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-My condolences. -Oh! I think you have the wrong address. | 0:00:02 | 0:00:04 | |
It must be unsettling, | 0:00:04 | 0:00:05 | |
having someone send something so indicative of malicious intent. | 0:00:05 | 0:00:11 | |
I am up to anything you toss at us. | 0:00:11 | 0:00:13 | |
I'm the master of the curveball. | 0:00:13 | 0:00:16 | |
Harry was beaten for being homosexual. | 0:00:19 | 0:00:23 | |
He can recover here without any stigma attached to him. | 0:00:23 | 0:00:25 | |
-James Bligh. -Harry. | 0:00:25 | 0:00:28 | |
He doesn't remember you. | 0:00:29 | 0:00:31 | |
Decent? That what they call abortionists these days? | 0:00:31 | 0:00:34 | |
Even if there isn't a criminal case to answer, | 0:00:34 | 0:00:36 | |
my licence is still at risk. | 0:00:36 | 0:00:37 | |
Sergeant Taylor. You're to have nothing more to do with him. | 0:00:37 | 0:00:40 | |
I found a way to get rid of the Jew. | 0:00:43 | 0:00:45 | |
Bloody hell, woman! You're obsessed! | 0:00:45 | 0:00:46 | |
-She may have murdered... -Forget about her! | 0:00:46 | 0:00:49 | |
I require an address to that end. | 0:00:49 | 0:00:51 | |
Whose address? | 0:00:51 | 0:00:52 | |
-Geno! -Yep? | 0:01:56 | 0:01:57 | |
-Erm, I need that back! -Ah! | 0:01:57 | 0:01:59 | |
We should get out tonight. | 0:02:34 | 0:02:35 | |
Go to the pictures. Why don't you take an early muck? | 0:02:35 | 0:02:39 | |
-I'm OK. -You haven't been off the property in weeks. | 0:02:39 | 0:02:41 | |
I've got the afternoon off. | 0:02:41 | 0:02:43 | |
I don't mind. | 0:02:44 | 0:02:46 | |
We won't run into him. | 0:02:46 | 0:02:48 | |
-I can't here. -Harry. | 0:02:48 | 0:02:50 | |
I know it hurts. | 0:02:56 | 0:02:58 | |
Who else did he forget? | 0:03:00 | 0:03:01 | |
We've been through this. | 0:03:01 | 0:03:03 | |
-Just me. -It often happens with electroshock. | 0:03:03 | 0:03:05 | |
He must have wanted to. | 0:03:07 | 0:03:09 | |
No, it shows how much he cared. | 0:03:09 | 0:03:11 | |
His feelings for you were so intense he had to block you out. | 0:03:11 | 0:03:15 | |
-Yeah, you keep saying. -Because it's most likely true. | 0:03:16 | 0:03:20 | |
I'm fine. | 0:03:23 | 0:03:25 | |
-As long as we're home after lunch. -Depends. | 0:03:41 | 0:03:44 | |
I'm not wearing my watch. | 0:03:44 | 0:03:46 | |
I want to finish the chapter! | 0:03:46 | 0:03:47 | |
That needs some attention. | 0:03:47 | 0:03:49 | |
Hey. | 0:03:50 | 0:03:52 | |
What's got into you today? | 0:03:53 | 0:03:55 | |
I'll go. | 0:04:00 | 0:04:01 | |
-James! -Don't let me spoil the mood. | 0:04:01 | 0:04:04 | |
No hard feelings. | 0:04:06 | 0:04:08 | |
Thanks. | 0:04:13 | 0:04:14 | |
You heard him. | 0:04:18 | 0:04:20 | |
I love him and I love you. | 0:04:21 | 0:04:24 | |
You know why I brought you? | 0:04:26 | 0:04:28 | |
Remember how it was when we used to come here? | 0:04:28 | 0:04:32 | |
Let's never lose that. | 0:04:32 | 0:04:34 | |
Oh, is that the last of the invitations? | 0:04:48 | 0:04:50 | |
I'd like your advice on one more. | 0:04:50 | 0:04:52 | |
-Mm-hm. -Mr Goddard. | 0:04:52 | 0:04:55 | |
I'd like to include him. | 0:04:56 | 0:04:58 | |
Why? | 0:04:58 | 0:04:59 | |
Because it would be a good chance for you to explain what happened. | 0:04:59 | 0:05:04 | |
There's no need for him to know. | 0:05:05 | 0:05:08 | |
I think he should know. | 0:05:08 | 0:05:09 | |
You couldn't go with him, you didn't choose not to. | 0:05:11 | 0:05:15 | |
Isn't it the mother who is meant to advise the daughter? | 0:05:15 | 0:05:17 | |
Not when the mother is playing his favourite romantic piano piece | 0:05:17 | 0:05:21 | |
and pretending she's not thinking about him. | 0:05:21 | 0:05:24 | |
Douglas has had enough grief for one lifetime. | 0:05:26 | 0:05:29 | |
I could die tomorrow. | 0:05:29 | 0:05:31 | |
A risk, not a certainty. | 0:05:31 | 0:05:34 | |
Let me invite him. | 0:05:37 | 0:05:38 | |
He's in the Middle East. | 0:05:38 | 0:05:41 | |
He's just back. | 0:05:41 | 0:05:42 | |
I checked. | 0:05:44 | 0:05:46 | |
No. | 0:05:46 | 0:05:48 | |
KNOCK ON DOOR | 0:05:54 | 0:05:56 | |
Cook made extra shortbread. | 0:05:58 | 0:06:00 | |
I remember how you liked it. | 0:06:01 | 0:06:03 | |
You came all this way to bring me shortbread? | 0:06:03 | 0:06:06 | |
It's customary to offer tea. | 0:06:06 | 0:06:08 | |
Come in. | 0:06:09 | 0:06:11 | |
I'm sorry about this morning. | 0:06:15 | 0:06:17 | |
-I missed my chance. -That's all right. | 0:06:18 | 0:06:21 | |
-I like to visit him. -Of course. | 0:06:21 | 0:06:24 | |
Now that you're here... | 0:06:27 | 0:06:28 | |
..there is something I was thinking of sharing. | 0:06:30 | 0:06:33 | |
He had nowhere else to go, I had no choice. | 0:06:35 | 0:06:38 | |
-Well, surely... -No. | 0:06:38 | 0:06:39 | |
Obviously, I'd rather he wasn't here. | 0:06:41 | 0:06:43 | |
James showed no recognition? | 0:06:45 | 0:06:47 | |
Nothing. | 0:06:47 | 0:06:49 | |
Is forgetting someone so completely usual with that type of treatment? | 0:06:49 | 0:06:53 | |
Some people forget huge portions of their lives, others, nothing. | 0:06:53 | 0:06:56 | |
It's unpredictable. | 0:06:56 | 0:06:58 | |
James did mention him once after coming home from hospital. | 0:07:00 | 0:07:04 | |
-How soon after? -One or two days. | 0:07:04 | 0:07:07 | |
Well, the forgetting was clearly part of the healing process. | 0:07:08 | 0:07:12 | |
And the chances of remembering? | 0:07:12 | 0:07:14 | |
No-one can predict that either. | 0:07:14 | 0:07:16 | |
We'll deal with that if we have to. | 0:07:18 | 0:07:20 | |
As long as you're sure of him. | 0:07:20 | 0:07:21 | |
He's a decent bloke. | 0:07:24 | 0:07:25 | |
As are you. | 0:07:27 | 0:07:29 | |
It's hot out there. | 0:07:37 | 0:07:39 | |
Lloyd? | 0:07:45 | 0:07:47 | |
He's arrived in London. | 0:07:48 | 0:07:50 | |
Sketches of his first day. | 0:07:52 | 0:07:54 | |
He has a skill. | 0:08:03 | 0:08:04 | |
He really does. | 0:08:04 | 0:08:06 | |
How is he finding it? | 0:08:07 | 0:08:09 | |
You don't mind? | 0:08:09 | 0:08:10 | |
You are so good about Henry. | 0:08:12 | 0:08:14 | |
A little, perhaps. | 0:08:19 | 0:08:22 | |
The timing's poor, I just saw Anna and Gino. | 0:08:23 | 0:08:25 | |
And? | 0:08:25 | 0:08:28 | |
They are still so in love. | 0:08:28 | 0:08:31 | |
As are we... | 0:08:31 | 0:08:33 | |
in our own way. | 0:08:33 | 0:08:35 | |
We're a funny pair. | 0:08:42 | 0:08:44 | |
I will miss you. | 0:08:48 | 0:08:49 | |
I've been waiting for the right moment to say something, | 0:08:52 | 0:08:54 | |
I think perhaps now. | 0:08:54 | 0:08:56 | |
I was bitter when I ran to Lloyd, I was blinkered about Georgie. | 0:08:57 | 0:09:01 | |
Not without cause. | 0:09:01 | 0:09:03 | |
And I haven't been truthful. | 0:09:03 | 0:09:06 | |
When I returned here, | 0:09:06 | 0:09:08 | |
saying what's best in time for Georgie is what's best. | 0:09:08 | 0:09:10 | |
Secretly, I felt the answer was me. | 0:09:10 | 0:09:12 | |
The past weeks, my certitude has faded. | 0:09:15 | 0:09:18 | |
I would never bar your way if you choose to leave with him. | 0:09:20 | 0:09:24 | |
I can only hope with all my heart...that he remains. | 0:09:27 | 0:09:31 | |
I don't know the answer. | 0:09:39 | 0:09:41 | |
As complicated as they are, | 0:09:43 | 0:09:46 | |
you would risk James's future | 0:09:46 | 0:09:48 | |
and your political career on a soft-hearted whim? | 0:09:48 | 0:09:52 | |
George, you confound me sometimes. | 0:09:52 | 0:09:54 | |
And how could Sarah be so insensitive? | 0:09:54 | 0:09:56 | |
The man was injured, almost destitute. | 0:09:56 | 0:09:59 | |
Yeah, but to bring him here. | 0:09:59 | 0:10:01 | |
His needs eclipse our fears. | 0:10:01 | 0:10:03 | |
-I understand Sarah's actions. -Well, I certainly don't. | 0:10:03 | 0:10:06 | |
-Has he recovered? -It seems so. | 0:10:08 | 0:10:10 | |
Well, then, there's nothing to keep him here. | 0:10:10 | 0:10:12 | |
He has friends, and a job. | 0:10:12 | 0:10:15 | |
George, what happens when James stumbles across him again? | 0:10:15 | 0:10:19 | |
Recollection and a tawdry lover's reunion? | 0:10:19 | 0:10:22 | |
No, I will try to talk some sense into her. | 0:10:22 | 0:10:25 | |
-You will not. -No, she and I are much closer now. | 0:10:25 | 0:10:27 | |
I may well make my point. | 0:10:27 | 0:10:29 | |
It's not our right to drive him off. | 0:10:29 | 0:10:32 | |
You are to stay away. | 0:10:32 | 0:10:34 | |
I want your word on that. | 0:10:34 | 0:10:35 | |
Or is your pride in my recent decisiveness | 0:10:37 | 0:10:39 | |
in family matters simply lip service? | 0:10:39 | 0:10:42 | |
Hmm? | 0:10:44 | 0:10:47 | |
I will keep my distance. | 0:10:47 | 0:10:49 | |
Thank you. | 0:10:49 | 0:10:51 | |
Do you know how much Daddy missed you? | 0:10:57 | 0:11:00 | |
I missed you this much. | 0:11:00 | 0:11:02 | |
This much and more. | 0:11:02 | 0:11:03 | |
You're getting so big, aren't you? | 0:11:05 | 0:11:08 | |
Oh, you are getting heavy. | 0:11:08 | 0:11:10 | |
You're a big boy now, aren't you? | 0:11:10 | 0:11:12 | |
Yes, you are. | 0:11:12 | 0:11:13 | |
KNOCK ON DOOR Yes? | 0:11:15 | 0:11:17 | |
-Look who it is. -If I may interrupt. | 0:11:19 | 0:11:22 | |
Oh, it's lovely seeing you like this. | 0:11:23 | 0:11:26 | |
It's lovely being so. | 0:11:26 | 0:11:27 | |
I'm glad. | 0:11:27 | 0:11:29 | |
-Hello. -I trust all's well with Henry. | 0:11:32 | 0:11:36 | |
It is. | 0:11:36 | 0:11:38 | |
It's well over a fortnight since he visited. | 0:11:38 | 0:11:41 | |
Grandmother, it's 1954. | 0:11:41 | 0:11:43 | |
-We use the telephone. -It's hardly the same. | 0:11:43 | 0:11:45 | |
He impresses me. | 0:11:47 | 0:11:49 | |
Why not pop up for a visit before the election? | 0:11:50 | 0:11:54 | |
You continue to amaze. | 0:11:55 | 0:11:57 | |
If you go now, it would give you a good three days. | 0:11:57 | 0:12:00 | |
Well, if Olivia feels comfortable about it... | 0:12:02 | 0:12:04 | |
-I think I might. -I'll see her well occupied with the campaign. | 0:12:04 | 0:12:08 | |
Will you tell her I'd like a word, once you're away? | 0:12:10 | 0:12:14 | |
It's tomorrow? The actual interview? | 0:12:23 | 0:12:25 | |
It's hardly what I'd call giving you notice. | 0:12:25 | 0:12:28 | |
Why didn't you tell me? | 0:12:28 | 0:12:31 | |
It must have been delayed in the mail. | 0:12:31 | 0:12:33 | |
Are you worried? | 0:12:33 | 0:12:35 | |
No, I'm more glad to be getting it out of the way before the wedding. | 0:12:35 | 0:12:39 | |
At least they've reduced the possible charge | 0:12:40 | 0:12:43 | |
to failing to report a crime. | 0:12:43 | 0:12:44 | |
It's still enough to see me out of a job | 0:12:44 | 0:12:46 | |
if they have me falsifying a death certificate. | 0:12:46 | 0:12:50 | |
Maybe it's time for a good lawyer. | 0:12:50 | 0:12:52 | |
Let's see how the interview goes first. | 0:12:52 | 0:12:55 | |
If it's to do with the expense... | 0:12:55 | 0:12:57 | |
-Time for rounds. -Jack. | 0:12:57 | 0:12:59 | |
-We've been through this. -So here we go again? | 0:12:59 | 0:13:02 | |
I'm not taking your money. | 0:13:02 | 0:13:03 | |
It will be our money soon. | 0:13:03 | 0:13:05 | |
I'm old-fashioned. | 0:13:05 | 0:13:08 | |
Don't pride your way out of a job or into a criminal charge. | 0:13:08 | 0:13:11 | |
I will be fine. | 0:13:11 | 0:13:12 | |
I'm sure. | 0:13:14 | 0:13:15 | |
Say, "Bye-bye, Daddy. Bye-bye." | 0:13:24 | 0:13:26 | |
You're sure you don't mind? | 0:13:26 | 0:13:28 | |
Bring Porgie back a present. | 0:13:28 | 0:13:30 | |
I'll campaign for the both of us. | 0:13:30 | 0:13:32 | |
If you want me here, just telephone. | 0:13:32 | 0:13:34 | |
Bye-bye, little man. | 0:13:34 | 0:13:36 | |
Thank you again for our talk. | 0:13:38 | 0:13:40 | |
You must miss him when he's gone. | 0:13:54 | 0:13:57 | |
I'll be far too busy. We've an election to win. | 0:13:57 | 0:14:01 | |
We've just seen James off. | 0:14:07 | 0:14:09 | |
Oh, good. Shut the door. | 0:14:09 | 0:14:11 | |
We have a problem on our hands. | 0:14:14 | 0:14:16 | |
You'll make a wonderful mama. | 0:14:21 | 0:14:24 | |
And you'll make a wonderful papa. | 0:14:24 | 0:14:27 | |
It should have happened by now, bella. | 0:14:27 | 0:14:29 | |
Well, it's not as easy as just putting in an order. | 0:14:29 | 0:14:33 | |
They say mood gets in the way. | 0:14:37 | 0:14:39 | |
Supposedly. | 0:14:40 | 0:14:42 | |
The vines, James, Regina. | 0:14:43 | 0:14:47 | |
There's always something. | 0:14:47 | 0:14:49 | |
What if there wasn't? | 0:14:53 | 0:14:55 | |
I love you. | 0:15:22 | 0:15:24 | |
It's more lunch than breakfast. | 0:15:35 | 0:15:37 | |
I took something in the wee small hours to help me sleep. | 0:15:37 | 0:15:41 | |
Mr James has gone to the city. | 0:15:43 | 0:15:46 | |
Ms Olivia seemed fine with it, | 0:15:46 | 0:15:47 | |
but then she had a talk with Mrs Bligh... | 0:15:47 | 0:15:49 | |
Senior. I couldn't hear what they said, | 0:15:49 | 0:15:51 | |
but she stormed out of the sitting room. | 0:15:51 | 0:15:53 | |
Tea first, report later. | 0:15:53 | 0:15:55 | |
The mail's there. | 0:15:56 | 0:15:58 | |
Reading even later. | 0:15:58 | 0:16:00 | |
There's one from the air force. | 0:16:00 | 0:16:01 | |
Are you joining the WAFs, ma'am? | 0:16:01 | 0:16:03 | |
That will be all, thank you, dear. | 0:16:07 | 0:16:08 | |
-I'll see to myself. -Oh, but I can help with... | 0:16:08 | 0:16:11 | |
I insist. Thank you. | 0:16:11 | 0:16:13 | |
You need to pack your bag and go! | 0:16:47 | 0:16:49 | |
Now! | 0:16:49 | 0:16:51 | |
He was strapped down and electrocuted because of you. | 0:16:56 | 0:16:59 | |
Because he wanted to run away from the shame you make him feel. | 0:16:59 | 0:17:03 | |
He had them burn you out of him. That's why he can't remember. | 0:17:03 | 0:17:06 | |
I didn't come back for James. | 0:17:06 | 0:17:08 | |
-Then why did you? -Sarah brought me back. | 0:17:08 | 0:17:11 | |
-I had nowhere else to go. -Well, she shouldn't have. | 0:17:11 | 0:17:13 | |
Remembering you can do nothing but confuse him. | 0:17:13 | 0:17:16 | |
He doesn't have to. | 0:17:16 | 0:17:18 | |
I will not let you degrade him. | 0:17:19 | 0:17:22 | |
He has made his way through enormous difficulties. | 0:17:23 | 0:17:26 | |
He has never been happier and that is too precious to risk. | 0:17:26 | 0:17:30 | |
-What about me? -I don't care about you! | 0:17:30 | 0:17:34 | |
No-one does. They pity you. | 0:17:34 | 0:17:36 | |
And he doesn't even remember you to care. | 0:17:36 | 0:17:38 | |
So how much would it take to make you leave? | 0:17:38 | 0:17:41 | |
-Tell me and I will give you a cheque right now. -Stop it, Olivia! | 0:17:41 | 0:17:44 | |
This is cruel. | 0:17:44 | 0:17:46 | |
You have no idea the accommodations I have made to see James happy | 0:17:48 | 0:17:52 | |
and you two are jeopardising everything. | 0:17:52 | 0:17:55 | |
I'd never hurt him. | 0:17:55 | 0:17:56 | |
If you really mean that, you'll go before he returns. | 0:17:56 | 0:17:58 | |
He's absent until Friday. | 0:17:58 | 0:18:00 | |
You do know James didn't even recognise him? | 0:18:00 | 0:18:02 | |
Yes, for one good reason. | 0:18:02 | 0:18:04 | |
-He doesn't want to. -No, she's right. | 0:18:04 | 0:18:08 | |
-I'll go. -You will not drive him away. | 0:18:08 | 0:18:11 | |
James won't remember if he's not here to remind him. | 0:18:11 | 0:18:13 | |
Aren't you are underestimating your husband? | 0:18:13 | 0:18:17 | |
You think simply remembering will have James running to him? | 0:18:17 | 0:18:20 | |
Really? | 0:18:20 | 0:18:22 | |
-Are you happy here? -Yes, but... -Then you're staying. | 0:18:24 | 0:18:29 | |
And you should go. Now. | 0:18:30 | 0:18:32 | |
-I can... -No. | 0:18:36 | 0:18:38 | |
Just, please, leave, Olivia. | 0:18:38 | 0:18:40 | |
Who told you? | 0:18:49 | 0:18:51 | |
Was it George? | 0:18:54 | 0:18:56 | |
Elizabeth. | 0:18:56 | 0:18:58 | |
I see. | 0:19:00 | 0:19:01 | |
Tell her I don't want a fight. | 0:19:03 | 0:19:05 | |
But she'll have one if she chooses it. | 0:19:06 | 0:19:09 | |
Oh, dear. | 0:19:19 | 0:19:21 | |
I thought the days of Sarah and I being at odds were over. | 0:19:21 | 0:19:25 | |
-What's this Harry to her? -Nothing, previously, to my knowledge. | 0:19:25 | 0:19:29 | |
I don't even know how she came across him. | 0:19:29 | 0:19:30 | |
Well, the answer to that might provide some leverage. | 0:19:30 | 0:19:33 | |
Olivia, would you mind awfully calling the car around? | 0:19:33 | 0:19:35 | |
She was rather volatile. | 0:19:35 | 0:19:36 | |
Oh, I'm not going to see her. | 0:19:36 | 0:19:39 | |
You certainly know how to surprise a girl. | 0:19:42 | 0:19:44 | |
-To Italy! -Mama and Papa will be over the moon. | 0:19:44 | 0:19:48 | |
-And I'll see my brother. -You don't think that we're crazy? | 0:19:48 | 0:19:51 | |
You're young, your advance will pay for it and it's best done now before | 0:19:51 | 0:19:54 | |
the vines don't allow you to. | 0:19:54 | 0:19:56 | |
Who'll look after the place? | 0:19:57 | 0:19:59 | |
Someone will do it for wages. | 0:19:59 | 0:20:01 | |
Well, I'm green with envy. | 0:20:01 | 0:20:03 | |
And hopefully, I'll come back with my book written. | 0:20:03 | 0:20:06 | |
And we'll have three months of la dolce vita to make a baby. | 0:20:06 | 0:20:09 | |
Or a lot of fun trying! | 0:20:09 | 0:20:11 | |
-Mama! -Grandmother. | 0:20:11 | 0:20:13 | |
-I feel old all of a sudden. -You? Never! | 0:20:13 | 0:20:16 | |
A toast to bambinos. | 0:20:16 | 0:20:19 | |
Bambinos! | 0:20:19 | 0:20:21 | |
Back in the ring with old Ma Bligh. | 0:20:25 | 0:20:28 | |
I thought she'd changed. | 0:20:28 | 0:20:30 | |
So much for you two working hand in glove, eh? | 0:20:30 | 0:20:32 | |
You know how you said that Harry reminds you of Rene? | 0:20:35 | 0:20:38 | |
I know who he reminds me of. | 0:20:38 | 0:20:41 | |
Nowhere to go, finds a home here, | 0:20:42 | 0:20:44 | |
has the old lady try to send him packing. | 0:20:44 | 0:20:47 | |
That's why I know, | 0:20:48 | 0:20:50 | |
no matter how much you need to keep on her good side, | 0:20:50 | 0:20:53 | |
you'll never let her win. | 0:20:53 | 0:20:55 | |
Nothing wrong, I hope? | 0:21:03 | 0:21:05 | |
With my health, no. | 0:21:06 | 0:21:08 | |
I'm hoping for your support on an important matter. | 0:21:09 | 0:21:12 | |
Fire away. | 0:21:12 | 0:21:14 | |
You allowed Harry Polson to come here. | 0:21:14 | 0:21:17 | |
Supposedly a car accident, | 0:21:17 | 0:21:19 | |
although his injuries were more consistent with a beating. | 0:21:19 | 0:21:22 | |
Dare I suggest he suffered misadventure | 0:21:22 | 0:21:24 | |
whilst pursuing his distasteful lusts. | 0:21:24 | 0:21:27 | |
Now he's at Briggs farm, | 0:21:27 | 0:21:29 | |
where Mrs Nordmann sits like Cerberus guarding the gates to hell. | 0:21:29 | 0:21:33 | |
How could you be so stupid as to help her? | 0:21:33 | 0:21:37 | |
-You're well-informed. -By George and your staff. | 0:21:38 | 0:21:42 | |
It disappoints me - not by you. | 0:21:42 | 0:21:45 | |
Jack, surely you see? | 0:21:45 | 0:21:47 | |
I see a hard done by bloke who needs a break. | 0:21:47 | 0:21:51 | |
And I see the undoing of all that we have achieved | 0:21:56 | 0:22:01 | |
at great cost to my sense of propriety. | 0:22:01 | 0:22:04 | |
I have encouraged James for his peace of mind | 0:22:04 | 0:22:09 | |
into something which quite frankly frightens and disturbs me, | 0:22:09 | 0:22:13 | |
but I see little choice. | 0:22:13 | 0:22:15 | |
I am making the best of a bad lot, | 0:22:15 | 0:22:17 | |
given his conviction that happiness lies in embracing his nature. | 0:22:17 | 0:22:23 | |
The man he is with will at least ensure he avoids scandal. | 0:22:23 | 0:22:27 | |
-This Polson creature is... -Don't call him that. | 0:22:27 | 0:22:31 | |
I do not want my grandson beaten or jailed. | 0:22:31 | 0:22:35 | |
Oh, why not say it? As a sodomite. | 0:22:38 | 0:22:41 | |
It's a concern enough at the best of times, | 0:22:42 | 0:22:44 | |
but with Regina and Sir Richard hovering, | 0:22:44 | 0:22:47 | |
Jack, I beg you, plead my case. | 0:22:47 | 0:22:50 | |
Don't go shooting the messenger. | 0:22:54 | 0:22:57 | |
She does have a point, though. | 0:22:58 | 0:23:01 | |
Regina is out for control. | 0:23:01 | 0:23:04 | |
Sir Richard for blood. | 0:23:04 | 0:23:06 | |
The timing is lousy. | 0:23:08 | 0:23:10 | |
Elizabeth actually attacked him? | 0:23:10 | 0:23:13 | |
Look what he did to Carolyn. | 0:23:13 | 0:23:16 | |
Good on her. | 0:23:16 | 0:23:18 | |
How's Carolyn? | 0:23:19 | 0:23:21 | |
She's all right. | 0:23:21 | 0:23:23 | |
-You? -It's not what I came here to talk about. | 0:23:25 | 0:23:28 | |
We'll be OK. | 0:23:31 | 0:23:33 | |
Thank you for trusting me with this. | 0:23:33 | 0:23:36 | |
Well, you couldn't understand otherwise. | 0:23:36 | 0:23:39 | |
Don't be too tough on Elizabeth. | 0:23:43 | 0:23:45 | |
She has every cause to worry. | 0:23:46 | 0:23:48 | |
All right. | 0:23:50 | 0:23:51 | |
Will you ask him to leave? | 0:23:52 | 0:23:55 | |
I'll talk to her. | 0:23:55 | 0:23:57 | |
Let's make this quick. | 0:24:00 | 0:24:02 | |
-What does it say? -Keep it. | 0:24:03 | 0:24:05 | |
-Can you get away to the city? -If I have to. | 0:24:05 | 0:24:08 | |
I've jotted down day, time and place on the envelope. | 0:24:08 | 0:24:10 | |
I'll see you there. | 0:24:10 | 0:24:11 | |
Dress smartly. | 0:24:11 | 0:24:13 | |
CLATTERING | 0:24:25 | 0:24:27 | |
-We seem to be back to our old adversarial ways. -Sadly. | 0:25:13 | 0:25:17 | |
The fact that you're carrying George's child alone | 0:25:19 | 0:25:21 | |
should win us your support. | 0:25:21 | 0:25:23 | |
George is happy for him to stay. | 0:25:23 | 0:25:25 | |
George would say anything to keep in your good graces. | 0:25:27 | 0:25:29 | |
He'd be livid you interfered. | 0:25:29 | 0:25:31 | |
I made him a promise. I said I would keep my distance. | 0:25:31 | 0:25:34 | |
Oh, Sarah, it's difficult enough that James has such desires, | 0:25:36 | 0:25:39 | |
but for a farm hand! | 0:25:39 | 0:25:42 | |
It puts him outside society. | 0:25:42 | 0:25:44 | |
Like George with a Jewish nurse. | 0:25:44 | 0:25:47 | |
Well, that was at least a folly within the law. | 0:25:47 | 0:25:49 | |
Oh, we are back to our old ways. | 0:25:49 | 0:25:51 | |
We have already been blackmailed because of this man. | 0:25:53 | 0:25:56 | |
You were blackmailed because of James. | 0:25:56 | 0:25:58 | |
Don't make Harry your scapegoat. | 0:25:58 | 0:25:59 | |
You're intent on being perverse. | 0:25:59 | 0:26:02 | |
I simply want what is right for the family. | 0:26:03 | 0:26:06 | |
Which is how you rationalise your treatment of me. | 0:26:06 | 0:26:08 | |
Where did that lead? | 0:26:08 | 0:26:11 | |
Regina. | 0:26:11 | 0:26:13 | |
That's why you brought her into our lives, to counter me. | 0:26:13 | 0:26:16 | |
I mean, who's to say that your solution for James | 0:26:16 | 0:26:19 | |
won't prove as disastrous? | 0:26:19 | 0:26:21 | |
-I am confident. -As you were with her. | 0:26:23 | 0:26:26 | |
We are battling Regina together. | 0:26:29 | 0:26:31 | |
That heartens me. | 0:26:31 | 0:26:34 | |
Surely there's some common ground here, too. | 0:26:34 | 0:26:37 | |
Only if you leave Harry alone. | 0:26:37 | 0:26:39 | |
Is your health up to this battle, too, | 0:26:45 | 0:26:48 | |
because that's what it will be. | 0:26:48 | 0:26:50 | |
Very well. | 0:26:51 | 0:26:53 | |
If you guarantee one thing. | 0:26:53 | 0:26:57 | |
I will not encourage him to leave, | 0:26:57 | 0:26:59 | |
if you don't encourage him to stay. | 0:26:59 | 0:27:01 | |
He's a grown man, Elizabeth. | 0:27:01 | 0:27:03 | |
It's not my place, nor yours, to make deals on his behalf. | 0:27:03 | 0:27:06 | |
I am trying to find a compromise. | 0:27:06 | 0:27:08 | |
It is Harry Polson's right to stay or go. | 0:27:08 | 0:27:11 | |
It is James Bligh's right to have his memory provoked or not. | 0:27:11 | 0:27:15 | |
-James' right, perhaps. -James' right absolutely. | 0:27:15 | 0:27:18 | |
But it needs no encouragement. | 0:27:18 | 0:27:20 | |
Oh, Sarah, the very least you can do is to keep this man out of jail. | 0:27:20 | 0:27:25 | |
No, all I can do is trust him as you should trust James. | 0:27:25 | 0:27:28 | |
If it helps you, I don't think Harry has a bad bone in his body, | 0:27:30 | 0:27:35 | |
but I have no intention of interfering | 0:27:35 | 0:27:37 | |
with any decisions he makes, none whatsoever. | 0:27:37 | 0:27:40 | |
I can only hope Olivia made her point. | 0:27:44 | 0:27:47 | |
And I mine. | 0:27:49 | 0:27:50 | |
Our tete-a-tete is finished. | 0:27:53 | 0:27:56 | |
It saddens me, Elizabeth. | 0:28:09 | 0:28:11 | |
You have survived two heart attacks | 0:28:12 | 0:28:14 | |
and you're spending what extra time you've been given | 0:28:14 | 0:28:17 | |
living other people's lives. | 0:28:17 | 0:28:19 | |
Your grandmother is a remarkable woman. | 0:28:41 | 0:28:44 | |
And Olivia. | 0:28:45 | 0:28:47 | |
Two remarkable women. | 0:28:52 | 0:28:55 | |
I never thought I'd see understanding like this. | 0:28:55 | 0:28:58 | |
The so-called normal world. | 0:28:58 | 0:28:59 | |
You've a lot of accepting friends. | 0:29:01 | 0:29:03 | |
Amongst the bohemian set. | 0:29:03 | 0:29:05 | |
For women like your grandmother and wife to almost bless us... | 0:29:07 | 0:29:12 | |
I hope it's a sign of things to come. | 0:29:14 | 0:29:17 | |
CAR HORN BLARES | 0:29:21 | 0:29:23 | |
I love you. | 0:30:17 | 0:30:19 | |
I love you, too. | 0:30:23 | 0:30:25 | |
What? | 0:30:28 | 0:30:30 | |
I don't know. | 0:30:32 | 0:30:33 | |
-Bad dream? -I think so. | 0:30:35 | 0:30:37 | |
-About what? -It's gone. | 0:30:39 | 0:30:42 | |
Leaving us so soon, Mr Polson? | 0:30:51 | 0:30:54 | |
Surely not. It's Doris Collins. | 0:30:54 | 0:30:57 | |
I used to see you when I delivered the CWA newsletter to your sister. | 0:30:57 | 0:31:02 | |
Right. | 0:31:02 | 0:31:03 | |
You seem somewhat at a loss. | 0:31:05 | 0:31:07 | |
Got to roll with the blows, eh? | 0:31:07 | 0:31:09 | |
Mr Polson, I know you've been helping out at Mr Briggs's farm. | 0:31:11 | 0:31:16 | |
He mentioned what a good worker you are and Mrs Nordmann, | 0:31:16 | 0:31:21 | |
what a good friend she is. | 0:31:21 | 0:31:24 | |
-She is. -Yes. | 0:31:24 | 0:31:26 | |
Forgive my presumption in saying this, but sometimes, | 0:31:26 | 0:31:30 | |
when you've nowhere to go, home's where you are. | 0:31:30 | 0:31:33 | |
Good luck, Mr Polson. | 0:31:35 | 0:31:37 | |
Mother! | 0:32:11 | 0:32:13 | |
I've exciting news about Hannah. | 0:32:13 | 0:32:15 | |
Before you tell me, the invitations. | 0:32:15 | 0:32:19 | |
Yes? | 0:32:19 | 0:32:20 | |
I suppose I can't stop you sending him one, so I'll leave it up to you. | 0:32:20 | 0:32:25 | |
All right. | 0:32:27 | 0:32:29 | |
LUCKY BARKS | 0:32:42 | 0:32:45 | |
Sit down. | 0:32:49 | 0:32:51 | |
LUCKY WHINES | 0:33:02 | 0:33:04 | |
-KNOCK ON DOOR -Excuse me, sir. | 0:33:05 | 0:33:07 | |
There's someone at the door who won't take no for an answer. | 0:33:07 | 0:33:10 | |
He says he wants to see you. A Mr Polson. | 0:33:10 | 0:33:12 | |
-No. -No, Rose. | 0:33:12 | 0:33:15 | |
-Send him in. -George! | 0:33:15 | 0:33:17 | |
Thank you, Rose. | 0:33:17 | 0:33:19 | |
Best now, I think, whilst James is absent. | 0:33:19 | 0:33:21 | |
What possible benefit could there be? | 0:33:21 | 0:33:23 | |
There's no harm in giving the man a hearing. | 0:33:23 | 0:33:26 | |
Are you aware of this? | 0:33:27 | 0:33:29 | |
-Yes. -I thought she should be. | 0:33:29 | 0:33:31 | |
I've obviously missed something. | 0:33:31 | 0:33:33 | |
-I can go. -Perhaps it's better you know. | 0:33:33 | 0:33:35 | |
Thank you, Rose. | 0:33:37 | 0:33:38 | |
Come in, Mr Polson. | 0:33:41 | 0:33:43 | |
-Sorry to just turn up. -I'm sure you have your reasons. | 0:33:43 | 0:33:46 | |
You can speak freely. | 0:33:46 | 0:33:48 | |
I know you're all worried. | 0:33:51 | 0:33:53 | |
If you had been there when James saw me, you wouldn't be, | 0:33:54 | 0:33:56 | |
I'm not even a memory. | 0:33:56 | 0:33:58 | |
What I've come to say is... | 0:34:00 | 0:34:02 | |
James might know who I am, but I do. | 0:34:04 | 0:34:08 | |
I packed up my kit this afternoon | 0:34:10 | 0:34:12 | |
and started heading off somewhere else. | 0:34:12 | 0:34:14 | |
I'm not going to run any more. | 0:34:17 | 0:34:19 | |
But I won't hurt him either. | 0:34:20 | 0:34:22 | |
Not if I can help it. | 0:34:22 | 0:34:24 | |
Goodnight, sir. | 0:34:28 | 0:34:29 | |
Mrs Bligh. Ma'am. | 0:34:30 | 0:34:33 | |
I hope that puts your mind at rest. | 0:34:35 | 0:34:37 | |
-Sister Nordmann persuaded you to stay, no doubt. -Mother. -No. | 0:34:39 | 0:34:43 | |
You can thank the lovely old lady with the bicycle. | 0:34:46 | 0:34:49 | |
Bravo, Mr Polson. | 0:34:56 | 0:34:59 | |
Now I know you're part of the joint. | 0:35:21 | 0:35:23 | |
You snuck in without a peep from Lucky. | 0:35:23 | 0:35:25 | |
Welcome home. | 0:35:30 | 0:35:32 | |
So we're egging this bloke on to what? | 0:35:41 | 0:35:43 | |
We're simply telling him the truth. | 0:35:43 | 0:35:45 | |
The rest is up to him. | 0:35:45 | 0:35:46 | |
I'd want to kill her. | 0:35:47 | 0:35:49 | |
He may have equally strong feelings. | 0:35:49 | 0:35:52 | |
I'm supposed to see the law's kept. | 0:36:00 | 0:36:02 | |
And I am a law-abiding citizen, | 0:36:02 | 0:36:05 | |
but we live in a world where | 0:36:05 | 0:36:07 | |
my husband was shot with no consequence, | 0:36:07 | 0:36:09 | |
where this Ford fellow is missing, | 0:36:09 | 0:36:10 | |
feared a victim of foul play, and Milly Davis died in agony. | 0:36:10 | 0:36:14 | |
Sarah Nordmann links them all. | 0:36:14 | 0:36:16 | |
You're not the man I think you are | 0:36:18 | 0:36:19 | |
if you can't turn a blind eye to natural justice. | 0:36:19 | 0:36:22 | |
Not many women could think like that. | 0:36:25 | 0:36:28 | |
You want the truth? | 0:36:28 | 0:36:30 | |
I'm terrified. | 0:36:31 | 0:36:32 | |
I could well be next. | 0:36:32 | 0:36:34 | |
But if you can't even consider it... | 0:36:36 | 0:36:38 | |
I'd leave now before he arrives and no harm is done. | 0:36:38 | 0:36:41 | |
We'll see how it goes. | 0:36:44 | 0:36:45 | |
I think we should. | 0:36:46 | 0:36:48 | |
I'd say that's him now. | 0:36:52 | 0:36:53 | |
-Mrs Bligh? -There's no mistaking you, Flying Officer Walsh. | 0:36:55 | 0:36:59 | |
Sergeant Brian Taylor from the Inverness police. | 0:37:01 | 0:37:05 | |
We're so pleased to have the opportunity to speak with you. | 0:37:05 | 0:37:08 | |
Just tell me who killed her. | 0:37:08 | 0:37:10 | |
Look at the time. | 0:37:19 | 0:37:21 | |
-I can do that. -Are you sure? | 0:37:21 | 0:37:23 | |
-Positive. -Remember, | 0:37:23 | 0:37:25 | |
you don't have to go to with them just because Regina asked. | 0:37:25 | 0:37:28 | |
But you should, it'll be exciting. | 0:37:28 | 0:37:30 | |
Cara. | 0:37:30 | 0:37:32 | |
Thank you for lunch. Grazie. | 0:37:32 | 0:37:33 | |
-A domani. -A domani. | 0:37:33 | 0:37:36 | |
I know I shouldn't be encouraging her. | 0:37:39 | 0:37:41 | |
She shouldn't be around with Gina. | 0:37:41 | 0:37:43 | |
-Grandmother's plan won't work unless they're close. -You are using her. | 0:37:43 | 0:37:48 | |
To make sure father sees the truth about Regina. | 0:37:48 | 0:37:50 | |
It's not long since she took Georgie. | 0:37:50 | 0:37:53 | |
You saw how she was then. | 0:37:53 | 0:37:55 | |
She's past all that. | 0:37:55 | 0:37:57 | |
She's easily led. | 0:37:57 | 0:37:58 | |
And if she strays, we'll lead her back. | 0:37:58 | 0:38:00 | |
What if we can't? | 0:38:00 | 0:38:01 | |
This is what I can't wait to leave. | 0:38:04 | 0:38:06 | |
There's always tension. | 0:38:06 | 0:38:08 | |
No wonder you're not expecting. | 0:38:08 | 0:38:10 | |
There must be something you can do. | 0:38:22 | 0:38:24 | |
Sergeant's Taylor's hands are tied by lack of concrete evidence. | 0:38:24 | 0:38:28 | |
He simply cannot make a case. | 0:38:28 | 0:38:30 | |
She is a slippery one, that's for sure. | 0:38:30 | 0:38:32 | |
The woman is a rabid Communist. | 0:38:32 | 0:38:34 | |
I doubt these recent headlines made their way to Malaya. | 0:38:34 | 0:38:38 | |
The Petrov inquiry has found proof | 0:38:38 | 0:38:40 | |
of spy networks throughout the country. | 0:38:40 | 0:38:42 | |
It stinks, mate. | 0:38:42 | 0:38:43 | |
You up there play keeping the Reds at bay | 0:38:43 | 0:38:46 | |
while one of them ruins your life down here. | 0:38:46 | 0:38:49 | |
And why Milly? | 0:38:49 | 0:38:51 | |
She couldn't give a toss about politics. | 0:38:51 | 0:38:54 | |
My husband is contesting the election. | 0:38:54 | 0:38:56 | |
Miss Davies was poisoned to disrupt his campaign. | 0:38:56 | 0:39:00 | |
Insane, yes. | 0:39:00 | 0:39:02 | |
The creature has a history of mental illness. | 0:39:02 | 0:39:05 | |
Also, wartime connections with the Soviet military. | 0:39:05 | 0:39:08 | |
She also fought for the left in Spain. | 0:39:08 | 0:39:12 | |
Have you got proof? | 0:39:12 | 0:39:13 | |
It's all there. | 0:39:13 | 0:39:15 | |
My husband had her investigated. | 0:39:15 | 0:39:17 | |
One more reason for her to get at him. | 0:39:19 | 0:39:22 | |
I shouldn't even be here. I could get in big trouble. | 0:39:22 | 0:39:26 | |
It breaks my heart to think this monster is going unpunished. | 0:39:26 | 0:39:30 | |
Not just a murderer - an enemy of the nation. | 0:39:30 | 0:39:33 | |
So she gets away with it. | 0:39:38 | 0:39:40 | |
We've done all we can in telling you. | 0:39:44 | 0:39:46 | |
Anything beyond that, | 0:39:46 | 0:39:48 | |
we are sympathetic. | 0:39:48 | 0:39:51 | |
Correct, Sergeant? | 0:39:51 | 0:39:52 | |
No-one could blame you, mate. Whatever you choose to do. | 0:39:58 | 0:40:02 | |
The condemned went to the gallows neat as a pin. | 0:40:24 | 0:40:27 | |
Don't even joke. | 0:40:27 | 0:40:30 | |
What happened to all that optimism? | 0:40:30 | 0:40:32 | |
Silence has me rattled. | 0:40:33 | 0:40:36 | |
Sir Richard makes veiled threats, then nothing. | 0:40:37 | 0:40:41 | |
This investigation's a good chance to hurt Elizabeth through us. | 0:40:42 | 0:40:46 | |
He can't interfere with due process. | 0:40:46 | 0:40:49 | |
You naive thing, you. | 0:40:49 | 0:40:51 | |
Maybe I'm jumping at shadows. | 0:40:53 | 0:40:56 | |
KNOCK ON DOOR | 0:40:56 | 0:40:57 | |
Good luck. | 0:41:00 | 0:41:02 | |
Miss Bligh, I suspect. | 0:41:11 | 0:41:13 | |
And Doctor Duncan. | 0:41:13 | 0:41:15 | |
The detectives are just pulling up. | 0:41:15 | 0:41:18 | |
I'm Gareth Baines. | 0:41:18 | 0:41:20 | |
I'm here to represent you. | 0:41:20 | 0:41:22 | |
-I thought I told you... -I didn't. | 0:41:22 | 0:41:25 | |
-THE Gareth Baines? -Unless there is another one? | 0:41:25 | 0:41:28 | |
Who...? | 0:41:28 | 0:41:30 | |
You have generous friends. | 0:41:30 | 0:41:32 | |
Ah, two of our finest. | 0:41:33 | 0:41:36 | |
Would you excuse us, Miss Bligh? | 0:41:36 | 0:41:38 | |
Now, this won't take long. | 0:41:42 | 0:41:44 | |
Your case has more holes in it than Swiss cheese. | 0:41:44 | 0:41:48 | |
Miss Bligh, sir, on the telephone. | 0:41:51 | 0:41:53 | |
Carolyn. | 0:42:01 | 0:42:02 | |
You sly dog. Thank you. | 0:42:02 | 0:42:05 | |
I'm not sure I... | 0:42:05 | 0:42:07 | |
'The cavalry arrived just in time.' | 0:42:07 | 0:42:09 | |
Why didn't you say something? | 0:42:09 | 0:42:11 | |
I still don't... | 0:42:11 | 0:42:13 | |
Gareth Baines. I'm assuming it's you... | 0:42:13 | 0:42:16 | |
Unless mother... | 0:42:17 | 0:42:19 | |
Did either of you arrange for someone to represent Jack? | 0:42:20 | 0:42:23 | |
We'd have said if we had. | 0:42:23 | 0:42:25 | |
I just assumed. | 0:42:27 | 0:42:28 | |
No. | 0:42:31 | 0:42:33 | |
What? | 0:42:33 | 0:42:35 | |
Nothing. It's all a mix-up. | 0:42:35 | 0:42:37 | |
Carolyn! | 0:42:39 | 0:42:41 | |
Hello? | 0:42:41 | 0:42:43 | |
You're desperately going into the tatters of the case because | 0:42:43 | 0:42:46 | |
you're too stubborn to admit you've rushed in like bulls at the gate. | 0:42:46 | 0:42:51 | |
You have proof that my client was in this hospital | 0:42:51 | 0:42:54 | |
when that poor girl was being butchered in the city. | 0:42:54 | 0:42:57 | |
All he did once was try to save her life when she arrived. | 0:42:57 | 0:43:00 | |
Yes, he falsified the cause of death, | 0:43:00 | 0:43:03 | |
but in response to the pleas from her distraught mother. | 0:43:03 | 0:43:07 | |
Now, if I stick her on the stand, | 0:43:07 | 0:43:09 | |
the whole jury will think Doctor Jack a hero. | 0:43:09 | 0:43:13 | |
And when we're done, we will go for compensation for harassment, | 0:43:14 | 0:43:17 | |
damage to reputation, loss of peace of mind. | 0:43:17 | 0:43:21 | |
I'm on a tight schedule, gentlemen. | 0:43:21 | 0:43:23 | |
Let's call it quits and we can all go home. | 0:43:23 | 0:43:26 | |
You've restored my faith in the system, gentlemen. | 0:43:34 | 0:43:36 | |
-There's no guarantee. -Of course there is. | 0:43:36 | 0:43:39 | |
-We'll be in touch. -Watch yourselves on that drive home. | 0:43:39 | 0:43:43 | |
Ten minutes. That's not bad. | 0:43:46 | 0:43:48 | |
-It's a bloody marvel. -Oh, that I am. | 0:43:48 | 0:43:51 | |
What about...? | 0:43:51 | 0:43:53 | |
The fee? It's all fixed. | 0:43:53 | 0:43:56 | |
But just a word of advice, though. | 0:43:56 | 0:43:58 | |
Don't be such a soft touch for a blubbering mother next time. | 0:43:58 | 0:44:02 | |
Ciao. | 0:44:02 | 0:44:04 | |
Oh, I almost forgot. | 0:44:04 | 0:44:06 | |
Sir Richard is a good man to have in your corner. | 0:44:08 | 0:44:11 | |
"Where's the fun in them pulling your life apart?" | 0:44:20 | 0:44:23 | |
Here we go. Tit for tat. | 0:44:26 | 0:44:29 | |
I came to apologise... | 0:44:47 | 0:44:49 | |
..for my behaviour. | 0:44:51 | 0:44:52 | |
Accepted. | 0:44:55 | 0:44:57 | |
-You meant what you said last night? -Yes. | 0:45:00 | 0:45:03 | |
If James remembered now, if he was standing here now instead of me, | 0:45:04 | 0:45:07 | |
what would you say? | 0:45:07 | 0:45:10 | |
Go away. | 0:45:10 | 0:45:12 | |
-You would? -Yes. | 0:45:12 | 0:45:15 | |
Why? | 0:45:15 | 0:45:17 | |
Because love can mean you have to sacrifice. | 0:45:20 | 0:45:23 | |
I hope you are as strong should it happen | 0:45:33 | 0:45:37 | |
as you are sure of it now. | 0:45:37 | 0:45:39 | |
Penny for them. | 0:45:52 | 0:45:54 | |
Nothing. | 0:45:56 | 0:45:57 | |
Here we go. | 0:45:59 | 0:46:02 | |
MUSIC PLAYS | 0:46:02 | 0:46:04 | |
Come on. | 0:46:10 | 0:46:11 | |
I'm fine here, thank you. | 0:46:15 | 0:46:17 | |
Harry and Henry. | 0:46:24 | 0:46:26 | |
The same name, aren't they? | 0:46:26 | 0:46:28 | |
-Where did that come from? -Don't know. | 0:46:30 | 0:46:31 | |
It's just occurred to me. | 0:46:34 | 0:46:36 | |
You're an acutely odd man sometimes. | 0:46:38 | 0:46:40 | |
Thank you, both. | 0:47:01 | 0:47:03 | |
I may see you one day in Inverness. | 0:47:05 | 0:47:07 | |
Or not. | 0:47:10 | 0:47:11 | |
What do you make of him? | 0:47:18 | 0:47:21 | |
A man drowning in grief. | 0:47:21 | 0:47:23 | |
So terribly, terribly sad. | 0:47:25 | 0:47:27 | |
I came here to feel close to you. | 0:47:46 | 0:47:49 | |
Aw, that's lovely. | 0:47:49 | 0:47:51 | |
We negotiated a hurdle yesterday. | 0:47:53 | 0:47:56 | |
We did. | 0:47:56 | 0:47:58 | |
-It makes me happy. -Me too. | 0:47:58 | 0:48:01 | |
Oh. | 0:48:03 | 0:48:05 | |
-Is it the baby? -Yes. | 0:48:05 | 0:48:07 | |
THEY CHUCKLE | 0:48:20 | 0:48:23 | |
PIANO PLAYS | 0:48:34 | 0:48:38 | |
Olivia? | 0:48:41 | 0:48:43 | |
I didn't know you could play that piece. | 0:48:43 | 0:48:46 | |
Hello, Lizzie. | 0:49:04 | 0:49:06 |