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-It won't be easy carrying your dead child to term. -My baby! | 0:00:02 | 0:00:05 | |
Dr Jarvis finds a girl in trouble with an imminent delivery. | 0:00:05 | 0:00:08 | |
As soon as she goes into labour, you're induced, | 0:00:08 | 0:00:10 | |
and you emerge with a bonny bouncing babe in your arms. | 0:00:10 | 0:00:14 | |
I understand now why it meant so much to you to learn about Anna. | 0:00:14 | 0:00:18 | |
It's a miracle to me. | 0:00:18 | 0:00:19 | |
They say your husband's alive. | 0:00:19 | 0:00:22 | |
A photograph taken by my man. | 0:00:22 | 0:00:23 | |
Yes, it is him. | 0:00:23 | 0:00:25 | |
I must go to him. | 0:00:25 | 0:00:27 | |
I'd fight if there was a point, but there's not. | 0:00:27 | 0:00:30 | |
Gino and I have set the date of our wedding, | 0:00:30 | 0:00:32 | |
and you are not invited. | 0:00:32 | 0:00:34 | |
You're not welcome to stay again. | 0:00:34 | 0:00:37 | |
If it seems right, you bring him home. | 0:00:37 | 0:00:40 | |
-I couldn't do that. -If it's right, | 0:00:40 | 0:00:42 | |
you have to. | 0:00:42 | 0:00:43 | |
WOMEN ARGUE IN FRENCH | 0:01:25 | 0:01:28 | |
WOMAN SCOLDS CHILD IN FRENCH | 0:01:42 | 0:01:44 | |
BABY CRIES BEHIND DOOR | 0:01:50 | 0:01:53 | |
VOICES SPEAKING FRENCH BEHIND DOOR | 0:01:56 | 0:01:58 | |
SIREN APPROACHES | 0:02:01 | 0:02:04 | |
SIREN RECEDES | 0:02:08 | 0:02:10 | |
Sarah! | 0:02:12 | 0:02:14 | |
Rene! | 0:02:14 | 0:02:16 | |
No! | 0:02:16 | 0:02:18 | |
SHE KNOCKS | 0:02:30 | 0:02:31 | |
Forgive me. | 0:02:40 | 0:02:43 | |
I wanted to spare you. | 0:02:49 | 0:02:51 | |
I know. | 0:02:51 | 0:02:54 | |
Who did find him? | 0:02:56 | 0:02:58 | |
Dr Duvalier. | 0:02:58 | 0:03:00 | |
-Etienne? -Two months ago. | 0:03:00 | 0:03:03 | |
His first day on a new post | 0:03:03 | 0:03:05 | |
he sees a man in a ward for the war damaged. | 0:03:05 | 0:03:08 | |
He thinks, "It cannot be. He is dead." | 0:03:08 | 0:03:10 | |
But it is Rene. | 0:03:10 | 0:03:13 | |
He had been there for six years. | 0:03:13 | 0:03:15 | |
Brain-damaged, not talking. | 0:03:16 | 0:03:18 | |
Perhaps not wanting to. They do not know. | 0:03:18 | 0:03:21 | |
Jean Manais saw him shot. | 0:03:22 | 0:03:25 | |
Perhaps a tired guard, one with a conscience maybe. | 0:03:26 | 0:03:31 | |
I don't care what state he's in. | 0:03:33 | 0:03:36 | |
I need to see him. | 0:03:37 | 0:03:39 | |
Which hospital? | 0:03:39 | 0:03:41 | |
He is with me now. | 0:03:43 | 0:03:46 | |
Here. | 0:03:46 | 0:03:48 | |
Rene. | 0:04:29 | 0:04:31 | |
George. | 0:05:28 | 0:05:30 | |
George? | 0:05:33 | 0:05:35 | |
SHE SNIFFS Wake up. | 0:05:38 | 0:05:40 | |
Hmm? | 0:05:40 | 0:05:42 | |
HE GRUNTS QUIETLY | 0:05:42 | 0:05:44 | |
-This is the first time he hasn't managed to get to bed. -Where is he? -In the sitting room. | 0:05:46 | 0:05:49 | |
-What's wrong? -Oh, nothing that concerns you. -Is it Father? I'll help. | 0:05:49 | 0:05:53 | |
Anna, he doesn't need the added shame of your seeing him this way. | 0:05:53 | 0:05:56 | |
Don't pretend you care about his feelings. | 0:05:56 | 0:05:58 | |
It's all right. I'll see to it. | 0:05:58 | 0:06:00 | |
Anna, stop. | 0:06:01 | 0:06:03 | |
Stop! She's right. He'd hate for you to see him like this. | 0:06:03 | 0:06:06 | |
I told you, I don't need protecting. | 0:06:06 | 0:06:07 | |
I'm thinking about him, not you. | 0:06:07 | 0:06:09 | |
And this war you've declared on Grandmother is not helping. Anna! | 0:06:09 | 0:06:12 | |
Anna! An... | 0:06:12 | 0:06:14 | |
Go upstairs. | 0:06:14 | 0:06:17 | |
-She did this. -Listen to me. | 0:06:17 | 0:06:19 | |
Look, every time you attack her it feeds his anger | 0:06:19 | 0:06:23 | |
and every night he has to come down here and drown it. | 0:06:23 | 0:06:25 | |
If you can't control yourself with Grandmother you need to leave... | 0:06:25 | 0:06:29 | |
..for his sake. | 0:06:30 | 0:06:32 | |
Come on. Time for bed. | 0:06:38 | 0:06:41 | |
-Sarah... -Put your arm around me. | 0:06:41 | 0:06:43 | |
Come on. | 0:06:45 | 0:06:47 | |
-No... -You fell asleep. | 0:06:48 | 0:06:50 | |
I'm all right. | 0:06:50 | 0:06:52 | |
It's...it's my little girl. | 0:06:53 | 0:06:56 | |
Don't you ever listen? | 0:06:56 | 0:06:57 | |
And so to bed. | 0:07:39 | 0:07:42 | |
Was there a point to sitting here? | 0:07:43 | 0:07:46 | |
I like feeling close to him. | 0:07:46 | 0:07:49 | |
Your brother-in-law? | 0:07:49 | 0:07:51 | |
The worms had Elaine long ago. Why not? | 0:07:51 | 0:07:54 | |
Don't let me forget to stay in your good books. | 0:07:55 | 0:07:58 | |
Do what I'm paying you for and there'll be no cause for concern. | 0:07:58 | 0:08:02 | |
Bed for us too, I think. | 0:08:03 | 0:08:05 | |
How many beds are there at this farm of yours? | 0:08:05 | 0:08:08 | |
Spare me your tawdry innuendo. | 0:08:08 | 0:08:12 | |
Drive! | 0:08:12 | 0:08:14 | |
-Duty calls. -Stay! | 0:08:27 | 0:08:30 | |
It's tempting. | 0:08:30 | 0:08:32 | |
Thank you for a wonderful night. | 0:08:33 | 0:08:35 | |
There's an irony in your concern for Mother's heart, | 0:08:40 | 0:08:43 | |
given this week suggests she doesn't have one. | 0:08:43 | 0:08:45 | |
I'm biting my tongue with Anna. Don't you start too. | 0:08:45 | 0:08:48 | |
-Tell George I'll drop by. -Come now. | 0:08:49 | 0:08:52 | |
I'd rather not rub his nose in our happiness. | 0:08:52 | 0:08:55 | |
Life goes on. He knows that. | 0:08:55 | 0:08:57 | |
Right at this moment? Not so sure. | 0:08:57 | 0:09:00 | |
-Good morning. -Good morning. | 0:09:39 | 0:09:40 | |
Glad you're both here. | 0:09:40 | 0:09:42 | |
I'm pleased you've decided to join us. | 0:09:42 | 0:09:44 | |
I won't be staying. | 0:09:44 | 0:09:46 | |
I wanted to apologise for my behaviour of late. | 0:09:46 | 0:09:48 | |
-There's no need. -Please. | 0:09:48 | 0:09:50 | |
There is. It won't happen again. | 0:09:50 | 0:09:52 | |
I'm pleased to hear it. | 0:09:52 | 0:09:53 | |
I'm sorry that you had to see me like that. | 0:09:53 | 0:09:56 | |
You're not the one who should be apolog... | 0:09:56 | 0:09:58 | |
-Anna! -It's true. | 0:09:58 | 0:10:00 | |
Anna was thinking of moving in with Aunt Carolyn. Weren't you? | 0:10:01 | 0:10:06 | |
I'm happy to stay if you need me, | 0:10:06 | 0:10:08 | |
but things might be better if I'm not here. | 0:10:08 | 0:10:10 | |
I don't want to drive you out. | 0:10:10 | 0:10:12 | |
It's not you. | 0:10:12 | 0:10:14 | |
Your aunt will be glad of the company, I'm sure. | 0:10:14 | 0:10:16 | |
A wise choice. | 0:10:23 | 0:10:26 | |
Don't. | 0:10:26 | 0:10:28 | |
Excuse me. | 0:10:29 | 0:10:31 | |
Your father's apology, Anna's departure, both to the good. | 0:10:36 | 0:10:40 | |
She makes me sick. | 0:10:44 | 0:10:46 | |
You two at it again? | 0:10:46 | 0:10:48 | |
She breaks his heart and then she just sits there | 0:10:48 | 0:10:50 | |
blaming everyone else for what's happening. | 0:10:50 | 0:10:52 | |
You're upset. I understand. But you've got to... | 0:10:52 | 0:10:53 | |
-I hate her! -No, no, you don't. | 0:10:53 | 0:10:56 | |
-Yes, I do. -You're getting carried away. | 0:10:56 | 0:10:57 | |
I'm not a child, Jack. | 0:10:57 | 0:10:59 | |
Fine, but whatever you're feeling, | 0:10:59 | 0:11:01 | |
just remember your grandmother hasn't been well. | 0:11:01 | 0:11:04 | |
-Go easy on her. -I hope it kills her. | 0:11:04 | 0:11:05 | |
-Anna! -We'd all be better off! | 0:11:05 | 0:11:07 | |
Stop it! Stop acting like a spoilt bloody brat. | 0:11:07 | 0:11:10 | |
-You can't talk to me like that. -Well, someone has to! | 0:11:10 | 0:11:13 | |
-You've got no right to... -I have every right! | 0:11:13 | 0:11:15 | |
You're not my father! | 0:11:15 | 0:11:16 | |
I'm her doctor. | 0:11:18 | 0:11:21 | |
And I'm your friend. | 0:11:21 | 0:11:24 | |
If you're in there, my darling, I won't give up on you again. | 0:11:55 | 0:11:59 | |
Dr Jarvis has found a suitable girl, | 0:12:41 | 0:12:44 | |
the perfect candidate, he says. | 0:12:44 | 0:12:47 | |
Did he say when it might be? | 0:12:47 | 0:12:48 | |
Any time now. | 0:12:48 | 0:12:50 | |
It all feels very real suddenly. | 0:12:52 | 0:12:56 | |
It will be soon. | 0:12:56 | 0:12:57 | |
What will happen to my baby? | 0:12:57 | 0:13:00 | |
It will be taken away. It will be as if it never was. | 0:13:00 | 0:13:05 | |
A proper burial surely? | 0:13:05 | 0:13:06 | |
-What we're doing is illegal. -But I can't just... | 0:13:06 | 0:13:09 | |
As hard as it is, you have to be strong on that. | 0:13:09 | 0:13:13 | |
I should pack for the hospital. | 0:13:18 | 0:13:21 | |
Be ready. | 0:13:22 | 0:13:24 | |
Everything all right there, Mr Bligh? | 0:13:45 | 0:13:48 | |
Checking the fences. | 0:13:48 | 0:13:50 | |
-Have you heard from Missy? -I don't expect to. | 0:13:50 | 0:13:54 | |
You know, if you have a mind to, | 0:13:54 | 0:13:57 | |
there's always a cold beer with your name on it at my place. | 0:13:57 | 0:14:00 | |
No need to mag. | 0:14:00 | 0:14:03 | |
I think I've overdone the alcohol. | 0:14:03 | 0:14:05 | |
I might take you up on a cuppa, though. | 0:14:05 | 0:14:08 | |
Righto, then. | 0:14:08 | 0:14:09 | |
I brew her up pretty strong. | 0:14:09 | 0:14:11 | |
I'll see you. | 0:14:13 | 0:14:15 | |
Well, it's up. How about some time away, huh? | 0:14:22 | 0:14:25 | |
No, I have to face the consequences of my actions, | 0:14:25 | 0:14:28 | |
and the only way to resolve matters with George | 0:14:28 | 0:14:30 | |
is to bring things to a head. | 0:14:30 | 0:14:32 | |
Even if it kills you? | 0:14:32 | 0:14:33 | |
You're being Shakespearean. | 0:14:33 | 0:14:36 | |
Any niggles at all, I want to know. | 0:14:36 | 0:14:39 | |
Do you know the greatest irony in all of this? | 0:14:42 | 0:14:45 | |
I returned from Sydney with a new admiration for Miss Adams. | 0:14:45 | 0:14:50 | |
I was close to accepting her. | 0:14:51 | 0:14:52 | |
If not for Regina's discovery, I would have. | 0:14:52 | 0:14:57 | |
Well, have you told George? | 0:14:57 | 0:14:59 | |
Oh, it would simply sound like a grovelling plea for forgiveness. | 0:14:59 | 0:15:03 | |
Well, what if in the long run he doesn't forgive you? | 0:15:03 | 0:15:06 | |
Then I shall have to consider doing the unthinkable. Hm! | 0:15:08 | 0:15:12 | |
G'day! | 0:15:25 | 0:15:27 | |
I heard it was sold. | 0:15:27 | 0:15:29 | |
That's right. | 0:15:29 | 0:15:31 | |
I'm Roy Briggs. I've been looking after the place. | 0:15:31 | 0:15:34 | |
Now, no offence, old mate, but you look like a bit of a city slicker. | 0:15:34 | 0:15:37 | |
So if you want to get rid of any of this stock, just give us a hoy. | 0:15:37 | 0:15:41 | |
I'm not the owner. | 0:15:41 | 0:15:43 | |
Mrs Standish is. | 0:15:43 | 0:15:46 | |
Mr Briggs, I believe. | 0:15:46 | 0:15:49 | |
No doubt Miss Adams mentioned me. | 0:15:49 | 0:15:51 | |
Too right she did. | 0:15:52 | 0:15:53 | |
He's interested in the cows. | 0:15:53 | 0:15:56 | |
Not that one, I'm not. | 0:15:56 | 0:15:59 | |
Warm country welcome. | 0:16:06 | 0:16:08 | |
If you're worried about getting in the way, then don't. | 0:16:11 | 0:16:15 | |
Jack and I love having you here. | 0:16:15 | 0:16:17 | |
You and Jack, it all happened very suddenly. | 0:16:19 | 0:16:23 | |
Love can be sudden. | 0:16:23 | 0:16:24 | |
So intense so quickly. | 0:16:24 | 0:16:27 | |
Yes. | 0:16:27 | 0:16:29 | |
I've had the silliest thought. | 0:16:29 | 0:16:33 | |
Yes? | 0:16:33 | 0:16:35 | |
Nothing. It...it feels good to be away from Grandmother. | 0:16:36 | 0:16:42 | |
I'm sure. | 0:16:42 | 0:16:43 | |
I know what you're gonna ask. It's gonna have to wait. | 0:16:46 | 0:16:48 | |
You said a week and it's been a week. | 0:16:48 | 0:16:50 | |
-I know... -We need to fill Sarah's position. | 0:16:50 | 0:16:53 | |
-We're understaffed. -We're managing. | 0:16:53 | 0:16:55 | |
Just. | 0:16:55 | 0:16:56 | |
We need to face facts. | 0:16:56 | 0:16:58 | |
I'll put the word out. | 0:16:58 | 0:17:00 | |
I will. | 0:17:00 | 0:17:02 | |
Alma! | 0:17:08 | 0:17:10 | |
-Dr Duncan, I saw you come... -Are you sick? | 0:17:10 | 0:17:13 | |
Uh, no. I have had a touch of the collywobbles. | 0:17:13 | 0:17:16 | |
But it's Miss Carolyn I'm worried about. | 0:17:16 | 0:17:20 | |
It's probably none of my business, | 0:17:20 | 0:17:22 | |
but as a friend of Mrs Bligh's her concerns are mine. | 0:17:22 | 0:17:26 | |
The point, Doris? | 0:17:26 | 0:17:27 | |
I presume she's ill - Miss Carolyn? | 0:17:27 | 0:17:30 | |
Not that I know of. | 0:17:30 | 0:17:32 | |
You see, I was delivering pamphlets for the CWA | 0:17:32 | 0:17:35 | |
and I couldn't help but see your car | 0:17:35 | 0:17:38 | |
pulling away from the cottage so early - naturally I thought she'd taken ill. | 0:17:38 | 0:17:42 | |
I can't imagine another reason. | 0:17:42 | 0:17:45 | |
I was leaving the cottage because I stayed the night. | 0:17:49 | 0:17:52 | |
Carolyn and I are seeing each other. | 0:17:52 | 0:17:55 | |
As for Sarah, I'm guessing she's not coming back. | 0:17:55 | 0:17:59 | |
Anna and Gino are still getting married. | 0:17:59 | 0:18:01 | |
George is a broken man | 0:18:01 | 0:18:02 | |
and Elizabeth Bligh has more trouble than she knows what to do with. | 0:18:02 | 0:18:05 | |
Miss anything? | 0:18:05 | 0:18:08 | |
No, that was very thorough, not that I care to know. | 0:18:08 | 0:18:12 | |
Good. Do us all a favour and stay out of it. | 0:18:12 | 0:18:15 | |
The last thing that family needs is gossip. | 0:18:18 | 0:18:21 | |
Indeed. | 0:18:21 | 0:18:23 | |
What was that about? | 0:18:27 | 0:18:29 | |
No-one likes a stickybeak, Alma, dear. | 0:18:29 | 0:18:33 | |
Hello, George. | 0:18:37 | 0:18:39 | |
I know I'm not welcome, but as we'll be neighbours... | 0:18:39 | 0:18:43 | |
Neighbours? | 0:18:43 | 0:18:45 | |
I signed the deed on that quaint little Walker farm. | 0:18:45 | 0:18:47 | |
And there's someone I'd like you to meet. | 0:18:47 | 0:18:49 | |
George Bligh, Adam Farrell. | 0:18:49 | 0:18:52 | |
Adam's come to give his opinion on my purchase | 0:18:52 | 0:18:54 | |
and I've come to value his opinion. | 0:18:54 | 0:18:56 | |
-Mr Bligh. -Mr Farrell. | 0:18:56 | 0:18:58 | |
We've had a rather whirlwind week, haven't we, darling? | 0:18:58 | 0:19:01 | |
-We met on the flight home. -I see. | 0:19:01 | 0:19:03 | |
I'd love your advice on the property | 0:19:03 | 0:19:05 | |
if at all possible, the...practicalities. | 0:19:05 | 0:19:07 | |
I'm no use on that count. | 0:19:07 | 0:19:09 | |
I know you love fixing things and Lord knows it needs fixing. | 0:19:09 | 0:19:13 | |
I'm surprised you thought it appropriate. | 0:19:13 | 0:19:15 | |
I want to be close by, close to my only family. | 0:19:16 | 0:19:19 | |
It can be made cosy, I'm sure. | 0:19:19 | 0:19:22 | |
Nice to meet you, Mr Farrell. | 0:19:22 | 0:19:25 | |
George, wait. | 0:19:25 | 0:19:27 | |
I accept you may never forgive me, | 0:19:28 | 0:19:30 | |
but please don't prevent my seeing James and Anna, | 0:19:30 | 0:19:34 | |
and the little one when it comes. | 0:19:34 | 0:19:36 | |
We'll see. | 0:19:37 | 0:19:38 | |
That gives me hope. | 0:19:38 | 0:19:41 | |
Would you mind if I freshened up? | 0:19:41 | 0:19:43 | |
Of course. | 0:19:43 | 0:19:45 | |
Keep Adam company. | 0:19:45 | 0:19:47 | |
She regrets deeply what happened. | 0:19:50 | 0:19:53 | |
I'm glad she has someone concerned about her. Excuse me. | 0:19:54 | 0:19:58 | |
You cannot seriously intend living there. | 0:20:02 | 0:20:04 | |
It can be made habitable with George's help. | 0:20:04 | 0:20:08 | |
It gives me reason to see him. | 0:20:08 | 0:20:10 | |
And this new man is what? | 0:20:10 | 0:20:12 | |
Some misguided attempt to make George jealous? | 0:20:12 | 0:20:14 | |
I'll be appealing to a far more potent emotion than that. | 0:20:14 | 0:20:17 | |
How are things with you two? Healing the rift? | 0:20:19 | 0:20:22 | |
-Would you please leave? -Clearly not. | 0:20:22 | 0:20:26 | |
Do you have any idea how completely tiresome this is? | 0:20:26 | 0:20:31 | |
How completely tiresome you are?! | 0:20:31 | 0:20:34 | |
I've softened him more in 10 minutes than you have in... | 0:20:34 | 0:20:37 | |
Get out! | 0:20:37 | 0:20:38 | |
Go on. Did you hear me? | 0:20:40 | 0:20:43 | |
Leave! Enough! | 0:20:43 | 0:20:46 | |
My pills... | 0:20:50 | 0:20:51 | |
Oh... | 0:20:54 | 0:20:56 | |
It's in your best interests to support me. | 0:21:18 | 0:21:21 | |
This, uh, town you wrote of... | 0:21:43 | 0:21:48 | |
Inverness. | 0:21:48 | 0:21:49 | |
It seems very special to you. | 0:21:49 | 0:21:53 | |
It healed my soul. | 0:21:53 | 0:21:55 | |
What is his name? | 0:21:57 | 0:22:00 | |
How would you... | 0:22:04 | 0:22:07 | |
Would you permit me to take Rene there? | 0:22:09 | 0:22:11 | |
-To Inverness? -To heal. | 0:22:12 | 0:22:15 | |
Let us...hope you have reason to. | 0:22:18 | 0:22:23 | |
Shh, you're safe now. | 0:22:39 | 0:22:42 | |
Thank you, Colleen. | 0:23:51 | 0:23:53 | |
-Livvy. -Good morning, darling. | 0:23:55 | 0:23:59 | |
You're up early. | 0:23:59 | 0:24:00 | |
I couldn't sleep. | 0:24:00 | 0:24:02 | |
Is everything all right? | 0:24:02 | 0:24:05 | |
I just wanted to hear your voice. | 0:24:05 | 0:24:08 | |
I'm glad, | 0:24:08 | 0:24:11 | |
as long as you're enjoying yourself and relaxing. | 0:24:11 | 0:24:14 | |
Well, you are, aren't you? | 0:24:16 | 0:24:18 | |
Yes, yes, of course. | 0:24:18 | 0:24:21 | |
Prudence and I thought we might go to Call Me Madam. | 0:24:21 | 0:24:24 | |
It's the newest musical. | 0:24:24 | 0:24:25 | |
Oh, that sounds fun. | 0:24:25 | 0:24:28 | |
-James... -There is something wrong. I'm coming to get you. | 0:24:32 | 0:24:35 | |
No, don't. | 0:24:35 | 0:24:37 | |
Really, I am fine. I just... | 0:24:37 | 0:24:39 | |
I miss you. | 0:24:40 | 0:24:42 | |
I miss you too. | 0:24:42 | 0:24:44 | |
But it's grim here. | 0:24:45 | 0:24:47 | |
Better you're somewhere happy. | 0:24:47 | 0:24:49 | |
I love you. | 0:24:51 | 0:24:54 | |
More than anything. | 0:24:55 | 0:24:57 | |
I love you too. | 0:24:57 | 0:24:59 | |
You've eaten already. | 0:25:06 | 0:25:08 | |
I couldn't sleep. | 0:25:09 | 0:25:11 | |
Livvy sends her regards. | 0:25:11 | 0:25:13 | |
Prudence Swanson is spoiling her rotten. | 0:25:13 | 0:25:16 | |
That's good. | 0:25:16 | 0:25:18 | |
Thank you, Son. | 0:25:19 | 0:25:21 | |
I'd like a word with your father, if I may. Uh, alone. | 0:25:24 | 0:25:29 | |
-I'm expected at the sheds. -Please! | 0:25:29 | 0:25:31 | |
Oh, George, if you have something to say, say it. | 0:25:41 | 0:25:44 | |
This petulant avoidance is simply prolonging the inevitable. | 0:25:44 | 0:25:48 | |
If I said what I really wanted to | 0:25:48 | 0:25:50 | |
it would be the last conversation we ever had. | 0:25:50 | 0:25:54 | |
Your papa will forget in time. | 0:26:02 | 0:26:05 | |
-Pardon? -Your father. | 0:26:05 | 0:26:07 | |
What about him? | 0:26:07 | 0:26:09 | |
Well, that is who you're thinking about? | 0:26:09 | 0:26:11 | |
In a way. | 0:26:11 | 0:26:14 | |
I don't know. I've had a strange thought. | 0:26:14 | 0:26:17 | |
What is it? | 0:26:17 | 0:26:19 | |
It just makes sense of so many things, | 0:26:19 | 0:26:21 | |
but if I say it and I'm wrong they'll feel so stupid. | 0:26:21 | 0:26:26 | |
I'm off into town! Need anything? | 0:26:26 | 0:26:29 | |
No, thank you! | 0:26:29 | 0:26:31 | |
I'll see you soon. | 0:26:31 | 0:26:33 | |
Wait. Wait. | 0:26:34 | 0:26:37 | |
Tell me I'm not crazy. | 0:26:38 | 0:26:40 | |
I'm not, am I? | 0:26:40 | 0:26:43 | |
Don't make me ask, please. | 0:26:43 | 0:26:47 | |
Jack? | 0:26:48 | 0:26:49 | |
Yes. | 0:26:49 | 0:26:52 | |
He is. | 0:26:54 | 0:26:56 | |
Well, this is more than I'd hoped for. | 0:27:04 | 0:27:07 | |
George. | 0:27:09 | 0:27:11 | |
I'm glad I caught you. | 0:27:12 | 0:27:14 | |
I've been thinking about what you said | 0:27:15 | 0:27:17 | |
and, uh, you're right. | 0:27:17 | 0:27:19 | |
The blame does lie with Mother. | 0:27:19 | 0:27:21 | |
That means more than you'll ever know. | 0:27:21 | 0:27:23 | |
And I...I would never keep the children from you. | 0:27:23 | 0:27:27 | |
Thank you. | 0:27:27 | 0:27:29 | |
If not friends, at least not enemies? | 0:27:29 | 0:27:32 | |
-Tea? -That's all I came to say. | 0:27:34 | 0:27:37 | |
Nice to see you. | 0:27:37 | 0:27:39 | |
That's a weight off my mind. Thank you. | 0:27:39 | 0:27:43 | |
It's so isolated here. I worry about her staying alone. | 0:27:43 | 0:27:48 | |
It's a safe community. | 0:27:48 | 0:27:50 | |
Even so, I feel better knowing that you're there. If required. | 0:27:50 | 0:27:55 | |
You really are earning your salary. | 0:28:04 | 0:28:07 | |
I do not envy you, my dear. Really, I don't. | 0:28:08 | 0:28:11 | |
All that endless kicking and wriggling! | 0:28:11 | 0:28:13 | |
It's like a Mexican pinata being struck from within. | 0:28:13 | 0:28:16 | |
I couldn't wait to be rid of Andrew. Oh-ho! | 0:28:16 | 0:28:18 | |
Mmm, does that sound ghastly? | 0:28:18 | 0:28:21 | |
You understand, of course. | 0:28:21 | 0:28:23 | |
I'm sure. | 0:28:23 | 0:28:25 | |
Oh. | 0:28:25 | 0:28:27 | |
I've got it! | 0:28:27 | 0:28:29 | |
Swanson residence. Andrew speaking. | 0:28:30 | 0:28:33 | |
The men never understand, of course. | 0:28:34 | 0:28:36 | |
Oh, Andrew's father was quite cavalier. | 0:28:36 | 0:28:38 | |
I'm sorry? | 0:28:38 | 0:28:40 | |
He was quite cavalier. | 0:28:40 | 0:28:42 | |
I can't imagine why I expected him to be otherwise. | 0:28:42 | 0:28:45 | |
Oh, I mustn't be such a dreary cynic. | 0:28:45 | 0:28:49 | |
Oh, your James is so adorable and so attentive. | 0:28:49 | 0:28:54 | |
You know, it's quite charming, the way he looks at you. | 0:28:55 | 0:28:57 | |
-Ohh! -Oh, my dear. | 0:28:57 | 0:29:00 | |
-Ohh! -Oh! | 0:29:00 | 0:29:02 | |
I'm sure it's nothing. | 0:29:06 | 0:29:08 | |
I'll send for an ambulance. | 0:29:08 | 0:29:09 | |
-Quicker if I drive. -Oh, darling. | 0:29:09 | 0:29:12 | |
It may be a false alarm and I don't want to worry anyone. | 0:29:12 | 0:29:15 | |
Oh, if you're certain. | 0:29:15 | 0:29:16 | |
I'll telephone from the hospital if there's anything to report. | 0:29:16 | 0:29:19 | |
-Well done. -There's somewhere I need to go. | 0:29:20 | 0:29:22 | |
But we're expected. | 0:29:22 | 0:29:24 | |
It's on the way. | 0:29:24 | 0:29:27 | |
Dear Heavenly Father, | 0:29:48 | 0:29:51 | |
I don't know if you're still listening. | 0:29:51 | 0:29:55 | |
But if you are, please bless the soul of our child. | 0:29:56 | 0:30:02 | |
Take our poor baby into your arms. | 0:30:02 | 0:30:06 | |
Forgive me for what I am about to do. | 0:30:06 | 0:30:11 | |
I know it's wrong, | 0:30:12 | 0:30:15 | |
but it's for James, for our marriage. | 0:30:15 | 0:30:20 | |
Please understand. | 0:30:21 | 0:30:24 | |
Amen. | 0:30:30 | 0:30:32 | |
What is it? What's so urgent? | 0:30:44 | 0:30:46 | |
Two and two's finally made four, my darling. | 0:30:47 | 0:30:50 | |
FRANTIC SHOUTS | 0:31:16 | 0:31:20 | |
Rene. | 0:31:51 | 0:31:53 | |
The young woman has gone into labour so we're going to induce you now. | 0:32:12 | 0:32:15 | |
What's going to happen? | 0:32:15 | 0:32:17 | |
You're going to give birth exactly as you would to a healthy baby. | 0:32:17 | 0:32:20 | |
And the girl, does she know where her child is going? | 0:32:20 | 0:32:23 | |
Only that the infant will find a good home. | 0:32:23 | 0:32:26 | |
She'll be looked after financially. | 0:32:26 | 0:32:27 | |
It is imperative this remains a secret. | 0:32:27 | 0:32:30 | |
Discretion is as important for us as it is for you. | 0:32:30 | 0:32:33 | |
Now let's get you to the labour ward. | 0:32:33 | 0:32:35 | |
I'll telephone James at the appropriate time. | 0:32:35 | 0:32:38 | |
Thank you. | 0:32:38 | 0:32:39 | |
Thank you for everything. | 0:32:41 | 0:32:43 | |
Now you must be strong, Mrs Bligh. | 0:32:43 | 0:32:46 | |
There's rough water before we make the harbour. | 0:32:46 | 0:32:49 | |
Good luck. | 0:32:49 | 0:32:51 | |
Don't look when they take the little one away. | 0:32:51 | 0:32:54 | |
I would have told you straightaway if it had been just about us. | 0:32:58 | 0:33:00 | |
I know. | 0:33:00 | 0:33:03 | |
Sometimes you have to put other people's feelings ahead of your own. | 0:33:03 | 0:33:07 | |
Yes. | 0:33:07 | 0:33:09 | |
Go on. | 0:33:11 | 0:33:13 | |
No matter what you feel right now towards your grandmother, | 0:33:14 | 0:33:17 | |
don't forget you love her | 0:33:17 | 0:33:18 | |
and you always will. | 0:33:18 | 0:33:21 | |
I think I just gave you my first piece of fatherly advice. | 0:33:21 | 0:33:25 | |
I think you did. | 0:33:25 | 0:33:26 | |
She needed this... | 0:33:30 | 0:33:32 | |
..to help stop her hating. | 0:33:34 | 0:33:37 | |
What? | 0:33:39 | 0:33:41 | |
When we first met, I thought, | 0:33:42 | 0:33:44 | |
"I know exactly what she sees in him." | 0:33:44 | 0:33:47 | |
You're very handsome. | 0:33:47 | 0:33:49 | |
But you're so much more than that. | 0:33:50 | 0:33:52 | |
I sold you short. You're a fine man. | 0:33:52 | 0:33:56 | |
I'm returning to Sydney. | 0:34:00 | 0:34:02 | |
George came to see me. He offered an olive leaf. | 0:34:03 | 0:34:07 | |
I'm sure the branch will come, | 0:34:07 | 0:34:09 | |
which, sadly, he seems disinclined to extend to you. | 0:34:09 | 0:34:13 | |
I'm your only hope, Elizabeth. You'll see that soon enough. | 0:34:15 | 0:34:19 | |
I'll see you at Anna's wedding. | 0:34:19 | 0:34:22 | |
Oh, that's right - you're not invited. | 0:34:22 | 0:34:26 | |
Regina informs me you have softened somewhat towards her. | 0:34:34 | 0:34:39 | |
George? | 0:34:40 | 0:34:42 | |
Oh, for goodness' sake, will you talk to me? | 0:34:42 | 0:34:44 | |
No. | 0:34:44 | 0:34:46 | |
Oh, so you're just going to drown | 0:34:46 | 0:34:48 | |
whatever it is you're feeling with that? | 0:34:48 | 0:34:49 | |
That will not help you to forget her. | 0:34:49 | 0:34:52 | |
I'm not drinking to forget HER. | 0:34:54 | 0:34:56 | |
Please just leave. | 0:34:56 | 0:34:58 | |
No, not until we've had this out. | 0:34:58 | 0:35:00 | |
-Leave! -I'm not going anywhere. | 0:35:00 | 0:35:02 | |
-Please! -No! | 0:35:02 | 0:35:05 | |
Do you want to know why I'm drinking? | 0:35:05 | 0:35:07 | |
I'm drinking because I finally see who you are and it repulses me. | 0:35:07 | 0:35:12 | |
I'm drinking, Mother, to drown my hatred for you. | 0:35:13 | 0:35:16 | |
What made you like this? | 0:35:16 | 0:35:19 | |
Did Father not want you? Did you repulse him as well? | 0:35:19 | 0:35:23 | |
So you poured all of your misery into us. | 0:35:23 | 0:35:25 | |
-A mother sacrifices for... -A mother loves! | 0:35:25 | 0:35:29 | |
She wants joy for her children. | 0:35:29 | 0:35:31 | |
You? You can't bear to see us make our own choices... | 0:35:31 | 0:35:33 | |
That's not true. | 0:35:33 | 0:35:35 | |
..because if they do make us happy | 0:35:35 | 0:35:36 | |
it simply highlights what a desperately unhappy life | 0:35:36 | 0:35:39 | |
you've made for yourself. | 0:35:39 | 0:35:41 | |
KNOCK AT DOOR | 0:35:51 | 0:35:53 | |
Pardon. | 0:35:57 | 0:35:59 | |
Oui, merci. | 0:36:02 | 0:36:05 | |
He will improve. | 0:36:12 | 0:36:14 | |
My tears are for you, not him. | 0:36:14 | 0:36:17 | |
This is what I had feared. | 0:36:17 | 0:36:19 | |
You are tied to him now. There is no hope. | 0:36:19 | 0:36:22 | |
A week ago I thought he was dead. There's always hope. | 0:36:27 | 0:36:32 | |
You must face the truth. | 0:36:34 | 0:36:37 | |
He will never be the man you loved. Never. | 0:36:37 | 0:36:41 | |
I won't let you sacrifice everything out of duty. | 0:36:41 | 0:36:44 | |
-It's not duty. It's love. -Is it? | 0:36:44 | 0:36:47 | |
Or the memory of love? | 0:36:48 | 0:36:50 | |
That life, that precious time with him is gone. | 0:36:50 | 0:36:56 | |
Please, Sarah, I beg you, go home. | 0:36:57 | 0:37:00 | |
Go back to your new love, to your happiness, to your hope. | 0:37:00 | 0:37:05 | |
Oh... | 0:37:05 | 0:37:07 | |
Oh, my dear friend. | 0:37:07 | 0:37:09 | |
You asked my permission to return with him. | 0:37:14 | 0:37:18 | |
I give you my permission to return without. | 0:37:20 | 0:37:24 | |
SHE SCREAMS That's it! Good girl! | 0:37:28 | 0:37:31 | |
DOOR OPENS | 0:37:35 | 0:37:37 | |
DOOR CLOSES | 0:37:39 | 0:37:41 | |
It's Sarah. | 0:38:19 | 0:38:22 | |
Can you hear me? | 0:38:25 | 0:38:28 | |
Please, Rene. Please. | 0:38:29 | 0:38:32 | |
Hello. James Bligh. | 0:38:35 | 0:38:38 | |
Father! Father! | 0:38:39 | 0:38:43 | |
The baby, it's coming. | 0:38:43 | 0:38:45 | |
I'm sorry. I would ask you to come, but... | 0:39:01 | 0:39:03 | |
Darling, I understand. | 0:39:03 | 0:39:05 | |
You go with my blessing. | 0:39:08 | 0:39:10 | |
DOOR OPENS | 0:39:25 | 0:39:27 | |
No, no. | 0:39:29 | 0:39:32 | |
I don't know if I can. | 0:39:34 | 0:39:37 | |
It's all right. | 0:39:40 | 0:39:42 | |
It's a boy. | 0:40:06 | 0:40:08 | |
Is...is he... | 0:40:08 | 0:40:11 | |
He's perfect. | 0:40:11 | 0:40:14 | |
Whoa! | 0:40:25 | 0:40:28 | |
To the new Bligh! | 0:40:28 | 0:40:30 | |
Now you're an aunty. | 0:40:30 | 0:40:32 | |
Congratulations, old man. | 0:40:40 | 0:40:42 | |
Oh, my darling. | 0:40:42 | 0:40:44 | |
Your son. | 0:41:02 | 0:41:05 | |
SHE SOBS | 0:41:37 | 0:41:39 | |
HOOFBEATS ON STREET | 0:41:40 | 0:41:43 | |
Good morning, my love. | 0:41:49 | 0:41:52 | |
Sarah? | 0:42:07 | 0:42:08 | |
Subtitles by Red Bee Media Ltd | 0:42:39 | 0:42:40 | |
E-mail [email protected] | 0:42:40 | 0:42:42 |