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And this new man is, what, | 0:00:02 | 0:00:03 | |
some misguided attempt to make George jealous? | 0:00:03 | 0:00:05 | |
I'll be appealing to a far more potent emotion than that. | 0:00:05 | 0:00:07 | |
Do it. | 0:00:07 | 0:00:08 | |
I have a message for Anna. It's all her fault. | 0:00:11 | 0:00:13 | |
-You can't hurt us. -I give Mr and Mrs Dago a year. | 0:00:13 | 0:00:17 | |
Andrew, I think I'd go mad if I didn't have you to be honest with. | 0:00:20 | 0:00:24 | |
I don't like the degree of intimacy he's assuming with you. | 0:00:24 | 0:00:27 | |
-He's been a good friend to me. -Men and women can't be friends. | 0:00:27 | 0:00:30 | |
Father's lost enough as it is, | 0:00:31 | 0:00:33 | |
but the closer it gets, the more I think about Jack. | 0:00:33 | 0:00:35 | |
I wish they could both give me away. | 0:00:37 | 0:00:39 | |
Sarah's back. | 0:00:42 | 0:00:43 | |
Is she alone? | 0:00:43 | 0:00:45 | |
No. | 0:00:45 | 0:00:46 | |
Mrs Nordmann and I are getting on with our separate lives. | 0:00:46 | 0:00:49 | |
I suggest we do the same. | 0:00:49 | 0:00:50 | |
WOMAN LAUGHS | 0:00:58 | 0:01:00 | |
It doesn't count if it's not in our house! Put me down! | 0:01:03 | 0:01:08 | |
-It's ours for a week. -It is, isn't it? | 0:01:08 | 0:01:11 | |
-We could dine out! -Stay in. | 0:01:11 | 0:01:13 | |
-We could go to the theatre! -Go to bed. | 0:01:13 | 0:01:15 | |
I'm going to have trouble getting you outside, aren't I? | 0:01:15 | 0:01:18 | |
We... We did it. | 0:01:20 | 0:01:21 | |
We did. | 0:01:21 | 0:01:23 | |
We have a lifetime of this. | 0:01:23 | 0:01:24 | |
Mmm! Ti amo cosi tanto. | 0:01:29 | 0:01:32 | |
Ti adoro. | 0:01:33 | 0:01:35 | |
What a beautiful wedding. | 0:01:40 | 0:01:42 | |
I'm glad you were part of the day. | 0:01:42 | 0:01:44 | |
As am I, darling. | 0:01:44 | 0:01:47 | |
I was surprised to see Jack replace Amo as best man. | 0:01:47 | 0:01:51 | |
Well, he and Gino have become close. | 0:01:51 | 0:01:53 | |
So close? The Italians tend towards sentiment in such matters. | 0:01:53 | 0:01:58 | |
The new generation. | 0:01:58 | 0:01:59 | |
Perhaps. | 0:02:01 | 0:02:03 | |
Perhaps not. | 0:02:03 | 0:02:06 | |
See you in the morning. | 0:02:06 | 0:02:08 | |
-You sure? -She was hinting at something. | 0:02:12 | 0:02:15 | |
You had fairly spurious reasons to be up there, | 0:02:15 | 0:02:18 | |
and we were radiating a certain glow. | 0:02:18 | 0:02:20 | |
Yeah. You would just think that we're happy. | 0:02:20 | 0:02:23 | |
I've always refused to name Anna's father | 0:02:23 | 0:02:25 | |
and there we three were. | 0:02:25 | 0:02:27 | |
She's not blind. | 0:02:27 | 0:02:29 | |
So, what do we do? | 0:02:29 | 0:02:31 | |
No stress, you said. | 0:02:31 | 0:02:33 | |
Which is greater - having it confirmed or having to wonder? | 0:02:33 | 0:02:36 | |
For her? Being lied to. | 0:02:36 | 0:02:39 | |
For a part well played. I added something extra for discretion. | 0:02:41 | 0:02:46 | |
I won't be here to gossip anyway. I'm on the next ship to London. | 0:02:46 | 0:02:49 | |
I can see you in the next tawdry West End farce. | 0:02:49 | 0:02:52 | |
Well, consider yourself a benefactor to the arts. | 0:02:52 | 0:02:55 | |
I'll drop you near the station and then I'll head to Ash Park. | 0:02:55 | 0:02:59 | |
And you'll, what, hurry - hot and distressed - to the front door? | 0:02:59 | 0:03:03 | |
Exactly. | 0:03:03 | 0:03:05 | |
Satisfy my curiosity. | 0:03:07 | 0:03:09 | |
Why this obsession? | 0:03:09 | 0:03:11 | |
George seems rather dull to me. | 0:03:11 | 0:03:13 | |
I was 15 when we first met. | 0:03:15 | 0:03:17 | |
He was the most gorgeous thing I'd ever seen. | 0:03:18 | 0:03:21 | |
Elaine would never have stood a chance | 0:03:23 | 0:03:25 | |
if I'd been a few years older. | 0:03:25 | 0:03:27 | |
I'd have had the property, his heirs... | 0:03:27 | 0:03:30 | |
..his affection. | 0:03:31 | 0:03:32 | |
She rubbed my nose in it whenever possible. | 0:03:35 | 0:03:38 | |
I swore I'd have him one day. | 0:03:39 | 0:03:41 | |
You missed your vocation. | 0:03:41 | 0:03:43 | |
Your Lady Macbeth would be spectacular. | 0:03:44 | 0:03:47 | |
-If -I -can see this car, someone else can. | 0:04:06 | 0:04:08 | |
I didn't mean to stay. | 0:04:10 | 0:04:12 | |
You done good today, Mr Bligh. | 0:04:13 | 0:04:15 | |
Don't muck it up. | 0:04:15 | 0:04:17 | |
ENGINE STARTS | 0:04:36 | 0:04:38 | |
There we are. | 0:04:39 | 0:04:41 | |
He's exhausted. | 0:05:07 | 0:05:08 | |
I'm not surprised. | 0:05:08 | 0:05:09 | |
I reckon that tea'd be brewed by now. | 0:05:11 | 0:05:13 | |
Thanks. | 0:05:16 | 0:05:18 | |
He has to know how much I love him. | 0:05:20 | 0:05:22 | |
He saw how much you've given up today. | 0:05:22 | 0:05:24 | |
KNOCK ON DOOR | 0:05:31 | 0:05:34 | |
Yes? | 0:05:34 | 0:05:35 | |
Today went very well. | 0:05:38 | 0:05:40 | |
I didn't want to retire | 0:05:43 | 0:05:44 | |
without thanking you for aiding my rapprochement with Anna. | 0:05:44 | 0:05:48 | |
Goodnight, then. | 0:05:48 | 0:05:49 | |
I'm going away. | 0:05:51 | 0:05:52 | |
-Oh, well, a holiday might be just... -I'm leaving Ash Park. | 0:05:55 | 0:05:58 | |
It's time James took over the reins. | 0:05:59 | 0:06:02 | |
It's his inheritance now anyway. | 0:06:02 | 0:06:04 | |
Where will you go? | 0:06:04 | 0:06:06 | |
Sydney at first. | 0:06:06 | 0:06:07 | |
-I need to meet with the accountants. -Oh, George, I feel responsible... | 0:06:07 | 0:06:11 | |
It's not you, Mother. | 0:06:11 | 0:06:14 | |
It's not...just you. | 0:06:14 | 0:06:16 | |
It's too late at night for momentous decisions. | 0:06:19 | 0:06:21 | |
I've made my decision. KNOCK ON DOOR | 0:06:21 | 0:06:24 | |
I'm sorry to interrupt. Mrs Standish is downstairs, sir. | 0:06:24 | 0:06:27 | |
-At this hour? -It's urgent. She said she only wants Mr Bligh. | 0:06:27 | 0:06:32 | |
-George... -Go to bed, Mother. | 0:06:32 | 0:06:34 | |
Where is he now? | 0:06:42 | 0:06:43 | |
I told him he had no cause for jealousy, | 0:06:43 | 0:06:46 | |
but he insisted there was something between us. | 0:06:46 | 0:06:48 | |
That's ridiculous. | 0:06:48 | 0:06:49 | |
I didn't know where else to go. I can't stay there. | 0:06:49 | 0:06:52 | |
-What if he comes back? -I'll inform the police. | 0:06:52 | 0:06:54 | |
No. The scandal. | 0:06:54 | 0:06:57 | |
-Please. -He needs to be punished. | 0:06:57 | 0:07:00 | |
I just want to put this whole sorry mess behind me. | 0:07:00 | 0:07:03 | |
I've been a fool. | 0:07:04 | 0:07:07 | |
Here. | 0:07:07 | 0:07:09 | |
Don't cry. | 0:07:13 | 0:07:14 | |
All right. | 0:07:17 | 0:07:18 | |
Regina's having a few personal problems. | 0:07:34 | 0:07:36 | |
She'll be staying with us for a time. | 0:07:36 | 0:07:38 | |
I've put her in Anna's room. | 0:07:38 | 0:07:40 | |
What sort of problems? | 0:07:40 | 0:07:42 | |
She made a poor choice of companion. | 0:07:42 | 0:07:44 | |
They seemed happy at the wedding. | 0:07:44 | 0:07:47 | |
Violence was involved. | 0:07:47 | 0:07:49 | |
I'll postpone my departure until she's feeling more secure. | 0:07:49 | 0:07:52 | |
-Departure? -I'll explain later. | 0:07:52 | 0:07:55 | |
George, I see no reason why you should | 0:07:55 | 0:07:57 | |
tie your staying or going to Regina. | 0:07:57 | 0:07:59 | |
-I'll see to her. -You'll be shocked. | 0:07:59 | 0:08:01 | |
What's this about going? | 0:08:04 | 0:08:06 | |
KNOCK ON DOOR | 0:08:10 | 0:08:12 | |
Come in. | 0:08:12 | 0:08:14 | |
Oh. | 0:08:16 | 0:08:18 | |
Oh, so this is the grand plan, is it? | 0:08:18 | 0:08:21 | |
-Damsel in distress? -Tried and tested. | 0:08:21 | 0:08:23 | |
This is outrageous, even by your standards! | 0:08:23 | 0:08:27 | |
A means to an end, dear. | 0:08:27 | 0:08:29 | |
-George is no-one's fool. -His morale is in tatters. | 0:08:29 | 0:08:33 | |
He needs somewhere to focus his energies. | 0:08:33 | 0:08:35 | |
There'll be consequences if you interfere. | 0:08:35 | 0:08:37 | |
You coo over the baby and James, | 0:08:37 | 0:08:40 | |
all the while threatening to destroy him for your own ends. | 0:08:40 | 0:08:42 | |
You promise me George and then renege. | 0:08:42 | 0:08:45 | |
We're cut from the same cloth. | 0:08:45 | 0:08:47 | |
I'll take breakfast in my room. | 0:08:49 | 0:08:51 | |
I don't think I'm ready to face anyone yet. | 0:08:51 | 0:08:53 | |
Your hubris will be your undoing! | 0:08:53 | 0:08:55 | |
Our life seems to follow a pattern. | 0:09:06 | 0:09:08 | |
In what way? | 0:09:10 | 0:09:12 | |
One problem resolves, some other presents itself. | 0:09:12 | 0:09:15 | |
Father leaving rather traps us here. | 0:09:16 | 0:09:18 | |
I suppose it does. | 0:09:20 | 0:09:21 | |
I wish we had a choice. | 0:09:22 | 0:09:24 | |
We owe it to Georgie to stay. | 0:09:24 | 0:09:26 | |
What? | 0:09:30 | 0:09:31 | |
No, you're right. | 0:09:33 | 0:09:34 | |
Ash Park is his inheritance. | 0:09:36 | 0:09:38 | |
Darling, would you mind awfully if I dashed to the city? | 0:09:40 | 0:09:44 | |
Just overnight. | 0:09:44 | 0:09:45 | |
Why? | 0:09:46 | 0:09:48 | |
With your father leaving and you taking over, | 0:09:48 | 0:09:51 | |
it may be my last chance for a while. | 0:09:51 | 0:09:53 | |
What about Georgie? | 0:09:53 | 0:09:54 | |
Your grandmother will love having him to herself. | 0:09:54 | 0:09:56 | |
And you'll stay at the hotel? | 0:09:56 | 0:09:59 | |
Of course I will. | 0:09:59 | 0:10:01 | |
I'd prefer if you avoided the Swansons. | 0:10:03 | 0:10:05 | |
Your jealousy of Andrew is unfair. | 0:10:08 | 0:10:11 | |
-I am not jealous. -Aren't you? | 0:10:11 | 0:10:13 | |
Given what I offer, another man was bound to appear. | 0:10:13 | 0:10:16 | |
How can you even think that? | 0:10:18 | 0:10:20 | |
I'm afraid of losing you. | 0:10:22 | 0:10:23 | |
-If you only knew... -What? | 0:10:26 | 0:10:29 | |
Nothing. | 0:10:33 | 0:10:34 | |
Is this so important to you? | 0:10:37 | 0:10:39 | |
Yes. | 0:10:40 | 0:10:42 | |
Then I will see Andrew one final time, to explain. | 0:10:45 | 0:10:50 | |
You have to let me do that. | 0:10:51 | 0:10:53 | |
Thank you. | 0:10:56 | 0:10:57 | |
I'm not entirely sure, but certainly within the week. | 0:11:00 | 0:11:03 | |
You're leaving Ash Park? | 0:11:03 | 0:11:06 | |
I don't quite know what I'll do without you. | 0:11:06 | 0:11:08 | |
There's nothing for me here. | 0:11:08 | 0:11:11 | |
Where will you go? | 0:11:11 | 0:11:13 | |
I have several options to consider. | 0:11:13 | 0:11:15 | |
If a travelling companion is ever required... | 0:11:18 | 0:11:21 | |
I see there's a distance to go | 0:11:25 | 0:11:27 | |
-before I have regained your full trust. -Yes. | 0:11:27 | 0:11:29 | |
You'll need friends in the wider world. | 0:11:34 | 0:11:36 | |
It's just... It's just Roy shooting rabbits. | 0:11:47 | 0:11:50 | |
Rene... | 0:11:50 | 0:11:52 | |
J'adore. | 0:11:52 | 0:11:53 | |
J'adore. | 0:11:55 | 0:11:56 | |
J'adore. | 0:12:00 | 0:12:02 | |
It won't be long. | 0:12:15 | 0:12:17 | |
Oh, my apologies for calling unannounced. | 0:12:28 | 0:12:30 | |
I have an appointment at the hospital. | 0:12:30 | 0:12:32 | |
This will only take a moment, please. | 0:12:32 | 0:12:35 | |
Regina is attempting to dupe George | 0:12:35 | 0:12:38 | |
by appealing to the quality we love best in him - his decency. | 0:12:38 | 0:12:41 | |
He may be vulnerable, but he's not gullible. | 0:12:41 | 0:12:44 | |
He needs to hear the truth about her from someone other than me. | 0:12:44 | 0:12:48 | |
I wish I could help. I can't. | 0:12:48 | 0:12:51 | |
Regina made it clear James will suffer if I interfere in any way. | 0:12:51 | 0:12:54 | |
-The same threat she holds over me. -She's vicious enough to do it. | 0:12:54 | 0:12:57 | |
Well, you did intimate if there was anything you could do... | 0:12:57 | 0:12:59 | |
And I meant it. | 0:12:59 | 0:13:01 | |
But I've since decided it's best George and I don't see each other. | 0:13:02 | 0:13:06 | |
He will listen to you. | 0:13:07 | 0:13:09 | |
He still loves you deeply. | 0:13:10 | 0:13:12 | |
And you clearly still care for him. | 0:13:16 | 0:13:18 | |
George will see through her. | 0:13:19 | 0:13:21 | |
Let's hope so. | 0:13:24 | 0:13:26 | |
MUSIC: Would I Love You by Patti Page | 0:13:41 | 0:13:43 | |
How can you read when you have me? | 0:14:00 | 0:14:02 | |
I have to see if Jet Rink seduces Lesley. | 0:14:02 | 0:14:05 | |
-Or me seducing you. -Don't you dare lose my page! | 0:14:07 | 0:14:10 | |
Half of me's still listening out for footsteps at the door. | 0:14:13 | 0:14:17 | |
We don't have to sneak around any more. | 0:14:17 | 0:14:18 | |
A few words in a church and what was scandalous before isn't. | 0:14:18 | 0:14:23 | |
Sort of silly, really. | 0:14:23 | 0:14:25 | |
Thank you. | 0:14:25 | 0:14:26 | |
Why don't you write one? | 0:14:34 | 0:14:37 | |
-A novel? -Mmm. You've read enough of them. | 0:14:37 | 0:14:39 | |
-I couldn't. -You've written a diary for years. | 0:14:39 | 0:14:41 | |
-It's different! -Why? | 0:14:41 | 0:14:43 | |
You wouldn't mind? | 0:14:44 | 0:14:46 | |
You are not Mamma and I am not Papa. | 0:14:50 | 0:14:53 | |
We don't have to live their lives. | 0:14:53 | 0:14:55 | |
You know, everyone expects you to tie me to the stove. | 0:14:55 | 0:14:58 | |
Well, it will be fun showing them how wrong they are. | 0:14:58 | 0:15:01 | |
Won't it! | 0:15:01 | 0:15:02 | |
What did I say about resting up? | 0:15:09 | 0:15:11 | |
-I'm too old to be scolded. -Not by me. | 0:15:11 | 0:15:13 | |
You shouldn't be gadding about. | 0:15:13 | 0:15:15 | |
-Have you heard the latest news? -Adam seemed charming at the wedding. | 0:15:17 | 0:15:21 | |
No, I mean about your brother. | 0:15:21 | 0:15:23 | |
He's talking of leaving. | 0:15:23 | 0:15:25 | |
-Believe it when I see it. -Oh, his intention seems firm. | 0:15:25 | 0:15:28 | |
So any topic which could disturb | 0:15:28 | 0:15:31 | |
his sense of place in the family should be avoided. | 0:15:31 | 0:15:34 | |
Including your being Anna's father. | 0:15:35 | 0:15:38 | |
I presume that's the reason for your central role at the wedding. | 0:15:39 | 0:15:43 | |
-Please don't be upset. -I've only known myself a short time. | 0:15:45 | 0:15:48 | |
-And Anna? -About me, a few months. | 0:15:51 | 0:15:55 | |
I presume you didn't reveal the father's identity | 0:15:59 | 0:16:02 | |
because you thought I would turn against Jack. | 0:16:02 | 0:16:08 | |
Everything he had back then depended on you. | 0:16:08 | 0:16:11 | |
And once I'd... | 0:16:14 | 0:16:15 | |
..given up Anna, | 0:16:17 | 0:16:19 | |
I thought it best to leave well enough alone. | 0:16:19 | 0:16:22 | |
Excuse me. | 0:16:30 | 0:16:32 | |
I'll go. | 0:16:39 | 0:16:41 | |
Another mirror held up to me. | 0:16:50 | 0:16:53 | |
Would you rather I left you alone? | 0:16:55 | 0:16:58 | |
For 20 years, you could have been together... | 0:17:08 | 0:17:10 | |
..raising your daughter. | 0:17:12 | 0:17:13 | |
But you weren't, because of me. | 0:17:15 | 0:17:17 | |
The tragedy is, I would have approved. | 0:17:20 | 0:17:24 | |
For so many reasons. | 0:17:27 | 0:17:29 | |
Some I'll never explain. | 0:17:29 | 0:17:31 | |
I've always loved you dearly. | 0:17:33 | 0:17:35 | |
I wouldn't have sent Caroline abroad. I wouldn't... | 0:17:37 | 0:17:40 | |
I would have embraced you into the family... | 0:17:42 | 0:17:45 | |
..despite the obvious differences. | 0:17:46 | 0:17:49 | |
She couldn't have known that, huh? | 0:17:49 | 0:17:52 | |
I've robbed you both of a lifetime of happiness. | 0:17:52 | 0:17:56 | |
No, no, no. You tried to protect her. | 0:17:56 | 0:17:59 | |
Talk to her. | 0:18:03 | 0:18:05 | |
-She needs to hear it. -It's better from you. | 0:18:05 | 0:18:08 | |
That's not true. | 0:18:08 | 0:18:10 | |
I have always done what is proper, rather than follow my heart. | 0:18:15 | 0:18:19 | |
I expected the same of my children. | 0:18:21 | 0:18:25 | |
I forced you... | 0:18:25 | 0:18:27 | |
No more. | 0:18:32 | 0:18:34 | |
Though it comes years too late. | 0:18:36 | 0:18:39 | |
Mother. | 0:18:40 | 0:18:41 | |
Oh, thank you. | 0:18:54 | 0:18:56 | |
Thank you. | 0:19:01 | 0:19:03 | |
And for giving me the strength to do what I must. | 0:19:06 | 0:19:09 | |
My solicitor, Mr Davis, please, Mildred. | 0:19:33 | 0:19:36 | |
Well, I hope you're hungry, | 0:19:42 | 0:19:45 | |
cos I could eat the arse out of a low-flying duck. | 0:19:45 | 0:19:47 | |
Rene? | 0:19:56 | 0:19:58 | |
Rene? | 0:20:01 | 0:20:03 | |
He said, "I should not be here." | 0:20:11 | 0:20:13 | |
It was rather unnerving. | 0:20:14 | 0:20:16 | |
By "here" I didn't know whether he meant Inverness or... | 0:20:16 | 0:20:19 | |
Perhaps he's homesick. | 0:20:20 | 0:20:21 | |
Despite how welcoming we are | 0:20:21 | 0:20:23 | |
to those who settle in our humble environs... | 0:20:23 | 0:20:25 | |
Thank you for your help, Mrs Collins. | 0:20:25 | 0:20:27 | |
In Mr Collins's last years, silly thoughts crept in. | 0:20:27 | 0:20:30 | |
Illness can weaken the strongest man's fortitude. | 0:20:30 | 0:20:34 | |
You gave Mrs Collins a fright. | 0:20:54 | 0:20:56 | |
I am sorry. | 0:21:00 | 0:21:03 | |
I truly believe Inverness can be a good home. | 0:21:03 | 0:21:05 | |
But if I've done the wrong thing bringing you here, we can go back. | 0:21:07 | 0:21:11 | |
I am leaving for your happiness. | 0:21:14 | 0:21:17 | |
YOU are my happiness. | 0:21:17 | 0:21:19 | |
Madame Bligh, | 0:21:25 | 0:21:28 | |
his mother... | 0:21:28 | 0:21:30 | |
You heard? | 0:21:30 | 0:21:31 | |
I did love George. | 0:21:33 | 0:21:35 | |
It will pass. | 0:21:38 | 0:21:39 | |
Je promets. | 0:21:41 | 0:21:43 | |
We are together forever. | 0:21:44 | 0:21:45 | |
Sorry to keep you. | 0:21:57 | 0:21:59 | |
Father refuses to learn the art of the succinct telephone call. | 0:21:59 | 0:22:03 | |
You're in a good mood. | 0:22:03 | 0:22:05 | |
Unexpected visits from attractive women have that effect. | 0:22:05 | 0:22:09 | |
Here's my formal acceptance to his lordship's christening. | 0:22:09 | 0:22:12 | |
Saves on post. | 0:22:12 | 0:22:13 | |
I'm not sure how to say this. | 0:22:16 | 0:22:18 | |
Shall I ask Diana to fetch me something stronger? | 0:22:18 | 0:22:21 | |
I'm afraid I can't see you any more. | 0:22:22 | 0:22:24 | |
Grandmother-in-law or husband beating his chest? | 0:22:29 | 0:22:32 | |
James... | 0:22:32 | 0:22:33 | |
I'm so sorry. | 0:22:35 | 0:22:37 | |
I've really come to care for you and your funny ways. | 0:22:37 | 0:22:40 | |
You're serious, aren't you? | 0:22:42 | 0:22:43 | |
And I'm sorry, but I must ask you not to attend the christening. | 0:22:43 | 0:22:48 | |
James is so jealous? | 0:22:52 | 0:22:53 | |
I can't tell him what really binds us. | 0:22:53 | 0:22:57 | |
I will miss you. | 0:22:59 | 0:23:01 | |
And I will never forget what you have done for me. | 0:23:03 | 0:23:06 | |
Ever. | 0:23:08 | 0:23:09 | |
Good Lord. | 0:23:12 | 0:23:14 | |
You truly care for me. | 0:23:17 | 0:23:19 | |
Andrew, of course I do! | 0:23:19 | 0:23:21 | |
You must know that. | 0:23:23 | 0:23:25 | |
Yes. | 0:23:25 | 0:23:27 | |
-I must go. -Wait! | 0:23:30 | 0:23:32 | |
James is a very lucky man. | 0:23:39 | 0:23:41 | |
That is the nicest thing anyone's ever said to me. | 0:23:47 | 0:23:52 | |
Goodbye, Andrew. | 0:24:06 | 0:24:08 | |
There's someone moving around outside. Furtively. | 0:24:24 | 0:24:28 | |
I've heard nothing. | 0:24:28 | 0:24:29 | |
I've been sitting up there terrified. | 0:24:29 | 0:24:31 | |
I'll check. You go back to bed. | 0:24:32 | 0:24:35 | |
KNOCK ON DOOR | 0:24:43 | 0:24:45 | |
Yes? | 0:24:45 | 0:24:46 | |
There's no-one. It must have been one of the workers. | 0:24:46 | 0:24:49 | |
Oh, I feel so foolish. | 0:24:49 | 0:24:51 | |
-Can I get you anything? A nightcap? -No. | 0:24:51 | 0:24:54 | |
Thank you. | 0:24:54 | 0:24:55 | |
-Well, if there's nothing else. -Stay? | 0:24:55 | 0:24:57 | |
Chat? | 0:24:58 | 0:25:00 | |
I'm tired. | 0:25:00 | 0:25:01 | |
Sleep well, then. | 0:25:02 | 0:25:04 | |
I appreciate your effecting this so expeditiously, Mr Davis. | 0:25:16 | 0:25:20 | |
Thank you for making the journey. | 0:25:20 | 0:25:22 | |
George? | 0:25:33 | 0:25:35 | |
The deed to Ash Park. | 0:25:35 | 0:25:37 | |
I've changed my will. | 0:25:37 | 0:25:39 | |
Again. | 0:25:39 | 0:25:41 | |
I've signed it back to you. | 0:25:41 | 0:25:42 | |
I've reserved myself a simple annuity. | 0:25:42 | 0:25:45 | |
What about James? | 0:25:45 | 0:25:46 | |
It will come to him eventually, but you are now the sole owner. | 0:25:46 | 0:25:50 | |
It was wrong of me to use the property to punish you. | 0:25:50 | 0:25:54 | |
If you think you can buy back my affections... | 0:25:54 | 0:25:56 | |
Oh, I'm under no such illusions. | 0:25:56 | 0:25:58 | |
More that we can continue under the same roof. | 0:25:58 | 0:26:02 | |
It's unfair for you to undergo a self-imposed exile, | 0:26:02 | 0:26:04 | |
so I shall be leaving tomorrow. | 0:26:04 | 0:26:07 | |
I certainly didn't expect you to cut and run. | 0:26:22 | 0:26:25 | |
I felt sure you'd stick it out in the end... | 0:26:26 | 0:26:28 | |
..rattling around like Miss Havisham, | 0:26:29 | 0:26:32 | |
weeping over photographs, stopping clocks. | 0:26:32 | 0:26:34 | |
Thank you. | 0:26:36 | 0:26:38 | |
For guaranteeing that I'll be mistress of Ash Park. | 0:26:40 | 0:26:43 | |
Time for sweets. | 0:27:10 | 0:27:12 | |
Oh! What was all that cake you just consumed?! | 0:27:12 | 0:27:15 | |
-Sweets for the sweet. -Oh, Jack. | 0:27:19 | 0:27:22 | |
-Caroline Bligh... -Please don't. | 0:27:22 | 0:27:24 | |
What? | 0:27:25 | 0:27:27 | |
Don't do what I think you're doing. | 0:27:27 | 0:27:29 | |
What am I doing? | 0:27:29 | 0:27:30 | |
You're proposing. | 0:27:30 | 0:27:32 | |
Can you at least pretend to think about it? | 0:27:36 | 0:27:38 | |
I'm sorry. | 0:27:38 | 0:27:40 | |
So after the wedding, and yesterday with your mother... | 0:27:44 | 0:27:48 | |
Those things brought us closer together, | 0:27:48 | 0:27:51 | |
but this is one thing, | 0:27:51 | 0:27:55 | |
that is another. | 0:27:55 | 0:27:57 | |
-It means one of us uprooting our life. -Why? | 0:27:58 | 0:28:02 | |
If I say, "Come to the city and embrace my world," would you? | 0:28:03 | 0:28:07 | |
And therein lies the problem. | 0:28:10 | 0:28:12 | |
Because I don't know if I can live here in perpetuity, | 0:28:12 | 0:28:16 | |
and a marriage apart is no marriage at all. | 0:28:16 | 0:28:19 | |
It's not a no, then. | 0:28:25 | 0:28:28 | |
It's no guarantee of a yes. | 0:28:30 | 0:28:32 | |
No. | 0:28:34 | 0:28:35 | |
Perhaps it's time one of us changed. | 0:28:40 | 0:28:42 | |
Perhaps it is. | 0:28:42 | 0:28:43 | |
You're back. | 0:28:59 | 0:29:01 | |
What an incredible turn-about. | 0:29:04 | 0:29:06 | |
It's right that Ash Park comes to us through Father. | 0:29:08 | 0:29:11 | |
And your grandmother leaving! | 0:29:12 | 0:29:15 | |
It's like the order of the universe has changed. | 0:29:15 | 0:29:18 | |
Imagine the house without her. | 0:29:18 | 0:29:20 | |
I don't know if I can. | 0:29:20 | 0:29:21 | |
Father will still need my help. | 0:29:25 | 0:29:27 | |
Of course. We must stay. | 0:29:27 | 0:29:29 | |
James, my home is with you. | 0:29:33 | 0:29:37 | |
Oh, I thought you were playing tennis! | 0:30:01 | 0:30:03 | |
You've been in a funk ever since Olivia Bligh's visit. | 0:30:06 | 0:30:10 | |
Oh, you HAVE been up to something. | 0:30:14 | 0:30:16 | |
I've constructed the most beautiful bomb. | 0:30:17 | 0:30:20 | |
I'm not sure now whether I can detonate it. | 0:30:20 | 0:30:23 | |
I trust that is a metaphor. | 0:30:23 | 0:30:25 | |
Anna humiliated me in church. | 0:30:25 | 0:30:27 | |
I was hoping to return the favour by doing the same to her family | 0:30:27 | 0:30:29 | |
and letting her know she was to blame. | 0:30:29 | 0:30:31 | |
Please, Andrew! Elizabeth Bligh's a dear friend. | 0:30:31 | 0:30:35 | |
Oh, you and your penchant for baroque revenge! | 0:30:35 | 0:30:37 | |
Calm yourself, Mother. | 0:30:37 | 0:30:39 | |
I always knew it would devastate Olivia. | 0:30:41 | 0:30:44 | |
But now... | 0:30:44 | 0:30:46 | |
This must be what they call a conscience. | 0:30:48 | 0:30:50 | |
I have no idea what you're talking about, and nor do I wish to. | 0:30:52 | 0:30:56 | |
If it's such a dilemma for me... | 0:30:56 | 0:30:58 | |
..imagine what it would be for the blushing bride. | 0:30:59 | 0:31:02 | |
DOORBELL RINGS | 0:31:12 | 0:31:14 | |
Still not dressed! Well, it is your honeymoon. | 0:31:18 | 0:31:21 | |
-Get out. -Did you tell her about our last meeting? | 0:31:23 | 0:31:25 | |
He gave me even more of a reason to bear a grudge. | 0:31:27 | 0:31:29 | |
Would you please leave? | 0:31:29 | 0:31:31 | |
There is a cancer at the heart of your family. | 0:31:31 | 0:31:34 | |
What are you talking about? | 0:31:34 | 0:31:35 | |
-It's all in there. -If this is about James... | 0:31:35 | 0:31:39 | |
Not directly, no. | 0:31:39 | 0:31:40 | |
Then, I'm not interested in your lies, Andrew, whatever they are. | 0:31:40 | 0:31:43 | |
No lies. That guarantees sleepless nights whether you open it or not. | 0:31:43 | 0:31:48 | |
So, which will it be? Worrying or wondering? | 0:31:48 | 0:31:52 | |
-I said get out. -I'm leaving. | 0:31:54 | 0:31:56 | |
Think twice next time you donate jewellery to the Micks. | 0:32:01 | 0:32:03 | |
I won't open it. | 0:32:03 | 0:32:05 | |
Then you'll never know, will you? | 0:32:05 | 0:32:07 | |
They're your best results in weeks. | 0:32:24 | 0:32:26 | |
Well, a little certitude works wonders. | 0:32:26 | 0:32:28 | |
But I still want you to see a cardiologist | 0:32:28 | 0:32:31 | |
as soon as you arrive. | 0:32:31 | 0:32:33 | |
I'll be there tomorrow to wave you off. | 0:32:33 | 0:32:35 | |
One trusts. | 0:32:35 | 0:32:36 | |
Would you mind if I use your office for a moment with Mrs Nordmann? | 0:32:39 | 0:32:43 | |
Sure. | 0:32:43 | 0:32:44 | |
Uh, would you...? | 0:32:44 | 0:32:47 | |
Uh, I'm not about to ask anything of you. | 0:32:58 | 0:33:00 | |
But I've come to a decision, | 0:33:02 | 0:33:03 | |
and I wanted to tell you personally. | 0:33:03 | 0:33:05 | |
I'm leaving Ash Park, | 0:33:07 | 0:33:09 | |
for a number of reasons. | 0:33:09 | 0:33:11 | |
And consequently I find myself in your position of two months past, | 0:33:11 | 0:33:15 | |
traversing the platitudes of farewells. | 0:33:15 | 0:33:17 | |
We've never dealt in platitudes. | 0:33:17 | 0:33:19 | |
No. | 0:33:19 | 0:33:21 | |
I sensed when we met that you would ruin my family, and you have. | 0:33:24 | 0:33:28 | |
It's down around my ears. | 0:33:30 | 0:33:32 | |
But I am determined to rise from the rubble. | 0:33:32 | 0:33:34 | |
I wish to thank you. | 0:33:36 | 0:33:38 | |
I've lived in that house for decades, | 0:33:38 | 0:33:42 | |
spinning a web intended to protect, | 0:33:42 | 0:33:44 | |
but weaving a rope that bound instead. | 0:33:44 | 0:33:47 | |
I've spent all of my adult life being Elizabeth Bligh of Ash Park. | 0:33:49 | 0:33:54 | |
I have no idea who Elizabeth Bligh really is. | 0:33:58 | 0:34:03 | |
I look forward to meeting her. | 0:34:03 | 0:34:04 | |
As do I. | 0:34:07 | 0:34:09 | |
My very, very best, Mrs Nordmann. | 0:34:12 | 0:34:14 | |
Elizabeth? | 0:34:17 | 0:34:18 | |
I'd like you to call me Sarah. | 0:34:20 | 0:34:22 | |
Sarah. | 0:34:24 | 0:34:26 | |
Yes. | 0:34:58 | 0:35:00 | |
I am yours. | 0:35:03 | 0:35:04 | |
DOOR OPENS | 0:35:24 | 0:35:26 | |
A smile! That's better. | 0:35:27 | 0:35:30 | |
I think perhaps I'm getting through to him. | 0:35:30 | 0:35:33 | |
Good on ya. | 0:35:33 | 0:35:34 | |
I long for the day I see a smile. He hasn't since he came back to me. | 0:35:35 | 0:35:39 | |
Soon. | 0:35:41 | 0:35:44 | |
I'm off to Thommo's to help with the drenching. | 0:35:44 | 0:35:46 | |
-I'll be back before your shift. -Thank you. | 0:35:46 | 0:35:49 | |
See ya. | 0:35:50 | 0:35:52 | |
-Thank you, ma'am. -Well deserved, Colleen. | 0:36:31 | 0:36:34 | |
Thank you all for everything. I shall miss you very much. | 0:36:34 | 0:36:37 | |
Adrift, George was vulnerable to your wiles. | 0:36:44 | 0:36:48 | |
As master of Ash Park, I doubt it will be so. | 0:36:48 | 0:36:51 | |
-We shall see. -We shall. | 0:36:51 | 0:36:52 | |
Goodbye, my darling boy. | 0:37:00 | 0:37:02 | |
The thought of Ash Park without you... | 0:37:02 | 0:37:04 | |
And me without Ash Park! | 0:37:04 | 0:37:05 | |
You take care of both the men in your life. | 0:37:08 | 0:37:10 | |
Georgie will miss you. | 0:37:10 | 0:37:12 | |
Little angel. | 0:37:13 | 0:37:14 | |
I said it was just a matter of time. | 0:37:16 | 0:37:18 | |
-Keep an eye on her. -I will. | 0:37:30 | 0:37:32 | |
And be happy. | 0:37:33 | 0:37:35 | |
Cardiologist, remember? | 0:37:45 | 0:37:47 | |
Well, who'd ever have imagined this possible? | 0:37:58 | 0:38:01 | |
Yes. | 0:38:01 | 0:38:03 | |
Yet here we are. | 0:38:03 | 0:38:06 | |
I hope your travels bring happiness. | 0:38:09 | 0:38:12 | |
# Oh, my love | 0:38:28 | 0:38:33 | |
# My darling | 0:38:35 | 0:38:39 | |
# I hunger for | 0:38:39 | 0:38:42 | |
# Your touch | 0:38:42 | 0:38:46 | |
# A long | 0:38:46 | 0:38:49 | |
# Long time | 0:38:49 | 0:38:54 | |
# And time | 0:38:56 | 0:39:00 | |
# Goes by | 0:39:00 | 0:39:03 | |
# So slowly | 0:39:03 | 0:39:07 | |
# And time can do so much | 0:39:07 | 0:39:14 | |
# Are you | 0:39:14 | 0:39:18 | |
# Still mine? | 0:39:18 | 0:39:25 | |
# I need your love | 0:39:25 | 0:39:31 | |
# I need your love | 0:39:32 | 0:39:38 | |
# God speed your love | 0:39:40 | 0:39:47 | |
# To me | 0:39:47 | 0:39:50 | |
# I need your love... # | 0:39:50 | 0:39:53 | |
-You look happy. -I am. | 0:39:53 | 0:39:57 | |
# I need your love | 0:39:57 | 0:40:03 | |
# God speed your love | 0:40:05 | 0:40:13 | |
# To me... # | 0:40:13 | 0:40:14 | |
I'll make us a cup of tea. | 0:40:14 | 0:40:16 | |
GUN COCKS | 0:40:44 | 0:40:46 | |
GUNSHOT | 0:40:46 | 0:40:48 | |
It's all right, my love. | 0:40:48 | 0:40:50 | |
Rene? | 0:40:59 | 0:41:00 | |
HORSE WHINNIES | 0:41:17 | 0:41:19 |