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How you going, guys? Straight passes. | 0:00:03 | 0:00:04 | |
Lily, straight passes. Cam, you've got to focus on this - | 0:00:04 | 0:00:06 | |
this is a weak area for you. | 0:00:06 | 0:00:08 | |
-Just kick it straight. -I know. | 0:00:10 | 0:00:13 | |
Kick it straight. Come on, mate. That's not good enough. | 0:00:13 | 0:00:15 | |
Now, on the game on Saturday, | 0:00:15 | 0:00:17 | |
you let yourself down cos you weren't doing it, OK? | 0:00:17 | 0:00:19 | |
Straight as an arrow, let's go. | 0:00:19 | 0:00:20 | |
This programme contains some violent scenes | 0:00:20 | 0:00:24 | |
-Cam. -Loser. | 0:00:25 | 0:00:27 | |
Go and get it. | 0:00:27 | 0:00:28 | |
Go and get it, go on. | 0:00:29 | 0:00:30 | |
This programme contains some strong language | 0:00:30 | 0:00:36 | |
Grab this one. HEAVY BREATHING | 0:00:38 | 0:00:40 | |
Good. | 0:00:40 | 0:00:42 | |
RAPIDLY APPROACHING FOOTSTEPS | 0:00:55 | 0:00:57 | |
CREATURE SCREECHES | 0:00:57 | 0:00:58 | |
CAM SCREAMS CREATURE GRUNTS | 0:00:58 | 0:01:01 | |
Cam? | 0:01:03 | 0:01:04 | |
See some ID. | 0:02:14 | 0:02:15 | |
FEMALE VOICE IN HEAD WHISPERS | 0:02:20 | 0:02:22 | |
Mother... | 0:02:22 | 0:02:23 | |
He's all right. | 0:02:26 | 0:02:27 | |
-DISTANT ANGRY VOICE: -Dad loved me more than he loved you, Koen! | 0:03:09 | 0:03:12 | |
Your mum is a white whore. Say it! | 0:03:13 | 0:03:15 | |
-Come on, say it! -Say it! -Say it! | 0:03:15 | 0:03:18 | |
Koen, say your mum is a white whore! | 0:03:18 | 0:03:19 | |
-Say it! -Say it! -Say it! | 0:03:19 | 0:03:21 | |
-Say it, Koen! -Say it! -No! | 0:03:21 | 0:03:24 | |
Your mum is a white whore. | 0:03:25 | 0:03:26 | |
-You coconut. -Come on. | 0:03:29 | 0:03:31 | |
You. What you doing out here, brother? | 0:03:40 | 0:03:42 | |
Don't suppose you take a direct deposit? | 0:03:50 | 0:03:52 | |
Oi! I don't want you boys fighting round here. You hear me? | 0:03:53 | 0:03:57 | |
I forgot what flat you were, Auntie Linda. | 0:03:58 | 0:04:00 | |
-Who's that? -I need to talk, Auntie. | 0:04:00 | 0:04:03 | |
-Koen? -Yeah. | 0:04:03 | 0:04:04 | |
OK, you better come up, then. | 0:04:06 | 0:04:07 | |
Piss off, you hairy buggers, he's family. | 0:04:10 | 0:04:12 | |
-Hey, Auntie. -Hey. | 0:04:18 | 0:04:20 | |
I'm coming. Wait right there. | 0:04:21 | 0:04:23 | |
Well, look at you, all grown up. | 0:04:23 | 0:04:25 | |
Hoping you can tell me why Uncle Jimmy picked me. | 0:04:48 | 0:04:51 | |
I gave up wondering why Jimmy did what he did. | 0:04:51 | 0:04:54 | |
Waruu's going to be mighty pissed off. | 0:04:59 | 0:05:03 | |
Ever since you two were little, | 0:05:03 | 0:05:04 | |
Waruu's been dreaming of becoming the Cleverman. | 0:05:04 | 0:05:07 | |
He's been waiting for this day all his life, | 0:05:07 | 0:05:09 | |
-and now his little brother... -Half-brother. -..steals his thunder. | 0:05:09 | 0:05:12 | |
It's a big responsibility, Koen. | 0:05:14 | 0:05:16 | |
Cleverman is more than just a title. | 0:05:16 | 0:05:19 | |
Whatever reason Jimmy had, you got a chance to start over. | 0:05:23 | 0:05:26 | |
Yep. | 0:05:28 | 0:05:29 | |
This belonged to your father. | 0:05:32 | 0:05:34 | |
He kept his uni stuff in it. | 0:05:35 | 0:05:38 | |
-Where did you get that? -Found it... | 0:05:38 | 0:05:39 | |
..after the accident. | 0:05:41 | 0:05:42 | |
Put other stuff in - photos, anything I could grab at the time, | 0:05:45 | 0:05:50 | |
which wasn't much. | 0:05:50 | 0:05:52 | |
The past is the past. | 0:05:55 | 0:05:57 | |
You can't change it. | 0:05:58 | 0:05:59 | |
All you can do is try to do better. | 0:06:00 | 0:06:02 | |
Your father, he wasn't perfect. | 0:06:07 | 0:06:08 | |
He was a man. | 0:06:11 | 0:06:12 | |
With all the faults of a man. | 0:06:13 | 0:06:14 | |
And he was your father. | 0:06:17 | 0:06:18 | |
Your gift, Koen, | 0:06:23 | 0:06:25 | |
that's yours and yours alone now. | 0:06:25 | 0:06:27 | |
No-one can tell you what to do with it. | 0:06:29 | 0:06:31 | |
And that's the good of it and the curse of it. | 0:06:32 | 0:06:34 | |
Mark my words. | 0:06:36 | 0:06:37 | |
I see things, too. | 0:06:38 | 0:06:39 | |
-What kind of things? -You in a clinic. | 0:06:40 | 0:06:42 | |
Cancer. | 0:06:46 | 0:06:47 | |
All through my lymph nodes - doctors gave me six months. | 0:06:47 | 0:06:50 | |
They can't treat it? | 0:06:50 | 0:06:51 | |
Better medication at home. | 0:06:53 | 0:06:54 | |
I'm sorry. | 0:06:58 | 0:07:00 | |
I can get you more gear if you need it. | 0:07:01 | 0:07:03 | |
You saw all that, eh? | 0:07:05 | 0:07:06 | |
What are you going to do with it? | 0:07:11 | 0:07:13 | |
Oi. Stop it. | 0:07:37 | 0:07:39 | |
You don't need a title. | 0:07:41 | 0:07:42 | |
Cleverman's not just a title. | 0:07:42 | 0:07:45 | |
Dad, Harry's here. | 0:07:45 | 0:07:46 | |
We need to take some action here. | 0:07:52 | 0:07:54 | |
-MAN: -Yeah, yeah, I know. | 0:07:54 | 0:07:55 | |
Where's the rest of that family they captured, then? | 0:07:55 | 0:07:58 | |
Alinta, can you get my phone, please? | 0:07:58 | 0:08:00 | |
I've got something to show you. | 0:08:01 | 0:08:02 | |
These were taken last week. | 0:08:03 | 0:08:04 | |
So, what are they? | 0:08:06 | 0:08:08 | |
Trucks, 20 of them in one day. | 0:08:08 | 0:08:10 | |
Hey, stranger. | 0:08:17 | 0:08:18 | |
You don't know what they're transporting in those trucks? | 0:08:27 | 0:08:30 | |
-Could just be frozen chicken. -Frozen chickens don't need ventilation. | 0:08:30 | 0:08:33 | |
So, what next? | 0:08:33 | 0:08:35 | |
I found a guy on the inside, Waruu. | 0:08:35 | 0:08:37 | |
Says he can get us into the main cells. | 0:08:37 | 0:08:39 | |
-A guard? -Yeah. He has a master key to the building. | 0:08:39 | 0:08:42 | |
Let's say we get in, then what? | 0:08:42 | 0:08:45 | |
Bust every hairy out of there? | 0:08:45 | 0:08:46 | |
What are you going to do with them? | 0:08:46 | 0:08:49 | |
Are you going to bring them here? | 0:08:49 | 0:08:50 | |
Give the CA the excuse they've been waiting for? | 0:08:50 | 0:08:52 | |
And we'll be ready for them when they do. | 0:08:52 | 0:08:54 | |
Choppers, assault vehicles, high-powered weapons. | 0:08:54 | 0:08:57 | |
No, brother, I've got family here. | 0:08:57 | 0:08:59 | |
We all got families! | 0:08:59 | 0:09:00 | |
This is a political situation, Harry, it needs a political fix. | 0:09:00 | 0:09:03 | |
Come on, man! If it was Alinta in there... | 0:09:03 | 0:09:06 | |
Political fix, Harry. | 0:09:06 | 0:09:08 | |
Why I'm going on this show, yeah? We gotta do this the right way. | 0:09:08 | 0:09:11 | |
Oi! Oi, you shouldn't be doing that! | 0:09:27 | 0:09:30 | |
Hey, brother, they'll flog you. | 0:09:30 | 0:09:31 | |
What do you think you're doing, rug? | 0:09:34 | 0:09:36 | |
Everyone eat cement! | 0:09:38 | 0:09:40 | |
I knew you were going to cause trouble for us, rug. | 0:09:43 | 0:09:46 | |
What, do you think you're king of the rugs or something, do you? | 0:09:48 | 0:09:51 | |
Come on, then! | 0:09:54 | 0:09:56 | |
Oi! Oi, get your hands off him! | 0:10:15 | 0:10:17 | |
KNOCK AT DOOR | 0:10:45 | 0:10:47 | |
Girl. | 0:10:49 | 0:10:50 | |
I know you're in there. | 0:10:51 | 0:10:52 | |
I know you must be hungry, too. | 0:10:54 | 0:10:56 | |
KNOCK AT DOOR | 0:11:31 | 0:11:33 | |
Leave the plate out, if you wouldn't mind. | 0:11:34 | 0:11:38 | |
Or, I'm in B27 if you care to visit. | 0:11:38 | 0:11:43 | |
All right, then. | 0:11:46 | 0:11:47 | |
Stop filming. Put the cameras away. | 0:12:20 | 0:12:22 | |
-Turn it off. -You people are not supposed to be here. | 0:12:23 | 0:12:25 | |
Yeah, we were the first on the scene. | 0:12:25 | 0:12:26 | |
There's no other news crews here. | 0:12:26 | 0:12:28 | |
There's not going to be anyone else, either. | 0:12:28 | 0:12:30 | |
It's our exclusive for the next hour at least. | 0:12:30 | 0:12:32 | |
-How? -We'll break the story in the middle of the show, cross to you, | 0:12:32 | 0:12:36 | |
so be ready to go. | 0:12:36 | 0:12:37 | |
Yeah. We should let Waruu know about this development. | 0:12:37 | 0:12:41 | |
Give him a chance to prepare his response. | 0:12:41 | 0:12:44 | |
Let me think about it. | 0:12:44 | 0:12:45 | |
SHE SIGHS | 0:13:09 | 0:13:12 | |
Why didn't you say something? | 0:13:24 | 0:13:26 | |
I couldn't bear to see you put on that brave little boy face. | 0:13:28 | 0:13:32 | |
I see you've relegated America to the dustbin of history. | 0:13:34 | 0:13:38 | |
No, the US gets a place mat for outstanding achievement. | 0:13:38 | 0:13:41 | |
It's the whole of Western civilisation | 0:13:41 | 0:13:43 | |
that's down the plughole. | 0:13:43 | 0:13:45 | |
Perhaps it's just as well, then, that I can't... | 0:13:45 | 0:13:48 | |
-Baby...we can try again. -No, we... | 0:13:48 | 0:13:52 | |
We've been over this. | 0:13:54 | 0:13:56 | |
You know, Nixon had a speech already prepared | 0:14:02 | 0:14:05 | |
for the death of the astronauts. | 0:14:05 | 0:14:07 | |
He was so desperate to beat the Ruskies, they went up | 0:14:07 | 0:14:09 | |
ahead of schedule more on a hope than a prayer. | 0:14:09 | 0:14:12 | |
Are you going to tell the story about Neil Armstrong restarting | 0:14:12 | 0:14:15 | |
the landing module with just a paperclip and seconds to spare? | 0:14:15 | 0:14:18 | |
It was Buzz Aldrin. And it was a biro. | 0:14:20 | 0:14:24 | |
The point is that, often, | 0:14:27 | 0:14:28 | |
-the only difference between triumph and failure is... -My love... | 0:14:28 | 0:14:32 | |
I'm not giving up, I'm just drawing a line in the sand. | 0:14:32 | 0:14:37 | |
It's all good, baby. | 0:14:47 | 0:14:48 | |
Sorry. | 0:14:49 | 0:14:51 | |
I am the Cleverman. | 0:15:09 | 0:15:11 | |
I am the Cleverman. | 0:15:13 | 0:15:15 | |
I am the Cleverman. | 0:15:18 | 0:15:20 | |
Through this way. | 0:16:11 | 0:16:12 | |
Stop. | 0:16:21 | 0:16:22 | |
What have you got for me? | 0:16:37 | 0:16:39 | |
-One of these. -One? | 0:16:39 | 0:16:41 | |
-Just fucking pick one. -It's not that simple, darling. | 0:16:41 | 0:16:43 | |
They're all as hairy as each other, one's as good as the next. | 0:16:43 | 0:16:46 | |
Haven't you ever been to the pound? | 0:16:46 | 0:16:49 | |
You don't take just any old shih tzu. | 0:16:49 | 0:16:51 | |
When's my money going to come through, huh? | 0:16:51 | 0:16:53 | |
Do you understand me, pet? | 0:16:53 | 0:16:56 | |
-That one's English isn't great. -Shame that, I do need English. | 0:16:56 | 0:16:59 | |
Take me. | 0:17:00 | 0:17:01 | |
Oh! | 0:17:03 | 0:17:04 | |
Aren't you a feisty one. | 0:17:05 | 0:17:07 | |
And what is it you think you're volunteering for, love? | 0:17:13 | 0:17:15 | |
It doesn't matter. | 0:17:18 | 0:17:19 | |
Smile for me. | 0:17:22 | 0:17:23 | |
Teeth. | 0:17:24 | 0:17:25 | |
Hands. | 0:17:31 | 0:17:32 | |
Good, not too big. | 0:17:34 | 0:17:36 | |
Pelt's a gorgeous colour. | 0:17:41 | 0:17:43 | |
Your natural? | 0:17:43 | 0:17:45 | |
Yes. Good girl. | 0:17:45 | 0:17:46 | |
You're older than I'd like. | 0:17:49 | 0:17:51 | |
-I'll do what you want. -Oh, yes, you will, won't you, pet? | 0:17:51 | 0:17:54 | |
Yes, I've found what I need. | 0:17:59 | 0:18:00 | |
Sorry, ladies. | 0:18:01 | 0:18:03 | |
Hello again. | 0:18:48 | 0:18:49 | |
The disappearing girl. | 0:18:50 | 0:18:52 | |
Thanks for returning it. | 0:18:56 | 0:18:58 | |
It was just out of a jar, but it fills the hole. | 0:18:58 | 0:19:00 | |
My name's Virgil. | 0:19:02 | 0:19:04 | |
It's a strange name, but I've lived with it a long time. | 0:19:04 | 0:19:07 | |
Hi. | 0:19:09 | 0:19:10 | |
Will you join me for tea? | 0:19:11 | 0:19:13 | |
I know what you are. | 0:19:19 | 0:19:20 | |
And I don't care. | 0:19:22 | 0:19:23 | |
Good evening, I'm Jane O'Grady, and tonight, the subhuman crisis. | 0:19:50 | 0:19:55 | |
We evaluate the government's approach to its handling | 0:19:55 | 0:19:57 | |
-of the subhuman conundrum... -Take a seat if you'd like. | 0:19:57 | 0:20:00 | |
Watch it with me. Just move that stuff off. | 0:20:00 | 0:20:04 | |
Sit. Please? | 0:20:04 | 0:20:06 | |
Tonight, my guest in the studio | 0:20:06 | 0:20:08 | |
is Minister for Immigration and Border Protection, Geoff Matthews. | 0:20:08 | 0:20:12 | |
Good to be here, Jane. | 0:20:12 | 0:20:13 | |
Also with me is my guest Mr Waruu West, | 0:20:13 | 0:20:16 | |
Indigenous community leader and advocate for the hairy peoples. | 0:20:16 | 0:20:19 | |
-Mr West, welcome. -Well, I'm here as community leader in the zone. | 0:20:19 | 0:20:22 | |
-Thanks for having me on the programme. -He's a bit of a spunk. | 0:20:22 | 0:20:25 | |
Minister, I'll start with you and the announcement today | 0:20:25 | 0:20:28 | |
that the government is committing another 107 billion | 0:20:28 | 0:20:31 | |
to its new subhuman containment and resettlement efforts. | 0:20:31 | 0:20:34 | |
Let me jump in there, Jane, and question the terminology being used, | 0:20:34 | 0:20:37 | |
and language that would make George Orwell proud. | 0:20:37 | 0:20:39 | |
What you're really talking about here is the forcible removal | 0:20:39 | 0:20:42 | |
of innocent people from their homes. | 0:20:42 | 0:20:44 | |
Separating mothers from daughters, fathers from sons. | 0:20:44 | 0:20:48 | |
The truth is this government is tearing whole families, | 0:20:48 | 0:20:51 | |
entire communities apart, and taking them God only knows where. | 0:20:51 | 0:20:54 | |
I can't discuss operational matters, | 0:20:54 | 0:20:56 | |
suffice to say, it is not anything like Mr West is making out. | 0:20:56 | 0:20:59 | |
Well, that's a relief, Minister, thank you. | 0:20:59 | 0:21:01 | |
They are well provided for in clean, safe accommodation. | 0:21:01 | 0:21:04 | |
Well, let's see them. | 0:21:04 | 0:21:05 | |
-Alinta! Alinta! -What? | 0:21:05 | 0:21:08 | |
Hurry up! Your dad's on TV! | 0:21:08 | 0:21:10 | |
Better still, tell us where these containment centres are, | 0:21:10 | 0:21:12 | |
so we can see them for ourselves. Why the secrecy? | 0:21:12 | 0:21:15 | |
-Well, for the protection... -You only hide something | 0:21:15 | 0:21:17 | |
-if you have something to hide. -Mr West favours integration. | 0:21:17 | 0:21:20 | |
Now, I'm sympathetic to that. It's a possible long-term solution, | 0:21:20 | 0:21:23 | |
but this is a complex question... | 0:21:23 | 0:21:25 | |
Tighter, camera one. | 0:21:25 | 0:21:26 | |
These are very serious issues. | 0:21:27 | 0:21:30 | |
We have a large population of subhumans... | 0:21:30 | 0:21:32 | |
They're people, Geoff. | 0:21:32 | 0:21:33 | |
Can we just accept that they are not sub anything, they're people? | 0:21:33 | 0:21:36 | |
Why don't you allow reporters into your containment centres? | 0:21:36 | 0:21:39 | |
-Give us a guided tour on camera. -It's a simple matter of security. | 0:21:39 | 0:21:42 | |
-Rosy, who's that? -West's right-hand man. | 0:21:42 | 0:21:45 | |
Give me a close-up on his hands. | 0:21:45 | 0:21:47 | |
..and that is what we will continue to keep on doing. | 0:21:47 | 0:21:49 | |
As long as the country keeps voting for us, that's what we'll do. | 0:21:49 | 0:21:52 | |
He's a shaved-down hairy. Look at his little finger. | 0:21:52 | 0:21:55 | |
In addition to that, we have to protect the privacy | 0:21:55 | 0:21:58 | |
of our containment plants. | 0:21:58 | 0:21:59 | |
They don't have a right to a trial, | 0:21:59 | 0:22:01 | |
but that doesn't matter because you're protecting their privacy. | 0:22:01 | 0:22:04 | |
Subhumans are an innately violent race. | 0:22:04 | 0:22:06 | |
-Not true. -Come on. Day one, first contact, | 0:22:06 | 0:22:08 | |
one tried to rip the throat out of a police sergeant. | 0:22:08 | 0:22:11 | |
-People become violent for a reason. -Would you like to elaborate | 0:22:11 | 0:22:13 | |
-on -what you mean? Hairy people are concerned that their people | 0:22:13 | 0:22:16 | |
are disappearing. Trucks come in the middle of the night and take them. | 0:22:16 | 0:22:19 | |
-Total fabrication. -Geoff, sorry, I'll have to ask you to hold on. | 0:22:19 | 0:22:22 | |
Mr West, could you clarify what you mean? | 0:22:22 | 0:22:24 | |
Does he have any proof of these allegations he's making? | 0:22:24 | 0:22:26 | |
-People have come to me... -Mr West cannot keep making these | 0:22:26 | 0:22:28 | |
-slanderous accusations. -Excuse me, Minister, | 0:22:28 | 0:22:31 | |
the zone was not your creation. If it wasn't for Aboriginal people | 0:22:31 | 0:22:33 | |
occupying the old railway station, there wouldn't be a zone. | 0:22:33 | 0:22:36 | |
It has become a vibrant and diverse suburb in this city. | 0:22:36 | 0:22:38 | |
We welcome the hairy people to live with us. | 0:22:38 | 0:22:40 | |
Look at this big man. | 0:22:40 | 0:22:42 | |
You're the ones that put up a wall. | 0:22:42 | 0:22:43 | |
You're the ones that built a checkpoint. | 0:22:43 | 0:22:45 | |
You're the ones who issued ID cards | 0:22:45 | 0:22:47 | |
-and now you won't take any responsibility. -Mr West, | 0:22:47 | 0:22:49 | |
could you clarify what you mean by disappearing? | 0:22:49 | 0:22:52 | |
-People have come to me... -Hairy people? | 0:22:52 | 0:22:54 | |
..have complained to me that ever since Emergence Day, | 0:22:54 | 0:22:56 | |
hairy brothers and sisters began to disappear one by one. | 0:22:56 | 0:23:01 | |
I'm sorry, I'm just receiving a feed from the newsroom. | 0:23:01 | 0:23:04 | |
All right. And to people at home, | 0:23:04 | 0:23:06 | |
I'm sorry - we're going to have to interrupt our regular programme | 0:23:06 | 0:23:09 | |
with a story that's just breaking. | 0:23:09 | 0:23:10 | |
Crossing live now. Cue Belinda. | 0:23:10 | 0:23:13 | |
Shocking news just at hand of | 0:23:13 | 0:23:15 | |
the death of 12-year-old schoolboy | 0:23:15 | 0:23:17 | |
Cameron Wells, who was viciously | 0:23:17 | 0:23:18 | |
attacked and murdered | 0:23:18 | 0:23:20 | |
while at soccer training at a local park earlier this evening. | 0:23:20 | 0:23:22 | |
It is thought that his death might be linked to a similar attack | 0:23:22 | 0:23:25 | |
only last week on one James West. | 0:23:25 | 0:23:27 | |
A warning to viewers at home, | 0:23:27 | 0:23:29 | |
people may find the following images distressing. | 0:23:29 | 0:23:31 | |
There's a terrible sense of despair and growing fear | 0:23:31 | 0:23:34 | |
at tonight's events, Jane, | 0:23:34 | 0:23:36 | |
and not just because of Cameron's tender age, | 0:23:36 | 0:23:38 | |
but the particularly brutal way in which he was killed | 0:23:38 | 0:23:40 | |
in front of his club mates. | 0:23:40 | 0:23:41 | |
Can you confirm the cause of death? | 0:23:41 | 0:23:44 | |
We have to wait for the coroner's report. | 0:23:44 | 0:23:46 | |
The heart was removed | 0:23:46 | 0:23:47 | |
from the boys chest in much the same manner as James West's? | 0:23:47 | 0:23:51 | |
There's been no confirmation for the precise nature of the killing | 0:23:51 | 0:23:54 | |
or species of the killer. | 0:23:54 | 0:23:56 | |
But if it is true that subhuman peoples | 0:23:56 | 0:23:58 | |
have incredibly strong fingernails, | 0:23:58 | 0:24:00 | |
it wouldn't be too far a stretch to say that | 0:24:00 | 0:24:02 | |
this crime might be the work of a hairy person? | 0:24:02 | 0:24:05 | |
At this stage, the police | 0:24:05 | 0:24:06 | |
aren't ruling anything out. | 0:24:06 | 0:24:08 | |
It's just yet another terrifying prospect | 0:24:08 | 0:24:10 | |
for our already frightened communities to have to manage. | 0:24:10 | 0:24:12 | |
Distressing news, Belinda. We'll be.... | 0:24:12 | 0:24:14 | |
-HE SHOUTS IN RAGE -How dare you people | 0:24:19 | 0:24:21 | |
use my uncle's death to manipulate public perception. | 0:24:21 | 0:24:24 | |
What happened to Cameron is a tragedy, | 0:24:24 | 0:24:26 | |
but we must be very careful not to jump the gun here. | 0:24:26 | 0:24:29 | |
It's important that everybody remain calm in the face of this new... | 0:24:29 | 0:24:32 | |
They said things about my people from time to time. | 0:24:32 | 0:24:36 | |
That we ate children, turned Christian children into matzo. | 0:24:36 | 0:24:40 | |
I think I know how this story ends. Shall we watch something else? | 0:24:43 | 0:24:46 | |
I'm sorry about your family. | 0:24:49 | 0:24:51 | |
That young girl... Was that...? | 0:24:52 | 0:24:54 | |
My sister. | 0:24:55 | 0:24:56 | |
Waruu, one final question for you, then. In Aboriginal storytelling, | 0:24:56 | 0:25:01 | |
sometimes referred to as Dreamtime, | 0:25:01 | 0:25:02 | |
is it true that fathers would warn their children not to leave camp | 0:25:02 | 0:25:06 | |
for fear of what the hairy people might do? | 0:25:06 | 0:25:09 | |
Firstly, it's The Dreaming. | 0:25:10 | 0:25:13 | |
Present tense. | 0:25:13 | 0:25:15 | |
Our stories are not static. | 0:25:16 | 0:25:17 | |
They're not locked in the past, just as hairy people are not bound | 0:25:18 | 0:25:21 | |
by what is. | 0:25:21 | 0:25:23 | |
I'm not sure I'm understanding. | 0:25:23 | 0:25:24 | |
Look, I will say this, over the course of our history, | 0:25:24 | 0:25:27 | |
hairy people have lived side-by-side, in peace, | 0:25:27 | 0:25:29 | |
so peaceful in fact, none of us knew they existed | 0:25:29 | 0:25:32 | |
till six months ago. | 0:25:32 | 0:25:34 | |
What happened to Cameron Wells is truly regrettable, | 0:25:34 | 0:25:37 | |
but we can't jump to conclusions. | 0:25:37 | 0:25:38 | |
We must let the judicial system handle this and not the media. | 0:25:38 | 0:25:42 | |
Wrapping up time. | 0:25:42 | 0:25:43 | |
Gentlemen, thank you very much for coming on the programme tonight. | 0:25:43 | 0:25:46 | |
Thank you, Jane. | 0:25:46 | 0:25:47 | |
See, that's how you get fucked, Waruu. | 0:25:50 | 0:25:52 | |
You bastards set me up. | 0:25:58 | 0:26:01 | |
And what makes you a spokesperson for your people? Hmm? | 0:26:01 | 0:26:05 | |
You never finished high school, you don't have a job. | 0:26:05 | 0:26:07 | |
You live on government hand-outs and your wife's salary. | 0:26:07 | 0:26:10 | |
Unlike you, I did my homework. | 0:26:10 | 0:26:12 | |
Mr West, I just want to thank you. | 0:26:19 | 0:26:22 | |
Hi. | 0:26:28 | 0:26:29 | |
I'm Harry. | 0:26:31 | 0:26:32 | |
What am I thinking? | 0:26:48 | 0:26:50 | |
Porn. | 0:26:50 | 0:26:51 | |
Nah. All right. | 0:26:53 | 0:26:55 | |
What about now? | 0:26:57 | 0:26:58 | |
-Bestiality porn. -You're a bastard. | 0:27:08 | 0:27:11 | |
No, really, what did you see? | 0:27:13 | 0:27:14 | |
That you're a dirty dog. | 0:27:15 | 0:27:17 | |
I'll drink to that. | 0:27:20 | 0:27:21 | |
With lemons. | 0:27:22 | 0:27:24 | |
Ah! What are you doing to me? | 0:27:26 | 0:27:28 | |
Keep talking, keep talking. How does it feel? | 0:27:28 | 0:27:30 | |
-It stings. -Hot? Cold? | 0:27:31 | 0:27:34 | |
Cold. | 0:27:34 | 0:27:35 | |
Look. Look, look. | 0:27:35 | 0:27:37 | |
Is it still hurting? | 0:27:39 | 0:27:41 | |
Less. | 0:27:41 | 0:27:42 | |
See, that was...what, like... | 0:27:44 | 0:27:46 | |
-..seven seconds? Ish? -Ish. | 0:27:47 | 0:27:50 | |
-Is it healed on the other side? -I don't know. | 0:27:51 | 0:27:54 | |
No, it's still tender. | 0:27:54 | 0:27:55 | |
That demonstrates a level of awesomeness that is truly badass. | 0:27:58 | 0:28:01 | |
Go again! Let's go again! | 0:28:03 | 0:28:05 | |
Don't you do that again! | 0:28:05 | 0:28:07 | |
-His body heals itself. -Put it down! | 0:28:08 | 0:28:10 | |
I was just playing. | 0:28:12 | 0:28:13 | |
VOICE IN HEAD WHISPERS: | 0:28:13 | 0:28:14 | |
I'm sorry, babe. | 0:28:20 | 0:28:21 | |
You still love me, though, eh? | 0:28:23 | 0:28:24 | |
PHONE DIALLING TONE | 0:28:27 | 0:28:30 | |
Well, hello. | 0:28:33 | 0:28:34 | |
I told you about what happened to my uncle in confidence. | 0:28:34 | 0:28:38 | |
Yeah, I understand, and I'm sorry, but this is my job, you know that. | 0:28:38 | 0:28:42 | |
Go to hell. | 0:28:42 | 0:28:43 | |
That eye still weirds me out. | 0:29:28 | 0:29:30 | |
I'm just getting static. | 0:29:49 | 0:29:50 | |
HE GROANS IN PAIN | 0:29:57 | 0:30:00 | |
Tell me what's happening? | 0:30:00 | 0:30:01 | |
I'm OK, all right? Just... | 0:30:02 | 0:30:04 | |
It's just my head. | 0:30:05 | 0:30:06 | |
I'm fine, really, I... | 0:30:07 | 0:30:09 | |
I want to be left alone. | 0:30:12 | 0:30:14 | |
VOICE IN HEAD WHISPERS | 0:30:30 | 0:30:32 | |
Hey. | 0:30:54 | 0:30:55 | |
Come to bed. | 0:30:56 | 0:30:57 | |
MACHINE WHIRS | 0:31:48 | 0:31:50 | |
You're awake, are you? | 0:32:01 | 0:32:03 | |
How old are you? | 0:32:07 | 0:32:08 | |
How old are YOU? | 0:32:10 | 0:32:11 | |
I'm 71. | 0:32:13 | 0:32:14 | |
I'm 16. | 0:32:15 | 0:32:16 | |
Your people live a long time, don't they? | 0:32:20 | 0:32:23 | |
Hundreds of years. | 0:32:23 | 0:32:25 | |
And here you are, 16. | 0:32:25 | 0:32:27 | |
-I'm 15. -VIRGIL LAUGHS | 0:32:29 | 0:32:31 | |
15? | 0:32:32 | 0:32:34 | |
VIRGIL COUGHS AND SPLUTTERS | 0:32:34 | 0:32:36 | |
Oh, that's not fair to make me laugh like that. | 0:32:36 | 0:32:40 | |
Don't ever get older. | 0:32:43 | 0:32:45 | |
Everyone treats you like you're an idiot. | 0:32:45 | 0:32:47 | |
15. | 0:32:49 | 0:32:50 | |
Hey, you want to have some breakfast? | 0:32:52 | 0:32:54 | |
I got some cereal...on the bench. | 0:32:54 | 0:32:57 | |
Can you...? | 0:32:57 | 0:32:58 | |
What's your plan, girl? | 0:33:13 | 0:33:14 | |
My family are going to come back for me. | 0:33:16 | 0:33:18 | |
Your family are not coming back, girl. | 0:33:20 | 0:33:22 | |
You can stay. With me, I mean. | 0:33:24 | 0:33:27 | |
As long as you like. | 0:33:27 | 0:33:28 | |
But they'll eventually find you. | 0:33:30 | 0:33:31 | |
Hey, I can help you. | 0:33:33 | 0:33:36 | |
I make things. | 0:33:37 | 0:33:38 | |
But you have to decide who it is you want to be. | 0:33:43 | 0:33:45 | |
-WHISPERS: -Djukara! | 0:34:05 | 0:34:07 | |
Djukara. | 0:34:08 | 0:34:09 | |
Dad. | 0:34:13 | 0:34:15 | |
Where's Mum? Where's Latani? | 0:34:15 | 0:34:17 | |
I don't know. | 0:34:18 | 0:34:19 | |
Boss. | 0:34:21 | 0:34:22 | |
I'm memorising every door code in KRC. | 0:34:23 | 0:34:25 | |
-I'm figuring a way out. -The main thing is we stay alive. | 0:34:27 | 0:34:30 | |
Yeah, and get out of here. | 0:34:31 | 0:34:34 | |
That's not what I'm saying, son. | 0:34:34 | 0:34:35 | |
Dad, they killed Jirra. | 0:34:35 | 0:34:37 | |
There's no way this doesn't end in blood. | 0:34:37 | 0:34:39 | |
Hey, rug! | 0:34:39 | 0:34:40 | |
What's going on down there? | 0:34:41 | 0:34:42 | |
-Nothing, boss. -Why don't you mind your own business? | 0:34:44 | 0:34:46 | |
-What did you just say to him? -I told him he was a young foolish boy. | 0:34:52 | 0:34:56 | |
Is that it? It sounded like more than that. | 0:34:56 | 0:34:58 | |
I told him he had to fit in. | 0:34:58 | 0:35:00 | |
In this society, we have to be social... | 0:35:03 | 0:35:04 | |
..if we're going to live together. | 0:35:05 | 0:35:07 | |
Yeah. Yeah, that's right, yeah. | 0:35:09 | 0:35:13 | |
Socialise. | 0:35:14 | 0:35:15 | |
Once you all learn that, everything's going to be just fine. | 0:35:16 | 0:35:20 | |
-Yes, boss. -Yes, boss. | 0:35:21 | 0:35:23 | |
You know what, rug, you've got your head screwed on right. | 0:35:25 | 0:35:27 | |
What's your name? | 0:35:27 | 0:35:28 | |
Boondee. | 0:35:30 | 0:35:31 | |
I'm not going to use that jungle shit. | 0:35:31 | 0:35:33 | |
I'm going to call you... | 0:35:34 | 0:35:36 | |
..Trevor. | 0:35:37 | 0:35:38 | |
Yes, boss. | 0:35:43 | 0:35:44 | |
You finish up here, Trevor. | 0:35:47 | 0:35:49 | |
But you would rather clean their floors. | 0:36:10 | 0:36:12 | |
Then why don't you do your job? Make 'em sparkle, slave! | 0:36:14 | 0:36:18 | |
Just keep an eye on her, and if there's any sign of temperature, | 0:36:47 | 0:36:50 | |
-just bring her straight back in. -OK. | 0:36:50 | 0:36:51 | |
See you. | 0:36:52 | 0:36:54 | |
-Wow! I like the flowers. -That's good, they're for you. | 0:36:55 | 0:36:58 | |
The delivery guy nearly shat himself - | 0:37:00 | 0:37:02 | |
such a hurry to get out of the place. | 0:37:02 | 0:37:04 | |
Everything all right? | 0:37:10 | 0:37:11 | |
Oh, yeah. | 0:37:13 | 0:37:14 | |
PHONE LINE RINGS | 0:37:19 | 0:37:21 | |
They're beautiful flowers, Jarrod, thanks. | 0:37:27 | 0:37:30 | |
'I was worried you wouldn't get them.' | 0:37:30 | 0:37:32 | |
They were adamant they didn't deliver to the zone. | 0:37:32 | 0:37:34 | |
I had to pay a huge loading fee. | 0:37:34 | 0:37:36 | |
Darling...it's just you and me. | 0:37:38 | 0:37:40 | |
It's ours. | 0:37:41 | 0:37:43 | |
How about we give it one more try? | 0:37:43 | 0:37:46 | |
Go back to the clinic - if nothing happens... | 0:37:46 | 0:37:48 | |
I can't. I just... | 0:37:48 | 0:37:50 | |
Can you please not ask me again? | 0:37:52 | 0:37:54 | |
-I'm building an ark for us. -Look, I probably should get back... | 0:37:56 | 0:37:59 | |
Sorry, what did you say? | 0:37:59 | 0:38:00 | |
Nothing. | 0:38:02 | 0:38:03 | |
Hang in there, my love. | 0:38:04 | 0:38:06 | |
Get up. | 0:38:37 | 0:38:39 | |
Get the fuck up! | 0:38:42 | 0:38:44 | |
Get up, monkey! Come here! | 0:38:47 | 0:38:49 | |
These are for you. An ID card - carry that with you, day and night. | 0:38:50 | 0:38:55 | |
And the lenses to cover your eyes. | 0:38:56 | 0:38:58 | |
Oh, no, I hate goodbyes, you just do what you have to do to survive. | 0:39:02 | 0:39:06 | |
I don't know if I can. | 0:39:09 | 0:39:10 | |
Remember, you're much faster and stronger than they are. | 0:39:11 | 0:39:15 | |
Thank you. | 0:39:30 | 0:39:32 | |
HEAVY BREATHING | 0:39:46 | 0:39:49 | |
Hey, monkey. You ever heard of a whipping boy? | 0:39:49 | 0:39:52 | |
HE GROANS | 0:39:54 | 0:39:57 | |
Back in England, they used to think that kings were appointed by God. | 0:40:00 | 0:40:05 | |
But you see, that made it very hard to discipline a young prince. | 0:40:06 | 0:40:10 | |
You couldn't give him the back of your hand cos he was... | 0:40:12 | 0:40:15 | |
God's special boy. | 0:40:15 | 0:40:17 | |
You like to think that you're God's special little boy, | 0:40:18 | 0:40:21 | |
-don't you, monkey? -I'm going to kill you. | 0:40:21 | 0:40:24 | |
Ah, there. | 0:40:24 | 0:40:26 | |
You interrupted my story. | 0:40:26 | 0:40:29 | |
HE CRIES OUT IN PAIN | 0:40:29 | 0:40:31 | |
So, anyway, someone had a bright idea. | 0:40:35 | 0:40:37 | |
Instead of punishing the prince when he misbehaved, | 0:40:39 | 0:40:42 | |
they'd punish his best friend and the prince would feel bad... | 0:40:42 | 0:40:46 | |
..cos his friend was being punished for something he had done. | 0:40:47 | 0:40:50 | |
But we've got someone better than your best friend. | 0:40:52 | 0:40:54 | |
Bring him in! | 0:40:54 | 0:40:56 | |
So, from now on, when you're a bad little boy who won't behave... | 0:41:04 | 0:41:08 | |
HE GROANS | 0:41:09 | 0:41:11 | |
Leave my father alone, please! | 0:41:16 | 0:41:18 | |
-Beat me! -We already beat you, | 0:41:18 | 0:41:20 | |
but you didn't learn what we were trying to teach. | 0:41:20 | 0:41:22 | |
-I get it! -I don't think you do. | 0:41:22 | 0:41:25 | |
HE CRIES OUT IN PAIN | 0:41:25 | 0:41:27 | |
Please! | 0:41:27 | 0:41:28 | |
SHOUTING AND PLEADING | 0:41:28 | 0:41:30 | |
Please, not my father! | 0:41:30 | 0:41:32 | |
Rules will be followed, won't they? | 0:41:33 | 0:41:36 | |
-Yes, they will. -Thank you! | 0:41:36 | 0:41:38 | |
Get him up. | 0:41:40 | 0:41:42 | |
We're not finished yet. | 0:41:49 | 0:41:50 | |
Brother, I'm a hairy, | 0:42:53 | 0:42:56 | |
and you're telling me we're going to a prison full of hairies | 0:42:56 | 0:42:59 | |
who are being tortured, and we just film? | 0:42:59 | 0:43:03 | |
What's the fucking point of that? | 0:43:03 | 0:43:05 | |
To show Joe Public what Matthews is so desperate for them not to see. | 0:43:05 | 0:43:08 | |
This is all about sticking it up Matthews. | 0:43:08 | 0:43:10 | |
-People need to know. -People don't give a shit. | 0:43:10 | 0:43:13 | |
-We're not like them, so they don't care. -No, you're wrong. | 0:43:13 | 0:43:16 | |
They don't know any better because they're being manipulated | 0:43:16 | 0:43:19 | |
-by the government. -You can say that cos you're not a hairy. | 0:43:19 | 0:43:21 | |
I have to live it every day. | 0:43:21 | 0:43:22 | |
Don't tell me I don't get it. I'm a black fella. | 0:43:22 | 0:43:25 | |
You heard what Matthews said to me in there. | 0:43:25 | 0:43:27 | |
I'm a pariah in my own country. | 0:43:28 | 0:43:30 | |
We go in with cameras | 0:43:32 | 0:43:34 | |
or we don't go in at all. | 0:43:34 | 0:43:36 | |
Up! | 0:43:50 | 0:43:51 | |
Leave him alone, you dogs. | 0:43:59 | 0:44:01 | |
HAIR CLIPPERS BUZZ | 0:44:01 | 0:44:03 | |
HE GROANS | 0:44:29 | 0:44:31 | |
HE WHIMPERS | 0:44:47 | 0:44:49 | |
Stay strong, bro. | 0:45:10 | 0:45:11 | |
Happy, Trevor? | 0:45:23 | 0:45:25 | |
A free haircut. | 0:45:28 | 0:45:29 | |
VOICE IN HEAD WHISPERS | 0:46:36 | 0:46:38 | |
VOICE PERSISTS | 0:46:39 | 0:46:41 | |
VOICE BECOMES LOUDER | 0:46:42 | 0:46:44 | |
HE GROANS | 0:46:55 | 0:46:58 | |
VOICE PERSISTS | 0:46:58 | 0:46:59 | |
-HE GROANS LOUDLY -Oi, shut up! | 0:47:03 | 0:47:05 | |
Are you having a wank? | 0:47:08 | 0:47:09 | |
Arghh! | 0:47:09 | 0:47:11 | |
Hey, you know if you need a sick day, all you've got to do is ask. | 0:47:14 | 0:47:17 | |
This girl keeps calling me! | 0:47:17 | 0:47:19 | |
What's going on? You're starting to weird me out. | 0:47:21 | 0:47:24 | |
-Don't you hear that? -Hear what, bro? | 0:47:24 | 0:47:26 | |
The voice! | 0:47:26 | 0:47:27 | |
The voice? | 0:47:29 | 0:47:30 | |
I've got to find her. | 0:47:33 | 0:47:35 | |
Hey. Find who? | 0:47:35 | 0:47:37 | |
-Come on! -Where are we going? | 0:47:37 | 0:47:38 | |
-I don't know! -OK, I'm driving. | 0:47:38 | 0:47:41 | |
Go left! | 0:47:43 | 0:47:44 | |
-Bloody speed bumps. -Left! Left! | 0:47:47 | 0:47:49 | |
-Are you sure, bud? -Yes, left! -Are you right? | 0:47:49 | 0:47:52 | |
-Stop! -What, stop? -Stop! | 0:47:53 | 0:47:55 | |
-Right. -Sure? -Right! | 0:47:58 | 0:47:59 | |
OK, I'm going right. | 0:47:59 | 0:48:01 | |
-Right again, right again. -It's a car park, man! -Go down! | 0:48:03 | 0:48:06 | |
-Go, go, go, go! -Going down. You sure she's down there? | 0:48:07 | 0:48:10 | |
Trust me, Blair, she is here! | 0:48:10 | 0:48:11 | |
Stop, stop! | 0:48:13 | 0:48:14 | |
-This way. -Hey, bro, you all right? | 0:48:18 | 0:48:20 | |
VOICE IN HEAD PERSISTS | 0:48:28 | 0:48:29 | |
She's in this building. | 0:48:30 | 0:48:32 | |
Did she happen to say which floor? | 0:48:32 | 0:48:33 | |
Top floor. | 0:48:33 | 0:48:35 | |
Number nine, my lucky number. | 0:48:35 | 0:48:36 | |
VOICE IN HEAD RETURNS | 0:48:36 | 0:48:38 | |
Come on. Get up. | 0:48:43 | 0:48:45 | |
Koen, there's nothing here. | 0:48:54 | 0:48:55 | |
It is here! It has to be. | 0:48:55 | 0:48:57 | |
This way. | 0:49:03 | 0:49:04 | |
VOICE IN HEAD WHISPERS | 0:49:17 | 0:49:19 | |
-Who let you in here? -Oh, hi. | 0:49:19 | 0:49:21 | |
We're just here from cleaning services. We're, erm... | 0:49:21 | 0:49:24 | |
Here to look around. | 0:49:24 | 0:49:26 | |
-Give you an obligation-free quote. -You need to leave now. | 0:49:26 | 0:49:29 | |
-Excuse me? -You need to leave now. | 0:49:29 | 0:49:31 | |
It's three o'clock. We... | 0:49:31 | 0:49:33 | |
Jesus! Koen! | 0:49:33 | 0:49:35 | |
Where is she? | 0:49:35 | 0:49:36 | |
She in there? | 0:49:39 | 0:49:40 | |
Blair, get the door! | 0:49:40 | 0:49:42 | |
Please... | 0:49:46 | 0:49:48 | |
It's locked. | 0:49:48 | 0:49:49 | |
No, please... | 0:49:51 | 0:49:53 | |
What are you...? | 0:49:55 | 0:49:56 | |
What is this place? | 0:49:59 | 0:50:00 | |
-Oi! -OK... -What are you doing to her? | 0:50:02 | 0:50:04 | |
It's just... Please... | 0:50:04 | 0:50:06 | |
ALARM SOUNDS | 0:50:33 | 0:50:34 | |
Bro, we gotta get out of here! | 0:50:34 | 0:50:36 | |
Let's go! | 0:50:38 | 0:50:40 | |
You're coming with me. | 0:50:40 | 0:50:41 | |
ALARM CONTINUES TO RING | 0:50:47 | 0:50:49 | |
-Are you in? -I got her, I got her. | 0:50:57 | 0:50:59 | |
Go! | 0:51:19 | 0:51:21 |