Browse content similar to No Secrets, Ever. Check below for episodes and series from the same categories and more!
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Last season on A Place To Call Home... | 0:00:02 | 0:00:04 | |
I love you with all my heart. | 0:00:06 | 0:00:07 | |
Marry me. | 0:00:08 | 0:00:10 | |
Yes. | 0:00:11 | 0:00:12 | |
We're in love, Papa. We're going to get married. | 0:00:12 | 0:00:15 | |
I'm suggesting you let them live together for three months | 0:00:15 | 0:00:19 | |
-as if they were married... -No. Impossible. | 0:00:19 | 0:00:20 | |
..in every way except sharing a bed. | 0:00:20 | 0:00:23 | |
Anna could move into your home in a separate room | 0:00:23 | 0:00:25 | |
and live the life of Gino's wife. | 0:00:25 | 0:00:27 | |
While Anna lives with the Polettis | 0:00:27 | 0:00:30 | |
testing her resolve to marry inappropriately, | 0:00:30 | 0:00:33 | |
you will spend three months at Ash Park doing the same. | 0:00:33 | 0:00:36 | |
-Mother will do anything to sabotage you. -Let her. | 0:00:37 | 0:00:40 | |
-She's tough. -I'm tougher. | 0:00:40 | 0:00:42 | |
I caught a glimpse last night into the true nature of Sarah Adams. | 0:00:42 | 0:00:46 | |
I saw a very dangerous woman. | 0:00:46 | 0:00:49 | |
I don't care what it costs. | 0:00:49 | 0:00:51 | |
Find something that will rid us of her forever. | 0:00:51 | 0:00:54 | |
The child I had, my darling, it was you. | 0:00:55 | 0:00:59 | |
Our situation is a complication you don't need in the mix. | 0:01:00 | 0:01:04 | |
I understand if you don't tell the family just yet. | 0:01:04 | 0:01:06 | |
I've come to talk about our daughter. | 0:01:06 | 0:01:08 | |
JAMES: I want you to cure me. | 0:01:12 | 0:01:14 | |
-I will need your total commitment. -You have it. | 0:01:14 | 0:01:17 | |
-OLIVIA: -What if Dr Stewart can't cure him? | 0:01:17 | 0:01:20 | |
-He just said that... -What if he can't? | 0:01:20 | 0:01:23 | |
I'll still love him. Will you? | 0:01:23 | 0:01:26 | |
What's it worth to you | 0:01:26 | 0:01:28 | |
for the world not to find out that your son's a queer? | 0:01:28 | 0:01:31 | |
He's been seen with Harry Polson. We're being blackmailed. | 0:01:33 | 0:01:37 | |
You cross me on this... | 0:01:37 | 0:01:38 | |
..you'll regret it. | 0:01:39 | 0:01:41 | |
MUSIC BLARES | 0:01:55 | 0:01:59 | |
DOORBELL RINGS | 0:02:17 | 0:02:20 | |
-Samantha. -Hiya. How is she? | 0:02:20 | 0:02:23 | |
Bright. | 0:02:24 | 0:02:25 | |
Bright. | 0:02:26 | 0:02:27 | |
Ah, here she is. | 0:02:29 | 0:02:31 | |
-How are you, Sarah? -Still here. | 0:02:31 | 0:02:34 | |
Are you ready to get back into it? | 0:02:38 | 0:02:40 | |
We left off so suddenly last time. | 0:02:41 | 0:02:43 | |
Coffee and strudel? | 0:02:43 | 0:02:44 | |
Ooh, thank you, Leah. | 0:02:44 | 0:02:46 | |
Could you turn the radio off, please? | 0:02:46 | 0:02:48 | |
-So, how is the writing going? -Good. I'm well into it. | 0:02:51 | 0:02:56 | |
Um, I couldn't find anything in the records | 0:02:57 | 0:03:00 | |
about the body you mentioned. | 0:03:00 | 0:03:02 | |
Body? | 0:03:02 | 0:03:04 | |
Before we stopped, you mentioned a body in the river. | 0:03:04 | 0:03:07 | |
I couldn't find any record of it. | 0:03:07 | 0:03:09 | |
-You don't remember? -Body? No. | 0:03:12 | 0:03:15 | |
So, where were we, apart from that? | 0:03:15 | 0:03:18 | |
James had just started his treatment. | 0:03:18 | 0:03:21 | |
His torture. | 0:03:21 | 0:03:22 | |
I can't believe they actually used to do that. | 0:03:26 | 0:03:28 | |
And worse. All in the name of normalcy. | 0:03:28 | 0:03:31 | |
-How did Gran take it? -Poor Olivia. | 0:03:32 | 0:03:35 | |
Soon with so many lies of her own. | 0:03:35 | 0:03:38 | |
But that was later. | 0:03:47 | 0:03:49 | |
-Anna. -She was moving out to be with Gino. | 0:03:49 | 0:03:53 | |
Ah, yes. Her new life. | 0:03:53 | 0:03:55 | |
Such a confusing time, losing a child and gaining a father. | 0:03:56 | 0:04:01 | |
When did she find out it was Jack Duncan? | 0:04:01 | 0:04:04 | |
Oh, it was quite some time before that happened. | 0:04:04 | 0:04:07 | |
She had quite enough to contend with as it was. | 0:04:08 | 0:04:10 | |
HORN HONKS | 0:04:17 | 0:04:20 | |
Before I forget, | 0:04:20 | 0:04:21 | |
you didn't say what Roy felt about you leaving the farm. | 0:04:21 | 0:04:25 | |
-How did Roy feel? -I heard you, dear. | 0:04:48 | 0:04:50 | |
He was happy for me. | 0:04:51 | 0:04:53 | |
Ready? | 0:05:14 | 0:05:15 | |
Yeah. | 0:05:15 | 0:05:17 | |
Now... | 0:05:18 | 0:05:20 | |
..where shall we pick it all up? | 0:05:21 | 0:05:23 | |
Carolyn, so long the black sheep, so much a part of the future. | 0:05:24 | 0:05:31 | |
-I know it's out of the blue... -Stop. | 0:05:31 | 0:05:33 | |
-..but there are... -Wait! | 0:05:33 | 0:05:34 | |
We had a child? | 0:05:37 | 0:05:38 | |
-You left me. -I had no choice. | 0:05:40 | 0:05:41 | |
-I don't see you for 20 years... -I know. | 0:05:41 | 0:05:43 | |
-..and you turn up like this. -I'm sorry. | 0:05:43 | 0:05:44 | |
-Our daughter? -I'm trying to do the right thing. | 0:05:44 | 0:05:47 | |
-For who? -Both of us. -Right. | 0:05:47 | 0:05:50 | |
There were reasons I never told you, but I am trying to fix it. | 0:05:50 | 0:05:53 | |
-Who is she? Where is she? -I... I... | 0:05:55 | 0:05:58 | |
-Well, is she here? Overseas? -I can't tell you. | 0:05:58 | 0:06:00 | |
-Why? -Not yet. | 0:06:00 | 0:06:01 | |
-Why not?! -It's difficult. | 0:06:01 | 0:06:04 | |
So, why now? | 0:06:04 | 0:06:06 | |
She's just found out about me... | 0:06:07 | 0:06:10 | |
..and it's only a matter of time before she asks about her father. | 0:06:11 | 0:06:13 | |
I wanted to give you a choice. | 0:06:15 | 0:06:17 | |
If she does ask, what do I say? I want to do the right thing. | 0:06:19 | 0:06:24 | |
You may not want this. I don't know. | 0:06:24 | 0:06:27 | |
I could say you died in the war if you'd rather. | 0:06:27 | 0:06:31 | |
DOOR OPENS | 0:06:31 | 0:06:32 | |
Excuse me, Doctor. Mrs Danthers needs you. | 0:06:32 | 0:06:35 | |
I'm coming. | 0:06:36 | 0:06:38 | |
Should I wait? Jack! | 0:06:40 | 0:06:42 | |
Where are you staying? | 0:06:44 | 0:06:46 | |
The Ash Park guest cottage. No-one knows I'm here. | 0:06:46 | 0:06:49 | |
Please come. | 0:06:50 | 0:06:52 | |
Doris Collins, please, Mildred. | 0:07:02 | 0:07:05 | |
Such a tasteful setting. | 0:07:07 | 0:07:09 | |
-Thank you. -Thank you, Amy. | 0:07:11 | 0:07:12 | |
Please do help yourself, Mrs Collins. | 0:07:14 | 0:07:17 | |
So very good of you to hurry over. | 0:07:18 | 0:07:20 | |
When you mentioned I may be of assistance, | 0:07:20 | 0:07:23 | |
if there's anything I can do... | 0:07:23 | 0:07:25 | |
Well, you've heard the news, I assume. | 0:07:25 | 0:07:27 | |
About Anna. | 0:07:29 | 0:07:30 | |
I make it my business never to listen to tittle-tattle. | 0:07:31 | 0:07:34 | |
Oh, that they were more like you. | 0:07:34 | 0:07:37 | |
Is there a problem? | 0:07:38 | 0:07:40 | |
Oh, not at all, no. | 0:07:40 | 0:07:42 | |
Anna's moved in with the Polettis for a period. | 0:07:42 | 0:07:44 | |
But they're Italian. | 0:07:44 | 0:07:45 | |
-Unorthodox. -Unorthodox. | 0:07:45 | 0:07:47 | |
She has her heart set on Italy for the northern summer. | 0:07:47 | 0:07:50 | |
She and Carla are very close | 0:07:50 | 0:07:52 | |
so what better way to learn the language? | 0:07:52 | 0:07:54 | |
I see. | 0:07:54 | 0:07:55 | |
But there is an unmarried son in the house | 0:07:55 | 0:07:57 | |
and baser minds may see gossip where there is none. | 0:07:57 | 0:08:00 | |
-No! -Sadly. | 0:08:00 | 0:08:02 | |
As a mother of sorts to two young girls, | 0:08:03 | 0:08:06 | |
I understand the importance of protecting their reputation. | 0:08:06 | 0:08:08 | |
If I hear any scurrilous rumours... | 0:08:08 | 0:08:10 | |
I knew I could count on you. | 0:08:10 | 0:08:12 | |
Dear Mrs Bligh. | 0:08:13 | 0:08:15 | |
And then, of course, we have Miss Adams moving in here. | 0:08:17 | 0:08:21 | |
Ah, yes, indeed. After the wedding. | 0:08:21 | 0:08:23 | |
Before. | 0:08:23 | 0:08:25 | |
Mamma, you should see Anna's dresses. | 0:08:27 | 0:08:29 | |
They don't fit in the wardrobe. | 0:08:29 | 0:08:31 | |
Mamma says three dresses are enough - | 0:08:31 | 0:08:33 | |
two for everyday and one for church. | 0:08:33 | 0:08:35 | |
For a farmer's wife, it is true. | 0:08:35 | 0:08:37 | |
-Tomatoes. -Can Anna come? | 0:08:38 | 0:08:40 | |
Anna is helping me. | 0:08:40 | 0:08:41 | |
-You can't cook? -I will learn. | 0:08:41 | 0:08:43 | |
I will teach you as my mamma taught me. | 0:08:43 | 0:08:46 | |
This is a special meal. | 0:08:46 | 0:08:47 | |
-Pollo - chicken. -Oh. | 0:08:47 | 0:08:49 | |
CHICKENS CLUCK | 0:08:49 | 0:08:51 | |
First, we kill. Then, we pluck. | 0:08:51 | 0:08:54 | |
I shall be your eyes and ears. | 0:09:11 | 0:09:14 | |
Well, I'm most grateful. | 0:09:14 | 0:09:16 | |
-Norman will drive you back to town. -Oh, how kind. | 0:09:16 | 0:09:20 | |
The hospital, please, Norman. | 0:09:23 | 0:09:25 | |
Oh, and give my regards to Miss Carolyn. | 0:09:27 | 0:09:31 | |
Carolyn? | 0:09:31 | 0:09:32 | |
I saw her at the station. She has luggage. | 0:09:32 | 0:09:35 | |
I assume she's staying. Is she not staying? | 0:09:35 | 0:09:38 | |
-Of course. -Indeed. | 0:09:38 | 0:09:39 | |
I shall be sure to give her your regards. | 0:09:39 | 0:09:42 | |
Norman. | 0:09:42 | 0:09:43 | |
-How is it so far? -I plucked a chicken. | 0:09:50 | 0:09:54 | |
-Will wonders never cease? -I hope not. | 0:09:54 | 0:09:57 | |
I'm allowed to worry. That's what fathers do. | 0:09:58 | 0:10:01 | |
Yes. | 0:10:01 | 0:10:03 | |
-What? -Nothing. | 0:10:03 | 0:10:05 | |
-Is it your grandmother? -No, it's not that. | 0:10:06 | 0:10:09 | |
Then what? | 0:10:09 | 0:10:10 | |
Anna, after what I've agreed to, I hope I've earned your trust. | 0:10:12 | 0:10:17 | |
You and I... | 0:10:19 | 0:10:20 | |
..we're... | 0:10:22 | 0:10:23 | |
Whatever you felt you had to do, | 0:10:28 | 0:10:30 | |
whatever lies you told, I forgive you. | 0:10:30 | 0:10:33 | |
You're still my little girl... | 0:10:33 | 0:10:35 | |
..and you always will be. | 0:10:36 | 0:10:37 | |
Do you skulk into town often? | 0:11:01 | 0:11:03 | |
PHONE RINGS | 0:11:04 | 0:11:07 | |
Sorry. | 0:11:07 | 0:11:08 | |
I have to take this. | 0:11:11 | 0:11:12 | |
-Let's have a break. -Five minutes? | 0:11:12 | 0:11:14 | |
See if you can remember what you were going to tell me about Roy. | 0:11:14 | 0:11:18 | |
Hi. It's Sam. | 0:11:20 | 0:11:21 | |
Roy, what's the matter? | 0:11:38 | 0:11:40 | |
I thought our communicating by telephone | 0:12:44 | 0:12:46 | |
was simply a necessarily evil consequence | 0:12:46 | 0:12:49 | |
of your living in the city. | 0:12:49 | 0:12:51 | |
Clearly, you simply prefer the separation. | 0:12:52 | 0:12:54 | |
This visit isn't about you. | 0:12:54 | 0:12:56 | |
May I inquire what it is about? | 0:12:57 | 0:12:59 | |
I'm here to meet my future sister-in-law. | 0:13:00 | 0:13:03 | |
Where Sarah Adams walks, division follows. | 0:13:05 | 0:13:08 | |
That's exactly the attitude that encourages skulking. | 0:13:08 | 0:13:11 | |
George seems happier than he's been in years. | 0:13:11 | 0:13:14 | |
Whilst the family is in splinters. | 0:13:14 | 0:13:16 | |
Blighs are in splinters, mother. Put down the axe. | 0:13:16 | 0:13:18 | |
Oh, spare me the metaphors. | 0:13:18 | 0:13:20 | |
I'm doing what I must to protect us all. | 0:13:20 | 0:13:23 | |
-From what? -The woman's influence. | 0:13:23 | 0:13:26 | |
You'll end up with no-one if you're not careful. | 0:13:27 | 0:13:30 | |
Then what's left for you to protect? | 0:13:30 | 0:13:33 | |
Our good name... | 0:13:33 | 0:13:34 | |
..which the rest of you seem intent on ruining. | 0:13:35 | 0:13:37 | |
So, if you could resist adding fuel to any flames whilst you're here, | 0:13:39 | 0:13:43 | |
I would appreciate it. | 0:13:43 | 0:13:44 | |
I'll do my best. | 0:13:46 | 0:13:47 | |
You should wash up. | 0:14:23 | 0:14:25 | |
-I know it's not... -I'll be in in a sec. | 0:14:33 | 0:14:35 | |
Are you right with what we've done? | 0:14:39 | 0:14:41 | |
We saved more lives from being ruined. | 0:14:44 | 0:14:46 | |
You know the alternative. | 0:14:48 | 0:14:50 | |
I've done it again, haven't I? | 0:14:56 | 0:14:58 | |
I'm starting to think you want to tell me. | 0:15:00 | 0:15:03 | |
I do keep rambling back to it. | 0:15:03 | 0:15:05 | |
Talking to you has unearthed so many ghosts. | 0:15:07 | 0:15:11 | |
I can keep a secret. I promise. | 0:15:11 | 0:15:14 | |
60 years, no-one's known. | 0:15:15 | 0:15:18 | |
There. Off the record. | 0:15:19 | 0:15:21 | |
There was a murder... | 0:15:27 | 0:15:28 | |
..and Roy and I disposed of the body. | 0:15:29 | 0:15:31 | |
Did Roy kill someone? | 0:15:33 | 0:15:35 | |
Roy? No, no, someone else. Someone we needed to protect. | 0:15:35 | 0:15:39 | |
Who? | 0:15:39 | 0:15:41 | |
You can't just tell me about a murder... | 0:15:43 | 0:15:45 | |
Enough! | 0:15:45 | 0:15:46 | |
Let's get back to your grandmother. | 0:15:51 | 0:15:52 | |
Olivia! | 0:15:58 | 0:15:59 | |
Andrew. What are you doing here? | 0:16:00 | 0:16:03 | |
I'm not sure you're meant to ask that at the loony bin. | 0:16:03 | 0:16:05 | |
Sorry. Um, I was just passing. | 0:16:06 | 0:16:09 | |
You seem to be heading towards, not past. | 0:16:09 | 0:16:12 | |
A friend from London. | 0:16:13 | 0:16:15 | |
She lives here now and she has a nervous complaint. | 0:16:15 | 0:16:19 | |
One tries to be discreet. | 0:16:21 | 0:16:22 | |
I didn't think you had friends in Australia. | 0:16:22 | 0:16:24 | |
An old school friend. | 0:16:25 | 0:16:27 | |
Well, I'm checking up on father. He's drying out. | 0:16:27 | 0:16:30 | |
-Oh, I didn't... -Look, don't feel uncomfortable. | 0:16:30 | 0:16:32 | |
The lecherous old reprobate has forfeited his right to discretion. | 0:16:32 | 0:16:35 | |
Well, I won't keep you. Wish him my best. | 0:16:36 | 0:16:40 | |
What are you doing in the city? | 0:16:40 | 0:16:42 | |
Um...James and I are spending time here. | 0:16:42 | 0:16:47 | |
A holiday of sorts. | 0:16:47 | 0:16:49 | |
And where's he? | 0:16:49 | 0:16:50 | |
James? At the hotel. | 0:16:50 | 0:16:52 | |
You really should visit Anna, you know. | 0:16:54 | 0:16:58 | |
She'd love to see you. | 0:16:58 | 0:16:59 | |
-Really? -Of course. | 0:16:59 | 0:17:02 | |
Without us at Ash Park, she'd relish the company. | 0:17:02 | 0:17:05 | |
I have been thinking of her lately. | 0:17:05 | 0:17:07 | |
I won't detain you. | 0:17:09 | 0:17:10 | |
Give James my best. | 0:17:11 | 0:17:12 | |
How are you feeling, my darling? | 0:17:46 | 0:17:48 | |
I think... | 0:17:49 | 0:17:50 | |
I don't know what... | 0:17:53 | 0:17:55 | |
I hate seeing you like this. | 0:17:59 | 0:18:01 | |
Come back to me. | 0:18:04 | 0:18:06 | |
Who are you? | 0:18:09 | 0:18:10 | |
If you don't want to do this anymore, | 0:18:12 | 0:18:15 | |
you just say. | 0:18:15 | 0:18:18 | |
Do you hear me? | 0:18:18 | 0:18:20 | |
If it gets too much, just say. | 0:18:20 | 0:18:24 | |
Ah, we're awake. | 0:18:24 | 0:18:26 | |
How are we feeling, James? | 0:18:26 | 0:18:29 | |
-Foggy. -Mm-hm. | 0:18:29 | 0:18:31 | |
You must be Mrs Bligh. I'm Dr Wilson. | 0:18:31 | 0:18:34 | |
I oversee James's daily treatment. | 0:18:34 | 0:18:36 | |
I thought Dr Stewart was in charge. | 0:18:36 | 0:18:38 | |
Rest assured, I work closely with Dr Stewart. | 0:18:38 | 0:18:41 | |
I specialise in this particular form of deviancy. | 0:18:41 | 0:18:44 | |
His memory still isn't back. | 0:18:44 | 0:18:47 | |
-Is that normal? -It is. | 0:18:47 | 0:18:49 | |
Are you ready for your next treatment, old man? | 0:18:49 | 0:18:51 | |
But he's barely rested from the last. | 0:18:52 | 0:18:55 | |
Mrs Bligh... | 0:18:55 | 0:18:56 | |
Shouldn't you at least wait until he's himself again? | 0:18:56 | 0:18:59 | |
Being himself is precisely the problem. | 0:18:59 | 0:19:01 | |
This is the treatment. | 0:19:01 | 0:19:03 | |
This is what Dr Stewart discussed with you. | 0:19:03 | 0:19:05 | |
-Yes, but... -James trusts me. | 0:19:05 | 0:19:06 | |
-Don't you, James? -Yes. | 0:19:06 | 0:19:10 | |
So, if you could wait outside, we'll talk in a moment. | 0:19:11 | 0:19:14 | |
Livy. | 0:19:24 | 0:19:26 | |
Excuse me, I'm meeting Mrs James Bligh here. | 0:19:27 | 0:19:30 | |
I was hoping you might tell me where I could find her. | 0:19:30 | 0:19:33 | |
-Ah, Doctor, a moment, if I may. -Rather not. | 0:19:47 | 0:19:51 | |
There's an issue of some import I wish to canvass with you, Doctor. | 0:19:51 | 0:19:55 | |
No doubt you saw me arrive earlier in the Bligh car. | 0:19:55 | 0:19:59 | |
I didn't. | 0:19:59 | 0:20:00 | |
Oh, well, I'm sure the staff was abuzz | 0:20:00 | 0:20:04 | |
and I would hate the girls to think I'm somehow above them | 0:20:04 | 0:20:06 | |
after the experience. | 0:20:06 | 0:20:08 | |
Rest assured, I'm still the same Doris Collins. | 0:20:08 | 0:20:11 | |
I must say, even Norman seemed a little disconcerted | 0:20:11 | 0:20:14 | |
to be addressed so openly from the rear seat. | 0:20:14 | 0:20:16 | |
One imagines he's unused to passengers | 0:20:16 | 0:20:19 | |
bridging the social divide, | 0:20:19 | 0:20:20 | |
but front seat or back, I'm the same woman. | 0:20:20 | 0:20:23 | |
Doctor? | 0:20:23 | 0:20:25 | |
-I was starting to give up on you. -I'm not here to chat. | 0:20:39 | 0:20:41 | |
Please, can't we just...? | 0:20:42 | 0:20:44 | |
What happens if she doesn't want to know about me? | 0:20:44 | 0:20:46 | |
If she doesn't ask? | 0:20:46 | 0:20:47 | |
Come inside. Let me get you a drink. | 0:20:48 | 0:20:50 | |
I'm teetotal, which you'd know if you hadn't ignored me for 20 years. | 0:20:50 | 0:20:53 | |
I'm sure she will ask. | 0:20:53 | 0:20:56 | |
If she doesn't, what will you tell her? | 0:20:56 | 0:20:58 | |
Will you tell her about me anyway? | 0:20:58 | 0:20:59 | |
That's what I thought. | 0:21:02 | 0:21:03 | |
It's not that simple. She has a father. | 0:21:03 | 0:21:05 | |
-Damn right she does! Me! -She comes first. | 0:21:05 | 0:21:09 | |
If she asks, I will tell her, but if she doesn't... | 0:21:09 | 0:21:11 | |
You made me miss her whole life! | 0:21:11 | 0:21:13 | |
Then you hold her in front of me and tell me maybe I can't have it. | 0:21:14 | 0:21:17 | |
No, I don't need your permission. | 0:21:17 | 0:21:18 | |
-Jack! -You can shove your bloody offer. | 0:21:18 | 0:21:20 | |
-Can we just...? -Wherever she is, I'll find her. | 0:21:20 | 0:21:22 | |
I will find her. | 0:21:22 | 0:21:24 | |
You'll be here, of course, when Sarah arrives. | 0:21:55 | 0:21:58 | |
Naturally. | 0:21:58 | 0:22:00 | |
Naturally. | 0:22:02 | 0:22:03 | |
I think it's best Anna is left to her own devices, | 0:22:05 | 0:22:07 | |
for a few days at least. | 0:22:07 | 0:22:09 | |
I agree. | 0:22:09 | 0:22:10 | |
I've already taken steps to quash gossip on both accounts. | 0:22:10 | 0:22:14 | |
Good. | 0:22:14 | 0:22:15 | |
CLOCK CHIMES | 0:22:15 | 0:22:18 | |
Well, excuse me. | 0:22:18 | 0:22:19 | |
When did you intend telling me? | 0:22:20 | 0:22:22 | |
-What? -About your sister. | 0:22:23 | 0:22:26 | |
George! | 0:22:38 | 0:22:40 | |
Well, if you're here to see Sarah, | 0:22:43 | 0:22:44 | |
you have a strange way of showing it. | 0:22:44 | 0:22:46 | |
-You didn't tell mother, did you? -No, no, no. | 0:22:46 | 0:22:48 | |
I was quick enough on my feet to cover for you. | 0:22:48 | 0:22:50 | |
-Assuming it's Anna you're here for. -Yes. | 0:22:50 | 0:22:54 | |
I should have guessed with all the trips to the city. | 0:22:54 | 0:22:55 | |
She's been talking to you about Gino. | 0:22:55 | 0:22:57 | |
-You know about him? -I do now. | 0:22:57 | 0:22:59 | |
-She needed someone. -I'm glad it was you. | 0:23:00 | 0:23:04 | |
I've been so caught up in my own problems, I didn't see it. | 0:23:04 | 0:23:06 | |
-She loves him. -Yes. | 0:23:06 | 0:23:10 | |
Have you been to the farm? | 0:23:10 | 0:23:11 | |
-Mother didn't tell you? -Tell me what? | 0:23:12 | 0:23:15 | |
Anna's living with the Polettis for three months. | 0:23:15 | 0:23:17 | |
-She's...? -We struck a deal. | 0:23:17 | 0:23:20 | |
She's there to get a taste of married life. | 0:23:20 | 0:23:23 | |
-Separate beds, I assume. -Only you would ask that. | 0:23:23 | 0:23:26 | |
If they can make it work, they have my blessing. | 0:23:26 | 0:23:29 | |
-I'm impressed. -It was Sarah's idea. | 0:23:29 | 0:23:31 | |
But you agreed to it. | 0:23:31 | 0:23:33 | |
I like your Sarah. | 0:23:33 | 0:23:35 | |
You'd like her even more when you meet her. | 0:23:35 | 0:23:37 | |
Being there for Anna's taken all my attention, | 0:23:37 | 0:23:39 | |
but I promise I will make up for it. | 0:23:39 | 0:23:41 | |
It must be hard sometimes, being Aunt Carolyn. | 0:23:43 | 0:23:47 | |
It's the price I pay. | 0:23:50 | 0:23:52 | |
-What are you doing? -What are YOU doing? | 0:24:01 | 0:24:04 | |
Turns out that a French polish isn't compatible with doing the dishes. | 0:24:04 | 0:24:08 | |
They're just nails. | 0:24:08 | 0:24:12 | |
Well, they're beautiful. | 0:24:12 | 0:24:13 | |
And I love you for doing this. | 0:24:14 | 0:24:17 | |
Gino! | 0:24:17 | 0:24:18 | |
-Gino's kissing Anna! -Hey, get out of here! | 0:24:21 | 0:24:23 | |
Gino's kissing Anna! | 0:24:23 | 0:24:24 | |
-Get out of here! -Please get out. | 0:24:24 | 0:24:26 | |
-Mamma! Mamma! Gino's kissing Anna! -No, we weren't. | 0:24:26 | 0:24:29 | |
ALL SPEAK ITALIAN | 0:24:29 | 0:24:32 | |
I didn't do anything! | 0:24:32 | 0:24:33 | |
ALL SPEAK ITALIAN | 0:24:33 | 0:24:39 | |
Sit. | 0:24:41 | 0:24:42 | |
We have one rule - no touching. | 0:24:47 | 0:24:50 | |
-You touch, she goes. -Mamma, please... | 0:24:50 | 0:24:51 | |
"Mamma," nothing. | 0:24:51 | 0:24:53 | |
Anna, to the kitchen. | 0:24:53 | 0:24:55 | |
Your papa is right. | 0:25:00 | 0:25:02 | |
A man controls himself. A decent man. | 0:25:03 | 0:25:06 | |
-Hmm? -Si. | 0:25:07 | 0:25:09 | |
Si. | 0:25:10 | 0:25:11 | |
Thought I saw you arrive. | 0:25:25 | 0:25:27 | |
-Where's James? -In his treatment. | 0:25:27 | 0:25:30 | |
He has it in the afternoon. | 0:25:30 | 0:25:32 | |
Twice a day now. | 0:25:32 | 0:25:34 | |
-That's too much. -Mrs Bligh. | 0:25:34 | 0:25:36 | |
It is too much. | 0:25:36 | 0:25:38 | |
Mrs Bligh, I'm afraid I'm going to have to ask you | 0:25:39 | 0:25:41 | |
-to stay away for a while. -No! | 0:25:41 | 0:25:43 | |
Any progress we make with James, you undo with your displays of distress. | 0:25:43 | 0:25:46 | |
I don't! | 0:25:46 | 0:25:47 | |
You fret over him, aggravating his fears, | 0:25:47 | 0:25:49 | |
making treatment nigh on impossible. | 0:25:49 | 0:25:50 | |
You are counter-productive to his health | 0:25:50 | 0:25:53 | |
and your own, not to mention the unborn. | 0:25:53 | 0:25:56 | |
Do you want James cured of this perversion or not? | 0:25:59 | 0:26:04 | |
I... | 0:26:05 | 0:26:06 | |
I want him better. | 0:26:09 | 0:26:11 | |
Then we will review the advisability of you visiting him in a few weeks. | 0:26:11 | 0:26:15 | |
But Dr Stewart said... | 0:26:15 | 0:26:17 | |
He's in complete agreement. | 0:26:17 | 0:26:19 | |
Excellent. | 0:26:24 | 0:26:25 | |
Not exactly the sort of farewell I wanted for you. | 0:27:02 | 0:27:04 | |
Me neither. | 0:27:05 | 0:27:06 | |
You look after her, Mr Bligh. | 0:27:08 | 0:27:10 | |
Don't worry. She's in good hands. | 0:27:11 | 0:27:13 | |
DOG BARKS | 0:27:13 | 0:27:14 | |
Just like he is. | 0:27:14 | 0:27:16 | |
Looks like you'll have two old dogs to come visit, eh? | 0:27:16 | 0:27:18 | |
If you can't live with it... | 0:27:30 | 0:27:31 | |
I will. | 0:27:31 | 0:27:33 | |
Good luck, Missy. | 0:28:00 | 0:28:01 | |
Point of no return. | 0:28:31 | 0:28:32 | |
Miss Adams, welcome. | 0:28:34 | 0:28:35 | |
Oh, it was kind of you to meet me, Mrs Bligh. | 0:28:35 | 0:28:37 | |
The least any guest can expect. | 0:28:37 | 0:28:39 | |
The grey room for Miss Adams, I think, Amy. | 0:28:39 | 0:28:42 | |
Yes, Mrs Bligh. | 0:28:42 | 0:28:43 | |
Actually, Amy, Anna offered her room. | 0:28:43 | 0:28:44 | |
-It'll be much nicer. -Yes, sir. | 0:28:44 | 0:28:47 | |
But who knows when she'll be back. No, the grey room, Amy. | 0:28:47 | 0:28:50 | |
Anna's determined to stay the course. | 0:28:50 | 0:28:51 | |
Best err on the side of caution. | 0:28:51 | 0:28:54 | |
-Sarah's more than a guest. -And will be treated accordingly. | 0:28:54 | 0:28:56 | |
The grey room sounds lovely, thank you. | 0:28:56 | 0:28:59 | |
Um, the grey room? | 0:29:01 | 0:29:03 | |
The grey room. | 0:29:04 | 0:29:06 | |
I can't believe I'm actually here. | 0:29:07 | 0:29:10 | |
I want Ash Park to feel like your home. | 0:29:10 | 0:29:12 | |
This is home. | 0:29:13 | 0:29:15 | |
It's hardly our most luxurious accommodation. | 0:29:15 | 0:29:18 | |
I think it's perfect. | 0:29:18 | 0:29:20 | |
Well, don't get too used to it. | 0:29:21 | 0:29:23 | |
In a few months, you'll be in with me. | 0:29:23 | 0:29:25 | |
-Perhaps a guided tour. -Don't tempt me. | 0:29:26 | 0:29:28 | |
I'm here to win over your mother and that is not the way to do it. | 0:29:28 | 0:29:33 | |
KNOCK AT DOOR I'm busy. | 0:29:43 | 0:29:45 | |
We need you in the ward. | 0:29:45 | 0:29:46 | |
DOOR RATTLES I'm coming! | 0:29:46 | 0:29:48 | |
It's urgent, Doctor. | 0:29:48 | 0:29:50 | |
BOTH SPEAK ITALIAN | 0:30:02 | 0:30:05 | |
-Miss Carolyn! -Sorry to drop in unannounced. | 0:30:11 | 0:30:13 | |
So many years, we no see you. | 0:30:15 | 0:30:16 | |
How beautiful you are and still so young. | 0:30:16 | 0:30:19 | |
Oh, you make me blush! | 0:30:19 | 0:30:20 | |
Look at you, madam! What a difference. | 0:30:20 | 0:30:22 | |
And all worth it. This is Gino. | 0:30:22 | 0:30:25 | |
Course it is. The pleasure is all mine. | 0:30:25 | 0:30:28 | |
We make coffee. Real Italian coffee. You like? | 0:30:28 | 0:30:31 | |
-I love. -We'll bring it to you. Anna. | 0:30:31 | 0:30:34 | |
It's nice to meet you... | 0:30:35 | 0:30:37 | |
(..Mamma.) | 0:30:37 | 0:30:38 | |
-He knows? -Everything. You can trust him. | 0:30:40 | 0:30:44 | |
What do you think? | 0:30:44 | 0:30:45 | |
Gorgeous. | 0:30:47 | 0:30:49 | |
And he loves you, so rather special. | 0:30:49 | 0:30:52 | |
I'm happy it worked out. | 0:30:54 | 0:30:56 | |
Me too. | 0:30:56 | 0:30:58 | |
What's that look for, then? | 0:30:59 | 0:31:01 | |
Father was here yesterday. | 0:31:01 | 0:31:02 | |
I couldn't tell him that I know. | 0:31:04 | 0:31:06 | |
He was so sweet. | 0:31:06 | 0:31:08 | |
You don't have to say anything. Not yet. Not ever, if you prefer. | 0:31:08 | 0:31:12 | |
You're my mother. I want everyone to know. | 0:31:12 | 0:31:15 | |
In time. This first. | 0:31:15 | 0:31:17 | |
Do you think George will be hurt? | 0:31:19 | 0:31:21 | |
-He is still your father. -But he won't be. | 0:31:21 | 0:31:24 | |
No. | 0:31:24 | 0:31:25 | |
And your real father? You're not curious? | 0:31:29 | 0:31:32 | |
Of course. | 0:31:32 | 0:31:34 | |
It's complex enough already. | 0:31:36 | 0:31:38 | |
JAMES: Hey. | 0:31:55 | 0:31:56 | |
You're back with us. You're doing very well, James. | 0:32:00 | 0:32:03 | |
Where...where's Livy? | 0:32:03 | 0:32:06 | |
Mrs Bligh won't be with us for some time. | 0:32:06 | 0:32:10 | |
Thought it best that you have some peace and quiet to recover | 0:32:10 | 0:32:14 | |
and to allow the treatment the best chance of success. | 0:32:14 | 0:32:16 | |
It's what you want, isn't it? | 0:32:17 | 0:32:19 | |
To enjoy your wife and your family | 0:32:20 | 0:32:22 | |
without the spectre of perversion hovering? | 0:32:22 | 0:32:24 | |
My head hurts. | 0:32:24 | 0:32:26 | |
We're making you better and that's what we want. | 0:32:26 | 0:32:30 | |
Yes? | 0:32:30 | 0:32:31 | |
We're on voltage two at the moment. We'll take it up to five. | 0:32:38 | 0:32:41 | |
WOMAN: Just down here to the right, Mr Richards. | 0:33:36 | 0:33:38 | |
Oh, Miss Adams! More than punctual. | 0:34:24 | 0:34:27 | |
I hoped we might talk before dinner. | 0:34:27 | 0:34:30 | |
I come in peace. | 0:34:32 | 0:34:34 | |
We both know that you'll try to stop this marriage | 0:34:35 | 0:34:38 | |
and we also know I'm not about to let you. | 0:34:38 | 0:34:40 | |
So, this is your line drawn in the sand? | 0:34:41 | 0:34:43 | |
-More our Geneva Convention. -Oh, your rules of engagement. | 0:34:43 | 0:34:47 | |
A rule. | 0:34:47 | 0:34:48 | |
Whatever blows we land, we leave George out of it. | 0:34:49 | 0:34:52 | |
We both love him. We don't want him hurt. | 0:34:53 | 0:34:56 | |
-Agreed. -Thank you. | 0:34:56 | 0:34:59 | |
Although we did make an agreement once before. | 0:34:59 | 0:35:01 | |
-James. -Yes. | 0:35:01 | 0:35:03 | |
Break this one at your peril. | 0:35:05 | 0:35:06 | |
-Sherry? -Thank you. | 0:35:08 | 0:35:11 | |
-Anna should do that. -Ma, she's tired. | 0:35:14 | 0:35:18 | |
A farmer's wife doesn't rest so SHE doesn't rest. | 0:35:18 | 0:35:22 | |
Ma! | 0:35:22 | 0:35:23 | |
(Ma, let her sleep.) | 0:35:45 | 0:35:49 | |
Tonight. | 0:35:49 | 0:35:51 | |
Tomorrow, dishes. | 0:35:52 | 0:35:53 | |
Now, I hope you won't mind | 0:36:01 | 0:36:03 | |
if I leave you both alone for a few days. | 0:36:03 | 0:36:06 | |
-Where are you going? -I'd like to visit James and Olivia | 0:36:06 | 0:36:09 | |
so I intend to leave on Sunday after Matins, | 0:36:09 | 0:36:11 | |
unless you have any objections. | 0:36:11 | 0:36:12 | |
No, no. By all means. | 0:36:12 | 0:36:14 | |
-I thought not. -It's not your heart, is it? | 0:36:14 | 0:36:17 | |
Oh, don't be so dramatic, George. | 0:36:17 | 0:36:20 | |
Although I do intend to see my specialist. | 0:36:20 | 0:36:22 | |
I thought Miss Adams might like the chance to settle in, | 0:36:22 | 0:36:25 | |
to adjust. | 0:36:25 | 0:36:26 | |
That's very thoughtful. | 0:36:26 | 0:36:28 | |
Well, it's been a long day. If you'll excuse me. | 0:36:29 | 0:36:32 | |
-Good night, Miss Adams. -Good night. | 0:36:34 | 0:36:35 | |
-Good night, mother. -Good night, George. | 0:36:35 | 0:36:37 | |
That's the last thing I expected. | 0:36:43 | 0:36:45 | |
Yes, I'd like to make a long-distance call | 0:36:58 | 0:37:00 | |
to Sydney, please, Mildred. | 0:37:00 | 0:37:02 | |
To the Australia Hotel. | 0:37:02 | 0:37:04 | |
Mm-hm. | 0:37:05 | 0:37:06 | |
And I want to speak to a guest, Mrs Regina Standish. | 0:37:06 | 0:37:11 | |
There are things I haven't told you. | 0:37:13 | 0:37:15 | |
Mother has reason to be concerned about James. | 0:37:17 | 0:37:21 | |
Best you settle before I burden you with family problems. | 0:37:23 | 0:37:26 | |
-When it's right. -Soon. | 0:37:26 | 0:37:29 | |
And then, no secrets between us... | 0:37:30 | 0:37:33 | |
..ever. | 0:37:34 | 0:37:36 | |
I had to lie. | 0:37:42 | 0:37:44 | |
I had no choice. | 0:37:44 | 0:37:47 | |
That's enough for today. It's getting late. | 0:37:50 | 0:37:53 | |
So many secrets. | 0:37:54 | 0:37:56 | |
-Did you finally tell him? -Never about the murder. | 0:37:57 | 0:38:01 | |
Other secrets refused to stay silent. | 0:38:03 | 0:38:06 | |
Even some I didn't know myself. | 0:38:07 | 0:38:10 | |
-Bye, Samantha. -Bye, Leah. Thank you. | 0:38:23 | 0:38:26 | |
She told me something extraordinary... | 0:38:29 | 0:38:31 | |
..in confidence. | 0:38:32 | 0:38:34 | |
She's led an extraordinary life. | 0:38:34 | 0:38:36 | |
Just hope my book can do her justice. | 0:38:37 | 0:38:39 | |
See you. | 0:38:39 | 0:38:41 | |
CLASSICAL MUSIC PLAYS ON RADIO | 0:38:49 | 0:38:53 | |
HORN HONKS | 0:38:56 | 0:38:58 | |
HORSES' HOOVES APPROACH | 0:39:09 | 0:39:11 | |
Turn it off. | 0:40:00 | 0:40:01 | |
Turn it off! | 0:40:01 | 0:40:03 | |
-Turn it off! -What is it? | 0:40:07 | 0:40:09 | |
MUSIC STOPS | 0:40:11 | 0:40:12 | |
We had no choice. | 0:40:12 | 0:40:14 | |
-It was him or them. -Who? Sarah? | 0:40:14 | 0:40:18 | |
It was him or them. | 0:40:20 | 0:40:22 | |
WOMAN: Please, Bert. Louise needs you. | 0:40:22 | 0:40:24 | |
BABY CRIES | 0:40:44 | 0:40:45 | |
Bert! Bert! | 0:40:45 | 0:40:47 | |
What have you done? Colin, what have you done? | 0:40:50 | 0:40:53 | |
What have you done? Colin? | 0:40:56 | 0:40:58 | |
HORSE WHINNIES | 0:40:58 | 0:41:01 | |
Come on! | 0:41:03 | 0:41:05 | |
Oh, no. | 0:41:05 | 0:41:07 | |
No secrets. | 0:41:14 | 0:41:15 | |
Ever. | 0:41:18 | 0:41:20 |