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'Hilton security room, be advised. | 0:00:27 | 0:00:29 | |
'Rawhide moving to the cars.' | 0:00:29 | 0:00:31 | |
'Security room, copy. All posts, all posts, be advised. | 0:00:31 | 0:00:35 | |
'Rawhide moving to the cars.' | 0:00:35 | 0:00:37 | |
GUNSHOTS | 0:00:39 | 0:00:40 | |
'Shots fired! Shots fired!' | 0:00:40 | 0:00:42 | |
'Secure the scene!' | 0:00:45 | 0:00:47 | |
SCREAMING AND SHOUTING | 0:00:47 | 0:00:50 | |
'We need a car. We need a transport. We need to get transport over here quickly. | 0:00:53 | 0:00:57 | |
'Move it to the car. Move it to the car.' | 0:01:00 | 0:01:03 | |
RADIO CHATTER | 0:01:03 | 0:01:06 | |
ALARM | 0:01:20 | 0:01:24 | |
-ON TV: -'Welcome to SportsCenter here on ESPN. As the preseason draws to a close, | 0:01:28 | 0:01:31 | |
'Detroit beat New Orleans, a closer game, 28-20. | 0:01:31 | 0:01:33 | |
'..as the start of the new season approaches.' | 0:01:33 | 0:01:35 | |
'We saw Philadelphia absolutely crush Washington last night. | 0:01:35 | 0:01:39 | |
'And in other preseason action, we watched as New York handled Chicago, easily, 42...' | 0:01:39 | 0:01:42 | |
Good morning, Jack. | 0:02:50 | 0:02:52 | |
'Command Post to Tomahawk 7. What's your status?' | 0:03:26 | 0:03:29 | |
'Tomahawk 7, copy. Sector is all clear.' | 0:03:29 | 0:03:32 | |
'OK, Seven, break. | 0:03:32 | 0:03:33 | |
'Tomahawk 8, what's your status?' | 0:03:33 | 0:03:36 | |
'Command Post, from 8. 8 is clear, all clear.' | 0:03:36 | 0:03:39 | |
-Good morning, gentlemen. -Good morning, Mr President. | 0:03:46 | 0:03:49 | |
-Your locator, sir. -Thank you very much. | 0:03:49 | 0:03:51 | |
-Today's brief, sir. -Thank you. | 0:03:51 | 0:03:53 | |
-Everybody sleep well? -Mmm. Thank you. | 0:03:53 | 0:03:54 | |
-Yes, sir. -OK. | 0:03:54 | 0:03:56 | |
'Command Post, from A-4. Be advised. | 0:03:56 | 0:03:58 | |
'Classic has received his locator and brief and is up and about.' | 0:03:58 | 0:04:01 | |
'A-4, from Command Post, roger that. | 0:04:01 | 0:04:03 | |
'Everybody, Classic is up and about.' | 0:04:03 | 0:04:06 | |
-Hey, Jack. -Hey, Charl. | 0:04:10 | 0:04:12 | |
Come on, come on. Cough it up. | 0:04:13 | 0:04:17 | |
-Ah, goddamn spread. -Cough up. | 0:04:17 | 0:04:19 | |
-Yeah. -Listen, uh, I want to talk to you about something. | 0:04:19 | 0:04:21 | |
-Give me a call after work, would you? -He's a glutton for punishment. | 0:04:21 | 0:04:24 | |
-Yeah, yeah. -Aziz, good morning. We can talk now. | 0:04:24 | 0:04:26 | |
-No, no. I got a theory I wanted to float by you. -Everything all right? | 0:04:26 | 0:04:30 | |
-Yeah, everything's good. Everything's good. -All right. -Pete. After work, right? | 0:04:32 | 0:04:37 | |
You know what I'm sayin'? | 0:04:39 | 0:04:40 | |
Well, if they can get anything for him, right? He's junk. | 0:04:40 | 0:04:43 | |
Aziz, don't give up soccer, huh? | 0:04:43 | 0:04:46 | |
-Hey, Teddy. Welcome back. -Hey, thanks. | 0:04:46 | 0:04:49 | |
-Gar. -Buddy. | 0:04:49 | 0:04:50 | |
How'd the anti-terrorist training go? | 0:04:50 | 0:04:52 | |
Six weeks running around Fort Benning in the rain. I wish I could do it all over again(!) | 0:04:52 | 0:04:56 | |
Well, that can be arranged. SHE CHUCKLES | 0:04:56 | 0:04:58 | |
-Tom. -Good mornin', Pete. | 0:04:58 | 0:05:00 | |
-Is she in the gym? -No, uh, phone to Europe. | 0:05:00 | 0:05:03 | |
By the way, you, uh, made Time. | 0:05:03 | 0:05:06 | |
It's very fancy. | 0:05:06 | 0:05:09 | |
Ooh, I look good. | 0:05:09 | 0:05:11 | |
Can I get a cup of coffee before we...? What's happening at Camp David? | 0:05:11 | 0:05:14 | |
Matt's getting closer with Ben-Itzak on the East Jerusalem proposal | 0:05:14 | 0:05:17 | |
but it's going to take your visit to get him to agree. | 0:05:17 | 0:05:19 | |
-What about Abu Jallal? -If we can work out the water issues, he'll support it. | 0:05:19 | 0:05:22 | |
But again, we're not going to get any firm commitments until they have face time on Friday. | 0:05:22 | 0:05:27 | |
I'll be there. I'm just not going to hang around, cos it loses its effectiveness. | 0:05:27 | 0:05:30 | |
-I understand, sir. -Thank you, Sue. Good morning. | 0:05:30 | 0:05:32 | |
A-4 to Command Post. Classic is in the Oval. | 0:05:32 | 0:05:34 | |
So, we will depart the House at 12:55pm. | 0:05:34 | 0:05:38 | |
arrive at Chilton Street School at 1:10. | 0:05:38 | 0:05:42 | |
There is a diagram of the school with your paperwork. | 0:05:42 | 0:05:45 | |
-Boss. -Thank you. | 0:05:45 | 0:05:47 | |
LAUGHTER | 0:05:47 | 0:05:50 | |
-Kiss ass. -Uh, speeches and signings | 0:05:50 | 0:05:53 | |
-should take under 90 minutes... -Where's my coffee? | 0:05:53 | 0:05:55 | |
..after which Classic will return for meetings in the Oval. | 0:05:55 | 0:05:58 | |
-Cincinnati's next move is TBD. -What's the B stand for? | 0:05:58 | 0:06:02 | |
Brass ones. Which you don't have. | 0:06:02 | 0:06:05 | |
-Ooh! Ouch! -Any other questions? Let's get to work. | 0:06:05 | 0:06:08 | |
'Command Post to all units, | 0:06:08 | 0:06:10 | |
'Pontiac and Raven are in the yard and ready to go.' | 0:06:10 | 0:06:12 | |
Cincinnati's on the move. | 0:06:12 | 0:06:14 | |
'Copy that. All posts, be advised. | 0:06:14 | 0:06:17 | |
'Cincinnati moving to the cars. Break. Montrose, what's your status? | 0:06:17 | 0:06:20 | |
- We are off to... - We're off to school. | 0:06:20 | 0:06:22 | |
-Right. -Classic is moving. | 0:06:22 | 0:06:24 | |
'Montrose, Command Post, copy that. Break, all posts, all posts | 0:06:24 | 0:06:27 | |
'be advised, Classic moving to the cars.' | 0:06:27 | 0:06:30 | |
Copy, Command. Cincinnati is in the car. | 0:06:30 | 0:06:33 | |
-'Classic is in the car.' -'One and two back. | 0:06:33 | 0:06:36 | |
'Break. Command Post, signal departure, en route. Canvas his location.' | 0:06:36 | 0:06:39 | |
'We're set.' | 0:06:39 | 0:06:41 | |
SIRENS | 0:06:41 | 0:06:43 | |
'This is Chilton security. Countersnipers in place.' | 0:06:46 | 0:06:49 | |
Ah, damn locator. | 0:07:02 | 0:07:04 | |
'School security room, from EOD 1, be advised | 0:07:04 | 0:07:07 | |
'the sweeps are now complete.' | 0:07:07 | 0:07:09 | |
'All posts, be advised, full security now in effect.' | 0:07:09 | 0:07:12 | |
-Thanks for doing this with me, hon. -Hmm. | 0:07:16 | 0:07:18 | |
-I think I'll go to the beach house this afternoon. -All right. | 0:07:18 | 0:07:23 | |
'Command Post to Apache. Heads up.' | 0:07:26 | 0:07:30 | |
RADIO CHATTER | 0:07:37 | 0:07:42 | |
-Can I help you? -Um, Agent Breckinridge's office. | 0:07:49 | 0:07:53 | |
Thanks. | 0:07:55 | 0:07:57 | |
-Anything else I can help you with? -No. I'm fine. Thanks. | 0:07:57 | 0:08:01 | |
Agent Breckinridge. Jill Marin, sir. | 0:08:02 | 0:08:05 | |
Your secretary said I could come in. | 0:08:05 | 0:08:07 | |
Secretary? You're late. | 0:08:07 | 0:08:10 | |
It's a minute past. | 0:08:10 | 0:08:12 | |
-Yeah. And that makes you late. -Right. Sorry. | 0:08:12 | 0:08:16 | |
Hispanic woman. Four languages. Computer skills. | 0:08:16 | 0:08:19 | |
Second in your class at the Academy. Well, aren't you the recruiting poster(?) | 0:08:19 | 0:08:23 | |
Resumes don't mean a lot to me, and they mean absolutely nothing on the street. | 0:08:23 | 0:08:28 | |
Any other supportive advice before we get to know each other(?) | 0:08:31 | 0:08:34 | |
As a matter of fact, there is. If you want a career here in PID, you might want to | 0:08:34 | 0:08:39 | |
invest in some more appropriate clothing. | 0:08:39 | 0:08:41 | |
I was ordered to take you on. That's why I'm here. You requested me as a TA. Why? | 0:08:41 | 0:08:46 | |
My field instructor at the Academy said you're the best investigator we have. | 0:08:48 | 0:08:52 | |
-Who is that? -Pete Garrison. | 0:08:52 | 0:08:54 | |
Right. | 0:08:55 | 0:08:57 | |
'Command Post, from Apache. Follow up. We have an arrival.' | 0:08:57 | 0:09:00 | |
CHEERING AND SIRENS | 0:09:00 | 0:09:03 | |
Hi there. Careful now. | 0:09:03 | 0:09:05 | |
'All posts, from Command Post. | 0:09:05 | 0:09:07 | |
'Hold all radio for central traffic only. We have an arrival.' | 0:09:07 | 0:09:09 | |
Sorry, folks, no autographs. Can I see your hands? | 0:09:11 | 0:09:15 | |
INDISTINCT | 0:09:15 | 0:09:17 | |
At your six, Jefferson. Tweed jacket, halfway up the church steps. | 0:09:20 | 0:09:24 | |
What's the matter, Pete? You see somebody on the watch list? | 0:09:24 | 0:09:27 | |
-He just doesn't look right. -'Security room, check out the top view.' | 0:09:27 | 0:09:30 | |
-It'll be just another minute, sir. -All right. | 0:09:30 | 0:09:33 | |
Excuse me. | 0:09:33 | 0:09:35 | |
Excuse me. Excuse me. | 0:09:35 | 0:09:38 | |
Hi, sir. Could we see your hands, please? | 0:09:38 | 0:09:41 | |
-Huh? What are...? -Take your hands out of the jacket. | 0:09:41 | 0:09:44 | |
-We're clear. -'All right. Classic's coming out.' | 0:09:44 | 0:09:47 | |
I think we should hold hands. | 0:09:47 | 0:09:50 | |
Fine. | 0:09:50 | 0:09:52 | |
'All posts, from Chilton security. We're comin' out.' | 0:09:52 | 0:09:54 | |
CHEERING | 0:09:58 | 0:10:01 | |
Mr President, keep up the good work! | 0:10:06 | 0:10:08 | |
Hey, Mr President! | 0:10:11 | 0:10:13 | |
-Hi. How are you? -President Ballentine! | 0:10:17 | 0:10:19 | |
How are you? How are you? Nice to meet you. | 0:10:19 | 0:10:22 | |
'All posts, all posts, Classic and Cinci moving to hold.' | 0:10:29 | 0:10:32 | |
-Cincinnati's going direct to the beach house. -Got it. | 0:10:34 | 0:10:37 | |
-ALL: -# I've got peace like a river in my soul | 0:10:37 | 0:10:40 | |
# I've got peace like a river I've got peace like a river | 0:10:41 | 0:10:46 | |
# I've got peace like a river in my soul | 0:10:46 | 0:10:50 | |
# I've got love like an ocean I've got love like an ocean | 0:10:50 | 0:10:54 | |
# I've got love like an ocean in my soul | 0:10:54 | 0:10:59 | |
# I've got love like an ocean I've got love like an ocean... # | 0:10:59 | 0:11:04 | |
Now, I want to introduce you to someone... | 0:11:04 | 0:11:05 | |
'Chilton security to all posts. Classic wrapping up.' | 0:11:05 | 0:11:08 | |
..my wife, Sarah. | 0:11:08 | 0:11:10 | |
APPLAUSE | 0:11:10 | 0:11:12 | |
Thank you. | 0:11:12 | 0:11:14 | |
'DiPaola to command. Cincinnati leaving school for Serenity. | 0:11:14 | 0:11:17 | |
'Break. DiPaola to Serenity security room. ETA 1800 hours.' | 0:11:17 | 0:11:22 | |
How do you think it went in there? | 0:11:22 | 0:11:24 | |
Excuse me, ma'am, are you talking to me? Yes. | 0:11:24 | 0:11:28 | |
I thought it was, uh, an excellent speech. | 0:11:28 | 0:11:32 | |
-One to ten. -Ten, ma'am. | 0:11:32 | 0:11:34 | |
You're not a very good liar, Pete. | 0:11:34 | 0:11:36 | |
-Seriously? -Yes. I really want to know. | 0:11:36 | 0:11:39 | |
9.5. | 0:11:39 | 0:11:40 | |
SHE CHUCKLES | 0:11:40 | 0:11:42 | |
Excuse me. | 0:11:49 | 0:11:51 | |
GUNSHOTS | 0:11:54 | 0:11:55 | |
HE GASPS | 0:11:55 | 0:11:56 | |
Charlie? | 0:12:08 | 0:12:10 | |
Charlie. Charlie! Oh, Charlie. | 0:12:11 | 0:12:14 | |
Somebody! Help! Charlie. Charlie. Somebody help! | 0:12:14 | 0:12:20 | |
-DISTORTED ON TAPE: -'I just wanted to say hi. I just want to let you know what's goin' on.' | 0:12:22 | 0:12:26 | |
'I hate you.' | 0:12:26 | 0:12:29 | |
'I saw you on the news. I got your message. I know you want me to kill you.' | 0:12:29 | 0:12:33 | |
-Excuse me. -Um, yeah. Sorry. | 0:12:33 | 0:12:36 | |
-So all of these are from last week? -That's about half of them. | 0:12:36 | 0:12:41 | |
And then there are the verbal threats. | 0:12:41 | 0:12:46 | |
'He's a dead man. I'm going to kill him and his whole family. | 0:12:46 | 0:12:49 | |
'He's ruinin' this country, and I'm going to gut him like a fish.' | 0:12:49 | 0:12:52 | |
-They sound worse in English. -Yeah. | 0:12:52 | 0:12:54 | |
We got this guy yesterday. Did you translate this? | 0:12:54 | 0:12:57 | |
-No. But whoever did's not a native speaker. -How do you know that? | 0:12:59 | 0:13:04 | |
Well, he translated here... | 0:13:04 | 0:13:06 | |
SHE SPEAKS IN OWN LANGUAGE | 0:13:06 | 0:13:08 | |
And that literally means, "To put pressure on him, he bit the guy." | 0:13:08 | 0:13:11 | |
As if he was being tortured. But that's not what it means here. | 0:13:11 | 0:13:15 | |
It's slang. It means he bribed him. | 0:13:15 | 0:13:17 | |
He didn't bite him. | 0:13:17 | 0:13:19 | |
Good. | 0:13:19 | 0:13:21 | |
We need to talk. | 0:13:24 | 0:13:26 | |
I think you have a little spinach or something in your teeth. | 0:13:31 | 0:13:34 | |
I want you to route all calls through to my cell. | 0:13:37 | 0:13:40 | |
You picked a hell of a day to start your field work. | 0:13:40 | 0:13:43 | |
-Button up your jacket. -Why? What going on? | 0:13:43 | 0:13:46 | |
'Dispatch, this is Charlie 9. Units on scene.' | 0:13:46 | 0:13:50 | |
-Here comes the Secret Service. -I really don't need them breathin' down my neck. | 0:13:50 | 0:13:56 | |
What do they know about investigatin' murder? | 0:13:56 | 0:13:58 | |
She can breathe down my neck. | 0:14:00 | 0:14:02 | |
But not him. | 0:14:02 | 0:14:04 | |
Agents Breckinridge, Marin. Secret Service. | 0:14:04 | 0:14:07 | |
-You guys bring lunch? -Not today. | 0:14:07 | 0:14:09 | |
The way I see it, he hands over the wallet. | 0:14:36 | 0:14:39 | |
As the guy reaches for it, Merriweather goes for his gun. | 0:14:39 | 0:14:42 | |
Bad guy shoots him first. | 0:14:42 | 0:14:45 | |
-You think this is a street crime? -In my gut, yeah. | 0:14:46 | 0:14:49 | |
You know my problem with gut feelings? | 0:14:49 | 0:14:52 | |
Once you have them, the only evidence you see | 0:14:52 | 0:14:54 | |
is the evidence that reinforces your gut feeling. | 0:14:54 | 0:14:56 | |
-Human nature. -There's no money left in his wallet | 0:14:56 | 0:14:59 | |
and there's been a series of robberies here the last two months. | 0:14:59 | 0:15:02 | |
You have some reason to think it wasn't a robbery? | 0:15:02 | 0:15:05 | |
Well, Agent Merriweather spent the last 25 years honing his ability to sense danger, | 0:15:05 | 0:15:08 | |
to notice anything outside of the ordinary, | 0:15:08 | 0:15:10 | |
so for some average street criminal to get the drop on him, yeah, it raises questions. | 0:15:10 | 0:15:14 | |
Not to mention that he's been shot here twice with a .45. | 0:15:14 | 0:15:18 | |
I'm going to take a guess here, but from your initial canvassing, I bet you no-one heard anything. | 0:15:18 | 0:15:23 | |
Any homicide cop will tell you that sort of thing happens all the time. | 0:15:23 | 0:15:26 | |
Yeah, I bet they would, Detective. | 0:15:26 | 0:15:29 | |
-Rosario. -Sarah. | 0:15:45 | 0:15:48 | |
Anyone want anything to eat or drink? | 0:15:48 | 0:15:50 | |
-Uh, no, thanks, ma'am. I think we're fine. -Well, I'm hungry. | 0:15:50 | 0:15:53 | |
Tom, sweep downstairs and go for dinner. I'll sweep upstairs, sit post till the shift change. | 0:15:53 | 0:15:57 | |
You sure? You've been on as long as me. | 0:15:57 | 0:16:00 | |
You going to make me change my mind? | 0:16:00 | 0:16:02 | |
Detective, take a look at the bullet mark on the doorjamb. The slug didn't penetrate. | 0:16:02 | 0:16:07 | |
It's cedar, which is a soft wood. It gets brittle with age. | 0:16:07 | 0:16:10 | |
-So what are you sayin'? -Bad guy used a silencer. That's why nobody heard it. | 0:16:10 | 0:16:14 | |
And that's what slowed down the velocity of the bullet | 0:16:14 | 0:16:17 | |
and stopped it from penetrating the wood, | 0:16:17 | 0:16:19 | |
which it easily would have done had it been travelling at its normal rate of speed. | 0:16:19 | 0:16:24 | |
The shooter was standing right here. | 0:16:24 | 0:16:26 | |
One other thing, Detective. | 0:16:26 | 0:16:29 | |
Excuse me. Agent Merriweather's firearm. The safety's still on. | 0:16:29 | 0:16:34 | |
We assumed he just didn't have time to flick it off. | 0:16:34 | 0:16:37 | |
Agent Marin, why don't you explain to the detectives why that is unlikely? | 0:16:37 | 0:16:42 | |
If he was a police officer, it would make sense because your academy trains you | 0:16:42 | 0:16:46 | |
to draw your weapon and flip the safety in two separate actions | 0:16:46 | 0:16:49 | |
to avoid accidental shootings. | 0:16:49 | 0:16:51 | |
Our academy trains us to draw and flip in a single motion. | 0:16:51 | 0:16:54 | |
If he managed to draw his weapon, his safety should have been off. | 0:16:54 | 0:16:56 | |
A protective agent maybe draws his weapon once an entire presidential term. | 0:16:56 | 0:17:00 | |
When we draw our weapon, we intend to use it. | 0:17:00 | 0:17:02 | |
Bottom line, Agent Merriweather was assassinated. | 0:17:02 | 0:17:05 | |
I want the murder weapon. I don't care if you have to drag the Potomac. | 0:17:05 | 0:17:10 | |
If this man was one of yours, you would have treated him with a lot more respect. | 0:17:10 | 0:17:14 | |
Let's get a gurney up here! | 0:17:16 | 0:17:19 | |
It always amazes me how thorough you are. | 0:17:30 | 0:17:33 | |
Well, we try to do the best job we can. | 0:17:33 | 0:17:35 | |
Hopefully you sleep better at night. | 0:17:35 | 0:17:38 | |
-And I definitely do. -Garrison, DiPaola. We're good on the perimeter. | 0:17:38 | 0:17:42 | |
-'I'm 10-60.' -Uh, roger, 10-60. | 0:17:42 | 0:17:45 | |
I let DiPaola go early, so, uh, he can... | 0:17:45 | 0:17:50 | |
get something to eat. | 0:17:50 | 0:17:52 | |
-Hi. -Hi. | 0:18:00 | 0:18:03 | |
You all right? | 0:18:05 | 0:18:08 | |
I missed you. I missed you so much. | 0:18:10 | 0:18:12 | |
-Just a second. -OK. | 0:18:12 | 0:18:15 | |
GASPING AND PANTING | 0:18:28 | 0:18:32 | |
-This is outstanding. -There you go. And enjoy. | 0:18:58 | 0:19:02 | |
I love you, Sarah. | 0:19:15 | 0:19:18 | |
'Garrison, DiPaola. Where are you? | 0:19:18 | 0:19:21 | |
-'Garrison, DiPaola, where are you?' -Shit. | 0:19:21 | 0:19:23 | |
Yeah, I'm on my way. | 0:19:26 | 0:19:28 | |
Hi. So what the hell is going on...? | 0:19:31 | 0:19:33 | |
Aziz, what are you doin' here? | 0:19:33 | 0:19:37 | |
Charlie Merriweather was murdered. | 0:19:37 | 0:19:39 | |
He... He was murdered?! | 0:19:42 | 0:19:44 | |
PID Thinks it might be connected to work. | 0:19:44 | 0:19:46 | |
Director put us on alert. | 0:19:46 | 0:19:49 | |
I'm sorry. I know he was your friend. | 0:19:49 | 0:19:52 | |
Was there any kind of shift in his behaviour? | 0:19:54 | 0:19:57 | |
Was he agitated or worried about anything? | 0:19:57 | 0:19:59 | |
He was a little distant at breakfast on Sunday. | 0:20:02 | 0:20:05 | |
-Did he tell you why? -He just said he had a couple of tough days at work. | 0:20:05 | 0:20:09 | |
-What'd he say at breakfast? -Some gossip. Uh, it's kind of personal. | 0:20:09 | 0:20:14 | |
Nancy, I know how difficult this is for you | 0:20:14 | 0:20:16 | |
but I need a complete picture if I'm going to investigate this properly. | 0:20:16 | 0:20:21 | |
He told me that he thought Pete Garrison was having an affair with someone's wife at work. | 0:20:21 | 0:20:25 | |
-Just gossip. It just... -Yeah. | 0:20:25 | 0:20:29 | |
Probably not even true. | 0:20:29 | 0:20:31 | |
Look, that's all we need for now. | 0:20:33 | 0:20:35 | |
-You got the lead on Charlie's murder? -Screw you. | 0:20:41 | 0:20:45 | |
-What? -Screw you. | 0:20:45 | 0:20:46 | |
-You still got a problem with me? -Take your hands off of me. | 0:20:48 | 0:20:52 | |
Christ. It doesn't matter what I say to you. | 0:20:52 | 0:20:55 | |
I don't care if you got a problem with me | 0:20:55 | 0:20:58 | |
but you show respect when you come to this house. | 0:20:58 | 0:21:01 | |
Charlie was one of my best friends. | 0:21:01 | 0:21:03 | |
If you have information that can help me, that I want to hear. | 0:21:03 | 0:21:05 | |
-Otherwise, stay out of my way. -Fine. You're a piece of work. | 0:21:05 | 0:21:08 | |
You know, Nancy did say one thing. | 0:21:08 | 0:21:10 | |
Charlie was upset about something at work. You have any idea what that might be? | 0:21:10 | 0:21:13 | |
-No. -Then if you figure it out, you know where to find me. | 0:21:13 | 0:21:17 | |
-Yeah, good. I'll send you a memo. -Do that. | 0:21:17 | 0:21:19 | |
-Hey. Is everything OK? -Hey, Jill. Yeah. | 0:21:19 | 0:21:22 | |
-You workin' with him now? -Yeah. | 0:21:22 | 0:21:24 | |
Keep your eyes open. You may learn a lot. | 0:21:24 | 0:21:26 | |
But don't listen to everything he's got to say. | 0:21:26 | 0:21:28 | |
-Especially about me. -OK. | 0:21:28 | 0:21:31 | |
Pete. | 0:21:31 | 0:21:33 | |
There some problem between you two? | 0:21:33 | 0:21:36 | |
-I thought you were friends. -We were. | 0:21:36 | 0:21:38 | |
-So what happened? -It's personal. | 0:21:38 | 0:21:41 | |
Let's go. | 0:21:41 | 0:21:43 | |
-No. He can go to hell. I don't want to talk to him. -Just tell him it wasn't me. | 0:21:43 | 0:21:47 | |
-It wasn't anybody. -I'm not saying it was. | 0:21:47 | 0:21:49 | |
-I wasn't having an affair! -Cindy, I know you weren't. | 0:21:49 | 0:21:51 | |
What do you want me to tell him I haven't already told him 30 times? This is why I left him. | 0:21:51 | 0:21:55 | |
He's the most pig-headed man I've ever met. | 0:21:55 | 0:21:58 | |
You still love him, don't you? | 0:22:01 | 0:22:03 | |
RADIO CHATTER | 0:22:04 | 0:22:09 | |
-Hey, Pete. Pete. -Hey, Tom. | 0:22:20 | 0:22:23 | |
You know a guy named Walter Xavier? | 0:22:23 | 0:22:25 | |
Yeah, sure. He's a snitch I used to use when I was working in counterfeiting. | 0:22:25 | 0:22:28 | |
OK. Just fielded a call from this guy. | 0:22:28 | 0:22:30 | |
I told him you weren't running informants any more, | 0:22:30 | 0:22:32 | |
offered to transfer the call to WFO, PID. | 0:22:32 | 0:22:35 | |
-He said you're the only person he'd talk to. -Thanks. | 0:22:35 | 0:22:39 | |
There he is! Publishers Clearing House, my man! You got somethin' for me? | 0:22:45 | 0:22:49 | |
Did you fill yours out yet? | 0:22:49 | 0:22:52 | |
Every year my mom bugs me to fill that thing out. I never do. | 0:22:52 | 0:22:56 | |
Long time, no see, Walter. What's up? | 0:22:56 | 0:22:58 | |
Let's walk. | 0:22:58 | 0:23:00 | |
You got some info on that Charlie Merriweather murder? | 0:23:03 | 0:23:05 | |
-That agent who was killed outside his house on Monday? -Yeah. | 0:23:05 | 0:23:08 | |
Maybe he stumbled into something he wasn't supposed to, like I did. | 0:23:08 | 0:23:11 | |
-What was that something? -A plot to kill the President. | 0:23:11 | 0:23:14 | |
Walter, you know, it's a little more difficult than it sounds. | 0:23:16 | 0:23:20 | |
Not if you've got somebody inside. | 0:23:20 | 0:23:22 | |
Are you saying there's a mole in the Secret Service? | 0:23:23 | 0:23:26 | |
That's right. | 0:23:26 | 0:23:28 | |
-There's an agent who wants to help assassinate the President? -That's right. | 0:23:28 | 0:23:31 | |
-Well, what's his name? -I don't know. I just know he exists. | 0:23:31 | 0:23:35 | |
Well, how? Who...? Who's giving you the information? | 0:23:35 | 0:23:38 | |
-I want 1 million. -What are you smoking, Walter? | 0:23:38 | 0:23:41 | |
-Now be serious. -I'm dead serious. | 0:23:41 | 0:23:43 | |
I tell you this stuff, you roll these guys up, they going to know I'm the one. | 0:23:47 | 0:23:51 | |
-They'll hunt me down. -We'll put you in protective custody. | 0:23:51 | 0:23:53 | |
Yeah, and I'll be dead in a day. Listen, you got a traitor in your organization. | 0:23:53 | 0:23:57 | |
-You get me the money and I will disappear. -I got to be honest with you. | 0:23:57 | 0:24:00 | |
I find it pretty far-fetched we got agents in on an assassination attempt. | 0:24:00 | 0:24:03 | |
Here. Maybe this will change your mind, OK? | 0:24:03 | 0:24:07 | |
Call signs, code words, today's encryption keys! | 0:24:15 | 0:24:18 | |
Yeah, whoever this traitor is | 0:24:18 | 0:24:20 | |
they're either on the President's detail or in a key liaison position. | 0:24:20 | 0:24:23 | |
Listen, I want a list of everyone who's got Q clearance. | 0:24:23 | 0:24:26 | |
And where's the President right now? | 0:24:26 | 0:24:28 | |
Press conference at his house. 20 minutes. | 0:24:28 | 0:24:30 | |
This morning's action demonstrates our continuing resolve to take on the infrastructure of terrorism | 0:24:30 | 0:24:38 | |
wherever we find it anywhere around the globe. | 0:24:38 | 0:24:40 | |
How reliable is this guy Xavier? | 0:24:40 | 0:24:42 | |
I've built three counterfeiting cases using his information. | 0:24:42 | 0:24:45 | |
-Against who? -Mid-level guys, Barranquilla Cartel. | 0:24:45 | 0:24:48 | |
Sir. That's everyone with Q clearance. | 0:24:50 | 0:24:52 | |
..those who actually commit terrorist acts. | 0:24:52 | 0:24:55 | |
Now let me point out, this is very important... | 0:24:55 | 0:24:57 | |
Polygraph everyone on that list | 0:24:57 | 0:24:59 | |
and stand up a red team to find the traitor. | 0:24:59 | 0:25:02 | |
Now, I'm going to assume that the hit on Merriweather is connected to this | 0:25:02 | 0:25:05 | |
so let's fold that investigation in as well. | 0:25:05 | 0:25:07 | |
-And we put Breckinridge in charge of the whole thing. -He's the best we've got? | 0:25:07 | 0:25:11 | |
-Yeah. -Pete. He's kind of a protege of yours. What do you think? | 0:25:11 | 0:25:15 | |
-He'll follow the evidence wherever it leads him. -Then he's the guy. | 0:25:15 | 0:25:18 | |
You can have anybody you want. | 0:25:18 | 0:25:21 | |
From ID, from the field. You get carte blanche. | 0:25:21 | 0:25:24 | |
-Not right now. -Oh, sorry. | 0:25:24 | 0:25:27 | |
-I can tell personnel you need to lose the rookie. -No, I'm going to keep her. | 0:25:27 | 0:25:31 | |
She hasn't been ruined by years in the field. | 0:25:31 | 0:25:33 | |
-ON TAPE: -'I will blow them up. I come to bomb this country.' | 0:25:33 | 0:25:38 | |
INDISTINCT | 0:25:38 | 0:25:41 | |
We have intel that representatives of Al-Qaeda | 0:25:42 | 0:25:44 | |
have met on at least two occasions with the Barranquilla leadership. | 0:25:44 | 0:25:47 | |
You think it's timed to coincide with the Camp David talks? | 0:25:47 | 0:25:51 | |
Probably. The threat alone interferes with the process. | 0:25:51 | 0:25:53 | |
We pulled 50 agents in from the field. | 0:25:53 | 0:25:55 | |
People who haven't worked at the White House in at least two cycles. | 0:25:55 | 0:25:58 | |
They'll integrate with both of your teams. | 0:25:58 | 0:26:00 | |
We're all going to be looking over each other's shoulders till we find this guy, sir. | 0:26:00 | 0:26:03 | |
Well, do what you have to to protect me, but I want the threat, | 0:26:14 | 0:26:17 | |
the investigation, I want everything kept classified. | 0:26:17 | 0:26:22 | |
As far as the public is concerned, I'm just carrying on my normal business. | 0:26:22 | 0:26:26 | |
-Is that clear? -Mr President, | 0:26:26 | 0:26:28 | |
we're going to need to get everyone involved here. | 0:26:28 | 0:26:30 | |
What do you think would happen to the power of the President | 0:26:30 | 0:26:32 | |
if people thought I wasn't even safe from my own Secret Service? | 0:26:32 | 0:26:35 | |
It took over 200 years to create the symbol of the presidency | 0:26:35 | 0:26:38 | |
and I'm not going to undermine it with something like this. | 0:26:38 | 0:26:41 | |
-Let's circle the wagons, OK? You all right? -Fine. | 0:26:41 | 0:26:45 | |
Good, let's do that. How do we proceed? | 0:26:45 | 0:26:47 | |
Bill, you're the guy. | 0:26:47 | 0:26:50 | |
You're the last line of defence. | 0:26:50 | 0:26:52 | |
You can protect him better than any of us can. | 0:26:53 | 0:26:56 | |
Is there anything else that you can think of that'll help you do that? | 0:26:56 | 0:27:01 | |
Yeah. | 0:27:01 | 0:27:03 | |
This. | 0:27:03 | 0:27:05 | |
And I promise you, right here and now, We're going to win this one. You can bank on it. | 0:27:07 | 0:27:13 | |
Thank you very much. Good night. | 0:27:13 | 0:27:15 | |
Good night. Thank you. | 0:27:15 | 0:27:17 | |
Heads it's 6th Street, tails it's 8th. | 0:27:17 | 0:27:20 | |
Bravo cars. | 0:27:23 | 0:27:25 | |
-This way, Mr President. -Thank you, Bill. | 0:27:27 | 0:27:29 | |
Classic is moving to bravo cars. | 0:27:29 | 0:27:31 | |
'Copy that. Command to alpha cars. You are off the hook.' | 0:27:31 | 0:27:34 | |
Sir, could you put down that knife? | 0:27:34 | 0:27:36 | |
It's not what they wanted to hear. It's what they needed to hear. | 0:27:36 | 0:27:38 | |
Hello, young lady. | 0:27:38 | 0:27:40 | |
Where did this guy come from? | 0:27:46 | 0:27:48 | |
He's an old CI Of Garrison's. Nine, ten years. | 0:27:48 | 0:27:51 | |
-Garrison? -Mm-hmm. | 0:27:51 | 0:27:53 | |
What's wrong? | 0:28:39 | 0:28:42 | |
It's nothing. | 0:28:43 | 0:28:45 | |
-Are you sure? -Yes. It's OK. | 0:28:45 | 0:28:48 | |
-How do I find Xavier? -Um, I don't know where he lives. | 0:28:48 | 0:28:52 | |
-He's a fanatic about not being followed. -You ever tried? | 0:28:52 | 0:28:55 | |
-What? -Have you ever tried? | 0:28:58 | 0:29:00 | |
He wants a million bucks from us, Dave. I'm sure he'll contact us. | 0:29:02 | 0:29:05 | |
You better be right. | 0:29:05 | 0:29:08 | |
You get in touch with us as soon as you find him. | 0:29:08 | 0:29:11 | |
Could be any one of them. It makes you a little sick, doesn't it? | 0:29:14 | 0:29:17 | |
-What percentage of your people have had a polygraph? -A little over half. | 0:29:17 | 0:29:22 | |
"Over half"? The President's life is at stake. | 0:29:22 | 0:29:25 | |
Heads up! | 0:29:28 | 0:29:30 | |
I want everybody in this room to have had a polygraph by 5pm this afternoon | 0:29:30 | 0:29:34 | |
or don't show up for work tomorrow. | 0:29:34 | 0:29:37 | |
-Were you born in Morocco? -No. | 0:29:40 | 0:29:42 | |
-Do you live in Bethesda? -No. | 0:29:42 | 0:29:45 | |
-Were you born in Alabama? -No. | 0:29:45 | 0:29:48 | |
Have you ever had contact with child pornography? | 0:29:48 | 0:29:50 | |
Uh, yes. I was involved with an investigation with the Bureau... | 0:29:50 | 0:29:54 | |
-Just yes or no answers, please. -OK, Stan. Yes. | 0:29:54 | 0:29:58 | |
Are you up? The witch hunt is on. | 0:30:04 | 0:30:07 | |
Get your polygraph today. | 0:30:07 | 0:30:09 | |
How did they get these? | 0:30:13 | 0:30:15 | |
Night-vision camera on a boat stabilised by a gyroscope. | 0:30:15 | 0:30:19 | |
Pretty sophisticated. | 0:30:19 | 0:30:20 | |
I'm so sorry, Sarah. | 0:30:29 | 0:30:31 | |
I'm sorry. | 0:30:31 | 0:30:33 | |
It's got to be someone inside the Service. | 0:30:34 | 0:30:37 | |
Somebody could have picked it up. They're good. That's what they do. | 0:30:37 | 0:30:40 | |
Who? | 0:30:40 | 0:30:42 | |
The same agent plotting to kill John? Who? | 0:30:42 | 0:30:44 | |
141 years there's never been a traitor in the Secret Service. | 0:30:44 | 0:30:49 | |
Now, all of a sudden, there's two? I don't buy that. | 0:30:49 | 0:30:52 | |
Somehow they're connected. | 0:30:52 | 0:30:54 | |
Maybe this is the assassination? | 0:30:54 | 0:30:57 | |
This is a death sentence for John, a political death sentence. | 0:30:57 | 0:31:00 | |
That's not going to happen. | 0:31:00 | 0:31:02 | |
Oh, Pete. | 0:31:02 | 0:31:04 | |
Sarah, I promise. | 0:31:04 | 0:31:07 | |
Let's get this goddamn witch hunt over with. | 0:31:07 | 0:31:09 | |
-Just relax. -I'm relaxed. | 0:31:09 | 0:31:11 | |
-Were you divorced in 1998? -No. | 0:31:11 | 0:31:14 | |
-Have you received adequate training for your profession? -No. | 0:31:14 | 0:31:18 | |
But I did stay in a Holiday Inn Express. | 0:31:18 | 0:31:20 | |
Have you ever violated Secret Service protocol in the past 30 days? | 0:31:20 | 0:31:24 | |
No. | 0:31:24 | 0:31:26 | |
Have you done anything in the past 30 days | 0:31:26 | 0:31:28 | |
-to violate Secret Service protocol? -No. | 0:31:28 | 0:31:30 | |
Are you involved in a plot to kill the President of the United States? | 0:31:30 | 0:31:33 | |
-No. -No. -No. | 0:31:33 | 0:31:35 | |
-No. -No. -No. | 0:31:35 | 0:31:36 | |
I could use a few of those. | 0:31:52 | 0:31:55 | |
-Thanks. -You look exhausted, Bill. | 0:31:59 | 0:32:01 | |
You look worse. | 0:32:01 | 0:32:04 | |
I haven't slept since we went on alert. | 0:32:05 | 0:32:07 | |
Well, I'm back on. It's worse than going to confession. | 0:32:08 | 0:32:11 | |
Have you done your polygraph yet? | 0:32:14 | 0:32:17 | |
-You know I can't even let you back on duty unless... -Yeah, I'll go now. | 0:32:17 | 0:32:22 | |
-Is your name Peter Garrison? -Yes. | 0:32:22 | 0:32:25 | |
-Are you involved in a plot to kill the president? -No. | 0:32:25 | 0:32:29 | |
-Were you divorced in 1998? -Yes. | 0:32:29 | 0:32:32 | |
Have you violated Secret Service protocols in the last 30 days? | 0:32:32 | 0:32:36 | |
No. | 0:32:38 | 0:32:40 | |
Have you done anything to endanger the life | 0:32:40 | 0:32:43 | |
of our President in the last six months? | 0:32:43 | 0:32:45 | |
-Not that I know of. -Yes or no answers, please. | 0:32:47 | 0:32:49 | |
No. No. | 0:32:49 | 0:32:51 | |
RADIO CHATTER | 0:32:58 | 0:33:01 | |
Welcome to Mayflower Hotel. | 0:33:02 | 0:33:05 | |
Mayflower Hotel, can I help you? Just a moment, sir. | 0:33:08 | 0:33:13 | |
-Are you Mr Garrison? -Yes. | 0:33:13 | 0:33:15 | |
You have a phone call. You can take it here. | 0:33:15 | 0:33:17 | |
-Thank you. -'Walk three blocks east on Massachusetts Avenue. | 0:33:17 | 0:33:22 | |
-'Take a left on 12th Street. Las Palmas Coffee Shop.' -All right. | 0:33:22 | 0:33:25 | |
DISEMBODIED CHATTER | 0:33:28 | 0:33:33 | |
INDISTINCT | 0:35:19 | 0:35:21 | |
'Now boarding on track 4, 12:13 Acela Express | 0:35:47 | 0:35:52 | |
'with stops in Philadelphia, New York, Boston. | 0:35:52 | 0:35:55 | |
'Now boarding, track 4.' | 0:35:55 | 0:35:57 | |
TYRES SCREECH | 0:36:10 | 0:36:11 | |
FBI. Drop it! | 0:36:13 | 0:36:17 | |
-Federal agent! Federal agent! -FBI. Freeze! Put it down! | 0:36:17 | 0:36:20 | |
-The gun is going down! -All right. Back up now. Back up. | 0:36:20 | 0:36:23 | |
Turn around! | 0:36:23 | 0:36:26 | |
-What the hell were you doin' at Las Palmas? -Havin' a goddamn cup of coffee. | 0:36:32 | 0:36:35 | |
What the hell's going' on here? Is that one of your agents I'm following? | 0:36:35 | 0:36:39 | |
Sorry for the crossover. | 0:36:39 | 0:36:41 | |
Pete! I called four times. Where the hell have you been? | 0:36:48 | 0:36:51 | |
We're not out of here till tomorrow. | 0:36:51 | 0:36:53 | |
The President decided they should arrive at the summit together. Where were you? | 0:36:53 | 0:36:57 | |
Oh! Excuse me. | 0:36:57 | 0:37:00 | |
Oh, here we are. Now, Kate, this is your weekend to catch the trout. | 0:37:00 | 0:37:04 | |
-FAINTLY: -I don't like worms. -No, no. This is fly-fishing. | 0:37:04 | 0:37:07 | |
INDISTINCT SHOUTING | 0:37:16 | 0:37:19 | |
Pete, can I talk to you a minute? | 0:37:52 | 0:37:55 | |
Yes, sir. | 0:37:55 | 0:37:57 | |
We're really, both of us | 0:38:01 | 0:38:04 | |
in uncharted territory here, aren't we? | 0:38:04 | 0:38:07 | |
An assassin inside the Secret Service? | 0:38:11 | 0:38:13 | |
Inside my detail? | 0:38:13 | 0:38:16 | |
Now, Bill's been briefing me, of course, but | 0:38:18 | 0:38:20 | |
this guy's your informant, right? | 0:38:20 | 0:38:22 | |
-Yes, sir. -I want to get some of this first-hand | 0:38:22 | 0:38:24 | |
so let's make time at Camp David to do that, all right? | 0:38:24 | 0:38:27 | |
Yes, sir. | 0:38:27 | 0:38:29 | |
Good afternoon, Mr President. | 0:38:38 | 0:38:40 | |
Good afternoon. I'll see you at dinner. | 0:38:40 | 0:38:41 | |
-So, Karen, how do things stand? -It's time for you to weigh in. | 0:38:41 | 0:38:44 | |
-Can I get you in there now for a few hours? -Absolutely. | 0:38:44 | 0:38:47 | |
Sarah, the wives are talking about having tea. If you could stop by, it would be great. | 0:38:47 | 0:38:50 | |
-Sure. -Tom, we're going to walk it. | 0:38:50 | 0:38:52 | |
What's going on, Pete? Why don't they just tell us what they want? | 0:39:02 | 0:39:05 | |
-It's OK. It's going to be fine. -Nothing about this feels OK or fine or... | 0:39:05 | 0:39:08 | |
-It will be. -Has that guy called you? | 0:39:08 | 0:39:10 | |
-What's his name? What's that guy's name? -Xavier. | 0:39:10 | 0:39:13 | |
-Has he called you? -Not yet. No. | 0:39:13 | 0:39:16 | |
-Katie, hi. -Good afternoon, ma'am. | 0:39:17 | 0:39:20 | |
-Hi. -Would you care for tea? | 0:39:20 | 0:39:22 | |
It's such a beautiful day. Why don't we have tea outside? | 0:39:22 | 0:39:25 | |
-Well, that's a great idea. -How was your flight? -Short. | 0:39:25 | 0:39:28 | |
-You guys all decent? -Afraid so. | 0:39:37 | 0:39:39 | |
Your informant's on the phone. | 0:39:39 | 0:39:42 | |
-'Do you got the money?' -'I got 100,000 in cash' | 0:39:42 | 0:39:45 | |
and a legal document guaranteeing you the rest once the traitor's apprehended. | 0:39:45 | 0:39:49 | |
-'Yeah, right.' -Walter, we haven't screwed you in the past. | 0:39:49 | 0:39:52 | |
I'm not going to start now. Otherwise, all our sources would dry up. | 0:39:52 | 0:39:55 | |
'Allenwood Mall food court at 11am. | 0:39:55 | 0:39:58 | |
'And don't try to bring nobody. I'll walk if I spot 'em.' | 0:39:58 | 0:40:02 | |
I cannot get there in 20 minutes. | 0:40:02 | 0:40:03 | |
-'Drive fast.' -OK, you heard him. Let's go. | 0:40:03 | 0:40:06 | |
-Breckinridge and Marin are already on the way. -All right. | 0:40:07 | 0:40:10 | |
-Get the money bag and a car ready, please. -OK. Got it. | 0:40:10 | 0:40:12 | |
He knows we're following him. He went where he can mix up with a crowd. | 0:40:12 | 0:40:15 | |
There's no way we get surveillance in there. | 0:40:15 | 0:40:17 | |
Hold it. There's no way I'm going to let you go without a backup. No. | 0:40:17 | 0:40:21 | |
-Chaminski. Chaminski goes with you. -Let's go. | 0:40:21 | 0:40:24 | |
DISEMBODIED VOICES | 0:41:12 | 0:41:15 | |
At your 1:00. | 0:41:43 | 0:41:44 | |
DISEMBODIED VOICES | 0:41:44 | 0:41:47 | |
'Watch your 3:00. Watch your 3:00.' | 0:41:52 | 0:41:54 | |
INDISTINCT | 0:42:24 | 0:42:26 | |
'Check your 9:00. | 0:42:33 | 0:42:35 | |
'Check your 9:00! Check your 9:00! Check your 9:00!' | 0:42:36 | 0:42:39 | |
GUNSHOT | 0:42:39 | 0:42:40 | |
HE GASPS | 0:42:40 | 0:42:41 | |
SCREAMING | 0:42:43 | 0:42:46 | |
GUNSHOTS | 0:42:46 | 0:42:48 | |
Get down! Secret Service! Get down! | 0:42:51 | 0:42:54 | |
Shots fired. Shots fired. Agent down. | 0:42:59 | 0:43:02 | |
'Copy that. Breckinridge to Command. | 0:43:02 | 0:43:04 | |
'We need backup at the Allenwood Mall. Agent down.' | 0:43:04 | 0:43:07 | |
The shooter has blond hair, dark jacket. He's on the lower level. | 0:43:07 | 0:43:11 | |
'Command, copy that. Available units en route. ETA 20 minutes.' | 0:43:11 | 0:43:14 | |
INDISTINCT | 0:43:17 | 0:43:21 | |
SCREAMING AND SIRENS | 0:43:24 | 0:43:27 | |
They're shooting. They're right behind the doors. | 0:43:29 | 0:43:32 | |
Heads. | 0:43:41 | 0:43:44 | |
SCREAMING | 0:43:53 | 0:43:55 | |
Pete, we're at the north end of the mall. Lower level. | 0:44:08 | 0:44:10 | |
I'm 100 yards south of you. | 0:44:10 | 0:44:12 | |
Unholster your weapon. Keep it down. | 0:44:12 | 0:44:14 | |
-'Work your way towards me.' -Copy that. Stagger off ten feet. | 0:44:14 | 0:44:18 | |
Get out of here! | 0:44:26 | 0:44:28 | |
Take the point. | 0:44:28 | 0:44:30 | |
GUNSHOTS | 0:44:37 | 0:44:39 | |
I don't have a visual! | 0:44:39 | 0:44:41 | |
Go! | 0:44:44 | 0:44:46 | |
'Garrison, Washington Command. | 0:44:52 | 0:44:54 | |
'Additional agents and medical assist are en route. Break. All units, be advised. | 0:44:54 | 0:44:58 | |
'Shots fired, Allenwood Mall. One agent is down. There are multiple civilian casualties. | 0:44:58 | 0:45:02 | |
'Shooter is male, blond hair, dark jacket.' | 0:45:02 | 0:45:05 | |
SIRENS | 0:45:14 | 0:45:16 | |
Pete. Pete! | 0:45:23 | 0:45:25 | |
WHOOSH | 0:45:44 | 0:45:46 | |
RADIO CHATTER | 0:45:52 | 0:45:55 | |
You OK? | 0:46:02 | 0:46:04 | |
Do you have any idea why your informant wanted to have you killed? | 0:46:04 | 0:46:07 | |
No. I'm wondering the same thing. | 0:46:07 | 0:46:09 | |
You might want to figure that one out, Pete. | 0:46:09 | 0:46:12 | |
Pete! | 0:46:14 | 0:46:15 | |
Presidential helicopter just went down. | 0:46:17 | 0:46:20 | |
'This is a news centre special report. | 0:46:20 | 0:46:23 | |
'The presidential helicopter, Marine One, has crashed...' | 0:46:23 | 0:46:28 | |
'Marine One, the presidential helicopter has gone down...' | 0:46:28 | 0:46:32 | |
'Whether or not the president was on board has not...' | 0:46:32 | 0:46:34 | |
'Marine One, the presidential helicopter has crashed. | 0:46:34 | 0:46:38 | |
'It happened just moments ago about a half mile south of Camp David. | 0:46:38 | 0:46:41 | |
'The chopper went down in some densely wooded...' | 0:46:41 | 0:46:43 | |
'We're now hearing reports the President was not on board. | 0:46:43 | 0:46:48 | |
'We can now confirm that neither the President or the First Lady | 0:46:48 | 0:46:52 | |
'were on board at the time of the crash. | 0:46:52 | 0:46:54 | |
'The President and First Lady are safe. | 0:46:54 | 0:46:56 | |
'If you're just joining us, these are live pictures just outside Camp David | 0:46:56 | 0:47:00 | |
'where earlier today, Marine One | 0:47:00 | 0:47:03 | |
-'went down shortly after takeoff...' -Look at it. | 0:47:03 | 0:47:05 | |
'Two hikers who witnessed the crash reported seeing a contrail or fiery tail | 0:47:05 | 0:47:09 | |
'just before that helicopter went down. | 0:47:09 | 0:47:11 | |
'That is leading to the possibility, unconfirmed by authorities...' | 0:47:11 | 0:47:14 | |
Our friend was insufficiently motivated. | 0:47:14 | 0:47:16 | |
'..probably by a shoulder-fired missile. | 0:47:16 | 0:47:19 | |
'Now, we want to make clear, again | 0:47:19 | 0:47:20 | |
'that the President and First Lady are safe.' | 0:47:20 | 0:47:22 | |
HE SPEAKS IN OWN LANGUAGE | 0:47:22 | 0:47:24 | |
'They were not on board at the time.' | 0:47:24 | 0:47:26 | |
-ON TV: -'If you are just joining us, these are live pictures from the scene | 0:47:37 | 0:47:40 | |
'just outside of Camp David, where earlier today Marine One went down just after takeoff. | 0:47:40 | 0:47:45 | |
'Sources say marine and Secret Service personnel were on that aircraft | 0:47:45 | 0:47:48 | |
'and they were killed in the crash. | 0:47:48 | 0:47:51 | |
'This crash is being investigated by both the White House and the military.' | 0:47:51 | 0:47:54 | |
-You failed. -'I did exactly what I promised.' | 0:47:54 | 0:47:58 | |
He wasn't on board. | 0:47:58 | 0:48:00 | |
That is the only thing that matters. That is the only thing I give a shit a... | 0:48:00 | 0:48:04 | |
Do you understand? | 0:48:07 | 0:48:09 | |
Now, we're going to meet and we're going to discuss this. | 0:48:09 | 0:48:13 | |
BUZZING | 0:48:13 | 0:48:15 | |
-ON TV: -'Deadly against any low-altitude aircraft... | 0:48:15 | 0:48:18 | |
'including jets, prop planes and helicopters. | 0:48:18 | 0:48:21 | |
'But that comes from witnesses...' | 0:48:21 | 0:48:23 | |
KNOCK ON DOOR | 0:48:23 | 0:48:25 | |
'Again, these pictures coming to us about...' | 0:48:25 | 0:48:28 | |
SWITCHES TV OFF | 0:48:28 | 0:48:29 | |
Well, it sure doesn't look like you're here to bury the hatchet. | 0:48:36 | 0:48:39 | |
You're being investigated for treason. | 0:48:39 | 0:48:42 | |
-What are you talk...? -Step back. | 0:48:42 | 0:48:46 | |
-Excuse me? -Step back. | 0:48:46 | 0:48:49 | |
-Hey, Jill. -Pete. | 0:48:56 | 0:48:58 | |
-Matt. -Pete. | 0:48:58 | 0:49:01 | |
Sorry for the intrusion, sir. | 0:49:01 | 0:49:03 | |
If I failed the polygraph, then why am I still on duty? | 0:49:05 | 0:49:08 | |
Director didn't want to arrest one of the guys responsible for saving Reagan's life | 0:49:08 | 0:49:11 | |
without a little more evidence. | 0:49:11 | 0:49:14 | |
How long have you been working for the Barranquilla Cartel? | 0:49:14 | 0:49:16 | |
What are you talking about? | 0:49:16 | 0:49:18 | |
Hugo, can you come in here, please? | 0:49:23 | 0:49:25 | |
Pete Garrison, Special Agent Ortega with the FBI. | 0:49:25 | 0:49:28 | |
What were you doing at the Las Palmas Coffee Shop? | 0:49:28 | 0:49:31 | |
-I was having a cup of coffee. -Takes you four hours to have a cup of coffee? | 0:49:31 | 0:49:34 | |
I was killing a few hours at a coffee shop. Is there a problem with that? | 0:49:34 | 0:49:38 | |
Tom DiPaola said he called you four times. You never returned any of his messages. | 0:49:38 | 0:49:40 | |
And that you almost missed the Marine One flight yesterday. | 0:49:40 | 0:49:43 | |
They moved the flight up two hours. I was in the coffee shop. | 0:49:43 | 0:49:45 | |
It was noisy. I couldn't hear my cellphone. | 0:49:45 | 0:49:48 | |
Now, wh-wh-what is this? What the hell are you doing following me? | 0:49:48 | 0:49:51 | |
Las Palmas Coffee Shop is a dead drop for the Barranquilla Cartel. | 0:49:51 | 0:49:54 | |
You screwed up, Pete. You walked into a stakeout. | 0:49:54 | 0:49:57 | |
I want to know your number one go-to guy at the cartel. | 0:49:57 | 0:49:59 | |
And I want to know how you were going to help them kill the President. | 0:49:59 | 0:50:03 | |
Why would I want to kill the President? What motive do I have? | 0:50:03 | 0:50:07 | |
I don't know. To be honest with you, I don't care. I know what the evidence is telling me. | 0:50:07 | 0:50:11 | |
I have given my entire life to the Secret Service. | 0:50:11 | 0:50:14 | |
-I've gotten up at 4am every goddamn morning. -Is that what this is about? | 0:50:14 | 0:50:18 | |
You're bitter after all your years of service that they didn't make you Director? | 0:50:18 | 0:50:21 | |
Oh, no. Don't confuse your own ambition with mine. OK, Dave? | 0:50:21 | 0:50:25 | |
Come on, Pete. Think about it. People would understand that. | 0:50:25 | 0:50:27 | |
Jesus Christ, you took a bullet for the President of the United States. | 0:50:27 | 0:50:30 | |
And in the 25 years since, you haven't even made shift supervisor | 0:50:30 | 0:50:33 | |
on a presidential detail, and that I know you wanted. | 0:50:33 | 0:50:36 | |
But they don't put guys that bend the rules, not even a little bit, | 0:50:36 | 0:50:39 | |
in charge of PPD, do they? | 0:50:39 | 0:50:40 | |
Even if they did take a bullet for the old man. | 0:50:40 | 0:50:43 | |
Is that your professional or personal opinion? | 0:50:43 | 0:50:46 | |
-I think this whole thing is getting personal. -We got you nailed to the wall. | 0:50:46 | 0:50:48 | |
-I didn't have an affair with Cindy. -This has nothing to do with Cindy. | 0:50:48 | 0:50:51 | |
-You can't accept that. -We are not talking about that! | 0:50:51 | 0:50:53 | |
We're talking about it all the time, even when we're not talking about it! | 0:50:53 | 0:50:56 | |
You can't look at me without thinking about it! | 0:50:56 | 0:50:59 | |
-Jesus Christ, Pete, you better get a grip. -I got a grip. | 0:50:59 | 0:51:01 | |
You think I wrecked your marriage, and it has completely clouded your judgment. | 0:51:01 | 0:51:05 | |
I am following the evidence and it is overwhelming. | 0:51:05 | 0:51:07 | |
The polygraph. Las Palmas Coffee Shop. You had unfettered access to Marine One. | 0:51:07 | 0:51:11 | |
It was hit by a missile for Christ's sake! | 0:51:11 | 0:51:13 | |
It was hit by a missile because the flares | 0:51:13 | 0:51:15 | |
and the four other countermeasures were disengaged! | 0:51:15 | 0:51:18 | |
There was a hundred other people who had access to it. | 0:51:18 | 0:51:21 | |
Explain to me about the bank account. | 0:51:23 | 0:51:25 | |
-The what?! -Your signature's all over the paperwork. | 0:51:25 | 0:51:28 | |
I'm being framed. | 0:51:28 | 0:51:31 | |
-Tell me that's not your signature. -I'm being framed. Think about it! | 0:51:31 | 0:51:33 | |
I'm the guy that initiated this investigation. | 0:51:33 | 0:51:35 | |
Why would I do that if I wanted to kill the President? | 0:51:35 | 0:51:38 | |
You initiated this investigation for a traitor in our department | 0:51:38 | 0:51:41 | |
so that when the assassination actually took place | 0:51:41 | 0:51:43 | |
you'd be at the bottom of the list of suspects. | 0:51:43 | 0:51:45 | |
I'm being framed! Goddamn it! Just think about it. | 0:51:45 | 0:51:48 | |
-I want to know where, how and when... -You take me in, that's the end. | 0:51:48 | 0:51:51 | |
-That guy is out there somewhere! -The Director just rolled up outside. | 0:51:51 | 0:51:54 | |
You better start thinking about cooperating. | 0:51:54 | 0:51:57 | |
He's in the car. | 0:52:04 | 0:52:06 | |
-What are you doing, Pete? -Getting a glass of water. | 0:52:22 | 0:52:26 | |
Director's come all the way down here to see me, huh? | 0:52:28 | 0:52:30 | |
-That's very impressive. -It's embarrassing for us, sir. | 0:52:32 | 0:52:37 | |
-Want a beer? -Look, Pete, we're really... | 0:52:37 | 0:52:40 | |
GRUNTING | 0:52:40 | 0:52:42 | |
Garrison back door. | 0:52:43 | 0:52:45 | |
Oh, shit. | 0:52:48 | 0:52:50 | |
Pete! | 0:52:55 | 0:52:56 | |
Pete! | 0:52:56 | 0:52:59 | |
Where is he? | 0:53:00 | 0:53:03 | |
SHE SHRIEKS | 0:53:04 | 0:53:05 | |
Sorry. | 0:53:05 | 0:53:07 | |
This is Breckinridge. Garrison has escaped from the rear of the residence into the alley. | 0:53:10 | 0:53:15 | |
Cordon off the area and get back to me. | 0:53:18 | 0:53:21 | |
-He got my radio. -He got my gun too. | 0:53:22 | 0:53:24 | |
He got your gun? And your radio? | 0:53:24 | 0:53:26 | |
What the hell are you lookin' at her for? | 0:53:26 | 0:53:28 | |
She's been here two days. How long have you been here? | 0:53:28 | 0:53:31 | |
Where to, Mister? | 0:53:43 | 0:53:45 | |
Just get me out of here. | 0:53:45 | 0:53:48 | |
DISEMBODIED VOICES | 0:53:55 | 0:53:59 | |
I know it's hard to believe Pete Garrison could be involved with something like this. | 0:54:04 | 0:54:09 | |
For most of you he's a friend, to some, a legend. | 0:54:09 | 0:54:13 | |
But the fact is, the evidence against him is overwhelming. | 0:54:13 | 0:54:15 | |
So, how do we find him? To begin with, know this. | 0:54:15 | 0:54:18 | |
'He is smarter and more experienced than all of you. | 0:54:18 | 0:54:23 | |
'You've never trained for this. You are chasing your worst nightmare. | 0:54:23 | 0:54:26 | |
'He knows how you think. He knows what you know. And he knows how you operate.' | 0:54:26 | 0:54:29 | |
And he will use that against you. | 0:54:29 | 0:54:32 | |
He also knows that it's going to be very difficult for you | 0:54:32 | 0:54:36 | |
to pull the trigger if you have him in your sights. | 0:54:36 | 0:54:39 | |
So I want you to take a second and visualise that. | 0:54:39 | 0:54:43 | |
'Because there is a very good chance that is exactly how this is going to end.' | 0:54:43 | 0:54:49 | |
-Can I have one of these here? -Yeah, sure. Take it. | 0:54:49 | 0:54:52 | |
PHONE RINGS | 0:54:52 | 0:54:54 | |
Yeah? | 0:54:54 | 0:54:55 | |
'Fullback, Backstop. Do you have an arrival?' | 0:55:00 | 0:55:02 | |
'Backstop, Fullback. We have arrival.' | 0:55:02 | 0:55:04 | |
LAUGHTER | 0:55:08 | 0:55:09 | |
DEVICE CLICKS ON | 0:55:16 | 0:55:17 | |
'Backstop, go.' | 0:55:17 | 0:55:20 | |
'Cincinnati wrapping up. We're alpha for departure.' | 0:55:20 | 0:55:24 | |
I miss the good old days. Do you know what I mean? I really literally... | 0:55:36 | 0:55:39 | |
CHATTER | 0:55:39 | 0:55:42 | |
He taps him on the back and the bear says, "You didn't come here to hunt, did ya?" | 0:55:58 | 0:56:04 | |
Get it? The bear. | 0:56:04 | 0:56:07 | |
That's not funny, man. | 0:56:07 | 0:56:10 | |
That joke ain't funny at all. | 0:56:10 | 0:56:12 | |
PHONE RINGS | 0:56:12 | 0:56:16 | |
-'Fullback. We're moving.' -'Roger that. We're set up.' | 0:56:28 | 0:56:32 | |
See you later, OK? Be right back. | 0:56:45 | 0:56:47 | |
Thank you. | 0:56:51 | 0:56:54 | |
-Welke, DiPaola. Cincinnati's coming to you. -Copy that. | 0:56:54 | 0:56:58 | |
Ma'am. | 0:57:19 | 0:57:21 | |
What are you doing here? I heard you were arrested for the helicopter. | 0:57:31 | 0:57:35 | |
Whatever you hear about me in the next few days, I want you to know I was framed. | 0:57:35 | 0:57:39 | |
-I had to tell you to your face. -No, you don't. No, you don't. | 0:57:39 | 0:57:43 | |
-We're going to get out of this. -How? | 0:57:43 | 0:57:46 | |
I haven't figured that out yet. | 0:57:46 | 0:57:48 | |
-This is out of control. You've got to turn yourself in. -No, no. | 0:57:48 | 0:57:52 | |
-Yes, you do. I'll go to John. I'll tell him everything. -I can't let you do that. | 0:57:52 | 0:57:55 | |
Pete, they think you're an assassin. They will kill you. | 0:57:55 | 0:58:01 | |
-You can cover my back. -How? | 0:58:01 | 0:58:03 | |
The Director has got a daily password for the agents. Find out what it is. | 0:58:03 | 0:58:07 | |
-I'm checking through stuff. -Hey, guys. Garrison just used his cellphone. | 0:58:32 | 0:58:37 | |
He called Chez Doucette. | 0:58:37 | 0:58:40 | |
You turned around when it rang, didn't you? | 0:58:43 | 0:58:46 | |
Yeah, I did. | 0:58:46 | 0:58:48 | |
Ballsy. Very ballsy. | 0:58:48 | 0:58:51 | |
DiPaola said she seemed completely unfazed. | 0:58:51 | 0:58:53 | |
-She came upstairs, waited five minutes and told him what happened. -OK. | 0:58:53 | 0:58:57 | |
I'm just trying to understand why he came here and why she reacted that way. | 0:59:00 | 0:59:03 | |
-This is your post? -Yeah, it is. | 0:59:03 | 0:59:05 | |
Naturally, the First Lady doesn't want to believe | 0:59:05 | 0:59:07 | |
the man protecting her for the last eight months | 0:59:07 | 0:59:10 | |
is trying to assassinate her husband. | 0:59:10 | 0:59:12 | |
As for why Pete came here? | 0:59:12 | 0:59:15 | |
He's looking for an ally. | 0:59:15 | 0:59:17 | |
And the First Lady is a very powerful ally to have. | 0:59:17 | 0:59:20 | |
Great. The idea is to secure the entire site. | 0:59:27 | 0:59:31 | |
I want you to get every stolen car report for the entire area. | 0:59:34 | 0:59:37 | |
Start looking for cars that were taken within walking distance | 0:59:37 | 0:59:40 | |
of the restaurant or any of the nearby metro stations. | 0:59:40 | 0:59:42 | |
Then within those parameters, I want you to isolate Accords, | 0:59:42 | 0:59:45 | |
-Tauruses, Camrys and Explorers. -How do you know what kind of car he's going to steal? | 0:59:45 | 0:59:48 | |
Those are the four most commonly registered vehicles in the DC area. | 0:59:48 | 0:59:51 | |
Pete knows that. He's going to want to blend in. | 0:59:51 | 0:59:53 | |
And the first thing he's going to want to do is find his informant. | 0:59:53 | 0:59:56 | |
CAR ALARM | 0:59:59 | 1:00:02 | |
BACKGROUND CHATTER | 1:01:01 | 1:01:04 | |
If he tries to breach our computers, we can find out where he's connecting from. | 1:01:22 | 1:01:26 | |
He knows we would know that. He wouldn't do it. | 1:01:26 | 1:01:29 | |
-He could connect to someone else. -How? | 1:01:29 | 1:01:32 | |
Well, he'd need that person's password. | 1:01:32 | 1:01:34 | |
But as a supervisor, it wouldn't be hard to get access to others' passwords. | 1:01:34 | 1:01:37 | |
-Why would he do that? Why would he even risk it? -Because he feels trapped. | 1:01:37 | 1:01:40 | |
We have his credit cards, his cellphone. | 1:01:40 | 1:01:43 | |
He has no other place to hide. | 1:01:43 | 1:01:46 | |
-Can I help you? -Oh, yes, ma'am. | 1:01:57 | 1:02:00 | |
My name is Lawson Smith. I'm looking for a Walter Xavier. | 1:02:00 | 1:02:04 | |
Oh, lovely boy, but he been gone a long time. | 1:02:04 | 1:02:09 | |
-Well, this is the address we have on his sweepstakes form. -Sweepstakes? | 1:02:09 | 1:02:14 | |
-Yes, ma'am. I'm with Publishers Clearing House. -He win? | 1:02:14 | 1:02:19 | |
-Well, he's a finalist. -Million dollars. | 1:02:19 | 1:02:21 | |
-And you must be his mother. -Uh-huh. | 1:02:21 | 1:02:24 | |
Mrs Miller. I'm remarried. | 1:02:24 | 1:02:28 | |
Would you have another address or telephone number where I might reach him? | 1:02:28 | 1:02:31 | |
Oh, I'd love to help ya get in touch with Walter. | 1:02:31 | 1:02:35 | |
Bet he could use the money, but... | 1:02:35 | 1:02:38 | |
I don't know where he is. | 1:02:38 | 1:02:41 | |
Walter and me haven't spoke in three years. | 1:02:41 | 1:02:45 | |
Well, if you do talk to him, tell him we got in touch. | 1:02:45 | 1:02:48 | |
Thank you, ma'am. | 1:02:48 | 1:02:50 | |
Have a good day. | 1:02:52 | 1:02:54 | |
RADIO ON IN BACKGROUND | 1:03:05 | 1:03:07 | |
SWITCHES RADIO OFF | 1:03:07 | 1:03:08 | |
-AUTOMATED VOICE: -'Leave a message.' | 1:03:16 | 1:03:18 | |
Walter, it's Mom. | 1:03:18 | 1:03:20 | |
A guy just come by the house lookin' for ya. He's a cop. | 1:03:20 | 1:03:25 | |
WHIRRING AND BEEPING | 1:03:39 | 1:03:42 | |
BEEPING | 1:03:54 | 1:03:58 | |
On a gut level it doesn't make sense. | 1:04:32 | 1:04:35 | |
-The only thing this guy cares about in life is his job. -And you know this, why? | 1:04:35 | 1:04:39 | |
Because he went out to the Academy a few times and ran your field exercises? | 1:04:39 | 1:04:42 | |
Listen to me. Pete Garrison was my best friend | 1:04:42 | 1:04:45 | |
for ten years till he slept with my wife. | 1:04:45 | 1:04:49 | |
So trust me when I tell you, the only thing Pete Garrison cares about is Pete Garrison. | 1:04:49 | 1:04:53 | |
-Yeah? -Somebody who's not Tom DiPaola | 1:04:53 | 1:04:56 | |
just signed in to our databases using DiPaola's password. | 1:04:56 | 1:04:58 | |
-Pulled up an address in Andrewsboro, Maryland. -I don't believe this. | 1:04:58 | 1:05:03 | |
Get the rest of the team ready. Let's go. | 1:05:03 | 1:05:06 | |
Walter! | 1:05:34 | 1:05:36 | |
RADIO PLAYS | 1:05:48 | 1:05:51 | |
Notify Intel we've got a body. | 1:06:21 | 1:06:24 | |
Take the cars around to the other side! | 1:07:03 | 1:07:06 | |
BARKING | 1:07:35 | 1:07:37 | |
Pete! | 1:07:45 | 1:07:47 | |
Pete! | 1:07:55 | 1:07:57 | |
Damn it. | 1:08:03 | 1:08:06 | |
This is Breckinridge. I'm in a salvage boat at the end of the dock. | 1:08:36 | 1:08:40 | |
-'Set up a perimeter now. Do you copy?' -Copy that. | 1:08:40 | 1:08:43 | |
-Whoa, whoa. -Secret Service. | 1:08:47 | 1:08:50 | |
Get your men to the back of the boat. | 1:08:50 | 1:08:53 | |
Pete, don't move! | 1:09:02 | 1:09:05 | |
Pete! | 1:09:21 | 1:09:24 | |
-The traitor is still out there, Dave. -Fine. | 1:09:28 | 1:09:31 | |
If that's true, come on in. We'll protect you. | 1:09:31 | 1:09:34 | |
-The only reason that I'm alive is they don't know where I am. -Don't make me do this. | 1:09:34 | 1:09:38 | |
-No way! -Don't make me do this. Pete! | 1:09:38 | 1:09:40 | |
GUNSHOT | 1:09:42 | 1:09:43 | |
You want to shoot me? | 1:09:53 | 1:09:56 | |
Forget about the Kevlar. Shoot me in my face! | 1:09:56 | 1:09:58 | |
Dave! My buddy? | 1:09:58 | 1:10:02 | |
Come on! Shoot me! | 1:10:04 | 1:10:06 | |
Come on. Shoot me. | 1:10:06 | 1:10:09 | |
BUZZING | 1:10:26 | 1:10:30 | |
-What happened? -I took him down with a shot to the vest. | 1:10:41 | 1:10:44 | |
I couldn't take the second shot. | 1:10:44 | 1:10:46 | |
What's the least contained environment | 1:10:52 | 1:10:54 | |
-the President's going to be in over the next few days? -G8 Summit. Toronto. | 1:10:54 | 1:10:57 | |
It's a nightmare for us. | 1:10:57 | 1:11:00 | |
Canadians are allowing the protestors all the way up to the three perimeter. | 1:11:00 | 1:11:03 | |
The border's not going to stop him. It's 3,500 miles long and barely patrolled. | 1:11:03 | 1:11:07 | |
You really think it's him, don't you? | 1:11:08 | 1:11:10 | |
KNOCK ON WINDOW | 1:11:26 | 1:11:28 | |
-Pete, you scared me! -Nancy, I'm sorry. I can explain everything. | 1:11:33 | 1:11:36 | |
What is going on? What the hell's been happening? | 1:11:36 | 1:11:39 | |
INAUDIBLE | 1:11:39 | 1:11:40 | |
I think Charlie got wind of an assassination plot by one of the other agents | 1:11:46 | 1:11:51 | |
so I want to check his computer files, see if there's any indication of evidence. | 1:11:51 | 1:11:54 | |
Is that why there's a car watching the house? | 1:11:54 | 1:11:57 | |
The maroon Cadillac. | 1:12:01 | 1:12:03 | |
-Who are they? -I think they're the guys that got Charlie. | 1:12:03 | 1:12:07 | |
Nancy, I'm going to need the keys to your car, and I want you to call the police. | 1:12:07 | 1:12:12 | |
Not the Secret Service. The police. Tell 'em about the Cadillac. | 1:12:12 | 1:12:14 | |
-OK. -Thanks. | 1:12:14 | 1:12:16 | |
I was waiting there maybe three hours. Nobody showed up. | 1:13:14 | 1:13:18 | |
'I didn't want to stay there all day. | 1:13:18 | 1:13:20 | |
'She didn't go nowhere. She didn't go nowhere, so I left.' | 1:13:20 | 1:13:23 | |
'What do you want me to do? | 1:13:27 | 1:13:30 | |
'Come on. Yes, yes, by herself. | 1:13:30 | 1:13:34 | |
'OK. Yeah, yeah. No, no. | 1:13:34 | 1:13:36 | |
'What do you want? | 1:13:36 | 1:13:38 | |
'I'm not going to stay there all night. She's not going to be a problem. | 1:13:38 | 1:13:43 | |
'No, no. No. | 1:13:46 | 1:13:48 | |
'Yes, yes, by herself. | 1:13:48 | 1:13:50 | |
'Everything's going to be OK.' | 1:13:50 | 1:13:52 | |
GUNFIRE | 1:13:59 | 1:14:01 | |
GASPS AND GROANS | 1:14:01 | 1:14:06 | |
GUNFIRE | 1:14:12 | 1:14:14 | |
Shooting. Shooting. | 1:14:14 | 1:14:16 | |
HE GASPS | 1:14:19 | 1:14:22 | |
HE SPEAKS IN OWN LANGUAGE | 1:14:23 | 1:14:25 | |
-Huh? Huh? -Shooting! | 1:14:25 | 1:14:27 | |
MAN ON FLOOR GROANS | 1:14:29 | 1:14:31 | |
Your name? Your name! | 1:14:31 | 1:14:34 | |
Who sent you? Who sent you! | 1:14:35 | 1:14:38 | |
Come on. Come on. | 1:15:02 | 1:15:04 | |
INDISTINCT | 1:15:23 | 1:15:25 | |
-Hi, Jill. -Pete? | 1:16:01 | 1:16:03 | |
Yeah. Look, I just got into a shoot out. | 1:16:03 | 1:16:06 | |
1265 Leslie, Northwest. | 1:16:06 | 1:16:08 | |
-He's a foreign operative. He's got a lot of passports and a lot of cash. -Right. | 1:16:08 | 1:16:12 | |
He's got full security access to the G8 Summit in Toronto tomorrow. | 1:16:12 | 1:16:17 | |
OK, Pete. We're on it. But I really think you should come in. | 1:16:17 | 1:16:21 | |
Yeah. | 1:16:21 | 1:16:23 | |
Pete, we've been through the entire place, but you're going to have to be straight with me. | 1:16:28 | 1:16:32 | |
-What are you talking about? -There's no body. | 1:16:32 | 1:16:35 | |
There's blood all over the goddamn place. | 1:16:35 | 1:16:37 | |
There's blood all over the place but there's no body, no passports, no G8 credentials. | 1:16:37 | 1:16:41 | |
Listen. This is not enough to take back to Overbrook and clear you. | 1:16:41 | 1:16:45 | |
Dave, I don't know what to tell you. They're going to hit him in Toronto, G8 Summit. | 1:16:45 | 1:16:50 | |
RINGS OFF | 1:16:50 | 1:16:51 | |
Pete. Pete? | 1:16:51 | 1:16:53 | |
KNOCK ON DOOR | 1:16:56 | 1:16:58 | |
Sarah? | 1:16:58 | 1:17:00 | |
Listen, I'm leaving for Toronto tonight. | 1:17:00 | 1:17:02 | |
Montrose wants to move me up there early for security purposes. | 1:17:02 | 1:17:05 | |
PHONE RINGS | 1:17:05 | 1:17:07 | |
Oh! | 1:17:07 | 1:17:08 | |
RINGTONE | 1:17:08 | 1:17:10 | |
California. My sister. I'll call her back. | 1:17:10 | 1:17:13 | |
Well, this is the speech I'm going to give. I'm... I'm reasonably happy. | 1:17:13 | 1:17:18 | |
Maybe you could take a look at that if you get a chance. | 1:17:18 | 1:17:21 | |
Sure. Then I'll see you tomorrow. I'll be up after the meeting. | 1:17:21 | 1:17:25 | |
OK. Thanks. | 1:17:25 | 1:17:27 | |
-AUTOMATED VOICE: -'One new message.' | 1:17:37 | 1:17:40 | |
Sarah, I want you to know if I don't make it, I was doing my job. | 1:17:40 | 1:17:44 | |
I've got to turn this off before they track me. | 1:17:44 | 1:17:46 | |
'I love you.' | 1:17:46 | 1:17:48 | |
I want you to get the crime scene unit out here immediately. | 1:17:54 | 1:17:56 | |
-Rip this place apart. Find me something now. -Yes, sir. | 1:17:56 | 1:17:59 | |
-This is Agent Breckinridge. -'Agent Breckinridge?' | 1:17:59 | 1:18:01 | |
Sarah Ballentine. | 1:18:01 | 1:18:05 | |
Come in. | 1:18:06 | 1:18:08 | |
Excuse me, ma'am. | 1:18:10 | 1:18:13 | |
Thanks, Tom. | 1:18:13 | 1:18:15 | |
-Could I offer you a drink? -No, thank you, ma'am. | 1:18:17 | 1:18:20 | |
You know, most women don't like whiskey | 1:18:22 | 1:18:24 | |
but my mama was from Tennessee. | 1:18:24 | 1:18:28 | |
Pete Garrison and I are having an affair. | 1:18:31 | 1:18:34 | |
Please have a seat. And...that's for you. | 1:18:37 | 1:18:41 | |
You know, I don't know all the evidence you have against him | 1:18:42 | 1:18:45 | |
but I do know why he failed the lie detector test. | 1:18:45 | 1:18:48 | |
And I know why he was in that coffee shop looking for someone. | 1:18:48 | 1:18:53 | |
Hello. US Secret Service up for the G8. | 1:19:35 | 1:19:39 | |
I got a priority item for the duty officer over at the lab. | 1:19:39 | 1:19:42 | |
-That'll be that direction on the eighth floor. -Thank you. | 1:19:42 | 1:19:46 | |
Sign the log, please. | 1:19:46 | 1:19:48 | |
I need any prints that you can find off this cup. | 1:19:54 | 1:19:58 | |
-OK. -Thank you very much. | 1:19:58 | 1:20:01 | |
See you in about 12 minutes. | 1:20:03 | 1:20:05 | |
RADIO CHATTER | 1:20:13 | 1:20:18 | |
'Sweeps two and three now complete.' | 1:20:22 | 1:20:25 | |
BELL | 1:20:34 | 1:20:37 | |
I'm going to be pushing post in a few minutes | 1:21:03 | 1:21:05 | |
-but if you want to grab a coffee... -Marin. | 1:21:05 | 1:21:07 | |
-Hey, Jill. This is Pete. -A lot of people are looking for you. | 1:21:07 | 1:21:11 | |
I'm sure they are. | 1:21:11 | 1:21:13 | |
-Did you find any prints at the apartment? -No. Nothing. | 1:21:13 | 1:21:16 | |
I did. You gotta help me out. If I e-mail the prints to you, how long is it going to take | 1:21:16 | 1:21:20 | |
'to check them against the FBI And CIA databases?' | 1:21:20 | 1:21:23 | |
Five minutes after I receive 'em. | 1:21:23 | 1:21:25 | |
I'll call you five minutes after I send them. Bye. | 1:21:25 | 1:21:28 | |
I've got a print in here. Could somebody run it for me, please? | 1:21:28 | 1:21:31 | |
-Yeah, I got it. -Thank you. | 1:21:31 | 1:21:34 | |
In my experience a guilty man doesn't break into a police station | 1:21:58 | 1:22:01 | |
and check fingerprints for a few hours. | 1:22:01 | 1:22:03 | |
What do you think? | 1:22:03 | 1:22:05 | |
My phone was only on for five minutes. | 1:22:07 | 1:22:11 | |
I was in the neighbourhood. | 1:22:11 | 1:22:13 | |
Dave, I can't explain about the bank account. The other things I can explain. | 1:22:13 | 1:22:17 | |
-I know about the affair. -It wasn't with Cindy. | 1:22:17 | 1:22:19 | |
Oh, I know. The First Lady. | 1:22:19 | 1:22:22 | |
She told me everything. I know you're being framed. | 1:22:22 | 1:22:25 | |
She showed me the blackmail photos. | 1:22:25 | 1:22:28 | |
So where does that leave us? | 1:22:31 | 1:22:33 | |
-We need to find this guy. -Come here. | 1:22:33 | 1:22:37 | |
Yeah. | 1:22:37 | 1:22:40 | |
You really are an idiot, you know that? | 1:22:40 | 1:22:43 | |
-You honestly thought that this wouldn't be uncovered? -Dave, I love her. | 1:22:43 | 1:22:47 | |
Well, that's practical. | 1:22:47 | 1:22:49 | |
prints belong to Gennady Ivanov, former KGB, | 1:22:49 | 1:22:53 | |
now works for the personal security service of the president of Karjastan. | 1:22:53 | 1:22:57 | |
I'm also showing confirmed intel that this is the guy | 1:22:57 | 1:23:00 | |
'responsible for the Central Asian pipeline attacks.' | 1:23:00 | 1:23:02 | |
Confirmed intel on what, Agent Marin? | 1:23:02 | 1:23:04 | |
This is a classified conversation. We'll be out of here in two minutes. | 1:23:04 | 1:23:08 | |
-Yeah. Whatever. -Thank you. | 1:23:08 | 1:23:10 | |
These people have the financial and intelligence resources to pull this off. | 1:23:10 | 1:23:13 | |
All right, let's get going. | 1:23:13 | 1:23:16 | |
We've still got to find the mole. | 1:23:19 | 1:23:21 | |
We polygraphed every agent with access to the President. | 1:23:21 | 1:23:23 | |
Yours was the only one that showed deception. | 1:23:23 | 1:23:25 | |
We need to figure out how the real traitor passed the test or if he even took it. | 1:23:25 | 1:23:29 | |
Montrose had the list. | 1:23:29 | 1:23:30 | |
You know I never guaranteed you success. | 1:23:33 | 1:23:36 | |
Security's tighter than it's ever been. | 1:23:36 | 1:23:38 | |
Routes, modes of transport, they're all random now. | 1:23:38 | 1:23:41 | |
Yeah, but not random to you, William. | 1:23:41 | 1:23:44 | |
I mean, if you wanted him on that helicopter at Camp David, you could have put him there. | 1:23:44 | 1:23:49 | |
Now, you've been playing us since the beginning. | 1:23:51 | 1:23:54 | |
All right. Fair enough. | 1:23:54 | 1:23:57 | |
That's not going to work any more. | 1:23:57 | 1:23:59 | |
-You did make a deal. -Yeah. | 1:23:59 | 1:24:03 | |
20 years ago with the KGB, which doesn't even exist any more. | 1:24:03 | 1:24:06 | |
Do you want out, William? | 1:24:06 | 1:24:08 | |
Then give me the President. | 1:24:14 | 1:24:17 | |
Just like you agreed. | 1:24:17 | 1:24:19 | |
No. | 1:24:19 | 1:24:21 | |
I don't care. | 1:24:23 | 1:24:25 | |
Expose me. | 1:24:26 | 1:24:29 | |
I don't care if I spend the rest of my life in prison for treason. | 1:24:29 | 1:24:32 | |
I don't care if you kill me. | 1:24:32 | 1:24:35 | |
-Here you go. -Have a pint. | 1:24:37 | 1:24:41 | |
Oh. Thank you. | 1:24:44 | 1:24:47 | |
William... | 1:24:48 | 1:24:50 | |
..if you don't do this, we're not going to kill you. | 1:24:52 | 1:24:55 | |
We are going to kill her. | 1:25:02 | 1:25:05 | |
And we're going to kill her. | 1:25:09 | 1:25:11 | |
And then we're going to kill her. | 1:25:13 | 1:25:15 | |
Yes, William, the KGB's gone. | 1:25:25 | 1:25:28 | |
But we're still here. | 1:25:28 | 1:25:30 | |
William, it's all right. | 1:25:33 | 1:25:36 | |
You do have a way out. | 1:25:36 | 1:25:38 | |
But only one. | 1:25:38 | 1:25:40 | |
When he finishes his speech, you take him on the primary route | 1:25:47 | 1:25:50 | |
to the B motorcade under the plaza | 1:25:50 | 1:25:53 | |
and you take the radios out. | 1:25:53 | 1:25:55 | |
Then that's it. And we'll do the rest. | 1:25:57 | 1:26:01 | |
Hey, look. | 1:26:03 | 1:26:06 | |
You can keep those. | 1:26:09 | 1:26:11 | |
I've got doubles. | 1:26:11 | 1:26:13 | |
Jill, it's David. I want you to get in touch with Downing and Medina. | 1:26:20 | 1:26:24 | |
'Confirm for me which one did Montrose's polygraph and get back to me. | 1:26:24 | 1:26:28 | |
-'We're on our way to City Hall.' -'Got it.' | 1:26:28 | 1:26:31 | |
INDISTINCT | 1:26:31 | 1:26:34 | |
'Command Post from Apache follow-up. | 1:26:38 | 1:26:41 | |
'Arrive Martinez location 1740 hours. Copy.' | 1:26:41 | 1:26:44 | |
'Summon security, DiPaola. Cincinnati's moving to hold.' | 1:26:44 | 1:26:46 | |
'All posts, all posts, be advised. We have an arrival. | 1:26:46 | 1:26:49 | |
'Only essential traffic at this time.' | 1:26:49 | 1:26:53 | |
-Everybody ready? -Yes, sir. | 1:26:57 | 1:27:00 | |
Let's do this. | 1:27:00 | 1:27:02 | |
PHONE RINGS | 1:27:02 | 1:27:04 | |
Yeah, tell me what you got. | 1:27:04 | 1:27:05 | |
-Montrose didn't take the polygraph. -'You're 100% sure?' | 1:27:05 | 1:27:08 | |
Positive. Polygraphers have no record of Montrose even being tested. | 1:27:08 | 1:27:13 | |
-Neither one of them. -Montrose didn't take the polygraph. | 1:27:13 | 1:27:16 | |
APPLAUSE | 1:27:16 | 1:27:18 | |
Now let there be no mistake. In an uncertain and an unsafe world | 1:27:24 | 1:27:27 | |
America must be strong. | 1:27:27 | 1:27:29 | |
But previous administrations... | 1:27:29 | 1:27:31 | |
I also hacked into Merriweather's staff mail. | 1:27:31 | 1:27:34 | |
He was streaming someone's offshore phone logs. | 1:27:34 | 1:27:36 | |
-'The logs are Montrose's.' -Give me the phone. | 1:27:36 | 1:27:39 | |
Hi, Jill. It's Pete. | 1:27:39 | 1:27:41 | |
Get a hold of the First Lady and tell her, only her, that it's Montrose. | 1:27:41 | 1:27:44 | |
Got it. | 1:27:44 | 1:27:47 | |
Jesus Christ, Pete. The First Lady? What were you thinkin'? | 1:27:47 | 1:27:50 | |
I never saw it coming, Dave. | 1:27:50 | 1:27:53 | |
MUSIC PLAYS | 1:27:57 | 1:27:59 | |
CROWD SHOUTS | 1:27:59 | 1:28:02 | |
'Secret Service command post be advised, they just allowed two armed credentialed | 1:28:21 | 1:28:26 | |
'American agents into the three perimeter from checkpoint 386.' | 1:28:26 | 1:28:29 | |
'Command post, from post 209, be advised, suspect Garrison has just been let through...' | 1:28:29 | 1:28:33 | |
I've got a scope on subject Garrison. Ah, Jeez! I got Garrison through the three. | 1:28:33 | 1:28:37 | |
This resolution cannot function alone. It is designed... | 1:28:37 | 1:28:41 | |
It's Garrison and Breck. | 1:28:41 | 1:28:44 | |
Holster your weapon. Holster your weapon! | 1:28:44 | 1:28:47 | |
I'm Agent Breckinridge, lead investigator. I issued the warrant on Pete Garrison. | 1:28:47 | 1:28:50 | |
'Subject in my sight. Do I take the shot?' | 1:28:50 | 1:28:53 | |
We must ratify the Kyoto Protocol. | 1:28:53 | 1:28:57 | |
-We must embrace the ideal of an African economic union... -'Do you need assistance? Over.' | 1:28:57 | 1:29:01 | |
-He's a Do Not Admit. -We have orders. | 1:29:03 | 1:29:06 | |
-I am countermanding your orders! -You don't control this site. | 1:29:06 | 1:29:08 | |
-Montrose does. -Don't call him! -Montrose is the mole! -Montrose?! | 1:29:08 | 1:29:11 | |
What's the procedure for that? | 1:29:11 | 1:29:13 | |
INDISTINCT | 1:29:13 | 1:29:15 | |
'No unauthorised personnel beyond the two perimeter.' | 1:29:15 | 1:29:19 | |
Ma'am. | 1:29:19 | 1:29:20 | |
Something's wrong. My radio just went dead. | 1:29:23 | 1:29:26 | |
I've lost my radio. I don't have any radio. | 1:29:26 | 1:29:28 | |
-I'm not hearing any chatter. -I've got silence on all channels. | 1:29:28 | 1:29:30 | |
It's going down! | 1:29:30 | 1:29:31 | |
Agent Garrison called on my line. | 1:29:31 | 1:29:33 | |
He wanted me to tell you that Montrose is the mole. | 1:29:33 | 1:29:36 | |
-PRESIDENT: -But I strongly believe that we can protect our vital interests | 1:29:38 | 1:29:42 | |
without causing resentment. | 1:29:42 | 1:29:45 | |
-Freeze! -Put your hands in the air! | 1:29:45 | 1:29:48 | |
Put that down! Pete Garrison is not the mole! | 1:29:48 | 1:29:51 | |
-You are a Do Not Admit! -PRESIDENT: But at the same time... | 1:29:51 | 1:29:54 | |
Mr President. Listen to me! | 1:29:54 | 1:29:57 | |
Do not let him move the President! | 1:29:57 | 1:30:00 | |
This way, Mr President. | 1:30:00 | 1:30:02 | |
-Do not let Montrose move the president! -Montrose, he's getting away! | 1:30:02 | 1:30:05 | |
Crystal. Crystal is the password. | 1:30:05 | 1:30:07 | |
We need your help. Tom, get the First Lady to the motorcade. | 1:30:10 | 1:30:13 | |
It's all right. | 1:30:17 | 1:30:20 | |
-Freeze! -Password is Crystal. Where'd Montrose take the President? | 1:30:20 | 1:30:24 | |
-Motorcade B. -Stay with me, Ma'am. | 1:30:24 | 1:30:27 | |
This way. | 1:30:31 | 1:30:33 | |
-It's just this way, Ma'am. -Tom, where are we going? | 1:30:37 | 1:30:40 | |
We're going to motorcade C, Ma'am. | 1:30:40 | 1:30:43 | |
That's a hell of a way to leave the G8. | 1:30:47 | 1:30:49 | |
What is going on with these goddamn radios? | 1:30:49 | 1:30:53 | |
GUNFIRE | 1:30:56 | 1:30:59 | |
SHE SHRIEKS | 1:30:59 | 1:31:00 | |
Go in twos. | 1:31:02 | 1:31:04 | |
What's next, boss? What's the next move? | 1:31:08 | 1:31:11 | |
-What's next? -Bill? | 1:31:11 | 1:31:14 | |
Hold the corridor. Push 'em back. | 1:31:14 | 1:31:17 | |
GUNFIRE | 1:31:17 | 1:31:21 | |
Crystal! | 1:31:27 | 1:31:30 | |
Pete, we're cut off from the B motorcade. | 1:31:32 | 1:31:36 | |
GUNFIRE | 1:31:43 | 1:31:44 | |
You OK? | 1:32:00 | 1:32:02 | |
-I think so. -Turn off your locator. | 1:32:02 | 1:32:04 | |
What? | 1:32:04 | 1:32:06 | |
Your locator, turn it off. That's how they know where we are. They're tracking us. | 1:32:06 | 1:32:10 | |
How do you...? How do you know? | 1:32:10 | 1:32:14 | |
Oh, no, Bill. Oh, God. | 1:32:17 | 1:32:20 | |
GUNFIRE | 1:32:25 | 1:32:26 | |
Montrose was... | 1:32:39 | 1:32:41 | |
GUNSHOT | 1:32:48 | 1:32:49 | |
GUNFIRE | 1:33:01 | 1:33:03 | |
Pete. Pete. | 1:33:05 | 1:33:08 | |
My family. My family. Pete! | 1:33:08 | 1:33:11 | |
Mr President, you're going to have to trust us. | 1:33:16 | 1:33:18 | |
We're going to get you up top to an evac car. | 1:33:18 | 1:33:21 | |
OK. | 1:33:21 | 1:33:22 | |
GUNSHOT | 1:33:25 | 1:33:27 | |
SHE GASPS | 1:33:27 | 1:33:28 | |
GUNFIRE | 1:33:29 | 1:33:32 | |
Shooter's at 11 o'clock. I'll go high. You go low. You ready? | 1:33:40 | 1:33:43 | |
-Yeah. -Go. | 1:33:43 | 1:33:44 | |
GUNFIRE | 1:33:46 | 1:33:49 | |
Get the President upstairs. We'll cover you from here. | 1:33:53 | 1:33:57 | |
SHE GASPS | 1:34:02 | 1:34:04 | |
DISTANT GUNFIRE | 1:34:04 | 1:34:06 | |
This way, ma'am. As quick as you can. | 1:34:12 | 1:34:15 | |
Yes. Garrison. | 1:34:15 | 1:34:18 | |
'Need a hard car for the President at southwest two.' | 1:34:18 | 1:34:21 | |
Coming to you, Pete. Go. Go! Go, go! | 1:34:21 | 1:34:23 | |
Southwest stairs. Let's go get 'em! | 1:34:23 | 1:34:25 | |
All right, we're going to get you out of here. | 1:34:25 | 1:34:27 | |
GUNFIRE | 1:34:41 | 1:34:43 | |
HE GASPS | 1:34:50 | 1:34:51 | |
SIRENS | 1:35:15 | 1:35:18 | |
Give me a perimeter 10 meters, 360 degrees! | 1:35:18 | 1:35:22 | |
President's hard car! Let's get him in! | 1:35:35 | 1:35:38 | |
Pete, I got him. Mr President, you're with me. | 1:35:38 | 1:35:42 | |
HE GASPS | 1:35:42 | 1:35:44 | |
DISEMBODIED VOICE | 1:35:44 | 1:35:47 | |
SHE SHRIEKS | 1:35:55 | 1:35:57 | |
The President is away! | 1:35:59 | 1:36:01 | |
GUNFIRE | 1:36:01 | 1:36:04 | |
Go, go, go, go! | 1:36:08 | 1:36:10 | |
Oh, my God! | 1:36:14 | 1:36:16 | |
-Secure the First Lady! -We need a hard car, now! | 1:36:22 | 1:36:25 | |
Carl. | 1:36:53 | 1:36:55 | |
Listen, Pete, um... | 1:36:55 | 1:36:58 | |
You take care of yourself. | 1:37:01 | 1:37:03 | |
I'll save you a tee time. | 1:37:05 | 1:37:07 | |
Tom, you did a great job. I was proud to work with you. | 1:37:10 | 1:37:13 | |
-Thanks. -Thanks a lot. | 1:37:13 | 1:37:15 | |
See you, guys. Make good careers. | 1:37:15 | 1:37:18 | |
Take care. | 1:37:18 | 1:37:20 | |
Good luck, guys. See you soon. | 1:37:20 | 1:37:23 | |
-Hey, Pete. -Yeah? | 1:37:23 | 1:37:25 | |
This could be trouble. | 1:37:27 | 1:37:28 | |
LAUGHTER | 1:37:28 | 1:37:30 | |
I'm going to walk out of the White House carrying this? | 1:37:30 | 1:37:34 | |
Thanks. | 1:37:34 | 1:37:35 | |
APPLAUSE | 1:37:35 | 1:37:37 | |
-Bye-bye. -It was a pleasure. -All the best. -Hey, Pete! | 1:37:37 | 1:37:40 | |
Are you going to leave without saying goodbye? | 1:37:40 | 1:37:43 | |
Well, look who's no longer a rookie. | 1:37:43 | 1:37:45 | |
Thanks. | 1:37:45 | 1:37:47 | |
So, how about a little retirement dinner tonight? | 1:37:47 | 1:37:49 | |
I can't. I got a date. | 1:37:49 | 1:37:52 | |
-Something you want to tell me? -With my wife. | 1:37:52 | 1:37:55 | |
That's great. | 1:37:55 | 1:37:57 | |
-Pete. -See you around campus, Jill. | 1:37:57 | 1:38:00 | |
-Thanks for everything. -Pleasure. | 1:38:00 | 1:38:03 | |
Yeah, I'm going to miss it. | 1:38:06 | 1:38:08 | |
It's going to miss you too. | 1:38:08 | 1:38:11 | |
Take care. | 1:38:14 | 1:38:16 | |
# Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah | 1:38:18 | 1:38:20 | |
# Uh-huh, uh-huh, uh-huh, uh-huh, uh-huh | 1:38:22 | 1:38:26 | |
# Oh, oh, oh, oh, oh, oh, oh, oh, oh | 1:38:28 | 1:38:31 | |
# Hey, hey, hey, hey, hey | 1:38:31 | 1:38:36 | |
# What you've done here | 1:38:36 | 1:38:38 | |
# Is put yourself between a bullet and a target | 1:38:38 | 1:38:41 | |
# And it won't be long before You're pulling yourself away | 1:38:41 | 1:38:47 | |
# What you've done here | 1:38:47 | 1:38:49 | |
# Is put yourself between a bullet and a target | 1:38:49 | 1:38:53 | |
# And it won't be long before You're pulling yourself away | 1:38:53 | 1:38:58 | |
# What you've done | 1:38:59 | 1:39:01 | |
# Is put yourself between a bullet and a target | 1:39:01 | 1:39:04 | |
# And it won't be long before You're pulling yourself away | 1:39:04 | 1:39:09 | |
# A bullet and a target A bullet and a target | 1:39:13 | 1:39:17 | |
# A bullet and a target A bullet and a target | 1:39:17 | 1:39:22 | |
# A bullet and a bullet and a target | 1:39:44 | 1:39:47 | |
# A bullet and a bullet and a target | 1:39:47 | 1:39:49 | |
# A bullet and a bullet and a target | 1:39:49 | 1:39:52 | |
# A bullet and a bullet and a... # | 1:39:55 | 1:39:57 |