Browse content similar to The Things We Do for Love. Check below for episodes and series from the same categories and more!
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Last season on A Place To Call Home... | 0:00:02 | 0:00:04 | |
You promised me George, and then renege. | 0:00:04 | 0:00:07 | |
We're cut from the same cloth. | 0:00:07 | 0:00:08 | |
The deed to Ash Park. | 0:00:08 | 0:00:11 | |
I shall be leaving tomorrow. | 0:00:11 | 0:00:13 | |
Keep an eye on her. | 0:00:15 | 0:00:16 | |
I have no idea who Elizabeth Bligh really is. | 0:00:16 | 0:00:21 | |
I look forward to meeting her. | 0:00:21 | 0:00:22 | |
It won't be easy, carrying your dead child to term. | 0:00:22 | 0:00:25 | |
Jarvis finds a girl in trouble with an imminent delivery, | 0:00:25 | 0:00:28 | |
and you emerge with a bonny, bouncing babe in your arms. | 0:00:28 | 0:00:32 | |
You look happy. | 0:00:32 | 0:00:33 | |
I am. | 0:00:34 | 0:00:35 | |
CHEERING AND APPLAUSE CHURCH BELLS RING | 0:00:35 | 0:00:37 | |
There is a cancer at the heart of your family. | 0:00:37 | 0:00:40 | |
That guarantees sleepless nights whether you open it or not - | 0:00:40 | 0:00:43 | |
so which will it be? | 0:00:43 | 0:00:45 | |
Worrying or wondering? | 0:00:45 | 0:00:47 | |
-Caroline Bligh... -Please, don't. | 0:00:48 | 0:00:50 | |
Don't do what I think you're doing. | 0:00:50 | 0:00:52 | |
-I love you. -I always will. | 0:00:52 | 0:00:54 | |
I did love George. | 0:00:54 | 0:00:55 | |
GUNSHOT | 0:00:58 | 0:01:00 | |
George? | 0:01:13 | 0:01:15 | |
-George, it's Sarah. George, try and stay awake. -Stay back! | 0:01:15 | 0:01:18 | |
RENE SPEAKS FRENCH What happened? | 0:01:18 | 0:01:21 | |
The gun, it went off. | 0:01:21 | 0:01:23 | |
Rene, what are you doing? | 0:01:23 | 0:01:26 | |
Help me. | 0:01:26 | 0:01:27 | |
-Tu ne pas en France. La guerre est fini. -Do something! | 0:01:27 | 0:01:31 | |
I can't, George is losing too much blood. | 0:01:31 | 0:01:32 | |
SHOTGUN PUMPS SHE SPEAKS FRENCH | 0:01:32 | 0:01:34 | |
Rene, stop, no! | 0:01:34 | 0:01:36 | |
GUNSHOT Rene! | 0:01:36 | 0:01:37 | |
-I'm warning you! -What the blazes...?! | 0:01:37 | 0:01:39 | |
-He shot George. -Easy, easy, easy! | 0:01:39 | 0:01:42 | |
We need help - an ambulance, Jack. | 0:01:42 | 0:01:44 | |
Regina, ride to Ash Park, call an ambulance! | 0:01:44 | 0:01:48 | |
No, get away from him! | 0:01:48 | 0:01:50 | |
-I need to be the one helping him. -Stop! -You shouldn't be here. | 0:01:50 | 0:01:53 | |
-I'm not leaving him! -Regina... | 0:01:53 | 0:01:55 | |
..he could die. | 0:01:56 | 0:01:57 | |
Tell Jack to bring IV fluids. | 0:02:01 | 0:02:03 | |
GO! | 0:02:04 | 0:02:06 | |
Finally, asleep. | 0:02:06 | 0:02:07 | |
Thanks to his wonderful mother. | 0:02:09 | 0:02:11 | |
-SHE CHUCKLES -Hardly. | 0:02:11 | 0:02:13 | |
I mean, I love him to pieces, but... | 0:02:15 | 0:02:18 | |
I never dreamed it would be this difficult. | 0:02:18 | 0:02:20 | |
James had a hearty set of lungs on him, too, at George's age. | 0:02:20 | 0:02:24 | |
Well, at least I had perfect pitch. | 0:02:24 | 0:02:26 | |
Father told me about your school's production of The Mikado. | 0:02:26 | 0:02:30 | |
I was fabulous. Everyone said so. | 0:02:30 | 0:02:32 | |
Help! Help, come quickly! | 0:02:37 | 0:02:40 | |
HORSE WHINNIES | 0:02:41 | 0:02:43 | |
Call Jack, tell him to hurry. George has been shot. | 0:02:43 | 0:02:46 | |
-What?! -How? -On the far boundary, there was an argument. | 0:02:46 | 0:02:50 | |
That mad Nordmann. She said to bring fluids. | 0:02:50 | 0:02:53 | |
I'll telephone Jack and the police. | 0:02:53 | 0:02:55 | |
-Who's "she"? -The nurse. | 0:02:55 | 0:02:57 | |
Sarah's with George? | 0:02:57 | 0:02:58 | |
Regina, come inside. | 0:02:59 | 0:03:02 | |
I can't. | 0:03:02 | 0:03:03 | |
Regina! | 0:03:03 | 0:03:05 | |
Regina! | 0:03:05 | 0:03:08 | |
SIREN WAILS | 0:03:08 | 0:03:10 | |
One, two, three. | 0:03:13 | 0:03:15 | |
The entry point is central. It could be spinal. | 0:03:15 | 0:03:17 | |
-He has to go to Sydney. -Sydney? Are you sure? | 0:03:17 | 0:03:20 | |
-RENE SHOUTS IN FRENCH -We've no choice. | 0:03:20 | 0:03:22 | |
Then I'll go with him. | 0:03:22 | 0:03:23 | |
Aren't you needed here? | 0:03:23 | 0:03:25 | |
Just trying to sort out what happened. | 0:03:25 | 0:03:28 | |
Jack, if the bullet moves... | 0:03:28 | 0:03:29 | |
I'll look after Rene. Try to keep him immobile. | 0:03:29 | 0:03:32 | |
-Jack, this is out of the question... -There's no time. | 0:03:32 | 0:03:35 | |
And keep his fluids up. | 0:03:35 | 0:03:37 | |
Tell Rene I'll be back as soon as I can. | 0:03:37 | 0:03:39 | |
ENGINE STARTS Stay with him. | 0:03:39 | 0:03:42 | |
You drive carefully. | 0:03:44 | 0:03:45 | |
I'll telephone as soon as I know anything. | 0:03:50 | 0:03:52 | |
That's all we'll be thinking about. | 0:03:52 | 0:03:54 | |
James, your father will weather this, I know it. | 0:03:56 | 0:04:01 | |
-What would I do without you? -Let's go, James! | 0:04:01 | 0:04:03 | |
Will I telephone Elizabeth? | 0:04:13 | 0:04:14 | |
-Tell her what's happened? -Would you? -And Anna? | 0:04:14 | 0:04:17 | |
She'd want to know. | 0:04:17 | 0:04:19 | |
The poor thing. Just married, and now this. | 0:04:19 | 0:04:21 | |
Perhaps we should wait until we know if... | 0:04:21 | 0:04:24 | |
Until we find out what happens with George. | 0:04:24 | 0:04:27 | |
Let her have some happiness. | 0:04:27 | 0:04:29 | |
ENGINE STARTS | 0:04:29 | 0:04:31 | |
STEAMER HORN | 0:04:34 | 0:04:36 | |
I think it's thrilling. | 0:04:40 | 0:04:41 | |
-You do? -Mm-hm. -Oh, thank you. | 0:04:41 | 0:04:44 | |
But, my dear, how will you cope? | 0:04:44 | 0:04:47 | |
I mean, no home and no domestic staff... | 0:04:47 | 0:04:50 | |
Well, if a woman like Freya Stark can cross the Middle East, | 0:04:53 | 0:04:56 | |
I can do without a maid. | 0:04:56 | 0:04:58 | |
SHE GIGGLES You and your lady adventuress. | 0:04:58 | 0:05:01 | |
PHONE RINGS | 0:05:01 | 0:05:02 | |
How can one not be inspired, the way they take on the world? | 0:05:02 | 0:05:06 | |
But what will you do? | 0:05:06 | 0:05:07 | |
The world is my oyster. | 0:05:08 | 0:05:10 | |
How modern. | 0:05:11 | 0:05:13 | |
Excuse me, Mrs Bligh? Telephone. It's urgent. | 0:05:14 | 0:05:17 | |
SHE CLEARS HER THROAT | 0:05:20 | 0:05:21 | |
Eliza... | 0:05:24 | 0:05:25 | |
Olivia? | 0:05:25 | 0:05:27 | |
George, shot? | 0:05:28 | 0:05:30 | |
I... I don't... | 0:05:31 | 0:05:33 | |
Dr Nordmann? | 0:05:33 | 0:05:35 | |
Yes, as soon as I can. | 0:05:38 | 0:05:41 | |
SIREN WAILS | 0:05:41 | 0:05:43 | |
His pulse is weak and thready. | 0:05:47 | 0:05:49 | |
We have to take the bullet out. | 0:05:51 | 0:05:53 | |
-You're not serious? -It's causing more damage. | 0:05:53 | 0:05:56 | |
-Just... -Hey, what are you doing? | 0:05:58 | 0:06:00 | |
GEORGE GROANS | 0:06:00 | 0:06:02 | |
I can't reach it. | 0:06:03 | 0:06:05 | |
-You're going to kill him. -Stay with me, George. | 0:06:05 | 0:06:07 | |
Come on, we need something sharp to open up the wound. | 0:06:07 | 0:06:10 | |
Wire, or anything. Look for something. Quickly! | 0:06:10 | 0:06:14 | |
OK, stay with me, George. Stay with me, that's it. | 0:06:14 | 0:06:17 | |
You're doing very well. | 0:06:17 | 0:06:19 | |
OK. | 0:06:20 | 0:06:21 | |
I'm sorry, George. | 0:06:23 | 0:06:25 | |
-OK. -You're OK. It's OK. -GEORGE GROANS | 0:06:27 | 0:06:30 | |
Got it. BULLET CLINKS | 0:06:34 | 0:06:36 | |
OK. Bandages, quickly. | 0:06:39 | 0:06:41 | |
-You did really well. -There. -OK, thanks. | 0:06:42 | 0:06:46 | |
That's it. | 0:06:46 | 0:06:47 | |
Non! Jamais! | 0:06:56 | 0:06:57 | |
GERMAN VOICES ECHO | 0:07:01 | 0:07:03 | |
CELL DOOR CREAKS OPEN | 0:07:08 | 0:07:11 | |
RENE GROWLS IN FRENCH | 0:07:12 | 0:07:14 | |
You're safe, Rene. The war's over. You'll be all right. | 0:07:14 | 0:07:17 | |
Get him inside. | 0:07:17 | 0:07:19 | |
-What is wrong with him? -A head injury. | 0:07:20 | 0:07:23 | |
He gets, er...confused. | 0:07:23 | 0:07:25 | |
RENE CRIES OUT | 0:07:25 | 0:07:27 | |
-He's a decent bloke, Eddie. -He's French, he needs to be in hospital. | 0:07:27 | 0:07:30 | |
Not when he's facing murder charges. | 0:07:30 | 0:07:32 | |
-Come on, Eddie - the bloke's not well. -Then get him a lawyer. | 0:07:32 | 0:07:35 | |
Bella mia, I have a special surprise for you. | 0:07:44 | 0:07:47 | |
Oh, husband! | 0:07:47 | 0:07:48 | |
-You look obscenely happy. -Pa's best vintage. | 0:07:48 | 0:07:51 | |
-He'll kill you. -We are honeymooning now, we deserve it. | 0:07:51 | 0:07:55 | |
-Not for me. -What's wrong? | 0:07:55 | 0:07:57 | |
I don't know, I just...feel a little bit off-colour, that's all. | 0:07:57 | 0:08:02 | |
-You aren't...? -What? | 0:08:02 | 0:08:04 | |
-A bambino? -No, no. | 0:08:06 | 0:08:09 | |
Not yet, anyway. | 0:08:09 | 0:08:11 | |
Well...then what? | 0:08:11 | 0:08:13 | |
It's nothing. | 0:08:13 | 0:08:15 | |
Anna, please. | 0:08:15 | 0:08:17 | |
No, I can't! It's too embarrassing. | 0:08:18 | 0:08:21 | |
I don't know what to wear to the theatre. | 0:08:22 | 0:08:25 | |
-Does that make me seem terribly frivolous? -Amore, never. | 0:08:25 | 0:08:28 | |
SIREN WAILS | 0:08:39 | 0:08:42 | |
He's suffered a gunshot wound to the abdomen. | 0:08:42 | 0:08:44 | |
-I've given him two pints of fluid. -Blood pressure? | 0:08:44 | 0:08:47 | |
Stabilising, but there was substantial blood loss. | 0:08:47 | 0:08:50 | |
-The bullet's mobile? -No, I... | 0:08:50 | 0:08:52 | |
I removed it. | 0:08:52 | 0:08:54 | |
In a moving ambulance? You took quite a risk. | 0:08:54 | 0:08:57 | |
I thought the intervention justified, to keep him alive. | 0:08:57 | 0:09:00 | |
-That's quite possibly what you've done, Sister...? -Nordmann. | 0:09:00 | 0:09:03 | |
The object I used to open the wound wasn't sterile. | 0:09:03 | 0:09:05 | |
Good to know. | 0:09:05 | 0:09:07 | |
-Stay with us, George. -Sister? Go. | 0:09:08 | 0:09:10 | |
Let's get you cleaned up. | 0:09:12 | 0:09:15 | |
Sarah? | 0:09:15 | 0:09:16 | |
-Elizabeth. -How is he? | 0:09:17 | 0:09:19 | |
They're taking him into the theatre. | 0:09:21 | 0:09:23 | |
How could your husband, a disturbed man, | 0:09:23 | 0:09:26 | |
gain possession of a gun? I can't understand it... | 0:09:26 | 0:09:29 | |
-Oh, if anything happens to George... -Let's find you a change of clothes. | 0:09:31 | 0:09:36 | |
Is there any news? | 0:09:39 | 0:09:40 | |
I should never have left Ash Park. | 0:09:43 | 0:09:46 | |
KNOCK ON DOOR | 0:09:47 | 0:09:48 | |
Thank you, Mrs Standish. | 0:09:53 | 0:09:54 | |
Let's get this over with. I should be on my way to Sydney. | 0:09:54 | 0:09:58 | |
Of course. As soon as we sort out what happened. | 0:09:58 | 0:10:01 | |
I told you what I know. That madman shot George Bligh. | 0:10:01 | 0:10:05 | |
Can you tell me again, from the beginning, so that it's clear? | 0:10:05 | 0:10:08 | |
Just... | 0:10:11 | 0:10:13 | |
I-I don't know. | 0:10:13 | 0:10:15 | |
-GEORGE: -'Point that away from her!' -It happened so quickly. | 0:10:15 | 0:10:17 | |
'No, you can't do this!' | 0:10:17 | 0:10:20 | |
GUNSHOT SHE GASPS | 0:10:20 | 0:10:22 | |
Mrs Standish? | 0:10:22 | 0:10:23 | |
You remembered something? | 0:10:25 | 0:10:27 | |
It's important. | 0:10:35 | 0:10:36 | |
If the Frenchman deliberately shot Mr Bligh, | 0:10:37 | 0:10:40 | |
he'll face the death penalty. | 0:10:40 | 0:10:42 | |
You're the only witness. | 0:10:43 | 0:10:44 | |
Are you saying that Communist Jew could hang? | 0:10:46 | 0:10:50 | |
He's a red? | 0:10:50 | 0:10:51 | |
One hears things. I mean to say, the French... | 0:10:51 | 0:10:54 | |
who knows where their sympathies really lie? | 0:10:54 | 0:10:57 | |
Jewish as well, eh? | 0:10:57 | 0:10:59 | |
We all know what that kind will do to serve their purpose. | 0:10:59 | 0:11:02 | |
As bad as the Nazis, half of them. | 0:11:02 | 0:11:04 | |
About the shooting... | 0:11:07 | 0:11:09 | |
I'm afraid I can't be of more help. | 0:11:12 | 0:11:14 | |
It's still rather a blur. | 0:11:15 | 0:11:17 | |
Well, perhaps it'll become clearer. | 0:11:20 | 0:11:22 | |
Perhaps. | 0:11:22 | 0:11:24 | |
I'll telephone the moment it does. | 0:11:24 | 0:11:26 | |
Thank you. | 0:11:26 | 0:11:28 | |
Thank you, Sergeant. | 0:11:28 | 0:11:30 | |
SHE RETCHES | 0:11:47 | 0:11:49 | |
I should have telephoned Dr Cargill, | 0:11:51 | 0:11:54 | |
had George transferred to a private hospital. | 0:11:54 | 0:11:57 | |
Rifles don't just go off. | 0:11:59 | 0:12:01 | |
How did Regina explain it? | 0:12:01 | 0:12:03 | |
She didn't say. | 0:12:03 | 0:12:05 | |
She was too upset. | 0:12:05 | 0:12:06 | |
Did I not ask you to keep an eye on her? | 0:12:08 | 0:12:12 | |
Really, Mother? | 0:12:12 | 0:12:13 | |
Regina will twist this to her advantage. | 0:12:16 | 0:12:19 | |
Thank you. | 0:12:19 | 0:12:20 | |
Please, I don't want us to be at odds, not at a time like this. | 0:12:24 | 0:12:28 | |
Having a child in danger is... | 0:12:29 | 0:12:31 | |
It's a terrible thing. | 0:12:32 | 0:12:33 | |
I didn't consider how difficult this must be for you. | 0:12:35 | 0:12:38 | |
Please forgive me. | 0:12:39 | 0:12:41 | |
Of course. But I must get back. | 0:12:41 | 0:12:43 | |
-Rene is... -Oh, he'll need his wife, yes. | 0:12:43 | 0:12:46 | |
Norman will drive you. | 0:12:46 | 0:12:47 | |
I insist. I so appreciate what you've done. | 0:12:48 | 0:12:52 | |
I did what anyone would do. | 0:12:53 | 0:12:55 | |
Oh, I think we can agree that that's a modest assessment. | 0:12:56 | 0:12:59 | |
Let me do this for you, please. | 0:13:02 | 0:13:05 | |
Thank you. | 0:13:05 | 0:13:06 | |
SCRAPING | 0:13:17 | 0:13:18 | |
Mate, eat something, eh? Keep your strength up. | 0:13:23 | 0:13:27 | |
Sarah will be back soon. | 0:13:32 | 0:13:33 | |
It's all here for you, Rene. | 0:13:40 | 0:13:42 | |
A new life. | 0:13:44 | 0:13:46 | |
I know you're protecting yourself from those god-awful memories. | 0:13:54 | 0:13:57 | |
You can put all those behind you. | 0:14:03 | 0:14:05 | |
It's possible. | 0:14:07 | 0:14:08 | |
You can't let them get on top of you, mate. | 0:14:11 | 0:14:13 | |
You can't live in the past, you just can't. | 0:14:13 | 0:14:15 | |
What happened? | 0:15:17 | 0:15:19 | |
I need to know. | 0:15:19 | 0:15:20 | |
I told the police I don't remember. | 0:15:21 | 0:15:23 | |
Did he shoot George deliberately or not? | 0:15:23 | 0:15:26 | |
That depends. | 0:15:26 | 0:15:28 | |
On what? | 0:15:28 | 0:15:29 | |
Did you know he's facing a death sentence if George dies? | 0:15:32 | 0:15:35 | |
Something must have happened. | 0:15:35 | 0:15:36 | |
Perhaps he realised his wife was in love with another man | 0:15:36 | 0:15:39 | |
and decided to eliminate the competition. | 0:15:39 | 0:15:41 | |
-No, not Rene. He wouldn't. -No, you're right. | 0:15:41 | 0:15:43 | |
George probably got hurt | 0:15:43 | 0:15:44 | |
trying to wrestle the gun from a suicidal maniac. | 0:15:44 | 0:15:47 | |
What is it you want, Regina? | 0:15:47 | 0:15:48 | |
If George dies... | 0:15:51 | 0:15:53 | |
..I'm going to make sure your husband hangs. | 0:15:54 | 0:15:57 | |
And if he lives? | 0:15:59 | 0:16:01 | |
I'll tell them it was an accident. | 0:16:02 | 0:16:04 | |
I see. | 0:16:06 | 0:16:07 | |
You'll get your mad Jew back | 0:16:08 | 0:16:10 | |
and who knows where George turns to for comfort? Shalom. | 0:16:10 | 0:16:14 | |
He knows who you are. | 0:16:18 | 0:16:19 | |
How's George? Any news? | 0:16:42 | 0:16:44 | |
He's gone into surgery. And Rene? | 0:16:44 | 0:16:46 | |
What an unspeakable tragedy! The whole town is praying for Mr Bligh. | 0:16:50 | 0:16:54 | |
I'm sure he appreciates it, Doris. | 0:16:54 | 0:16:55 | |
And we understand that you were instrumental in saving him. | 0:16:55 | 0:16:58 | |
-You were there! -I need to see my husband. | 0:16:58 | 0:17:00 | |
I don't believe a word of what they're saying. It can't be true. | 0:17:00 | 0:17:04 | |
And what are they saying? | 0:17:04 | 0:17:05 | |
This unsavoury mistrust of foreigners! | 0:17:05 | 0:17:08 | |
If there's anything I can do to help... | 0:17:08 | 0:17:10 | |
-No visitors. -He's not well. Let me through. | 0:17:14 | 0:17:16 | |
That the defence, is it? | 0:17:18 | 0:17:20 | |
I wasn't aware my husband was on trial. | 0:17:20 | 0:17:22 | |
You won't get any sense out of him. | 0:17:23 | 0:17:25 | |
Rene? | 0:17:44 | 0:17:45 | |
Mon cheri? | 0:17:46 | 0:17:47 | |
It's me...Sarah. | 0:17:51 | 0:17:54 | |
IN FRENCH: | 0:18:00 | 0:18:02 | |
Remember? | 0:18:06 | 0:18:07 | |
Sarah... | 0:18:10 | 0:18:12 | |
Yes. | 0:18:14 | 0:18:16 | |
Yes! | 0:18:18 | 0:18:19 | |
There you are. | 0:18:45 | 0:18:47 | |
We will find a way through this, you and I. | 0:18:57 | 0:19:01 | |
We will. | 0:19:03 | 0:19:04 | |
All right, time. | 0:19:04 | 0:19:06 | |
-I said TIME! -I'll be back soon. | 0:19:09 | 0:19:14 | |
Rene, you're safe. | 0:19:19 | 0:19:20 | |
-RENE GROANS -Johnson! | 0:19:23 | 0:19:25 | |
-No... -Sarah... -Rene! -Let her go! | 0:19:25 | 0:19:29 | |
-Let go! -Let go, mate. Rene? | 0:19:29 | 0:19:31 | |
-No, no, no, no! -Je t'aime! | 0:19:31 | 0:19:33 | |
-Let her go, mate. -Say it! Je t'aime! | 0:19:33 | 0:19:36 | |
Back away! Now! | 0:19:36 | 0:19:37 | |
-Aargh! -Hey! -Stay away from him! | 0:19:37 | 0:19:40 | |
-What did I tell you? -He needs help! -He needs a straitjacket. | 0:19:42 | 0:19:46 | |
-He needs medical attention. -He was injured in the war, Eddie. | 0:19:46 | 0:19:49 | |
And the war made him kill George Bligh, eh? | 0:19:49 | 0:19:51 | |
-Men like you, you should be ashamed. -Get out. | 0:19:51 | 0:19:53 | |
Forget it, Sarah. | 0:19:53 | 0:19:55 | |
He wasn't there. He wouldn't understand. | 0:19:55 | 0:19:57 | |
-What is that supposed to mean? -I'm not leaving him. | 0:19:57 | 0:20:01 | |
You don't get a choice. | 0:20:01 | 0:20:02 | |
Hey, hey! All right, all right! | 0:20:03 | 0:20:06 | |
Let's not make this any worse. | 0:20:06 | 0:20:07 | |
Come on! | 0:20:10 | 0:20:11 | |
Afternoon. Mr Bligh's family? | 0:20:16 | 0:20:17 | |
Oh, yes, I'm his mother. Mrs Elizabeth Bligh. | 0:20:17 | 0:20:20 | |
This is my daughter, Carolyn, and my grandson, James. | 0:20:20 | 0:20:23 | |
-And you are? -Henry Fox, surgeon. Your son is a very lucky man. | 0:20:23 | 0:20:28 | |
The bullet missed the spleen and liver and I must admit | 0:20:28 | 0:20:31 | |
Sister Nordmann was right to remove the bullet | 0:20:31 | 0:20:33 | |
before it caused more damage. | 0:20:33 | 0:20:34 | |
-Oh, that is good news. -Can we see him? | 0:20:34 | 0:20:36 | |
I'm afraid he's not out of danger. | 0:20:36 | 0:20:38 | |
He's lost a lot of blood and infection is still a possibility. | 0:20:38 | 0:20:42 | |
But he will recover? | 0:20:42 | 0:20:44 | |
I'm confident he will, yes. | 0:20:44 | 0:20:45 | |
Now I can telephone Anna. | 0:20:46 | 0:20:48 | |
Excuse me. | 0:20:50 | 0:20:51 | |
It's been a difficult day for everyone. | 0:20:51 | 0:20:53 | |
Yes, made no easier by the stunning lack of professionalism | 0:20:53 | 0:20:57 | |
displayed by your staff. To keep us waiting without a word... | 0:20:57 | 0:20:59 | |
-Grandmother... -No, I'm afraid it's not good enough. | 0:20:59 | 0:21:03 | |
My son will be transferred to Arthur Cargill's care forthwith... | 0:21:03 | 0:21:06 | |
-I don't... -I said it's decided. | 0:21:06 | 0:21:09 | |
You know Dr Cargill, I presume? | 0:21:09 | 0:21:11 | |
-Cargill, yes, he's a fine man. -Indeed. | 0:21:11 | 0:21:13 | |
His equipment's not quite up-to-date | 0:21:13 | 0:21:15 | |
and his registrars aren't on call 24 hours a day, | 0:21:15 | 0:21:17 | |
but for the vapours or a nervous turn... | 0:21:17 | 0:21:19 | |
-Are you arguing with me? -Mrs Bligh, it would be foolish | 0:21:19 | 0:21:21 | |
to send your son to a lesser-equipped hospital. | 0:21:21 | 0:21:24 | |
Later, when all he requires is a fluffy pillow, | 0:21:24 | 0:21:26 | |
it might be sensible. If you'll excuse me. | 0:21:26 | 0:21:29 | |
-Of course, Grandmother's giving the staff what for. -I can imagine. | 0:21:31 | 0:21:36 | |
But your father is alive. That is all that matters. | 0:21:36 | 0:21:39 | |
HE SIGHS | 0:21:39 | 0:21:41 | |
I suppose it's just a waiting game now to see if he wakes up. | 0:21:41 | 0:21:43 | |
Darling, I am sorry, but I really must go. | 0:21:43 | 0:21:47 | |
We'll talk again soon. | 0:21:47 | 0:21:49 | |
Is everything all right? | 0:21:49 | 0:21:51 | |
I'm interviewing for the maid's position. | 0:21:51 | 0:21:54 | |
Is now really the time? | 0:21:55 | 0:21:57 | |
Your grandmother made the arrangements before she left | 0:21:57 | 0:22:00 | |
and, with the christening fast approaching | 0:22:00 | 0:22:02 | |
and so much still to be done... | 0:22:02 | 0:22:03 | |
Perhaps we should delay the christening | 0:22:03 | 0:22:05 | |
until Father has recuperated. | 0:22:05 | 0:22:07 | |
And, as for hiring a new maid... | 0:22:08 | 0:22:09 | |
Don't give it another thought, I'm sorry. | 0:22:09 | 0:22:13 | |
I feel so utterly useless down here by myself. | 0:22:13 | 0:22:17 | |
I'm sorry, I don't mean to scold you. | 0:22:18 | 0:22:20 | |
No, it's nothing. | 0:22:20 | 0:22:21 | |
Be with your father. Telephone the minute he wakes up. | 0:22:22 | 0:22:26 | |
Goodbye. | 0:22:28 | 0:22:29 | |
Bye, darling. | 0:22:29 | 0:22:30 | |
Oh! | 0:22:35 | 0:22:36 | |
How kind! | 0:22:38 | 0:22:40 | |
-A hearty brew puts everything right, to be sure. -Quite! | 0:22:40 | 0:22:44 | |
Rose, isn't it? | 0:22:48 | 0:22:51 | |
Yes, ma'am. | 0:22:51 | 0:22:53 | |
I'm afraid I have wasted your time. | 0:22:53 | 0:22:56 | |
I'm sorry to tell you, the interviews must be postponed. | 0:22:57 | 0:23:01 | |
Never mind. Family comes first. | 0:23:02 | 0:23:05 | |
Rose? | 0:23:06 | 0:23:07 | |
Could you stay a moment? | 0:23:11 | 0:23:12 | |
Cigarette? | 0:23:23 | 0:23:25 | |
No, thank you. I should apologise for my grandmother's behaviour. | 0:23:25 | 0:23:29 | |
You saved my father's life. | 0:23:29 | 0:23:31 | |
No apology necessary. | 0:23:32 | 0:23:33 | |
How are you holding up? | 0:23:37 | 0:23:38 | |
It's a long story, but I don't much like hospitals. | 0:23:41 | 0:23:43 | |
Truth be told, I don't much like them either. | 0:23:45 | 0:23:48 | |
You must think me such a fool for getting so emotional in there. | 0:23:50 | 0:23:53 | |
-I think you rather human, actually. -It's just that... | 0:23:53 | 0:23:56 | |
my father and I, we've had a difficult time of it. | 0:23:56 | 0:24:00 | |
You know, people will tell you differently, | 0:24:04 | 0:24:06 | |
but there's nothing you can do about what's been | 0:24:06 | 0:24:09 | |
or what's yet to be. | 0:24:09 | 0:24:10 | |
All we can affect is the present. | 0:24:10 | 0:24:13 | |
My grandmother would tell you differently. | 0:24:16 | 0:24:18 | |
HE CHUCKLES | 0:24:18 | 0:24:21 | |
She lives for the past and what she plans for the future. | 0:24:21 | 0:24:25 | |
Yes, she's quite the lioness, isn't she? | 0:24:27 | 0:24:29 | |
Defending her patch of savanna. | 0:24:29 | 0:24:31 | |
Are you sure you won't join me? | 0:24:35 | 0:24:38 | |
There's something awfully sad about puffing away on one's own. | 0:24:38 | 0:24:41 | |
-HE SIGHS -Why not? | 0:24:43 | 0:24:45 | |
I should get back. | 0:24:56 | 0:24:57 | |
Mother... | 0:25:13 | 0:25:15 | |
sit down. | 0:25:15 | 0:25:17 | |
-Did you speak to Anna? -No answer. | 0:25:19 | 0:25:22 | |
Jack sends his best, though. | 0:25:22 | 0:25:24 | |
Is he...? | 0:25:24 | 0:25:25 | |
Can I see him? | 0:25:26 | 0:25:29 | |
It is family only. | 0:25:29 | 0:25:30 | |
I AM family. | 0:25:31 | 0:25:33 | |
Immediate family. Your presence is not required. | 0:25:33 | 0:25:35 | |
So don't let us keep you. | 0:25:35 | 0:25:37 | |
I brought George's things. | 0:25:40 | 0:25:42 | |
Personal effects - his favourite books | 0:25:42 | 0:25:44 | |
and photographs to remind him of all he has to live for. | 0:25:44 | 0:25:47 | |
DOOR CLOSES | 0:25:53 | 0:25:54 | |
I got the tickets - A Streetcar Named Desire. | 0:25:59 | 0:26:03 | |
-Front row balcony, just like you wanted. -Thank you! | 0:26:04 | 0:26:09 | |
Would you mind awfully if we didn't go? I... | 0:26:11 | 0:26:15 | |
I just don't feel up to it. | 0:26:15 | 0:26:16 | |
Sorry to be a spoilsport. | 0:26:17 | 0:26:20 | |
You read Swanson's letter. | 0:26:21 | 0:26:23 | |
Please, don't be angry with me, Gino. | 0:26:23 | 0:26:25 | |
I'm not, not with you. But, Anna, we promised. | 0:26:25 | 0:26:29 | |
But the things he wrote... | 0:26:29 | 0:26:31 | |
Like what? | 0:26:31 | 0:26:32 | |
Like what, Anna? | 0:26:33 | 0:26:34 | |
He said that little Georgie isn't James's son, | 0:26:34 | 0:26:39 | |
that Olivia bought another baby after losing the one she carried. | 0:26:39 | 0:26:43 | |
You can't believe him! | 0:26:43 | 0:26:45 | |
He's a liar! | 0:26:45 | 0:26:47 | |
He wants to make pain for your family, | 0:26:48 | 0:26:51 | |
to punish you for marrying me. | 0:26:51 | 0:26:53 | |
-There's more to it than that, Gino, but I can't tell you. -Anna... | 0:26:53 | 0:26:57 | |
..you're playing into his hands. | 0:26:58 | 0:27:00 | |
To worry or wonder, that's what he wants. | 0:27:01 | 0:27:03 | |
You can't let Andrew do this to us. | 0:27:03 | 0:27:05 | |
-Even if it's true - and it's not - it's not our place. -Gino... | 0:27:05 | 0:27:08 | |
He's toying with you, bella. | 0:27:08 | 0:27:10 | |
-Do you really think so? -Yes, Anna. | 0:27:11 | 0:27:13 | |
I do. Forget about it. | 0:27:15 | 0:27:17 | |
Did someone come to your aid? | 0:27:19 | 0:27:22 | |
It was me own fault... My own fault. | 0:27:22 | 0:27:25 | |
I was a proper dill, leaving my bag on the seat like that. | 0:27:25 | 0:27:28 | |
Oh, it's so odd. | 0:27:28 | 0:27:30 | |
The Inverness trains seem so perfectly safe. | 0:27:30 | 0:27:32 | |
Perhaps in first class. | 0:27:32 | 0:27:34 | |
Of course. | 0:27:34 | 0:27:36 | |
Now I've aught in the way of references for the position. | 0:27:39 | 0:27:42 | |
Did the stationmaster think they'd find the culprit? | 0:27:42 | 0:27:45 | |
He said he tried, but... | 0:27:45 | 0:27:46 | |
And your previous mistress. You say she's on a grand tour of Europe? | 0:27:48 | 0:27:53 | |
-The whole family. -That's the reason you've no position? | 0:27:53 | 0:27:56 | |
It's all explained in the reference. | 0:27:56 | 0:27:59 | |
Mrs Celia was ever so nice with what she said. | 0:27:59 | 0:28:02 | |
-I see. -BABY STARTS TO CRY | 0:28:02 | 0:28:04 | |
-Hey... -Excuse me! | 0:28:12 | 0:28:14 | |
What's all this about? Is it all that bad? | 0:28:16 | 0:28:19 | |
-Is it really? -I beg your pardon! | 0:28:19 | 0:28:21 | |
Oh, ma'am, I'm ever so sorry. | 0:28:21 | 0:28:24 | |
-Ssh... What's all this about? -BABY STOPS CRYING | 0:28:26 | 0:28:29 | |
What is this all about? Is it ever so bad? | 0:28:29 | 0:28:32 | |
Is it ever so bad? | 0:28:32 | 0:28:34 | |
How did you do that? | 0:28:37 | 0:28:38 | |
When you've got as many brothers and sisters as me... As I have... | 0:28:40 | 0:28:44 | |
Such a sweet little thing! | 0:28:45 | 0:28:47 | |
Well, you do have a way with him. | 0:28:48 | 0:28:51 | |
I'm not sure I have! | 0:28:52 | 0:28:54 | |
There's nothing more natural than a mother's love. | 0:28:54 | 0:28:57 | |
BABY GURGLES | 0:28:57 | 0:29:00 | |
I can get a new reference, but it may take a while. | 0:29:06 | 0:29:09 | |
Perhaps a trial period, then, until it arrives. | 0:29:11 | 0:29:15 | |
Truly? | 0:29:15 | 0:29:17 | |
When might you start? | 0:29:17 | 0:29:18 | |
Tomorrow? | 0:29:18 | 0:29:21 | |
Perfect! | 0:29:21 | 0:29:22 | |
-BABY CRIES -I think this one needs attention. | 0:29:22 | 0:29:25 | |
-I could do that. -Oh, no, I'm perfectly all right. | 0:29:25 | 0:29:28 | |
Mr Bligh has responded well to the transfusions. | 0:29:34 | 0:29:37 | |
His blood pressure has improved, | 0:29:37 | 0:29:39 | |
-there is no sign of further bleeding... -And infection? | 0:29:39 | 0:29:41 | |
..and his stable temperature indicates no sign of infection. | 0:29:41 | 0:29:45 | |
He's not out of the woods, but stable enough for a visitor. | 0:29:45 | 0:29:49 | |
Splendid! | 0:29:49 | 0:29:50 | |
Mr Bligh? | 0:29:51 | 0:29:52 | |
Oh... | 0:29:53 | 0:29:55 | |
-You're sure? -As it should be. | 0:29:57 | 0:29:59 | |
Imagine a doctor playing such petty games at a time like this. | 0:30:05 | 0:30:08 | |
Can I talk to him? | 0:30:20 | 0:30:22 | |
Well, he's up to the gills on morphine, | 0:30:22 | 0:30:24 | |
but there's no harm in trying. | 0:30:24 | 0:30:26 | |
We're all here for you, Father. | 0:30:49 | 0:30:51 | |
We're praying for you. | 0:30:53 | 0:30:54 | |
We'll get through this. | 0:31:00 | 0:31:02 | |
"Blow the doors off their hinges, let the world into Ash Park," | 0:31:04 | 0:31:07 | |
just like you said. | 0:31:07 | 0:31:08 | |
We'll do it for little Georgie. | 0:31:09 | 0:31:12 | |
It won't be about the past. | 0:31:21 | 0:31:22 | |
Just the present. | 0:31:28 | 0:31:30 | |
He can hear me. | 0:31:41 | 0:31:42 | |
I said I'm fine. | 0:31:48 | 0:31:49 | |
Honestly? | 0:31:51 | 0:31:52 | |
It's Rene we need to worry about. | 0:31:52 | 0:31:55 | |
-You don't look fine. -Enough. | 0:31:55 | 0:31:56 | |
I know you don't want to face the fact, but Rene could've hurt you. | 0:32:01 | 0:32:05 | |
-He was upset. -You know I'm right. | 0:32:05 | 0:32:07 | |
It's such a betrayal to admit being afraid of my own husband. | 0:32:10 | 0:32:13 | |
We have to get him out of that place. It's that place. | 0:32:13 | 0:32:17 | |
Right now, I'm taking you home to Roy's. | 0:32:17 | 0:32:20 | |
-No, I need to be with Rene. I should never have left him. -Tomorrow. | 0:32:20 | 0:32:24 | |
You need rest. | 0:32:24 | 0:32:25 | |
Doctor's orders. March. | 0:32:27 | 0:32:30 | |
I mean to say, if Dr Nordmann is a genuine threat | 0:32:33 | 0:32:37 | |
to the safety of the community, then we ought to know about it, | 0:32:37 | 0:32:40 | |
regardless of the esteem in which his wife may be held. | 0:32:40 | 0:32:43 | |
-Don't you agree? -No, I do not. | 0:32:43 | 0:32:45 | |
All this "Reds under the bed" nonsense sounds like a lynch mob. | 0:32:48 | 0:32:52 | |
Surely one has a right, in fact, a duty, to question... | 0:32:52 | 0:32:57 | |
All we know is that George Bligh almost died. | 0:32:57 | 0:33:01 | |
A lot of other people are hurting | 0:33:01 | 0:33:03 | |
because some tortured soul got hold of an unattended weapon. | 0:33:03 | 0:33:06 | |
Surely you don't hold yourself responsible? | 0:33:08 | 0:33:11 | |
Well, it was my gun that did the shooting, no two ways about that. | 0:33:11 | 0:33:15 | |
That's preposterous! | 0:33:15 | 0:33:17 | |
How could you have possibly foreseen this? | 0:33:17 | 0:33:20 | |
You couldn't have. Well, you're wrong. You're quite wrong. | 0:33:20 | 0:33:24 | |
Oh, why not? | 0:33:26 | 0:33:28 | |
-CAR APPROACHES -Bottoms up. | 0:33:28 | 0:33:31 | |
Cheers. | 0:33:31 | 0:33:33 | |
DOG BARKS | 0:33:33 | 0:33:36 | |
SHE GASPS | 0:33:38 | 0:33:40 | |
Mrs Nordmann. | 0:33:52 | 0:33:53 | |
-Topper? -Just bed, I think. | 0:33:54 | 0:33:57 | |
I won't have it, George, I won't. | 0:34:13 | 0:34:16 | |
You will wake up. We will be together. | 0:34:16 | 0:34:19 | |
I love you, George. I always have. | 0:34:25 | 0:34:28 | |
You've just never seen it, never trusted it. | 0:34:30 | 0:34:33 | |
I'm going to show you. | 0:34:34 | 0:34:35 | |
Without you... | 0:34:37 | 0:34:38 | |
You are so utterly wilful! Come away from him! | 0:34:38 | 0:34:43 | |
I had to see him! | 0:34:43 | 0:34:44 | |
Get out, NOW! | 0:34:44 | 0:34:46 | |
-He will want to see me. -Leave. | 0:34:49 | 0:34:51 | |
-I'll leave, but I'm not going anywhere. -Now! | 0:34:51 | 0:34:54 | |
Don't tell me a heart does beat inside that cadaverous chest. | 0:34:56 | 0:34:59 | |
SHE CHOKES | 0:34:59 | 0:35:01 | |
Mother... Mother! | 0:35:01 | 0:35:03 | |
Help, someone! Please, help! | 0:35:04 | 0:35:07 | |
Mrs Bligh, what's happening? | 0:35:08 | 0:35:10 | |
I can't breathe! | 0:35:10 | 0:35:12 | |
It was a dizzy turn, nothing more. | 0:35:15 | 0:35:17 | |
It was a lot more. | 0:35:17 | 0:35:19 | |
Excuse me. | 0:35:19 | 0:35:21 | |
And, by the sound of things, hardly a new condition. | 0:35:23 | 0:35:26 | |
I am in perfect health. | 0:35:26 | 0:35:28 | |
She was hospitalised not long ago. | 0:35:28 | 0:35:30 | |
-Then you've no doubt heard what I'm about to tell you. -I have. -She has. | 0:35:31 | 0:35:35 | |
Bed rest at home for at least a week. | 0:35:35 | 0:35:37 | |
Out of the question. My son needs me here. | 0:35:37 | 0:35:39 | |
You'll be no good to George if you're ill. | 0:35:39 | 0:35:41 | |
Grandmother, if you have another heart attack, you could die. | 0:35:41 | 0:35:45 | |
I find it best not to terrify my patients wherever possible. | 0:35:45 | 0:35:48 | |
-Your patients aren't my grandmother. -True. | 0:35:48 | 0:35:52 | |
-I do hope you're enjoying ourselves. -Mrs Bligh, you need rest. | 0:35:52 | 0:35:55 | |
If you won't rest at home, I'll have to admit you. | 0:35:55 | 0:35:57 | |
-No! -Grandmother! | 0:35:57 | 0:36:00 | |
I'm sure Cardiology has a private room on the fourth floor. | 0:36:00 | 0:36:02 | |
-I'll have the nurses bring the paperwork. -Very well! | 0:36:02 | 0:36:06 | |
But I insist you inform me if there is any change in George's condition. | 0:36:06 | 0:36:10 | |
I shall leave the strictest instructions. | 0:36:10 | 0:36:12 | |
Well... | 0:36:15 | 0:36:17 | |
he's rather smashing, don't you think? | 0:36:17 | 0:36:19 | |
That's what comes of handing out scholarships willy-nilly. | 0:36:19 | 0:36:23 | |
Hey, Anna! | 0:36:23 | 0:36:24 | |
ANNA! | 0:36:24 | 0:36:26 | |
-AS EUNICE HUBBELL: -You quiet that hound down and get to bed. | 0:36:26 | 0:36:28 | |
You gon' get the law on you. | 0:36:28 | 0:36:30 | |
-ANNA! -Ssh! | 0:36:30 | 0:36:32 | |
Can you imagine having a marriage like Stella and Stanley's? | 0:36:33 | 0:36:37 | |
Happily, I don't have to. | 0:36:37 | 0:36:38 | |
Hmm, poor Blanche! | 0:36:38 | 0:36:40 | |
I do hope I never have to depend on the kindness of strangers. | 0:36:40 | 0:36:43 | |
You won't have to. I'm going to be the best husband. | 0:36:43 | 0:36:46 | |
Oh! Mr Poletti! | 0:36:46 | 0:36:49 | |
Ssh! | 0:36:54 | 0:36:55 | |
SHE SCREAMS | 0:36:57 | 0:36:59 | |
SHE CALLS OUT IN ITALIAN | 0:36:59 | 0:37:02 | |
Gino? | 0:37:05 | 0:37:07 | |
SHE LAUGHS | 0:37:07 | 0:37:09 | |
Is my Italian that bad? | 0:37:09 | 0:37:11 | |
Could you not unders...? | 0:37:11 | 0:37:13 | |
Mama and Papa have had news of my brother. | 0:37:13 | 0:37:15 | |
That's wonderful, isn't it? | 0:37:17 | 0:37:19 | |
Mama and Papa want to leave right away. | 0:37:21 | 0:37:24 | |
-We need to look after the farm. -Of course. | 0:37:24 | 0:37:26 | |
They want to go tomorrow. | 0:37:30 | 0:37:31 | |
I can start packing. | 0:37:31 | 0:37:33 | |
We'll leave first thing in the morning. | 0:37:33 | 0:37:35 | |
We can take them to the station. | 0:37:35 | 0:37:37 | |
You're not upset about the honeymoon? | 0:37:37 | 0:37:39 | |
Gino, we have the rest of our lives together and the farm to ourselves. | 0:37:40 | 0:37:45 | |
The other business with the letter, | 0:37:49 | 0:37:51 | |
that's not why you're happy to go home? | 0:37:51 | 0:37:54 | |
-Anna... -I can't pretend that I don't know. I feel... | 0:37:54 | 0:37:58 | |
I feel that I have to do something. | 0:37:58 | 0:38:00 | |
Olivia was pregnant and she had the baby. Swanson is lying. | 0:38:00 | 0:38:05 | |
-But it could be true, Gino. -How? | 0:38:05 | 0:38:07 | |
It makes sense that Olivia would be that desperate for a baby if... | 0:38:07 | 0:38:12 | |
perhaps there wasn't to be another. | 0:38:12 | 0:38:14 | |
Why wouldn't there be? Can James not make one? | 0:38:15 | 0:38:17 | |
If he didn't want to. | 0:38:17 | 0:38:19 | |
What man doesn't want to? | 0:38:19 | 0:38:21 | |
You can't tell anyone. | 0:38:23 | 0:38:25 | |
I will not say anything. | 0:38:27 | 0:38:28 | |
James is... | 0:38:33 | 0:38:34 | |
He's what? | 0:38:38 | 0:38:39 | |
He's different. | 0:38:40 | 0:38:42 | |
What are you saying? | 0:38:43 | 0:38:44 | |
That James is a... | 0:38:45 | 0:38:46 | |
A homosexual. | 0:38:48 | 0:38:50 | |
No. | 0:38:52 | 0:38:53 | |
He can't be. | 0:38:55 | 0:38:56 | |
James? | 0:39:00 | 0:39:01 | |
-That's disgusting. -Gino... | 0:39:05 | 0:39:07 | |
That's disgusting! | 0:39:09 | 0:39:10 | |
Of course, Andrew plans to attend all the best parties in London. | 0:39:13 | 0:39:18 | |
And then there's the polo and the fox hunting... | 0:39:18 | 0:39:23 | |
Perhaps even an invitation to Chequers. | 0:39:23 | 0:39:26 | |
Oh, doesn't it make you want to be their age again? | 0:39:27 | 0:39:31 | |
Your whole life ahead... | 0:39:31 | 0:39:33 | |
SHE SOBS | 0:39:33 | 0:39:35 | |
Oh, Elizabeth... Oh, my goodness! | 0:39:38 | 0:39:41 | |
Oh, how thoughtless of me, carrying on about my son | 0:39:41 | 0:39:45 | |
while yours lies in a hospital bed. | 0:39:45 | 0:39:48 | |
Oh, what a fine pair, eh? All misty eyes and runny noses! | 0:39:48 | 0:39:53 | |
Tea, I think. | 0:39:54 | 0:39:56 | |
Or whisky. | 0:39:56 | 0:39:58 | |
Quite right. | 0:40:01 | 0:40:02 | |
BOTH: Doubles. | 0:40:02 | 0:40:04 | |
-THEY LAUGH -Diana! | 0:40:04 | 0:40:07 | |
HE GROANS | 0:40:09 | 0:40:11 | |
Sarah... | 0:40:17 | 0:40:19 | |
SHE CRIES | 0:40:30 | 0:40:34 | |
CRYING CONTINUES | 0:40:38 | 0:40:40 | |
DOG WHIMPERS | 0:40:53 | 0:40:55 | |
DOG WHIMPERS | 0:40:59 | 0:41:01 | |
Mama and Papa will be anxious to see you before they leave. | 0:41:20 | 0:41:24 | |
I'll ride over as soon as I've spoken with him. | 0:41:24 | 0:41:27 | |
You understand why I have to do this? | 0:41:27 | 0:41:29 | |
True or not, James should know. | 0:41:29 | 0:41:31 | |
It's none of my business. | 0:41:34 | 0:41:36 | |
Whatever James is, he's my brother. | 0:41:37 | 0:41:39 | |
-Hello, Mrs Poletti. -Hello, Colleen. Is Mr James home? | 0:41:44 | 0:41:48 | |
No, but you'll find Miss Olivia and Georgie on the lawn. | 0:41:48 | 0:41:51 | |
Oh, thank you. | 0:41:51 | 0:41:53 | |
Hello, stranger! | 0:41:55 | 0:41:58 | |
We thought we'd break with tradition and breakfast in the sunshine. | 0:41:59 | 0:42:04 | |
-Grandmother would never approve. -Possibly not. | 0:42:04 | 0:42:08 | |
But we needed cheering up. | 0:42:09 | 0:42:11 | |
About what? | 0:42:12 | 0:42:13 | |
Did somebody say something? | 0:42:14 | 0:42:16 | |
No, I meant because of your father. | 0:42:16 | 0:42:19 | |
You do know he's in hospital? | 0:42:21 | 0:42:24 | |
Is he all right? | 0:42:24 | 0:42:25 | |
Why didn't anyone tell me? | 0:42:25 | 0:42:27 | |
Carolyn said she would telephone. We didn't want to ruin your honeymoon. | 0:42:27 | 0:42:31 | |
I have to go to the hospital! | 0:42:31 | 0:42:33 | |
No, Anna, wait, he's in Sydney. | 0:42:33 | 0:42:35 | |
He was shot. | 0:42:38 | 0:42:39 | |
That bouquet can go, Carolyn. It's laughably ostentatious. | 0:42:45 | 0:42:49 | |
It will not. They're George's favourites. | 0:42:49 | 0:42:51 | |
Wrong side of funereal, if you ask me. | 0:42:51 | 0:42:53 | |
-Then it's a good thing nobody is. -Must you... | 0:42:53 | 0:42:56 | |
-Father... -..make such an awful racket? -George... -George! | 0:42:56 | 0:43:00 | |
About time. | 0:43:00 | 0:43:02 | |
-You're all here. -Yes, we are. | 0:43:05 | 0:43:07 | |
Where is here, exactly? | 0:43:09 | 0:43:11 | |
Um, there was an accident. | 0:43:12 | 0:43:15 | |
Rene... | 0:43:17 | 0:43:18 | |
You remember what happened? | 0:43:19 | 0:43:21 | |
There was... | 0:43:24 | 0:43:26 | |
There was a struggle. | 0:43:26 | 0:43:28 | |
I don't remember anything. | 0:43:29 | 0:43:32 | |
You're going to make a full recovery. That's all that matters. | 0:43:33 | 0:43:37 | |
NURSE TYPES | 0:43:40 | 0:43:42 | |
I'd like to place a telephone call. | 0:43:45 | 0:43:48 | |
It's for hospital use only. | 0:43:48 | 0:43:50 | |
But I'm sure in this case... | 0:43:54 | 0:43:56 | |
That will be all. | 0:44:00 | 0:44:01 | |
Mon amour... | 0:44:11 | 0:44:12 | |
What did you do to him? | 0:44:14 | 0:44:16 | |
-He wouldn't stop banging his head. -What did you do? -Nothing. | 0:44:17 | 0:44:20 | |
The man's a fruitcake! | 0:44:20 | 0:44:22 | |
We have to do something! | 0:44:23 | 0:44:25 | |
Open the cell. I need to assess this man's wounds. | 0:44:25 | 0:44:28 | |
PHONE RINGS | 0:44:28 | 0:44:30 | |
-Sarah, what's going on? -I should... | 0:44:30 | 0:44:33 | |
-Sit, sit. -No... | 0:44:33 | 0:44:35 | |
Sarge? | 0:44:40 | 0:44:42 | |
Telephone. | 0:44:42 | 0:44:43 | |
SHE RETCHES | 0:44:58 | 0:44:59 | |
I telephoned as soon as I remembered, | 0:45:19 | 0:45:22 | |
to prevent any miscarriage of justice. | 0:45:22 | 0:45:24 | |
I must have been blocking it out because of the shock. | 0:45:24 | 0:45:26 | |
That poor man wasn't trying to kill George. | 0:45:28 | 0:45:31 | |
He was about to take his own life. | 0:45:31 | 0:45:33 | |
I know, who would consider such a thing? | 0:45:34 | 0:45:36 | |
-And Mr Bligh was shot... -Trying to wrestle the gun from the madman. | 0:45:38 | 0:45:42 | |
George is the hero of the piece. | 0:45:42 | 0:45:44 | |
It's so clear to me now. | 0:45:45 | 0:45:47 | |
You realise Nordmann will go free? | 0:45:47 | 0:45:49 | |
I do hope no-one holds it against him. | 0:45:49 | 0:45:52 | |
You know, you never said how you ended up with the rifle. | 0:45:56 | 0:46:00 | |
I suppose it was dropped after it went off. | 0:46:01 | 0:46:03 | |
You suppose? | 0:46:03 | 0:46:05 | |
Are you questioning my word, Sergeant? | 0:46:05 | 0:46:08 | |
That really wouldn't do. | 0:46:08 | 0:46:10 | |
Thank you for coming by. | 0:46:12 | 0:46:13 | |
Darling, that's splendid news! | 0:46:35 | 0:46:38 | |
Give your father my love. | 0:46:38 | 0:46:41 | |
SHE PLAYS PIANO | 0:46:49 | 0:46:52 | |
Oh! Oh, Father, I was so worried! | 0:47:14 | 0:47:18 | |
Look at you! | 0:47:18 | 0:47:20 | |
What a pickle! | 0:47:20 | 0:47:21 | |
Need some help? | 0:47:26 | 0:47:28 | |
It's done. | 0:47:28 | 0:47:29 | |
Isn't it? | 0:47:32 | 0:47:33 | |
SHE GASPS | 0:47:44 | 0:47:45 | |
Sarah? | 0:47:50 | 0:47:52 | |
SARAH RETCHES | 0:47:56 | 0:47:58 | |
TOILET FLUSHES | 0:48:00 | 0:48:04 | |
Sarah... | 0:48:06 | 0:48:08 | |
Yuck! | 0:48:08 | 0:48:09 | |
Nausea, vomiting, fatigue... | 0:48:17 | 0:48:20 | |
It's the last few days, everything that's happened... | 0:48:20 | 0:48:25 | |
Sarah. | 0:48:25 | 0:48:26 | |
I'm pregnant. | 0:48:29 | 0:48:30 |