Answer Me, My Love A Place to Call Home


Answer Me, My Love

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-It won't be easy carrying your dead child to term.

-My baby!

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Dr Jarvis finds a girl in trouble with an imminent delivery.

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As soon as she goes into labour, you're induced,

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and you emerge with a bonny bouncing babe in your arms.

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I understand now why it meant so much to you to learn about Anna.

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It's a miracle to me.

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They say your husband's alive.

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A photograph taken by my man.

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Yes, it is him.

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I must go to him.

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I'd fight if there was a point, but there's not.

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Gino and I have set the date of our wedding,

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and you are not invited.

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You're not welcome to stay again.

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If it seems right, you bring him home.

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-I couldn't do that.

-If it's right,

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you have to.

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WOMEN ARGUE IN FRENCH

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WOMAN SCOLDS CHILD IN FRENCH

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BABY CRIES BEHIND DOOR

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VOICES SPEAKING FRENCH BEHIND DOOR

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SIREN APPROACHES

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SIREN RECEDES

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Sarah!

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Rene!

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No!

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SHE KNOCKS

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Forgive me.

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I wanted to spare you.

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I know.

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Who did find him?

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Dr Duvalier.

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-Etienne?

-Two months ago.

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His first day on a new post

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he sees a man in a ward for the war damaged.

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He thinks, "It cannot be. He is dead."

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But it is Rene.

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He had been there for six years.

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Brain-damaged, not talking.

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Perhaps not wanting to. They do not know.

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Jean Manais saw him shot.

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Perhaps a tired guard, one with a conscience maybe.

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I don't care what state he's in.

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I need to see him.

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Which hospital?

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He is with me now.

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Here.

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Rene.

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George.

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George?

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SHE SNIFFS Wake up.

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Hmm?

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HE GRUNTS QUIETLY

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-This is the first time he hasn't managed to get to bed.

-Where is he?

-In the sitting room.

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-What's wrong?

-Oh, nothing that concerns you.

-Is it Father? I'll help.

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Anna, he doesn't need the added shame of your seeing him this way.

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Don't pretend you care about his feelings.

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It's all right. I'll see to it.

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Anna, stop.

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Stop! She's right. He'd hate for you to see him like this.

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I told you, I don't need protecting.

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I'm thinking about him, not you.

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And this war you've declared on Grandmother is not helping. Anna!

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Anna! An...

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Go upstairs.

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-She did this.

-Listen to me.

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Look, every time you attack her it feeds his anger

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and every night he has to come down here and drown it.

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If you can't control yourself with Grandmother you need to leave...

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..for his sake.

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Come on. Time for bed.

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-Sarah...

-Put your arm around me.

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Come on.

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-No...

-You fell asleep.

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I'm all right.

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It's...it's my little girl.

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Don't you ever listen?

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And so to bed.

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Was there a point to sitting here?

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I like feeling close to him.

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Your brother-in-law?

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The worms had Elaine long ago. Why not?

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Don't let me forget to stay in your good books.

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Do what I'm paying you for and there'll be no cause for concern.

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Bed for us too, I think.

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How many beds are there at this farm of yours?

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Spare me your tawdry innuendo.

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Drive!

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-Duty calls.

-Stay!

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It's tempting.

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Thank you for a wonderful night.

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There's an irony in your concern for Mother's heart,

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given this week suggests she doesn't have one.

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I'm biting my tongue with Anna. Don't you start too.

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-Tell George I'll drop by.

-Come now.

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I'd rather not rub his nose in our happiness.

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Life goes on. He knows that.

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Right at this moment? Not so sure.

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-Good morning.

-Good morning.

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Glad you're both here.

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I'm pleased you've decided to join us.

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I won't be staying.

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I wanted to apologise for my behaviour of late.

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-There's no need.

-Please.

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There is. It won't happen again.

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I'm pleased to hear it.

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I'm sorry that you had to see me like that.

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You're not the one who should be apolog...

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-Anna!

-It's true.

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Anna was thinking of moving in with Aunt Carolyn. Weren't you?

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I'm happy to stay if you need me,

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but things might be better if I'm not here.

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I don't want to drive you out.

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It's not you.

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Your aunt will be glad of the company, I'm sure.

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A wise choice.

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Don't.

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Excuse me.

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Your father's apology, Anna's departure, both to the good.

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She makes me sick.

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You two at it again?

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She breaks his heart and then she just sits there

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blaming everyone else for what's happening.

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You're upset. I understand. But you've got to...

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-I hate her!

-No, no, you don't.

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-Yes, I do.

-You're getting carried away.

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I'm not a child, Jack.

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Fine, but whatever you're feeling,

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just remember your grandmother hasn't been well.

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-Go easy on her.

-I hope it kills her.

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-Anna!

-We'd all be better off!

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Stop it! Stop acting like a spoilt bloody brat.

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-You can't talk to me like that.

-Well, someone has to!

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-You've got no right to...

-I have every right!

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You're not my father!

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I'm her doctor.

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And I'm your friend.

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If you're in there, my darling, I won't give up on you again.

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Dr Jarvis has found a suitable girl,

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the perfect candidate, he says.

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Did he say when it might be?

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Any time now.

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It all feels very real suddenly.

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It will be soon.

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What will happen to my baby?

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It will be taken away. It will be as if it never was.

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A proper burial surely?

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-What we're doing is illegal.

-But I can't just...

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As hard as it is, you have to be strong on that.

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I should pack for the hospital.

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Be ready.

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Everything all right there, Mr Bligh?

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Checking the fences.

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-Have you heard from Missy?

-I don't expect to.

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You know, if you have a mind to,

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there's always a cold beer with your name on it at my place.

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No need to mag.

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I think I've overdone the alcohol.

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I might take you up on a cuppa, though.

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Righto, then.

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I brew her up pretty strong.

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I'll see you.

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Well, it's up. How about some time away, huh?

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No, I have to face the consequences of my actions,

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and the only way to resolve matters with George

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is to bring things to a head.

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Even if it kills you?

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You're being Shakespearean.

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Any niggles at all, I want to know.

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Do you know the greatest irony in all of this?

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I returned from Sydney with a new admiration for Miss Adams.

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I was close to accepting her.

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If not for Regina's discovery, I would have.

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Well, have you told George?

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Oh, it would simply sound like a grovelling plea for forgiveness.

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Well, what if in the long run he doesn't forgive you?

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Then I shall have to consider doing the unthinkable. Hm!

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G'day!

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I heard it was sold.

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That's right.

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I'm Roy Briggs. I've been looking after the place.

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Now, no offence, old mate, but you look like a bit of a city slicker.

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So if you want to get rid of any of this stock, just give us a hoy.

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I'm not the owner.

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Mrs Standish is.

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Mr Briggs, I believe.

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No doubt Miss Adams mentioned me.

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Too right she did.

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He's interested in the cows.

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Not that one, I'm not.

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Warm country welcome.

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If you're worried about getting in the way, then don't.

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Jack and I love having you here.

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You and Jack, it all happened very suddenly.

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Love can be sudden.

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So intense so quickly.

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Yes.

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I've had the silliest thought.

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Yes?

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Nothing. It...it feels good to be away from Grandmother.

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I'm sure.

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I know what you're gonna ask. It's gonna have to wait.

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You said a week and it's been a week.

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-I know...

-We need to fill Sarah's position.

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-We're understaffed.

-We're managing.

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Just.

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We need to face facts.

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I'll put the word out.

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I will.

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Alma!

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-Dr Duncan, I saw you come...

-Are you sick?

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Uh, no. I have had a touch of the collywobbles.

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But it's Miss Carolyn I'm worried about.

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It's probably none of my business,

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but as a friend of Mrs Bligh's her concerns are mine.

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The point, Doris?

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I presume she's ill - Miss Carolyn?

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Not that I know of.

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You see, I was delivering pamphlets for the CWA

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and I couldn't help but see your car

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pulling away from the cottage so early - naturally I thought she'd taken ill.

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I can't imagine another reason.

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I was leaving the cottage because I stayed the night.

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Carolyn and I are seeing each other.

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As for Sarah, I'm guessing she's not coming back.

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Anna and Gino are still getting married.

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George is a broken man

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and Elizabeth Bligh has more trouble than she knows what to do with.

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Miss anything?

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No, that was very thorough, not that I care to know.

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Good. Do us all a favour and stay out of it.

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The last thing that family needs is gossip.

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Indeed.

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What was that about?

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No-one likes a stickybeak, Alma, dear.

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Hello, George.

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I know I'm not welcome, but as we'll be neighbours...

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Neighbours?

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I signed the deed on that quaint little Walker farm.

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And there's someone I'd like you to meet.

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George Bligh, Adam Farrell.

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Adam's come to give his opinion on my purchase

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and I've come to value his opinion.

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-Mr Bligh.

-Mr Farrell.

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We've had a rather whirlwind week, haven't we, darling?

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-We met on the flight home.

-I see.

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I'd love your advice on the property

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if at all possible, the...practicalities.

0:19:050:19:07

I'm no use on that count.

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I know you love fixing things and Lord knows it needs fixing.

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I'm surprised you thought it appropriate.

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I want to be close by, close to my only family.

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It can be made cosy, I'm sure.

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Nice to meet you, Mr Farrell.

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George, wait.

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I accept you may never forgive me,

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but please don't prevent my seeing James and Anna,

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and the little one when it comes.

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We'll see.

0:19:370:19:38

That gives me hope.

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Would you mind if I freshened up?

0:19:410:19:43

Of course.

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Keep Adam company.

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She regrets deeply what happened.

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I'm glad she has someone concerned about her. Excuse me.

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You cannot seriously intend living there.

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It can be made habitable with George's help.

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It gives me reason to see him.

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And this new man is what?

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Some misguided attempt to make George jealous?

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I'll be appealing to a far more potent emotion than that.

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How are things with you two? Healing the rift?

0:20:190:20:22

-Would you please leave?

-Clearly not.

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Do you have any idea how completely tiresome this is?

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How completely tiresome you are?!

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I've softened him more in 10 minutes than you have in...

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Get out!

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Go on. Did you hear me?

0:20:400:20:43

Leave! Enough!

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My pills...

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Oh...

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It's in your best interests to support me.

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This, uh, town you wrote of...

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Inverness.

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It seems very special to you.

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It healed my soul.

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What is his name?

0:21:570:22:00

How would you...

0:22:040:22:07

Would you permit me to take Rene there?

0:22:090:22:11

-To Inverness?

-To heal.

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Let us...hope you have reason to.

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Shh, you're safe now.

0:22:390:22:42

Thank you, Colleen.

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-Livvy.

-Good morning, darling.

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You're up early.

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I couldn't sleep.

0:24:000:24:02

Is everything all right?

0:24:020:24:05

I just wanted to hear your voice.

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I'm glad,

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as long as you're enjoying yourself and relaxing.

0:24:110:24:14

Well, you are, aren't you?

0:24:160:24:18

Yes, yes, of course.

0:24:180:24:21

Prudence and I thought we might go to Call Me Madam.

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It's the newest musical.

0:24:240:24:25

Oh, that sounds fun.

0:24:250:24:28

-James...

-There is something wrong. I'm coming to get you.

0:24:320:24:35

No, don't.

0:24:350:24:37

Really, I am fine. I just...

0:24:370:24:39

I miss you.

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I miss you too.

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But it's grim here.

0:24:450:24:47

Better you're somewhere happy.

0:24:470:24:49

I love you.

0:24:510:24:54

More than anything.

0:24:550:24:57

I love you too.

0:24:570:24:59

You've eaten already.

0:25:060:25:08

I couldn't sleep.

0:25:090:25:11

Livvy sends her regards.

0:25:110:25:13

Prudence Swanson is spoiling her rotten.

0:25:130:25:16

That's good.

0:25:160:25:18

Thank you, Son.

0:25:190:25:21

I'd like a word with your father, if I may. Uh, alone.

0:25:240:25:29

-I'm expected at the sheds.

-Please!

0:25:290:25:31

Oh, George, if you have something to say, say it.

0:25:410:25:44

This petulant avoidance is simply prolonging the inevitable.

0:25:440:25:48

If I said what I really wanted to

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it would be the last conversation we ever had.

0:25:500:25:54

Your papa will forget in time.

0:26:020:26:05

-Pardon?

-Your father.

0:26:050:26:07

What about him?

0:26:070:26:09

Well, that is who you're thinking about?

0:26:090:26:11

In a way.

0:26:110:26:14

I don't know. I've had a strange thought.

0:26:140:26:17

What is it?

0:26:170:26:19

It just makes sense of so many things,

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but if I say it and I'm wrong they'll feel so stupid.

0:26:210:26:26

I'm off into town! Need anything?

0:26:260:26:29

No, thank you!

0:26:290:26:31

I'll see you soon.

0:26:310:26:33

Wait. Wait.

0:26:340:26:37

Tell me I'm not crazy.

0:26:380:26:40

I'm not, am I?

0:26:400:26:43

Don't make me ask, please.

0:26:430:26:47

Jack?

0:26:480:26:49

Yes.

0:26:490:26:52

He is.

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Well, this is more than I'd hoped for.

0:27:040:27:07

George.

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I'm glad I caught you.

0:27:120:27:14

I've been thinking about what you said

0:27:150:27:17

and, uh, you're right.

0:27:170:27:19

The blame does lie with Mother.

0:27:190:27:21

That means more than you'll ever know.

0:27:210:27:23

And I...I would never keep the children from you.

0:27:230:27:27

Thank you.

0:27:270:27:29

If not friends, at least not enemies?

0:27:290:27:32

-Tea?

-That's all I came to say.

0:27:340:27:37

Nice to see you.

0:27:370:27:39

That's a weight off my mind. Thank you.

0:27:390:27:43

It's so isolated here. I worry about her staying alone.

0:27:430:27:48

It's a safe community.

0:27:480:27:50

Even so, I feel better knowing that you're there. If required.

0:27:500:27:55

You really are earning your salary.

0:28:040:28:07

I do not envy you, my dear. Really, I don't.

0:28:080:28:11

All that endless kicking and wriggling!

0:28:110:28:13

It's like a Mexican pinata being struck from within.

0:28:130:28:16

I couldn't wait to be rid of Andrew. Oh-ho!

0:28:160:28:18

Mmm, does that sound ghastly?

0:28:180:28:21

You understand, of course.

0:28:210:28:23

I'm sure.

0:28:230:28:25

Oh.

0:28:250:28:27

I've got it!

0:28:270:28:29

Swanson residence. Andrew speaking.

0:28:300:28:33

The men never understand, of course.

0:28:340:28:36

Oh, Andrew's father was quite cavalier.

0:28:360:28:38

I'm sorry?

0:28:380:28:40

He was quite cavalier.

0:28:400:28:42

I can't imagine why I expected him to be otherwise.

0:28:420:28:45

Oh, I mustn't be such a dreary cynic.

0:28:450:28:49

Oh, your James is so adorable and so attentive.

0:28:490:28:54

You know, it's quite charming, the way he looks at you.

0:28:550:28:57

-Ohh!

-Oh, my dear.

0:28:570:29:00

-Ohh!

-Oh!

0:29:000:29:02

I'm sure it's nothing.

0:29:060:29:08

I'll send for an ambulance.

0:29:080:29:09

-Quicker if I drive.

-Oh, darling.

0:29:090:29:12

It may be a false alarm and I don't want to worry anyone.

0:29:120:29:15

Oh, if you're certain.

0:29:150:29:16

I'll telephone from the hospital if there's anything to report.

0:29:160:29:19

-Well done.

-There's somewhere I need to go.

0:29:200:29:22

But we're expected.

0:29:220:29:24

It's on the way.

0:29:240:29:27

Dear Heavenly Father,

0:29:480:29:51

I don't know if you're still listening.

0:29:510:29:55

But if you are, please bless the soul of our child.

0:29:560:30:02

Take our poor baby into your arms.

0:30:020:30:06

Forgive me for what I am about to do.

0:30:060:30:11

I know it's wrong,

0:30:120:30:15

but it's for James, for our marriage.

0:30:150:30:20

Please understand.

0:30:210:30:24

Amen.

0:30:300:30:32

What is it? What's so urgent?

0:30:440:30:46

Two and two's finally made four, my darling.

0:30:470:30:50

FRANTIC SHOUTS

0:31:160:31:20

Rene.

0:31:510:31:53

The young woman has gone into labour so we're going to induce you now.

0:32:120:32:15

What's going to happen?

0:32:150:32:17

You're going to give birth exactly as you would to a healthy baby.

0:32:170:32:20

And the girl, does she know where her child is going?

0:32:200:32:23

Only that the infant will find a good home.

0:32:230:32:26

She'll be looked after financially.

0:32:260:32:27

It is imperative this remains a secret.

0:32:270:32:30

Discretion is as important for us as it is for you.

0:32:300:32:33

Now let's get you to the labour ward.

0:32:330:32:35

I'll telephone James at the appropriate time.

0:32:350:32:38

Thank you.

0:32:380:32:39

Thank you for everything.

0:32:410:32:43

Now you must be strong, Mrs Bligh.

0:32:430:32:46

There's rough water before we make the harbour.

0:32:460:32:49

Good luck.

0:32:490:32:51

Don't look when they take the little one away.

0:32:510:32:54

I would have told you straightaway if it had been just about us.

0:32:580:33:00

I know.

0:33:000:33:03

Sometimes you have to put other people's feelings ahead of your own.

0:33:030:33:07

Yes.

0:33:070:33:09

Go on.

0:33:110:33:13

No matter what you feel right now towards your grandmother,

0:33:140:33:17

don't forget you love her

0:33:170:33:18

and you always will.

0:33:180:33:21

I think I just gave you my first piece of fatherly advice.

0:33:210:33:25

I think you did.

0:33:250:33:26

She needed this...

0:33:300:33:32

..to help stop her hating.

0:33:340:33:37

What?

0:33:390:33:41

When we first met, I thought,

0:33:420:33:44

"I know exactly what she sees in him."

0:33:440:33:47

You're very handsome.

0:33:470:33:49

But you're so much more than that.

0:33:500:33:52

I sold you short. You're a fine man.

0:33:520:33:56

I'm returning to Sydney.

0:34:000:34:02

George came to see me. He offered an olive leaf.

0:34:030:34:07

I'm sure the branch will come,

0:34:070:34:09

which, sadly, he seems disinclined to extend to you.

0:34:090:34:13

I'm your only hope, Elizabeth. You'll see that soon enough.

0:34:150:34:19

I'll see you at Anna's wedding.

0:34:190:34:22

Oh, that's right - you're not invited.

0:34:220:34:26

Regina informs me you have softened somewhat towards her.

0:34:340:34:39

George?

0:34:400:34:42

Oh, for goodness' sake, will you talk to me?

0:34:420:34:44

No.

0:34:440:34:46

Oh, so you're just going to drown

0:34:460:34:48

whatever it is you're feeling with that?

0:34:480:34:49

That will not help you to forget her.

0:34:490:34:52

I'm not drinking to forget HER.

0:34:540:34:56

Please just leave.

0:34:560:34:58

No, not until we've had this out.

0:34:580:35:00

-Leave!

-I'm not going anywhere.

0:35:000:35:02

-Please!

-No!

0:35:020:35:05

Do you want to know why I'm drinking?

0:35:050:35:07

I'm drinking because I finally see who you are and it repulses me.

0:35:070:35:12

I'm drinking, Mother, to drown my hatred for you.

0:35:130:35:16

What made you like this?

0:35:160:35:19

Did Father not want you? Did you repulse him as well?

0:35:190:35:23

So you poured all of your misery into us.

0:35:230:35:25

-A mother sacrifices for...

-A mother loves!

0:35:250:35:29

She wants joy for her children.

0:35:290:35:31

You? You can't bear to see us make our own choices...

0:35:310:35:33

That's not true.

0:35:330:35:35

..because if they do make us happy

0:35:350:35:36

it simply highlights what a desperately unhappy life

0:35:360:35:39

you've made for yourself.

0:35:390:35:41

KNOCK AT DOOR

0:35:510:35:53

Pardon.

0:35:570:35:59

Oui, merci.

0:36:020:36:05

He will improve.

0:36:120:36:14

My tears are for you, not him.

0:36:140:36:17

This is what I had feared.

0:36:170:36:19

You are tied to him now. There is no hope.

0:36:190:36:22

A week ago I thought he was dead. There's always hope.

0:36:270:36:32

You must face the truth.

0:36:340:36:37

He will never be the man you loved. Never.

0:36:370:36:41

I won't let you sacrifice everything out of duty.

0:36:410:36:44

-It's not duty. It's love.

-Is it?

0:36:440:36:47

Or the memory of love?

0:36:480:36:50

That life, that precious time with him is gone.

0:36:500:36:56

Please, Sarah, I beg you, go home.

0:36:570:37:00

Go back to your new love, to your happiness, to your hope.

0:37:000:37:05

Oh...

0:37:050:37:07

Oh, my dear friend.

0:37:070:37:09

You asked my permission to return with him.

0:37:140:37:18

I give you my permission to return without.

0:37:200:37:24

SHE SCREAMS That's it! Good girl!

0:37:280:37:31

DOOR OPENS

0:37:350:37:37

DOOR CLOSES

0:37:390:37:41

It's Sarah.

0:38:190:38:22

Can you hear me?

0:38:250:38:28

Please, Rene. Please.

0:38:290:38:32

Hello. James Bligh.

0:38:350:38:38

Father! Father!

0:38:390:38:43

The baby, it's coming.

0:38:430:38:45

I'm sorry. I would ask you to come, but...

0:39:010:39:03

Darling, I understand.

0:39:030:39:05

You go with my blessing.

0:39:080:39:10

DOOR OPENS

0:39:250:39:27

No, no.

0:39:290:39:32

I don't know if I can.

0:39:340:39:37

It's all right.

0:39:400:39:42

It's a boy.

0:40:060:40:08

Is...is he...

0:40:080:40:11

He's perfect.

0:40:110:40:14

Whoa!

0:40:250:40:28

To the new Bligh!

0:40:280:40:30

Now you're an aunty.

0:40:300:40:32

Congratulations, old man.

0:40:400:40:42

Oh, my darling.

0:40:420:40:44

Your son.

0:41:020:41:05

SHE SOBS

0:41:370:41:39

HOOFBEATS ON STREET

0:41:400:41:43

Good morning, my love.

0:41:490:41:52

Sarah?

0:42:070:42:08

Subtitles by Red Bee Media Ltd

0:42:390:42:40

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0:42:400:42:42

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