
Browse content similar to The Truth Commissioner. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
RAIN FALLS IN BACKGROUND | 0:00:02 | 0:00:04 | |
HE STIFLES LAUGHTER | 0:00:22 | 0:00:24 | |
DOG BARKS IN BACKGROUND | 0:00:28 | 0:00:30 | |
MUFFLED CRIES | 0:00:46 | 0:00:49 | |
MUFFLED CRIES | 0:00:56 | 0:00:58 | |
AEROPLANE NOISE IN BACKGROUND | 0:01:10 | 0:01:12 | |
Michael. | 0:01:18 | 0:01:20 | |
I hope you got some rest. | 0:01:20 | 0:01:21 | |
How long has it been? | 0:01:22 | 0:01:23 | |
12th of May 1992. | 0:01:25 | 0:01:27 | |
Connor Roche's murder. | 0:01:27 | 0:01:28 | |
I see Francis Gilroy is now a man in a suit. | 0:01:30 | 0:01:33 | |
The last thing we want is for you to feel exposed at the hearing. | 0:01:35 | 0:01:39 | |
What I want you to do | 0:01:43 | 0:01:44 | |
is remember everything you can about Connor Roche. | 0:01:44 | 0:01:47 | |
Now. | 0:01:51 | 0:01:52 | |
From the very start. | 0:01:52 | 0:01:54 | |
DRAMATIC MUSIC | 0:02:14 | 0:02:16 | |
CONNOR PANTS | 0:02:18 | 0:02:19 | |
Connor! | 0:02:23 | 0:02:24 | |
Connor! | 0:02:25 | 0:02:27 | |
Don't do this. | 0:02:34 | 0:02:36 | |
Connor! | 0:02:44 | 0:02:45 | |
CONNOR PANTS | 0:02:49 | 0:02:50 | |
Connor! | 0:02:54 | 0:02:55 | |
Connor! | 0:03:02 | 0:03:04 | |
Don't be stupid, Connor! | 0:03:05 | 0:03:07 | |
-Beckett. -Sir. Beckett. | 0:03:46 | 0:03:47 | |
-This way, please. Ma'am. -Thank you. | 0:03:47 | 0:03:50 | |
You're expected at Stormont by ten. | 0:03:50 | 0:03:52 | |
10:30 press conference with the Prime Minister, | 0:03:52 | 0:03:54 | |
who will introduce you to local government ministers, | 0:03:54 | 0:03:57 | |
followed by drinks then dinner, with 12 cross-community leaders. | 0:03:57 | 0:04:00 | |
-The last supper. -Except you're not Jesus, Henry. | 0:04:00 | 0:04:03 | |
POLICE SIREN | 0:04:15 | 0:04:17 | |
Did I tell you my daughter lives there? | 0:04:17 | 0:04:20 | |
Several times. | 0:04:20 | 0:04:22 | |
You planning on seeing her? | 0:04:22 | 0:04:24 | |
That all depends on her, I'm afraid. | 0:04:24 | 0:04:26 | |
How old is she? | 0:04:29 | 0:04:31 | |
30. Same thing. | 0:04:33 | 0:04:35 | |
-REPORTER: -'The conflict resolution expert Henry Stanfield | 0:04:35 | 0:04:38 | |
'has been appointed in a bid to lend honesty and transparency | 0:04:38 | 0:04:42 | |
'to the stalled reconciliation process.' | 0:04:42 | 0:04:45 | |
The coming months will tell whether Northern Ireland is ready to face | 0:04:45 | 0:04:48 | |
the truth about its past, | 0:04:48 | 0:04:50 | |
or whether the past is too present to contemplate. | 0:04:50 | 0:04:53 | |
For CNN, I'm Jesse Wheeler. Belfast. | 0:04:53 | 0:04:56 | |
CAMERAS CLICK | 0:04:56 | 0:04:58 | |
Stand back, please. Stand back. | 0:04:59 | 0:05:01 | |
REPORTERS TALK OVER EACH OTHER | 0:05:02 | 0:05:04 | |
Stand back, please. Stand back, please. | 0:05:06 | 0:05:09 | |
Stand back, please. Thank you. | 0:05:10 | 0:05:12 | |
No-one's asking anyone to forget. | 0:05:14 | 0:05:16 | |
We try to get at the truth. | 0:05:16 | 0:05:18 | |
After that, people make up their own minds, make their own futures, | 0:05:18 | 0:05:23 | |
hopefully for the better. | 0:05:23 | 0:05:24 | |
Thank you. | 0:05:24 | 0:05:25 | |
REPORTERS TALK OVER EACH OTHER | 0:05:25 | 0:05:27 | |
On the right, Unionist MLA's leader, Harry Bryson. | 0:05:27 | 0:05:30 | |
On the left, Francis Gilroy, Sinn Fein Minister. | 0:05:30 | 0:05:34 | |
Behind him, Johnny Rafferty, Sinn Fein head of communications. | 0:05:34 | 0:05:37 | |
Coppers: Alec Reid, Chief Constable Police Service Northern Ireland. | 0:05:37 | 0:05:41 | |
Henry. | 0:05:41 | 0:05:43 | |
-Hello, Henry. -Prime Minister. -Picked a good day. | 0:05:46 | 0:05:49 | |
Henry Stanfield, son of a Northern Ireland mother and an English father | 0:05:49 | 0:05:55 | |
is in so many ways the best that these islands have to offer. | 0:05:55 | 0:05:59 | |
No offence to the Scots and the Welsh. | 0:05:59 | 0:06:02 | |
GENTLE LAUGHTER | 0:06:02 | 0:06:03 | |
He brings honesty, integrity | 0:06:03 | 0:06:07 | |
and experience to this job. | 0:06:07 | 0:06:10 | |
We are very lucky to have him. | 0:06:10 | 0:06:12 | |
Ladies and gentlemen, | 0:06:12 | 0:06:13 | |
the Truth Commissioner for Northern Ireland, Henry Stanfield. | 0:06:13 | 0:06:17 | |
APPLAUSE | 0:06:17 | 0:06:20 | |
-So, how was Libya? -Well, like everything, it's a process. | 0:06:26 | 0:06:29 | |
-That bad, huh? -I do firmly believe in the process. | 0:06:29 | 0:06:33 | |
Of course. | 0:06:33 | 0:06:35 | |
Sorry to interrupt, but the PM's leaving. | 0:06:35 | 0:06:38 | |
Laura Darnell, my legal aid. Minister Francis Gilroy. | 0:06:38 | 0:06:41 | |
-Pleasure to meet you. -And you. | 0:06:41 | 0:06:43 | |
If you'll excuse us, we ought to show our faces. | 0:06:43 | 0:06:46 | |
-We'll talk again, I hope. -Good luck, Mr Stanfield. | 0:06:46 | 0:06:49 | |
Still bringing the truth to unbelievers, Henry? | 0:06:54 | 0:06:58 | |
Why am I not surprised to see you here? | 0:06:58 | 0:07:00 | |
I see you've befriended governor of the year, 1990. | 0:07:00 | 0:07:04 | |
They tell me he's travelled a long way since then. | 0:07:04 | 0:07:07 | |
He's the coming man, they say. | 0:07:07 | 0:07:09 | |
Who's that? | 0:07:09 | 0:07:11 | |
Don't say your legal aid, please. | 0:07:11 | 0:07:13 | |
She's off-limits. | 0:07:13 | 0:07:14 | |
What are you doing here, Jake? | 0:07:14 | 0:07:16 | |
Not planning another cock-up like the one in Libya? | 0:07:16 | 0:07:19 | |
I'm an adviser of some sort. | 0:07:19 | 0:07:21 | |
PM, apparently. | 0:07:21 | 0:07:23 | |
On what, pricing tips? | 0:07:23 | 0:07:24 | |
Very good, Henry. | 0:07:24 | 0:07:26 | |
How are you going to survive these people? | 0:07:28 | 0:07:31 | |
Well, they don't look so bad. | 0:07:31 | 0:07:33 | |
Well, don't go lifting stones unless you know what's underneath them. | 0:07:33 | 0:07:37 | |
Is that a message? | 0:07:37 | 0:07:38 | |
Yes. | 0:07:38 | 0:07:40 | |
Unless you still want to be here in 2020, narrow the brief. | 0:07:40 | 0:07:44 | |
Hello. | 0:07:44 | 0:07:45 | |
Hello. | 0:07:45 | 0:07:46 | |
-Laura Darnell, Jake Marston. -Pleasure to meet you. -You too. | 0:07:46 | 0:07:50 | |
-The PM? -Yes, of course. | 0:07:52 | 0:07:54 | |
INDISTINCT VOICE ON TELEVISION | 0:08:38 | 0:08:40 | |
-REPORTER: -'The conflict resolution expert Henry Stanfield has been | 0:08:40 | 0:08:44 | |
'appointed Truth Commissioner, | 0:08:44 | 0:08:45 | |
'with blessings from both the UK and the Irish government. | 0:08:45 | 0:08:49 | |
'The truth can and will lead towards healing | 0:08:49 | 0:08:53 | |
-'and a lasting peace. -This eve...' | 0:08:53 | 0:08:56 | |
PHONE RINGS | 0:09:08 | 0:09:10 | |
'Hi, this is Emma. Leave a message.' | 0:09:10 | 0:09:12 | |
Emma, it's your father again. | 0:09:12 | 0:09:16 | |
I was hoping you might have called. | 0:09:18 | 0:09:20 | |
I'm in Belfast, you've got my number. | 0:09:21 | 0:09:23 | |
Bye. | 0:09:25 | 0:09:26 | |
What's all this? | 0:10:31 | 0:10:33 | |
Police files. Or what they tell us are the files. | 0:10:33 | 0:10:36 | |
Police dragging their feet? | 0:10:36 | 0:10:39 | |
The usual. | 0:10:39 | 0:10:40 | |
Those are newspaper reports on the dead or disappeared - | 0:10:40 | 0:10:43 | |
sectarian murder, tribal division, political assassination, | 0:10:43 | 0:10:46 | |
all scanned, indexed, | 0:10:46 | 0:10:48 | |
cross-referenced, and all accessible from your desktop. | 0:10:48 | 0:10:51 | |
PHONE RINGS | 0:10:53 | 0:10:55 | |
Yes? | 0:10:55 | 0:10:57 | |
OK. Thanks. | 0:10:57 | 0:10:58 | |
Henry, the chief constable is in your office. | 0:10:58 | 0:11:02 | |
Ah. What are we still missing? | 0:11:02 | 0:11:05 | |
Practically everything pre-1994. | 0:11:05 | 0:11:07 | |
Right. | 0:11:07 | 0:11:09 | |
Let's go and meet him. | 0:11:09 | 0:11:10 | |
Good morning, Chief Constable. | 0:11:18 | 0:11:20 | |
Truth Commissioner. | 0:11:20 | 0:11:22 | |
I am told that despite repeated requests, | 0:11:23 | 0:11:26 | |
you're withholding crucial evidence. | 0:11:26 | 0:11:28 | |
I don't know who told you that. | 0:11:28 | 0:11:30 | |
Personnel files incomplete, | 0:11:30 | 0:11:31 | |
Special Branch files untraceable - | 0:11:31 | 0:11:34 | |
smacks of history being rewritten. | 0:11:34 | 0:11:36 | |
We do expect you to deliver the files in their entirety. | 0:11:36 | 0:11:39 | |
Many of them are falling to bits. | 0:11:39 | 0:11:41 | |
They are 35 years old. | 0:11:41 | 0:11:42 | |
Hardly the Dead Sea Scrolls. | 0:11:42 | 0:11:44 | |
Maybe they had a better class of paper in those days. | 0:11:44 | 0:11:47 | |
I take it you're in favour of the Truth Commission? | 0:11:48 | 0:11:51 | |
Oh, we all want the truth. | 0:11:53 | 0:11:55 | |
-But? -But what is it going to cost? | 0:11:55 | 0:11:58 | |
Don't obstruct this commission, Chief Constable. | 0:11:58 | 0:12:01 | |
Actually, I just came by to let you know that the missing files | 0:12:01 | 0:12:04 | |
have been recovered. | 0:12:04 | 0:12:06 | |
-They'll be delivered to you here this morning. -Good. | 0:12:06 | 0:12:09 | |
If there is anything else you need, don't hesitate to call me. | 0:12:09 | 0:12:12 | |
Thank you. | 0:12:12 | 0:12:14 | |
A little abrasive for day one. | 0:12:20 | 0:12:22 | |
Belfast or Bosnia, the police protect their own. | 0:12:22 | 0:12:25 | |
Mark their cards early on, saves time later. | 0:12:25 | 0:12:28 | |
Right, well, you better get reading. | 0:12:28 | 0:12:29 | |
We've got one week till the hearings start. | 0:12:29 | 0:12:32 | |
Did you have dinner with Jake Marston last night? | 0:12:32 | 0:12:35 | |
Why not ask him? | 0:12:35 | 0:12:36 | |
Did he mention he's MI5? | 0:12:36 | 0:12:38 | |
I guessed he was something along those lines. | 0:12:38 | 0:12:41 | |
He's not a nice man, Laura. | 0:12:41 | 0:12:44 | |
Spies never are. | 0:12:44 | 0:12:46 | |
Well, thank you for the warning. | 0:12:47 | 0:12:49 | |
CLATTER | 0:13:43 | 0:13:45 | |
Hello? | 0:13:57 | 0:13:58 | |
Hello? Is anybody there? | 0:14:05 | 0:14:07 | |
How far is Dunmurry, Beckett? | 0:14:52 | 0:14:54 | |
Half an hour, sir. | 0:14:54 | 0:14:56 | |
Take me there, will you? | 0:14:56 | 0:14:58 | |
Yes, sir. | 0:14:58 | 0:15:00 | |
Number 35, sir. | 0:15:32 | 0:15:34 | |
Let's head back. | 0:15:55 | 0:15:56 | |
-Marty is bringing the car around. -Right. | 0:16:32 | 0:16:35 | |
You were up again in the middle of the night. | 0:16:39 | 0:16:42 | |
I had that report to read. | 0:16:42 | 0:16:43 | |
You'll end up a physical wreck if you're not careful. | 0:16:43 | 0:16:47 | |
It's nothing. The Kellys are having a new kitchen put in. | 0:16:47 | 0:16:50 | |
Car's here. | 0:16:50 | 0:16:52 | |
CAR HORN PEEPS | 0:16:52 | 0:16:54 | |
Christine's pregnant. | 0:16:54 | 0:16:56 | |
What? | 0:16:56 | 0:16:57 | |
Just three months. | 0:16:57 | 0:16:59 | |
Oh, Jesus. Is this why she's marrying this English fella? | 0:16:59 | 0:17:01 | |
-No. -Cos we'd look after the child. | 0:17:01 | 0:17:03 | |
She's marrying him because she wants to, and his name is Justin. | 0:17:03 | 0:17:06 | |
Could she not have told me herself? | 0:17:06 | 0:17:08 | |
She's afraid you would have a heart attack. | 0:17:08 | 0:17:10 | |
A few days' break would do you good. | 0:17:10 | 0:17:12 | |
-I'm working on it, I promise. -Yeah? Well, I booked it. | 0:17:12 | 0:17:16 | |
Week after next. It's in the diary. | 0:17:16 | 0:17:18 | |
Are you taking a few days' break, then, Frankie? | 0:17:28 | 0:17:30 | |
-Are you organising my personal life now? -Of course not, Frankie. | 0:17:30 | 0:17:33 | |
PHONE RINGS | 0:17:33 | 0:17:34 | |
Hello? | 0:17:34 | 0:17:35 | |
'Ricky, it's Christine. Is my daddy there?' | 0:17:35 | 0:17:38 | |
Hi, Christine. Let me just check. | 0:17:38 | 0:17:40 | |
-Your mother told me. -'Do you forgive me?' -No. | 0:17:40 | 0:17:43 | |
'But you'll come and have your morning suit fitted?' | 0:17:43 | 0:17:46 | |
I'll see how I feel. | 0:17:46 | 0:17:47 | |
'And you'll go easy on Justin?' | 0:17:47 | 0:17:49 | |
I'm making no promises. | 0:17:49 | 0:17:51 | |
'Be there, or I'll not name the child Francis.' | 0:17:51 | 0:17:53 | |
CALL ENDS | 0:17:53 | 0:17:55 | |
Am I the only one who didn't know? | 0:17:57 | 0:18:00 | |
Morning. | 0:18:14 | 0:18:16 | |
-Morning. -Morning. | 0:18:24 | 0:18:26 | |
Ah... | 0:18:27 | 0:18:29 | |
Are they here for me? | 0:18:29 | 0:18:30 | |
Mother and sister of Connor Roche. | 0:18:30 | 0:18:33 | |
The case is set for next month. | 0:18:33 | 0:18:35 | |
What do they want? | 0:18:35 | 0:18:37 | |
To talk to you. | 0:18:37 | 0:18:38 | |
-I know your daughter, Mr Stanfield. -Emma? | 0:18:40 | 0:18:43 | |
She's a colleague of mine. We teach at the same school. | 0:18:43 | 0:18:45 | |
-I see. -Of course, she's off now on maternity leave. | 0:18:45 | 0:18:48 | |
Yes, of course. | 0:18:48 | 0:18:50 | |
All we want is Connor back, so we can put him to rest. | 0:18:50 | 0:18:54 | |
I understand. | 0:18:54 | 0:18:55 | |
-We're not happy with the witnesses you've called. -I'm sorry? | 0:18:55 | 0:18:58 | |
We want the truth. We've written everything down - | 0:18:58 | 0:19:01 | |
times, dates, names. We'd like you to read it. | 0:19:01 | 0:19:03 | |
And if you have time, I'd like you to look at | 0:19:03 | 0:19:06 | |
-my photograph of him, of Connor. -Of course. | 0:19:06 | 0:19:08 | |
We'll not take up any more of your time. | 0:19:08 | 0:19:11 | |
Some good news, at least. | 0:19:15 | 0:19:17 | |
What? | 0:19:17 | 0:19:18 | |
You're going to be a grandfather. Congratulations. | 0:19:18 | 0:19:21 | |
MUSIC PLAYS SOFTLY | 0:19:47 | 0:19:50 | |
(Take that lady a glass of Champagne, would you?) | 0:20:16 | 0:20:19 | |
(From the gentleman over there.) | 0:20:24 | 0:20:26 | |
Mind if I join you? | 0:20:35 | 0:20:37 | |
So, you don't like to drink Champagne alone? | 0:20:37 | 0:20:40 | |
Can't abide it. | 0:20:40 | 0:20:42 | |
Tom. How do you do? | 0:20:43 | 0:20:45 | |
Krystal. | 0:20:45 | 0:20:47 | |
What brings you to Belfast? | 0:20:52 | 0:20:55 | |
Men. Like you. | 0:20:55 | 0:20:57 | |
Ah. | 0:20:57 | 0:20:59 | |
Yes. | 0:21:01 | 0:21:02 | |
Where are you from? | 0:21:05 | 0:21:06 | |
Kiev. | 0:21:06 | 0:21:07 | |
Interesting city. | 0:21:07 | 0:21:09 | |
And you? | 0:21:11 | 0:21:12 | |
Why Belfast? | 0:21:12 | 0:21:14 | |
I'm a lawyer, I have a client. | 0:21:14 | 0:21:16 | |
Hmm. | 0:21:16 | 0:21:18 | |
Are you hungry? | 0:21:18 | 0:21:20 | |
I haven't decided. | 0:21:23 | 0:21:25 | |
You're very beautiful. | 0:21:25 | 0:21:27 | |
SHE CHUCKLES | 0:21:27 | 0:21:30 | |
Are you married, Tom? | 0:21:30 | 0:21:31 | |
My wife died. | 0:21:33 | 0:21:34 | |
When? | 0:21:34 | 0:21:36 | |
Two years ago. | 0:21:36 | 0:21:38 | |
I know a quiet restaurant near here. | 0:21:43 | 0:21:45 | |
If you'd prefer. | 0:21:48 | 0:21:50 | |
Yes, I'd like that. | 0:21:51 | 0:21:54 | |
'Dad, it's Emma. Why am I not surprised you're not answering? | 0:22:35 | 0:22:40 | |
'I saw you on the TV. | 0:22:40 | 0:22:43 | |
'"Henry Stanfield brings honesty, integrity | 0:22:43 | 0:22:45 | |
'"and experience to this job." | 0:22:45 | 0:22:48 | |
'Did you write that for her? Sounds like it. | 0:22:48 | 0:22:50 | |
'Look, I'm really calling to say that Maria told me | 0:22:50 | 0:22:52 | |
'that you and she had met, | 0:22:52 | 0:22:54 | |
'and that she had given you a letter | 0:22:54 | 0:22:56 | |
'with all the details about her brother. | 0:22:56 | 0:22:58 | |
'I just wanted to say... | 0:23:00 | 0:23:01 | |
'it means a lot to her. | 0:23:01 | 0:23:03 | |
'Anyway, call me. | 0:23:03 | 0:23:05 | |
'Maybe we can meet up.' | 0:23:05 | 0:23:07 | |
ANSWERING MACHINE BEEPS | 0:23:07 | 0:23:09 | |
The Roche file has been tampered with. | 0:23:22 | 0:23:25 | |
Pages missing, others substituted after the fact. | 0:23:25 | 0:23:28 | |
He's screwing with us. | 0:23:28 | 0:23:30 | |
Calls me "dear". | 0:23:30 | 0:23:32 | |
He's protecting someone. | 0:23:32 | 0:23:34 | |
Obviously, but who? | 0:23:34 | 0:23:36 | |
DI James Fenton, Special Branch, retired, and Francis Gilroy. | 0:23:36 | 0:23:40 | |
Gilroy? The Minister? | 0:23:40 | 0:23:42 | |
Maria Roche claims Fenton ran her brother as an informer, | 0:23:42 | 0:23:45 | |
and Gilroy had him shot. | 0:23:45 | 0:23:47 | |
That may be more truth than the PM is ready for. | 0:23:47 | 0:23:50 | |
Is that a Jake Marston line? Sounds like it. | 0:23:50 | 0:23:53 | |
Jake completely supports the Truth Commission. | 0:23:53 | 0:23:55 | |
Jake and I have been down this road before. | 0:23:55 | 0:23:58 | |
So, what do you want to do? | 0:23:58 | 0:24:00 | |
We call Gilroy and Fenton before the commission. | 0:24:00 | 0:24:03 | |
-Right. If you're sure. -Yes, I am. | 0:24:03 | 0:24:06 | |
Even if Jake isn't. | 0:24:06 | 0:24:08 | |
TYRES SQUEAL | 0:24:12 | 0:24:14 | |
Mr Rafferty. | 0:24:27 | 0:24:29 | |
Your man Stanfield is making waves. | 0:24:29 | 0:24:32 | |
He's not my man. | 0:24:32 | 0:24:34 | |
It's an independent commission, more's the pity. | 0:24:34 | 0:24:36 | |
Your Prime Minister appointed him. | 0:24:36 | 0:24:38 | |
Your Mr Gilroy, does he know? | 0:24:38 | 0:24:41 | |
Now would not be a good time to tell him. | 0:24:41 | 0:24:44 | |
Francis needs a holiday. | 0:24:44 | 0:24:46 | |
I'm afraid that's your problem. | 0:24:46 | 0:24:49 | |
I'm afraid it's yours. | 0:24:49 | 0:24:51 | |
All right. | 0:24:51 | 0:24:53 | |
You keep Gilroy on the rails, I'll make sure Stanfield backs off. | 0:24:53 | 0:24:57 | |
-NEWS: -'And as the recently established Truth Commission | 0:25:07 | 0:25:10 | |
'gets underway in Belfast, | 0:25:10 | 0:25:11 | |
'families of those killed in the conflict | 0:25:11 | 0:25:14 | |
'will come face-to-face with those responsible... | 0:25:14 | 0:25:16 | |
'..whether these witness statements will amount to | 0:25:16 | 0:25:18 | |
'an admission or an apology is yet to be seen. | 0:25:18 | 0:25:21 | |
'A spokesman for the victims' families said... | 0:25:21 | 0:25:23 | |
'Questions have been asked about the validity of the process... | 0:25:23 | 0:25:26 | |
'We had to do something. | 0:25:26 | 0:25:28 | |
'The UVF only took lives when it felt it had to... | 0:25:28 | 0:25:30 | |
'I regret the loss to his wife and family... | 0:25:30 | 0:25:33 | |
'I'm sorry for the hurt done to this man's family | 0:25:33 | 0:25:36 | |
'but I'm not sorry for what I...' | 0:25:36 | 0:25:38 | |
I was a soldier fighting in a war. | 0:25:38 | 0:25:40 | |
At that time, | 0:25:40 | 0:25:41 | |
I felt the victim represented a legitimate target in that war. | 0:25:41 | 0:25:45 | |
I deeply regret the pain and suffering caused to his family. | 0:25:48 | 0:25:52 | |
Have you anything else to add? | 0:25:58 | 0:26:00 | |
No. | 0:26:04 | 0:26:06 | |
Thank you. | 0:26:07 | 0:26:08 | |
We'll take a 15-minute break. | 0:26:15 | 0:26:18 | |
James? | 0:26:36 | 0:26:38 | |
-Alec Reid. -Alec? | 0:26:38 | 0:26:40 | |
-Alec. -'You're to be called before the Truth Commission, | 0:26:43 | 0:26:46 | |
'the case of Connor Roche.' | 0:26:46 | 0:26:48 | |
HE SIGHS | 0:26:48 | 0:26:50 | |
'Why me? | 0:26:50 | 0:26:52 | |
'I've been told to talk to you. | 0:26:52 | 0:26:54 | |
'Men in suits, people who don't use their real names.' | 0:26:54 | 0:26:57 | |
'And what are you to tell me? | 0:26:57 | 0:26:59 | |
'They don't want Gilroy's name mentioned.' | 0:26:59 | 0:27:02 | |
I asked you to keep me out of this. | 0:27:04 | 0:27:06 | |
It's not up to me. | 0:27:06 | 0:27:07 | |
If they make me go, I'll tell the truth, regardless. | 0:27:07 | 0:27:10 | |
-The federation can help you. -I won't lie. | 0:27:10 | 0:27:12 | |
-You can't use Gilroy's name. -Is that right? | 0:27:12 | 0:27:14 | |
James, you're the one who recruited this boy. | 0:27:14 | 0:27:17 | |
Do you want that to be dragged into the open? | 0:27:17 | 0:27:19 | |
-BUZZING -Are you taping this? | 0:27:19 | 0:27:22 | |
It's a phone, Alec. Stop it. | 0:27:22 | 0:27:23 | |
What the hell is the matter with you? | 0:27:23 | 0:27:25 | |
It's a text from Miriam, look. | 0:27:25 | 0:27:27 | |
Don't make a martyr of yourself, James. | 0:27:29 | 0:27:31 | |
Do what has to be done and disappear into your retirement. | 0:27:31 | 0:27:34 | |
HE SIGHS | 0:27:38 | 0:27:40 | |
When is it due? | 0:27:52 | 0:27:54 | |
Next month. | 0:27:54 | 0:27:55 | |
And how is Richard? | 0:27:55 | 0:27:57 | |
Alan. | 0:27:58 | 0:28:00 | |
Alan. Sorry. | 0:28:00 | 0:28:01 | |
I'd like to meet him. | 0:28:01 | 0:28:03 | |
You probably wouldn't. | 0:28:03 | 0:28:05 | |
Sorry? | 0:28:05 | 0:28:06 | |
Wrong accent, wrong university, wrong shoes... | 0:28:06 | 0:28:08 | |
This is absolute rubbish. | 0:28:08 | 0:28:10 | |
I thought, Northern Ireland, I've escaped all of that, | 0:28:10 | 0:28:13 | |
and then you pitch up, head of the truth police. | 0:28:13 | 0:28:16 | |
I should have gone to Patagonia. | 0:28:16 | 0:28:18 | |
I'm pleased you've found someone you love, who loves you, | 0:28:18 | 0:28:22 | |
-and I'd very much like to meet Alan. -Or Richard. -Stop it, please. | 0:28:22 | 0:28:25 | |
Oh, you love the abuse. | 0:28:25 | 0:28:27 | |
I love you. The abuse I can live without. | 0:28:27 | 0:28:29 | |
Well, maybe you shouldn't have been off in the Congo reconciling | 0:28:29 | 0:28:32 | |
a bunch of murderers when your wife was at home dying of cancer. | 0:28:32 | 0:28:35 | |
Your mother had thrown me out. | 0:28:37 | 0:28:38 | |
You should have tried harder. | 0:28:38 | 0:28:40 | |
She didn't want me there. | 0:28:40 | 0:28:41 | |
-I -wanted you there. | 0:28:41 | 0:28:43 | |
I was doing it all on my own. | 0:28:43 | 0:28:46 | |
How stupid are you? | 0:28:46 | 0:28:48 | |
I need your help. | 0:28:55 | 0:28:57 | |
You only need to ask. | 0:28:57 | 0:28:58 | |
Maria Roche, who you met... | 0:28:58 | 0:29:00 | |
I can't discuss the tribunal. | 0:29:00 | 0:29:02 | |
I don't want you to discuss it. I want you to help her. | 0:29:02 | 0:29:05 | |
Did she tell you what was in her letter? | 0:29:05 | 0:29:08 | |
Well, I didn't ask her for specifics. | 0:29:08 | 0:29:10 | |
Should I have? | 0:29:10 | 0:29:13 | |
I'll do whatever I can to help her. | 0:29:15 | 0:29:17 | |
You'll listen to what she has to say? | 0:29:17 | 0:29:19 | |
I'll try to give her the truth about her brother, that's my job. | 0:29:19 | 0:29:23 | |
Connor's obviously dead but not... | 0:29:23 | 0:29:25 | |
They need the body home. | 0:29:27 | 0:29:29 | |
Yes. | 0:29:29 | 0:29:30 | |
And they want those responsible to be named. | 0:29:30 | 0:29:32 | |
Naturally. | 0:29:32 | 0:29:34 | |
Do this for Maria. It'll mean a lot to her. | 0:29:34 | 0:29:38 | |
And me. | 0:29:40 | 0:29:41 | |
Can I drop you somewhere? | 0:29:50 | 0:29:52 | |
No, thanks. | 0:29:52 | 0:29:54 | |
I'll call you. | 0:29:54 | 0:29:55 | |
Thomas... | 0:30:47 | 0:30:49 | |
Come to bed. | 0:30:53 | 0:30:55 | |
At the time, I believed the victim, Mr Lorimer, | 0:31:01 | 0:31:04 | |
represented a legitimate target in that war. | 0:31:04 | 0:31:08 | |
I deeply regret the hurt and pain caused to his family. | 0:31:14 | 0:31:18 | |
I am very, very sorry | 0:31:23 | 0:31:25 | |
and beg your forgiveness, Mrs Lorimer. | 0:31:25 | 0:31:28 | |
Thank you. | 0:31:35 | 0:31:37 | |
Mrs Lorimer, | 0:31:40 | 0:31:41 | |
would you like to make your final address? | 0:31:41 | 0:31:44 | |
You... | 0:31:55 | 0:31:56 | |
You... | 0:31:59 | 0:32:00 | |
destroyed my life. | 0:32:00 | 0:32:02 | |
My family. | 0:32:05 | 0:32:06 | |
You murdered my man. | 0:32:09 | 0:32:11 | |
You're sorry?! I don't want to hear the word "sorry"! | 0:32:28 | 0:32:32 | |
You killed my man! | 0:32:32 | 0:32:34 | |
Clear the chamber! | 0:32:34 | 0:32:36 | |
Clear the chamber. Remove her from the chamber. | 0:32:36 | 0:32:39 | |
SHE SCREAMS | 0:32:39 | 0:32:41 | |
SHE SHOUTS AND SCREAMS | 0:32:41 | 0:32:44 | |
I just realised what it is we're doing here. | 0:32:56 | 0:32:59 | |
Tell the chief constable that we need a larger security presence | 0:33:08 | 0:33:12 | |
-in the chamber, will you? -Of course. | 0:33:12 | 0:33:15 | |
CHORAL SINGING | 0:33:20 | 0:33:24 | |
Not long till Christine's wedding now. | 0:34:02 | 0:34:04 | |
Two weeks, is it? | 0:34:04 | 0:34:06 | |
What is it, Johnny? | 0:34:07 | 0:34:09 | |
Connor Roche. The Truth Commission. | 0:34:09 | 0:34:12 | |
-Am I called? -No. | 0:34:16 | 0:34:19 | |
But it could be trouble. | 0:34:19 | 0:34:21 | |
Who for? | 0:34:21 | 0:34:23 | |
All of us. | 0:34:23 | 0:34:24 | |
But you're the Minister now. | 0:34:24 | 0:34:26 | |
Ricky, find out what that music is, will you? | 0:34:31 | 0:34:35 | |
So, who HAS been called? | 0:34:44 | 0:34:46 | |
We've found Michael Madden in Boston. | 0:34:47 | 0:34:49 | |
Madden? | 0:34:49 | 0:34:51 | |
He was only a kid. | 0:34:51 | 0:34:53 | |
He was there. | 0:34:53 | 0:34:54 | |
And all his people are dead. | 0:34:54 | 0:34:56 | |
He can accept responsibility | 0:34:56 | 0:34:58 | |
and go back to the States as if nothing had happened. | 0:34:58 | 0:35:00 | |
Neither you nor I can do that. | 0:35:00 | 0:35:02 | |
-Was this your idea? -I've been instructed to protect you, | 0:35:02 | 0:35:05 | |
to make sure the right things are said. | 0:35:05 | 0:35:07 | |
You mean you're protecting yourself! | 0:35:07 | 0:35:10 | |
Francis, keep your voice down. | 0:35:10 | 0:35:12 | |
You're not planning some kind of a putsch, are you, Johnny? | 0:35:15 | 0:35:18 | |
All I'm trying to do is to keep your name out of it. | 0:35:18 | 0:35:22 | |
You cannot appear before that commission. | 0:35:22 | 0:35:24 | |
Just admitting you were there would be the end of you. | 0:35:24 | 0:35:27 | |
The end of all of us. | 0:35:27 | 0:35:29 | |
O Magnum Mysterium, | 0:35:32 | 0:35:33 | |
Tomas Luis de Victoria, 1572. | 0:35:33 | 0:35:36 | |
I won't have that modern script. | 0:35:42 | 0:35:44 | |
LAUGHTER | 0:36:02 | 0:36:03 | |
I don't like him calling me Frankie. | 0:36:03 | 0:36:07 | |
-And this bloody waistcoat. -You look great. | 0:36:07 | 0:36:09 | |
I look like a clown. | 0:36:09 | 0:36:11 | |
It's what Christine wants. We agreed. | 0:36:11 | 0:36:13 | |
-Hey, Da, are you ready? -> | 0:36:13 | 0:36:15 | |
-We want to show you something. -> | 0:36:15 | 0:36:17 | |
They're in high spirits. | 0:36:17 | 0:36:19 | |
INDISTINCT COMMENTS AND LAUGHTER | 0:36:19 | 0:36:22 | |
What do you think, Frankie? | 0:36:22 | 0:36:24 | |
"Communities Minster shows | 0:36:24 | 0:36:26 | |
"he hasn't forgotten his roots at daughter's wedding." | 0:36:26 | 0:36:29 | |
I don't see the joke. | 0:36:29 | 0:36:31 | |
No, neither do I. | 0:36:31 | 0:36:32 | |
Come on, Da. We're just pulling your leg. | 0:36:34 | 0:36:36 | |
I don't see the fucking joke. | 0:36:36 | 0:36:39 | |
Christine, take the boys for a drink. And get rid of that thing. | 0:36:39 | 0:36:42 | |
Francis... | 0:36:45 | 0:36:46 | |
What is wrong with me, Catherine? | 0:36:48 | 0:36:50 | |
Only you know the answer to that. | 0:36:52 | 0:36:54 | |
I better apologise. | 0:36:56 | 0:36:58 | |
-NEWS: -'Henry Stanfield, | 0:37:08 | 0:37:10 | |
'the recently appointed Truth Commissioner for Northern Ireland, | 0:37:10 | 0:37:13 | |
'has called for stronger security measures | 0:37:13 | 0:37:15 | |
'at the commission's hearings. | 0:37:15 | 0:37:17 | |
'It follows an incident today | 0:37:17 | 0:37:18 | |
'when the widow of murdered Edward Lorimer violently attacked | 0:37:18 | 0:37:22 | |
'one of those who admitted to her husband's murder. | 0:37:22 | 0:37:24 | |
'Mrs Lorimer launched herself on him after listening to his apology. | 0:37:24 | 0:37:29 | |
'Mr Stanfield said the incident was regrettable | 0:37:29 | 0:37:31 | |
'but perhaps understandable, | 0:37:31 | 0:37:33 | |
'given the years of suffering | 0:37:33 | 0:37:35 | |
'endured by many of the victims' families | 0:37:35 | 0:37:38 | |
'who are appearing at the commission.' | 0:37:38 | 0:37:40 | |
'Krystal's phone.' | 0:37:48 | 0:37:50 | |
Um... May I speak with Krystal? | 0:37:51 | 0:37:54 | |
'She's gone away.' | 0:37:55 | 0:37:57 | |
I see. For how long? | 0:37:57 | 0:37:59 | |
'Who's calling?' | 0:37:59 | 0:38:01 | |
Thomas Tatless. | 0:38:01 | 0:38:03 | |
'She won't be back any time soon. Do you have a message?' | 0:38:03 | 0:38:06 | |
No. | 0:38:07 | 0:38:08 | |
Um... No, thank you. | 0:38:08 | 0:38:10 | |
May I join you? | 0:38:39 | 0:38:40 | |
No. | 0:38:44 | 0:38:45 | |
I asked you not to meddle in this process, | 0:38:49 | 0:38:51 | |
and you completely ignored me. And I know you are using Laura. | 0:38:51 | 0:38:54 | |
Come on, Henry. She was hardly going to sleep with you. | 0:38:54 | 0:38:58 | |
DRINK POURS | 0:39:04 | 0:39:07 | |
What is it you are advising the PM on? | 0:39:14 | 0:39:17 | |
Stability in the institutions, | 0:39:17 | 0:39:19 | |
keeping an eye on the long-term objective, peace. | 0:39:19 | 0:39:22 | |
Usefully vague. | 0:39:22 | 0:39:24 | |
And is she heeding your advice? | 0:39:24 | 0:39:26 | |
So, how do you think the commission is going? | 0:39:28 | 0:39:30 | |
Apart from yesterday's incident, not bad. | 0:39:32 | 0:39:34 | |
Unfortunate, that. | 0:39:34 | 0:39:36 | |
Yes. | 0:39:36 | 0:39:37 | |
The case of Connor Roche is soon to come before you. | 0:39:39 | 0:39:43 | |
The Roches have asked you to expand the witness list. | 0:39:44 | 0:39:48 | |
Fully within the terms of my remit. | 0:39:48 | 0:39:50 | |
No-one is disputing that. | 0:39:50 | 0:39:52 | |
Good. | 0:39:52 | 0:39:53 | |
Did you tell Laura that calling Gilroy | 0:39:53 | 0:39:56 | |
might be more truth than the PM had in mind? | 0:39:56 | 0:39:59 | |
God, Henry. You can't account for every casual remark. | 0:39:59 | 0:40:03 | |
-I'll take that as a yes. -When is your daughter's baby due by the way? | 0:40:03 | 0:40:07 | |
I understand she and Maria Roche know one another. | 0:40:10 | 0:40:14 | |
What's so special about Francis Gilroy? | 0:40:23 | 0:40:26 | |
He is not responsible for Connor Roche's disappearance. | 0:40:26 | 0:40:29 | |
Yes, so Sinn Fein said. Do you take their word on that? | 0:40:29 | 0:40:31 | |
We all want the Roches to have closure. | 0:40:33 | 0:40:37 | |
It's such a stupid word, that, don't you think? | 0:40:37 | 0:40:40 | |
So the man who actually pulled the trigger will attend | 0:40:40 | 0:40:43 | |
the commission but it would be best if that were the end of it. | 0:40:43 | 0:40:47 | |
What is it you don't want the world to know, Jake? | 0:40:47 | 0:40:51 | |
Anything that might destabilise the extremely hard-won peace. | 0:40:51 | 0:40:55 | |
The Roches deserve the truth. | 0:40:55 | 0:40:58 | |
The truth is Gilroy may have been an idiot once | 0:40:58 | 0:41:00 | |
but compared to most of them he's Mahatma Gandhi. | 0:41:00 | 0:41:04 | |
The truth is he's one of the reasons most of us | 0:41:04 | 0:41:06 | |
have enjoyed a bomb-free existence for ten years. | 0:41:06 | 0:41:09 | |
The truth is none of us much fancies the alternative. | 0:41:10 | 0:41:14 | |
Is that your advice? | 0:41:16 | 0:41:17 | |
You have a friend named Krystal. | 0:41:33 | 0:41:36 | |
Someone paid her to set you up | 0:41:45 | 0:41:47 | |
but because my interest is stability in the institutions I intervened. | 0:41:47 | 0:41:52 | |
-Intervened? -She works here illegally. | 0:41:54 | 0:41:56 | |
She has a six-year-old son. She wasn't difficult to persuade. | 0:41:56 | 0:41:59 | |
-Where is she? -That... You don't need to know. | 0:41:59 | 0:42:04 | |
If she contacts you again or refers to these again she'll be deported. | 0:42:05 | 0:42:09 | |
Did you do this, Jake? | 0:42:11 | 0:42:13 | |
With Gilroy's handlers. They are keen to make a point. | 0:42:15 | 0:42:18 | |
Well, it'll take more than a few embarrassing photographs to stop this commission. | 0:42:19 | 0:42:23 | |
Exactly what I told them, which is why we're not sitting here | 0:42:23 | 0:42:25 | |
watching the live version of these on YouTube. | 0:42:25 | 0:42:28 | |
Believe it or not, Henry, I am trying to save lives, | 0:42:30 | 0:42:34 | |
not just protect reputations. | 0:42:34 | 0:42:36 | |
But do try to be a little more careful with what | 0:42:40 | 0:42:42 | |
passes for your sex life. | 0:42:42 | 0:42:45 | |
For the commission's sake, if not your own. | 0:42:45 | 0:42:47 | |
PHONE RINGS | 0:43:11 | 0:43:15 | |
-Laura. -'Some news. The police have had a change of heart. | 0:43:21 | 0:43:24 | |
'They've offered up ex DI James Fenton though they're denying | 0:43:24 | 0:43:27 | |
-'he recruited Connor Roche.' -And Gilroy? | 0:43:27 | 0:43:30 | |
'They've named the man they say shot Connor.' | 0:43:30 | 0:43:33 | |
And it's not Francis Gilroy? | 0:43:33 | 0:43:35 | |
'Someone called Michael Madden. Shall I tell the Roches?' | 0:43:36 | 0:43:39 | |
No. Not yet. | 0:43:43 | 0:43:45 | |
-You see much of Jake? -'He phoned. | 0:43:46 | 0:43:49 | |
'He said you and he had had a drink together. | 0:43:49 | 0:43:52 | |
-'He'd forgotten how much he enjoyed your company.' -That was kind of him. | 0:43:52 | 0:43:55 | |
-'I was quite jealous.' -Good night, Laura. | 0:43:55 | 0:43:58 | |
-Mr Stanfield? -Sir. -It's all right, Beckett. Stay where you are. | 0:44:08 | 0:44:12 | |
-My name is Fenton. -Yes, I know who you are. | 0:44:19 | 0:44:24 | |
-What do you want? -Strike me from the list? | 0:44:24 | 0:44:26 | |
That's not possible. | 0:44:28 | 0:44:30 | |
I don't want to have to lie. | 0:44:30 | 0:44:31 | |
So tell the truth. | 0:44:31 | 0:44:33 | |
They're not going to let me tell the truth. | 0:44:33 | 0:44:35 | |
They'd destroy me first. | 0:44:35 | 0:44:37 | |
Please, Mr Stanfield. | 0:44:40 | 0:44:42 | |
We all have to make our own choices, Mr Fenton. | 0:44:44 | 0:44:48 | |
This is not my choice. | 0:44:48 | 0:44:49 | |
I heard shots. I ran from the house. | 0:45:08 | 0:45:11 | |
Seamus was lying there in the cold. | 0:45:14 | 0:45:18 | |
Blood was pouring from his forehead. | 0:45:20 | 0:45:22 | |
Two members of the UDA were convicted of his murder... | 0:45:28 | 0:45:32 | |
..but released after the Good Friday Agreement. | 0:45:33 | 0:45:36 | |
My family and I would like to hear what they have to say. | 0:45:38 | 0:45:42 | |
Thank you, Mrs Benson. | 0:45:44 | 0:45:47 | |
Jake, you told me Krystal was out of the equation | 0:45:58 | 0:46:01 | |
and now she shows up at the tribunal. So what is this? | 0:46:01 | 0:46:04 | |
Am I fighting on two fronts here? | 0:46:04 | 0:46:06 | |
Because if you think this is the way to spare Gilroy's blushes, | 0:46:06 | 0:46:08 | |
trust me, I'll make it a lot worse for him and for all of you | 0:46:08 | 0:46:12 | |
than a few photos of me making a bloody fool of myself. Call me. | 0:46:12 | 0:46:16 | |
-Mr Stanfield? -Yes, what is it? -I was in at the tribunal. | 0:46:24 | 0:46:30 | |
If you don't mind me saying, you seem to be in a bit of a state. | 0:46:30 | 0:46:33 | |
I'm not sure what was going on in there | 0:46:36 | 0:46:38 | |
but I don't want my brother's hearing to be like that. | 0:46:38 | 0:46:40 | |
How do you know Anna Connelly, the Sinn Fein lawyer? | 0:46:42 | 0:46:45 | |
She came into the chamber just now with some other woman. | 0:46:45 | 0:46:48 | |
I've met a lot of lawyers since I came here. | 0:46:48 | 0:46:51 | |
Do you like the truth, Truth Commissioner? | 0:46:54 | 0:46:56 | |
-Truth is rarely pure and... -And never simple. Yeah, I know. | 0:46:57 | 0:47:01 | |
-But it's what gets me out of bed at the morning. -Yes, I can see. | 0:47:02 | 0:47:05 | |
I'll make sure Anna Connelly will not humiliate my family | 0:47:05 | 0:47:08 | |
even if you won't. | 0:47:08 | 0:47:09 | |
I'll see to it that she won't. | 0:47:09 | 0:47:11 | |
It's Henry Stanfield. | 0:47:32 | 0:47:33 | |
I'd like to speak to Francis Gilroy. | 0:47:33 | 0:47:36 | |
TANNOY ANNOUNCEMENT | 0:47:46 | 0:47:50 | |
So, Michael, I was very sorry to hear about your mother. | 0:48:02 | 0:48:06 | |
You'll be able to get me back? | 0:48:07 | 0:48:09 | |
You do what we tell you, you'll be back in Boston before you know it. | 0:48:09 | 0:48:12 | |
The salmon are back. | 0:48:46 | 0:48:48 | |
That was a filthy pond when I was a boy. | 0:48:49 | 0:48:51 | |
Do you know this woman? | 0:48:53 | 0:48:55 | |
-No. -She turned up at the commission yesterday | 0:48:57 | 0:49:00 | |
-with your Ms Connelly. -And? | 0:49:00 | 0:49:03 | |
-No, I didn't think you knew. -This is not my doing. I'm sorry. | 0:49:12 | 0:49:16 | |
Who's Madden? | 0:49:16 | 0:49:18 | |
-He's nobody. He was a boy. -So why him? -He was there. | 0:49:19 | 0:49:23 | |
And did he kill Connor? | 0:49:23 | 0:49:25 | |
The Roches want a name. A guilty man. | 0:49:27 | 0:49:29 | |
-That's what you promised them, isn't it? -They seem to want you. | 0:49:29 | 0:49:32 | |
Those photographs are for Jake Marston's benefit. | 0:49:34 | 0:49:36 | |
-What does that mean? -They make it seem like | 0:49:36 | 0:49:38 | |
they're serious about protecting me. | 0:49:38 | 0:49:40 | |
-A man Dublin and London could deal with. -And? | 0:49:40 | 0:49:43 | |
Some of my colleagues are protecting themselves. | 0:49:45 | 0:49:48 | |
-If that's true, why don't you stop them? -I won't name names. | 0:49:48 | 0:49:52 | |
I think you'll let Madden take the rap | 0:49:53 | 0:49:55 | |
because it's the least worst option for you. | 0:49:55 | 0:49:57 | |
I didn't kill Connor Roche, but you drag me | 0:49:57 | 0:50:00 | |
before the commission, it'll be as if I did. | 0:50:00 | 0:50:02 | |
No-one will benefit except those who replace me. | 0:50:04 | 0:50:08 | |
How many times in how many countries have I heard that speech? | 0:50:08 | 0:50:11 | |
You must do what you have to do, Mr Stanfield. | 0:50:13 | 0:50:16 | |
I always knew my job was a poisoned chalice. | 0:50:16 | 0:50:18 | |
What about yours? | 0:50:19 | 0:50:21 | |
CAR ENGINE STARTS | 0:50:26 | 0:50:28 | |
-Interesting. -He's old school. | 0:50:34 | 0:50:36 | |
He won't be pleased about the photographs. | 0:50:36 | 0:50:39 | |
Send Mr Stanfield the other images. | 0:50:42 | 0:50:44 | |
MOBILE PHONE BEEPS | 0:50:48 | 0:50:50 | |
-'Dad.' -Emma. -'Dad, what's it? What's wrong?' | 0:51:09 | 0:51:11 | |
-I'm sorry to wake you. -'No, no, I was... What's wrong?' | 0:51:13 | 0:51:17 | |
I... I just wanted to hear the sound of your voice. | 0:51:18 | 0:51:22 | |
Make sure you're all right. | 0:51:22 | 0:51:26 | |
-'Well, I'm uncomfortable. I'm fine.' -Right. | 0:51:26 | 0:51:28 | |
-Emma? -'What is it, Dad?' | 0:51:30 | 0:51:33 | |
It's...nothing. | 0:51:37 | 0:51:40 | |
Goodnight. | 0:51:42 | 0:51:44 | |
Prime Minister, I'm afraid I'm going to have to tender my resignation. | 0:52:02 | 0:52:07 | |
I have a daughter who's moved here. She's pregnant, vulnerable. | 0:52:09 | 0:52:15 | |
I cannot guarantee her safety. | 0:52:16 | 0:52:18 | |
I realise your personal investment in this. | 0:52:21 | 0:52:25 | |
Yes, you made it very plain. This is to be your legacy. | 0:52:25 | 0:52:28 | |
Just let me try to explain. | 0:52:29 | 0:52:31 | |
No, of course not. No, I haven't. Not yet. | 0:52:32 | 0:52:37 | |
Yes. All right. All right. | 0:52:39 | 0:52:43 | |
PHONE RINGS | 0:52:54 | 0:52:56 | |
Yes, what is it? | 0:53:01 | 0:53:02 | |
-Henry, are you all right? -What is it, Laura? | 0:53:02 | 0:53:06 | |
I'm sorry to pressure you but you need to make a decision on Gilroy. | 0:53:06 | 0:53:10 | |
You need to know now? | 0:53:12 | 0:53:15 | |
Yes, the Roche case has been moved forward to Thursday. | 0:53:15 | 0:53:19 | |
Hello. | 0:53:23 | 0:53:25 | |
Take Gilroy off the list. Let's see what their star witness has to say. | 0:53:30 | 0:53:35 | |
-You're sure? -Yes. | 0:53:36 | 0:53:39 | |
OK. Sleep well. | 0:53:39 | 0:53:42 | |
It's the right choice. Believe me. | 0:53:44 | 0:53:47 | |
KNOCK ON DOOR | 0:53:54 | 0:53:56 | |
-Is everything all right? Emma? -She's fine. There's a guard at the house. | 0:54:03 | 0:54:08 | |
I know the men on duty. Very discreet. She's in good hands. | 0:54:08 | 0:54:12 | |
I was told to give this to you. It was left at the commission for you. | 0:54:14 | 0:54:17 | |
-Can I offer you a drink? -Thank you. But I'd better get back. | 0:54:21 | 0:54:25 | |
-Good night, sir. -Goodnight. | 0:54:25 | 0:54:27 | |
When we get there stay close to me. | 0:54:53 | 0:54:55 | |
Keep your head up and look straight ahead. | 0:54:55 | 0:54:58 | |
Keep everything for the commission. | 0:54:58 | 0:55:00 | |
And remember, we're here for you, shoulder to shoulder. | 0:55:01 | 0:55:04 | |
Maria Roche wants me to call the man responsible for Connor's death | 0:55:19 | 0:55:22 | |
before the tribunal. | 0:55:22 | 0:55:24 | |
Yes. | 0:55:24 | 0:55:25 | |
I can't give the Roches what they want. | 0:55:25 | 0:55:28 | |
Why not? | 0:55:28 | 0:55:29 | |
Threats have been made. | 0:55:31 | 0:55:33 | |
Threats? | 0:55:33 | 0:55:35 | |
What kind of threats? | 0:55:35 | 0:55:37 | |
They've made it plain that they could hurt you | 0:55:37 | 0:55:39 | |
if I call Francis Gilroy. | 0:55:39 | 0:55:42 | |
Gilroy? | 0:55:42 | 0:55:43 | |
The Minister? | 0:55:44 | 0:55:45 | |
-You have to call him. -Emma... | 0:55:46 | 0:55:49 | |
I'm not risking you or my grandchild for a truth commission, | 0:55:49 | 0:55:53 | |
-not even this truth commission. -See this as an opportunity, Dad. | 0:55:53 | 0:55:56 | |
A chance to do something that matters | 0:55:56 | 0:55:59 | |
for those you say matter to you. | 0:55:59 | 0:56:01 | |
I won't make pointless grand gestures. | 0:56:01 | 0:56:03 | |
OK, so when the truth doesn't suit you, | 0:56:03 | 0:56:05 | |
it's a pointless grand gesture. | 0:56:05 | 0:56:07 | |
You owe this to me. | 0:56:07 | 0:56:08 | |
You owe it to my mum. | 0:56:08 | 0:56:10 | |
And if you ever, ever hope to see him, you owe it to your grandchild. | 0:56:10 | 0:56:14 | |
Do not pass up on this chance. | 0:56:16 | 0:56:18 | |
There won't be another. | 0:56:18 | 0:56:19 | |
Michael and I have been working on the events that led | 0:56:28 | 0:56:31 | |
to the unfortunate death of Connor Roche. | 0:56:31 | 0:56:33 | |
Michael? | 0:56:34 | 0:56:36 | |
Connor was passing information about Republicans to the police. | 0:56:42 | 0:56:46 | |
He'd been seen with the Special Branch | 0:56:46 | 0:56:47 | |
so he was to be taken over the border and questioned about it. | 0:56:47 | 0:56:51 | |
I drove the car for two other volunteers, now dead. | 0:56:51 | 0:56:55 | |
He was crying, but no-one heard him. | 0:56:57 | 0:57:00 | |
He freely admitted what he had been doing. | 0:57:00 | 0:57:04 | |
It was decided to set up a press conference | 0:57:04 | 0:57:06 | |
where he'd describe how he was recruited by the police | 0:57:06 | 0:57:08 | |
and passed information. | 0:57:08 | 0:57:10 | |
But early next morning, he somehow managed to climb out a window. | 0:57:10 | 0:57:16 | |
I was supposed to be watching him. | 0:57:16 | 0:57:17 | |
I had a gun. | 0:57:17 | 0:57:20 | |
I panicked, I chased after him into the woods. | 0:57:20 | 0:57:22 | |
I shouted after him that he'd get me in big trouble, | 0:57:24 | 0:57:27 | |
not to be stupid. | 0:57:27 | 0:57:28 | |
All of a sudden, he was on top of me, punching and kicking me. | 0:57:29 | 0:57:33 | |
I was on the ground. | 0:57:33 | 0:57:35 | |
I tried to push him off. | 0:57:35 | 0:57:36 | |
But he gets hold of the gun... | 0:57:38 | 0:57:41 | |
He was trying to wrestle it off me. | 0:57:41 | 0:57:43 | |
And then... | 0:57:43 | 0:57:45 | |
-I don't know how... -GUNSHOT ECHOES | 0:57:45 | 0:57:47 | |
..but the gun went off. | 0:57:47 | 0:57:50 | |
And he stopped moving. | 0:57:50 | 0:57:51 | |
It was a terrible accident. | 0:57:54 | 0:57:56 | |
I'm sorry for what happened to Connor. I'm truly sorry. | 0:57:56 | 0:58:00 | |
Very good, Michael. | 0:58:05 | 0:58:06 | |
Can you let me have a copy of that, please, Anna? | 0:58:07 | 0:58:10 | |
I had no idea they'd put so much pressure on you not to call Gilroy. | 0:58:23 | 0:58:28 | |
I'm sorry if I... | 0:58:28 | 0:58:30 | |
Where's Francis Gilroy? | 0:59:05 | 0:59:07 | |
They sent him instead. | 0:59:09 | 0:59:10 | |
Sure, he was only a child himself. | 0:59:12 | 0:59:13 | |
-(They're not sending Francis Gilroy. -What's going on?) | 0:59:18 | 0:59:21 | |
I'd ask everyone to stand in silent memory of all those | 0:59:25 | 0:59:28 | |
who lost their lives in the conflict. | 0:59:28 | 0:59:30 | |
Thank you. | 0:59:58 | 0:59:59 | |
I'll begin by asking Maria Roche if she would tell us | 1:00:06 | 1:00:10 | |
about the events leading up to her brother Connor's disappearance. | 1:00:10 | 1:00:14 | |
When Connor disappeared, he was 15 years old. | 1:00:26 | 1:00:30 | |
It was a Thursday night. | 1:00:30 | 1:00:32 | |
He said he was going down to the boxing club. | 1:00:32 | 1:00:35 | |
He didn't come home. | 1:00:35 | 1:00:36 | |
When another day passed, we went to the police. | 1:00:37 | 1:00:40 | |
They told us they believed he'd been abducted by the IRA. | 1:00:40 | 1:00:44 | |
A few days later, word reached us. | 1:00:45 | 1:00:48 | |
A neighbour said that Connor had been supplying information | 1:00:48 | 1:00:51 | |
to the police and that he'd confessed it all, | 1:00:51 | 1:00:54 | |
that it was all on tape. | 1:00:54 | 1:00:55 | |
How could Connor work for the police? | 1:00:58 | 1:01:00 | |
What did he know about anything? | 1:01:00 | 1:01:02 | |
Years went by and nobody was able or willing to tell us anything. | 1:01:05 | 1:01:09 | |
It was as if he never existed. | 1:01:11 | 1:01:13 | |
But we have a right to know, to have his body back where he belongs. | 1:01:15 | 1:01:19 | |
Thank you, Miss Roche. | 1:01:25 | 1:01:27 | |
The commission calls James Fenton. | 1:01:32 | 1:01:33 | |
Please state your name and your connection with the case. | 1:01:51 | 1:01:54 | |
James Fenton, Detective Inspector. | 1:01:54 | 1:01:57 | |
Special Branch, RUC. | 1:01:57 | 1:01:59 | |
Retired. | 1:01:59 | 1:02:00 | |
When did you first encounter Connor Roche? | 1:02:02 | 1:02:05 | |
I can't remember the exact date, but towards the end of January 1992. | 1:02:07 | 1:02:11 | |
Connor was suspected of involvement in petty crime, | 1:02:14 | 1:02:17 | |
making a nuisance of himself. | 1:02:17 | 1:02:19 | |
So we picked him up. | 1:02:21 | 1:02:23 | |
He denied any wrongdoing. | 1:02:23 | 1:02:24 | |
We had no evidence, so we... | 1:02:25 | 1:02:28 | |
We gave him a word of warning and sent him on his way. | 1:02:29 | 1:02:32 | |
And when did you hear he was missing? | 1:02:33 | 1:02:36 | |
May 13th. | 1:02:36 | 1:02:38 | |
His mother came to the station. | 1:02:38 | 1:02:40 | |
No trace of Connor was found. | 1:02:46 | 1:02:48 | |
Sometime later, we learned that he had been abducted by the IRA. | 1:02:49 | 1:02:53 | |
And do you know the identity of those who abducted Connor? | 1:02:55 | 1:02:59 | |
No. | 1:03:00 | 1:03:01 | |
Is there anything further you might be able to add, Mr Fenton? | 1:03:08 | 1:03:12 | |
I'd like you to think carefully before you answer. | 1:03:12 | 1:03:15 | |
I'm afraid not, no. | 1:03:19 | 1:03:21 | |
A moment, Mr Fenton. | 1:03:28 | 1:03:30 | |
I think Miss Roche has some questions. | 1:03:30 | 1:03:32 | |
I want to play a recording relevant to the case. | 1:03:40 | 1:03:43 | |
We had no prior knowledge of this. | 1:03:43 | 1:03:45 | |
Miss Roche... | 1:03:47 | 1:03:49 | |
is this recording of legitimate concern to this hearing? | 1:03:49 | 1:03:53 | |
It is. | 1:03:53 | 1:03:54 | |
It was given to me by someone involved in Connor's abduction. | 1:03:54 | 1:03:58 | |
Proceed. | 1:03:58 | 1:03:59 | |
My mother has identified this as Connor's voice. | 1:04:06 | 1:04:09 | |
-TAPE: -'Name? | 1:04:14 | 1:04:16 | |
'Connor Roche. | 1:04:16 | 1:04:17 | |
'If you ever want to see your mother again, | 1:04:19 | 1:04:22 | |
'you're going to tell me who, when, | 1:04:22 | 1:04:26 | |
'where, how often and why. | 1:04:26 | 1:04:30 | |
'Am I clear? | 1:04:30 | 1:04:32 | |
'Why did you do it? | 1:04:34 | 1:04:36 | |
'They said they'd get me shot if I didn't tight for them. | 1:04:36 | 1:04:38 | |
'How often did you meet them? | 1:04:38 | 1:04:40 | |
'Twice a week. | 1:04:41 | 1:04:42 | |
'What were their names? | 1:04:43 | 1:04:45 | |
'Inspector Fenton. | 1:04:45 | 1:04:46 | |
'And DS Briggs. | 1:04:48 | 1:04:50 | |
'Where did you meet them? | 1:04:50 | 1:04:51 | |
'They'd pick me up in Belfast and we'd drive. | 1:04:51 | 1:04:55 | |
'And? | 1:04:55 | 1:04:56 | |
'If I didn't give them information, they said they'd drop me | 1:04:56 | 1:04:58 | |
'where people would be waiting to give me a head job. | 1:04:58 | 1:05:01 | |
'Did they pay you? | 1:05:05 | 1:05:07 | |
-'TEARFULLY: -I didn't do it for money. | 1:05:07 | 1:05:08 | |
'What did you do it for?' | 1:05:10 | 1:05:12 | |
SOBBING ON TAPE | 1:05:12 | 1:05:14 | |
'Cos I was scared. | 1:05:15 | 1:05:17 | |
'They kept saying what would happen if I didn't help them. | 1:05:18 | 1:05:22 | |
'I didn't do it for money. | 1:05:24 | 1:05:26 | |
'I'm telling the truth. | 1:05:27 | 1:05:28 | |
'Can I go home now?' | 1:05:32 | 1:05:33 | |
SNIFFLING ON TAPE | 1:05:35 | 1:05:37 | |
'Can I go home now?!' | 1:05:38 | 1:05:39 | |
Mr Fenton, isn't it true that Connor was working for you? | 1:05:48 | 1:05:52 | |
I didn't say any of those things to Connor. | 1:05:52 | 1:05:55 | |
Is it true that Connor was working for the police? | 1:05:55 | 1:05:57 | |
We needed information to protect lives. | 1:06:05 | 1:06:07 | |
So you used Connor to gather that information? | 1:06:08 | 1:06:11 | |
We met him from time to time, in the same way we met many people. | 1:06:13 | 1:06:17 | |
How many times did you meet him? | 1:06:17 | 1:06:19 | |
Perhaps half a dozen. | 1:06:20 | 1:06:22 | |
I can't remember exactly. | 1:06:23 | 1:06:25 | |
And you paid him? | 1:06:25 | 1:06:26 | |
Small amounts. | 1:06:28 | 1:06:30 | |
Not very much. | 1:06:30 | 1:06:31 | |
So what are we talking about? Five or ten pounds? More? | 1:06:31 | 1:06:35 | |
I think it was mostly about £10. | 1:06:36 | 1:06:38 | |
He just wanted to talk as much as anything. | 1:06:40 | 1:06:42 | |
We were like... | 1:06:44 | 1:06:45 | |
..friends. | 1:06:48 | 1:06:49 | |
Connor said he was forced to supply information. | 1:06:51 | 1:06:54 | |
No-one threatened him or said that he was going to be shot. | 1:06:54 | 1:06:57 | |
So why do think he said those things? | 1:06:57 | 1:06:59 | |
He was frightened. | 1:06:59 | 1:07:00 | |
He was just telling them what they wanted to hear. | 1:07:02 | 1:07:04 | |
Mr Fenton, you were aware of Connor's age? | 1:07:04 | 1:07:07 | |
Look, I don't think you understand what we were having to deal with. | 1:07:07 | 1:07:10 | |
-I understand that you were dealing with a child. -Miss Roche... | 1:07:10 | 1:07:13 | |
Please let Mr Fenton finish what he was saying. | 1:07:13 | 1:07:16 | |
If you weren't there, if you hadn't lived through it... | 1:07:19 | 1:07:22 | |
you can't understand what it was like. | 1:07:22 | 1:07:24 | |
Things were falling apart. | 1:07:24 | 1:07:26 | |
When you reported for duty, | 1:07:28 | 1:07:31 | |
you never knew what you might be having to deal with. | 1:07:31 | 1:07:34 | |
Police officers were handed caseloads of 200, 250 murders. | 1:07:35 | 1:07:40 | |
Working on them for a couple of months | 1:07:40 | 1:07:42 | |
before they themselves were murdered. We were in a war. | 1:07:42 | 1:07:45 | |
Things happened that... | 1:07:46 | 1:07:48 | |
..that shouldn't happen. | 1:07:50 | 1:07:51 | |
I want to say that I regret... | 1:07:58 | 1:08:00 | |
..deeply what happened. | 1:08:01 | 1:08:04 | |
I'm very sorry. | 1:08:04 | 1:08:05 | |
Thank you for that. | 1:08:05 | 1:08:07 | |
But you were aware of the fate of so-called informers, weren't you? | 1:08:07 | 1:08:11 | |
Yes. | 1:08:17 | 1:08:18 | |
Did he supply you with any information you considered useful? | 1:08:19 | 1:08:23 | |
No. | 1:08:26 | 1:08:27 | |
So a boy lost his life supplying meaningless information | 1:08:30 | 1:08:33 | |
in exchange for petty cash? | 1:08:33 | 1:08:35 | |
No further questions. | 1:08:43 | 1:08:44 | |
I didn't kill Connor. | 1:08:46 | 1:08:48 | |
I'm not the person who killed him. | 1:08:48 | 1:08:51 | |
Thank you, Mr Fenton. | 1:08:51 | 1:08:52 | |
There will be a five minute recess. | 1:08:55 | 1:08:57 | |
Did you know about the recording? | 1:09:07 | 1:09:09 | |
Yes, I did. | 1:09:10 | 1:09:12 | |
Why didn't you say? | 1:09:12 | 1:09:14 | |
Honestly? | 1:09:14 | 1:09:16 | |
Because I couldn't be sure who you might tell. | 1:09:16 | 1:09:18 | |
MAN RETCHING AND COUGHING | 1:09:25 | 1:09:28 | |
TOILET FLUSHES | 1:09:33 | 1:09:35 | |
-TANNOY: -'Michael Madden to the Commission Chamber, please.' | 1:09:42 | 1:09:46 | |
It wasn't your fault. | 1:09:55 | 1:09:57 | |
That's what happens when you don't stick to the script. | 1:10:09 | 1:10:12 | |
We've had enough surprises for one day, | 1:10:12 | 1:10:14 | |
so just keep it nice and simple. | 1:10:14 | 1:10:16 | |
The commission calls Michael Madden. | 1:10:21 | 1:10:24 | |
Would you please state your name | 1:10:53 | 1:10:55 | |
and your connection to the case? | 1:10:55 | 1:10:57 | |
My name's Michael Madden. | 1:10:59 | 1:11:00 | |
Mr Madden? | 1:11:07 | 1:11:09 | |
My name is Michael Madden. | 1:11:27 | 1:11:28 | |
I joined the IRA when I was 17. | 1:11:30 | 1:11:33 | |
Made me feel big. | 1:11:34 | 1:11:36 | |
But I wasn't big. I was an idiot. | 1:11:36 | 1:11:39 | |
A message boy. | 1:11:39 | 1:11:41 | |
In May 1992... | 1:11:43 | 1:11:45 | |
I drove Connor and two volunteers to a farm across the border, | 1:11:45 | 1:11:50 | |
in County Monaghan. | 1:11:50 | 1:11:53 | |
Connor was dragged into the house and tied to a chair. | 1:11:53 | 1:11:56 | |
And one of the men began to beat him. | 1:11:56 | 1:11:59 | |
Badly. | 1:11:59 | 1:12:01 | |
HE GASPS | 1:12:04 | 1:12:06 | |
HE SOBS | 1:12:06 | 1:12:08 | |
Phone calls were made to Belfast. | 1:12:08 | 1:12:10 | |
It was decided that we'd make a tape of him admitting what he'd done. | 1:12:12 | 1:12:16 | |
He was told after he'd made the tape he'd make a press statement. | 1:12:17 | 1:12:21 | |
And then it would all be over. | 1:12:21 | 1:12:24 | |
A couple of hours later, another man arrived from Belfast. | 1:12:26 | 1:12:30 | |
When he saw the state that Connor was in, | 1:12:31 | 1:12:34 | |
there was a real bust-up with the interrogator, | 1:12:34 | 1:12:37 | |
who was shouting we were all soft in Belfast | 1:12:37 | 1:12:40 | |
and too interested in looking good to get our hands dirty. | 1:12:40 | 1:12:43 | |
Connor was to be kept for a couple of days | 1:12:46 | 1:12:48 | |
until he mended up and could go back for the press conference. | 1:12:48 | 1:12:52 | |
But some time around dawn, | 1:12:54 | 1:12:57 | |
he escaped. | 1:12:57 | 1:12:58 | |
The commander was screaming at us to find him. | 1:13:01 | 1:13:04 | |
I was supposed to be keeping watch | 1:13:04 | 1:13:06 | |
so I panicked. | 1:13:06 | 1:13:08 | |
I ran into the woods. | 1:13:10 | 1:13:11 | |
But Connor jumped me. | 1:13:13 | 1:13:15 | |
He was wild. | 1:13:17 | 1:13:18 | |
Kicking and punching. | 1:13:18 | 1:13:20 | |
He was strong. | 1:13:20 | 1:13:22 | |
He got on top of me. | 1:13:22 | 1:13:25 | |
Pinning me down. | 1:13:25 | 1:13:26 | |
But then... | 1:13:26 | 1:13:28 | |
..there was a shot. | 1:13:31 | 1:13:32 | |
Connor stopped struggling. | 1:13:34 | 1:13:36 | |
He collapsed on top of me. | 1:13:38 | 1:13:40 | |
There was arguing about what had happened. | 1:13:41 | 1:13:44 | |
It wasn't meant to happen. | 1:13:44 | 1:13:46 | |
The two senior men were standing there... | 1:13:46 | 1:13:48 | |
..and one had a gun. | 1:13:49 | 1:13:51 | |
Michael... | 1:13:55 | 1:13:57 | |
tell us now who killed Connor. | 1:13:57 | 1:13:59 | |
Francis Gilroy killed Connor. | 1:14:17 | 1:14:18 | |
Please remain calm. | 1:14:22 | 1:14:24 | |
Order, please. | 1:14:24 | 1:14:25 | |
Order in the chamber. | 1:14:25 | 1:14:27 | |
Order! | 1:14:27 | 1:14:29 | |
Call Francis Gilroy. | 1:14:30 | 1:14:33 | |
HE MOUTHS | 1:14:33 | 1:14:35 | |
The commission calls Francis Gilroy. | 1:14:38 | 1:14:41 | |
PHONE RINGS | 1:14:45 | 1:14:47 | |
Anna, how did it go? | 1:14:49 | 1:14:51 | |
Right. | 1:14:56 | 1:14:58 | |
He actually named Francis? | 1:15:02 | 1:15:04 | |
I'll call you back. | 1:15:05 | 1:15:07 | |
Frankie! | 1:15:07 | 1:15:08 | |
REPORTERS CLAMOUR | 1:15:08 | 1:15:11 | |
Listen carefully. | 1:15:35 | 1:15:37 | |
You've got to get out of the house. Get Alan to take you... | 1:15:37 | 1:15:39 | |
'No, stop. We're not in the house, Dad. We're at the hospital. | 1:15:39 | 1:15:42 | |
-'The baby came early.' -What? | 1:15:42 | 1:15:44 | |
-'I've had the baby.' -Where are you? | 1:15:44 | 1:15:47 | |
'The Ulster Hospital.' | 1:15:47 | 1:15:49 | |
That's good. That's very good. Don't move from there. | 1:15:49 | 1:15:51 | |
'Relax, Dad. I'm not moving.' | 1:15:51 | 1:15:53 | |
OK. OK. I'll be right with you. | 1:15:53 | 1:15:56 | |
You didn't shoot him? | 1:16:05 | 1:16:06 | |
But you did order his abduction? | 1:16:09 | 1:16:11 | |
And you know who did shoot him? | 1:16:16 | 1:16:18 | |
But you won't say who. | 1:16:22 | 1:16:23 | |
Well, whoever pulled the trigger, Roche had it coming. | 1:16:28 | 1:16:32 | |
It was a war. | 1:16:34 | 1:16:36 | |
Pull yourself together. | 1:16:36 | 1:16:38 | |
Move on. | 1:16:38 | 1:16:40 | |
Christine wants me to look at seating plans. | 1:16:42 | 1:16:45 | |
DOOR OPENS | 1:16:45 | 1:16:47 | |
And there's someone here to talk to you. | 1:16:50 | 1:16:53 | |
Francis. | 1:16:59 | 1:17:01 | |
You know why I'm here. | 1:17:02 | 1:17:04 | |
You're here because you think this is your moment. | 1:17:04 | 1:17:06 | |
I'm here to rescue your politically embarrassing situation. | 1:17:12 | 1:17:16 | |
And because you think I won't tell Stanfield | 1:17:16 | 1:17:18 | |
-it was you shot Roche. -That'll hardly save you. | 1:17:18 | 1:17:21 | |
-Might save the party. -It's too late now. | 1:17:21 | 1:17:24 | |
Oh. So, what's it to be? | 1:17:24 | 1:17:27 | |
Back to all-out war? | 1:17:27 | 1:17:28 | |
Let's just say we'll put a little more backbone into the struggle. | 1:17:28 | 1:17:32 | |
Backbone?! | 1:17:32 | 1:17:34 | |
Like shooting 15-year-old boys? | 1:17:34 | 1:17:36 | |
He was an informer. | 1:17:36 | 1:17:38 | |
Whereas you're not, Francis. | 1:17:41 | 1:17:43 | |
It's not in your DNA. | 1:17:43 | 1:17:45 | |
It'll stop here with me | 1:17:49 | 1:17:51 | |
but I want Madden left out of it. | 1:17:51 | 1:17:54 | |
Always the hero, Francis. | 1:17:54 | 1:17:56 | |
Madden wasn't to know. | 1:17:56 | 1:17:58 | |
Useless prick couldn't even get a simple confession right. | 1:17:58 | 1:18:01 | |
It was only luck he named you and not me. | 1:18:01 | 1:18:04 | |
Yeah, lucky, that(!) | 1:18:04 | 1:18:06 | |
I can make this difficult for you. | 1:18:15 | 1:18:17 | |
Let him go. | 1:18:17 | 1:18:18 | |
You go quietly, | 1:18:21 | 1:18:23 | |
I'll see to it Madden goes unharmed. | 1:18:23 | 1:18:26 | |
Your statement's been written. | 1:18:30 | 1:18:32 | |
'Yes?' | 1:18:41 | 1:18:42 | |
Have you got him? | 1:18:42 | 1:18:44 | |
'We got him.' | 1:18:44 | 1:18:45 | |
Well done. | 1:18:45 | 1:18:46 | |
Now let him go. | 1:18:46 | 1:18:48 | |
Can I ask why? | 1:18:49 | 1:18:51 | |
'Because I say so.' | 1:18:51 | 1:18:53 | |
Is that understood? | 1:18:54 | 1:18:56 | |
'Understood.' | 1:18:56 | 1:18:58 | |
Satisfied? | 1:18:59 | 1:19:01 | |
Be ready in an hour. | 1:19:03 | 1:19:04 | |
He's beautiful. | 1:19:17 | 1:19:20 | |
Tom. | 1:19:22 | 1:19:23 | |
Hmm. | 1:19:23 | 1:19:25 | |
Your grandfather's name. | 1:19:25 | 1:19:27 | |
How was it today? | 1:19:28 | 1:19:29 | |
Gilroy? | 1:19:29 | 1:19:31 | |
I don't think Maria and her family got what they wanted. | 1:19:31 | 1:19:36 | |
You called Gilroy after all? | 1:19:36 | 1:19:37 | |
I knew you'd help. | 1:19:40 | 1:19:41 | |
Would you like to hold him? | 1:19:46 | 1:19:48 | |
PHONE RINGS | 1:20:11 | 1:20:13 | |
Oh, sorry. | 1:20:13 | 1:20:16 | |
Yeah? | 1:20:21 | 1:20:23 | |
Excuse me, I have to take this. | 1:20:24 | 1:20:27 | |
Congratulations! Becky told me the good news, Grandad. | 1:20:37 | 1:20:43 | |
You don't think I had anything to do with Madden's performance? | 1:20:43 | 1:20:46 | |
Not I. Others are less sure. | 1:20:46 | 1:20:49 | |
So, what now? | 1:20:49 | 1:20:52 | |
Despite today's catastrophe, amazingly, | 1:20:52 | 1:20:55 | |
the feeling is it was a minor setback. | 1:20:55 | 1:21:00 | |
Or a minor triumph. | 1:21:00 | 1:21:02 | |
Oh, Henry. You get to call Gilroy. | 1:21:02 | 1:21:05 | |
He'll resign, they'll replace him with someone less able | 1:21:05 | 1:21:08 | |
and more belligerent. | 1:21:08 | 1:21:09 | |
All because the Roches had to have the truth. | 1:21:09 | 1:21:12 | |
-The truth is Gilroy is guilty. -Gilroy is not guilty. | 1:21:12 | 1:21:15 | |
-I pleaded with you not to call him. -Why would Madden lie? | 1:21:15 | 1:21:19 | |
Thought he was telling the truth. | 1:21:21 | 1:21:23 | |
-What? -Who was it convinced the Roches that Gilroy shot Connor? | 1:21:23 | 1:21:29 | |
Tried to blackmail you, forced Madden to take the rap. | 1:21:29 | 1:21:35 | |
Rafferty isn't protecting Gilroy, he's protecting himself. | 1:21:35 | 1:21:38 | |
He'll be bossing it from here on in. New Sinn Fein minister. | 1:21:38 | 1:21:42 | |
I've already told the PM I want to resign. I have to get out of this. | 1:21:42 | 1:21:45 | |
No, you're not washing your hands of this one, Henry. | 1:21:45 | 1:21:47 | |
All sides are agreed. | 1:21:47 | 1:21:49 | |
It was entirely my fault for letting Rafferty lead me by the nose. | 1:21:49 | 1:21:54 | |
Stanfield is still the best man for the job. | 1:21:54 | 1:21:57 | |
PM, pathological optimist, wants you to put this all behind you. | 1:21:58 | 1:22:03 | |
I wouldn't disappoint her a second time. | 1:22:03 | 1:22:05 | |
Following the serious revelations concerning a member | 1:22:12 | 1:22:15 | |
of the power-sharing executive, both the Taoiseach and I are here | 1:22:15 | 1:22:19 | |
tonight to reaffirm our commitment to the Truth Commission. | 1:22:19 | 1:22:22 | |
And to offer our thanks to Henry Stanfield | 1:22:24 | 1:22:27 | |
who hasn't shrunk from his task in doing what is necessary, | 1:22:27 | 1:22:32 | |
however painful or politically challenging, in offering | 1:22:32 | 1:22:36 | |
the truth to a community which has too long waited for answers. | 1:22:36 | 1:22:41 | |
For those who have inflicted pain, for those who have endured pain, | 1:22:43 | 1:22:50 | |
the truth can, and will, lead to healing, | 1:22:50 | 1:22:56 | |
and a lasting peace. | 1:22:56 | 1:22:59 | |
Thank you. | 1:22:59 | 1:23:00 | |
APPLAUSE | 1:23:02 | 1:23:05 | |
CAR HORN BEEPING | 1:23:28 | 1:23:30 | |
No, wait. | 1:23:40 | 1:23:41 | |
Mr Stanfield, do you have a moment please? | 1:23:47 | 1:23:50 | |
Open the door, Beckett. | 1:23:57 | 1:24:00 | |
You have something to say to me? | 1:24:15 | 1:24:18 | |
EXPLOSION | 1:24:22 | 1:24:25 | |
From now on, you might think twice about digging up a past | 1:24:32 | 1:24:35 | |
that you don't understand and that doesn't concern you. | 1:24:35 | 1:24:40 | |
Like Gilroy? | 1:24:40 | 1:24:41 | |
Unfortunately, Francis had to be got rid of | 1:24:41 | 1:24:44 | |
so we got you to do it for us. | 1:24:44 | 1:24:46 | |
Nothing personal, you understand. | 1:24:47 | 1:24:49 | |
I'll not give up! | 1:24:51 | 1:24:53 | |
'In the light of recent accusations made before the Truth Commission, | 1:25:07 | 1:25:12 | |
'it's with a heavy heart that | 1:25:12 | 1:25:14 | |
'I have decided to stand down from my position as Minister | 1:25:14 | 1:25:17 | |
'in a government which I fought long and hard to bring into being. | 1:25:17 | 1:25:21 | |
'This has been an extremely difficult decision. | 1:25:21 | 1:25:25 | |
'And though I completely reject the accusations made, | 1:25:25 | 1:25:28 | |
'the credibility of our party is, and always has been, paramount. | 1:25:28 | 1:25:33 | |
'So I stand aside, confident that those who replace me | 1:25:35 | 1:25:39 | |
'will not waver in the struggle for a united Ireland, | 1:25:39 | 1:25:42 | |
'without which, this country can never fully be at peace. | 1:25:42 | 1:25:47 | |
-'REPORTER: -Do you know where Connor's buried, Mr Gilroy?' | 1:25:48 | 1:25:51 | |
'Recent weeks have shown that there are those with the courage | 1:25:59 | 1:26:02 | |
and common humanity to face the consequence of their actions. | 1:26:02 | 1:26:06 | |
'The bombing of the Commission has shown that there are those | 1:26:06 | 1:26:09 | |
'who feel threatened by that courage | 1:26:09 | 1:26:12 | |
'and will do all in their power to suppress the truth. | 1:26:12 | 1:26:15 | |
'But the Commission will continue its pursuit of the truth, | 1:26:17 | 1:26:20 | |
'however inconvenient, not because we want to dwell in the past, | 1:26:20 | 1:26:24 | |
'but so that our children and grandchildren | 1:26:24 | 1:26:28 | |
'will be free of the past. | 1:26:28 | 1:26:30 | |
'Thank you.' | 1:26:31 | 1:26:32 |