# Let me entertain you	0:56:21	0:56:25
# Let me make you smile	0:56:25	0:56:29
# I will do some kicks... #	0:56:29	0:56:32
BOTH: Oh!	0:56:32	0:56:34
# I will do some tricks	0:56:34	0:56:36
# Sing out, Louise!	0:56:36	0:56:38
# Smile, baby!	0:56:39	0:56:43
# Momma, please take our advice	0:56:43	0:56:47
# We aren't the Lunts	0:56:47	0:56:49
# I'm not Fanny Brice	0:56:49	0:56:51
# Momma, we'll buy you the rice	0:56:51	0:56:55
# If only this once	0:56:55	0:56:57
# You wouldn't think twice	0:56:57	0:57:01
# It could be so nice	0:57:02	0:57:04
# If Momma got married to stay	0:57:04	0:57:08
# But Momma gets married	0:57:10	0:57:13
# And	0:57:13	0:57:14
# Married	0:57:14	0:57:15
# And	0:57:15	0:57:16
# Married	0:57:16	0:57:18
# And never gets carried away	0:57:18	0:57:22
# Oh, Momma	0:57:22	0:57:26
# Oh, Momma	0:57:26	0:57:30
# Oh, Momma	0:57:30	0:57:35
# Get married today. #	0:57:35	0:57:40
APPLAUSE	0:57:40	0:57:44
That's pretty fancy footwork, Tulsa. Why don't you show it to Madam Rose?	0:58:02	0:58:05
I'm not that good, Herbie. It's just fooling around.	0:58:05	0:58:08
Tulsa, you started fooling around about three months ago,	0:58:08	0:58:11
right after Mr Grantziger cancelled our booking.	0:58:11	0:58:13
-Why, Tulsa? -Well, I...	0:58:13	0:58:16
He's just had more time. Like that two-week layoff in Albany.	0:58:16	0:58:19
-And the layoff in Rochester. -And the layoff in Niagara Falls.	0:58:19	0:58:22
-It's OK, Herbie. -I thought maybe you were worried about the act. -Oh, no, Herbie.	0:58:22	0:58:25
Because the way things are picking up - why, I wouldn't be surprised if you kids got paid!	0:58:25	0:58:29
Matter of fact, they're good enough right now for me to treat you to an ice cream soda.	0:58:29	0:58:33
No, thank you.	0:58:33	0:58:35
Chow mein?	0:58:35	0:58:37
Momma doesn't like us to eat just before a show.	0:58:37	0:58:40
Louise, there's something your momma knows I wish you did - I like her.	0:58:40	0:58:45
Herbie.	0:58:50	0:58:51
Nothing.	0:58:54	0:58:55
Tulsa, if you or the boys have any problems, you bring 'em to me. Will you?	0:58:57	0:59:01
Sure, Herbie.	0:59:01	0:59:02
You didn't tell him anything, did you?	0:59:06	0:59:08
I mean, that you're rehearsing a dance team act?	0:59:08	0:59:10
How'd you know I was working on an act?	0:59:10	0:59:12
I saw you practising Monday after the matinee, with your broom for a partner.	0:59:12	0:59:15
-I was up in the flies. -Louise, please.	0:59:15	0:59:18
Oh, I won't tell anybody, Tulsa! I'm very secretive.	0:59:18	0:59:20
Just like you.	0:59:20	0:59:21
That's what this means here in your palm.	0:59:21	0:59:25
And this? It means you make up dreams - like me.	0:59:25	0:59:29
What do you make up dreams about?	0:59:29	0:59:31
-People. -Oh, I do that too.	0:59:31	0:59:33
Yes, but yours are about a partner for your act.	0:59:33	0:59:36
She's going to be more than a partner, I hope.	0:59:36	0:59:39
I mean, I dream that one day...	0:59:39	0:59:43
..well, you know...	0:59:45	0:59:47
What would she have to be like, Tulsa?	0:59:47	0:59:51
A wonderful singer and dancer, I guess.	0:59:51	0:59:53
Oh, no. I'm going to do most of that.	0:59:53	0:59:56
I don't mean I'm going to hog it all	0:59:56	0:59:57
but they always look at the girl in a dance team.	0:59:57	0:59:59
Especially if she's pretty.	0:59:59	1:00:01
Make-up can help. And costumes.	1:00:01	1:00:03
I've got the costumes all figured out.	1:00:03	1:00:06
A blue satin tux for me.	1:00:06	1:00:08
-With rhinestone lapels. -You think? -I'll sew them on.	1:00:08	1:00:12
Secret?	1:00:12	1:00:13
Secret.	1:00:15	1:00:16
OK. I pretend I'm at home getting dressed for a date.	1:00:16	1:00:21
I take a comb. Comb my hair.	1:00:21	1:00:25
I take a flower, smell it	1:00:25	1:00:27
and put it in my lapel.	1:00:27	1:00:30
Then I spot the audience.	1:00:30	1:00:32
# Once my clothes were shabby	1:00:32	1:00:35
# Tailors called me Cabbie	1:00:35	1:00:38
# So I took a vow said this bum'll be Beau Brummel	1:00:38	1:00:42
# Now I'm smooth and snappy now my tailor's happy	1:00:42	1:00:48
# I'm the cat's meow	1:00:48	1:00:51
# My wardrobe is a wow	1:00:51	1:00:53
# Paris silk, Harris tweed	1:00:53	1:00:59
# There's only one thing I need	1:00:59	1:01:04
# Got my tweed pressed got my best vest	1:01:04	1:01:09
# All I need now is the girl	1:01:09	1:01:15
# Got my striped tie got my hopes high	1:01:15	1:01:20
# Got the time and the place and I got rhythm	1:01:20	1:01:24
# Now all I need is the girl to go with 'em	1:01:24	1:01:27
# If she'll just appear	1:01:27	1:01:31
# We'll take this big town for a whirl	1:01:31	1:01:37
# And if she'll say "My darling, I'm yours"	1:01:37	1:01:42
# I'll throw away my striped tie and my best pressed tweed	1:01:42	1:01:48
# All I really need is the girl. #	1:01:48	1:01:53
I start off easy.	1:01:56	1:01:58
Now I'm more...debonair.	1:02:08	1:02:11
Break!	1:02:19	1:02:21
SHE LAUGHS	1:02:21	1:02:24
And I sell it here. I start this step, see?	1:02:26	1:02:29
Uh-uh.	1:02:29	1:02:30
Build it, double it.	1:02:30	1:02:32
And she appears,	1:02:39	1:02:41
dressed all in white.	1:02:41	1:02:44
I take her hand, kiss it...	1:02:44	1:02:47
..and lead her onto the floor.	1:02:49	1:02:50
Steps are good for the costume.	1:03:11	1:03:14
Astaire bit.	1:03:14	1:03:15
# Yah, dah, dah, dah yah, dah, yah, dah, dah, yah	1:03:19	1:03:24
# Now we waltz, strings come in... #	1:03:26	1:03:30
And I lift her...	1:03:40	1:03:41
..again.	1:03:43	1:03:44
Once more.	1:03:47	1:03:48
And the tempo changes...	1:03:59	1:04:01
..and the lights come up and I build for the finale!	1:04:05	1:04:08
Louise, come over here!	1:04:09	1:04:11
That's it! Follow me! SHE SQUEALS	1:04:11	1:04:15
That's my girl!	1:04:15	1:04:17
Charleston.	1:04:17	1:04:18
Hah-hah! Again! Hah-hah, do it again!	1:04:19	1:04:22
SHE SQUEALS	1:04:25	1:04:26
APPLAUSE	1:04:30	1:04:35
Don't lower yourself to argue, Herbie. If those rats want to quit, let them quit.	1:04:54	1:04:58
If they want their train tickets back, give them their bus tickets back.	1:04:58	1:05:01
-What's keeping those girls? -There's plenty of time.	1:05:01	1:05:04
And you say they're old enough to take care of themselves.	1:05:04	1:05:06
-Look, fellas, I know we've had a couple of layoffs in the... -It ain't that, Herbie. -Then what is it?	1:05:06	1:05:11
We're too old.	1:05:11	1:05:12
Would you be too old if Madam Rose and I could see our way clear to increasing your salary?	1:05:12	1:05:16
-Increase what salary? -Herbie's been paying us.	1:05:16	1:05:19
-Moron! -Herbie.	1:05:19	1:05:20
-How long is it going to take you to get used to me, Rose? -Button your coat.	1:05:20	1:05:24
Ingrates!	1:05:24	1:05:25
You take the bread out of that man's mouth and spit it in his face!	1:05:25	1:05:28
Well, as the good Lord says - Good riddance to bad rubbish.	1:05:28	1:05:32
Give 'em their tickets, Herbie. They were rotten in the act anyway.	1:05:32	1:05:36
OK.	1:05:36	1:05:38
Thanks, Herbie. Only we'd like tickets for all the fellows.	1:05:38	1:05:43
All the fellows?	1:05:43	1:05:44
Well, they asked us.	1:05:44	1:05:46
You're all leaving?	1:05:47	1:05:49
Yes, sir, Herbie.	1:05:49	1:05:52
Something's funny.	1:05:54	1:05:55
Something's very funny here.	1:05:57	1:06:00
Why, Kansas?	1:06:00	1:06:02
What's this all about?	1:06:02	1:06:05
OK. If you're all going, you're all going. Just...	1:06:05	1:06:07
Where've you been? Where's June?	1:06:07	1:06:10
Louise, where's June?	1:06:10	1:06:12
Don't give me any of your poems to read. Just answer me!	1:06:12	1:06:14
June wrote this to you.	1:06:14	1:06:16
What for? What's she writing me for?	1:06:16	1:06:18
Momma, read it.	1:06:18	1:06:19
She eloped.	1:06:32	1:06:33
She didn't elope, stupid. They got married three weeks ago.	1:06:33	1:06:36
-Who got married? -June and Tulsa.	1:06:36	1:06:38
Only they had to wait till their act was ready before they took off.	1:06:38	1:06:42
It's a keen act. Ain't it, Louise?	1:06:42	1:06:45
I've never seen it.	1:06:45	1:06:48
-We ain't rats, Herbie. We just knew that without June... -Where'd they go?	1:06:48	1:06:51
Well, first they got a club date in Kansas City.	1:06:51	1:06:53
Big mouth! Could we have the tickets now, please, Herbie?	1:06:53	1:06:57
We gotta get moving. See, we fixed up an act of our own and...	1:06:57	1:07:00
Here, get moving!	1:07:00	1:07:01
Don't be sore, Herbie.	1:07:05	1:07:08
Geez, it ain't our fault the act's all washed up.	1:07:08	1:07:12
Hey, fellas.	1:07:16	1:07:17
Good luck.	1:07:20	1:07:21
Thanks. Herbie, good luck to you.	1:07:21	1:07:24
Good luck, Louise.	1:07:24	1:07:25
Good luck.	1:07:25	1:07:27
Good luck, Madam Rose.	1:07:27	1:07:28
Come on, LA.	1:07:31	1:07:33
Rose, honey. Even if we...	1:07:33	1:07:35
Honey, listen.	1:07:37	1:07:38
I can go back in the candy business. It's steady - 52 weeks, all year, every year.	1:07:38	1:07:42
I'll work my fingers to the bone -	1:07:42	1:07:44
I'll do twice what I did before and that was pretty fair.	1:07:44	1:07:47
See, I could be district manager and we could stay put in one place.	1:07:47	1:07:50
Louise could go to school.	1:07:50	1:07:52
Rose?	1:07:55	1:07:56
Rose, honey, you still got Herbie.	1:08:00	1:08:02
You could marry me and I promise you,	1:08:02	1:08:04
you won't have one single worry for the rest of your life.	1:08:04	1:08:06
Don't you want that?	1:08:06	1:08:08
Oh, yes! Oh, Momma, say yes!	1:08:08	1:08:12
Herbie.	1:08:12	1:08:13
It's OK.	1:08:17	1:08:18
You read palms, I read minds.	1:08:20	1:08:21
Honey, honey, it's going to be fine. Everything happens for the best.	1:08:21	1:08:26
OK, the act is finished.	1:08:26	1:08:28
But you and me and our daughter,	1:08:28	1:08:30
we're going to have a home - say, we even got a cow for the back yard!	1:08:30	1:08:35
SHE LAUGHS	1:08:35	1:08:36
Why, we are going to be the best damn family...	1:08:36	1:08:39
I'm used to people walking out.	1:08:39	1:08:41
When my own mother did it, I cried for a week.	1:08:43	1:08:47
Then your father did it, and then the man I married after him did it,	1:08:47	1:08:52
and now...	1:08:52	1:08:53
Well, this time, I'm not crying.	1:08:56	1:09:00
This time, I'm apologising.	1:09:01	1:09:05
To you.	1:09:07	1:09:08
I pushed you aside for her.	1:09:09	1:09:12
I made everything just for her.	1:09:13	1:09:16
No, Momma.	1:09:16	1:09:17
And now she says I can't make her the actress that she wants to be.	1:09:17	1:09:23
The boys walked because they think the act is finished.	1:09:23	1:09:26
They think we are nothing without her.	1:09:26	1:09:29
She is nothing without me!	1:09:29	1:09:33
I'm her mother and I made her!	1:09:33	1:09:37
And I can make you now!	1:09:37	1:09:40
And I will, my baby. I swear I will.	1:09:40	1:09:43
I'm going to make you a star!	1:09:43	1:09:45
I'm going to build a whole new act - all around you.	1:09:45	1:09:48
It's going to be better than anything we ever did before.	1:09:48	1:09:50
-Better than anything we even dreamed. -Rose. Listen.	1:09:50	1:09:53
You're right, Herbie! It is for the best!	1:09:53	1:09:55
Cos that old act was getting stale and tired. But the new one?	1:09:55	1:09:58
Look, look at the new star, Herbie! She's going to be beautiful!	1:09:58	1:10:02
She is beautiful!	1:10:02	1:10:04
Finished?	1:10:04	1:10:06
We're just beginning -	1:10:06	1:10:09
and there's no stopping us this time.	1:10:09	1:10:12
# I had a dream	1:10:14	1:10:17
# A dream about you, baby	1:10:17	1:10:22
# It's going to come true, baby	1:10:22	1:10:26
# They think that we're through	1:10:26	1:10:30
# But, baby	1:10:30	1:10:34
# You'll be swell, you'll be great	1:10:34	1:10:41
# Going to have the whole world on the plate	1:10:41	1:10:44
# Starting here, starting now	1:10:44	1:10:48
# Honey, everything's coming up roses	1:10:48	1:10:54
# Clear the decks, clear the tracks	1:10:54	1:10:58
# You've got nothing to do but relax	1:10:58	1:11:01
# Blow a kiss, take a bow	1:11:01	1:11:05
# Honey everything's coming up roses	1:11:05	1:11:12
# Now's your inning	1:11:12	1:11:16
# Stand the world on its ear	1:11:16	1:11:19
# Set it spinning	1:11:19	1:11:23
# That'll be just the beginning	1:11:23	1:11:26
# Curtain up, light the lights	1:11:26	1:11:29
# You got nothing to hit but the heights	1:11:29	1:11:33
# You'll be swell, you'll be great	1:11:33	1:11:36
# I can tell, just you wait	1:11:36	1:11:40
# That lucky star I talk about is due	1:11:40	1:11:47
# Honey, everything's coming up roses for me and for you	1:11:47	1:11:52
# Honey, everything's coming up roses for me and for you	1:11:52	1:11:57
# You can do it	1:11:59	1:12:04
# All you need is a hand	1:12:04	1:12:08
# We can do it	1:12:08	1:12:13
# Mama is going to see to it	1:12:13	1:12:18
# Curtain up, light the lights	1:12:18	1:12:20
# We got nothing to hit but the heights	1:12:20	1:12:24
# I can tell, wait and see	1:12:24	1:12:27
# There's the bell, follow me	1:12:27	1:12:31
# And nothing's going to stop us till we're through	1:12:31	1:12:38
# Honey, everything's coming up roses and daffodils	1:12:38	1:12:43
# Everything's coming up sunshine and Santa Claus	1:12:43	1:12:49
# Everything's going to be bright lights and lollipops	1:12:49	1:12:55
# Everything's coming up roses for me and for you. #	1:12:55	1:13:03
# Everything's coming up roses for me and for you. #	1:13:03	1:13:09
APPLAUSE	1:13:09	1:13:16
-Are you ready, Louise? -Yes, Momma.	1:13:38	1:13:40
-Ready, girls? -Yes, Madam Rose.	1:13:40	1:13:43
Now don't let the past discourage you.	1:13:43	1:13:45
Remember - you're artistes of the theatre!	1:13:45	1:13:47
SHE MIMICS A BUGLE CALL	1:13:47	1:13:50
Madam Rose's Toreadorables!	1:13:50	1:13:53
# Extra! Extra! Hey, look at the headline	1:14:02	1:14:05
# Historical news is being made	1:14:05	1:14:08
# Extra! Extra! They're drawing a red line	1:14:09	1:14:12
# Around the biggest scoop of the decade	1:14:12	1:14:16
# A barrel of charm, a fabulous thrill	1:14:16	1:14:19
# The biggest little headline in vaudeville... #	1:14:19	1:14:23
Now sell it! Come on - sell it!	1:14:23	1:14:25
Presenting,	1:14:25	1:14:29
in person,	1:14:29	1:14:31
that five-foot-four bundle of dynamite...	1:14:31	1:14:35
..Senorita...	1:14:36	1:14:37
..Louise!	1:14:39	1:14:40
That's when you come on, Louise - that's when you...	1:14:40	1:14:43
Ole, everybody! My name's Louise.	1:14:51	1:14:53
What's yours?	1:14:53	1:14:55
Well, it's coming along.	1:14:55	1:14:57
-Momma, I'm just no good at it. -Oh, don't be silly.	1:14:58	1:15:00
Come on, let's try the finale.	1:15:00	1:15:02
If you've a big strong finish they'll forgive you for anything. You...	1:15:02	1:15:05
You're late! Now, come on, girls, make it stirring.	1:15:05	1:15:09
SHE MIMICS A BUGLE CALL	1:15:09	1:15:11
MUSIC: Toreador Song from Carmen	1:15:11	1:15:13
MUSIC ENDS	1:15:24	1:15:25
LAUGHTER	1:15:25	1:15:27
They're tired.	1:15:32	1:15:33
You better go up the tent, girls, get ready for bed.	1:15:33	1:15:36
-Goodnight, Madam Rose! -Night-night, Louise. -Goodnight, Momma.	1:15:36	1:15:39
Now, don't forget to write your mothers -	1:15:39	1:15:42
for money...	1:15:42	1:15:44
How'd you make out in town?	1:15:44	1:15:46
Not even a lodge hall.	1:15:46	1:15:47
They're too damn un-American down here, that's the trouble.	1:15:47	1:15:50
We'd better talk about heading up north.	1:15:50	1:15:53
After I tell them that bedtime story.	1:15:53	1:15:55
Once upon a time there was a prince named Ziegfeld?	1:15:55	1:15:57
It could happen.	1:15:57	1:15:59
Anyway, everybody needs something impossible to hope for.	1:15:59	1:16:02
Rose, why do you make Louise wear that wig in the act?	1:16:02	1:16:05
Makes her look more like...	1:16:05	1:16:07
a star.	1:16:07	1:16:09
And why do we keep the cow?!	1:16:09	1:16:11
Herbie! If that cow goes, I go.	1:16:11	1:16:15
LAUGHTER	1:16:15	1:16:16
The act can be fixed.	1:16:16	1:16:17
If I was doing this for...	1:16:17	1:16:19
June, it'd be all set.	1:16:19	1:16:21
But you're not. And I'm NOT June.	1:16:21	1:16:24
Louise, nobody expects you to be.	1:16:24	1:16:26
Momma, I've tried as hard as I could.	1:16:26	1:16:28
The act's rotten, and I'm rotten in it.	1:16:28	1:16:30
How do you like that? Typical of a kid.	1:16:30	1:16:32
-No, I've been waiting to... -Always impatient.	1:16:32	1:16:34
A few break-in dates don't go so hot...	1:16:34	1:16:36
Momma, I am not June, I am not blonde. I can't do what she did.	1:16:36	1:16:40
She isn't asking you to.	1:16:40	1:16:41
-Maybe you want to stay in show business... -Maybe? That is our whole...	1:16:41	1:16:44
What have we been working for ever since you were a baby?	1:16:44	1:16:46
That is a foolish remark from a foolish girl.	1:16:46	1:16:48
I promised my girl she'd be a star, and she will be!	1:16:48	1:16:51
Maybe I've been on the wrong track with you and the material,	1:16:51	1:16:55
but as the good Lord says...	1:16:55	1:16:58
"You gotta take the rough with the smooth."	1:16:58	1:17:01
And like I always say, you're lucky,	1:17:01	1:17:03
-because you don't have to take it alone. Right, Herbie? -Right.	1:17:03	1:17:07
We got Herbie for brains.	1:17:07	1:17:10
We got you for talent.	1:17:10	1:17:11
And you both got me to...yell at.	1:17:11	1:17:16
# Wherever we go	1:17:16	1:17:18
# Whatever we do	1:17:18	1:17:20
# We're gonna go through it together	1:17:20	1:17:24
# We may not go far	1:17:24	1:17:27
# But sure as a star	1:17:27	1:17:29
# Wherever we are, it's together	1:17:29	1:17:33
# Wherever I go, I know he goes	1:17:33	1:17:38
# Wherever I go, I know she goes	1:17:38	1:17:43
# No fits, no fights, no feuds and no egos	1:17:43	1:17:47
# Amigos	1:17:47	1:17:49
# Together	1:17:49	1:17:52
# Through thick and through thin	1:17:52	1:17:54
# All out or all in	1:17:54	1:17:56
# And whether it's win, place or show	1:17:56	1:18:01
# With you for me, and me for you	1:18:01	1:18:03
# We'll muddle through whatever we do	1:18:03	1:18:06
# Together, wherever we go	1:18:06	1:18:09
# Wherever we go	1:18:12	1:18:14
# Whatever we do	1:18:14	1:18:17
# We're gonna go through it together	1:18:17	1:18:21
# Wherever we sleep	1:18:21	1:18:23
# If prices are steep	1:18:23	1:18:25
# We'll always sleep cheaper together	1:18:25	1:18:30
# Whatever the boat I row, you row	1:18:30	1:18:33
# A duo	1:18:33	1:18:35
# Whatever the row I hoe, you hoe	1:18:35	1:18:38
# A trio	1:18:38	1:18:39
# And any IOU, I owe you-oh	1:18:39	1:18:42
# Who, me-oh? No, you-oh	1:18:42	1:18:45
# No, we-oh	1:18:45	1:18:46
ALL: # Together!	1:18:46	1:18:48
# We all take a bow	1:18:49	1:18:51
# Including the cow	1:18:51	1:18:53
# Though business is lousy, and slow	1:18:53	1:18:57
# With Herbie's vim, Louise's verve	1:18:57	1:19:00
# Now all we need is someone with nerve...	1:19:00	1:19:04
# Together	1:19:04	1:19:06
# Together	1:19:06	1:19:08
# Wherever	1:19:08	1:19:10
# Wherever	1:19:10	1:19:13
# Together, wherever we go... #	1:19:13	1:19:17
Herbie! Come on.	1:19:19	1:19:21
# If I start to dance	1:19:21	1:19:24
# We both start to dance	1:19:24	1:19:26
# And sometimes by chance, we're...	1:19:26	1:19:28
# Together	1:19:28	1:19:30
# If I sing B-flat... Ohhh!	1:19:30	1:19:32
# We both sing B-flat... Ohhh!	1:19:32	1:19:35
# We all can B-flat... Ohhh!	1:19:35	1:19:37
# Together	1:19:37	1:19:39
# Whatever the trick, we can do it	1:19:39	1:19:42
# With teamwork we're bound to get through it	1:19:43	1:19:46
# There really isn't anything to it You do it	1:19:48	1:19:52
# I knew it...	1:19:52	1:19:55
# We blew it! Together	1:19:55	1:19:57
# When the audience boos	1:19:59	1:20:02
# We don't drop our cues	1:20:02	1:20:04
# We always can use what they throw	1:20:04	1:20:07
# The fruit may fly but why complain?	1:20:08	1:20:11
# Tomato sauce goes great with chow mein	1:20:11	1:20:16
# Together..	1:20:16	1:20:18
# Together...	1:20:18	1:20:20
# Wherever...	1:20:20	1:20:23
# Wherever...	1:20:23	1:20:25
# Together, wherever we go. #	1:20:25	1:20:30
Here are the letters, Madam Rose.	1:20:30	1:20:31
Oh, that's a good girl. Now, go to bed, Agnes.	1:20:31	1:20:34
Now that I'm an actress...	1:20:34	1:20:35
it's "Amanda".	1:20:35	1:20:37
Whatever it is - go to bed.	1:20:38	1:20:41
Could I ask Herbie a question first?	1:20:41	1:20:43
Sure.	1:20:43	1:20:44
Herbie... Do you think we'll ever work again?	1:20:44	1:20:47
-Course we will! -I'll get us a booking, Ag...	1:20:47	1:20:50
..Amanda.	1:20:51	1:20:53
Thank you...Herbert.	1:20:53	1:20:55
Louise! Your hair.	1:20:55	1:20:58
It's yours, if you want it.	1:20:58	1:20:59
Gee - I always wanted to be a blonde.	1:20:59	1:21:02
Well, get some peroxide and a toothbrush. Wigs are expensive.	1:21:02	1:21:05
Yes, ma'am.	1:21:05	1:21:07
Say, we could get a good refund for this - if we'd ever paid for it.	1:21:07	1:21:11
How about a gallon of peroxide and a carton of toothbrushes?	1:21:11	1:21:13
-What for? -Make 'em ALL blondes.	1:21:13	1:21:15
I was JOKING, Herbie.	1:21:15	1:21:17
Why NOT do it?	1:21:17	1:21:18
Because they're children, Louise.	1:21:18	1:21:20
They're young girls - with blonde hair they could be young girls.	1:21:20	1:21:23
It would sure jazz up the act, make it easier to sell -	1:21:23	1:21:25
we could call it Madam Rose and her Blonde Babies.	1:21:25	1:21:28
Baby Blondes!	1:21:28	1:21:29
Nothing with babies.	1:21:29	1:21:31
-Hollywood Blondes! -Yeah.	1:21:32	1:21:35
Oh, but all blonde except you, cos you're the star.	1:21:35	1:21:37
Well, if I'm the star it should be LOUISE and her Hollywood Blondes.	1:21:37	1:21:40
ROSE-Louise and her Hollywood Blondes.	1:21:40	1:21:43
OK!	1:21:43	1:21:45
-ALL: -# We go in a group	1:21:45	1:21:47
# We tour in a troupe	1:21:47	1:21:49
# We land in the soup, but we know	1:21:49	1:21:53
# The things we do, we do by threes	1:21:53	1:21:56
-# A perfect team! -# No, this way, Louise!	1:21:56	1:21:58
# Together	1:21:58	1:21:59
# Together	1:21:59	1:22:00
# Wherever	1:22:00	1:22:02
# Wherever	1:22:02	1:22:03
# Together, wherever we go! #	1:22:03	1:22:10
CHEERING AND APPLAUSE	1:22:10	1:22:12
It's a real live theatre.	1:22:25	1:22:27
MAN: Let in the traveller!	1:22:27	1:22:28
With a real live stage!	1:22:28	1:22:30
Oh, Marjorie May -	1:22:30	1:22:32
we've arrived at last.	1:22:32	1:22:33
Louise! Louise, look!	1:22:33	1:22:36
A real live theatre.	1:22:36	1:22:37
MAN: Kill that flood!	1:22:37	1:22:39
Ah, it's just like opening day rehearsals USED to be.	1:22:39	1:22:42
-Oh, Momma's going to love it. -THEY ALL GIGGLE EXCITEDLY	1:22:42	1:22:44
-Will you kill that flood! MAN: -Will you shut your hole!	1:22:44	1:22:47
She isn't going to love THAT.	1:22:47	1:22:49
Or that.	1:22:49	1:22:50
What kind of an act IS that?	1:22:50	1:22:52
OK, jailbait.	1:22:52	1:22:54
Now, you must be the Hollywood Blondes.	1:22:54	1:22:56
-Yes. I'm... -You're late. -Well, our car broke down. -Skip it!	1:22:56	1:22:59
Some of you dogs can use this dressing room -	1:22:59	1:23:02
and the rest of you, the one up there.	1:23:02	1:23:04
Now, this one, you share with Tessie Tura, Texas Twirler.	1:23:04	1:23:08
-My mother doesn't like... -The other with Mazeppa, Revolution in Dance.	1:23:08	1:23:12
Now, shake it up!	1:23:12	1:23:15
So, er...	1:23:15	1:23:16
you're the act that's supposed to keep the cops out, huh?	1:23:16	1:23:19
Boy, you MUST be lousy. LAUGHTER	1:23:19	1:23:22
He reminds me of my brother!	1:23:22	1:23:25
Don't start snivelling...Amanda.	1:23:25	1:23:28
Here, take the cow, and anything else you can carry in there.	1:23:28	1:23:31
Marjorie May, you take the other girls in the second room	1:23:31	1:23:33
and start unpacking.	1:23:33	1:23:35
SHE GASPS	1:23:36	1:23:37
Oh! Look at this.	1:23:37	1:23:40
Well, that Tessie Tura must be a VERY fancy lady.	1:23:40	1:23:44
LAUGHTER	1:23:44	1:23:45
She must also be a pig!	1:23:47	1:23:49
-Louise...! -In here, Momma. Let me help you.	1:23:49	1:23:52
Oh, baby, we're back in a theatre, we're back in a real theatre!	1:23:52	1:23:55
-Momma, where's Herbie? -He went around front to check our billing.	1:23:55	1:23:58
Good morning!	1:23:58	1:23:59
Oh, Jesus!	1:23:59	1:24:01
It ain't weighted right. God dammit!	1:24:01	1:24:05
It scratches the hell out of me and it just don't bump when I do.	1:24:05	1:24:09
Maybe there's somethin' wrong with your BUMPER.	1:24:09	1:24:12
Oh... Big joke.	1:24:12	1:24:15
I'm out there bumping my brains out with no action at all	1:24:15	1:24:18
and she's being witty!	1:24:18	1:24:20
Hey, you with the neck.	1:24:20	1:24:21
I paid six bucks for that G-string, now back where you found it!	1:24:21	1:24:25
-Yes, ma'am. -Get the bags, get the cow, get the props.	1:24:25	1:24:27
-Now, Momma... -You don't know what kind of theatre this is.	1:24:27	1:24:31
Yes, I do, it's a... house of burlesque.	1:24:31	1:24:33
A house of burlesque... Do you know what that is? Filth!	1:24:33	1:24:36
I tell you, when Herbie shows his face...	1:24:36	1:24:38
-I'm sure Herbie didn't know. -Oh - not much. Agnes...!	1:24:38	1:24:41
-He got the booking over the telephone. -Agnes! We were all so happy. -Agnes, dammit!	1:24:41	1:24:44
Madam Rose, you know my name is Amanda!	1:24:44	1:24:46
Your name is Agnes. I want you and the girls out of this hellhole	1:24:46	1:24:49
-in two seconds flat! -But Madam... -March! -Yes, ma'am.	1:24:49	1:24:51
You take the front end of the cow, I'll take the rear,	1:24:51	1:24:53
and the bags we can't carry	1:24:53	1:24:54
your friend Herbie can damn well carry himself.	1:24:54	1:24:58
Now, listen to me, Louise.	1:24:58	1:24:59
Just because you think your friend Herbie can do no wrong...	1:24:59	1:25:02
This has nothing to do with Herbie...	1:25:02	1:25:04
You don't know what burlesque is.	1:25:04	1:25:06
-Yes, I do. -No. You don't.	1:25:06	1:25:09
No daughter of mine is going to work in burlesque	1:25:09	1:25:12
and no daughter of any woman I know.	1:25:12	1:25:13
Then where ARE we going to work?	1:25:13	1:25:16
Momma, how much money do we have?	1:25:16	1:25:18
Including what's left of their allowances, how much?	1:25:18	1:25:21
-Something'll turn up. -It HAS turned up, and this is it.	1:25:21	1:25:24
Momma, we're flat broke, we've got to take this job.	1:25:24	1:25:28
Even if you wanted to quit and go home, we'd have to take it.	1:25:28	1:25:32
I had a dream...	1:25:33	1:25:35
-Oh, Momma... -Oh, you'll like this one.	1:25:35	1:25:38
LAUGHTER	1:25:38	1:25:40
I had it over a week ago but I didn't want to tell.	1:25:40	1:25:43
I was home, in Seattle,	1:25:43	1:25:46
and the cow came into my room.	1:25:46	1:25:49
Only this time she wasn't smiling and dancing,	1:25:49	1:25:52
she was wheezing and sad-like,	1:25:52	1:25:55
she came right over to my bed	1:25:55	1:25:57
and looked at me and said, "Rose...	1:25:57	1:26:01
"..moo-ve over."	1:26:02	1:26:05
LAUGHTER	1:26:05	1:26:06
I'm sorry, Momma...	1:26:06	1:26:08
Why? She didn't tell YOU to move over!	1:26:08	1:26:11
I mean I'm sorry I'm not good enough in the act.	1:26:11	1:26:13
It's the ACT that ain't good enough, baby, or something...	1:26:13	1:26:16
-HERBIE: -Rose! -In here.	1:26:16	1:26:18
Herbie...!	1:26:18	1:26:20
Rose... I didn't know, believe me.	1:26:20	1:26:22
I do, honey. I do.	1:26:22	1:26:24
Aargh!	1:26:26	1:26:27
What the hell, it's...	1:26:29	1:26:31
only two weeks, the money's good	1:26:31	1:26:33
-and maybe by that time something'll turn up. Right? -Right.	1:26:33	1:26:35
-You're a nice girl, Rose, thank you. -Oh... That's show business.	1:26:35	1:26:39
-One good thing - I'll bet we got top billing. -No. We're featured, though.	1:26:39	1:26:42
-Second? -Actually, they had us lost in the middle, I thought	1:26:42	1:26:44
last was better. It says "AND Rose-Louise and the Hollywood Blondes."	1:26:44	1:26:47
I'm making them put a box around it, they'll use lots of pictures.	1:26:47	1:26:50
Forget the box, Herbie, forget those pictures.	1:26:50	1:26:52
-Momma... -You don't know what they say in the business, but Herbie does.	1:26:52	1:26:56
They say, when a vaudeville act plays in burlesque	1:26:56	1:26:59
that means it's all washed up -	1:26:59	1:27:01
Herbie, nothing's going to turn up for us. Is it?	1:27:01	1:27:04
No.	1:27:04	1:27:06
I guess it's a pretty rotten act.	1:27:07	1:27:09
It ain't the act, honey, I've been telling you - vaudeville's dead.	1:27:09	1:27:12
Stone-cold dead!	1:27:12	1:27:13
-Well, we...sure as hell tried. -Well, we sure as hell did.	1:27:13	1:27:16
Nobody can say we didn't last right up the very end.	1:27:16	1:27:19
Well, they sure as hell can't!	1:27:19	1:27:20
-Right? -Right. -Right.	1:27:20	1:27:22
Well, I...better get the cues ready.	1:27:22	1:27:24
Herbie...	1:27:24	1:27:25
How about marryin' me?	1:27:25	1:27:27
Sure...	1:27:33	1:27:34
LAUGHTER	1:27:34	1:27:36
-I love you, you know. -I know.	1:27:36	1:27:38
Do it today!	1:27:38	1:27:39
Not while we're in burlesque!	1:27:39	1:27:42
The day we close.	1:27:42	1:27:44
It's a deal.	1:27:44	1:27:45
Oh, I do, Herbie - I do, I do, I do.	1:27:45	1:27:48
-So do I, Rose, so do I! -Hey. Rose-Louise.	1:27:48	1:27:51
Where the hell are your music and light cues?	1:27:51	1:27:53
Yeah, I'll be right with you.	1:27:53	1:27:54
Oh... YOU'RE Rose-Louise.	1:27:54	1:27:56
Yeah. I'm Rose-Louise.	1:27:56	1:27:58
Well - things are looking up.	1:27:58	1:28:00
But I got a show to open, Rose-Louise, so move your ass!	1:28:00	1:28:03
Listen, you little punk.	1:28:03	1:28:05
For the next two weeks you're going to speak like a Sunday school	1:28:05	1:28:08
teacher. You have something in this theatre you've never seen before.	1:28:08	1:28:11
A lady!	1:28:11	1:28:13
That...is a lady.	1:28:13	1:28:16
That...is also a lady.	1:28:16	1:28:18
Every girl in this damned act is a lady, you understand?	1:28:18	1:28:21
-Y-Yes, sir. -Now, get on stage	1:28:21	1:28:23
-and I'll give you the cues when I'm ready! -Yes, sir.	1:28:23	1:28:25
Er... Excuse me. Ma'am.	1:28:25	1:28:28
Oh, sir?	1:28:30	1:28:31
Won't you give ME your protection? I'm a lady too!	1:28:31	1:28:35
Hey, the goddamn thing worked!	1:28:36	1:28:38
-No, no, no, no... -Aww.	1:28:38	1:28:40
Well, if you ladies will excuse me...	1:28:40	1:28:42
-Yeah, we're very busy. -In my dressing room. -YOUR dressing room?	1:28:42	1:28:45
You're damn right. And I don't like sharing it any more than you do.	1:28:45	1:28:48
Particularly with a troupe of professional virgins.	1:28:48	1:28:51
-We are not... -Oh, all right - so you're acrobats.	1:28:51	1:28:55
We happen to be headliners from the Orpheum Circuit.	1:28:55	1:28:57
We were booked into this theatre by mistake.	1:28:57	1:28:59
Weren't we all?!	1:28:59	1:29:02
Say... Who made that?	1:29:02	1:29:04
I did. I make all our costumes.	1:29:04	1:29:06
Oh, my! Look at all them ladylike little stitches.	1:29:06	1:29:11
That miserable broad who's been makin' my gowns	1:29:11	1:29:13
must be using a fish hook.	1:29:13	1:29:15
What do you pay her?	1:29:15	1:29:16
25 bucks a gown and I provide the material.	1:29:16	1:29:19
-30. -She's new in the business. -30.	1:29:19	1:29:21
-Who ARE you, her mother? -Yes.	1:29:21	1:29:22
LAUGHTER	1:29:22	1:29:24
-30. And I'll get the material after the matinee. -It's a deal.	1:29:24	1:29:28
Where's your toreador costume?	1:29:28	1:29:29
The girls must have it in the dressing room...	1:29:29	1:29:31
God knows what else they got in there!	1:29:31	1:29:33
-She's your mother?! -Yes, she's my mother.	1:29:33	1:29:36
Tessie... I'm short a talking women.	1:29:36	1:29:38
-Tough titty! -Aw, Tessie, the new comic won't use a chorus girl.	1:29:38	1:29:42
Then let them use Mazeppa.	1:29:42	1:29:44
Everyone else has!	1:29:44	1:29:46
Now, you know Mazeppa's got a gladiator ballet	1:29:46	1:29:49
just before his spot.	1:29:49	1:29:51
Cut the ballet. It stinks anyway.	1:29:51	1:29:53
Aw, be a sport, I'm in a bind.	1:29:53	1:29:55
You're always in a bind in this flea-bitten trap!	1:29:55	1:29:57
I'm a strip woman, slob. I don't do no scenes. Now, screw!	1:29:57	1:30:02
Have you ever heard of a first-class strip woman playing scenes?	1:30:02	1:30:05
Well, you play stock in a dump like this, you gotta expect to be insulted.	1:30:05	1:30:09
-Well, it's steady, ain't it? -Yeah, but you bring in a new star	1:30:09	1:30:12
-for each show, don't ya? -Aw, Tessie, it's just a few lines.	1:30:12	1:30:14
Fat boy, save your bad breath!	1:30:14	1:30:16
I'll give you ten bucks extra.	1:30:16	1:30:19
Nah.	1:30:19	1:30:21
Excuse me. I can read lines.	1:30:21	1:30:23
-Who are you? -Rose Louise, of Rose Louise and her Hollywood Blondes.	1:30:23	1:30:26
-Wait a minute, what kind of lines? -You in her act?	1:30:26	1:30:28
-Not exactly. -Shut up!	1:30:28	1:30:29
-How are your legs? -Great! And I'll learn her the scenes.	1:30:29	1:30:32
OK! Ten bucks.	1:30:32	1:30:33
-It's money, Momma. -What's she going to be saying out there on that stage?	1:30:33	1:30:36
Same burlesque crap that's been said since the year one.	1:30:36	1:30:39
Say, where you been all your life?	1:30:39	1:30:42
Playing vaudeville!	1:30:42	1:30:43
Where?! The Vatican?!	1:30:43	1:30:46
LAUGHTER	1:30:46	1:30:47
You name a big city, we've played it.	1:30:47	1:30:49
My grandpa says we've covered the country like gypsies.	1:30:49	1:30:52
Well, you may be a gypsy, Rose Louise... Hey!	1:30:52	1:30:55
Now, that ain't a bad name, if you ever take up strippin'!	1:30:55	1:30:57
-She won't. -No, but you'll let her feed lines to a bum comic	1:30:57	1:31:00
-for a lousy ten bucks. -That's training. She's going to be an actress - this is only temporary.	1:31:00	1:31:04
Soon as we finish here, she goes straight back to vaudeville.	1:31:04	1:31:08
Vaudeville, my eye. There ain't no vaudeville left except burlesque.	1:31:08	1:31:12
-We know. -You know? You better wise her up.	1:31:12	1:31:13
She's wise! She's a damn sight wiser than any of you!	1:31:13	1:31:16
Like mother, like daughter. Say, whose feelings did I hurt?	1:31:16	1:31:21
Yours or hers?	1:31:21	1:31:23
Neither. We'll both be fine.	1:31:23	1:31:26
Gee, I hope so,	1:31:26	1:31:27
because sharing a dressing room is like sleeping together.	1:31:27	1:31:30
Miss Tura, I'll thank you	1:31:30	1:31:32
not to give the boss any notion that I would ever play scenes.	1:31:32	1:31:35
And one more dis-as-paraging remark about my ballet will find	1:31:35	1:31:40
this bugle right up your...	1:31:40	1:31:41
Please! There's a lady present!	1:31:41	1:31:44
-Where? -Open your eyes instead of your mouth.	1:31:44	1:31:47
Gypsy, meet Miss Mazeppa - and Miss Electra.	1:31:47	1:31:51
Say, you're even younger than I was when I began stripping.	1:31:51	1:31:57
Oh, I'm not going to strip.	1:31:57	1:32:00
Something wrong with stripping?	1:32:00	1:32:02
No. I just meant I don't have any talent.	1:32:02	1:32:06
You think they have?!	1:32:06	1:32:08
Well, I myself of course was a ballerina.	1:32:10	1:32:12
But take it from me,	1:32:12	1:32:13
to be a stripper, all you need to have is no talent.	1:32:13	1:32:16
You'll pardon me, but to have no talent is not enough.	1:32:16	1:32:20
What you need to have is an idea that makes your strip special.	1:32:20	1:32:25
# You can pull all the stops out Till they call the cops out	1:32:25	1:32:30
# Grind your behind till you're bend	1:32:30	1:32:34
# But you gotta get a gimmick if you wanna get a hand	1:32:34	1:32:40
# You can sacrifice your sacro working in the back row	1:32:43	1:32:48
# Bump in a dump till you're dead	1:32:48	1:32:51
# Kid, you gotta get a gimmick If you wanna get ahead	1:32:52	1:32:57
# You can...	1:33:00	1:33:03
# You can...	1:33:03	1:33:05
# That's how burlesque was born	1:33:06	1:33:09
# So I...and I...	1:33:09	1:33:11
# And I...	1:33:11	1:33:13
# But I do it with a horn... #	1:33:13	1:33:18
SHE PLAYS FANFARE	1:33:19	1:33:23
LAUGHTER	1:33:50	1:33:52
APPLAUSE	1:33:53	1:33:55
# Once I was a schleppa Now I'm Miss Mazeppa	1:33:55	1:33:59
# With my revolution in dance	1:33:59	1:34:02
# You gotta have a gimmick	1:34:03	1:34:06
# If you wanna have a chance	1:34:06	1:34:09
# She can uh, she can uh	1:34:11	1:34:14
# She can uh, uh, uh	1:34:14	1:34:17
# They'll never make her rich	1:34:17	1:34:20
# Me, I uh, and I uh	1:34:20	1:34:23
# And I uh, uh, uh	1:34:23	1:34:25
# But I do it with a switch... #	1:34:25	1:34:29
DRUMROLL	1:34:30	1:34:32
LAUGHTER	1:34:32	1:34:33
# I'm electrifying And I'm not even trying	1:34:42	1:34:46
# I never had to sweat to get paid	1:34:46	1:34:49
# If you got a gimmick Gypsy girl, you've got it made	1:34:49	1:34:56
# All the uh and the uh And the....	1:34:58	1:35:03
# Ain't gonna spell success	1:35:03	1:35:07
# Me, I...and I...	1:35:07	1:35:09
# And I...	1:35:09	1:35:11
# But I do it with finesse	1:35:11	1:35:16
# Uh... #	1:35:19	1:35:20
LAUGHTER	1:35:20	1:35:22
# Uh	1:35:23	1:35:25
# Ah!	1:35:31	1:35:33
# Dressy Tessie Tura Is so much more demurer	1:35:33	1:35:37
# Than all them other ladies because	1:35:37	1:35:41
# You gotta get a gimmick	1:35:41	1:35:44
If you wanna get applause	1:35:44	1:35:49
# Do something special	1:35:50	1:35:52
# Anything that's special	1:35:52	1:35:54
# Do something special	1:35:54	1:35:56
# Anything that's special... #	1:35:56	1:35:58
ALL SING AT ONCE	1:35:58	1:36:01
# You're more than just a mimic	1:36:03	1:36:05
# When you got a gimmick	1:36:05	1:36:07
# Take a look how different we are	1:36:07	1:36:11
# If you wanna make it	1:36:20	1:36:22
# Twinkle while you shake it	1:36:22	1:36:24
# If you wanna grind it	1:36:24	1:36:26
# Wait till you refined it	1:36:26	1:36:28
# If you wanna pump it	1:36:28	1:36:30
# Pump it with a trumpet	1:36:30	1:36:32
# Get yourself a gimmick	1:36:32	1:36:34
# And you too can be a star. #	1:36:34	1:36:45
CHEERING AND APPLAUSE	1:36:51	1:36:53
Kill them floods and bring in the number four!	1:37:06	1:37:09
I told ya we ain't usin' number four in this show, ya pinhead!	1:37:09	1:37:13
-Hey, you seen Amanda? -Well, no. She must be packin'. Ain't your act through today?	1:37:13	1:37:17
You bet it is! Through - finished - over!	1:37:17	1:37:20
Hey, I've been looking for you. Here.	1:37:20	1:37:23
Oh, Herbie, it's like for a funeral!	1:37:23	1:37:25
It's for the wedding!	1:37:25	1:37:27
Madame Rose and I want you to be bridesmaid, Amanda.	1:37:27	1:37:29
No, it's Agnes again.	1:37:29	1:37:31
You'll be happier as Agnes, Amanda.	1:37:31	1:37:33
Oh, you're leaving?	1:37:35	1:37:37
I got to go home and let my hair grow out.	1:37:37	1:37:41
Aw, ya poor kid.	1:37:41	1:37:42
Tessie!	1:37:42	1:37:43
Hey, one last time.	1:37:43	1:37:46
SHE GIGGLES	1:37:46	1:37:47
# Meet ya round the corner	1:37:47	1:37:50
# In a half an hour, whee! #	1:37:50	1:37:52
LAUGHTER TURNS TO TEARS	1:37:52	1:37:54
Aw, come here.	1:37:54	1:37:56
-TESSIE! -I'm coming, ya creep!	1:37:56	1:37:58
Why aren't you nervous? I've never been so nervous in my whole life!	1:38:08	1:38:11
-You've never been married before. -Your mother's never been married	1:38:11	1:38:14
before like she's going to be this time. For keeps and forever - to me!	1:38:14	1:38:17
-Ain't you a little bit nervous! -Sure. -Say, does the minister keep	1:38:17	1:38:20
this? I want to have it framed and hanging on our living room.	1:38:20	1:38:23
What about this, Momma?	1:38:23	1:38:25
Take it.	1:38:25	1:38:26
We can hang her up in the living room, too, Herbie.	1:38:26	1:38:29
Over the mantelpiece.	1:38:29	1:38:30
Rose, honey, it ain't that I don't know how you're feeling.	1:38:30	1:38:33
Or that I don't know I ought to keep my mouth shut.	1:38:33	1:38:35
I'm so goddam happy, I can't!	1:38:35	1:38:37
-I don't know why the hell I stay in this business! -I'm finally getting	1:38:37	1:38:40
everything I wanted! Even a fancy ceremony with bridesmaids.	1:38:40	1:38:43
-If it ain't one damn headache, it's another. -Ssh! They'll hear you out front! -It's MY theatre!	1:38:43	1:38:48
Of course, what the minister's going to say	1:38:48	1:38:50
when he gets a load of all that yellow hair, I don't know.	1:38:50	1:38:52
But the hell with him!	1:38:52	1:38:55
Last show, no talking woman. Show before that, no second banana.	1:38:55	1:38:58
If that crazy broad wasn't here, why did you start the performance?	1:38:58	1:39:01
She's not on till next to closing,	1:39:01	1:39:04
and she said she was only goin' next door to the drugstore.	1:39:04	1:39:07
What'd they arrest her for? Shoplifting?	1:39:07	1:39:09
-No, soliciting. -LAUGHTER	1:39:09	1:39:11
She always was greedy. Cut the spot.	1:39:11	1:39:14
Honey, do you think we should invite the minister for a drink after?	1:39:14	1:39:17
But it's the star strip.	1:39:17	1:39:18
Cut it.	1:39:18	1:39:19
They'll yell bloody murder	1:39:19	1:39:21
if it's only the same bags they've been seeing the past eight weeks.	1:39:21	1:39:24
The star's the novelty!	1:39:24	1:39:26
What do you want me to do? Let YOU strip?	1:39:26	1:39:28
-My daughter can do it! Rose Louise! -Since when?	1:39:28	1:39:30
Ever since she's been here to see how little there is to it.	1:39:30	1:39:33
-She didn't look bad in them scenes. -She'll look great in her own gowns.	1:39:33	1:39:36
-What's the gimmick? -She's young. Got any better ideas?	1:39:36	1:39:40
-Well, she better get ready right damn now. -It's the star spot.	1:39:40	1:39:44
You telling me?	1:39:44	1:39:45
That means the star salary.	1:39:45	1:39:47
If we keep her.	1:39:47	1:39:48
You will. She's going to be wonderful!	1:39:48	1:39:52
I knew something would turn up!	1:39:52	1:39:54
Where's that dress you were making for Tessie?	1:39:54	1:39:56
It'll work perfect for you!	1:39:56	1:39:58
Come on! Come on!	1:39:58	1:39:59
Get your make-up on, there ain't much time.	1:39:59	1:40:02
Oh, silly! You're not really going to strip.	1:40:02	1:40:05
All you'll do is walk around the stage in time to the music	1:40:05	1:40:07
and drop your shoulder strap at the end.	1:40:07	1:40:09
You're a lady, like Herbie says you are!	1:40:09	1:40:11
You just parade so grand, they'll think it's a big favour	1:40:11	1:40:14
if you even show them your knee!	1:40:14	1:40:17
Oh, Louise, it's the star spot!	1:40:17	1:40:20
I always promised my daughter we'd be a star.	1:40:20	1:40:24
Baby, it's all right to walk out when they want you,	1:40:24	1:40:28
but you can't walk out now.	1:40:28	1:40:31
After all these rotten years, we're still a flop, that's quitting!	1:40:31	1:40:35
We can't quit, because we are a flop!	1:40:35	1:40:39
DON'T BE LIKE JUNE!	1:40:39	1:40:42
You...	1:40:43	1:40:45
do this!	1:40:45	1:40:46
So we can walk away proud,	1:40:48	1:40:51
because we made it!	1:40:51	1:40:53
Maybe only in burlesque and maybe only as second rate,	1:40:53	1:40:56
but let's walk away a star!	1:40:56	1:40:59
OK, come on!	1:41:02	1:41:03
I guess there ain't enough time to finish the dress,	1:41:03	1:41:06
but we can just pin it... Oh, look, there's some material here,	1:41:06	1:41:10
we could use that for extra panels.	1:41:10	1:41:12
Oh, didn't I tell you, you were born lucky?	1:41:12	1:41:14
So, you can just unpin them and then drop them every once in a while,	1:41:14	1:41:18
so they'll think you're taking something off.	1:41:18	1:41:20
Now, not too much make-up, baby.	1:41:20	1:41:22
Young and girlish!	1:41:22	1:41:24
Pure. Don't smear that junk all over your face like they do.	1:41:24	1:41:29
Keep your mouth the way the Lord made it.	1:41:29	1:41:31
No rouge, no beauty marks.	1:41:31	1:41:36
No, you be a lady.	1:41:36	1:41:39
Grand, elegant, with a classy, ladylike walk.	1:41:39	1:41:44
Shoes, shoes!	1:41:44	1:41:46
Oh, my God, shoes! Shoes...	1:41:46	1:41:48
Yeah, come on, these are Tessie's,	1:41:48	1:41:50
they'll do for this performance, get into them.	1:41:50	1:41:53
No, no, your hair is wrong, you can't just let it hang like spaghetti!	1:41:53	1:41:58
Put it back.	1:41:58	1:41:59
It's got to have class. Fluff it out in front.	1:41:59	1:42:04
Oh, thank God the Lord gave you good colour	1:42:04	1:42:06
and that you washed it this morning! LAUGHTER	1:42:06	1:42:09
Say, you think we should put a couple of feathers in it?	1:42:09	1:42:11
For the... To put... No, no, that's what they all do.	1:42:11	1:42:14
Oh, jewellery!	1:42:14	1:42:15
Yeah... No, no, no jewellery.	1:42:15	1:42:17
Let Tessie and the others wear all the vulgar junk...	1:42:17	1:42:19
Is she almost ready? Cos she goes on in five minutes.	1:42:19	1:42:22
She'll be there, she'll be there. Come on, come on! Get into the dress.	1:42:22	1:42:26
Whose are these?	1:42:26	1:42:28
Huh?	1:42:28	1:42:30
Oh, no, that's...	1:42:30	1:42:32
that's my wedding present!	1:42:32	1:42:34
From Tessie. But they would be good for a lady.	1:42:34	1:42:38
You can wear them. What else?	1:42:38	1:42:41
Oh, music, music!	1:42:41	1:42:43
What have we got here? Spanish? No.	1:42:44	1:42:47
Military? No.	1:42:47	1:42:49
Cow?	1:42:49	1:42:50
No. LAUGHTER	1:42:53	1:42:55
Oh! Say, you could do June's Let Me Entertain You.	1:42:57	1:43:02
But then, I could mark it	1:43:02	1:43:04
for the conductor to repeat two choruses, slow.	1:43:04	1:43:07
And... No, two and a half choruses, slow.	1:43:07	1:43:10
And sing out, Louise,	1:43:10	1:43:12
you just walk and dip.	1:43:12	1:43:16
My girl's a lady.	1:43:16	1:43:18
You make 'em beg for more!	1:43:18	1:43:22
And then, don't give it to them.	1:43:22	1:43:26
Now, anything...	1:43:26	1:43:27
-Oh, where have you been?! Out front? -No.	1:43:27	1:43:30
I got sick to my stomach and threw up.	1:43:30	1:43:33
Yeah, but you feel better now.	1:43:33	1:43:34
-No. -Herbie, I just had to!	1:43:34	1:43:37
That's why I'm leaving.	1:43:37	1:43:38
I apologise!	1:43:38	1:43:40
No.	1:43:40	1:43:42
Let me, for my resemblance to a mouse...	1:43:42	1:43:46
No, no, to a worm, the way I've crawled after you,	1:43:46	1:43:51
well, no more, Rose, I won't!	1:43:51	1:43:53
I was even going to crawl away from you	1:43:53	1:43:55
because my stomach started to turn over at the idea	1:43:55	1:43:57
of coming back here and telling you that we're finished!	1:43:57	1:43:59
-Tell me after we're married. -We're never getting married, Rose.	1:43:59	1:44:02
-We certainly are, first thing in the morning... -NEVER!	1:44:02	1:44:05
Not if you got down on your knees and begged!	1:44:05	1:44:10
Oh, I still love you, but all the vows from here to Doomsday,	1:44:11	1:44:15
they couldn't make you a wife.	1:44:15	1:44:18
I want a wife!	1:44:18	1:44:21
I'm going to be a man if it kills me.	1:44:21	1:44:23
-Oh, so you're killing me?! -Nobody can kill you!	1:44:23	1:44:27
So, what, you're jealous, just like every man I've ever known?	1:44:27	1:44:32
Jealous because my girls always come first.	1:44:32	1:44:35
Well, they always did and they always will.	1:44:35	1:44:37
-Then why did June leave? -I don't want to hear her name!	1:44:37	1:44:40
She didn't want the act, any more than Louise wants this.	1:44:40	1:44:43
-No, Louise does. -She'll leave like June did. -Never!	1:44:43	1:44:46
-She is going to be a star! -She is going to be a star?	1:44:46	1:44:49
If it kills you and her,	1:44:49	1:44:52
she's going to be a star someplace!	1:44:52	1:44:55
Where are you going to be when she gets married?	1:44:57	1:44:59
What are you talking about?	1:45:01	1:45:03
She won't be getting married for years!	1:45:03	1:45:06
She's a baby!	1:45:06	1:45:07
-Sure. -Anyway, her career will always come first.	1:45:07	1:45:11
That's right. That is right.	1:45:11	1:45:15
Herbie, why?	1:45:15	1:45:16
Why does everybody always walk out?	1:45:16	1:45:20
Maybe...	1:45:23	1:45:25
Louise won't.	1:45:25	1:45:27
No, don't!	1:45:28	1:45:29
Don't!	1:45:34	1:45:35
Don't leave, Herbie!	1:45:38	1:45:40
I need you!	1:45:42	1:45:44
What for?	1:45:44	1:45:46
A million things.	1:45:49	1:45:51
Just one would be better.	1:45:55	1:45:58
Goodbye, honey, you...	1:46:00	1:46:01
You be a good girl.	1:46:03	1:46:05
You...	1:46:06	1:46:09
YOU GO TO HELL!	1:46:09	1:46:10
Oh, come on!	1:46:12	1:46:13
Give that music to the conductor,	1:46:13	1:46:15
and you'd better stand next to me for the lighting cues.	1:46:15	1:46:18
I sure hope you know what you're doing.	1:46:18	1:46:20
I'll take this...	1:46:24	1:46:26
to the conductor.	1:46:26	1:46:27
Just remember, you're a lady!	1:46:30	1:46:34
And you are going to be a star!	1:46:34	1:46:39
-I'm going out first! -No, let's watch from the wings!	1:47:10	1:47:13
-What's she going to do? -She ain't the type!	1:47:13	1:47:16
-She'll never make it! -How do you know?	1:47:16	1:47:18
-She'll quite halfway through! -I'm scared for her.	1:47:18	1:47:21
Momma...	1:47:35	1:47:37
I'm pretty!	1:47:37	1:47:39
I'm a pretty girl, Momma!	1:47:40	1:47:42
-You look beautiful. -Here! For luck, honey!	1:47:47	1:47:52
Are you nervous?	1:47:52	1:47:54
What?	1:47:54	1:47:56
I said, are you nervous, baby?	1:47:56	1:47:57
No, Mother.	1:47:57	1:47:59
APPLAUSE	1:48:01	1:48:03
Wichita's one and only burlesque theatre presents...	1:48:03	1:48:11
Momma?	1:48:11	1:48:12
..Miss Gypsy Rose Lee!	1:48:12	1:48:15
No! It's Louise!	1:48:15	1:48:18
MUSIC: Let Me Entertain You	1:48:37	1:48:40
# Let me entertain you	1:48:48	1:48:52
# Let me make you smile... #	1:48:53	1:48:56
Sing out, Louise!	1:48:56	1:48:59
# Let me do a few tricks	1:48:59	1:49:01
# Some old and then some new tricks	1:49:01	1:49:04
# I'm very versatile	1:49:04	1:49:10
# And if you're real good	1:49:10	1:49:13
# I'll make you feel good	1:49:13	1:49:16
# I want your spirits to climb	1:49:16	1:49:20
# So, let me entertain you	1:49:20	1:49:26
# And we'll have a real good time	1:49:26	1:49:29
# Yes, sir	1:49:29	1:49:32
# We'll have	1:49:32	1:49:35
# A real good time... #	1:49:35	1:49:42
Do somethin'!	1:49:53	1:49:56
Dip! Dip!	1:49:56	1:49:57
Take something off!	1:50:05	1:50:07
Momma?	1:50:07	1:50:08
A glove. Give 'em a glove!	1:50:10	1:50:12
LAUGHTER	1:50:14	1:50:16
Say something!	1:50:18	1:50:21
Hello, everybody.	1:50:21	1:50:24
My name is Gypsy Rose Lee.	1:50:24	1:50:28
What's yours, sir?	1:50:30	1:50:32
WOLF WHISTLES	1:50:33	1:50:35
Mr Conductor...	1:50:43	1:50:44
..if you please.	1:50:45	1:50:46
# Let me entertain you	1:50:49	1:50:54
# And we'll have a real good time yes, sir	1:50:54	1:50:59
# We'll have...	1:50:59	1:51:03
# A real good time. #	1:51:03	1:51:08
The Alhambra Theatre of Philadelphia,	1:51:10	1:51:15
the city of brotherly love,	1:51:15	1:51:17
brings all you brothers a Liberty Bell you'll want to ring	1:51:17	1:51:22
and ring and ring.	1:51:22	1:51:25
# Let me entertain you	1:51:27	1:51:32
# Let me make you smile... #	1:51:32	1:51:36
I'm beginning to like this.	1:51:36	1:51:39
Ooh, I like that. I think I'll do that again.	1:51:39	1:51:41
My mother - who got me into this business -	1:51:43	1:51:48
always told me make 'em beg for more.	1:51:48	1:51:52
And then don't give it to 'em!	1:51:52	1:51:55
But I'm not my mother.	1:51:56	1:51:59
MEN LAUGH	1:51:59	1:52:01
So, if you beg for more,	1:52:03	1:52:07
I'll give it to you.	1:52:07	1:52:09
# And we'll have	1:52:09	1:52:12
# A real good... #	1:52:12	1:52:14
The Hope Diamond Burlesque of Detroit presents a dazzling	1:52:16	1:52:20
new jewel in our glittering crown.	1:52:20	1:52:23
That shimmering, shattering young star,	1:52:23	1:52:27
it's Gypsy Rose Lee!	1:52:27	1:52:29
# Let me do a few tricks	1:52:31	1:52:34
# Some old and then some new tricks	1:52:34	1:52:36
# I'm very versatile... #	1:52:36	1:52:41
Were you waitin', fellas?	1:52:41	1:52:42
Sorry, I had to have dinner with the Henry Fords.	1:52:42	1:52:46
God, I couldn't wait to get home and take my clothes off.	1:52:46	1:52:51
Well...	1:52:54	1:52:56
I'm home!	1:52:56	1:52:57
# And we'll have	1:52:58	1:53:02
# A real good... #	1:53:02	1:53:04
And now, ladies and gentlemen,	1:53:05	1:53:09
Minsky's World Famous Broadway Burlesque	1:53:09	1:53:12
presents the undisputed queen of the striptease,	1:53:12	1:53:17
the one and only,	1:53:17	1:53:20
the now and forever incomparable,	1:53:20	1:53:25
Miss Gypsy Rose Lee in our salute to the Garden of Eden.	1:53:25	1:53:32
Pack up your apples, girls, and back to the trees.	1:53:50	1:53:54
Bonsoir, messieurs...	1:53:58	1:54:01
et messieurs.	1:54:01	1:54:03
Je m'appelle Gypsy Rose Lee et je suis dans le jardin	1:54:03	1:54:10
de ma mere, Eve Minsky.	1:54:10	1:54:14
And that concludes my entire performance...	1:54:14	1:54:18
in French.	1:54:18	1:54:20
I've been too busy learning Greek.	1:54:20	1:54:21
Where were you last night?	1:54:23	1:54:25
SHE CHUCKLES	1:54:25	1:54:27
Some men accuse me of being an ecdysiast.	1:54:31	1:54:35
Do you know what that means?	1:54:35	1:54:37
Oh, he does.	1:54:40	1:54:42
Don't be embarrassed. I like men without hair.	1:54:42	1:54:45
Don't worry, fellas. I know you're up there.	1:54:49	1:54:52
Up there, you know what ecdysiast means.	1:54:52	1:54:55
An ecdysiast is one who sheds its skin.	1:54:59	1:55:03
In vulgar parlance, a stripper.	1:55:03	1:55:06
But, fellas, at these prices, I'm an ecdysiast.	1:55:06	1:55:10
# So if you're real good	1:55:13	1:55:15
# I'll make you feel good	1:55:15	1:55:18
# I want your spirits to glide	1:55:18	1:55:24
# So let me entertain you	1:55:24	1:55:28
# And we'll have a real good time yes, sir	1:55:28	1:55:34
# We'll have...	1:55:34	1:55:38
# A real good...	1:55:38	1:55:41
# Time. #	1:55:41	1:55:48
CHEERING AND APPLAUSE	1:55:57	1:55:59
Now, Miss Rose! Miss Rose, did you not see that sign?!	1:56:12	1:56:16
Sure I saw the sign!	1:56:16	1:56:18
If I can read the fine print in our contracts,	1:56:18	1:56:20
I can certainly read letters two feet high.	1:56:20	1:56:22
"The mother of Miss Gypsy Rose Lee	1:56:22	1:56:26
"is not allowed backstage at this theatre."	1:56:26	1:56:29
-You know what I did with that sign? -Don't.	1:56:29	1:56:31
I tore it right off the walls,	1:56:31	1:56:32
spread it out on the floor and let Chowsy III down on it.	1:56:32	1:56:36
That dog's a trooper, she knew what to do.	1:56:36	1:56:39
Take more than signs to keep me out of a theatre.	1:56:39	1:56:42
DOOR CLOSES	1:56:46	1:56:48
That goes now.	1:56:48	1:56:49
You need something to remind you	1:56:49	1:56:51
that your goal was to be a great actress, not a cheap stripper.	1:56:51	1:56:54
June's the actress, Mother. And I'm not a cheap stripper.	1:56:54	1:56:58
I'm the highest paid in the business.	1:56:58	1:57:00
Bring my press agent in as soon as he gets here.	1:57:00	1:57:02
-Yes, ma'am. -Thank you.	1:57:02	1:57:04
Aren't you going to take your bath?	1:57:05	1:57:07
Yes, Mother.	1:57:07	1:57:08
-Well, why are you fixing your face? -A photographer's coming.	1:57:08	1:57:12
Where's he going to photograph you? In the tub?	1:57:12	1:57:14
Eventually.	1:57:14	1:57:16
-Louise! -It's for Vogue.	1:57:16	1:57:18
Vogue? I better get out our scrapbooks.	1:57:18	1:57:20
Phil's taken care of that.	1:57:20	1:57:22
Phil is a rotten press agent.	1:57:22	1:57:24
He never tells 'em that we headlined the Orpheum Circuit.	1:57:24	1:57:27
PHONE RINGS I got it.	1:57:27	1:57:29
Hello?	1:57:29	1:57:31
Hello!	1:57:31	1:57:33
No, it's difficult right now.	1:57:34	1:57:36
I'm not leaving!	1:57:36	1:57:38
I'll see you at the party.	1:57:39	1:57:41
Yes, I promise.	1:57:42	1:57:43
A bientot.	1:57:44	1:57:46
A bien what?	1:57:48	1:57:50
I guess I'm being a little... But, Momma, I love it.	1:57:50	1:57:54
-All right so who's giving the party? -Some friends.	1:57:54	1:57:56
In the old days, I was always invited first.	1:57:58	1:58:00
I wouldn't go anyway, even if I did have something to wear.	1:58:00	1:58:02
I got more important things to do,	1:58:02	1:58:04
like thinking up a new idea for a strip for us.	1:58:04	1:58:06
Mother, we're still stuck with that wind machine you bought	1:58:06	1:58:08
to blow my clothes off.	1:58:08	1:58:10
Actually, I'm putting in a new number on Saturday.	1:58:11	1:58:15
-What is it? -You'll see.	1:58:17	1:58:19
-I'll "see"? -Let me surprise you.	1:58:19	1:58:22
Oh! These days, you are just one big surprise after another.	1:58:22	1:58:26
We better go tomorrow and get the material for the gown.	1:58:26	1:58:29
I have a French lesson tomorrow.	1:58:29	1:58:31
-Oh? Well, I'll go alone. Any particular colour...? -Mother!	1:58:31	1:58:33
I have already started to make the gown.	1:58:33	1:58:37
Oh... Well, I better run your bath.	1:58:37	1:58:39
You don't have to. That's what I've got a maid for.	1:58:39	1:58:41
-Let me do something, dammit! -What, Mother?	1:58:41	1:58:43
A million things. I'm not a baby.	1:58:43	1:58:45
Neither am I.	1:58:45	1:58:46
Don't take that tone with me.	1:58:46	1:58:48
-Your sister used to get that edge to her voice... -I am not June!	1:58:48	1:58:50
-No, and you're not Louise... -And neither are you! -Oh, yes, I am!	1:58:50	1:58:54
More than you, Miss Gypsy Rose Lee,	1:58:54	1:58:56
with your dirty pictures for Vogue.	1:58:56	1:58:58
-Mother! -And your maids and your press agents, your fancy friends,	1:58:58	1:59:02
-your fancy parties. -They happen to be...	1:59:02	1:59:03
Your loud-mouth mother ain't invited	1:59:03	1:59:05
-to those goddamn parties cos they laugh at her! -They don't. -They do!	1:59:05	1:59:08
And don't think I don't know that's one reason	1:59:08	1:59:10
why you don't want me backstage, so I won't hear 'em laugh.	1:59:10	1:59:12
Well, it's them that you oughta keep out, not me,	1:59:12	1:59:14
cos they're laughing at you too!	1:59:14	1:59:16
You, the burlesque queen,	1:59:16	1:59:19
who speaks lousy French	1:59:19	1:59:21
-and reads book reviews like they was books! -Turn it off, Mother.	1:59:21	1:59:24
Do you know what you are to them?	1:59:24	1:59:26
A circus freak.	1:59:26	1:59:27
This year's novelty act.	1:59:27	1:59:29
-And when the bill is... -I said turn it off!	1:59:29	1:59:32
Nobody laughs at me, because I laugh first! At me!	1:59:32	1:59:38
Me, from Seattle. Me, with no education.	1:59:38	1:59:41
Me, with no talent, as you've kept reminding me my whole life.	1:59:41	1:59:45
Well, look at me now. A star! Look how I live.	1:59:45	1:59:50
Look at my friends. Look where I'm going.	1:59:50	1:59:51
I am not staying in burlesque.	1:59:51	1:59:54
I am moving. Maybe up, maybe down, but wherever it is,	1:59:54	1:59:58
I am enjoying it.	1:59:58	1:59:59
Momma, I am having the time of my life	2:00:00	2:00:04
because for the first time, it is my life.	2:00:04	2:00:07
And I love it.	2:00:07	2:00:08
I love every second of it and I'll be damned	2:00:08	2:00:10
if you're going to take it away from me.	2:00:10	2:00:13
I AM Gypsy Rose Lee.	2:00:13	2:00:17
I love her and if you don't, you can clear out right now!	2:00:17	2:00:21
KNOCK AT DOOR	2:00:22	2:00:24
Your press agent is here with your photographer.	2:00:26	2:00:29
Tell him I'll be ready in a minute.	2:00:30	2:00:32
Momma, we can't go on shouting seven performances of this a week.	2:00:36	2:00:41
The whole family shouts.	2:00:41	2:00:42
It comes from living near the railroad.	2:00:42	2:00:45
Well, I'm getting an ulcer.	2:00:46	2:00:49
-Oh, you think I'm not? -Yes, I think you're not	2:00:49	2:00:51
and if you want an ulcer, Momma, get one of your own.	2:00:51	2:00:54
You can't have mine.	2:00:54	2:00:56
Everybody has stomach trouble, but me.	2:00:56	2:00:59
Mother, you have fought your whole life. I wish...	2:00:59	2:01:01
You need more mascara on your left eye.	2:01:01	2:01:03
Momma, you have got to let go of me!	2:01:03	2:01:06
Let go?	2:01:07	2:01:08
I'll give you anything you want.	2:01:08	2:01:10
-You need me. -A house, a farm, a school...	2:01:10	2:01:12
A dramatic school for kids? You were always great with kids.	2:01:12	2:01:14
I'm a pro!	2:01:14	2:01:16
Not some old work horse you can turn out to pasture	2:01:16	2:01:19
just cos you think you're riding high on your own!	2:01:19	2:01:21
Momma, no kid does it on their own but I am not a kid any more.	2:01:21	2:01:25
From now on, even if I flop,	2:01:25	2:01:28
I flop on my own!	2:01:28	2:01:31
-KNOCKING -Hey, Gyps, what do you say?	2:01:31	2:01:32
"So long, Rose."	2:01:37	2:01:39
That's what she says.	2:01:40	2:01:42
"Don't slam the door as you leave."	2:01:44	2:01:47
Hi, Rose. Gyps, baby, may I present to you,	2:01:47	2:01:52
Monsieur Bougeron-Cochon?	2:01:52	2:01:55
Enchante, Monsieur.	2:01:55	2:01:57
Enchante.	2:01:57	2:01:59
-Oh! -Let's make with the oiseau, kiddies.	2:01:59	2:02:02
-One before you take the plunge. -Yes.	2:02:02	2:02:05
All set? Fine!	2:02:05	2:02:06
All right, there's just one thing I want to know.	2:02:06	2:02:09
So all the working	2:02:09	2:02:11
and the pushing and finagling,	2:02:11	2:02:12
all the scheming and scrimping, all the lying awake nights	2:02:12	2:02:16
figuring how we're going to get from one town to the next,	2:02:16	2:02:18
how do we all eat on a buck,	2:02:18	2:02:20
how do I make an act out of nothing,	2:02:20	2:02:22
what'd I do it for?!	2:02:22	2:02:23
Huh?!	2:02:25	2:02:27
You say I fought my whole life for your whole life.	2:02:27	2:02:32
So now tell me.	2:02:32	2:02:34
What'd I do it for?	2:02:34	2:02:36
I thought you did it for me...	2:02:39	2:02:42
Momma.	2:02:42	2:02:43
-Come on, smile, Gyps. -Sorry.	2:02:50	2:02:53
-Show us your talent! -Yes.	2:02:53	2:02:55
That's it!	2:02:55	2:02:56
"I thought you did it for me, Momma."	2:03:10	2:03:13
"I thought you did it for me, Momma..."	2:03:15	2:03:18
I thought you made a no-talent ox into a star	2:03:20	2:03:23
because you like doing things the hard way, Momma.	2:03:23	2:03:27
And you haven't any talent.	2:03:28	2:03:31
Not what I call talent.	2:03:33	2:03:35
Not an ounce of it, Miss Gypsy Rose Lee.	2:03:36	2:03:40
I made you!	2:03:40	2:03:42
And you want to know why?	2:03:43	2:03:45
You want to know why I did it?	2:03:46	2:03:49
Because I...was born too soon	2:03:50	2:03:55
and started too late.	2:03:55	2:03:57
That's why!	2:03:59	2:04:00
With what I have in me, I could've been better than any of you!	2:04:03	2:04:09
What I got...	2:04:11	2:04:13
..in me,	2:04:17	2:04:20
what I been holding down inside of me...	2:04:20	2:04:25
..if I ever let it out...	2:04:28	2:04:29
..there wouldn't be signs big enough!	2:04:32	2:04:35
There wouldn't be lights bright enough!	2:04:37	2:04:40
Here she is, boys!	2:04:42	2:04:44
Here she is, world!	2:04:45	2:04:48
Here's Rose!	2:04:49	2:04:51
Curtain up.	2:04:57	2:04:59
Light the lights.	2:05:01	2:05:03
Play it, boys.	2:05:05	2:05:07
# You either got it	2:05:11	2:05:13
# Or you ain't	2:05:13	2:05:15
# And, boys, I got it	2:05:15	2:05:17
# You like it? #	2:05:20	2:05:22
-MEN: -Yeah!	2:05:22	2:05:24
# Well, I got it	2:05:24	2:05:26
# Some people got it	2:05:29	2:05:32
# And make it pay	2:05:32	2:05:34
# Some people can't even	2:05:34	2:05:36
# Give it away	2:05:36	2:05:39
# This people's got it	2:05:39	2:05:41
# And this people's spreading it around	2:05:41	2:05:47
# You either have it	2:05:47	2:05:49
# Or you've had it... #	2:05:52	2:05:54
Hello, everybody.	2:05:59	2:06:01
My name is Rose.	2:06:01	2:06:03
What's yours?	2:06:04	2:06:07
How do you like them eggrolls, Mr Goldstone?!	2:06:07	2:06:10
# Hold you hats and hallelujah	2:06:10	2:06:13
# Momma's gonna show it to you	2:06:13	2:06:16
# Ready or not	2:06:29	2:06:31
# Here comes Momma	2:06:31	2:06:34
# Momma's singing out	2:06:34	2:06:35
# Momma's doin' fine	2:06:35	2:06:37
# Momma's getting hot	2:06:37	2:06:39
# Momma's goin' strong	2:06:39	2:06:41
# Momma's movin' on	2:06:41	2:06:43
# Momma's all alone	2:06:43	2:06:45
# Momma doesn't care	2:06:45	2:06:46
# Momma's letting loose	2:06:46	2:06:48
# Momma's got the stuff	2:06:48	2:06:50
# Momma's letting go...	2:06:50	2:06:51
# Mo...	2:06:54	2:06:55
# Momma's got the stuff	2:06:58	2:06:59
# Momma's gotta move	2:06:59	2:07:01
# Momma's gotta go...	2:07:01	2:07:04
# Momma's...	2:07:05	2:07:06
# Momma's...?	2:07:08	2:07:09
# Momma's... #	2:07:11	2:07:13
SHE MOUTHS	2:07:25	2:07:28
# Momma's gotta let go	2:07:40	2:07:42
# Why did I do it?	2:07:50	2:07:52
# What did it get me?	2:07:55	2:07:57
# Scrapbooks full of me in the background	2:07:59	2:08:03
# Give 'em love and what does it get you?	2:08:05	2:08:08
# What does it get you?	2:08:08	2:08:10
# One quick look as each of 'em leaves you	2:08:10	2:08:13
# All your life and what does it get you?	2:08:15	2:08:18
# "Thanks a lot" and out with the garbage	2:08:18	2:08:20
# They take bows while you're battin' zero	2:08:20	2:08:23
# I had a dream	2:08:26	2:08:30
# I dreamed it for you, June	2:08:30	2:08:34
# It wasn't for me, Herbie,	2:08:35	2:08:40
# And if it wasn't for me	2:08:40	2:08:43
# Then where would you be Miss Gypsy Rose Lee?	2:08:43	2:08:51
# Well, someone tell me	2:08:51	2:08:53
# When is it my turn?	2:08:53	2:08:54
# Don't I get a dream for myself?	2:08:54	2:08:57
# Startin' now is gonna be my turn	2:08:57	2:08:59
# Gangway, world get off of my runway	2:08:59	2:09:01
# Startin' now I bat a thousand	2:09:01	2:09:04
# This time, boys I'm takin' the bows and...	2:09:04	2:09:08
# Everything's comin' up Rose	2:09:10	2:09:14
# Everything's comin' up roses	2:09:14	2:09:19
# Everything's comin' up roses this time for me	2:09:19	2:09:24
# For me	2:09:28	2:09:29
# For me!	2:09:31	2:09:33
# For m... For me!	2:09:33	2:09:36
# For...	2:09:36	2:09:37
# For me! #	2:09:39	2:09:49
APPLAUSE AND CHEERING	2:09:49	2:09:53
SHE CLAPS	2:10:40	2:10:43
You really would have been something, Mother.	2:10:43	2:10:45
You think so?	2:10:49	2:10:51
If you had had someone to push you like I had...	2:10:51	2:10:54
If I could've been, I would've been.	2:10:56	2:11:01
And that's...	2:11:03	2:11:04
..show business.	2:11:05	2:11:07
I guess I did do it for me.	2:11:11	2:11:14
Why, Mother?	2:11:16	2:11:18
I just wanted to be noticed.	2:11:22	2:11:23
Like I wanted you to notice me.	2:11:26	2:11:29
It's OK, Momma.	2:11:40	2:11:43
SHE WAILS	2:11:45	2:11:48
It's OK, Rose.	2:11:57	2:12:00
SHE CRIES	2:12:02	2:12:04
You look like you should speak French.	2:12:18	2:12:21
LAUGHTER	2:12:21	2:12:23
You're coming to that party with me. Come on.	2:12:23	2:12:27
What, like this?	2:12:27	2:12:28
Wear my stole.	2:12:28	2:12:31
I have another in the box office.	2:12:31	2:12:33
Maybe just for an hour or two.	2:12:39	2:12:41
LAUGHTER	2:12:41	2:12:44
Looks better on me than it does on you.	2:12:50	2:12:52
Funny how we can both wear the same size.	2:12:53	2:12:57
Especially in sable.	2:12:57	2:12:59
You know, I had a dream last night.	2:13:03	2:13:06
It was a big poster of a mother and daughter,	2:13:07	2:13:12
like the cover of that ladies' magazine.	2:13:12	2:13:15
-Yes, Mother? -Only it was you and me,	2:13:15	2:13:18
wearing exactly the same gown.	2:13:18	2:13:21
It was an ad for Minsky, and the headline said...	2:13:21	2:13:26
Madam Rose...	2:13:28	2:13:31
..and her daughter, Gypsy.	2:13:35	2:13:38
APPLAUSE	2:13:58	2:14:02

Gypsy: Live from the Savoy Theatre

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