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MONITOR BEEPS | 0:00:02 | 0:00:03 | |
TV: We interrupt this film to tell you we are getting reports | 0:00:05 | 0:00:08 | |
that Diana, Princess of Wales has been badly injured | 0:00:08 | 0:00:11 | |
in a car crash in France. | 0:00:11 | 0:00:13 | |
French radio is saying that the accident happened | 0:00:13 | 0:00:15 | |
in western Paris when the car she was travelling in | 0:00:15 | 0:00:18 | |
collided with another vehicle in a tunnel. | 0:00:18 | 0:00:20 | |
The Princess is reported to have been taken to hospital. | 0:00:20 | 0:00:24 | |
There is no news of her condition, | 0:00:24 | 0:00:26 | |
and as yet, the report is unconfirmed. | 0:00:26 | 0:00:29 | |
It is also reported that a passenger in the Princess' car was killed. | 0:00:29 | 0:00:33 | |
MONITOR FLATLINES One report, quoting French police, | 0:00:33 | 0:00:35 | |
says it is her friend, Dodi al Fayed. | 0:00:35 | 0:00:38 | |
It's also reported that the driver of the Princess' car was killed. | 0:00:38 | 0:00:42 | |
I repeat that these reports are unconfirmed. | 0:00:42 | 0:00:44 | |
We will bring you more news as soon as we have it. | 0:00:44 | 0:00:47 | |
This programme contains some strong language. | 0:00:53 | 0:01:00 | |
BEEPING CEASES | 0:01:04 | 0:01:06 | |
KNOCK AT DOOR | 0:01:15 | 0:01:18 | |
-Michael... -Mm? | 0:01:18 | 0:01:20 | |
There's someone at the door. | 0:01:20 | 0:01:22 | |
What time is it? | 0:01:22 | 0:01:24 | |
5:10. | 0:01:24 | 0:01:26 | |
Wrong room. They'd have rung. | 0:01:27 | 0:01:29 | |
We took the phone off the hook. | 0:01:29 | 0:01:30 | |
-KNOCK AT DOOR -Monsieur Lewis? | 0:01:30 | 0:01:32 | |
Michael. | 0:01:32 | 0:01:33 | |
LOUD KNOCKING | 0:01:34 | 0:01:36 | |
J'arrive! | 0:01:38 | 0:01:39 | |
-Monsieur Lewis? -Oui. | 0:01:46 | 0:01:48 | |
Lady Di est morte. | 0:01:54 | 0:01:55 | |
Sorry? | 0:01:55 | 0:01:56 | |
-Lady Di est morte. -"La-dee Dee"...? | 0:01:56 | 0:01:58 | |
Michael, what is it? | 0:02:04 | 0:02:05 | |
Princess Diana's been killed in a car crash. | 0:02:07 | 0:02:10 | |
No, I saw her last night in the street. | 0:02:10 | 0:02:11 | |
Merci. | 0:02:17 | 0:02:19 | |
Non, merci. Non, non. | 0:02:19 | 0:02:21 | |
Jesus Christ. | 0:02:24 | 0:02:26 | |
What a story. | 0:02:29 | 0:02:31 | |
NEWS REPORT IN FRENCH Sure. No. | 0:02:31 | 0:02:34 | |
-TV: -..a high-speed car accident... -Yeah, totally. | 0:02:34 | 0:02:37 | |
Yeah, no, she's... | 0:02:37 | 0:02:39 | |
Yeah. I will. Bye. | 0:02:39 | 0:02:41 | |
The story has moved to the hospital. | 0:02:41 | 0:02:43 | |
I'll do the bridge first. Get some eyewitness accounts. | 0:02:43 | 0:02:46 | |
What with? | 0:02:46 | 0:02:47 | |
I'll use my Dictaphone. I'll tidy the sound up after. | 0:02:47 | 0:02:50 | |
You brought your Dictaphone on our honeymoon? | 0:02:50 | 0:02:53 | |
Paris bureau will sort me out a cassette recorder | 0:02:53 | 0:02:55 | |
once they're up and running. | 0:02:55 | 0:02:57 | |
They said just get whatever I can. | 0:02:58 | 0:03:00 | |
-Well, I'll come with you. -No! | 0:03:00 | 0:03:01 | |
Stay. Rest. | 0:03:01 | 0:03:04 | |
This is so weird. | 0:03:04 | 0:03:06 | |
The last thing I did was an interview with Scary Spice. | 0:03:07 | 0:03:10 | |
Right place, wrong time. Now go, before I tell you to stay. | 0:03:10 | 0:03:14 | |
SIREN IN DISTANCE | 0:03:22 | 0:03:24 | |
Taxi! | 0:03:25 | 0:03:27 | |
TAPE REWINDS | 0:03:40 | 0:03:42 | |
SIREN PASSES | 0:03:45 | 0:03:47 | |
SIREN BLARES | 0:03:54 | 0:03:56 | |
CLAMOUR OF VOICES, SIRENS | 0:04:05 | 0:04:07 | |
WOMAN SOBS | 0:04:24 | 0:04:26 | |
Excusez-moi, Madame... | 0:04:31 | 0:04:33 | |
-TV: -A statement from Buckingham Palace | 0:04:33 | 0:04:35 | |
said the Queen and the Prince of Wales | 0:04:35 | 0:04:36 | |
were deeply shocked and distressed by this terrible news. | 0:04:36 | 0:04:39 | |
Er, Mrs Taylor? | 0:04:42 | 0:04:45 | |
Yes. | 0:04:45 | 0:04:47 | |
Er, sorry, you're...? | 0:04:47 | 0:04:49 | |
Jack. | 0:04:49 | 0:04:50 | |
Hello, Jack. | 0:04:50 | 0:04:51 | |
Are you...? You're...? | 0:04:51 | 0:04:53 | |
Her son. | 0:04:53 | 0:04:54 | |
My commiserations on your loss, Jack. | 0:04:56 | 0:04:58 | |
Is there any other family coming? | 0:05:00 | 0:05:02 | |
Your father? | 0:05:04 | 0:05:06 | |
-They're separated. -Right. | 0:05:06 | 0:05:08 | |
Was your mother religious? | 0:05:15 | 0:05:17 | |
Not really. | 0:05:19 | 0:05:21 | |
Would you like me to say a few words anyway? | 0:05:21 | 0:05:23 | |
No. | 0:05:23 | 0:05:24 | |
Right. | 0:05:24 | 0:05:26 | |
Any questions at all? | 0:05:28 | 0:05:29 | |
How did Diana die? | 0:05:32 | 0:05:34 | |
Er...a car crash. | 0:05:35 | 0:05:36 | |
Mum...Mum died at the same time. | 0:05:41 | 0:05:43 | |
Yes. | 0:05:44 | 0:05:46 | |
She'll be sorely missed. | 0:05:47 | 0:05:49 | |
Your mum. | 0:05:52 | 0:05:53 | |
PHONE RINGS | 0:06:23 | 0:06:25 | |
Hello? | 0:06:27 | 0:06:28 | |
Ammi? | 0:06:30 | 0:06:31 | |
Let's just cross, now, to our newsroom, | 0:06:31 | 0:06:33 | |
where Tim Wilcox has been monitoring all the incoming information. | 0:06:33 | 0:06:37 | |
Yes, Dermot. As Nick has just said, the Foreign Secretary, Robin Cook, | 0:06:37 | 0:06:40 | |
has confirmed the Princess of Wales' death | 0:06:40 | 0:06:42 | |
in a statement at Manila Airport, | 0:06:42 | 0:06:44 | |
where he is on a tour of the Far East. | 0:06:44 | 0:06:47 | |
As Nick said, his words were, "I'm greatly shocked by this news. | 0:06:47 | 0:06:50 | |
"Our first thoughts are with..." | 0:06:50 | 0:06:52 | |
Has Princess Diana died? | 0:06:52 | 0:06:53 | |
"..at this time of immense loss to them." | 0:06:53 | 0:06:55 | |
Yeah. | 0:06:55 | 0:06:56 | |
The Princess' death was announced at six o'clock... | 0:06:56 | 0:06:59 | |
Is she in Paradise, with Allah? | 0:06:59 | 0:07:01 | |
Maybe. | 0:07:02 | 0:07:04 | |
The British ambassador to France, Michael Jay, | 0:07:06 | 0:07:09 | |
said, "The death of the Princess of Wales fills us all with shock | 0:07:09 | 0:07:13 | |
"and deep grief." | 0:07:13 | 0:07:14 | |
I have meetings in Birmingham and Sheffield. | 0:07:48 | 0:07:50 | |
I'm going to stay with my mum. | 0:07:50 | 0:07:52 | |
Yasmin. | 0:07:53 | 0:07:54 | |
What do you think you're doing, going through my things? | 0:08:02 | 0:08:05 | |
-You've stolen my wedding bangles. -They're with a pawnbroker. | 0:08:05 | 0:08:07 | |
-You'll get them back. -How could you do that to me? | 0:08:07 | 0:08:10 | |
It's not your place to tell me what I can and can't do. | 0:08:10 | 0:08:13 | |
You have no right going through my things. | 0:08:13 | 0:08:15 | |
Oh, but you do with mine? | 0:08:15 | 0:08:16 | |
We owe money everywhere. | 0:08:18 | 0:08:19 | |
What's wrong with you today? Is this about Diana? | 0:08:19 | 0:08:22 | |
I have no sympathy for that woman. | 0:08:22 | 0:08:24 | |
If she'd stayed with her husband, none of this would have happened. | 0:08:24 | 0:08:27 | |
I need some more roti for the drive. | 0:08:27 | 0:08:29 | |
My mother was right about you. | 0:08:43 | 0:08:45 | |
Oh, good morning. My name is Mary McDonald. | 0:08:52 | 0:08:54 | |
I was just ringing to offer my condolences | 0:08:54 | 0:08:56 | |
on the news of your sad loss, | 0:08:56 | 0:08:58 | |
and to ask if you might be needing any flowers for the funeral. | 0:08:58 | 0:09:01 | |
I offer very competitive rates, | 0:09:01 | 0:09:03 | |
and I take my work extremely seriously, and... | 0:09:03 | 0:09:06 | |
DIAL TONE | 0:09:06 | 0:09:07 | |
Princess Diana's dead. | 0:09:12 | 0:09:15 | |
What? | 0:09:15 | 0:09:16 | |
The Princess Diana, she's dead. | 0:09:16 | 0:09:18 | |
Oh, my God. | 0:09:19 | 0:09:21 | |
Turn it up, Mum. | 0:09:21 | 0:09:22 | |
-RADIO: -The Prime Minister Tony Blair says her funeral | 0:09:22 | 0:09:25 | |
should be a major public commemoration | 0:09:25 | 0:09:27 | |
to show the nation's gratitude to the People's Princess. | 0:09:27 | 0:09:31 | |
That'll cost him. | 0:09:31 | 0:09:32 | |
-TV: -Joining me first from Kensington Palace is Steve Evans. | 0:09:33 | 0:09:37 | |
There's a file of people down this alleyway | 0:09:37 | 0:09:39 | |
to the gates of Kensington Palace, | 0:09:39 | 0:09:41 | |
where they are placing flowers, simple flowers, often. | 0:09:41 | 0:09:45 | |
The first one, at 5:30 this morning, | 0:09:45 | 0:09:47 | |
a bunch of white lilies wrapped in newspaper - that kind of thing. | 0:09:47 | 0:09:50 | |
Steve, thank you. Neil Bennett is at Buckingham Palace. | 0:09:50 | 0:09:53 | |
What's the reaction there? | 0:09:53 | 0:09:55 | |
The first person here was a minicab driver | 0:09:55 | 0:09:57 | |
who heard the news on the radio. | 0:09:57 | 0:09:58 | |
He went straight into an all-night store and bought a bunch of flowers | 0:09:58 | 0:10:01 | |
and came down here and put down by the gates of Buckingham Palace. | 0:10:01 | 0:10:04 | |
Gordy. | 0:10:33 | 0:10:34 | |
-Mary. -Princess Diana, Gordy. | 0:10:36 | 0:10:38 | |
Aye, it's a terrible thing. | 0:10:41 | 0:10:44 | |
No, no - of course, it's terrible. | 0:10:44 | 0:10:47 | |
Gordy, we have to talk. | 0:10:47 | 0:10:49 | |
-I'm in the middle of my shift, Mary. -Five minutes. I'll make us tea. | 0:10:49 | 0:10:52 | |
What are the three things a florist relies on most? | 0:11:00 | 0:11:03 | |
Er... | 0:11:03 | 0:11:05 | |
Births, marriages and deaths. | 0:11:06 | 0:11:09 | |
I'll not lie to you, Gordy. | 0:11:11 | 0:11:12 | |
I'm a nationalist through and through. | 0:11:12 | 0:11:14 | |
My family a Catholic, we went to a Catholic school. | 0:11:14 | 0:11:17 | |
I'm no royalist and I've never pretended to be. | 0:11:17 | 0:11:19 | |
-Have I ever pretended? -No, Mary. | 0:11:19 | 0:11:21 | |
And I never will. | 0:11:21 | 0:11:22 | |
But death is death. | 0:11:22 | 0:11:24 | |
And a royal death... | 0:11:25 | 0:11:27 | |
..that's a hell of a lot of blooms. | 0:11:28 | 0:11:30 | |
I'm going to drive a load of flowers to London | 0:11:37 | 0:11:39 | |
and sell them for a shedload of money. | 0:11:39 | 0:11:42 | |
Imagine, Gordy - London is going to be one giant bloody flower market. | 0:11:42 | 0:11:47 | |
Yeah... | 0:11:47 | 0:11:48 | |
I mean no disrespect about your floristry, Mary, | 0:11:48 | 0:11:53 | |
but you've not had the best of years. | 0:11:53 | 0:11:55 | |
You know, a journey like that - | 0:11:55 | 0:11:57 | |
you've got to...open the refrigerator truck, | 0:11:57 | 0:11:59 | |
the advance on the flowers, labour... | 0:11:59 | 0:12:01 | |
-I'll do the labour. -What about costs? | 0:12:01 | 0:12:03 | |
I thought I could get an advance off one of the Maguires. | 0:12:03 | 0:12:07 | |
The...? Oh, Jesus Christ! | 0:12:07 | 0:12:09 | |
You're not going anywhere near the Maguires. | 0:12:09 | 0:12:12 | |
What are you even thinking? | 0:12:12 | 0:12:13 | |
Well, then, would you...? | 0:12:19 | 0:12:21 | |
If I went halves with you... | 0:12:21 | 0:12:23 | |
..would you come in on it, Gordy? | 0:12:25 | 0:12:26 | |
Yeah. | 0:12:34 | 0:12:36 | |
Sure I will. | 0:12:36 | 0:12:37 | |
Oh... | 0:12:39 | 0:12:40 | |
Thank you, Gordy! | 0:12:40 | 0:12:42 | |
Hm! | 0:12:46 | 0:12:47 | |
-REPORTER: -The body of Diana, Princess of Wales | 0:12:58 | 0:13:00 | |
is lying in the Chapel Royal at St James's Palace in London, | 0:13:00 | 0:13:03 | |
after being flown back from Paris. | 0:13:03 | 0:13:06 | |
Jacko. | 0:13:07 | 0:13:09 | |
How's Mum? | 0:13:10 | 0:13:12 | |
She died. | 0:13:14 | 0:13:15 | |
I'm really sorry, Jack. | 0:13:22 | 0:13:23 | |
RAGGED BREATHING | 0:14:24 | 0:14:26 | |
HE SOBS | 0:14:39 | 0:14:40 | |
-TV: -Seven photographers have been in custody since the accident. | 0:14:53 | 0:14:57 | |
Their films have been confiscated, | 0:14:57 | 0:14:58 | |
but other pictures are believed to have been offered for... | 0:14:58 | 0:15:01 | |
-SHE SNIFFLES -Hey... | 0:15:01 | 0:15:04 | |
Come on, eh? | 0:15:04 | 0:15:05 | |
You all right, yeah? | 0:15:07 | 0:15:09 | |
Yeah. | 0:15:09 | 0:15:11 | |
-Sure? -OK. -OK. | 0:15:11 | 0:15:13 | |
MAN SPEAKS IN FRENCH ON TV | 0:15:14 | 0:15:17 | |
"I say that these photographers have committed an offence..." | 0:15:20 | 0:15:23 | |
-You can stay with us if you like. -I'm OK. | 0:15:23 | 0:15:26 | |
Julie doesn't mind. She likes you. She'd like to get to know you. | 0:15:26 | 0:15:30 | |
This Diana thing's hit her pretty hard. | 0:15:30 | 0:15:32 | |
Tonight, the photographers are still in custody. | 0:15:35 | 0:15:38 | |
Bloody French. | 0:15:38 | 0:15:39 | |
I saw her body. | 0:15:44 | 0:15:46 | |
-Mum's body? -Yeah. | 0:15:46 | 0:15:49 | |
-She looked peaceful. -Everyone looks like that. | 0:15:49 | 0:15:52 | |
Not Diana, poor thing. State of that car. | 0:15:52 | 0:15:54 | |
-I'd like you to go now, Dad. -Jack... | 0:15:56 | 0:15:58 | |
It was expected. | 0:16:01 | 0:16:03 | |
Mum's cancer. | 0:16:03 | 0:16:05 | |
We knew it was coming. | 0:16:06 | 0:16:08 | |
Have you eaten? | 0:16:10 | 0:16:12 | |
Here. | 0:16:14 | 0:16:15 | |
Get yourself something to eat. | 0:16:16 | 0:16:18 | |
Turn it off, Col, I can't bear to hear it. | 0:16:22 | 0:16:24 | |
-Hey, give us that. -Don't! | 0:16:24 | 0:16:26 | |
-Mum loved her. SCOFFS: -Oh, yeah?! | 0:16:26 | 0:16:28 | |
Did your mum talk about all the other things she loved? | 0:16:28 | 0:16:31 | |
Like the shit she put your dad through? | 0:16:31 | 0:16:33 | |
Did she talk about that, did she? | 0:16:33 | 0:16:34 | |
-SHE SCREAMS -Jesus Christ! | 0:16:34 | 0:16:36 | |
Julie...! | 0:16:41 | 0:16:42 | |
-Julie... -No! | 0:16:44 | 0:16:46 | |
-Come here. -I'm trying... | 0:16:46 | 0:16:47 | |
Look, it's all right... | 0:16:47 | 0:16:49 | |
He's not himself, you know he's not. | 0:16:49 | 0:16:51 | |
Thank you very much, yeah. | 0:16:51 | 0:16:53 | |
OK, I will do. Thank you. Yeah. | 0:16:54 | 0:16:57 | |
What did they say? | 0:17:01 | 0:17:02 | |
-They loved what I got from the tunnel. -I told you. | 0:17:02 | 0:17:05 | |
So... | 0:17:05 | 0:17:07 | |
You all done now? | 0:17:07 | 0:17:08 | |
Oh, yeah, they...they know I'm on my honeymoon, they were like, | 0:17:09 | 0:17:13 | |
"We're really, really sorry for bothering you, it's just..." | 0:17:13 | 0:17:16 | |
You know, me being here, speaking French, | 0:17:16 | 0:17:19 | |
it's a bit of a no-brainer. | 0:17:19 | 0:17:21 | |
You're not the only bilingual journalist in Paris. | 0:17:21 | 0:17:23 | |
No, but they're still scrambling to get everyone in place, | 0:17:23 | 0:17:25 | |
and they asked if I do some eyewitness stuff from the Ritz. | 0:17:25 | 0:17:28 | |
Anyone who saw Dodi and Di leaving on Saturday. | 0:17:28 | 0:17:31 | |
Mm, you could interview me... | 0:17:31 | 0:17:32 | |
..in depth. | 0:17:32 | 0:17:34 | |
CLAMOUR OF VOICES, PHONES RING | 0:17:38 | 0:17:40 | |
INTERNET DIAL-UP CHIRPS | 0:17:41 | 0:17:43 | |
Anyone here speak French? | 0:17:52 | 0:17:54 | |
I do. | 0:17:54 | 0:17:55 | |
OK, what does this mean? | 0:17:56 | 0:17:58 | |
"Sources close to the crash investigation report driver | 0:17:58 | 0:18:01 | |
"of Princess Diana's car was drunk and travelling at 121km an hour." | 0:18:01 | 0:18:06 | |
-That's fast! -Yeah... | 0:18:06 | 0:18:07 | |
"Seven paparazzi have been arrested in connection with the crash." | 0:18:07 | 0:18:10 | |
What's your name? | 0:18:10 | 0:18:12 | |
Michael Lewis. | 0:18:12 | 0:18:13 | |
I know who you are - you're Laura Phillips. | 0:18:13 | 0:18:16 | |
OK, Michael, here's the thing - I need a fixer. | 0:18:16 | 0:18:18 | |
Oh, no, I'm actually... | 0:18:18 | 0:18:20 | |
I'm here with the London bureau. | 0:18:20 | 0:18:22 | |
Sorry - just got off a long flight | 0:18:22 | 0:18:24 | |
and haven't eaten real food in 36 hours. | 0:18:24 | 0:18:26 | |
Do you want to grab a coffee? | 0:18:27 | 0:18:29 | |
Sure. | 0:18:30 | 0:18:31 | |
So, how come you were in Paris on day one? | 0:18:38 | 0:18:40 | |
-I'm here on my honeymoon. -You're kidding! | 0:18:40 | 0:18:43 | |
-No. -Shit. | 0:18:43 | 0:18:44 | |
You got lucky. | 0:18:44 | 0:18:46 | |
I'm not sure my wife sees it that way. | 0:18:46 | 0:18:48 | |
Does she love you? | 0:18:48 | 0:18:49 | |
Yeah - no, of course. It's just... | 0:18:50 | 0:18:53 | |
We were only married on Saturday. | 0:18:53 | 0:18:55 | |
The most famous woman in the world - | 0:18:55 | 0:18:57 | |
possibly the most famous human being on the planet, God help us - | 0:18:57 | 0:19:00 | |
just died in an unforeseen car crash | 0:19:00 | 0:19:02 | |
leading two vulnerable boys behind. | 0:19:02 | 0:19:04 | |
This is the biggest news story | 0:19:04 | 0:19:05 | |
you'll ever get in your entire career. | 0:19:05 | 0:19:07 | |
Fuck your honeymoon. | 0:19:07 | 0:19:09 | |
You ambitious? | 0:19:13 | 0:19:14 | |
I think so. | 0:19:16 | 0:19:17 | |
Better be sure. | 0:19:17 | 0:19:19 | |
Yes. | 0:19:20 | 0:19:22 | |
-I'm ambitious. -Good. | 0:19:22 | 0:19:25 | |
I'll do a deal with you. | 0:19:25 | 0:19:26 | |
You trail me, translate, set up interviews, cut packages, | 0:19:26 | 0:19:30 | |
and I'll give you joint credit. | 0:19:30 | 0:19:32 | |
Your editors jizz all over you, | 0:19:34 | 0:19:36 | |
and I get my big exclusive. | 0:19:36 | 0:19:38 | |
Everyone's a winner. | 0:19:38 | 0:19:40 | |
Deal. | 0:19:42 | 0:19:43 | |
Did you find a van? | 0:19:53 | 0:19:56 | |
Yeah - well, I've had a ring around. Nothing yet. | 0:19:56 | 0:19:59 | |
What do you mean, nothing yet? | 0:19:59 | 0:20:01 | |
-I just need a bit more time. -I don't have time, Gordy. | 0:20:01 | 0:20:04 | |
Well, I'll find us something, I promise. | 0:20:04 | 0:20:06 | |
I don't understand people - | 0:20:08 | 0:20:10 | |
they come in here crying about how much they love Diana, | 0:20:10 | 0:20:13 | |
but do they buy anything? Do they bollocks! | 0:20:13 | 0:20:15 | |
-Mrs McDonald. -You didn't need to love Diana | 0:20:15 | 0:20:17 | |
to feel bad about her death. | 0:20:17 | 0:20:20 | |
-Gordy? -No. | 0:20:20 | 0:20:23 | |
Will Carling, that was a mistake, | 0:20:23 | 0:20:25 | |
but God knows, we've all made mistakes. | 0:20:25 | 0:20:27 | |
At least she admitted them, didn't pretend she was perfect. | 0:20:27 | 0:20:30 | |
No-one's perfect, you're not perfect. | 0:20:30 | 0:20:31 | |
Mm, no. It's... | 0:20:33 | 0:20:35 | |
..nice. | 0:20:37 | 0:20:39 | |
"Diana". | 0:20:39 | 0:20:41 | |
How's the flower market, Gordy? | 0:20:41 | 0:20:43 | |
Er, it's not too bad, thanks, Mrs McDonald. | 0:20:43 | 0:20:46 | |
Why don't you two marry? | 0:20:46 | 0:20:47 | |
Mother...! I'm only just divorced. | 0:20:47 | 0:20:51 | |
I've no need or desire to get married... | 0:20:51 | 0:20:53 | |
Gordy and I went to primary school together, | 0:20:53 | 0:20:56 | |
I've seen the man wet his pants. | 0:20:56 | 0:20:58 | |
Are you gay, Gordon? | 0:20:58 | 0:21:00 | |
There's no shame in it if you are. | 0:21:00 | 0:21:02 | |
A lot of florists are friends of Dorothy. | 0:21:02 | 0:21:05 | |
I'm not gay, Mrs McDonald. | 0:21:05 | 0:21:07 | |
Then you should marry Mary. She has a heart of gold. | 0:21:07 | 0:21:10 | |
Just drives people mad with her talking. | 0:21:10 | 0:21:12 | |
Her first husband couldna stand it. | 0:21:12 | 0:21:15 | |
Mind you, he was a two-faced little shit - | 0:21:15 | 0:21:17 | |
the man couldna keep his cock in his pants. | 0:21:17 | 0:21:20 | |
Er, I'll, eh... | 0:21:21 | 0:21:23 | |
HE CLEARS THROAT | 0:21:23 | 0:21:25 | |
As soon as I find something... | 0:21:25 | 0:21:27 | |
Bye, Mrs McDonald. | 0:21:27 | 0:21:29 | |
-RADIO: -..affection and fondness for their princess | 0:21:32 | 0:21:35 | |
and by their overwhelming loss, the crowds began to gather | 0:21:35 | 0:21:38 | |
at St James's Palace a short while ago. | 0:21:38 | 0:21:41 | |
I'm Anne. I've come from Harwich in Essex | 0:21:41 | 0:21:45 | |
to, really, pay my respects | 0:21:45 | 0:21:48 | |
to a very...well-loved by the people... | 0:21:48 | 0:21:51 | |
Compassionate and extremely caring... | 0:21:51 | 0:21:55 | |
And just everybody is just in a state of shock. | 0:21:55 | 0:21:59 | |
We wish we could all wake up and it would be a dream... | 0:21:59 | 0:22:01 | |
She was such a special, lovely person... | 0:22:01 | 0:22:04 | |
PHONE BEEPS | 0:22:04 | 0:22:06 | |
Irreplaceable, absolutely irreplaceable, | 0:22:06 | 0:22:10 | |
we all loved her. | 0:22:10 | 0:22:12 | |
MUSIC PLAYS | 0:22:28 | 0:22:30 | |
-Hi, Jacko. -Hi. Sorry to bother you. | 0:22:35 | 0:22:38 | |
Don't be silly, what's up? | 0:22:38 | 0:22:40 | |
Would you listen to something for me? | 0:22:40 | 0:22:43 | |
Sure. Just mind the walls, I'm emulsioning. | 0:22:43 | 0:22:46 | |
MUSIC STOPS | 0:22:48 | 0:22:49 | |
Bloke... Irish... | 0:22:49 | 0:22:52 | |
Thinks her breasts are like cupcakes. | 0:22:56 | 0:22:59 | |
He's written her a poem. | 0:23:01 | 0:23:04 | |
OK, it's bad... | 0:23:04 | 0:23:06 | |
No, it's really bad, the man's a shit poet. | 0:23:08 | 0:23:10 | |
So, now he's saying goodbye and... | 0:23:14 | 0:23:17 | |
He understands if she doesn't want to see him any more | 0:23:17 | 0:23:20 | |
because of the cancer but he'll always love her. | 0:23:20 | 0:23:23 | |
He's lying... | 0:23:23 | 0:23:24 | |
The cancer's freaked him out and he's bailing. | 0:23:24 | 0:23:27 | |
SINGING OVER PHONE | 0:23:29 | 0:23:30 | |
Jesus Christ, now he's singing... | 0:23:30 | 0:23:32 | |
And...that's it. | 0:23:39 | 0:23:41 | |
Let's hope the sex was good. | 0:23:41 | 0:23:44 | |
Do you fancy a beer? | 0:23:52 | 0:23:54 | |
Uh...I-I'm all right, thanks. | 0:23:57 | 0:24:00 | |
Thanks for listening to the message for me. | 0:24:00 | 0:24:02 | |
No worries. | 0:24:02 | 0:24:03 | |
THEY CHUCKLE | 0:24:16 | 0:24:18 | |
I'll bet you're glad you married me. | 0:24:18 | 0:24:20 | |
I'm ecstatic I married you. | 0:24:20 | 0:24:22 | |
SHE CHUCKLES | 0:24:22 | 0:24:23 | |
Even though this is the weirdest honeymoon on the planet | 0:24:23 | 0:24:26 | |
and I don't even know if I'm allowed to be happy? | 0:24:26 | 0:24:28 | |
Even though this is the weirdest honeymoon on the planet | 0:24:28 | 0:24:32 | |
and you don't even know if you're allowed to be happy. | 0:24:32 | 0:24:35 | |
SHE SPEAKS FRENCH | 0:25:14 | 0:25:16 | |
CLAMOUR | 0:25:41 | 0:25:44 | |
Excusez-moi, monsieur. | 0:25:51 | 0:25:53 | |
THEY CHAT IN FRENCH | 0:26:23 | 0:26:25 | |
Michael Lewis, I'm a journalist. | 0:26:29 | 0:26:31 | |
Non. | 0:27:08 | 0:27:09 | |
Henri Paul worked 11 years for the Fayeds, | 0:27:28 | 0:27:30 | |
no previous convictions for drink-driving or other | 0:27:30 | 0:27:33 | |
alcohol-related issues but a history of depression. | 0:27:33 | 0:27:36 | |
He had a prescription for Aotal - it's given to alcoholics - | 0:27:36 | 0:27:40 | |
and Prozac. | 0:27:40 | 0:27:41 | |
How did the porter know? | 0:27:41 | 0:27:42 | |
He saw the packet when he emptied the wastepaper basket in his office. | 0:27:42 | 0:27:45 | |
Would he do an interview on the record? | 0:27:45 | 0:27:47 | |
No, but he's given me the name of someone who will. I've set it up. | 0:27:47 | 0:27:51 | |
Shit. Good work. | 0:27:52 | 0:27:56 | |
HE SPEAKS FRENCH | 0:27:56 | 0:27:59 | |
Henri Paul always carried money for the Fayeds. | 0:27:59 | 0:28:02 | |
And on the night of the crash? | 0:28:02 | 0:28:03 | |
-2,500 cash. -And the medication...? | 0:28:08 | 0:28:11 | |
REPEATS QUESTION IN FRENCH | 0:28:11 | 0:28:12 | |
He took Prozac and something for the alcohol. | 0:28:16 | 0:28:18 | |
Sometimes he didn't take it, so he could drink. | 0:28:21 | 0:28:23 | |
And on the night of the crash...? | 0:28:23 | 0:28:25 | |
REPEATS QUESTION IN FRENCH | 0:28:27 | 0:28:30 | |
HE SIGHS | 0:28:31 | 0:28:33 | |
-Sorry I'm late, my meeting ran over. -Where the hell have you been? | 0:28:44 | 0:28:47 | |
-At the bureau. -I thought you were finishing today. | 0:28:47 | 0:28:50 | |
I was, but they're all over me for another story. | 0:28:50 | 0:28:52 | |
-BOAT HORN BLARES -I've been calling you for ages. | 0:28:52 | 0:28:54 | |
-Why didn't you pick up? -Ran out of battery. | 0:28:54 | 0:28:56 | |
Excusez-moi, monsieur. Monsieur? | 0:28:56 | 0:28:59 | |
S'il vous plait... | 0:28:59 | 0:29:01 | |
-Merci. -Merci, monsieur. | 0:29:07 | 0:29:09 | |
Mademoiselle... | 0:29:09 | 0:29:11 | |
More like a rush hour than a honeymoon. | 0:29:11 | 0:29:13 | |
Non! C'est magnifique! | 0:29:13 | 0:29:15 | |
-TV: -The wedding took place at St Paul's on a perfect July day. | 0:29:22 | 0:29:26 | |
Millions of television viewers around the world | 0:29:26 | 0:29:29 | |
were dazzled by the event. | 0:29:29 | 0:29:30 | |
Diana was just 20. | 0:29:30 | 0:29:32 | |
And so the royal family welcomed a newcomer to its midst. | 0:29:35 | 0:29:39 | |
DOORBELL RINGS | 0:29:39 | 0:29:40 | |
It was the love story that brought crowds onto the streets again. | 0:29:40 | 0:29:43 | |
They came to see the Queen, of course... | 0:29:43 | 0:29:45 | |
RINGS REPEATEDLY | 0:29:45 | 0:29:47 | |
-Hello? -Debt collector's agency. | 0:29:47 | 0:29:49 | |
We're here to collect goods against debts owed. | 0:29:49 | 0:29:53 | |
-Where do you want to start? -Television. | 0:29:53 | 0:29:57 | |
Sign here, please. | 0:30:00 | 0:30:01 | |
GLASS SMASHES | 0:30:04 | 0:30:06 | |
GAME RINGS | 0:30:08 | 0:30:10 | |
DOOR CLOSES | 0:30:23 | 0:30:25 | |
Where are we going? | 0:30:33 | 0:30:35 | |
London - to pay our respects to Diana. | 0:30:35 | 0:30:37 | |
Is Daddy coming? | 0:30:37 | 0:30:38 | |
No. | 0:30:38 | 0:30:40 | |
Sit down there. Quick. | 0:31:05 | 0:31:07 | |
-NEWS: -It's six o'clock - the news from the BBC | 0:31:26 | 0:31:29 | |
with Andrew Crawford. | 0:31:29 | 0:31:30 | |
BIG BEN STRIKES | 0:31:30 | 0:31:32 | |
-Yasmin? -Oh... | 0:31:35 | 0:31:38 | |
Goodness me! Yasmin? | 0:31:38 | 0:31:40 | |
-Rachel? Yasmin's here. -Hiya. -My niece, my sister's girl! | 0:31:40 | 0:31:46 | |
-Oh, what a lovely surprise! -Sorry not to ring. | 0:31:46 | 0:31:50 | |
Your family know you are here? | 0:31:52 | 0:31:54 | |
No. | 0:31:54 | 0:31:56 | |
-Your husband? -No. | 0:31:56 | 0:31:58 | |
You wish me to tell them? | 0:31:58 | 0:32:00 | |
If you don't mind, I'd rather you didn't. | 0:32:00 | 0:32:03 | |
They'll think I've stolen you! | 0:32:03 | 0:32:06 | |
THEY CHUCKLE | 0:32:06 | 0:32:08 | |
You and I - the black sheep, both. | 0:32:08 | 0:32:11 | |
I know I was always rather fond of your husband. | 0:32:11 | 0:32:15 | |
But failure can do strange things to a man. | 0:32:15 | 0:32:18 | |
So much - his children, duty to his wife - | 0:32:18 | 0:32:22 | |
gets lost in the struggle. | 0:32:22 | 0:32:24 | |
Nothing, in my experience, is straightforward. | 0:32:24 | 0:32:28 | |
I, myself, am a devout Muslim, | 0:32:30 | 0:32:34 | |
married to a delightful atheist from Reading! | 0:32:34 | 0:32:37 | |
-CHUCKLING: -Because, you see, the heart follows no creed. | 0:32:37 | 0:32:43 | |
But love... | 0:32:45 | 0:32:47 | |
Is he talking too much again? | 0:32:47 | 0:32:48 | |
I was just telling Yasmin | 0:32:48 | 0:32:50 | |
that decisions of the heart should not be rushed. | 0:32:50 | 0:32:54 | |
It's so nice to have you and Aalia here. | 0:32:54 | 0:32:57 | |
Why don't you stay a few days? | 0:32:57 | 0:32:59 | |
Now, I see - you are thinking, | 0:32:59 | 0:33:03 | |
"How strange to take a holiday | 0:33:03 | 0:33:05 | |
"during such a week of grieving as this week." | 0:33:05 | 0:33:08 | |
But I must say, I find this beautiful country is kinder now | 0:33:08 | 0:33:15 | |
than I have ever seen it in all my days as an Englishman. | 0:33:15 | 0:33:19 | |
-RADIO: -I know a number of your players - | 0:33:22 | 0:33:24 | |
Ally McCoist, Andy Goram and Gordon Durie - | 0:33:24 | 0:33:26 | |
all were saying that they wouldn't play... | 0:33:26 | 0:33:28 | |
Mum...? | 0:33:28 | 0:33:30 | |
Mum! | 0:33:30 | 0:33:32 | |
You remember I told you I was going to London with Gordy? | 0:33:34 | 0:33:37 | |
-London? When? -Tomorrow. | 0:33:37 | 0:33:39 | |
I don't want to go to London, I hate bloody London. | 0:33:41 | 0:33:44 | |
You don't have to, that's why I'm cooking for you. | 0:33:44 | 0:33:47 | |
You should marry Gordy. You're not getting any younger. | 0:33:48 | 0:33:52 | |
Mum, are you listening? | 0:33:52 | 0:33:55 | |
What's all this mess? | 0:33:55 | 0:33:57 | |
I've made you some meals for when I'm away. | 0:33:57 | 0:34:00 | |
And Mrs Doherty from number three has a key. | 0:34:00 | 0:34:03 | |
She knows about your medicines and she'll pop in to check on you. | 0:34:03 | 0:34:05 | |
-Nosey bloody cow. -I need you to take your medicines. | 0:34:05 | 0:34:09 | |
-What do you care? Gallivanting off to London. -Mum! | 0:34:09 | 0:34:12 | |
-Princess Diana dies and you go on holiday. -I'm not going on... | 0:34:12 | 0:34:15 | |
You're a florist, woman, you should be selling bloody flowers. | 0:34:15 | 0:34:19 | |
For crying out loud, Mum, what do you think I'm fucking doing?! | 0:34:19 | 0:34:21 | |
I'm trying! All right? I'm trying. | 0:34:21 | 0:34:25 | |
No wonder you're single, filthy fucking mouth on you! | 0:34:25 | 0:34:28 | |
The only reason I'm single is cos of you! | 0:34:28 | 0:34:31 | |
Do you want a cup of tea? | 0:34:52 | 0:34:53 | |
Yeah. | 0:34:55 | 0:34:57 | |
RADIO SHIPPING FORECAST | 0:34:58 | 0:35:01 | |
SHE SNORES | 0:35:03 | 0:35:05 | |
Jersey, north-west three, 27 miles... | 0:35:06 | 0:35:09 | |
RADIO OFF | 0:35:12 | 0:35:14 | |
There's food in the fridge | 0:35:25 | 0:35:26 | |
and the medicines are on top of the dresser, | 0:35:26 | 0:35:28 | |
I'll phone in to check she's OK. | 0:35:28 | 0:35:30 | |
Thanks so much for looking after her, Mrs Doherty. | 0:35:30 | 0:35:32 | |
-Not at all. You get yourself off. -Cheers... | 0:35:32 | 0:35:35 | |
HORN TOOTS | 0:35:35 | 0:35:37 | |
Jesus... | 0:35:44 | 0:35:46 | |
Before you say anything, take a look inside - | 0:35:51 | 0:35:54 | |
she's better than you think. | 0:35:54 | 0:35:56 | |
BUS CHUGS AND RATTLES | 0:35:58 | 0:36:00 | |
See, if you angle the vents, you can keep the blooms cold. | 0:36:04 | 0:36:07 | |
She's only been running for ten minutes, | 0:36:07 | 0:36:09 | |
she gets a lot colder. | 0:36:09 | 0:36:11 | |
Plywood, to stop the buckets bouncing - | 0:36:11 | 0:36:14 | |
had some in my shed. | 0:36:14 | 0:36:15 | |
A wee bit wobbly but nothing that the plants can't handle. | 0:36:16 | 0:36:19 | |
Watering can. | 0:36:19 | 0:36:21 | |
Two 50-litre tanks, with taps. | 0:36:21 | 0:36:25 | |
Work station. | 0:36:27 | 0:36:28 | |
Sandwiches, flask of coffee. | 0:36:30 | 0:36:32 | |
-I don't know what to say. -It's not a van, | 0:36:38 | 0:36:41 | |
-I know, but I couldn't find nothing for blood nor money. -Yeah. | 0:36:41 | 0:36:45 | |
Thank you, it's...it's... | 0:36:45 | 0:36:47 | |
-It's very...good. -See, I thought I could be driving | 0:36:49 | 0:36:52 | |
while you are tending to the flowers. | 0:36:52 | 0:36:56 | |
It's a bonus - I thought... | 0:36:56 | 0:36:58 | |
Yeah. | 0:36:59 | 0:37:00 | |
Let's go. | 0:37:02 | 0:37:04 | |
ENGINE ROARS | 0:37:15 | 0:37:18 | |
-RADIO: -The funeral of Princess Diana on Saturday | 0:37:22 | 0:37:25 | |
means that thousands of couples have difficult decisions to make... | 0:37:25 | 0:37:29 | |
We asked a couple from Coventry | 0:37:29 | 0:37:31 | |
whether they still planned to go ahead with their wedding... | 0:37:31 | 0:37:33 | |
-Do you think Diana could have been happy with Dodi? -What? | 0:37:38 | 0:37:41 | |
Like, for good? | 0:37:41 | 0:37:43 | |
-That's what they wanted. -Aye, I suppose... | 0:37:43 | 0:37:46 | |
Only, him being a Muslim... | 0:37:46 | 0:37:48 | |
Why should that make any difference? | 0:37:48 | 0:37:51 | |
No, no, it wouldn't - it's just her being from the royal family... | 0:37:51 | 0:37:54 | |
She loved him and he loved her, that's all that matters. | 0:37:54 | 0:37:57 | |
Marriage is different. | 0:37:57 | 0:37:59 | |
-How? -Well, er...it's a contract, isn't it? | 0:38:00 | 0:38:04 | |
Love's not a contract, Gordy, | 0:38:04 | 0:38:05 | |
love's your heart saying, "Yes, yes, yes." | 0:38:05 | 0:38:07 | |
I told you you'd like it. | 0:38:29 | 0:38:31 | |
I did. | 0:38:31 | 0:38:32 | |
THEY CHUCKLE | 0:38:32 | 0:38:33 | |
PHONE VIBRATES | 0:38:35 | 0:38:37 | |
KEEPS VIBRATING | 0:38:41 | 0:38:44 | |
Take it. | 0:38:44 | 0:38:45 | |
-Hi. -I've been thinking - what if Henri Paul had been drinking | 0:38:52 | 0:38:56 | |
on top of all that medication? | 0:38:56 | 0:38:57 | |
-Shit. -I need you here now. -Well... | 0:38:57 | 0:39:01 | |
I'm a little busy at the moment. | 0:39:01 | 0:39:02 | |
I don't care, get your arse to my hotel, | 0:39:02 | 0:39:05 | |
La Rochelle, St-Germain. | 0:39:05 | 0:39:07 | |
What? | 0:39:20 | 0:39:21 | |
-Work. -I mean, you told them you can't do it? | 0:39:24 | 0:39:28 | |
Michael... | 0:39:31 | 0:39:32 | |
I've been really patient, we're on our honeymoon. | 0:39:32 | 0:39:34 | |
It's just a couple of hours. | 0:39:34 | 0:39:37 | |
DOOR KNOCKS | 0:39:45 | 0:39:46 | |
It's on the latch. | 0:39:46 | 0:39:48 | |
TAPE SPOOLS | 0:39:48 | 0:39:49 | |
Very fancy. | 0:39:52 | 0:39:54 | |
Check this translation for me...? | 0:39:56 | 0:39:58 | |
TRANSLATES: Henri was a bad drinker, not a heavy drinker. | 0:40:02 | 0:40:06 | |
Didn't have the stomach for it. Got drunk easily. | 0:40:06 | 0:40:11 | |
OK, we use it. I need all this ready for tomorrow. | 0:40:11 | 0:40:15 | |
Plus, I need all these papers checked | 0:40:15 | 0:40:16 | |
for a live-to-air breakfast broadcast. | 0:40:16 | 0:40:18 | |
I'm going to need you here all night. | 0:40:18 | 0:40:20 | |
Don't panic, I'm not going to fuck you. | 0:40:22 | 0:40:25 | |
Unless you want me to. | 0:40:25 | 0:40:26 | |
What? | 0:40:33 | 0:40:34 | |
-I should go. -You know, someone once told me, I can't remember who, | 0:40:37 | 0:40:41 | |
that for a journalist everything is just material. | 0:40:41 | 0:40:45 | |
It's not a pretty business, but it's the business you're in | 0:40:45 | 0:40:48 | |
and you love it more than you can say. | 0:40:48 | 0:40:50 | |
Chuck us a beer? | 0:40:52 | 0:40:54 | |
Just call her. | 0:41:02 | 0:41:04 | |
Tell her it's going to take longer than you thought. | 0:41:04 | 0:41:06 | |
-What, all night? -All night. | 0:41:07 | 0:41:10 | |
-RADIO: -I actually met Diana once. | 0:42:26 | 0:42:28 | |
I just remember how everyone, all the staff, | 0:42:28 | 0:42:32 | |
and the patients and everyone, how she just had time for everyone. | 0:42:32 | 0:42:37 | |
Thank you, Ruby. We're going to Martin on line three now. | 0:42:38 | 0:42:43 | |
CRUNCHING AND SCREECHING | 0:42:43 | 0:42:45 | |
-What was that? -Don't know. | 0:42:45 | 0:42:48 | |
ENGINE SPLUTTERS | 0:42:48 | 0:42:50 | |
-Have we got petrol? -Half a tank. | 0:42:52 | 0:42:55 | |
Gordy? | 0:42:55 | 0:42:56 | |
Wait. Don't panic. | 0:42:56 | 0:43:00 | |
I can pull her in over here. | 0:43:00 | 0:43:02 | |
SHE COUGHS | 0:43:17 | 0:43:19 | |
Oof! | 0:43:19 | 0:43:21 | |
-HISSING -Ah, ya...! | 0:43:23 | 0:43:25 | |
I can fix it. | 0:43:28 | 0:43:30 | |
BBC Radio 4, it's 6.30 and time for Today. | 0:43:34 | 0:43:37 | |
Good morning from Anna Ford and James Naughtie | 0:43:37 | 0:43:39 | |
on Thursday 4th September. | 0:43:39 | 0:43:41 | |
The headlines this morning. | 0:43:41 | 0:43:43 | |
Two of the photographers accused of manslaughter... | 0:43:43 | 0:43:45 | |
ENGINE STARTS | 0:43:45 | 0:43:47 | |
Got her. | 0:43:47 | 0:43:48 | |
Thank you so much. Don't know what we'd have done without you. | 0:43:51 | 0:43:54 | |
-Glad to help. -Seriously, you really saved our bacon. | 0:43:54 | 0:43:58 | |
It's an honour. | 0:43:58 | 0:43:59 | |
I don't often get to help people with such big hearts. | 0:43:59 | 0:44:02 | |
May she rest in peace. | 0:44:05 | 0:44:07 | |
You know, we really should be... | 0:44:09 | 0:44:12 | |
Yeah, of course. Yeah. | 0:44:12 | 0:44:15 | |
-Best of British to you. -Thank you. | 0:44:15 | 0:44:17 | |
What did you say to him? | 0:44:27 | 0:44:28 | |
-Sorry? -The mechanic. | 0:44:28 | 0:44:31 | |
Did you tell him we were giving the flowers away? | 0:44:31 | 0:44:33 | |
-Gordy? -I thought it might be easier than trying to explain. | 0:44:36 | 0:44:40 | |
-It's not a crime to sell flowers. -I know. | 0:44:40 | 0:44:44 | |
Well, let's go. | 0:44:47 | 0:44:48 | |
Could this have been a factor | 0:44:55 | 0:44:57 | |
in the tragic accident at Le Tunnel de l'Alma? | 0:44:57 | 0:44:59 | |
I suspect we'll be hearing a great deal more about this | 0:44:59 | 0:45:02 | |
over the coming days. | 0:45:02 | 0:45:03 | |
Laura Phillips, Paris. | 0:45:03 | 0:45:05 | |
Three, two, one. | 0:45:05 | 0:45:08 | |
And clear. | 0:45:08 | 0:45:10 | |
-Great job. -Thank you. | 0:45:10 | 0:45:12 | |
Nice work, you nailed it. | 0:45:13 | 0:45:15 | |
-Well done, Laura. -Well done! | 0:45:15 | 0:45:17 | |
-Well done, Laura. -How did it sound? | 0:45:21 | 0:45:24 | |
-Brilliant. -You did well. -Thanks. | 0:45:24 | 0:45:27 | |
So did you. | 0:45:27 | 0:45:28 | |
Fancy a celebration? | 0:45:28 | 0:45:31 | |
I should probably get back. | 0:45:31 | 0:45:33 | |
One little drink. | 0:45:33 | 0:45:35 | |
-One. -One. | 0:45:40 | 0:45:42 | |
-ANSWER PHONE: -Hi, this is Michael Lewis. | 0:45:57 | 0:46:00 | |
Please leave me a message and I'll get back to you. | 0:46:00 | 0:46:02 | |
-RADIO: -The rivers in London were the Thames and the tears | 0:46:11 | 0:46:14 | |
and the queues of cars and people drifting from palace to palace. | 0:46:14 | 0:46:17 | |
Drawn by affection and an overwhelming loss | 0:46:17 | 0:46:21 | |
and the need to say thank you and goodbye. | 0:46:21 | 0:46:24 | |
So great has the volume of people been to come and sign those books, | 0:46:29 | 0:46:33 | |
five hours the queue has actually been today for some people to wait. | 0:46:33 | 0:46:36 | |
The police have tonight shut the Mall here in central London. | 0:46:36 | 0:46:39 | |
You might just get a flavour of the size of the queue | 0:46:39 | 0:46:42 | |
standing here behind me. | 0:46:42 | 0:46:43 | |
That queue started forming at 10 o'clock this morning, | 0:46:43 | 0:46:46 | |
it now stretches back halfway along the Mall to Trafalgar Square. | 0:46:46 | 0:46:49 | |
Whatever happens next is my fault. | 0:46:58 | 0:47:01 | |
No, it isn't. | 0:47:01 | 0:47:02 | |
Please stop being so bloody nice. | 0:47:02 | 0:47:05 | |
Just yards away outside the Chapel Royal | 0:47:12 | 0:47:14 | |
where Diana's coffin now lies at rest in private, | 0:47:14 | 0:47:17 | |
more flowers are building up, | 0:47:17 | 0:47:19 | |
adding to the ocean of bouquets now sweeping Britain. | 0:47:19 | 0:47:22 | |
We've been here for ages! | 0:47:50 | 0:47:52 | |
I know, it won't be long now. | 0:47:52 | 0:47:53 | |
-Here we go. -Thanks. | 0:47:53 | 0:47:55 | |
Get your roses. Funeral flowers, flowers for Diana. | 0:47:55 | 0:48:00 | |
You might want to tone it down a wee bit there, Mary. | 0:48:00 | 0:48:03 | |
-Flowers for Diana. -May I see your licence, please? | 0:48:06 | 0:48:09 | |
-Licence? -How can we help you, Officer? | 0:48:09 | 0:48:12 | |
-You need a trader's licence to sell in the street. -We're from Glasgow. | 0:48:12 | 0:48:15 | |
I don't care where you're from, you still need a trader's licence or a peddler's certificate. | 0:48:15 | 0:48:19 | |
-We're just selling a few flowers. -Is there any way we can sort it out? | 0:48:19 | 0:48:24 | |
Please, we'll be done in a few hours. | 0:48:24 | 0:48:26 | |
We're not doing anyone any harm. | 0:48:26 | 0:48:27 | |
-We've had complaints from neighbours. -What complaints? | 0:48:27 | 0:48:30 | |
-We've only been here a few minutes. -Move on, please. | 0:48:30 | 0:48:32 | |
-For God's sake! Who's complaining? -Mary! | 0:48:32 | 0:48:36 | |
-Show me the bastard who's complaining. -Calm down. | 0:48:36 | 0:48:39 | |
We're going. We're going, all right? | 0:48:39 | 0:48:41 | |
It's that posh cow, did you see her? | 0:48:43 | 0:48:45 | |
Bitch. | 0:48:47 | 0:48:48 | |
Come to ours for tea. | 0:48:56 | 0:48:58 | |
Julie's sorry about what happened. | 0:48:58 | 0:49:00 | |
She's not been herself since Diana died. | 0:49:02 | 0:49:04 | |
Jack. | 0:49:06 | 0:49:08 | |
DOOR OPENS | 0:49:09 | 0:49:11 | |
She's ready for you now. | 0:49:11 | 0:49:13 | |
It's the wrong lipstick, she likes red. | 0:49:31 | 0:49:34 | |
We can change that. | 0:49:34 | 0:49:36 | |
-And I want her to wear this. -Of course. | 0:49:36 | 0:49:38 | |
I'll leave you be. | 0:49:40 | 0:49:41 | |
Anything we can do, don't hesitate to ask. | 0:49:41 | 0:49:44 | |
What are you doing? | 0:50:01 | 0:50:03 | |
She loves this picture. | 0:50:04 | 0:50:06 | |
-Why don't you look at her? -I have. -You haven't. -I've looked. | 0:50:11 | 0:50:14 | |
That's enough. | 0:50:14 | 0:50:15 | |
She was seeing a man called Seamus. | 0:50:24 | 0:50:26 | |
-He was a poet. -What? | 0:50:30 | 0:50:32 | |
Is your girlfriend coming to the funeral? | 0:50:32 | 0:50:34 | |
She...um... | 0:50:34 | 0:50:36 | |
Julie thought it might be easier for everyone if she stayed away. | 0:50:36 | 0:50:40 | |
She's going to watch Diana's funeral, is she? | 0:50:42 | 0:50:45 | |
Hm? | 0:50:45 | 0:50:47 | |
I don't mind. Mum hated Julie. | 0:50:47 | 0:50:49 | |
-Jack! -She called her "The Whore". | 0:50:49 | 0:50:51 | |
Don't talk like that about my girlfriend. | 0:50:51 | 0:50:53 | |
-OK? Especially not in here. -That's what Mum says. | 0:50:53 | 0:50:56 | |
-I don't care what your mother said. -Well, she tells me everything. | 0:50:56 | 0:50:59 | |
She didn't tell you how it felt to be married to her, OK? | 0:50:59 | 0:51:01 | |
She didn't tell you the stuff she put me through. | 0:51:01 | 0:51:04 | |
I was no saint, Jack, but neither was your mother. | 0:51:04 | 0:51:07 | |
I'm sorry. | 0:51:09 | 0:51:11 | |
It's just...you've got to stop thinking | 0:51:11 | 0:51:14 | |
that everything your mother did...was right. | 0:51:14 | 0:51:17 | |
It's the wrong dress. | 0:51:20 | 0:51:21 | |
Jesus! | 0:51:21 | 0:51:23 | |
Why are we even having the funeral on Saturday? | 0:51:23 | 0:51:26 | |
They died together, they're going to heaven together. | 0:51:26 | 0:51:28 | |
-What are you even talking about? -Mum and Diana. -Listen, Jacko... | 0:51:28 | 0:51:32 | |
No, you listen, there's something I have to tell you both. | 0:51:32 | 0:51:36 | |
Mum, Dad... | 0:51:36 | 0:51:38 | |
I'm gay. | 0:51:40 | 0:51:41 | |
I know you are. | 0:51:49 | 0:51:51 | |
-What? -I mean, I guessed. | 0:51:51 | 0:51:53 | |
-How? -Well, you know. -What? | 0:51:53 | 0:51:55 | |
-Your mother and I... -You talked to Mum about it? | 0:51:55 | 0:51:58 | |
She might have mentioned it. | 0:51:58 | 0:52:00 | |
Mum, is this true? | 0:52:00 | 0:52:02 | |
Is it true you knew? | 0:52:03 | 0:52:05 | |
We knew. | 0:52:07 | 0:52:09 | |
-Oh, my God. -It's all right, Jack. | 0:52:09 | 0:52:11 | |
-You knew I was gay? -Yes. -You both knew I was gay? | 0:52:11 | 0:52:14 | |
Yes, but it's all right, Jack, we're both all right with it. | 0:52:14 | 0:52:18 | |
The point is... | 0:52:18 | 0:52:20 | |
We're grateful to you for telling us. | 0:52:22 | 0:52:24 | |
We appreciate you being so open. | 0:52:25 | 0:52:28 | |
Don't we, Claire? | 0:52:31 | 0:52:32 | |
Aalia, stop that, please. Aalia, get off there. | 0:52:40 | 0:52:43 | |
I wonder if Aalia would like to come for some ice cream | 0:52:43 | 0:52:48 | |
-with myself and Auntie... -That sounds nice, doesn't it? | 0:52:48 | 0:52:51 | |
You take the day off. | 0:52:51 | 0:52:52 | |
We will feed Aalia with as many scoops as she can eat. | 0:52:52 | 0:52:56 | |
How many can you have in one go, Aalia? | 0:52:56 | 0:52:58 | |
I, myself, can have 27. | 0:52:58 | 0:53:02 | |
-And a half. -Bye, Mum! | 0:53:02 | 0:53:05 | |
I've gone blank. | 0:53:23 | 0:53:25 | |
I just queued for five hours and I've gone blank. | 0:53:26 | 0:53:29 | |
What do I write? | 0:53:31 | 0:53:33 | |
Um...just write what you feel. | 0:53:33 | 0:53:37 | |
Yeah, but what do I feel? | 0:53:37 | 0:53:38 | |
I'm an idiot. | 0:53:40 | 0:53:41 | |
Am I an idiot? | 0:53:41 | 0:53:43 | |
Huh, maybe. | 0:53:43 | 0:53:45 | |
The thing is, when she was alive, I was like, "Really?" | 0:53:46 | 0:53:50 | |
And I just queued for five hours. | 0:53:52 | 0:53:54 | |
That's weird. | 0:53:55 | 0:53:57 | |
You think she died when she shouldn't. | 0:53:59 | 0:54:01 | |
It means something to you you can't explain. | 0:54:03 | 0:54:05 | |
Say that. | 0:54:05 | 0:54:07 | |
Yeah. | 0:54:09 | 0:54:11 | |
Good, that's good. Thanks. | 0:54:11 | 0:54:13 | |
"Where there is... | 0:54:28 | 0:54:30 | |
"Where there is ruin, there is hope for a treasure." | 0:54:30 | 0:54:32 | |
Wow, that's beautiful. | 0:54:34 | 0:54:36 | |
-Did you make that up? -Yeah. | 0:54:36 | 0:54:38 | |
Seriously? | 0:54:38 | 0:54:40 | |
No. | 0:54:40 | 0:54:41 | |
It's by Rumi, a Persian poet. | 0:54:41 | 0:54:44 | |
-Bonjour. -Bonjour. | 0:55:07 | 0:55:10 | |
What are you doing? | 0:55:19 | 0:55:20 | |
I'm going back to London. | 0:55:23 | 0:55:26 | |
But we've still got four days to go. | 0:55:28 | 0:55:31 | |
Are you drunk? | 0:55:31 | 0:55:32 | |
No. | 0:55:32 | 0:55:34 | |
Soph, what...? | 0:55:38 | 0:55:39 | |
Don't go. | 0:55:42 | 0:55:43 | |
You didn't even come back last night. | 0:55:43 | 0:55:45 | |
I had to work, I'm... | 0:55:45 | 0:55:48 | |
I'm sorry. | 0:55:48 | 0:55:49 | |
What do you want me to say? | 0:55:51 | 0:55:53 | |
That I understand? | 0:55:53 | 0:55:55 | |
That I know this is a really important story? I do. | 0:55:55 | 0:55:58 | |
That's why I gave you time. You said you'd hand the story over. | 0:55:58 | 0:56:02 | |
-You said all the journalists in the world are here. -Sophie... | 0:56:02 | 0:56:04 | |
There's no point me being on this honeymoon. | 0:56:04 | 0:56:06 | |
-I'm sorry, Michael, I'm going home. -Please. | 0:56:06 | 0:56:08 | |
Look, I never meant to upset you, it's just... | 0:56:08 | 0:56:11 | |
This whole... | 0:56:12 | 0:56:14 | |
What happened here on Sunday may be the biggest story of my life. | 0:56:14 | 0:56:18 | |
Four people got smashed up in a car. | 0:56:20 | 0:56:22 | |
Three of them died, the woman wasn't killed immediately. | 0:56:23 | 0:56:26 | |
And she probably knew what was happening. | 0:56:26 | 0:56:28 | |
Maybe she had time to think about her boys, | 0:56:28 | 0:56:31 | |
wish she could see them again, hold them. | 0:56:31 | 0:56:33 | |
One's 15, the other's 12. | 0:56:33 | 0:56:36 | |
God only knows what they're going through. | 0:56:36 | 0:56:38 | |
Yet in every moment, | 0:56:38 | 0:56:40 | |
every split-second of their complete and utter agony, | 0:56:40 | 0:56:44 | |
is the biggest story of your life. | 0:56:44 | 0:56:45 | |
DOOR SLAMS | 0:56:52 | 0:56:54 | |
Did you...? Did you take your medicine? | 0:56:55 | 0:56:59 | |
Mum? | 0:56:59 | 0:57:01 | |
Mum, put Mrs Doherty on. | 0:57:01 | 0:57:04 | |
She's not trying to poison you. | 0:57:06 | 0:57:09 | |
Mum. | 0:57:10 | 0:57:11 | |
LINE GOES DEAD | 0:57:11 | 0:57:13 | |
Mum? M...? | 0:57:13 | 0:57:15 | |
A nice wee bunch of flowers for you? | 0:57:22 | 0:57:24 | |
That'll be a no. | 0:57:26 | 0:57:28 | |
Did you get through to her? | 0:57:35 | 0:57:36 | |
Yeah. | 0:57:39 | 0:57:40 | |
-RADIO: -The ceremony will be private, with just members | 0:57:56 | 0:57:58 | |
of the closest family | 0:57:58 | 0:58:00 | |
and an old family friend will take the service. | 0:58:00 | 0:58:03 | |
She will be laid to rest close to her father, | 0:58:03 | 0:58:06 | |
the eighth Earl Spencer. | 0:58:06 | 0:58:07 | |
His ashes were buried here five years ago. | 0:58:07 | 0:58:11 | |
How's things, Jack? | 0:58:11 | 0:58:13 | |
-Good. -Good. | 0:58:13 | 0:58:16 | |
Did you want to ask me something? | 0:58:25 | 0:58:27 | |
Yeah, um... | 0:58:27 | 0:58:29 | |
Would you help me with my mum's funeral? | 0:58:31 | 0:58:34 | |
Sure, yeah. | 0:58:34 | 0:58:36 | |
-Thanks. -What needs doing? | 0:58:36 | 0:58:39 | |
There are no flowers. | 0:58:39 | 0:58:40 | |
-Do you need to order them? -No, there are none left. | 0:58:43 | 0:58:45 | |
-What, none? -No. | 0:58:45 | 0:58:47 | |
Diana's got them all. | 0:58:47 | 0:58:49 | |
I don't mind, I just need something for Mum. | 0:58:49 | 0:58:52 | |
Right, er... | 0:58:52 | 0:58:54 | |
-Have you ever made paper flowers? -No. -OK, I'll show you. | 0:58:55 | 0:58:59 | |
Go and buy as much coloured paper as you can. | 0:58:59 | 0:59:01 | |
Any colour will do, I think Woolworths sells them. | 0:59:01 | 0:59:04 | |
And some glue. | 0:59:04 | 0:59:06 | |
Oh, yeah, and some sticks. | 0:59:06 | 0:59:07 | |
DIY. Actually, tell you what, | 0:59:07 | 0:59:09 | |
leave the sticks, I'll get the sticks. | 0:59:09 | 0:59:12 | |
Thanks. | 0:59:12 | 0:59:13 | |
You're welcome, Jack. | 0:59:15 | 0:59:16 | |
-Cheers. -Cheers. | 0:59:19 | 0:59:21 | |
-Oi! -Hey, hey! | 0:59:31 | 0:59:32 | |
Bastards! | 0:59:32 | 0:59:34 | |
Stop. | 0:59:39 | 0:59:41 | |
Gordon... | 0:59:41 | 0:59:44 | |
-Stop! -We're all right. | 0:59:44 | 0:59:46 | |
-We're not all right. -We can move. | 0:59:46 | 0:59:47 | |
-We'll move. -Christ, I should never have made you do this. | 0:59:47 | 0:59:51 | |
I wanted to. | 0:59:51 | 0:59:52 | |
-What were you even thinking, saying yes? -I wanted to help. | 0:59:52 | 0:59:55 | |
But you didn't, you didn't help. | 0:59:55 | 0:59:57 | |
It's all my fault. This whole stupid, shitty idea is my fault. | 0:59:58 | 1:00:02 | |
It's not stupid, and I'm glad I did it. | 1:00:02 | 1:00:04 | |
-Christ, Gordy, when do you ever give up? -Never. | 1:00:04 | 1:00:07 | |
Look at us! It's bloody hopeless. | 1:00:09 | 1:00:11 | |
Well, I disagree. | 1:00:11 | 1:00:13 | |
I think it's brave and it's bold, | 1:00:13 | 1:00:14 | |
and the world would be a bloody boring place | 1:00:14 | 1:00:16 | |
if nobody ever got on a coach with a load of flowers | 1:00:16 | 1:00:19 | |
and tried to sell them on the street on the back of a royal death. | 1:00:19 | 1:00:23 | |
Without even getting a permit! | 1:00:23 | 1:00:25 | |
I'm going home. | 1:00:29 | 1:00:30 | |
I love you. | 1:00:30 | 1:00:32 | |
I love you, Mary. | 1:00:38 | 1:00:39 | |
You can't. | 1:00:44 | 1:00:45 | |
Well, I do. | 1:00:47 | 1:00:49 | |
I'm not free to love. | 1:00:52 | 1:00:53 | |
I don't even know what that means, but I don't care. | 1:00:53 | 1:00:56 | |
I don't come on my own. | 1:00:56 | 1:00:58 | |
-I come with my mother. -Well, then, I'll love you both. | 1:01:00 | 1:01:02 | |
You don't know what she's like. | 1:01:02 | 1:01:03 | |
Look, I've got a mother. We've all got mothers. | 1:01:03 | 1:01:05 | |
-Not like mine! -For God's sake, Mary. | 1:01:05 | 1:01:07 | |
I'm asking you to marry me. | 1:01:07 | 1:01:09 | |
-TEARFULLY: I'm no use, Gordon. I can't... -Mary! | 1:01:13 | 1:01:16 | |
-TV: -The Princess of Wales began by bringing a breath of fresh air | 1:01:28 | 1:01:32 | |
and a measure of glamour into the House of Windsor. | 1:01:32 | 1:01:35 | |
Unflagging support for the sick and disadvantaged | 1:01:35 | 1:01:38 | |
earned her continued respect... | 1:01:38 | 1:01:41 | |
Girly or...royal? | 1:01:41 | 1:01:46 | |
She began to add her own fresh style... | 1:01:46 | 1:01:49 | |
You choose. | 1:01:49 | 1:01:51 | |
She seemed so genuinely pleased to be with ordinary folk, | 1:01:51 | 1:01:55 | |
even if she could no longer be ordinary herself. | 1:01:55 | 1:01:59 | |
Age was no barrier. | 1:01:59 | 1:02:01 | |
Where others would be shy amongst the very old, Diana opened up. | 1:02:01 | 1:02:05 | |
Well, she's special because she bring light to the world | 1:02:06 | 1:02:09 | |
about all the sadness that's going on in the world. | 1:02:09 | 1:02:13 | |
Land mines and those people with Aids. | 1:02:13 | 1:02:16 | |
We've been watching it on the television | 1:02:16 | 1:02:18 | |
and we just thought that we'd like to come up and lay some flowers. | 1:02:18 | 1:02:21 | |
Very emotional, | 1:02:23 | 1:02:25 | |
and you watch it on television, | 1:02:25 | 1:02:29 | |
but you can't believe the flowers and people, | 1:02:29 | 1:02:33 | |
and the smell of the flowers is beautiful, isn't it? | 1:02:33 | 1:02:37 | |
She just helped so many people that you just want to come | 1:02:37 | 1:02:40 | |
and show that you're thankful for her. | 1:02:40 | 1:02:43 | |
It's just very sad. | 1:02:43 | 1:02:44 | |
I didn't really follow much about her, | 1:02:44 | 1:02:46 | |
but her death has hit me. | 1:02:46 | 1:02:48 | |
I can't explain it. | 1:02:48 | 1:02:50 | |
LAUGHTER | 1:03:00 | 1:03:03 | |
# You got the power to know | 1:03:27 | 1:03:30 | |
# You're indestructible | 1:03:30 | 1:03:32 | |
# Always believe in | 1:03:32 | 1:03:34 | |
# You are gold | 1:03:34 | 1:03:37 | |
# I'm glad you're bound to return | 1:03:37 | 1:03:39 | |
# There's something I could have learned | 1:03:39 | 1:03:42 | |
# You're indestructible... # | 1:03:42 | 1:03:43 | |
-Hiya. A coca cola, please. -Ice and lemon? -Yeah, please. | 1:03:43 | 1:03:47 | |
# Always believin'. # | 1:03:47 | 1:03:52 | |
CHEERING | 1:03:52 | 1:03:54 | |
Come on! | 1:04:03 | 1:04:05 | |
# Help me escape this feeling of insecurity | 1:04:15 | 1:04:20 | |
# Uh-huh | 1:04:20 | 1:04:21 | |
# I need you so much but I don't think you really need me | 1:04:21 | 1:04:26 | |
# Uh-huh | 1:04:26 | 1:04:29 | |
# But if we all stand up in the name of love | 1:04:29 | 1:04:32 | |
# And state the case of what we're dreamin' of... # | 1:04:32 | 1:04:35 | |
PHONE RINGS | 1:04:37 | 1:04:40 | |
-ANSWERPHONE: -Hi. It's Sophie. I am on honeymoon, | 1:04:40 | 1:04:43 | |
so leave a message and I will get back to you as a married woman. | 1:04:43 | 1:04:46 | |
Sophie, I'm sorry. Please call me. | 1:04:46 | 1:04:50 | |
Ladies and gents, I give you Yasmin! | 1:05:06 | 1:05:10 | |
CHEERING | 1:05:10 | 1:05:13 | |
Come on, Yasmin! | 1:05:13 | 1:05:15 | |
I'm going to sing You Gotta Be by Des'ree. | 1:05:22 | 1:05:25 | |
I'd like to dedicate this song to Princess Diana. | 1:05:25 | 1:05:30 | |
APPLAUSE | 1:05:30 | 1:05:32 | |
# Listen as your day unfolds | 1:05:43 | 1:05:46 | |
# Challenge what the future holds | 1:05:46 | 1:05:49 | |
# Try and keep your head up to the sky | 1:05:49 | 1:05:53 | |
# Lovers they may cause you tears | 1:05:53 | 1:05:56 | |
# Go ahead, release your fears | 1:05:56 | 1:05:59 | |
# Stand up and be counted Don't be ashamed to cry | 1:05:59 | 1:06:03 | |
# You gotta be | 1:06:03 | 1:06:05 | |
# You gotta be bad You gotta be bold | 1:06:05 | 1:06:07 | |
# You gotta be wiser | 1:06:07 | 1:06:09 | |
# You gotta be hard You gotta be tough | 1:06:09 | 1:06:12 | |
# You gotta be stronger | 1:06:12 | 1:06:15 | |
# You gotta be cool You gotta be calm | 1:06:15 | 1:06:17 | |
# You gotta stay together | 1:06:17 | 1:06:19 | |
# All I know, all I know | 1:06:19 | 1:06:21 | |
# Is love will save the day | 1:06:21 | 1:06:24 | |
# Herald what your mother said | 1:06:24 | 1:06:27 | |
# Read the books your father read | 1:06:27 | 1:06:29 | |
# Try to solve the puzzles in your own sweet time | 1:06:29 | 1:06:34 | |
# Some may have more cash than you | 1:06:34 | 1:06:37 | |
# Others take a different view | 1:06:37 | 1:06:39 | |
# My oh my | 1:06:39 | 1:06:42 | |
# Yeah, yeah, yeah | 1:06:42 | 1:06:45 | |
# You gotta be bad You gotta be bold | 1:06:45 | 1:06:48 | |
# You gotta be wiser | 1:06:48 | 1:06:50 | |
# You gotta be hard You gotta be tough | 1:06:50 | 1:06:53 | |
# You gotta be stronger... # | 1:06:53 | 1:06:55 | |
SHE HUMS | 1:06:57 | 1:07:01 | |
Sorry I'm late. | 1:07:07 | 1:07:09 | |
Did you have fun? | 1:07:09 | 1:07:11 | |
Yeah. | 1:07:11 | 1:07:13 | |
-I'm so glad. -How is everyone? | 1:07:13 | 1:07:15 | |
-Aalia's asleep. -OK. -Erm... | 1:07:15 | 1:07:17 | |
Hassan is here. | 1:07:18 | 1:07:20 | |
I'll be next door. | 1:07:37 | 1:07:39 | |
OK. | 1:07:39 | 1:07:40 | |
I've been ringing everyone. | 1:07:51 | 1:07:52 | |
No-one knew where you were. | 1:07:54 | 1:07:56 | |
Why would you do that to me, Yasmin? | 1:07:58 | 1:08:00 | |
-Why would you take my kid like that? -I needed some time alone. | 1:08:02 | 1:08:05 | |
I've been worried sick. | 1:08:06 | 1:08:08 | |
Well, I'm sorry. | 1:08:08 | 1:08:09 | |
No note, no number, nothing. | 1:08:09 | 1:08:12 | |
-I didn't know what else to do. -For God's sake, I'm your husband. | 1:08:12 | 1:08:15 | |
I didn't marry your mother's son or your aunt's nephew, Hassan. | 1:08:18 | 1:08:21 | |
I married you, and I loved you. I really did. | 1:08:21 | 1:08:23 | |
But you're always busy being important. It's always... | 1:08:26 | 1:08:29 | |
It's always something for someone else and never for us. | 1:08:29 | 1:08:33 | |
How do you think that makes me feel? | 1:08:33 | 1:08:35 | |
You think I don't work hard enough? | 1:08:35 | 1:08:37 | |
You work all the time, but it's not real. | 1:08:37 | 1:08:40 | |
It's like when you talk on the phone and you're driving and talking, | 1:08:40 | 1:08:43 | |
it's just talk, it's just words, and then people come to our... | 1:08:43 | 1:08:46 | |
..our house, and they take away our stuff. | 1:08:47 | 1:08:50 | |
When are you going to stop pretending | 1:08:52 | 1:08:54 | |
and just be the person that I married? | 1:08:54 | 1:08:55 | |
Please. | 1:08:59 | 1:09:01 | |
There's no shame in being honest. | 1:09:03 | 1:09:05 | |
Let me help. | 1:09:08 | 1:09:10 | |
Hassan... | 1:09:11 | 1:09:12 | |
I'm a successful businessman. | 1:09:24 | 1:09:26 | |
I have many responsibilities. Some here, some abroad. | 1:09:28 | 1:09:31 | |
Many different things. | 1:09:31 | 1:09:32 | |
You need to come home. | 1:09:37 | 1:09:39 | |
No. | 1:09:39 | 1:09:41 | |
Yasmin... | 1:09:41 | 1:09:42 | |
I'm not coming. | 1:09:44 | 1:09:45 | |
DOOR OPENS | 1:09:45 | 1:09:47 | |
I'll be waiting. | 1:10:04 | 1:10:05 | |
I thought a little tea? | 1:10:21 | 1:10:23 | |
Would that be good? | 1:10:25 | 1:10:27 | |
Yeah, thanks. | 1:10:27 | 1:10:28 | |
Yes. | 1:10:28 | 1:10:30 | |
Let it brew a while. | 1:10:32 | 1:10:34 | |
-TV: -Il est huit heures du matin, vendredi, 5 septembre. | 1:11:02 | 1:11:05 | |
Bonjour. A Londres, les preparatifs commencent | 1:11:05 | 1:11:09 | |
pour l'organisation du trajet de... | 1:11:09 | 1:11:11 | |
..and onto Park Lane. | 1:11:11 | 1:11:13 | |
Many thousands more are expected to fill Hyde Park | 1:11:13 | 1:11:16 | |
as the cortege passes by. | 1:11:16 | 1:11:18 | |
Central London is now preparing for an influx | 1:11:18 | 1:11:21 | |
of an estimated two million people. | 1:11:21 | 1:11:23 | |
Here in Parliament Square, | 1:11:23 | 1:11:25 | |
special turf is being laid after recent work on the Jubilee Line... | 1:11:25 | 1:11:28 | |
..is now directed towards trying to make this as tremendous | 1:11:28 | 1:11:33 | |
a commemoration of Princess Diana as possible. | 1:11:33 | 1:11:35 | |
-Is Laura around? -She went back to London. | 1:11:46 | 1:11:48 | |
I'm...I'm gay. | 1:12:21 | 1:12:24 | |
Yeah? | 1:12:25 | 1:12:27 | |
Are you gay? | 1:12:27 | 1:12:28 | |
Yeah. | 1:12:30 | 1:12:31 | |
-THE QUEEN: -No-one who knew Diana will ever forget her. | 1:12:48 | 1:12:52 | |
Millions of other who never met her, but felt they knew her, | 1:12:52 | 1:12:56 | |
will remember her. | 1:12:56 | 1:12:58 | |
I for one believe there are lessons to be drawn from her life, | 1:12:58 | 1:13:02 | |
and from the extraordinary and moving reaction to her death. | 1:13:02 | 1:13:07 | |
This is also an opportunity for me, on behalf of my family, | 1:13:07 | 1:13:11 | |
and especially Prince Charles and William and Harry, | 1:13:11 | 1:13:15 | |
to thank all of you who have brought flowers, sent messages, | 1:13:15 | 1:13:18 | |
and paid your respects in so many ways to a remarkable person. | 1:13:18 | 1:13:23 | |
I hope that tomorrow we can all, wherever we are... | 1:13:23 | 1:13:26 | |
..join in expressing our grief at Diana's loss | 1:13:27 | 1:13:30 | |
and gratitude for her all-too-short life. | 1:13:30 | 1:13:33 | |
It is a chance to show to the whole world | 1:13:35 | 1:13:39 | |
the British nation united in grief and respect. | 1:13:39 | 1:13:42 | |
May those who died rest in peace. | 1:13:44 | 1:13:47 | |
And may we, each and every one of us... | 1:13:47 | 1:13:50 | |
Jesus, it's like a fridge in here. | 1:14:33 | 1:14:35 | |
I was keeping the flowers cold for you. | 1:14:37 | 1:14:39 | |
Thank you. | 1:14:41 | 1:14:43 | |
-You OK? -I'm fine. | 1:14:49 | 1:14:51 | |
I'm sorry I stormed off like that. I just needed to clear my head. | 1:14:54 | 1:14:59 | |
You're all right. | 1:14:59 | 1:15:00 | |
I'm not, really. | 1:15:02 | 1:15:04 | |
Mum's right. I'm too much. I know I am. | 1:15:08 | 1:15:10 | |
I just can't stop myself. | 1:15:12 | 1:15:13 | |
I never had kids. | 1:15:20 | 1:15:21 | |
I think maybe...I put too much into things because of it. | 1:15:23 | 1:15:28 | |
I don't know. Maybe it's just me. | 1:15:30 | 1:15:32 | |
I don't mind it. | 1:15:34 | 1:15:36 | |
Thanks. | 1:15:40 | 1:15:41 | |
I think, if you're OK, I'd like to... | 1:15:46 | 1:15:48 | |
..give the flowers to Diana. | 1:15:50 | 1:15:52 | |
That's fine. | 1:15:54 | 1:15:55 | |
She never got a second chance. | 1:15:59 | 1:16:01 | |
I did. | 1:16:03 | 1:16:05 | |
Are you not angry about the money? | 1:16:13 | 1:16:16 | |
I don't care about the money. | 1:16:16 | 1:16:18 | |
That's what we'll do, then. | 1:16:20 | 1:16:21 | |
I thought we could drive into Kensington Palace in the morning | 1:16:24 | 1:16:28 | |
and watch the funeral. | 1:16:28 | 1:16:30 | |
Sounds like a good plan. | 1:16:32 | 1:16:34 | |
Oh, turn the engine off. | 1:16:37 | 1:16:39 | |
We don't need to keep it so cold. | 1:16:41 | 1:16:43 | |
ENGINE STOPS | 1:16:43 | 1:16:45 | |
-TREVOR MCDONALD: -Good morning on this sad September day | 1:17:00 | 1:17:02 | |
as our grieving nation leads the world | 1:17:02 | 1:17:04 | |
in saying goodbye to Diana, Princess of Wales. | 1:17:04 | 1:17:07 | |
The princess destined never to be queen... | 1:17:07 | 1:17:09 | |
DOORBELL RINGS | 1:17:09 | 1:17:10 | |
..but one who transformed her life to become instead | 1:17:10 | 1:17:13 | |
the queen of people's hearts. | 1:17:13 | 1:17:16 | |
-The People's Princess. -Hello, Anne. | 1:17:16 | 1:17:18 | |
Can I speak to Sophie, please? | 1:17:18 | 1:17:20 | |
She's at Diana's funeral. | 1:17:20 | 1:17:23 | |
Do you know when she'll be back? | 1:17:23 | 1:17:24 | |
Piss off, Michael. | 1:17:24 | 1:17:26 | |
..display of our nation's sorrow, | 1:17:29 | 1:17:31 | |
unprecedented and surely unsurpassable... | 1:17:31 | 1:17:34 | |
-Here you go. -Thanks. | 1:17:51 | 1:17:52 | |
-You keep them. -Thank you. | 1:17:57 | 1:17:59 | |
Oh, Gordy... | 1:18:28 | 1:18:30 | |
The scent! | 1:18:35 | 1:18:36 | |
-RADIO: -..the very simple, sad sight | 1:19:03 | 1:19:07 | |
of a single coffin covered with a Royal Standard | 1:19:07 | 1:19:11 | |
being carried... | 1:19:11 | 1:19:12 | |
You all right? | 1:19:31 | 1:19:32 | |
You know...it's OK your mum was seeing someone. | 1:19:36 | 1:19:39 | |
It's not a bad thing. | 1:19:39 | 1:19:41 | |
It doesn't mean you weren't the most important person in her life. | 1:19:44 | 1:19:48 | |
She always said that, you know. | 1:19:48 | 1:19:50 | |
I love you, Jack. | 1:19:59 | 1:20:01 | |
I love you too, Dad. | 1:20:03 | 1:20:04 | |
-REPORT: -And so the coffin is nearing the final stages | 1:20:07 | 1:20:13 | |
of its journey to the Abbey. | 1:20:13 | 1:20:15 | |
Coming down Whitehall now. | 1:20:18 | 1:20:21 | |
The great procession of charity workers | 1:20:28 | 1:20:30 | |
who have been following the cortege ever since halfway down the Mall | 1:20:30 | 1:20:36 | |
and who will now leave it to go separately to St Margaret's | 1:20:36 | 1:20:40 | |
to listen to the service there. | 1:20:40 | 1:20:43 | |
As the coffin itself is borne alone, | 1:20:43 | 1:20:48 | |
followed by the members of the family. | 1:20:48 | 1:20:51 | |
BELL TOLLS | 1:20:53 | 1:20:54 | |
-MAN: -We love you, Diana! | 1:20:54 | 1:20:57 | |
Excuse me, sir. Michael Lewis, I'm from... | 1:20:58 | 1:21:00 | |
What do you think you're doing? | 1:21:00 | 1:21:01 | |
-HE SOBS -Just go away. | 1:21:01 | 1:21:06 | |
And the procession is now coming... | 1:21:06 | 1:21:09 | |
Just go away, will you? | 1:21:09 | 1:21:10 | |
..into Parliament Street, the final approach | 1:21:10 | 1:21:14 | |
-towards Parliament Square. -Reporters are scum. -Unbelievable. | 1:21:14 | 1:21:17 | |
We've come here today to remember before God our sister Claire. | 1:21:38 | 1:21:41 | |
To give thanks for her life, | 1:21:43 | 1:21:45 | |
to commend her to God, our merciful Redeemer and Judge, | 1:21:45 | 1:21:50 | |
to commit her body to be cremated | 1:21:50 | 1:21:53 | |
and to comfort one another in our grief. | 1:21:53 | 1:21:56 | |
You had some music you wanted to play. | 1:21:58 | 1:22:01 | |
MUSIC: Somewhere Over The Rainbow by Israel Kamakawiwo'ole | 1:22:01 | 1:22:06 | |
The extraordinary and irreplaceable Diana, | 1:22:17 | 1:22:20 | |
whose beauty, both internal and external, | 1:22:20 | 1:22:23 | |
will never be extinguished from our minds. | 1:22:23 | 1:22:26 | |
# Ooh, ooh, ooh, ooh | 1:22:34 | 1:22:36 | |
# Ooh, ooh, ooh | 1:22:36 | 1:22:38 | |
# Somewhere over the rainbow | 1:22:38 | 1:22:45 | |
# Way up high | 1:22:45 | 1:22:50 | |
# And the dreams that you dream of | 1:22:50 | 1:22:55 | |
# Once in a lullaby-y-y | 1:22:55 | 1:23:01 | |
# Ay, oh | 1:23:01 | 1:23:04 | |
# Somewhere over the rainbow | 1:23:04 | 1:23:11 | |
# Bluebirds fly | 1:23:11 | 1:23:14 | |
# And the dreams that you dream of | 1:23:14 | 1:23:21 | |
# Dreams really do come true-ooh-ooh | 1:23:21 | 1:23:27 | |
# Ooh | 1:23:27 | 1:23:29 | |
# Someday I wish upon a star | 1:23:29 | 1:23:32 | |
# Wake up where the clouds are far behind me | 1:23:32 | 1:23:40 | |
# Where trouble melts like lemon drops | 1:23:40 | 1:23:43 | |
# High above the chimney top | 1:23:43 | 1:23:46 | |
# That's where you'll find me | 1:23:46 | 1:23:52 | |
# Somewhere over the rainbow | 1:23:52 | 1:23:59 | |
# Bluebirds fly | 1:23:59 | 1:24:03 | |
# And the dream that you dare to | 1:24:03 | 1:24:08 | |
# Oh, why, oh, why can't I? | 1:24:08 | 1:24:14 | |
# I | 1:24:14 | 1:24:17 | |
# Oh, someday I wish upon a star | 1:24:17 | 1:24:20 | |
# Wake up where the clouds are far behind me... # | 1:24:20 | 1:24:27 | |
She was the queen of people's hearts. | 1:24:27 | 1:24:29 | |
And what had happened to her was... It wasn't... | 1:24:29 | 1:24:31 | |
She was a wonderful person. Beautiful. She was just... | 1:24:31 | 1:24:35 | |
Just a lovely person. We all hoped that we could be like her... | 1:24:35 | 1:24:38 | |
..she was alive to do many more for the country, you know, but... | 1:24:38 | 1:24:42 | |
Sadly, God decided to take her. | 1:24:42 | 1:24:44 | |
I would love for her memory, her courage, her beliefs, | 1:24:44 | 1:24:49 | |
and all that she lived for to live in us, | 1:24:49 | 1:24:53 | |
and for her work to go on. | 1:24:53 | 1:24:55 | |
She's special, because she bring light to the world | 1:24:55 | 1:24:58 | |
about all the sadness that's going on in the world. | 1:24:58 | 1:25:00 | |
She did what she cared about, and she loved everyone. | 1:25:00 | 1:25:04 |