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-I said no! Aah! -No-one says no to me. | 0:00:02 | 0:00:04 | |
SHE SOBS | 0:00:04 | 0:00:06 | |
Don't you think you should slow down? This isn't like you. | 0:00:06 | 0:00:09 | |
-There's obviously something you're not telling me... -Please. | 0:00:09 | 0:00:12 | |
-Hysterectomy at 15. -The uterine wall's perforated. | 0:00:12 | 0:00:14 | |
SHE SOBS LOUDLY | 0:00:14 | 0:00:16 | |
The man was a butcher. | 0:00:16 | 0:00:18 | |
Ruptured appendix? | 0:00:18 | 0:00:20 | |
I thought miscarriage was the usual euphemism on the death certificate? | 0:00:20 | 0:00:23 | |
Well, I just met the new owner of Stardust. | 0:00:25 | 0:00:27 | |
Do you have any idea what that horse is worth? | 0:00:27 | 0:00:29 | |
Stardust is MY horse! | 0:00:29 | 0:00:31 | |
'What was once his pride now seemed plain stubbornness.' | 0:00:31 | 0:00:36 | |
This is a princess, slumming it. | 0:00:36 | 0:00:38 | |
-Gino, give it to me, that's my work! -Anna! Hey, Anna! | 0:00:38 | 0:00:41 | |
-Sweetheart, what's...? -SHE SOBS | 0:00:42 | 0:00:45 | |
-You came all this way just to give me a clipping? -No, no. | 0:00:45 | 0:00:48 | |
To ask you to run away with me. | 0:00:48 | 0:00:50 | |
Henry... | 0:00:50 | 0:00:51 | |
I feel like I can talk to you like I can't talk to anyone else. | 0:00:53 | 0:00:56 | |
That day Rene Nordmann shot you... | 0:00:56 | 0:00:58 | |
He was intent. He wanted to kill you. | 0:00:58 | 0:01:01 | |
-So is this a proposal or a business deal? -Both. | 0:01:01 | 0:01:05 | |
You do realise that a marriage of this nature can be easily annulled? | 0:01:05 | 0:01:09 | |
Rene Nordmann passed away. | 0:01:09 | 0:01:11 | |
No matter how charitable you may feel towards me, or to the baby, | 0:01:11 | 0:01:16 | |
we will be on our own. | 0:01:16 | 0:01:18 | |
It won't be charity. | 0:01:18 | 0:01:19 | |
'To Sarah Nordmann, I give, devise and bequeath | 0:01:19 | 0:01:23 | |
'finances held in trust on the behalf of our unborn child.' | 0:01:23 | 0:01:27 | |
That's his favourite. | 0:01:30 | 0:01:32 | |
HE GROANS WEAKLY | 0:01:37 | 0:01:39 | |
Regina. | 0:02:07 | 0:02:09 | |
No... | 0:02:17 | 0:02:18 | |
George... | 0:02:23 | 0:02:24 | |
Darling... | 0:02:25 | 0:02:26 | |
George. | 0:03:02 | 0:03:05 | |
Good morning. | 0:03:05 | 0:03:06 | |
Last night was such a lovely surprise. | 0:03:06 | 0:03:09 | |
You were so...masterful. | 0:03:09 | 0:03:12 | |
We make a great team, George, in every situation. | 0:03:12 | 0:03:15 | |
It was inappropriate. | 0:03:15 | 0:03:17 | |
Given the circumstances. | 0:03:17 | 0:03:19 | |
It won't happen again. | 0:03:19 | 0:03:21 | |
When you get back, we can go over your hospital speech, if you wish? | 0:03:21 | 0:03:24 | |
Ah, there you are. | 0:03:24 | 0:03:26 | |
Good morning, Mother. | 0:03:27 | 0:03:28 | |
-George, if I may have a word? -I'm rather busy. | 0:03:28 | 0:03:30 | |
I'm sure you are. Anna's here. | 0:03:30 | 0:03:32 | |
Oh, how lovely. | 0:03:32 | 0:03:34 | |
Well, she and Gino have had an argument. | 0:03:34 | 0:03:36 | |
She's with Carolyn. | 0:03:36 | 0:03:38 | |
-Is she all right? -She will be. | 0:03:38 | 0:03:41 | |
What about you? | 0:03:41 | 0:03:43 | |
I didn't sleep well, that's all. | 0:03:43 | 0:03:45 | |
Come on, sleepyhead. | 0:03:48 | 0:03:49 | |
No... This bed's too comfortable. | 0:03:51 | 0:03:54 | |
Sweetheart... | 0:03:57 | 0:03:59 | |
CAROLYN CLEARS HER THROAT | 0:04:00 | 0:04:02 | |
You can't hide from this. | 0:04:04 | 0:04:06 | |
You need to stand up for yourself. | 0:04:09 | 0:04:11 | |
I thought that marriage would be like... | 0:04:12 | 0:04:15 | |
Pride And Prejudice. | 0:04:15 | 0:04:17 | |
Or A Room With A View. | 0:04:17 | 0:04:19 | |
Everyone living happily ever after. | 0:04:19 | 0:04:22 | |
You still love him. | 0:04:23 | 0:04:25 | |
Well, you and papa love each other, but you're not even talking. | 0:04:25 | 0:04:28 | |
Let's leave Jack out of this. | 0:04:28 | 0:04:30 | |
It's the same with father and Sarah. | 0:04:30 | 0:04:32 | |
Love, it's... | 0:04:32 | 0:04:33 | |
It's no guarantee. | 0:04:33 | 0:04:35 | |
So you're going to hide from the future in here, under the covers? | 0:04:38 | 0:04:41 | |
ANNA LAUGHS | 0:04:41 | 0:04:42 | |
No. | 0:04:42 | 0:04:43 | |
No, one day, I'm going to earn my own living as a writer. | 0:04:43 | 0:04:48 | |
Just like you. | 0:04:48 | 0:04:49 | |
-Ah, so many writers in the family. -Mm! | 0:04:52 | 0:04:55 | |
-Won't the Bronte sisters be jealous? -Mm! | 0:04:56 | 0:04:59 | |
Mr Bligh, launching his campaign, here with us! | 0:05:09 | 0:05:15 | |
We're so lucky, don't you think? | 0:05:15 | 0:05:17 | |
Look at you. Never seen you look so pretty. | 0:05:17 | 0:05:22 | |
Pretty as a picture. | 0:05:22 | 0:05:23 | |
A very nice thing to say. | 0:05:25 | 0:05:27 | |
Oh, credit where credit's due. | 0:05:27 | 0:05:30 | |
Really scrub up all right for an old girl, don't you? | 0:05:30 | 0:05:33 | |
Goodness, look at the time. | 0:05:35 | 0:05:37 | |
I'll be needed indoors. | 0:05:37 | 0:05:39 | |
Sister Carlin? | 0:05:43 | 0:05:44 | |
Could you PLEASE take Mrs Clark's blood pressure more frequently? | 0:05:44 | 0:05:48 | |
I'm concerned she's developing pre-eclampsia. | 0:05:48 | 0:05:51 | |
May I speak frankly? | 0:05:51 | 0:05:53 | |
Not all of the patients feel comfortable. | 0:05:53 | 0:05:56 | |
With you in mourning, and so on. | 0:05:56 | 0:05:58 | |
"And so on"? | 0:05:58 | 0:06:00 | |
With you in the family way. | 0:06:00 | 0:06:02 | |
Which patients? Give me their names, I'll have a quiet word. | 0:06:02 | 0:06:05 | |
There's no need for that. | 0:06:05 | 0:06:06 | |
Well, let's go and talk to them together, shall we? | 0:06:06 | 0:06:08 | |
Because I can guarantee that most of them | 0:06:08 | 0:06:11 | |
worked in their paddocks until they were ready to drop. | 0:06:11 | 0:06:13 | |
So, ha, I'm a bit surprised. | 0:06:13 | 0:06:15 | |
It's men who put these demeaning ideas into people's heads. | 0:06:15 | 0:06:19 | |
We women know what we're capable of. | 0:06:19 | 0:06:22 | |
If you focused on your job, Marjorie, | 0:06:22 | 0:06:24 | |
you really would be a much better nurse. | 0:06:24 | 0:06:26 | |
I know what you're going to say. | 0:06:40 | 0:06:41 | |
Perhaps it's too soon? | 0:06:43 | 0:06:44 | |
-To come back? -In my condition? | 0:06:44 | 0:06:47 | |
You've joined the enemy. | 0:06:47 | 0:06:48 | |
Not just about the pregnancy. | 0:06:49 | 0:06:51 | |
I need to be here, Jack. | 0:06:52 | 0:06:54 | |
All right. | 0:06:56 | 0:06:57 | |
But just...take things slowly, hmm? | 0:06:59 | 0:07:01 | |
You should've been there. | 0:07:09 | 0:07:11 | |
The strings were sublime. | 0:07:11 | 0:07:13 | |
Apparently, Eugene Goossens may well get his opera house built, | 0:07:15 | 0:07:19 | |
according to the radio. | 0:07:19 | 0:07:20 | |
Lizzie? | 0:07:23 | 0:07:24 | |
Oh... | 0:07:25 | 0:07:27 | |
Do forgive me. My mind was elsewhere. | 0:07:27 | 0:07:30 | |
Well, if you want to unburden. | 0:07:30 | 0:07:31 | |
It's good of you to come and tell me about the concert. | 0:07:32 | 0:07:36 | |
I do value your friendship, you know. | 0:07:36 | 0:07:38 | |
Actually, that's why I'm here. | 0:07:39 | 0:07:42 | |
Because I've been thinking. | 0:07:42 | 0:07:44 | |
I don't want to be your friend. | 0:07:45 | 0:07:47 | |
Oh, I see. | 0:07:48 | 0:07:49 | |
I want us to be more than just friends. | 0:07:49 | 0:07:52 | |
Why not? | 0:07:54 | 0:07:55 | |
Why don't we go away together? Mmm? | 0:07:55 | 0:07:59 | |
You want to see this archaeology first-hand... | 0:07:59 | 0:08:02 | |
Other people visit the Middle East, why don't we? | 0:08:02 | 0:08:05 | |
Douglas, this is most improper, I... | 0:08:07 | 0:08:10 | |
-What would people think? -Well... | 0:08:11 | 0:08:14 | |
Well, we can go in disguise, as a camel. | 0:08:15 | 0:08:18 | |
You can go as the front, I'll go as the back, hmm? | 0:08:18 | 0:08:20 | |
Don't be ridiculous! | 0:08:20 | 0:08:23 | |
Oh, I think people might catch on eventually. | 0:08:23 | 0:08:25 | |
Lizzie, life is so short. | 0:08:27 | 0:08:29 | |
Why don't we just suck the marrow out of it while we still can? | 0:08:30 | 0:08:33 | |
-My family... -They don't need you like I do. | 0:08:34 | 0:08:37 | |
Keep it. | 0:08:39 | 0:08:40 | |
We have to be at the airport 7pm tomorrow night. | 0:08:42 | 0:08:44 | |
I'll call by the Sydney apartment at 5pm tomorrow afternoon, | 0:08:44 | 0:08:47 | |
and if you're not there... | 0:08:47 | 0:08:48 | |
..I'll take it our chapter is concluded. | 0:08:49 | 0:08:52 | |
If you are... | 0:08:53 | 0:08:55 | |
you'll make me a very happy man indeed. | 0:08:55 | 0:08:57 | |
-They just need to sort things out for themselves. -Hmm. | 0:09:20 | 0:09:24 | |
-Ah, Mr Goddard. -Back again? What a lovely surprise. | 0:09:24 | 0:09:28 | |
I hope Mother isn't wearing you out with all this...driving. | 0:09:28 | 0:09:32 | |
Mr Goddard was just leaving. | 0:09:32 | 0:09:34 | |
Oh, why not stay for lunch? | 0:09:34 | 0:09:36 | |
George is off campaigning, but we'd love to have you. | 0:09:36 | 0:09:39 | |
-I... I couldn't impose. -It's no imposition, is it, Mother? | 0:09:39 | 0:09:43 | |
Then again, cook can be an awful gorgon | 0:09:45 | 0:09:47 | |
when these things are sprung on her. | 0:09:47 | 0:09:48 | |
Another time? | 0:09:48 | 0:09:50 | |
Let's hope so. | 0:09:50 | 0:09:51 | |
I'll, er... | 0:09:51 | 0:09:53 | |
take my leave then. | 0:09:53 | 0:09:55 | |
-I'll see you out. -Oh, thank you. | 0:09:56 | 0:09:58 | |
Did something happen? | 0:10:01 | 0:10:03 | |
Oh, this notion that one's every thought needs expressing... | 0:10:04 | 0:10:07 | |
Yes, heaven forbid anyone have a truthful, human reaction to anything, Mother. | 0:10:07 | 0:10:14 | |
BABY GURGLES Anna, are you sure about this? | 0:10:22 | 0:10:25 | |
Yes... Er, yeah, these'll be fine until I get the rest of my things out of the attic. | 0:10:25 | 0:10:28 | |
-Is there a horse for me? -Of course. | 0:10:28 | 0:10:31 | |
-I meant about staying on at Ash Park. -I hate seeing you like this. | 0:10:32 | 0:10:35 | |
-I'm going to go and talk... -Please, DON'T, James. Just let things be. -Anna... | 0:10:35 | 0:10:39 | |
BABY GURGLES | 0:10:43 | 0:10:45 | |
I'm glad you're home. | 0:10:45 | 0:10:47 | |
We miss you when you're in Sydney. | 0:10:48 | 0:10:50 | |
Well, it's like Henry says, it's a hard job, | 0:10:50 | 0:10:53 | |
but someone's got to do it. | 0:10:53 | 0:10:54 | |
You've become such good friends, haven't you? | 0:10:59 | 0:11:01 | |
Well, that's all we are. | 0:11:01 | 0:11:03 | |
Friends. | 0:11:03 | 0:11:04 | |
And it's high time regions like Inverness enjoyed the same | 0:11:08 | 0:11:13 | |
benefits as the cities, | 0:11:13 | 0:11:15 | |
such as modern ambulance care. | 0:11:15 | 0:11:18 | |
Now, some country areas still lack this amenity. | 0:11:18 | 0:11:21 | |
I had a need recently of the ambulance service, and fortunately, | 0:11:21 | 0:11:24 | |
it happened to be available and it certainly helped save my life. | 0:11:24 | 0:11:28 | |
This gave me cause to reflect on what matters. | 0:11:28 | 0:11:32 | |
Now, in the lead-up to this election, | 0:11:34 | 0:11:36 | |
you will hear a lot of talk about the state of our economy | 0:11:36 | 0:11:39 | |
in relation to the nation, | 0:11:39 | 0:11:41 | |
inflation and so forth, but when you look at your lives in two, five, ten years' time | 0:11:41 | 0:11:47 | |
and you see where they might be, what is it that matters most? | 0:11:47 | 0:11:52 | |
Well, surely, it has to be the people in our lives? | 0:11:59 | 0:12:04 | |
Our families... | 0:12:04 | 0:12:06 | |
Those we love. | 0:12:08 | 0:12:09 | |
The confidence that we can give them to sustain and build | 0:12:11 | 0:12:16 | |
our communities, communities that are the backbones of this region... | 0:12:16 | 0:12:22 | |
It's not the platform we decided on. What's going on, Reggie? | 0:12:22 | 0:12:25 | |
Nothing that cannot be fixed. | 0:12:25 | 0:12:27 | |
Don't worry, you'll get your comrade. | 0:12:27 | 0:12:30 | |
..to be your next Member of Parliament. | 0:12:30 | 0:12:33 | |
APPLAUSE Thank you. | 0:12:33 | 0:12:36 | |
Thank you. | 0:12:37 | 0:12:38 | |
Mr Bligh, our patients would so love to meet you. | 0:12:43 | 0:12:47 | |
-Apologies, hectic schedule. -It'd be my pleasure. -Oh! | 0:12:47 | 0:12:52 | |
-Marty! This is Mr George Bligh. -Been in the wars, chap? | 0:12:52 | 0:12:56 | |
A little closer, Sister. | 0:12:56 | 0:12:58 | |
-Isn't Sister Nordmann a marvel? -Perfect, thank you. | 0:13:04 | 0:13:06 | |
I think the only thing keeping her upright is my home-made tonic. | 0:13:06 | 0:13:10 | |
Is that so? | 0:13:10 | 0:13:11 | |
I cannot understand why you would take such a risk. | 0:13:18 | 0:13:21 | |
I'll speak with Sir Richard about my priorities. | 0:13:21 | 0:13:25 | |
The way you looked at her, it was obvious. | 0:13:25 | 0:13:27 | |
Your feelings! | 0:13:28 | 0:13:29 | |
You're still in love with her. | 0:13:29 | 0:13:32 | |
My feelings are none of your concern. | 0:13:33 | 0:13:35 | |
'To Sarah Nordmann I give, devise and bequeath | 0:14:07 | 0:14:11 | |
'finances held in trust on behalf of our unborn child, | 0:14:11 | 0:14:14 | |
'for maintenance, education, advancement and benefit, | 0:14:14 | 0:14:18 | |
'reaching the age of 21.' | 0:14:18 | 0:14:20 | |
SHATTERING GLASS Get out! Just...leave it! | 0:14:22 | 0:14:24 | |
-What on earth is going on? -You'll have to ask Mrs Bligh. | 0:14:27 | 0:14:30 | |
-Regina! -Patrolling the halls? | 0:14:30 | 0:14:32 | |
How Dickensian, even for you. | 0:14:32 | 0:14:34 | |
This pact of yours, Regina, is not going to be easy... | 0:14:34 | 0:14:37 | |
You mean my marriage? | 0:14:37 | 0:14:38 | |
To the man I love? And who loves me...in every way. | 0:14:38 | 0:14:42 | |
Yes. Your hopes of annulment have been dashed. | 0:14:43 | 0:14:47 | |
In a quite spectacular fashion. | 0:14:48 | 0:14:50 | |
Then you have everything you want. | 0:14:51 | 0:14:53 | |
-And you're still not satisfied. -According to whom? -Oh, I see you. | 0:14:53 | 0:14:58 | |
Regina, I see who you are. You are a wanton woman. | 0:14:58 | 0:15:03 | |
How sad you are. | 0:15:03 | 0:15:05 | |
The way you cling to this life, this family. | 0:15:05 | 0:15:09 | |
But only because you have nothing else. | 0:15:09 | 0:15:11 | |
You're the one who doesn't belong here. | 0:15:11 | 0:15:13 | |
You're the one who has no place. | 0:15:13 | 0:15:16 | |
Your speech went well? | 0:15:31 | 0:15:32 | |
It was a clarifying experience. | 0:15:34 | 0:15:35 | |
Is there something on your mind? | 0:15:39 | 0:15:41 | |
George, I want you to promise me to be careful with Regina. | 0:15:42 | 0:15:45 | |
-She is so dangerously wilful... -I am not blind to Regina's ambitions. | 0:15:45 | 0:15:50 | |
You needn't worry about that. | 0:15:50 | 0:15:52 | |
It was nice to see Douglas back here so soon. | 0:15:54 | 0:15:56 | |
-You're changing the subject. -Attentive, isn't he? | 0:15:57 | 0:16:01 | |
He does tend towards the spontaneous. | 0:16:01 | 0:16:04 | |
How awful for you, Mother(!) | 0:16:04 | 0:16:06 | |
And he's rather too fond of Tchaikovsky. | 0:16:08 | 0:16:10 | |
He makes you happy. | 0:16:12 | 0:16:13 | |
Douglas is a wonderful man. | 0:16:14 | 0:16:17 | |
And we all deserve a little happiness. | 0:16:17 | 0:16:19 | |
That's what HE says. | 0:16:21 | 0:16:23 | |
It's never too late. | 0:16:23 | 0:16:25 | |
Working hard, Gino. | 0:16:42 | 0:16:43 | |
Go home, James. | 0:16:44 | 0:16:45 | |
Look, I know what Anna's like. | 0:16:48 | 0:16:51 | |
She's hot-headed, impractical, she can't be told anything. | 0:16:51 | 0:16:53 | |
Don't talk about her like that. | 0:16:53 | 0:16:55 | |
That's fine, she's my sister, I know her. | 0:16:56 | 0:16:58 | |
Please, Gino. | 0:17:00 | 0:17:03 | |
Put things right with her. Be a good husband. GINO SCOFFS | 0:17:03 | 0:17:05 | |
You're lecturing me on being a husband? That's rich. | 0:17:05 | 0:17:08 | |
-What's that supposed to mean? -Forget about it. | 0:17:08 | 0:17:11 | |
No, I... I'm trying to talk to you and you don't even have the decency | 0:17:12 | 0:17:15 | |
to look me in the eye! | 0:17:15 | 0:17:16 | |
-Look, just leave! -No. | 0:17:16 | 0:17:18 | |
You used to be so easy going, we've always got along. | 0:17:18 | 0:17:20 | |
-Tell me what's changed? -I married a Bligh. | 0:17:20 | 0:17:23 | |
And that's such a hardship? | 0:17:23 | 0:17:24 | |
-Being married to Anna? No. All that comes with it. -What? | 0:17:24 | 0:17:28 | |
-What are you talking about? -The lies, the secrets... | 0:17:29 | 0:17:32 | |
-I mean, no wonder people write such terrible things about your family. -What things? | 0:17:32 | 0:17:36 | |
Swanson wrote a letter to Anna. | 0:17:39 | 0:17:41 | |
About you, your wife and your son. | 0:17:42 | 0:17:44 | |
My son? | 0:17:44 | 0:17:46 | |
This is nonsense. | 0:17:48 | 0:17:49 | |
-All right, what did that pig Swanson say about him? -That he's not yours. | 0:17:51 | 0:17:55 | |
Well, that's not true. | 0:17:55 | 0:17:57 | |
You make amends with my sister, or you'll answer to me. | 0:18:05 | 0:18:08 | |
There you are. | 0:18:23 | 0:18:25 | |
James? | 0:18:29 | 0:18:31 | |
Whatever's the matter? | 0:18:36 | 0:18:37 | |
James? | 0:18:40 | 0:18:42 | |
I just saw Gino. | 0:18:42 | 0:18:43 | |
Swanson's letter, is it true? | 0:18:43 | 0:18:46 | |
They say men like me can't father a child. Is Georgie mine? | 0:18:48 | 0:18:52 | |
-TEARFULLY: -Why would you ever...? -Tell me! | 0:18:52 | 0:18:54 | |
How can you even question that? | 0:18:57 | 0:18:59 | |
You slept with Lloyd behind my back, | 0:18:59 | 0:19:01 | |
perhaps you have a talent for deception? | 0:19:01 | 0:19:04 | |
And so you would trust Andrew Swanson's word over mine? | 0:19:04 | 0:19:07 | |
After everything we've been through. | 0:19:08 | 0:19:10 | |
Is that how little you think of me? | 0:19:14 | 0:19:15 | |
James, this is ludicrous! | 0:19:17 | 0:19:19 | |
Of course Georgie is yours, he's our little boy! James! | 0:19:19 | 0:19:23 | |
Truce. | 0:19:32 | 0:19:33 | |
You're not joining me? | 0:19:40 | 0:19:42 | |
Why not? | 0:19:43 | 0:19:44 | |
In the car, we argued. | 0:19:52 | 0:19:54 | |
I regret that. | 0:19:55 | 0:19:56 | |
To teething problems. | 0:19:57 | 0:19:59 | |
You do trust me, don't you? | 0:20:08 | 0:20:10 | |
If you're having second thoughts about our arrangement... | 0:20:10 | 0:20:13 | |
Sarah Nordmann was not part of our arrangement. | 0:20:13 | 0:20:16 | |
I've made it clear. | 0:20:16 | 0:20:17 | |
-PLEADING: -Don't see her again. | 0:20:21 | 0:20:22 | |
Please. | 0:20:26 | 0:20:27 | |
There can only be two of us in this marriage. | 0:20:33 | 0:20:35 | |
If it were to come out... | 0:20:35 | 0:20:37 | |
If what were to come out? | 0:20:37 | 0:20:39 | |
Think of your career. The scandal. You'd be a laughing stock. | 0:20:41 | 0:20:45 | |
People talk. | 0:20:45 | 0:20:47 | |
Who would tell these people? | 0:20:48 | 0:20:50 | |
-If you're suggesting... -I will not be blackmailed by my wife. | 0:20:50 | 0:20:53 | |
That is not... | 0:20:53 | 0:20:55 | |
Your mother has been in your ear, poisoning you against me. | 0:20:55 | 0:20:57 | |
My mother's not the poisoning type. | 0:20:57 | 0:21:00 | |
YOU will play the role that you have chosen. | 0:21:01 | 0:21:05 | |
You will smile and wave and do what is asked. | 0:21:06 | 0:21:09 | |
And in return, you'll enjoy the benefits of your position. | 0:21:09 | 0:21:12 | |
But you will not question me. | 0:21:12 | 0:21:14 | |
Nor will you plot and connive against Mrs Nordmann. | 0:21:16 | 0:21:19 | |
Whatever your grievances. | 0:21:19 | 0:21:22 | |
-Is that understood? -George... -Is that understood? | 0:21:22 | 0:21:25 | |
Yes. | 0:21:25 | 0:21:26 | |
Very well. | 0:21:28 | 0:21:29 | |
I'm so glad you've resumed your work. | 0:21:45 | 0:21:48 | |
I'm sure it's for the best. | 0:21:48 | 0:21:50 | |
Mind you, it wouldn't have happened in my day, | 0:21:51 | 0:21:53 | |
wouldn't have been allowed. | 0:21:53 | 0:21:55 | |
Confinement meant exactly that. | 0:21:55 | 0:21:57 | |
Women have more choices now. | 0:21:58 | 0:22:00 | |
Not as many as we might like. | 0:22:00 | 0:22:03 | |
And few supported, even by other women. | 0:22:03 | 0:22:05 | |
But still, you do exactly as you see fit, | 0:22:07 | 0:22:09 | |
regardless of what others think. | 0:22:09 | 0:22:11 | |
As do you. | 0:22:11 | 0:22:12 | |
Like this possible trip! | 0:22:15 | 0:22:16 | |
And, yes, your immunisations are up to date. | 0:22:18 | 0:22:21 | |
Including cholera and typhoid? | 0:22:21 | 0:22:23 | |
Are you thinking of somewhere exotic? | 0:22:25 | 0:22:27 | |
Perhaps. | 0:22:27 | 0:22:29 | |
I do worry about leaving George. | 0:22:30 | 0:22:32 | |
He needs so much support at the moment. | 0:22:33 | 0:22:35 | |
He has his wife for that. | 0:22:35 | 0:22:37 | |
From someone he can trust. | 0:22:38 | 0:22:40 | |
George was raised by you, Elizabeth. | 0:22:40 | 0:22:43 | |
He'll make the right decisions. | 0:22:44 | 0:22:46 | |
Eventually. | 0:22:47 | 0:22:48 | |
Perhaps. | 0:22:50 | 0:22:52 | |
Gino! | 0:22:54 | 0:22:55 | |
Anna. | 0:22:57 | 0:22:58 | |
Olivia told me what you said to James. | 0:22:58 | 0:23:01 | |
How could you do that? | 0:23:01 | 0:23:03 | |
Do you know what you have done to them and how horrible it is? | 0:23:03 | 0:23:07 | |
There is no excuse. | 0:23:07 | 0:23:09 | |
I was angry. | 0:23:09 | 0:23:11 | |
I don't expect you to forgive me. | 0:23:13 | 0:23:15 | |
Anna, bella, wait... | 0:23:16 | 0:23:18 | |
HORSE NICKERS | 0:23:24 | 0:23:26 | |
Oh! | 0:23:27 | 0:23:28 | |
Hey! | 0:23:30 | 0:23:31 | |
Oh... | 0:23:31 | 0:23:33 | |
I'm sorry. | 0:23:34 | 0:23:35 | |
I'm so, so sorry. | 0:23:37 | 0:23:40 | |
I've made so many mistakes, with us, with James... | 0:23:41 | 0:23:44 | |
HORSE EXHALES | 0:23:46 | 0:23:47 | |
But I love you, bella. | 0:23:50 | 0:23:52 | |
More than anything. | 0:23:54 | 0:23:55 | |
We were so happy once. | 0:23:56 | 0:23:58 | |
Can't we be again? | 0:23:59 | 0:24:01 | |
I don't know how. | 0:24:03 | 0:24:05 | |
I thought we were meeting at the club. | 0:24:34 | 0:24:36 | |
I was in the neighbourhood, so... | 0:24:36 | 0:24:37 | |
Drink? | 0:24:40 | 0:24:42 | |
Thank you. You read my mind. | 0:24:42 | 0:24:43 | |
Well, we can talk about it. | 0:24:45 | 0:24:47 | |
Or not talk about it, up to you. | 0:24:49 | 0:24:51 | |
I wouldn't know where to start. | 0:24:53 | 0:24:54 | |
How about at the bottom of this? | 0:24:58 | 0:24:59 | |
I must seem quite mad. | 0:25:10 | 0:25:12 | |
Stark raving. | 0:25:12 | 0:25:13 | |
I had to get away. | 0:25:14 | 0:25:16 | |
And here you are. | 0:25:18 | 0:25:20 | |
It's all getting a bit on top of me, I'm afraid. | 0:25:20 | 0:25:23 | |
What is? | 0:25:23 | 0:25:24 | |
The world's not going to end, James. | 0:25:28 | 0:25:30 | |
Just let it out. | 0:25:30 | 0:25:32 | |
Just let it out. | 0:25:32 | 0:25:33 | |
'It has been brought to the chamber's attention that | 0:26:45 | 0:26:48 | |
'you may have been involved in unlawful conduct with intent | 0:26:48 | 0:26:52 | |
'to administer an illegal abortion, | 0:26:52 | 0:26:54 | |
'resulting in the untimely death of a patient.' | 0:26:54 | 0:26:58 | |
Bella mia, bella ragazze. | 0:27:10 | 0:27:12 | |
Toast, cafe. | 0:27:13 | 0:27:14 | |
I can't believe I fell asleep. | 0:27:16 | 0:27:18 | |
I missed waking up next to you. | 0:27:19 | 0:27:22 | |
Let's never be apart like that. | 0:27:23 | 0:27:25 | |
No, we can't go on fighting as we have. | 0:27:26 | 0:27:28 | |
We won't. | 0:27:28 | 0:27:30 | |
No more arguing about money or anything. | 0:27:30 | 0:27:33 | |
I was thinking that we could sell Stardust to pay back Carlo. | 0:27:33 | 0:27:36 | |
-No, I know what she means to you. -But it's time to be practical. | 0:27:36 | 0:27:40 | |
I'll talk to Papa about mortgaging the farm. | 0:27:41 | 0:27:44 | |
-I'll forget about the damn vineyard. -No, Gino! | 0:27:44 | 0:27:47 | |
Don't, Poletti Wines - it's a good dream. | 0:27:47 | 0:27:49 | |
-I'll talk to George about investing. Make him a partner. -Oh, really? | 0:27:51 | 0:27:55 | |
You'd do that? Well, I think he'd love it. | 0:27:55 | 0:27:58 | |
We'll do things properly. Maybe I'll even take advice. | 0:27:58 | 0:28:02 | |
-I just want us to make each other happy. -Tell me what I've got to do. | 0:28:06 | 0:28:10 | |
I'll do anything, bella. | 0:28:10 | 0:28:11 | |
We have to keep talking, OK? Being honest, like we are now. | 0:28:11 | 0:28:15 | |
As long as we're together, we'll be happy. | 0:28:16 | 0:28:19 | |
Yes? | 0:28:19 | 0:28:20 | |
Yes. | 0:28:22 | 0:28:23 | |
Mm... | 0:28:40 | 0:28:41 | |
Were you planning on leaving a note? | 0:28:44 | 0:28:46 | |
I really should go. | 0:28:55 | 0:28:56 | |
Here I am. | 0:29:06 | 0:29:07 | |
Carolyn, what would you say if I... | 0:29:09 | 0:29:14 | |
If I told you I might go away | 0:29:14 | 0:29:16 | |
on a trip? | 0:29:16 | 0:29:18 | |
Send me a postcard? | 0:29:18 | 0:29:20 | |
Luxor? | 0:29:23 | 0:29:25 | |
With Mr Goddard. | 0:29:25 | 0:29:27 | |
Douglas. | 0:29:27 | 0:29:28 | |
Tell me if you think I shouldn't go. | 0:29:29 | 0:29:31 | |
What will happen if you don't go? | 0:29:31 | 0:29:34 | |
Oh, it's such a bold decision. | 0:29:36 | 0:29:38 | |
They're the best! | 0:29:38 | 0:29:40 | |
They're the ones that make our lives sparkle. | 0:29:40 | 0:29:42 | |
If I were to go, would you tell George? He'll disapprove, I know. | 0:29:45 | 0:29:50 | |
Mother, no matter what anybody will think, you'll regret it | 0:29:50 | 0:29:54 | |
so much if you don't go. | 0:29:54 | 0:29:56 | |
-And you'd be all right? -Yes. | 0:29:57 | 0:30:00 | |
I promise. | 0:30:00 | 0:30:01 | |
KNOCK AT DOOR | 0:30:01 | 0:30:04 | |
Mother? You wanted to see me? | 0:30:05 | 0:30:07 | |
-I wanted to let you know I'm returning to Sydney. -As you wish. | 0:30:07 | 0:30:11 | |
George... | 0:30:11 | 0:30:13 | |
Be strong. | 0:30:13 | 0:30:14 | |
Stay strong. | 0:30:14 | 0:30:16 | |
Yes, Mother. | 0:30:17 | 0:30:18 | |
Well, I must be going. Thank you, both. | 0:30:20 | 0:30:23 | |
Is she all right? | 0:30:34 | 0:30:36 | |
I think she's on top of the world. | 0:30:37 | 0:30:38 | |
Come here. | 0:30:54 | 0:30:55 | |
BELL RINGS | 0:31:01 | 0:31:03 | |
Let me get rid of whoever that is. | 0:31:03 | 0:31:05 | |
Yes? | 0:31:09 | 0:31:11 | |
I'd like to speak to my husband. | 0:31:14 | 0:31:16 | |
-I... -Excuse me. | 0:31:19 | 0:31:21 | |
Mrs Bligh... | 0:31:21 | 0:31:23 | |
Mrs Bligh... | 0:31:24 | 0:31:25 | |
Livvie! Livvie! | 0:31:33 | 0:31:36 | |
Livvie, wait! Wait! Let me explain! | 0:31:36 | 0:31:38 | |
-Explain what? -I never meant for this to happen. | 0:31:38 | 0:31:42 | |
Tell me what it is that you're doing here. | 0:31:42 | 0:31:44 | |
No... | 0:31:57 | 0:31:58 | |
No... | 0:32:00 | 0:32:01 | |
Wait. | 0:32:05 | 0:32:06 | |
Wait. Wait! | 0:32:06 | 0:32:08 | |
Livvie... | 0:32:08 | 0:32:10 | |
You can't leave like this. | 0:32:10 | 0:32:12 | |
-I need to think about what I want. -What you want? | 0:32:12 | 0:32:16 | |
This is my marriage too. | 0:32:18 | 0:32:20 | |
What is it, bella? | 0:32:39 | 0:32:41 | |
Don't be angry. | 0:32:43 | 0:32:44 | |
I won't, I promise. | 0:32:45 | 0:32:47 | |
-Tell me. -I heard back from the publisher. | 0:32:49 | 0:32:52 | |
I didn't think I'd hear anything, but... | 0:32:52 | 0:32:54 | |
-Someone wants your book? -Angus & Robertson. | 0:32:56 | 0:32:59 | |
They think I could be the voice of young women. Imagine that! They... | 0:32:59 | 0:33:03 | |
They want me to go down to Sydney to meet with them. | 0:33:03 | 0:33:06 | |
Such an opportunity. | 0:33:07 | 0:33:09 | |
It's going to take a lot more work. | 0:33:10 | 0:33:13 | |
And after what I wrote about us... | 0:33:13 | 0:33:17 | |
Bella... | 0:33:17 | 0:33:18 | |
You do what makes your heart sing. | 0:33:20 | 0:33:22 | |
Really? | 0:33:23 | 0:33:25 | |
-SHE LAUGHS -Thank you, darling! | 0:33:25 | 0:33:27 | |
Thank you, thank you! | 0:33:27 | 0:33:29 | |
Carolyn. | 0:33:36 | 0:33:38 | |
I hoped we might talk. | 0:33:39 | 0:33:41 | |
I tried to telephone. | 0:33:43 | 0:33:44 | |
I needed... | 0:33:47 | 0:33:49 | |
I've come to talk to you about Sir Richard. | 0:33:56 | 0:33:59 | |
Well, I see. | 0:34:00 | 0:34:02 | |
Well, you've certainly taken your time to tell me. | 0:34:05 | 0:34:08 | |
-Tell you what? -His interest was clear. | 0:34:08 | 0:34:11 | |
Now yours is as well. | 0:34:13 | 0:34:14 | |
No. You don't understand. | 0:34:15 | 0:34:18 | |
That night you left my place, something happened. | 0:34:23 | 0:34:26 | |
He... | 0:34:28 | 0:34:30 | |
He...forced himself on me. | 0:34:32 | 0:34:36 | |
SHE SOBS | 0:34:37 | 0:34:40 | |
You were right about him. | 0:34:40 | 0:34:42 | |
-I've been such a fool. -This is not your fault. -It is! | 0:34:42 | 0:34:46 | |
I had him in my apartment! We were drinking. | 0:34:46 | 0:34:50 | |
It's like he's inside my head and I can't get him out. | 0:34:52 | 0:34:56 | |
I don't know how to make these... | 0:34:56 | 0:34:59 | |
thoughts go away. | 0:34:59 | 0:35:01 | |
A piece of me...has gone, Jack. | 0:35:04 | 0:35:07 | |
The best piece, and I don't know how to get it back. | 0:35:07 | 0:35:10 | |
Don't touch me, please. | 0:35:10 | 0:35:12 | |
He won't get away with this. KNOCK ON DOOR | 0:35:16 | 0:35:18 | |
Dr Duncan? Some men are here to see you. | 0:35:18 | 0:35:21 | |
-Yeah, not now, all right? -They're detectives. | 0:35:21 | 0:35:24 | |
Jack. What's going on? | 0:35:29 | 0:35:32 | |
The police want a formal interview by the end of the week. | 0:35:41 | 0:35:43 | |
The important thing is, we've got Jack Chand on board. The best criminal lawyer in Sydney. | 0:35:43 | 0:35:47 | |
Even if there isn't a criminal case to answer, my licence is still at risk. | 0:35:47 | 0:35:50 | |
I had a word with Sir Richard before you arrived. I'm calling in a favour. | 0:35:50 | 0:35:53 | |
-I don't want him involved. -He has valuable connections. -I said no. | 0:35:53 | 0:35:57 | |
-You're asking me to help, Jack. -We didn't do anything illegal. -WE? | 0:35:59 | 0:36:03 | |
-You didn't mention someone else. -I didn't think it was important. | 0:36:04 | 0:36:08 | |
-If there are other witnesses... -No, it is too compromising to name them. | 0:36:08 | 0:36:11 | |
-This is your future. -Jack. | 0:36:11 | 0:36:14 | |
When Sarah Nordmann was in Sydney, she met the girl. | 0:36:19 | 0:36:23 | |
Met someone having a back-yard abortion? | 0:36:24 | 0:36:26 | |
Why would Sarah...? | 0:36:28 | 0:36:29 | |
Um... | 0:36:32 | 0:36:33 | |
-If you'll excuse me. -George! | 0:36:34 | 0:36:36 | |
DOG BARKS | 0:36:58 | 0:37:00 | |
CAR DOOR SHUTS | 0:37:02 | 0:37:04 | |
I have something rather difficult I have to ask you. | 0:37:04 | 0:37:07 | |
Did you ever consider having... an abortion? | 0:37:11 | 0:37:15 | |
I don't...I don't know how to explain this to you. | 0:37:20 | 0:37:22 | |
How could you even think of putting yourself in that situation? | 0:37:22 | 0:37:25 | |
-To risk your health, your life. -Rene was sick. I was alone. | 0:37:25 | 0:37:29 | |
And I didn't need to be consulted. Even told there WAS a baby. | 0:37:29 | 0:37:33 | |
I wasn't thinking about you. I had no idea where I would end up. | 0:37:33 | 0:37:38 | |
-Please, don't... -For God's sake, this is our child! | 0:37:38 | 0:37:41 | |
And it always will be. | 0:37:43 | 0:37:45 | |
George Bligh and his bastard Jew. Be realistic. | 0:37:48 | 0:37:52 | |
-Don't say that. -Why not? | 0:37:52 | 0:37:54 | |
Everyone else will. | 0:37:54 | 0:37:56 | |
You see? | 0:37:58 | 0:38:00 | |
You know it, too. | 0:38:02 | 0:38:04 | |
There's no future. | 0:38:06 | 0:38:08 | |
How can there be? | 0:38:10 | 0:38:11 | |
Hello there. | 0:38:33 | 0:38:34 | |
Mrs Collins. | 0:38:35 | 0:38:37 | |
-Mrs Bligh. -My dear, you must call me Regina. | 0:38:38 | 0:38:42 | |
I was passing by and I thought how nice it would be to have | 0:38:42 | 0:38:45 | |
a cup of tea with one of our most valuable campaign volunteers. | 0:38:45 | 0:38:49 | |
-I need your assistance. -Well, I'll pop the kettle on. | 0:38:49 | 0:38:55 | |
Hmm. | 0:38:55 | 0:38:56 | |
Oh. | 0:39:34 | 0:39:35 | |
SHE COUGHS | 0:39:41 | 0:39:42 | |
Oh! | 0:39:45 | 0:39:46 | |
Oh! Oh! | 0:39:50 | 0:39:52 | |
Oh! | 0:39:53 | 0:39:54 | |
Thank you. | 0:41:03 | 0:41:04 | |
We are going on an adventure, aren't we? | 0:41:09 | 0:41:11 | |
Lizzie? | 0:41:29 | 0:41:30 | |
Oh! | 0:41:36 | 0:41:37 | |
KNOCK ON DOOR | 0:41:39 | 0:41:41 | |
Are you there? | 0:41:45 | 0:41:46 | |
SHE STRAINS | 0:41:50 | 0:41:52 | |
FAINT WHIMPER | 0:41:55 | 0:41:57 | |
HE SIGHS | 0:42:05 | 0:42:06 | |
-Do you fancy a cuppa? -I must get on to Ash Park. | 0:42:10 | 0:42:14 | |
Apparently, I've become integral to the campaign. | 0:42:14 | 0:42:18 | |
The new Mrs Bligh came to see me. She even helped me with this. | 0:42:18 | 0:42:22 | |
Well, she's a lot of things, but she's not silly. | 0:42:22 | 0:42:24 | |
She knows a good helper when she sees one. | 0:42:24 | 0:42:26 | |
DOOR CREAKS | 0:42:26 | 0:42:28 | |
Oh. This is for you. | 0:42:28 | 0:42:31 | |
-My tonic. Thank you, Doris. -My pleasure. | 0:42:31 | 0:42:34 | |
-You've got a bit of... -Oh. | 0:42:34 | 0:42:37 | |
Goodness me. It's the man himself. | 0:42:38 | 0:42:41 | |
Mr Bligh. | 0:42:46 | 0:42:48 | |
Well, if you'll excuse us, Mrs Collins and I | 0:42:51 | 0:42:53 | |
have got some very important election business to take care of. | 0:42:53 | 0:42:56 | |
Come on, I'm driving. | 0:42:56 | 0:42:57 | |
Who cares what people think? What they say. | 0:43:13 | 0:43:15 | |
I just want to be with you. | 0:43:17 | 0:43:19 | |
Whatever was between us, George, you're a married... | 0:43:21 | 0:43:24 | |
-Nothing else matters. -..man and equally unavailable. | 0:43:24 | 0:43:27 | |
We will be together, Sarah. I promise you. | 0:43:27 | 0:43:31 | |
-I was harsh before, I apologise. -Whatever it takes. | 0:43:36 | 0:43:39 | |
However long you need. | 0:43:43 | 0:43:46 | |
You'll always be a part of this child's life. | 0:43:49 | 0:43:52 | |
However long you need. | 0:44:00 | 0:44:02 | |
I love you. | 0:44:04 | 0:44:05 | |
Where's my son? | 0:44:28 | 0:44:29 | |
I don't know. | 0:44:30 | 0:44:32 | |
I will have to go to the publishers every fortnight. | 0:44:34 | 0:44:37 | |
I wonder if it is professional enough. | 0:44:37 | 0:44:39 | |
Imagine, the publisher wants to see ME. | 0:44:39 | 0:44:42 | |
And he mentioned a book launch and book signings... | 0:44:42 | 0:44:45 |