Browse content similar to Secret Love. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
You've told me how little you know about her. | 0:00:02 | 0:00:05 | |
A Jew who lived through the war in Europe. | 0:00:05 | 0:00:07 | |
Who knows what lengths she went to to survive? | 0:00:07 | 0:00:10 | |
I don't care what it costs. | 0:00:10 | 0:00:12 | |
Find something that will rid us of her for ever. | 0:00:12 | 0:00:14 | |
You must not hurt our baby. | 0:00:14 | 0:00:16 | |
It's taking a life, it's a sin. | 0:00:16 | 0:00:18 | |
I couldn't be with you if you did that, ever. | 0:00:18 | 0:00:20 | |
The baby's gone. | 0:00:20 | 0:00:22 | |
What if he doesn't believe me? | 0:00:22 | 0:00:24 | |
He'll think you've had an abortion? | 0:00:24 | 0:00:25 | |
Can I kiss you? | 0:00:25 | 0:00:28 | |
I'm going to seek professional help while I'm there. | 0:00:28 | 0:00:30 | |
There are doctors for that sort of thing. | 0:00:30 | 0:00:32 | |
I'll get it out of me, even if he has to cut it out. | 0:00:32 | 0:00:35 | |
What's it worth to you for the world not to find out | 0:00:35 | 0:00:38 | |
that your son's a queer? | 0:00:38 | 0:00:40 | |
I reckon a thousand quid should be about right. | 0:00:40 | 0:00:43 | |
He's been seen with Harry Polson! | 0:00:43 | 0:00:44 | |
-Oh, God. -We're being blackmailed! | 0:00:44 | 0:00:47 | |
SMOOTH MUSIC PLAYS | 0:00:54 | 0:00:57 | |
# When marimba rhythms start to play | 0:01:00 | 0:01:04 | |
# Dance with me, make me sway | 0:01:04 | 0:01:07 | |
# Like a lazy ocean hugs the shore | 0:01:07 | 0:01:12 | |
# Hold me close, sway me more | 0:01:12 | 0:01:16 | |
# Like a flower bending in the breeze | 0:01:16 | 0:01:20 | |
# Bend with me, sway with ease | 0:01:20 | 0:01:24 | |
# When we dance, you have a way with me | 0:01:24 | 0:01:28 | |
# Stay with me, sway with me | 0:01:28 | 0:01:31 | |
# Other dancers may be on the floor | 0:01:31 | 0:01:36 | |
# Dear, but my eyes will see only you | 0:01:36 | 0:01:39 | |
# Only you have the magic technique | 0:01:39 | 0:01:43 | |
# When we sway, I go weak | 0:01:43 | 0:01:48 | |
# I can hear the sound of violins | 0:01:48 | 0:01:52 | |
# Long before it begins | 0:01:52 | 0:01:56 | |
# Make me thrill as only you know how | 0:01:56 | 0:01:59 | |
# Sway me smooth, sway me now | 0:01:59 | 0:02:03 | |
# Sway me now | 0:02:03 | 0:02:06 | |
# You know how | 0:02:06 | 0:02:08 | |
# Sway me smooth, sway me now. # | 0:02:08 | 0:02:13 | |
Why would I dream he was making love to Olivia, | 0:02:25 | 0:02:28 | |
and see her so abandoned, | 0:02:28 | 0:02:30 | |
when I'm the one who... | 0:02:30 | 0:02:33 | |
Yes? | 0:02:33 | 0:02:34 | |
I'm the one who... | 0:02:34 | 0:02:36 | |
..desires Harry. | 0:02:38 | 0:02:39 | |
Why make it Olivia in my dream? | 0:02:39 | 0:02:41 | |
You saw her as she would see you - | 0:02:41 | 0:02:44 | |
a wanton betrayer. | 0:02:44 | 0:02:46 | |
How'd it make you feel? | 0:02:46 | 0:02:49 | |
Sick to my stomach. | 0:02:49 | 0:02:51 | |
Any other feeling? | 0:02:51 | 0:02:53 | |
PANTING | 0:02:55 | 0:02:57 | |
-I was envious. -Why? | 0:02:57 | 0:02:59 | |
That I wasn't in her place. | 0:02:59 | 0:03:02 | |
Thank you. | 0:03:02 | 0:03:03 | |
I want you to cure me. | 0:03:07 | 0:03:09 | |
It won't be pleasant. | 0:03:12 | 0:03:14 | |
Being like this isn't pleasant. | 0:03:14 | 0:03:16 | |
I will need your total commitment. | 0:03:16 | 0:03:18 | |
You have it. | 0:03:18 | 0:03:21 | |
They told me you'd be back soon. | 0:03:25 | 0:03:27 | |
And here I am. | 0:03:27 | 0:03:29 | |
You've no doubt seen me pop in from time to time to offer | 0:03:29 | 0:03:32 | |
pastoral care to patients less fortunate than some. | 0:03:32 | 0:03:35 | |
-Yes. -I was wondering | 0:03:35 | 0:03:38 | |
if some of your house patients may also benefit. | 0:03:38 | 0:03:41 | |
I'll, um... I'll give it some thought. | 0:03:41 | 0:03:43 | |
Cos I'd be delighted. | 0:03:43 | 0:03:44 | |
Miss Adams? | 0:03:44 | 0:03:46 | |
Is that a ring I'm seeing, third finger, left hand? | 0:03:47 | 0:03:51 | |
Yes, it's a ring. | 0:03:51 | 0:03:53 | |
Did a little birdie tell me | 0:03:53 | 0:03:55 | |
it might have something to do with Mr Bligh? | 0:03:55 | 0:03:58 | |
Well, I'm not sure exactly what the little birdie said... | 0:03:58 | 0:04:02 | |
but it is from Mr Bligh. | 0:04:02 | 0:04:04 | |
And I'm sure you'll be invited to the wedding. | 0:04:04 | 0:04:07 | |
SHE SQUEAKS | 0:04:11 | 0:04:12 | |
Still under? | 0:04:13 | 0:04:15 | |
Yeah, it was a strong draught. | 0:04:15 | 0:04:17 | |
You're staying? | 0:04:17 | 0:04:19 | |
Yeah, I want to make sure of her state of mind when she wakes. | 0:04:19 | 0:04:23 | |
You've no idea what caused it? | 0:04:23 | 0:04:24 | |
Some sort of argument with George. | 0:04:24 | 0:04:28 | |
About Sarah? | 0:04:28 | 0:04:29 | |
I'm not sure. | 0:04:29 | 0:04:31 | |
She kept mentioning James. | 0:04:33 | 0:04:35 | |
I don't know. | 0:04:35 | 0:04:37 | |
Might I have time to pop into town briefly? | 0:04:42 | 0:04:45 | |
Yeah. Be a good hour. | 0:04:45 | 0:04:47 | |
Plenty of time, then. | 0:04:47 | 0:04:49 | |
DOOR CLOSES | 0:04:52 | 0:04:54 | |
I predicted it, did I not, Alma, dear? | 0:05:00 | 0:05:02 | |
I saw Cupid flying through the air. | 0:05:02 | 0:05:04 | |
I knew those arrows would hit their mark. | 0:05:04 | 0:05:06 | |
Of course, they're from very different worlds. | 0:05:06 | 0:05:09 | |
Goodness knows what they're going to do | 0:05:09 | 0:05:11 | |
about her being a daughter of Abraham, but love conquers all. | 0:05:11 | 0:05:14 | |
Did I mention she's already invited me to the wedding? | 0:05:14 | 0:05:17 | |
Yes, Doris. | 0:05:17 | 0:05:19 | |
I have to put these in Dr Duncan's office. | 0:05:27 | 0:05:29 | |
Indeed, Alma, indeed. | 0:05:29 | 0:05:30 | |
Duty calls. | 0:05:30 | 0:05:32 | |
Of course, it's rather a good thing | 0:05:32 | 0:05:35 | |
that Miss Adams is getting beyond the age for kiddies. | 0:05:35 | 0:05:38 | |
The wee one would be torn | 0:05:38 | 0:05:40 | |
between Christian pillar and Jewish post. | 0:05:40 | 0:05:42 | |
And the wedding itself may present a little dilemma. | 0:05:52 | 0:05:55 | |
I suspect they may go for a quiet civil affair, | 0:05:55 | 0:05:57 | |
unless they have two, one for him and one for her. | 0:05:57 | 0:06:00 | |
But that seems a little excessive, don't you think? | 0:06:00 | 0:06:04 | |
Excuse me. | 0:06:06 | 0:06:08 | |
Maude! | 0:06:08 | 0:06:10 | |
Sister. | 0:06:15 | 0:06:16 | |
When you hear I'm gone, | 0:06:18 | 0:06:20 | |
don't take solace in the fact. | 0:06:20 | 0:06:22 | |
There's many a slip twixt the cup and the altar. | 0:06:22 | 0:06:26 | |
Shalom. | 0:06:26 | 0:06:28 | |
He wants to start straightaway. | 0:06:46 | 0:06:49 | |
-He's confident he can help. -That's wonderful. | 0:06:49 | 0:06:52 | |
-It might not be pleasant. -In what way? | 0:06:54 | 0:06:57 | |
Oh, he said he'll explain when I'm admitted. | 0:06:57 | 0:06:59 | |
Requires a stay in an institution. | 0:06:59 | 0:07:02 | |
-A MENTAL institution? -It's a mental condition. | 0:07:02 | 0:07:04 | |
-But... -I trust him. | 0:07:04 | 0:07:06 | |
He can fix me. | 0:07:06 | 0:07:09 | |
As long as you're sure. | 0:07:11 | 0:07:13 | |
I'm doing it for us. | 0:07:14 | 0:07:17 | |
The three of us. | 0:07:17 | 0:07:19 | |
-I need a drink. -Let me. | 0:07:21 | 0:07:24 | |
KNOCK AT DOOR | 0:07:25 | 0:07:27 | |
Yes? | 0:07:30 | 0:07:32 | |
DOOR OPENS | 0:07:32 | 0:07:34 | |
Father. | 0:07:34 | 0:07:36 | |
I was just pouring James a drink. | 0:07:37 | 0:07:40 | |
I'd like a quiet word with my son, if you don't mind. | 0:07:40 | 0:07:43 | |
-What is it? -I'll be in the other room. | 0:07:43 | 0:07:47 | |
Uh, what's wrong? | 0:07:51 | 0:07:53 | |
Might be best if we keep our voices down, | 0:07:53 | 0:07:55 | |
for Olivia's sake. | 0:07:55 | 0:07:57 | |
You were seen in the Walkers' barn. | 0:08:00 | 0:08:03 | |
I don't know... | 0:08:03 | 0:08:06 | |
Grandmother has confirmed what you are, | 0:08:06 | 0:08:08 | |
and Bert Ford is blackmailing us. | 0:08:08 | 0:08:12 | |
Well? | 0:08:15 | 0:08:16 | |
What have you got to say for yourself? | 0:08:19 | 0:08:21 | |
James? | 0:08:21 | 0:08:23 | |
I, um... | 0:08:23 | 0:08:25 | |
Is this why you tried to kill yourself? | 0:08:25 | 0:08:28 | |
Might be best if you had. | 0:08:29 | 0:08:31 | |
You disgust me! | 0:08:31 | 0:08:33 | |
Stop it! | 0:08:33 | 0:08:35 | |
He's your son! | 0:08:35 | 0:08:36 | |
-What, you know? -Yes. | 0:08:36 | 0:08:38 | |
-For months. -And you're here? | 0:08:38 | 0:08:40 | |
I love James. If you can't, get out. | 0:08:40 | 0:08:43 | |
-The lies? -Can you blame him?! | 0:08:43 | 0:08:46 | |
You just wished him dead! | 0:08:46 | 0:08:48 | |
You should be ashamed, not him. | 0:08:48 | 0:08:50 | |
I know it's a shock, but we are dealing with it. | 0:08:50 | 0:08:53 | |
-Dealing with it? -Yes! | 0:08:53 | 0:08:55 | |
JAMES CRIES OUT | 0:08:55 | 0:08:57 | |
Oh, my darling. | 0:08:58 | 0:09:00 | |
JAMES SOBS | 0:09:04 | 0:09:05 | |
The number on the paper by the phone, Dr Stewart. | 0:09:05 | 0:09:09 | |
Tell him what's happened. | 0:09:09 | 0:09:10 | |
JAMES CONTINUES SOBBING | 0:09:10 | 0:09:13 | |
NOW! | 0:09:14 | 0:09:15 | |
It's all right, I'm here. | 0:09:17 | 0:09:20 | |
It's all right. | 0:09:21 | 0:09:23 | |
STEAM TRAIN HISSES | 0:09:27 | 0:09:29 | |
Mrs Bligh... | 0:09:57 | 0:09:58 | |
-Can't I go with him? -We'll settle him first. | 0:09:58 | 0:10:00 | |
Then you can see him. | 0:10:00 | 0:10:02 | |
A word with you both. | 0:10:02 | 0:10:04 | |
Of course. | 0:10:04 | 0:10:05 | |
A man suffering James's malady | 0:10:07 | 0:10:08 | |
fears the gaze of his father more than any other. | 0:10:08 | 0:10:11 | |
He's been teetering on the verge of a breakdown for months. | 0:10:11 | 0:10:14 | |
You were simply the tipping point. | 0:10:14 | 0:10:16 | |
Don't be hard on yourself. | 0:10:16 | 0:10:18 | |
Or you on him, Mrs Bligh. | 0:10:18 | 0:10:20 | |
You and Mr Bligh will need to find some common ground | 0:10:20 | 0:10:24 | |
to help James through this. | 0:10:24 | 0:10:26 | |
For a father to discover his son is deviant | 0:10:26 | 0:10:29 | |
is a great challenge. | 0:10:29 | 0:10:31 | |
You can take solace, Mr Bligh, | 0:10:31 | 0:10:33 | |
in the fact that he was seeking help | 0:10:33 | 0:10:36 | |
and in the fact that he has this woman for his wife. | 0:10:36 | 0:10:39 | |
There's nothing you can do at the moment. | 0:10:39 | 0:10:42 | |
In fact, your presence would be counterproductive. | 0:10:42 | 0:10:45 | |
So please return to your life | 0:10:45 | 0:10:47 | |
and I'll keep you informed of his progress. | 0:10:47 | 0:10:50 | |
I'll telephone when he's settled. | 0:10:50 | 0:10:52 | |
Any questions? | 0:10:53 | 0:10:55 | |
Look after...my boy. | 0:10:56 | 0:10:59 | |
I understand how shocked you are. | 0:11:11 | 0:11:14 | |
I was too, initially. | 0:11:14 | 0:11:16 | |
So I can forgive your reaction. | 0:11:16 | 0:11:20 | |
Everything but wishing he'd succeeded on the ship. | 0:11:20 | 0:11:24 | |
-I was upset. -You meant it. | 0:11:24 | 0:11:26 | |
-I'm not proud. -Nor should you be. | 0:11:26 | 0:11:29 | |
I am proud of you, however. | 0:11:34 | 0:11:36 | |
I... | 0:11:36 | 0:11:37 | |
And what I've been told, he's seeking help. | 0:11:37 | 0:11:41 | |
What if that doesn't work? | 0:11:41 | 0:11:42 | |
What if Dr Stewart can't cure him? | 0:11:42 | 0:11:45 | |
-He just said that... -What if he can't? | 0:11:45 | 0:11:48 | |
I'll still love him. | 0:11:48 | 0:11:50 | |
Will you? | 0:11:50 | 0:11:52 | |
If you can't find the answer yes in your heart... | 0:11:54 | 0:11:58 | |
..don't come back. | 0:11:59 | 0:12:01 | |
CLOCK TICKS | 0:12:11 | 0:12:14 | |
Oh. | 0:12:17 | 0:12:19 | |
EXHALES SHARPLY | 0:12:19 | 0:12:20 | |
Welcome back. | 0:12:23 | 0:12:25 | |
Oh. | 0:12:25 | 0:12:26 | |
Oh, what was in that witches' brew you gave me? | 0:12:26 | 0:12:30 | |
Worked its magic. | 0:12:30 | 0:12:33 | |
What did I say? | 0:12:33 | 0:12:35 | |
You just slept. | 0:12:36 | 0:12:37 | |
-I'd like to readmit you. -No. | 0:12:40 | 0:12:43 | |
Look, the way you were... | 0:12:43 | 0:12:44 | |
-I can't control this from a hospital. -You can't control it from a coffin. | 0:12:44 | 0:12:47 | |
I want you close to care. | 0:12:47 | 0:12:49 | |
I have to be here. | 0:12:49 | 0:12:52 | |
It's not just Sarah, is it? | 0:12:52 | 0:12:54 | |
All right. I'll leave you something. | 0:12:58 | 0:13:01 | |
I insist you take it, even though it will | 0:13:01 | 0:13:03 | |
keep you a bit groggy, and I'll check in daily. | 0:13:03 | 0:13:06 | |
You lost it? | 0:13:14 | 0:13:16 | |
Just like that? | 0:13:16 | 0:13:18 | |
Yes. | 0:13:19 | 0:13:21 | |
Why? | 0:13:21 | 0:13:23 | |
How? | 0:13:23 | 0:13:25 | |
Perhaps it just wasn't meant to be. | 0:13:25 | 0:13:28 | |
We'll never hold our baby. | 0:13:31 | 0:13:33 | |
No. | 0:13:33 | 0:13:35 | |
We should be happy. | 0:13:36 | 0:13:39 | |
We should. | 0:13:39 | 0:13:40 | |
-This is easier. -Yes. | 0:13:42 | 0:13:44 | |
Come. | 0:13:56 | 0:13:58 | |
Father Joe would say our baby will spend eternity in Limbo. | 0:13:59 | 0:14:05 | |
-I don't believe that. -That's what the Church says. | 0:14:05 | 0:14:08 | |
God should punish us... | 0:14:08 | 0:14:10 | |
..not our baby. | 0:14:11 | 0:14:14 | |
I want to pray here, | 0:14:14 | 0:14:17 | |
not in a place where they say our baby's damned. | 0:14:17 | 0:14:21 | |
Our baby's soul. | 0:14:28 | 0:14:30 | |
Dear God... | 0:14:40 | 0:14:42 | |
..take our baby... | 0:14:45 | 0:14:47 | |
..love our baby... | 0:14:48 | 0:14:50 | |
please. | 0:14:50 | 0:14:52 | |
Amen. | 0:14:53 | 0:14:55 | |
You know that I didn't... | 0:14:56 | 0:14:58 | |
If I had done that, I would tell you. | 0:14:58 | 0:15:01 | |
I know. | 0:15:01 | 0:15:03 | |
You do? | 0:15:04 | 0:15:07 | |
Yes. | 0:15:08 | 0:15:10 | |
I was so scared. | 0:15:19 | 0:15:21 | |
-Jack? -He's gone. | 0:15:28 | 0:15:30 | |
Oh, I must've drifted off again. | 0:15:30 | 0:15:35 | |
-George? -No word. | 0:15:35 | 0:15:37 | |
-Oh. -I've used the time well. | 0:15:37 | 0:15:39 | |
The Jew's job application. | 0:15:41 | 0:15:43 | |
All the information to give me a starting point over there. | 0:15:43 | 0:15:47 | |
I've underestimated you. | 0:15:52 | 0:15:54 | |
You have. | 0:15:54 | 0:15:56 | |
I'll pack. | 0:15:56 | 0:15:57 | |
Any money you need, you let me know. | 0:15:57 | 0:16:00 | |
I'll let you know. Just remember our quid pro quo. | 0:16:00 | 0:16:03 | |
You rid me of her, you have my blessing to pursue George. | 0:16:03 | 0:16:07 | |
As my reward or his punishment? | 0:16:07 | 0:16:10 | |
This has precipitated a complete breakdown. | 0:16:18 | 0:16:21 | |
It makes our task difficult, but not impossible. | 0:16:21 | 0:16:26 | |
It's, um... It's best if you leave him now. | 0:16:26 | 0:16:29 | |
You can see him again after the first treatment. | 0:16:29 | 0:16:32 | |
I can't... | 0:16:32 | 0:16:33 | |
I will need your total cooperation. | 0:16:33 | 0:16:36 | |
I'll wait outside. | 0:16:36 | 0:16:38 | |
Can he hear me? | 0:16:40 | 0:16:43 | |
He's retreated into himself, but I believe so, yes. | 0:16:44 | 0:16:49 | |
DOOR OPENS | 0:16:53 | 0:16:55 | |
Just remember... | 0:16:56 | 0:16:58 | |
DOOR CLOSES | 0:16:58 | 0:16:59 | |
..we love you. | 0:16:59 | 0:17:03 | |
He didn't mean the things he said. | 0:17:06 | 0:17:10 | |
He was hurt. | 0:17:11 | 0:17:13 | |
He loves you, too. | 0:17:15 | 0:17:17 | |
CAR DOOR CLOSES | 0:17:34 | 0:17:36 | |
You're sure? | 0:17:37 | 0:17:39 | |
We have all night. | 0:17:40 | 0:17:43 | |
No-one knows I'm back. | 0:17:43 | 0:17:45 | |
Sister? | 0:17:52 | 0:17:54 | |
-You've got a message. -Oh. | 0:17:54 | 0:17:56 | |
Prince Charming telephoned. | 0:17:56 | 0:17:58 | |
He can't see you tonight. | 0:17:59 | 0:18:01 | |
Says he'll see you in the morning, the usual place. | 0:18:01 | 0:18:04 | |
-Who took this? -Maude did. I read it. | 0:18:04 | 0:18:06 | |
You've been living with Doris too long. | 0:18:06 | 0:18:10 | |
A thousand pounds. Count it. | 0:18:26 | 0:18:28 | |
Oh, I'm sure I can trust a gentleman | 0:18:28 | 0:18:30 | |
who wants to keep his son out of jail. | 0:18:30 | 0:18:32 | |
Mind you, there's those inside | 0:18:32 | 0:18:34 | |
who might welcome the arrival of a good-looking young bloke. | 0:18:34 | 0:18:38 | |
There's another 500 if you leave the district | 0:18:38 | 0:18:40 | |
and never come back. | 0:18:40 | 0:18:41 | |
You trying to separate a man from his loved ones, George? | 0:18:43 | 0:18:46 | |
Yeah, why not? | 0:18:48 | 0:18:50 | |
You're out of our lives for ever. | 0:18:53 | 0:18:55 | |
You cross me on this... | 0:18:58 | 0:19:00 | |
you'll regret it. | 0:19:00 | 0:19:02 | |
I'm not proud of my reaction. There's no undoing it. | 0:19:10 | 0:19:14 | |
-He'll recover? -He's in good hands. | 0:19:14 | 0:19:16 | |
This Dr Stewart? | 0:19:16 | 0:19:18 | |
Seems to be the right man for the job. | 0:19:18 | 0:19:20 | |
He said he would keep us informed. | 0:19:20 | 0:19:22 | |
And Olivia? | 0:19:22 | 0:19:24 | |
She's a fine woman. His strength. | 0:19:24 | 0:19:27 | |
Yes. | 0:19:27 | 0:19:28 | |
You should've told me. | 0:19:31 | 0:19:33 | |
George, sit. We need to put our differences aside for this. | 0:19:35 | 0:19:39 | |
-I've controlled Bert Ford. -Good. | 0:19:42 | 0:19:45 | |
You think you know your children, and then suddenly... | 0:19:45 | 0:19:48 | |
Hm. I could say the same of you. | 0:19:48 | 0:19:51 | |
Your choice of wife is no less shocking to me | 0:19:53 | 0:19:55 | |
than James's inclinations are to you. | 0:19:55 | 0:19:57 | |
That is ridiculous. | 0:19:57 | 0:19:58 | |
Both are unexpected, both are betrayals of the norm. | 0:19:58 | 0:20:01 | |
-Sarah and I don't compare. -Oh, stop. | 0:20:01 | 0:20:03 | |
You're at your least attractive at your most sanctimonious. | 0:20:03 | 0:20:06 | |
You expect me to accept what he is? | 0:20:06 | 0:20:09 | |
He's your son, George. | 0:20:09 | 0:20:11 | |
You're too good a man not to...in time. | 0:20:11 | 0:20:15 | |
And I think you're too good a woman not to accept Sarah... | 0:20:16 | 0:20:20 | |
in time. | 0:20:20 | 0:20:22 | |
Life is full of ironies. | 0:20:22 | 0:20:25 | |
I have always feared that she would destroy this family. | 0:20:25 | 0:20:27 | |
I can only bend so far. | 0:20:27 | 0:20:29 | |
Mother, if anyone destroys this family, it will be you. | 0:20:29 | 0:20:34 | |
Don't use Sarah as your scapegoat. | 0:20:34 | 0:20:36 | |
So much has happened, I don't know where to start. | 0:21:41 | 0:21:44 | |
Before you do... we have a problem. | 0:21:44 | 0:21:47 | |
Is he angry? | 0:21:49 | 0:21:51 | |
He's not yelling. | 0:21:52 | 0:21:53 | |
I thought he'd come in and kill me. | 0:21:53 | 0:21:56 | |
He's coming. | 0:21:57 | 0:21:59 | |
Please, will you stop and listen? | 0:22:00 | 0:22:02 | |
They want to get married. | 0:22:02 | 0:22:04 | |
And that makes it all right? They're children. | 0:22:04 | 0:22:07 | |
They're adults in the eyes of the law. | 0:22:07 | 0:22:09 | |
She's not mature enough to be... | 0:22:09 | 0:22:10 | |
I think Anna might surprise you. | 0:22:10 | 0:22:12 | |
-He's a Catholic. -I'm a Jew. | 0:22:16 | 0:22:18 | |
-It's different. -How is it different? | 0:22:18 | 0:22:21 | |
You can't do to them what Elizabeth's trying to do to us. | 0:22:21 | 0:22:25 | |
Sarah, they're living some romantic illusion. | 0:22:25 | 0:22:29 | |
It will never last. I give it three months at best. | 0:22:29 | 0:22:32 | |
Be fair. Please. | 0:22:32 | 0:22:35 | |
Just go in there and be...be fair. | 0:22:36 | 0:22:39 | |
George? | 0:22:44 | 0:22:46 | |
What if it did survive three months? | 0:22:48 | 0:22:50 | |
I should go talk to him. | 0:22:57 | 0:22:59 | |
He's leaving. | 0:22:59 | 0:23:01 | |
Where? | 0:23:01 | 0:23:03 | |
He just turned around. | 0:23:03 | 0:23:05 | |
DOOR OPENS AND CLOSES | 0:23:08 | 0:23:11 | |
This involves your parents, too. | 0:23:15 | 0:23:18 | |
Your father's gone ahead to prepare them. | 0:23:18 | 0:23:21 | |
Papa will kill me. | 0:23:21 | 0:23:22 | |
You don't know that. | 0:23:22 | 0:23:24 | |
And I've had an idea that might help. | 0:23:25 | 0:23:28 | |
After everything you have done for us, Gino has shamed us. | 0:23:28 | 0:23:32 | |
It was my fault as much as his. | 0:23:32 | 0:23:33 | |
No, Gino is the man. | 0:23:33 | 0:23:36 | |
We're in love, Papa. | 0:23:36 | 0:23:38 | |
We're going to get married. | 0:23:38 | 0:23:40 | |
SPEAKS ITALIN SHARPLY | 0:23:40 | 0:23:42 | |
What would I know? I know you can't stop us. | 0:23:42 | 0:23:44 | |
ALL ARGUE IN ITALIAN | 0:23:44 | 0:23:47 | |
Amo! Carla! This isn't helping. | 0:23:47 | 0:23:50 | |
We're old enough. We don't need permission. | 0:23:51 | 0:23:53 | |
Miss Anna, you need God's permission. | 0:23:53 | 0:23:57 | |
Mr George, our son is Catholic, Miss Anna is not. | 0:23:58 | 0:24:02 | |
Sorry, but she's not right for him. | 0:24:02 | 0:24:04 | |
I should've spoken. | 0:24:04 | 0:24:06 | |
You knew? | 0:24:06 | 0:24:08 | |
Why you don't tell me? | 0:24:08 | 0:24:10 | |
-I thought it would end. -Ah, it end here in sin. | 0:24:10 | 0:24:13 | |
Mr Poletti, the difference in religion is important, but... | 0:24:13 | 0:24:17 | |
It is everything. | 0:24:17 | 0:24:19 | |
I'm Jewish. Mr Bligh and I are going to marry. | 0:24:19 | 0:24:23 | |
But he's not Catholic. No disrespect for you... | 0:24:23 | 0:24:26 | |
Amo, I understand. | 0:24:26 | 0:24:28 | |
If this had happened a couple of days ago, even yesterday, | 0:24:28 | 0:24:32 | |
I might not have been so understanding. | 0:24:32 | 0:24:35 | |
But Sarah has made me see | 0:24:35 | 0:24:36 | |
that opposing this would be hypocrisy. | 0:24:36 | 0:24:41 | |
However, a love affair is quite different | 0:24:41 | 0:24:44 | |
to living together day by day as a couple. | 0:24:44 | 0:24:47 | |
That's what we want. | 0:24:47 | 0:24:49 | |
Do you? Or do you just think you do? | 0:24:49 | 0:24:52 | |
Sarah, please. | 0:24:52 | 0:24:54 | |
Anna and Gino are right. | 0:24:56 | 0:24:58 | |
They can marry without permission, | 0:24:58 | 0:24:59 | |
and I think they're quite prepared to. | 0:24:59 | 0:25:02 | |
I'm suggesting you let them live together for three months | 0:25:02 | 0:25:05 | |
as if they were married. | 0:25:05 | 0:25:06 | |
-No, impossible... -In every way | 0:25:06 | 0:25:08 | |
except sharing a bed. | 0:25:08 | 0:25:09 | |
Anna could move into your home, in a separate room, | 0:25:09 | 0:25:12 | |
and live the life of Gino's wife. | 0:25:12 | 0:25:15 | |
Mr George, you... You agree with this? | 0:25:15 | 0:25:18 | |
Yes. | 0:25:20 | 0:25:22 | |
Anna? | 0:25:23 | 0:25:26 | |
-I thought... -What? | 0:25:26 | 0:25:28 | |
I thought Gino would come to live with us. | 0:25:28 | 0:25:31 | |
Is that what you thought? | 0:25:31 | 0:25:33 | |
My wife lives here with me. | 0:25:33 | 0:25:36 | |
I see what you're doing. | 0:25:37 | 0:25:40 | |
You think that I'm your spoilt rich daughter | 0:25:41 | 0:25:45 | |
who won't be able to do it. | 0:25:45 | 0:25:47 | |
I'm giving you a chance. | 0:25:47 | 0:25:49 | |
All right. | 0:25:49 | 0:25:51 | |
I would do anything to be with Gino. | 0:25:51 | 0:25:53 | |
Three months, and I will become | 0:25:54 | 0:25:57 | |
the perfect Catholic grape-farmer's wife. | 0:25:57 | 0:26:01 | |
You see? You will all see. | 0:26:01 | 0:26:04 | |
'And the Polettis agreed?' | 0:26:09 | 0:26:12 | |
-After lengthy discussion. -Huh! | 0:26:12 | 0:26:14 | |
They were about to elope. We're lucky they didn't. | 0:26:14 | 0:26:17 | |
Yeah, a small consolation. | 0:26:17 | 0:26:19 | |
She won't last three weeks, let alone three months. | 0:26:19 | 0:26:21 | |
How long it lasts is irrelevant, George. | 0:26:21 | 0:26:24 | |
Her reputation will be tarnished irrevocably. | 0:26:24 | 0:26:27 | |
Where is she? | 0:26:28 | 0:26:30 | |
-In her room. -Yeah. | 0:26:30 | 0:26:31 | |
Mustering the courage to face me, I imagine. | 0:26:31 | 0:26:34 | |
And this ludicrous scheme was your fiancee's idea? | 0:26:34 | 0:26:38 | |
-I agreed. -You wonder why I feel... | 0:26:38 | 0:26:41 | |
Thank you, George. | 0:26:43 | 0:26:44 | |
-Mother... -I said thank you. | 0:26:44 | 0:26:46 | |
Next stop, Inverness. | 0:27:00 | 0:27:02 | |
Inverness, next stop. | 0:27:02 | 0:27:04 | |
Regina! | 0:27:21 | 0:27:23 | |
KNOCK AT DOOR | 0:27:32 | 0:27:33 | |
Yes? | 0:27:33 | 0:27:35 | |
If you have the courage to make a choice, | 0:27:38 | 0:27:40 | |
have the courage to face the consequences. | 0:27:40 | 0:27:42 | |
I was coming to see you. | 0:27:42 | 0:27:44 | |
Yet here I am. | 0:27:44 | 0:27:45 | |
I'm sorry I'm hurting you. | 0:27:45 | 0:27:48 | |
It's the hurt to yourself that worries me, | 0:27:50 | 0:27:53 | |
when word of this gets out. | 0:27:53 | 0:27:55 | |
I will be Mrs Gino Poletti. I won't care. | 0:27:55 | 0:27:57 | |
And what if you're not? | 0:27:57 | 0:27:59 | |
What will you be then? | 0:27:59 | 0:28:01 | |
There's only so much I can do to contain this. | 0:28:01 | 0:28:04 | |
I don't need your help. | 0:28:04 | 0:28:05 | |
I don't want it. I just want him. | 0:28:05 | 0:28:08 | |
His Latin charms will fade, my dear. | 0:28:08 | 0:28:11 | |
And where will you be then? | 0:28:11 | 0:28:13 | |
You're so bitter. | 0:28:14 | 0:28:16 | |
You're going to end up old and alone. | 0:28:16 | 0:28:19 | |
Yeah, I am old. | 0:28:19 | 0:28:21 | |
And I am alone. | 0:28:23 | 0:28:24 | |
And all I ever wanted was to hold this family together. | 0:28:24 | 0:28:28 | |
Ash Park, to you, will never be closed, | 0:28:29 | 0:28:32 | |
but if you do this, my heart will be. | 0:28:32 | 0:28:37 | |
Is that what you said to... | 0:28:38 | 0:28:40 | |
..to Aunt Carolyn... | 0:28:42 | 0:28:44 | |
..when you turned your back on her? | 0:28:47 | 0:28:50 | |
Very similar. | 0:28:53 | 0:28:54 | |
If I could do it to her, I can certainly do it to you. | 0:28:55 | 0:29:00 | |
Electroconvulsive therapy, | 0:29:02 | 0:29:04 | |
or "shock treatment" as it's sometimes referred to, | 0:29:04 | 0:29:07 | |
is a medical procedure in which brief electrical stimulus | 0:29:07 | 0:29:10 | |
is used to induce a cerebral seizure - | 0:29:10 | 0:29:14 | |
a layman might call it a "brain seizure" - | 0:29:14 | 0:29:16 | |
under controlled conditions. | 0:29:16 | 0:29:18 | |
It's not pleasant. | 0:29:18 | 0:29:20 | |
Your collapse into yourself is serious | 0:29:20 | 0:29:22 | |
and must be treated immediately. | 0:29:22 | 0:29:24 | |
We'll cure your sexual aberration later | 0:29:24 | 0:29:27 | |
using a different technique. | 0:29:27 | 0:29:29 | |
There's nothing to fear. | 0:29:29 | 0:29:31 | |
It's been used on thousands of patients. | 0:29:31 | 0:29:33 | |
Now. | 0:29:33 | 0:29:35 | |
No, stay still. | 0:29:36 | 0:29:38 | |
This is just to prevent you hurting yourself. | 0:29:38 | 0:29:41 | |
ECT DEVICE WHINES | 0:29:42 | 0:29:46 | |
HORSE NICKERS | 0:29:48 | 0:29:49 | |
You're supposed to be gone. | 0:29:59 | 0:30:01 | |
Yeah, on my way. | 0:30:01 | 0:30:03 | |
But I've been thinking. | 0:30:03 | 0:30:05 | |
Another 500 would make sure of things. | 0:30:05 | 0:30:07 | |
We had a deal. | 0:30:08 | 0:30:10 | |
Nah, I reckon you got off light. | 0:30:13 | 0:30:16 | |
Two hours late. Can't say I'm impressed. | 0:30:23 | 0:30:25 | |
-I had to deal with a situation. -What situation? | 0:30:25 | 0:30:29 | |
Look, I'd tell you about it if I could. | 0:30:29 | 0:30:31 | |
-It's... -Right. | 0:30:31 | 0:30:33 | |
Two days engaged | 0:30:33 | 0:30:34 | |
and it's already interfering with your work. | 0:30:34 | 0:30:36 | |
-It won't happen again. -I hope not. | 0:30:36 | 0:30:39 | |
-I better get on with it. -Alma's handling it. No need. | 0:30:39 | 0:30:42 | |
Take a couple of days, sort out whatever you have to. | 0:30:44 | 0:30:46 | |
-I don't need a couple of... -Don't you? | 0:30:46 | 0:30:48 | |
You reckon you're going to make this work? | 0:30:50 | 0:30:52 | |
I can combine a job and a marriage. | 0:30:52 | 0:30:54 | |
It's not just any marriage. | 0:30:54 | 0:30:56 | |
And if I can't, you won't have to fire me. | 0:30:56 | 0:30:58 | |
Trust me. I'll resign. | 0:30:58 | 0:31:00 | |
He took the first treatment well. | 0:31:02 | 0:31:04 | |
We'll continue on a regular basis. | 0:31:04 | 0:31:07 | |
It's painful and disorienting. | 0:31:07 | 0:31:09 | |
It can also lead to memory loss. | 0:31:09 | 0:31:12 | |
He may not recognise you at times, | 0:31:12 | 0:31:15 | |
or even confuse you with others... | 0:31:15 | 0:31:17 | |
You must be strong when you see him. | 0:31:42 | 0:31:45 | |
I can manage. | 0:31:45 | 0:31:46 | |
Don't let him down. | 0:31:46 | 0:31:48 | |
DOOR OPENS | 0:31:50 | 0:31:51 | |
I'm scared. | 0:32:05 | 0:32:07 | |
I'm here. | 0:32:14 | 0:32:16 | |
You can do this. | 0:32:18 | 0:32:20 | |
You know you can. | 0:32:21 | 0:32:23 | |
Can I? | 0:32:23 | 0:32:25 | |
Yes. | 0:32:26 | 0:32:28 | |
Who am I? | 0:32:33 | 0:32:35 | |
James. | 0:32:36 | 0:32:38 | |
I'm Olivia. | 0:32:39 | 0:32:41 | |
You're my husband. | 0:32:41 | 0:32:44 | |
James. | 0:32:44 | 0:32:45 | |
Bligh. | 0:32:50 | 0:32:52 | |
Yes. | 0:32:52 | 0:32:54 | |
James Bligh. | 0:32:57 | 0:32:59 | |
BELL RINGS | 0:33:03 | 0:33:05 | |
Ah, Regina, ask Norman to bring | 0:33:08 | 0:33:10 | |
the car around, would you, please? | 0:33:10 | 0:33:12 | |
-I have calls to make. -Calls? | 0:33:12 | 0:33:14 | |
Yes. The first one doesn't concern you. | 0:33:14 | 0:33:16 | |
The second most certainly does. | 0:33:16 | 0:33:18 | |
You're going to need time to unearth anything useful. | 0:33:18 | 0:33:22 | |
You can have three months. | 0:33:22 | 0:33:24 | |
Off you go. | 0:33:24 | 0:33:26 | |
She must have her own room! | 0:33:30 | 0:33:32 | |
She sleeps with Gilda. | 0:33:32 | 0:33:34 | |
I'll move onto the veranda. She shares a bed! | 0:33:34 | 0:33:37 | |
She will share your bed when you marry. | 0:33:37 | 0:33:39 | |
You want to scare her off? | 0:33:39 | 0:33:40 | |
SPEAKS ITALIAN | 0:33:40 | 0:33:42 | |
Papa has made a decision. | 0:33:42 | 0:33:43 | |
-Mama. -She shares a bed. Finito! | 0:33:43 | 0:33:47 | |
CAR APPROACHES | 0:33:47 | 0:33:48 | |
Mrs Bligh. | 0:33:56 | 0:33:58 | |
Carla. Amo. | 0:33:58 | 0:33:59 | |
Mrs Bligh. | 0:33:59 | 0:34:00 | |
You did your best. | 0:34:00 | 0:34:02 | |
I understand. | 0:34:02 | 0:34:04 | |
You. | 0:34:06 | 0:34:07 | |
I love Anna. | 0:34:08 | 0:34:10 | |
You THINK you do. | 0:34:10 | 0:34:12 | |
You think you know her. | 0:34:12 | 0:34:14 | |
You don't. | 0:34:14 | 0:34:16 | |
You think you know us, but you don't. | 0:34:16 | 0:34:20 | |
She will break your heart. | 0:34:20 | 0:34:22 | |
I wish I could say you don't deserve it. | 0:34:22 | 0:34:26 | |
Look after her. Bring her back as soon as possible. | 0:34:27 | 0:34:30 | |
Yes. | 0:34:30 | 0:34:31 | |
You, I will never forgive. | 0:34:33 | 0:34:34 | |
CAR ENGINE STARTS | 0:34:39 | 0:34:40 | |
I'll make a good husband. | 0:34:53 | 0:34:55 | |
She'll make a good wife. | 0:34:58 | 0:34:59 | |
My love to Martin. OK. | 0:35:03 | 0:35:05 | |
Miss Carolyn? | 0:35:08 | 0:35:10 | |
It is! Goodness me! | 0:35:10 | 0:35:13 | |
It's been so long! | 0:35:13 | 0:35:14 | |
Hello, Mrs Collins. | 0:35:14 | 0:35:16 | |
Look how glamorous and sophisticated you are. | 0:35:16 | 0:35:20 | |
SHE CHUCKLES SOFTLY | 0:35:20 | 0:35:21 | |
You're back home for the announcement | 0:35:21 | 0:35:23 | |
of the engagement, no doubt. | 0:35:23 | 0:35:25 | |
Something like that. | 0:35:25 | 0:35:26 | |
Nothing like a special occasion to bring a family together. | 0:35:26 | 0:35:30 | |
I'm sure your mother misses you. | 0:35:30 | 0:35:32 | |
At times, I'm sure she does. | 0:35:32 | 0:35:35 | |
You're not being picked up by the family car, then? | 0:35:35 | 0:35:38 | |
Not just yet. | 0:35:38 | 0:35:39 | |
Catching up with an old friend. | 0:35:39 | 0:35:41 | |
Oh... | 0:35:41 | 0:35:43 | |
Thank you. | 0:35:51 | 0:35:52 | |
It's a clever idea of yours, | 0:36:00 | 0:36:02 | |
exposing Anna to the rigours of Poletti life. | 0:36:02 | 0:36:05 | |
She may prove up to them. | 0:36:05 | 0:36:07 | |
SHE CHUCKLES WRYLY | 0:36:07 | 0:36:09 | |
She has a lot more to her than you give her credit for. | 0:36:09 | 0:36:12 | |
I'm not here to be lectured about my own granddaughter. | 0:36:12 | 0:36:16 | |
Why are you here? | 0:36:16 | 0:36:18 | |
This three-month scheme... | 0:36:18 | 0:36:21 | |
Yes? | 0:36:21 | 0:36:22 | |
You're convinced of its worth? | 0:36:22 | 0:36:24 | |
-Yes. -You stand by it? | 0:36:24 | 0:36:26 | |
Yes. | 0:36:26 | 0:36:27 | |
Very well. | 0:36:27 | 0:36:29 | |
I shall support it... | 0:36:31 | 0:36:32 | |
on one condition. | 0:36:32 | 0:36:35 | |
While Anna lives with the Polettis, | 0:36:35 | 0:36:38 | |
testing her resolve to marry inappropriately, | 0:36:38 | 0:36:41 | |
you will spend three months at Ash Park doing the same. | 0:36:41 | 0:36:47 | |
That won't change anything. | 0:36:47 | 0:36:48 | |
Ooh, but it might...significantly. | 0:36:48 | 0:36:52 | |
If you do fit into our milieu, my will could change again. | 0:36:54 | 0:36:59 | |
George could have both you and Ash Park. | 0:36:59 | 0:37:02 | |
Three months sacrificed so that he may once again inherit... | 0:37:03 | 0:37:07 | |
That sounds like blackmail. | 0:37:07 | 0:37:09 | |
Well, I think of it as me being fair. | 0:37:09 | 0:37:13 | |
And who will judge whether or not I fit in? | 0:37:14 | 0:37:17 | |
Why, you, of course. | 0:37:19 | 0:37:21 | |
As Anna will her situation. | 0:37:21 | 0:37:23 | |
At the end of three months, you will both know. | 0:37:24 | 0:37:28 | |
Well? | 0:37:29 | 0:37:31 | |
Three months. | 0:38:05 | 0:38:07 | |
13 weeks, 90 days. | 0:38:07 | 0:38:10 | |
If Anna can do it... | 0:38:10 | 0:38:12 | |
Anna's moving into a house | 0:38:12 | 0:38:14 | |
where she doesn't have a sworn enemy. | 0:38:14 | 0:38:16 | |
You don't have to do this for me. | 0:38:16 | 0:38:18 | |
I want to. | 0:38:18 | 0:38:21 | |
And I want to prove to her that she's wrong about me. | 0:38:21 | 0:38:24 | |
My mother will do anything to sabotage you. | 0:38:24 | 0:38:27 | |
-Let her. -She's tough. | 0:38:27 | 0:38:29 | |
I'm tougher. | 0:38:29 | 0:38:30 | |
I know who I'll be putting my money on. | 0:38:33 | 0:38:36 | |
So do I. | 0:38:36 | 0:38:37 | |
KNOCK AT DOOR | 0:38:42 | 0:38:43 | |
Yes? | 0:38:43 | 0:38:45 | |
Carolyn? | 0:38:54 | 0:38:57 | |
It's been a long time, Jack. | 0:38:59 | 0:39:01 | |
Over 20 years. | 0:39:01 | 0:39:04 | |
What... | 0:39:07 | 0:39:09 | |
I've come to talk about our daughter. | 0:39:11 | 0:39:13 | |
# When marimba rhythms start to play | 0:39:23 | 0:39:26 | |
# Dance with me, make me sway | 0:39:26 | 0:39:30 | |
# Like a lazy ocean hugs the shore | 0:39:30 | 0:39:34 | |
# Hold me close, sway me more | 0:39:34 | 0:39:38 | |
# Like a flower bending in the breeze | 0:39:38 | 0:39:42 | |
# Bend with me, sway with ease | 0:39:42 | 0:39:46 | |
# When we dance, you have a way with me | 0:39:46 | 0:39:50 | |
# Stay with me, sway with me | 0:39:50 | 0:39:54 | |
# Other dancers may be on the floor | 0:39:54 | 0:39:58 | |
# Dear, but my eyes will see only you | 0:39:58 | 0:40:02 | |
# Only you have the magic technique | 0:40:02 | 0:40:07 | |
# When we sway, I go weak | 0:40:07 | 0:40:11 | |
# I can hear the sound of violins | 0:40:11 | 0:40:14 | |
# Long before it begins | 0:40:14 | 0:40:18 | |
# Make me thrill as only you know how | 0:40:18 | 0:40:22 | |
# Sway me smooth, sway me now | 0:40:22 | 0:40:26 | |
# Sway me now | 0:40:26 | 0:40:28 | |
# You know how | 0:40:28 | 0:40:30 | |
# Sway me smooth | 0:40:30 | 0:40:33 | |
# Sway me now. # | 0:40:33 | 0:40:36 |