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SMASHING OF GLASS AND FURNITURE | 0:00:05 | 0:00:08 | |
LANGUID GUITAR MUSIC PLAYS ON RADIO | 0:00:11 | 0:00:14 | |
SMASHING CONTINUES | 0:00:16 | 0:00:19 | |
ANIMALISTIC SCREECHING | 0:00:25 | 0:00:28 | |
GUTTURAL GROWLING | 0:00:30 | 0:00:33 | |
Oscar? SAVAGE SCREECH | 0:00:34 | 0:00:37 | |
CROWD CHEERS AND YELLS | 0:01:43 | 0:01:46 | |
Come on, Jakey! Come on, Jakey! Get up, boy! Come on! | 0:01:46 | 0:01:49 | |
-Get up, that's it! -That's it, buddy. | 0:01:49 | 0:01:52 | |
-Come on. -Kick him in the balls, Jakey! | 0:01:52 | 0:01:54 | |
-Let's go, Skins! -Come on, Skins! | 0:01:56 | 0:02:00 | |
You gotta stay on it! | 0:02:00 | 0:02:01 | |
Where you going, where you going? | 0:02:02 | 0:02:04 | |
-Get him! -Ooooh! -Defence! | 0:02:04 | 0:02:07 | |
-Get him, get him, get him! -Whoa! | 0:02:07 | 0:02:10 | |
Yeah! Good one! | 0:02:10 | 0:02:12 | |
Right, boys, let's get set for two! | 0:02:15 | 0:02:19 | |
HE GROANS IN PAIN | 0:02:19 | 0:02:20 | |
Sorry, brother. | 0:02:23 | 0:02:24 | |
-Let's go, let's go, let's go! -Come on, Jakey! | 0:02:28 | 0:02:31 | |
Heads up! Heads up! | 0:02:31 | 0:02:33 | |
-Defence! -Tackle him, boys! Get him! | 0:02:33 | 0:02:35 | |
-Defence! -Block him, block him! Go! -Jeez! | 0:02:35 | 0:02:38 | |
Come on! | 0:02:38 | 0:02:39 | |
Come on! Get in there! | 0:02:42 | 0:02:44 | |
Watch that goal! Go, go, go! | 0:02:48 | 0:02:50 | |
Whoa, whoa, whoa! | 0:02:50 | 0:02:52 | |
Yeah! | 0:02:52 | 0:02:55 | |
Yes, good work! | 0:02:55 | 0:02:57 | |
Let's go, we got this. | 0:02:58 | 0:03:00 | |
Hey, little brother. How you doing, you all right? | 0:03:01 | 0:03:04 | |
-I'm all right. Guess we're blood brothers now. -Yeah. | 0:03:04 | 0:03:08 | |
Mr Slick. | 0:03:10 | 0:03:12 | |
Keep an eye on Djukara. | 0:03:13 | 0:03:15 | |
Come on, Skins! Come on! | 0:03:15 | 0:03:17 | |
-Who's open? Who's open? -Get in there! | 0:03:19 | 0:03:22 | |
Heads up! Come on! | 0:03:22 | 0:03:25 | |
Hey, I'm heading off. Can you walk me to the checkpoint? | 0:03:25 | 0:03:28 | |
Block him, block him! | 0:03:30 | 0:03:32 | |
The killings at the old people's | 0:03:38 | 0:03:40 | |
home's got the protesters all riled up again. | 0:03:40 | 0:03:42 | |
I talked to Slade about getting a film crew in here. | 0:03:42 | 0:03:46 | |
Another eight people are dead. | 0:03:46 | 0:03:48 | |
Slaughtered. And you're talking about film crews. | 0:03:48 | 0:03:51 | |
They use propaganda against us, | 0:03:51 | 0:03:53 | |
we need to fight back in a way they can understand - | 0:03:53 | 0:03:56 | |
get them to see that the Hairies are just like them. | 0:03:56 | 0:03:58 | |
If we can't do that, we're screwed. | 0:03:58 | 0:04:00 | |
The last attempt at getting footage didn't exactly turn out right. | 0:04:00 | 0:04:04 | |
I'm calling in the professionals. | 0:04:04 | 0:04:06 | |
Slade? | 0:04:06 | 0:04:08 | |
-Seems genuine. -That's not going to stop the killings, though, is it? | 0:04:08 | 0:04:12 | |
They're calling it a massacre. | 0:04:12 | 0:04:15 | |
That's the language of war. | 0:04:15 | 0:04:17 | |
It doesn't matter how many feel-good stories you tell | 0:04:18 | 0:04:21 | |
about what nice folk the Hairies are. | 0:04:21 | 0:04:23 | |
Have you spoken to Koen yet? | 0:04:25 | 0:04:27 | |
What do you want me to do - beg? | 0:04:27 | 0:04:29 | |
He's the ordained one. | 0:04:29 | 0:04:30 | |
Koen has no idea, you need to talk to him. | 0:04:32 | 0:04:34 | |
-He won't listen to me. -So make him. -It shouldn't be up to me! | 0:04:34 | 0:04:37 | |
I can only control what I can. | 0:04:38 | 0:04:40 | |
Oi. | 0:04:44 | 0:04:46 | |
Are the Hairies welcome? | 0:04:52 | 0:04:54 | |
-CROWD CHANTS: -Hairies out! Hairies out! Hairies out! | 0:04:54 | 0:04:57 | |
-Are the Hairies human? -No, they're not! | 0:04:57 | 0:05:00 | |
See you. | 0:05:00 | 0:05:02 | |
-Do we want them outside the wall? -Hairies out! | 0:05:02 | 0:05:04 | |
-Are Hairies welcome? -Hairies out! | 0:05:04 | 0:05:07 | |
ID, please. | 0:05:07 | 0:05:09 | |
INTERNAL RINGTONE | 0:05:11 | 0:05:14 | |
Jarrod. | 0:05:15 | 0:05:17 | |
Just checking the progress of that film crew coming to the Zone. | 0:05:17 | 0:05:20 | |
Can you call me? | 0:05:20 | 0:05:22 | |
Stop harbouring the Hairies, you black bastard! | 0:05:24 | 0:05:27 | |
-How long are you in the country for? -Three months. -Where you headed next? | 0:05:28 | 0:05:32 | |
Vietnam, Thailand, maybe Cambodia if my budget stretches. | 0:05:32 | 0:05:36 | |
Hey, Cambodia. | 0:05:36 | 0:05:38 | |
Angkor is a must. | 0:05:38 | 0:05:39 | |
The ancient Khmer were truly one of the great civilisations. | 0:05:39 | 0:05:43 | |
-Ruins in need of a makeover. -You have no soul for travel. | 0:05:43 | 0:05:46 | |
All right. It'll take a few minutes for the drug to take effect. | 0:05:49 | 0:05:53 | |
After that, I'll be putting you through a series of tests. | 0:05:53 | 0:05:56 | |
Till then, just relax. | 0:05:56 | 0:05:58 | |
-Awesome. -Using the placebo or the Hairy juice? | 0:05:58 | 0:06:01 | |
Real thing. | 0:06:01 | 0:06:02 | |
Jamie, just pedal as hard as you can for as long as you can. | 0:06:09 | 0:06:13 | |
We'll be measuring your body's response. | 0:06:13 | 0:06:15 | |
Is he going to turn Hairy? | 0:06:25 | 0:06:27 | |
We're focusing on target heart-rate levels for now. | 0:06:27 | 0:06:29 | |
Still steady at 65. | 0:06:29 | 0:06:31 | |
That pace is remarkable. | 0:06:34 | 0:06:37 | |
He's just smashed the world 1k sprint record. | 0:06:42 | 0:06:44 | |
Who-o-o-o-oa. | 0:06:48 | 0:06:51 | |
-Whoa, whoa. -What's happening? | 0:06:51 | 0:06:53 | |
He's heating up. I thought we'd sorted that. | 0:06:53 | 0:06:55 | |
I lowered the mitochondria levels. | 0:06:55 | 0:06:57 | |
Heart-rate's 200. | 0:06:59 | 0:07:00 | |
250. 350. | 0:07:00 | 0:07:03 | |
MACHINE BEEPS FRANTICALLY | 0:07:03 | 0:07:06 | |
SUSTAINED BEEP | 0:07:09 | 0:07:11 | |
See that his family are looked after. | 0:07:15 | 0:07:18 | |
-TV NEWS REPORT: -As terror mounts in the community following the nursing | 0:07:31 | 0:07:34 | |
home massacre, there is renewed pressure on the government's | 0:07:34 | 0:07:36 | |
containment policies. | 0:07:36 | 0:07:37 | |
This massacre is the first time that multiple people are suspected | 0:07:37 | 0:07:40 | |
to have been murdered by a Hairy man in one incident, | 0:07:40 | 0:07:43 | |
causing grave concern that more multiple attacks will follow. | 0:07:43 | 0:07:46 | |
-Belinda Frosche, Network 8. -Slut. -What? | 0:07:46 | 0:07:50 | |
Go away. | 0:08:08 | 0:08:10 | |
I think this is a conversation you should be having with Mum. | 0:08:17 | 0:08:20 | |
I'm not expecting you to understand, | 0:08:23 | 0:08:26 | |
but I want you to know it's over. | 0:08:26 | 0:08:28 | |
Like I said, you're talking to the wrong person. | 0:08:29 | 0:08:33 | |
I thought our family was different. | 0:08:43 | 0:08:45 | |
I thought you were different - better. | 0:08:48 | 0:08:53 | |
Or at least that's what everyone else seems to think. | 0:08:53 | 0:08:56 | |
Jesus, Dad, why? | 0:08:59 | 0:09:00 | |
And her of all people. | 0:09:03 | 0:09:06 | |
Blaming the Hairies for all those killings? She just loves it. | 0:09:06 | 0:09:09 | |
I reckon you'd have more to say if some guy did this to me. | 0:09:15 | 0:09:18 | |
If you don't tell Mum, I will. | 0:09:26 | 0:09:29 | |
MID-TEMPO ROCK MUSIC PLAYS | 0:09:35 | 0:09:38 | |
Good song, huh? I made it. | 0:09:48 | 0:09:50 | |
Are you going to do something? | 0:09:52 | 0:09:54 | |
I'm not her keeper. | 0:09:57 | 0:09:59 | |
Mate. | 0:10:06 | 0:10:07 | |
-Would you like a drink? -Where is he? | 0:10:09 | 0:10:12 | |
Out the back. You look like a whisky man. | 0:10:12 | 0:10:16 | |
I'll get you one, on the house. | 0:10:16 | 0:10:18 | |
-How do you take it? -Neat. | 0:10:18 | 0:10:21 | |
Yes. | 0:10:21 | 0:10:23 | |
See, I like a man who appreciates his single malt. | 0:10:23 | 0:10:27 | |
The punters here mix it with cola and all sorts of shit, | 0:10:27 | 0:10:30 | |
it's a travesty. | 0:10:30 | 0:10:31 | |
-What the fuck are you doing? -I was about to ask you the same thing. | 0:10:32 | 0:10:36 | |
More people dead, and what are you doing about it? | 0:10:36 | 0:10:38 | |
-What? -That soccer kid, old people last night. | 0:10:38 | 0:10:41 | |
Or don't you watch the news? | 0:10:41 | 0:10:43 | |
All dead, all with their hearts ripped out. | 0:10:43 | 0:10:45 | |
What are you on about? Hairies did all that shit. | 0:10:45 | 0:10:47 | |
They're not what's doing the killing. | 0:10:47 | 0:10:49 | |
Never got it, did you? | 0:10:58 | 0:11:00 | |
It's just stories, Waruu, like the Easter Bunny, like Santa Claus. | 0:11:00 | 0:11:03 | |
I'm sorry to break it to you. | 0:11:03 | 0:11:06 | |
More people are going to die unless you act. | 0:11:06 | 0:11:09 | |
Waruu, go home and be the big man. | 0:11:09 | 0:11:13 | |
Jimmy give you the nulla nulla? | 0:11:13 | 0:11:15 | |
You better pray you remember how to use it. | 0:11:26 | 0:11:28 | |
-Oi, brother, she's with me. -What? -She's with me. | 0:11:36 | 0:11:39 | |
The fuck she is. | 0:11:39 | 0:11:41 | |
I said she's with me! | 0:11:41 | 0:11:43 | |
Come on. | 0:11:43 | 0:11:44 | |
Oi! | 0:11:45 | 0:11:47 | |
Hey! | 0:11:47 | 0:11:49 | |
Fuck you! | 0:11:49 | 0:11:51 | |
PATRONS GASP | 0:11:52 | 0:11:54 | |
Blair, get him out of here! | 0:11:54 | 0:11:56 | |
Get out of it! | 0:11:56 | 0:11:57 | |
Out! | 0:11:57 | 0:11:59 | |
It's not exactly magic, is it? | 0:11:59 | 0:12:01 | |
You're a disgrace. | 0:12:02 | 0:12:04 | |
DOG BARKS | 0:12:27 | 0:12:30 | |
(Stupid...) | 0:13:08 | 0:13:10 | |
What do you guys call it? | 0:13:27 | 0:13:29 | |
Us guys? | 0:13:29 | 0:13:31 | |
Don't give me shit, Koen. | 0:13:31 | 0:13:33 | |
Your people. | 0:13:33 | 0:13:34 | |
The Namorrodor. | 0:13:41 | 0:13:42 | |
And it rips the heart out of its prey? | 0:13:46 | 0:13:48 | |
That's how the story goes. | 0:13:48 | 0:13:49 | |
Your brother seems to think it's more than a story. | 0:13:51 | 0:13:53 | |
Waruu doesn't know shit. | 0:13:53 | 0:13:55 | |
He was right about the Cleverman thing, though, huh? | 0:13:55 | 0:13:57 | |
-You're the only person that can kill it. -Ash. | 0:14:02 | 0:14:05 | |
-How would you do it? -Come on! | 0:14:05 | 0:14:07 | |
Hypothetically speaking. | 0:14:07 | 0:14:09 | |
If it was real. | 0:14:09 | 0:14:10 | |
You wouldn't just dong it on the head with this? | 0:14:12 | 0:14:14 | |
Hey, you're not allowed. | 0:14:14 | 0:14:16 | |
Cos I'm a woman. | 0:14:19 | 0:14:20 | |
You remember that much, then. | 0:14:23 | 0:14:24 | |
OK, you can't just bash it on the head, there's... | 0:14:28 | 0:14:30 | |
there's stuff. There's cultural stuff. | 0:14:30 | 0:14:33 | |
-Cultural stuff? -Yeah. | 0:14:36 | 0:14:39 | |
Oh, boy. We're all fucked then. | 0:14:42 | 0:14:45 | |
Night. | 0:14:57 | 0:14:59 | |
-Angel. -Hey. | 0:15:19 | 0:15:20 | |
I thought you wanted to draw a line in the sand. | 0:15:22 | 0:15:25 | |
Alithea offer a totally different process to what we've been through. | 0:15:28 | 0:15:31 | |
Yeah. You have to be a supermodel to get pregnant. | 0:15:31 | 0:15:34 | |
The marketing's appalling but the science...it's very... | 0:15:34 | 0:15:37 | |
Go on. Tell me about the science. | 0:15:39 | 0:15:41 | |
Well, essentially, they spike the ovum with | 0:15:41 | 0:15:44 | |
a supercharged mitochondria so that it has a better chance of taking. | 0:15:44 | 0:15:47 | |
-Spike? -Yeah, that's the Latin term. | 0:15:47 | 0:15:50 | |
What do they take the mitochondria from? | 0:15:54 | 0:15:56 | |
Uh, a plant, I think. | 0:15:58 | 0:16:00 | |
Well, it's all under patent, | 0:16:03 | 0:16:04 | |
so they're a little vague about the details. | 0:16:04 | 0:16:07 | |
I wasn't going to go, but... | 0:16:07 | 0:16:10 | |
They've got a 95% success rate, Jarrod. | 0:16:12 | 0:16:14 | |
What? | 0:16:15 | 0:16:17 | |
I thought we'd decided... | 0:16:18 | 0:16:20 | |
..it's too heartbreaking. | 0:16:22 | 0:16:25 | |
I know... I know. | 0:16:25 | 0:16:28 | |
Look, um... | 0:16:55 | 0:16:57 | |
I've got an appointment for Wednesday. | 0:16:57 | 0:17:00 | |
Will you come? | 0:17:01 | 0:17:03 | |
Jarrod? | 0:17:04 | 0:17:06 | |
Jarrod. | 0:17:07 | 0:17:08 | |
Of course I'll be there. | 0:17:11 | 0:17:12 | |
How long till we eat? I need to make a call. | 0:17:14 | 0:17:16 | |
Uh, just cooking these then eat at five, yeah? | 0:17:16 | 0:17:18 | |
The heat exchange was greatest in | 0:17:23 | 0:17:24 | |
-the adipose tissue in his back, yeah? -Correct. -Now, listen. | 0:17:24 | 0:17:28 | |
All we need to do is separate | 0:17:28 | 0:17:30 | |
the mitochondria from the uncoupling protein. | 0:17:30 | 0:17:33 | |
We'd need some form of uncoupling inhibitor. | 0:17:35 | 0:17:38 | |
-I'd start with Sestren II. -Do it. Prove it. | 0:17:38 | 0:17:42 | |
Let's move forward. | 0:17:42 | 0:17:43 | |
Open your mouth. | 0:17:48 | 0:17:50 | |
How could you do this? | 0:17:52 | 0:17:54 | |
Mouth. | 0:17:54 | 0:17:56 | |
Latani, come on. | 0:18:31 | 0:18:34 | |
I'll find them. | 0:18:34 | 0:18:35 | |
Hey, girl. What do you think you're doing? | 0:18:38 | 0:18:41 | |
Djukara. | 0:18:41 | 0:18:42 | |
You gotta shave. They're looking for you. | 0:18:43 | 0:18:46 | |
Boy! | 0:18:46 | 0:18:48 | |
Get out of here. | 0:18:50 | 0:18:52 | |
-Teach me. -No! | 0:18:54 | 0:18:56 | |
Why, is it because I'm a Hairy? | 0:18:56 | 0:18:58 | |
Hey! You deaf? | 0:19:04 | 0:19:06 | |
Leave it. | 0:19:07 | 0:19:09 | |
Now, come on. Slow your feet down. You gotta mean the hit. | 0:19:11 | 0:19:15 | |
Lead. Lead with the shoulder. | 0:19:15 | 0:19:18 | |
Use your hips, OK? Jab, jab, and then counter. | 0:19:18 | 0:19:20 | |
That's it, that's it. That's it. | 0:19:23 | 0:19:25 | |
Jab, jab, counter. | 0:19:25 | 0:19:27 | |
Again. Jab, jab, counter. | 0:19:27 | 0:19:29 | |
Keep it tight. Keep it tight. | 0:19:29 | 0:19:31 | |
Jab, jab. That's it. | 0:19:31 | 0:19:33 | |
That's it. | 0:19:33 | 0:19:34 | |
(Did you see that?) | 0:19:39 | 0:19:41 | |
-Hey, little brother. -All right? -How you doing? | 0:20:05 | 0:20:08 | |
-I'm all right. -You look strong. | 0:20:08 | 0:20:10 | |
What can I do you for? | 0:20:12 | 0:20:13 | |
I'm looking for a weapon. | 0:20:13 | 0:20:15 | |
Well, take your pick - whatever you need. | 0:20:15 | 0:20:18 | |
I need to find my father. | 0:20:21 | 0:20:23 | |
Oh. Then you want something a bit more serious. | 0:20:23 | 0:20:26 | |
Eh? Something like that. | 0:20:28 | 0:20:31 | |
What are you going to do? Bust him out single-handed? | 0:20:47 | 0:20:50 | |
It seriously won't get you anywhere. | 0:20:50 | 0:20:52 | |
It'll be all right. I know where he is, I was there. | 0:20:52 | 0:20:55 | |
Knowing where he is and getting there aren't the same thing. | 0:20:55 | 0:20:57 | |
Hey! | 0:20:57 | 0:20:59 | |
-I'll be all right. -So, what, you just going to walk through | 0:20:59 | 0:21:01 | |
the checkpoint with your non-existent ID? | 0:21:01 | 0:21:03 | |
Even if you did, you'd be picked up on the streets | 0:21:03 | 0:21:05 | |
-by the CA in a second, looking like that. -I'll wear a hoodie. | 0:21:05 | 0:21:08 | |
And gloves and a balaclava. | 0:21:08 | 0:21:10 | |
-I'm not shaving. -Then you're an idiot. | 0:21:10 | 0:21:14 | |
BUZZ OF ELECTRIC RAZOR | 0:21:14 | 0:21:17 | |
Hairies out! Hairies out! Hairies out! Hairies out! | 0:21:24 | 0:21:27 | |
Oi. | 0:21:57 | 0:21:58 | |
CA are not letting the food trucks through. | 0:22:05 | 0:22:07 | |
We haven't had a delivery for two days now. | 0:22:07 | 0:22:10 | |
He's trying to starve us out. | 0:22:10 | 0:22:12 | |
Matthews. | 0:22:14 | 0:22:16 | |
What are we going to do? | 0:22:16 | 0:22:18 | |
Leave it with me. | 0:22:19 | 0:22:21 | |
No. | 0:23:18 | 0:23:20 | |
No. That's Koen's! Shit. | 0:23:20 | 0:23:23 | |
He'll go nuts if he sees you. Ash, can you help me? | 0:23:23 | 0:23:26 | |
Shit. | 0:23:27 | 0:23:28 | |
It's private stuff. | 0:23:30 | 0:23:31 | |
-Kora. -Kora? | 0:23:32 | 0:23:35 | |
Well, we have to call her something. | 0:23:35 | 0:23:38 | |
Shit. | 0:23:41 | 0:23:43 | |
It's Koen's mum. | 0:23:59 | 0:24:00 | |
He never talks about her. | 0:24:02 | 0:24:03 | |
She died in a car accident. | 0:24:05 | 0:24:07 | |
Hit and run - they never found out who did it. | 0:24:09 | 0:24:12 | |
She died before he was even born. | 0:24:13 | 0:24:15 | |
Emergency C section. | 0:24:19 | 0:24:20 | |
Holy shit. | 0:24:22 | 0:24:23 | |
-SMOKE ALARM GOES OFF -No, no, no, no, no! | 0:24:23 | 0:24:25 | |
-Hey, hey, hey, hey, hey, hey, hey! -You all right? -Yep! False alarm. | 0:24:25 | 0:24:29 | |
What the fuck are you doing, Ash? | 0:24:30 | 0:24:32 | |
It wasn't Ash, bro, it was our Home Alone friend here! | 0:24:32 | 0:24:35 | |
DOOR SLAMS | 0:24:37 | 0:24:38 | |
That's good, yeah. | 0:24:43 | 0:24:45 | |
I want to see Minister Matthews. | 0:25:23 | 0:25:25 | |
Do you have an appointment? | 0:25:25 | 0:25:26 | |
-No, I don't. -The Minister is away from the office at present. | 0:25:26 | 0:25:30 | |
-I'll wait till he gets back. -Name? | 0:25:30 | 0:25:32 | |
-Waruu West. -And what's this about, Mr West? | 0:25:32 | 0:25:35 | |
Oh, he knows what it's about. | 0:25:35 | 0:25:36 | |
INTERNAL RINGTONE | 0:25:40 | 0:25:43 | |
-Matthews. -'Mr Waruu West.' | 0:26:00 | 0:26:04 | |
-What does he want? -'To see you. | 0:26:04 | 0:26:07 | |
'What should I tell him? You have an 11 o'clock.' | 0:26:07 | 0:26:10 | |
The 11 o'clock can wait. | 0:26:10 | 0:26:12 | |
Just make sure he's comfortable. | 0:26:12 | 0:26:14 | |
I'll see him once I've finished up here. | 0:26:14 | 0:26:17 | |
The Minister will see you as soon as he's able. | 0:26:17 | 0:26:19 | |
Can I get you a tea? Coffee? | 0:26:19 | 0:26:21 | |
No thanks. | 0:26:21 | 0:26:23 | |
Call Waruu West. | 0:26:48 | 0:26:50 | |
PHONE VIBRATES | 0:26:58 | 0:27:01 | |
-Waruu West. -'Jarrod Slade. | 0:27:03 | 0:27:06 | |
'I've got a reporter coming to the Zone today, as we discussed. | 0:27:06 | 0:27:09 | |
'I believe you might know her. Belinda Frosche.' | 0:27:09 | 0:27:12 | |
Great. | 0:27:14 | 0:27:16 | |
Thanks, but...I'm not sure she's right for the job. | 0:27:16 | 0:27:18 | |
'She's perfect. Audiences trust her,' | 0:27:18 | 0:27:21 | |
and she's been on this story from the start. | 0:27:21 | 0:27:23 | |
'But sending a woman... Look, I have nothing against Ms Frosche. | 0:27:23 | 0:27:27 | |
'Its a volatile place. The Zone is...' | 0:27:27 | 0:27:29 | |
How very old-fashioned of you, Mr West. | 0:27:29 | 0:27:31 | |
Believe me, Belinda knows how to handle herself. | 0:27:31 | 0:27:34 | |
I'm sure she does, but it's not her world. | 0:27:34 | 0:27:37 | |
It's not my wife's either, but I'm not worried about her working there. | 0:27:37 | 0:27:40 | |
Well...the clinic is different. | 0:27:40 | 0:27:43 | |
'It's your good work that keeps things safe,' | 0:27:43 | 0:27:46 | |
keeps my wife safe. | 0:27:46 | 0:27:47 | |
I'll get Belinda to give you a call. | 0:27:48 | 0:27:51 | |
MATTHEWS BREATHES HEAVILY | 0:28:09 | 0:28:12 | |
I know you. I've seen your face somewhere before. | 0:28:24 | 0:28:29 | |
Attagirl. | 0:28:41 | 0:28:43 | |
Get on the bed. | 0:28:46 | 0:28:48 | |
FRENZIED SQUEAKING | 0:29:43 | 0:29:45 | |
How long? | 0:29:45 | 0:29:47 | |
-Two hours. -Structural damage? | 0:29:47 | 0:29:50 | |
None. Unless you count the box. | 0:29:50 | 0:29:52 | |
Incubation time? | 0:29:52 | 0:29:54 | |
Mouse, 30 minutes. | 0:29:54 | 0:29:56 | |
-90 for the chimp. -It worked on the chimp? | 0:29:56 | 0:29:58 | |
The chimp didn't cook? | 0:30:00 | 0:30:02 | |
That mouse is going to break its neck in there. | 0:30:06 | 0:30:09 | |
Now, humans. | 0:30:09 | 0:30:11 | |
Are you volunteering, sir? | 0:30:11 | 0:30:13 | |
PHONE VIBRATES | 0:30:26 | 0:30:31 | |
Hey, stranger. So, I'm heading your way. | 0:30:33 | 0:30:36 | |
-Where are you? -Yeah, I'm heading off now. | 0:30:36 | 0:30:39 | |
Meet me inside the checkpoint in 20 minutes. | 0:30:40 | 0:30:42 | |
-You going to take me to meet your wife? -Don't play games. | 0:30:42 | 0:30:46 | |
Come on, Waruu. We're fucking adults. | 0:30:46 | 0:30:48 | |
Well, you know, we were. | 0:30:48 | 0:30:50 | |
Look, this doesn't need to be a miserable experience. | 0:30:52 | 0:30:54 | |
Checkpoint, 20 minutes. | 0:30:54 | 0:30:56 | |
Tell the Minister I had to cancel. | 0:30:59 | 0:31:01 | |
I'll be in touch. | 0:31:01 | 0:31:03 | |
After you, sir. | 0:31:13 | 0:31:15 | |
DOOR IS SLAMMED AND LOCKED | 0:32:38 | 0:32:41 | |
PROTESTERS CHANT ANTI-HAIRY SLOGANS | 0:32:44 | 0:32:46 | |
I'm inside the gate. Where are you? | 0:32:50 | 0:32:53 | |
Want to tell me what the fuck's going on? | 0:33:51 | 0:33:53 | |
DOOR IS PULLED SHUT AND LOCKED | 0:33:57 | 0:34:00 | |
Are you sure this is the right place? | 0:34:34 | 0:34:36 | |
They're gone. | 0:34:58 | 0:34:59 | |
They're all gone. | 0:35:01 | 0:35:02 | |
They're dead! | 0:35:06 | 0:35:07 | |
They're all fucking dead! | 0:35:07 | 0:35:09 | |
-You don't know that. -I'm never going to see my father again! | 0:35:09 | 0:35:13 | |
HE ROARS AND SLAMS DOOR REPEATEDLY | 0:35:13 | 0:35:17 | |
We should tell my dad. | 0:35:24 | 0:35:26 | |
He'll know what to do. | 0:35:26 | 0:35:27 | |
Should've just left me here. | 0:35:31 | 0:35:33 | |
At least I'd have been with my father. | 0:35:36 | 0:35:38 | |
-Yeah, whatever. -Hey. | 0:35:57 | 0:35:59 | |
I'm looking for someone to take me to meet the Hairy people. | 0:36:01 | 0:36:05 | |
Hey, man, she's on the news. | 0:36:05 | 0:36:07 | |
You want to be my tour guide? | 0:36:07 | 0:36:08 | |
Got ten bucks? | 0:36:10 | 0:36:12 | |
She wants to see the Hairies, | 0:36:28 | 0:36:29 | |
but we thought we should check with Waruu first. | 0:36:29 | 0:36:32 | |
Hi, I'm Belinda Frosche... | 0:36:32 | 0:36:33 | |
I know exactly who you are. | 0:36:33 | 0:36:35 | |
-Network 8. -I've seen the reports. | 0:36:35 | 0:36:37 | |
My husband Waruu's not here. But how can I help? | 0:36:39 | 0:36:42 | |
Uh, I'm interested in getting the other side of the story. | 0:36:44 | 0:36:46 | |
You know, seeing things from the perspective of the Hairy people's, | 0:36:46 | 0:36:49 | |
and I was... just hoping that someone could take me | 0:36:49 | 0:36:55 | |
to where they live and introduce me. | 0:36:55 | 0:36:57 | |
I can take you down to the Hairy precinct. | 0:36:57 | 0:37:00 | |
I'm sure they'll be happy to speak to you. | 0:37:00 | 0:37:02 | |
I'll just get my bag. | 0:37:02 | 0:37:04 | |
Since when can the CA just hold people for interrogation? | 0:37:26 | 0:37:29 | |
You'd be surprised to hear | 0:37:52 | 0:37:54 | |
what we can do under this current legislation. | 0:37:54 | 0:37:56 | |
HE TAPS HIS FINGER ON DESK | 0:38:02 | 0:38:05 | |
Something for you to think about. | 0:38:05 | 0:38:07 | |
Wait. | 0:39:10 | 0:39:11 | |
-He's here. -Yeah? -He's the big guy - Maliyan. | 0:39:14 | 0:39:17 | |
We need to talk to him first. | 0:39:17 | 0:39:19 | |
Do you think this will be all right? | 0:39:19 | 0:39:21 | |
-I'd say so. -OK. | 0:39:21 | 0:39:23 | |
It's best you go on your own from here. | 0:39:24 | 0:39:27 | |
They might not talk if I'm there. | 0:39:27 | 0:39:28 | |
All right. | 0:39:30 | 0:39:32 | |
Right. | 0:39:34 | 0:39:36 | |
Who's that bitch? | 0:39:49 | 0:39:51 | |
Go and get some more firewood. | 0:39:51 | 0:39:53 | |
What?! | 0:39:58 | 0:40:00 | |
Uh... Hi, my name's Belinda Frosche, I'm from Network 8. | 0:40:00 | 0:40:04 | |
-Fuck you! -OK, OK. | 0:40:04 | 0:40:06 | |
I'm just a reporter. I just want to ask some questions and get the other | 0:40:06 | 0:40:10 | |
-side of the story. -Oh, really, bitch?! | 0:40:10 | 0:40:12 | |
I can... | 0:40:14 | 0:40:15 | |
I can help get your message out there. | 0:40:17 | 0:40:19 | |
You know? And we don't have to... | 0:40:19 | 0:40:20 | |
we don't have to film if that's not what you want. | 0:40:20 | 0:40:23 | |
I can help change people's minds. | 0:40:24 | 0:40:27 | |
Please, just...just think about what you're doing. | 0:40:31 | 0:40:33 | |
-Sssshhh. -Maliyan. -What?! -Come on, you don't have to do this! | 0:40:33 | 0:40:37 | |
-You skin mob, always telling us what to do! -Just let her go, please. | 0:40:37 | 0:40:41 | |
Go on. Kill her. | 0:40:41 | 0:40:42 | |
If you don't, she'll go back and tell them lies about us. | 0:40:44 | 0:40:48 | |
But if you do kill her, | 0:40:50 | 0:40:52 | |
get ready. | 0:40:52 | 0:40:54 | |
She's white. | 0:40:54 | 0:40:56 | |
She's famous. | 0:40:56 | 0:40:58 | |
And they'll come back after all of us... | 0:40:58 | 0:41:01 | |
And you know it. | 0:41:03 | 0:41:04 | |
Fuck this! | 0:41:07 | 0:41:08 | |
Uh, thank you. | 0:41:12 | 0:41:13 | |
I'm saving us, not you. | 0:41:13 | 0:41:15 | |
You're not worth dying for, you're scum. | 0:41:15 | 0:41:19 | |
They shot my little sister... | 0:41:21 | 0:41:23 | |
..and your people filmed it. | 0:41:25 | 0:41:26 | |
You didn't even try and say anything. | 0:41:28 | 0:41:30 | |
You didn't try and stop them! | 0:41:30 | 0:41:33 | |
You just let them film it! | 0:41:35 | 0:41:37 | |
And then you played it on the television, | 0:41:39 | 0:41:41 | |
over and over and over again! | 0:41:41 | 0:41:44 | |
Well, you've been busy. | 0:42:15 | 0:42:16 | |
Break and enter? | 0:42:18 | 0:42:20 | |
Conspiracy to commit murder? | 0:42:20 | 0:42:21 | |
Conspiracy to perform a terrorist attack? | 0:42:24 | 0:42:29 | |
A member of a terrorist organisation? | 0:42:29 | 0:42:31 | |
The Brotherhood is a peaceful movement. | 0:42:31 | 0:42:33 | |
This peaceful symbol was drawn in a man's blood. | 0:42:35 | 0:42:37 | |
Listen, we know you're holding these subhuman fugitives in the Zone. | 0:42:45 | 0:42:49 | |
Hand them back and we'll forget you had anything to do with it. | 0:42:51 | 0:42:56 | |
I'm not giving you these boys. | 0:42:57 | 0:42:58 | |
Do you want to see your family again? | 0:43:02 | 0:43:04 | |
Those boys didn't kill that guard. | 0:43:07 | 0:43:10 | |
But I know who did. | 0:43:10 | 0:43:12 | |
You've got photos of me in the containment centre. | 0:43:15 | 0:43:17 | |
Have another look. | 0:43:17 | 0:43:19 | |
I'm wearing a camera on my chest | 0:43:19 | 0:43:21 | |
and I have footage of that guard being murdered. | 0:43:21 | 0:43:24 | |
The government's got plenty of mileage out of | 0:43:25 | 0:43:27 | |
blaming the Hairy boys and stirring up hate, | 0:43:27 | 0:43:30 | |
but I saw who did it, and it wasn't a Hairy. | 0:43:30 | 0:43:33 | |
And the Hairy boys didn't paint this symbol either. | 0:43:34 | 0:43:37 | |
There wasn't a mark on the wall after that guard was killed. | 0:43:37 | 0:43:41 | |
You blokes, or someone you work for, did that. | 0:43:41 | 0:43:44 | |
So go ahead and charge these boys, see how far you get. | 0:43:46 | 0:43:49 | |
Forensics will show that the heart was removed sometime after death, | 0:43:50 | 0:43:55 | |
and there won't be a trace of DNA on any of them - | 0:43:55 | 0:43:57 | |
they were nowhere near the body. | 0:43:57 | 0:44:00 | |
And everyone will see the human rights abuses | 0:44:00 | 0:44:02 | |
that you people commit under the name of public safety. | 0:44:02 | 0:44:05 | |
Is that what you really want? | 0:44:07 | 0:44:09 | |
PHONE VIBRATES | 0:44:11 | 0:44:13 | |
Yeah. | 0:44:14 | 0:44:15 | |
-SLADE: -'We're further along than we thought we were. | 0:44:15 | 0:44:18 | |
'We need to accelerate things.' | 0:44:18 | 0:44:20 | |
What do you want me to do? | 0:44:20 | 0:44:22 | |
Pick up the item, now. | 0:44:22 | 0:44:24 | |
We need it for the next stage. | 0:44:24 | 0:44:26 | |
-Let me help you. -I'm OK. | 0:44:56 | 0:44:59 | |
You're so full of it. | 0:45:10 | 0:45:12 | |
You've built this wall around you. | 0:45:16 | 0:45:19 | |
That right? | 0:45:19 | 0:45:20 | |
You're not alone in this, Koen. | 0:45:21 | 0:45:23 | |
You have Blair. | 0:45:24 | 0:45:26 | |
You have me. | 0:45:28 | 0:45:30 | |
We're with you. | 0:45:32 | 0:45:34 | |
You just need to tell us how we can help you kill that thing. | 0:45:36 | 0:45:39 | |
Can you hear yourself? You know how crazy that sounds? | 0:45:39 | 0:45:43 | |
Not as crazy as someone who's been given some special gift | 0:45:43 | 0:45:46 | |
using it to pull beer. | 0:45:46 | 0:45:48 | |
Hey. | 0:45:55 | 0:45:57 | |
I don't think the universe fucked up, by the way. | 0:46:03 | 0:46:06 | |
You've always had something. | 0:46:07 | 0:46:09 | |
She was here. | 0:46:51 | 0:46:53 | |
You do what you want to me, I can take it. | 0:46:58 | 0:47:01 | |
But getting Alinta involved? That's not on, you hear me? | 0:47:03 | 0:47:07 | |
Nerida... | 0:47:10 | 0:47:12 | |
God, Waruu, just cos you want something, | 0:47:18 | 0:47:20 | |
doesn't mean you have to take it. | 0:47:20 | 0:47:21 | |
You were so close to losing everything. | 0:47:24 | 0:47:26 | |
Me, Alinta, the respect of the people around here. | 0:47:28 | 0:47:32 | |
You want to sort your shit out. | 0:47:35 | 0:47:36 | |
We've worked too hard and too long for you to fuck it up now. | 0:47:38 | 0:47:42 | |
No! No! Remember how we talked about what's cool, and not cool? | 0:47:54 | 0:47:57 | |
This is definitely not cool! | 0:47:57 | 0:47:59 | |
Kora, put the gun down! | 0:47:59 | 0:48:01 | |
-Where the hell did she get a gun?! -I thought we needed protection. | 0:48:03 | 0:48:06 | |
Yeah, we do, bruh, from her! | 0:48:06 | 0:48:08 | |
GUNSHOT | 0:48:08 | 0:48:09 | |
-Shit! -Get out! | 0:48:09 | 0:48:12 | |
No! Kora, Kora! | 0:48:12 | 0:48:13 | |
Give me the gun! | 0:48:13 | 0:48:15 | |
Give me the gun. AN ALARM BEEPS | 0:48:15 | 0:48:19 | |
-Yeah, yeah, yeah. -Ash. -Here. | 0:48:19 | 0:48:22 | |
You've got something of mine | 0:48:28 | 0:48:30 | |
and I've got something of yours. | 0:48:30 | 0:48:32 | |
Give me back the girl and you can have your friend. | 0:48:34 | 0:48:38 | |
Sounds simple. | 0:48:38 | 0:48:40 | |
It's the way I like to keep things. | 0:48:40 | 0:48:41 | |
No-one need get hurt. | 0:48:42 | 0:48:44 | |
-And what happens to her? -The girl? | 0:48:44 | 0:48:47 | |
That's not your problem. | 0:48:49 | 0:48:50 | |
Kora? | 0:48:54 | 0:48:55 | |
Come down here. | 0:48:55 | 0:48:57 | |
Kora! | 0:49:01 | 0:49:02 | |
It's all right, Kora. | 0:49:09 | 0:49:11 | |
Go on, go to the man. | 0:49:11 | 0:49:13 | |
Go on. | 0:49:16 | 0:49:18 | |
Now Ash. | 0:49:22 | 0:49:24 | |
Issue there. Boss wants you, too. | 0:49:24 | 0:49:27 | |
GUNSHOT | 0:49:27 | 0:49:29 | |
GUNSHOT | 0:49:31 | 0:49:34 | |
Ash! | 0:49:34 | 0:49:36 | |
Call an ambulance! | 0:49:36 | 0:49:38 | |
-Help us! -Call an ambulance! | 0:49:39 | 0:49:42 | |
-Ash, Ash... -Here. -Ash! | 0:49:42 | 0:49:44 | |
Ash! Hey! | 0:49:56 | 0:49:58 | |
ASH COUGHS AND SPLUTTERS | 0:49:58 | 0:50:01 | |
Hey, hey... | 0:50:01 | 0:50:04 | |
ASH FALLS SILENT | 0:50:04 | 0:50:06 | |
Ash? | 0:50:06 | 0:50:07 | |
Ash! | 0:50:10 | 0:50:11 | |
Ash! Ash... | 0:50:11 | 0:50:13 | |
Ash, Ash... Ash. | 0:50:13 | 0:50:17 | |
Ash? I love you. Stay with me. | 0:50:19 | 0:50:22 | |
-Ash... -We need to go. | 0:50:22 | 0:50:25 | |
No! | 0:50:25 | 0:50:27 | |
-I'm not leaving her! -Blair, we need to get out... Blair! -Ash... | 0:50:27 | 0:50:29 | |
-No! -She's gone, OK? She's gone. | 0:50:29 | 0:50:33 | |
Get out of here! Come on! | 0:50:33 | 0:50:35 | |
Come on! | 0:50:42 | 0:50:45 | |
Now, we've gotta go! | 0:50:45 | 0:50:46 |