Browse content similar to Bad in a Good Way. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Is Georgie mine? | 0:00:02 | 0:00:03 | |
Of course Georgie is yours, he's OUR little boy! | 0:00:03 | 0:00:05 | |
James isn't Georgie's father. | 0:00:05 | 0:00:07 | |
-But you said... -I didn't give birth to him. | 0:00:07 | 0:00:09 | |
You be as cavalier as you wish with your marriage, but not with Georgie. | 0:00:09 | 0:00:14 | |
He is a Bligh, he will be raised by us. | 0:00:16 | 0:00:19 | |
Bear all the shame and part with my son? | 0:00:19 | 0:00:22 | |
That is truly a Bligh solution. | 0:00:22 | 0:00:25 | |
So, what now? | 0:00:25 | 0:00:27 | |
The truth. | 0:00:27 | 0:00:28 | |
There's just one little thing I need you to do for me. | 0:00:28 | 0:00:32 | |
Could you teach me Italian? I could pay you. | 0:00:32 | 0:00:35 | |
He's taught me a few words already. | 0:00:35 | 0:00:36 | |
You'll be quite the Italiano before you're done. | 0:00:36 | 0:00:39 | |
You're not interested in what I've written. | 0:00:39 | 0:00:41 | |
Your subject matter, no. | 0:00:41 | 0:00:44 | |
-Perhaps Sir Richard might advise on the way forward? -No. | 0:00:44 | 0:00:47 | |
Anna would rather succeed on her own merits. | 0:00:47 | 0:00:49 | |
-Give me a kiss. -Ah! | 0:00:49 | 0:00:51 | |
'He...' | 0:00:51 | 0:00:52 | |
forced himself on me. | 0:00:52 | 0:00:55 | |
He won't get away with this. | 0:00:55 | 0:00:56 | |
I think your mother was wrong about Sir Richard. | 0:00:56 | 0:00:59 | |
Can you fetch me my book? It's in the top drawer there. | 0:00:59 | 0:01:02 | |
Whatever was between us, George, you're a married man... | 0:01:02 | 0:01:05 | |
-Nothing else matters... -..I'm equally unavailable... | 0:01:05 | 0:01:07 | |
We will be together, Sarah. | 0:01:07 | 0:01:09 | |
For one so young to take her life and then to use... | 0:01:09 | 0:01:12 | |
If it hadn't been your mixture, she would've used something else. | 0:01:12 | 0:01:15 | |
If she killed herself. | 0:01:15 | 0:01:16 | |
What if she didn't? | 0:01:17 | 0:01:19 | |
Your husband shot George Bligh. | 0:01:19 | 0:01:21 | |
-I don't see what that has to... -It's all right, Jack. | 0:01:21 | 0:01:23 | |
Are you a Communist too? | 0:01:23 | 0:01:25 | |
The new Mrs Bligh and I have formed a delightful intimacy. | 0:01:25 | 0:01:28 | |
Imagine my thrill the other day when she visited me | 0:01:28 | 0:01:31 | |
and even stayed to help me with my little task. | 0:01:31 | 0:01:34 | |
To what do I owe this displeasure? | 0:01:41 | 0:01:43 | |
How does it feel to be a murderer? | 0:01:43 | 0:01:45 | |
DOG WHINES | 0:01:55 | 0:01:57 | |
I had no idea the depth of your heartbreak. | 0:02:14 | 0:02:18 | |
These are the ravings of someone unhinged. | 0:02:18 | 0:02:20 | |
You visited Doris, | 0:02:20 | 0:02:21 | |
you poisoned the tonic and somehow the bottles were mislabelled. | 0:02:21 | 0:02:25 | |
You would say anything to take George from me. | 0:02:25 | 0:02:28 | |
How can you live with killing an innocent woman? | 0:02:28 | 0:02:31 | |
-It was suicide. -But it wasn't. | 0:02:31 | 0:02:33 | |
And they have proof. | 0:02:34 | 0:02:35 | |
It's become a murder investigation. | 0:02:36 | 0:02:39 | |
There it is. | 0:02:42 | 0:02:44 | |
Fear. | 0:02:44 | 0:02:45 | |
I'm simply surprised. | 0:02:45 | 0:02:46 | |
That's what I came for, the flicker of truth. | 0:02:46 | 0:02:49 | |
-Where are you going? -Now you've confirmed it, the police. | 0:02:49 | 0:02:51 | |
Let me save you the bother. | 0:02:51 | 0:02:53 | |
Yes, Mildred, | 0:02:57 | 0:02:59 | |
call Sergeant Taylor and tell him he's required at Ash Park. | 0:02:59 | 0:03:02 | |
Yes, urgently. | 0:03:02 | 0:03:04 | |
He hates Communists, I hear. | 0:03:07 | 0:03:09 | |
Even more than his predecessor. | 0:03:09 | 0:03:11 | |
"The Reds are amongst us, Sergeant. | 0:03:13 | 0:03:16 | |
"The Petrovs prove it. | 0:03:16 | 0:03:18 | |
"She's out to destroy my husband by accusing me, | 0:03:18 | 0:03:21 | |
"she may well have killed Miss Davis to that very end." | 0:03:21 | 0:03:24 | |
Who will he believe? | 0:03:27 | 0:03:28 | |
I'll make a most persuasive argument. | 0:03:31 | 0:03:34 | |
Riddled with supposition from a bitter ex-fiance. | 0:03:34 | 0:03:37 | |
You know, | 0:03:39 | 0:03:41 | |
I unearthed more in Europe than darling Rene. | 0:03:41 | 0:03:44 | |
Quite the dossier. | 0:03:44 | 0:03:46 | |
What you did to survive the camp, | 0:03:46 | 0:03:48 | |
its liberation by the Russians a perfect chance to recruit you. | 0:03:48 | 0:03:52 | |
And then months in an asylum. | 0:03:52 | 0:03:55 | |
All of which makes you a mad Commie whore. | 0:03:55 | 0:03:59 | |
Exactly how I'll characterise you to the sergeant. | 0:04:01 | 0:04:04 | |
And I'll tell him all I know. | 0:04:05 | 0:04:07 | |
Of which you have no proof! | 0:04:07 | 0:04:09 | |
None. | 0:04:11 | 0:04:12 | |
Checkmate, I think. | 0:04:14 | 0:04:16 | |
Milly Davis was a young woman with her entire life ahead of her. | 0:04:22 | 0:04:26 | |
Oh, get out before you're thrown out! | 0:04:26 | 0:04:29 | |
DOOR OPENS | 0:04:29 | 0:04:30 | |
I've kept yours warm, it's on the stove right here. | 0:04:33 | 0:04:36 | |
-I'm not hungry. -You can't waste good tucker, | 0:04:36 | 0:04:39 | |
especially not in your condition. | 0:04:39 | 0:04:41 | |
I'm sorry... | 0:05:08 | 0:05:09 | |
I want this on record. | 0:05:17 | 0:05:19 | |
Simply to protect against further attempts to malign me. | 0:05:19 | 0:05:22 | |
You sure you don't want her charged, trespass, false accusation? | 0:05:22 | 0:05:26 | |
She left of her own accord. | 0:05:26 | 0:05:28 | |
I'll see she gets a good warning at least. | 0:05:28 | 0:05:31 | |
Her ravings are so bizarre. | 0:05:31 | 0:05:33 | |
I really can't take her seriously. | 0:05:34 | 0:05:36 | |
Thanks for this. | 0:05:43 | 0:05:45 | |
-It helps to know. -Forewarned is forearmed. | 0:05:45 | 0:05:48 | |
Please, just between us. | 0:05:50 | 0:05:53 | |
It gives me leverage in silencing her. | 0:05:53 | 0:05:55 | |
Whatever you say, ma'am. | 0:05:58 | 0:06:00 | |
And naturally as so much is sensitive material, | 0:06:00 | 0:06:03 | |
once read, I would like it returned. | 0:06:03 | 0:06:05 | |
Thank you. | 0:06:07 | 0:06:08 | |
I used to stand at the front gate as a child, | 0:06:10 | 0:06:13 | |
I wondered what it was like in here. | 0:06:13 | 0:06:15 | |
-I was born here. -In Inverness? | 0:06:15 | 0:06:17 | |
Left when I was 12. | 0:06:17 | 0:06:19 | |
So, is it as you imagined? | 0:06:19 | 0:06:21 | |
Not as grand. | 0:06:23 | 0:06:25 | |
A child's mind. | 0:06:25 | 0:06:27 | |
Of course, it is property such as these that the Communists | 0:06:27 | 0:06:29 | |
have in their sights. | 0:06:29 | 0:06:31 | |
What's one of their sayings? | 0:06:31 | 0:06:33 | |
The last capitalist we hang will be the one that sold us the rope. | 0:06:33 | 0:06:35 | |
We think as one. | 0:06:35 | 0:06:36 | |
Do you still have family in the area? | 0:06:39 | 0:06:41 | |
No. | 0:06:41 | 0:06:42 | |
-A wife? -No. | 0:06:42 | 0:06:45 | |
I've got a kid. He's with her. | 0:06:45 | 0:06:47 | |
Well, I'll sleep sounder knowing you're back amongst us. | 0:06:49 | 0:06:52 | |
I hope so, ma'am. | 0:06:54 | 0:06:55 | |
You, a killer? | 0:06:57 | 0:06:59 | |
As insane as the woman herself. | 0:06:59 | 0:07:01 | |
Goodnight, ma'am. | 0:07:03 | 0:07:04 | |
Come in. | 0:07:36 | 0:07:38 | |
We have things to resolve. | 0:07:39 | 0:07:40 | |
Oh. | 0:07:42 | 0:07:44 | |
I did not expect to see you. | 0:07:44 | 0:07:46 | |
I come with an olive branch. | 0:07:46 | 0:07:48 | |
Please, sit. | 0:07:48 | 0:07:50 | |
I wanted to talk about our situation. | 0:07:50 | 0:07:53 | |
Father has something germane to offer. | 0:07:53 | 0:07:54 | |
And then you can discuss your own issues. | 0:07:54 | 0:07:57 | |
-Drink? -Sherry. | 0:07:57 | 0:07:59 | |
I'll see to it. | 0:07:59 | 0:08:01 | |
The election is in four weeks. | 0:08:06 | 0:08:09 | |
Father is concerned about party confidence | 0:08:09 | 0:08:11 | |
should his leadership sniff scandal. | 0:08:11 | 0:08:13 | |
Sir Arthur Fadden is staunchly conservative. | 0:08:13 | 0:08:17 | |
What do you want? | 0:08:17 | 0:08:19 | |
A delay in the inevitable. | 0:08:19 | 0:08:20 | |
You'll return to Ash Park. | 0:08:22 | 0:08:24 | |
At least until after the election. | 0:08:24 | 0:08:26 | |
And if I'm successful, at least until I'm well settled in office. | 0:08:26 | 0:08:29 | |
Six months at most. | 0:08:29 | 0:08:31 | |
You send Carolyn to threaten me with the law... | 0:08:31 | 0:08:35 | |
then ask this? | 0:08:35 | 0:08:36 | |
I'm hoping you can see a way past that. | 0:08:36 | 0:08:38 | |
SHE LAUGHS | 0:08:38 | 0:08:40 | |
You're happy to embrace it? | 0:08:42 | 0:08:44 | |
I think we could carry it off. | 0:08:44 | 0:08:45 | |
For Father. | 0:08:46 | 0:08:48 | |
And for yourselves. | 0:08:48 | 0:08:51 | |
In this current atmosphere, my opponents may seize on things, | 0:08:51 | 0:08:55 | |
the gutter press would relish it. | 0:08:55 | 0:08:58 | |
You and... | 0:08:58 | 0:09:00 | |
this artist. | 0:09:00 | 0:09:02 | |
James, open to speculation. | 0:09:02 | 0:09:04 | |
I see. | 0:09:12 | 0:09:13 | |
If we could discuss it, alone? | 0:09:15 | 0:09:17 | |
Of course. | 0:09:18 | 0:09:19 | |
I do understand if it's no. | 0:09:29 | 0:09:30 | |
I sincerely hope... | 0:09:33 | 0:09:36 | |
once I've said my piece... | 0:09:36 | 0:09:37 | |
When you asked me at Ash Park... | 0:09:42 | 0:09:45 | |
I hadn't the courage to admit the truth. | 0:09:45 | 0:09:47 | |
Georgie is... | 0:09:49 | 0:09:50 | |
He is our little boy. | 0:09:52 | 0:09:53 | |
But, James... | 0:09:56 | 0:09:57 | |
..our own child died in the womb. | 0:10:01 | 0:10:03 | |
-Welcome. -Thank you. -Miss Bligh? -Yes. | 0:10:13 | 0:10:16 | |
-Sir Richard. -Oh, thank you, Carl. | 0:10:20 | 0:10:22 | |
Beauty runs in the Bligh line, young Anna. | 0:10:24 | 0:10:26 | |
Well, so do brains, Sir Richard. | 0:10:26 | 0:10:29 | |
I see. | 0:10:29 | 0:10:30 | |
One of these new women. | 0:10:30 | 0:10:32 | |
"Like me for my mind." | 0:10:32 | 0:10:34 | |
Well, I'm here to discuss publishing so that would suggest so. | 0:10:34 | 0:10:38 | |
But still you're tizzied up and out to dazzle, | 0:10:38 | 0:10:41 | |
seems you want it both ways. | 0:10:41 | 0:10:43 | |
Well, you're rather tizzied up yourself. | 0:10:43 | 0:10:45 | |
Touche. | 0:10:47 | 0:10:48 | |
So, Dymphna Cusack, Eleanor Dark, | 0:10:49 | 0:10:53 | |
Christina Stead, and now Anna Bligh. | 0:10:53 | 0:10:56 | |
Let's see what we can do to make it happen. | 0:10:57 | 0:11:00 | |
James? | 0:11:06 | 0:11:07 | |
I did do it for love. | 0:11:11 | 0:11:12 | |
Please don't be angry. | 0:11:17 | 0:11:19 | |
I'm not. | 0:11:19 | 0:11:20 | |
-You must be. -I'm not... | 0:11:21 | 0:11:24 | |
angry. | 0:11:24 | 0:11:25 | |
After my deceit in marrying you, | 0:11:29 | 0:11:31 | |
I have no right to take the moral high ground. | 0:11:31 | 0:11:33 | |
I'm... | 0:11:37 | 0:11:38 | |
..sad. | 0:11:39 | 0:11:40 | |
It's just... | 0:11:45 | 0:11:46 | |
It's just so sad. | 0:11:48 | 0:11:50 | |
To move past all that pain | 0:11:56 | 0:11:58 | |
and find enough love to motivate your actions, | 0:11:58 | 0:12:02 | |
it makes where we've ended all the more tragic. | 0:12:02 | 0:12:05 | |
Perhaps you should fully absorb it... | 0:12:13 | 0:12:16 | |
..before we discuss anything further. | 0:12:17 | 0:12:19 | |
The family should know. | 0:12:24 | 0:12:26 | |
Olivia... | 0:12:31 | 0:12:33 | |
Can I see him? | 0:12:35 | 0:12:37 | |
Georgie? | 0:12:37 | 0:12:38 | |
You're a spirited filly. | 0:12:41 | 0:12:42 | |
You know what it means? | 0:12:42 | 0:12:44 | |
Every good businessman knows how to say it in as many languages | 0:12:44 | 0:12:47 | |
as possible. Young ladies, however... | 0:12:47 | 0:12:50 | |
-Oh, shouldn't say it at all? -Only on very select occasions. | 0:12:50 | 0:12:54 | |
Mind you, this Cowan chap does have a point about the reading public | 0:12:54 | 0:12:58 | |
-not being interested in mixed marriages... -I disagree. | 0:12:58 | 0:13:00 | |
I think that the story of my husband... | 0:13:00 | 0:13:02 | |
The dago...damn fine fellow in question... | 0:13:02 | 0:13:05 | |
The way I see it... | 0:13:07 | 0:13:09 | |
you're ahead of the times. | 0:13:09 | 0:13:10 | |
Write something you want to say. | 0:13:12 | 0:13:14 | |
That they'll want to buy. | 0:13:14 | 0:13:16 | |
I'd rather challenge them. | 0:13:16 | 0:13:18 | |
You challenge me. | 0:13:20 | 0:13:21 | |
You're intelligent, talented, | 0:13:25 | 0:13:29 | |
you crack blue jokes with a wink, not a snigger. | 0:13:29 | 0:13:32 | |
I hope your dago appreciates you. | 0:13:34 | 0:13:36 | |
I'm just pulling your leg. | 0:13:36 | 0:13:39 | |
Right... Sweets and then home. | 0:13:39 | 0:13:42 | |
I'm... | 0:14:25 | 0:14:27 | |
Sorry. | 0:14:27 | 0:14:28 | |
It's all right. It's all right. | 0:14:35 | 0:14:38 | |
It's all right. | 0:14:38 | 0:14:39 | |
I understand. I understand. | 0:14:42 | 0:14:44 | |
I don't. | 0:14:46 | 0:14:47 | |
CHATTER AND LAUGHTER | 0:14:50 | 0:14:53 | |
DOOR UNLOCKS | 0:14:53 | 0:14:54 | |
Well, thank you. I just... | 0:14:54 | 0:14:58 | |
It meant the world to me to be taken seriously by someone like you. | 0:14:58 | 0:15:02 | |
To everyone their due. | 0:15:02 | 0:15:03 | |
Gentleman's privilege. | 0:15:10 | 0:15:11 | |
Tell me how the meetings go. | 0:15:13 | 0:15:15 | |
-Goodnight. -Goodnight. | 0:15:15 | 0:15:16 | |
Are you coming to bed? | 0:15:46 | 0:15:48 | |
Soon. | 0:15:48 | 0:15:49 | |
Nothing I did? | 0:15:51 | 0:15:53 | |
No. | 0:15:53 | 0:15:54 | |
They're all looking forward to meeting you. | 0:15:57 | 0:16:00 | |
Tomorrow. | 0:16:00 | 0:16:02 | |
The beach. | 0:16:02 | 0:16:03 | |
Oh, I... | 0:16:04 | 0:16:06 | |
Don't even think about cancelling. | 0:16:06 | 0:16:09 | |
It'll distract you from this. | 0:16:09 | 0:16:10 | |
Whatever this is. | 0:16:13 | 0:16:14 | |
BIRDSONG | 0:16:21 | 0:16:25 | |
Oh... DOOR OPENS | 0:16:29 | 0:16:31 | |
-I'm late. -Get back. | 0:16:33 | 0:16:37 | |
Go on. Just this once. | 0:16:37 | 0:16:38 | |
We can avoid the sniping in here. | 0:16:42 | 0:16:44 | |
Regina. Is she up? | 0:16:44 | 0:16:46 | |
I didn't see her. | 0:16:46 | 0:16:47 | |
You could always stay with me. | 0:16:49 | 0:16:51 | |
I wouldn't give her the satisfaction. | 0:16:52 | 0:16:54 | |
She's just out to isolate George to herself. | 0:16:55 | 0:16:57 | |
Ta. | 0:16:59 | 0:17:00 | |
I'm sorry about last night. | 0:17:05 | 0:17:07 | |
I just needed comfort. | 0:17:09 | 0:17:10 | |
If you want me to keep away from the mongrel, fine. | 0:17:19 | 0:17:23 | |
You can't ignore what it's doing to us though. | 0:17:23 | 0:17:26 | |
I can block out what he did... | 0:17:30 | 0:17:32 | |
..until we were intimate. | 0:17:33 | 0:17:36 | |
SHE CRIES SOFTLY | 0:17:37 | 0:17:39 | |
I love you. | 0:17:42 | 0:17:43 | |
I know. | 0:17:43 | 0:17:45 | |
There have been a lot of men in my life, by my choice, | 0:17:48 | 0:17:54 | |
and now there is you... | 0:17:54 | 0:17:56 | |
again. | 0:17:56 | 0:17:57 | |
And I never want another man but one... | 0:18:00 | 0:18:04 | |
forced himself... | 0:18:04 | 0:18:07 | |
on me using every man who came before to justify it. | 0:18:07 | 0:18:12 | |
He's made me feel... | 0:18:12 | 0:18:13 | |
..cheap and disgusting and... | 0:18:15 | 0:18:18 | |
-..unworthy. -Hey. Of me? | 0:18:20 | 0:18:22 | |
-I can't help it. -No, no... -You deserve so much more, Jack. | 0:18:24 | 0:18:27 | |
-No, hey. Shush, shush. -You... -Hey, hey. | 0:18:27 | 0:18:29 | |
I'm here. | 0:18:30 | 0:18:31 | |
I'm here. | 0:18:32 | 0:18:34 | |
Always. | 0:18:34 | 0:18:35 | |
BELL RINGS | 0:18:41 | 0:18:43 | |
I wonder what he wants. | 0:18:55 | 0:18:56 | |
Has he got anything to do with you being out of sorts? | 0:18:59 | 0:19:01 | |
I thought as much. | 0:19:04 | 0:19:06 | |
You've seen Regina Bligh, I assume? | 0:19:12 | 0:19:15 | |
Let's get one thing straight up. | 0:19:15 | 0:19:18 | |
I don't buy your bullshit. | 0:19:18 | 0:19:20 | |
Can we at least talk about your preconceptions of me? | 0:19:20 | 0:19:23 | |
No. | 0:19:23 | 0:19:24 | |
So, you're taking her word as gospel? | 0:19:24 | 0:19:27 | |
I've no reason not to. | 0:19:27 | 0:19:28 | |
Regina meant the poison for me. If not her, who did kill Milly? | 0:19:30 | 0:19:33 | |
She went to Doris Collins, she doctored the tonic. | 0:19:33 | 0:19:36 | |
And then the labels got mixed, that's what she said you'd say. | 0:19:36 | 0:19:39 | |
All right, if not that, give me a theory. | 0:19:39 | 0:19:41 | |
Well, here's what I know. | 0:19:44 | 0:19:46 | |
You were the first one to suggest murder. | 0:19:46 | 0:19:49 | |
"Look, I found a letter." | 0:19:49 | 0:19:50 | |
You're covering up your mischief. | 0:19:52 | 0:19:54 | |
So, you would rather think that I killed an innocent woman | 0:19:55 | 0:19:58 | |
for some bizarre Communist plot than that Regina was out to harm me? | 0:19:58 | 0:20:02 | |
-Yeah. -That's insane. | 0:20:02 | 0:20:05 | |
Spot on. | 0:20:05 | 0:20:07 | |
I've seen plenty of killers. | 0:20:07 | 0:20:09 | |
None like Mrs Bligh. | 0:20:09 | 0:20:10 | |
You think this is funny? | 0:20:12 | 0:20:14 | |
I've seen more than you, Sergeant. | 0:20:14 | 0:20:16 | |
And they come in all shapes and sizes. | 0:20:16 | 0:20:18 | |
Nazis, maybe. | 0:20:18 | 0:20:20 | |
She gave me the goods on you. | 0:20:23 | 0:20:25 | |
It's a shame she doesn't want me using it. | 0:20:26 | 0:20:28 | |
Talk to Doris Collins. | 0:20:28 | 0:20:30 | |
Regina visited her the day before it happened. | 0:20:30 | 0:20:33 | |
Only crime there is laying yourself open to an ear bashing. | 0:20:33 | 0:20:36 | |
-Check at least. -I will. | 0:20:36 | 0:20:38 | |
I know what she'll say. | 0:20:40 | 0:20:41 | |
If I hear you accusing Mrs Bligh again, all bets are off. | 0:20:46 | 0:20:51 | |
Trust me. | 0:20:51 | 0:20:53 | |
Is that it? | 0:20:56 | 0:20:58 | |
Don't go feeding these kids your crazy commie propaganda. | 0:20:58 | 0:21:01 | |
HORN BLARES | 0:21:11 | 0:21:14 | |
Six months. | 0:21:14 | 0:21:15 | |
They're asking a lot of you. | 0:21:17 | 0:21:20 | |
At most. | 0:21:20 | 0:21:22 | |
They may not want you now... | 0:21:22 | 0:21:24 | |
I hope not. | 0:21:24 | 0:21:25 | |
And if they do? | 0:21:27 | 0:21:28 | |
-They won't. -But if they do? | 0:21:32 | 0:21:35 | |
George does have a point about scandal. | 0:21:40 | 0:21:42 | |
And baby Georgie? | 0:21:45 | 0:21:46 | |
Scandal would blight all of our futures. | 0:21:49 | 0:21:53 | |
And animosity. | 0:21:55 | 0:21:56 | |
What's best for Georgie is what's right. | 0:21:59 | 0:22:03 | |
Mm. | 0:22:03 | 0:22:04 | |
We'll come through it. | 0:22:06 | 0:22:07 | |
Nothing will come between us. | 0:22:11 | 0:22:13 | |
That's all I needed to hear. | 0:22:16 | 0:22:18 | |
Thank you. | 0:22:30 | 0:22:31 | |
There's no need to rush. | 0:22:32 | 0:22:34 | |
We've got our whole life ahead of us. | 0:22:34 | 0:22:36 | |
Promise you won't do anything foolish. | 0:22:45 | 0:22:47 | |
Right place, right time. He'll pay. | 0:22:50 | 0:22:53 | |
Your carnal romps need curbing. | 0:23:09 | 0:23:12 | |
We have impressionable young staff. | 0:23:12 | 0:23:14 | |
If they can survive you, they can survive me. | 0:23:14 | 0:23:16 | |
Tears this morning. | 0:23:16 | 0:23:18 | |
Such turmoil everywhere. | 0:23:19 | 0:23:22 | |
The police investigating Frau Nordmann as a Communist | 0:23:22 | 0:23:26 | |
and Gino having female company. | 0:23:26 | 0:23:28 | |
Sarah's no Red, | 0:23:30 | 0:23:32 | |
Gino's certainly no philanderer. | 0:23:32 | 0:23:34 | |
Yes, Mildred. I need a Sydney number. | 0:23:55 | 0:23:58 | |
Sir Richard Bennett. | 0:23:58 | 0:23:59 | |
Can you see that duck? | 0:24:08 | 0:24:10 | |
Can you see Mr Ducky there? | 0:24:10 | 0:24:12 | |
The doctor doesn't want you getting upset. | 0:24:36 | 0:24:38 | |
Oh, I'm glad you told me. | 0:24:38 | 0:24:40 | |
It's unimaginable. | 0:24:42 | 0:24:43 | |
I accept her intentions, however misguided, were well meant. | 0:24:44 | 0:24:48 | |
How are you feeling? | 0:24:50 | 0:24:51 | |
Confused. | 0:24:54 | 0:24:55 | |
And Georgie? | 0:24:56 | 0:24:58 | |
-He's my boy. -But he's not blood, James. | 0:24:58 | 0:25:01 | |
He's still my son. | 0:25:01 | 0:25:03 | |
No-one's to say otherwise. | 0:25:04 | 0:25:06 | |
And your love for him? | 0:25:06 | 0:25:08 | |
Unchanged. | 0:25:08 | 0:25:09 | |
I want him and Olivia at Ash Park. | 0:25:11 | 0:25:13 | |
It allows us time to decide what's best. | 0:25:16 | 0:25:18 | |
Well, then I think the three of you should return to Ash Park | 0:25:19 | 0:25:22 | |
and resolve your futures | 0:25:22 | 0:25:24 | |
whilst ensuring your father's political will. | 0:25:24 | 0:25:27 | |
The issue of the inheritance must be clarified. | 0:25:27 | 0:25:29 | |
In due course, George. | 0:25:29 | 0:25:32 | |
In the meantime, my darling, you have a task. | 0:25:33 | 0:25:36 | |
CHILDREN CHATTER | 0:25:42 | 0:25:44 | |
SHOUTING FROM ABOVE | 0:25:53 | 0:25:55 | |
KNOCK ON DOOR | 0:26:09 | 0:26:12 | |
I appreciate you agreeing to this. | 0:26:25 | 0:26:27 | |
GEORGIE GURGLES | 0:26:29 | 0:26:31 | |
Hello, little man. | 0:26:37 | 0:26:38 | |
-He's well. -He is. | 0:26:42 | 0:26:44 | |
He's the innocent in this. | 0:26:45 | 0:26:47 | |
Perhaps the only one. | 0:26:50 | 0:26:51 | |
I have to ask, | 0:26:54 | 0:26:56 | |
is there no hope for you and James? | 0:26:56 | 0:26:59 | |
No. | 0:26:59 | 0:27:00 | |
Then I accept... | 0:27:01 | 0:27:02 | |
..with regret. | 0:27:05 | 0:27:06 | |
I expected more severity. | 0:27:10 | 0:27:12 | |
We're trying our best to understand. | 0:27:13 | 0:27:16 | |
You know what bloodline means to us. | 0:27:16 | 0:27:18 | |
James had been through hell. Having committed to the lie, | 0:27:18 | 0:27:22 | |
-what was I supposed to...? -If your marriage had survived, | 0:27:22 | 0:27:24 | |
would you have allowed Georgie to inherit? | 0:27:24 | 0:27:26 | |
-Yes. -I see. | 0:27:27 | 0:27:30 | |
He would have been the product of Bligh love and Bligh upbringing. | 0:27:30 | 0:27:35 | |
That is more important than blood. | 0:27:35 | 0:27:38 | |
I find your attitude antiquated. | 0:27:39 | 0:27:42 | |
Perhaps. | 0:27:43 | 0:27:44 | |
Perhaps. | 0:27:47 | 0:27:48 | |
I've simply come here to ask you | 0:27:52 | 0:27:55 | |
if you can accommodate my request, | 0:27:55 | 0:27:58 | |
if not for me... | 0:27:58 | 0:28:00 | |
think of yourselves. | 0:28:00 | 0:28:02 | |
Would it be possible without rancour? | 0:28:04 | 0:28:07 | |
With luck, it may bring healing. | 0:28:09 | 0:28:11 | |
Give you a chance to plan Georgie's future. | 0:28:14 | 0:28:17 | |
Yes. | 0:28:22 | 0:28:24 | |
You'll come? | 0:28:28 | 0:28:29 | |
For James. For Georgie. | 0:28:30 | 0:28:33 | |
Not for the man who threatened to drag me into court. | 0:28:34 | 0:28:37 | |
-I deserve that. -You do. | 0:28:39 | 0:28:41 | |
Thank you. | 0:28:43 | 0:28:45 | |
DOOR CLOSES | 0:28:50 | 0:28:52 | |
CHILDREN LAUGH | 0:28:57 | 0:28:59 | |
Do you think you could pick that rubbish up? | 0:29:07 | 0:29:09 | |
Thanks. Pop it in the bin. | 0:29:09 | 0:29:11 | |
Thank you. | 0:29:12 | 0:29:13 | |
Excuse me, Miss. You're a Jew, right? | 0:29:20 | 0:29:23 | |
Well, I converted to marry a Jewish man. | 0:29:24 | 0:29:28 | |
-What's that mean? -I changed my religion. | 0:29:28 | 0:29:31 | |
-Really? You can do that? -Yes, you can. | 0:29:31 | 0:29:33 | |
Wouldn't that make God mad? | 0:29:33 | 0:29:36 | |
I don't think so. | 0:29:36 | 0:29:37 | |
But the Jews killed Jesus, right? | 0:29:37 | 0:29:39 | |
TELEPHONE RINGS FROM INSIDE | 0:29:39 | 0:29:41 | |
-The Romans did that. -Not the Jews? | 0:29:41 | 0:29:43 | |
No. | 0:29:45 | 0:29:46 | |
Oh, Reverend Green sure got it wrong then. | 0:29:46 | 0:29:49 | |
TELEPHONE RINGS INSIDE | 0:29:49 | 0:29:50 | |
Telephone for you. | 0:29:56 | 0:29:58 | |
A trunk call. | 0:29:58 | 0:29:59 | |
Hello. | 0:30:02 | 0:30:04 | |
I was being discreet not giving my name. | 0:30:04 | 0:30:06 | |
Of course. | 0:30:06 | 0:30:07 | |
It's good to hear your voice. | 0:30:09 | 0:30:11 | |
Is everything all right? You're well? | 0:30:12 | 0:30:14 | |
'Yes. Yes.' | 0:30:14 | 0:30:16 | |
Well, my time here has not been without its problems. | 0:30:16 | 0:30:19 | |
Mother appreciated your card. | 0:30:21 | 0:30:23 | |
Well, I've been concerned. We all have. | 0:30:23 | 0:30:25 | |
Well, she wouldn't be with us | 0:30:25 | 0:30:27 | |
if she hadn't managed to pull down the telephone. | 0:30:27 | 0:30:29 | |
I regret my bombastic approach at our last meeting. | 0:30:31 | 0:30:34 | |
'My timing was poor.' | 0:30:36 | 0:30:38 | |
It was. But I understand. | 0:30:40 | 0:30:42 | |
I return next week. I have an important engagement, | 0:30:42 | 0:30:45 | |
but when I'm done... | 0:30:45 | 0:30:48 | |
'we'll speak?' | 0:30:48 | 0:30:50 | |
I would like that. | 0:30:53 | 0:30:54 | |
I hope you're well. | 0:30:58 | 0:31:00 | |
Yes. | 0:31:00 | 0:31:01 | |
And our mutual friend is thriving. | 0:31:02 | 0:31:04 | |
Best not on the line. | 0:31:06 | 0:31:08 | |
Of course. | 0:31:08 | 0:31:10 | |
Good. | 0:31:10 | 0:31:11 | |
Everything else? | 0:31:12 | 0:31:13 | |
I just put my foot in it with one of the students here. | 0:31:16 | 0:31:20 | |
But apart from that... | 0:31:20 | 0:31:22 | |
Well, I won't keep you. | 0:31:22 | 0:31:23 | |
I simply... | 0:31:26 | 0:31:27 | |
I miss you. | 0:31:30 | 0:31:31 | |
'Rightly or wrongly, I...' | 0:31:33 | 0:31:35 | |
I had to say that. | 0:31:35 | 0:31:36 | |
I'm glad you called. | 0:31:39 | 0:31:41 | |
I feel better for it. | 0:31:41 | 0:31:42 | |
Soon. | 0:31:45 | 0:31:47 | |
When you can, George. | 0:31:47 | 0:31:48 | |
LAUGHTER AND CHATTER | 0:32:15 | 0:32:17 | |
Catch it! | 0:32:25 | 0:32:26 | |
-Hey, it's Henry and his new chap. -James Bligh, who'd have thought? | 0:32:37 | 0:32:40 | |
He was two years above me at school. | 0:32:40 | 0:32:42 | |
-Steamy nights in the dorm? -Sadly, no. | 0:32:42 | 0:32:45 | |
-Henry! -Christopher! | 0:32:46 | 0:32:49 | |
Come on in. | 0:32:49 | 0:32:51 | |
I shouldn't have come. | 0:32:54 | 0:32:56 | |
You need distraction. | 0:32:56 | 0:32:57 | |
I'm not sure I need this. | 0:32:58 | 0:33:00 | |
They're my friends. | 0:33:01 | 0:33:03 | |
Your friends too, if you'll let them. | 0:33:03 | 0:33:05 | |
-Coming in? -Soon. | 0:33:18 | 0:33:21 | |
LAUGHTER | 0:33:27 | 0:33:30 | |
I expect a full report upon my return. | 0:33:33 | 0:33:36 | |
-Yes, Miss. -And don't forego our little project. -I won't. | 0:33:36 | 0:33:39 | |
I'm sure Gino appreciates your company. | 0:33:41 | 0:33:43 | |
If Miss Carolyn asks, say I'm off to be invaluable. | 0:33:45 | 0:33:49 | |
CAR DOOR CLOSES, ENGINE STARTS | 0:33:53 | 0:33:55 | |
-Are you ready? -Yes. | 0:34:04 | 0:34:07 | |
This will sustain me in your absence. | 0:34:11 | 0:34:13 | |
Do I really look like that? | 0:34:14 | 0:34:16 | |
I told you. You are my new muse. | 0:34:16 | 0:34:20 | |
Even when I'm abandoning you? | 0:34:20 | 0:34:22 | |
Ah, only for a time. | 0:34:22 | 0:34:23 | |
I've had a thought. | 0:34:33 | 0:34:34 | |
Rather than my mooching here, just waiting for the time to be over, | 0:34:35 | 0:34:38 | |
why don't I go on ahead? | 0:34:38 | 0:34:40 | |
To England? | 0:34:41 | 0:34:42 | |
I mean, you could arrange introductions, | 0:34:42 | 0:34:45 | |
see I'm well part of society. | 0:34:45 | 0:34:48 | |
Perhaps even with commissions. | 0:34:48 | 0:34:51 | |
And by the time we face your family, I would be... | 0:34:52 | 0:34:55 | |
much more acceptable. | 0:34:55 | 0:34:57 | |
Oh, it does make sense. | 0:34:58 | 0:35:01 | |
Unless you'll need my support? | 0:35:01 | 0:35:04 | |
No. | 0:35:04 | 0:35:05 | |
No, it would stop me worrying about you, in fact. | 0:35:07 | 0:35:10 | |
-Good. -And it is a show of faith in what's to come. -Exactly. | 0:35:10 | 0:35:15 | |
I will be the darling of the Mayfair set in no time. | 0:35:15 | 0:35:19 | |
I rather like that. | 0:35:19 | 0:35:21 | |
All the bright young things. | 0:35:21 | 0:35:22 | |
Yes, it would be like living a novel by Evelyn Waugh. | 0:35:22 | 0:35:25 | |
I am rather funds depleted, however. | 0:35:34 | 0:35:38 | |
-I'm not. -No, no, no, I couldn't possibly... | 0:35:38 | 0:35:40 | |
Don't be silly. | 0:35:40 | 0:35:42 | |
Of course I'll pay. | 0:35:42 | 0:35:43 | |
The more I consider it, the more it's sold. | 0:35:44 | 0:35:47 | |
Our future. | 0:35:49 | 0:35:51 | |
Henry, Henry! | 0:35:53 | 0:35:54 | |
I'm sorry. | 0:36:08 | 0:36:09 | |
This makes you uncomfortable. | 0:36:09 | 0:36:11 | |
I'm just not used to it. | 0:36:11 | 0:36:13 | |
It's just playfulness. It's not sexuality. | 0:36:15 | 0:36:18 | |
Four nearly naked men falling on top of each other. | 0:36:20 | 0:36:23 | |
We can control ourselves. | 0:36:23 | 0:36:24 | |
Honestly, the myth of the salivating predator. | 0:36:26 | 0:36:28 | |
I'm on my soapbox. I apologise. | 0:36:31 | 0:36:33 | |
No, please. | 0:36:34 | 0:36:36 | |
It's just that as with any group of outsiders, | 0:36:37 | 0:36:40 | |
we're defined by our worst. | 0:36:40 | 0:36:41 | |
Even our own sometimes fear us. | 0:36:43 | 0:36:44 | |
Here, we can just be ourselves. | 0:36:47 | 0:36:49 | |
And if others stumble across you? | 0:36:51 | 0:36:53 | |
Then it's two paces apart and back into hiding. | 0:36:53 | 0:36:56 | |
We come in all shapes and sizes, James. | 0:37:03 | 0:37:06 | |
Better put you on the payroll. | 0:37:14 | 0:37:17 | |
Doctor's aid and comfort. | 0:37:17 | 0:37:19 | |
-Too much? -Never too much. | 0:37:19 | 0:37:21 | |
I like watching you work. | 0:37:23 | 0:37:25 | |
KNOCK ON DOOR | 0:37:28 | 0:37:30 | |
Doctor, if I may... Miss Carolyn. | 0:37:30 | 0:37:33 | |
-Can it wait? -Come in, Doris. | 0:37:33 | 0:37:37 | |
I won't take a moment. | 0:37:37 | 0:37:38 | |
I fear my reputation may be at risk. | 0:37:39 | 0:37:42 | |
What are you on about? | 0:37:42 | 0:37:45 | |
Ah, it's knocked the election off the front page, that's for sure. | 0:37:47 | 0:37:50 | |
Sergeant Taylor has asked if anyone may have tampered with the tonic | 0:37:50 | 0:37:54 | |
before it left my house. | 0:37:54 | 0:37:56 | |
-He's just doing his job. -Well, I vehemently assured him not. | 0:37:56 | 0:38:00 | |
There you are, then. | 0:38:00 | 0:38:01 | |
But my young boarders, my visitors, their good names, | 0:38:01 | 0:38:04 | |
even my own, there are tongues in Inverness willing to wag at the... | 0:38:04 | 0:38:08 | |
For God's sakes. | 0:38:08 | 0:38:09 | |
They won't see you harbouring the local Lucrezia Borgia. | 0:38:09 | 0:38:12 | |
-The what? -A famous poisoner of the Renaissance. | 0:38:12 | 0:38:15 | |
Oh, yes. Leticia Borgia, I know her well. | 0:38:15 | 0:38:18 | |
As long as there are those who will defend me and mine. | 0:38:18 | 0:38:22 | |
Is that it, then? | 0:38:24 | 0:38:26 | |
It is. And many thanks. | 0:38:26 | 0:38:28 | |
I leave reassured. | 0:38:29 | 0:38:32 | |
Apart from the fact that we have a murderer in our midst. | 0:38:32 | 0:38:35 | |
DOOR CLOSES | 0:38:38 | 0:38:39 | |
Whatever you're sulking about, stop. | 0:38:43 | 0:38:45 | |
Come here. | 0:38:49 | 0:38:51 | |
What is it? | 0:38:54 | 0:38:56 | |
How many of them have you had? | 0:38:59 | 0:39:00 | |
I beg your pardon. | 0:39:03 | 0:39:05 | |
Have you had sex with them all? | 0:39:05 | 0:39:07 | |
I left my wife for you. | 0:39:09 | 0:39:10 | |
-The truth? -Yes. | 0:39:13 | 0:39:16 | |
Christopher and I were lovers. | 0:39:21 | 0:39:23 | |
Were. | 0:39:25 | 0:39:26 | |
You were all over him in the water. | 0:39:26 | 0:39:28 | |
It would have been you if you'd deigned to join us. | 0:39:28 | 0:39:32 | |
Instead of sitting on your towel like some judgmental prude. | 0:39:32 | 0:39:35 | |
-I don't want you seeing them again. -You don't want... | 0:39:38 | 0:39:40 | |
HENRY LAUGHS | 0:39:40 | 0:39:41 | |
-James, I'm not Olivia. -And I'm not Christopher. | 0:39:43 | 0:39:46 | |
It's been a long day. | 0:39:50 | 0:39:51 | |
Maybe it was too much, too soon. | 0:39:53 | 0:39:55 | |
I mean it. | 0:39:55 | 0:39:56 | |
I'm going to put this down to whatever's on your mind. | 0:40:00 | 0:40:04 | |
Don't take that out on me. | 0:40:04 | 0:40:06 | |
DOOR OPENS AND CLOSES | 0:40:10 | 0:40:13 | |
Music to my ears. | 0:40:32 | 0:40:34 | |
"We're releasing you, Mrs Bligh." | 0:40:34 | 0:40:36 | |
As long as Anna is happy to stay on. | 0:40:36 | 0:40:38 | |
She said as much. | 0:40:38 | 0:40:40 | |
Surprise! | 0:40:40 | 0:40:41 | |
Look who I stumbled over on my way in. | 0:40:43 | 0:40:45 | |
Sir Richard. What a surprise. | 0:40:45 | 0:40:47 | |
I've been so concerned. | 0:40:48 | 0:40:50 | |
I have come here today with thoughts for the campaign. | 0:40:58 | 0:41:01 | |
So fortuitous to have you with us, Dicky. | 0:41:01 | 0:41:04 | |
-George, I feel a sudden weariness. -I'd like your opinion too. | 0:41:04 | 0:41:07 | |
Well, let's hear her out and then I'm going to be off. | 0:41:07 | 0:41:10 | |
I don't want to tire the patient. | 0:41:10 | 0:41:13 | |
As I dined last night, I had a startling idea. | 0:41:13 | 0:41:16 | |
-Yes? -I took it upon myself to call a contact in Canberra | 0:41:17 | 0:41:21 | |
and check the Prime Minister's schedule. | 0:41:21 | 0:41:23 | |
Mr Menzies and Dame Patty are in Sydney next week... | 0:41:23 | 0:41:26 | |
..with time to spare. | 0:41:28 | 0:41:29 | |
This close to the election, I doubt it. | 0:41:29 | 0:41:31 | |
An event was cancelled. | 0:41:31 | 0:41:34 | |
Let's invite them down for dinner. | 0:41:34 | 0:41:36 | |
-We can't do that. -Why not? | 0:41:36 | 0:41:38 | |
The protocol. The distance. | 0:41:38 | 0:41:40 | |
Well, if it's inconvenient, they'll simply decline. | 0:41:40 | 0:41:43 | |
Nothing ventured, nothing win, I say. | 0:41:43 | 0:41:46 | |
She's a bloody marvel, your wife. | 0:41:46 | 0:41:48 | |
Vote for the man who had the PM at his table. | 0:41:48 | 0:41:51 | |
-I'm not being overly ambitious, then? -Oh, no such thing. | 0:41:51 | 0:41:54 | |
Let's see what we can manage, George. | 0:41:55 | 0:41:58 | |
Ladies. He chose well, your son. | 0:41:58 | 0:42:01 | |
I'll be here in the morning to see you discharged. | 0:42:02 | 0:42:06 | |
-We'll meet for dinner. -I'll make the arrangements. | 0:42:06 | 0:42:08 | |
Well, thank her, man. | 0:42:08 | 0:42:10 | |
Thank you for thinking of my campaign. | 0:42:12 | 0:42:14 | |
Of you. | 0:42:14 | 0:42:16 | |
A kiss wouldn't kill you. | 0:42:16 | 0:42:17 | |
I should bloody think so, that sort of thing is gold with the voters. | 0:42:23 | 0:42:27 | |
It's such a shame your health prevents your attending. | 0:42:36 | 0:42:40 | |
-Well, if it happens. -It will. | 0:42:40 | 0:42:42 | |
As I say, pity you're infirm. | 0:42:44 | 0:42:46 | |
RINGS BELL Nurse. | 0:42:59 | 0:43:01 | |
Trouble is only really trouble... | 0:43:08 | 0:43:10 | |
..if no good comes of it. | 0:43:12 | 0:43:14 | |
We've both been circling around this for too long. | 0:43:17 | 0:43:20 | |
The whole marriage business. | 0:43:22 | 0:43:24 | |
You know, where would we live, how is it going to work, | 0:43:25 | 0:43:27 | |
this, that, the other? | 0:43:27 | 0:43:29 | |
You know what last night and today prove? | 0:43:32 | 0:43:36 | |
What? | 0:43:36 | 0:43:37 | |
The mongrel can't hurt us. | 0:43:38 | 0:43:39 | |
And you like watching me work. That's marriage talk to me. | 0:43:44 | 0:43:47 | |
Let's set a date. | 0:43:55 | 0:43:57 | |
After the election, so we don't steal George's thunder. | 0:43:59 | 0:44:02 | |
Husband and wife. | 0:44:05 | 0:44:06 | |
All the rest will happen in time. | 0:44:09 | 0:44:11 | |
Yes? | 0:44:20 | 0:44:21 | |
-Yes. -Yes. | 0:44:22 | 0:44:24 | |
-Yes. -Oh! | 0:44:24 | 0:44:26 | |
THEY LAUGH | 0:44:26 | 0:44:28 | |
SHE SPEAKS IN OWN LANGUAGE | 0:44:42 | 0:44:48 | |
KNOCK ON DOOR | 0:44:49 | 0:44:51 | |
Just set up a couple of cold ones on the veranda. | 0:44:51 | 0:44:55 | |
-Sorry. -It's fine. | 0:44:57 | 0:44:59 | |
Having a bit of a chat, eh? | 0:45:01 | 0:45:02 | |
Sometimes it helps to feel he's near. | 0:45:03 | 0:45:06 | |
Well, it's there when you want it. | 0:45:07 | 0:45:09 | |
That copper Taylor get what he was after? | 0:45:12 | 0:45:15 | |
He's more obnoxious than Franklin ever was. | 0:45:15 | 0:45:18 | |
I'm in your corner, you know that, if that helps. | 0:45:18 | 0:45:22 | |
My hero. | 0:45:22 | 0:45:23 | |
Any time. | 0:45:24 | 0:45:26 | |
Actually, it might help. | 0:45:31 | 0:45:33 | |
He'll never make a case against you. | 0:45:35 | 0:45:37 | |
Or Regina, sadly, even if he was inclined. | 0:45:37 | 0:45:40 | |
-This stuff that she's got on you... -Deeply private. | 0:45:43 | 0:45:47 | |
But as much as I'd prefer no-one knew, | 0:45:52 | 0:45:54 | |
she will could tell the world if it meant seeing her charged. | 0:45:54 | 0:45:57 | |
But it won't. | 0:45:57 | 0:45:59 | |
Not without a lot more than supposition against her. | 0:46:00 | 0:46:04 | |
So, what can you do? | 0:46:04 | 0:46:05 | |
Back off. | 0:46:08 | 0:46:10 | |
Let her think she's safe. | 0:46:10 | 0:46:11 | |
And then? | 0:46:11 | 0:46:12 | |
Call in the heavy artillery. | 0:46:14 | 0:46:16 | |
-Done? -And dusted. -Thank you for your assistance. | 0:46:40 | 0:46:43 | |
It was a grand idea. | 0:46:43 | 0:46:44 | |
Old Lizzie looked like she'd sucked on a lemon. | 0:46:44 | 0:46:46 | |
I'll deliver her an entire citrus orchard before I'm done. | 0:46:46 | 0:46:50 | |
Hopefully it will promote another attack? | 0:46:50 | 0:46:52 | |
Remind me never to cross you. | 0:46:52 | 0:46:54 | |
You should go. We don't want George suspecting collusion. | 0:46:54 | 0:46:57 | |
It's for his own benefit. | 0:46:57 | 0:46:58 | |
Well, he's best left to the illusion of being at the wheel. | 0:46:58 | 0:47:02 | |
This answers one question. | 0:47:03 | 0:47:06 | |
I always wondered how someone piss-weak like Charles | 0:47:06 | 0:47:08 | |
ever made a mark. | 0:47:08 | 0:47:10 | |
-Well, behind every good man... -Is a bad woman. | 0:47:10 | 0:47:13 | |
Bad in a good way. | 0:47:14 | 0:47:16 | |
Of course. | 0:47:19 | 0:47:20 | |
She's so hideous. | 0:47:22 | 0:47:24 | |
How can Father marry someone like that? | 0:47:24 | 0:47:27 | |
-Can't he see through that mask? -CLINKING | 0:47:27 | 0:47:28 | |
Shush. | 0:47:28 | 0:47:30 | |
Ah, thank you. | 0:47:31 | 0:47:33 | |
Very good. | 0:47:36 | 0:47:37 | |
Well, he can see through the mask but others can't. | 0:47:39 | 0:47:42 | |
And she may well have secured George's election with this dinner. | 0:47:42 | 0:47:46 | |
Her mask is well in place. | 0:47:46 | 0:47:48 | |
Let's go back tomorrow, then. | 0:47:48 | 0:47:50 | |
Help to loosen it. | 0:47:50 | 0:47:52 | |
ELIZABETH CHUCKLES | 0:47:52 | 0:47:53 | |
Tempting but not yet. | 0:47:53 | 0:47:55 | |
Soon. | 0:47:56 | 0:47:58 | |
Timing, my darling. | 0:47:59 | 0:48:00 | |
Timing is everything. | 0:48:02 | 0:48:03 | |
RECORD PLAYER: # When I look in your eyes | 0:48:03 | 0:48:09 | |
# I see brand-new tomorrows | 0:48:09 | 0:48:13 | |
# Filled with pink salmon skies | 0:48:13 | 0:48:16 | |
# With no trouble or sorrows | 0:48:16 | 0:48:20 | |
# When you're wrapped in my arms | 0:48:20 | 0:48:22 | |
# Feel how strongly my heart beats | 0:48:22 | 0:48:26 | |
# Beating only for you | 0:48:26 | 0:48:29 | |
# Two lovers complete | 0:48:29 | 0:48:33 | |
# Whispered words in the wind... # | 0:48:33 | 0:48:35 | |
Is there anything else I can get you, miss? | 0:48:35 | 0:48:37 | |
SHE GASPS Oh, Rose. | 0:48:37 | 0:48:39 | |
Er, no. That will be all, thank you. | 0:48:39 | 0:48:42 | |
What's this song called, miss? | 0:48:43 | 0:48:45 | |
-The Beauty Of Love. -Oh. | 0:48:46 | 0:48:49 | |
Would you take it off, please? | 0:48:49 | 0:48:51 | |
-Yes, miss. -MUSIC STOPS | 0:48:51 | 0:48:53 | |
-Goodnight, Rose. -Buona notte, miss. | 0:48:55 | 0:48:58 | |
You mustn't be cross. | 0:49:20 | 0:49:22 | |
I'd come to check with you but there was Sir Richard. | 0:49:22 | 0:49:24 | |
My enthusiasm got the better of me. | 0:49:24 | 0:49:27 | |
Thankfully, it's all come together. | 0:49:27 | 0:49:30 | |
-We have them? -Wednesday next. | 0:49:30 | 0:49:32 | |
Oh, George. | 0:49:32 | 0:49:34 | |
-A triumph. -It is. | 0:49:34 | 0:49:36 | |
Your success is my success. | 0:49:36 | 0:49:38 | |
We may only be a political partnership, | 0:49:45 | 0:49:48 | |
but what a formidable one we shall be. | 0:49:48 | 0:49:50 | |
Champagne. | 0:49:51 | 0:49:52 | |
DOG WHINES AND BARKS | 0:49:56 | 0:49:58 | |
Sit down, you silly mongrel. | 0:49:58 | 0:50:00 | |
DOG CONTINUES TO BARK | 0:50:00 | 0:50:02 | |
DOOR OPENS | 0:50:08 | 0:50:10 | |
-What do you want? -I've got no quarrel with you. | 0:50:13 | 0:50:16 | |
And you shouldn't have with her, neither. | 0:50:16 | 0:50:17 | |
What can I do for you, Sergeant? | 0:50:17 | 0:50:19 | |
When you've got one unsolved case, | 0:50:21 | 0:50:24 | |
you dig through the rest, look for patterns. | 0:50:24 | 0:50:27 | |
I found one. | 0:50:27 | 0:50:28 | |
A Bert Ford. | 0:50:29 | 0:50:31 | |
Headed off, they say, but no-one's seen him. | 0:50:32 | 0:50:35 | |
Wasn't a friend of yours. | 0:50:35 | 0:50:36 | |
His mate reckons you slapped him down. | 0:50:39 | 0:50:42 | |
And not girlie either. | 0:50:42 | 0:50:43 | |
I had no cause to like him. | 0:50:43 | 0:50:46 | |
-Any to get rid of him? -Now, listen here, Sergeant... | 0:50:46 | 0:50:48 | |
No-one goes missing without a reason. | 0:50:48 | 0:50:52 | |
And people are unlucky around you. | 0:50:52 | 0:50:53 | |
If you're asking if I killed Bert Ford, no. | 0:50:53 | 0:50:56 | |
Maybe Mrs Bligh knocked him off as well, eh? | 0:50:57 | 0:50:59 | |
Open your eyes, son. | 0:50:59 | 0:51:01 | |
My money's on the Commie Yid for both of them. | 0:51:01 | 0:51:03 | |
-Cop or no cop, I'm going to deck you right now. -Roy. Roy! | 0:51:03 | 0:51:07 | |
I am Jewish. | 0:51:07 | 0:51:08 | |
And my politics are left-wing and I'm proud of both. | 0:51:09 | 0:51:13 | |
Now, get out and don't come back unless you have an arrest warrant. | 0:51:13 | 0:51:17 | |
You heard her. | 0:51:17 | 0:51:19 | |
You've backed the wrong horse, mate. | 0:51:26 | 0:51:28 | |
Better than a bob each way on a mongrel. | 0:51:29 | 0:51:32 | |
DOG BARKS | 0:51:32 | 0:51:34 | |
Bert Ford. | 0:51:43 | 0:51:44 |