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A GP for Olivia, or were you after a specialist? | 0:00:02 | 0:00:04 | |
-A psychiatrist, I think. -I want to go home. | 0:00:04 | 0:00:05 | |
Your father and your wife signed you in. | 0:00:05 | 0:00:07 | |
You cannot leave without their consent. | 0:00:07 | 0:00:09 | |
-Orderlies! -No! No! | 0:00:09 | 0:00:11 | |
Your kind lacks moral fibre, James, and I'm here to provide it for you. | 0:00:11 | 0:00:14 | |
Is this why you tried to kill yourself? | 0:00:14 | 0:00:17 | |
It might be best if you had! | 0:00:17 | 0:00:19 | |
-I was upset. -You meant it. | 0:00:19 | 0:00:21 | |
-I'm not proud. -Nor should you be! | 0:00:21 | 0:00:24 | |
I've just started drawing up a guest list. | 0:00:24 | 0:00:26 | |
-For? -Our engagement party. | 0:00:26 | 0:00:28 | |
I've come to talk about our daughter. | 0:00:28 | 0:00:30 | |
-Who is she? -Anna. | 0:00:30 | 0:00:32 | |
You're that interested in Anna? | 0:00:32 | 0:00:35 | |
I'm being badgered to marry, | 0:00:35 | 0:00:36 | |
and she's the only vaguely interesting candidate. | 0:00:36 | 0:00:39 | |
I already have investigators at work, in Paris, London and Berlin. | 0:00:39 | 0:00:42 | |
The talk of the camps. You were a Jew in France at that time. | 0:00:42 | 0:00:47 | |
I'd rather we concentrate on the future. | 0:00:47 | 0:00:49 | |
One thing that can be said for the Nazis - | 0:00:49 | 0:00:51 | |
they kept meticulous records. | 0:00:51 | 0:00:53 | |
MUSIC: A Kiss To Build A Dream On by Louis Armstrong | 0:00:59 | 0:01:02 | |
# Give me a kiss to build a dream on | 0:01:07 | 0:01:11 | |
# And my imagination will thrive upon that kiss | 0:01:11 | 0:01:16 | |
# Sweetheart, I ask no more than this | 0:01:19 | 0:01:23 | |
# A kiss to build a dream on | 0:01:24 | 0:01:26 | |
# Yes | 0:01:28 | 0:01:30 | |
# Give me a kiss before you leave me | 0:01:31 | 0:01:36 | |
# And my imagination will feed my hungry heart | 0:01:36 | 0:01:41 | |
# Leave me one thing before we part | 0:01:44 | 0:01:48 | |
# A kiss to build a dream on | 0:01:49 | 0:01:52 | |
# Lend me your chops for just a moment | 0:01:58 | 0:02:01 | |
# And my imagination will make that moment live | 0:02:01 | 0:02:07 | |
# Yes | 0:02:07 | 0:02:11 | |
# Give me what you alone can give | 0:02:11 | 0:02:15 | |
# A kiss to build a dream on. # | 0:02:15 | 0:02:21 | |
Welcome to Ash Park. | 0:02:25 | 0:02:27 | |
Oh, it's like I've stepped into fairyland! | 0:02:27 | 0:02:30 | |
Hardly. | 0:02:30 | 0:02:32 | |
Cinderella! | 0:02:32 | 0:02:34 | |
Mr Bligh, I believe congratulations are in order. | 0:02:42 | 0:02:44 | |
Thank you. That's why I'm here. | 0:02:44 | 0:02:46 | |
We're having an engagement party tomorrow. | 0:02:46 | 0:02:49 | |
We'd like James to join us. | 0:02:49 | 0:02:51 | |
He's well into his aversion therapy. | 0:02:51 | 0:02:53 | |
I thought it might be a chance to reconnect. | 0:02:53 | 0:02:56 | |
It's just for one day. | 0:02:56 | 0:02:58 | |
I'm afraid that would be counterproductive to his treatment. | 0:02:58 | 0:03:01 | |
-Oh. -Sorry. | 0:03:01 | 0:03:03 | |
May I see him? | 0:03:04 | 0:03:06 | |
Given your part in his breakdown, we'd prefer not. | 0:03:06 | 0:03:09 | |
Dr Stewart and I believe it's too soon, too raw. | 0:03:09 | 0:03:12 | |
I see. | 0:03:12 | 0:03:14 | |
I understand how hard this must be for you, but it is for the best. | 0:03:14 | 0:03:18 | |
This aversion therapy, what does it involve? | 0:03:20 | 0:03:24 | |
It's a new treatment, from America. | 0:03:24 | 0:03:26 | |
Preliminary results have been most encouraging. | 0:03:26 | 0:03:29 | |
I'm sure you share your son's desire to rid himself of his perversion. | 0:03:33 | 0:03:37 | |
I ask for your trust. I'm sure I have it. | 0:03:37 | 0:03:40 | |
When are you finishing up at the hospital? | 0:03:46 | 0:03:48 | |
I'm staying on. | 0:03:48 | 0:03:50 | |
Oh. Mr Bligh doesn't mind? | 0:03:50 | 0:03:53 | |
Not at all. | 0:03:53 | 0:03:55 | |
Well, I suppose times are changing. | 0:03:55 | 0:03:57 | |
They are, which is why we're having our party | 0:03:57 | 0:03:59 | |
for the people important to us, not the important people. | 0:03:59 | 0:04:02 | |
It may not seem like a fairytale to you, love, | 0:04:04 | 0:04:07 | |
-but it certainly does to me. -I'm lucky. Very. | 0:04:07 | 0:04:11 | |
There's that look again, right under your smile. | 0:04:14 | 0:04:19 | |
You never could hide much from me, you know. | 0:04:19 | 0:04:23 | |
-You're here to enjoy yourself. -Oh, I am! | 0:04:23 | 0:04:26 | |
But you... | 0:04:26 | 0:04:27 | |
-You are all right? -I'm fine. | 0:04:29 | 0:04:31 | |
As the nausea builds, try to stay focused on the images. | 0:04:37 | 0:04:41 | |
Yes. | 0:04:41 | 0:04:42 | |
Are you ready? | 0:04:47 | 0:04:49 | |
Eyes open. | 0:05:01 | 0:05:03 | |
Good. | 0:05:19 | 0:05:20 | |
Shall we continue? | 0:05:25 | 0:05:26 | |
-At least you were allowed to visit him. -Briefly. | 0:05:42 | 0:05:45 | |
And he was heavily sedated. | 0:05:45 | 0:05:46 | |
I don't think it's too much to want to know | 0:05:46 | 0:05:48 | |
what's being done to your son. | 0:05:48 | 0:05:50 | |
George, he's in good hands. | 0:05:50 | 0:05:52 | |
The main thing is, he's being strong, and we owe him as much in return. | 0:05:52 | 0:05:56 | |
-So, tomorrow's gathering. -You know you're more than welcome. | 0:05:58 | 0:06:03 | |
In my own home? Well, thank you very much. | 0:06:03 | 0:06:06 | |
No, I think we both know what's best, | 0:06:06 | 0:06:08 | |
given the style of celebration that you've chosen. | 0:06:08 | 0:06:11 | |
But I do hope that you have an enjoyable afternoon. | 0:06:11 | 0:06:14 | |
Thank you, Mother. | 0:06:14 | 0:06:15 | |
-That is wicked gossip! -It's true. | 0:06:15 | 0:06:19 | |
He's been a great help in raising her spirits. | 0:06:19 | 0:06:21 | |
I think your attempt to visit James is best not mentioned. | 0:06:21 | 0:06:24 | |
Given our last meeting, I've a lot to make up for. | 0:06:24 | 0:06:27 | |
Andrew. | 0:06:27 | 0:06:28 | |
It's lovely to see you. | 0:06:30 | 0:06:31 | |
It is. | 0:06:31 | 0:06:32 | |
I was telling George how kind you've been. | 0:06:32 | 0:06:35 | |
We've been enjoying the company, sir. | 0:06:35 | 0:06:37 | |
Shouldn't you be at Ash Park preparing for tomorrow? | 0:06:37 | 0:06:40 | |
I had urgent business. I'm heading back there now. | 0:06:40 | 0:06:44 | |
Perhaps you would like to come with me. | 0:06:44 | 0:06:47 | |
I have a car arranged for the morning. | 0:06:47 | 0:06:50 | |
Of course. | 0:06:50 | 0:06:52 | |
Why don't I do the honours? | 0:06:52 | 0:06:54 | |
-Oh, we can't expect you... -It'd be my pleasure. | 0:06:54 | 0:06:56 | |
Gauche, inviting myself, I know, but all for a good cause. | 0:06:56 | 0:06:59 | |
There and back with a driver - tres, tres dull. | 0:06:59 | 0:07:03 | |
That's very kind of you. | 0:07:03 | 0:07:05 | |
-If you don't mind. -The more the merrier. | 0:07:05 | 0:07:08 | |
-Settled, then. -I'll see you away, George. | 0:07:08 | 0:07:10 | |
-There's no need, Mother. -No, no. | 0:07:10 | 0:07:12 | |
-"The more the merrier," for heaven's sake! -Why not? | 0:07:15 | 0:07:17 | |
I have spent the entire week | 0:07:17 | 0:07:19 | |
placing barriers in the way of his visiting Anna. | 0:07:19 | 0:07:22 | |
-No wonder he jumped in so quickly. -And you've undone it in a moment. | 0:07:22 | 0:07:26 | |
Inverness may accept Anna absorbing Italian at the Polettis'. | 0:07:26 | 0:07:29 | |
-Andrew is not as gullible. -I didn't think. | 0:07:29 | 0:07:32 | |
No, you didn't! | 0:07:32 | 0:07:33 | |
-So, are you still enjoying it here? -Mm. | 0:07:40 | 0:07:44 | |
I cooked my first meal on my own last night. | 0:07:44 | 0:07:47 | |
Ah! I didn't get a call for food poisoning. | 0:07:47 | 0:07:50 | |
-I'd best... -How's your Italian coming along? | 0:07:54 | 0:07:56 | |
Molto bene, grazie. | 0:07:56 | 0:07:58 | |
-Quick learner. -No, not really. | 0:07:58 | 0:08:00 | |
-So, I should... -Yeah, of course. | 0:08:00 | 0:08:02 | |
-Sorry. -Dr Duncan. | 0:08:02 | 0:08:04 | |
Gino. Just checking on your sister. She's doing much better. | 0:08:04 | 0:08:07 | |
Yes. | 0:08:08 | 0:08:10 | |
Well, I've got to go. | 0:08:11 | 0:08:13 | |
-Good luck with the lingo. -Thanks. | 0:08:15 | 0:08:17 | |
The last three days he comes, he looks at Gilda... | 0:08:22 | 0:08:25 | |
then he talks to you. | 0:08:25 | 0:08:27 | |
I can't help it if I'm fascinating. | 0:08:27 | 0:08:29 | |
-It's like he comes to see you. -Don't be silly! | 0:08:30 | 0:08:34 | |
-It's a little strange, is all I'm saying. -You're strange. | 0:08:34 | 0:08:37 | |
-You're jealous. -Of an old man? -He's not that old. | 0:08:37 | 0:08:40 | |
-You're imagining things. -Maybe. | 0:08:40 | 0:08:42 | |
But I know what I do imagine. | 0:08:42 | 0:08:44 | |
Gino! | 0:08:46 | 0:08:48 | |
-We promised. -Yeah. | 0:08:54 | 0:08:56 | |
-I'll leave you both to catch up. -Don't hurry off on my account. | 0:09:14 | 0:09:17 | |
I would stay on your account, but I have an errand. | 0:09:17 | 0:09:21 | |
We'll see you in the morning. The big day! | 0:09:21 | 0:09:22 | |
-Good night. -Good night. | 0:09:22 | 0:09:24 | |
She's lovely. | 0:09:29 | 0:09:30 | |
Yes, I feel like I've known her for years. | 0:09:30 | 0:09:32 | |
So, is it... | 0:09:36 | 0:09:39 | |
Is it Mrs Bligh who's caused this, um, whatever it is? | 0:09:40 | 0:09:44 | |
I told you. I'm fine. | 0:09:44 | 0:09:46 | |
No, you're not. | 0:09:47 | 0:09:49 | |
But no more prying. | 0:09:50 | 0:09:52 | |
I hope you have the perfect day for it. | 0:09:56 | 0:09:58 | |
There are things that have happened recently | 0:10:04 | 0:10:06 | |
that have brought up the past. | 0:10:06 | 0:10:08 | |
There's something I've tried to ignore. It's... | 0:10:10 | 0:10:13 | |
..something I've never told anyone. | 0:10:17 | 0:10:19 | |
Tomorrow's party makes our relationship official. | 0:10:23 | 0:10:26 | |
If I'm going to tell George, it has to be before. | 0:10:28 | 0:10:31 | |
He'd never forgive me if he learned about it after. | 0:10:32 | 0:10:35 | |
SMOOTH JAZZ PLAYS ON RADIO | 0:10:37 | 0:10:40 | |
KNOCK ON DOOR | 0:10:44 | 0:10:45 | |
Guess you haven't eaten. Leftovers. | 0:10:50 | 0:10:53 | |
Look! A telephone. | 0:10:57 | 0:10:59 | |
Don't know what to say. | 0:11:01 | 0:11:03 | |
It is a lot to take in. | 0:11:03 | 0:11:05 | |
So, what have you been doing? | 0:11:08 | 0:11:10 | |
Finding excuses to see Anna. | 0:11:10 | 0:11:12 | |
Finding others to avoid seeing George. | 0:11:13 | 0:11:15 | |
I said I mightn't make the party. | 0:11:15 | 0:11:17 | |
You'd be conspicuous by your absence. | 0:11:17 | 0:11:20 | |
How can I look him in the eye, knowing what I do? | 0:11:20 | 0:11:22 | |
I'll be there. We'll do it together. | 0:11:24 | 0:11:26 | |
All those years playing Aunt Carolyn. | 0:11:30 | 0:11:32 | |
How did you manage? | 0:11:33 | 0:11:35 | |
It broke my heart. | 0:11:37 | 0:11:39 | |
For a long time. | 0:11:39 | 0:11:40 | |
And then it didn't. | 0:11:42 | 0:11:44 | |
Time heals. | 0:11:44 | 0:11:45 | |
So I understand, I really do. | 0:11:46 | 0:11:48 | |
My husband Rene and I were arrested. | 0:11:53 | 0:11:56 | |
In Paris. | 0:11:56 | 0:11:58 | |
For distributing anti-Nazi material. | 0:11:58 | 0:12:01 | |
He convinced them that he'd been acting alone. | 0:12:02 | 0:12:05 | |
They let me go. | 0:12:05 | 0:12:06 | |
I got as far as the Spanish border. | 0:12:07 | 0:12:09 | |
I could have got out, but I turned back, to fight. | 0:12:10 | 0:12:13 | |
-The Resistance. -I did what I could. | 0:12:14 | 0:12:17 | |
Killed who I had to to shorten the war. | 0:12:17 | 0:12:20 | |
I was caught. I was sent to a camp. | 0:12:22 | 0:12:25 | |
Ravensbruck. | 0:12:27 | 0:12:28 | |
You have to understand the depth of my love for Rene | 0:12:31 | 0:12:33 | |
to understand what I did. | 0:12:33 | 0:12:34 | |
All that mattered was to remain alive. | 0:12:36 | 0:12:38 | |
To see him again. | 0:12:40 | 0:12:42 | |
There's no shame in surviving, love. | 0:12:43 | 0:12:45 | |
It's how I survived. | 0:12:47 | 0:12:48 | |
I used my body. | 0:13:00 | 0:13:01 | |
They used it. | 0:13:05 | 0:13:06 | |
My poor darling, poor darling girl. | 0:13:18 | 0:13:21 | |
The women who resisted were shot. | 0:13:21 | 0:13:23 | |
The rest of us were taken to a special barracks | 0:13:24 | 0:13:27 | |
every day for over a year. | 0:13:27 | 0:13:30 | |
Oh, it breaks my heart. | 0:13:32 | 0:13:33 | |
Hark at me. | 0:13:37 | 0:13:39 | |
Just making it worse. I should be comforting you. | 0:13:39 | 0:13:41 | |
-I'm so sorry. -You have nothing to be sorry for. | 0:13:41 | 0:13:44 | |
There is no shame when there's no choice. | 0:13:46 | 0:13:48 | |
How can I marry without telling him? | 0:13:50 | 0:13:52 | |
What good would it do? | 0:13:55 | 0:13:57 | |
You've suffered so much. | 0:13:57 | 0:14:00 | |
You deserve happiness now. | 0:14:00 | 0:14:01 | |
You both do. | 0:14:03 | 0:14:04 | |
I...I am sure he's a lovely man. | 0:14:07 | 0:14:12 | |
But, see, he's a man. | 0:14:15 | 0:14:19 | |
Don't risk destroying this. | 0:14:20 | 0:14:22 | |
-What's wrong? -Nothing's wrong. | 0:14:28 | 0:14:30 | |
I need to ask your cooperation in something. | 0:14:30 | 0:14:34 | |
Andrew Swanson is coming with Olivia tomorrow. | 0:14:34 | 0:14:37 | |
So? | 0:14:37 | 0:14:38 | |
I'd like you to be there before the guests arrive | 0:14:38 | 0:14:41 | |
and leave after they're gone. | 0:14:41 | 0:14:43 | |
You mean, not arrive with Gino. | 0:14:44 | 0:14:46 | |
Act like we mean nothing to each other. | 0:14:46 | 0:14:48 | |
-During the party, yes. -You still think we won't work. | 0:14:48 | 0:14:51 | |
-I'm simply trying to protect you. -I don't need protecting! | 0:14:51 | 0:14:54 | |
-If this experiment doesn't work... -This is my future! | 0:14:54 | 0:14:56 | |
-Anna, please. -It is. | 0:14:56 | 0:14:58 | |
That breeze you feel is the winds of change, Father. | 0:14:58 | 0:15:00 | |
Accept it. | 0:15:00 | 0:15:02 | |
Which one of your books did you get that from? | 0:15:02 | 0:15:04 | |
I wrote it myself. I am capable of independent thought. | 0:15:04 | 0:15:08 | |
I had noticed. | 0:15:08 | 0:15:09 | |
Is it too much to ask? | 0:15:11 | 0:15:12 | |
-Yes. -Anna. | 0:15:12 | 0:15:14 | |
Tomorrow is your papa's special day. | 0:15:15 | 0:15:17 | |
We'll do what makes him happy. | 0:15:19 | 0:15:20 | |
-It's not what's right. -It is what is right. | 0:15:20 | 0:15:23 | |
Just like he will do on the day of our engagement party. | 0:15:26 | 0:15:29 | |
When we do have it. | 0:15:29 | 0:15:31 | |
Fair deal. | 0:15:31 | 0:15:33 | |
-Anna? -All right. | 0:15:36 | 0:15:38 | |
Thank you both. | 0:15:40 | 0:15:41 | |
Good night. | 0:15:43 | 0:15:44 | |
-You're not worried? About Andrew? -Should I be? | 0:15:50 | 0:15:54 | |
-No. -Then I'm not worried. | 0:15:54 | 0:15:56 | |
KNOCK ON DOOR | 0:16:02 | 0:16:04 | |
Sarah. | 0:16:04 | 0:16:05 | |
Are you awake? | 0:16:07 | 0:16:09 | |
Good morning! | 0:16:31 | 0:16:32 | |
-What time is it? -9:30. | 0:16:33 | 0:16:36 | |
-It's too early. -We're up at six on the farm. | 0:16:36 | 0:16:40 | |
Uncivilised. | 0:16:40 | 0:16:42 | |
There's a dress I want to wear. | 0:16:42 | 0:16:44 | |
Your father and I had a chat when he got home. | 0:16:48 | 0:16:51 | |
-Good girl for doing what he asked. -I suppose. | 0:16:51 | 0:16:55 | |
But since I'm forced into being here... | 0:16:55 | 0:16:58 | |
What are you up to? | 0:16:58 | 0:17:00 | |
I'm using luncheon to make a point. | 0:17:00 | 0:17:02 | |
Ah! | 0:17:03 | 0:17:05 | |
-Shouldn't we wait for Anna? -She'll be along. | 0:17:05 | 0:17:07 | |
Something about a surprise. | 0:17:07 | 0:17:09 | |
A pleasant one, I hope. | 0:17:09 | 0:17:11 | |
-Guest of honour first. -Oh, you're spoiling me. | 0:17:11 | 0:17:14 | |
We're thrilled you're here. | 0:17:14 | 0:17:16 | |
If I may, I would like to propose a toast | 0:17:16 | 0:17:19 | |
to the future happiness of you both. | 0:17:19 | 0:17:22 | |
-To happiness. -Happiness. | 0:17:22 | 0:17:24 | |
Long happiness. | 0:17:24 | 0:17:26 | |
Luncheon is served! | 0:17:30 | 0:17:32 | |
Spaghetti napolitana. | 0:17:32 | 0:17:34 | |
Alla Poletti. | 0:17:34 | 0:17:36 | |
Oh, please, miss, it's my job to carry. | 0:17:37 | 0:17:39 | |
Yes, and it's Cook's job to cook, but she didn't. | 0:17:39 | 0:17:41 | |
Did she, Amy? | 0:17:41 | 0:17:43 | |
You should have seen her, sir. She wouldn't let us lift a finger. | 0:17:43 | 0:17:46 | |
You did that? Just like Mamma makes. | 0:17:46 | 0:17:49 | |
To the winds of change. | 0:17:49 | 0:17:51 | |
Auntie Peg. | 0:17:53 | 0:17:55 | |
Oh, it's so beautiful! | 0:18:08 | 0:18:11 | |
Remember our last reception here, for the Japanese? | 0:18:13 | 0:18:16 | |
I said how wonderful it would be if you were by my side. | 0:18:16 | 0:18:20 | |
And now look. | 0:18:20 | 0:18:21 | |
I want a perfect day for my perfect bride-to-be. | 0:18:21 | 0:18:24 | |
Yes, a perfect day for everyone. | 0:18:27 | 0:18:30 | |
Sir, your first guests. | 0:18:33 | 0:18:36 | |
Oh. Ready? | 0:18:36 | 0:18:37 | |
Ready. | 0:18:39 | 0:18:40 | |
CAR HORN SOUNDS | 0:18:40 | 0:18:42 | |
Are you sure it's wise not to be there? | 0:18:45 | 0:18:47 | |
And appear to endorse the whole fiasco? | 0:18:47 | 0:18:49 | |
Thank you, Diane. I'll serve. | 0:18:51 | 0:18:53 | |
Now, Prudence, | 0:18:57 | 0:18:58 | |
there's a matter in which I'd appreciate your assistance. | 0:18:58 | 0:19:01 | |
I expected this tete-a-tete days ago. | 0:19:01 | 0:19:03 | |
May I hazard a guess? | 0:19:05 | 0:19:07 | |
You want my support in bringing down the Jewess? | 0:19:07 | 0:19:10 | |
And she's a nurse, you say. | 0:19:11 | 0:19:14 | |
Oh, there's a lot more to her than that. | 0:19:14 | 0:19:17 | |
I'm having inquiries made into her background. | 0:19:17 | 0:19:20 | |
Eminently sensible. | 0:19:20 | 0:19:22 | |
The woman has many admirable qualities, | 0:19:23 | 0:19:25 | |
and oddly I find myself somewhat rejuvenated by her presence, | 0:19:25 | 0:19:28 | |
but I... I cannot sit by and watch her be anointed | 0:19:28 | 0:19:32 | |
as the future mistress of Ash Park. | 0:19:32 | 0:19:34 | |
The union is doomed. | 0:19:34 | 0:19:36 | |
Poor George has suffered quite enough. | 0:19:36 | 0:19:39 | |
What do you propose? | 0:19:39 | 0:19:40 | |
Mixing with the Inverness locals is one thing. | 0:19:41 | 0:19:45 | |
Socialising with our kind is quite another. | 0:19:45 | 0:19:48 | |
# Give me a kiss to build a dream on | 0:20:00 | 0:20:03 | |
# And my imagination will thrive upon that kiss | 0:20:03 | 0:20:07 | |
# Sweetheart, I ask no more than this | 0:20:09 | 0:20:12 | |
-# A kiss to build a dream on... # -Jack, you made it. | 0:20:12 | 0:20:16 | |
-Couldn't miss this one, eh? -You wouldn't have been forgiven. | 0:20:16 | 0:20:20 | |
You're a lucky man. | 0:20:20 | 0:20:22 | |
No arguments there. | 0:20:22 | 0:20:24 | |
You're on my side, aren't you? | 0:20:24 | 0:20:26 | |
I've been forcing Father to see that I've changed. | 0:20:27 | 0:20:29 | |
Leave innocent bystanders out of this, Anna. | 0:20:29 | 0:20:32 | |
Dr Duncan understands me far better than you do. | 0:20:32 | 0:20:34 | |
-You've seen it first-hand, haven't you? -I... | 0:20:34 | 0:20:37 | |
He shows interest and asks questions about how my Italian's going. | 0:20:37 | 0:20:40 | |
All right, Anna. | 0:20:40 | 0:20:42 | |
I'm sure Sarah's more qualified to give an opinion. Excuse me. | 0:20:42 | 0:20:45 | |
-Ciao. -Everything going well? | 0:20:45 | 0:20:47 | |
Apart from you staring at me all the time. | 0:20:47 | 0:20:49 | |
-I've been mingling too. -Mingle more. | 0:20:49 | 0:20:51 | |
-They're all slightly intimidated. -Except for Doris. | 0:20:51 | 0:20:55 | |
Yes, I had noticed. | 0:20:55 | 0:20:57 | |
I think that's an SOS. Excuse me. | 0:20:59 | 0:21:03 | |
From the moment Miss Adams walked up my front path, | 0:21:03 | 0:21:06 | |
I said to myself, "This one's special." | 0:21:06 | 0:21:08 | |
And now she's marrying a Bligh. | 0:21:08 | 0:21:11 | |
It's like something out of Portia Faces Life. | 0:21:11 | 0:21:15 | |
Her serial. | 0:21:15 | 0:21:17 | |
I sometimes feel as if I shot Cupid's arrow myself. | 0:21:17 | 0:21:21 | |
Oh, Miss Adams! Oh, it's a lovely party. | 0:21:23 | 0:21:26 | |
-Just lovely. -I'm glad you're enjoying it. | 0:21:26 | 0:21:28 | |
Such a pity that Mrs Bligh couldn't attend. | 0:21:28 | 0:21:31 | |
Yes. I was wondering if I might steal you away. | 0:21:31 | 0:21:34 | |
-Need some help with the speeches. -Oh, if I could assist... | 0:21:34 | 0:21:37 | |
I'll see you later then, Mr Briggs. | 0:21:37 | 0:21:40 | |
On the dance floor. | 0:21:40 | 0:21:42 | |
Thank you, missy. A man can work up a thirst talking to that woman. | 0:21:44 | 0:21:48 | |
-You're on her dance card. -I ain't promised nothing. | 0:21:48 | 0:21:52 | |
I owe you. | 0:21:52 | 0:21:54 | |
I owe you in more ways than I can count. | 0:21:54 | 0:21:56 | |
After what we've been through of late, today's a real tonic. | 0:21:56 | 0:21:59 | |
It is. | 0:21:59 | 0:22:00 | |
-Good luck. -Cheers. | 0:22:02 | 0:22:03 | |
If George is to see her as a fish out of water, | 0:22:06 | 0:22:09 | |
-we must construct a suitable pond. -Mm. | 0:22:09 | 0:22:12 | |
I think these names will constitute a formidable gathering. | 0:22:12 | 0:22:16 | |
Oh, indeed. | 0:22:16 | 0:22:18 | |
At the very least, George will witness her discomfort. | 0:22:18 | 0:22:21 | |
At best, she may be provoked to some form of outburst. | 0:22:21 | 0:22:25 | |
The Jews can be so sensitive. | 0:22:26 | 0:22:28 | |
Now, what's the pretext? What is the occasion? | 0:22:29 | 0:22:32 | |
It has to be something he can't decline. | 0:22:32 | 0:22:35 | |
-Ah. -Yes? | 0:22:37 | 0:22:40 | |
Who arrives next month, | 0:22:40 | 0:22:41 | |
bringing a hive of social activity not to be missed? | 0:22:41 | 0:22:44 | |
-God save our Queen. -Indeed. | 0:22:49 | 0:22:52 | |
Miriam, Isaac, I'm so glad you're here. | 0:22:57 | 0:23:00 | |
For you, even on Shabbat. | 0:23:00 | 0:23:02 | |
-And you, out amongst people again. -She hardly slept last night. | 0:23:02 | 0:23:06 | |
-So excited. -Auntie! | 0:23:06 | 0:23:08 | |
-Neither did I. -So, where's the lucky man? | 0:23:08 | 0:23:11 | |
There he is. | 0:23:13 | 0:23:15 | |
Gentlemen really do prefer blondes. | 0:23:15 | 0:23:18 | |
You and your Marilyn Monroe! | 0:23:18 | 0:23:21 | |
A drink first, and then you can meet my auntie. | 0:23:21 | 0:23:24 | |
Roy Briggs, Doris Collins and now the Jewish community. | 0:23:24 | 0:23:28 | |
Mother would expire. | 0:23:28 | 0:23:29 | |
Ah! Right on cue. | 0:23:30 | 0:23:32 | |
Amo! Carla! Gilda. Gino. | 0:23:34 | 0:23:38 | |
Miss Anna. | 0:23:38 | 0:23:39 | |
What a silly charade. | 0:23:39 | 0:23:41 | |
Si. Ah, remember, just friends, hm? | 0:23:41 | 0:23:43 | |
Hello, handsome. | 0:23:46 | 0:23:48 | |
If you want to be a Poletti, act like a Poletti. | 0:23:48 | 0:23:52 | |
It was a joke. | 0:23:57 | 0:23:58 | |
They're just worried we're going to start kissing in front of everyone. | 0:23:58 | 0:24:01 | |
-Let's. -Anna! | 0:24:01 | 0:24:04 | |
He's staring again. | 0:24:04 | 0:24:05 | |
-It feels odd being back. -It's a gothic old pile. | 0:24:10 | 0:24:14 | |
James and I were both keen to leave. | 0:24:14 | 0:24:16 | |
I imagine living with Mrs Bligh has its challenges. | 0:24:16 | 0:24:19 | |
Somewhat of an understatement. | 0:24:19 | 0:24:21 | |
This happy event, however, gives me hope. | 0:24:22 | 0:24:26 | |
Let's hope Anna gives me some too. | 0:24:26 | 0:24:28 | |
I'm planning to propose. | 0:24:32 | 0:24:35 | |
Today? | 0:24:35 | 0:24:36 | |
We've been circling each other for months, | 0:24:36 | 0:24:38 | |
and I have the feeling someone else is circling, | 0:24:38 | 0:24:40 | |
so I best not leave my run too late. | 0:24:40 | 0:24:42 | |
Did Anna mention someone else? | 0:24:42 | 0:24:44 | |
She's been making excuses to go to the city. | 0:24:44 | 0:24:46 | |
I think a man was involved. | 0:24:46 | 0:24:47 | |
Shall we? | 0:24:49 | 0:24:51 | |
Good luck. | 0:24:51 | 0:24:53 | |
How are you managing with George? | 0:25:04 | 0:25:06 | |
Luckily he's distracted. | 0:25:06 | 0:25:08 | |
He's like a teenager. | 0:25:09 | 0:25:11 | |
Takes you back. | 0:25:11 | 0:25:13 | |
It does. | 0:25:14 | 0:25:15 | |
How have you avoided being dragged to the altar so far? | 0:25:18 | 0:25:21 | |
Who says I have? | 0:25:21 | 0:25:22 | |
I've got four wives, three at the hospital, one at home. | 0:25:23 | 0:25:26 | |
It's a serious question. It can't be for lack of opportunity. | 0:25:26 | 0:25:29 | |
The right one or not at all is my motto. | 0:25:31 | 0:25:34 | |
And the right one hasn't come along? | 0:25:34 | 0:25:36 | |
Twice. | 0:25:37 | 0:25:38 | |
Oh, I see. | 0:25:43 | 0:25:44 | |
The better man won. | 0:25:45 | 0:25:46 | |
And the other? | 0:25:48 | 0:25:49 | |
There was no winner there. | 0:25:50 | 0:25:52 | |
-Mystery solved. -Hm? | 0:25:57 | 0:26:00 | |
What better way to get on her good side than to get on mine? | 0:26:00 | 0:26:02 | |
He knows we're close. That's why he's been hanging around me. | 0:26:02 | 0:26:05 | |
Romance if ever I saw it. | 0:26:05 | 0:26:07 | |
He hardly knows her. | 0:26:09 | 0:26:11 | |
Who wouldn't fall in love with her? | 0:26:11 | 0:26:13 | |
Oh, no. Quickly, say something in Italian. | 0:26:13 | 0:26:15 | |
Amo! | 0:26:15 | 0:26:16 | |
HE SPEAKS ITALIAN | 0:26:16 | 0:26:18 | |
Si, si, certo! | 0:26:18 | 0:26:19 | |
-Mrs Collins. -Si! Si! | 0:26:19 | 0:26:20 | |
-Oh, Mr Poletti. -Mrs Collins, ciao. -Oh, hello! | 0:26:20 | 0:26:25 | |
I haven't seen you for a long, long time. | 0:26:25 | 0:26:29 | |
Close. What did you say? | 0:26:29 | 0:26:31 | |
-"You look as pretty as a picture." -Really? | 0:26:31 | 0:26:34 | |
Really, no. I... I said she talks too much. | 0:26:34 | 0:26:37 | |
Anna, do what you must. | 0:26:48 | 0:26:51 | |
It's OK. | 0:26:51 | 0:26:52 | |
Hello! How have you been? | 0:26:57 | 0:27:00 | |
-There you are! -Oh. | 0:27:06 | 0:27:08 | |
Such a beautiful day. | 0:27:11 | 0:27:12 | |
I'm a silly old woman. | 0:27:14 | 0:27:16 | |
Don't you talk about my aunt like that. | 0:27:16 | 0:27:18 | |
It just breaks my heart what you suffered. | 0:27:20 | 0:27:23 | |
You made the right decision. | 0:27:27 | 0:27:29 | |
-He doesn't need to know. -No. | 0:27:31 | 0:27:33 | |
Ma'am. A telegram. | 0:27:40 | 0:27:41 | |
Oh, thank you. | 0:27:41 | 0:27:43 | |
'Arrived. Inquiries already promising. Will elaborate by post. | 0:27:48 | 0:27:54 | |
'Regina.' | 0:27:54 | 0:27:56 | |
-Aren't we being a little unsociable? -Coming from you! | 0:28:03 | 0:28:07 | |
The first time we met, you arrived half an hour late, in jodhpurs. | 0:28:08 | 0:28:12 | |
I was trying to make a bad impression. | 0:28:12 | 0:28:14 | |
-You failed. -I'll have to try harder. | 0:28:14 | 0:28:16 | |
I've rather missed you. | 0:28:16 | 0:28:18 | |
I'm sure you've had plenty to keep you amused. | 0:28:18 | 0:28:21 | |
Not as much as you think. | 0:28:21 | 0:28:23 | |
And it does all start to wear a bit thin after a while. | 0:28:23 | 0:28:27 | |
I'm thinking of entering politics. | 0:28:27 | 0:28:29 | |
-Good choice for you. -Which means it's time I married. | 0:28:29 | 0:28:32 | |
Anyone in mind? | 0:28:32 | 0:28:33 | |
Why do you think I came today? | 0:28:37 | 0:28:39 | |
I don't expect an immediate answer. | 0:28:42 | 0:28:44 | |
All I'm asking is that you consider it. | 0:28:44 | 0:28:46 | |
There's no point. The answer will be no. | 0:28:46 | 0:28:48 | |
-You gave that some serious thought. -I'm sorry, Andrew, but it will be. | 0:28:49 | 0:28:53 | |
You're not still seeing your chap in the city, are you? | 0:28:55 | 0:28:58 | |
The mystery one I was your alibi for. | 0:28:58 | 0:29:00 | |
Since you hadn't been up lately I'd rather assumed that it ended. | 0:29:00 | 0:29:03 | |
-It has. -Is there someone else then? | 0:29:03 | 0:29:06 | |
Someone closer to home? | 0:29:06 | 0:29:08 | |
I'm not about to share my private life with you. | 0:29:08 | 0:29:10 | |
There is! | 0:29:10 | 0:29:11 | |
You can't tell me that a girl like you | 0:29:13 | 0:29:15 | |
wants to spend the rest of her life here amongst them. | 0:29:15 | 0:29:17 | |
What's wrong with them? | 0:29:17 | 0:29:20 | |
You don't honestly think you'll do better than me here? | 0:29:20 | 0:29:23 | |
Excuse me. | 0:29:24 | 0:29:26 | |
I'm glad you told me about this, James. | 0:29:57 | 0:29:59 | |
It proves what you have been unwilling to accept. | 0:29:59 | 0:30:02 | |
You lust for the male form in general | 0:30:04 | 0:30:06 | |
rather than desire one or two individuals. | 0:30:06 | 0:30:08 | |
Perhaps now you'll accept the severity of your case. | 0:30:09 | 0:30:12 | |
There are other treatments, | 0:30:15 | 0:30:17 | |
more extreme but more effective, which we may need to consider. | 0:30:17 | 0:30:21 | |
Whatever it takes. Hm? | 0:30:23 | 0:30:26 | |
Your own words, yes? | 0:30:27 | 0:30:29 | |
I tried to see him. | 0:30:32 | 0:30:34 | |
I wanted him here today. | 0:30:34 | 0:30:36 | |
They wouldn't allow it. | 0:30:37 | 0:30:40 | |
As long as he knows he was welcome. | 0:30:40 | 0:30:43 | |
I asked them to tell him that. | 0:30:43 | 0:30:45 | |
I'm not proud of that day. | 0:30:47 | 0:30:48 | |
I can see that. | 0:30:50 | 0:30:52 | |
-Andrew Swanson. -He is a good friend. | 0:30:56 | 0:30:59 | |
But obviously he shouldn't know the full story. | 0:30:59 | 0:31:02 | |
No. Nor about Anna. | 0:31:02 | 0:31:04 | |
Anna? | 0:31:04 | 0:31:05 | |
Anna and Gino. | 0:31:07 | 0:31:09 | |
Mother didn't tell you? | 0:31:09 | 0:31:10 | |
I only just found out. | 0:31:20 | 0:31:22 | |
I'm so sorry. | 0:31:24 | 0:31:27 | |
Who is he? | 0:31:27 | 0:31:28 | |
No-one you know. | 0:31:30 | 0:31:32 | |
I would never have encouraged you if I'd even suspected. | 0:31:32 | 0:31:35 | |
Her loss. | 0:31:35 | 0:31:37 | |
I don't see the point in staying. | 0:31:38 | 0:31:41 | |
-You? -I must. | 0:31:41 | 0:31:44 | |
What are we hiding up here for? | 0:31:44 | 0:31:47 | |
Everyone for the hokey-pokey. | 0:31:47 | 0:31:49 | |
Come along, Mrs Bligh. | 0:31:49 | 0:31:51 | |
And no shirking. | 0:31:51 | 0:31:53 | |
Now, there's an offer you can't refuse. | 0:31:53 | 0:31:55 | |
# You put your right arm in, you put your right arm out | 0:32:03 | 0:32:06 | |
# You put your right arm in and you shake it all about | 0:32:06 | 0:32:10 | |
# You do the hokey-pokey and you turn yourself around | 0:32:10 | 0:32:14 | |
# That's what it's all about | 0:32:14 | 0:32:17 | |
# Do the hokey-pokey | 0:32:18 | 0:32:22 | |
# Do the hokey-pokey | 0:32:22 | 0:32:25 | |
# Do the hokey-pokey | 0:32:26 | 0:32:28 | |
# That's what it's all about | 0:32:30 | 0:32:32 | |
# You put your left arm in, you put your left arm out | 0:32:33 | 0:32:37 | |
# You put your left arm in and you shake it all about | 0:32:37 | 0:32:41 | |
# You do the hokey-pokey and you turn yourself around | 0:32:41 | 0:32:44 | |
# That's what it's all about. # | 0:32:44 | 0:32:47 | |
Livvy! | 0:33:11 | 0:33:12 | |
Why didn't you tell me? | 0:33:19 | 0:33:21 | |
About you and Gino? | 0:33:22 | 0:33:23 | |
It all came out while you were in the city. | 0:33:24 | 0:33:27 | |
You said you were just friends. | 0:33:27 | 0:33:30 | |
I'm so sorry. | 0:33:30 | 0:33:32 | |
I owe you an apology too. | 0:33:39 | 0:33:41 | |
I knew what Andrew was planning. | 0:33:43 | 0:33:47 | |
I encouraged it. | 0:33:47 | 0:33:49 | |
Oh. | 0:33:49 | 0:33:50 | |
Are you sure you've made the right choice? | 0:33:53 | 0:33:56 | |
Not you too. | 0:33:56 | 0:33:57 | |
I don't want your life to be difficult | 0:33:57 | 0:34:01 | |
when it doesn't have to be. | 0:34:01 | 0:34:03 | |
Because how on earth could I be happy with a farmer's son | 0:34:03 | 0:34:06 | |
instead of with someone rich? | 0:34:06 | 0:34:08 | |
Gino is lovely. | 0:34:10 | 0:34:13 | |
But Andrew is from your own class, | 0:34:13 | 0:34:15 | |
and things like that, they... they do matter. | 0:34:15 | 0:34:19 | |
I don't care about all of that. What Gino and I have, it's special. | 0:34:19 | 0:34:23 | |
Have you...been intimate? | 0:34:24 | 0:34:28 | |
And it was wonderful. | 0:34:32 | 0:34:34 | |
-Anna... -You must understand that feeling. | 0:34:34 | 0:34:37 | |
What it's like to... to give yourself to someone. | 0:34:37 | 0:34:41 | |
To lose yourself. | 0:34:41 | 0:34:43 | |
To feel the touch of his skin and his kisses. | 0:34:43 | 0:34:48 | |
To know that he is giving himself completely to you. | 0:34:48 | 0:34:50 | |
Stop! | 0:34:50 | 0:34:52 | |
Livvy, I love him. I really thought you'd understand. | 0:34:56 | 0:35:00 | |
-I'm-I'm sorry, I... If it's what you truly want... -It is. | 0:35:02 | 0:35:06 | |
Then I can only wish you well. | 0:35:06 | 0:35:09 | |
I need to freshen up. | 0:35:09 | 0:35:10 | |
APPLAUSE AND CHEERING | 0:35:32 | 0:35:33 | |
Righto, she's speech time! | 0:35:38 | 0:35:40 | |
Gather round, folks! | 0:35:42 | 0:35:43 | |
I'm going to head off. | 0:35:44 | 0:35:46 | |
I'll kick her off with a little bush ballad. | 0:35:46 | 0:35:48 | |
There was a wild colonial girl, Miss Adams was her name. | 0:35:50 | 0:35:55 | |
From humble home she did set sail and never was the same. | 0:35:55 | 0:35:59 | |
She was away for many a year, a quest that took its toll. | 0:35:59 | 0:36:04 | |
But 'twas aboard the homeward ship her true fate did unscroll. | 0:36:04 | 0:36:10 | |
For on that ship she met her match, a gentleman to boot. | 0:36:10 | 0:36:15 | |
One look at her and he was smit, like a wild-eyed bandicoot. | 0:36:15 | 0:36:19 | |
LAUGHTER | 0:36:19 | 0:36:21 | |
And now she'll be his blushing bride, and he her gallant buck, | 0:36:21 | 0:36:28 | |
and so we wish the happy pair... | 0:36:28 | 0:36:31 | |
A right royal... | 0:36:31 | 0:36:32 | |
..the very best of luck! | 0:36:32 | 0:36:35 | |
I think they're waiting for this. | 0:36:46 | 0:36:47 | |
-We were at the back of the crowd. No-one saw us. -I know. | 0:37:01 | 0:37:03 | |
And don't be mad at Gino. | 0:37:03 | 0:37:05 | |
I put my head on his shoulder, so blame me! | 0:37:05 | 0:37:06 | |
-It's got nothing to do with that. -Anna, let him speak! | 0:37:06 | 0:37:08 | |
Thank you, Gino. | 0:37:08 | 0:37:10 | |
I brought you in here to tell you that you were right. | 0:37:15 | 0:37:19 | |
I agreed to the trial hoping it would fail, and I'm not proud of it. | 0:37:19 | 0:37:22 | |
Today I stood in front of everyone celebrating my love, | 0:37:24 | 0:37:28 | |
and yet I'm forcing you to hide yours. | 0:37:28 | 0:37:31 | |
And I do apologise. | 0:37:31 | 0:37:32 | |
You've made me believe in you and the choice you've made. | 0:37:35 | 0:37:39 | |
You have my blessing. | 0:37:40 | 0:37:42 | |
Really? | 0:37:42 | 0:37:44 | |
And you don't need three months. | 0:37:44 | 0:37:46 | |
You're engaged. | 0:37:46 | 0:37:48 | |
Congratulations, Gino. | 0:37:49 | 0:37:51 | |
Thank you, Mr Bligh. | 0:37:51 | 0:37:52 | |
Ah. | 0:38:05 | 0:38:06 | |
To the happy couple. | 0:38:08 | 0:38:11 | |
Anna and the eyetie grape grower. | 0:38:11 | 0:38:13 | |
You kept that close. | 0:38:14 | 0:38:16 | |
Well, I had hoped that she would see the error of her ways | 0:38:16 | 0:38:19 | |
and come to her senses. | 0:38:19 | 0:38:20 | |
I was on the verge of proposing. | 0:38:20 | 0:38:23 | |
Oh, Andrew, I'm sorry. | 0:38:23 | 0:38:24 | |
If you could resist the urge to disseminate this. | 0:38:27 | 0:38:30 | |
-You may have no further interest... -What makes you think that? | 0:38:30 | 0:38:34 | |
-Well, I assumed that... -Incorrectly. | 0:38:34 | 0:38:37 | |
Do you think I'm going to let some wop farm boy have her? | 0:38:39 | 0:38:42 | |
First to arrive, last to leave. | 0:38:49 | 0:38:51 | |
-Do you have your keys? -I'm not doing the driving. | 0:38:51 | 0:38:54 | |
Here she is! | 0:38:54 | 0:38:55 | |
-Have you got your new hat? -Yes, Mr Briggs. | 0:38:56 | 0:39:00 | |
Now, in the truck with you. | 0:39:00 | 0:39:02 | |
Can you drive, Doris? | 0:39:02 | 0:39:04 | |
Ex-Land Army. '42 to '44. We all did our bit. | 0:39:04 | 0:39:07 | |
Arrivederci. | 0:39:10 | 0:39:11 | |
Quite a day. | 0:39:15 | 0:39:17 | |
Quite a day. | 0:39:17 | 0:39:18 | |
You gave me this to keep until you had your father's blessing. | 0:39:25 | 0:39:30 | |
Now it is yours. | 0:39:30 | 0:39:32 | |
Gino. | 0:39:33 | 0:39:34 | |
Welcome to the family, Anna. | 0:39:44 | 0:39:46 | |
-Alla vostra salute. -Mrs Gino Poletti! | 0:39:46 | 0:39:49 | |
Soon! | 0:39:49 | 0:39:51 | |
ALL: Salute! | 0:39:51 | 0:39:53 | |
Oh. | 0:40:12 | 0:40:13 | |
-Oh. Is it late? -Everyone's gone. | 0:40:13 | 0:40:17 | |
Oh, I must have had one glass too many. | 0:40:17 | 0:40:21 | |
You weren't the only one. | 0:40:21 | 0:40:22 | |
Oh, you got your perfect day. | 0:40:25 | 0:40:27 | |
You know, some people never find a great love. | 0:40:29 | 0:40:33 | |
But you did. | 0:40:34 | 0:40:36 | |
Twice. | 0:40:37 | 0:40:38 | |
KNOCK ON DOOR | 0:40:40 | 0:40:42 | |
Yes. | 0:40:44 | 0:40:45 | |
Not hungry? | 0:40:49 | 0:40:50 | |
It isn't the baby, is it? | 0:40:52 | 0:40:54 | |
No. | 0:40:54 | 0:40:56 | |
I noticed your spirits shift over the afternoon. | 0:40:59 | 0:41:01 | |
Can I help? | 0:41:02 | 0:41:04 | |
No. | 0:41:06 | 0:41:07 | |
How did it go with Dr Stewart? | 0:41:08 | 0:41:11 | |
James asked me for his number. Did you see him? | 0:41:11 | 0:41:14 | |
I'm told he's the best for women with nervous disorders. | 0:41:14 | 0:41:17 | |
The referral wasn't for me. | 0:41:21 | 0:41:24 | |
Who? | 0:41:24 | 0:41:25 | |
James? | 0:41:28 | 0:41:30 | |
I'm very proud of you. | 0:41:32 | 0:41:33 | |
-Anna loves him. -Mm. | 0:41:35 | 0:41:37 | |
I love you. | 0:41:39 | 0:41:42 | |
I'm not perfect. | 0:41:42 | 0:41:44 | |
-Pardon? -I need you to know I'm not perfect. | 0:41:44 | 0:41:48 | |
You are to me. | 0:41:48 | 0:41:49 | |
Is that so terrible? | 0:41:50 | 0:41:51 | |
No. | 0:41:54 | 0:41:56 | |
George, I'm sorry, I think I've made a terrible mistake. | 0:42:05 | 0:42:10 | |
The procedure is called a transorbital lobotomy | 0:42:10 | 0:42:14 | |
and has proven 100% effective in cases such as yours. | 0:42:14 | 0:42:17 | |
We insert an instrument up behind the eye | 0:42:18 | 0:42:21 | |
through the thin layer of bone into the frontal lobe. | 0:42:21 | 0:42:23 | |
There's no pain. | 0:42:23 | 0:42:25 | |
By making adjustments to the lobe | 0:42:25 | 0:42:27 | |
we can ensure a change of behaviour, and I stress ensure. | 0:42:27 | 0:42:32 | |
A word to take comfort in. | 0:42:33 | 0:42:35 |