No Secrets, Ever A Place to Call Home


No Secrets, Ever

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Last season on A Place To Call Home...

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I love you with all my heart.

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Marry me.

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Yes.

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We're in love, Papa. We're going to get married.

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I'm suggesting you let them live together for three months

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-as if they were married...

-No. Impossible.

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..in every way except sharing a bed.

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Anna could move into your home in a separate room

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and live the life of Gino's wife.

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While Anna lives with the Polettis

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testing her resolve to marry inappropriately,

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you will spend three months at Ash Park doing the same.

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-Mother will do anything to sabotage you.

-Let her.

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-She's tough.

-I'm tougher.

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I caught a glimpse last night into the true nature of Sarah Adams.

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I saw a very dangerous woman.

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I don't care what it costs.

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Find something that will rid us of her forever.

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The child I had, my darling, it was you.

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Our situation is a complication you don't need in the mix.

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I understand if you don't tell the family just yet.

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I've come to talk about our daughter.

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JAMES: I want you to cure me.

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-I will need your total commitment.

-You have it.

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-OLIVIA:

-What if Dr Stewart can't cure him?

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-He just said that...

-What if he can't?

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I'll still love him. Will you?

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What's it worth to you

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for the world not to find out that your son's a queer?

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He's been seen with Harry Polson. We're being blackmailed.

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You cross me on this...

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..you'll regret it.

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MUSIC BLARES

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DOORBELL RINGS

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-Samantha.

-Hiya. How is she?

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Bright.

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Bright.

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Ah, here she is.

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-How are you, Sarah?

-Still here.

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Are you ready to get back into it?

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We left off so suddenly last time.

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Coffee and strudel?

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Ooh, thank you, Leah.

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Could you turn the radio off, please?

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-So, how is the writing going?

-Good. I'm well into it.

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Um, I couldn't find anything in the records

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about the body you mentioned.

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Body?

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Before we stopped, you mentioned a body in the river.

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I couldn't find any record of it.

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-You don't remember?

-Body? No.

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So, where were we, apart from that?

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James had just started his treatment.

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His torture.

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I can't believe they actually used to do that.

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And worse. All in the name of normalcy.

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-How did Gran take it?

-Poor Olivia.

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Soon with so many lies of her own.

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But that was later.

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-Anna.

-She was moving out to be with Gino.

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Ah, yes. Her new life.

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Such a confusing time, losing a child and gaining a father.

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When did she find out it was Jack Duncan?

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Oh, it was quite some time before that happened.

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She had quite enough to contend with as it was.

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HORN HONKS

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Before I forget,

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you didn't say what Roy felt about you leaving the farm.

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-How did Roy feel?

-I heard you, dear.

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He was happy for me.

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Ready?

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Yeah.

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Now...

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..where shall we pick it all up?

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Carolyn, so long the black sheep, so much a part of the future.

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-I know it's out of the blue...

-Stop.

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-..but there are...

-Wait!

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We had a child?

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-You left me.

-I had no choice.

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-I don't see you for 20 years...

-I know.

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-..and you turn up like this.

-I'm sorry.

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-Our daughter?

-I'm trying to do the right thing.

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-For who?

-Both of us.

-Right.

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There were reasons I never told you, but I am trying to fix it.

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-Who is she? Where is she?

-I... I...

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-Well, is she here? Overseas?

-I can't tell you.

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-Why?

-Not yet.

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-Why not?!

-It's difficult.

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So, why now?

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She's just found out about me...

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..and it's only a matter of time before she asks about her father.

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I wanted to give you a choice.

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If she does ask, what do I say? I want to do the right thing.

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You may not want this. I don't know.

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I could say you died in the war if you'd rather.

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DOOR OPENS

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Excuse me, Doctor. Mrs Danthers needs you.

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I'm coming.

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Should I wait? Jack!

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Where are you staying?

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The Ash Park guest cottage. No-one knows I'm here.

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Please come.

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Doris Collins, please, Mildred.

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Such a tasteful setting.

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-Thank you.

-Thank you, Amy.

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Please do help yourself, Mrs Collins.

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So very good of you to hurry over.

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When you mentioned I may be of assistance,

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if there's anything I can do...

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Well, you've heard the news, I assume.

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About Anna.

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I make it my business never to listen to tittle-tattle.

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Oh, that they were more like you.

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Is there a problem?

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Oh, not at all, no.

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Anna's moved in with the Polettis for a period.

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But they're Italian.

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-Unorthodox.

-Unorthodox.

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She has her heart set on Italy for the northern summer.

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She and Carla are very close

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so what better way to learn the language?

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I see.

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But there is an unmarried son in the house

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and baser minds may see gossip where there is none.

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-No!

-Sadly.

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As a mother of sorts to two young girls,

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I understand the importance of protecting their reputation.

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If I hear any scurrilous rumours...

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I knew I could count on you.

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Dear Mrs Bligh.

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And then, of course, we have Miss Adams moving in here.

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Ah, yes, indeed. After the wedding.

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Before.

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Mamma, you should see Anna's dresses.

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They don't fit in the wardrobe.

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Mamma says three dresses are enough -

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two for everyday and one for church.

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For a farmer's wife, it is true.

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-Tomatoes.

-Can Anna come?

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Anna is helping me.

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-You can't cook?

-I will learn.

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I will teach you as my mamma taught me.

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This is a special meal.

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-Pollo - chicken.

-Oh.

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CHICKENS CLUCK

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First, we kill. Then, we pluck.

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I shall be your eyes and ears.

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Well, I'm most grateful.

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-Norman will drive you back to town.

-Oh, how kind.

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The hospital, please, Norman.

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Oh, and give my regards to Miss Carolyn.

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Carolyn?

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I saw her at the station. She has luggage.

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I assume she's staying. Is she not staying?

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-Of course.

-Indeed.

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I shall be sure to give her your regards.

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Norman.

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-How is it so far?

-I plucked a chicken.

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-Will wonders never cease?

-I hope not.

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I'm allowed to worry. That's what fathers do.

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Yes.

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-What?

-Nothing.

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-Is it your grandmother?

-No, it's not that.

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Then what?

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Anna, after what I've agreed to, I hope I've earned your trust.

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You and I...

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..we're...

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Whatever you felt you had to do,

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whatever lies you told, I forgive you.

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You're still my little girl...

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..and you always will be.

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Do you skulk into town often?

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PHONE RINGS

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Sorry.

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I have to take this.

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-Let's have a break.

-Five minutes?

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See if you can remember what you were going to tell me about Roy.

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Hi. It's Sam.

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Roy, what's the matter?

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I thought our communicating by telephone

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was simply a necessarily evil consequence

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of your living in the city.

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Clearly, you simply prefer the separation.

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This visit isn't about you.

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May I inquire what it is about?

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I'm here to meet my future sister-in-law.

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Where Sarah Adams walks, division follows.

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That's exactly the attitude that encourages skulking.

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George seems happier than he's been in years.

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Whilst the family is in splinters.

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Blighs are in splinters, mother. Put down the axe.

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Oh, spare me the metaphors.

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I'm doing what I must to protect us all.

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-From what?

-The woman's influence.

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You'll end up with no-one if you're not careful.

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Then what's left for you to protect?

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Our good name...

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..which the rest of you seem intent on ruining.

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So, if you could resist adding fuel to any flames whilst you're here,

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I would appreciate it.

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I'll do my best.

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You should wash up.

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-I know it's not...

-I'll be in in a sec.

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Are you right with what we've done?

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We saved more lives from being ruined.

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You know the alternative.

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I've done it again, haven't I?

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I'm starting to think you want to tell me.

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I do keep rambling back to it.

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Talking to you has unearthed so many ghosts.

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I can keep a secret. I promise.

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60 years, no-one's known.

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There. Off the record.

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There was a murder...

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..and Roy and I disposed of the body.

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Did Roy kill someone?

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Roy? No, no, someone else. Someone we needed to protect.

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Who?

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You can't just tell me about a murder...

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Enough!

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Let's get back to your grandmother.

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Olivia!

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Andrew. What are you doing here?

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I'm not sure you're meant to ask that at the loony bin.

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Sorry. Um, I was just passing.

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You seem to be heading towards, not past.

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A friend from London.

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She lives here now and she has a nervous complaint.

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One tries to be discreet.

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I didn't think you had friends in Australia.

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An old school friend.

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Well, I'm checking up on father. He's drying out.

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-Oh, I didn't...

-Look, don't feel uncomfortable.

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The lecherous old reprobate has forfeited his right to discretion.

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Well, I won't keep you. Wish him my best.

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What are you doing in the city?

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Um...James and I are spending time here.

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A holiday of sorts.

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And where's he?

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James? At the hotel.

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You really should visit Anna, you know.

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She'd love to see you.

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-Really?

-Of course.

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Without us at Ash Park, she'd relish the company.

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I have been thinking of her lately.

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I won't detain you.

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Give James my best.

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How are you feeling, my darling?

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I think...

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I don't know what...

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I hate seeing you like this.

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Come back to me.

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Who are you?

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If you don't want to do this anymore,

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you just say.

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Do you hear me?

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If it gets too much, just say.

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Ah, we're awake.

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How are we feeling, James?

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-Foggy.

-Mm-hm.

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You must be Mrs Bligh. I'm Dr Wilson.

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I oversee James's daily treatment.

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I thought Dr Stewart was in charge.

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Rest assured, I work closely with Dr Stewart.

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I specialise in this particular form of deviancy.

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His memory still isn't back.

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-Is that normal?

-It is.

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Are you ready for your next treatment, old man?

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But he's barely rested from the last.

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Mrs Bligh...

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Shouldn't you at least wait until he's himself again?

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Being himself is precisely the problem.

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This is the treatment.

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This is what Dr Stewart discussed with you.

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-Yes, but...

-James trusts me.

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-Don't you, James?

-Yes.

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So, if you could wait outside, we'll talk in a moment.

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Livy.

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Excuse me, I'm meeting Mrs James Bligh here.

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I was hoping you might tell me where I could find her.

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-Ah, Doctor, a moment, if I may.

-Rather not.

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There's an issue of some import I wish to canvass with you, Doctor.

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No doubt you saw me arrive earlier in the Bligh car.

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I didn't.

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Oh, well, I'm sure the staff was abuzz

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and I would hate the girls to think I'm somehow above them

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after the experience.

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Rest assured, I'm still the same Doris Collins.

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I must say, even Norman seemed a little disconcerted

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to be addressed so openly from the rear seat.

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One imagines he's unused to passengers

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bridging the social divide,

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but front seat or back, I'm the same woman.

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Doctor?

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-I was starting to give up on you.

-I'm not here to chat.

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Please, can't we just...?

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What happens if she doesn't want to know about me?

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If she doesn't ask?

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Come inside. Let me get you a drink.

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I'm teetotal, which you'd know if you hadn't ignored me for 20 years.

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I'm sure she will ask.

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If she doesn't, what will you tell her?

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Will you tell her about me anyway?

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That's what I thought.

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It's not that simple. She has a father.

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-Damn right she does! Me!

-She comes first.

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If she asks, I will tell her, but if she doesn't...

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You made me miss her whole life!

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Then you hold her in front of me and tell me maybe I can't have it.

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No, I don't need your permission.

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-Jack!

-You can shove your bloody offer.

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-Can we just...?

-Wherever she is, I'll find her.

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I will find her.

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You'll be here, of course, when Sarah arrives.

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Naturally.

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Naturally.

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I think it's best Anna is left to her own devices,

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for a few days at least.

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I agree.

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I've already taken steps to quash gossip on both accounts.

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Good.

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CLOCK CHIMES

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Well, excuse me.

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When did you intend telling me?

0:22:200:22:22

-What?

-About your sister.

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George!

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Well, if you're here to see Sarah,

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you have a strange way of showing it.

0:22:440:22:46

-You didn't tell mother, did you?

-No, no, no.

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I was quick enough on my feet to cover for you.

0:22:480:22:50

-Assuming it's Anna you're here for.

-Yes.

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I should have guessed with all the trips to the city.

0:22:540:22:55

She's been talking to you about Gino.

0:22:550:22:57

-You know about him?

-I do now.

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-She needed someone.

-I'm glad it was you.

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I've been so caught up in my own problems, I didn't see it.

0:23:040:23:06

-She loves him.

-Yes.

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Have you been to the farm?

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-Mother didn't tell you?

-Tell me what?

0:23:120:23:15

Anna's living with the Polettis for three months.

0:23:150:23:17

-She's...?

-We struck a deal.

0:23:170:23:20

She's there to get a taste of married life.

0:23:200:23:23

-Separate beds, I assume.

-Only you would ask that.

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If they can make it work, they have my blessing.

0:23:260:23:29

-I'm impressed.

-It was Sarah's idea.

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But you agreed to it.

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I like your Sarah.

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You'd like her even more when you meet her.

0:23:350:23:37

Being there for Anna's taken all my attention,

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but I promise I will make up for it.

0:23:390:23:41

It must be hard sometimes, being Aunt Carolyn.

0:23:430:23:47

It's the price I pay.

0:23:500:23:52

-What are you doing?

-What are YOU doing?

0:24:010:24:04

Turns out that a French polish isn't compatible with doing the dishes.

0:24:040:24:08

They're just nails.

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Well, they're beautiful.

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And I love you for doing this.

0:24:140:24:17

Gino!

0:24:170:24:18

-Gino's kissing Anna!

-Hey, get out of here!

0:24:210:24:23

Gino's kissing Anna!

0:24:230:24:24

-Get out of here!

-Please get out.

0:24:240:24:26

-Mamma! Mamma! Gino's kissing Anna!

-No, we weren't.

0:24:260:24:29

ALL SPEAK ITALIAN

0:24:290:24:32

I didn't do anything!

0:24:320:24:33

ALL SPEAK ITALIAN

0:24:330:24:39

Sit.

0:24:410:24:42

We have one rule - no touching.

0:24:470:24:50

-You touch, she goes.

-Mamma, please...

0:24:500:24:51

"Mamma," nothing.

0:24:510:24:53

Anna, to the kitchen.

0:24:530:24:55

Your papa is right.

0:25:000:25:02

A man controls himself. A decent man.

0:25:030:25:06

-Hmm?

-Si.

0:25:070:25:09

Si.

0:25:100:25:11

Thought I saw you arrive.

0:25:250:25:27

-Where's James?

-In his treatment.

0:25:270:25:30

He has it in the afternoon.

0:25:300:25:32

Twice a day now.

0:25:320:25:34

-That's too much.

-Mrs Bligh.

0:25:340:25:36

It is too much.

0:25:360:25:38

Mrs Bligh, I'm afraid I'm going to have to ask you

0:25:390:25:41

-to stay away for a while.

-No!

0:25:410:25:43

Any progress we make with James, you undo with your displays of distress.

0:25:430:25:46

I don't!

0:25:460:25:47

You fret over him, aggravating his fears,

0:25:470:25:49

making treatment nigh on impossible.

0:25:490:25:50

You are counter-productive to his health

0:25:500:25:53

and your own, not to mention the unborn.

0:25:530:25:56

Do you want James cured of this perversion or not?

0:25:590:26:04

I...

0:26:050:26:06

I want him better.

0:26:090:26:11

Then we will review the advisability of you visiting him in a few weeks.

0:26:110:26:15

But Dr Stewart said...

0:26:150:26:17

He's in complete agreement.

0:26:170:26:19

Excellent.

0:26:240:26:25

Not exactly the sort of farewell I wanted for you.

0:27:020:27:04

Me neither.

0:27:050:27:06

You look after her, Mr Bligh.

0:27:080:27:10

Don't worry. She's in good hands.

0:27:110:27:13

DOG BARKS

0:27:130:27:14

Just like he is.

0:27:140:27:16

Looks like you'll have two old dogs to come visit, eh?

0:27:160:27:18

If you can't live with it...

0:27:300:27:31

I will.

0:27:310:27:33

Good luck, Missy.

0:28:000:28:01

Point of no return.

0:28:310:28:32

Miss Adams, welcome.

0:28:340:28:35

Oh, it was kind of you to meet me, Mrs Bligh.

0:28:350:28:37

The least any guest can expect.

0:28:370:28:39

The grey room for Miss Adams, I think, Amy.

0:28:390:28:42

Yes, Mrs Bligh.

0:28:420:28:43

Actually, Amy, Anna offered her room.

0:28:430:28:44

-It'll be much nicer.

-Yes, sir.

0:28:440:28:47

But who knows when she'll be back. No, the grey room, Amy.

0:28:470:28:50

Anna's determined to stay the course.

0:28:500:28:51

Best err on the side of caution.

0:28:510:28:54

-Sarah's more than a guest.

-And will be treated accordingly.

0:28:540:28:56

The grey room sounds lovely, thank you.

0:28:560:28:59

Um, the grey room?

0:29:010:29:03

The grey room.

0:29:040:29:06

I can't believe I'm actually here.

0:29:070:29:10

I want Ash Park to feel like your home.

0:29:100:29:12

This is home.

0:29:130:29:15

It's hardly our most luxurious accommodation.

0:29:150:29:18

I think it's perfect.

0:29:180:29:20

Well, don't get too used to it.

0:29:210:29:23

In a few months, you'll be in with me.

0:29:230:29:25

-Perhaps a guided tour.

-Don't tempt me.

0:29:260:29:28

I'm here to win over your mother and that is not the way to do it.

0:29:280:29:33

KNOCK AT DOOR I'm busy.

0:29:430:29:45

We need you in the ward.

0:29:450:29:46

DOOR RATTLES I'm coming!

0:29:460:29:48

It's urgent, Doctor.

0:29:480:29:50

BOTH SPEAK ITALIAN

0:30:020:30:05

-Miss Carolyn!

-Sorry to drop in unannounced.

0:30:110:30:13

So many years, we no see you.

0:30:150:30:16

How beautiful you are and still so young.

0:30:160:30:19

Oh, you make me blush!

0:30:190:30:20

Look at you, madam! What a difference.

0:30:200:30:22

And all worth it. This is Gino.

0:30:220:30:25

Course it is. The pleasure is all mine.

0:30:250:30:28

We make coffee. Real Italian coffee. You like?

0:30:280:30:31

-I love.

-We'll bring it to you. Anna.

0:30:310:30:34

It's nice to meet you...

0:30:350:30:37

(..Mamma.)

0:30:370:30:38

-He knows?

-Everything. You can trust him.

0:30:400:30:44

What do you think?

0:30:440:30:45

Gorgeous.

0:30:470:30:49

And he loves you, so rather special.

0:30:490:30:52

I'm happy it worked out.

0:30:540:30:56

Me too.

0:30:560:30:58

What's that look for, then?

0:30:590:31:01

Father was here yesterday.

0:31:010:31:02

I couldn't tell him that I know.

0:31:040:31:06

He was so sweet.

0:31:060:31:08

You don't have to say anything. Not yet. Not ever, if you prefer.

0:31:080:31:12

You're my mother. I want everyone to know.

0:31:120:31:15

In time. This first.

0:31:150:31:17

Do you think George will be hurt?

0:31:190:31:21

-He is still your father.

-But he won't be.

0:31:210:31:24

No.

0:31:240:31:25

And your real father? You're not curious?

0:31:290:31:32

Of course.

0:31:320:31:34

It's complex enough already.

0:31:360:31:38

JAMES: Hey.

0:31:550:31:56

You're back with us. You're doing very well, James.

0:32:000:32:03

Where...where's Livy?

0:32:030:32:06

Mrs Bligh won't be with us for some time.

0:32:060:32:10

Thought it best that you have some peace and quiet to recover

0:32:100:32:14

and to allow the treatment the best chance of success.

0:32:140:32:16

It's what you want, isn't it?

0:32:170:32:19

To enjoy your wife and your family

0:32:200:32:22

without the spectre of perversion hovering?

0:32:220:32:24

My head hurts.

0:32:240:32:26

We're making you better and that's what we want.

0:32:260:32:30

Yes?

0:32:300:32:31

We're on voltage two at the moment. We'll take it up to five.

0:32:380:32:41

WOMAN: Just down here to the right, Mr Richards.

0:33:360:33:38

Oh, Miss Adams! More than punctual.

0:34:240:34:27

I hoped we might talk before dinner.

0:34:270:34:30

I come in peace.

0:34:320:34:34

We both know that you'll try to stop this marriage

0:34:350:34:38

and we also know I'm not about to let you.

0:34:380:34:40

So, this is your line drawn in the sand?

0:34:410:34:43

-More our Geneva Convention.

-Oh, your rules of engagement.

0:34:430:34:47

A rule.

0:34:470:34:48

Whatever blows we land, we leave George out of it.

0:34:490:34:52

We both love him. We don't want him hurt.

0:34:530:34:56

-Agreed.

-Thank you.

0:34:560:34:59

Although we did make an agreement once before.

0:34:590:35:01

-James.

-Yes.

0:35:010:35:03

Break this one at your peril.

0:35:050:35:06

-Sherry?

-Thank you.

0:35:080:35:11

-Anna should do that.

-Ma, she's tired.

0:35:140:35:18

A farmer's wife doesn't rest so SHE doesn't rest.

0:35:180:35:22

Ma!

0:35:220:35:23

(Ma, let her sleep.)

0:35:450:35:49

Tonight.

0:35:490:35:51

Tomorrow, dishes.

0:35:520:35:53

Now, I hope you won't mind

0:36:010:36:03

if I leave you both alone for a few days.

0:36:030:36:06

-Where are you going?

-I'd like to visit James and Olivia

0:36:060:36:09

so I intend to leave on Sunday after Matins,

0:36:090:36:11

unless you have any objections.

0:36:110:36:12

No, no. By all means.

0:36:120:36:14

-I thought not.

-It's not your heart, is it?

0:36:140:36:17

Oh, don't be so dramatic, George.

0:36:170:36:20

Although I do intend to see my specialist.

0:36:200:36:22

I thought Miss Adams might like the chance to settle in,

0:36:220:36:25

to adjust.

0:36:250:36:26

That's very thoughtful.

0:36:260:36:28

Well, it's been a long day. If you'll excuse me.

0:36:290:36:32

-Good night, Miss Adams.

-Good night.

0:36:340:36:35

-Good night, mother.

-Good night, George.

0:36:350:36:37

That's the last thing I expected.

0:36:430:36:45

Yes, I'd like to make a long-distance call

0:36:580:37:00

to Sydney, please, Mildred.

0:37:000:37:02

To the Australia Hotel.

0:37:020:37:04

Mm-hm.

0:37:050:37:06

And I want to speak to a guest, Mrs Regina Standish.

0:37:060:37:11

There are things I haven't told you.

0:37:130:37:15

Mother has reason to be concerned about James.

0:37:170:37:21

Best you settle before I burden you with family problems.

0:37:230:37:26

-When it's right.

-Soon.

0:37:260:37:29

And then, no secrets between us...

0:37:300:37:33

..ever.

0:37:340:37:36

I had to lie.

0:37:420:37:44

I had no choice.

0:37:440:37:47

That's enough for today. It's getting late.

0:37:500:37:53

So many secrets.

0:37:540:37:56

-Did you finally tell him?

-Never about the murder.

0:37:570:38:01

Other secrets refused to stay silent.

0:38:030:38:06

Even some I didn't know myself.

0:38:070:38:10

-Bye, Samantha.

-Bye, Leah. Thank you.

0:38:230:38:26

She told me something extraordinary...

0:38:290:38:31

..in confidence.

0:38:320:38:34

She's led an extraordinary life.

0:38:340:38:36

Just hope my book can do her justice.

0:38:370:38:39

See you.

0:38:390:38:41

CLASSICAL MUSIC PLAYS ON RADIO

0:38:490:38:53

HORN HONKS

0:38:560:38:58

HORSES' HOOVES APPROACH

0:39:090:39:11

Turn it off.

0:40:000:40:01

Turn it off!

0:40:010:40:03

-Turn it off!

-What is it?

0:40:070:40:09

MUSIC STOPS

0:40:110:40:12

We had no choice.

0:40:120:40:14

-It was him or them.

-Who? Sarah?

0:40:140:40:18

It was him or them.

0:40:200:40:22

WOMAN: Please, Bert. Louise needs you.

0:40:220:40:24

BABY CRIES

0:40:440:40:45

Bert! Bert!

0:40:450:40:47

What have you done? Colin, what have you done?

0:40:500:40:53

What have you done? Colin?

0:40:560:40:58

HORSE WHINNIES

0:40:580:41:01

Come on!

0:41:030:41:05

Oh, no.

0:41:050:41:07

No secrets.

0:41:140:41:15

Ever.

0:41:180:41:20

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