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George is on the precipice of a folly. | 0:00:02 | 0:00:03 | |
A gold-digger? | 0:00:03 | 0:00:05 | |
Oh, go to the house. Do whatever you can to break this woman's hold. | 0:00:05 | 0:00:09 | |
You wouldn't be offended if I went to the city, would you? | 0:00:09 | 0:00:13 | |
Why Andrew? You've shown no interest so far. Why now? | 0:00:13 | 0:00:16 | |
Where are you going? | 0:00:16 | 0:00:17 | |
Promise me that, no matter what you hear, that you trust me. | 0:00:17 | 0:00:20 | |
Well, there's a trade delegation coming through. | 0:00:20 | 0:00:23 | |
-You'd like me to play host. -The Japanese are no longer our enemies. | 0:00:23 | 0:00:26 | |
Try telling that to the people at Inverness. | 0:00:26 | 0:00:28 | |
I saw what the war did to you. | 0:00:28 | 0:00:30 | |
You go home and you grieve your friend | 0:00:32 | 0:00:34 | |
like the man you are now, | 0:00:34 | 0:00:36 | |
not the man I saved you from. | 0:00:36 | 0:00:38 | |
I should introduce myself. Sarah Adams. | 0:00:39 | 0:00:42 | |
Ah, yes. | 0:00:42 | 0:00:44 | |
The Jew. | 0:00:44 | 0:00:45 | |
RADIO PLAYS "SIDE BY SIDE" | 0:00:54 | 0:00:59 | |
DOG WHINES | 0:01:03 | 0:01:05 | |
It's OK. | 0:01:05 | 0:01:07 | |
It's only once a year. You'll be fine. | 0:01:10 | 0:01:13 | |
I'm going to show Livvy how we do Guy Fawkes Night down under. | 0:01:15 | 0:01:18 | |
Want to come? | 0:01:18 | 0:01:20 | |
I'm happy to get stuck into this. | 0:01:20 | 0:01:21 | |
Bring me back a toffee apple. | 0:01:21 | 0:01:23 | |
Sweet tooth. | 0:01:23 | 0:01:25 | |
Enjoy your evening. | 0:01:25 | 0:01:26 | |
-Last chance. -I'll stay and keep your father company. | 0:01:28 | 0:01:32 | |
-He has Leon Uris. -His book. | 0:01:32 | 0:01:36 | |
Go. Show your lovely wife off. I'm happy here. | 0:01:36 | 0:01:39 | |
I'm offended. | 0:01:52 | 0:01:54 | |
Tales of men in battle | 0:01:54 | 0:01:57 | |
win out over my feminine charms? | 0:01:57 | 0:01:59 | |
I thought you'd be joining James. | 0:02:00 | 0:02:02 | |
You've seen one Bonfire Night, you've seen them all. | 0:02:02 | 0:02:05 | |
And it was a chance for us to have a private chat. | 0:02:05 | 0:02:08 | |
Sarah Adams, who is she? | 0:02:12 | 0:02:16 | |
She works at the hospital. | 0:02:17 | 0:02:18 | |
I know, but... I don't mean to pry. | 0:02:18 | 0:02:20 | |
Might she be holding a torch for you? | 0:02:21 | 0:02:24 | |
What makes you think that? | 0:02:24 | 0:02:26 | |
Everyone at the hospital has been so pleasant, | 0:02:26 | 0:02:30 | |
but she was rather brusque. | 0:02:30 | 0:02:32 | |
I know the evil eye when I see it, and I'm not prone to paranoia. | 0:02:33 | 0:02:37 | |
PHONE RINGS | 0:02:37 | 0:02:40 | |
Excuse me. | 0:02:40 | 0:02:42 | |
Ash Park. | 0:02:46 | 0:02:47 | |
It is, Mildred. | 0:02:48 | 0:02:49 | |
Put him through. | 0:02:51 | 0:02:53 | |
Sir Henry. | 0:02:54 | 0:02:55 | |
Not at all. Any time. | 0:02:55 | 0:02:58 | |
How can I help you? | 0:02:58 | 0:03:00 | |
I'd like to keep Elizabeth in for a couple more days. | 0:03:11 | 0:03:14 | |
She's going to be fine, but the longer she stays in, the better. | 0:03:14 | 0:03:17 | |
-Stress is the enemy. -I'm sure. | 0:03:17 | 0:03:20 | |
I didn't invite you here to talk about Mother. | 0:03:21 | 0:03:24 | |
There's nothing I can get you? | 0:03:24 | 0:03:25 | |
-No, I'm right. -Sit, please. | 0:03:25 | 0:03:27 | |
Nearly Armistice Day. | 0:03:29 | 0:03:31 | |
-The year's raced by. -Yeah. | 0:03:31 | 0:03:33 | |
I'll spit it out. | 0:03:36 | 0:03:38 | |
I'm going to ask a favour. A big one. | 0:03:38 | 0:03:42 | |
And I imagine you'll find it hard to say yes. | 0:03:42 | 0:03:44 | |
OK. | 0:03:46 | 0:03:47 | |
Yesterday's enemies are today's friends, Jack, | 0:03:48 | 0:03:52 | |
for political... economic reasons. | 0:03:52 | 0:03:56 | |
A Japanese trade delegation are coming here on Monday, | 0:03:58 | 0:04:01 | |
and I've been asked to play host, | 0:04:01 | 0:04:03 | |
to meet and greet, to tour the district. | 0:04:03 | 0:04:06 | |
And what's that got to do with me? | 0:04:06 | 0:04:08 | |
It's just before Poppy Day. | 0:04:08 | 0:04:09 | |
The timing stinks. | 0:04:11 | 0:04:13 | |
Everyone knows that you have more reason to hold a grudge than any local, | 0:04:13 | 0:04:17 | |
so your involvement would go a long way | 0:04:17 | 0:04:19 | |
to silencing the 'anti' sentiment. | 0:04:19 | 0:04:22 | |
I know I'm asking a lot. | 0:04:22 | 0:04:24 | |
You have no bloody idea, George! | 0:04:24 | 0:04:26 | |
-Jack... -Forget me. They killed your wife. | 0:04:26 | 0:04:28 | |
-Yes, they did. -And you're going to shake their hands?! | 0:04:29 | 0:04:32 | |
The war's eight years done, Jack. | 0:04:33 | 0:04:34 | |
The men whose hands I shake didn't drop those bombs... | 0:04:34 | 0:04:37 | |
No, they were part of it! | 0:04:37 | 0:04:39 | |
We need to find a way ahead. | 0:04:39 | 0:04:40 | |
Yeah? Well, you can do that without me. | 0:04:40 | 0:04:42 | |
I knew this would be hard for you but... | 0:04:42 | 0:04:44 | |
Shove it up your arse, George! | 0:04:44 | 0:04:46 | |
I'm sorry, if you want to lick their boots for a few bales of wool... | 0:04:48 | 0:04:51 | |
..you do it on your own. | 0:04:52 | 0:04:54 | |
Jack. | 0:05:01 | 0:05:02 | |
Jack! | 0:05:02 | 0:05:03 | |
I'm not to be disturbed, for any reason. | 0:05:13 | 0:05:16 | |
George? | 0:05:54 | 0:05:55 | |
I gather it went badly. | 0:06:00 | 0:06:01 | |
It did. | 0:06:03 | 0:06:04 | |
Well, you have all my support. | 0:06:08 | 0:06:10 | |
With Elizabeth in hospital, I'm happy to play hostess. | 0:06:12 | 0:06:15 | |
-I couldn't ask you to... -I want to help. | 0:06:15 | 0:06:18 | |
In any way I can. | 0:06:18 | 0:06:20 | |
You couldn't have timed being here more perfectly. | 0:06:22 | 0:06:25 | |
-I couldn't, could I? -No. | 0:06:25 | 0:06:29 | |
# Come along and listen to | 0:06:42 | 0:06:45 | |
# The lullaby of Broadway | 0:06:45 | 0:06:48 | |
# The hip-hooray and bally-hoo | 0:06:48 | 0:06:51 | |
# The lullaby of Broadway... # | 0:06:51 | 0:06:53 | |
I saw it and I said to myself, | 0:06:54 | 0:06:58 | |
"What better way to cheer up my mooching niece?" | 0:06:58 | 0:07:01 | |
-You like? -It's nice. | 0:07:01 | 0:07:03 | |
Nice? | 0:07:03 | 0:07:04 | |
It's lovely. | 0:07:05 | 0:07:06 | |
It's yours. | 0:07:06 | 0:07:08 | |
Thank you. | 0:07:09 | 0:07:11 | |
-Now you need somewhere to wear it. -I'm happy here. | 0:07:12 | 0:07:16 | |
You've sat around with that long face for days. | 0:07:16 | 0:07:19 | |
Come on, why? | 0:07:19 | 0:07:21 | |
Why what? | 0:07:21 | 0:07:22 | |
This sudden visit. | 0:07:22 | 0:07:24 | |
I told you... | 0:07:24 | 0:07:26 | |
It's more than wanting to get away from Regina. | 0:07:26 | 0:07:28 | |
Although I wouldn't blame you if you did - | 0:07:28 | 0:07:30 | |
she is a bitch in sheep's clothing. | 0:07:30 | 0:07:32 | |
Yeah, well, Father seems to like her. | 0:07:32 | 0:07:34 | |
He's just blinded by her similarity to your mother. | 0:07:34 | 0:07:37 | |
Come on, truth. | 0:07:38 | 0:07:39 | |
Is it Gino? Have you argued? | 0:07:40 | 0:07:42 | |
I don't want to talk about it. | 0:07:43 | 0:07:44 | |
Got to be better than burying your head in Forever Amber. | 0:07:46 | 0:07:49 | |
You like those banned books. | 0:07:49 | 0:07:51 | |
At least they're honest about things. | 0:07:52 | 0:07:55 | |
About sex? | 0:07:56 | 0:07:58 | |
You're never told anything. | 0:07:59 | 0:08:01 | |
You're just told all the things that you can't do. | 0:08:03 | 0:08:05 | |
And then you're supposed to make it up as you go along. | 0:08:07 | 0:08:09 | |
And if you get it wrong, if it just all goes wrong. | 0:08:11 | 0:08:15 | |
You're not. | 0:08:21 | 0:08:23 | |
I went to the doctor the day that I arrived. | 0:08:27 | 0:08:30 | |
And I'm waiting on the test results. | 0:08:33 | 0:08:35 | |
RADIO PLAYS "BEWITCHED, BOTHERED AND BEWILDERED. | 0:09:05 | 0:09:09 | |
I'd better get moving. | 0:09:29 | 0:09:32 | |
This reception won't organise itself. | 0:09:32 | 0:09:34 | |
Good luck. | 0:09:34 | 0:09:36 | |
I might need it without Jack's backing. | 0:09:36 | 0:09:38 | |
I'm glad I've got Regina to help. | 0:09:41 | 0:09:43 | |
Um, before you go... | 0:09:46 | 0:09:48 | |
Mmm? | 0:09:48 | 0:09:50 | |
Regina. | 0:09:51 | 0:09:53 | |
I don't understand George's fascination. | 0:09:54 | 0:09:58 | |
The woman's hardly a beauty. | 0:09:58 | 0:10:00 | |
Oh, it's her strength he admires, I suspect. | 0:10:01 | 0:10:04 | |
Positively Oedipal. | 0:10:04 | 0:10:05 | |
You're the only other strong woman in his life. | 0:10:05 | 0:10:09 | |
There the resemblance ends. | 0:10:10 | 0:10:12 | |
I should hope so. Oy vey. | 0:10:12 | 0:10:15 | |
Might be wise to avoid that type of expression with George. | 0:10:15 | 0:10:20 | |
I adjust my opinion to suit my audience. | 0:10:20 | 0:10:23 | |
You really do dislike them, don't you? | 0:10:25 | 0:10:27 | |
After what I saw in Jerusalem? | 0:10:29 | 0:10:30 | |
I'm not as forgiving as George. | 0:10:32 | 0:10:33 | |
He's about to kowtow to the Japs. | 0:10:35 | 0:10:37 | |
So the way that she said the word Jew, that's it? | 0:10:39 | 0:10:43 | |
Yes. | 0:10:43 | 0:10:45 | |
Are you sure you're not being overly sensitive? | 0:10:46 | 0:10:49 | |
She almost spat the word. | 0:10:49 | 0:10:50 | |
There seems to be some kind of misunderstanding. | 0:10:51 | 0:10:54 | |
She thinks that... you were rude to her. | 0:10:54 | 0:10:57 | |
I simply bumped into her and introduced myself | 0:10:57 | 0:10:59 | |
and got, "Ah, the Jew," for my pains. | 0:10:59 | 0:11:01 | |
I was nothing but civil. | 0:11:01 | 0:11:03 | |
And we passed each other on the way here - if looks could kill. | 0:11:03 | 0:11:07 | |
There might be one possible explanation. | 0:11:11 | 0:11:14 | |
Her husband was part of the British protectorate in '46... | 0:11:14 | 0:11:18 | |
..and they were in the Hotel David when it was bombed. | 0:11:19 | 0:11:22 | |
-In Jerusalem? -Mm-hm. | 0:11:22 | 0:11:24 | |
-A number of her friends were killed. -I see. | 0:11:24 | 0:11:28 | |
A Zionist bomb. | 0:11:28 | 0:11:30 | |
-I'll speak with her. -No. | 0:11:30 | 0:11:32 | |
No, look, if it is a problem, it's mine. | 0:11:32 | 0:11:35 | |
Give her another chance? Hmm? | 0:11:36 | 0:11:39 | |
I thought I said not to... | 0:11:43 | 0:11:45 | |
You heard. | 0:11:47 | 0:11:48 | |
Yes. | 0:11:50 | 0:11:51 | |
Your ticker doesn't need to get mixed up in this. | 0:11:51 | 0:11:53 | |
No, it doesn't. | 0:11:53 | 0:11:54 | |
Explain how this is helping. | 0:11:56 | 0:11:57 | |
It reminds me of who I'd be betraying if I said yes. | 0:11:59 | 0:12:02 | |
Bill Gregory. | 0:12:02 | 0:12:04 | |
And every mate I saw suffer at their hands. | 0:12:04 | 0:12:07 | |
Go back to bed. | 0:12:07 | 0:12:08 | |
George should never have asked you. | 0:12:08 | 0:12:11 | |
Probably, but he did. | 0:12:11 | 0:12:13 | |
Jack, whatever you think you owe us... | 0:12:16 | 0:12:19 | |
you don't owe us this. | 0:12:19 | 0:12:22 | |
Even if my refusal makes it tougher for him? | 0:12:22 | 0:12:24 | |
Oh. Some things come before family. | 0:12:26 | 0:12:29 | |
But there is one thing I insist on in return. | 0:12:33 | 0:12:35 | |
That stays untouched. | 0:12:36 | 0:12:38 | |
Take it. | 0:12:44 | 0:12:46 | |
Good. | 0:12:48 | 0:12:49 | |
To protect you from the stress of worrying, not me from myself. | 0:12:49 | 0:12:53 | |
I'm OK. | 0:12:53 | 0:12:54 | |
Hmm. | 0:12:56 | 0:12:57 | |
Even better. | 0:12:57 | 0:12:59 | |
-You have to eat something. -I'm not hungry. | 0:13:11 | 0:13:14 | |
One for one? | 0:13:18 | 0:13:19 | |
Good girl. Time enough to worry when you get the results, IF you have to. | 0:13:22 | 0:13:27 | |
I have this... feeling. | 0:13:28 | 0:13:30 | |
Which might be wrong. | 0:13:30 | 0:13:32 | |
If I am, will you... | 0:13:32 | 0:13:35 | |
We're not even going to discuss things like that | 0:13:35 | 0:13:37 | |
-until you know for sure. -But you will help me, won't you? | 0:13:37 | 0:13:40 | |
With anything except an abortion. | 0:13:41 | 0:13:43 | |
-But no-one would have to know. -I would. | 0:13:45 | 0:13:48 | |
Even black sheep have their limits. | 0:13:49 | 0:13:51 | |
It's not the morals or the ethics. | 0:13:54 | 0:13:58 | |
-God forbid, it's not even the danger. -What then? | 0:13:59 | 0:14:02 | |
Tell me. | 0:14:02 | 0:14:03 | |
If you are pregnant, perhaps, it's very complicated. | 0:14:07 | 0:14:10 | |
Tea and toast may be enough for you but I am famished. | 0:14:12 | 0:14:15 | |
It's like listening to a secret world. | 0:14:20 | 0:14:24 | |
A little girl. | 0:14:25 | 0:14:27 | |
-SHE GIGGLES -What? | 0:14:27 | 0:14:28 | |
That is the first time you've even suggested it might be a girl. | 0:14:30 | 0:14:35 | |
Really? | 0:14:35 | 0:14:37 | |
I think it's easier to think of soft and pink and little girl things | 0:14:40 | 0:14:46 | |
when you're happier. | 0:14:46 | 0:14:48 | |
Just my silly theory. | 0:14:49 | 0:14:52 | |
It's not so silly. | 0:14:52 | 0:14:53 | |
I am happy. | 0:14:55 | 0:14:57 | |
We are. | 0:14:59 | 0:15:00 | |
I want a little copy of you. | 0:15:03 | 0:15:05 | |
I love you. | 0:15:09 | 0:15:11 | |
I love you. | 0:15:12 | 0:15:13 | |
Jack. | 0:15:24 | 0:15:27 | |
George. | 0:15:27 | 0:15:29 | |
Bloody Jap-lover. | 0:15:32 | 0:15:34 | |
Ah, you're here. Good. We need to talk. | 0:15:46 | 0:15:49 | |
What's wrong? | 0:15:49 | 0:15:51 | |
-I've just got a serve from Bert Ford. -About the visit? | 0:15:51 | 0:15:55 | |
Regina told me. | 0:15:56 | 0:15:58 | |
He might be the first but he won't be the last. | 0:15:58 | 0:16:00 | |
For everyone who doesn't understand, there will be others who do. | 0:16:00 | 0:16:03 | |
We need to look to the future. | 0:16:03 | 0:16:05 | |
-You're preaching to the converted... -It's not just for trade. | 0:16:05 | 0:16:08 | |
We need Japan as a buffer against China. | 0:16:08 | 0:16:10 | |
I am fully aware of the practicalities. | 0:16:10 | 0:16:13 | |
Now, Jack... | 0:16:13 | 0:16:14 | |
Look, I understand why you were asking him | 0:16:15 | 0:16:19 | |
and I can understand why you might try to do it again, | 0:16:19 | 0:16:22 | |
but don't, please. | 0:16:22 | 0:16:24 | |
-He's the one man in this town... -Yes, his seal of approval | 0:16:25 | 0:16:28 | |
could silence a lot of the critics, of course. | 0:16:28 | 0:16:31 | |
But a man who's been through what he has | 0:16:31 | 0:16:33 | |
needs to find forgiveness in his own heart in his own time. | 0:16:33 | 0:16:37 | |
Do you think this is easy for me? | 0:16:38 | 0:16:40 | |
Oh, George, of course I don't. Of course not. | 0:16:40 | 0:16:43 | |
But Jack survived unmentionable horrors for years, | 0:16:44 | 0:16:47 | |
and every one of them had a Japanese face on it. | 0:16:47 | 0:16:50 | |
Let him be. | 0:16:52 | 0:16:53 | |
I'll give it a go. | 0:16:59 | 0:17:00 | |
-Jack... -It's OK. | 0:17:00 | 0:17:02 | |
Can't guarantee I'll pull it off. | 0:17:04 | 0:17:06 | |
-Thank you. -It's what you have to do, I know. | 0:17:08 | 0:17:11 | |
I'm not going to let the likes of Bert Ford use it against you. | 0:17:11 | 0:17:13 | |
-Now, the minute it gets too hard... -I'll bail out, trust me. | 0:17:13 | 0:17:16 | |
Given what I owe you both, I have to try. | 0:17:19 | 0:17:21 | |
You watch him. | 0:17:31 | 0:17:33 | |
Well, come on in. | 0:17:49 | 0:17:51 | |
Missy, it's for you. | 0:17:51 | 0:17:53 | |
I'm guessing it's not me you're after. | 0:17:55 | 0:17:56 | |
Partly. | 0:17:56 | 0:17:58 | |
I'm going to the reception for the Japs. | 0:17:58 | 0:18:01 | |
Spread the word at the pub? | 0:18:02 | 0:18:03 | |
And tell Bert Ford and his mates | 0:18:05 | 0:18:06 | |
that if a man who suffered by them can accept it, | 0:18:06 | 0:18:09 | |
them as never put on a uniform can. | 0:18:09 | 0:18:11 | |
Good man. | 0:18:11 | 0:18:13 | |
Was there talk there tonight? | 0:18:13 | 0:18:15 | |
There was. | 0:18:15 | 0:18:16 | |
Yeah, well, I hope this might shut it down. | 0:18:17 | 0:18:20 | |
A moment alone? | 0:18:21 | 0:18:23 | |
Right. I'll leave yous to it. Good night. | 0:18:25 | 0:18:28 | |
-You want a cup of tea? -Yeah. | 0:18:28 | 0:18:31 | |
Can't have been easy. | 0:18:36 | 0:18:38 | |
We're still burning Guy Fawkes after 400 years, | 0:18:39 | 0:18:42 | |
but seemingly we're supposed to forgive and forget | 0:18:42 | 0:18:44 | |
the Japs after eight. | 0:18:44 | 0:18:46 | |
Something inconsistent there. | 0:18:46 | 0:18:48 | |
-I need a favour. -Of course. | 0:18:50 | 0:18:52 | |
I can't walk in alone. | 0:18:53 | 0:18:55 | |
-I'm not invited. -I'm inviting you. | 0:18:56 | 0:18:59 | |
-But it's... -I'm there with you, or I'm not there at all. | 0:18:59 | 0:19:03 | |
I'm not too proud to admit I need help. | 0:19:05 | 0:19:07 | |
Then you have it. | 0:19:09 | 0:19:10 | |
Thank you. | 0:19:12 | 0:19:13 | |
So if they need extra hands at the reception, you will help, yes? | 0:19:30 | 0:19:34 | |
-Yes, Mamma. -Good. | 0:19:34 | 0:19:35 | |
If I hear anything, I will tell you. | 0:19:35 | 0:19:37 | |
She'll come back for tomorrow, I think, yes? | 0:19:37 | 0:19:40 | |
How would I know? | 0:19:40 | 0:19:41 | |
-Gino... -Don't. | 0:19:42 | 0:19:44 | |
Perhaps she is starting to see that this cannot work. | 0:19:44 | 0:19:47 | |
-No. -Then why has she suddenly gone with hardly a word? | 0:19:47 | 0:19:51 | |
She told me to trust her. | 0:19:51 | 0:19:53 | |
And would you be like this if you did? | 0:19:53 | 0:19:55 | |
I am sorry, caro. I know what I hope for. | 0:19:56 | 0:20:00 | |
Even if it breaks your heart. | 0:20:02 | 0:20:04 | |
She loves me. | 0:20:06 | 0:20:08 | |
Darling, all very scandalous, I know, | 0:20:14 | 0:20:17 | |
but the sexual indiscretions of horrible Henry | 0:20:17 | 0:20:19 | |
don't really interest me. | 0:20:19 | 0:20:20 | |
Andrew Swanson's father. | 0:20:20 | 0:20:22 | |
Oh, that is not a position I wish to contemplate. | 0:20:24 | 0:20:26 | |
Bad enough thinking about him on top of her | 0:20:27 | 0:20:29 | |
let alone collapsing on top of her. | 0:20:29 | 0:20:31 | |
Sir Henry took a turn mid-coitus with his mistress. | 0:20:31 | 0:20:33 | |
The town is abuzz with the scandal. | 0:20:33 | 0:20:35 | |
Really?! | 0:20:35 | 0:20:36 | |
Really? | 0:20:38 | 0:20:39 | |
Really? | 0:20:41 | 0:20:42 | |
You have a problem, my darling. | 0:20:42 | 0:20:44 | |
Ah, good afternoon, Miss. Come through. | 0:20:52 | 0:20:55 | |
Your call was a pleasant surprise. | 0:20:58 | 0:21:00 | |
I needed diversion. | 0:21:00 | 0:21:02 | |
-Thank you for seeing me, Andrew. -So formal. | 0:21:02 | 0:21:04 | |
Has the gossip reached you? | 0:21:04 | 0:21:06 | |
Yes. | 0:21:06 | 0:21:07 | |
The old hypocrite. Serves him right. | 0:21:07 | 0:21:09 | |
Mother too for turning too blind an eye. | 0:21:09 | 0:21:12 | |
-Does that sound too harsh? -No. | 0:21:12 | 0:21:15 | |
So what makes me think this isn't pleasure? | 0:21:15 | 0:21:17 | |
-I won't beat around the bush. -Please don't. | 0:21:17 | 0:21:20 | |
I heard you're going to Ash Park tomorrow in place of your father. | 0:21:20 | 0:21:24 | |
The jungle drums have been beating. | 0:21:24 | 0:21:27 | |
Are you? | 0:21:27 | 0:21:28 | |
While he lies in St Vincent's, Mother and I are putting on | 0:21:28 | 0:21:31 | |
the sort of brave front that's meant to silence gossip. | 0:21:31 | 0:21:33 | |
-I see. -It's not the time to be cancelling engagements. | 0:21:33 | 0:21:37 | |
-Will you be there? -No. | 0:21:37 | 0:21:40 | |
What a shame. | 0:21:40 | 0:21:42 | |
So? | 0:21:43 | 0:21:44 | |
My aunt Regina has come to stay with us. | 0:21:44 | 0:21:47 | |
I wanted to get away from her | 0:21:47 | 0:21:49 | |
so I made the excuse that I was coming up here to see you. | 0:21:49 | 0:21:52 | |
Ah. | 0:21:52 | 0:21:54 | |
And I was wondering if you wouldn't... | 0:21:55 | 0:21:57 | |
You want me to lie for you. | 0:21:57 | 0:21:59 | |
Only to save Aunt Reggie's feelings. | 0:22:01 | 0:22:02 | |
So let me get this right - you lied at home to get away | 0:22:02 | 0:22:06 | |
and now you're lying to me about why you lied to them, | 0:22:06 | 0:22:08 | |
and I'm supposed to go along with it? | 0:22:08 | 0:22:10 | |
This has nothing to do with Auntie Reggie now, does it? | 0:22:12 | 0:22:15 | |
Well? | 0:22:15 | 0:22:16 | |
Don't flush so much if you want to be believed. | 0:22:18 | 0:22:21 | |
All right. | 0:22:24 | 0:22:25 | |
-What? -I will...keep your secret. | 0:22:27 | 0:22:30 | |
You're somehow more attractive being so devious. | 0:22:30 | 0:22:33 | |
So you won't say anything? | 0:22:33 | 0:22:35 | |
I will weave the most marvellous tales | 0:22:35 | 0:22:37 | |
of us having fabulous times together. | 0:22:37 | 0:22:40 | |
And one day I will call in the debt. | 0:22:42 | 0:22:44 | |
You owe me. | 0:22:46 | 0:22:47 | |
What do you mean? | 0:22:49 | 0:22:50 | |
You know. | 0:22:50 | 0:22:52 | |
Now, food. | 0:22:54 | 0:22:55 | |
And I will tell you every grisly detail of the old fool's shame. | 0:22:58 | 0:23:02 | |
There'll be trouble tomorrow Jack or no Jack. | 0:23:18 | 0:23:22 | |
Pub talk? | 0:23:22 | 0:23:23 | |
If Bert Ford and his scaly crew get their way, | 0:23:23 | 0:23:26 | |
the Japs won't even make it up the drive. | 0:23:26 | 0:23:28 | |
-But it's not your fight. -Isn't it? | 0:23:28 | 0:23:32 | |
It reminds me of the parties back home. | 0:23:48 | 0:23:51 | |
More flies. | 0:23:51 | 0:23:53 | |
Everything is with more flies out here. | 0:23:53 | 0:23:55 | |
-It's my turn to be proud today. -Why's that? | 0:23:57 | 0:24:00 | |
Mrs James Bligh. | 0:24:00 | 0:24:03 | |
You think you can be proud of me after... everything? | 0:24:05 | 0:24:07 | |
That's the past. | 0:24:07 | 0:24:08 | |
Thank you. | 0:24:12 | 0:24:13 | |
I'd better get ready. | 0:24:13 | 0:24:15 | |
Is that Mrs Bligh? | 0:24:26 | 0:24:28 | |
Yep. | 0:24:28 | 0:24:29 | |
Beauty is so wasted on the lower classes. | 0:24:33 | 0:24:38 | |
Who is he? | 0:24:38 | 0:24:39 | |
I don't know. | 0:24:39 | 0:24:41 | |
He makes me wish I was 20 years younger | 0:24:41 | 0:24:44 | |
and a few rungs down the social ladder. | 0:24:44 | 0:24:46 | |
Oh, even the newly widowed can have a sense of humour. | 0:24:46 | 0:24:50 | |
-Have you seen George? -No. | 0:24:52 | 0:24:54 | |
Then I'll keep looking. | 0:24:54 | 0:24:56 | |
There you are. | 0:25:01 | 0:25:03 | |
Dutch courage? | 0:25:04 | 0:25:05 | |
Something to stiffen the resolve. | 0:25:05 | 0:25:07 | |
Can't be easy. | 0:25:07 | 0:25:09 | |
It's harder for some. | 0:25:10 | 0:25:12 | |
Well, you look very handsome and very distinguished. | 0:25:12 | 0:25:17 | |
I'm sure the Japanese won't be able to wait | 0:25:17 | 0:25:19 | |
to throw millions of yen at our wool trade. | 0:25:19 | 0:25:21 | |
-You don't think I'm wrong? -Why would I? | 0:25:21 | 0:25:24 | |
Elaine was your sister. | 0:25:24 | 0:25:25 | |
We have to put the past behind us. | 0:25:28 | 0:25:30 | |
We do. | 0:25:30 | 0:25:31 | |
Not just from the Japanese. | 0:25:33 | 0:25:35 | |
I spoke with Sister Adams. | 0:25:37 | 0:25:39 | |
She seems to think you're anti-Semitic. | 0:25:40 | 0:25:43 | |
-That's ridiculous. -You must have said something | 0:25:44 | 0:25:46 | |
-to give her that idea. -Not that I'm aware of. | 0:25:46 | 0:25:49 | |
Honestly, I know the Jews have suffered, | 0:25:50 | 0:25:52 | |
but it does make them overly sensitive. | 0:25:52 | 0:25:55 | |
Oh, dear. That seems to support her case, doesn't it? | 0:25:56 | 0:26:00 | |
I have overcome things, George. | 0:26:00 | 0:26:03 | |
Trust me. | 0:26:03 | 0:26:04 | |
I'll apologise to the good sister next time I see her | 0:26:06 | 0:26:09 | |
for whatever slight she imagines I've offered her. | 0:26:09 | 0:26:11 | |
And I stress - imagines. | 0:26:11 | 0:26:14 | |
Thank you. | 0:26:14 | 0:26:15 | |
You'll have your chance today. She's coming with Jack. | 0:26:15 | 0:26:18 | |
-Is she? -Mmm. | 0:26:18 | 0:26:19 | |
Wonderful. | 0:26:19 | 0:26:21 | |
It'll be an afternoon for forgiveness all around. | 0:26:22 | 0:26:24 | |
Let's hope so. | 0:26:25 | 0:26:27 | |
You're early. | 0:26:33 | 0:26:35 | |
Yeah, the sooner we're in, the sooner we can get out. | 0:26:35 | 0:26:37 | |
These will be the first Jap faces I'll have seen since the camp. | 0:26:42 | 0:26:46 | |
What's your favourite song? | 0:26:46 | 0:26:48 | |
-Why? -What is it? | 0:26:49 | 0:26:51 | |
Uh, I'm not really big on music. | 0:26:51 | 0:26:53 | |
You must have one. | 0:26:53 | 0:26:55 | |
Danny Boy? | 0:26:58 | 0:26:59 | |
Yeah, Mum used to sing it to me as a kid, except she'd sing Jacky boy. | 0:26:59 | 0:27:03 | |
OK, in that moment, when you see them, when it's... | 0:27:03 | 0:27:07 | |
..hum it. | 0:27:10 | 0:27:11 | |
The calming power of music - I've seen it work wonders. | 0:27:13 | 0:27:17 | |
Hey up! | 0:27:25 | 0:27:27 | |
Come on, boys! | 0:27:28 | 0:27:29 | |
SHOUTING | 0:27:32 | 0:27:34 | |
You let me through or do I have to go in swinging? | 0:27:43 | 0:27:46 | |
Hey, mate, he's brought his backup. | 0:27:46 | 0:27:48 | |
You're going to spit on your mates' graves, are ya? | 0:27:48 | 0:27:51 | |
I wouldn't take that from a real man, let alone you. | 0:27:51 | 0:27:54 | |
Look at ya, huh?! | 0:27:55 | 0:27:57 | |
All lining up to help him do his dirty work. | 0:27:57 | 0:28:00 | |
Cos this isn't about the Japs, it's about him and his grudges. | 0:28:00 | 0:28:04 | |
-Don't listen to him, boys. -Shut up! I wasn't talking to you! | 0:28:04 | 0:28:07 | |
Now, if there's anyone here with more reason to hate today... | 0:28:09 | 0:28:11 | |
step forward. | 0:28:13 | 0:28:15 | |
Step forward. | 0:28:15 | 0:28:17 | |
Tell me not to go in there, I'll turn around now. Huh? | 0:28:17 | 0:28:20 | |
I don't see one man here who served. | 0:28:20 | 0:28:22 | |
So who has the right to tell me I can't go in there? | 0:28:24 | 0:28:27 | |
That's right. | 0:28:29 | 0:28:31 | |
Now stand aside. | 0:28:32 | 0:28:34 | |
-Stand aside. -Don't move. | 0:28:36 | 0:28:39 | |
Stand aside. | 0:28:39 | 0:28:40 | |
Oi! Hey, hey, hey. | 0:28:40 | 0:28:42 | |
If I hear of anyone stopping the Japs getting in, | 0:28:42 | 0:28:46 | |
I'll be down and I'll show you how much of my army training I can remember. | 0:28:46 | 0:28:50 | |
Go home. | 0:28:50 | 0:28:52 | |
If I can forget, you can! | 0:28:52 | 0:28:54 | |
You're not serious? | 0:28:54 | 0:28:56 | |
Shut your filthy wife-beating mouth, Ford! | 0:28:56 | 0:28:59 | |
-Come on, mate. -Yeah, mate. | 0:29:02 | 0:29:03 | |
-Yeah, mate. -Let's go. Come on. Hey! | 0:29:03 | 0:29:06 | |
-Yeah, you'll keep. -Any time. | 0:29:06 | 0:29:08 | |
Let's go. | 0:29:08 | 0:29:10 | |
-Don't worry about him. -Nah. | 0:29:11 | 0:29:14 | |
You all right? | 0:29:17 | 0:29:19 | |
-Miss Adams. -Thank you, Gino. | 0:29:49 | 0:29:52 | |
Uh, just lemonade, thanks, mate. | 0:29:52 | 0:29:55 | |
You're a hero, you know. | 0:29:56 | 0:29:57 | |
Everyone's saying so. | 0:29:59 | 0:30:00 | |
-I just turned up. -Exactly. | 0:30:03 | 0:30:05 | |
Late. Must be on Tokyo time. | 0:30:06 | 0:30:09 | |
-Shall we mingle? -Nah, not yet. | 0:30:09 | 0:30:10 | |
-Food? -Couldn't keep it down. | 0:30:12 | 0:30:15 | |
Please, be my guest. | 0:30:20 | 0:30:23 | |
Hum. | 0:30:32 | 0:30:34 | |
ECHO OF MEN WHIMPERING | 0:30:38 | 0:30:41 | |
Jack! | 0:30:50 | 0:30:52 | |
VOICE ECHOES: Hey! | 0:31:05 | 0:31:07 | |
MAN SOBS: Please. Oh, no, no! | 0:31:17 | 0:31:19 | |
MAN SOBS: Please! | 0:31:23 | 0:31:25 | |
Jack. | 0:31:28 | 0:31:30 | |
-# Oh, Jacky boy... -# | 0:31:32 | 0:31:34 | |
We look forward to long business with your father and with you. | 0:32:19 | 0:32:23 | |
As do I, Hiroshi-san. | 0:32:23 | 0:32:25 | |
Domo arigato gozaimasu. | 0:32:25 | 0:32:28 | |
-He's full of surprises. -He is, isn't he? | 0:32:28 | 0:32:31 | |
Mr Hiroshi, there are some guests I'd like you to meet. | 0:32:32 | 0:32:35 | |
Where did you pick that up? | 0:32:38 | 0:32:40 | |
One of the benefits of having a well-travelled aunt. | 0:32:41 | 0:32:43 | |
I don't want you to get cross, but... | 0:32:44 | 0:32:47 | |
there's something about her I don't like. | 0:32:47 | 0:32:49 | |
Whenever she talks to me, I feel as if I'm the mouse and she's the cat. | 0:32:51 | 0:32:55 | |
What, you think she's playing with you? | 0:32:55 | 0:32:57 | |
It's more as if she's playing being herself. | 0:32:57 | 0:33:02 | |
Years as a diplomat's wife, being a chameleon in her surroundings, | 0:33:02 | 0:33:06 | |
that's all it is. | 0:33:06 | 0:33:08 | |
James. | 0:33:09 | 0:33:11 | |
I'll be right back. | 0:33:11 | 0:33:12 | |
Gentlemen, my son, James. | 0:33:16 | 0:33:18 | |
Who's that woman talking to the doctor? | 0:33:18 | 0:33:20 | |
Why do you ask? | 0:33:20 | 0:33:22 | |
George keeps circling back to her from time to time. | 0:33:22 | 0:33:25 | |
-A romance? -Hardly. | 0:33:25 | 0:33:28 | |
-A local nurse. -Ah. -A Jew. | 0:33:29 | 0:33:33 | |
Dear me. Mmm, she converted. | 0:33:34 | 0:33:37 | |
Oh, to be born one is unfortunate. | 0:33:38 | 0:33:41 | |
But to become one? My dear, positively perverse. | 0:33:41 | 0:33:45 | |
Miss Adams. | 0:33:46 | 0:33:48 | |
He's done well. You've done well. | 0:33:48 | 0:33:51 | |
I think he's reached his limit. | 0:33:51 | 0:33:52 | |
-Will you thank him again for me? -Why don't you? | 0:33:52 | 0:33:55 | |
-What? -I wish you were on my arm. | 0:33:56 | 0:33:58 | |
-I wish I was in your arms. -Later at the cottage? | 0:33:58 | 0:34:01 | |
-I should be done here by five. -I'll meet you there at six. | 0:34:01 | 0:34:04 | |
Why don't you tell Jack I need to powder my nose | 0:34:04 | 0:34:07 | |
and I'll meet him out the front. | 0:34:07 | 0:34:08 | |
-Can I borrow him for a moment? -Yes. Yes, certainly. | 0:34:11 | 0:34:15 | |
Sarah said she'll meet you outside. | 0:34:18 | 0:34:19 | |
Thank you for today. | 0:34:21 | 0:34:23 | |
-Done my duty? -Above and beyond. | 0:34:25 | 0:34:27 | |
I'd better go before I run out of goodwill. | 0:34:29 | 0:34:31 | |
Jack. | 0:34:31 | 0:34:33 | |
You're OK? | 0:34:33 | 0:34:34 | |
Sister. | 0:34:46 | 0:34:48 | |
Ah, the Gentile. Quick. | 0:34:48 | 0:34:51 | |
You ran crying to George, I hear. | 0:34:51 | 0:34:54 | |
I mentioned our meeting. | 0:34:54 | 0:34:55 | |
A wise friend once said, | 0:34:55 | 0:34:57 | |
"They should call it the Whining Wall, the amount they whine." | 0:34:57 | 0:35:01 | |
That answers one question. | 0:35:01 | 0:35:02 | |
You've done a good job at keeping that side of yourself from George. | 0:35:03 | 0:35:06 | |
I always choose my audience. | 0:35:07 | 0:35:09 | |
Feel free to scurry to him again. | 0:35:11 | 0:35:13 | |
I'll make sure you end up seeming paranoid. | 0:35:13 | 0:35:15 | |
-I can fight my own battles. -As can I. | 0:35:15 | 0:35:18 | |
That smile takes me right back to Germany. | 0:35:21 | 0:35:25 | |
And yours me to Jerusalem. | 0:35:25 | 0:35:27 | |
Israel's still there. Nazi Germany isn't. | 0:35:27 | 0:35:30 | |
I tell you, you should come to the city. Even Anna's warmed to it. | 0:35:35 | 0:35:39 | |
-Really? -Really. -I don't believe you. | 0:35:39 | 0:35:41 | |
We're going to the theatre next week, Dial M for Murder. | 0:35:41 | 0:35:44 | |
I know she'll love it. | 0:35:44 | 0:35:46 | |
Harry, you can stay and help us clear away, yes? | 0:35:48 | 0:35:52 | |
I'm not feeling too bright, sorry. | 0:35:52 | 0:35:54 | |
There's food in the kitchen to take, for little Colin, huh? | 0:35:54 | 0:35:58 | |
Gino, put this on the table. | 0:35:58 | 0:36:00 | |
Wait, I'll get it for you. | 0:36:02 | 0:36:04 | |
I saw her two or three times. We had a wonderful lunch yesterday. | 0:36:04 | 0:36:07 | |
So you've beaten down her resistance? | 0:36:07 | 0:36:09 | |
Girls like Anna take patience, and my patience is being rewarded. | 0:36:09 | 0:36:13 | |
What's wrong? | 0:36:20 | 0:36:22 | |
I was sick again. | 0:36:24 | 0:36:25 | |
Oh, for goodness' sake! | 0:36:27 | 0:36:29 | |
You're getting your results in a few hours. It was just nerves. | 0:36:30 | 0:36:34 | |
I hope so. | 0:36:36 | 0:36:37 | |
Thank you. | 0:36:50 | 0:36:52 | |
Stay for a while. | 0:36:54 | 0:36:55 | |
I'm fine. | 0:36:55 | 0:36:56 | |
Done now. | 0:36:57 | 0:36:59 | |
I'll see you tomorrow, huh? | 0:36:59 | 0:37:01 | |
SCREAMING AND BANGING | 0:37:26 | 0:37:28 | |
CAR RADIO PLAYS "ROCK AROUND THE CLOCK" | 0:37:28 | 0:37:32 | |
Miss Bligh, the doctor will see you now. | 0:38:08 | 0:38:11 | |
I can come in with you. | 0:38:11 | 0:38:13 | |
As long as you're here when I come out. | 0:38:13 | 0:38:15 | |
Jack? | 0:38:41 | 0:38:43 | |
# Oh, Jacky boy... | 0:38:43 | 0:38:45 | |
# The pipes, the pipes are calling... | 0:38:46 | 0:38:49 | |
Jack? | 0:38:51 | 0:38:52 | |
# And down the... # | 0:38:52 | 0:38:54 | |
-Are you all right? -Go away. | 0:38:54 | 0:38:56 | |
Come on, come here. | 0:38:57 | 0:38:59 | |
-Sit up. -No. Shhh. I don't need your help. | 0:38:59 | 0:39:01 | |
I don't need your help. I don't need your help. All right? | 0:39:01 | 0:39:05 | |
-What time is it, I've got to... -What have you done to yourself? | 0:39:05 | 0:39:08 | |
I've got to get... What? | 0:39:08 | 0:39:10 | |
Come on, let's go to Roy's and you can sleep this off. | 0:39:12 | 0:39:14 | |
No. | 0:39:14 | 0:39:16 | |
-Well, you can't stay here. -No! | 0:39:16 | 0:39:18 | |
What kind of man am I? | 0:39:23 | 0:39:24 | |
-I shook their bloody hands. -Sh. Come on now. | 0:39:27 | 0:39:29 | |
What they did to Bill... | 0:39:29 | 0:39:32 | |
He hung himself. | 0:39:34 | 0:39:36 | |
-And I shook their blood... -It's over. | 0:39:36 | 0:39:39 | |
-I shook their hands. -It's over. | 0:39:39 | 0:39:40 | |
No! No, it's not over! You don't know what they did in that place. | 0:39:40 | 0:39:44 | |
OK? You don't know. You don't know. | 0:39:44 | 0:39:47 | |
I was in a German camp. | 0:39:48 | 0:39:51 | |
Huh? | 0:39:52 | 0:39:53 | |
Ravensbruck. For two years. | 0:39:53 | 0:39:55 | |
I understand. | 0:39:57 | 0:39:59 | |
And that's why I admire what you did | 0:40:01 | 0:40:04 | |
because I don't know if I could have. | 0:40:04 | 0:40:06 | |
Hey. | 0:40:08 | 0:40:09 | |
I always knew there was something with you. | 0:40:13 | 0:40:16 | |
You're a good woman. Sh. | 0:40:26 | 0:40:29 | |
Sarah, I know, I know, I know I love you. | 0:40:29 | 0:40:33 | |
I love you, Sarah. | 0:40:33 | 0:40:35 | |
I always have. | 0:40:35 | 0:40:36 | |
You must know that. | 0:40:36 | 0:40:38 | |
Sh. Shhh. Shhh. | 0:40:38 | 0:40:40 | |
Oh, my darling. | 0:41:02 | 0:41:04 | |
What am I going to do? | 0:41:04 | 0:41:06 | |
Sarah? | 0:41:16 | 0:41:18 | |
Sorry I'm late. They wouldn't leave. | 0:41:19 | 0:41:21 | |
Sarah? | 0:41:23 | 0:41:24 | |
SWITCHES ON RADIO | 0:41:27 | 0:41:29 | |
# The world still is the same | 0:41:29 | 0:41:32 | |
# You'll never change it | 0:41:32 | 0:41:35 | |
# As sure as the stars shine above | 0:41:37 | 0:41:43 | |
# You're nobody till somebody loves you | 0:41:45 | 0:41:52 | |
# You're nobody till somebody cares... # | 0:41:53 | 0:41:59 | |
And that's the last drink you'll ever take. | 0:42:01 | 0:42:04 | |
Oh... | 0:42:06 | 0:42:07 | |
Yeah. | 0:42:09 | 0:42:11 | |
-I should be better than this. -You are. | 0:42:14 | 0:42:16 | |
What did I say? | 0:42:20 | 0:42:21 | |
You don't remember? | 0:42:22 | 0:42:24 | |
I remember drinking. | 0:42:25 | 0:42:26 | |
And then I woke up and then... | 0:42:28 | 0:42:29 | |
-What? -Nothing. | 0:42:31 | 0:42:33 | |
You just sang. | 0:42:35 | 0:42:37 | |
# Somebody loves you | 0:42:37 | 0:42:42 | |
# So find yourself somebody to love | 0:42:42 | 0:42:49 | |
# You're nobody till somebody loves you | 0:42:52 | 0:42:57 | |
# You're nobody till someone cares... # | 0:43:00 | 0:43:05 |